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2100
Operation Manual
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Zoom 2100 Operation Manual

ADVANCED GUITAR EFFECTS PROCESSOR
OPERATION MANUAL
Introduction Glossary
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Names and Functions
Front panel ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 2 Rear panel •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 2
Connections •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 3
Preparing for performance •••••••••••••••••••••••••••••••••••••••••••••••••••••••• 3
Listening to a patch ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 4
Panel display in Play mode ••••••••••••••••••••••••••••••••••••••••••••••••••••••• 4 Selecting a patch ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 4 Adjusting the volume level and tonal quality according to the
acoustic environment ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 5 Temporarily turning the effects off (Bypass) •••••••••••••••••••••••••••••••• 6 Temporarily muting the sound output from the 2100 •••••••••••••••••••• 6 Tuning the guitar (Auto Tuner function) ••••••••••••••••••••••••••••••••••••••• 7 Fine-tuning the reference pitch of the tuner (Calibration) •••••••••••••• 7
Using the [FUNCTION] switch ••••••••••••••••••••••••••••••••••••••••••••••••••••••• 8
Selecting the function of the [FUNCTION] switch •••••••••••••••••••••••• 8 Using the basic samplers (Jam Play function) ••••••••••••••••••••••••••••• 9
Modifying tonal color of patches (Using Edit mode) ••••••••••••••••• 10
Modifying the parameter settings •••••••••••••••••••••••••••••••••••••••••••• 10 Turning an effect module on and off ••••••••••••••••••••••••••••••••••••••••• 11 Storing and copying a patch ••••••••••••••••••••••••••••••••••••••••••••••••••• 11
Using the Sampler function ••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 12
Preparing to use the Sampler function ••••••••••••••••••••••••••••••••••••• 12 Using the Sampler function ••••••••••••••••••••••••••••••••••••••••••••••••••••• 13
Using the RTM function ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 14 Effect type and parameters
••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 15
COMP/WAH (compressor/wah) ••••••••••••••••••••••••••••••••••••••••••••••• 15 DIST (distortion) ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 16 EQ (Equalizer) •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 17 MOD (Modulation) •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 17 REV/DLY (Reverb/Delay) ••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 18 SAMPLER (Sampler) •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 19 Other global parameters ••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 19
Resetting the 2100 to the factory default condition •••••••••••••••••• 20 Troubleshooting
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SPECIFICATIONS
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USAGE AND SAFETY PRECAUTIONS
CONTENTS
Thank you for selecting the ZOOM PLAYER 2100 (called 2100 in this manual). The 2100 is a multi-effects unit with the following features:
Versatile effects
The 2100 has 33 versatile effects. You can combine up to seven effects. In particular, the 2100 offers thirteen distortion effects (for the DIST module) for discerning guitarists, including Clean, Distortion, Acoustic simulator, etc. It also features an Amp simulator and ZNR (ZOOM Noise Reduction).
Abundant preset patches
You can use up to 60 patches, including 30 PRESET patches and 30 USER patches.
32-second Sampler function (Quick guide
➔ See page 12.)
ZOOM has developed a “Sampler” function that allows you to record a phrase up to 32 seconds long from a CD and play back the data at lower speeds. This function also plays data without changing the pitch at lower speeds and improves tonal quality. You can also record your own performance as a one-man jam session. This can be of great help in your guitar education.
Customize/Jam play (Quick guide ➔ See page 8 – 9.)
The 2100 features a [FUNCTION] switch to which you can assign a function. The following four functions are available :
1.Bank Down mode: Switches to one bank number lower .
2.Manual mode: Switches each effect on and off during performance.
3.Control mode: Enables you to use the RTM function.
4. Jam Play mode: Allows you to use three basic samplers that can be recorded for up to
five seconds simultaneously.
RTM (Real Time Modulation) function (Quick guide ➔ See page 14.)
