Yamaha Audio DM1000 User Manual

Owner’s ManualOwner’s Manual

Keep This Manual For Future Reference.Keep This Manual For Future Reference.

E

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

WARNING: THIS APPARATUS MUST BE EARTHED

IMPORTANT

THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE:

GREEN-AND-YELLOW : EARTH BLUE : NEUTRAL BROWN : LIVE As the colours of the wires in the mains lead of this apparatus may

not correspond with the coloured markings identifying the terminals in your plug, proceed as follows:

The wire which is coloured GREEN and YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or coloured GREEN and YELLOW.

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

* This applies only to products distributed by YAMAHA KEMBLE

MUSIC (U.K.) LTD.

NEDERLAND THE NETHERLANDS

● Dit apparaat bevat een lithium batterij voor geheugen back-up.

ADVARSEL! Lithiumbatteri—Eksplosionsfare ved fejlagtig håndtering. Udskiftning må kun ske med batteri af samme fabrikat og type. Levér det brugte batteri tilbage til leverandoren.

VARNING Explosionsfara vid felaktigt batteribyte. Använd samma batterityp eller en ekvivalent typ som rekommenderas av apparattillverkaren. Kassera använt batteri enligt fabrikantens instruktion.

VAROITUS Paristo voi räjähtää, jos se on virheellisesti asennettu. Vaihda paristo ainoastaan laitevalmistajan suosittelemaan tyyppiin. Hävitä käytetty paristo valmistajan ohjeiden mukaisesti.

● This apparatus contains a lithium battery for memory back-up.

● Raadpleeg uw leverancier over de verwijdering van de batterij op het moment dat u het apparaat ann het einde van de levensduur afdankt of de volgende Yamaha Service Afdeiing:

Yamaha Music Nederland Service Afdeiing Kanaalweg 18-G, 3526 KL UTRECHT Te l. 030-2828425

● Gooi de batterij niet weg, maar lever hem in als KCA.

● For the removal of the battery at the moment of the disposal at the end of the service life please consult your retailer or Yamaha Service Center as follows:

Yamaha Music Nederland Service Center Address: Kanaalweg 18-G, 3526 KL

UTRECHT

Te l: 030-2828425

● Do not throw away the battery. Instead, hand it in as small chemical waste.

• Explanation of Graphical Symbols

The lightning ﬂash with arrowhead symbol

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

The above warning is located on the side of the unit

within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufﬁcient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

IMPORTANT SAFETY INSTRUCTIONS

1 Read these instructions. 2Keep these instructions. 3 Heed all warnings. 4 Follow all instructions. 5 Do not use this apparatus near water. 6 Clean only with dry cloth. 7 Do not block any ventilation openings. Install in

accordance with the manufacturer’s instructions.

8 Do not install near any heat sources such as

radiators, heat registers, stoves, or other apparatus (including ampliﬁers) that produce heat.

9 Do not defeat the safety purpose of the polar-

ized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not ﬁt into your outlet, consult an electrician for replacement of the obsolete outlet.

10 Protect the power cord fr om being walked on or

pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11 Only use attachments/accessories speciﬁed by

the manufacturer.

12 Use only with the cart, stand,

tripod, bracket, or table speciﬁed by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/ apparatus combination to avoid injury from tip-over.

13 Unplug this apparatus during lightning storms

or when unused for long periods of time.

14 Refer all servicing to qualiﬁed service person-

nel. Servicing is required when the apparatus has been damaged in any way, such as powersupply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.

4

Important Information

Warnings

•Connect this unit’s power cord only to an AC outlet of the type stated in this Owner’s Manual or as marked on the unit. Failure to do so is a ﬁre and electrical shock hazard.

•Do not allow water to enter this unit or allow the unit to become wet. Fire or electrical shock may result.

•Do not place heavy objects, including this unit, on top of the power cord. A damaged power cord is a ﬁre and electrical shock hazard. In particular, be careful not to place heavy objects on a power cord covered by a carpet.

•Do not place a container with liquid or small metal objects on top of this unit. Liquid or metal objects inside this unit are a ﬁre and electrical shock hazard.

•Do not scratch, bend, twist, pull, or heat the power cord. A damaged power cord is a ﬁre and electrical shock hazard.

•Do not remove the unit’s cover. You could receive an electrical shock. If you think internal inspection, maintenance, or repair is necessary, contact your dealer.

•Do not modify the unit. Doing so is a ﬁre and electrical shock hazard.

•If lightning begins to occur, turn off the power switch of the unit as soon as possible, and unplug the power cable plug from the electrical outlet.

•If there is a possibility of lightning, do not touch the power cable plug if it is still connected. Doing so may be an electrical shock hazard.

•Use only the included power cord for this unit. Using other types may be a ﬁre and electrical shock hazard.

•This unit has rear-panel slots for installing mini-YGDAI cards. For technical reasons, certain card combinations are not supported. Before installing any cards, check the Yamaha web site (see page 6) to see whether your card is compatible. Also check the total number of cards that can be installed in the unit. Installing cards that are not endorsed by Yamaha may cause electrical shock, ﬁre, or damage to the unit.

•If the power cord is damaged (i.e., cut or a bare wire is exposed), ask your dealer for a replacement. Using the unit with a damaged power cord is a ﬁre and electrical shock hazard.

•If you notice any abnormality, such as smoke, odor, or noise, or if a foreign object or liquid gets inside the unit, turn it off immediately. Remove the power cord from the AC outlet. Consult your dealer for repair. Using the unit in this condition is a ﬁre and electrical shock hazard.

• Should this unit be dropped or the cabinet be damaged, turn the power switch off, remove the power plug from the AC outlet, and contact your dealer. If you continue using the unit without heeding this instruction, ﬁre or electrical shock may result.

Cautions

•Keep this unit away from the following locations: —Locations exposed to oil splashes or steam, such as near cooking stoves, humidiﬁers, etc. —Unstable surfaces, such as a wobbly table or slope. —Locations exposed to excessive heat, such as inside a car with all the windows closed, or

places that receive direct sunlight.

—Locations subject to excessive humidity or dust accumulation.

•Hold the power cord plug when disconnecting it from an AC outlet. Never pull the cord. A damaged power cord is a potential ﬁre and electrical shock hazard.

•Do not touch the power plug with wet hands. Doing so is a potential electrical shock hazard.

DM1000—Owner’s Manual

Operating Notes

•This unit has ventilation holes along the front, rear, top, and sides to prevent the internal temperature from rising too high. Do not block them. Blocked ventilation holes are a ﬁre hazard. In particular, do not operate the unit while it’s on its side, is upside down, or while it’s covered with a cloth or dust sheet.

•If you are using the optional MB1000 Peak Meter Bridge, do not hold only the MB1000 when moving this unit. Otherwise, the meter brackets may be damaged, the main unit may malfunction, or you may be injured if the unit falls.

•This unit is heavy. Use two or more people to carry it.

•When you transport or move this unit with the MB1000 attached, do not permit impact or stress on the cable connector that connects the MB1000 to this unit. Otherwise, malfunction may occur.

•This unit is equipped with a dedicated ground connection to prevent electrical shock. Before connecting the power plug to an AC outlet, be sure to ground the unit.

•To relocate the unit, turn the power switch off, remove the power plug from the AC outlet, and remove all connecting cables. Damaged cables may cause ﬁre or electrical shock.

•If you know you will not use this unit for a long period of time, such as when going on vacation, remove the power plug from the AC outlet. Leaving it connected is a potential ﬁre hazard.

5

Operating Notes

• XLR-type connectors are wired as follows: pin 1–ground, pin 2–hot (+), and pin 3–cold (–).

•The performance of components with moving contacts, such switches, rotary controls, faders, and connectors, deteriorates over time. The rate of deterioration depends on the operating environment and is unavoidable. Consult your dealer about replacing defective components.

•Using a mobile telephone near this unit may induce noise. If noise occurs, use the telephone away from the unit.

•If the message “WARNING Low Battery!” appears when you turn on this unit, contact your dealer as soon as possible about replacing the internal data backup battery. The unit will still operate correctly, but data other than the presets will be lost.

•Before replacing the batteries, back up your data to a memory card, or another unit by using MIDI Bulk Dump.

•The digital circuits of this unit may induce a slight noise into nearby radios and TVs. If noise occurs, relocate the affected equipment.

•When connecting D-sub cables, be sure to tighten the screws on both sides of the connector securely. To disconnect the cable, loosen the screws completely, then remove the cable by holding the connector part. Do not remove the plug by pulling the cable while the screws are still attached. Otherwise, the connector may be damaged, leading to malfunction.

•When you change the wordclock settings on any device in your digital audio system, some devices may output noise, so turn down your power amps beforehand, otherwise your speakers may be damaged.

Interference

This unit uses high-frequency digital circuits that may cause interference on radio and television equipment located nearby. If interference is a problem, relocate the affected equipment. Using a mobile telephone near the unit may induce noise. In this case use the telephone away from the unit.

DM1000—Owner’s Manual

6

Important Information

Exclusion of Certain Responsibility

Manufacturer, importer, or dealer shall not be liable for any incidental damages including personal injury or any other damages caused by improper use or operation of this unit.

Trademarks

ADAT MultiChannel Optical Digital Interface is a trademark and ADAT and Alesis are registered trademarks of Alesis Corporation. Apogee is a trademark of Apogee Electronics, Inc. Apple, Mac, and Power Macintosh are registered trademarks and Mac OS is a trademark of Apple Corporation, Inc. HUI is a trademark of Mackie Designs, Inc. Intel and Pentium are registered trademarks of Intel Corporation. Nuendo is a registered trademark of Steinberg Media Technologies AG. Pro Tools is a trademark or registered trademark of Digidesign and/or Avid Technology, Inc. Tascam Digital Interface is a trademark and Tascam and Teac are registered trademarks of Teac Corporation. Microsoft and Windows are registered trademarks of Microsoft Corporation, Inc. Waves is a trademark of Waves, Inc. Yamaha is a trademark of Yamaha Corporation. All other trademarks are the property of their respective holders and are hereby acknowledged.

Copyright

No part of this unit, its software, or this Owner’s Manual may be reproduced or distributed in any form or by any means without the prior written authorization of Yamaha Corporation.

Yamaha Web Site

Further information about this unit, related products, and other Yamaha professional audio equipment is available on the Yamaha Professional Audio Web site at: <http://www.yamahaproaudio.com/>.

Package Contents

• DM1000 Digital Production Console

• CD-ROM

•Power cord

•This manual

•Studio Manager Installation Guide

Optional Extras

• MB1000 Peak Meter Bridge

• SP1000 Wooden Side Panels

• RK1 Rack Mount Kit

• mini YGDAI I/O cards

DM1000—Owner’s Manual

About this Owner’s Manual

This Owner’s Manual explains how to operate the DM1000 Digital Production Console. The table of contents can help you familiarize yourself with the manual’s organization and

to locate tasks and topics The index can help you locate speciﬁc information. Before diving in, it’s recommend that you read the “Operating Basics” chapter, starting on

page 27. Each chapter in this manual discusses a speciﬁc section or function of the DM1000. The

Input and Output Channels are explained in the following chapters: “Input Channels,” “Bus Outs,” and “Aux Sends.” Where possible, these chapters have been organized in order of signal ﬂow, from input to output.

Conventions Used in this Manual

The DM1000 features two types of buttons: physical buttons that you can press (e.g., ENTER and DISPLAY) and buttons that appear on the display pages. References to physical buttons are enclosed in square brackets, for example, “press the [ENTER] button.” References to display page buttons are not emphasized, for example, “move the cursor to the ON button.”

You can select display pages by using the [DISPLAY] buttons or the Left Tab Scroll, Right Tab Scroll, and F1–4 buttons below the display. In order to simplify explanations, the procedures reference only the [DISPLAY] button method. See “Selecting Display Pages” on page 28 for details on all the ways in which pages can be selected.

About this Owner’s Manual

7

Installing the DM1000

The DM1000 should be placed on a strong and stable surface, in a location that complies with the warnings and cautions listed in the previous sections.

Always turn the power off when the instrument is not in use.

The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and may appear somewhat different from those on your instrument.

Copying of commercially available music sequence data and/or digital audio ﬁles is strictly prohibited except for your personal use.

DM1000—Owner’s Manual

8

1 Welcome

Thank you for choosing the Yamaha DM1000 Digital Production Console. The compact DM1000 Digital Console features 24-bit/96 kHz digital audio processing

without compromise, as well as 48-channel simultaneous mixing. The DM1000 covers a broad range of needs and applications, including multi-track recording, 2-channel mixdown, and cutting-edge surround sound production. This integrated, comprehensive audio system features remote control function for DAWs (Digital Audio Workstations) as popularized by the DM2000 and 02R96 Digital Mixing Consoles.

The DM1000 offers the following features:

Hardware Features

• 17 touch-sensitive 100-mm motorized faders (for touch-sensitive selection of channels,

or for punching in and out during Automix recording)

•Faders can set levels for Input Channels, Aux Sends, and Bus Outs.

•Rotary Encoders enable you to control panning for each channel, AUX send levels, and

various parameters.

•Six selectable software layers determine the function of channel faders and Encoders.

• 320 x 240 dot LCD display with ﬂuorescent backlighting

•Buttons and controls in the SELECTED CHANNEL section enable direct editing of

channel mix parameters.

• 12 USER-DEFINED KEYS enable you to assign functions to control DM1000 internal

parameters.

•Two expansion slots for optional digital I/O, AD, and DA cards.

Welcome

11

1

Welcome

Sonic Speciﬁcations

• Linear 24-bit, 128-times oversampling A/D converters

• Linear 24-bit, 128-times oversampling D/A converters

• 20 Hz through 40 kHz frequency response at 96 kHz sampling rate.

• 106 dB typical dynamic range

• 32-bit internal signal processing (58-bit accumulator)

Inputs and Outputs

• 16 mic/line inputs with switchable +48 V phantom power and 4 line inputs

• 12 Omni Outs assignable to Stereo Out, Bus Out, Monitor Out, and Input Channel

Direct Outs.

•Two optional slots allow a maximum of 32 inputs.

•Two 2-track digital inputs, with sampling rate converters capable of converting sam-

pling rates of 44.1 kHz through 96 kHz.

•Double Channel support for recording and playing at 88.2/96 kHz on 44.1/48 kHz leg-

acy multi-track digital recorders.

•You can cascade two DM1000s while remaining in the digital domain.

•Input patches enable assignment of input signals to desired signal paths.

