Yamaha Audio FS1R User Manual

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DATA LIST DATEN-LISTE LISTE DE DONNÉES
Contents Inhaltsangabe Table des matières
Performance List Liste der Performances
Liste des performances ............................................................4
Voice List Liste der Voices
Liste des voix..............................................................................6
Preset Fseq List Liste der vorprogrammierten Formant Sequenzen
Liste des séquences de formant programmées “FSeqs” ......10
Control List Liste der Steuerbefehle
Liste des contrôleurs ................................................................11
Effect T ype List Liste mit Effekt-Typen
Liste des type d'effets................................................................12
Effect Parameter List Liste mit Effekt-Parametern
Liste des Paramètres d'effets....................................................13
REVERB ............................................................................................13
VARIATION ........................................................................................17
INSERTION........................................................................................24
MIDI Data Format........................................................................35
MIDI Data Tables ........................................................................38
MIDI Implementation Chart........................................................43
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No.
Performance Name Category
No. Performance Name Category No. Performance Name Category No. Performance Name Category
1
Teck Hook
Ld
65 Fifths Sc 1 Zap ! Se 65 Pure Fx
2
Yes No
Se
66 Sweepers Ld 2 Shaman Vo 66 Furry Bell Fx
3
Choir
Vo
67 Miracle Fx 3 Nightmare Fx 67 Replicant Fx
4
EP Wide
Pf
68 Platipus Ld 4 Acid King Ba 68 Miracle Fx
5
Bleep
Co
69 Backin Organ Or 5 Snow Decay Sc 69 Swarm Co
6
B-Rave
Ba
70 LoFi Acid Ba 6 Hollywood Co 70 Venus Co
7
Earth Lead
Ld
71 Zap ! Se 7 Yes No Se 71 Relaxxx Co
8
Ensemble
St
72 JMichel St 8 Fetish Ld 72 Mouth Pop Co
9
Full B3
Or
73 Stab Br 9 Platipus Ld 73 R.P.M. Co
10
Nebulous
Pd
74 Legend Vibe Cp 10 Bots Fx 74 Solstice Co
11
VocoTouch
Vo
75 Vox Move Vo 11 Sho Fx 75 Bleep Co
12
Bassline 1
Ba
76 Digital Ba 12 Technical Ba 76 Starship Pd
13
Nu Suitcase
Pf
77 Siam Prayer Et 13 Dirt Vocoder Vo 77 SuperPad Pd
14
StabbaBabb
Br
78 Mysterians Fx 14 Homy Vo 78 Moby II Pd
15
Dark
Se
79 Venus Co 15 BeatBox Dr 79 Spacy Pad Pd
16
Dog Bytes
Sq
80 Drum Kit 2 Dr 16 Magic Laugh Se 80 Pompeii Pd
17
FundaBass
Ba
81 Lead Horn Br 17 VocoTouch Vo 81 The Shadow Pd
18
Magic Laugh
Se
82 Mouth Pop Co 18 The Seeker Vo 82 Earth Wind Pd
19
Breathy 5th
Vo
83 Hard String Gt 19 Can You Give Vo 83 Nebulous Pd
20
Velvet Dyno
Pf
84 Baroque Ld 20 Vox Morph Vo 84 CineSweep Pd
21
Syncorgano
Ld
85 Swarm Co 21 Vox Phase Vo 85 Qwerty Pd
22
Acid King
Ba
86 Mitosis Ld 22 F-Sweep Vo 86 Warm Galaxy Pd
23
Taxi Brass
Br
87 Moving Fx 23 The Vocoder Vo 87 Octavian Pd
24
Moby II
Pd
88 Wind Pad Pd 24 Sand Voice Vo 88 Fat Line Sq
25
Nightmare
Fx
89 DistFeedback Gt 25 Everybody Vo 89 Metallic Sq
26
Zansyo
Sc
90 EP Soft Pf 26 HyperFuzz Ba 90 Superarp Sq
27
Homy
Vo
91 Shooby Do Vo 27 Dist Mini Ba 91 Noble Metal Sq
28
Optical
Ba
92 Furry Bell Fx 28 Strobe Ba 92 Perc Arp Sq
29
Digi Clav
Pf
93 Spiral Se 29 Digital Ba 93 Dog Bytes Sq
30
Relaxxx
Co
94 ChurchOrgan Or 30 Power Key Ba 94 Iron Man Sq
31
B3 Jazz Comp
Or
95 Accordion Or 31 Moon Bass Ba 95 Hard Pulse Sq
32
TekkSet
Dr
96 Drum Kit 3 Dr 32 LoFi Acid Ba 96 Zansyo Sc
33
Strobe
Ba
97 CP Hard Pf 33 Funk Bass Ba 97 Da Comp Sc
34
HyperFuzz
Ba
98 Warm Galaxy Pd 34 Matze Ba 98 Snow Pixy Sc
35
Sho
Fx
99 Superarp Sq 35 Glass Harp Ld 99 Fusion Sc
36
Kalimba
Et
100 Fetish Ld 36 Sweepers Ld 100 Funk Sc
37
DX-Soft
Br
101 B3 Perc 3rd Or 37 Nu Skool Ld 101 Manhattan Sc
38
Technical
Ba
102 Funky Tech Sc 38 Syncorgano Ld 102 Fifths Sc
39
Obie Strings
St
103 Fat Line Sq 39 Mitosis Ld 103 Vulcan Sc
40
Caravan
Fx
104 Can You Give Vo 40 Trance Cosmo Ld 104 Fluffy Sc
41
Brassetra
Br
105 Snow Pixy Sc 41 Glider Ld 105 Spellbound Sc
42
Snow Decay
Sc
106 Earth Wind Pd 42 Night Se 106 VeloSweep Sc
43
Bots
Fx
107 Prophet F Fx 43 To Warp Se 107 Raymond Sc
44
Plastic Bass
Ba
108 Obi Hornz Br 44 Space Bomb Se 108 Zapper Sc
45
Full Tines
Pf
109 Tremolo Pf 45 Open Se 109 Harry Sc
46
Pompeii
Pd
110 Open Se 46 Dark Se 110 Fast&Cheap Sc
47
To Warp
Se
111 Elise Pd 47 Walking Robo Se 111 Funky Tech Sc
48
BoomTchak
Dr
112 Drum Kit 9o9 Dr 48 Scaling Se 112 Pluck Glass Sc
49
Compu Saw
Ba
113 Matze Ba 49 Ghost Se 113 Komodo Sc
50
Dirt Vocoder
Vo
114 Strat 7II Gt 50 Saucer Se 114 Suikinkutsu Et
51
Lightyears
Vo
115 Morph Fx 51 Force Field Se 115 Gamelan Et
52
Nu Skool
Ld
116 Hollow Ld 52 Radio MW Se 116 Thai Boxing Et
53
EtherGuitar
Gt
117 Heimdal Pd 53 4-3-2-1 Se 117 Siam Prayer Et
54
Bassline 2
Ba
118 Zapper Sc 54 Slow Attack Se 118 EthnicPercs Et
55
Blazin' Jim
Or
119 LS Night Or 55 Spiral Se 119 Mukkuri Et
56
Shaman
Vo
120 Spacious St 56 Morph Fx 120 Kalimba Et
57
Emperor II
Pd
121 Perc Arp Sq 57 Moving Fx 121 Drum Kit 1 Dr
58
Da Comp
Sc
122 Spellbound Sc 58 Prophet F Fx 122 Drum Kit 2 Dr
59
Starship
Pd
123 Trance Cosmo Ld 59 Caravan Fx 123 Drum Kit 3 Dr
60
Jungle Bass
Ba
124 Moon Bass Ba 60 FormantSweep Fx 124 Drum Kit 9o9 Dr
61
Vulcan
Sc
125 Manhattan Sc 61 Mysterians Fx 125 TechBeat Dr
62
Sand Voice
Vo
126 Angel Bells Pd 62 DippeDut Fx 126 BoomTchak Dr
63
Hollywood
Co
127 Far West Cp 63 Glacial Fx 127 TechKicks Dr
64
Drum Kit 1
Dr
128
Spacy Aaah
Vo 64 Mizu Guitar Fx 128 TekkSet Dr
Performance List Liste der Performances Liste des performances
Preset AInternal
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No. Performance Name Category No. Performance Name No. Performance Name Category No. Performance Name Category
1 Sweepy Voice Vo 65 Perc Organ Or 1 UprightPiano Pf 65 FM Lead Sax Rd 2 Breathy 5th Vo 66 Dirty Organ Or 2 FM Piano Pf 66 FM Dbl Reed Rd 3 Lightyears Vo 67 ByonOrgan Or 3 EP Wide Pf 67 Dark Clar Rd 4 Vox Move Vo 68 Blazin' Jim Or 4 CP Hard Pf 68 Moonweed Ld 5 Vox Tron Vo 69 Backin Organ Or 5 Velvet Dyno Pf 69 Hollow Ld 6 Spacy Aaah Vo 70 LS Night Or 6 Clear EP Pf 70 Tech Lead Ld 7 Celebration Vo 71 Fat organ Or 7 DX Harpscd Pf 71 Retronic Ld 8 Choir Vo 72 70s Organ Or 8 Digi Clav Pf 72 HyperFuzz Ba
9 Human Woo Vo 73 Jazz Organ Or 9 5th Piano Pf 73 FM Piccolo Pi 10 Human Ih Vo 74 Full Organ Or 10 Glocken Cp 74 FM Flute Pi 11 Human Eh Vo 75 The Lounge Or 11 MusicBox Cp 75 RecoBell Pi 12 Human Oh Vo 76 ChurchOrgan Or 12 Legend Vibe Cp 76 FM PanFlute Pi 13 Shooby Do Vo 77 Hard String Gt 13 Marimba Cp 77 FM Bottle Pi 14 Full Tines Pf 78 DX Jazz Gt 14 Xylophon Cp 78 Heavy Pipe Pi 15 DX Original Pf 79 EtherGuitar Gt 15 TubulBel Cp 79 Whistle Pi 16 Dyno Rose Pf 80 DistFeedback Gt 16 Dulcimer Cp 80 Ocarina Pi 17 EP 1980 Pf 81 Strat 7II Gt 17 B3 Perc 3rd Or 81 Earth Lead Ld 18 Crystal Rose Pf 82 Taxi Brass Br 18 B3 Jazz Comp Or 82 Platipus Ld 19 DX Phase Pf 83 BrightFilter Br 19 Old Rotary Or 83 FM Lead Ld 20 DX Classic Pf 84 Lead Horn Br 20 Full Organ Or 84 FM Lead 2 Ld 21 EP Reece Pf 85 Bright Br 21 Dist Organ Or 85 FM Lead 3 Ld 22 Nu Suitcase Pf 86 DX-Soft Br 22 Accordion Or 86 FM Lead 4 Ld 23 EP Wide Pf 87 Brassetra Br 23 Chorus Harp Or 87 Sunhead Ld 24 Velvet Dyno Pf 88 Oberhorn Br 24 ChurchOrgan Or 88 Teck Hook Ld 25 Tremolo Pf 89 Obi Brass Br 25 Nylon Guitar Gt 89 Space Harp Pd 26 EP Soft Pf 90 Obi Hornz Br 26 Steel Guitar Gt 90 Fat Pad Pd 27 Wurli Dirty Pf 91 Swell Br 27 Jazz Guitar Gt 91 Thermal Pd 28 Wurli Clean Pf 92 Stab Br 28 Clean Guitar Gt 92 Nebulous Pd 29 CP Hard Pf 93 Quackz Br 29 Mute Guitar Gt 93 Qwerty Pd 30 UprightPiano Pf 94 StabbaBabb Br 30 DistFeedback Gt 94 FM Pad Pd 31 Clavmann Pf 95 Fanfare Br 31 Dist Guitar Gt 95 Spacy Pad Pd 32 BryteClavman Pf 96 Wind Pad Pd 32 Punch Bass Ba 96 Spacewind Pd 33 Fat Clavmann Pf 97 Dark Pad Pd 33 Aco Bass Ba 97 Rain Sc 34 Digi Clav Pf 98 Thermal Pd 34 Plastic Bass Ba 98 Fifths Sc 35 Thin Clav Pf 99 Spacewind Pd 35 FM Slap Ba 99 Crystal Sc 36 Optical Ba 100 Elise Pd 36 Fretless Ba 100 Atmospher Sc 37 FundaBass Ba 101 OB Pad Pd 37 Pick Bass Ba 101 Bright Ens Pd 38 B-Rave Ba 102 Reflection Pd 38 FM Slap 2 Ba 102 Goblins Sc 39 Square Bass Ba 103 Emperor II Pd 39 Bassline 1 Ba 103 Harry Sc 40 Ethno Bass Ba 104 Fat Pad Pd 40 Compu Saw Ba 104 Sci-Fi Sc 41 Bassline 1 Ba 105 Polar Pd 41 Strobe Ba 105 Sitar 2 Et 42 Bassline 2 Ba 106 Sky Bells Pd 42 Acid King Ba 106 Suikinkutsu Et 43 JungleBass Ba 107 Heimdal Pd 43 Power Key Ba 107 Mukkuri Et 44 Plastic Bass Ba 108 Ice Score Pd 44 5th Funk Ba 108 Kalimba Et 45 Punch Bass Ba 109 Solair Pd 45 DX Solo Str St 109 Kalimba 2 Et 46 Compu Saw Ba 110 Angel Bells Pd 46 Tremolo Str St 110 Bag Pipe Et 47 Dry Syn Ba 111 Vesuvius Pd 47 FM Pizz St 111 Fiddle Et 48 Earth Lead Ld 112 Space Harp Pd 48 FM Harp St 112 Shanai Et 49 Hollow Ld 113 Ministry Pd 49 Spacious St 113 TnklBell Pc 50 Samplon Ld 114 Ensemble St 50 FM Strings En 114 Agogo Pc 51 Noodles Ld 115 Obie Strings St 51 JMichel St 115 SteelDrm Pc 52 BigAssSynth Ld 116 JMichel St 52 Ensemble St 116 WoodBlok Pc 53 Teck Hook Ld 117 Mild St 53 Vox Morph Vo 117 TaikoDrm Pc 54 Sunhead Ld 118 Spacious St 54 Vox Move Vo 118 Hollywood Co 55 Moonweed Ld 119 Oktavstrgs St 55 Vox Phase Vo 119 Bleep Co 56 Tech Lead Ld 120 Hit En 56 Hit En 120 4-3-2-1 Se 57 Retronic Ld 121 Accordion Or 57 FM Solo Tp Br 121 DippeDut Fx 58 Formo Whistl Ld 122 Sitar Et 58 Fanfare Br 122 Glacial Fx 59 Baroque Ld 123 Bag Pipe Et 59 DX-Soft Br 123
Ice
Fx 60 Full B3 Or 124 Alloy Cp 60 Lead Horn Br 124 Angle Fx 61 B3 Jazz Comp Or 125 Tubular Cp 61 Fr.Horn Br 125 Shooby Do Vo 62 B3 Perc 3rd Or 126 Far West Cp 62 FM Section Br 126
Everybody
Vo 63 J.Road Or 127 Small Bell Cp 63 Bright Br 127
Vox Move 2
Vo 64 Disto-Jam Or 128 Legend Vibe Cp 64 StabbaBabb Br 128
Drum Kit 2
Dr
Category
Preset B Preset C
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1 Pf Ballad EP Et BagPipe Pf FortePno 1 Pf Harpsi 8 Cp DumBells Gt DX-AcstGt1 Ba BassNovo 2 Pf Clavmann Et BagPipe-dl Pf FortePno 2 Pf Harpsi 9 Cp MellowBell Gt DX-AcstGt2 Ba BassResWp 3 Pf Clavmann 2 Et Gamelan Pf MM-Piano 1 Pf HarpsiWire Cp Mini Bell Gt DX-AcstGt3 Ba Cutmandu 4 Pf Digi Clav Et Gamelan2 Pf MM-Piano 2 Pf AD 1600s 1 Cp Child Bell Gt DX-AcstGt4 Ba DX-Bass 1 5 Pf DX7Classic Et Mukkuri Pf Pianotone1 Pf AD 1600s 2 Cp PPP Thing Gt DX-AcstGt5 Ba DX-Bass 2 6 Pf Mtrial Pno Et SuikinStr Pf Pianotone2 Pf AD 1900s Cp Stonemetal Gt GuitarBell Ba DX-Bass 3 7 Pf MtrialPno2 Et Thai Boxin Pf Pianotone3 Pf Caffeine Cp Syn Chime Gt LuteGuitar Ba DX-Bass 4 8 Pf MtrialPno3 Et ThumKalimb Pf 5thPiano 1 Pf RazorWire Cp Air Bell Gt DX-PickGt1 Ba DX-Bass 5
9 Pf Real Rose Pc Big-Gamlan Pf 5thPiano 2 Pf Cembalim Cp WrapRound Gt DX-PickGt2 Ba DX-Bass 6 10 Pf Rose Att Pc Eth-Drum1 Pf PrprdPiano Pf Cembalo Cp TempleBel1 Gt DX-PickGt3 Ba WireBass 1 11 Pf Rose Sft1 Pc Eth-Drum2 Pf Claviano Pf ElecHarpsi Cp TempleBel2 Gt DX-PickGt4 Ba WireBass 2 12 Pf Rose Sft2 Se Beep VoX Pf BrightPno1 Pf Syn Harpsi Cp TempleBel3 Gt DX-PickGt5 Ba HardDXBass 13 Pf Suit Rose Se Dark Pf BrightPno2 Pf DX-Clavi 1 Cp TempleBel4 Gt DX-PickGt6 Ba SmakaBass 14 Pf Velvt Rose Se ForceField Pf BrightPno3 Pf DX-Clavi 2 Cp TempleBel5 Gt DX-PickGt7 Ba AnaBass 1 15 Pf 4 Op Clav Se Ghost Pf Dark Piano Pf DX-Clavi 3 Cp DX-Dlcm 1 Gt DX-PickGt8 Ba AnaBass 2 16 Cp Da Comp Se Ghost2 Pf Digi Piano Pf DX-Clavi 4 Cp DX-Dlcm 2 Gt Synhalon Ba AnaBass 3 17 Cp Synth Bell Se Magic Pf PianoDrops Pf DX-Clavi 5 Cp DX-Dlcm 3 Gt Picksynth Ba 81Z Bass 18 Cp Tabla Se Night Pf PowerPiano Pf DX-Clavi 6 Cp Frozentime Gt Compitar Ba DiscBass 1 19 Or B3JazzComp Se Open Fseq Pf CP70 1 Pf DX-Clavi 7 Cp MetalDlcmr Gt Stratish Ba DiscBass 2 20 Or B3Perc3rd Se RadioNoise Pf CP70 2 Pf MM-Clavi 1 Cp Silk Road Gt Banjitar Ba Hop Bass 1 21 Or DrawOrgn Se Reso SE Pf CP70 3 Pf MM-Clavi 2 Or Full Organ Gt Touch Mute Ba Hop Bass 2 22 Or DrawOrgn2 Se Saucer Pf El.Grand 1 Pf MM-Clavi 3 Or DrawOrgan1 Gt Firenze Ba After 88 23 Or DrawOrgn3 Se Scaling SE Pf El.Grand 2 Pf BrightClv1 Or DrawOrgan2 Gt Folknik Ba Cable Bass 24 Or Fs-Organ Se Slow Atk Pf El.Grand 3 Pf BrightClv2 Or DrawOrgan3 Gt FunkyPluck Ba Wood Rez 25 Or Full Drawb Se SpaceBomb Pf El.Grand 4 Pf BasoClavi Or DrawOrgan4 Gt Guitar Box Ba EazyAction 26 Or Ham Organ Se WalkinRobo Pf MM-ElGnd 1 Pf ChorusClav Or DrawOrgan5 Gt Long Nail Ba ExciteBass 27 Or OR-Right Se Warp1 Pf MM-ElGnd 2 Pf Clavecin Or DrawOrgan6 Gt Pianatar Ba PrkussBass 28 Or Organ Fseq Se Warp2 Pf E.Piano 1 Pf Clavi Comp Or DrawOrgan7 Gt RhythmPluk Ba Flapstick 29 Or The Lounge Dr 09 OpenHat Pf E.Piano 2 Pf ClaviExcel Or DrawOrgan8 Gt SteelyPick Ba Jackson 30 Gt Jazz Gtr Dr 09ClHatBel Pf E.Piano 3 Pf ClaviPluck Or DrawOrgan9 Gt TiteGuitar Ba NipponBass 31 Gt Stratmann Dr Beat BD Pf E.Piano 4 Pf ClaviStaff Or DrawOrgn10 Gt DX-JazzGt1 Ba Bass Knock 32 Ba Acid King Dr Beat Cym Pf E.Piano 5 Pf Mute Clavi Or DrawOrgn11 Gt DX-JazzGt2 Ba Ana Stevie 33 Ba Ana Bass Dr Beat SD Pf E.Piano 6 Pf Revinett Or DrawOrgn12 Gt DX-JazzGt3 Ba Munkhen 34 Ba AttackBass Dr Beat Zap Pf E.Piano 7 Pf SkeltonClv Or DrawOrgn13 Gt DX-JazzGt4 Ba Perc Bass 35 Ba B-Rave Dr Boom Pf E.Piano 8 Cp Celesta 1 Or DrawOrgn14 Gt DX-JazzGt5 Ba Remark 36 Ba Bassline 1 Dr Choos Pf E.Piano 9 Cp Celesta 2 Or DrawOrgn15 Gt Guitorgan Ba SmoothBass 37 Ba Bassline 2 Dr ClosedHat1 Pf E.Piano 10 Cp Celesta 3 Or DrawOrgn16 Gt DX-ClGt 1 Ba Ana Knock 38 Ba BlegBass Dr ClosedHat2 Pf E.Piano 11 Cp Celesta 4 Or Organsynth Gt DX-ClGt 2 Ba Jaco Syn 39 Ba DidgBass Dr DanceKick Pf E.Piano 12 Cp MM-Celesta Or ChorusOrgn Gt DX-ClGt 3 Ba Werksfunk 40 Ba Dry Syn Dr FS-Kick1 Pf E.Piano 13 Cp Halloween Or RotaryOrgn Gt DX-ClGt 4 Ba ZedRubba 41 Ba FM Bass Dr FS-Kick2 Pf E.Piano 14 Cp Glocken 1 Or CirkusOrgn Gt DX-ClGt 5 St DX-Violin1 42 Ba FundaBass Dr FS-Kick3 Pf E.Piano 15 Cp Glocken 2 Or JazzDrwbr Gt DX-ClGt 6 St DX-Violin2 43 Ba HyperFuzz Dr Hatty Pf E.Piano 16 Cp Glocken 3 Or Keyclick Gt DX-ClGt 7 St DX-Violin3 44 Ba JungleBass Dr Hihat Pf E.Piano 17 Cp Glocken 4 Or VibraOrgan Gt DX-ClGt 8 St DX-Violin4 45 Ba LoFiAcid Dr Nu Kick 1 Pf Aclectic Cp Glocken 5 Or Farf Out Gt DX-ClGt 9 St Violinz 46 Ba Matze Dr Nu Kick 2 Pf DX-Road 1 Cp Glocken 6 Or Grinder Gt DX-ClGt 10 St DX-Viola 1 47 Ba Moon Bass Dr Nu Kick 3 Pf DX-Road 2 Cp HamerGlock Or JazzOrgan1 Gt DX-ClGt 11 St DX-Viola 2 48 Ba Phone Bass Dr Nu Snare 1 Pf DX-Road 3 Cp Magiglokk Or JazzOrgan2 Gt DX-ClGt 12 St DX-Viola 3 49 Ba PlastBass Dr Nu Snare 2 Pf DX-Road 4 Cp AnvilGlock Or PercOrgan1 Gt Buzzstring St DX-Cello 1 50 Ba PunchBass Dr Nu Snare 3 Pf DX-Road 5 Cp MetalGlock Or PercOrgan2 Gt DX-MuteGt1 St DX-Cello 2 51 Ba Syn Bass Dr Open Hat 1 Pf BrightEP 1 Cp Perc Glock Or PercOrgan3 Gt DX-MuteGt2 St DX-Cello 3 52 Ba Technical Dr Open Hat 2 Pf BrightEP 2 Cp Glokenring Or PercOrgan4 Gt DX-MuteGt3 St DX-Cello 4 53 St FairyStrgs Dr PowerKick Pf EP 1967 Cp SynGlock 1 Or PercOrgan5 Gt DX-MuteGt4 St Rosin 54 St JMichel Dr Snare Pf EP 1970 Cp SynGlock 2 Or PercOrgan6 Gt Heavy Gage St DX-Str 1 55 St OB String Dr Tchak Pf EP 1980 Cp MusicBox 1 Or PercOrgan7 Gt DX-OvDrGt St DX-Str 2 56 St ResoStrgs Dr Tech BD Pf EP 1985 Cp MusicBox 2 Or PercOrgan8 Gt DX-DistGt1 St DX-Str 3 57 St Saws Dr Tech HH Pf Soft EP 1 Cp MusicBox 3 Or PercOrgan9 Gt DX-DistGt2 St DX-Str 4 58 St SloDu Saws Dr Tech Rim Pf Soft EP 2 Cp MusicBox 4 Or PercOrgn10 Gt DX-DistGt3 St DX-Str 5 59 St SS String Dr Tech SD Pf Soft EP 3 Cp MusicBox 5 Or PercOrgn11 Gt DX-DistGt4 St DX-Str 6 60 St SS String2 Dr TR Kick Pf Hard EP 1 Cp MusicBox 6 Or PercOrgn12 Gt DX-DistGt5 St DX-Str 7 61 En HitMatrial Dr TR Snare Pf Hard EP 2 Cp MusicBox 7 Or PercOrgn13 Gt Stortion1 St DX-Str 8 62 Br ANSweep Sc DigiSQ1R Pf Hard EP 3 Cp MusicBox 8 Or PercOrgn14 Gt Pluckoww St DX-Str 9 63 Br FS Brass Sc DigiSQ3 Pf Hard EP 4 Cp MusicBox 9 Or PercOrgn15 Gt Stortion2 St DX-Str 10 64 Br Hook Sc DogBytes Pf Clicky EP Cp MusicBox10 Or PercOrgn16 Gt FuzzGuitar St DX-Str 11