Connecting an optional foot pedal FP01/FP02 or using the [FUNCTION] switch enables you to adjust the following parameters in real-time :
1.Volume control
2.COMP/WAH module effects
3.Pedal Pitch Shifter in the MOD module
4.Delay in the MOD module (Sound-on-sound)
Flexible use for performance (Quick guide ➔ See page 5.)
The patches you create at home might sound completely different in the studio at high volume. Don’t worry. It is easy to correct the sound. You can adjust the gain of the distortion effects, the reverberation of the reverb effects, and the presence without changing the patch parameters.
Great support on the stage (Quick guide ➔ See page 7.)
The 2100 has an auto chromatic tuner for guitars, which can be used on stage easily.
Please read this manual carefully so you can understand the functions of your 2100 and to ensure optimum performance and reliability for an extended period of time.
Introduction
■ Effect module
An effect module is an effect that processes or adds effects to a sound, such as compact-type effects including compressor and delay. You can combine up to seven effect modules in the 2100. The diagram at the bottom of this page shows the signal flow through the effect modules in the 2100.
■ Patch / Group / Bank
A “patch” is a unit of memory to which you store and from which you recall effect settings. That is, a “patch” is a combination of up to seven effect modules and stores the parameter settings of those effect modules. You can store a patch in one of two groups: rewritable USER group and read-only PRESET group. Each group can store up to 30 patches. A total of up to 60 patches can be stored in the 2100. You recall any three patches as a set and use foot switches 1–3 on the front panel to switch among these three patches. This combination set of three patches is called a “bank.” The USER group and the PRESET group have ten banks (0–9) each.
■ Effect type and parameters
Each effect module of the 2100 offers multiple effects, called “effect types.” You can select one effect type for each effect module. “Parameters” are settings that you can modify. The parameters on the 2100 include:
● Effect parameters: These parameters determine the
intensity and the signal flow of each effect module. The effect parameter settings will be stored for each patch individually.
● Patch parameters: These parameters determine the
settings independently of each effect module and include the final level and the ZNR setting of a patch. The patch parameter settings will be stored for each patch individually.
● Global parameters: These parameters are shared by
all patches globally. Changes to the global parameters do not take effect when you switch between patches. They take effect when you turn off the power to the unit.
■ Mode
The 2100 operates in five modes:
● Play mode: Allows you to select patches and use the
effects during performance.
● Manual mode: Allows you to turn the modules on
and off during performance.
● Edit mode: Allows you to edit the effect parameters
and patch parameters of the currently-selected patch.
● Store mode: Allows you to store the edited patch
into memory or move a patch to another memory location.
● Special mode: This mode offers a special function
that allows you to reset the internal settings and all patches in the USER group (or a particular patch in the USER group) to the factory default settings.
■ RTM
RTM is an acronym for Real-time Modulation. It is a function that enables you to change a particular effect parameter or volume setting using the [FUNCTION] switch on the front panel or an optional foot pedal FP01 or FP02.
1
Glossary
This section describes the terminology for the 2100 used in this manual.
AMP
SIMULATOR
VOLUME
MOD
COMP/WAH
DIST(ZNR) EQ
INPUT
DIST(ZNR)
COMP/WAH
DLY/REV
JAM PLAY
SAMPLER
OUTPUT
You can change the order of the COMP/WAH and DIST effect modules.
*1
*2
*1
You cannot use the MOD module and REV/DLY module when you use the Sampler function or the Jam Play function.
