Activision CALL OF DUTY User Manual

1

CONTENTS

INTRODUCTION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

INSTALLATION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

Enter CD Key . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

Latest Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

THE SINGLE PLAYER GAME . . . . . . . . . . . . . . . . . . . . . 4

MAIN MENU . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

PLAYING THE GAME . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

In-Game Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

MOVEMENT CONTROLS . . . . . . . . . . . . . . . . . . . . . . . 8

Crouching and Going Prone . . . . . . . . . . . . . . . . . . . . . . 10

Leaning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

VIEW CONTROLS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

WEAPON CONTROLS . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Aiming Down the Sight (ADS) . . . . . . . . . . . . . . . . . . . . 13

Melee Attack . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Reloading Weapons . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Swapping Weapons and Picking Up Items . . . . . . . . . . . . 14

OTHER CONTROLS . . . . . . . . . . . . . . . . . . . . . . . . . . . .15

Show Objectives/Score . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Quick Save/Quick Load . . . . . . . . . . . . . . . . . . . . . . . . . 15

WEAPONS IN CALL OF DUTY

™

. . . . . . . . . . . . . . . . . . 16

United States . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Russia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

United Kingdom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Germany . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

Stationary Weapons . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

OTHER INFORMATION . . . . . . . . . . . . . . . . . . . . . . . . . 23

Health Kits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

32

INTRODUCTION

In war, no one fights alone. From the fields of France to the Volga
River—from the smallest squads dropped behind enemy lines, to
the massive divisions that won the war on multiple fronts—the
soldiers of the Allied Forces stopped the German Army by standing
and fighting together, side by side.

In Call of Duty™, you get to fight alongside your brothers-in-arms
as history comes alive. In momentous battles from D-Day to
Stalingrad, you’ll find yourself in incredibly real terrain, caught in
breathtaking life and death combat. You’ll fight as American and
British paratroopers and as a young Russian soldier conscripted into
the Soviet Army. Whether cut off in a village in Normandy, battling
to re-take Red Square, boarding and sinking a German battleship,
speeding down German-held roads or rescuing Allied officers from
a German stronghold, the dangers are more than any one soldier
can overcome. To make it through, you’ll need your buddies around
you, and they’ll need you. That’s what war is about, and it’s what
Call of Duty™is all about.

INSTALLATION

Insert Disc One of Call of Duty™into your CD-ROM drive. After
a few seconds, the splash screen will appear. Click Install to begin
the installation process and then follow the on-screen instructions.

If the splash screen does not appear, you may have Autorun
disabled. Double-click on the My Computer icon on your desktop.
Open the CD-ROM drive with the Call of Duty™CD inserted.
Double-click on Setup.exe to launch the Start screen.
If you need more information, consult the help files.

MULTIPLAYER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Multiplayer Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Finding and Connecting to Multiplayer Servers . . . . . . . . 26

Connecting to Your ISP . . . . . . . . . . . . . . . . . . . . . . . 26

Setting Your Data Rate . . . . . . . . . . . . . . . . . . . . . . . 26

Server Listing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Connecting to a Specific Server . . . . . . . . . . . . . . . . . 27

Adding to Favourites . . . . . . . . . . . . . . . . . . . . . . . . . 27

Creating a Server . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Multiplayer Game Types . . . . . . . . . . . . . . . . . . . . . . . . . 30

IMPORTANT TIPS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

CREDITS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

CUSTOMER SUPPORT . . . . . . . . . . . . . . . . . . . . . . . . . . 40

SOFTWARE LICENSE AGREEMENT

. . . . . . . . . . . . . .42

54

MAIN MENU

After you view the
introductory movies,
the game’s Main
Menu will appear.
From this menu you
can launch new
games, resume games
in progress, switch
to the Multiplayer
portion of Call of
Duty™or access the
configuration options.

Resume Game – Load the last game you saved so you can
continue your progress through the campaigns. This option is
displayed only after starting a mission.

New Game – Launch a new Call of Duty™game from the
beginning of the first campaign. After selecting New Game,
choose your difficulty level from one of the four options available.

Load Game – Load any games you have saved. When you reach
the load/save menu, select the game name in the box on the left
side of your screen and then click on the word Load.

Multiplayer – Launch the multiplayer component of Call of
Duty™where you can join or create multiplayer servers via LAN
or Internet.

Options – Configure your controls and adjust audio/video quality
and performance settings. Click on the sub-sections on the right
side of the screen to see a new set of adjustable options on the left
hand side of the screen. Click on a setting to change it.

Credits – View the in-game credits sequence.
Quit – Exit the game and return to the desktop.

Enter CD Key

The Installer will prompt you to enter a CD key. You must have a valid
CD key in order to continue the installation process and play Call of
Duty™. Your unique CD key is printed on the back of the manual.
When prompted, enter the CD key as it appears on the jewel case. It’s
important that you observe the following guidelines to insure the
privacy of your CD key:

• Keep your CD key in a safe, private place in case you need to
reinstall your game at a later point.

• Players with invalid CD keys will not be permitted to join
multiplayer games, so be sure to enter it correctly as it appears
on the jewel case.

No one from either Activision®or Infinity Ward™will ever ask you for
your CD key (in game, on message boards or in chat rooms). Never
give it out to anyone! If you lose your CD key, you will not be issued
another one.

Latest Information

You will find the latest information about the game in the Readme file
on the game disc. Select Readme from the Start screen or select
Support on the splash screen then select Readme to view this
information. If you are having problems installing or playing the game,
you will also find assistance in the Help files section of the Start screen.

THE SINGLE PLAYER GAME

In the single player campaigns of the game, you play as an Allied
soldier deep in the thick of some of the fiercest combat of the Second
World War. The success of your squad, the completion of your mission
and your very survival will depend on how well you move, how well
you shoot and, perhaps most importantly, how well you keep your wits
about you.

To begin a single player game, select Play Call of Duty

™

Single Player

from the Call of Duty™folder contained in the Programs section of the
Windows®Start Menu.

6

Status Text – Throughout the game, updates appear here
including changes in mission objectives, picking up health and
other alerts.

Ammunition Counter – The box in the lower right-hand
section of the screen is your ammunition counter. The first
number indicates how many rounds are in your current
weapon’s clip. The second number indicates your total number
of rounds.

Health Bar – This bar indicates your current health status.
A full green bar indicates full health. The bar reduces in size
and changes colour along the spectrum from green to red as you
lose health.

Crosshair – Use your crosshair to aim your weapon at your
enemies. When you run or walk, your crosshair will widen,
indicating the lack of accuracy that comes from attempting to
aim while moving. The wider the crosshair, the less accurate
your shots. When you stop moving, you automatically steady
your weapon and your crosshair narrows. It is often wisest to fire
when completely stopped to ensure accurate shots (and enable
you to conserve ammo). Crouching or lying prone also keeps
your crosshair focused, and it is advisable to use these positions
whenever possible. Your crosshair will change when you
encounter interactive objects. If you move your crosshair over an
ally who is close to you, you will see your crosshair change to
the image of a person. Press the Use key (default: F ) to ask
individuals to move out of your line of sight.

Pickup Indicator – This indicator appears
when there is an item you can pick up, be it a
health kit, secret documents or a new weapon.
In order to pick up the desired item, press your
Use key (default: F ). In the case of a new
weapon (or ammunition for your current arsenal),
you must press and hold the Use key.

PLAYING THE GAME

Each mission’s briefing will provide crucial information about the
setting, objectives, opportunities and potential obstacles you’ll
encounter. This information will take the form of personal journal
entries or communiqués from your superiors. Study them closely
before entering the mission. The information they contain could
save your life.