•Output patches enable assignment of Bus Out signals and Input Channel Direct Outs to

desired output jacks.

DM1000—Owner’s Manual

■

12

Chapter 1—Welcome

Channel Conﬁguration

•Simultaneous mixing of up to 48 Input Channels. Group multiple channels and pair channels for stereo.

•8 Bus Outs and 8 AUX Sends. Buses 1-8 can be routed to Stereo Buses for use as Group Buses.

•Channel library for storing and recalling the channel settings for each Input Channel and Output Channel.

• 4-band EQ and dynamics processor equip all channels. Dynamics processor and EQ settings can be stored in libraries and recalled.

Effects

•Four high-quality multi-channel effects (Apply effects via AUX Sends or Channel Inserts).

• Effect library for storing and recalling effect settings.

Scene Memory

•Scene memories for storing and recalling the mix settings as Scenes.

•Snapshot style automation with Scene memories recallable via Automix.

■ Surround Sound

•Supports 3-1, 5.1, and 6.1 channel surround sound production.

•Joystick for adjusting each channel's surround pan.

■ Automix

•Automated controls of channel faders and parameters via Automix. (Even more powerful when combined with an MTR, DAW, and MIDI sequence system.)

•Control parameters of connected MIDI devices via Automix.

■ Remote Control

•Control and manage your DM1000 from your Mac or PC using bundled Studio Manager software

•Remote Layers for controlling popular DAWs (Digital Audio Workstations), including Pro Tools, Nuendo, etc.

•Control an external recorder via MMC commands and P2 commands.

■ MIDI

•Equipped with MIDI ports and a USB port for computer connection.

•Scene recall and mix parameter changes via MIDI

DM1000—Owner’s Manual

Control Surface & Rear Panel 13

AUXPAN

DISPLAY

ASSIGN

ENCODER MODE

EQUALIZER

LOW

HIGH

GAIN

Q

FREQUENCY

LOW MID

HIGH MID

ROUTING

12

34

56

78

STEREO DIRECT

DISPLAY

SELECTED CHANNEL

16

BUS 8

32 48

15

BUS 7

31 47

14

BUS 6

30 46

13

BUS 5

29 45

12

BUS 4

28 44

11

BUS 3

27 43

10

16151413121110

20dB

ONOFF

+48V

1

2

3

4

5

6

78 1213

14

15

16

91011

1615141312111098765432

PEAK

SIGNAL

1

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PAD

20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

0

5

10

15

20

30

40

50 60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 1

1

17 33

0

5

10

15

20

30

40

50 60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 2

2

18 34

0

5

10

15

20

30

40

50 60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 3

3

19 35

0

5

10

15

20

30

40

50 60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 4

4

20 36

0

5

10

15

20

30

40

50 60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 5

5

21 37

0

5

10

15

20

30

40

50 60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 6

6

22 38

0

5

10

15

20

30

40

50 60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 7

7

23 39

0

5

10

15

20

30

40

50 60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 8

8

24 40

0

5

10

15

20

30

40

50 60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

BUS 1

9

25 41

0

5

10

15

20

30

40

50 60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

0

5

10

15

20

30

40

50 60

70

50

40

30

20

15

10

+10

5

0

5

0

5

10

15

20

30

40

50 60

70

50

40

30

20

15

10

+10

5

0

5

0

5

10

15

20

30

40

50 60

70

50

40

30

20

15

10

+10

5

0

5

0

5

10

15

20

30

40

50 60

70

50

40

30

20

15

10

+10

5

0

5

0

5

10

15

20

30

40

50 60

70

50

40

30

20

15

10

+10

5

0

5

0

5

10

15

20

30

40

50 60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

ON

SOLO

SEL

ON

SOLO

SEL

ON

SOLO

SEL

ON

SOLO

SEL

ON

SOLO

SEL

BUS 2

26 42

AUTO

ON

SEL

STEREO

70

60

50

40

30

20

15

10

5

0

AUX2 AUX3 AU X4

AUX6AUX5 AUX7 AUX8

AUXSELECT

DISPLAY

FADER MODE

FADER

AUX

DISPLAY ACCESS

AUTOMIX DIO SETUP UTILITY

MIDI REMOTE METER VIEW

PAIR/GROUP

INPUT

OUTPUT

EFFECTSURROUND DYNAMICS SCENE

/

PAN/

INSERT/DELAY

PATCH

GRAB

SCENE MEMORY

STORERECALL

DISPLAY

USER DEFINED KEYS

ENTER

INC

DEC

TALKB ACK LEVEL

PHONES

LEVEL

010

PHONES

MONITOR

LEVEL

SOLO CLEAR

2TR D1

2TR D2

DIMMER

TALKBACK

MONITOR

STEREO

SLOT

BUS

DISPLAY

100

F1 F2 F3

F4

0

OVER

-2

-4

-6

-8

-10

-12

-14

-18

-24

-30

-36

-42

-48

-56

-72

0

OVER

-2

-4

-6

-8

-10

-12

-14

-18

-24

-30

-36

-42

-48

-56

-72

LR

AD Input Section (p. 14) SELECTED CHANNEL Section (p. 19)

Headphones & Talkback Section (p. 21)

MONITOR Section (p. 22)

Channel Strip Section (p. 15) STEREO Section (p. 15) USER DEFINED KEYS

Section (p. 21)

Data Entry Section (p. 21)

LAYER Section (p. 20)

SCENE MEMORY Section (p. 20)

Display Section (p. 18)

DISPLAY ACCESS Section (p. 17)

AUX SELECT Section (p. 16)

ENCODER MODE Section (p. 16)

FADER MODE Section (p. 16)

2 Control Surface & Rear Panel

Control Surface

2

Control Surface & Rear Panel

DM1000—Owner’s Manual

14 Chapter 2—Control Surface & Rear Panel

AD Input Section

5

2

1

+48V

ONOFF

4

3

+48V

ONOFF

6

78 1213

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

1

91011

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

14

+48V

ONOFF

+48V

ONOFF

16

15

1

PAD

20dB

20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB

-60

-16

GAIN

PEAK

SIGNAL

-16

GAIN

PEAK

SIGNAL

-16

GAIN

PEAK

SIGNAL

-16

GAIN

PEAK

SIGNAL

-16

GAIN

PEAK

SIGNAL

-16

GAIN

PEAK

SIGNAL

-16

GAIN

PEAK

SIGNAL

-16

GAIN

PEAK

SIGNAL

-16

GAIN

PEAK

SIGNAL

-16

GAIN

PEAK

SIGNAL

1615141312111098765432

2

-60

-16

GAIN

PEAK

SIGNAL

3 4

5

A +48V ON/OFF switches 1–16

These switches turn on or off the +48 V phantom power feed to each INPUT.

B PAD switches 1–16

These switches turn on or off the 20 dB pad (attenuator) for each AD Input.

C GAIN controls 1–16

These controls adjust input sensitivity for each AD Input. Input sensitivity is +4 dB to –40 dB when the Pad is on, and –16 dB to –60 dB when the Pad is off.

D PEAK indicators 1–16

These indicators light up when the input signal level is 3 dB below clipping. Adjust the Pad switch and GAIN control so that the indicator rarely lights up at signal peak.

E SIGNAL indicators

These indicators light up when the input signal level is 20 dB below nominal.

DM1000—Owner’s Manual

Channel Strip Section

Control Surface 15

1

2

3

4

5

+10

5

0

5

10

15

20

30 40 50

17 33

SEL

SOLO

ON

AUX 1

A Encoders 1–16

These rotary Encoders adjust the channel parameter settings. Depending on the button selected in the ENCODER MODE section (see page 16), the Encoders will adjust the channel pan setting (when the ENCODER MODE [PAN] button indicator is lit), the AUX Send level (when the ENCODER MODE [AUX] button indicator is lit), or any parameter (when the ENCODER MODE [ASSIGN] button indicator is lit).

These Encoders also feature push switches that are used to view the value of the parameter

1

currently assigned to the Encoder, or to punch in or out during Automix recording.

B [SEL] buttons 1–16

0

5

10

15

20

30

40

50 60

70

These buttons enable you to select desired channels. The [SEL] button indicator for the currently-selected channel lights up. The channel selected by each [SEL] button depends on the currently-selected button in the LAYER section (see page 20).

These buttons also allow you to select channels for Automix recording and playback, create or cancel channel pairs, and add channels to (or remove them from) Fader, Mute, EQ, and Compressor groups.

C [SOLO] buttons 1–16

These buttons solo the selected channels. The [SOLO] button indicator of the currently-soloed channel lights up.

D [ON] buttons 1–16

1

These buttons turn the selected channels on or off. The [ON] button indicators for On channels light up.

E Channel faders 1–16

These are touch-sensitive 100 mm motorized faders. Depending on the button selected in the FADER MODE Section (see page 16), the faders will adjust the input or output level of the selected channels or buses, or adjust the AUX Send level.

2

Control Surface & Rear Panel

1

2

3

4

STEREO Section

A [AUTO] button

AUTO

SEL

ON

0

5

10

15

20

30

40

50 60 70

STEREO

When this button is turned on, you can use the [SEL] buttons 1–16 to turn the Automix function on or off.

B [SEL] button

Selects the Stereo Bus.

C [ON] button

Tu r ns the selected bus on or off.

D [STEREO] fader

This touch-sensitive 100 mm motorized fader adjusts the ﬁnal output level of the Stereo Bus.

DM1000—Owner’s Manual

16 Chapter 2—Control Surface & Rear Panel

AUX SELECT Section

DISPLAY

AUX1

AUX SELECT

AUX2 AUX3 AUX4

AUX6AUX5 AUX7 AUX8

1

2

A [DISPLAY] button

This button displays an Aux-related page (see page 97).

B [AUX 1]–[AUX 8] buttons

These buttons select an Aux Send. When you press a button to select an AUX Send, the corresponding button indicator lights up.

ENCODER MODE Section

1

A [DISPLAY] button

This button displays an Encoder page, enabling you to assign functions to Encoders 1–16 (see page 35). To use a function assigned to an Encoder, press the [ASSIGN] button to turn on the button indicator.

ENCODER MODE

DISPLAY

AUXPAN

ASSIGN

2 3 4

B [PAN] button

If you press this button, the button indicator turns on and Encoders 1–16 function as channel panpots.

C [AUX] button

If you press this button, the button indicator turns on and Encoders 1–16 function as channel Aux Send. The Send destination is selected in the AUX SELECT Section.

D [ASSIGN] button

If you press this button, the button indicator turns on and Encoders 1–16 function as assignable controls for the parameters assigned on the Encoder pages. (By default, Input Patches of the corresponding Input Channels are assigned.)

FADER MODE Section

FADER MODE

FADE R

1

A [FADER/AUX] button

Toggles between the desired parameter to be adjusted by channel faders 1–16. The faders adjust the Channel or Bus level when the FADER indicator is lit, and adjust the Aux Send level when the AUX indicator is lit.

B FADER indicator C AUX indicator

An indicator lights up to indicate the parameter selected via the [FADER/AUX] button.

2

AUX

3

DM1000—Owner’s Manual

DISPLAY ACCESS Section

Control Surface 17

6 5

9 J

1 2 3

DISPLAY ACCESS

AUTOMIX DIO SETUP UTILITY

MIDI REMOTE METER VIEW

/

PAIR/GROUP

INSERT/DELAY

PAN/

M

N O P

4

INPUT PATC H

EFFECTSURROUND DYNAMICS SCENE

OUTPUT PATCH

7 8

L K

A [AUTOMIX] button

This button displays an Automix page, enabling you to make Automix settings (see page 181).

B [DIO] button

This button displays a DIO page, enabling you to make digital I/O settings (see page 53).

C [SETUP] button

This button displays a Setup page, enabling you to make the DM1000 internal settings.

D [UTILITY] button

This button displays a Utility page, enabling you to use the internal oscillators and view information about installed optional cards.

2

Control Surface & Rear Panel

E [MIDI] button

This button displays a MIDI page, enabling you to make MIDI settings (see page 238).

F [REMOTE] button

This button displays a Remote page, enabling you to control a DAW remotely and make machine control settings (see page 205).

G [METER] button

This button displays a Meter page, which displays Input Channel levels, or Bus Out or Aux Send Out levels (see page 37).

H [VIEW] button

This button displays a View page, enabling you to view and set mix parameters for a speciﬁc channel (see page 69).

I [PAIR/GROUP] button

This button displays a Pair/Group page, enabling you to pair channels, group multiple faders, or mute channels (see page 74 and 141).

J [ /INSERT/DELAY] button

This button displays a /INS/DLY page, enabling you to switch the signal phase, set the signal to be inserted, or set the delay parameters (see page 60 and 150).

K [INPUT PATCH] button

This button displays an In Patch page, enabling you to patch input signals and Bus Out signals to the desired Input Channels (see page 105).

L [OUTPUT PATCH] button

This button displays an Out Patch page, enabling you to patch Bus Out and Insert Out signals to the desired destination (see page 108).

M [PAN/SURROUND] button

This button displays a Pan/Surr page, enabling you to adjust stereo or surround pan settings (see page 67 and 121).

DM1000—Owner’s Manual

18 Chapter 2—Control Surface & Rear Panel

N [DYNAMICS] button

This button displays a Dynamics page, enabling you to control channel gates and compressors (see page 62).

O [EFFECT] button

This button displays an Effect page, enabling you to edit the internal effects processors and use optional plug-in cards (see page 151).

P [SCENE] button

This button displays a Scene page, enabling you to store and recall Scenes (see page 155).

Display Section

1

OVER

0

-2

-4

-6

-8

-10

-12

-14

-18

-24

-30

-36

-42

-48

-56

-72

LR

2

3

F1 F2 F3

F4

45 6

A Display

This is a 320 x 240 dot LCD display with a ﬂuorescent backlight.

B Stereo meters

These 32-segment level meters display the ﬁnal output level of the Stereo Bus.

C Contrast control

This control adjusts the display contrast.

D [F1]–[F4] buttons

These buttons select a page from a multi-page screen. Selecting a tab at the bottom of the screen using one of these buttons displays the corresponding page. (See page 28 for more information on displaying a page.)

E Left Tab Scroll [ ] button F Right Tab Scroll [ ] button

If there are more pages available than the four whose tabs are currently displayed, use these buttons to display the additional tabs. These buttons are available only when the left or right Tab Scroll arrow appears.

