Yamaha Audio HTR-5230RDS User Manual

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Page 1

OWNER’S MANUAL

MODE D’EMPLOI

BEDIENUNGSANLEITUNG

BRUKSANVISNING

MANUALE DI ISTRUZIONI

MANUAL DE INSTRUCCIONES

GEBRUIKSAANWIJZING

HTR-5230RDS

Natural Sound AV Receiver Ampli-tuner audio-vidéo

G B

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CAUTION

CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.

1. To assure the finest performance, please read this manual carefully. Keep it in a safe place for future reference.

2. Install this unit in a cool, dry, clean place — away from windows, heat sources, sources of excessive vibration, dust, moisture and cold. Avoid sources of humming (transformers, motors). To prevent fire or electrical shock, do not expose the unit to rain or water.

3. Never open the cabinet. If something drops into the unit, contact your dealer.

4. Do not use force on switches, controls or connection wires. When moving the unit, first disconnect the power cord and then the wires connected to other component. Never pull the wires themselves.

5. The openings on the cover assure proper ventilation of the unit. If these openings are obstructed, the temperature inside the unit will rise rapidly. Therefore, avoid placing objects against these openings, and install the unit in a well-ventilated area to prevent fire and damage. Be sure to allow a space of at least 20 cm behind, 20 cm on both sides and 30 cm above the top panel of the unit to prevent fire and damage.

6. The voltage used must be the same as that specified on this unit. Using this unit with a higher voltage than specified is dangerous and may result in fire or other accidents. YAMAHA will not be held responsible for any damage resulting from the use of this unit with a voltage other than that specified.

7. Digital signals generated by this unit may interfere with other component such as tuners, receivers and TVs. Move this unit farther away from such component if interference is observed.

8. Always set VOLUME to the “m” position before starting the audio source play. Increase the volume gradually to an appropriate level after playback has been started.

9. Do not attempt to clean the unit with chemical solvents; this might damage the finish. Use a clean, dry cloth.

10. Be sure to read the “TROUBLESHOOTING” section regarding common operating errors before concluding that the unit is faulty.

11. When not planning to use this unit for a long period of time (e.g., a vacation), disconnect the AC power cord from the wall outlet.

12. To prevent lightning damage, disconnect the AC power cord and disconnect the antenna cable when there is an electrical storm.

13. Grounding or polarization — Precautions should be taken so that the grounding or polarization of the unit is not defeated.

14. AC outlet — Do not connect audio component to the AC outlet on the rear panel if that component requires more power than the outlet is rated to provide.

This unit is not disconnected from the AC power source as long as it is connected to the wall outlet, even if this unit itself is turned off. This state is called the standby mode. In this state, this unit is designed to consume a very small quantity of power.

■ For U.K. customers

If the socket outlets in the home are not suitable for the plug supplied with this appliance, it should be cut off and an appropriate 3 pin plug fitted. For details, refer to the instructions described below.

Note

• The plug severed from the mains lead must be destroyed, as a

plug with bared flexible cord is hazardous if engaged in a live socket outlet.

■ Special Instructions for U.K. Model

IMPORTANT

THE WIRES IN MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE:

Blue: NEUTRAL Brown: LIVE

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth terminal of the three pin plug.

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TION APPENDIX

INTRODUCTION PREPARATION

FEATURES

5-Channel Power Amplification

◆ Minimum RMS Output

(0.06% THD, 20 Hz – 20 kHz) Main: 60 W + 60 W (8 Ω) Center: 60 W (8 Ω) Rear: 60 W + 60 W (8 Ω)

Multi-mode Digital Sound Field Processing

◆ Digital Sound Field Processor (DSP)

◆ Dolby Digital Decoder

◆ Dolby Pro Logic Decoder

◆ CINEMA DSP: Theater-like Sound Experience by

the Combination of YAMAHA DSP Technology and Dolby Digital or Dolby Pro Logic

◆ Automatic Input Balance Control for Dolby Pro

Logic decoding

Sophisticated FM/AM Tuner

◆ 40-Station Random Access Preset Tuning

◆ Automatic Preset Tuning

◆ Preset Station Shifting Capability (Preset Editing)

◆ Multi-Functions for RDS Broadcast Reception

Other Features

◆ “SET MENU” which Provides You with 10 Items

for Optimizing This Unit for Your Audio/Video System

◆ Test Tone Generator for Easier Speaker Balance

Adjustment

◆ 6-Channel External Decoder Input for Other Future

Formats

◆ 2 Optical/1 Coaxial Digital Signal Input Terminals

◆ SLEEP Timer

◆ Remote Control Capability

INTRODUCTION

CONTENTS

Manufactured under license from Dolby Laboratories. “Dolby”, “Pro Logic” and the double-D symbol are trademarks of Dolby Laboratories. Confidential Unpublished Works. ©1992 – 1997 Dolby Laboratories, Inc. All rights reserved.

PREPARATION

SPEAKER SETUP....................................................... 8

CONNECTIONS.......................................................... 9

ADJUSTING THE SPEAKER BALANCE ............ 17

BASIC OPERATION

PLA YING A SOURCE .............................................. 19

DIGITAL SOUND FIELD PROCESSOR (DSP)

EFFECT .................................................................. 22

SOUND FIELD PROGRAM .................................... 23

TUNING ..................................................................... 26

RECEIVING RDS STATIONS................................. 30

RECORDING A SOURCE ON TAPE, MD OR

VIDEO CASSETTE ............................................... 33

ADVANCED OPERATION

SET MENU................................................................. 34

DELAY TIME AND SPEAKER

OUTPUT LEVELS ................................................. 38

SLEEP TIMER .......................................................... 40

APPENDIX

TROUBLESHOOTING ............................................ 41

SPECIFICATIONS.................................................... 44

GLOSSARY................................................................ 45

INDEX ........................................................................ 46

INTRODUCTION

FEATURES .................................................................. 1

CONTENTS ................................................................. 1

GETTING STARTED ................................................. 2

CONTROLS AND FUNCTIONS ............................... 4

y indicates a tip for your operation.

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GETTING STARTED

Checking the Package Contents

Check that the following items are included in your package.

Remote control Batteries (AA, R06, UM-3 type) 75-ohm/300-ohm antenna adapter

(U.K. model only)

Indoor FM antenna

Connection guide

AM loop antenna

Battery Installation in the Remote Control

1 Turn the remote control over and slide the

battery compartment cover in the direction of the arrow.

2 Insert the batteries (AA, R06 or UM-3 type)

according the polarity markings on the inside of the battery compartment.

3 Close the battery compartment cover.

Battery Replacement

If the remote control operates only when it is close to the unit, the batteries are weak. Replace all the batteries with new ones.

Notes

• Use only AA, R06 or UM-3 batteries for replacement.

• Be sure the battery polarity is correct. (See the illustration inside

the battery compartment.)

• Remove the batteries if the remote control will not be used for an

extended period of time.

• If the batteries have leaked, dispose of them immediately. Avoid

touching the leaked material or letting it come into contact with clothing, etc. Clean the battery compartment thoroughly before installing new batteries.

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INTRODUCTION PREPARATION

Using the Remote Control

The remote control transmits a directional infrared beam. Be sure to aim the remote control directly at the infrared sensor during operation. When the sensor is covered or there is a large object between the remote control and the sensor, the sensor cannot receive signals. The sensor may not be able to receive signals properly when it is exposed to direct sunlight or a strong artificial light (such as a fluorescent or strobe light). In this case, change the direction of the light or reposition the unit to avoid direct lighting.

Notes

• Handle the remote control with care.

• Do not spill water, tea or other liquids on the remote control.

• Do not drop the remote control.

• Do not leave or store the remote control in the following conditions:

– high humidity or temperature such as near a heater, stove or

bath; – dusty places; or – extremely low temperature.

GETTING STARTED

Remote control sensor

Within approximately 6 m (20 feet)

Page 6

–

12 3 8 094 5 76

qwertyuiopa s d

6 EON

Press this button to select the desired program type (NEWS, INFO, AFFAIRS, SPORT) when you want to tune in to a radio program of that type automatically.

7 PTY SEEK START

Press this button to begin searching for a station after the desired program type has been selected in the PTY SEEK mode.

8 INPUT MODE

Press this button to select the input mode between AUTO and ANALOG for the DVD/LD, TV/digital TV and satellite tuner sources.

9 INPUT

Turn this selector to select the input source (VCR, SAT/DTV, DVD/LD, TUNER, CD, AUX) that you want to listen to or watch. The name of the selected input source appears on the display.

0 VOLUME

Turn this control to turn up or down the volume.

CONTROLS AND FUNCTIONS

Front Panel

1 STANDBY/ON

Press this switch to turn on the power of this unit or to set this unit in the standby mode. Before turning the power on, set VOLUME to the “m” position.

Standby mode

In this mode, this unit consumes a very small quantity of power to receive infrared-signals from the remote control.

2 Remote control sensor

This receives signals from the remote control.

3 Display

This shows various information. (Refer to page 6 for details.)

4 PTY SEEK MODE

Press this button to set the unit in the PTY SEEK mode.

5 RDS MODE/FREQ

When an RDS station is received, press this button to change the display mode among the PS mode, PTY mode, RT mode, CT mode (if the station offers those RDS data services) and/or frequency display mode in turn.

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INTRODUCTION PREPARATION

q PHONES jack

Connect the headphones to the PHONES jack. You can listen to the sound to be output from the main speakers through the headphones. When using headphones only, set both SPEAKERS A and B to the OFF position and press EFFECT to turn off the effect speakers (center and rear) (so that no DSP program indicator lights up on the display).

w SPEAKERS

Set A or B (or both A and B) to the ON position for the main speaker system (connected to this unit) that you want to use. Set the button(s) to the OFF position for the main speaker system that you don’t want to use.

e PROGRAM selector

Press l or h to select a DSP program when the effect speakers (center, rear and subwoofer) are turned on. The selected program indicator lights up on the display.

r EFFECT

Press this button to turn on or off the effect speakers (center and rear). If you turn them off, all Dolby Digital audio signals are directed to the right and left main speakers. In that case, the output levels of the right and left speakers may not match.

t Tone controls

These controls are only effective for the sound from the main speakers.

a) BASS

Turn this control clockwise to increase or counterclockwise to decrease the low-frequency response. The “0” position produces a flat response.

b) TREBLE

Turn this control clockwise to increase or counterclockwise to decrease the high-frequency response. The “0” position produces a flat response.

y TAPE/MD MON / EXT. DECODER

Press this button to select a tape or an MD source. The “TAPE/MD MONITOR” indicator lights up on the display. When you press the button next, the “TAPE/MD MONITOR” indicator goes off, “EXT. DECODER” appears on the display and you can listen to a source connected to the EXTERNAL DECODER INPUT terminals.

u BALANCE

This control is only effective for the sound from the main speakers. Turn the control to adjust the balance of the output volume from the right and left main speakers to compensate for sound imbalance caused by the speaker location or listening room conditions.

i A/B/C/D/E

Press this button to select one of a group (A to E) of preset stations.

o PRESET/TUNING

When “ z ” appears This button is used to select a preset station number (1 to 8). Press h to select a higher and l to select a lower preset station number. When “ z ” goes off This button is used for tuning. Press h to tune in to higher frequencies, and l to tune in to lower frequencies. When this unit is in the PTY SEEK mode, press this button to select a program type.

p PRESET/TUNING, EDIT

Press this button to turn on or off “ z ” on the display and switch the function between for storing a broadcasting station (preset tuning) and for tuning. This button is also used to exchange the assignment of two preset stations with each other.

a FM/AM

Press this button to switch the reception band between FM and AM.

s MEMORY (MAN’L/AUTO FM)

Press this button to store the broadcasting stations. Hold down this button for more than three seconds to begin automatic preset tuning.

d TUNING MODE (AUTO/MAN’L MONO)

Press this button to switch the tuning mode between automatic and manual. To use the automatic tuning method, press this button so that the “AUTO” indicator lights up on the display. To use the manual tuning method, press this button so that the “AUTO” indicator goes off.