In-Game Display

Compass – The compass is useful for helping you navigate your

surroundings and for getting your bearings. In addition to
showing you which direction you’re facing, it also shows you the
location of Allies in your vicinity (green arrows) and the location
of your current objective (a golden star).

Stance Indicator – The triangle-shaped icon shows you what your
current stance is in the game. The icon will change from standing
to crouching to prone, depending on the stance you choose.

Compass

Stance

Indicator

Pickup

Indicator

Health

Indicator

Status Text

Crosshair

Ammunition
Counter

7

8

Command Default Key Description

Stance Up Unbound Move up one stance position

(from crouching to standing
or from prone to crouching).

Toggle Crouch Unbound Press once to move into crouch

position. Press again to return
to your previous stance.

Toggle Prone Unbound Press once to move into prone

position. Press again to return
to your previous stance.

Crouch Unbound Hold to crouch. When

released, you return to your
previous stance.

Prone Unbound Hold to lie prone. When

released, you return to your
previous stance.

Turn Left Unbound Rotate to the left while

staying in one position.

Turn Right Unbound Rotate to the right while

staying in one position.

Strafe Unbound Sidestep (control direction

with mouse).

In addition to running forward, backward, left and right, you’ll
need to master the other movement skills described on the
following pages.

MOVEMENT CONTROLS

The default movement keys are as follows:

Command Default Key Description

Forward

W

Walk forward.
Backpedal S Walk backward.
Move Left A Sidestep to the left.
Move Right D Sidestep to the right.
Lean Left Q Lean to the left around corners

to minimise

your exposure.
Lean Right E Lean to the right around

corners to minimise

your exposure.
Stand/Jump Spacebar Stand upright from

either the crouching or prone

position.
Go to Crouch C Crouch from either the

standing or prone position.
Go to Prone CTRL Lie prone from either

the standing or

crouched position.
Jump/Stance Up Unbound Jump (when already standing)

or move up to stand from

either prone or crouch.
Stance Down Unbound Move down one stance position

(from standing to crouching or

from crouching to prone).

9

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Leaning

The ability to lean around corners and obstacles is essential to
your survival. Leaning minimises your exposure in potentially
dangerous situations and allows you to look into rooms, around
corners and otherwise peek from behind cover to survey the
situation, check for hidden enemies and even fire at them. You
can still be seen and even shot while leaning, so exercise caution.

You activate the lean controls for as long as you hold down the key.
Releasing either lean key returns you to a centered view position.

VIEW CONTROLS

The default view keys are as follows:

Command Default Key Description

Look Up Unbound Shifts your view up to see

above you.

Look Down Unbound Shifts your view down to see

below you.

Mouse Look Unbound Toggles between mouse-

controlled view and keyboard­controlled view.

Centre View Unbound Returns your view to front

and centre.

Free Look Yes Enable mouse-controlled

“free” viewing—move your
mouse to view 360.

º

Invert Mouse No Invert the Y-axis of the mouse

if you prefer.

Smooth Mouse No Makes mouse movement

less jittery.

Mouse Sensitivity Slider Controls the responsiveness of

the mouse.

Crouching and Going Prone

As soon as you enter
your first battle, you’ll
find that a soldier who
stands around often
winds up dead. A shrewd
player will make use of
both the crouch and
prone stance positions
when in the thick of
battle to keep cover,
avoid enemy fire and
move without exposing
himself to danger. Keep
in mind that while
crouched or prone,
you’ll be harder to hit,
but won’t move as
fast as when standing
up. Additionally, when
prone, you’ll crawl on
your belly at a very slow
pace and won’t be able
to fire while moving.

IMPORTANT TIP:
Always use available
cover! Crouching or
lying behind trees
and brush can keep the
enemy from spotting
you. Getting behind
bulletproof objects can
save you from gunfire.

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By default, looking around in the game is controlled by the mouse.
Moving your mouse from side to side rotates your view left or
right. Moving your mouse forward (away from you) causes you to
look up, while moving your mouse backward (toward you) causes
you to look down.

WEAPON CONTROLS

The default weapon-related keys are as follows:

Command Default Key Description

Attack Left Mouse Button Fire weapon.
Toggle Aim Right Mouse Button Switch between “Aim

Down the Sight Down the Sight”

and “From the Hip”
firing modes.

Aim Down Unbound Hold down to aim down
the Sight the sight of your gun.

Release to return to normal
firing mode.

Melee Attack Shift Strike the enemy with

the butt of your gun.
Reload Weapon R Reload weapon.
Change Rate M Switch between fully

of Fire automatic and semi-

automatic firing modes.

(Note: Not all weapons

have multiple firing modes)
Select First Weapon 1 Switch your active weapon

to the first weapon slot.

Command Default Key Description

Select Second Weapon 2 Switch your active weapon

to the second weapon slot.

Select Pistol 3 Switch your active weapon

to your pistol.

Select Grenade 4 Switch your active weapon

to grenades.

Next Weapon Mouse Wheel Switch to the next

Down weapon in your inventory.

Previous Mouse Wheel Up Switch to the previous
Weapon weapon in your inventory.

Aiming Down the Sight (ADS)

With every gun, you can enable the “aim down the sight”
function, bringing the weapon up from your hip to your face so
you can look down the sight (or look into the scope, in the case
of scoped rifles). Aiming down the sight gives you a slight zoom
effect, enabling you to be more accurate. However, when aiming
down the sight, you move slower than normal.

The default toggle
key for Aim Down
the Sight is the
Right Mouse Button.
You can also bind a
key to “hold down”
between ADS and
normal modes.

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Melee Attack

Sometimes the
proximity of your
enemies makes it
difficult to aim your
weapon and defend
yourself properly.
Fortunately, you have
a melee attack
(default: Shift )
available that allows
you to smack an enemy
at close range with the
butt end of your rifle
or pistol.

Reloading Weapons

When your weapon’s clip runs out of ammunition, you will
automatically reload. Monitor your ammunition carefully!
Reloading in the middle of a firefight takes time and leaves you
unable to defend yourself. If you’re running low on ammunition,
pick up the extra ammunition from a fallen comrade’s weapon of
the same type. If all else fails, grab a weapon from a fallen enemy.

Swapping Weapons and Picking Up Items

When you see a weapon on the ground, you can swap it with one
of your two main weapons (slot 1 or slot 2). To swap weapons,
move your crosshair over the weapon and hold down the Use key.
You’ll automatically drop your current weapon and pick up the
new weapon.

Picking up items is as simple as pointing your crosshair at the item
and pressing the Use key, or, in the case of health and ammunition,
walking over the item.

OTHER CONTROLS

Command Default Key Description

Show Objectives/ Tab Bring up a list of your
Score mission objectives.

Use F Use, pick up, drop off and

otherwise interact with items
and devices.

Screenshot F12 Use this function to take an

in-game screenshot.

Quick Save F5 Quickly save your game in the

middle of a mission.
Quick Load F9 Load your Quick Save game.
Enable Console No Set this to Yes if you would like to

enable the in-game console

(accessible by pressing the tilde ~

key). Please be advised that the

Console is not supported. Please

do not call Activision Customer

Support with any questions

regarding this feature.

Show Objectives/Score

Throughout your campaign, mission objectives will change. Press the
Show Objectives/Score key (default: TAB ) to show your mission
objectives and give you a status on each one.

• Incomplete or in-progress mission objectives appear in

green text.