DM1000—Owner’s Manual

Tab Scroll arrow

Control Surface 19

SELECTED CHANNEL Section

1 5

SELECTED CHANNEL

ROUTING

DISPLAY

12

2

3

34

56

78

STEREO DIRECT

4

A ROUTING [DISPLAY] button

This button displays a Routing page, enabling you to route selected channels to the desired Bus, and adjust the level of the signals routed from Buses 1–8 to the Stereo Bus (see page 68 and 83).

DISPLAY

Q

FREQUENCY

GAIN

GRAB

EQUALIZER

HIGH

HIGH MID

LOW MID

LOW

MN

J 6

7 8

9 K L

2

Control Surface & Rear Panel

B ROUTING [1]–[8] buttons C ROUTING [STEREO] button D ROUTING [DIRECT] button

These buttons select the desired Bus for routing the selected Input Channel signals. The corresponding button indicator for the currently-selected Bus lights up.

E EQUALIZER [DISPLAY] button

This button displays an EQ page, enabling you to set the selected channel equalizer (see page 64 and 65).

F EQUALIZER [HIGH] button G EQUALIZER [HIGH-MID] button H EQUALIZER [LOW-MID] button I EQUALIZER [LOW] button

These buttons select the EQ band (HIGH, HIGH-MID, LOW-MID, LOW). The corresponding button indicator of the currently-selected band lights up.

J EQUALIZER [Q] control

This control adjusts the currently-selected band Q.

K EQUALIZER [FREQUENCY] control

This control adjusts the currently-selected band frequency.

L EQUALIZER [GAIN] control

This control adjusts the currently-selected band gain.

M [GRAB] button

This button enables Joystick control of the surround pan setting for the currently-selected Input Channel. This button can be turned on only when the surround pan setting is available.

N Joystick

The Joystick is used to set the surround pan position (see page 126).

DM1000—Owner’s Manual

20 Chapter 2—Control Surface & Rear Panel

LAYER Section

1

A [1-16]/[17-32]/[33-48] buttons

These buttons select an Input Channel Layer. The channel strips control Channels 1–16, 17–32, or 33–48, depending on the button selected here. (See page 31 for more information on Layers.)

B [REMOTE 1]/[REMOTE 2] buttons

These buttons select the Remote Layer, which can be used to control external devices, including DAWs. (See page 205 for more information on the Remote Layer.)

C [MASTER] button

This button selects the Master Layer, which can be used to control Bus and Aux Send. (See page 31 for more information on the Master Layer.)

2

3

SCENE MEMORY Section

SCENE MEMORY

STORERECALL

21 3 4 5

A Scene memory display

The number of the currently-selected Scene memory is displayed here.

B Edit indicator

If you adjust a mix parameter after a Scene has been recalled or stored, a dot ﬂashes here.

C [STORE] button

This button enables you to store the current mix settings (See page 155 for more information on Scene Memories).

D Scene Up [ ] / Down [ ] buttons

These buttons select a Scene to store or recall. Pressing the Scene Up [ ] button increments the selection; pressing the Scene Down [ ] button decrements the selection. Holding down either key increments or decrements the selection continuously.

E [RECALL] button

This button recalls the Scene memory selected by the Scene Up [ ] / Down [ ] buttons.

DM1000—Owner’s Manual

USER DEFINED KEYS Section

Control Surface 21

1

2

4

USER DEFINED KEYS

DISPLAY

DEC

A [DISPLAY] button

This button displays a User Def page, enabling you to assign functions to buttons 1–12 (see page 257).

B [1]–[12] buttons

These buttons perform the functions assigned in the User Def pages.

Data Entry Section

3

INC

A Parameter wheel

This control adjusts the parameter values shown on the display. Turning it clockwise increases the value; turning it counterclockwise decreases the value. This wheel also enables you to scroll a displayed list and select a character for entry (see page 30).

B [ENTER] button

This button activates a selected (highlighted) button on the display, and conﬁrms the edited parameter values.

2

Control Surface & Rear Panel

1

2

C [DEC] & [INC] buttons

These buttons increment or decrement a parameter value by one. Pressing the [INC] button increments the value; pressing the [DEC] button decrements

ENTER

the value. Holding down either key increments or decrements the value continuously.

D Left, Right, Up, Down ([ ]/[ ]/[ ]/[ ]) cursor buttons

These buttons move the cursor around the display pages, or select parameters and options. Holding down a cursor button moves the cursor continuously in the respective direction.

Headphones & Talkback Section

A TALKBACK LEVEL control

This control sets the level of the built-in talkback microphone. (See page 119 for more information on the Talkback function.)

B Talkback mic

This built-in microphone is used for talkback.

010

TALKBACK LEVEL

010

PHONES

LEVEL

21

43

PHONES

C PHONES LEVEL control

This control sets the level of the PHONES. (See page 115 for more information on monitoring through the headphones.)

D PHONES jack

You can connect a set of stereo headphones to this stereo phone jack.

DM1000—Owner’s Manual

22 Chapter 2—Control Surface & Rear Panel

MONITOR Section

1

2

4

7

DISPLAY

SOLO CLEAR

2TR D1

SLOT

TALKBACK

DIMMER

MONITOR

2TR D2

BUS

STEREO

MONITOR

LEVEL

3 5 6

8

100

9 J K

A [DISPLAY] button

This button displays a Monitor page, enabling you to adjust monitor settings (see page 115 and 131).

B [SOLO] indicator

This indicator ﬂashes when a single or multiple channels are soloed.

C [CLEAR] button

This button “unsolos” all soloed Channels.

D [2TR D1] button E [2TR D2] button F [STEREO] button

These buttons select the Control Room Monitor output signal. When the [2TR D1] button indicator is lit, the signal at the 2TR OUT DIGITAL 1 jack is selected. When the [2TR D2] button indicator is lit, the signal at the 2TR OUT DIGITAL 2 jack is selected. When the [STEREO] button indicator is lit, the Stereo Bus signal is selected.

If you change the parameter setting on the Monitor | Solo/C-R page (see page 116), you can monitor the OMNI IN signal, instead of the 2TR IN DIGITAL signal, when you press the [2TR D1] or [2TR D2] button.

G [SLOT] button H [BUS] button

These buttons select the Surround Monitor signal source. When the [BUS] button indicator is lit, the Bus 1–8 signals are selected. When the [SLOT] button indicator is lit, the signals from Slots 1/2 are selected. (See page 131 for more information on the Surround Monitor.)

I [DIMMER] button

This button activates the Dimmer function, which lowers the Monitor and Surround Monitor signals. This function is convenient when you wish to talk in the control room during mixdown. The [TALKBACK] button indicator ﬂashes while the Talkback function is active (see page 116).

J [TALKBACK] button

This button turns on the Talkback function. While the button indicator is lit, the Talkback mic signal is sent to any desired Bus or Slot (see page 119).

K MONITOR LEVEL control

This control adjusts the monitor level.

Note:

• The DM1000 allows you to patch source signals to any output jack (other than the PHONES jack). Therefore, the console does not feature a dedicated monitor output jack. Instead, you can route monitoring signals to any desired output jack (typically to OMNI OUT jacks 1–12).

•By default, monitoring signals are assigned to OMNI OUT jacks 11 and 12.

DM1000—Owner’s Manual

Rear Panel

Rear Panel 23

AD Input and Output Section (p. 23)

2

Control Surface & Rear Panel

POWER

ON OFF

16

4

AC IN

OMNI

IN

213

METER

CONTROL

SMPTE IN

INPUT

SLOT

REMOTE MIDI

INOUT

TO HOST

USB

WORD CLOCK

INOUT

1

SLOT

23456781101112131415 9 23456781101112 9

2TR IN

DIGITAL

2

COAXIAL AES/EBUCOAXIALAES/EBU

Power Section (p. 25) Digital I/O & Control Section (p. 24) SLOT Section (p. 24)

AD Input and Output Section

1

16

4

OMNI

IN

213

INPUT

23456781101112131415 9 23456781101112 9

2 3

A INPUT connectors 1–16

These balanced XLR-3-31-type con-

Male XLR plug

nectors accept line-level and microphone signals. The nominal signal level ranges from –60 dB through +4 dB.

B OMNI IN connectors 1–4

These balanced XLR-3-31-type connectors accept line-level signals. The nominal signal level is +4 dB.

C OMNI OUT connectors 1–4

These balanced XLR-3-32-type con-

Female XLR plug

nectors output any Bus signals and channel Direct Out signals. The nominal signal level is +4 dB.

1 (ground)

3 (cold)

2 (hot)

3 (cold)

1 (ground)

DM1000—Owner’s Manual

24 Chapter 2—Control Surface & Rear Panel

SLOT Section

SLOT

1

A SLOT 1 & 2

You can insert optional mini-YGDAI cards into these slots. (See page 26 for more information on installing these cards.)

Digital I/O & Control Section

1

METER

CONTROL

SMPTE IN

REMOTE MIDI

432

INOUT

TO HOST

USB

6 7 8 9 J L K5

WORD CLOCK

INOUT

1

2

2TR IN

DIGITAL

2

COAXIAL AES/EBUCOAXIALAES/EBU

1

A METER connector

This connector enables you to connect an optional MB1000 Meter Bridge.

B CONTROL connector

This 25-pin D-sub connector provides access to the GPI (General Purpose Interface). Through this connector, the Talkback function can be turned on and off from external equipment, or external equipment can be started or stopped from the DM1000 (see page 259).

C SMPTE TIME CODE INPUT connector

This balanced XLR-3-31-type connector is used to input SMPTE timecode to synchronize the Automix function.

D REMOTE connector

This 9-pin D-Sub connector is used to remotely control external equipment that supports the Yamaha AD824 and Sony P2 Protocol (remote control commands that are used on TASCAM DA-98HR and other professional video recorders). Use a reverse cable to connect an AD824, and use a straight cable to connect a P2 Protocol device. Use a reverse cable to connect two DM1000s to each other. Connecting two DM1000s to each other enables communication via MIDI Protocol and SOLO Logic synchronization.

E MIDI IN & OUT ports

These standard MIDI IN and OUT ports enable you to connect the DM1000 to other MIDI equipment.

F TO HOST USB port

This USB port enables you to connect a computer equipped with a USB port.

G WORD CLOCK OUT connector

This BNC connector outputs a wordclock signal from the DM1000 to a connected external device.

DM1000—Owner’s Manual

Rear Panel 25

H WORD CLOCK IN connector

This BNC connector inputs a wordclock signal from a connected external device to the DM1000.

I 2TR OUT DIGITAL AES/EBU 1

This XLR-3-31-type connector outputs AES/EBU format digital audio. The connector is typically used to connect the digital stereo input (AES/EBU format) of a DAT recorder, MD recorder, or CD recorder.

J 2TR OUT DIGITAL COAXIAL 2

This phono connector outputs consumer format (IEC-60958) digital audio. The connector is typically used to connect the digital stereo input (consumer format) of a DAT recorder, MD recorder, or CD recorder.

K 2TR IN DIGITAL AES/EBU 1

This XLR-3-32-type connector accepts AES/EBU format digital audio. The connector is typically used to connect the digital stereo output (AES/EBU format) of a DAT recorder, MD recorder, or CD recorder.

L 2TR IN DIGITAL COAXIAL 2

This phono connector accepts consumer format (IEC-60958) digital audio. The connector is typically used to connect the digital stereo output (consumer format) of a DAT recorder, MD recorder, or CD recorder.

2

Control Surface & Rear Panel

Power Section

1

POWER

ON OFF

A Grounding screw

Be sure to use this screw to ground the DM1000 to protect yourself against electrical shock. The supplied power cord features a three-pin plug. If the ground terminal of the AC outlet

is grounded, then the unit will be grounded sufﬁciently via the power cord. If the AC outlet does not provide a suitable ground, this screw must be connected to a suitable ground point. Grounding is also an effective method for eliminating hum, interference, and other noise.

B POWER ON/OFF switch

This switch turns the power to the DM1000 on or off.

Note: To prevent loud clicks and thumps in your speakers, turn on your audio equipment in the following order (reverse this order when turning off )—sound sources, multitrack and master recorders, DM1000, monitoring power ampliﬁers.

AC IN

32

C AC IN connector

This connector enables you to connect the DM1000 to an AC outlet via the supplied power cord.

DM1000—Owner’s Manual

26 Chapter 2—Control Surface & Rear Panel

WORD CLOCK

INOUT

CONTROL

IN

OUT

TO HOST

USB

REMOTE MIDI

SMPTE IN

COAXIAL AES/EBU

COAXIAL

AES/EBU

2

1

2TR IN

DIGITAL

METER

POWER

ON OFF

1

SLOT

INPUT

OMNI

IN

23

4

56

78

1

10

111213

145

9

234

567

8

1

10

11

12

9

2

1

3

DIGITAL MIXING CONSOLE MODEL DM1000

AC IN

WORD CLOCK

INOUT

CONTROL

IN

OUT

TO HOST

USB

REMOTE MIDI

SMPTE IN

COAXIAL AES/EBU

COAXIAL

AES/EBU

2

1

2TR IN

DIGITAL

METER

POWER

ON OFF

1

SLOT

INPUT

OMNI

IN

23456

78

1

10

111213

145

9

23

4

567

8

1

10

11

12

9

2

1

3

DIGITAL MIXING CONSOLE MODEL DM1000

AC IN

Installing an Optional Card

Visit the following Yamaha Pro Audio web site to ensure that the card you are installing is supported by the DM1000. Also, verify the number of cards (including other Yamaha or third-party cards) that can be installed in the unit.

<http://www.yamahaproaudio.com/>.

Follow the steps below to install an optional mini-YGDAI card.

1 Make sure that the power to the DM1000 is turned off.

2 Undo the two ﬁxing screws and remove the slot cover, as shown below.

Keep the cover and ﬁxing screws in a safe place for future use.

3 Insert the card between the guide rails and slide it all the way into the slot,

as shown below.

You may have to push ﬁrmly to fully insert the card into the internal connector.

4 Secure the card using the attached thumbscrews.

Tighten the screws ﬁrmly, or else the card may not be grounded correctly, which may cause the DM1000 to malfunction.

DM1000—Owner’s Manual

3 Operating Basics

This chapter describes basic operations on the DM1000, including how to use the display and operate the controls on the top panel.

Operating Basics 27

About the Display

The top panel display indicates various parameters that you must set before you can operate the DM1000. The display indicates the following items:

3Current Scene

1Selected DISPLAY 2Selected channel 9Page title

KPage area

3

Operating Basics

4EDIT indicator

5MIDI indicator

6Surround mode indicator

7Sampling rate indicator

8Timecode counter JChannel name

MTab Scroll arrowsLPage tabs

A Selected DISPLAY

This section indicates the currently-selected display page group.