*2
USER groupPRESET group
BANK 9
PATCH 1 PATCH 2 PATCH 3 PATCH 4
BANK 1
PATCH 1 PATCH 2 PATCH 3
BANK 0
PATCH 1 PATCH 2 PATCH 3
BANK 9
PATCH 1 PATCH 2 PATCH 3 PATCH 4
BANK 1
PATCH 1 PATCH 2 PATCH 3
BANK 0
PATCH 1 PATCH 2 PATCH 3
Front panel
2
Rear panel
Names and Functions
Type(RTM) Sens
/
Rate
POSITION
POSITION
1.COMP/WAH•DIST
2.DIST•COMP/WAH
COMP/WAH
Type
Gain
/
Top
Tone
/
Body
LevelPatch Level
DIST
Treble
Middle
Bass ZNR
EQ
Type
Depth
/Time
Rate
/Pit/FB
Mix
/Mode
MOD
Type
Time
Tone
/FB
Mix
REV/DLY
1.AUX Mix
3.AUX Rch
2.AUX Lch
1.COMP
2.PEDAL-WAH
3.AUTO-WAH
4.TREMOLO
5.RING MOD
6.SLOW ATTACK
4.PLAYNOTE
Max Rec Time Constant Pitch
Tone
Gain TrimMaster Level
JAM 1 JAM 2 JAM 3 JAM REC
Presence Amp Sim Rev Trim FUNCTION
SAMPLER
COMP/WAH
UTILITY
PARM
1.CLEAN
2.OVER DRIVE
3.
DISTORTION
4.FUZZ/GRUNGE
5.LEAD
6.METAL
7.ACOUSTIC
DIST
1.CHORUS
2.STEREO CHO
3.
FLANGER
4.PHASE
5.PITCH
6.PEDAL-PITCH
7.DELAY
MOD
1.HALL
2.ROOM
3.PP-DELAY 1
4.PP-DELAY 2
REV/
DLY
JAM PLAY MONITOR
ON/OFF
VALUE
+
B
321
GROUP(EXIT)
PATCHBANK
STORE
PRESETBOTH
BANK
SAMPLER
FUNCTION
SPEED
REC
Foot switches
[VALUE +/-] keys
[STORE] key
[GROUP/EXIT] key
[FUNCTION] switch
[BANK ] (Bank up) switch
Display
Parameter LEDs
Parameter select keys
Module LEDs
[UTILITY] key
[ON/OFF] key
INPUT OUTPUT CONTROL IN DC9V
[PHONES]
AUX IN
300mA
ZOOM CORPORATION
MADE IN JAPAN
MODEL
INPUT jack
AUX IN jack
OUTPUT [PHONES] jack
CONTROL IN jack
DC IN (AC adapter) connector
Make sure that the power to the amplifier is turned off, and lower its volume knob to the minimum level.
Turn on the power to the 2100.
Insert the AC adapter into the AC outlet. The power to the 2100 is turned on automatically.
Turn on the power to the amplifier.
While playing the instrument, adjust the volume of the instrument and the amplifier to the optimum level.
3
Preparing for performance
Connections
Follow the steps below to turn on the power to the equipment and adjust the volume level.
INPUT OUTPUT CONTROL IN DC9V
[PHONES]
AUX IN
300mA
ZOOM CORPORATION
MADE IN JAPAN MODEL
CD player
Connect the volume-adjustable headphone jack of a sound source, such as a CD player, to the AUX IN jack using a stereo mini plug. The signal input from the AUX IN jack will be mixed with the effected guitar signal and routed to the OUTPUT jack. You can also record input signals from the AUX IN jack on the 2100 using the Sampler function.
Use a monaural cable to connect one amplifier to the OUTPUT jack. Use a stereo Y-cable to connect two amplifiers to the OUTPUT jack. If you use two amplifiers, you will get a great sense of spaciousness when you use stereo effects. You can also connect headphones to the OUTPUT jack.
Connect an optional foot pedal FP01or FP02 to the CONTROL IN jack to control the RTM function with the foot pedal.
Amplifier
AC adapter
Foot pedal FP01or FP02
Headphone
Guitar
4
Listening to a patch
When you turn on the power to the 2100, it automatically enters Play mode. This section describes the panel display in Play mode and how to select a patch.
Panel display in Play mode
The display and LEDs on the panel indicate the following information in Play mode:
● BANK number: The number of the currently-selected
bank (0–9) appears.
● PATCH number: The number of the currently-
selected patch (1–3) appears.
● BOTH indicator: This indicator indicates the
currently-available group. When a dot (.) lights up, you can use both the USER group and the PRESET
group. When the dot is turned off, you can use either one of these groups.