Bank Pre A Pre B Pre C Pre D Pre E Pre F Pre G
PGM# Ca Voice Name Ca Voice Name Ca Voice Name Ca Voice Name Ca Voice Name Ca Voice Name Ca Voice Name
Voice List / Liste der Voices / Liste des voix
Program 1 ~ 64
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Br DX-Trpt 3 Et Ukabanjo Co Orch Chime Fx MM-Shock 1 Br DX-Trpt 4 Et Xango Co Pno+Flute Fx MM-Shock 2 Br DX-Trpt 5 Et Xanu Co StringTine Fx Wallop 1 Br DX-Trpt 6 Et Zimbalon Co Xylo+Brass Fx Wallop 2 Br SilverTrpt Et DX-Banjo Ld DX-SynLd 1 Fx Angel Br Solo Trpt Et Shamisen 1 Ld DX-SynLd 2 Fx BackSuir Br SynTrumpet Et Shamisen 2 Ld DX-SynLd 3 Fx Bird View Br Trumponica Et Shamisen 3 Ld DX-SynLd 4 Fx ChorusElms Br DX-Trb 1 Et DX-Koto Ld DX-SynLd 5 Fx DX-Stars Br DX-Trb 2 Et DX-Klmb 1 Ld DX-SynLd 6 Fx Electric Br DX-Trb 3 Et DX-Klmb 2 Ld DX-SynLd 7 Fx Evolution Br Mute Trb Et DX-Klmb 3 Ld DX-SynLd 8 Fx FM-Growth Br DX-Tuba 1 Et DX-Klmb 4 Ld DX-SynLd 9 Fx Paddawire Br DX-Tuba 2 Et DX-Klmb 5 Ld Pluck Lead Fx Fantasynt Br DX-Tuba 3 Et DX-Bagpipe Ld Perka Lead Fx Fluv Push Br DX-Horn Et DX-Fiddle Ld GuitsynLd Fx Fmilters Br Hornz Et African Ld DXSynLd 1 Fx Glassy Br Alps Horn Et Bali Ld DXSynLd 2 Fx Glastine Br BlunchHorn Et Tibetan Ld DXSynLd 3 Fx Glocker Br Horn Ens Et Charango Ld DXSynLd 4 Fx IceRevEcho Br MelowHorn1 Et Gamelan 1 Ld DXSynLd 5 Fx InitEnsmbl Br MelowHorn2 Et Gamelan 2 Ld DXSynLd 6 Fx MetalSweep Br SimpleHorn Et Gamelan 3 Ld DXSynLd 7 Fx SquareModd Br Syn Horns Et Kinzoku 1 Ld DXSynLd 8 Fx Mpndg Doom Br Vibra Horn Et Kinzoku 2 Ld SqueezeLd Fx Mystrian Br DX-Brass 1 Et ScotchTone Ld Mooganic Fx RepertRise Br DX-Brass 2 Pc DX-Agogo 1 Ld BrassLead1 Fx Space Trip Br Attack Brs Pc DX-Agogo 2 Ld BrassLead2 Fx Syn Rise Br Brasstring Pc DX-Bongo Ld BrassLead3 Fx Glider Br DX-BrsSec1 Pc Bongo Ld BrassLead4 Sc Anna DX Br DX-BrsSec2 Pc DX-Clave Ld Saw Lead Sc Analog-X Br MM-Brass 1 Pc DX-Perc Ld DX-SawLd 1 Sc DX-Atms 1 Br MM-Brass 2 Pc Block Ld DX-SawLd 2 Sc DX-Atms 2 Br MM-Brass 3 Pc Conga Drum Ld DX-Squar Sc DX-Bright1 Br 5th Brass Pc Cowbell Ld DX-VoiceLd Sc DX-Bright2 Br Blow Brass Pc Flexatone Ld DX-WahLead Sc 90 K Br Brass Sect Pc Glaeser Ld DXAttackLd Sc 200 K Br Chorus Brs Pc Log Drum Ld CaliopLd 1 Sc Arrow-X Br Fanfare Pc SmlShaker Ld CaliopLd 2 Sc Attacker Br Hard Brass Pc Metal Ld CaliopLd 3 Sc Harp Pad Br Sample Brs Pc Percud Ld Fifths 1 Sc ChiLight Br Single Brs Pc RefrsWhstl Ld Fifths 2 Sc Digi Calio Br ThickBrass Pc Seq Pluck Ld LdSubHarm Sc Digitar Br TightBrs 1 Pc BigShaker Ld Buzzer Sc Distracted Br TightBrs 2 Pc Side Stick Ld Au Campo Sc FinerThing Br DX-SynBr 1 Pc Perkabell Ld Bass Lead Sc Fuji Stabs Br DX-SynBr 2 Pc Spoon Ld Comp Lead Sc TouchyEdgy Br DX-SynBr 3 Pc DX-StelCan Ld EadgbeLead Sc Metal Box Br DX-SynBr 4 Pc Steel Can Ld Flap Synth Sc MilkyWays Br DX-SynBr 5 Pc DX-StelDr1 Ld FretlessLd Sc New Elms Br DX-SynBr 6 Pc DX-StelDr2 Ld Giovanni Sc Pipebells Br DX-SynBr 7 Pc SteelDrum1 Ld HarmoSynth Sc Synsitar Br FilterHorn Pc SteelDrum2 Ld Lead Line Sc OctiLate Br SharpBrass Pc Steel Band Ld Lead Phone Sc NoBoKuto Br Synthorns Pc Jamaica Ld Lyle Lead Sc Syn Bright Br CS80-Brs 1 Pc Tambarin Ld PekingLead Sc Ting Voice Br CS80-Brs 2 Pc Triangle 1 Ld Puff Pipe Sc Bottlead Br Ana Poly Pc Triangle 2 Ld Reed Lead Sc WhapSynth Br AnaFatBrs Pc BellGliss1 Ld SingleLine Se DX-Flght Br AnalogBrs Pc BellGliss2 Ld Super DX Se Take Off Br Faze Brass Pc Twincle Ld Sweep Lead Se DX-Helicpt Br Brassy Pc MetalBottl Ld Vibratoron Se Helicopter Br Court Pc NipponDrm1 Ld DX-Vocoder Se DX-Ship Br DX-FatBrs Pc NipponDrm2 Ld Winwood Se DX-Train
Pre H Pre I Pre J Pre K
Ca Voice Name Ca Voice Name Ca Voice Name Ca Voice Name
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65 Br ObiehornL Sc Fast&Cheap Pf Digitine Cp PercOrgn17 Ba DX-WoodBa1 St DX-Str 12 66 Br ObiehornR Sc Fmt-Pluck Pf Woody EP Cp XtraPerc Ba DX-WoodBa2 St DX-Str 13 67 Br Quackz Sc FunKey Pf Metaltine Cp Road Organ Ba DX-WoodBa3 St Quick Arco 68 Br Stab Sc Funky Tech Pf Tinesquawk Cp Fluteorgan Ba DX-WoodBa4 St MidString1 69 Br Swell Sc Fusion Pf FullTine 1 Cp ClickNoise Ba DX-WoodBa5 St MidString2 70 Pi Kuchibue Sc Metallic Pf FullTine 2 Cp Novalis Ba DX-WoodBa6 St LowString1 71 Ld Dual Saws2 Sc NoiseDecay Pf Wurli EP Cp TouchOrgan Ba DX-WoodBa7 St LowString2 72 Ld DualSquare Sc Raymond Pf Wurli Road Cp RockOrgan1 Ba DarkWodBa1 St MM-String 73 Ld Earth Lead Sc SawSaw Pf Dark Wurli Cp RockOrgan2 Ba DarkWodBa2 St DX-AnaSt 1 74 Ld Fetish Sc Snow Decay Pf Big Wurlt Cp RockOrgan3 Ba BoogieBass St DX-AnaSt 2 75 Ld Glass Harp Sc Snow Pixy Pf Andrian Cp RockOrgan4 Ba BassLegend St DX-AnaSt 3 76 Ld Glider Sc Spellbound Pf Blustig Cp RockOrgan5 Ba DX-FngrBa1 St DX-SynSt 1 77 Ld Lead Saw Sc Syncorgano Pf Woodmetal Cp RockOrgan6 Ba DX-FngrBa2 St DX-SynSt 2 78 Ld Mitosis Sc Thin Mini Pf CastePiano Cp RockOrgan7 Ba DX-FngrBa3 St DX-SynSt 3 79 Ld Retronic Sc VeloSweep Pf Chorus EP Cp RockOrgan8 Ba DX-FngrBa4 St DX-SynSt 4 80 Ld Score Pad Sc Vox Tron Pf BigJazzyEP Cp RockOrgan9 Ba Fusit Bass St DX-SynSt 5 81 Ld Tech Lead Sc Zansyo Pf ClearElPno Cp RockOrgn10 Ba FingerPick St DX-SynSt 6 82 Ld Trance Csm Sc Zapper Pf NiteclubEP Cp RockOrgn11 Ba HardFinger St DX-SynSt 7 83 Ld Voc Lead Vo Celebratn Pf CosaRosa Cp RockOrgn12 Ba Harm Bass St WarmStr 1 84 Pd Add Pad Vo Eh Human Pf DX-Ragtime Cp RockOrgn13 Ba Inorganic St WarmStr 2 85 Pd Beauty Vo FairyVoice Pf Digi Poly Cp RockOrgn14 Ba Nasty Bass St WarmStr 3 86 Pd Brassetra Vo FormSweep Pf Duke EP Cp RockOrgn15 Ba SkweekBass St WarmStr 4 87 Pd CineSweep Vo FS-Choir Pf DynoRoad Cp Vox Organ Ba DX-PickBa1 St Afternoon 88 Pd Fat Pad Vo FS-Sweep Pf Clavarpsi Cp SynOrgan 1 Ba DX-PickBa2 St Agitate 89 Pd FormantPad Vo Homy Pf Wack EP Cp SynOrgan 2 Ba DX-PickBa3 St AnnaString 90 Pd FormSweep1 Vo Human Pf HollowKeys Cp PlasticOrg Ba DX-PickBa4 St Bright Str 91 Pd FormSweep2 Vo Ih Human Pf HonkyTonk1 Cp PipeOrgan1 Ba Bass Magic St General 92 Pd FormSweep3 Vo Man_Eh Pf HonkyTonk2 Cp PipeOrgan2 Ba Chiff Bass St GentleMind 93 Pd FormSweep4 Vo NoisyVce Pf PotlidKeyz Cp PipeOrgan3 Ba Comped EB St Gypsy 94 Pd FS Moby II Vo Oh Human Pf Knock EP Cp PipeOrgan4 Ba Metal Bass St MaxiString 95 Pd Heimdal Vo Shaman Woo Pf Knock Wack Cp PipeOrgan5 Ba Owl Bass St Michelle 96 Pd LFO Pad Vo Spacy Aaah Pf Mark III Cp PipeOrgan6 Ba Pick Pluck St MoterDrive 97 Pd Moving Vo Spacy FX Pf XtremeTine Cp PipeOrgan7 Ba Plektrumbs St ReverbStrg 98 Pd Nebulous Vo SpacySweep Pf Mod ElPno Cp PipeOrgan8 Ba Wired Bass St StrMachine
99 Pd OBx Pad Vo SweepyVce Pf 3D Road Cp TheatreOrg Ba FretlesBa1 St Silk Hall 100 Pd OBx Pad2 Vo VocoSweep Pf PinchedEP Cp SmallPipes Ba FretlesBa2 St Small Sect 101 Pd Octavian Vo VocPhaseB Pf No Tines Cp ChorusPipe Ba FretlesBa3 St Soft Bow 102 Pd Paddy Sq AN Arp 1 Pf Old Jazz Cp Wedding Ba FretlesBa4 St Soline 103 Pd Qwerty Sq AN Arp 2 Pf Politti Cp DX-Chrch 1 Ba FretlesBa5 St Violtron 104 Pd Saws&Hold Sq Compu Saw Pf Pop Piano Cp DX-Chrch 2 Ba SlapString St DX-PizzSt 105 Pd Saws2 Sq DigiSQ1 Pf Prc ElPno Cp BrightOrgn Ba Lite Slap St PizzString 106 Pd SleepyPad Sq DigiSQ2 Pf Prds Piano Cp TamePipe Ba RoundWound St DX-Harp 1 107 Pd Spacy Pad Sq Drw-EuroDr Pf Ratio Dob Cp PuffOrgan1 Ba ImpactBass St DX-Harp 2 108 Pd Starship Sq Hard Pulse Pf ThinnerEP Cp PuffOrgan2 Ba Afresh St DX-Harp 3 109 Pd SuperPad Sq Harry Pf Rezzo EP Cp Late Down Ba WireString St Baroquen
110 Pd SweepersVx Sq New Key Pf RubbaRoad Cp SoftReedOr Ba Clakwire St Dbl Harp 1 111 Pd Tech Lead2 Sq Power Key Pf SawBellEP Cp SteamOrgan Ba SuperBass1 St Dbl Harp 2 112 Pd The Seeker Sq RythmLoop2 Pf QuikPlayEP Cp StreetOrgn Ba SuperBass2 St Apollon 113 Pd The Shadow Sq Saw Pad Pf Loud Piano Cp DX-Acrd 1 Ba DigiBass 1 St CembaHarp 114 Pd Thermal Sq TekBass Pf Urban Cp DX-Acrd 2 Ba DigiBass 2 St ElectrHarp 115 Pd VocPhaseA -- FseqBase01 Pf Vics EP Cp DX-Acrd 3 Ba Digit Bass St HarpStrum 116 Pd Win Pad -- FseqBase02 Pf DX Classic Cp DX-Acrd 4 Ba Draft Bass St Lute Harp 117 Pd Wind -- FseqBase03 Pf ToyPiano 1 Cp DX-Acrd 5 Ba Brainacus St Metal Harp 118 Fx Caravan -- FseqBase04 Pf ToyPiano 2 Cp DX-Acrd 6 Ba DX-SynBa 1 St Orch Harp
119 Fx DippeDut -- FseqBase05 Pf ToyPiano 3 Cp DX-TngAc Ba DX-SynBa 2 St Syn Harp 120 Fx Furry Bell -- FseqBase06 Pf ToyPiano 4 Cp DX-Hmnc 1 Ba DX-SynBa 3 St DX-Timpani 121 Fx Glacial -- FseqBase07 Pf Plasticky Cp DX-Hmnc 2 Ba DX-SynBa 4 St Timpanic! 122 Fx Miracle -- FseqBase08 Pf Harpsi 1 Cp DX-Hmnc 3 Ba DX-SynBa 5 St Iron Timpa 123 Fx MizuGuitar -- FseqBase09 Pf Harpsi 2 Cp DX-Hmnc 4 Ba DX-SynBa 6 En Ensemble 124 Fx Morph -- FseqBase10 Pf Harpsi 3 Cp Chromonica Ba DX-SynBa 7 En HallOrch 1 125 Fx Nightmare -- FseqBase11 Pf Harpsi 4 Cp FM-Hmnc 1 Ba DX-SynBa 8 En HallOrch 2 126 Fx RhythmLoop -- FseqBase12 Pf Harpsi 5 Cp FM-Hmnc 2 Ba DX-SynBa 9 En Orch Brass 127 Pd Sho -- FseqBase13 Pf Harpsi 6 Cp Bluesharp Ba AnalogBass Br DX-Trpt 1 128 Fx Spiral -- FseqBase14 Pf Harpsi 7 Cp
DX-Vibe 1 DX-Vibe 2 DX-Vibe 3
DX-Vibe 4 MM-Vibe 1 MM-Vibe 2
LFO Vibe
Vocal Vibe
Vibetron
VibraPhone DX-Marimb1 DX-Marimb2 DX-Marimb3 DX-Marimb4 DX-Marimb5 DX-Marimb6 DX-Marimb7
TineMallet
Thumbpick EchoMalet1 EchoMalet2 EchoMalet3
Congorimba Bamburimba
BrightMrmb
Guitarimba
MellowMrmb
Metal Mrmb
DX-Xylo 1 DX-Xylo 2 DX-Xylo 3 DX-Xylo 4 DX-Xylo 5 DX-Xylo 6
Dual Xylo
Xylo Log Syn Xylo Digi Xylo
DX-Bell 1 DX-Bell 2 DX-Bell 3 DX-Bell 4 DX-Bell 5 DX-Bell 6 DX-Bell 7 DX-Bell 8
DX-Bell 9 DX-Bell 10 DX-Bell 11 DX-Bell 12
SparklBell
Wire Bell DualSparkl BellGlassy
MM-Bell Crystal 1 Crystal 2
SoftBell 1 SoftBell 2
Bell Pluck
Blow Bell
Carillon
BellKeyzis
Digi Log
Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Or Buzzharp Ba Nharmonik Br DX-Trpt 2
Bank Pre A Pre B Pre C Pre D Pre E Pre F Pre G
PGM# Ca Voice Name Ca Voice Name Ca Voice Name Ca Voice Name Ca Voice Name Ca Voice Name Ca Voice Name
Program 65 ~ 128
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Br RezAttack Pc Janpany Pd DrkSweeper Se Mobile Br FunkyRhytm Pc Nou Pd AnaBrsPad Se Motors Br Chiffhorns Pc Sumoh Drum Pd 8bitStrPad Se MotorCycle Br Juice Pc HandBell 1 Pd DX-ChoPad1 Se U Boat Br Kingdom Pc HandBell 2 Pd DX-ChoPad2 Se Ambulance Br PowerDrive Pc JingleBell Pd Bow Pad 1 Se Whiz By Br Rahool Brs Pc Light Year Pd Bow Pad 2 Se Out-Da-Way Br SyntiBrs Pc SlightBell Pd Bow Pad 3 Se Patrol Car Br UltraDrive Pc TracerBell Pd Glassharp Se Sirens
Br Warm Brass Pc MM-SynDr 1 Pd Wineglass Se DX-TelBusy Rd SopranoSax Pc MM-SynDr 2 Pd Ice Galaxy Se DX-TelCall Rd DX-ASax 1 Pc Click Kick Pd Ice Heaven Se DX-TelTone Rd DX-ASax 2 Pc Hexagon Pd Hit Pad 1 Se DX-TlRing1 Rd Alto Sax Pc Whapit Pd Hit Pad 2 Se DX-TlRing2 Rd DX-Tsax Pc Hi-Hat Pd SynBrsPad1 Se Bugs&Birds Rd TenorSax Pc Deep Snare Pd SynBrsPad2 Se DX-Insect1 Rd Tenorsaxes Pc DX-MtlSnr Pd SynBrsPad3 Se DX-Insect2 Rd Oboe 1 Pc Snapie Pd SynBrsPad4 Se DX-Piyo Rd Oboe 2 Pc Snare Pd SynBrsPad5 Se DX-Growl 1 Rd Oboe 3 Pc Soft Head Pd SynBrsPad6 Se DX-Growl 2 Rd Eng.Horn Pc StreetSD Pd SynBrsPad7 Se Animals Rd Bassoon Pc Tom Herz Pd Vector Pad Se DX-Wolf Rd DX-Clari 1 Pc DX-RevCym1 Pd Pada Perka Se ManEater Rd DX-Clari 2 Pc DX-RevCym2 Pd DX-MetalPd Se Alarm ! Rd Clari Solo Vo DX-Chorus1 Pd DX-SawPad Se Aura Rd Slow Clari Vo DX-Chorus2 Pd Anna Pad Se Chi-S&H Rd VibratoCla Vo DX-Chorus3 Pd Baroque Se Closing
Pi Piccolo 1 Vo DX-Chorus4 Pd BrassyWarm Se Computer
Pi Piccolo 2 Vo DX-Chorus5 Pd Bright Pad Se Crasher
Pi DX-Flute 1 Vo DX-Chorus6 Pd Clavi Pad Se DX-BigBen
Pi DX-Flute 2 Vo DX-Chorus7 Pd Digi Pad Se DX-Wave
Pi DX-Flute 3 Vo DX-Chorus8 Pd Dispo Pad Se Descent
Pi DX-Flute 4 Vo DX-Chorus9 Pd Ethereal Se Doppler
Pi DX-Flute 5 Vo DX-Voice 1 Pd Film Pad Se Factory
Pi DX-Flute 6 Vo DX-Voice 2 Pd Fl.Cloud Se GhostLine
Pi DX-Flute 7 Vo MM-Voice 1 Pd Floating Se Heart Beat
Pi Air Blower Vo MM-Voice 2 Pd Forest99 Se Imaging
Pi MetalFlute Vo MM-Voice 3 Pd Gior Pad Se IronEcho 1
Pi Song Flute Vo MM-Voice 4 Pd GreenPeace Se IronEcho 2
Pi Recorder 1 Vo DbVoxFem Pd Grunge Pad Se MM-Fall
Pi Recorder 2 Vo Fem Voice Pd Hyper Sqr Se MachineGun
Pi Recorder 3 Vo Lady Vox Pd MM-Pretty Se MobbyDick
Pi DX-PnFlute Vo Space Vox Pd MonsterPad Se On the Run
Pi Harvest Vo Syn Vox Pd Orwell Se OuterLimit
Pi Fuhppps! Co Bell+Pno 1 Pd PhaseSweep Se Perc Shot
Pi DX-Bottle Co Bell+Pno 2 Pd Phasers Se Repeater
Pi Quena Co Bell+Vibe1 Pd Glass Pad Se Jet Cars 1
Pi Whistle 1 Co Bell+Str Pd Sanctus Se Scorchers
Pi Whistle 2 Co Bell+Vibe2 Pd StacHeaven Se Sci-Fi Too
Pi Whistle 3 Co Cho+Marimb Pd Sweep Pad Se Jet Cars 2
Pi Sukiyaki Co Clavi+Bass Pd Water Log Se Speak-One
Pi SambaWhstl Co DX-Ba+Lead Pd Spec-trail Se Stopper
Pi Cosmowhist Co DX-HpSt Pd Whaser Pad Se Super Foot
Pi DX-Ocrn 1 Co EP+Brass 1 Pd Whisper Se Talking DX
Pi DX-Ocrn 2 Co EP+Brass 2 Pd WhistlePad Se Transport
Pi DX-Ocrn 3 Co EP+Chime Fx DX-ScFi 1 Se Turn Table
Et DX-Sitar 1 Co EP+Clavi Fx DX-ScFi 2 Se UfoTakeOff
Et DX-Sitar 2 Co Elec Combi Fx DX-ScFi 3 Se Waterfall
Et Ethre Four Co Glock+Brs Fx Image 1 Se Whik Shot
Et India Co Glock+Pno Fx Image 2 Se Bubblets
Et Juice Harp Co Harp+Flute Fx Laser 1 Se Yes Talk
Et Syntholin Co Koto+Flute Fx Laser 2 Se Help me !