CONTROLS AND FUNCTIONS

Page 8

Display

8 RDS mode indicators

The name(s) of the RDS data offered by the currently received RDS station light(s) up. Illumination of the red indicator next to the RDS data name shows that the corresponding RDS mode is now selected.

9 AUTO indicator

This lights up when the unit is in the automatic tuning mode.

0 PTY HOLD indicator

This lights up while searching for stations in the PTY SEEK mode.

q EON indicator

This lights up when an RDS station that offers the EON data service is being received.

w Program type name indicators

The name of the selected program type lights up when the “EON” indicator lights up.

e STEREO indicator

This lights up when an FM stereo broadcast with sufficient signal strength is being received.

r Signal-level indicator

This indicates the signal level of the station being received. If multipath interference is detected, the indication decreases.

890

CONTROLS AND FUNCTIONS

1 g and o indicators

“ g ” lights up when the built-in Dolby Digital decoder is on and the signals of the selected source are encoded with Dolby Digital. “ o ” lights up when the built-in Dolby Pro Logic decoder is on.

2 DSP program indicators

The name of the selected DSP program lights up.

3 Multi-information display

This display shows various information: for example the name of the selected input source and the various settings during adjustment with the SET MENU. The current station frequency and band (FM or AM) also appear when the tuner is selected as the input source.

4 SLEEP indicator

This lights up while the built-in SLEEP timer is on.

5 TAPE/MD MONITOR indicator

This lights up when the tape deck or MD recorder, etc. is selected as the input source by pressing TAPE/MD MON / EXT. DECODER (or TAPE/MD).

6 x indicator

“ x ” lights up when the built-in digital sound field processor is on.

7 MEMORY indicator

This flashes for about five seconds after pressing MEMORY. During this period, the displayed station can be stored in the memory.

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INTRODUCTION PREPARATION

Remote Control

CONTROLS AND FUNCTIONS

6 7

The provided remote control is designed to control all most commonly used functions of this unit. If a YAMAHA tape deck or CD player designed for remote control compatibility is connected to this unit, this remote control can also control various functions of that component.

■ Controlling this unit

1 POWER

Each time you press this button, the unit switches between the power on and standby mode.

2 TIME/LEVEL

Press this button to select the item in the TIME/LEVEL mode.

3 +/–

These buttons adjust the settings of the SET MENU and TIME/LEVEL mode.

4 TEST

Press this button to output the test tone for each speaker.

5 A/B/C/D/E, PRESET +/–

These buttons are used to select a preset station. A/B/C/D/E: To select one of a group (A to E) of preset

stations

PRESET +/–: To select a preset station number (1 to 8)

6 SLEEP

Press this button to set the SLEEP timer.

7 VOLUME

These buttons are used to adjust the volume level.

: To turn up the volume : To turn down the volume

8 SET MENU

Press this button to select the items in the SET MENU.

9 DSP PRG+, PRG–

Press these buttons to select a DSP program.

0 EFFECT

Press this button to turn on or off the effect speakers (center and rear).

q Input selector buttons

These buttons select the input source. CD: To play a CD TUNER: To listen to an FM (RDS) or AM broadcast TAPE/MD: To play a tape or MD DVD/LD: To play a DVD or LD SAT/D-TV: To watch a TV or satellite broadcast VCR: To play a video cassette AUX: To use another audio component

w EXT. DEC.

Press this button to select another multi-channel source.

■ Controlling a YAMAHA tape deck or

CD player

Identify the remote control buttons with your component’s buttons. If these buttons are identical, their functions will be the same. Refer to the instructions for each button function supplied with your component.

! Tape deck buttons

These buttons are used for controlling a tape deck.

• DECK A/B, DIR A and DIR B are only available for a double cassette tape deck.

• For a single cassette tape deck with an automatic reverse function, press DIR A to reverse the direction of tape running.

@ CD player buttons

These buttons are used for controlling a CD player

• DISC SKIP is only available for a CD player with a CD changer.

Page 10

SPEAKER SETUP

Speaker Placement

Refer to the following diagram when you place the speakers.

Speakers to Be Used

This unit is designed to provide the best sound-field quality with a 5-speaker system, using main speakers, rear speakers and a center speaker. If you use different brands of speakers (with different tonal qualities) in your system, the tone of a moving human voice and other types of sound may not shift smoothly. We recommend that you use speakers from the same manufacture or speakers with the same tonal quality.

The main speakers are used for the main source sound plus the effect sounds. They will probably be the speakers from your present stereo system. The rear speakers are used for the effect and surround sounds, and the center speaker is for the center sounds (dialog, vocals, etc.). If for some reason it is not practical to use a center speaker, you can do without it. Best results, however, are obtained with the full system.

The main speakers should be high-performance models and have enough power-handling capacity to accept the maximum output of your audio system. The other speakers do not have to be equal to the main speakers. For precise sound localization, however, it is ideal to use highperformance models that can reproduce sounds over the full range for the center speaker and the rear speakers.

■ Use of a subwoofer expands your

sound field

It is also possible to further expand your system with the addition of a subwoofer. The use of a subwoofer is effective not only for reinforcing bass frequencies from any or all channels, but also for reproducing the LFE (low frequency effect) channel with high fidelity when playing back a source encoded with Dolby Digital. The YAMAHA Active Servo Processing Subwoofer System is ideal for natural and lively bass reproduction.

Main speaker (L)

Center speaker

Main speaker (R)

Subwoofer

Rear speaker (L)

Rear speaker (R)

1.8 m

■ Main speakers

Place the right and left main speakers an equal distance from the ideal listening position. The distance of each speaker from each side of the TV monitor should be the same.

■ Rear speakers

Place these speakers behind your listening position, facing slightly inwards, nearly 1.8 m (approx. 6 feet) above the floor.

■ Center speaker

Align the front face of the center speaker with the front face of your TV monitor. Place the speaker as close to the monitor as possible, such as directly over or under the monitor and centrally between the main speakers.

Note

• If the center speaker is not used, the sound will be heard from the right and left main speakers. In that case, “CENTER SP” in the SET MENU is set to the NONE position. (Refer to page 35 for details.)

■ Subwoofer

The position of the subwoofer is not so critical, because low bass sounds are not highly directional. But it is better to place the subwoofer near the main speakers. Turn it slightly toward the center of the room to reduce the wall reflections.

CAUTION

Some types of speakers interfere with a TV monitor. If this problem occurs, move the speakers away from the monitor. If you cannot avoid installing the center speaker or subwoofer near the TV monitor, use magnetically shielded speakers.

PREPARATION

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INTRODUCTION

PREPARATION

CONNECTIONS

Before Connecting Components

CAUTION

Never connect this unit and other components to mains power until all connections between components have been completed.

Be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Some components require different connection methods and have different terminal names. Refer to the instructions for each component to be connected to this unit.

When you connect other YAMAHA audio components (such as a tape deck, MD recorder and CD player or changer), connect it to the terminals with the same number labels as !, #, $ etc. YAMAHA applies this labeling system to all its products.

Use RCA-type pin plug cables for connecting audio/video components with the exception described later.

The input and output terminals for pin plugs can be distinguished as follows:

Yellow video signals (composite)

White analog audio signals for the left channel

Red analog audio signals for the right channel

coaxial digital signals

After completing all connections, check them again to make sure they are correct.

MAINS

MAIN A OR B:4ΩMIN. /SPEAKER A + B:8ΩMIN. /SPEAKER CENTER : 6ΩMIN. /SPEAKER REAR :6ΩMIN. /SPEAKER

MAIN A OR B:8ΩMIN. /SPEAKER A + B:I6ΩMIN. /SPEAKER CENTER : 8ΩMIN. /SPEAKER REAR :8ΩMIN. /SPEAKER

SET BEFORE POWER ON

REAR

(SURROUND)

CENTER

MAIN

––++

–

100W MAX. TOTAL

SWITCHED

Connecting an Audio Component (page 12)

Connecting a Video Component (page 13)

IMPEDANCE SELECTOR switch (page 16)

Connecting the Antenna (page 10)

Connecting to an External Decoder (page 12)

Connecting Speakers (page 14)

Connecting the Power Supply Cords (page 16)

(Europe model)

V V

C C

Page 12

Connecting the Antennas

Both AM and FM indoor antennas are included with this unit. In general, these antennas should provide sufficient signal strength. However, a properly installed outdoor antenna provides clearer reception than an indoor one. If you experience poor reception quality, an outdoor antenna may improve the quality.

Connect each antenna correctly to the designated terminals.

■ Indoor FM antenna (included)

Firmly insert the connector into the FM ANT terminal. The indoor FM antenna is only a simple antenna. For reception with better sound quality, installing the outdoor FM antenna (commercially available) is recommended.

Note

• Do not connect an outdoor FM antenna and the indoor FM antenna at the same time.

■ Outdoor FM antenna

You may be unable to obtain good FM radio reception depending on your local conditions (distance from the broadcasting station, interposing buildings and mountains, etc.). Consult your dealer or authorized service center and be sure to install an antenna that suits your local conditions. Install the outdoor FM antenna (commercially available) in a high place as far away from any roads as possible to avoid being affected by automobile ignition noise.

■ Connecting a coaxial cable to the included 75-ohm/300-ohm antenna

adapter (U.K. model only)

1 Open the cover of the included 75-ohm/

300-ohm antenna adapter.

2 Cut the external sleeve of the 75-ohm coaxial

cable and prepare it for connection.

3 Cut the lead wire and remove it. 4 Insert the cable wire into the slot, and clamp it

with pliers.

5 Snap the cover into place.

CONNECTIONS

75-ohm/300-ohm antenna adapter (included for U.K. model)

75-ohm coaxial cable

75-ohm/300-ohm antenna adapter (included for U.K. model)

300-ohm feeder

Unit: mm (inch)

11 (7/16)

8 (5/16) 6 (1/14)

Lead wire

Insert the wire into the slot.

Clamp with pliers.

Cover

Indoor FM antenna

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INTRODUCTION

PREPARATION

■ AM loop antenna (included)

The AM loop antenna can be removed from the stand and attached to a wall, etc. However, note that the reception sensitivity may deteriorate if the antenna is attached to a metal or steel reinforced wall.

Notes

• The AM loop antenna should be placed away from this unit.

• The AM loop antenna should always be connected, even if an outdoor AM antenna is connected to this unit.

■ Connecting the AM loop antenna

1 Press the tab and unlock the terminal hole. 2 Insert the AM loop antenna lead wires into the

AM ANT and GND terminals.

3 Return the tab to its original position to lock

the lead wires. Lightly pull the lead wires to confirm a good connection.

4 Attach the loop antenna to the antenna stand. 5 Orient the AM loop antenna so that the best

reception is obtained.

■ Outdoor AM antenna

If you cannot obtain good reception with the AM loop antenna, connect 5 m to 10 m of vinyl covered wire to the AM ANT terminal and extend it outdoors from a window.