B Selected channel

This section indicates the Input or Output Channel currently selected by its corresponding [SEL] button or fader. The ﬁrst four characters are the Channel ID (e.g., CH1–CH48, BUS1–BUS8, AUX1–AUX8, ST-L, ST-R). The second four characters are the channel’s Short name. You can edit the channel’s Short name if you desire (see page 76 and 89).

C Current Scene

This section indicates the number and title of the currently-selected Scene memory (see page 156). If the selected Scene is write-protected, a padlock icon ( ) appears.

D EDIT indicator

This indicator appears when the current mix settings no longer match those of the Scene that was most-currently recalled. It works in unison with the Edit indicator dot on the Scene Memory display.

E MIDI indicator

This indicator appears when the DM1000 is receiving MIDI data via the MIDI IN port, USB port, REMOTE connector, or an installed MY8-mLAN card.

DM1000—Owner’s Manual

28 Chapter 3—Operating Basics

F Surround mode indicator

This indicator identiﬁes the currently-selected Surround mode (ST=stereo, 3-1, 5.1, or

6.1) (see page 121).

G Sampling rate indicator

This indicator identiﬁes the DM1000’s current sampling rate: 44.1 kHz (44k), 48 kHz (48k), 88.2 kHz (88k), or 96 kHz (96k).

H Timecode counter

This counter displays the current position in the MIDI timecode being received via the MIDI IN port, USB port, REMOTE connector, or an installed MY8-mLAN card. It works in unison with the timecode counter on an optional MB1000 Meter Bridge.

If MIDI clock is selected as the timecode source on the Setup | Time Ref page, this counter indicates the current MIDI clock position in bars:beats:clocks.

I Page title

This section indicates the title of the current page.

J Channel name

Depending on which page is currently selected, the channel name is the Long name of the channel currently selected by its corresponding [SEL] button or the cursor buttons.

K Page area

This page area displays various page contents.

L Page tabs

These tabs enable you to select a display page.

M Tab Scroll arrows

These arrows indicate that more pages are available.

Selecting Display Pages

To select a display page:

1 Press the corresponding button on the top panel to select the desired page

group.

Display pages are grouped by function. To select a page group, press the [DISPLAY] button in the following sections: AUX SELECT, ENCODER MODE, ROUTING, EQUALIZER, MONITOR, USER DEFINED KEY. You can select additional page groups by pressing the desired button in the DISPLAY ACCESS section.

2You can select pages that have currently-displayed tabs by pressing the

[F1]–[F4] buttons.

If the selected display page group contains multiple pages, press the [F1]–[F4] buttons below the corresponding tab to select a speciﬁc page.

3To select a page for which a tab is not currently displayed, press either the

Left or Right [ ]/[ ] Tab Scroll button (depending on where the page is located) to display the page tab, then press the corresponding [F1]–[F4] button.

If display page groups contain more than four pages, either the left or right arrow appears. To display the currently-hidden tabs, press the Right or Left [ ]/[ ] Tab Scroll button.

You can also select a page from a page group as follows:

• Selecting the next page in a page group:

Press the button you selected in Step 1 repeatedly. This enables you to select a page that has a hidden tab.

DM1000—Owner’s Manual

•To select the previous page in a page group:

Press and hold down the button you selected in Step 1. The screen steps back through the pages one by one. Release the button when the desired page is displayed. This enables you to select a page that has a hidden tab.

•To select the ﬁrst page in the group:

Double-click the button you selected in Step 1.

4 Press the cursor buttons to move the cursor (a bold frame) to a button,

parameter box, rotary control, or fader so that you can change the value.

Tip: The DM1000 remembers the current page and parameter when you select a new page group. If you return to the previous page group, the DM1000 displays the correct page, with the same parameter selected. You can also select a page by using the controls or buttons on the top panel (see page 250).

Display Interface

This section describes how to use the display interface.

Rotary Controls & Faders

Display Interface 29

3

Operating Basics

The rotary controls and faders enable you to adjust the continuously variable parameter values, including Input Channel levels and effects parameters. Press the cursor buttons to move the cursor to a rotary control or fader you want to adjust, then rotate the Parameter wheel or press the [INC]/[DEC] buttons to modify the value.

Buttons

The buttons enable you to turn certain functions on (enabled) or off (disabled). Move the cursor to the appropriate button, then press the [ENTER] button to turn the function on (highlighted) or off. The buttons also enable you to select one of two options or to execute certain functions.

Parameter Boxes

The parameter boxes enable you to select one of multiple options. Press the cursor buttons to move the cursor to a parameter box, then rotate the Parameter wheel or press the [INC]/[DEC] buttons to select the setting.

You may need to press the [ENTER] button to conﬁrm the change of certain parameter box. If you edit a value in this type of parameter boxes, the value ﬂashes. Press the [ENTER] button to conﬁrm the change, and the ﬂashing stops. If you move the cursor to other parameters while the edited value is ﬂashing, the edit is cancelled.

DM1000—Owner’s Manual

30 Chapter 3—Operating Basics

Conﬁrmation Messages

For certain functions, the DM1000 prompts you for conﬁrmation before executing the functions, as shown here.

Move the cursor to YES and press [ENTER] to execute the function, or move the cursor to NO and press [ENTER] to cancel.

If you take no action for awhile, the conﬁrmation window closes automatically and the function is not executed.

Title Edit Window

The Title Edit window enables you to enter titles for Scene and library memories, Automixes, and so on. You can enter 4, 12, or 16 characters, depending on the item.

The ﬁgure on the left shows uppercase characters and various punctuation marks. The ﬁgure on the right shows lowercase characters and numbers.

Use the cursor buttons to select characters, and press the [ENTER] button to enter them into the title. The cursor moves to the right automatically as each character is entered. Use the Parameter wheel or the Left and Right cursor buttons to move the cursor within the title.

Use the SHIFT LOCK button to select uppercase or lowercase characters, and use the SPC button to enter a space.

To insert a space at the cursor position and move subsequent characters to the right, move the cursor to the INS button and press [ENTER].

To delete the character at the cursor position and move subsequent characters to the left, move the cursor to the DEL button and press [ENTER].

When you have ﬁnished, move the cursor to the OK button, then press [ENTER] to conﬁrm the title. To cancel the title entry, move the cursor to the CANCEL button, then press [ENTER].

DM1000—Owner’s Manual

Selecting Layers

Input Channels and Output Channels (Bus Outs & Aux Outs) are arranged into layers, as illustrated below. There are six layers altogether.

The currently-selected layer determines the function of the channel strip Encoders, [SEL] buttons, [SOLO] buttons, [ON] buttons, and faders. Use the LAYER buttons to select a layer you wish to edit using the channel strip controls.

Input Channel Layer 1–16

Input Channel Layer 17–32

Input Channel Layer 33–48

Master Layer

Remote Layer 1

Remote Layer 2

Selecting Layers 31

3

Operating Basics

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

1

2

3

4

5

6

17 33

18 34

19 35

20 36

21 37

22 38

AUX 1

AUX 2

AUX 3

AUX 4

AUX 5

AUX 6

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

1

2

3

4

5

6

17 33

18 34

19 35

20 36

21 37

22 38

AUX 1

AUX 2

AUX 3

AUX 4

AUX 5

AUX 6

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

1

2

3

4

5

6

17 33

18 34

19 35

20 36

21 37

22 38

AUX 1

AUX 2

AUX 3

AUX 4

AUX 5

AUX 6

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

1

2

3

4

5

6

17 33

18 34

19 35

20 36

21 37

22 38

AUX 1

AUX 2

AUX 3

AUX 4

AUX 5

AUX 6

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

1

2

3

4

5

6

17 33

18 34

19 35

20 36

21 37

22 38

AUX 1

AUX 2

AUX 3

AUX 4

AUX 5

AUX 6

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

1

2

3

4

5

6

17 33

18 34

19 35

20 36

21 37

22 38

AUX 1

AUX 2

AUX 3

AUX 4

AUX 5

AUX 6

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

7

23 39

AUX 7

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

7

23 39

AUX 7

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

7

23 39

AUX 7

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

7

23 39

AUX 7

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

7

23 39

AUX 7

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

7

23 39

AUX 7

5

0

10

5

15

20

10

15

30

20

40

50

30 40 50

+10

0

5

15

10

40

50

30 40 50

+10

0

5

15

10

40

50

30 40 50

+10

0

5

15

10

40

50

30 40 50

+10

0

5

15

10

40

50

30 40 50

+10

0

5

15

10

40

50

30 40 50

40

50

30

60

40

70

50

8

9

13

12

11

10

24 40

25 41

26 42

30 46

29 45

28 44

27 43

AUX 8

BUS 1

BUS 2

BUS 6

BUS 5

BUS 4

BUS 3

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

8

9

13

12

11

10

24 40

25 41

26 42

30 46

29 45

28 44

27 43

AUX 8

BUS 1

BUS 2

BUS 6

BUS 5

BUS 4

BUS 3

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

8

9

13

12

11

10

24 40

25 41

26 42

30 46

29 45

28 44

27 43

AUX 8

BUS 1

BUS 2

BUS 6

BUS 5

BUS 4

BUS 3

+10

0

5

0

10

5

24 40

AUX 8

10

5

24 40

AUX 8

10

5

24 40

AUX 8

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

8

9

13

12

11

10

25 41

26 42

30 46

29 45

28 44

27 43

BUS 1

BUS 2

BUS 6

BUS 5

BUS 4

BUS 3

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

13

12

11

10

8

9

30 46

29 45

28 44

27 43

25 41

26 42

BUS 6

BUS 5

BUS 4

BUS 3

BUS 1

BUS 2

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

8

9

13

12

11

10

25 41

26 42

30 46

29 45

28 44

27 43

BUS 1

BUS 2

BUS 6

BUS 5

BUS 4

BUS 3

0

5

0

10

15

5

15

20

10

20

30

15

30

20

40

50

30

50

60

40

60

70

50

16

15

14

32 48

31 47

STEREO

BUS 8

BUS 7

+10

0

5

0

10

15

5

15

20

10

20

30

15

30

20

40

50

30

50

60

40

60

70

50

16

15

14

32 48

31 47

STEREO

BUS 8

BUS 7

+10

0

5

0

10

15

5

15

20

10

20

30

15

30

20

40

50

30

50

60

40

60

70

50

16

15

14

32 48

31 47

STEREO

BUS 8

BUS 7

+10

0

5

0

10

15

5

15

20

10

20

30

15

30

20

40

50

30

50

60

40

60

70

50

16

15

14

32 48

31 47

STEREO

BUS 8

BUS 7

+10

0

5

0

10

15

5

15

20

10

20

30

15

30

20

40

50

30

50

60

40

60

70

50

16

15

14

32 48

31 47

STEREO

BUS 8

BUS 7

+10

0

5

0

10

15

5

15

20

10

20

30

15

30

20

40

50

30

50

60

40

60

70

50

16

15

14

32 48

31 47

STEREO

BUS 8

BUS 7

The following table shows the layers that you can access using the LAYER buttons, and the parameters you can control using the channel strips on each layer.

LAYER buttons Layers

[1-16] button

[17-32] button

[33-48] button

[REMOTE 1] button

[REMOTE 2] button

[MASTER] button

Input Channel Layer 1–16 Input Channels 1–16

Input Channel Layer 17–32 Input Channels 17–32

Input Channel Layer 33–48 Input Channels 33–48

Remote Layer 1

Remote Layer 2

Master Layer

Operation depends on the selected target (see page 205).

Aux Send masters 1–8

Channel Strips

1–8 9–16

Bus Out masters 1–8

Tip: The function of each channel strip fader and Encoder depends on the currently-selected Fader mode (see page 33) and Encoder mode (see page 34) respectively.

DM1000—Owner’s Manual

32 Chapter 3—Operating Basics

EQUALIZER

LOW

HIGH

GAIN

Q

FREQUENCY

LOW MID

HIGH MID

ROUTING

12

34

56

78

STEREO DIRECT

DISPLAY

SELECTED CHANNEL

GRAB

Selecting Channels

The SELECTED CHANNEL controls enable you to edit main mix parameters for a channel selected from the Input Channels and Output Channels (Aux Outs, Bus Outs, and Stereo Out).

To select a channel for editing using the SELECTED CHANNEL controls, follow the steps below:

1 Press the corresponding LAYER button to select a

layer that includes the desired channel (see page 31).

2 Use the corresponding [SEL] button or fader to

select the desired Input or Output Channel.

The channel is selected and the [SEL] button indicator lights up.

If the Fader Touch Sense parameter is enabled on the Setup | Prefer2 page (see page 252), operating a fader selects the corresponding channel.

The Channel’s ID and Short name appear in the upper-left corner of the display. If the currently-displayed page contains a relevant channel parameter, the cursor moves to that parameter automatically. If the currently-displayed page contains no such parameter, a page that does contain such a parameter is selected automatically.

Tip: For paired Input or Output Channels, the channel for which you pressed the [SEL] button is selected, and its indicator lights up. The [SEL] button indicator of the paired partner ﬂashes.

3To select the Stereo Out, press the STEREO [SEL] button or touch the [STE-

REO] fader.

Repeatedly pressing the STEREO [SEL] button toggles between the Stereo Out left and Stereo Out right channels.

If the currently-displayed page contains a relevant Stereo Out parameter, the cursor moves to that parameter automatically. If the currently-displayed page contains no such parameter, a page that does contain such a parameter is selected automatically.

Tip: If the Auto Channel Select parameter is enabled on the Setup | Prefer1 page (see page 250), operating a fader or Encoder, or turning on a [SOLO] or [ON] button selects the corresponding channel.

DM1000—Owner’s Manual

Selecting Fader Modes

The function of channel faders (1–16) depends on the selected Layer and Fader mode.

1 Select a layer that includes the desired channel (see page 31).

Selecting Fader Modes 33

2 Press the FADER MODE [FADER/AUX] button to select a Fader

mode.

•When the [FADER]indicator

lights up: .............................................. You can use channel faders to

control Input Channel levels or Output Channel (Aux Out 1–8, Bus Out 1–8) master levels.

•When the [AUX] indicator

lights up: .............................................. You can use channel faders to control Input

Channel Aux Send levels.

The following table shows the channel fader functions for each Layer and Fader mode.