Et Pilgrim Co MalletHorn Fx Laser 3 Se Paranoir
Et Tenjiku Co Mrmb+Gtr Fx Ri-zer Se Screamy
Pre H Pre I Pre J Pre K
Ca Voice Name Ca Voice Name Ca Voice Name Ca Voice Name
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1 ShoobyDo 31 1BarBeat 61 ChowaUu 2 2BarBeat 32 1BrBeat2 62 Everybd2 3 D&B 33 Undo 63 Dodidowa 4 D&B Fill 34 RndArp4 64 Check123 5 4BarBeat 35 VoclRtm2 65 BranNewY 6 YouCanG 36 Reiyowha 66 BoomBoom 7 EBSayHey 37 RndArp5 67 Hi=Woo 8 RtmSynth 38 VocalArp 68 FreeForm
9 VocalRtm 39 CanYouGi 69 FreqPad 10 WooWaPa 40 Pu-Yo 70 YouKnow 11 UooLha 41 Yaof 71 OldTech 12 FemRtm 42 MyaOh 72 B/M 13 ByonRole 43 ChuckRtm 73 MiniJngl
14 WowYeah 44 ILoveYou 74 EveryB-S 15 ListenVo 45 Jan-On 75 IYaan 16 YAMAHAFS 46 Welcome 76 Yeah 17 Laugh 47 One-Two 77 ThankYou 18 Laugh2 48 Edokko 78 Yes=No 19 AreYouR 49 Everybdy 79 UnWaEDon 20 Oiyai 50 Uwau 80 MouthPop 21 Oiaiuo 51 YEEAAH 81 Fire 22 UuWaUu 52 4-3-2-1 82 TBLine 23 Wao 53 Test123 83 China 24 RndArp1 54 CheckSnd 84 Aeiou 25 FiltrArp 55 ShavaDo 85 YaYeYiYo 26 RndArp2 56 R-M-H-R 86 C7Seq 27 TechArp 57 HiSchool 87 SoundLib 28 RndArp3 58 M.Blastr 88 IYaan2 29 Voco-Seq 59 L&G MayI 89 Relax 30 PopTech 60 Hellow 90 PSYAMAHA
No. Fseq Name No. Fseq Name No. Fseq Name
Preset Fseq List Liste der vorprogrammierten Formant Sequenzen Liste des séquences de formant programmées “FSeqs”
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Control Parameter (Destination) Explanation Notes
off No control even if the source controller is operated. (Insertion Parameter 1) The source controller controls insertion effect parameters.
The parameters available depend on the selected insertion effect type. See the effect parameter list (page 13) for details. Nothing is controlled if (InsEF) appears on the display.
Controller operation directly controls the tone generator without affecting the edit buffer. (i.e. the "E" edit mark will not appear)
(Insertion Parameter 2) (Insertion Parameter 3) (Insertion Parameter 4) (Insertion Parameter 5) (Insertion Parameter 6) (Insertion Parameter 7) (Insertion Parameter 8) (Insertion Parameter 9) (Insertion Parameter10) (Insertion Parameter11) (Insertion Parameter12) (Insertion Parameter13) (Insertion Parameter14) Send Insertion to Reverb The source controller controls the Send Insertion To Reverb value. Send Insertion to Variation The source controller controls the Send Insertion to Variation value. Volume The source controller controls the PLAY-Volume(Part) value. Controller operation controls the part
parameters and therefore overwrites the edit buffer. (i.e. the "E" edit mark will appear)
Panpot The source controller controls the PLAY-Pan(Part) value. Reverb Send The source controller controls the PLAY-RevSend(Part) value. Variation Send The source controller controls the PLAY-VarSend(Part) value. Filter Cutoff The source controller controls the EDIT[PERFORM]-PART-Tone-Filter Freq value. Filter Resonance The source controller controls the EDIT[PERFORM]-PART-Tone-Filter Reso value. Filter EG Depth The source controller controls the EDIT[PERFORM]-PART-Tone-Flt EGDepth value. Attack Time The source controller controls the EDIT[PERFORM]-PART-EG-Attack Time value. Decay Time The source controller controls the EDIT[PERFORM]-PART-EG-Decay Time value. Release Time The source controller controls the EDIT[PERFORM]-PART-EG-Release Time value. PEG Initial Level The source controller controls the EDIT[PERFORM]-PART-EG-PEG InitLvl value. PEG Attack Time The source controller controls the EDIT[PERFORM]-PART-EG-PEGAtakTime value. PEG Release Level The source controller controls the EDIT[PERFORM]-PART-EG-PEG ReleLvl value. PEG Release Time The source controller controls the EDIT[PERFORM]-PART-EG-PEGReleTime value. V/N Balance The source controller controls the EDIT[PERFORM]-PART-Tone-V/N Balance value. Formant The source controller controls the EDIT[PERFORM]-PART-Tone-Formant value. FM The source controller controls the EDIT[PERFORM]-PART-Tone-FM value. Pitch Bias The source controller has the same effect as pitch bend. For example, if Vcn depth is set to
+2 then the maximum control value is + two semitones. If Vcn depth is set to +12 the maximum controllable pitch rise is one octave.
Controller operation directly controls the tone generator without affecting the edit buffer. (i.e. the “E” edit mark will not appear)Amplitude EG Bias The source controller controls Amplitude EG Bias. Sensitivity is set by the
EDIT[VOICE]-OPERATOR-Sns-Amp EG Bias parameter.
Frequency Bias The source controller controls the operator center frequency.
Sensitivity is set by the EDIT[VOICE]-OPERATOR-Sns-Freq Bias parameter.
Voiced Band Width The source controller controls voiced operator bandwidth.
Sensitivity is set by the EDIT[VOICE]-OPERATOR-Sns-Width Bias (voiced) parameter.
Unvoiced Band Width The source controller controls unvoiced operator bandwidth.
Sensitivity is set by the EDIT[VOICE]-OPERATOR-Sns-Width Bias (unvoiced) parameter.
LFO1 pitch mod The source controller applies LFO1 pitch modulation.
The controller value is added to the sum of the EDIT[PERFORM]-PART-LFO1 Pmod and EDIT[VOICE]-COMMON-LFO1-PitchMod Dpt values.
LFO1 amp mod The source controller applies LFO1 amplitude modulation to the voice.
The controller value is added to the EDIT[VOICE]-COMMON-LFO1-AmpMod Dpt value.
LFO1 frequency mod The source controller applies LFO1 frequency modulation to the operator center frequency.
The controller value is added to the EDIT[VOICE]-COMMON-LFO1-FreqModDepth value.
LFO1 filter mod The source controller applies LFO1 cutoff frequency modulation to the voice.
The controller value is added to the EDIT[VOICE]-COMMON-LFO1-FilterModDpt value.
LFO1 Speed The source controller controls LFO1 speed.
The controller value is added to the sum of the EDIT[PERFORM]-PART-Tone-LFO1Speed and EDIT[VOICE]-COMMON-LFO1-Speed values.
LFO2 filter mod The source controller applies LFO2 cutoff frequency modulation to the voice.
The controller value is added to the sum of the EDIT[PERFORM]-PART-Tone-LFO2 FltMod and EDIT[VOICE]-COMMON-LFO2-FilterModDpt values.
LFO2 Speed The source controller controls LFO2 speed.
The controller value is added to the sum of the EDIT[PERFORM]-PART-Tone-LFO2 Speed and EDIT[VOICE]-COMMON-LFO2-Speed values.
Fseq Speed The source controller controls Fseq playback speed.
The controller value is added to the EDIT[PERFORM]-COMMON-FSeq-Speed value.
Formant scratch The source controller directly controls Fseq playback.
Effective when the EDIT[PERFORM]-COMMON-FSeq-Mode parameter is set to “scratch”.
Control List Liste der Steuerbefehle Liste des contrôleurs
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Effect Type List Liste mit Effekt-Typen Liste des type d'effets
Reverb
Effect Type Remarks
No Effect Turn off the effect.
Hall1 Reverb simulating the acoustics of a hall. Hall2 Room1 Reverb simulating the acoustics of a room. Room2 Room3 Stage1 Reverb appropriate for a solo instrument. Stage2 Plate Reverb simulating a metal plate reverb device. White Room Unique short reverb with a slight initial delay. Tunnel Simulation of a cylindrical space extending to left and right. Basement Reverb with distinctive resonance following a slight initial delay. Canyon A hypothetical acoustic space which extends without limit. Delay LCR Three delay sounds L, R and C (center). Delay L, R Two delay sounds L and R, with two feedback delays. Echo Two delays L and R, with independent feedback delay for L and R. CrossDelay This effect crosses the feedback of two delays.
Variation
Effect Type Remarks
No Effect Turns off the effect.
Chorus A standard chorus effect, adding natural spaciousness to the sound. Celeste An effect which uses a 3-phase LFO to add modulation and
Flanger An effect reminiscent of a jet airplane taking off and landing. Symphonic A multi-stage version of CELESTE modulation. Phaser1 Cyclically changes the phase to modulate the sound. Phaser2 Ens Detune Chorus effect without modulation, created by adding a slightly
Rotary SP Simulation of a rotary speaker. Tremolo An effect which cyclically modulates the volume. Auto Pan An effect which cyclically moves the sound between left/right and
Auto Wah Cyclically changes the center frequency of a wah filter. Touch Wah
3-Band EQ EQ with equalization of LOW, MID and HIGH.
HM Enhncer This effect adds new overtones to the input signal to make the Noise Gate Gates the input when the input signal falls below a specified level.
Compressor Holds down the output when the input exceeds a specified level. Distortion Adds distortion with an edge to the sound.
Overdrive Adds mild distortion to the sound. Amp Sim Simulation of a guitar amp. Delay LCR Three delay sounds L, R and C (center). Delay L, R Two delay sounds L and R, with two feedback delays. Echo Two delays L and R, with independent feedback delay for L and R. CrossDelay This effect crosses the feedback of two delays. Karaoke Echo for karaoke. Hall Reverb simulating the acoustics of a hall. Room Reverb simulating the acoustics of a room. Stage Reverb appropriate for a solo instrument. Plate Reverb simulating a metal plate reverb device.
spaciousness to the sound.
pitch-shifted sound.
front/back. Changes the center frequency of a wah filter according to the input level.
sound stand out.
Can also be used to add a sense of attack to the sound.
Insertion
Effect Type Remarks
Thru Bypass without applying an effect. Chorus Conventional chorus effect which gives natural spaciousness to
Celeste A three-phase LFO is used to give modulation and spaciousness Flanger An effect reminiscent of a jet airplane taking off and landing.
Symphonic A multi-stage version of CELESTE modulation. Phaser1 Cyclically changes the phase to modulate the sound. Phaser2 Pitch Chng This effect changes the pitch of the input signal. Ens Detune Chorus effect without modulation, created by adding a slightly
Rotary SP Simulation of a rotary speaker. 2WayRotary Tremolo An effect which cyclically modulates the volume. Auto Pan An effect which cyclically moves the sound between left/right and
Ambience An effect which adds spatial breadth by blurring the location of A-Wah+Dist
A-Wah+Odrv T-Wah+Dist Applies OVERDRIVE to the output of TOUCH WAH to distort the
T-Wah+Odrv Changes the center frequency of a wah filter according to the input Wah+DS+Dly TOUCH WAH, DISTORTION and DELAY are connected in series.
Wah+OD+Dly TOUCH WAH, OVERDRIVE and DELAY are connected in series. Lo-Fi Degrades the audio quality of the input signal. 3-Band EQ EQ with equalization of LOW, MID and HIGH. HM Enhncer This effect adds new overtones to the input signal to make the
Noise Gate Gates the input when the input signal falls below a specified level. Compressor Holds down the output when the input exceeds a specified level.
Comp+Dist Since a compressor is included in the first stage, distortion can be Cmp+DS+Dly
Cmp+OD+Dly Distortion Adds distortion with an edge to the sound. Dist+Delay DISTORTION and DELAY are connected in series. Overdrive Adds mild distortion to the sound. Odrv+Delay OVERDRIVE and DELAY are connected in series. Amp Sim Simulation of a guitar amp. Delay LCR Three delay sounds L, R and C (center). Delay L, R Two delay sounds L and R, with two feedback delays. Echo Two delays L and R, with independent feedback delay for L and R. CrossDelay This effect crosses the feedback of two delays. ER 1 This effect isolates only the early reflection components of the ER 2 Gate Rev Simulation of gated reverb. Revrs Gate Simulation of gated reverb played back in reverse.
the sound. to the sound.
pitch-shifted sound.
front/back. the sound.
Applies DISTORTION to the output of AUTO WAH to distort the sound. Applies OVERDRIVE to the output of AUTO WAH to distort the sound.
sound. level.
sound stand out.
Can also be used to add a sense of attack to the sound. applied evenly, regardless of the input level.
COMPRESSOR, DISTORTION and DELAY are connected in series. COMPRESSOR, OVERDRIVE and DELAY are connected in series.
reverb.
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Effect Parameter List Liste mit Effekt-Parametern Liste des Paramètres d'effets
Param# matches the adress of a Pafermance Effect Parameter (mm, ll ) found in MIDI data table <Table 1 >.

REVERB

No Effect
Range(Default) Param# Description
Reverb Pan L63~ C ~R63 129 Reverb Pan Rev Return 0~127 12A ReverbReturn Level
Hall1
Range(Default) Param# Description
ReverbTime 0.3~30.0(2.0) 50 Reverb length (sec) Diffusion 0~10(10) 52 Spread of the reverb InitDelay 0.1~200.0(14.3) 54 Delay time until the early reflections (msec) HPF Cutoff thru,22~8.0k(315) 56 Frequency at which the high pass filter will cut the low range (Hz) LPFCutoff 1.0k~18.0k,thru(5.6k) 58 Frequency at which the low pass filter will cut the high range (Hz) Rev Delay 0.1~99.3(53.6) 62 Delay time from the early reflections until the reverberation (msec) Density 0~4(4) 63 Density of the reverberation ER/Rev E63>R~E=R~E<R63(E<R 5) 64 Level balance of the early reflections and the reverberation High Damp 0.1~1.0(1.0) 65 High range attenuation
(lower values cause the high range to decay faster) FB Level -63~+63(+ 0) 66 Amount of feedback for the initial delay Reverb Pan L63~ C ~R63 129 Reverb Pan Rev Return 0~127 12A ReverbReturn Level
Hall2 Same parameters for Hall1
Range(Default) Param# Description
ReverbTime 0.3~30.0(3.0) 50 Reverb length (sec) Diffusion 0~10(10) 52 Spread of the reverb InitDelay 0.1~200.0(44.2) 54 Delay time until the early reflections (msec) HPF Cutoff thru,22~8.0k(40) 56 Frequency at which the high pass filter will cut the low range (Hz) LPFCutoff 1.0k~18.0k,thru(4.0k) 58 Frequency at which the low pass filter will cut the high range (Hz) Rev Delay 0.1~99.3(44.2) 62 Delay time from the early reflections until the reverberation (msec) Density 0~4(3) 63 Density of the reverberation ER/Rev E63>R~E=R~E<R63(E<R36) 64 Level balance of the early reflections and the reverberation High Damp 0.1~1.0(1.0) 65 High range attenuation
(lower values cause the high range to decay faster) FB Level -63~+63(+ 0) 66 Amount of feedback for the initial delay Reverb Pan L63~ C ~R63 129 Reverb Pan Rev Return 0~127 12A ReverbReturn Level
Room1 Same parameters for Hall1
Range(Default) Param# Description
ReverbTime 0.3~30.0(1.4) 50 Reverb length (sec) Diffusion 0~10(8) 52 Spread of the reverb InitDelay 0.1~200.0(19.0) 54 Delay time until the early reflections (msec) HPF Cutoff thru,22~8.0k(355) 56 Frequency at which the high pass filter will cut the low range (Hz) LPFCutoff 1.0k~18.0k,thru(9.0k) 58 Frequency at which the low pass filter will cut the high range (Hz) Rev Delay 0.1~99.3(23.7) 62 Delay time from the early reflections until the reverberation (msec) Density 0~4(4) 63 Density of the reverberation ER/Rev E63>R~E=R~E<R63(E<R10) 64 Level balance of the early reflections and the reverberation High Damp 0.1~1.0(1.0) 65 High range attenuation
(lower values cause the high range to decay faster) FB Level -63~+63(+ 0) 66 Amount of feedback for the initial delay Reverb Pan L63~ C ~R63 129 Reverb Pan Rev Return 0~127 12A ReverbReturn Level
Room2 Same parameters for Hall1
Range(Default) Param# Description
ReverbTime 0.3~30.0(1.2) 50 Reverb length (sec) Diffusion 0~10(10) 52 Spread of the reverb InitDelay 0.1~200.0(12.7) 54 Delay time until the early reflections (msec) HPF Cutoff thru,22~8.0k(110) 56 Frequency at which the high pass filter will cut the low range (Hz) LPFCutoff 1.0k~18.0k,thru(thru) 58 Frequency at which the low pass filter will cut the high range (Hz) Rev Delay 0.1~99.3(17.4) 62 Delay time from the early reflections until the reverberation (msec) Density 0~4(4) 63 Density of the reverberation ER/Rev E63>R~E=R~E<R63(E18>R) 64 Level balance of the early reflections and the reverberation High Damp 0.1~1.0(0.7) 65 High range attenuation
(lower values cause the high range to decay faster) FB Level -63~+63(+ 0) 66 Amount of feedback for the initial delay Reverb Pan L63~ C ~R63 129 Reverb Pan Rev Return 0~127 12A ReverbReturn Level
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Room3 Same parameters for Hall1
Range(Default) Param# Description
ReverbTime 0.3~30.0(0.9) 50 Reverb length (sec) Diffusion 0~10(10) 52 Spread of the reverb InitDelay 0.1~200.0(0.1) 54 Delay time until the early reflections (msec) HPF Cutoff thru,22~8.0k(110) 56 Frequency at which the high pass filter will cut the low range (Hz) LPFCutoff 1.0k~18.0k,thru(4.0k) 58 Frequency at which the low pass filter will cut the high range (Hz) Rev Delay 0.1~99.3(14.3) 62 Delay time from the early reflections until the reverberation (msec) Density 0~4(4) 63 Density of the reverberation ER/Rev E63>R~E=R~E<R63(E15>R) 64 Level balance of the early reflections and the reverberation High Damp 0.1~1.0(0.5) 65 High range attenuation
(lower values cause the high range to decay faster) FB Level -63~+63(+ 0) 66 Amount of feedback for the initial delay Reverb Pan L63~ C ~R63 129 Reverb Pan Rev Return 0~127 12A ReverbReturn Level
Stage1 Same parameters for Hall1
Range(Default) Param# Description
ReverbTime 0.3~30.0(1.5) 50 Reverb length (sec) Diffusion 0~10(10) 52 Spread of the reverb InitDelay 0.1~200.0(25.3) 54 Delay time until the early reflections (msec) HPF Cutoff thru,22~8.0k(45) 56 Frequency at which the high pass filter will cut the low range (Hz) LPFCutoff 1.0k~18.0k,thru(7.0k) 58 Frequency at which the low pass filter will cut the high range (Hz) Rev Delay 0.1~99.3(45.7) 62 Delay time from the early reflections until the reverberation (msec) Density 0~4(3) 63 Density of the reverberation ER/Rev E63>R~E=R~E<R63(E 3>R) 64 Level balance of the early reflections and the reverberation High Damp 0.1~1.0(0.5) 65 High range attenuation
(lower values cause the high range to decay faster) FB Level -63~+63(+15) 66 Amount of feedback for the initial delay Reverb Pan L63~ C ~R63 129 Reverb Pan Rev Return 0~127 12A ReverbReturn Level
Stage2 Same parameters for Hall1
Range(Default) Param# Description
ReverbTime 0.3~30.0(1.0) 50 Reverb length (sec) Diffusion 0~10(10) 52 Spread of the reverb InitDelay 0.1~200.0(0.1) 54 Delay time until the early reflections (msec) HPF Cutoff thru,22~8.0k(thru) 56 Frequency at which the high pass filter will cut the low range (Hz) LPFCutoff 1.0k~18.0k,thru(12.0k) 58 Frequency at which the low pass filter will cut the high range (Hz) Rev Delay 0.1~99.3(45.7) 62 Delay time from the early reflections until the reverberation (msec) Density 0~4(4) 63 Density of the reverberation ER/Rev E63>R~E=R~E<R63(E18>R) 64 Level balance of the early reflections and the reverberation High Damp 0.1~1.0(0.6) 65 High range attenuation
(lower values cause the high range to decay faster) FB Level -63~+63(+9) 66 Amount of feedback for the initial delay Reverb Pan L63~ C ~R63 129 Reverb Pan Rev Return 0~127 12A ReverbReturn Level
Plate Same parameters for Hall1
Range(Default) Param# Description
ReverbTime 0.3~30.0(1.8) 50 Reverb length (sec) Diffusion 0~10(5) 52 Spread of the reverb InitDelay 0.1~200.0(11.1) 54 Delay time until the early reflections (msec) HPF Cutoff thru,22~8.0k(40) 56 Frequency at which the high pass filter will cut the low range (Hz) LPFCutoff 1.0k~18.0k,thru(10.0k) 58 Frequency at which the low pass filter will cut the high range (Hz) Rev Delay 0.1~99.3(3.2) 62 Delay time from the early reflections until the reverberation (msec) Density 0~4(3) 63 Density of the reverberation ER/Rev E63>R~E=R~E<R63(E=R) 64 Level balance of the early reflections and the reverberation High Damp 0.1~1.0(0.7) 65 High range attenuation
(lower values cause the high range to decay faster) FB Level -63~+63(+20) 66 Amount of feedback for the initial delay Reverb Pan L63~ C ~R63 129 Reverb Pan Rev Return 0~127 12A ReverbReturn Level
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White Room
Range(Default) Param# Description
ReverbTime 0.3~30.0(0.4) 50 Reverb length (sec) Diffusion 0~10(5) 52 Spread of the reverb InitDelay 0.1~200.0(0.1) 54 Delay time until the early reflections (msec) HPF Cutoff thru,22~8.0k(70) 56 Frequency at which the high pass filter will cut the low range (Hz) LPFCutoff 1.0k~18.0k,thru(1.6k) 58 Frequency at which the low pass filter will cut the high range (Hz) Width 0.5~10.2(4.6) 5A Width of the simulated room (m) Height 0.5~20.2(20.2) 5C Height of the simulated room (m) Depth 0.5~30.2(30.2) 5E Depth of the simulated room (m) Wall Vary 0~30(6) 60 Wall surface of the simulated room
(higher values produce more random reflections) Rev Delay 0.1~99.3(12.7) 62 Delay time from the early reflections until the reverberation (msec) Density 0~4(4) 63 Density of the reverberation ER/Rev E63>R~E=R~E<R63(E=R) 64 Level balance of the early reflections and the reverberation High Damp 0.1~1.0(0.4) 65 High range attenuation
(lower values cause the high range to decay faster) FB Level -63~+63(+ 5) 66 Amount of feedback for the initial delay Reverb Pan L63~ C ~R63 129 Reverb Pan Rev Return 0~127 12A ReverbReturn Level
Tunnel Same parameters for White Room
Range(Default) Param# Description
ReverbTime 0.3~30.0(2.3) 50 Reverb length (sec) Diffusion 0~10(6) 52 Spread of the reverb InitDelay 0.1~200.0(15.8) 54 Delay time until the early reflections (msec) HPF Cutoff thru,22~8.0k(thru) 56 Frequency at which the high pass filter will cut the low range (Hz) LPFCutoff 1.0k~18.0k,thru(3.2k) 58 Frequency at which the low pass filter will cut the high range (Hz) Width 0.5~10.2(9.1) 5A Width of the simulated room (m) Height 0.5~20.2(14.2) 5C Height of the simulated room (m) Depth 0.5~30.2(19.4) 5E Depth of the simulated room (m) Wall Vary 0~30(16) 60 Wall surface of the simulated room
(higher values produce more random reflections) Rev Delay 0.1~99.3(31.6) 62 Delay time from the early reflections until the reverberation (msec) Density 0~4(4) 63 Density of the reverberation ER/Rev E63>R~E=R~E<R63(E10>R) 64 Level balance of the early reflections and the reverberation High Damp 0.1~1.0(1.0) 65 High range attenuation
(lower values cause the high range to decay faster) FB Level -63~+63(+43) 66 Amount of feedback for the initial delay Reverb Pan L63~ C ~R63 129 Reverb Pan Rev Return 0~127 12A ReverbReturn Level
Basement Same parameters for White Room
Range(Default) Param# Description
ReverbTime 0.3~30.0(0.8) 50 Reverb length (sec) Diffusion 0~10(6) 52 Spread of the reverb InitDelay 0.1~200.0(4.8) 54 Delay time until the early reflections (msec) HPF Cutoff thru,22~8.0k(thru) 56 Frequency at which the high pass filter will cut the low range (Hz) LPFCutoff 1.0k~18.0k,thru(1.0k) 58 Frequency at which the low pass filter will cut the high range (Hz) Width 0.5~10.2(7.2) 5A Width of the simulated room (m) Height 0.5~20.2(0.5) 5C Height of the simulated room (m) Depth 0.5~30.2(10.2) 5E Depth of the simulated room (m) Wall Vary 0~30(15) 60 Wall surface of the simulated room