• Failed mission objectives appear in red text.

• Completed mission objectives appear in black text.

Quick Save/Quick Load

As you progress through the campaigns, it’s wise to save your progress.
The Quick Save (default: F5 ) and Quick Load (default: F9 ) hotkeys
allow you to avoid the save/load menus and stay in the action.

WEAPONS IN CALL OF DUTY

™

United States

M1A1 Carbine

The M1A1 Carbine, a .30 caliber semi-automatic rifle with a
folding stock, is commonly issued to paratroopers. Though it
lacks the stopping power of larger rifles, it’s lightweight, accurate
and compact.

Range: Medium

Rate of Fire: Medium

Damage: Moderate

Mobility: Fast

M1 Garand

The M1 Garand is a powerful and accurate semi-automatic rifle.
Its primary drawback is that it can’t be conveniently reloaded in
the middle of a clip.

Range: Long

Rate of Fire: Medium

Damage: High

Mobility: Fast

Thompson

The Thompson submachine gun is effective at close range and
fires the powerful .45 ACP round. It’s notoriously inaccurate at a
distance but compensates with a high rate of fire.

Range: Short

Rate of Fire: Fast

Damage: High

Mobility: Fast

Browning Automatic Rifle

The Browning automatic rifle is a squad support weapon, used to
lay down accurate suppression fire at enemy positions. It is most
effective when used while prone.

1716

Range: Long

Rate of Fire: Fast

Damage: High

Mobility: Slow

Springfield

The Springfield M1903, originally developed after the Spanish­American War, is a sniper rifle equipped with a 4x zoom scope.
As a bolt-action scoped weapon, it has a slow rate of fire and
reloads one round at a time.

Range: Very Long

Rate of Fire: Slow

Damage: Very High

Mobility: Medium

Colt .45

A standard issue pistol for American paratroopers, favoured by
British airborne forces as well. The 7-round magazine is small,
but the stopping power of the large .45 caliber round makes the
Colt useful in a pinch.

Range: Short

Rate of Fire: Medium

Damage: Moderate

Mobility: Very Fast

M2 Fragmentation Grenade

Fragmentation grenades are very effective anti-personnel devices.
The highly explosive charges reduce their metal casing to flying
fragments, causing considerable blast damage. Though they’re
ineffective against armoured vehicles, they are extremely useful
for clearing out entrenched infantry positions.

Range: Medium

Rate of Fire: Medium

Damage: Very High

Mobility: Very Fast

RGD-33 Stick Grenade

Fragmentation grenades are very effective anti-personnel devices.
The highly explosive charges reduce their metal casing to flying
fragments, causing considerable blast damage. Though they’re
ineffective against armoured vehicles, they are extremely useful
for clearing out entrenched infantry positions.

Range: Medium

Rate of Fire: Medium

Damage: Very High

Mobility: Very Fast

United Kingdom

Lee-Enfield

First introduced in 1907 at the outbreak of the First World War,
the Lee-Enfield rifle is the British Army’s standard issue infantry
weapon. A bolt-action rifle, it’s powerful and effective at long
range. It carries up to ten rounds, loaded by two 5-round
stripper clips.

Range: Long

Rate of Fire: Slow

Damage: Very High

Mobility: Fast

Sten

The Sten Mark 2 is a 9mm submachine gun effective for
clearing out rooms and trenches. Its compact frame and light
weight provide excellent mobility.

Range: Medium

Rate of Fire: Fast

Damage: Moderate

Mobility: Very Fast

Russia

PPSh

The PPSh submachine gun holds 71 rounds of Soviet pistol
ammo and has a very high rate of fire. It’s ineffective at long
range and fires a relatively weak round, but its rate of fire makes
for effective suppression and close-range combat.

Range: Short

Rate of Fire: Very Fast

Damage: Moderate

Mobility: Fast

Mosin-Nagant

The Mosin-Nagant is a bolt-action rifle capable of very accurate
and powerful long-range fire. However, its low rate of fire is a
liability in close-range combat.

Range: Long

Rate of Fire: Slow

Damage: Very High

Mobility: Medium

Scoped Mosin-Nagant

Outfitted with a 4x zoom scope, the Scoped Mosin-Nagant is
perfect for long-range sniper work.

Range: Very Long

Rate of Fire: Slow

Damage: Very High

Mobility: Medium

Luger

The Luger pistol carries 9mm ammunition and an 8-shot
magazine. It’s a highly prized trophy for Allied soldiers and can
often be found as a sidearm in Russian or American hands.

Range: Short

Rate of Fire: Medium

Damage: Moderate

Mobility: Very Fast

1918

Germany

MP40

The MP40 submachine gun is an effective room-clearing weapon. It
has a relatively minimal muzzle climb even when fired fully
automatic in extended bursts.

Range: Medium

Rate of Fire: Fast

Damage: Moderate

Mobility: Fast

MP44

The MP44 is an assault rifle that fires a unique “short” rifle round.
Up close, it can be used as a submachine gun, while at longer ranges
it can operate as a rifle.

Range: Long

Rate of Fire: Fast

Damage: High

Mobility: Medium

Kar98k

The Kar98k is the standard issue German infantry rifle. It’s accurate
and deadly at long range, but suffers from a slow rate of fire due to
its bolt-action mechanism.

Range: Long

Rate of Fire: Slow

Damage: Very High

Mobility: Medium

Scoped Kar98k

The Kar98k outfitted with a scope is a formidable sniper rifle.

Range: Very Long

Rate of Fire: Slow

Damage: Very High

Mobility: Medium

Bren LMG

The Bren is an excellent machine gun in the role of squad support.
Its large size limits mobility, but allows it to deliver accurate
automatic rounds when fired while prone.

Range: Long

Rate of Fire: Fast

Damage: High

Mobility: Slow

Colt .45

A standard issue pistol for American paratroopers, favoured by
British airborne forces as well. The 7-round magazine is small, but
the stopping power of the large .45 caliber round make the Colt
useful in a pinch.

Range: Short

Rate of Fire: Medium

Damage: Moderate

Mobility: Very Fast

MK1 Fragmentation Grenade

Fragmentation grenades are very effective anti-personnel devices.
The highly explosive charges reduce their metal casing to flying
fragments, causing considerable blast damage. Though they’re
ineffective against armoured vehicles, they are extremely useful for
clearing out entrenched infantry positions.

Range: Medium

Rate of Fire: Medium

Damage: Very High

Mobility: Very Fast

2120

Stielhandgranate

Fragmentation grenades are very effective anti-personnel devices.
The highly explosive charges reduce their metal casing to flying
fragments, causing considerable blast damage. Though they’re
ineffective against armoured vehicles, they are extremely useful
for clearing out entrenched infantry positions.

Range: Medium

Rate of Fire: Medium

Damage: Very High

Mobility: Very Fast

Stationary Weapons

In order to use a stationary weapon (such as an MG42 machine
gun) move up to the weapon until you see the hand icon. Press
the Use key (default: F ) to mount the weapon and fire the
weapon with the attack command. Press the Use key again to
dismount from the weapon.

OTHER INFORMATION

Health Kits

Throughout your
journey, you’ll
encounter three kinds
of health kits – tins,
boxes and bags, which
replenish small,
medium and large
amounts of health,
respectively. Press
the Use key or walk
over them to pick
them up. Note that there are no additional health kits when
playing the single player game on the Veteran difficulty setting.

2322

FG42

The FG42 is a great multi-purpose weapon. It’s one of the
deadliest fully automatic weapons available and the single-fire
mode is effective at all ranges. A 4x zoom scope is standard issue.