LAYER buttons Fader Mode

[1-16] button

[17-32] button

[33-48] button

[REMOTE 1] button

[REMOTE 2] button

[MASTER] button

Fader Input Channels 1–16 level

Aux Input Channels 1–16 Aux Send level

Fader Input Channels 17–32 level

Aux Input Channels 17–32 Aux Send level

Fader Input Channels 33–48 level

Aux Input Channels 33–48 Aux Send level

Fader

Aux No operation No operation

Fader

Aux No operation No operation

Fader

Aux No operation No operation

Operation depends on the selected target (see page 205).

Aux Send master 1–8 output level

Channel Strip Fader

1–8 9–16

Bus Out master1–8 output level

FADER MODE

FADER

AUX

3

Operating Basics

Note: You cannot select Aux mode while the Master layer is selected. If you switch to the Master layer while the FADER MODE [AUX] indicator is lit, the indicator automatically turns off and the [FADER] indicator lights up.

DM1000—Owner’s Manual

34 Chapter 3—Operating Basics

Selecting Encoder Modes

The function of Encoders (1–16) depends on the selected Layer and Encoder mode.

1 Select a layer that includes the desired channel (see page 31).

2 Press the corresponding ENCODER MODE button to

select an Encoder mode.

DISPLAY

•When the [PAN] button indicator

lights up: ...............................................Encoders 1–16 function as

Pan controls for the selected layer.

•When the [AUX] button indicator

lights up: ...............................................Encoders 1–16 function as Aux Send level con-

trols for the selected layer.

•When the [ASSIGN] button indicator

lights up: ...............................................Encoders control the parameters assigned to the

[ASSIGN] button for the selected layer. (See the next section for more information on how to assign parameters to the [ASSIGN] button.)

The following table shows the Encoder functions for each Layer and Encoder mode.

LAYER buttons Encoder Mode

Pan Input Channels 1–16 pan

[1-16] button

[17-32] button

[33-48] button

[REMOTE 1] button

[REMOTE 2] button

[MASTER] button

Aux Input Channels 1–16 Aux Send level

Assign Assigned parameter

Pan Input Channels 17–32 pan

Aux Input Channels 17–32 Aux Send level

Assign Assigned parameter

Pan Input Channels 33–48 pan

Aux Input Channels 33–48 Aux Send level

Assign Assigned parameter

Pan

Aux

Assign

Pan

Aux

Assign

Pan

Aux

Assign Assigned parameter

Operation depends on the selected target (see page 205).

No operation

Channel Strip Encoder

1–8 9–16

ENCODER MODE

AUXPAN

ASSIGN

DM1000—Owner’s Manual

Assigning Parameters to the ENCODER MODE [ASSIGN] button 35

Assigning Parameters to the ENCODER MODE [ASSIGN] button

While the ENCODER MODE [ASSIGN] button indicator is lit, you can use Encoders 1–16 to control a parameter assigned to the [ASSIGN] button. Follow the steps below to assign a parameter to the [ASSIGN] button.

1 Press the ENCODER MODE [DISPLAY] button.

The Encoder | Encoder page appears. The name of the parameter currently assigned to the [ASSIGN] button is displayed in the left-hand box. All assignable parameters are displayed in the right-hand box. (The parameter currently-assigned to the button is highlighted in the right-hand box.)

2 Use the Parameter wheel or press the [INC]/[DEC] buttons to select a param-

eter in the right-hand box.

A parameter is selected when it appears inside the dotted box. Refer to the next page for a complete list of assignable parameters.

3

Operating Basics

3 Press [ENTER] to conﬁrm the assignment.

Once assigned, press the ENCODER MODE [ASSIGN] button to turn on the button indicator. You can now use Encoders 1–16 to control the assigned parameter.

Note: When channels that do not feature the currently-assigned parameter are selected, the Encoders are inactive. For example, if the assigned Encoder parameter is “Phase,” and the Master layer is selected, Encoders are inactive, because the Aux Sends and Bus Outs do not feature Phase parameters.

DM1000—Owner’s Manual

36 Chapter 3—Operating Basics

• Assignable Encoder Mode Parameter List

# Parameters Encoder Operation Push Switch Operation

No Assign

1

Attenuator

2

Input Patch

3

Insert In Patch

4

Insert Out Patch

5

Direct Out

6

Phase:

7

Insert On

8

Aux pre/post

9

Delay On

10

Delay Time

11

Delay FB.Gain

12

Delay Mix

13

EQ On

14

EQ Type

15

EQ Low Q

16

EQ Low F

17

EQ Low G

18

EQ Low-Mid Q

19

EQ Low-Mid F

20

EQ Low-Mid G

21

EQ High-Mid Q

22

EQ High-Mid F

23

EQ High-Mid G

24

EQ High Q

25

EQ High F

26

EQ High G

27

Gate On

28

Gate Threshold

29

Gate Range

30

Gate Attack

31

Gate Decay

32

Gate Hold

33

Comp On

34

Comp Threshold

35

Comp Ratio

36

Comp Attack

37

Comp Release

38

Comp Out Gain

39

Comp Knee/Width

40

Surr L/R Pan

41

Surr F/R Pan

42

Surr Front DIV

43

Surr Rear DIV

44

Surr LFE Level

45

Surr Pan Wheel

46

Scene Fade Time

47

AD824 Gain

48

Ins AD824 Gain

49

——

Attenuator Display the settings.

Input Channel patch

Insert In patch

Insert Out patch

Direct Out patch

Phase: normal/reverse

Insert on/off

Aux pre/post

Delay on/off

Delay Time

Delay FB.Gain

Delay Mix

EQ on/off

EQ Type

EQ Low Q

EQ Low Frequency

EQ Low Gain

EQ Low-Mid Q

EQ Low-Mid Frequency

EQ Low-Mid Gain

EQ High-Mid Q

EQ High-Mid Frequency

EQ High-Mid Gain

EQ High Q

EQ High Frequency

EQ High Gain

Gate on/off

Gate Threshold

Gate Range

Gate Attack

Gate Decay

Gate Hold

Comp on/off

Comp Threshold

Comp Ratio

Comp Attack

Comp Release

Comp Out Gain

Comp Knee/Width

Surr L/R Pan

Surr F/R Pan

Surr Front DIV

Surr Rear DIV

Surr LFE Level

Surr Pan Wheel

Scene Fade Time

AD824 Gain

Ins AD824 Gain

Conﬁrm patch selection.

Display the settings.

DM1000—Owner’s Manual

Metering

This section describes how to check Input and Output Channel levels using the Meter pages or an optional MB1000 Peak Meter Bridge.

1 Press the DISPLAY ACCESS [METER] button repeatedly until the Meter | Posi-

tion page appears.

This page enables you to set the metering position for Input and Output Channels.

Metering 37

3

Operating Basics

1

2

A INPUT section

This section enables you to select the metering position for Input Channel signals.

B OUTPUT section

This section enables you to select the metering position for Output Channel (Aux Out 1–8, Bus Out 1–8, Stereo Out) signals.

2 Move the cursor to the desired parameter button in the INPUT or OUTPUT

section, then press [ENTER].

You can select one of the following three positions in each section.

• PRE EQ ..........................Immediately before EQ.

• PRE FADER ..................Immediately before the fader.

• POST FADER ...............Immediately after the fader.

Tip: If an optional MB1000 Peak Meter Bridge is installed, changes on this page will be reﬂected on the Input & Output Metering Position parameters on the Peak Meter Bridge.

3 Press the DISPLAY ACCESS [METER] button repeatedly until the page listed

below that contains the desired channels appears.

- CH1-32 page

- CH33-48 page

These pages display the Input Channel 1–32 levels and Input Channel 33–48 levels respectively.

- CH1-48 page

This page displays the Input Channel 1–48 levels altogether.

-Master page

This page displays the Output Channel (Aux Out 1–8, Bus Out 1–8, Stereo Out) levels altogether.

-Effect page

This page displays the internal effects processor 1–4 input and output levels altogether.

DM1000—Owner’s Manual

38 Chapter 3—Operating Basics

-Stereo page

This page displays the Stereo Out or Control Room Monitor output level.

Tip: You can also select the CH1-32 page, the CH33-48 page, or the Master page using the LAYER buttons. In this case, if an optional MB1000 Peak Meter Bridge is installed, the Peak Meter Bridge displays the same signal meters in unison with the DM1000 meters.

4 If you selected the CH1-32 page, the CH33-48 page, or the Master page, use

the MASTER MODE parameter to select one of the following three metering signal types:

• GATE GR....................... The amount of gain reduction for the gate (except for the Mas-

ter page)

• COMP GR..................... The amount of gain reduction for the compressor

• LEVEL ........................... Input Channel input level, or Output Channel output level

• CH1-32 page • CH33-48 page

• CH1-48 page • Master page

Tip: These pages also allow you to change the metering position using the POSITION parameter. This parameter setting operates in unison with the Meter | Position page setting.

DM1000—Owner’s Manual

Metering 39

5 If you selected the Stereo page, use the METER MODE parameter to select

one of the following two metering signal types:

• C-R .................................Control Room Monitor output signal

• STEREO.........................Stereo Out signal

This parameter setting affects the meters on the Meter | Master page, the ST meter on the Stereo page, and the stereo meter on the right side of the display.

3

Operating Basics

6To activate the Peak Hold function, move the cursor to the PEAK HOLD but-

ton, then press [ENTER].

The PEAK HOLD button turns on, and the peak level is held on the meters on the page and on the Peak Meter Bridge. To cancel the Peak Hold function, turn the PEAK HOLD button off. If an optional MB1000 Peak Meter Bridge is installed, its Peak Hold function switches in unison with the DM1000 meters.

DM1000—Owner’s Manual

40 Chapter 3—Operating Basics

DM1000—Owner’s Manual

4 Connections and Setup

This chapter explains how to connect and set up your DM1000.

Connections

The following section explains three typical ways to connect the DM1000 to external equipment, although there are numerous others.

■ Conﬁguring an analog 32-channel mixing system

Synthesizer Synthesizer

MUSIC

SYNTHESIZER

PRODUCTION

Sequencer

Sampling

Integrated

Real-timeExternalControl

Surface

Modular

SynthesisPlug-in

SONG SCENE

REC

System

REC

Connections and Setup 41

MUSIC

SYNTHESIZER

PRODUCTION

Sequencer

Sampling

Integrated

Real-timeExternalControl

Surface

Modular

SynthesisPlug-in

SONG SCENE

System

4

Connections and Setup

Effects processor

88

Guitar

MY8-AD96

etc.

MY8-AD96

etc.

Master recorder

SLOT 1 SLOT 2

OMNI IN connector

OMNI OUT connector

INPUT connector

5

234

1

+48V

ONOFF

1

PAD

20dB

20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB

-60

-16

GAIN

PEAK

SIGNAL

DISPLAYACCESS

AUTOMIX DIO SETUP UTILITY

MIDI REMOTE METER VIEW

INPUT

/

PAIR/GROUP

INSERT/DELAY

PATCH

PAN/

EFFECTSURROUNDDYNAMICS SCENE

AUXSELECT

DISPLAY

AUX2 AUX3 AUX4

AUX1

AUX6AUX5 AUX7 AUX8

ENCODER MODE

FADER MODE

DISPLAY

AUXPAN

ASSIGN

SEL

SOLO

ON

1

2

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

1

2

17 33

18 34

AUX 1

AUX 2

6

78 1213 14 15

+48V

ONOFF

-60

-16

GAIN

PEAK

SIGNAL

F1 F2 F3

SEL

SOLO

ON

7

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

7

23 39

AUX 7

91011

+48V

ONOFF

-60

-16

GAIN

PEAK

SIGNAL

F4

SEL

SOLO

ON

8

9

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

11

10

8

9

27 43

26 42

24 40

25 41

BUS 3

AUX 8

BUS 1

BUS 2

+48V

ONOFF

-60

-16

GAIN

PEAK

SIGNAL

OUTPUT PATCH

FADER

AUX

SEL

SOLO

ON

3

4

5

6

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

3

4

5

6

19 35

20 36

21 37

22 38

AUX 3

AUX 4

AUX 5

AUX 6

+48V

ONOFF

-60

-16

GAIN

PEAK

SIGNAL

OVER

0

-2

-4

-6

-8

-10

-12

-14

-18

-24

-30

-36

-42

-48

-56

-72

LR

SEL

SOLO

ON

10

15

20

30

40

50 60 70

12

28 44

BUS 4

+48V

ONOFF

1615141312111098765432

010

TALKBACK LEVEL

010

-60

-16

PHONES

GAIN

LEVEL

PEAK

SIGNAL

SELECTED CHANNEL

ROUTING

EQUALIZER

DISPLAY

OVER

0

-2 12

HIGH

-4

Q

-6 34

HIGHMID

-8

-10

-12 56

LOWMID

FREQUENCY

-14

-18

-24 78

LOW

-30

GAIN

-36

STEREO DIRECT

-42

DEC

-48

-56

-72

GRAB

SCENEMEMORY

STORE RECALL

ENTER

AUTO

SEL

SOLO

ON

16151413121110

+10

0

5

0

10

15

5

15

20

10

20

30

15

30

20

40

50

30

50

60

40

60

70

50

16

15

14

13

32 48

31 47

30 46

29 45

STEREO

BUS 8

BUS 7

BUS 6

BUS 5

2TR IN DIGITAL connector

16

+48V

ONOFF

2TR OUT DIGITAL connector

PHONES

MONITOR

DISPLAY

SOLO CLEAR

STEREO

2TR D2

2TR D1

SLOT

BUS

100

MONITOR

TALKBACK

LEVEL

DIMMER

INC

OMNI OUT connectors 11–12

USERDEFINED KEYS

DISPLAY

PHONES jack

VOL VOL

Monitoring system

In this system, the DM1000, with optional AD cards (MY8-AD, MY8-AD96, etc.) installed in Slots 1 and 2, is used as a keyboard mixer or sound re-enforcement mixer. Up to 32 analog channels, including Inputs 1–16 and line inputs on the AD cards, are available for mixing.

Tip: You can adjust the gain of the AD card channels by setting the DIP switches on the cards. For more information, see your AD card documentation.

DM1000—Owner’s Manual

42 Chapter 4—Connections and Setup

■ Conﬁguring a recording system with a hard disk recorder

Effects processor

88

Synthesizer

REC

OMNI IN connector

OMNI OUT connector

MUSIC

SYNTHESIZER

PRODUCTION

Sequencer

Sampling

Integrated Real-timeExternalControl

Surface

Modular

SynthesisPlug-in

SONG SCENE

System

INPUT connector

HDR (Hard Disk Recorder)

MIDI OUT

WORD CLOCK OUT connector

IN OUT IN OUT

MY8-AT

etc.