(higher values produce more random reflections) Rev Delay 0.1~99.3(50.5) 62 Delay time from the early reflections until the reverberation (msec) Density 0~4(3) 63 Density of the reverberation ER/Rev E63>R~E=R~E<R63(E<R10) 64 Level balance of the early reflections and the reverberation High Damp 0.1~1.0(1.0) 65 High range attenuation
(lower values cause the high range to decay faster) FB Level -63~+63(-28) 66 Amount of feedback for the initial delay Reverb Pan L63~ C ~R63 129 Reverb Pan Rev Return 0~127 12A ReverbReturn Level
Canyon Same parameters for White Room
Range(Default) Param# Description
ReverbTime 0.3~30.0(12.0) 50 Reverb length (sec) Diffusion 0~10(6) 52 Spread of the reverb InitDelay 0.1~200.0(99.3) 54 Delay time until the early reflections (msec) HPF Cutoff thru,22~8.0k(thru) 56 Frequency at which the high pass filter will cut the low range (Hz) LPFCutoff 1.0k~18.0k,thru(3.6k) 58 Frequency at which the low pass filter will cut the high range (Hz) Width 0.5~10.2(9.4) 5A Width of the simulated room (m) Height 0.5~20.2(17.1) 5C Height of the simulated room (m) Depth 0.5~30.2(25.8) 5E Depth of the simulated room (m) Wall Vary 0~30(13) 60 Wall surface of the simulated room
(higher values produce more random reflections) Rev Delay 0.1~99.3(17.4) 62 Delay time from the early reflections until the reverberation (msec) Density 0~4(4) 63 Density of the reverberation ER/Rev E63>R~E=R~E<R63(E<R 8) 64 Level balance of the early reflections and the reverberation High Damp 0.1~1.0(0.4) 65 High range attenuation
(lower values cause the high range to decay faster) FB Level -63~+63(+36) 66 Amount of feedback for the initial delay Reverb Pan L63~ C ~R63 129 Reverb Pan Rev Return 0~127 12A ReverbReturn Level
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Delay LCR
Range(Default) Param# Description
LchDelay 0.1~1365.0(333.3) 50 Length of left channel delay (msec) RchDelay 0.1~1365.0(166.7) 52 Length of right channel delay (msec) CchDelay 0.1~1365.0(500.0) 54 Length of center channel delay (msec) FB Delay 0.1~1365.0(500.0) 56 Length of feedback delay (msec) FB Level -63~+63(+10) 58 Feedback amount Cch Level 0~127(100) 5A Volume of center channel High Damp 0.1~1.0(0.3) 5C High range attenuation
(lower values cause the high range to decay faster) EQ LowFreq 32~2.0k(400) 64 Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain -12~+12(+ 0) 65 Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq 500~16.0k(4.0k) 66 Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain -12~+12(+ 0) 67 Gain with which the EQ will boost/cut the high range (dB) Reverb Pan L63~ C ~R63 129 Reverb Pan Rev Return 0~127 12A ReverbReturn Level
Delay L,R
Range(Default) Param# Description
LchDelay 0.1~1365.0(250.0) 50 Length of left channel delay (msec) RchDelay 0.1~1365.0(375.0) 52 Length of right channel delay (msec) FBDelay1 0.1~1365.0(375.2) 54 Length of feedback delay 1 (msec) FBDelay2 0.1~1365.0(375.0) 56 Length of feedback delay 2 (msec) FB Level -63~+63(+23) 58 Amount of feedback High Damp 0.1~1.0(0.3) 5A High range attenuation
(lower values cause the high range to decay faster) EQ LowFreq 32~2.0k(400) 64 Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain -12~+12(+ 0) 65 Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq 500~16.0k(4.0k) 66 Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain -12~+12(+ 0) 67 Gain with which the EQ will boost/cut the high range (dB) Reverb Pan L63~ C ~R63 129 Reverb Pan Rev Return 0~127 12A ReverbReturn Level
Echo
Range(Default) Param# Description
LchDelay1 0.1~682.0(220.0) 50 Length of first delay of left channel (msec) Lch FB Lvl -63~+63(+22) 52 Amount of feedback for left channel RchDelay1 0.1~682.0(210.0) 54 Length of first delay of right channel (msec) Rch FB Lvl -63~+63(+21) 56 Amount of feedback for right channel High Damp 0.1~1.0(0.5) 58 High range attenuation
(lower values cause the high range to decay faster) LchDelay2 0.1~682.0(230.0) 5A Length of second delay of left channel (msec) RchDelay2 0.1~682.0(235.0) 5C Length of second delay of right channel (msec) Delay2 Lvl 0~127(62) 5E Volume of second delay EQ LowFreq 32~2.0k(280) 64 Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain -12~+12(-6) 65 Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq 500~16.0k(6.3k) 66 Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain -12~+12(-1) 67 Gain with which the EQ will boost/cut the high range (dB) Reverb Pan L63~ C ~R63 129 Reverb Pan Rev Return 0~127 12A ReverbReturn Level
CrossDelay
Range(Default) Param# Description
L>R Delay 0.1~682.0(365.0) 50 Delay time from left (input) to right (output) (msec) R>L Delay 0.1~682.0(365.0) 52 Delay time from right (input) to left (output) (msec) FB Level -63~+63(+24) 54 Amount of feedback InputSelect L,R,L&R(R) 56 Input select High Damp 0.1~1.0(0.5) 58 High range attenuation
(lower values cause the high range to decay faster) EQ LowFreq 32~2.0k(355) 64 Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain -12~+12(+ 0) 65 Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq 500~16.0k(6.3k) 66 Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain -12~+12(- 2) 67 Gain with which the EQ will boost/cut the high range (dB) Reverb Pan L63~ C ~R63 129 Reverb Pan Rev Return 0~127 12A ReverbReturn Level
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VARIATION

No Effect
Range(Default) Param# Description
Var Pan L63~ C ~R63 12C Variation Pan Var Return 0~127 12D Variation Return Level SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Chorus
Range(Default) Param# Description
LFO Freq 0.000~43.21(0.229) 68 Delay modulation frequency (Hz) LFO Depth 0~127(46) 6A Delay modulation depth FB Level -63~+63(+28) 6C Level at which the delay output is returned to the input
(negative values invert the phase) Delay Ofst 0.0~50.0(1.0) 6E Offset value for delay modulation (ms) EQ LowFreq 32~2.0k(200) 72 Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain -12~+12(+ 0) 74 Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq 500~16.0k(6.3k) 76 Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain -12~+12(+ 0) 78 Gain with which the EQ will boost/cut the high range (dB) Mode mono,stereo(stereo) 104 Mono/stereo selection for the input Var Pan L63~ C ~R63 12C Variation Pan Var Return 0~127 12D Variation Return Level SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Celeste Same parameters for Chorus
Range(Default) Param# Description
LFO Freq 0.000~43.21(0.687) 68 Delay modulation frequency (Hz) LFO Depth 0~127(25) 6A Delay modulation depth FB Level -63~+63(+30) 6C Level at which the delay output is returned to the input
(negative values invert the phase) Delay Ofst 0.0~50.0(12.2) 6E Offset value for delay modulation (ms) EQ LowFreq 32~2.0k(500) 72 Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain -12~+12(+ 0) 74 Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq 500~16.0k(4.0k) 76 Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain -12~+12(+ 0) 78 Gain with which the EQ will boost/cut the high range (dB) Mode mono,stereo(stereo) 104 Mono/stereo selection for the input Var Pan L63~ C ~R63 12C Variation Pan Var Return 0~127 12D Variation Return Level SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Flanger
Range(Default) Param# Description
LFO Freq 0.000~43.21(0.504) 68 Frequency of delay modulation (Hz) LFO Depth 0~127(30) 6A Depth of delay modulation FB Level -63~+63(+40) 6C Level at which delay output is returned to the input Delay Ofst 0.0~50.0(0.2) 6E Offset value for delay modulation (ms) EQ LowFreq 32~2.0k(200) 72 Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain -12~+12(+ 0) 74 Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq 500~16.0k(6.3k) 76 Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain -12~+12(+ 0) 78 Gain with which the EQ will boost/cut the high range (dB) LFO Phase -180~+180(-180) 102 L/R phase difference of modulation waveform
(no difference at 0 deg (=64)) Var Pan L63~ C ~R63 12C Variation Pan Var Return 0~127 12D Variation Return Level SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Symphonic
Range(Default) Param# Description
LFO Freq 0.000~43.21(0.458) 68 Frequency of delay modulation (Hz) LFO Depth 0~127(40) 6A Depth of delay modulation Delay Ofst 0.0~50.0(0.0) 6C Delay modulation offset value (ms) EQ LowFreq 32~2.0k(250) 72 Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain -12~+12(+ 0) 74 Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq 500~16.0k(6.3k) 76 Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain -12~+12(+ 0) 78 Gain with which the EQ will boost/cut the high range (dB) Var Pan L63~ C ~R63 12C Variation Pan Var Return 0~127 12D Variation Return Level SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
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Phaser1
Range(Default) Param# Description
LFO Freq 0.000~43.21(0.916) 68 Frequency of phase modulation (Hz) LFO Depth 0~127(111) 6A Depth of phase modulation Phase Shift 0~127(76) 6C Phase shift offset value FB Level -63~+63(+51) 6E Level at which phaser output will be returned to the input
(negative values invert the phase) Stage 4~10(6) 7C Number of phaser shifter stages Diffuse mono,stereo(stereo) 7E Diffusion EQ LowFreq 32~2.0k(280) 72 Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain -12~+12(+ 0) 74 Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq 500~16.0k(6.3k) 76 Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain -12~+12(+ 0) 78 Gain with which the EQ will boost/cut the high range (dB) Var Pan L63~ C ~R63 12C Variation Pan Var Return 0~127 12D Variation Return Level SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Phaser2
Range(Default) Param# Description
LFO Freq 0.000~43.21(0.091) 68 Frequency of phase modulation (Hz) LFO Depth 0~127(127) 6A Depth of phase modulation Phase Shift 0~127(25) 6C Phase shift offset value FB Level -63~+63(+51) 6E Level at which phaser output will be returned to the input
(negative values invert the phase) Stage 3~5(5) 7C Number of phaser shifter stages LFO Phase -180~+180(-180) 100 L/R phase difference in the modulation waveform
(no difference at 0 deg (=64)) EQ LowFreq 32~2.0k(200) 72 Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain -12~+12(+ 0) 74 Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq 500~16.0k(5.6k) 76 Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain -12~+12(+ 0) 78 Gain with which the EQ will boost/cut the high range (dB) Var Pan L63~ C ~R63 12C Variation Pan Var Return 0~127 12D Variation Return Level SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Ens Detune
Range(Default) Param# Description
Detune -50~+50(-30) 68 Amount by which the pitch will be detuned (cent) InitDelayL 0.0~50.0(1.0) 6A Length of left channel delay (msec) InitDelayR 0.0~50.0(3.0) 6C Length of right channel delay (msec)
EQ LowFreq 32~2.0k(250) 7C Frequency at which the EQ will boost/cut the low range (Hz ) EQ Low Gain -12~+12(+ 0) 7E Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq 500~16.0k(5.0k) 100 Frequency at which the EQ will boost/cut the high range (Hz ) EQ Hi Gain -12~+12(+ 0) 102 Gain with which the EQ will boost/cut the high range (dB) Var Pan L63~ C ~R63 12C Variation Pan Var Return 0~127 12D Variation Return Level SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Rotary SP
Range(Default) Param# Description
LFO Freq 0.000~43.21(2.335) 68 Rotation frequency of the speaker (Hz)
LFO Depth 0~127(76) 6A Depth of modulation produced by speaker rotation
EQ LowFreq 32~2.0k(250) 72 Frequency at which the EQ will boost/cut the low range (Hz)
EQ Low Gain -12~+12(+ 0) 74 Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq 500~16.0k(5.0k) 76 Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain -12~+12(+ 0) 78 Gain with which the EQ will boost/cut the high range (dB) Var Pan L63~ C ~R63 12C Variation Pan Var Return 0~127 12D Variation Return Level SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
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Tremolo
Range(Default) Param# Description
LFO Freq 0.000~43.21(5.493) 68 Modulation frequency (Hz) AM Depth 0~127(60) 6A Amplitude modulation depth PM Depth 0~127(20) 6C Delay modulation depth LFO Phase -180~+180(+0) 102 L/R phase difference of the modulation waveform
(no difference at 0 deg (=64)) EQ LowFreq 32~2.0k(280) 72 Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain -12~+12(+0) 74 Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq 500~16.0k(2.0k) 76 Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain -12~+12(+ 0) 78 Gain with which the EQ will boost/cut the high range (dB) Mode mono,stereo(mono) 104 Mono/stereo selection for the input Var Pan L63~ C ~R63 12C Variation Pan Var Return 0~127 12D Variation Return Level SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Auto Pan
Range(Default) Param# Description
LFO Freq 0.000~43.21(4.028) 68 Auto pan frequency (Hz) L/R Depth 0~127(127) 6A Left/right depth of panning F/R Depth 0~127(32) 6C Front/rear depth of panning PAN Dir L<>R,L>R,L<R,Lturn,Rturn,L/R(L/R) 6E Auto pan type (L<->R is sine wave, L/R is square wave) EQ LowFreq 32~2.0k(225) 72 Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain -12~+12(+ 0) 74 Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq 500~16.0k(4.0k) 76 Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain -12~+12(+12) 78 Gain with which the EQ will boost/cut the high range (dB) Var Pan L63~ C ~R63 12C Variation Pan Var Return 0~127 12D Variation Return Level SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Auto Wah
Range(Default) Param# Description
LFO Freq 0.000~43.21(1.282) 68 Modulation frequency (Hz)
Modulation depth
LFO Depth 0~127(66) 6A Cutoff Freq 0~127(33) 6C Cutoff Frequency (Hz) Resonance 1.0~12.0(3.8) 6E Resonance EQ LowFreq 32~2.0k(280) 72 Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain -12~+12(+ 0) 74 Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq 500~16.0k(5.0k) 76 Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain -12~+12(+ 0) 78 Gain with which the EQ will boost/cut the high range (dB) Var Pan L63~ C ~R63 12C Variation Pan Var Return 0~127 12D Variation Return Level SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Touch Wah
Range(Default) Param# Description
Sensitivty 0~127(46) 68 Sensitivty Cutoff Freq 0~127(28) 6A Cutoff Frequency (Hz) Resonance 1.0~12.0(2.3) 6C Resonance EQ LowFreq 32~2.0k(180) 72 Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain -12~+12(+ 0) 74 Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq 500~16.0k(5.0k) 76 Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain -12~+12(+ 0) 78 Gain with which the EQ will boost/cut the high range (dB) Var Pan L63~ C ~R63 12C Variation Pan Var Return 0~127 12D Variation Return Level SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
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3-Band EQ
Range(Default) Param# Description
Low Freq 50~2.0k(180) 72 Frequency at which the EQ will boost/cut the low range (Hz) Low Gain -12~+12(+ 0) 68 Amount of gain by which the EQ will boost/cut the low range (dB) Mid Freq 100~10.0k(1.0k) 6A Frequency at which the EQ will boost/cut the mid range (Hz) Mid Gain -12~+12(+ 0) 6C Amount of gain by which the EQ will boost/cut the mid range (dB) Mid Q 1.0~12.0(5.0) 6E Mid Q High Freq 500~16.0k(8.0k) 74 Frequency at which the EQ will boost/cut the high range (Hz) High Gain -12~+12(+ 0) 70 Amount of gain by which the EQ will boost/cut the high range (dB) Mode mono,stereo(mono) 104 Mono/stereo input mode selection Var Pan L63~ C ~R63 12C Variation Pan Var Return 0~127 12D Variation Return Level SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
HM Enhncer
Range(Default) Param# Description
HPFCutoff 500~16.0k(5.6k) 68 Frequency at which the high pass filter will cut the low range of
the effect sound (Hz) Drive 0~127(20) 6A Degree with which the exciter effect will be applied Mix Level 0~127(30) 6C Level at which the effect sound will be mixed into the dry sound Var Pan L63~ C ~R63 12C Variation Pan Var Return 0~127 12D Variation Return Level SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Noise Gate
Range(Default) Param# Description
Attack 1~40(1) 68 Time until when the gate begins to open (msec) Release 10~680(140) 6A Time until the gate closes (msec) Threshold -72~-30(-45) 6C Input level at which the gate begins to open (dB) OutputLevel 0~127(50) 6E Output level Var Pan L63~ C ~R63 12C Variation Pan Var Return 0~127 12D Variation Return Level SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Compressor
Range(Default) Param# Description
Attack 1~40(12) 68 Time until when the compressor begins to take effect (msec) Release 10~680(25) 6A Time until the compressor effect disappears (msec) Threshold -48~-6(-28) 6C Input level at which compression begins to be applied (dB) Ratio 1.0~20.0(5.0) 6E Compression ratio of the compressor OutputLevel 0~127(80) 70 Output level Var Pan L63~ C ~R63 12C Variation Pan Var Return 0~127 12D Variation Return Level SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Distortion
Range(Default) Param# Description
Drive 0~127(60) 68 Degree of distortion EQ LowFreq 32~2.0k(180) 6A Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain -12~+12(+ 8) 6C Gain with which the EQ will boost/cut the low range (dB) EQMidFreq 100~10.0k(1.1k) 74 Frequency at which the EQ will boost/cut the mid range (Hz) EQ Mid Gain -12~+12(+10) 76 Gain with which the EQ will boost/cut the mid range (dB) EQ Mid Q 1.0~12.0(1.0) 78 EQ Mid Q LPFCutoff 1.0k~18.0k,thru(9.0k) 6E Frequency at which the filter will cut the high range (Hz) Edge 0~127(80) 7C Curve of distortion characteristics (sharp (127):
distortion begins suddenly;mild (0): distortion begins gradually) OutputLevel 0~127(48) 70 Output level Var Pan L63~ C ~R63 12C Variation Pan Var Return 0~127 12D Variation Return Level SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
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Overdrive Same parameters for Distortion
Range(Default) Param# Description
Drive 0~127(29) 68 Degree of distortion EQ LowFreq 32~2.0k(315) 6A Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain -12~+12(+ 4) 6C Gain with which the EQ will boost/cut the low range (dB) EQMidFreq 100~10.0k(1.2k) 74 Frequency at which the EQ will boost/cut the mid range (Hz) EQ Mid Gain -12~+12(+ 8) 76 Gain with which the EQ will boost/cut the mid range (dB) EQ Mid Q 1.0~12.0(1.0) 78 EQ Mid Q LPFCutoff 1.0k~18.0k,thru(4.0k) 6E Frequency at which the filter will cut the high range (Hz) Edge 0~127(104) 7C Curve of distortion characteristics (sharp (127):
distortion begins suddenly;mild (0): distortion begins gradually) OutputLevel 0~127(55) 70 Output level Var Pan L63~ C ~R63 12C Variation Pan Var Return 0~127 12D Variation Return Level SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Amp Sim
Range(Default) Param# Description
Drive 0~127(76) 68 Degree of distortion Amp Type off,stack,combo,tube(tube) 6A Select the type of amp to be simulated LPFCutoff 1.0k~18.0k,thru(2.5k) 6C Frequency at which the low pass filter will cut the high range (Hz) Edge 0~127(102) 7C Curve of distortion characteristics (sharp (127):
distortion begins suddenly;mild (0): distortion begins gradually) OutputLevel 0~127(55) 6E Output level Var Pan L63~ C ~R63 12C Variation Pan Var Return 0~127 12D Variation Return Level SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Delay LCR
Range(Default) Param# Description
LchDelay 0.1~1365.0(333.3) 68 Length of left channel delay (msec) RchDelay 0.1~1365.0(166.7) 6A Length of right channel delay (msec) CchDelay 0.1~1365.0(500.0) 6C Length of center channel delay (msec) FB Delay 0.1~1365.0(500.0) 6E Length of feedback delay (msec) FB Level -63~+63(+10) 70 Feedback amount Cch Level 0~127(100) 72 Volume of center channel High Damp 0.1~1.0(0.3) 74 High range attenuation
(lower values cause the high range to decay faster) EQ LowFreq 32~2.0k(400) 100 Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain -12~+12(+ 0) 102 Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq 500~16.0k(4.0k) 104 Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain -12~+12(+ 0) 106 Gain with which the EQ will boost/cut the high range (dB) Var Pan L63~ C ~R63 12C Variation Pan Var Return 0~127 12D Variation Return Level SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Delay L,R
Range(Default) Param# Description
LchDelay 0.1~1365.0(250.0) 68 Length of left channel delay (msec) RchDelay 0.1~1365.0(375.0) 6A Length of right channel delay (msec) FBDelay1 0.1~1365.0(375.2) 6C Length of feedback delay 1 (msec) FBDelay2 0.1~1365.0(375.0) 6E Length of feedback delay 2 (msec) FB Level -63~+63(+23) 70 Amount of feedback High Damp 0.1~1.0(0.3) 72 High range attenuation
(lower values cause the high range to decay faster) EQ LowFreq 32~2.0k(400) 100 Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain -12~+12(+ 0) 102 Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq 500~16.0k(4.0k) 104 Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain -12~+12(+ 0) 106 Gain with which the EQ will boost/cut the high range (dB) Var Pan L63~ C ~R63 12C Variation Pan Var Return 0~127 12D Variation Return Level SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
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Echo
Range(Default) Param# Description
LchDelay1 0.1~682.0(220.0) 68 Length of first delay of left channel (msec) Lch FB Lvl -63~+63(+22) 6A Amount of feedback for left channel RchDelay1 0.1~682.0(210.0) 6C Length of first delay of right channel (msec) Rch FB Lvl -63~+63(+21) 6E Amount of feedback for right channel High Damp 0.1~1.0(0.5) 70 High range attenuation
(lower values cause the high range to decay faster)
LchDelay2 0.1~682.0(230.0) 72 Length of second delay of left channel (msec)
RchDelay2 0.1~682.0(235.0) 74 Length of second delay of right channel (msec) Delay2 Lvl 0~127(62) 76 Volume of second delay EQ LowFreq 32~2.0k(280) 100 Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain -12~+12(- 6) 102 Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq 500~16.0k(6.3k) 104 Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain -12~+12(- 1) 106 Gain with which the EQ will boost/cut the high range (dB) Var Pan L63~ C ~R63 12C Variation Pan Var Return 0~127 12D Variation Return Level SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
CrossDelay
Range(Default) Param# Description
L>R Delay 0.1~682.0(365.0) 68 Delay time from left (input) to right (output) (msec)
R>L Delay 0.1~682.0(365.0) 6A Delay time from right (input) to left (output) (msec)
FB Level -63~+63(+24) 6C Amount of feedback
InputSelect L,R,L&R(R) 6E Input select