■ Ground (GND terminal)

For maximum safety and minimum interference, connect the antenna GND terminal to a good earth ground. A good earth ground is a metal stake driven into moist earth.

CONNECTIONS

Antenna stand

AM loop antenna

Vinyl covered wire (5 m to 10 m)

Page 14

Connecting an Audio Component

CONNECTIONS

Be sure to connect the right channel (R), left channel (L), input (IN) and output (OUT) properly.

Tape deck or MD recorder

L R L R L R

OUTPUT LINE OUT LINE IN

(Europe model)

CD player

Analog signal

Signal flow

Connecting to an External Decoder

This unit has additional 6-channel audio signal input terminals for connecting an external decoder to this unit. Connect the 6-channel audio signal output terminals of the decoder to the EXTERNAL DECODER INPUT terminals of this unit.

Notes

• When a source connected to these terminals is selected, the digital

sound field processor cannot be used.

• The settings of “CENTER SP”, “REAR SP”, “MAIN SP” and

“BASS OUT” in the SET MENU have no effect on a source connected to these terminals. The setting of “MAIN LVL” is effective. (Refer to pages 35 and 36 for details.)

L R L R

MAIN OUT

SURROUND OUT

CENTER OUT

SUBWOOFER OUT

External decoder

(Europe model)

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PREPARATION

CONNECTIONS

Connecting a Video Component

■ Audio signal terminals

Be sure to connect the right channel (R), left channel (L), input (IN) and output (OUT) properly.

■ Video signal terminals

Be sure to connect the input (IN) and output (OUT) properly.

■ Digital audio signal terminals

If your DVD/LD player, TV/digital TV or satellite tuner, etc. has coaxial or optical digital signal output terminals, they can be connected to this unit’s COAXIAL and/or OPTICAL digital signal input terminals. To make a connection between the optical digital signal terminals, remove the cover from each terminal, and then connect them by using a commercially available optical fiber cable that conforms to EIA standards. Other cables might not function correctly.

When making connections between the digital signal terminals, you should connect the components to the samenamed analog audio signal terminals of this unit, because a digital signal cannot be recorded by a tape deck, MD recorder or VCR connected to this unit.

■ TV monitor with a 21-pin connector

Make a connection as shown above with a commercially available SCART-plug connector cable.

Notes

• Be sure to attach the covers when the OPTICAL terminals are not being used in order to protect them from dust.

• If your LD player has a Dolby Digital RF signal output terminal, be sure to use the RF demodulator (separately purchased).

• No sound will be heard when connecting your LD player’s Dolby Digital RF signal output terminal directly to this unit’s COAXIAL DVD/LD digital signal input terminal.

• The input signal from the DVD/LD input terminals is selected in the following order of priority with the input mode set to AUTO: COAXIAL terminal → OPTICAL terminal → Analog terminal. Refer to page 21 for details.

• All digital signal input terminals are applicable to sampling frequencies of 32 kHz, 44.1 kHz and 48 kHz.

L R

L R V V

ANALOG AUDIO OUT

AUDIO OUT

AUDIO IN

VIDEO OUT

VIDEO IN

ANALOG AUDIO OUT

VIDEO OUT

COAXIAL DIGITAL OUT

OPTICAL DIGITAL OUT

DVD/LD player TV/digital TV, satellite tuner, cable TV

(Europe model)

SCART-plug

No connection

VCR

Analog signal

Video signal

Digital signal (optical)

Digital signal (coaxial)

Signal flow

TV monitor

Page 16

Connecting Speakers

Be sure to connect the right channel (R), left channel (L), “+” (red) and “–” (black) properly. If the connections are faulty, no sound will be heard from the speakers, and if the polarity of the speaker connections is incorrect, the sound will be unnatural and lack bass.

CAUTIONS

• Use speakers with the specified impedance shown on the rear panel of this unit.

• Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could damage the unit and/or speakers.

■ Main speaker terminals

One or two speaker systems can be connected to these terminals. If you use only one speaker system, connect it to either of the SPEAKERS A or B terminals.

■ Rear speaker terminals

A rear speaker system can be connected to these terminals.

■ Center speaker terminal

A center speaker can be connected to this terminal.

CONNECTIONS

MAINS

MAIN A OR B:4ΩMIN. /SPEAKER A + B:8ΩMIN. /SPEAKER CENTER : 6ΩMIN. /SPEAKER REAR : 6ΩMIN. /SPEAKER

MAIN A OR B:8ΩMIN. /SPEAKER A + B:I6ΩMIN. /SPEAKER CENTER : 8ΩMIN. /SPEAKER REAR : 8ΩMIN. /SPEAKER

SET BEFORE POWER ON

REAR

(SURROUND)

CENTER

MAIN

––++

–

100W MAX. TOTAL

SWITCHED

Main speakers A

Right Left

Main speakers B

Right Left

(Europe model)

Center speaker Rear speakers

Right Left

Subwoofer connection

If you have a subwoofer with builtin amplifier, including the YAMAHA Active Servo Processing Subwoofer System, connect the input terminal of the subwoofer system to the SUBWOOFER OUTPUT terminal of this unit.

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EnglishBASIC OPERATION

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TION APPENDIX

INTRODUCTION

PREPARATION

■ Speaker cables

1 Remove approx. 10 mm (3/8”) of insulation

from each of the speaker cable.

2 Twist the exposed wires of the cable together

to prevent short circuits.

■ Connecting to the MAIN SPEAKERS terminals

1 Unscrew the knob. 2 Insert one bare wire into the hole in the side of

each terminal.

3 Tighten the knob to secure the wire.

■ Connecting to the REAR and CENTER SPEAKERS terminals

1 Open the tab. 2 Insert one bare wire into the hole of each

terminal.

3 Return the tab to secure the wire.

CONNECTIONS

10 mm (3/8”)

Red: positive (+) Black: negative (–)

Page 18

IMPEDANCE SELECTOR Switch

WARNING

Do not change the IMPEDANCE SELECTOR switch setting while the power to this unit is on, otherwise the unit may be damaged. If this unit fails to turn on when STANDBY/ON is pressed, the IMPEDANCE SELECTOR switch may not be fully slide to either position. If so, slide the switch to either position fully when this unit is in the standby mode.

Select the right or left position according to the impedance of speakers in your system. Be sure to move this switch only when this unit is in the standby mode.

Connecting the Power Supply Cords

After completing all connections, connect the AC power cord to an AC power outlet. Disconnect the AC power cord if you will not use this unit for a long period of time.

■ AC OUTLETS (SWITCHED)

Europe model .................................................... 2 OUTLETS

U.K. model.......................................................... 1 OUTLET

Use these outlets to connect the power cords from your components to this unit. The power to the AC OUTLET(S) is controlled by this unit’s STANDBY/ON (or POWER). These outlets will supply power to any connected component whenever this unit is turned on. The maximum power (total power consumption of components) that can be connected to the AC OUTLET(S) is 100 W.

If you use left position right position Center

speaker

The impedance must be 6 Ω or higher.

The impedance must be 8 Ω or higher.

Rear speakers

The impedance of each speaker must be 6 Ω or higher.

The impedance of each speaker must be 8 Ω or higher.

If you use two pairs of main speakers, the impedance of each speaker must be 8 Ω or higher.

If you use two pairs of main speakers, the impedance of each speaker must be 16 Ω or higher.

Main speakers

If you use one pair of main speakers, the impedance of each speaker must be 4 Ω or higher.

If you use one pair of main speakers, the impedance of each speaker must be 8 Ω or higher.

CONNECTIONS

(Europe model)

MAINS

MAIN A OR B:4ΩMIN. /SPEAKER A + B:8ΩMIN. /SPEAKER CENTER : 6ΩMIN. /SPEAKER REAR : 6ΩMIN. /SPEAKER

MAIN A OR B:8ΩMIN. /SPEAKER A + B:I6ΩMIN. /SPEAKER CENTER : 8ΩMIN. /SPEAKER REAR : 8ΩMIN. /SPEAKER

SET BEFORE POWER ON

100W MAX. TOTAL

SWITCHED

(Europe model)

To AC outlet

MAINS

MAIN A OR B:4ΩMIN. /SPEAKER A

8ΩMIN. /SPEAKER CENTER : 6ΩMIN. /SPEAKER REAR : 6ΩMIN. /SPEAKER

MAIN A OR B:8ΩMIN. /SPEAKER A + B:I6ΩMIN. /SPEAKER CENTER : 8ΩMIN. /SPEAKER REAR : 8ΩMIN. /SPEAKER

SET BEFORE POWER ON

100W MAX. TOTAL

SWITCHED

IMPEDANCE

SELECTOR

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EnglishBASIC OPERATION

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TION APPENDIX

INTRODUCTION

PREPARATION

Using the Test Tone

The adjustment of each speaker sound output level should be performed at your listening position with the remote control. After completing the adjustments, use VOLUME ( / ) at your listening position to check if the adjustments are satisfactory.

1 Press TEST .

“TEST LEFT” appears on the display.

2 Turn up the volume.

You will hear a test tone (like pink noise) from each speaker for about two seconds in following order: left main speaker, center speaker, right main speaker, right rear speaker and left rear speaker. The display changes as shown below.

Notes

• If the test tone cannot be heard, turn down the volume, set the unit in the standby mode and check the speaker connections.

• If the test tone cannot be heard from the center speaker, check the setting of “CENTER SP” in the SET MENU.

This procedure lets you adjust the sound output level balance between the main, center and rear speakers by using the built-in test tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from each speaker. This is important for the best performance of the digital sound field processor, the Dolby Pro Logic decoder and Dolby Digital decoder.

Before You Start Adjusting

1 Set VOLUME to the “m”

position.

2 Turn the power on.

3 Press SPEAKERS A or B

to select the main speakers to be used.

If you use two main speaker systems, press both A and B.

4 Set BASS, TREBLE and BALANCE to the “0”

position.

ADJUSTING THE SPEAKER BALANCE

–+–+

4 5

1,6

TEST LEFT

TEST

RIGHT

TEST L SUR. TEST R SUR.

TEST CENTER

Page 20

3 Adjust BALANCE on the

front panel so that the sound output level of the right main speaker and the left main speaker is the same.

4 Press TIME/LEVEL

repeatedly to select the speaker to be adjusted.

“CENTER”, “R SUR.” or “L SUR.” appears on the display.

5 Press + to raise and – to

lower the level. Adjust the sound output levels of the center speaker and the rear speakers so that they become almost the same as that of the main speakers.

While adjusting, the test tone is heard from the selected speaker.

Note

• You cannot adjust the delay time while the test tone is being heard even if “DELAY” appears on the display.

6 When the adjustment is complete, press TEST.

“TEST OFF” appears on the display and the test tone stops.

Note

• If “CENTER SP” in the SET MENU is set to the NONE position, the sound output level of the center speaker cannot be adjusted in step 5. The center channel sound is automatically output from the right and left main speakers.

• Once you have completed the adjustments, you can only adjust the overall volume level of your audio system by using VOLUME (or VOLUME (

/ )).

• If there is insufficient sound output from the center and rear speakers, you may decrease the main speaker output level by setting “MAIN LVL” in the SET MENU to “–10 dB”. (Refer to page 36 for details.)

ADJUSTING THE SPEAKER BALANCE

Front panel

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TION APPENDIXINTRODUCTION PREP ARA TION

1 Set VOLUME to the “m”

position.