● PRESET indicator: This indicator indicates the
currently-selected group. When a dot (.) lights up, it indicates that the PRESET group has been selected. When the dot is turned off, the USER group has been selected.
● Effect module on/off:
If a particular effect module is turned on for the currently-selected patch, the corresponding module LED on the panel lights up.
PATCHBANK
PRESETBOTH
PRESET indicator
BANK number PATCH number
BOTH indicator
Gain TrimMaster Level
JAM 1 JAM 2
JAM PLAY
MONITOR
21
Module LED
Selecting a patch
Type(RTM) Sens
/
Rate
POSITION
POSITION
1.COMP/WAH•DIST
2.DIST•COMP/WAH
COMP/WAH
Type
Gain
/
Top
Tone
/
Body
LevelPatch Level
DIST
Treble Middle Bass
ZNR
EQ
Type
Depth
/Time
Rate
/Pit/FB
Mix
/Mode
MOD
Type Time
Tone
/FB
Mix
REV/DLY
1.AUX Mix
3.AUX Rch
2.AUX Lch
1.COMP
2.PEDAL-WAH
3.AUTO-WAH
4.TREMOLO
5.RING MOD
6.SLOW ATTACK
4.PLAYNOTE
Max Rec Time Constant Pitch
Tone
Gain TrimMaster Level
JAM 1 JAM 2 JAM 3 JAM REC
Presence Amp Sim Rev Trim FUNCTION
SAMPLER
COMP/WAH
UTILITY
PARM
1.CLEAN
2.OVER DRIVE
3.
DISTORTION
4.FUZZ/GRUNGE
5.LEAD
6.METAL
7.ACOUSTIC
DIST
1.CHORUS
2.STEREO CHO
3.
FLANGER
4.PHASE
5.PITCH
6.PEDAL-PITCH
7.DELAY
MOD
1.HALL
2.ROOM
3.PP-DELAY 1
4.PP-DELAY 2
REV/
DLY
JAM PLAY MONITOR
ON/OFF
VALUE
+
–
B
321
GROUP(EXIT)
PATCHBANK
STORE
PRESETBOTH
BANK
SAMPLER
FUNCTION
SPEED
REC
Use the [GROUP/EXIT] key to select the desired group.
Pressing the [GROUP/EXIT] key repeatedly will change the group in the following sequence:
When you switch the groups from USER to PRESET or from PRESET to USER, the bank number will flash.
Use the [BANK▲] switch to select the desired bank.
Pressing the [BANK▲] switch once increments the bank number by one and selects the bank. The bank number flashes.
• Pressing the [BANK▲] switch does not change the
patch. The patch will be changed in the next step.
• You can use the [FUNCTION] switch to decrement the bank number. (See page 8.)
Use the foot switches 1–3 to select the desired patch.
The bank number stops flashing, and the new patch is selected.
While the USER group is selected:
While the PRESET group is selected:
Available
group:
BOTHUSER PRESET USER
Available
group:
USERPRESET BOTH PRESET
HINTHINT
HINTHINT
5
Press the [UTILITY] key in Play mode.
The [UTlLITY] key is used to access the global parameters that are shared by all patches.
Use the parameter select keys to choose the desired global parameter.
The LED of the currently-selected global parameter flashes.
Use the [VALUE +/–] key to edit the value.
The following parameters are adjustable in the specific range:
■ Master Level
Enables you to set the final volume level of the 2100 in the range of 1 through 30.
■ Gain Trim
Enables you to set the intensity of distortion (the input gain of the gain parameter) when you use a distortion effect (type 2–6) for the DIST module. This parameter is set to “7” when you turn on the power to the unit.
Make fine adjustments according to the acoustic environment and the guitar being used.
■ Presence
Enables you to adjust the tonal quality of the presence in the range of –12 to +12.
■ Amp Sim (Amp Simulator)
You can apply the amp simulator effect (to simulate the unique characteristics of a guitar amplifier). Select from the following:
• oF (off): The amp simulator effect is turned off.