High Damp 0.1~1.0(0.5) 70 High range attenuation
(lower values cause the high range to decay faster) EQ LowFreq 32~2.0k(355) 100 Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain -12~+12(+ 0) 102 Gain with which the EQ will boost/cut the low range (dB)
EQ HiFreq 500~16.0k(6.3k) 104 Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain -12~+12(- 2) 106 Gain with which the EQ will boost/cut the high range (dB) Var Pan L63~ C ~R63 12C Variation Pan Var Return 0~127 12D Variation Return Level SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Karaoke
Range(Default) Param# Description
DelayTime 0.1~400.0(198.5) 68 DelayTime (msec) FB Level -63~+63(+33) 6A Amount of feedback HPF Cutoff thru,22~8.0k(thru) 6C Frequency at which the high pass filter will cut the low range (Hz) LPFCutoff 1.0k~18.0k,thru(5.0k) 6E Frequency at which the low pass filter will cut the high range (Hz) Var Pan L63~ C ~R63 12C Variation Pan Var Return 0~127 12D Variation Return Level SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Hall
Range(Default) Param# Description
ReverbTime 0.3~30.0(2.1) 68 Reverb length (sec) Diffusion 0~10(10) 6A Spread of the reverb InitDelay 0.1~200.0(12.7) 6C Delay time until the early reflections (msec) HPF Cutoff thru,22~8.0k(90) 6E Frequency at which the high pass filter will cut the low range (Hz) LPFCutoff 1.0k~18.0k,thru(5.6k) 70 Frequency at which the low pass filter will cut the high range (Hz) Density 0~4(2) 7E Density of the reverberation ER/Rev E63>R~E=R~E<R63(E14>R) 100 Level balance of the early reflections and the reverberation
High Damp 0.1~1.0(0.8) 102 High range attenuation
(lower values cause the high range to decay faster)
FB Level -63~+63(+ 0) 104 Amount of feedback for the initial delay Var Pan L63~ C ~R63 12C Variation Pan Var Return 0~127 12D Variation Return Level SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
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Room Same parameters for Hall
Range(Default) Param# Description
ReverbTime 0.3~30.0(0.8) 68 Reverb length (sec) Diffusion 0~10(10) 6A Spread of the reverb InitDelay 0.1~200.0(25.3) 6C Delay time until the early reflections (msec) HPF Cutoff thru,22~8.0k(32) 6E Frequency at which the high pass filter will cut the low range (Hz) LPFCutoff 1.0k~18.0k,thru(5.6k) 70 Frequency at which the low pass filter will cut the high range (Hz) Density 0~4(2) 7E Density of the reverberation ER/Rev E63>R~E=R~E<R63(E=R) 100 Level balance of the early reflections and the reverberation High Damp 0.1~1.0(0.8) 102 High range attenuation
(lower values cause the high range to decay faster) FB Level -63~+63(+ 0) 104 Amount of feedback for the initial delay Var Pan L63~ C ~R63 12C Variation Pan Var Return 0~127 12D Variation Return Level SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Stage Same parameters for Hall
Range(Default) Param# Description
ReverbTime 0.3~30.0(2.2) 68 Reverb length (sec) Diffusion 0~10(10) 6A Spread of the reverb InitDelay 0.1~200.0(25.3) 6C Delay time until the early reflections (msec) HPF Cutoff thru,22~8.0k(45) 6E Frequency at which the high pass filter will cut the low range (Hz) LPFCutoff 1.0k~18.0k,thru(10.0k) 70 Frequency at which the low pass filter will cut the high range (Hz) Density 0~4(2) 7E Density of the reverberation ER/Rev E63>R~E=R~E<R63(E=R) 100 Level balance of the early reflections and the reverberation High Damp 0.1~1.0(0.6) 102 High range attenuation
(lower values cause the high range to decay faster) FB Level -63~+63(+ 0) 104 Amount of feedback for the initial delay Var Pan L63~ C ~R63 12C Variation Pan Var Return 0~127 12D Variation Return Level SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
Plate Same parameters for Hall
Range(Default) Param# Description
ReverbTime 0.3~30.0(2.8) 68 Reverb length (sec) Diffusion 0~10(10) 6A Spread of the reverb InitDelay 0.1~200.0(9.5) 6C Delay time until the early reflections (msec) HPF Cutoff thru,22~8.0k(50) 6E Frequency at which the high pass filter will cut the low range (Hz) LPFCutoff 1.0k~18.0k,thru(5.6k) 70 Frequency at which the low pass filter will cut the high range (Hz) Density 0~4(2) 7E Density of the reverberation ER/Rev E63>R~E=R~E<R63(E=R) 100 Level balance of the early reflections and the reverberation High Damp 0.1~1.0(0.5) 102 High range attenuation
(lower values cause the high range to decay faster) FB Level -63~+63(+ 0) 104 Amount of feedback for the initial delay Var Pan L63~ C ~R63 12C Variation Pan Var Return 0~127 12D Variation Return Level SendVar-Rev 0~127 12E Variation-to-Reverb Send Level
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INSERTION

Thru
Range(Default) Param# Ctrl Dest Description
Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
Chorus
Range(Default) Param# Ctrl Dest Description
LFO Freq *0.000~43.21(0.275) 108 I:LFO Freq Delay modulation frequency (Hz) LFO Depth *0~127(62) 10A I:LFO Depth Delay modulation depth FB Level *-63~+63(+15) 10C I:FB Level Level at which the delay output is returned to the input
(negative values invert the phase) Delay Ofst 0.0~50.0(8.0) 10E Offset value for delay modulation (ms) EQ LowFreq *32~2.0k(250) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain *-12~+12(+ 0) 114 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB) EQMidFreq *100~10.0k(1.8k) 11C I:EQMidFreq Frequency at which the EQ will boost/cut the mid range (Hz) EQ Mid Gain *-12~+12(+ 0) 11E I:EQMidGain Gain with which the EQ will boost/cut the mid range (dB) EQ Mid Q *1.0~12.0(1.0) 120 I:EQ Mid Q EQ Mid Q EQ HiFreq *500~16.0k(7.0k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain *-12~+12(+ 0) 118 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB) Mode *mono,stereo(mono) 124 I:Mode Mono/stereo selection for the input Dry/Wet *D63>W,D=W,D<W63(D=W) 11A I:Dry/Wet Balance of the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
Celeste Same parameters for Chorus
Range(Default) Param# Ctrl Dest Description
LFO Freq *0.000~43.21(0.824) 108 I:LFO Freq Delay modulation frequency (Hz) LFO Depth *0~127(28) 10A I:LFO Depth Delay modulation depth FB Level *-63~+63(+ 0) 10C I:FB Level Level at which the delay output is returned to the input
(negative values invert the phase) Delay Ofst 0.0~50.0(1.0) 10E Offset value for delay modulation (ms) EQ LowFreq *32~2.0k(110) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain *-12~+12(+ 0) 114 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB) EQMidFreq *100~10.0k(2.0k) 11C I:EQMidFreq Frequency at which the EQ will boost/cut the mid range (Hz) EQ Mid Gain *-12~+12(- 2) 11E I:EQMidGain Gain with which the EQ will boost/cut the mid range (dB) EQ Mid Q *1.0~12.0(1.0) 120 I:EQ Mid Q EQ Mid Q EQ HiFreq *500~16.0k(7.0k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain *-12~+12(+ 0) 118 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB) Mode *mono,stereo(mono) 124 I:Mode Mono/stereo selection for the input Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance of the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
Flanger
Range(Default) Param# Ctrl Dest Description
LFO Freq *0.000~43.21(0.504) 108 I:LFO Freq Frequency of delay modulation (Hz) LFO Depth *0~127(30) 10A I:LFO Depth Depth of delay modulation FB Level *-63~+63(+40) 10C I:FB Level Level at which delay output is returned to the input Delay Ofst 0.0~50.0(0.2) 10E Offset value for delay modulation (ms) EQ LowFreq *32~2.0k(200) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain *-12~+12(+ 0) 114 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB) EQMidFreq *100~10.0k(1.8k) 11C I:EQMidFreq Frequency at which the EQ will boost/cut the mid range (Hz) EQ Mid Gain *-12~+12(+ 0) 11E I:EQMidGain Gain with which the EQ will boost/cut the mid range (dB) EQ Mid Q *1.0~12.0(1.0) 120 I:EQ Mid Q EQ Mid Q EQ HiFreq *500~16.0k(6.3k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain *-12~+12(+ 0) 118 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB) LFO Phase -180~+180(-180) 122 L/R phase difference of modulation waveform
(no difference at 0 deg (=64)) Dry/Wet *D63>W,D=W,D<W63(D<W32) 11A I:Dry/Wet Balance of the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
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Symphonic
Range(Default) Param# Ctrl Dest Description
LFO Freq *0.000~43.21(0.458) 108 I:LFO Freq Frequency of delay modulation (Hz) LFO Depth *0~127(40) 10A I:LFO Depth Depth of delay modulation Delay Ofst 0.0~50.0(0.0) 10C Delay modulation offset value (ms) EQ LowFreq *32~2.0k(250) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain *-12~+12(+ 0) 114 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB) EQMidFreq *100~10.0k(4.0k) 11C I:EQMidFreq Frequency at which the EQ will boost/cut the mid range (Hz) EQ Mid Gain *-12~+12(- 3) 11E I:EQMidGain Gain with which the EQ will boost/cut the mid range (dB) EQ Mid Q *1.0~12.0(1.0) 120 I:EQ Mid Q EQ Mid Q EQ HiFreq *500~16.0k(6.3k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain *-12~+12(+ 0) 118 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB) Dry/Wet *D63>W,D=W,D<W63(D<W32) 11A I:Dry/Wet Balance of the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
Phaser1
Range(Default) Param# Ctrl Dest Description
LFO Freq *0.000~43.21(0.641) 108 I:LFO Freq Frequency of phase modulation (Hz) LFO Depth *0~127(92) 10A I:LFO Depth Depth of phase modulation Phase Shift 0~127(76) 10C Phase shift offset value FB Level *-63~+63(+36) 10E I:FB Level Level at which phaser output will be returned to the input
(negative values invert the phase) Stage *4~12(6) 11C I:Stage Number of phaser shifter stages Diffuse mono,stereo(stereo) 11E Diffusion EQ LowFreq *32~2.0k(250) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain *-12~+12(+ 0) 114 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq *500~16.0k(2.0k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain *-12~+12(+ 0) 118 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB) Dry/Wet *D63>W,D=W,D<W63(D<W34) 11A I:Dry/Wet Balance of the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
Phaser2
Range(Default) Param# Ctrl Dest Description
LFO Freq *0.000~43.21(0.091) 108 I:LFO Freq Frequency of phase modulation (Hz) LFO Depth *0~127(127) 10A I:LFO Depth Depth of phase modulation Phase Shift 0~127(25) 10C Phase shift offset value FB Level *-63~+63(+51) 10E I:FB Level Level at which phaser output will be returned to the input
(negative values invert the phase) Stage *3~6(5) 11C I:Stage Number of phaser shifter stages LFO Phase -180~+180(-180) 120 L/R phase difference in the modulation waveform
(no difference at 0 deg (=64)) EQ LowFreq *32~2.0k(200) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain *-12~+12(+ 0) 114 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq *500~16.0k(5.6k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain *-12~+12(+ 0) 118 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB) Dry/Wet *D63>W,D=W,D<W63(D<W32) 11A I:Dry/Wet Balance of the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
Pitch Chng
Range(Default) Param# Ctrl Dest Description
Pitch -24~+24(+ 0) 108 Pitch change in semitone steps InitDelay 0.1~400.0(3.2) 10A Delay length (msec) Fine1 -50~+50(+15) 10C Fine pitch setting for first unit (cent) Fine2 -50~+50(-16) 10E Fine pitch setting for second unit (cent) FB Level *-63~+63(+ 0) 110 I:FB Level Amount of feedback Pan1 *L63~ C ~R63(L63) 11C I:Pan1 Panning of first unit Out Level1 *0~127(125) 11E I:OutLevel1 Output level of first unit Pan2 *L63~ C ~R63(R63) 120 I:Pan2 Panning of second unit Out Level2 *0~127(127) 122 I:OutLevel2 Output level of second unit Dry/Wet *D63>W,D=W,D<W63(D 3>W) 11A I:Dry/Wet Balance of the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
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Ens Detune
Range(Default) Param# Ctrl Dest Description
Detune -50~+50(-30) 108 Amount by which the pitch will be detuned (cent) InitDelayL 0.0~50.0(1.0) 10A Length of left channel delay (msec) InitDelayR 0.0~50.0(3.0) 10C Length of right channel delay (msec) EQ LowFreq *32~2.0k(250) 11C I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain *-12~+12(+ 0) 11E I:EQLowGain Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq *500~16.0k(5.0k) 120 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain *-12~+12(+ 0) 122 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB) Dry/Wet *D63>W,D=W,D<W63(D=W) 11A I:Dry/Wet Balance of the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
Rotary SP
Range(Default) Param# Ctrl Dest Description
LFO Freq *0.000~43.21(5.859) 108 I:LFO Freq Rotation frequency of the speaker (Hz) LFO Depth *0~127(71) 10A I:LFO Depth Depth of modulation produced by speaker rotation EQ LowFreq *32~2.0k(250) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain *-12~+12(- 4) 114 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB) EQMidFreq *100~10.0k(2.8k) 11C I:EQMidFreq Frequency at which the EQ will boost/cut the mid range (Hz) EQ Mid Gain *-12~+12(-12) 11E I:EQMidGain Gain with which the EQ will boost/cut the mid range (dB) EQ Mid Q *1.0~12.0(2.4) 120 I:EQ Mid Q EQ Mid Q EQ HiFreq *500~16.0k(7.0k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain *-12~+12(-10) 118 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB) Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance of the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
2WayRotary
Range(Default) Param# Ctrl Dest Description
Rotor Spd *0.000~43.21(6.958) 108 I:Rotor Spd Rotation frequency of the speaker (Hz) Drive Low *0~127(89) 10A I:Drive Low Depth of modulation produced by low-range speaker rotation Drive High *0~127(62) 10C I:DriveHigh Depth of modulation produced by high-range speaker rotation Low/High *L63>H,L=H,L<H63(L46>H) 10E I:Low/High Volume balance between high-range speaker
and low-range speaker
Mic Angle 0~180(87) 11E L/R angle of mics which pick up the output (°) CrossFreq 100~10.0k(700) 11C Crossover frequency between high-range speaker and
low-range speaker (Hz)
EQ LowFreq *32~2.0k(110) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain *-12~+12(+0) 114 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq= *500~16.0k(3.2k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain *-12~+12(+ 0) 118 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB) Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
Tremolo
Range(Default) Param# Ctrl Dest Description
LFO Freq *0.000~43.21(1.831) 108 I:LFO Freq Modulation frequency (Hz) AM Depth *0~127(112) 10A I:AM Depth Amplitude modulation depth PM Depth *0~127(0) 10C I:PM Depth Delay modulation depth LFO Phase -180~+180(+ 0) 122 L/R phase difference of the modulation waveform
(no difference at 0 deg (=64))
EQ LowFreq *32~2.0k(100) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain *-12~+12(+ 0) 114 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB) EQMidFreq *100~10.0k(1.8k) 11C I:EQMidFreq Frequency at which the EQ will boost/cut the mid range (Hz) EQ Mid Gain *-12~+12(+ 0) 11E I:EQMidGain Gain with which the EQ will boost/cut the mid range (dB) EQ Mid Q *1.0~12.0(1.0) 120 I:EQ Mid Q EQ Mid Q EQ HiFreq *500~16.0k(7.0k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain *-12~+12(+ 0) 118 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB) Mode mono,stereo(stereo) 124 Mono/stereo selection for the input Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
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Auto Pan
Range(Default) Param# Ctrl Dest Description
LFO Freq *0.000~43.21(1.877) 108 I:LFO Freq Auto pan frequency (Hz) L/R Depth *0~127(80) 10A I:L/R Depth Left/right depth of panning F/R Depth *0~127(32) 10C I:F/R Depth Front/rear depth of panning PAN Dir
L<>R,L>R,L<R,Lturn,Rturn,L/R(L/R)
10E Auto pan type (L<->R is sine wave, L/R is square wave) EQ LowFreq *32~2.0k(140) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain *-12~+12(+ 0) 114 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB) EQMidFreq *100~10.0k(1.8k) 11C I:EQMidFreq Frequency at which the EQ will boost/cut the mid range (Hz) EQ Mid Gain *-12~+12(+ 0) 11E I:EQMidGain Gain with which the EQ will boost/cut the mid range (dB) EQ Mid Q *1.0~12.0(1.0) 120 I:EQ Mid Q EQ Mid Q EQ HiFreq *500~16.0k(6.3k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain *-12~+12(+ 0) 118 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB) Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
Ambience
Range(Default) Param# Ctrl Dest Description
Delay Time 0.0~50.0(26.5) 108 Delay length (ms) Phase *normal,inverse(inverse) 10A I:Phase Invert the phase of the effect sound between L/R EQ LowFreq *32~2.0k(250) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain *-12~+12(+ 0) 114 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq *500~16.0k(5.0k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain *-12~+12(-10) 118 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB) Dry/Wet *D63>W,D=W,D<W63(D<W10) 11A I:Dry/Wet Balance of the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
A-Wah+Dist
Range(Default) Param# Ctrl Dest Description
LFO Freq *0.000~43.21(1.465) 108 I:LFO Freq Modulation frequency (Hz) LFO Depth *0~127(84) 10A I:LFO Depth Modulation Depth Cutoff Freq *0~127(46) 10C I:CutofFreq Cutoff Frequency (Hz) Resonance *1.0~12.0(3.4) 10E I:Resonance Resonance EQ LowFreq *32~2.0k(250) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain *-12~+12(+ 2) 114 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq *500~16.0k(4.0k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain *-12~+12(+ 0) 118 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB) Drive *0~127(60) 11C I:Drive Degree of distortion DS Low Gain *-12~+12(+ 8) 11E I:DSLowGain Gain with which the distortion will boost/cut the low range (dB) DS Mid Gain *-12~+12(+ 4) 120 I:DSMidGain
Gain with which the distortion will boost/cut the middle range (dB)
LPFCutoff *1.0k~18.0k,thru(8.0k) 122 I:LPFCutoff
Frequency at which the low pass filter will cut the high range (Hz) OutputLevel *0~127(64) 124 I:Out Level Output Level Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance of the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
A-Wah+Odrv Same parameters for A-Wah+Dist
Range(Default) Param# Ctrl Dest Description
LFO Freq *0.000~43.21(1.144) 108 I:LFO Freq Modulation frequency (Hz) LFO Depth *0~127(64) 10A I:LFO Depth Modulation Depth Cutoff Freq *0~127(32) 10C I:CutofFreq Cutoff Frequency (Hz) Resonance *1.0~12.0(2.3) 10E I:Resonance Resonance EQ LowFreq *32~2.0k(250) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain *-12~+12(+ 2) 114 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq *500~16.0k(4.0k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain *-12~+12(+ 0) 118 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB) Drive *0~127(16) 11C I:Drive Degree of distortion DS Low Gain *-12~+12(+ 4) 11E I:DSLowGain Gain with which the distortion will boost/cut the low range (dB) DS Mid Gain *-12~+12(+ 8) 120 I:DSMidGain
Gain with which the distortion will boost/cut the middle range (dB) LPFCutoff *1.0k~18.0k,thru(3.6k) 122 I:LPFCutoff
Frequency at which the low pass filter will cut the high range (Hz) OutputLevel *0~127(68) 124 I:Out Level OutputLevel Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance of the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
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T-Wah+Dist
Range(Default) Param# Ctrl Dest Description
Sensitivty *0~127(80) 108 I:Sens Sensitivity at which the wah filter will change in response to
the input level Cutoff Freq *0~127(18) 10A I:CutofFreq Offset value for the wah filter control frequency (Hz) Resonance *1.0~12.0(4.5) 10C I:Resonance Bandwidth of the wah filter Release *10~680(170) 126 I:Release Time until the wah filter is closed (msec) EQ LowFreq *32~2.0k(250) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain *-12~+12(+ 2) 114 I:EQLowGain
Amount of gain by which the EQ will boost/cut the low range (dB) EQ HiFreq *500~16.0k(4.0k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain *-12~+12(+ 0) 118 I:EQ HiGain
Amount of gain by which the EQ will boost/cut the high range (dB) Drive *0~127(30) 11C I:Drive (Distortion) Degree of distortion DS Low Gain *-12~+12(+ 8) 11E I:DSLowGain Gain with which the distortion will boost/cut the low range (dB) DS Mid Gain *-12~+12(+10) 120 I:DSMidGain
Gain with which the distortion will boost/cut the middle range (dB) LPFCutoff *1.0k~18.0k,thru(9.0k) 122 I:LPFCutoff
Frequency at which the low pass filter will cut the high range (Hz) OutputLevel *0~127(72) 124 I:Out Level OutputLevel Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance between the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
T-Wah+Odrv Same parameters for T-Wah+Dist
Range(Default) Param# Ctrl Dest Description
Sensitivty *0~127(61) 108 I:Sens Sensitivity at which the wah filter will change in response to
the input level Cutoff Freq *0~127(30) 10A I:CutofFreq Offset value for the wah filter control frequency (Hz) Resonance *1.0~12.0(4.1) 10C I:Resonance Bandwidth of the wah filter Release *10~680(170) 126 I:Release Time until the wah filter is closed (msec) EQ LowFreq *32~2.0k(250) 112 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain *-12~+12(+ 2) 114 I:EQLowGain
Amount of gain by which the EQ will boost/cut the low range (dB) EQ HiFreq *500~16.0k(4.0k) 116 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain *-12~+12(+ 0) 118 I:EQ HiGain
Amount of gain by which the EQ will boost/cut the high range (dB) Drive *0~127(15) 11C I:Drive (Distortion) Degree of distortion DS Low Gain *-12~+12(+ 4) 11E I:DSLowGain Gain with which the distortion will boost/cut the low range (dB) DS Mid Gain *-12~+12(+ 8) 120 I:DSMidGain
Gain with which the distortion will boost/cut the middle range (dB) LPFCutoff *1.0k~18.0k,thru(5.6k) 122 I:LPFCutoff
Frequency at which the low pass filter will cut the high range (Hz) OutputLevel *0~127(72) 124 I:Out Level OutputLevel Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance between the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
Wah+DS+Dly
Range(Default) Param# Ctrl Dest Description
Sensitivty *0~127(102) 11C I:Sens Sensitivty Cutoff Freq *0~127(20) 11E I:CutofFreq Cutoff Frequency (Hz) Resonance *1.0~12.0(2.3) 120 I:Resonance Resonance Release *10~680(75) 122 I:Release Time until the wah filter is closed (msec) Drive *0~127(60) 10E I:Drive Degree of distortion OutputLevel *0~127(53) 110 I:Out Level OutputLevel DS Low Gain *-12~+12(+ 4) 112 I:DSLowGain Gain with which the distortion will boost/cut the low range (dB) DS Mid Gain *-12~+12(+ 8) 114 I:DSMidGain