Range: Very Long

Rate of Fire: Fast

Damage: High

Mobility: Medium

Luger

The Luger pistol carries 9mm ammunition and an 8-shot
magazine. It’s a highly prized trophy for Allied soldiers and can
often be found as a sidearm in Russian or American hands.

Range: Short

Rate of Fire: Medium

Damage: Moderate

Mobility: Very Fast

Panzerfaust

The Panzerfaust (German for “Armoured Fist”) is an anti-tank
weapon, launching a small charge designed to penetrate an
armoured tank or vehicle. Due to the armour-piercing nature of
the charge, it’s not an effective anti-personnel device. Each
Panzerfaust is only a single shot weapon, but one shot is often
enough to reduce even the largest tanks to smouldering ruins
within seconds.

Range: Short

Rate of Fire: One Shot

Damage: Very High

Mobility: Slow

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Multiplayer Options

Command Defaults To Description

Vote Yes F1 Vote yes on the vote

currently in progress.

Vote No F2 Vote no on the vote

currently in progress.

Chat T Chat with the players in

the game.

Team Chat Y Send a chat message to

your team members only.

Quick Chat V Bring up the Quick Chat

function, which enables
you to quickly “shout”
commands, warnings, etc.

Draw HUD Yes Toggles the health,

compass and ammo
indicators on the game
screen On or Off.

Draw Crosshair Yes Toggles the crosshair

on the game screen
On or Off.

MULTIPLAYER

To play online, select the Multiplayer option from the Single Player
main menu or choosing the Join Game option from the Multiplayer
main menu. You’ll be presented with these choices:

• Join a Game –
Go to the Multiplayer
Server Browser
screen to search for
available Internet
or LAN-based
multiplayer games.

• Start a New Server –
Use this option
to set up and
host your own
multiplayer game.

• Multiplayer Options – This allows you to adjust settings specific
to multiplayer, including data rate, chat hotkeys and player name.

• Options – This allows you to configure your controls and
adjust audio/video quality and performance settings. Click on the
subsections on the right side of the screen to see a new set of
adjustable options on the left hand side of the screen then click on
a setting to change it. A list of default controls, as well as an
explanation of audio and video settings is below.

• Mods – This brings up the list of Mods (modified versions of Call
of Duty™) that you have installed.

• Single Player – This launches single player Call of Duty™where
you can play campaign missions.

•Quit– Exit the game and return to the desktop.

2726

An improper data rate could result in impaired performance
(i.e. high “ping” times and “lag”) in Internet and LAN-based
multiplayer games, so be sure to set this value correctly.

Server Listing

After selecting Join a Game, you’ll see the Server Listing screen. To
see Internet servers, click on the Source button to change the source
from Local to Internet (or from Internet to Local if you wish to play
a LAN game). The server list shows the name of the server, the map
the server is playing, the number of current and maximum players
on the server, the gameplay type and your ping (connection delay)
to that server. Ping indicates the time it takes for your computer to
transmit to the server (the lower the ping, the better). Sort the
servers in order of ping by clicking on the Ping column heading.
You’ll generally experience fewer gameplay slowdowns on a server
with a lower ping than one with a higher ping.

Click Refresh List to update the list of available servers.

Connecting to a Specific Server

When you find a server that you like, double-click on its name
to connect to it, or click once to highlight the name and then click
Join Server.

Adding to Favourites

If you like a particular server, you may want to add it to your
favourites list by clicking Add To Favourites. You can see your
favourites list by clicking the Source button to change the source to
Favourites.

IMPORTANT NOTE: Some servers may require a password to
connect. A password may be entered by clicking the Password
button on the bottom of the screen.

Command Defaults To Description

Connection Type ISDN Select the correct connection

speed of your Internet
connection.

Player Name Unknown Enter the name you want

Soldier to use for multiplayer games.

Show Scores TAB Bring up the scoreboard and

display teams.

Finding and Connecting
to Multiplayer Servers

Connecting to
Your ISP

For Internet play,
connect to your
Internet Service
Provider (ISP) before
starting multiplayer. If
you have cable modem
or DSL access, you
may have a persistent
connection and won’t
need to do anything
special. See your
Windows®and ISP manuals
for information on how to connect to your ISP.

Setting Your Data Rate

It’s extremely important that you set your Connection Type to
match the speed of your Internet connection. There are 5 options
for the Connection Type setting to send data at the optimal rate
for your bandwidth. The options are 28.8Kbps modem, 33.6Kbps
modem, 56Kbps modem, ISDN line (default) and one for LAN,
cable modem or DSL connections.

2928

Password Enter a password to restrict players from

joining unless they know the password.
Passwords are case sensitive.

Depending on the game type selected on the Server Settings screen,
the Game Type Settings button brings up a different
set of options.

Game Type Settings:

Score Limit Set the number of kills needed to win.
(player points)

Score Limit (team points) Set the number of team points needed to

win.

Time Limit (minutes) Set the time limit for the map in

minutes.
Round Limit (rounds) Set the round limit for the map.
Round Length (minutes) Set the time limit for each round in

minutes.
Grace Period (seconds) Set the amount of time allowed at the

beginning of each round for players to

switch teams and still be allowed to play

for that round.
Carrier Indicator Enable this option to add an icon over

the head of the player carrying the

objective.
Friendly Indicators Enable this option to add an icon over

the head of teammates.
Friendly Fire Enable this option to allow teammates to

hurt and even kill each other. There are 3

settings: On, Off or Reflect. (Reflect –

When a player shoots a teammate, the

damage that the teammate would have

taken is reflected back onto the player

that shot the teammate).

Creating a Server

If you want to use your computer as a server, click on Start New
Server from the Multiplayer main menu. From here, you’ll be

able to select the map you want the server to run and other
server options.

The Server Settings are as follows:
Game Type Choose from Deathmatch, Team

Deathmatch, Retrieval, Behind Enemy
Lines and Search and Destroy.

Server Name This is the name of the server as it

appears in the Join Server browser.

Dedicated No – Start a local server and a

local client.
LAN – Start a Local Area Network-

dedicated server [no local client].
Internet – Start a server that can be

seen on the Internet through the
master server.

Pure Enable this option to restrict players

with modified game files from joining
the server.

Maximum Players Set the maximum number of

players on the server at one time.

Minimum Ping Set the minimum ping allowed per

player. Setting this to 0 means no limit
on ping time.

Maximum Ping Set the maximum ping allowed per

player. Setting this to 0 means no limit
on ping time.

Maximum Rate Set the maximum amount of

bandwidth allowed per player. Setting
this to 0 means no limit on bandwidth.

31

Retrieval

In this timed, round-based, team-oriented mode, one team must
locate and retrieve crucial documents from the enemy and return the
documents to their safe zone (represented as a blue box on the
compass). The defending team must hold the enemy off until the
time runs out. The attacking team gains points for successfully
retrieving the documents. The defending team gains points for
keeping the documents safe for the duration of the round. Either
team can win by simply eliminating all enemies on the map.

Search & Destroy

In this timed, round-based, team-oriented mode, a team must
destroy one of several objectives on the map while the other team
strives to defend the objectives. The attacking team wins points for
successfully destroying objectives. The defending team wins points
for keeping all objectives intact for the duration of the round. Either
team can win by simply eliminating all enemies on the map.

Deathmatch

It’s “every man for himself.” Points are awarded for kills, and the first
player to either reach the score limit (set by the server administrator)
or have the most points when time runs out is the victor.