SLOT 1 SLOT 2

1

+48V

1

PAD

20dB

-16

GAIN

PEAK

SIGNAL

DISPLAYACCESS

AUTOMIX DIO SETUP UTILITY

MIDI REMOTE METER VIEW

PAIR/GROUP

INSERT/DELAY

PAN/

AUXSELECT

DISPLAY

AUX1

ENCODER MODE

DISPLAY

SEL

SOLO

ON

1

+10

5

0

5

10

15

20

30 40 50

1

17 33

AUX 1

MY8-AT

etc.

5

234

+48V

ONOFF

20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB

-60

-16

GAIN

PEAK

SIGNAL

INPUT

/

PATCH

EFFECTSURROUNDDYNAMICS SCENE

AUX2 AUX3 AUX4

AUX6AUX5 AUX7 AUX8

AUXPAN

ASSIGN

SEL

SOLO

ON

2

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

2

18 34

AUX 2

6

+48V

ONOFF

-60

-16

FADER MODE

+10

5

0

5

10

15

20

30 40 50

-60

-16

GAIN

PEAK

SIGNAL

OUTPUT PATCH

FADER

AUX

F1 F2 F3

SEL

SOLO

ON

3

4

5

6

7

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

3

4

5

6

7

19 35

20 36

21 37

22 38

23 39

AUX 3

AUX 4

AUX 5

AUX 6

AUX 7

MIDI IN

WORD CLOCK IN connector

78 1213 14 15

91011

+48V

ONOFF

-60

-16

GAIN

PEAK

SIGNAL

F4

SEL

SOLO

ON

8

9

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

10

8

9

27 43

26 42

24 40

25 41

AUX 8

BUS 1

BUS 2

+48V

ONOFF

-60

-16

GAIN

PEAK

SIGNAL

SELECTED CHANNEL

ROUTING

DISPLAY

OVER

0

-2

-2 12

-4

-6

-6 34

-8

-10

-12

-12 56

-14

-18

-24

-24 78

-30

-36

-36 STEREO DIRECT

-42

-48

-56

-72

LR

SCENEMEMORY

STORE RECALL

SEL

SOLO

ON

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

15

14

13

12

11

31 47

30 46

29 45

28 44

BUS 7

BUS 6

BUS 5

BUS 4

BUS 3

MIDI IN

+48V

ONOFF

1615141312111098765432

010

TALKBACK LEVEL

010

-60

-16

PHONES

GAIN

LEVEL

PEAK

SIGNAL

EQUALIZER

DISPLAY

HIGH

Q

HIGHMID

LOWMID

FREQUENCY

LOW

GAIN

DEC

GRAB

ENTER

AUTO

SEL

SOLO

ON

16151413121110

+10

0

5

0

10

15

5

15

20

10

20

30

15

30

20

40

50

30

50

60

40

60

70

50

16

32 48

STEREO

BUS 8

MIDI OUT

16

+48V

ONOFF

PHONES

MONITOR

DISPLAY

SOLO CLEAR

STEREO

2TR D2

2TR D1

SLOT

BUS

100

MONITOR

TALKBACK

LEVEL

DIMMER

INC

USERDEFINED KEYS

DISPLAY

Computer

Master recorder

TO HOST USB port

2TR IN DIGITAL connector

2TR OUT DIGITAL connector

OMNI OUT connectors 11–12

VOL VOL

Monitoring system

PHONES jack

In this system, the DM1000, with optional I/O cards (MY8-AT, MY16-AT, MY8-TD, etc.) installed in Slots 1 and 2, is one component in a system that includes a digital MTR, such as a hard disk recorder. This system will support track recording, overdubbing, track bouncing, and mixdown. You can also control the hard disk recorder’s transport section by sending MMC commands from the DM1000 to the recorder.

DM1000—Owner’s Manual

Connections 43

■ Conﬁguring a recording system that uses a DAW (Digital Audio Workstation)

Computer

MIDI interface

MIDI IN

MIDI OUT

Audio interface

4

Connections and Setup

Effects processor

88

Synthesizer

REC

OMNI IN connector

OMNI OUT connector

MUSIC

SYNTHESIZER

PRODUCTION

Sequencer

Sampling

Integrated

Real-timeExternalControl

Surface

Modular

SynthesisPlug-in

SONG SCENE

System

INPUT connector

WORD CLOCK OUT

connector

IN OUT IN OUT

MY-16AT

etc.

MY-16AT

etc.

SLOT 1 SLOT 2

5

234

1

+48V

ONOFF

1

PAD

20dB

20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB

-60

-16

GAIN

PEAK

SIGNAL

DISPLAYACCESS

AUTOMIX DIO SETUP UTILITY

MIDI REMOTE METER VIEW

INPUT

/

PAIR/GROUP

INSERT/DELAY

PATCH

PAN/

EFFECTSURROUNDDYNAMICS SCENE

AUXSELECT

DISPLAY

AUX2 AUX3 AUX4

AUX1

AUX6AUX5 AUX7 AUX8

ENCODER MODE

DISPLAY

AUXPAN

ASSIGN

SEL

SOLO

ON

1

2

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

1

2

17 33

18 34

AUX 1

AUX 2

6

+48V

ONOFF

-60

-16

FADER MODE

+10

5

0

5

10

15

20

30 40 50

-60

-16

GAIN

PEAK

SIGNAL

OUTPUT PATCH

SEL

SOLO

ON

3

19 35

AUX 3

-16

GAIN

PEAK

SIGNAL

FADER

AUX

F1 F2 F3

SEL

SOLO

ON

4

5

6

7

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

4

5

6

7

20 36

21 37

22 38

23 39

24 40

AUX 4

AUX 5

AUX 6

AUX 7

MIDI IN

WORD CLOCK IN connector

78 1213 14 15

91011

+48V

ONOFF

+48V

ONOFF

1615141312111098765432

-60

-16

GAIN

PEAK

SIGNAL

F4

SEL

SOLO

ON

8

9

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

10

8

9

25 41

26 42

AUX 8

BUS 1

BUS 2

-60

0

5

10

15

20

30

40

50 60 70

-16

GAIN

PEAK

SIGNAL

OVER

0

-2

-4

-6

-8

-10

-12

-14

-18

-24

-30

-36

-42

-48

-56

-72

LR

SEL

SOLO

ON

+10

5

0

5

10

15

20

30 40 50

12

28 44

BUS 4

-16

GAIN

PEAK

SIGNAL

SELECTED CHANNEL

ROUTING

DISPLAY DISPLAY

OVER

0

-2 12

-4

Q

-6 34

-8

-10

-12 56

FREQUENCY

-14

-18

-24 78

-30

GAIN

-36

STEREO DIRECT

-42

-48

-56

-72

GRAB

SCENEMEMORY

STORE RECALL

SEL

SOLO

ON

16151413121110

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

16

15

14

13

32 48

31 47

30 46

29 45

BUS 8

BUS 7

BUS 6

BUS 5

-16

GAIN

PEAK

SIGNAL

SEL

SOLO

ON

11

27 43

BUS 3

+48V

ONOFF

010

TALKBACK LEVEL

010

-60

PHONES

LEVEL

EQUALIZER

HIGH

HIGHMID

LOWMID

LOW

DEC

ENTER

AUTO

SEL

ON

0

5

10

15

20

30

40

50

60

70

STEREO

MIDI OUT

16

+48V

ONOFF

PHONES

MONITOR

DISPLAY

SOLO CLEAR

STEREO

2TR D2

2TR D1

SLOT

BUS

100

MONITOR

LEVEL

TALKBACK

DIMMER

INC

USERDEFINED KEYS

DISPLAY

Master recorder

TO HOST USB port

2TR IN DIGITAL connector

2TR OUT DIGITAL connector

OMNI OUT connectors 11–12

VOL VOL

Monitoring system

PHONES jack

In this system, the DM1000, with optional I/O cards (MY8-AT, MY16-AT, MY8-AE, etc.) installed in Slots 1 and 2, is connected to a computer-based DAW (Digital Audio Workstation). The DM1000 can provide audio input and output for the DAW. If you connect the DM1000 and the computer via USB, the DM1000’s Remote function enables you to control the DAW’s locate and transport functions and change the parameters.

DM1000—Owner’s Manual

44 Chapter 4—Connections and Setup

Wordclock Connections and Settings

About wordclock

Digital audio equipment must be synchronized when digital audio signals are transferred from one device to another. Even if both devices use identical sampling rates, digital signals may not transfer correctly, or audible noise or unwanted clicks may occur if the digital audio processing circuits inside each digital audio device are not synchronized with each other.

Wo rdclocks are signals that enable digital audio processing circuits to synchronize with each other. In a typical digital audio system, one device operates as the wordclock master, transmitting wordclock signals, and the other devices operate as wordclock slaves, synchronizing to the wordclock master.

If you are digitally connecting the DM1000 to other equipment, you must decide which device to use as the wordclock master and which devices to use as slaves, then set up all the devices accordingly. The DM1000 can be used as the wordclock master running at either

44.1 kHz, 48 kHz, 88.2 kHz, or 96 kHz, or slaved to an external wordclock source.

Wordclock connections

To establish wordclock synchronization between the DM1000 and external devices, you can distribute wordclock signals independently via dedicated cables, or you can use clock information derived from digital audio connections.

The WORD CLOCK IN and OUT connectors transmit and receive wordclock signals independently on the DM1000. The following examples show two ways in which wordclock signals can be distributed and received via the WORD CLOCK IN and OUT connectors.

• Daisy Chain Distribution

In this example, the wordclock signal is distributed in a “daisy-chain” fashion, with each device feeding the wordclock signal from the wordclock out connector on to the wordclock in connector of the next device. This method of distribution is not recommended for larger systems.

Wordclock

master

WC OUT (BNC)

WC IN (BNC)

Device A

Wordclock slave

WC OUT (BNC)

WC IN (BNC)

Device B

Wordclock slave

WC OUT (BNC)

WC IN (BNC)

Device C

Wordclock slave

• Star Distribution

In this example, a dedicated wordclock distribution box (such as a Yamaha IFU4) is used to supply wordclock signals from the wordclock master to each wordclock slave individually.

Wordclock

master

WC IN (BNC) WC IN (BNC) WC IN (BNC) WC IN (BNC)

Device A

Wordclock slave

DM1000—Owner’s Manual

WC OUT (BNC)

Device B

Wordclock slave

Wordclock

distribution box

Device C

Wordclock slave

Device D

Wordclock slave

Wordclock Connections and Settings 45

If the external devices do not have wordclock in and out connectors, you can use the clock information included in the digital audio signals. In this case, digital audio signals and wordclock signals are transferred via the 2TR OUT DIGITAL and 2TR IN DIGITAL jacks or via the digital I/O cards installed in the rear panel slots.

Digital audio signal

+

Wordclock signal

External device

Digital I/O

card

5

234

1

+48V

ONOFF

1

PAD

20dB

20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB

-60

-16

GAIN

PEAK

SIGNAL

DISPLAYACCESS

AUTOMIX DIO SETUP UTILITY

MIDI REMOTE METER VIEW

INPUT

/

PAIR/GROUP

INSERT/DELAY

PATCH

PAN/

EFFECTSURROUNDDYNAMICS SCENE

AUXSELECT

DISPLAY

AUX2 AUX3 AUX4

AUX1

AUX6AUX5 AUX7 AUX8

ENCODER MODE

DISPLAY

AUXPAN

ASSIGN

SEL

SOLO

ON

1

2

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

1

2

17 33

18 34

AUX 1

AUX 2

6

78 1213 14 15

+48V

ONOFF

-60

-16

GAIN

PEAK

SIGNAL

F1 F2 F3

SEL

SOLO

ON

7

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

7

23 39

AUX 7

91011

+48V

ONOFF

-60

-16

GAIN

PEAK

SIGNAL

F4

SEL

SOLO

ON

8

9

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

11

10

8

9

27 43

26 42

24 40

25 41

BUS 3

AUX 8

BUS 1

BUS 2

+48V

ONOFF

-60

-16

GAIN

PEAK

SIGNAL

OUTPUT PATCH

FADER MODE

FADER

AUX

SEL

SOLO

ON

3

4

5

6

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

3

4

5

6

19 35

20 36

21 37

22 38

AUX 3

AUX 4

AUX 5

AUX 6

-16

+10

0

5

0

10

5

15

10

15

20

30 40 50

+48V

ONOFF

-60

GAIN

PEAK

SIGNAL

OVER

0

-2

-4

-6

-8

-10

-12

-14

-18

-24

-30

-36

-42

-48

-56

-72

LR

SEL

SOLO

ON

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

12

28 44

BUS 4

+48V

ONOFF

-60

-16

GAIN

PEAK

SIGNAL

DISPLAY

OVER

0

-2

-4

-6

-8

-10

-12

-14

-18

-24

-30

-36 STEREO DIRECT

-42

-48

-56

-72

STORE RECALL

SEL

SOLO

ON

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

14

13

30 46

29 45

BUS 6

BUS 5

0

10

15

20

30

40

50 60 70

ONOFF

-16

12

34

56

78

+10

5

0

5

10

15

20

30 40 50

+48V

ONOFF

-60

-16

GAIN

PEAK

SIGNAL

SELECTED CHANNEL

ROUTING

SCENEMEMORY

SEL

SOLO

ON

+10

0

5

0

10

5

15

20

10

15

30

20

40

50

30

60

40

70

50

15

31 47

BUS 7

16

+48V

ONOFF

1615141312111098765432

010

TALKBACK LEVEL

010

-60

PHONES

GAIN

LEVEL

PEAK

SIGNAL

MONITOR

EQUALIZER

DISPLAY

SOLO CLEAR

HIGH

Q

STEREO

2TR D2

2TR D1

HIGHMID

SLOT

BUS

LOWMID

FREQUENCY

100

MONITOR

TALKBACK

LEVEL

DIMMER

LOW

GAIN

INC

DEC

GRAB

ENTER

SEL

AUTO

SEL

SOLO

ON

16151413121110

USERDEFINED KEYS

0

DISPLAY

5

10

15

20

30

40

50

60

70

16

32 48

STEREO

BUS 8

Specifying the Wordclock Source

To digitally connect the DM1000 to external devices, you must specify the wordclock source for the system. Follow the steps below.

4

Connections and Setup

Note: When you change the wordclock settings on any device in your digital audio system, some devices may output noise due to being out of synchronization. Be sure to turn down your monitoring device before changing wordclock settings.