2 Turn the power on.

3 Press SPEAKERS A or B

to select the main speakers to be used.

If you use two main speaker systems, press both A and B.

PLAYING A SOURCE

–+–+

1,6

4 Select the desired input

source with INPUT (or the input selector buttons). (Turn on the TV monitor for video sources.)

The name of the selected input source appears on the display.

a. To select a tape or an MD source

Press TAPE/MD MON / EXT. DECODER (or TAPE/MD) so that the “TAPE/MD MONITOR” indicator lights up on the display.

b. To select a source connected to the

EXTERNAL DECODER INPUT terminals

Press TAPE/MD MON / EXT. DECODER repeatedly (or EXT. DEC.) until “EXT. DECODER” appears on the display.

Notes

• An audio source can not be played if the “TAPE/MD MONITOR” indicator lights up or if “EXT. DECODER” appears. Press TAPE/ MD MON / EXT. DECODER twice (or TAPE/MD once) to turn off the “TAPE/MD MONITOR” indicator. Press TAPE/MD MON / EXT. DECODER once (or EXT. DEC.) to turn off “EXT. DECODER”.

• If you select and play a video source when the “TAPE/MD MONITOR” indicator lights up or “EXT. DECODER” appears, the play back result will be a video image from the video source and the sound from the audio source selected by using TAPE/MD MON / EXT. DECODER (or TAPE/MD or EXT. DEC.).

For the DVD/LD, TV/digital TV and satellite tuner sources, the current input mode is also shown. Refer to page 21 for details about the input mode.

Front panel

Remote control

Front panel

Input source

BASIC OPERATION

Front panel Remote control

Page 22

5 Play the source.

Refer to the instructions for the source component (and page 26 for details about tuning).

6 Adjust the volume to the desired output level.

If desired, adjust BASS, TREBLE, BALANCE, etc. These controls are only effective for the sound from the main speakers.

• BASS controls the low-frequency response.

• TREBLE controls the high-frequency response.

• BALANCE adjusts the balance of the output volume from the right and left main speakers.

7 Use the digital sound field processor.

Refer to page 22.

■ When you have finished using this

unit

Press STANDBY/ON (or POWER) to set this unit in the standby mode.

■ BGV (background video) function

The BGV function allows you to combine a video image from a video source with a sound from an audio source. (For example, you can listen to classical music while you are watching a video.) This function can only be controlled with the remote control.

Play a video source, and then select an audio source with the input selector buttons on the remote control. The BGV function does not work if you select the audio source with INPUT on the front panel.

PLAYING A SOURCE

Front panel Remote control

–+–+

Front panel

Front panel Remote control

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Input Mode (for the DVD/LD and TV/ digital TV and satellite tuner sources)

This unit allows you to switch the input mode for sources that send both digital and analog signals to this unit. The AUTO and ANALOG input modes are provided.

When you turn on the power of this unit, the input mode for the DVD/LD source is always set to AUTO and for TV/ digital TV or satellite tuner source is set according to “SAT INPUT” in the SET MENU. (Refer to page 37 for details.)

■ AUTO

In this mode, the input signal is selected in the following order of priority:

1. Digital signal encoded with Dolby Digital

2. Normal digital signal (PCM)

3. Analog signal (ANALOG)

Note

• If digital signals are input from both the OPTICAL and COAXIAL terminals, the digital signal from the COAXIAL terminal is selected.

■ ANALOG

In this mode, only an analog signal is selected, even if a digital signal is being input at the same time. Select this mode when you want to use an analog signal instead of a digital signal.

PLAYING A SOURCE

Front panel Remote control

■ Switching the input mode

Press INPUT MODE (or the input selector button that you have pressed to select the input source on the remote control) repeatedly until the desired input mode is shown on the display.

Notes

• Set the input mode to AUTO to play a DVD/LD source encoded with Dolby Digital.

• Set the input mode to ANALOG to play a normal 2-channel source with a Dolby Surround program.

• The sound output may be interrupted for some LD and DVD players in the following situation: The input mode is set to AUTO. A search is performed while playing the disc encoded with Dolby Digital, and then disc playing is restored. The sound output is interrupted for a moment because the digital signal was selected again.

• The input mode cannot be changed for the CD, TUNER, TAPE/ MD, VCR and AUX sources because only analog signals are used for these.

• The current input mode appears on the display when the DVD/ LD, TV/digital TV or satellite tuner source is selected or the input mode is changed.

■ Notes on playing an LD source

• Some audio/video component, such as LD player, output different audio signals through their analog and digital terminals. Change the input mode as necessary.

• If the input mode is set to AUTO for the LD source, this unit automatically determines which type of signal the LD source contains. If this unit detects a Dolby Digital signal, the decoder automatically switches to the appropriate setting and reproduces

5.1 channel sound.

• If the LD player is transmitting signals by a non-normal method, this unit cannot detect the Dolby Digital signal. In this case, the decoder automatically switches to PCM or analog.

• If the LD source does not contain a digital soundtrack, connect the LD player to the analog terminals.

• While you are operating the LD player, if you switch from the pause or chapter forwarding function to normal playback, you may hear the PCM or analog sound an instant before the Dolby Digital sound is played.

Page 24

If desired, adjust the delay time and the sound output level of each speaker. (Refer to pages 38 and 39 for details.)

Notes

• You can select a DSP program for each of the input sources. Once

you select a program, it is linked with the input source selected at that time. So, when you select the input source next time, the same program is automatically selected.

• When a monaural source is being played with PRO LOGIC/

Normal or PRO LOGIC/ENHANCED, no sound will be heard from the main speakers and the rear speakers. Sound can only be heard from the center speaker. However, if “CENTER SP” in the SET MENU is set to the NONE position, the center channel sound is output from the main speakers.

• When a source connected to the EXTERNAL DECODER INPUT

terminals of this unit is selected, the digital sound field processor cannot be used.

Canceling the Sound Effect (turning off the effect speakers)

Press EFFECT to cancel the sound effect and monitor only the main sound.

Press EFFECT again to turn the sound effect back on.

Notes

• If the sound effect is canceled when Dolby Digital is decoding,

the sounds of all channels are mixed and output from the main speakers.

• If you turn off the sound effect when Dolby Digital is decoding, it

may happen that the sound is output faintly or not output normally, depending on the source. In that case, turn back on the sound effect.

DIGITAL SOUND FIELD PROCESSOR (DSP) EFFECT

Selecting a DSP Program

You can enhance your listening experience by selecting a DSP program. Refer to pages 23 to 25 for details about each program.

–+–+

Front panel

Remote control

1 Make sure that the effect speakers (center,

rear, and subwoofer) are turned on.

2 Press PROGRAM h or l (or DSP PRG+ or

PRG– ) repeatedly to select the desired program.

The name of the selected program appears for a moment and the selected DSP program indicator lights up on the display.

DSP program indicator

Front panel

Remote control

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[3] PRO LOGIC/ENHANCED

( ox)

• Input source: Dolby Surround 2-ch Dolby Digital

• Output channel: 4 channels

• DSP: 1 (surround)

[4] DOLBY DIGITAL/ENHANCED

( gx )

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: 2 (surround L, R)

This program ideally simulates the multisurround speaker systems of the 35 mm-film movie theater. Dolby Pro Logic decoding or Dolby Digital decoding and digital sound field processing are precisely performed without altering the original sound orientation. The surround effect produced by the sound field folds around the viewer naturally from the rear to the right and left and toward the screen.

SOUND FIELD PROGRAM

This unit incorporates a sophisticated, multi-program digital sound field processor (DSP). This processor allows you to electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theaterlike experience in your listening room. You can create outstanding audio sound by selecting a suitable DSP program (this will, of course, depend on what you are listening to).

When you select a CINEMA DSP program, one of the built-in decoders (Dobly Pro Logic and Dolby Digital) is turned on according to which type of signals the source being played contains.

The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital re-creations of actual acoustic environments.

■ For movie or audio/video sources (Program No. 1 to No. 5: CINEMA DSP

programs)

No. PROGRAM SUBPROGRAM FEATURES

1 q SURROUND [1] PRO LOGIC/Normal ( o )

• Input source: Dolby Surround 2-ch Dolby Digital

• Output channel: 4 channels

• DSP: —

[2] DOLBY DIGITAL/Normal ( g )

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: —

The built-in Dolby Pro Logic decoder or Dolby Digital decoder precisely reproduces the sound and effect of a source encoded with Dolby Surround or Dolby Digital. The realization of a highly efficient decoding process improves cross talk and channel separation, and makes sound positioning smoother and more precise. In this program, the digital sound field processor is not turned on.

Page 26

No. PROGRAM SUBPROGRAM FEATURES

2 MOVIE

THEATER1

3 MOVIE

THEATER2

[1] 70 mm SPECTACLE

( ox)

• Input source: Dolby Surround 2-ch Dolby Digital

• Output channel: 3 channels

• DSP: 2 (presence & surround)

[2] DGTL SPECTACLE

( g x )

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

This program creates the extremely wide sound field of a movie theater. It precisely reproduces the source sound in detail, giving both the video and the sound field incredible reality. It is ideal for any kind of video source encoded with Dolby Surround or Dolby Digital (especially large-scale movie productions).

[1] 70 mm ADVENTURE

( ox )

• Input source: Dolby Surround 2-ch Dolby Digital

• Output channel: 3 channels

• DSP: 2 (presence & surround)

[2] DGTL ADVENTURE

( gx)

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

Ideal for precisely reproducing the sound of the newest multi-track films. The sound field is made to be similar to that of the newest movie theaters, so the reverberations of the sound field itself are restrained as much as possible. The data for the sound field of an opera house are used for the front presence, so the threedimensional feeling of the sound field is emphasized, and dialog is precisely oriented on the screen. By using the data for the sound field of a concert hall on the surround sound field, powerful reverberations are generated. You can enjoy watching action, adventure movies, etc. with strong presence.

SOUND FIELD PROGRAM

[3] 70 mm SCI-FI ( o x )

• Input source: Dolby Surround 2-ch Dolby Digital

• Output channel: 3 channels

• DSP: 2 (presence & surround)

[4] DGTL SCI-FI ( g x )

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

Clearly reproduces dialog and sound effects in the latest sound form of science fiction films, thus creating a broad and expansive cinematic space amid the silence. You can enjoy science fiction films in a virtual-space sound field that includes Dolby Surround and Dolby Digitalencoded software employing the most advanced techniques.

[3] 70 mm GENERAL ( ox )

• Input source: Dolby Surround 2-ch Dolby Digital

• Output channel: 3 channels

• DSP: 2 (presence & surround)

[4] DGTL GENERAL ( gx )

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

This program is for reproducing sounds on a multi-track film, and is characterized by a soft and extensive sound field. The front presence of the sound field is relatively narrow. It spatially spreads all around and toward the screen, restraining echo effect of conversations without losing clarity. For the surround sound field, the harmony of music or chorus sounds beautifully in a wide space at the rear of the sound field.

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No. PROGRAM FEATURES

4 MONO MOVIE

• Input source: Monaural

• Output channel: 1 channel

• DSP: 1

This program is designed specifically to enhance monaural sources. Compared to a strictly mono setting, the sound image is wider and slightly forward of the speaker pair, lending an immediacy to the overall sound. It is particularly effective for old mono movie, news broadcasts and dialog.

5 TV SPORTS

• Input source: Audio/Video

• Output channel: 2 to 5.1 channels

• DSP: 2 to 3 (presence & surround)

This program is furnished with a tight sound field in which the sound will not spread excessively at the front, but the rear surround produces dynamic sound expansion. It is the most suitable for sports programs.