Team Deathmatch

Similar to deathmatch mode but with all players divided into two
teams. Points are awarded for kills. The team with the most points at
the end of the time limit wins but the first team to reach the score
limit can claim early victory.

30

Force Respawning Enable this option to force players to

respawn after dying.

Allow Voting Enable this option to allow players to

use the in-game voting system to change
server options such as map and game
type.

Allow Sniper Rifles Enable this option to allow players to

select sniper rifles.

Allow Panzerfausts Enable this option to allow players to

pick up Panzerfausts.

Note: By playing online, you must leave the Activision-controlled
environment in Call of Duty

™

. The game's content has been rated as
BBFC 15+ and PEGI 16+, but the content may change during online
play due, to among other things, interactive exchanges. Activision and
Infinity Ward take no responsibility for content external to the
game itself.

Multiplayer Game Types

Behind Enemy Lines

A very small team of Allied soldiers is outnumbered and surrounded
by Axis soldiers behind enemy lines. Allied players gain points by
staying alive and by killing as many Axis players as possible. An Axis
player who kills an Allied player respawns as an Allied player for a
chance to score even more points.

3332

Reloading – Always reload your weapon after a firefight. This
enables you to be as prepared as possible for the next engagement
you face. Another enemy could be just around the corner, and
entering a conflict with low or no ammunition in your weapon
could cost you your life.

Leaning – When progressing through combat areas, use the Lean
commands to enable you to peer around walls, doors, windows or
other obstacles. You’ll be harder to see and harder to shoot should
enemies be on the other side. You can also lean around obstacles to
fire on the enemy, getting the jump on your targets and suppressing
threats as quickly and safely as possible.

Stance – Be mindful of your stance at all times. Soldiers that walk
tall on the battlefield often find themselves coming
home in a box. Crouching and lying prone keeps your profile low,
making you harder to see, and more importantly, harder
to shoot.

IMPORTANT TIPS

Nobody Makes It Alone – Success in Call of Duty™relies on a

well-coordinated and cooperative squad. Your squadmates help fight
the enemy by providing cover fire and helping to eliminate threats.
Above all, listen to your squad leader! Do exactly what he says and
you’ll stay alive.

Know When to Be the Hero – The soldier who runs into the thick
of battle guns a-blazing often winds up dead. Although you’ll often
be called upon to make split-second decisions, a levelheaded and
patient warrior is the one who returns home to his family.
Remember that a deadly threat could be looming behind any corner,
wall, window or rock. Stay alert, move deliberately and don’t try
anything stupid.

Use Cover – Every battle environment you encounter will have a
range of available locations to keep out of sight and out of the path
of whizzing bullets. Crouch and crawl behind solid cover as much as
possible—you never know when new threats will spot you, and be
confident that Gerry will not hesitate to shoot you down in your
tracks.

Stay Mobile – Think you found a good spot for cover? That may
change in a matter of seconds. Although pausing to regroup, assess
threats, reload weapons or replenish health is always necessary, don’t
stay in one location for too long. You never know when the enemy
may discover you and compromise what you thought was a safe
location. If you hear artillery or mortar fire in the distance, by all
means stay mobile. You may not survive if a stray shell lands near
you.

Be Thorough – Clear buildings and combat areas with a meticulous
and thorough search. Enemies may lie in silence, waiting for you or
your squad to let your guard down.

35

Mike Phillips, Josh Henniger, Dave Santi and the members of
E Company 2/506 PIR 101st Airborne Division of Southern
California, 8th Guards Mechanized Corps and the participants
of the Camp Gruber Battle of Berlin reenactment of

November 2002 . . . . . . . . . . . . . . . . . . . . .Historical Reference

ACTIVISION

PRODUCTION

Thaine Lyman . . . . . . . . . . . . . . . . . . . . . . . . .Senior Producer

Ken Murphy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Producer

Daniel Hagerty, Eric Grossman . . . . . . . . . .Associate Producers

Matthew Beal . . . . . . . . . . . . . . . . . . .Production Coordinator

Robert “Paligap” Kirschenbaum,

Patrick “Kewk” Bowman . . . . . . . . . . . . . . .Production Testers

Eric Adams . . . . . . . . . . . . . . . . . . . . . .Additional Production

Laird Malamed . . . . . . . . . . . . . . . . .Senior Executive Producer

Mark Lamia . . . . . . . . . . . . . . . . .VP, North American Studios

Larry Goldberg . . . . . . . . . . . . . . .Exec. VP, Worldwide Studios

SCRIPT, VOICE AND MOTION CAPTURE

Michael Schiffer . . . . . . . . . . . . . . . . . . . . . . . . . . .Scriptwriter

Margaret Tang, Womb Music . . . .Voice Casting and Direction

Steve Blum . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Captain Foley

Jason Statham . . . . . . . . . . . . . . . . . . . . . . . . .Sergeant Waters

Giovanni Ribisi . . . . . . . . . . . . . . . . . . . . . . . . . .Private Elder

Gregg Berger . . . . . . . . . . .Sergeant Moody, Additional Voices

Michael Gough . . . . . . . . . . . .Captain Price, Additional Voices

Michael Bell . . . . . . . . . . . . .Sergeant Pavlov, Additional Voices

Jim Ward . . . . . . . . . . . .German PA Officer, Additional Voices

Nick Jameson . . . . . . . . .Russian Tank Crew, Additional Voices

Neil Ross . . . . . . . . . . . . . . . . . . . . . . . .Narrator, Announcer

David Sobolov . . . . . . .German Loudspeaker, Additional Voices

Andre Sogliuzzo, Grant Albrecht,
Quinton Flynn, Josh Paskowitz, Earl Boen . . .Additional Voices
Rik W. Schaffer, Womb Music

. . . . . . . . .Recording, Engineering, Editing, VO Effects Design

Voices Recorded at . . . . . . . . . . .Salami Studios and The Castle

34

CREDITS

INFINITY WARD

Jason West . . . . . . . . . . . . . . . . . . . . . . . . . .Engineering Lead

Zied Rieke . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Design Lead

Justin Thomas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Art Lead

Michael Boon . . . . . . . . . . . . . . . . . . . . . . . . .Animation Lead

Vince Zampella . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Producer

Ken Turner . . . . . . . . . . . . . . . . . . . . . .Development Director

Robert Field, Francesco Gigliotti, Carl Glave,

Earl Hammon, Jr., Jason West . . . . . . . . . . . . . . . .Engineering

Bryan Kuhn,

Fairfax Sheild McCandlish IV . . . . . . .Additional Programming

Todd Alderman, Keith “Ned Man” Bell,
Steve Fukuda, Preston Glenn, Chad Grenier,
Fairfax Sheild McCandlish IV,
Zied Rieke, Nate Silvers . .Level Design & Game Play Scripting