Gain with which the distortion will boost/cut the middle range (dB) Delay 0.1~1365.0(190.0) 108 Delay time (msec) FB Level *-63~+63(+20) 10A I:FB Level Feedback Level Delay Mix *0~127(30) 10C I:Delay Mix Depth of delay effect Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance between the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
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Wah+OD+Dly Same parameters for Wah+DS+Dly
Range(Default) Param# Ctrl Dest Description
Sensitivty *0~127(80) 11C I:Sens Sensitivty Cutoff Freq *0~127(35) 11E I:CutofFreq Cutoff Frequency (Hz) Resonance *1.0~12.0(3.0) 120 I:Resonance Resonance
Release *10~680(170) 122 I:Release Time until the wah filter is closed (msec) Drive *0~127(16) 10E I:Drive Degree of distortion OutputLevel *0~127(87) 110 I:Out Level OutputLevel DS Low Gain *-12~+12(+ 0) 112 I:DSLowGain Gain with which the distortion will boost/cut the low range (dB) DS Mid Gain *-12~+12(+ 0) 114 I:DSMidGain
Gain with which the distortion will boost/cut the middle range (dB) Delay 0.1~1365.0(160.0) 108 Delay time (msec) FB Level *-63~+63(+20) 10A I:FB Level Feedback Level Delay Mix *0~127(50) 10C I:Delay Mix Depth of delay effect Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance between the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
Lo-Fi
Range(Default) Param# Ctrl Dest Description
Smpl Freq *48k~375(16.0k) 108 I:Smpl Freq Sampling Frequency (Hz) Word Length *1~127(1) 10A I:Word Leng Differential bit length of DPCM
Output Gain *-6~+36(- 3) 10C I:Out Gain Output Gain LPFCutoff *63~18.0k,thru(thru) 10E I:LPFCutoff
Frequency at which the low pass filter will cut the high range (Hz) LPF Reso *1.0~12.0(2.9) 112 I:LPF Reso Resonance of low pass filter Filter
thru,pbass,radio,tel,clean,low(clean)
110 Characteristics (quality) of low pass filter Bit Assign 0~6(1) 114 Input signal depth of DPCM Emphasis off,on(off) 116 Adjustment of high frequency response Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance between the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan
SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
3-Band EQ
Range(Default) Param# Ctrl Dest Description
Low Freq *50~2.0k(180) 112 I:Low Freq Frequency at which the EQ will boost/cut the low range (Hz) Low Gain *-12~+12(+ 0) 108 I:Low Gain
Amount of gain by which the EQ will boost/cut the low range (dB) Mid Freq *100~10.0k(1.0k) 10A I:Mid Freq Frequency at which the EQ will boost/cut the mid range (Hz) Mid Gain *-12~+12(+ 0) 10C I:Mid Gain
Amount of gain by which the EQ will boost/cut the mid range (dB) Mid Q *1.0~12.0(5.0) 10E I:Mid Q Mid Q High Freq *500~16.0k(8.0k) 114 I:High Freq Frequency at which the EQ will boost/cut the high range (Hz) High Gain *-12~+12(+ 0) 110 I:High Gain
Amount of gain by which the EQ will boost/cut the high range (dB) Mode mono,stereo(mono) 124 Mono/stereo input mode selection Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
HM Enhncer
Range(Default) Param# Ctrl Dest Description
HPFCutoff *500~16.0k(5.6k) 108 I:HPFCutoff Frequency at which the high pass filter will cut the low range
of the effect sound (Hz) Drive *0~127(20) 10A I:Drive Degree with which the exciter effect will be applied
Mix Level *0~127(30) 10C I:Mix Level
Level at which the effect sound will be mixed into the dry sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
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Noise Gate
Range(Default) Param# Ctrl Dest Description
Attack *1~40(1) 108 I:Attack Time until when the gate begins to open (msec) Release *10~680(140) 10A I:Release Time until the gate closes (msec) Threshold *-72~-30(-45) 10C I:Threshold Input level at which the gate begins to open (dB) OutputLevel *0~127(50) 10E I:Out Level Output level Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
Comp+Dist
Range(Default) Param# Ctrl Dest Description
Attack *1~40(7) 11E I:Attack Time until the compression takes effect (msec) Release *10~680(25) 120 I:Release Time until the compression finishes (msec) Threshold *-48~-6(-27) 122 I:Threshold Input level at which the compression takes effect (dB) Ratio *1.0~20.0(7.0) 124 I:Ratio Ratio of compressed level to input level Drive *0~127(60) 108 I:Drive Degree of distortion EQ LowFreq *32~2.0k(250) 10A I:EQLowFreq EQ low frequency (Hz) EQ Low Gain *-12~+12(+ 5) 10C I:EQLowGain EQ low gain (dB) EQMidFreq *100~10.0k(4.0k) 114 I:EQMidFreq EQ middle frequency (Hz) EQ Mid Gain *-12~+12(+ 8) 116 I:EQMidGain EQ middle gain (dB) EQ Mid Q *1.0~12.0(1.0) 118 I:EQ Mid Q EQ middle Q LPFCutoff *1.0k~18.0k,thru(9.0k) 10E I:LPFCutoff
Frequency at which the low pass filter will cut the high range (Hz) Edge *0~127(120) 11C I:Edge Sharpness of distorted sound OutputLevel *0~127(70) 110 I:Out Level OutputLevel Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance between the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
Cmp+DS+Dly
Range(Default) Param# Ctrl Dest Description
Attack *1~40(7) 11C I:Attack Time until the compression takes effect (msec) Release *10~680(140) 11E I:Release Time until the compression finishes (msec) Threshold *-48~-6(-32) 120 I:Threshold Input level at which the compression takes effect (dB) Ratio *1.0~20.0(7.0) 122 I:Ratio Ratio of compressed level to input level Drive *0~127(60) 10E I:Drive Degree of distortion OutputLevel *0~127(51) 110 I:Out Level OutputLevel DS Low Gain *-12~+12(+ 4) 112 I:DSLowGain Gain with which the distortion will boost/cut the low range (dB) DS Mid Gain *-12~+12(+ 8) 114 I:DSMidGain
Gain with which the distortion will boost/cut the middle range (dB) Delay 0.1~1365.0(190.0) 108 Delay time (msec) FB Level *-63~+63(+ 8) 10A I:FB Level Feedback level Delay Mix *0~127(38) 10C I:Delay Mix Depth of delay effect Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance between the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
Compressor
Range(Default) Param# Ctrl Dest Description
Attack *1~40(12) 108 I:Attack Time until when the compressor begins to take effect (msec) Release *10~680(25) 10A I:Release Time until the compressor effect disappears (msec) Threshold *-48~-6(-28) 10C I:Threshold Input level at which compression begins to be applied (dB) Ratio *1.0~20.0(5.0) 10E I:Ratio Compression ratio of the compressor OutputLevel *0~127(80) 110 I:Out Level Output level Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
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Cmp+OD+Dly Same parameters for Cmp+DS+Dly
Range(Default) Param# Ctrl Dest Description
Attack *1~40(7) 11C I:Attack Time until the compression takes effect (msec) Release *10~680(25) 11E I:Release Time until the compression finishes (msec) Threshold *-48~-6(-32) 120 I:Threshold Input level at which the compression takes effect (dB) Ratio *1.0~20.0(5.0) 122 I:Ratio Ratio of compressed level to input level Drive *0~127(18) 10E I:Drive Degree of distortion OutputLevel *0~127(65) 110 I:Out Level OutputLevel DS Low Gain *-12~+12(+ 4) 112 I:DSLowGain Gain with which the distortion will boost/cut the low range (dB) DS Mid Gain *-12~+12(+ 5) 114 I:DSMidGain
Gain with which the distortion will boost/cut the middle range (dB) Delay 0.1~1365.0(190.0) 108 Delay time (msec) FB Level *-63~+63(+10) 10A I:FB Level Feedback level Delay Mix *0~127(50) 10C I:Delay Mix Depth of delay effect Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance between the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
Distortion
Range(Default) Param# Ctrl Dest Description
Drive *0~127(60) 108 I:Drive Degree of distortion EQ LowFreq *32~2.0k(180) 10A I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain *-12~+12(+ 8) 10C I:EQLowGain Gain with which the EQ will boost/cut the low range (dB) EQMidFreq *100~10.0k(1.1k) 114 I:EQMidFreq Frequency at which the EQ will boost/cut the mid range (Hz) EQ Mid Gain *-12~+12(+10) 116 I:EQMidGain Gain with which the EQ will boost/cut the mid range (dB) EQ Mid Q *1.0~12.0(1.0) 118 I:EQ Mid Q EQ Mid Q LPFCutoff *1.0k~18.0k,thru(9.0k) 10E I:LPFCutoff Frequency at which the filter will cut the high range (Hz) Edge *0~127(80) 11C I:Edge Curve of distortion characteristics (sharp (127):
distortion begins suddenly;mild (0): distortion begins gradually) OutputLevel *0~127(65) 110 I:Out Level Output level Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance between the dry sound and the effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
Dist+Delay
Range(Default) Param# Ctrl Dest Description
Drive *0~127(60) 112 I:Drive Degree of distortion DS Low Gain *-12~+12(+ 8) 116 I:DSLowGain Gain with which the distortion will boost/cut the low range (dB) DS Mid Gain *-12~+12(+10) 118 I:DSMidGain
Gain with which the distortion will boost/cut the middle range (dB) LchDelay 0.1~1365.0(50.0) 108 Left channel delay (msec) RchDelay 0.1~1365.0(100.0) 10A Right channel delay (msec) FB Delay 0.1~1365.0(200.0) 10C Feedback delay (msec) FB Level *-63~+63(+20) 10E I:FB Level Feedback Level Delay Mix *0~127(80) 110 I:Delay Mix Depth of delay effect OutputLevel *0~127(42) 114 I:Out Level OutputLevel Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance between the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
Overdrive Same parameters for Distortion
Range(Default) Param# Ctrl Dest Description
Drive *0~127(29) 108 I:Drive Degree of distortion EQ LowFreq *32~2.0k(315) 10A I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain *-12~+12(+ 4) 10C I:EQLowGain Gain with which the EQ will boost/cut the low range (dB) EQMidFreq *100~10.0k(1.2k) 114 I:EQMidFreq Frequency at which the EQ will boost/cut the mid range (Hz) EQ Mid Gain *-12~+12(+ 8) 116 I:EQMidGain Gain with which the EQ will boost/cut the mid range (dB) EQ Mid Q *1.0~12.0(1.0) 118 I:EQ Mid Q EQ Mid Q LPFCutoff *1.0k~18.0k,thru(4.0k) 10E I:LPFCutoff Frequency at which the filter will cut the high range (Hz) Edge *0~127(104) 11C I:Edge Curve of distortion characteristics (sharp (127):
distortion begins suddenly;mild (0): distortion begins gradually) OutputLevel *0~127(80) 110 I:Out Level Output level Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance between the dry sound and the effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
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Odrv+Delay Same parameters for Dist+Delay
Range(Default) Param# Ctrl Dest Description
Drive *0~127(25) 112 I:Drive Degree of distortion DS Low Gain *-12~+12(+ 4) 116 I:DSLowGain Gain with which the distortion will boost/cut the low range (dB) DS Mid Gain *-12~+12(+ 8) 118 I:DSMidGain
Gain with which the distortion will boost/cut the middle range (dB) LchDelay 0.1~1365.0(50.0) 108 Left channel delay (msec) RchDelay 0.1~1365.0(100.0) 10A Right channel delay (msec) FB Delay 0.1~1365.0(200.0) 10C Feedback Delay (msec) FB Level *-63~+63(+20) 10E I:FB Level Feedback Level Delay Mix *0~127(64) 110 I:Delay Mix Depth of delay effect OutputLevel *0~127(55) 114 I:Out Level OutputLevel Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance between the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
Amp Sim
Range(Default) Param# Ctrl Dest Description
Drive *0~127(76) 108 I:Drive Degree of distortion Amp Type off,stack,combo,tube(tube) 10A Select the type of amp to be simulated LPFCutoff *1.0k~18.0k,thru(2.5k) 10C I:LPFCutoff Select the type of amp to be simulated (Hz) Edge *0~127(102) 11C I:Edge Curve of distortion characteristics (sharp (127):
distortion begins suddenly;mild (0): distortion begins gradually) OutputLevel *0~127(80) 10E I:Out Level Output level Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance between dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
Delay L,R
Range(Default) Param# Ctrl Dest Description
LchDelay 0.1~1365.0(250.0) 108 Length of left channel delay (msec) RchDelay 0.1~1365.0(375.0) 10A Length of right channel delay (msec) FBDelay1 0.1~1365.0(375.2) 10C Length of feedback delay 1 (msec) FBDelay2 0.1~1365.0(375.0) 10E Length of feedback delay 2 (msec) FB Level *-63~+63(+23) 110 I:FB Level Amount of feedback High Damp 0.1~1.0(0.3) 112 High range attenuation
(lower values cause the high range to decay faster) EQ LowFreq *32~2.0k(400) 120 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain *-12~+12(+ 0) 122 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq *500~16.0k(4.0k) 124 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain *-12~+12(+ 0) 126 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB) Dry/Wet *D63>W,D=W,D<W63(D32>W) 11A I:Dry/Wet Balance of the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
Delay LCR
Range(Default) Param# Ctrl Dest Description
LchDelay 0.1~1365.0(333.3) 108 Length of left channel delay (msec) RchDelay 0.1~1365.0(166.7) 10A Length of right channel delay (msec) CchDelay 0.1~1365.0(500.0) 10C Length of center channel delay (msec) FB Delay 0.1~1365.0(500.0) 10E Length of feedback delay (msec) FB Level *-63~+63(+10) 110 I:FB Level Feedback amount Cch Level *0~127(100) 112 I:Cch Level Volume of center channel High Damp 0.1~1.0(0.3) 114 High range attenuation
(lower values cause the high range to decay faster) EQ LowFreq *32~2.0k(400) 120 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain *-12~+12(+ 0) 122 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq *500~16.0k(4.0k) 124 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain *-12~+12(+ 0) 126 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB) Dry/Wet *D63>W,D=W,D<W63(D32>W) 11A I:Dry/Wet Balance of the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
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Echo
Range(Default) Param# Ctrl Dest Description
LchDelay1 0.1~682.0(220.0) 108 Length of first delay of left channel (msec) Lch FB Lvl *-63~+63(+22) 10A I:Lch FBLvl Amount of feedback for left channel RchDelay1 0.1~682.0(210.0) 10C Length of first delay of right channel (msec) Rch FB Lvl *-63~+63(+21) 10E I:Rch FBLvl Amount of feedback for right channel High Damp 0.1~1.0(0.5) 110 High range attenuation
(lower values cause the high range to decay faster) LchDelay2 0.1~682.0(230.0) 112 Length of second delay of left channel (msec) RchDelay2 0.1~682.0(235.0) 114 Length of second delay of right channel (msec) Delay2 Lvl *0~127(62) 116 I:Delay2Lvl Volume of second delay EQ LowFreq *32~2.0k(280) 120 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain *-12~+12(- 6) 122 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq *500~16.0k(6.3k) 124 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain *-12~+12(- 1) 126 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB) Dry/Wet *D63>W,D=W,D<W63(D32>W) 11A I:Dry/Wet Balance of the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
ER 1
Range(Default) Param# Ctrl Dest Description
Early Type S-H,L-H,rdm,rvs,plt,spr(S-H) 108 Type of early reflections
(small hall, large hall, random, reverse, plate, spring) Room Size 0.1~20.0(4.0) 10A Room Size Diffusion 0~10(5) 10C Diffusion InitDelay 0.1~200.0(9.5) 10E Delay time until early reflections start (msec) FB Level *-63~+63(+10) 110 I:FB Level Feedback Level HPF Cutoff *thru,22~8.0k(thru) 112 I:HPFCutoff
Frequency at which the high pass filter will cut the low range (Hz) LPFCutoff *1.0k~18.0k,thru(4.0k) 114 I:LPFCutoff
Frequency at which the low pass filter will cut the high range (Hz) Liveness 0~10(7) 11C Emphasis in high frequencies Density 0~3(1) 11E Density of early reflections High Damp 0.1~1.0(1.0) 120 High range attenuation
(lower values cause the high range to decay faster) Dry/Wet *D63>W,D=W,D<W63(D35>W) 11A I:Dry/Wet Balance between the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
CrossDelay
Range(Default) Param# Ctrl Dest Description
L>R Delay 0.1~682.0(365.0) 108 Delay time from left (input) to right (output) (msec) R>L Delay 0.1~682.0(365.0) 10A Delay time from right (input) to left (output) (msec) FB Level *-63~+63(+24) 10C I:FB Level Amount of feedback InputSelect L,R,L&R(R) 10E Input select High Damp 0.1~1.0(0.5) 110 High range attenuation
(lower values cause the high range to decay faster)) EQ LowFreq *32~2.0k(355) 120 I:EQLowFreq Frequency at which the EQ will boost/cut the low range (Hz) EQ Low Gain *-12~+12(+ 0) 122 I:EQLowGain Gain with which the EQ will boost/cut the low range (dB) EQ HiFreq *500~16.0k(6.3k) 124 I:EQ HiFreq Frequency at which the EQ will boost/cut the high range (Hz) EQ Hi Gain *-12~+12(- 2) 126 I:EQ HiGain Gain with which the EQ will boost/cut the high range (dB) Dry/Wet *D63>W,D=W,D<W63(D32>W) 11A I:Dry/Wet Balance of the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
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ER 2 Same parameters for ER 1
Range(Default) Param# Ctrl Dest Description
Early Type S-H,L-H,rdm,rvs,plt,spr(rdm) 108 Type of early reflections
(Small Hall, Large Hall, random, reverse, plate, spring) Room Size 0.1~20.0(2.0) 10A Room Size Diffusion 0~10(8) 10C Diffusion InitDelay 0.1~200.0(6.4) 10E Delay time until early reflections start (msec) FB Level *-63~+63(+ 3) 110 I:FB Level Feedback Level HPF Cutoff *thru,22~8.0k(thru) 112 I:HPFCutoff
Frequency at which the high pass filter will cut the low range (Hz) LPFCutoff *1.0k~18.0k,thru(12.0k) 114 I:LPFCutoff
Frequency at which the low pass filter will cut the high range (Hz) Liveness 0~10(5) 11C Emphasis in high frequencies Density 0~3(3) 11E Density of early reflections High Damp 0.1~1.0(1.0) 120 High range attenuation
(lower values cause the high range to decay faster) Dry/Wet *D63>W,D=W,D<W63(D35>W) 11A I:Dry/Wet Balance between the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
Gate Rev
Range(Default) Param# Ctrl Dest Description
Gate Type typeA,typeB(typeA) 108 Gate Reverb Type Room Size 0.1~20.0(1.0) 10A Room Size Diffusion 0~10(10) 10C Diffusion InitDelay 0.1~200.0(0.1) 10E Delay time until early reflections start (msec) FB Level *-63~+63(+ 0) 110 I:FB Level Feedback Level HPF Cutoff *thru,22~8.0k(thru) 112 I:HPFCutoff
Frequency at which the high pass filter will cut the low range (Hz) LPFCutoff *1.0k~18.0k,thru(8.0k) 114 I:LPFCutoff
Frequency at which the low pass filter will cut the high range (Hz) Liveness 0~10(5) 11C Emphasis in high frequencies Density 0~3(3) 11E Density of early reflections High Damp 0.1~1.0(0.5) 120 High range attenuation
(lower values cause the high range to decay faster) Dry/Wet *D63>W,D=W,D<W63(D12>W) 11A I:Dry/Wet Balance between the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
Revrs Gate Same parameters for Gate Rev
Range(Default) Param# Ctrl Dest Description
Gate Type typeA,typeB(typeB) 108 Gate Reverb Type Room Size 0.1~20.0(2.5) 10A Room Size Diffusion 0~10(8) 10C Diffusion InitDelay 0.1~200.0(4.8) 10E Delay time until the early reflections (msec) FB Level *-63~+63(+ 0) 110 I:FB Level Feedback Level HPF Cutoff *thru,22~8.0k(thru) 112 I:HPFCutoff
Frequency at which the high pass filter will cut the low range (Hz) LPFCutoff *1.0k~18.0k,thru(4.5k) 114 I:LPFCutoff
Frequency at which the low pass filter will cut the high range (Hz) Liveness 0~10(6) 11C Emphasis in high frequencies Density 0~3(3) 11E Density of early reflections High Damp 0.1~1.0(1.0) 120 High range attenuation
(lower values cause the high range to decay faster) Dry/Wet *D63>W,D=W,D<W63(D<W63) 11A I:Dry/Wet Balance between the dry sound and effect sound Ins Pan L63~ C ~R63 130 Insertion Pan SendIns-Rev 0~127 131 Insertion-to-Reverb Send Level SendIns-Var 0~127 132 Insertion-to-Variation Send Level InsDryLevel 0~127 133 Insertion Dry Level
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)

MIDI Data Format

Many MIDI messages listed in the MIDI Data Format section are expressed in hexadecimal or binary numbers. Hexadecimal numbers may include the letter “H” as a suffix. The letter “n” indicates a certain whole number. The chart below lists the corresponding decimal number for each hexadecimal/binary number.
Decimal Hexadecimal Binary Decimal Hexadecimal Binary
0 1 2 3 4 5 6 7 8
9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63
Additional Notes
* For example, 144 - 159(Decimal)/9nH/1001 0000 - 1001 1111(Binary) indicate the note-on messages for the channels 1 through 16 respectively. 176 - 191/BnH/1011 0000 - 1011 1111 indicate the control change messages for the channels 1 through 16 respectively. 192 ­207/CnH/1100 0000 - 1100 1111 indicate the program change messages for the channels 1 through 16 respectively. 240/F0H/1111 0000 is positioned at the beginning of data to indicate a system exclusive message. 247/F7H/1111 0111 is positioned at the end of the system exclusive message.
* aaH(Hexadecimal)/0aaaaaaa(Binary) indicates the data addresses. The data address consists of High, Mid and Low.
* bbH/0bbbbbbb indicates byte counts.
* ccH/0ccccccc indicates tcheck sums.
* ddH/0ddddddd indicates data/value.
00 01 02 03 04 05 06 07 08 09 0A 0B 0C 0D 0E 0F 10 11 12 13 14 15 16 17 18 19 1A 1B 1C 1D 1E 1F 20 21 22 23 24 25 26 27 28 29 2A 2B 2C 2D 2E 2F 30 31 32 33 34 35 36 37 38 39 3A 3B 3C 3D 3E 3F
0000 0000 0000 0001 0000 0010 0000 0011 0000 0100 0000 0101 0000 0110 0000 0111 0000 1000 0000 1001 0000 1010 0000 1011 0000 1100 0000 1101 0000 1110 0000 1111 0001 0000 0001 0001 0001 0010 0001 0011 0001 0100 0001 0101 0001 0110 0001 0111 0001 1000 0001 1001 0001 1010 0001 1011 0001 1100 0001 1101 0001 1110 0001 1111 0010 0000 0010 0001 0010 0010 0010 0011 0010 0100 0010 0101 0010 0110 0010 0111 0010 1000 0010 1001 0010 1010 0010 1011 0010 1100 0010 1101 0010 1110 0010 1111 0011 0000 0011 0001 0011 0010 0011 0011 0011 0100 0011 0101 0011 0110 0011 0111 0011 1000 0011 1001 0011 1010 0011 1011 0011 1100 0011 1101 0011 1110 0011 1111
64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98
99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127
40 41 42 43 44 45 46 47 48 49 4A 4B 4C 4D 4E 4F 50 51 52 53 54 55 56 57 58 59 5A 5B 5C 5D 5E 5F 60 61 62 63 64 65 66 67 68 69 6A 6B 6C 6D 6E 6F 70 71 72 73 74 75 76 77 78 79 7A 7B 7C 7D 7E 7F
0100 0000 0100 0001 0100 0010 0100 0011 0100 0100 0100 0101 0100 0110 0100 0111 0100 1000 0100 1001 0100 1010 0100 1011 0100 1100 0100 1101 0100 1110 0100 1111 0101 0000 0101 0001 0101 0010 0101 0011 0101 0100 0101 0101 0101 0110 0101 0111 0101 1000 0101 1001 0101 1010 0101 1011 0101 1100 0101 1101 0101 1110 0101 1111 0110 0000 0110 0001 0110 0010 0110 0011 0110 0100 0110 0101 0110 0110 0110 0111 0110 1000 0110 1001 0110 1010 0110 1011 0110 1100 0110 1101 0110 1110 0110 1111 0111 0000 0111 0001 0111 0010 0111 0011 0111 0100 0111 0101 0111 0110 0111 0111 0111 1000 0111 1001 0111 1010 0111 1011 0111 1100 0111 1101 0111 1110 0111 1111
1.MIDI Reception/Transmission Block Diagrams
< MIDI Reception Conditions > 1/2
sw1
<each channel>
<each channel>
<each channel>
MIDI
sw2
sw3
<each channel> <each channel> <each channel> <each channel>
Note: sw1: Selected from among all, odd, and even in a MIDI setting (Receive Note).
sw2: Switched on with a MIDI setting (Receive Program Change = on). sw3: Switched on with a MIDI setting (Receive Bank Select = on).