1 Press the DISPLAY ACCESS [DIO] button, then press the [F1] (WORD CLOCK)

button.

The Word Clock page appears. On this page, you can view the current synchronization status of input signals at each slot and connector.

DM1000—Owner’s Manual

46 Chapter 4—Connections and Setup

The source select button indicators are explained below:

A usable wordclock signal is present at this input, and it is in sync with the current DM1000 internal clock.

No wordclock signal is present at this input. A usable wordclock signal is present at this input, but it is out of sync with the current

DM1000 internal clock. This input is the currently-selected wordclock source. This input was selected as the wordclock source, but no usable signal was received. This input cannot be selected as the wordclock source because (a) a wordclock signal

cannot be sourced from this input on this type of I/O card, or (b) no I/O card is installed.

Tip:

• The FS box displays the sampling frequency at which the DM1000 is currently operating.

• The SLOT TYPE column displays the names of any installed I/O cards.

• The IN and OUT columns indicate the number of input and output channels available for each installed I/O card.

2 Use the cursor buttons to move the cursor to a source, then press [ENTER].

The following are possible wordclock sources:

• SLOT1/SLOT2 .............. These buttons select the inputs from the digital I/O cards

• WC IN............................ This button selects the wordclock signal input at the WORD

• 2TRD1 ...........................This button selects the 2TR IN DIGITAL 1 input as the word-

• 2TRD2 ...........................This button selects the 2TR IN DIGITAL 2 input as the word-

• INT 44.1k, INT 48k,

INT 88.2, INT 96k........ These buttons select the internal clock generator as the word-

installed in Slots 1 and 2 as the wordclock source. Inputs are selected in pairs (odd and even numbers in this order). The SLOT TYPE column displays the names of any installed I/O cards. The number of pairs depends on the type of I/O card installed.

CLOCK IN connector on the rear panel.

clock source.

clock source. The DM1000 will function as the wordclock master.

Note: To transfer data at higher sampling frequencies (88.2 kHz or 96 kHz) between the DM1000 and connected external devices, you need to set the data transfer format. See page 57 for more information.

Tip: If an external wordclock source fails, the DM1000 automatically switches to its internal clock generator at the closest frequency (INT 44.1k, INT 48k, INT 88.2k, INT 96k).

DM1000—Owner’s Manual

Input and Output Patching

The DM1000 is designed to enable you to patch (assign) signals to Inputs and Outputs. This section explains how to view the signals patched to Inputs and Outputs and change the assignment.

Tip: If the data from a connected instrument fails to be input, or if you are unable to monitor an OMNI OUT, check the I/O patching, as explained below:

Input and Output Patching 47

Patching Input Channels

By default, the Input Channels are patched as follows:

• INPUT connectors 1–16 .................... Input Channels 1–16

• Channels 1–8 of Slot 1 ....................... Input Channels 17–24

• Channels 1–8 of Slot 2 ....................... Input Channels 25–32

•Outputs 1–2 of Internal Effects

Processor 1–4 ...................................... Input Channels 33–40

• L&R of 2TR IN DIGITAL

connectors 1–2 ....................................Input Channels 41–44

• OMNI IN connectors 1–4.................. Input Channels 45–48

Follow the steps below to view or change the patching.

1 Press the DISPLAY ACCESS [INPUT PATCH] button repeatedly until the fol-

lowing page appears.

4

Connections and Setup

1

Inputs and Slot channels that are currently assigned to Input Channels are shown in the parameter boxes (1) beneath the channel numbers. The parameter indicators are explained below:

• – .....................................No assignment

• AD1–AD16....................INPUT connectors 1–16

• OMN1–OMN4 .............OMNI IN connectors 1–4

• S1-1–S116......................Channels 1–16 of Slot 1

• S2-1–S216......................Channels 1–16 of Slot 2

• FX1-1–FX1-8 ................Outputs 1–8 of Internal Effects Processor 1

• FX2-1–FX2-2 ................Outputs 1–2 of Internal Effects Processor 2

• FX3-1–FX3-2 ................Outputs 1–2 of Internal Effects Processor 3

• FX4-1–FX4-2 ................Outputs 1–2 of Internal Effects Processor 4

• 2D1L & 2D1R ...............2TR DIGITAL IN 1 (L/R)

DM1000—Owner’s Manual

48 Chapter 4—Connections and Setup

• 2D2L & 2D2R ...............2TR DIGITAL IN 2 (L/R)

• BUS1–8.......................... Bus 1–8 Outputs

• AUX1–8......................... Aux Send 1–8 Outputs

2 Use the cursor buttons to move the cursor to a patch parameter (1) for

which you want to change the assignment, and rotate the Parameter wheel or press the [INC]/[DEC] buttons to modify the patching.

3 Press [ENTER] to conﬁrm the change.

Tip:

•By default, you can also use the Encoders to select Input Channel sources. Rotate the Encoders to display the In Patch/In Patch page and select sources. Press the Encoder push switches to conﬁrm the changes.

•To restore the default patching, recall Input Patch memory #00 (see page 168).

Patching Omni Outs

By default, the Omni Outs are patched as follows:

• OMNI OUT connectors 1–8 ..............Aux Sends 1–8

• OMNI OUT connectors 9–10 ............Stereo Bus L & R

• OMNI OUT connectors 11–12..........Control Room Monitor L & R

Follow the steps below to view or change the patching.

1 Press the DISPLAY ACCESS [OUTPUT PATCH] button repeatedly until the fol-

lowing page appears.

1

Signals that are currently assigned to the OMNI OUT connectors are shown in the parameter boxes (1) underneath the connector numbers. The parameter indicators are explained below:

• – .............................................................No assignment

• BUS1–BUS8..........................................Bus 1–8 signals

• AUX1–AUX8 ........................................Aux Send 1–8 Signals

• ST L/R....................................................Stereo Bus signals

• INS CH1–INS CH48 ...........................Input Channels 1–48 Insert Outs

• INS BUS1–INS BUS8 ..........................Bus 1–8 Insert Outs

• INS AUX1–INS AUX8 .........................Aux Send 1–8 Insert Outs

• INS ST-L/ST-R......................................Stereo Bus Insert Outs

DM1000—Owner’s Manual

Input and Output Patching 49

• SURR XXX

(“XXX” is a channel name). .............. Surround Monitor Outs

• CR-L/CR-R ........................................... Control Room Monitor signals

• CAS BUS1–BUS8 ................................ Bus 1–8 Cascade Outs

• CAS AUX1–AUX8 ............................... Aux Send 1–8 Cascade Outs

• CAS ST-L/ST-R.................................... Stereo Bus Cascade Outs

• CASSOLOL/CASSOLOR ...................Solo Bus Cascade Outs

• SOLO-L/SOLO-R................................ Solo Bus signals

• M.MX XXX

(“XXX” is a channel name.) .............. Surround Monitor Outs

4

Connections and Setup

2 Use the cursor buttons to move the cursor to a patch parameter (

wish to change, and rotate the Parameter wheel or press the [INC]/[DEC] buttons to modify the patching.

3 Press [ENTER] to conﬁrm the change.

Tip: To restore the default patching, recall Output Patch memory #00 (see page 169).

1) you

DM1000—Owner’s Manual

50 Chapter 4—Connections and Setup

DM1000—Owner’s Manual

5 Analog I/O & Digital I/O

This chapter describes the DM1000’s analog and digital input/output connectors as well as the basic operations involving the digital I/Os.

Analog Inputs & Outputs

AD Input Section

Analog I/O & Digital I/O 51

The DM1000’s rear panel features Input connectors 1–16, which enable you to connect microphone and line-level sources, and OMNI IN connectors, which enable you to connect line-level sources. Signals input at these connectors can be patched to Input Channels. (See page 105 for more information on patching Input Channels.)

• INPUT connectors 1–16

These balanced XLR-3-31-type connectors accept line-level and microphone signals. The nominal input range is –60 dB through +4 dB.

89

INPUT

• OMNI IN connectors 1–4

OMNI

IN

23

These balanced XLR-3-31-type connectors accept line-level signals. The nominal signal level is +4 dB.

• Phantom Power

Inputs 1 through 16 feature switchable +48V phantom powering for

1

+48V

ONOFF

use with condenser-type microphones and direct boxes. Individual +48V [ON/OFF] switches on each input turn phantom power on and off.

5

Analog I/O & Digital I/O

•PAD switches

1

PAD

20dB

Inputs 1 through 16 feature pad switches, which attenuate input signals by 20 dB.

• GAIN controls

Inputs 1 through 16 feature rotary gain controls that adjust input sensitivity. Input sensitivity ranges from +4 dB to –40 dB when the

-60

-16

GAIN

Pad is on, and from –16 dB to –60 dB when the Pad is off.

• PEAK & SIGNAL Indicators

PEAK

SIGNAL

The SIGNAL indicator lights up when the input signal level is 20 dB below nominal. The PEAK indicator lights up when the input signal level is 3 dB below clipping.

DM1000—Owner’s Manual

52 Chapter 5—Analog I/O & Digital I/O

INPUT

Omni Outs

• OMNI OUT connectors 1–12

89

The DM1000 rear panel features OMNI OUT connectors 1–12 for connecting line-level sources, such as a monitoring system, master recorder, external effects processor. The OMNI OUT connectors use balanced XLR-3-32-type jacks, with a rated output level of +4 dB.

These outputs can be patched to Bus Outs and Input Channel Direct Outs. (See page 109 for more information on patching outputs to the Omni Outs.)

Digital Inputs & Outputs

The DM1000 rear panel features digital input and output connectors that enable you to connect external digital devices. Any signal path can be patched to these digital inputs and outputs.

You can also add analog and digital I/Os by installing optional I/O cards in Slots 1 and 2.

Digital I/O Connectors

• 2TR IN DIGITAL connector

These connectors accept signals from a DAT or other 2-track digital recorder or consumer format digital audio device.

2TR IN

DIGITAL

2

1

2TR IN DIGITAL 1 uses an XLR-3-31-type connector and accepts AES/EBU format digital audio.

2TR IN DIGITAL 2 is an RCA phono connector and accepts con-

COAXIAL AES/EBU

sumer format (IEC-60958) digital audio.

You can patch signals input at these connectors to any Input Channels (see page 110). You can monitor these inputs via the Control

2TR D2

2TR D1

Room monitors by using the MONITOR [2TR D1] and [2TR D2] buttons.

• 2TR OUT DIGITAL connectors

These connectors output signals to a DAT or other 2-track digital recorder or consumer format digital audio device.

1

2

2TR OUT DIGITAL 1 uses an XLR-3-32-type connector and outputs AES/EBU format digital audio.

2TR OUT DIGITAL 2 is an RCA phono connector and outputs con-

COAXIALAES/EBU

sumer format (IEC-60958) digital audio. You can patch outputs to Bus Outs and Input Channel Direct Outs

(see page 110).

SLOT 1–2

These slots allow you to install optional mini-YGDAI (Yamaha General Digital Audio Interface) I/O cards. These cards offer AD/DA conversion, and various analog I/O options and digital I/O interfaces in all the popular digital audio interconnect formats, including AES/EBU, ADAT, and Tascam. You can patch signals input at these card connectors to any Input Channels or Insert Ins (see page 106).

You can patch the card outputs to Bus Outs or Input Channel Direct Outs (see page 111).

DM1000—Owner’s Manual

Converting Sampling Rates of Signals Received at 2TR Digital Inputs 53

The following mini-YGDAI I/O cards are currently available.

Card Format In Out Resolution/Sampling Rate Connectors

MY8-AD

MY8-AD24

MY4-AD

MY8-AD96

MY4-DA

MY8-DA96

MY8-AE

MY8-AE96

MY8-AE96S

MY8-AT

MY16-AT

MY8-TD

MY8-mLAN

1. This card is a substitution for a 20-bit MY8-AD card.

2. These cards support 24-bit/96 kHz in Double Channel mode. (Separate 96 kHz wordclock required.)

3. This card is identical to the MY8-AE96, except that it features a sampling rate converter.

1

Analog in

Analog out —

2

AES/EBU I/O

3

2

ADAT I/O

2

Tascam

2

IEEE1394 6-pin 1394 connector x2

8

4 XLR-3-31 type (balanced) x4

8 24-bit, 44.1/48/88.2/96 kHz 25-pin D-sub

88

16 16 Optical x4

88

20-bit, 44.1/48 kHz

—

24-bit, 44.1/48 kHz

4 20-bit, 44.1/48 kHz XLR-3-32 type (balanced) x4

8 24-bit, 44.1/48/88.2/96 kHz

24-bit, 44.1/48 kHz

24-bit, 44.1/48/88.2/96 kHz

24-bit, 44.1/48 kHz

Phone jack (balanced) x8

25-pin D-sub

Optical x2

25-pin D-sub BNC wordclock output

5

Analog I/O & Digital I/O

See the Yamaha Professional Audio Web site at the following URL for up-to-date news on I/O cards:

<http://www.yamahaproaudio.com/>.

Converting Sampling Rates of Signals Received at 2TR Digital Inputs

The DM1000’s 2TR Digital Inputs and an optional MY8-AE96S Digital I/O card feature sampling rate converters, so you can easily convert the sampling frequency of digital inputs to the current DM1000 sampling rate.

1To convert the sampling rate of the signals input at the 2TR Digital Inputs,

press the DISPLAY ACCESS [DIO] button, then press the [F1] button.

The DIO | Word Clock page appears. Use the following buttons to turn the sampling rate converter on and off.

• 2TR IN D1.....................This button turns on and off the sampling rate converter for

• 2TR IN D2.....................This button turns on and off the sampling rate converter for

2TR IN DIGITAL 1.

2TR IN DIGITAL 2.

DM1000—Owner’s Manual

54 Chapter 5—Analog I/O & Digital I/O

2 Use the cursor buttons to move the cursor to the 2TR IN D1 or 2TR IN D2

button, then press [ENTER].

The sampling rate converter for the selected 2TR Digital Input turns on or off. When on, the sampling rate of the received digital audio is converted to the DM1000’s current sampling rate.

Tip:

• The FS box displays the sampling frequency at which the DM1000 is currently operating.

• The AES/EBU and COAXIAL parameter ﬁelds display the converted sampling rate. (If the current wordclock is not synched, they display “Unlock.”)

3To convert the sampling rate of the signals input at the installed I/O card

inputs, press the DISPLAY ACCESS [DIO] button, then press the [F2] button.

The DIO | Format page appears.