Brad Allen, Chris Hassell, Jeff Heath, Justin Thomas . . . . . .Art

Paul Jury . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Lead 2D

Justin Thomas, Kevin Chen . . . . . . . . . . . . . . . . . .Concept Art

Dan Moditch, Sloan Anderson . . . . . . . . . . . . . .Additional Art

Michael Boon, Ursula Escher,

Chance Glasco, Paul Messerly . . . . . . . . . . . . . . . . .Animation

Shadows in Darkness . . . . . . . . . . . . . . .Additional Animation

Chuck Russom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Sound

Jack Grillo . . . . . . . . . . . . . . . . . . . . . . . . . .Additional Sound

Bryan Kuhn . . . . . . . . . . . . . . . . . . . . . .System Administrator

MANAGEMENT

Grant Collier . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .CEO

Vince Zampella . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .CCO

Jason West . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .CTO

Janice Turner . . . . . . . . . . . . . . . . . . . . . . . . . .Office Manager

Clifton Cline, Oliver George, Chris Hermans,

Scott Matloff, Gavin McCandlish, David Oberlin . . . . . .Testers

37

INTERNATIONAL

Scott Dodkins . . . . .Senior Vice President European Publishing

Roger Walkden . . . . . . . . . . . . . . . . . . . .UK General Manager

Alison Turner . . . . . . . . . . . . .Director of Marketing UK/ROE

Nathalie Ranson . . . . . . . . . . . . . .Head of Publishing Services

Jackie Sutton . . . . . . . . . . . . . . . . . .Creative Services Manager

Tamsin Lucas . . . . . . . . . . .Senior Localisation Project Manager

Simon Dawes . . . . . . . . . . . . . . . .Localisation Project Manager

Trevor Burrows . . . . .European Publishing Services Coordinator

Daleep Chhabria . . . . . . . . . . . . . . . . . . . . . . .Brand Manager

Heather Clarke . . . . . . . . . . . . .European Operations Manager

Lynne Moss ,Victoria Fisher . . . . . . . . . . . .Production Planners

Effective Media GmbH . . . . . . . . . . . . . . .German Localisation

Around The Word . . . . . . . . . . . . . . . . . . . .French Localisation

Synthesis International . . . . . . . .Italian & Spanish Localisation

Kids Station, Inc. . . . . . . . . . . . . . . . . . .Japanese Localisation

Unalis Corporation . . . . . . . . . . . . . . . . . .Chinese Localisation

MEGA Enterprise Co . . . . . . . . . . . . . . . . .Korean Localisation

Activision Germany

Stefan Luludes . . . . . . . . . . . . . . . . . . . . . .Marketing Manager

Bernd Reinartz . . . . . . . . . . . . . . . . . . . . . . . . . . .PR Manager

Julia Volkmann . . . . . . . . . . . . . . . . . . . . . . . . . . .PR Assistant

Stefan Seidel . . . . . . . . . . . . . . . . . . . . . . . . . . .Brand Manager

Thorsten Huebschmann . . . . . . . . . . . . . . .IT & Web Manager

Activision France

Bernard Sizey . . . . . . . . . . . . . . . . . . . . . . .Marketing Director

Guillaume Lairan . . . . . . . . . . . . . .Marketing Group Manager

Gautier Ormancey . . . . . . . . . . . . . . . . . . . . . .Brand Manager

Diane de Domecy . . . . . . . . . . . . . . . . . . . . . . . . .PR Manager

CENTRAL TECHNOLOGY

John Fritts . . . . . . . . . . . . . . . . . . . . . . . . . .Installer Scripting

Andrew Petterson . . . . . . . . . . . . . . . . . .Installer Programming

36

MUSIC AND SOUND EFFECTS

Michael Giacchino . . . . . . . . . . . . . . . .Original Musical Score

Justin Skomarovsky . . . . . . . .“Age of War” (Intro Movie) Music

GLOBAL BRAND MANAGEMENT

Brad Carraway . . . . . . . . . . . . . . . . . . . . . . . .Brand Manager

Richard Brest . . . . . . . . . . . . . . . . . . .Associate Brand Manager

David Pokress . . . . . . . . . .Director, Global Brand Management

Dusty Welch . . . . . . . . . . . . . . .VP, Global Brand Management

Kathy Vrabeck . . . . . . . . .Exec. VP, Global Brand Management

Mike Mantarro . . . . . . . . . . . . . . . . . . . . . . . . .Senior Publicist

Michelle Nino . . . . . . . . . . . .Director, Corp. Communications

Tricia Bertero . . . . . . . . . . . . . . . . . . . . . .VP, Trade Marketing

John Dilullo . . . . . . . . . . . . . . . . . .Director, Trade Marketing

Julie DeWolf . . . . . . . . . . . . . . . . . .Trade Marketing Manager

BUSINESS & LEGAL AFFAIRS

Greg Deutsch . . . . . . . . . . . .Director, Business & Legal Affairs

George Rose . . . . . . . . . . . . . . .Senior VP & General Counsel

CREATIVE SERVICES

Denise Walsh . . . . . . . . . . .VP, Creative Services & Operations

Matthew Stainner . . . . . . . . . . . . .Marketing Creative Director

Jill Barry . . . . . . . . . . . . . . . . . . . . . .Creative Services Manager

Shelby Yates . . . . . . . . . . . .Creative Services Assistant Manager

Hamagami/Carroll And Associates . . . . . . . . . .Package Design

Ignited Minds LLC . . . . . . . . . . . . . . . . . . . . . .Manual Design

3938

QUALITY ASSURANCE/CUSTOMER SUPPORT

Brad Saavedra . . . . . . . . . . . . . . . . . . . . . . . . . . . .Project Lead

Matt McClure . . . . . . . . . . . . . . . . . . . . . .Senior Project Lead

Marilena Rixford . . . . . . . . . . . . . . . . . . . . . . . . .QA Manager

Bryan Jury . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Floor Lead

Erik Melen . . . . . . . . . . . . . . . . . . . . . . . . . . .MP Coordinator

Peter Beal . . . . . . . . . . . . . . . . . . . . . . . . . . . . .SP Coordinator

Robert Max Martin, Paul Goldilla . . . . . . . .Database Managers

Randolph L. S. d’Amore, Sean Berrett, Donald E. Marshall,
Soukha Phimpasouk, Keith McClellan, Kim Carrasco,
Mike Curran, Sungwon Choe, Sadullah Nader,
Jeff Grant, Michael Radzichovsky, Patrick Ryan,
Carlos Ramirez, Dylan Leong, Morrison Chen,
Rodrick Ripley, Doug Wooten, Aaron Mosny,
Jay Franke, Henry Villanueva, Nathaniel McClure,

Shane Sasaki, Maxwell Porter . . . . . . . . . . . . . . . . . . . . .Testers

Supporting Leads

Chris Keim . . . . . . . . . . . . . . . . . . . . . . . . .Network Sr. Lead

Neil Barizo . . . . . . . . . . . . . . . . . . . . . .Compatibility Sr. Lead

Lawrence Wong . . . . . . . . . . . . . . . . . . . . .Compatibility Lead

Francis Jimenez, Skye Stamey . . . . . . . . .Compatibility Testers

Tim Vanlaw . . . . . . . . . . . . . . . .Manager, Code Release Group

Jef Sedivy . . . . . . . . . . . . . . . . . . . .Lead, Code Release Group

Douglas Richard Todd, Mike Restifo,

James Call, Gian Derivi-Castellanos . . . . . . . . . . . .CRG Testers

Paul Colbert . . . . . . . . . . . . . . . . . . .Localizations Project Lead

Anthony Korotko . . . . . . . . . . . . . . . .Night Crew Senior Lead

Adam Hartsfield . . . . . . . . . . . . . . . . . . .Night Crew Manager

Andrew Christy, Chris Simon, Chris Dolan,
John Batshon, Mike Hill, John Whang,

Jesse Mooney, Danny Yanez . . . . . . . . . . . .Localizations Testers

Jason Levine . . . . . . . . . . . . . . . . . . . . . . .Third Shift Manager

Andrew Liu, Ronald Hart, Matt Ryder . . . .Third Shift Testers

Bob McPherson . . . . . . . . . . . .Sr. Manager, Customer Support

Gary Bolduc . . . . . . . . . . . . . . . . . . . .Sr. Lead, Phone Support

Michael Hill . . . . . . . . . . . . . . . . . . . . . .Lead, E-mail Support

Rob Lim . . . . . . . . . .Lead, Information and Escalation Support

Infinity Ward Special Thanks

Ron Doornink, Bill Anker, Brian Adams, The Philly place,
Gray Matter, John Garcia-Shelton, Spark

“The men and women around the world who gave their lives in
defense of our freedoms, we will never forget you.”