■ For Hi-Fi audio sources

No. PROGRAM FEATURES

6 DISCO

• Input source: 2-ch PCM/Analog audio

• Output channel: 2 channels

• DSP: 1

This program simulates the acoustic environment of a disco in the heart of a lively city. The sound is dense and highly concentrated.

7 ROCK CONCERT

• Input source: 2-ch PCM/Analog audio

• Output channel: 2 channels

• DSP: 1

This program is ideally suited for rock music. You will experience a dynamic and lively sound field.

8 CONCERT HALL

• Input source: 2-ch PCM/Analog audio

• Output channel: 2 channels

• DSP: 1

This program creates the expansive ambience of a large concert hall. It is suited for orchestra and opera music.

CINEMA DSP: Dolby Surround + DSP/Dolby Digital + DSP

■ Dolby Pro Logic + 2 digital sound fields

Digital sound fields are created in both the presence and rear surround zones of the Dolby Pro Logic-decoded sound field. They create a wide acoustic environment and emphasize the surround effect in the room, letting you feel as much presence as if you were watching a movie in a popular Dolby Stereo theater.

■ Dolby Digital + 3 digital sound fields

Digital sound fields are created in the presence zone and independently on the left and right surround zones of the Dolby Digital-decoded sound field. They create a wide acoustic environment and strong surround effect in the room without losing high channel separation. With the wide dynamic range of Dolby Digital sound, this sound field combination lets you feel as if you were watching a movie in the newest Dolby Digital theater. This is the most ideal home theater sound at the present time.

SOUND FIELD PROGRAM

Page 28

5 Press PRESET/TUNING h once to tune in to a

higher frequency and l once to tune in to a lower frequency.

Press the button again if the tuning search does not stop at the desired station.

Note

• If you tune in manually to an FM station, it will be automatically received in monaural mode to increase the signal quality.

• Use the manual tuning method if the tuning search does not stop at the desired station (because the signal from the station is weak).

• When tuned in to a station, the frequency of the received station is shown on the display. If an RDS station that offers the PS data service is being received, the station name is shown instead of the frequency on the display.

Manual Tuning

1 Use INPUT to select the

tuner as the input source.

2 Press FM/AM to select the reception band (FM

or AM).

“FM” or “AM” appears on the display.

3 Press TUNING MODE so that the “A UTO”

indicator goes off.

4 Press PRESET/TUNING (EDIT) to turn “ z ” off.

5 Press PRESET/TUNING h or l to tune in to

the desired station.

To continue the tuning search, hold down the button.

TUNING

Automatic tuning is effective when station signals are strong and there is no interference. However, if the signal from the station you want to select is weak, you must tune in to it manually (manual tuning).

Automatic Tuning

1 Use INPUT to select the

tuner as the input source.

2 Press FM/AM to select the reception band (FM

or AM).

“FM” or “AM” appears on the display.

3 Press TUNING MODE so that the “A UTO”

indicator lights up on the display.

4 Press PRESET/TUNING (EDIT) to turn “ z ” off.

Lights up

Goes off

Turn “ z ” off

–+–+

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Automatic Preset Tuning (for RDS stations only)

You can make use of the automatic preset tuning function for RDS stations only. This function enables the unit to automatically tune in with strong signals and to sequentially store up to 40 RDS stations (5 groups x 8 stations). (Refer to pages 30 to 32 for details on RDS stations.)

1 Press FM/AM to select the FM band.

2 Press TUNING MODE so that the “A UTO”

indicator lights up on the display.

3 Hold down MEMORY for about three seconds.

The preset number, the “MEMORY” and “AUTO” indicators flash. After about five seconds, automatic preset tuning begins from the frequency currently displayed toward the higher frequencies. Received stations are sequentially stored as A1, A2 ... A8. If more than 8 stations have been tuned, they are stored as preset station numbers in other groups (B, C, D and E) in that order.

Memory back-up

The memory back-up circuit prevents the stored data from being lost when this unit is set in the standby mode. If, however, the power cord is disconnected from the AC power outlet or the power is cut for more than one week, the memory will be erased. If so, store the stations again by using preset tuning methods.

–+–+

21 3

■ Automatic preset tuning options

You can select the preset number from which the unit will store RDS stations and/or begin tuning toward lower frequencies. Before automatic preset tuning begins (after pressing MEMORY in step 3),

1. Press A/B/C/D/E and PRESET/TUNING to select the preset number with which the first station will be stored. The automatic preset tuning will stop when stations have all been stored up to E8.

2. Press PRESET/TUNING (EDIT) to turn “ z ” off and then press PRESET/TUNING l to begin tuning toward lower frequencies.

■ When automatic preset tuning is

completed

The display shows the frequency of the last preset station. Check the contents and the number of preset stations by following the procedure in the section “To Recall a Preset Station” on page 28.

Notes

• A new setting can be stored in place of the former one.

• You can manually replace a preset station with another FM or AM

station by simply using the manual preset tuning method.

• Automatic preset tuning will be performed for all RDS network

stations until all have been stored up to E8. Even if the number of received stations is not enough to be stored up to E8, automatic preset tuning is automatically ended after searching for all stations.

• Only RDS stations with sufficient signal strength are stored by

automatic preset tuning. If the station you want to store is weak in signal strength, tune in to it manually in monaural mode and store it by using the manual preset tuning method. (There may be a case that this unit cannot receive a station which could be received by using the automatic tuning method. This is because this unit receives a large amount of PI (Program Identification) data along with the station.)

TUNING

Lights up

Flashes

Page 30

TUNING

To Recall a Preset Station

You can recall any desired station simply by selecting the preset station number with which it was stored. You can also recall a preset station with the remote control.

1 Press A/B/C/D/E to select the required group

of preset stations.

Make sure that “ z ” appears on the display.

2 Press PRESET/TUNING h or l (or PRESET

+/–) to select a preset station number (1 to 8).

The preset group and number appear on the display along with the reception band, frequency and signal strength information.

–+–+

1 2

Flashes

Front panel

Remote control

Front panel

Remote control

–+–+

3 2,54

Manual Preset Tuning

You can also store up to 40 stations (5 groups x 8 stations) manually.

1 Tune in to the desired station.

Refer to page 26 for the tuning procedure.

2 Press MEMORY.

The “MEMORY” indicator flashes for about five seconds.

3 Press A/B/C/D/E repeatedly to select the

desired group (A to E) of preset stations before the “MEMORY” indicator goes off.

Make sure that “ z ” appears on the display. The selected group appears on the display.

4 Press PRESET/TUNING h or l to select a

preset station number (1 to 8) with which you want to store the station before the “MEMORY” indicator goes off.

Press h to select a higher preset station number and l to select a lower preset station number.

5 Press MEMORY before the “MEMORY”

indicator goes off.

The displayed station has been stored as the preset group and number you have selected, and the reception band and frequency appear on the display.

6 Repeat steps 1 to 5 to store other stations.

Notes

• A new setting can be stored in place of the former one.

• The reception mode (stereo or monaural) is stored along with the station frequency.

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–+–+

2,4

Exchanging Preset Stations

You can exchange the assignment of two preset stations with each other.

■ Example: If you want to exchange

preset station “E1” with “A5”.

1 Recall preset station “E1”.

Refer to the procedure in the section “To Recall a Preset Station” on page 28.

2 Hold down (PRESET/TUNING) EDIT for about

three second.

“E1” and the “MEMORY” indicator flash.

3 Recall preset station “A5” by using the buttons

on the front panel.

“A5” and the “MEMORY” indicator flash.

4 Press (PRESET/TUNING) EDIT again.

The display shows the exchange of stations has been completed.

TUNING

Flashes

Page 32

RECEIVING RDS STATIONS

Radio Data System (RDS) is a data transmission system by FM stations in many countries. Stations using this system transmit an inaudible stream of data in addition to the normal radio signal.

RDS data contains various information such as PI (Program Identification), PS (Program Service name), PTY (Program Type), RT (Radio Text), CT (Clock Time), EON (Enhanced Other Networks), etc. The RDS function is carried out among the network stations.

Description of RDS Data

This unit can receive PI, PS, PTY, RT, CT, and EON data when receiving RDS broadcasting stations.

■ PS (Program Service name) mode:

The name of the RDS station being received is displayed.

■ PTY (Program Type) mode:

The program type on the RDS station being received is displayed. There are 15 program types to classify RDS stations. You can make this unit search for a station which is broadcasting a program of the desired type. Refer to page 31 for details.

■ RT (Radio Text) mode:

Information about the program (such as the title of the song, name of the singer, etc.) on the RDS station being received is displayed by a maximum of 64 alphanumeric characters, including the umlaut symbol. If other characters are used for RT data, they are displayed with under-bars.

■ CT (Clock Time) mode:

The current time is displayed and updated every minute. If the data are accidentally cut off, “CT WAIT” may appear.

■ EON (Enhanced Other Networks):

Refer to page 32.

Changing the RDS Mode

The four modes are available in this unit for displaying RDS data. When an RDS station is being received, PS, PTY, RT and/or CT that correspond to the RDS data services offered by the station light up on the display. Press RDS MODE/ FREQ repeatedly to change the display mode among the RDS data offered by the transmitting station in the order shown below. Illumination of the red indicator next to the RDS mode indicator shows that the corresponding RDS mode is now selected.

Notes

• When an RDS station is being received, do not press RDS MODE/FREQ until one or more RDS mode indicators light up on the display. If you press the button before the indicators light up on the display, the mode cannot be changed. This is because the unit has not yet received all of the RDS data on the station.

• RDS data not offered by the station cannot be selected.

• The RDS data service cannot be utilized by this unit if the received signal is not strong enough. In particular, the RT mode requires a large amount of data to be received, so it is possible that the RT mode may not be displayed even if other RDS modes (PS, PTY, etc.) are displayed.

• RDS data cannot sometimes be receive under poor reception conditions. If so, press TUNING MODE so that the “AUTO” indicator goes off from the display. Although the reception mode is changed to monaural by this operation, when you change the display to RDS mode, RDS data may be displayed.

• If the signal strength is weakened by external interference during the reception of an RDS station, the RDS data service may be cut off suddenly and “...WAIT” will appear on the display.

PS mode

PTY mode

RT mode

CT mode

Frequency

display mode

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ADVANCED OPERA

TION APPENDIXINTRODUCTION PREPARATION

PTY SEEK Function

If you select the desired program type, the unit automatically searches all preset RDS stations that are broadcasting a program of the required type.

1 Press PTY SEEK MODE to set the unit in the

PTY SEEK mode.

The program type of the station being received or “NEWS” flashes on the display.

2 Press PRESET/TUNING h or l to select the

desired program type.

The selected program type appears on the display.

3 Press PTY SEEK START to begin searching all

preset RDS stations.

The selected program type flashes and the “PTY HOLD” indicator lights up on the display while searching for stations.

• If a station that is broadcasting a program of the required type is found, the unit stops at that station.

• If the called station is not the desired one, press PTY SEEK START again. The unit begins searching for another station that is broadcasting a program of the same type.

RECEIVING RDS STATIONS

■ To cancel this function

Press PTY SEEK MODE twice.

■ Program types in the PTY mode

There are 15 program types to classify RDS stations.