• Co (combo): This effect simulates the sound
produced by a 100W combo amplifier.
• bC (bright combo): This effect simulates the bright sound produced by a 120W amplifier that emphasizes the high range.
• St (stack): This effect simulates the sound produced by a stack amplifier with four speakers stacked up.
■ Rev Trim (Reverb Trim)
Enables you to set the input gain of the reverberation (mix) of the effects used for the REV/DLY module in the range of 1 through 10. This parameter is set to “7” when you turn on the power to the unit.
Adjust this parameter according to the acoustic environment of the performance.
■ FUNCTION
(The function of the [FUNCTION] switch)
Enables you to assign a function to the [FUNCTION] switch. Refer to page 8 for more information on the assignable functions and the operation of the [FUNCTION] switch.
When you finish setting the global parameters, press the [GROUP/EXIT] key.
The 2100 enters Play mode.
The global parameter settings are not affected even if you switch the patches. These parameters are reset when you turn off the power to the 2100. As an exception, however, you can store the “AmpSim” and “FUNCTION” settings. To store these settings, select the desired patch and follow the steps for the store operation (see page 11).
NOTE
HINTHINT
REV Trim Mix
HINTHINT
Gain Trim GAIN
Type(RTM) Sens
/
Rate
POSITION
POSITION
1.COMP/WAH•DIST
2.DIST•COMP/WAH
COMP/WAH
Type
Gain
/
Top
Tone
/
Body
LevelPatch Level
DIST
Treble Middle
Bass ZNR
EQ
Type
Depth
/Time
Rate
/Pit/FB
Mix
/Mode
MOD
Type Time
Tone
/FB
Mix
REV/DLY
1.AUX Mix
3.AUX Rch
2.AUX Lch
1.COMP
2.PEDAL-WAH
3.AUTO-WAH
4.TREMOLO
5.RING MOD
6.SLOW ATTACK
4.PLAYNOTE
Max Rec Time Constant Pitch
Tone
Gain TrimMaster Level
JAM 1 JAM 2 JAM 3 JAM REC
Presence Amp Sim Rev Trim FUNCTION
SAMPLER
COMP/WAH
UTILITY
PARM
1.CLEAN
2.OVER DRIVE
3.
DISTORTION
4.FUZZ/GRUNGE
5.LEAD
6.METAL
7.ACOUSTIC
DIST
1.CHORUS
2.STEREO CHO
3.
FLANGER
4.PHASE
5.PITCH
6.PEDAL-PITCH
7.DELAY
MOD
1.HALL
2.ROOM
3.PP-DELAY 1
4.PP-DELAY 2
REV/
DLY
JAM PLAY MONITOR
ON/OFF
VALUE
+
–
B
321
GROUP(EXIT)
PATCHBANK
STORE
PRESETBOTH
BANK
SAMPLER
FUNCTION
SPEED
REC
Adjusting the volume level and tonal quality according to the acoustic environment
The 2100 features global parameters that enable you to adjust the master level and the degree of distortion applied to all patches on a global scale. Use these parameters to adjust the volume level and tonal quality to suit the characteristics of the instruments, amplifiers, and the acoustic environment.
Press and immediately release the foot switch with the same number as the currently-selected patch in Play mode (the number shown on the right of the display).
The effects are bypassed, and the dry instrument sound is output. At this time, the display indicates “ ” for a while, then indicates “ ”.
At this point, you can tune the instrument using the Tuner function, if necessary. (See page 7.)
To cancel the Bypass function, press one of foot switches 1–3, the [BANK▲] switch, or the [FUNCTION] switch (unless the “Ct” function is assigned to the [FUNCTION] switch).
When you press the [BANK▲] switch or the [FUNCTION] switch, the patch selected before you used the Bypass function is restored.