Activision Special Thanks

Steve Rosenthal, Peter Muravez, Juan Valdez, Doug Avery,
Steve Holmes, Jason Kim, Sam Nouriani, Brelan Duff,
Matt Morton, Caryn Law, Brian Pass, Blaine Christine,
Ryan Rucinski, Brent Boylen, Joe Shackleford, Asif Husain,
Casey Keefe, Jonathan Moses, Gene Bahng, Glenn Ige,
Aaron Gray, Doug Pearson, Danny Taylor, Eain Bankins,
Marc Struhl, Pat Dwyer, James Mayeda, Robert DePalma,
David Dalzell, Kevin Kraff, Graeme J. Devine, James Monroe,
Ste Cork, David Luntz, Sebastien Laurent

QA/CS Special Thanks

Jim Summers, Jason Wong, Joe Favazza, Ed Clune,
Nadine Theuzillot, Chad Siedoff, Indra Yee, Marco Scataglini,
Joule Middleton, Todd Komesu, Mike Beck, Willie Bolton,
John Rosser, Jason Potter, Glenn Vistante, Jennifer Vitiello,
Mike Rixford, Tyler Rivers, Nick Favazza, Jessica McClure,
Janna Saavedra

Chapter Briefing Historical Images and
End Game Footage provided by:
Edward F. Feuerherd, Athenaeum Productions
Jarett Melville, CineSpark Motion Media

Introduction Cinematic provided by

Rob Troy, Lisa Riznikove, Dan Baker . . . . . . .Absinthe Pictures

4140

CUSTOMER SUPPORT

Before contacting customer support, please consult the technical help file. It
contains the answers to some of our most frequently asked questions and may
quickly and easily provide a solution to your difficulty. If after reviewing the
technical help file you are still experiencing problems, please feel free to contact us
through any of the online services listed.
In order to assist us when dealing with your difficulty, please have the following
information ready when you call or attach it to your email to
[e-mail].

1. Complete product title.

2. Exact error message reported (if any) and a brief description of the problem.

3. A copy of your Direct X Diagnostics report. To access this go to Start –> Run
and type dxdiag c:\dxdiag.txt and press ENTER. The report will be found in
your My Computer C: drive.

If you are experiencing difficulty with the multiplayer or online portion of the
product, please assist us by having the following additional information ready
when you call.

If you are using a modem:

1. What kind of modem is on each end (brand, model, speed, internal or
external)?

2. Do you have more than one modem?

3. On which port is each configured?

4. Does Hyperterminal (or any other terminal program) work with your modem?
This is an easy way to test whether or not your modem is configured correctly.

5. At what speed are you connecting?

6. Have you made sure data compression, error detection, and flow control is
turned OFF? Refer to your modem’s manual to do this.

If using an external modem:

1. What kind of serial card is being used?

2. Do you have a seven-wire serial cable?

If you are on a LAN:

1. Can you see other computers on the network?

2. What is your network configuration?

3. What brand of network card do you have?

4. What network software are you running? What version number?

CUSTOMER SUPPORT
CUSTOMER AND TECHNICAL SUPPORT IN EUROPE

Online Services with Activision Forums, E-Mail and File Library Support
We advise for cost efficiency that you use our online web support.

Web Support

http://www.activision.com/support
Our support section of the web has the most up-to-date information available. We

update the support pages daily so please check here first for any solutions that you
require. This service is available 24 hours a day, 7 days a week and offers a fully
comprehensive list of known issues as well as providing the latest updates/patches.

Email Support

If you require email support on a specific issue not covered by our website, please
contact: [e-mail]

NOTE: Internet/e-mail support is handled in English only.

Phone Support

For any other issues not covered by our web or email support, you can contact
Activision’s phone support in the UK on + 44 (0)8705 143 525 between the hours
of 8.00am and 7.00pm (UK time) Monday to Friday with the exception of
holidays.

Your calls may be monitored

NOTE: Please do not contact Customer Support for hints/codes/cheats;
only technical issues.

TECHNICAL SUPPORT IN AUSTRALIA

In Australia, for Technical Support, Hints and Tips, please call 1902 263 555.

Calls are charged at $1.98 + GST per minute.

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Do you want to receive news on new games and special offers for Activision
customers?

Register On-line at http://ereg.activision.com.au
Complete the registration form & help us keep you informed about Activision

games. You will be notified of upcoming releases & special offers.
Note: Activision Asia-Pacific is committed to safeguarding the privacy of

information entrusted to it. Accordingly, Activision complies with all relevant
legislation concerning the collection, use, security and disclosure of personal
information.

For Technical Support and Customer Service in areas not listed, please contact
your local distributor or Activision via online. (Please note the online support is
available in English only).

4342

In Europe send to:

WARRANTY REPLACEMENTS
ACTIVISION (UK) Ltd., Parliament House, St Laurence Way, Slough, Berkshire, SL1 2BW, United Kingdom.
Disc Replacement: [phone]

In Australia send to:

WARRANTY REPLACEMENTS
ACTIVISION Asia Pacific, Level 5, 51 Rawson Street, Epping, NSW 2121, Australia.
Disc Replacement: 612 9869 0955

LIMITATION ON DAMAGES. IN NO EVENT WILL ACTIVISION BE LIABLE FOR SPECIAL, INCIDENTAL OR CONSEQUENTIAL
DAMAGES RESULTING FROM POSSESSION, USE OR MALFUNCTION OF THE PROGRAM, INCLUDING DAMAGES TO PROPERTY,
LOSS OF GOODWILL, COMPUTER FAILURE OR MALFUNCTION AND, TO THE EXTENT PERMITTED BY LAW, DAMAGES FOR
PERSONAL INJURIES, EVEN IF ACTIVISION HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. ACTIVISION’S
LIABILITY SHALL NOT EXCEED THE ACTUAL PRICE PAID FOR THE LICENSE TO USE THIS PROGRAM. SOME STATES/COUNTRIES
DO NOT ALLOW LIMITATIONS ON HOW LONG AN IMPLIED WARRANTY LASTS AND/OR THE EXCLUSION OR LIMITATION OF
INCIDENTAL OR CONSEQUENTIAL DAMAGES, SO THE ABOVE LIMITATIONS AND/OR EXCLUSION OR LIMITATION OF LIABILITY
MAY NOT APPLY TO YOU. THIS WARRANTY GIVES YOU SPECIFIC LEGAL RIGHTS, AND YOU MAY HAVE OTHER RIGHTS WHICH
VARY FROM JURISDICTION TO JURISDICTION.

TERMINATION. Without prejudice to any other rights of Activision, this Agreement will terminate automatically if you fail to comply
with its terms and conditions. In such event, you must destroy all copies of this Program and all of its component parts.

U.S. GOVERNMENT RESTRICTED RIGHTS. The Program and documentation have been developed entirely at private expense and
are provided as "Commercial Computer Software" or "restricted computer software." Use, duplication or disclosure by the U.S.
Government or a U.S. Government subcontractor is subject to the restrictions set forth in subparagraph (c)(1)(ii) of the Rights in
Technical Data and Computer Software clauses in DFARS 252.227-7013 or as set forth in subparagraph (c)(1) and (2) of the
Commercial Computer Software Restricted Rights clauses at FAR 52.227-19, as applicable. The Contractor/Manufacturer is
Activision, Inc., 3100 Ocean Park Boulevard, Santa Monica, California 90405.