$8n NOTE OFF $9n NOTE ON/OFF $An AFTER TOUCH
(Note numbers are ignored. $Bn,$xx each controller $Bn,$xx $Bn,$20
$Bn,$00 BANK SELECT $Cn PROGRAM CHANGE $Dn AFTER TOUCH $En PITCH BENDER $F8 TIMING CLOCK $FE ACTIVE SENSING
< MIDI Reception Conditions > 2/2
<Dev No>
MIDI
off
Note: sw4: Switched on with a MIDI setting (Receive System Exclusive = on).
sw5: Switched on with a MIDI setting (Receive Bulk Dump = on).
sw4 sw5
$F0,$43,$0n,$5E PERFORMANCE BULK $F0,$43,$0n,$5E VOICE BULK $F0,$43,$0n,$5E FSEQ BULK $F0,$43,$0n,$5E SYSTEM BULK $F0,$43,$0n,$00 DX VCED BULK $F0,$43,$0n,$05 DX ACED BULK
$F0,$43,$1n,$5E PERFORMANCE $F0,$43,$1n,$5E VOICE $F0,$43,$1n,$5E FSEQ HEADER $F0,$43,$1n,$5E SYSTEM
$F0,$43,$2n,$5E PERFORMANCE BULK $F0,$43,$2n,$5E VOICE BULK $F0,$43,$2n,$5E FSEQ BULK $F0,$43,$2n,$5E SYSTEM BULK
$F0,$43,$3n,$5E PERFORMANCE $F0,$43,$3n,$5E VOICE $F0,$43,$3n,$5E FSEQ HEADER $F0,$43,$3n,$5E SYSTEM
PARAMETER CHANGE PARAMETER CHANGE PARAMETER CHANGE PARAMETER CHANGE
DUMP REQUEST DUMP REQUEST DUMP REQUEST DUMP REQUEST
PARAMETER REQUEST PARAMETER REQUEST PARAMETER REQUEST PARAMETER REQUEST
< MIDI Transmission Conditions >
KNOB 1-4 $Bn
PERFORMANCE BULK VOICE BULK FSEQ BULK SYSTEM BULK
PARAMETER CHANGE
Transmit Knob
on
<Dev No>
off
<Tch>
transmit
ch
MIDI
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2.Channel Messages
2.1 Transmission
2.1.1 Control Change
Assigned controller numbers are output when built-in knobs are turned.
Cntrl# Parameter Data Range
73 Attack Time 0~127 72 Release Time 0~127 1~31, 33~95 Formant Control 0~127 1~31, 33~95 FM Control 0~127
1~31, 33~95 Knob 1 0~127 1~31, 33~95 Knob 2 0~127 1~31, 33~95 Knob 3 0~127 1~31, 33~95 Knob 4 0~127
Note: Attack Time to FM Control are assigned to knobs with the upper LED lit. Knob 1 to 4
are assigned with the lower LED lit.
2.2 Reception
2.2.1 Note On/Off
2.2.1.1 Note Off
key range = C-2~G8 velocity range = not received
2.2.1.2 Note On / Off
key range = C-2~G8 velocity range = 0~127 (0 = Note off)
2.2.2 Control Change
Parameters in the following table are controllable using MIDI. A part that can receives multiple channels operates by those channels in the received order.
Cntrl# Parameter Data Range
0 Bank Select MSB 0~127 *1 32 Bank Select LSB 0~127 *1 1 Modulation wheel 0~127 5 Portamento Time 0~127 *2 6 Data Entry 0~127 *2, *3 7 Volume 0~127 *2, *4 10 Pan 0~127 *2, *4 11 Expression 0~127 64 Sustain (Hold1) 0, 127 65 Portamento Switch 0, 127 *2 71 Harmonic Content 0~127 *2 72 Release Time 0~127 *2 73 Attack Time 0~127 *2 74 Brightness 0~127 *2 91 Reverb Send 0~127 *2 93 Variation Send 0~127 *2 1~31, 33~95 BC (default: 2) 0~127 1~31, 33~95 FC (default: 4) 0~127 1~31, 33~95 Formant Control 0~127 *2 1~31, 33~95 FM Control 0~127 *2 1~31, 33~95 Knob 1~4 0~127 1~31, 33~95 MIDI Control 1~4 0~127 98 NRPN LSB 8~102 *3 99 NRPN MSB 1 *3 100 RPN LSB 0~2 *3 101 RPN MSB 0 *3
*1: Refer to "2.2.3 Program Change." *2: Corresponding parameter values directly change with control changes, without using the
control matrix. Those values become reference points for control changes routed by the control matrix, which are not reset by Reset All Controllers.
*3: Parameters that follow are controllable using NRPN or RPN massages.
NRPN Data Entry Part Parameter Data Range MSB LSB MSB
---------------------------------------------------------­01H 08H 00H~40H~7FH LFO1 Speed -64~+0~+63 01H 09H 00H~40H~7FH LFO1 Pmod -64~+0~+63 01H 0AH 00H~40H~7FH LFO1 Delay -64~+0~+63 01H 0BH 00H~40H~7FH LFO2 Speed -64~+0~+63 01H 0CH 00H~40H~7FH LFO2 FltMod -64~+0~+63 01H 20H 00H~40H~7FH Filter Freq -64~+0~+63 01H 21H 00H~40H~7FH Filter Reso -64~+0~+63 01H 63H 00H~40H~7FH Attack Time -64~+0~+63 01H 64H 00H~40H~7FH Decay Time -64~+0~+63 01H 66H 00H~40H~7FH ReleaseTime -64~+0~+63
RPN Data Entry Part Parameter Data Range MSB LSB MSB
---------------------------------------------------------­00H 00H 00H~18H PB Range +0, +1~+24
00H 01H 0FH~40H~70H Detune -64~+0~+63 00H 02H 28H~40H~58H Note Shift -24~+0~+24
On reception of Pitch Bend Range, PB Range Lo is set to a minus value of received value.
*4: With "Program Change Mode = perform," Performance Volume and Pan are controllable using
Performance Channel. With "Program Change Mode = multi," Performance Volume and Pan are controllable using Performance Channel while Part Volume and Pan are controllable using Part Receivee Channel.
PB Range Lo- 1~-24
2.2.3 Program Change
On reception of Program Change, FS1R operates as follows.
Receives Program Change is received only in PLAY MODE.
In case "Receive Program Change = off" is selected in system setup, Bank Select and Program Change are not received. With "Receive Program Change = on" and "Receive Bank Select = off, "Bank Select is not received. On reception of Program Change, a voice or performance program (1~128) , depending on the Program Change Mode setting, from the current bank is selected.
With "Program Change Mode = perform," a performance program is selected using Performance Channel. With "Program Change Mode = multi," a performance program is selected using Performance Channel and a voice program is selected using Part Receive Channel.
Bank Select and Program Change data bytes are as follow.
Bank No.MSB / LSB PGM CNG No.
Voice INTERNAL 63($3F) / 0($00) 1~128($00~$7F) PRESET A 63($3F) / 1($01) : : PRESET K 63($3F) / 11($0B)
Performance INTERNAL 63($3F) / 64($40) 1~128($00~$7F) PRESET A 63($3F) / 65($41) PRESET B 63($3F) / 66($42) PRESET C 63($3F) / 67($43)
BANK SELECT $Bn, $00, $3F (MSB)
PROGRAM CHANGE $Cn, $00~$7F
Bank Select other than found in the above table is ignored. Thus, any bank selection does not take place and a following Program Change selects from the current bank that is not changed.
2.2.3.1 Performance Program Change
Bank Select or Program Change for a performance is received using Performance Channel, as follows.
1-16 : Received only specified channel. all : Received all channels (OMNI ON) . off : Not received.
2.2.3.2 Voice Program Change
Bank Select or Program Change for a voice is received using Part Receive Channel (Part Receive Channel to Part Receive Channel Max) . With "Part Receive Channel = pfm," Part Receive Channel matches Performance Channel.
2.2.4 Pitch Bend Change
FS1R receives only Pitch Bend Change MSB. A part assigned with multiple channels can sound separately according to Pitch Bend Change on different channels.
2.2.5 After Touch
After Touch is received on Receive Channel (s) specified. A part assigned with multiple channels equivalently receives After Touch on different channels, giving proiority to last reception of this message. The 3rd byte of Polyphonic After Touch is ignored and processed as Channel After Touch.
$Bn, $20, $00~$0B or $40~$43 (LSB)
2.2.6 Channel Mode Message
Cntrl# Parameter Data Range
120 All Sound Off 0 121 Reset All Controller 0 *1 123 ll Notes Off 0 126 Mono 0 *2 127 Pol 0
*1 A default value for each message reception is as follows.
$00 for Control Change other than Bank Select and After Touch. Control Changes set to route in the control matrix to affect part parameters have their corresponding part parameter values (last edited). Control Changes that can directly change parameters without the control matrix are not reset by Reset All Controllers, since their values are referred to by other Control Changes for the same parameters via the matrix.
Sustain = $00 (off) Expression = $7F RPN, NRPN = $7F (Null) Pitch Bend = $00, $40 (Center)
*2 The 3rd byte is ignored.
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3. System Exclusive Message
3.1 Parameter Change and Parameter Request
FS1R transmits and receives its native parameter changes. FS1R also receives requests for parameter changes for corresponding parameters, when "Receive System Exclusive = on" is set and Device Number contained in System Exclusive massages matches the FS1R Device Number setting. On reception of a request, FS1R transmits out the requested parameter. FS1R receives a parameter constructed of 2 bytes (i.e. Fseq Speed Ratio) via an Address High.
Parameter Change
11110000 F0 Exclusive Status 01000011 43 YAMAHA ID 0001nnnn 1n Device Number 01011110 5E Model ID 0gggpppp gggpppp *Parameter Address High (H) 0mmmmmmm mmmmmmm *Parameter Address Middle (M) 0lllllll lllllll *Parameter Address Low (L) 0vvvvvvv vvvvvvv Data Value MS 7bit 0vvvvvvv vvvvvvv Data Value LS 7bit 11110111 F7 End of Exclusive
Parameter Request
11110000 F0 Exclusive Status 01000011 43 YAMAHA ID 0011nnnn 3n Device Number 01011110 5E Model ID 0gggpppp gggpppp *Parameter Address High (H) 0mmmmmmm mmmmmmm *Parameter Address Middle (M) 0lllllll lllllll *Parameter Address Low (L) 11110111 F7 End of Exclusive
Dump Request
11110000 F0 Exclusive Status 01000011 43 YAMAHA ID 0010nnnn 2n Device Number 01011110 5E Model ID 0hhhhhhh hhhhhhh *Address High (H) 0mmmmmmm mmmmmmm *Address Middle (M) 0lllllll lllllll *Address Low (L) 11110111 F7 End of Exclusive
*Address (H) (M) (L) Description
SYSTEM 00 00 00
PERFORM 10 00 00 Current Performance Bulk /VOICE 11 00 nn 1 Internal Performance Bulk
40 00 00 Part 1 Current Voice Bulk
: : : : 43 00 00 Part 4 Current Voice Bulk 51 00 nn 1 Internal Voice Bulk
6b 00 nn FSeq Bulk
b = Bank 0:Current, 1:Internal nn = Memory No.
See the MIDI data tables <Table 1> to <Table 4> for more information of Address and Byte Count. FSeq Bulk does not interpret Byte Count.
*Parameter Address (H) (M) (L) Description
SYSTEM 00 00 ll
PERFORM 10 mm ll Performance Common /VOICE 30 00 ll Performance Part 1
FSEQ 70 00 ll Fseq Header
mm = Parameter Number MSB ll = Parameter Number LSB
See MIDI data tables <Table 1> to <table 4> for details.
3.2 Bulk Data
FS1R transmits and receives 4 kinds of bulk data (1~4, FS1R native) in addition to reception of Yamaha DX series' bulk data (5~6, VCED and ACED), with "Receive Bulk Dump = on" and Device Number contained in System Exclusive massages matches the FS1R Device Number setting. On reception of a request, FS1R transmits out the requested parameter change.
1. Performance bulk dump
2. Voice bulk dump
3. Fseq bulk dump
4. System bulk dump
5. DX Series VCED bulk dump
6. DX Series ACED bulk dump
31 00 ll Performance Part 2 32 00 ll Performance Part 3 33 00 ll Performance Part 4
40 00 ll Part 1 Voice Common 60 00 ll Part 1 Voice Operator 1
: :
07 ll Part 1 Voice Operator 8 : : : 43 00 ll Part 4 Voice Common 63 00 ll Part 4 Voice Operator 1
: :
07 ll Part 4 Voice Operator 8
3.2.2 DX Series VCED and ACED Bulk Dump (5, 6)
11110000 F0 01000011 43 0000nnnn nnnn = Device Number 0ttttttt ttttttt = Format Number 0bbbbbbb bbbbbbb = Byte Count High 0bbbbbbb bbbbbbb = Byte Count Low 0ddddddd ddddddd = Data | | Byte Count 0ddddddd ddddddd = Data 0ccccccc ccccccc = Check-sum 11110111 F7
See the MIDI data table <Table 5> for more information of Format Number and Byte Count. VCED and ACED bulk data is received using the Part 1 Voice edit buffer. VCED data represents Voice data for Yamaha DX7 while ACED data represents additions to DX7's Voice data, which is available with DX7II, DX7S, and TX802.
4. Real Time Message
4.1 Active Sensing
a) Transmission
Not transmitted.
b) Reception
If an "FE" (Active Sensing status message) is received, FS1R starts to wait for next "FE." If the next message does not arrive in approximately 500 msec., FS1R mutes the notes currently sounding.
4.2 Timing Clock
a) Transmission
Not transmitted.
b) Reception
Received and used as sync clock when "Fseq Speed = midi (1/4,1/2,1/1,2/1,4/1)" is selected.
3.2.1 FS1R Native Bulk Dump and Dump Request (1, 2, 3, 4)
FS1R Native Bulk Dump
11110000 F0 Exclusive Status 01000011 43 YAMAHA ID 0000nnnn 0n Device Number 01011110 5E Model ID 0bbbbbbb bbbbbbb Byte Count High 0bbbbbbb bbbbbbb Byte Count Low 0hhhhhhh hhhhhhh *Address High (H) 0mmmmmmm mmmmmmm *Address Middle (M) 0lllllll lllllll *Address Low (L) 0ddddddd ddddddd Data | | Byte Count 0ddddddd ddddddd Data 0ccccccc ccccccc Check-sum 11110111 F7 End of Exclusive
The Data section matches "vv" in the MIDI data tables <Table 1> to <Table 4>. Check-sum is a value that makes "0" (zero) in lower 7 bits of an added value of Byte Count, Address, Data, and Check-sum itself.
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MIDI Data Tables

<Table 1> Performance Parameter
Byte Count
common 80 effect data 112 part data 52 x 4 = 208
------------------------------------­total 400
Performance Common Parameter (Byte Count: 80 bytes)
F0 43 1n 5E 10 00 ll vv vv F7
ll vv vv Description
00 20-7F NAME 0 01 20-7F NAME 1 02 20-7F NAME 2 03 20-7F NAME 3 04 20-7F NAME 4 05 20-7F NAME 5 06 20-7F NAME 6 07 20-7F NAME 7 08 20-7F NAME 8 09 20-7F NAME 9 0A 20-7F NAME 10 0B 20-7F NAME 11 0C reserved 0D reserved 0E 00-16 CATEGORY 0F reserved 10 00-7F performance volume 11 01-7F performance pan (L63~0~R63) 12 00-30 performance note shift (-24~0~+24) 13 reserved 14 00-02 individual out (0: off, 1: pre ins, 2: post ins) 15 00-04 FSEQ PART (0: off, 1~4: part) 16 00-01 FSEQ bank 0: int, 1: pre 17 00-59 FSEQ number int (0-5) , pre (0-89) 18 00-7F FSEQ Speed Ratio (10.0~500.0) / MIDI Clock (0-4)
1A 00-7F FSEQ start step offset (hi byte)
1C 00-7F FSEQ start step of loop point (hi byte)
1E 00-7F FSEQ end step of loop point (hi byte)
20 00-01 FSEQ loop mode (0: one way, 1: round) 21 01-02 FSEQ play mode (1: scratch, 2: fseq) 22 00-07 FSEQ velocity sensitivity for tempo 23 00-01 FSEQ formant pitch mode 24 00-01 FSEQ key on trigger (0: first, 1: all) 25 reserved 26 00-63 FSEQ formant seqence delay 27 00-7F FSEQ level velocity sensitivity (-64~+63) 28 00-0F controller 1 part switch [----pppp]
2F 00-0F controller 8 part switch [----pppp] 30 00-7F controller 1 source switch (bitmap-high) 31 00-7F controller 1 source switch (bitmap-low)
32 00-7F controller 8 source switch (bitmap-high) 3F 00-7F controller 8 source switch (bitmap-low) 40 00-2F controller 1 destination
47 00-2F controller 8 destination 48 00-7F controller 1 depth (-64~+63)
4F 00-7F controller 8 depth (-64~+63)
00-7F FSEQ start step offset (lo byte)
00-7F FSEQ start step of loop point (lo byte)
00-7F FSEQ end step of loop point (lo byte)
Performance Effect Parameter (Byte Count: 112 bytes)
F0 43 1n 5E 10 mm ll vv vv F7
mm ll vv vv Description
00 50 00-7F Reverb parameter (See "Effect Parameter List.")
00 52 00-7F Same as above. Same as above.
00 54 00-7F Same as above. Same as above.
00 56 00-7F Same as above. Same as above.
00 58 00-7F Same as above. Same as above.
00 5A 00-7F Same as above. Same as above.
00 5C 00-7F Same as above. Same as above.
00 5E 00-7F Same as above. Same as above.
00 60 00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
MIDI Clock: 0: 1/4, 1: 1/2, 2: 1/1, 3: 2/1, 4: 4/1
00 61 00-7F Reverb parameter (See "Effect Parameter List.") 00 62 00-7F Same as above. Same as above. 00 63 00-7F Same as above. Same as above. 00 64 00-7F Same as above. Same as above. 00 65 00-7F Same as above. Same as above. 00 66 00-7F Same as above. Same as above. 00 67 00-7F Same as above. Same as above.
00 68 00-7F Variation parameter (See "Effect Parameter List.")
00 6A 00-7F Same as above. Same as above.
00 6C 00-7F Same as above. Same as above.
00 6E 00-7F Same as above. Same as above.
00 70 00-7F Same as above. Same as above.
00 72 00-7F Same as above. Same as above.
00 74 00-7F Same as above. Same as above.
00 76 00-7F Same as above. Same as above.
00 78 00-7F Same as above. Same as above.
00 7A 00-7F Same as above. Same as above.
00 7C 00-7F Same as above. Same as above.
00 7E 00-7F Same as above. Same as above.
01 00 00-7F Same as above. Same as above.
01 02 00-7F Same as above. Same as above.
01 04 00-7F Same as above. Same as above.
01 06 00-7F Same as above. Same as above.
01 08 00-7F Insertion parameter (See "Effect Parameter List.")
01 0A 00-7F Same as above. Same as above.
01 0C 00-7F Same as above. Same as above.
01 0E 00-7F Same as above. Same as above.
01 10 00-7F Same as above. Same as above.
01 12 00-7F Same as above. Same as above.
01 14 00-7F Same as above. Same as above.
01 16 00-7F Same as above. Same as above.
01 18 00-7F Same as above. Same as above.
01 1A 00-7F Same as above. Same as above.
01 1C 00-7F Same as above. Same as above.
01 1E 00-7F Same as above. Same as above.
01 20 00-7F Same as above. Same as above.
01 22 00-7F Same as above. Same as above.
01 24 00-7F Same as above. Same as above.
01 26 00-7F Same as above. Same as above.
01 28 00-10 Reverb type (See "Effect Type List.") 01 29 01-7F Reverb pan L63...C...R63 (1..64..127) 01 2A 00-7F Reverb return
01 2B 00-1C Variation type (See "Effect Type List.") 01 2C 01-7F Variation pan L63...C...R63 (1..64..127) 01 2D 00-7F Variation return 01 2E 00-7F Send Variation to Reverb
01 2F 00-28 Insertion type (See "Effect Type List.") 01 30 01-7F Insertion pan L63...C...R63 (1..64..127) 01 31 00-7F Send insertion to Reverb 01 32 00-7F Send insertion to Variation 01 33 00-7F Insertion level
01 34 34-4C EQ low gain -12~+12 [dB] 01 35 04-28 EQ low frequency 32~2000 [Hz] 01 36 01-78 EQ low Q 0.1~12.0 01 37 00-01 EQ low shape 00: shelving, 01: peaking 01 38 34-4C EQ mid gain -12~+12 [dB] 01 39 0E-36 EQ mid frequency 100~10.0 [kHz] 01 3A 01-78 EQ mid Q 0.1~12.0
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
00-7F Same as above. Same as above.