HINTHINT
6
Type(RTM) Sens
/
Rate
POSITION
POSITION
1.COMP/WAH•DIST
2.DIST•COMP/WAH
COMP/WAH
Type
Gain
/
Top
Tone
/
Body
LevelPatch Level
DIST
Treble Middle
Bass ZNR
EQ
Type
Depth
/Time
Rate
/Pit/FB
Mix
/Mode
MOD
Type Time
Tone
/FB
Mix
REV/DLY
1.AUX Mix
3.AUX Rch
2.AUX Lch
1.COMP
2.PEDAL-WAH
3.AUTO-WAH
4.TREMOLO
5.RING MOD
6.SLOW ATTACK
4.PLAYNOTE
Max Rec Time Constant Pitch
Tone
Gain TrimMaster Level
JAM 1 JAM 2 JAM 3 JAM REC
Presence Amp Sim Rev Trim FUNCTION
SAMPLER
COMP/WAH
UTILITY
PARM
1.CLEAN
2.OVER DRIVE
3.
DISTORTION
4.FUZZ/GRUNGE
5.LEAD
6.METAL
7.ACOUSTIC
DIST
1.CHORUS
2.STEREO CHO
3.
FLANGER
4.PHASE
5.PITCH
6.PEDAL-PITCH
7.DELAY
MOD
1.HALL
2.ROOM
3.PP-DELAY 1
4.PP-DELAY 2
REV/
DLY
JAM PLAY MONITOR
ON/OFF
VALUE
+
–
B
321
GROUP(EXIT)
PATCHBANK
STORE
PRESETBOTH
BANK
SAMPLER
FUNCTION
SPEED
REC
Temporarily turning the effects off (Bypass)
You may turn off all the effects in the patch, and output only the dry instrument sound. (This is called the “Bypass function.”) This function is useful when you wish to check the intensity of the effects.
For a second or longer, press and hold the foot switch with the same number as the currently-selected patch in Play mode (the number shown on the right of the display).
The output from the 2100 is muted. The display indicates “ ” for a while, then indicates “ ”.
At this point, you can tune the instrument using the Tuner function, if necessary. (See page 7.)
To cancel the Mute function, press one of foot switches 1–3, the [BANK▲] switch, or the [FUNCTION] switch unless the “Ct” function is assigned to the [FUNCTION] switch.
When you press the [BANK▲] switch or the [FUNCTION] switch, the patch selected before you used the Mute function is restored.
HINTHINT
Type(RTM) Sens
/
Rate
POSITION
POSITION
1.COMP/WAH•DIST
2.DIST•COMP/WAH
COMP/WAH
Type
Gain
/
Top
Tone
/
Body
LevelPatch Level
DIST
Treble Middle
Bass ZNR
EQ
Type
Depth
/Time
Rate
/Pit/FB
Mix
/Mode
MOD
Type Time
Tone
/FB
Mix
REV/DLY
1.AUX Mix
3.AUX Rch
2.AUX Lch
1.COMP
2.PEDAL-WAH
3.AUTO-WAH
4.TREMOLO
5.RING MOD
6.SLOW ATTACK
4.PLAYNOTE
Max Rec Time Constant Pitch
Tone
Gain TrimMaster Level
JAM 1 JAM 2 JAM 3 JAM REC
Presence Amp Sim Rev Trim FUNCTION
SAMPLER
COMP/WAH
UTILITY
PARM
1.CLEAN
2.OVER DRIVE
3.
DISTORTION
4.FUZZ/GRUNGE
5.LEAD
6.METAL
7.ACOUSTIC
DIST
1.CHORUS
2.STEREO CHO
3.
FLANGER
4.PHASE
5.PITCH
6.PEDAL-PITCH
7.DELAY
MOD
1.HALL
2.ROOM
3.PP-DELAY 1
4.PP-DELAY 2
REV/
DLY
JAM PLAY MONITOR
ON/OFF
VALUE
+
–
B
321
GROUP(EXIT)
PATCHBANK
STORE
PRESETBOTH
BANK
SAMPLER
FUNCTION
SPEED
REC
Temporarily muting the sound output from the 2100
You may temporarily mute the sound output from the 2100. (This is called the “Mute function.”) This function is useful when you wish to tune your instrument quietly on the stage.
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