NEWS News AFFAIRS Current affairs INFO General information SPORT Sports EDUCATE Education DRAMA Drama CULTURE Culture SCIENCE Science VARIED Light entertainment POP M Pops ROCK M Rock M.O.R. M Middle-of-the-road music (easy-listening) LIGHT M Light classics CLASSICS Serious classics OTHER M Other music

–+–+

Flashes

The selected program type flashes.

Light up

Page 34

EON Function

This function uses the EON data service on the RDS station network. If you simply select the desired program type (NEWS, INFO, AFFAIRS or SPORT), the unit automatically searches for all preset RDS stations that are scheduled to broadcast a program of the required type and switches from the station being currently received to the new station when the broadcasts starts.

Note

• This function can only be used when an RDS station that offers the EON data service is being received. When such a station is being received, the “EON” indicator lights up on the display.

1 Make sure that the “EON” indicator lights up

on the display.

If the “EON” indicator does not light up, tune in to another RDS station so that the “EON” indicator lights up.

–+–+

2 Press EON repeatedly to select the desired

program type (NEWS, INFO, AFFAIRS or SPORT).

The selected program type name indicator lights up on the display.

• If a preset RDS station of the selected program type starts broadcasting, the unit will automatically switch from the program being currently received to that program. The program type name indicator flashes.

• When broadcasting of the required program ends, the previously received station (or another program on the same station) is recalled.

■ To cancel this function

Press EON repeatedly until no program type name lights up on the display.

RECEIVING RDS STATIONS

Lights up

Flashes

Lights up

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ADVANCED OPERA

TION APPENDIXINTRODUCTION PREPARATION

RECORDING A SOURCE ON TAPE, MD OR VIDEO CASSETTE

–+–+

1,42

Recording adjustments and other operations are performed from the tape deck, MD recorder or VCR. Refer to the instructions for these components.

1 Set VOLUME to the “m”

position.

2 Select the source you want to record.

3 Begin recording by the tape deck, MD recorder

or VCR connected to this unit.

4 Play the source and then turn up the volume to

confirm the input source.

If a tape deck or MD recorder is being used for recording, you can monitor the sounds being recorded by pressing TAPE/MD MON / EXT. DECODER (or TAPE/MD).

Notes

• The DSP program and the setting of VOLUME, BASS, TREBLE and BALANCE have no effect on the material being recorded.

• A source connected to this unit only through the digital terminals cannot be recorded by the tape deck, MD recorder or VCR connected to this unit.

• A source connected to the EXTERNAL DECODER INPUT terminals of this unit cannot be recorded.

• Check the copyright laws in your country to record from records, CDs, radio, etc. Recording of copyrighted material may infringe copyright laws.

If you play back a video source that uses scrambled or encoded signals to prevent it from being dubbed, the picture itself may be disturbed due to those signals.

Remote control

Front panel

Remote control

Page 36

SET MENU

This unit provides you with the following items in the SET MENU to maximize the performance of your system and expand your enjoyment for audio listening and video watching.

1. CENTER SP

2. REAR SP

3. MAIN SP

4. BASS OUT

5. MAIN LVL

6. D.D. LFE

7. D-RANGE

8. CNTR DELAY

9. MEM. GUARD

10.SAT INPUT

Adjusting Items in the SET MENU

Adjustments should be performed with the remote control while watching the information on the display.

1 Press SET MENU

repeatedly to select the item you want to adjust.

The selected item appears on the display.

2 Press + or – repeatedly to

adjust the setting.

3 Repeat steps 1 and 2 to adjust the setting of

any other item in the same way.

Memory back-up

The memory back-up circuit prevents the stored data from being lost when this unit is set in the standby mode. If, however, the power cord is disconnected from the AC power outlet or the power is cut for more than one week, the settings of the SET MENU will automatically return to the preset positions and values. If so, adjust the settings of the SET MENU again.

ADVANCED OPERATION

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Description of Each Item

1. CENTER SP

Choices: LRG (Large)/SML (Small)/NONE Preset position: LRG (Large)

LRG (Large)

Select this position if your center speaker is approximately the same size as the main speakers. In this position, fullrange signals on the center channel are directed to the center speaker.

SML (Small)

Select this position if you use a center speaker that is smaller than the main speakers. In this position, low bass signals (below 90 Hz) on the center channel are distributed to the SUBWOOFER OUTPUT terminal (or to the right and left main speakers if “BASS OUT” is set to the MAIN position).

NONE

Select this position if you do not have a center speaker (4-speaker system). In this position, full-range signals on the center channel are directed to the right and left main speakers.

2. REAR SP

Choices: LARGE/SMALL Preset position: LARGE

LARGE

Select this position if your rear speakers have high ability for bass reproduction, or if a subwoofer is connected in parallel to the rear speaker. In this position, full-range signals on the rear channels are directed to the rear speakers.

SMALL

Select this position if your rear speakers do not have high ability for bass reproduction. In this position, low bass signals (below 90 Hz) on the rear channels are distributed to the SUBWOOFER OUTPUT terminal (or to the right and left main speakers if “BASS OUT” is set to the MAIN position).

3. MAIN SP

Choices: LARGE/SMALL Preset position: LARGE

LARGE

Select this position if your main speakers have high ability for bass reproduction. In this position, full-range signals on the main channels are directed to the right and left main speakers.

SMALL

Select this position if your main speakers do not have high ability for bass reproduction. However, if your system does not include a subwoofer, do not select this position. In this position, low bass signals (below 90 Hz) on the main channels are distributed to the SUBWOOFER OUTPUT terminal if “BASS OUT” is set to the SW or BOTH position.

4. BASS OUT

Choices: SW/MAIN/BOTH Preset position: BOTH

Select this position if your system includes a subwoofer. In this position, signals on the LFE channel and other low bass signals that are distributed from other channels are directed to the SUBWOOFER OUTPUT terminal when playing a source encoded with Dobly Digital.

Note

• When playing a 2-channel source (tape, MD, CD, video cassette etc.), select the BOTH position to direct low bass signals (below 90 Hz) to the SUBWOOFER OUTPUT terminals.

MAIN

Select this position if your system does not include a subwoofer. In this position, besides full-range signals on the main channels, signals on the LFE channel and other low bass signals (below 90 Hz) that are distributed from other channels are directed to the right and left main speakers.

BOTH

Select this position if your system includes a subwoofer. In this position, signals on the LFE channel are directed to the SUBWOOFER OUTPUT terminal. Low bass signals on the main channels are directed to both the main speakers and the SUBWOOFER OUTPUT terminal.

SET MENU

Page 38

7. D-RANGE (Adjusting the dynamic

range)

Choices: MAX/STD (Standard)/MIN Preset position: MAX

Note

• This adjustment is only effective when Dolby Digital is being

decoded.

“Dynamic range” is the difference between the maximum level and the minimum level of sounds. Sounds on a movie originally designed for movie theaters feature a very wide dynamic range. Dolby Digital technology can modify the original sound track into a home audio format with this wide dynamic range unchanged. Powerful sounds of extremely wide dynamic range are not always suitable for home use. Depending on the condition of your listening environment, it may not be possible to increase the sound output to a level as high as that in a movie theater. However, at the normal level suitable for listening in your room, the low-level parts of source sound often cannot be heard well because they will be lost among noise in your environment. Dolby Digital technology has also made it possible to reduce an original sound track’s dynamic range for a home audio format by “compressing” the sound data.

MAX

In this position, a source encoded with Dolby Digital is reproduced in the original sound track’s wide dynamic range to provide you with powerful sounds just like those in a movie theater. Selecting this position will be even better if you can listen to a source at a high output level in a room specially soundproofed for audio/video enjoyment.

STD (Standard)

In this position, a source encoded with Dolby Digital is reproduced in the “compressed” dynamic range of the source that is suitable for low-level listening.

MIN

In this position, the dynamic range is more reduced than in the STD position. Selecting this position will be effective when you must listen to a source at a low level.

Note

• It may happen that sound is output faintly or not output normally

depending on the source. In that case, select the MAX or STD position.

5. MAIN LVL

Choices: NORM (Normal)/–10 dB Preset position: NORM (Normal)

NORM (Normal)

Normally select this position.

–10 dB

Select this position if the sound output from the main speakers is too loud and cannot be balanced with the sound output from the center and rear speakers. In this position, the sound output from the main speakers is attenuated.

Notes

• The setting of “CENTER SP”, “REAR SP”, “MAIN SP” and “BASS OUT” have no effect on a source connected to the EXTERNAL DECODER INPUT terminals on the rear of this unit.

• Once you have adjusted appropriately for “CENTER SP”, “REAR SP”, “MAIN SP”, “BASS OUT” and “MAIN LVL”, you do not have to change any settings unless your speaker system is modified.

6. D.D. LFE (Adjusting the output

level of the LFE channel for Dolby Digital)

Control range: –20 dB to 0 dB (in 1 dB steps) Preset value: 0 dB

Note

• This adjustment is only effective when Dolby Digital is being decoded and the selected source encoded with Dolby Digital contains LFE signals.

This adjusts the output level of the LFE channel. If the LFE signals are mixed with signals of other channels and they are directed to the same speakers, the ratio of the LFE signal level to the level of the other signals can be adjusted.

SET MENU

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8. CNTR DELAY (Adjusting the delay of the center sound)

Control range: 0 ms to 5 ms (in 1 ms steps) Preset value: 0 ms

Note

• This adjustment is only effective when Dolby Digital is being

decoded and the selected source encoded with Dolby Digital contains center channel signals.

This adjusts the delay between the main sound (on the main channels) and dialog, etc. (on the center channel). The larger the value, the later the dialog, etc. is generated.

This makes sounds from the left main, center and right main speakers reach your listening position at the same time. This is achieved by delaying the sound from the center speaker if the distance from the center speaker to your listening position is shorter than the distance from the right and left main speaker to your listening position.

9. MEM. GUARD (Locking the settings)

Choices: ON/OFF Preset position: OFF

If you wish to prevent accidental alterations to the settings of the SET MENU and other adjustments on this unit, select the ON position. The following settings on this unit can be locked:

• Settings of other items in the SET MENU

• Settings in the TIME/LEVEL mode

• Settings when using TEST

10.SAT INPUT (Selecting the initial input mode for a source connected to the SAT/D-TV input terminals)

Choices: AUTO/LAST Preset position: AUTO

The input mode for a source connected to the SAT/D-TV input terminals of this unit can be automatically set when the power of this unit is turned on. Refer to page 21 for details about the input mode.

AUTO

In this position, the input mode is always set to AUTO.

LAST

In this position, the input mode is automatically set to that selected the last time when the power of this unit was turned on.

SET MENU

Page 40

1. PRO LOGIC/Normal 15 to 30 20 DOLBY DIGITAL/Normal 0 to 15 5 PRO LOGIC/ENHANCED 15 to 30 20 DOLBY DIGITAL/ENHANCED 0 to 15 5

2. 70 mm SPECTACLE 15 to 30 23 DGTL SPECTACLE 1 to 99 15 70 mm SCI-FI 15 to 30 20 DGTL SCI-FI 1 to 99 16

3. 70 mm ADVENTURE 15 to 30 20 DGTL ADVENTURE 1 to 99 15 70 mm GENERAL 15 to 30 20 DGTL GENERAL 1 to 99 15

4. MONO MOVIE 1 to 99 49

5. TV SPORTS 1 to 99 9

6. DISCO 1 to 99 40

7. ROCK CONCERT 1 to 99 16

8. CONCERT HALL 1 to 99 44

DELAY TIME AND SPEAKER OUTPUT LEVELS

When using the digital sound field processor with the Dolby Pro Logic decoder or Dolby Digital decoder, you can adjust the delay time between the main sound and sound effect, and each speaker’s output level as you wish.