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01 3B 34-4C EQ high gain -12~+12 [dB] 01 3C 1C-3A EQ high frequency 0.5~16.0 [kHz] 01 3D 01-78 EQ high Q 0.1-12.0 01 3E 00-01 EQ high shape 00: shelving, 01: peaking 01 3F reserved
Performance Part Parameter (Byte Count : 52 x 4 = 208 bytes )
F0 43 1n 5E 3p 00 ll vv vv F7 p = 0..3 (Part1..3)
ll vv vv Description
00 00-20 NOTE RESERVE 0~32 01 00-0C BANK NUMBER off, Int, PrA~PrK 02 00-7F PROGRAM NUMBER 0~127 03 00-0F, 7F Rcv CHANNEL MAX A1~A16, off 04 00-0F, 10, 7F Rcv CHANNEL A1~A16, pfm, off 05 00-01 MONO/POLY MODE 0:MONO,1:POLY 06 00-03 MONO PRIORITY 0: last, 1: top, 2: bottom, 3: first 07 00-01 FilterSw 0: off, 1: on 08 00-30 NOTE SHIFT -24~+24 [semitones] 09 00-7F DETUNE -64~+63 0A 00-7F VOICED/UNVOICED BALANCE -64~+63 0B 00-7F VOLUME 0~127 0C 00-7F VELOCITY SENSE DEPTH 0~127 0D 00-7F VELOCITY SENSE OFFSET 0~127 0E 00-7F PAN Rnd, L63...C...R63 (0: random, 1~64 -127) 0F 00-7F NOTE LIMIT LOW C-2~G8 10 00-7F NOTE LIMIT HIGH C-2~G8 11 00-7F DRY LEVEL 0~127 12 00-7F VARIATION SEND 0~127 13 00-7F REVERB SEND 0~127 14 00-01 INSERTION SW off/on 15 00-7F LFO1 RATE -64~+63 16 00-7F LFO1 PITCH MOD DEPTH -64~+63 17 00-7F LFO1 DELAY -64~+63 18 00-7F FILTER CUTOFF FREQ -64~+63 19 00-7F FILTER RESONANCE -64~+63 1A 00-7F EG ATTACK TIME -64~+63 1B 00-7F EG DECAY TIME -64~+63 1C 00-7F EG RELEASE TIME -64~+63 1D 00-7F FORMANT -64~+63 1E 00-7F FM -64~+63 1F 00-7F FILTER EG DEPTH -64~+63 20 00-7F PITCH EG INITIAL LEVEL -64~+63 21 00-7F PITCH EG ATTACK TIME -64~+63 22 00-7F PITCH EG RELEASE LEVEL -64~+63 23 00-7F PITCH EG RELEASE TIME -64~+63 24 00-01/00-01 PORTAMENTO SWITCH/MODE
25 00-7F PORTAMENTO TIME 0~127 26 10-58 PITCH BEND RANGE HIGH -48~+24 27 10-58 PITCH BEND RANGE LOW -48~+24 28 00-64 PAN SCALING 0~100 29 00-63 PAN LFO DEPTH 0~99 2A 01-7F VELOCITY LIMIT LOW 1~127 2B 01-7F VELOCITY LIMIT HIGH 1~127 2C 00-7F EXPRESSION LOW LIMIT 0~127 2D 00-01 SUSTAIN Rcv SW off/on 2E 00-7F LFO2 RATE -64~+63 2F 00-7F LFO2 MOD DEPTH -64~+63 30 Reserved 31 Reserved 32 Reserved 33 Reserved
bit0: off/on bit1: 0: fingerd, 1: fulltime
<Table 2> Voice Parameter
Byte Count
Common 112 OP data 62 x 8 = 496
-------------------------------------­total 608
Voice Common Parameter (Byte Count: 112 bytes)
F0 43 1n 5E 4p 00 ll vv vv F7 p = 0..3 (Part1..3)
ll vv vv Description
00 20-7F NAME 0 01 20-7F NAME 1 02 20-7F NAME 2 03 20-7F NAME 3 04 20-7F NAME 4 05 20-7F NAME 5 06 20-7F NAME 6 07 20-7F NAME 7 08 20-7F NAME 8 09 20-7F NAME 9 0A reserved 0B reserved 0C reserved 0D reserved
0E 00-16 CATEGORY 0F reserved 10 00-05 COMMON LFO1 - waveform 11 00-63 COMMON LFO1 - speed 12 00-63 COMMON LFO1 - delay 13 00-01 COMMON LFO1 - key sync 14 reserved 15 00-63 COMMON LFO1 - pitch modulation depth 16 00-63 COMMON LFO1 - amplitude modulation depth 17 00-63 COMMON LFO1 - frequency modulation depth 18 00-05 COMMON LFO2 - waveform 19 00-7F COMMON LFO2 - speed 1A reserved 1B reserved 1C 00-03 COMMON LFO2 - phase (0: 0, 1: 90, 2: 180, 3: 270) 1D 00-01 COMMON LFO2 - key sync 1E 00-30 COMMON Note shift (-24-0-+24) 1F 00-64 COMMON Pitch EG - level 0 20 00-64 COMMON Pitch EG - level 1 21 00-64 COMMON Pitch EG - level 2 22 00-64 COMMON Pitch EG - level 4 23 00-63 COMMON Pitch EG - time 1 24 00-63 COMMON Pitch EG - time 2 25 00-63 COMMON Pitch EG - time 3 26 00-63 COMMON Pitch EG - time 4 27 00-07 COMMON Pitch EG - velocity sensitivity 28 00-01 COMMON Fseq voiced op (8) switch -high 29 00-7F COMMON Fseq voiced op (1-7) switch -low 2A 00-01 COMMON Fseq unvoiced op (8) switch -high 2B 00-7F COMMON Fseq unvoiced op (1-7) switch -low 2C 00-57 COMMON Algorithm preset number 2D 00-0F COMMON Voiced op1 carrier level correction 2E 00-0F COMMON Voiced op2 carrier level correction 2F 00-0F COMMON Voiced op3 carrier level correction 30 00-0F COMMON Voiced op4 carrier level correction 31 00-0F COMMON Voiced op5 carrier level correction 32 00-0F COMMON Voiced op6 carrier level correction 33 00-0F COMMON Voiced op7 carrier level correction 34 00-0F COMMON Voiced op8 carrier level correction 35 reserved
3A reserved 3B 00-03 COMMON Pitch EG - range (8va, 2va, 1va, 1/2va) 3C 00-07 COMMON Pitch EG - time scaling depth 3D 00-07 COMMON Voiced feedback level 3E 00-64 COMMON Pitch EG - level 3 3F reserved 40 00-03/00-01/00-07 COMMON Formant Control Destination 1
dest (off,out,freq,width) /V/N/OP (1~8)
44 COMMON Formant Control Destination 5 45 00-7F COMMON Formant Control Depth 1 (-64~+63)
49 00-7F COMMON Formant Control Depth 5 (-64~+63) 4A 00-03/00-01/00-07 COMMON FM Control Destination 1
dest (off,out,freq,width) /V/N/OP (1~8)
4E COMMON FM Control Destination 5 4F 00-7F COMMON FM Control Depth 1 (-64~+63)
53 00-7F COMMON FM Control Depth 5 (-64~+63) 54 00-05 COMMON Filter Type (LPF24, LPF18, LPF12, HPF, BPF, BEF) 55 00-74 COMMON Filter Resonance (-16~+100) 56 00-0E COMMON Filter Resonance Vel Sens (-7~+7) 57 00-7F COMMON Filter Cutoff Frequency 58 00-0E COMMON Filter EG Depth Vel Sens (-7~+7) 59 00-63 COMMON Filter Cutoff Frequency LFO1 Depth 5A 00-63 COMMON Filter Cutoff Frequency LFO2 Depth 5B 00-7F COMMON Flt Cutoff Frq. Key Scale Dpt (-64~+63) 5C 00-7F COMMON Filter Cutoff Frequency Key Scale Point 5D 00-18 COMMON Filter Input Gain (-12~+12) 5E reserved
63 reserved 64 00-7F COMMON Filter EG - depth (-64~+63) 65 00-64 COMMON Filter EG - level4 66 00-64 COMMON Filter EG - level1 67 00-64 COMMON Filter EG - level2 68 00-64 COMMON Filter EG - level3 69 00-63 COMMON Filter EG - time1 6A 00-63 COMMON Filter EG - time2 6B 00-63 COMMON Filter EG - time3 6C 00-63 COMMON Filter EG - time4 6D reserved 6E 00-07/00-07 COMMON Filter EG - attack time vel/time scale 6F reserved
[--ddvooo]
[--ddvooo]
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Voice Voiced Parameter (Byte Count : 35 bytes / op )
F0 43 1n 5E 6p mm ll vv vv F7 p = 0..3 (Part1..3), m = 0..7 (OP1..8)
ll vv Description
00 00-01/00-30 VOICED oscillator key sync/transpose
01 00-1F VOICED oscillator frequency - coarse 02 00-7F VOICED oscillator frequency - fine 03 00-63 VOICED oscillator frequency - note scaling 04 00-0E/00-07 VOICED oscillator
05 00-01/00-07/00-07 VOICED oscillator mode/spectral skirt/
06 00-63 VOICED oscillator freq. ratio of band spectrum 07 00-1E VOICED oscillator detune 08 00-64 VOICED oscillator frequency EG - initial value 09 00-64 VOICED oscillator frequency EG - attack value 0A 00-63 VOICED oscillator frequency EG - attack time 0B 00-63 VOICED oscillator frequency EG - decay time 0C 00-63 VOICED EG - level1 0D 00-63 VOICED EG - level2 0E 00-63 VOICED EG - level3 0F 00-63 VOICED EG - level4 10 00-63 VOICED EG - time1 11 00-63 VOICED EG - time2 12 00-63 VOICED EG - time3 13 00-63 VOICED EG - time4 14 00-63 VOICED EG - hold time 15 00-07 VOICED EG - time scaling 16 00-63 VOICED level scaling - total level 17 00-63 VOICED level scaling - break point (A-1~C8) 18 00-63 VOICED level scaling - left depth 19 00-63 VOICED level scaling - right depth 1A 00-03 VOICED level scaling - left curve
1B 00-03 VOICED level scaling - right curve
1C reserved 1D reserved 1E reserved 1F 00-0E/00-07 VOICED - freq bias sense/pitch mod sense
20 00-07/00-0E VOICED - freq mod sense/freq velocity sense
21 00-07/00-0E VOICED - amp mod sense/amp velocity sense
22 00-0E VOICED - EG bias sense (-7~7)
[-stttttt]
bw bias sense (-7~7) /spectral form [-llllfff]
Operator fseq track number [-msssnnn]
(0:-lin, 1:-exp, 2:+exp, 3:+lin )
(0:-lin, 1:-exp, 2:+exp, 3:+lin )
fbs : (-7~7) [-bbbbmmm]
fvs : (-7~7) [-fffvvvv]
vs : (-7~7) [-aaavvvv]
Voice Unvoiced Parameter (Byte Count : 27 bytes / op )
F0 43 1n 5E 6p mm ll vv vv F7 p = 0..3 (Part1..3) , m = 0..7 (OP1..8)
ll vv Description
23 00-30 UNVOICED formant pitch - transpose 24 00-02/00-15 UNVOICED formant pitch - mode /coarse
25 00-7F UNVOICED formant pitch - fine 26 00-63 UNVOICED formant pitch - note scaling 27 00-63 UNVOICED formant shape - band width 28 00-0E UNVOICED formant shape - bw bias sense (-7~7) 29 00-07/00-07 UNVOICED formant resonance / formant skirt /nskt
2A 00-64 UNVOICED frequency EG - initial value 2B 00-64 UNVOICED frequency EG - attack value 2C 00-63 UNVOICED frequency EG - attack time 2D 00-63 UNVOICED frequency EG - decay time 2E 00-63 UNVOICED level 2F 00-0E UNVOICED level - key scaling 30 00-63 UNVOICED EG - level1 31 00-63 UNVOICED EG - level2 32 00-63 UNVOICED EG - level3 33 00-63 UNVOICED EG - level4 34 00-63 UNVOICED EG - time1 35 00-63 UNVOICED EG - time2 36 00-63 UNVOICED EG - time3 37 00-63 UNVOICED EG - time4 38 00-63 UNVOICED EG - hold time 39 00-07 UNVOICED EG - time scaling 3A 00-0E UNVOICED - freq bias sense
3B 00-07/00-0E UNVOICED - freq mod sense/freq velocity sense
3C 00-07/00-0E UNVOICED - amp mod sense/amp velocity sense
3D 00-0E UNVOICED - EG bias sense (-7~7)
[-mmccccc]
[--rrrsss]
nfbs : (-7~7) [----bbbb]
nfvs : (-7~7) [-fffvvvv]
nvs : (-7~7) [-aaavvvv]
<Table 3> Fseq Parameter
F0 43 1n 5E 70 00 ll vv vv F7
Header Parameter
ll vv vv Description
00 20-7F NAME 0 01 20-7F NAME 1 02 20-7F NAME 2 03 20-7F NAME 3 04 20-7F NAME 4 05 20-7F NAME 5 06 20-7F NAME 6 07 20-7F NAME 7 08 reserved 09 reserved 0A reserved 0B reserved 0C reserved 0D reserved 0E reserved 0F reserved 10 00-7F Fseq - start step of loop point (hi byte)
12 00-7F Fseq - end step of loop point (hi byte)
14 00-01 Fseq - loop mode ( 0: one way, 1: round ) 15 00-7F Fseq - speed adjust 16 00-07 Fseq - velocity sensitivity for tempo 17 00-01 Fseq - formant pitch mode
18 00-7F Fseq - formant note assign 19 00-7E Fseq - formant pitch tuning (-63~63) 1A 00-63 Fseq - formant seqence delay 1B 00-03 Fseq - frame data format *1 1C reserved 1D reserved 1E 00-7F RMTC - end step of valid data (hi byte)
*1 frame data format
0: total of frames 128 1: total of frames 256 2: total of frames 384 3: total of frames 512
Frame Parameter
ll vv Description
10 00-7F Fseq - fundamental pitch (hi byte) 11 00-7F Fseq - fundamental pitch (lo byte) 12 00-7F Fseq - voiced formant frequency (hi byte)
19 00-7F Fseq - voiced formant frequency (hi byte) 20 00-7F Fseq - voiced formant frequency (lo byte)
21 00-7F Fseq - voiced formant frequency (lo byte) 22 00-7F Fseq - voiced formant level
29 00-7F Fseq - voiced formant level 2A 00-7F Fseq - unvoiced formant frequency (hi byte)
31 00-7F Fseq - unvoiced formant frequency (hi byte) 32 00-7F Fseq - unvoiced formant frequency (lo byte)
39 00-7F Fseq - unvoiced formant frequency (lo byte) 3A 00-7F Fseq - unvoiced formant level
41 00-7F Fseq - unvoiced formant level
Fseq - start step of loop point (lo byte)
Fseq - end step of loop point (lo byte)
0: pitch, 1: non-pitch
RMTC - end step of valid data (lo byte)
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<Table 4> System Parameter (Byte Count: 76 bytes )
F0 43 1n 5E 00 00 ll vv vv F7
ll vv Description
00 00-7F master tuning (-64~+63) 01 reserved 02 03 reserved 04 reserved 05 reserved 06 00-7F master note shift (-64~+63) 07 00-04 dump interval (50 msec ... 300 msec) 08 00-01 program change mode (0: pfm, 1: multi) 09 00-10,7F performance channel
0A reserved 0B 00-01 knob control mode (0:abs, 1:rel) 0C reserved 0D 00-03 BC curve (0:thru, 1~3) 0E 00-04 velocity curve (thru, sft1, sft2, wid, hrd)
0F reserved 10 00-01 Rx Excl. (Not changed with Parameter Change.) 11 00-02 note event receive sw (0~2: all/odd/even) 12 00-01 bank select receive sw 13 00-01 program change receive sw 14 00-01 knob receive sw (0~1: off/on) 15 00-01 knob transmit sw (0~1: off/on) 16 01-1F, 21-5F KN1 control number (default: 16) 17 01-1F, 21-5F KN2 control number (default: 17) 18 01-1F, 21-5F KN3 control number (default: 18) 19 01-1F, 21-5F KN4 control number (default: 19) 1A 01-1F, 21-5F MC1 control number (default: 20) 1B 01-1F, 21-5F MC2 control number (default: 21) 1C 01-1F, 21-5F MC3 control number (default: 22) 1D 01-1F, 21-5F MC4 control number (default: 13) 1E 01-1F, 21-5F FC control number (default: 4) 1F 01-1F, 21-5F BC control number (default: 2) 20 01-1F, 21-5F Formant control number (default: 80) 21 01-1F, 21-5F FM control number (default: 81) 22 00-7F play sound 1 note 23 00-7F play sound 1 velocity (0: off) 24 00-7F play sound 2 note 25 00-7F play sound 2 velocity (0: off) 26 00-7F play sound 3 note 27 00-7F play sound 3 velocity (0: off) 28 00-7F play sound 4 note 29 00-7F play sound 4 velocity (0: off) 2A not used 2B not used 2C not used 2D not used 2E not used 2F not used 30 not used 31 not used 32 not used 33 not used 34 not used 35 not used 36 not used 37 not used 38 not used 39 not used 3A not used 3B not used 3C not used 3D not used 3E not used 3F not used 40 not used 41 not used 42 not used 43 not used 44 not used 45 not used
Bulk Dump does not change the following.
46 0 fseq init command
Bulk Dump and Parameter Change do not change the following, ignoring Parameter Request.
47 00-01 memory allocation (0:128Voice/0FSeq, 1:64Voice/6FSeq) 48 00-07 LCD contrast 49 00-10, 7F system exclusive device number
4A 00-01 bulk dump protect on/off switch (0~1:off/on) 4B not used
(0-0F: 1-16, 10: all, 7F: off)
(00-0F: 1-16, 10: all, 7F: off)
(default:thru)
<Table 5> DX Bulk Data
FS1R can partly receive VCED or ACED bulk data for Yamaha DX series. Since not all parameters and their value ranges for DX series are compatible to FS1R, it automatically converts received DX bulk data into FS1R native data for original DX sound reproduction to be available. ACED bulk data is not interpreted until its following VCED bulk data is received.
DX Bulk Data
11110000 F0 01000011 43 0000nnnn nnnn = Device Number 0ttttttt ttttttt = Format No. 0bbbbbbb bbbbbbb = Byte Count High 0bbbbbbb bbbbbbb = Byte Count Low 0ddddddd ddddddd = Data | | Byte Count 0ddddddd ddddddd = Data 0ccccccc ccccccc = Check-sum 11110111 F7
Format No. 00 VCED (Voice Edit Buffer) 05 ACED (Additional Edit Buffer)
Byte Count 1 55 bytes VCED (Voice Edit Buffer)
VCED and ACED parameters (data structures) are as follow. Parameter (Data) is described in the order of Parameter Group # to Parameter#.
Parameter Group # g h
00 00 VCED (Voice Edit Buffer) 0~127 00 01 VCED (Voice Edit Buffer) 0~26 06 00 ACED (Additional Edit Buffer) 0~73
DX Voice Parameter (Data) - VCED format (Byte Count : 155 bytes)
Parameter Group# Parameter# Data Range Description g h OP6 OP5 OP4 OP3 OP2 OP1
00 00 00 15 2A 3F 54 69 00-63 EG rate1 00 00 01 16 2B 40 55 6A 00-63 EG rate2 00 00 02 17 2C 41 56 6B 00-63 EG rate3 00 00 03 18 2D 42 57 6C 00-63 EG rate4 00 00 04 19 2E 43 58 6D 00-63 EG lelel1 00 00 05 1A 2F 44 59 6E 00-63 EG lelel2 00 00 06 1B 30 45 5A 6F 00-63 EG lelel3 00 00 07 1C 31 46 5B 70 00-63 EG lelel4 00 00 08 1D 32 47 5C 71 00-63 Break Point 00 00 09 1E 33 48 5D 72 00-63 Left Depth 00 00 0A 1F 34 49 5E 73 00-63 Right Depth 00 00 0B 20 35 4A 5F 74 00-03 Left Curve 00 00 0C 21 36 4B 60 75 00-03 Right Curve 00 00 0D 22 37 4C 61 76 00-07 Rate Scaling 00 00 0E 23 38 4D 62 77 00-03 AMS 00 00 0F 24 39 4E 63 78 00-07 Touch Sens 00 00 10 25 3A 4F 64 79 00-63 Total Level 00 00 11 26 3B 50 65 7A 00-01 Freq Mode 00 00 12 27 3C 51 66 7B 00-1F Freq Course 00 00 13 28 3D 52 67 7C 00-63 Freq Fine 00 00 14 29 3E 53 68 7D 00-0E Detune 00 00 7E 00-63 PEG Rate1 00 00 7F 00-63 PEG Rate2 00 01 00 00-63 PEG Rate3 00 01 01 00-63 PEG Rate4 00 01 02 00-63 PEG Level1 00 01 03 00-63 PEG Level2 00 01 04 00-63 PEG Level3 00 01 05 00-63 PEG Level4 00 01 06 00-1F Algorithm 1~36 00 01 07 00-07 Feedback 00 01 08 00-01 OSC Sync 00 01 09 00-63 LFO Speed 00 01 0A 00-63 LFO Delay 00 01 0B 00-63 PMD 00 01 0C 00-63 AMD 00 01 0D 00-01 LFO Key Sync 00 01 0E 00-05 LFO Wave 00 01 0F 00-07 PMS 00 01 10 00-2F Transpose 00 01 11 25-58 Voice Name 00 01 12 25-58 Voice Name 00 01 13 25-58 Voice Name 00 01 14 25-58 Voice Name 00 01 15 25-58 Voice Name 00 01 16 25-58 Voice Name 00 01 17 25-58 Voice Name 00 01 18 25-58 Voice Name 00 01 19 25-58 Voice Name 00 01 1A 25-58 Voice Name
49 bytes ACED (Additional Edit Buffer)
41
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DX Voice Additional Parameter - ACED format(Byte Count : 49 bytes)
Param Group# Parameter# Data Description g h
06 00 00 not used 06 00 01 not used 06 00 02 not used 06 00 03 not used 06 00 04 not used 06 00 05 not used 06 00 06 00-07 OP6 AMS 06 00 07 00-07 OP5 AMS 06 00 08 00-07 OP4 AMS 06 00 09 00-07 OP3 AMS 06 00 0A 00-07 OP2 AMS 06 00 0B 00-07 OP1 AMS 06 00 0C 00-03 PEG Range 06 00 0D not used 06 00 0E 00-01 PEG Vel Switch 06 00 0F not used 06 00 10 not used 06 00 11 not used 06 00 12 not used 06 00 13 not used 06 00 14 not used 06 00 15 not used 06 00 16 not used 06 00 17 not used 06 00 18 not used 06 00 19 not used 06 00 1A not used 06 00 1B not used 06 00 1C not used 06 00 1D not used 06 00 1E not used 06 00 1F not used 06 00 20 not used 06 00 21 not used 06 00 22 not used 06 00 23 not used 06 00 24 not used 06 00 25 not used 06 00 26 00-07 PEG Rate Scaling 06 00 40 not used 06 00 41 not used 06 00 42 not used 06 00 43 not used 06 00 44 not used 06 00 45 not used 06 00 46 not used 06 00 47 not used 06 00 48 not used 06 00 49 not used
42
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0,32
1
7, 10, 11, 64
5, 65 71, 74 72, 73 91, 93
16-19
2, 4,1 3, 20-22
80, 81
6, 98-101
120 121
True Voice
˛
˛
˛ ˛
˛ ˛
˛ ˛ ˛ ˛ ˛ ˛ ˛ Ø *
3
 ˛ Ø *3 ˛ ˛ ˛
˛
***************
˛ ˛ ˛
˛ ˛
˛ ˛ ˛ ˛
*1 *2 *3 *4
Ignore Note number.
Receive if switch is on.
Assignable to 1-31,33-95.
Receive if Fseq Speed is set to midi.
˛ ˛
***************
˛
***************
Ø
Mode 1 : OMNI ON , POLY Mode 3 : OMNI OFF, POLY
˛
1-16 1-16
Memorized
Ø 9nH, v=1-127 Ø 9nH, v=0
Ø *
1
Ø
Ø *
2
Ø Ø Ø Ø Ø Ø Ø *
3
Ø *
3
Ø *
3
Ø Ø Ø
Ø 0-127 *
2
Ø 0-127
˛ ˛ ˛
Ø *
4
˛
˛ Ø Ø ˛
3, 4 3, 4
˛
Memorized
0-127
Ø *
2
Ø *
2
Bank Select Modulation Wheel Vol, Pan, Exp, Sus Portamento Ctrl Sound Control Release, Attack Rev, Var Send Knob1-4 Control BC, FC, MC4, MC1-3 Formant, FM Ctrl Data Entry All Sound Off Reset All Ctrls
Ø : YES ˛ : NO
Date :16-JUL-1998 Version : 1.0
YAMAHA [ Tone Generator ] /
Model: FS1R MIDI Implementation Chart
Mode 2 : OMNI ON , MONO Mode 4 : OMNI OFF, MONO
TransmittedFunction Recognized Remarks
Basic Channel
Note Number
Velocity
After Touch
Pitch Bend
Control Change
Program Change
System Exclusive
System Common
System Real Time
Aux Messages
Notes
Mode
Note ON Note OFF
Key's Ch's
Clock Commands
Local ON/OFF All Notes OFF Active Sense Reset
Song Pos. Song Sel. Tune
True #
Default Messages Altered
Default Changed
43
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811MWIT 11.2-02B0
Page 45
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