INJUNCTION. Because Activision would be irreparably damaged if the terms of this Agreement were not specifically enforced, you
agree that Activision shall be entitled, without bond, other security or proof of damages, to appropriate equitable remedies with
respect to breaches of this Agreement, in addition to such other remedies as Activision may otherwise have under applicable laws.

INDEMNITY. You agree to indemnify, defend and hold Activision, its partners, affiliates, contractors, officers, directors, employees
and agents harmless from all damages, losses and expenses arising directly or indirectly from your acts and omissions to act in
using the Product pursuant to the terms of this Agreement.

MISCELLANEOUS. This Agreement represents the complete agreement concerning this license between the parties and supersedes
all prior agreements and representations between them. It may be amended only by a writing executed by both parties. If any
provision of this Agreement is held to be unenforceable for any reason, such provision shall be reformed only to the extent necessary
to make it enforceable and the remaining provisions of this Agreement shall not be affected. This Agreement shall be construed under
California law as such law is applied to agreements between California residents entered into and to be performed within California,
except as governed by federal law and you consent to the exclusive jurisdiction of the state and federal courts in Los Angeles,
California.

If you have any questions concerning this license, you may contact Activision at 3100 Ocean Park Boulevard, Santa Monica,
California 90405, + [phone], Attn. Business and Legal Affairs, [e-mail].

SOFTWARE LICENSE AGREEMENT

IMPORTANT - READ CAREFULLY: USE OF THIS PROGRAM IS SUBJECT TO THE SOFTWARE LICENSE TERMS SET FORTH BELOW.
"PROGRAM" INCLUDES THE SOFTWARE INCLUDED WITH THIS AGREEMENT, THE ASSOCIATED MEDIA, ANY PRINTED
MATERIALS, AND ANY ON-LINE OR ELECTRONIC DOCUMENTATION, AND ANY AND ALL COPIES AND DERIVATIVE WORKS OF
SUCH SOFTWARE AND MATERIALS. BY OPENING THIS PACKAGE, INSTALLING, AND/OR USING THE PROGRAM, YOU ACCEPT THE
TERMS OF THIS LICENSE WITH ACTIVISION, INC. ("ACTIVISION").

LIMITED USE LICENSE. Activision grants you the non-exclusive, non-transferable, limited right and license to install and use one
copy of this Program solely and exclusively for your personal use. All rights not specifically granted under this Agreement are
reserved by Activision. This Program is licensed, not sold. Your license confers no title or ownership in this Program and should not
be construed as a sale of any rights in this Program.

OWNERSHIP. All title, ownership rights and intellectual property rights in and to this Program and any and all copies thereof
(including but not limited to any titles, computer code, themes, objects, characters, character names, stories, dialog, catch phrases,
locations, concepts, artwork, animation, sounds, musical compositions, audio-visual effects, methods of operation, moral rights, any
related documentation, and "applets" incorporated into this Program) are owned by Activision or its licensors. This Program is
protected by the copyright laws of the United States, international copyright treaties and conventions and other laws. This Program
contains certain licensed materials and Activision’s licensors may protect their rights in the event of any violation of this Agreement.

YOU SHALL NOT:

• Exploit this Program or any of its parts commercially, including but not limited to use at a cyber cafe, computer gaming centre or

any other location-based site. Activision may offer a separate Site License Agreement to permit you to make this Program available
for commercial use; see the contact information below.

• Use this Program, or permit use of this Program, on more than one computer, computer terminal, or workstation at the same time.

• Make copies of this Program or any part thereof, or make copies of the materials accompanying this Program.

• Copy this Program onto a hard drive or other storage device; you must run this Program from the included CD-ROM (although this

Program itself may automatically copy a portion of this Program onto your hard drive during installation in order to run more
efficiently).

• Use the program, or permit use of this Program, in a network, multi-user arrangement or remote access arrangement, including

any online use, except as otherwise explicitly provided by this Program.

• Sell, rent, lease, license, distribute or otherwise transfer this Program, or any copies of this Program, without the express prior

written consent of Activision.

• Reverse engineer, derive source code, modify, decompile, disassemble, or create derivative works of this Program, in whole or in

part.

• Remove, disable or circumvent any proprietary notices or labels contained on or within the Program.

• Export or re-export this Program or any copy or adaptation in violation of any applicable laws or regulations. By using this Program

you are warranting that you are not a "foreign person," as defined by U.S. government regulations, or under the control of a foreign
person.

ACTIVISION Limited 90-Day Warranty

Activision warrants to the original consumer purchaser of this computer software product that the recording medium on which the
software program is recorded will be free from defects in material and workmanship for 90 days from the date of purchase. If the
recording medium is found defective within 90 days of original purchase, ACTIVISION agrees to replace, free of charge, any product
discovered to be defective within such period upon receipt at its Factory Service Centre of the product, postage paid, with proof of
date of purchase, as long as the program is still being manufactured by ACTIVISION. In the event that the program is no longer
available, ACTIVISION retains the right to substitute a similar product of equal or greater value.

This warranty is limited to the recording medium containing the software program originally provided by ACTIVISION and is not
applicable to normal wear and tear. This warranty shall not be applicable and shall be void if the defect has arisen through abuse,
mistreatment, or neglect. Any implied warranties applicable to this product are limited to the 90-day period described above.

EXCEPT AS SET FORTH ABOVE, THIS WARRANTY IS IN LIEU OF ALL OTHER WARRANTIES, WHETHER ORAL OR WRITTEN,
EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE, AND NO
OTHER REPRESENTATION OR CLAIMS OF ANY KIND SHALL BE BINDING ON OR OBLIGATE ACTIVISION. IN NO EVENT WILL
ACTIVISION BE LIABLE FOR SPECIAL, INCIDENTAL, OR CONSEQUENTIAL DAMAGE RESULTING FROM POSSESSION, USE OR
MALFUNCTION OF THIS PRODUCT, INCLUDING DAMAGE TO PROPERTY AND, TO THE EXTENT PERMITTED BY LAW, DAMAGES
FOR PERSONAL INJURY, EVEN IF ACTIVISION HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. SOME STATES DO
NOT ALLOW LIMITATIONS ON HOW LONG AN IMPLIED WARRANTY LASTS AND/OR THE EXCLUSION OR LIMITATION OF
INCIDENTAL OR CONSEQUENTIAL DAMAGES, SO THE ABOVE LIMITATIONS AND/OR EXCLUSION OR LIMITATION OF LIABILITY
MAY NOT APPLY TO YOU. THIS WARRANTY GIVES YOU SPECIFIC LEGAL RIGHTS, AND YOU MAY HAVE OTHER RIGHTS WHICH
VARY FROM STATE TO STATE.

When returning merchandise for replacement please send the original product disks only in protective packaging and include:

1. A photocopy of your dated sales receipt

2. Your name and return address, typed or clearly printed

3. A brief note describing the defect, the problem(s) you encountered and the system on which you are running the product

4. If you are returning the product after the 90-day warranty period, but within one year after the date of purchase, please include a

cheque or money order for $10 U.S. (AUD $19 for Australia, or £10.00 for Europe) currency per CD or floppy disk replacement

Note: Certified mail is recommended.

44

NOTES