Delay Time

You can adjust the time difference between the beginning of the sound from the main speakers and the beginning of the sound effect from the rear speakers. The larger the value, the later the sound effect is generated. The delay time can be individually adjusted to all DSP programs.

Notes

• Adding too much delay will cause an unnatural effect with some sources.

• The sound is momentarily interrupted while adjusting the delay time.

Sound Output Level of the Center, Right Rear and Left Rear Speakers, and Subwoofer

If desired, you can adjust the sound output level of each speaker even if it has already been adjusted in “ADJUSTING THE SPEAKER BALANCE” on pages 17 and 18.

Notes

• The sound output level of the center speaker cannot be adjusted when the input signal is analog, PCM audio, or encoded with Dolby Digital in 2-channel.

• If “CENTER SP” in the SET MENU is set to the NONE position, the sound output level of the center speaker cannot be adjusted. This is because the center channel sound is automatically output from the right and left main speakers.

• Once the sound output level has been adjusted, the level will be the same for all DSP programs.

Speaker Control range (dB) Preset value Center –20 to +10 0 Right rear –20 to +10 0 Left rear –20 to +10 0 Subwoofer –20 to 0 0

Program

Control range (ms)

Preset value

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EnglishBASIC OPERATION

ADV ANCED OPERA

TION APPENDIXINTRODUCTION PREP ARA TION

Adjusting Method

Adjustments should be performed with the remote control while watching the information on the display.

1 Press TIME/LEVEL repeatedly to select the

item you want to adjust.

Each time you press TIME/LEVEL, the selected item changes and appears on the display as below.

Note

• Depending on the setting of the SET MENU, you may not be able to select all these items.

2 Press + or – to adjust the

delay time or speaker output levels.

3 Repeat steps 1 and 2 to adjust the settings of

any other item.

Memory back-up

The memory back-up circuit prevents the stored data from being lost when this unit is set in the standby mode. If, however, the power cord is disconnected from the AC power outlet or the power is cut for more than one week, the latest values for the delay time and the center/rear/ subwoofer output levels that were set will automatically return to the preset values. If so, adjust the delay time and output levels again.

DELAY TIME AND SPEAKER OUTPUT LEVELS

DELAY

CENTER

R SUR.

L SUR.

SWFR

Page 42

SLEEP TIMER

Canceling the Selected SLEEP Timer

Press SLEEP repeatedly until “SLEEP OFF” appears on the display.

It will soon disappear and the “SLEEP” indicator will go off.

Note

• The SLEEP timer can also be canceled by setting the unit in the standby mode by using POWER on the remote control (or STANDBY/ON), or by disconnecting the AC power cord from the AC power outlet.

The SLEEP timer can be used to automatically set this unit in the standby mode. This timer is useful when you are going to sleep while enjoying a broadcast or other desired input source. The SLEEP timer can only be set with the remote control.

Note

• The SLEEP timer is effective for the components connected to the AC OUTLET(S) on the rear panel of this unit.

Setting the SLEEP Timer

1 Play a source you want to enjoy when you are

going to sleep.

2 Press SLEEP repeatedly to

select the desired SLEEP time.

Each time you press SLEEP, the SLEEP time will change as below:

3 The “SLEEP” indicator soon lights up on the

display after the SLEEP timer has been set.

The display returns to the previous indication.

Lights up

Flashes

120 90 60 30

The SLEEP timer is off

(SLEEP OFF).

(This is the state before

SLEEP is pressed.)

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TION APPENDIXINTRODUCTION PREP ARA TION

TROUBLESHOOTING

If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and contact your authorized YAMAHA dealer or service center.

■ General

SYMPTOM CAUSE REMEDY

The unit does not work normally.

No sound and/or no picture.

The power cord is not connected or the plug is not completely inserted.

Firmly connect the power cord.

The IMPEDANCE SELECTOR switch on the rear panel is not fully set to the right or left position.

Set the switch fully to the right or left position when the unit is in the standby mode.

The internal microcomputer has been frozen by an external electric shock (lightning, excessive static electricity, etc.) or by a power supply with low voltage.

Set the unit in the standby mode and disconnect the AC power cord from the AC power outlet. After about 30 seconds have passed, connect the power and operate the unit again.

The speaker connections are not secure.

Incorrect input or output cable connections. Connect the cables properly. If the problem

persists, the cables may be defective.

An appropriate input source has not been selected.

Select an appropriate input source with INPUT or TAPE/MD MON / EXT. DECODER (or the input selector buttons).

Secure the connections.

SPEAKERS have not been set properly. Set SPEAKERS corresponding to the speakers

in use to the ON position. Play a source whose signals this unit can

reproduce.

Digital signals other than PCM audio and the signals encoded with Dolby Digital which this unit cannot reproduce are being input to this unit by a CD-ROM, etc.

The sound suddenly goes off.

The protection circuit has been activated because of a short circuit, etc.

Set the unit in the standby mode and then turn on to reset the protection circuit.

The SLEEP timer has functioned.

Turn on the power, and play the source again.

Refer to page

APPENDIX

Select the appropriate program.

—

12, 13

14 19

—

40 14

20 22 25

—

The unit fails to turn on when STANDBY/ON is pressed, or enters in the standby mode soon after the power has been turned on.

23, 24, 25

Only the speaker on one side can be heard.

Incorrect cable connections. Connect the cables properly. If the problem

persists, the cables may be defective.

Incorrect setting of BALANCE. Adjust it to the appropriate position.

No sound from the effect speakers.

The sound effect is off. Press EFFECT to turn it on.

A Dolby Surround or Dolby Digital decoding DSP program is being used with material not encoded with Dolby Surround or Dolby Digital.

Select another DSP program.

No sound from the center speaker.

The sound output level of the center speaker is set to minimum.

Raise the level of the center speaker.

“CENTER SP” in the SET MENU is set to the NONE position.

Select the LRG or SML position.

Incorrect DSP program is selected. The source encoded with Dolby Digital does not

have a center channel signal.

No sound from the rear speakers.

The output level of the rear speakers is set to minimum.

Raise the output level of the rear speakers.

A monaural source is being played with the PRO LOGIC/Normal or PRO LOGIC/ENHANCED program.

Select another DSP program suitable for the monaural source.

Page 44

SYMPTOM CAUSE REMEDY

Incorrect cable connections. Firmly connect the audio plugs. If the problem

persists, the cables may be defective.

The DVD/LD, TV/digital TV or satellite tuner source cannot be recorded by tape deck, MD recorder or VCR connected to this unit.

The DVD/LD player, TV/digital TV or satellite tuner is connected to the unit only through the digital terminals.

Make additional connections between the analog terminals.

Previously preset stations can no longer be tuned in.

The unit has been disconnected for a long period.

Re-store the stations.

Refer to page

Adjusting this unit by using SET MENU, TIME/ LEVEL or TEST cannot be performed.

“MEM. GUARD” in the SET MENU is set to the ON position.

Set “MEM. GUARD” to the OFF position.

■ Tuner

SYMPTOM CAUSE REMEDY

FM stereo reception is noisy.

The characteristics of FM stereo broadcasts may cause this problem when the transmitter is too far away or the antenna input is poor.

Check the antenna connections. Try using a high-quality directional FM antenna. Use the manual tuning method.

There is distortion, and clear reception cannot be obtained even with a good FM antenna.

There is multipath interference.

Adjust the antenna position to eliminate multipath interference.

The desired station cannot be tuned in with the automatic tuning method.

The station is too weak.

Use the manual tuning method. Use a high-quality directional FM antenna.

The desired station cannot be tuned in with the automatic tuning method.

The signal is weak or the antenna connections are loose.

Tighten the AM loop antenna connections and orient it for best reception. Use the manual tuning method.

Refer to page

There are continuous crackling and hissing noises.

Noises result from lightning, fluorescent lamps, motors, thermostats and other electrical equipment.

Use an outdoor antenna and a ground wire. This will help somewhat, but it is difficult to eliminate all noise.

A “humming” sound can be heard.

TROUBLESHOOTING

Select the BOTH position.

The source does not contain low bass signals (below 90 Hz).

No sound from the subwoofer.

“BASS OUT” in the SET MENU is set to the SW or MAIN position when playing a 2-channel source.

10, 26

11, 26

—

There are buzzing and whining noises (especially in the evening).

A TV set is being used nearby.

Move this unit away from the TV.

—

The volume level cannot be increased, or the sound is distorted.

The component connected to the TAPE/MD OUT (REC) terminals of this unit is in the standby mode.

Turn on the power to the component.

The sound effect cannot be recorded.

It is not possible to record the sound effect by a tape deck or MD recorder connected to the TAPE/MD OUT (REC) terminals of this unit.

12, 13

—

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EnglishBASIC OPERATION

ADV ANCED OPERA

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■ Remote control

This unit is in the standby mode. Turn on the power of the unit.

SYMPTOM CAUSE REMEDY

Refer to page

The remote control does not work.

Direct sunlight or lighting (from an inverter type of fluorescent lamp, etc.) is striking the remote control sensor of this unit.

Reposition the unit.

The batteries are weak. Replace all batteries with new ones.

■ Others

SYMPTOM CAUSE REMEDY

Refer to page

The sound is degraded when listening with headphones to a tape deck or CD player connected to this unit.

There is noise interference from digital or high-frequency equipment, or the unit.

The unit is too close to the digital or highfrequency equipment.

Move the unit further away from such equipment.

TROUBLESHOOTING

—

Page 46

SPECIFICATIONS

AUDIO SECTION

• Minimum RMS Output Power 20 Hz to 20 kHz, 0.06% THD, 8 ohms

Main L/R, Center, Rear L/R ..................................................... 60 W

1 kHz, 0.09% THD, 8 ohms

Main L/R, Center, Rear L/R ....................................... 70 W*/65 W

• Maximum Output Power (EIAJ)

1 kHz, 10% THD, 8 ohms ..........................................................95 W

• DIN Standard Output Power

1 kHz, 0.7% THD, 4 ohms .........................................................90 W

• IEC Output Power

1 kHz, 0.06% THD, 8 ohms .......................................................65 W

• Dynamic Power (IHF)

8/6/4/2 ohms ...................... 90/110/130/150 W*, 85/105/125/145 W

• Damping Factor

20 Hz to 20 kHz, 8 ohms ................................................................ 60

• Frequency Response

CD etc. to MAIN L/R ................................ 20 Hz to 20 kHz, ±0.5 dB

• Total Harmonic Distortion (20 Hz to 20 kHz)

CD etc. to MAIN L/R, 1/2 power, 8 ohms ............................ 0.025%

• Signal-to-Noise Ratio (IHF-A Network) CD etc. to MAIN L/R

(150 mV, Input Shorted) ......................................................... 96 dB

(250 mV, Input Shorted) ....................................................... 100 dB

• Residual Noise (IHF-A Network)

MAIN L/R .............................................................................. 150 µV

• Input Sensitivity/Impedance

CD etc. ................................................................. 150 mV/47 k-ohms

EXT. DECODER......................................... 150 mV/40 – 47 k-ohms

• Output Level/Impedance

REC OUT ........................................................... 150 mV/1.2 k-ohms

SUBWOOFER ....................................................... 4.0 V/1.2 k-ohms

PHONES ................................................................. 0.47 V/390 ohms

• Channel Separation (Vol. –30 dB) CD etc. (Input 5.1 k-ohms Terminated, 1 kHz/10 kHz)

..................................................................................... 60 dB/45 dB

• Tone Control Characteristics

BASS: Boost/cut ..........................................................±10 dB/50 Hz

TREBLE: Boost/cut ................................................... ±10 dB/20 kHz

* for U.S.A. and Canada models

VIDEO SECTION

• Video Signal Type ........................................................... NTSC or PAL

• Video Signal Level ...................................................... 1 Vp-p/75 ohms

• Signal-to-Noise Ratio .................................................................. 50 dB

• Monitor Out Frequency Response....................5 Hz to 10 MHz, –3 dB

FM SECTION

• Tuning Range .................................... 87.5/87.50 to 107.9/108.00 MHz

• Usable Sensitivity (DIN)

Mono (S/N 26 dB) ................................................................... 0.9 µV

Stereo (S/N 46 dB) ................................................................... 28 µV

• Selectivity (two signals, 40 kHz Dev., ±300 kHz) ...................... 55 dB

• Signal-to-Noise Ratio (Mono/Stereo)

DIN ................................................................................. 75 dB/69 dB

IHF ................................................................................. 81 dB/75 dB

• Harmonic Distortion (1 kHz)

Mono/Stereo ........................................................................ 0.1/0.2%

• Stereo Separation (1 kHz) ........................................................... 48 dB

• Frequency Response ........................................ 20 Hz to 15 kHz, ±1 dB

• Antenna Input ...................................................... 75 ohms, Unbalanced

AM SECTION

• Tuning Range ............................................530/531 to 1,710/1,611 kHz

• Usable Sensitivity................................................................. 300 µV/m

• Signal-to-Noise Ratio ................................................................... 52 dB

• Antenna ........................................................................... Loop antenna

GENERAL

• Power Supply

[U.S.A. and Canada models] .................................. AC 120 V, 60 Hz

[Europe, U.K. and Singapore models] .................... AC 230 V, 50 Hz

[Australia model]..................................................... AC 240 V, 50 Hz

[China model]......................................................... AC 220 V, 50 Hz

[General model].............................AC 110/120/220/240 V, 50/60 Hz

• Power Consumption ...................................................... approx. 190 W

• AC Outlets (100 W max. total)

[U.K. and Australia models]..................................... 1 (SWITCHED)

[Other models].......................................................... 2 (SWITCHED)

• Dimensions (W x H x D)

.....................435 x 151 x 391 mm (17-1/8’’ x 5-15/16’’ x 15-3/8’’)

• Weight ............................................................................ 10 kg (22 lbs.)

• Accessories ................................................................ AM loop antenna

.......................................................................... Indoor FM antenna

.....................75-ohm/300-ohm antenna adapter (U.K. model only)

........................ Antenna adapter (U.S.A. and Canada models only)

.................................................................................Remote control

........................................................................................... Batteries

Specifications are subject to change without notice.

Page 47

EnglishBASIC OPERATION

ADV ANCED OPERA

TION APPENDIXINTRODUCTION PREP ARA TION

GLOSSARY

CINEMA DSP

■ Dolby Surround

Dolby Surround uses four discrete channels and five speakers to reproduce realistic and dynamic sound effects: two main channels (left and right), a center channel for dialog, and a rear channel for special sound effects. The rear channel reproduces sound within a narrow frequency range. Most video tapes and laser discs include Dolby Surround encoding, as do many TV and cable broadcasts. The Dolby Pro Logic decoder built into this unit employs a digital signal processing system that stabilizes each channel for even more accurate sound positioning than is available with standard analog processors.

■ Dolby Digital

Dolby Digital is a digital surround sound system that provides completely independent multi-channel audio to you. Dolby Digital provides five full-range channels in what is sometimes referred to as a “3/2” configuration: three front channels (left, center and right), and two surround channels. A sixth bass-only effect channel is also provided for output of LFE (low frequency effect), or low bass effects that are independent of other channels. (This is called the “LFE channel”.) This channel is counted as 0.1, thus giving rise to the term 5.1 channels in total. The wide dynamic range of sound reproduced by the five full-range channels and precise sound orientation by digital sound processing provides listeners with excitement and realism that have never been experienced before.

■ CINEMA DSP

The Dolby Surround and Dolby Digital sound systems show their full ability in a large movie theater, because movie sounds are originally designed to be reproduced in a large movie theater that uses a multitude of speakers. Trying to create a sound environment similar to that of a movie theater in your home is difficult because of the room size, material inside the walls, the number of speakers, and so on. In other words, your listening room is very different from a movie theater. However, YAMAHA DSP technology allows you to create nearly the same sound experience as that of a large movie theater in your home by compensating for the lack of presence and dynamics in the listening room with original digital sound fields combined with Dolby Surround or Dolby Digital. The YAMAHA “CINEMA DSP” logo indicates those programs that are created by the combination of YAMAHA DSP technology and Dolby Surround or Dolby Digital.

■ LFE 0.1 Channel

This channel is for reproduction of low bass signals. The frequency range for this channel is 20 Hz to 120 Hz. This channel is called the channel 0.1 because it only reproduces a low frequency range compared to the full-range from 20 Hz to 20 kHz that is reproduced by the 5 channels in a Dolby Digital 5.1 channel system.

Page 48

INDEX

Accessories .......................................................................... 2

AC outlet ........................................................................... 16

Antennas ...................................................................... 10, 11

BALANCE ........................................................................ 20

BGV (background video) function .................................... 20

Canceling sound effect ...................................................... 22

CINEMA DSP ............................................................. 25, 45

Connections

Antennas................................................................ 10, 11

Audio components (tape deck/MD recorder and CD

player) ......................................................................... 12

Digital connections...................................................... 13

Speakers ...................................................................... 14

TV monitor .................................................................. 13

Video components (DVD/LD player, VCR and TV/

digital TV, satellite tuner) ............................................ 13

Delay time (TIME/LEVEL mode) .................................... 38

Display................................................................................. 6

Dolby Digital ..................................................................... 45

Dolby Surround ................................................................. 45

DSP program ............................................................ 22 to 25

External decoder ................................................................ 12

Front panel........................................................................... 4

IMPEDANCE SELECTOR switch ................................... 16

Input mode......................................................................... 21

LFE .............................................................................. 36, 45

Playing ............................................................................... 19

Preset stations

To recall a preset station.............................................. 28

Exchanging preset stations .......................................... 29

Preset tuning

Automatic preset tuning .............................................. 27

Manual preset tuning................................................... 28

RDS mode

EON function .............................................................. 32

PTY SEEK function .................................................... 31

Recording .......................................................................... 33

Remote control

Basic operations ............................................................ 7

Batteries......................................................................... 2

SET MENU ....................................................................... 34

Sleep timer......................................................................... 40

Speaker

Output levels (TIME/LEVEL mode) .......................... 38

Output mode (SET MENU) .................................. 35, 36

Speaker balance (test tone).......................................... 17

Placement ...................................................................... 8

STANDBY/ON.................................................................... 4

Test tone....................................................................... 17, 18

Tone controls ..................................................................... 20

Tuning

Automatic tuning......................................................... 26

Manual tuning ............................................................. 26

Page 49

YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A. YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

Printed in Malaysia ID V502810-2

INDEX

Aansluitingen

Antennes................................................................ 10, 11

Audiocomponenten (tapedeck/MD-recorder en

CD-speler) ................................................................... 12

Digitale aansluitingen.................................................. 13

Luidsprekers ................................................................ 14

TV-monitor .................................................................. 13

Videocomponenten (DVD/LD-speler, videorecorder

en TV/digitale TV, satelliettuner) ................................ 13

Accessoires .......................................................................... 2

Afspelen............................................................................. 19

Afstandsbediening

Basisbedieningen........................................................... 7

Batterijen ....................................................................... 2

Afstemming

Automatische afstemming........................................... 26

Handmatige afstemming ............................................. 26

Afstemming van voorkeuzezenders

Automatische afstemming van de

voorkeuzezenders ........................................................ 27

Handmatige afstemming van voorkeuzezenders......... 28

Annuleren van het geluidseffect ........................................ 22

Antennes ...................................................................... 10, 11

BALANCE ........................................................................ 20

BGV (achtergrondvideo)-functie....................................... 20

CINEMA DSP ............................................................. 25, 45

Display................................................................................. 6

Dolby Digital ..................................................................... 45

Dolby Surround ................................................................. 45

DSP-programma ........................................................ 22 – 25

Externe decoder ................................................................. 12

IMPEDANCE SELECTOR-schakelaar ............................ 16

Ingangsfunctie ................................................................... 21

LFE .............................................................................. 36, 45

Luidspreker

Luidsprekerbalans (testtoon) ....................................... 17

Plaatsing ........................................................................ 8

Uitgangsfunctie (SET MENU).............................. 35, 36

Uitgangsniveaus (TIME/LEVEL-functie) .................. 38

Netspanningsaansluiting.................................................... 16

Opnemen ........................................................................... 33

RDS-functie

EON-functie ................................................................ 32

PTY SEEK-functie ...................................................... 31

SET MENU ....................................................................... 34

SLEEP-timer ..................................................................... 40

STANDBY/ON.................................................................... 4

Testtoon ....................................................................... 17, 18

Toonregelaars .................................................................... 20

Vertragingstijd (TIME/LEVEL functie) ............................ 38

Voorkeuzezenders

Afstemmen op voorkeuzezenders ............................... 28

Verwisselen van voorkeuzezenders ............................. 29

Voorpaneel ........................................................................... 4

Page 50

L R COAXIAL OPTICAL

DIGITAL OUT

AUDIO OUT VIDEO OUT DOLBY

DIGITAL

RF OUT

MAIN A OR B: 4W MIN. /SPEAKER A + B

:

8W MIN. /SPEAKER MAIN A OR B

: 8W MIN. /SPEAKER A + B

: I6W MIN. /SPEAKER

SET BEFORE POWER ON

REAR

(SURROUND)

CENTER

MAIN– – ++

–

ANALOG AUDIO OUT

VIDEO IN

VIDEO OUT

COAXIAL DIGITAL OUT

OPTICAL DIGITAL OUT

DOLBY DIGITAL RF IN

DOLBY DIGITAL RF OUT

R L R L

DVD player LD player

Main speakers A Main speakers B

Rear speakers

Digital signal (coaxial)

V573010 396

Digital signal (optical)

Signal flow

Center speaker

Subwoofer

system

TV Monitor

Connection Guide (when listening to a digital 5.1-channel source)

Analog signal

(U.S.A. model)

Video signal

L R

RF demodulator

Page 51

documentation manual, user maintenance, brochure, user reference, pdf manual

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Yamaha Audio HTR-5230RDS User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

CAUTION

FEATURES

GETTING STARTED

CONTROLS AND FUNCTIONS

SPEAKER SETUP

CONNECTIONS

ADJUSTING THE SPEAKER BALANCE

PLAYING A SOURCE

DIGITAL SOUND FIELD PROCESSOR (DSP) EFFECT

SOUND FIELD PROGRAM

TUNING

RECEIVING RDS STATIONS

RECORDING A SOURCE ON TAPE, MD OR VIDEO CASSETTE

SET MENU

DELAY TIME AND SPEAKER OUTPUT LEVELS

SLEEP TIMER

TROUBLESHOOTING

SPECIFICATIONS

GLOSSARY

INDEX