1

Use the buttons in the SRC sections ( You can turn the sampling rate converters of the digital I/O cards on or off in pairs (odd & even channels, in this order).

Note: The sampling rate converter is available only on the Yamaha MY8-AE96S Digital I/O card. If you have installed other types of I/O cards in the slots, or if no cards are installed in the DM1000, the buttons in the SRC sections are disabled.

4 Use the cursor buttons to move the cursor to any two-channel button in the

SRC sections (1), then press [ENTER].

The sampling rate converter for the selected 2-channel input turns on or off. When on, the sampling rate of the received digital audio is converted to the DM1000’s current sampling rate.

1) to turn the sampling rate converters on and off.

DM1000—Owner’s Manual

Monitoring Digital Input Channel Status 55

Monitoring Digital Input Channel Status

You can view and monitor the Channel Status (sampling rate, emphasis, etc.) of digital audio signals connected to the 2TR Digital Inputs and Slot Inputs as follows.

1 Press the DISPLAY ACCESS [UTILITY] button, then press the [F2] button.

The Utility | CH Status page appears.

1 2

3 4 5 6

5

Analog I/O & Digital I/O

On this page, use the following buttons to select a slot or connector for which you want to view the channel status.

A SLOT1, SLOT2

These buttons enable you to view the Channel Status of each two adjacent (odd and even, in this order) channel signals connected to the digital I/O cards installed in Slots 1 and 2.

B 2TR IN

This button enables you to view the Channel Status of input signals connected to the 2TR Digital Inputs.

2 Move the cursor to the desired input or slot button, then press [ENTER].

Channel Status information for the selected input is displayed. Channel Status information includes the following items:

C FS

Indicates the sampling rate. If no signal is being input, or if the incoming wordclock is not synching to the internal clock, “Unlock” appears.

D EMPHASIS

Indicates the Emphasis on/off status.

E CATEGORY

Indicates the status of “Category Code Bit” included in the IEC958 Part 2 (S/PDIF-Consumer) format. This parameter can display the following values:

Parameter values Description

General

Laser Optical

D/D Conv

Magnetic

D.Broadcast

Instruments

A/D Conv

Temporarily used.

Laser optical device

Digital - Digital converter and signal processing device

Magnetic tape device and magnetic disk device

Digital broadcast reception

Musical instrument, microphone, and sources that generate string signals

A/D converter (without copyright information)

DM1000—Owner’s Manual

56 Chapter 5—Analog I/O & Digital I/O

Parameter values Description

A/D Conv with(C)

Solid Memory

Experimental

Unknown

A/D converter (with copyright information)

Solid memory device

Experimental device

Unknown

Note: “AES/EBU” appears in the Category row when you are monitoring IEC958 Part 3 (AES/EBU-Professional) format signals (that do not include Category Code Bit).

F COPY

Indicates the status of copy protection information included in the IEC958 Part2 (S/PDIF-Consumer) format signals. “OK” appears if copying is allowed. “Prohibit” appears if copy-protected.

Dithering Digital Outputs

When digital audio is transferred to lower-resolution systems, truncated bits may generate unpleasant noise. To cancel the audible effect of this noise, a small complement of noise is intentionally added to the digital outputs. This process is called “dithering.”

On the DM1000, you can dither the 2TR Digital Outputs and Slot Outputs. For example, you can apply dithering to the DM1000 stereo mix data and record to a 16-bit DAT recorder.

1 Press the DISPLAY ACCESS [DIO] button, then press the [F2] button.

The DIO | Format page appears. The dithering settings are displayed on the bottom of the page.

2 Move the cursor to the output or channel to which you want to apply dith-

ering, and rotate the Parameter wheel or press the [INC]/[DEC] buttons to select the value that matches the resolution of the receiving device.

Note:

•You cannot apply dithering to outputs or channels that are set to “OFF.”

•Dithering is effective only when the resolution of the receiving device is lower than that of the DM1000.

Tip: To copy the currently-selected setting to all channels, double-click the [ENTER] button. The copy conﬁrmation window is displayed.

DM1000—Owner’s Manual

Setting the Transfer Format for Higher Sampling Rates 57

Setting the Transfer Format for Higher Sampling Rates

To operate the DM1000 at higher sampling frequencies (88.2 kHz or 96 kHz) and transfer digital audio signals to and from connected external devices, you must set the data transfer format in accordance with the sampling frequencies supported by the external devices.

1 Press the DISPLAY ACCESS [DIO] button, then press the [F1] button.

The DIO | Word Clock page appears.

2 Select INT88.2k, INT96k, or an external device running at the higher sam-

pling rates as the wordclock source.

3 Press the DISPLAY ACCESS [DIO] button, then press the [F2] button.

The DIO | Format page appears.

1

5

Analog I/O & Digital I/O

4 Use the cursor buttons to move the cursor to an IN/OUT parameter ﬁeld

1), and rotate the Parameter wheel or press the [INC]/[DEC] buttons to

( set the data transfer format.

The IN/OUT parameters are used to set one of the following data transfer formats for each slot input and output.

• DOUBLE CHANNEL

In Double Channel mode, digital audio data is received and transmitted as mono signals at a sampling rate that is exactly half (44.1/48 kHz) the current higher sampling rate. Data is handled by two channels. This is useful when you wish to transfer data between the DM1000 running at a higher sampling rate and legacy 44.1/48 kHz digital MTRs or HDRs.

Note:

•Double Channel mode reduces the total number of inputs or outputs on the corresponding slot. The even-numbered channels are disabled.

•You cannot select this mode unless the DM1000 is operating at a higher sampling rate.

• DOUBLE SPEED

In Double Speed mode, digital audio data is received and transmitted at the current higher sampling rate (i.e., 88.2 kHz or 96 kHz). Select this mode if the devices that support the higher sampling rates transmit or receive data.

Note: This mode is available only on the slots in which optional Yamaha MY8-AE96 or MY8-AE96S Digital I/O cards are installed.

DM1000—Owner’s Manual

58 Chapter 5—Analog I/O & Digital I/O

• SINGLE

In Single mode, digital audio data is received and transmitted at a sampling rate that is half (44.1/48 kHz) the current higher sampling rate of the DM1000. For example, this is useful when you wish to send 44.1 kHz digital signals from an external HDR to the DM1000 running at 88.2 kHz.

Note:

• This mode is unavailable for slots in which optional Yamaha MY8-AE96 or MY8-AE96S Digital I/O cards are installed.

•You cannot select this mode unless the DM1000 is operating at a higher sampling rate.

Tip:

• The parameter ﬁelds display “–” if the corresponding slots contain no I/O cards or if AD/DA cards or other I/O cards that do not allow you to set the transfer format have been installed.

DM1000—Owner’s Manual

6 Input Channels

This chapter describes how to adjust the DM1000’s Input Channel parameters.

About Input Channels

The input Channel section enables you to adjust the level and tone of the signals input to the DM1000 and route the signals to Bus 1–8, Stereo Bus, and Aux Out 1–8. The following diagram illustrates the Input Channel signal ﬂow.

INPUT 1(...48)

(Gain Reduction)

METER

INPUT PATCH

(Out Meter)

METER

GATE

Keyin

12ch Group(1-12,13-24....)

AUX 1-8

METER

4BANDEQINPUT

ATT

INSERT

(Gain Reduction)

METER

COMP

Keyin Self or Stereo Link

DELAY

(Out Meter)

METER

INSERT

ON LEVEL

METER

PAN

LFE

PRE/POST

Input Channels 59

SOLO

ON

AUX

DIRECT OUT 1(...48)

BUS1

BUS2

BUS3

BUS4

BUS5

BUS6

BUS7

BUS8

SOLO L

STEREO R

STEREO L

AUX 1

SOLO R

AUX 8

6

Input Channels

• (Phase)

This section switches the phase of input signals.

•GATE

This dynamics processor can be used as a gate or for ducking.

• COMP (Compressor)

This dynamics processor can be used as compressor, expander or limiter. The compressor can be pre-EQ, pre-fader, or post-fader.

•ATT (Attenuator)

This section enables you to attenuate or amplify the level of signals that will be input to the EQ. The attenuator enables you to prevent post-EQ signals from clipping and to correct signal levels that are too low.

•4 BAND EQ (4-band equalizer)

This parametric EQ features four bands (high, high-mid, low-mid, and low).

• INPUT DELAY (Input delay)

This section enables you to delay input signals. You can use this delay to ﬁne-tune the timing between channels, or as a delay effect with feedback.

• ON (On/Off)

This section enables you to turn the channel on or off. The channel is muted with the Off setting.

• LEVEL

This section enables you to adjust the input level of the Input Channel signal.

DM1000—Owner’s Manual

60 Chapter 6—Input Channels

•PAN

This section enables you to adjust the pan setting of the signals routed from the Input Channels to the Stereo Bus. You can also apply the pan setting to a pair of Bus channels.

If the internal Surround Sound setting is activated, the Surround Pan settings for 3-1, 5.1, and 6.1 channels are available (see page 121).

• AUX (Aux Send level)

This section enables you to adjust the level of signals routed to Aux Out 1–8. The signals can be routed to Aux Sends from either the pre-fader or post-fader position.

• INSERT

This section enables you to patch input signals to external devices via the on-board I/O connectors or I/O cards, or insert the internal effect processors.

• METER

This section enables you to switch the metering position of the signal levels that are displayed in the Meter page or on the optional MB1000 Meter Bridge. (See page 37 for more information on selecting the metering position.)

Tip: You can store these channel parameter settings in the Channel library. You can also store the Gate, Compressor, and EQ parameter settings to the corresponding libraries.

Setting the Input Channels from the Display

To set the Input Channel parameters, you can either move the cursor to the desired parameter on the display and change the value, or operate the desired button or control on the top panel to directly change the setting.

This section explains how to set the parameters via the display.

Switching the Signal Phase

To switch the phase of each Input Channel, press the [ /INSERT/DELAY] button repeatedly until the following /INS/DLY | Phase page appears.

Move the cursor to the NOR/REV button of the channel for which you want to change the phase, then press the [ENTER] or [INC]/[DEC] buttons to change the setting.

1

A NOR/REV

These buttons switch the corresponding Input Channel phase. NOR buttons indicate normal phase, and REV buttons indicate reversed phase.

DM1000—Owner’s Manual

2

Setting the Input Channels from the Display 61

B GLOBAL

The GLOBAL NOR/REV buttons allow you to set the phase for all Input Channels simultaneously.

Tip:

• The name of the currently-selected channel is indicated in the upper-right corner of the screen.

•You can set the phase separately for each channel in a channel pair.

Delaying Input Channels

To set the delay for each channel, press the [ /INSERT/DELAY] button repeatedly until the page listed below that contains the desired channels appears.

-DLY 1-16 page

This page enables you to set the Delay function for Input Channels 1–16.

-DLY 17-32 page

This page enables you to set the Delay function for Input Channels 17–32.

-DLY 33-48 page

This page enables you to set the Delay function for Input Channels 33–48.

6

Input Channels

The parameters on these three pages (and the procedure for setting them) are the same.

1

2

3

A DELAY SCALE

The following buttons determine the units of the delay value shown below the msec value.

• meter..............................Units are set to meters.

• feet.................................. Units are set to feet.

• sample ...........................Units are set to samples.

• beat.................................Units are set to beats.

• frame..............................Units are set to timecode frames.

B GANG button

When this button is turned on (highlighted), the delay time for each channel in a channel pair can be set simultaneously. When this option is turned off, the delay time can be set for each channel in a channel pair individually.

DM1000—Owner’s Manual

62 Chapter 6—Input Channels

C Channel section

You can set individual delay parameters here. The delay parameters include the following items:

• msec............................... This parameter sets the delay time in milliseconds.

•meter/feet/sample/

beat/frame ....................The delay time can be set using units of meters, feet, samples,

• MIX................................ This parameter sets the mix balance of dry (Input Channel)

• FB.GAIN .......................This parameter sets the amount of delay feedback.

Tip:

• The delay time range depends on the sampling rate at which the DM1000 is operating. (For example, at 44.1 kHz, the range is 0 through 984.1 msec.)

•If you select the DELAY SCALE meter or feet button, the distance value can be converted to the delay time based on sonic speeds (about 340 m/sec at 15 degrees Celsius). This option is useful if you wish to correct the timing difference between two sound sources that are far apart.

•If you select the DELAY SCALE beat button, a parameter box for setting a note that represents the beat and a parameter box for a tempo (BPM) setting appear below the DELAY SCALE parameter. Setting the note and BPM settings in these parameter boxes enables you to set a delay time that synchronizes to the song tempo.

beats, or frames, which you select by using the DELAY SCALE buttons.

and wet (delayed) signals.

Gating Input Channels

To set the Input Channel gates, use the [SEL] buttons to select the desired Input Channel, then press the DISPLAY ACCESS [DYNAMICS] button, then the [F1] button. The Dynamics | Gate Edit page appears.

2

1

6

A KEYIN SOURCE

Select one of the following buttons to determine the trigger source for the currently-selected Input Channel’s gate.

• SELF...............................The selected channel’s own input signal is the trigger source.

• CHANNEL.................... Another Channel’s input signal is the trigger source. Select the

desired channel in the parameter box below the CHANNEL button.

• AU X ............................... An Aux Send signal is the trigger source. Select the desired bus

in the parameter box below the AUX button.

3

4

5

7

DM1000—Owner’s Manual

Setting the Input Channels from the Display 63

B STEREO LINK

This parameter’s ON/OFF button enables you to pair gates for stereo operation even when the Input Channels are not paired.

C CURVE

This area displays the current gate curve.

D TYPE

This area displays the current gate type (GATE or DUCKING).

Note: Yo u cannot change the gate type on this page. To change the gate type, recall a program that uses the desired gate type from the Gate library.

E Meters

These meters indicate the levels of the post-gate signals and the amount of gain reduction.

F ON/OFF

The ON/OFF button turns the currently-selected Input Channel’s gate on or off.

G PARAMETER

These controls enable you to set the gate parameters. (See page 320 for more information on the parameters.)

6

Input Channels

Tip: You can store the gate settings in the Gate library, which features preset programs that can be used for various applications (see page 174).

Compressing Input Channels

To set the Input Channel compressors, use the [SEL] buttons to select the desired Input Channel, then press the DISPLAY ACCESS [DYNAMICS] button, then the [F3] button to display the Dynamics | Comp Edit page.

2

1

6

3

4

5

7

A POSITION

Use the Parameter wheel, or the [INC]/[DEC] buttons to select the position of the compressor within the channel from the following options:

• PRE EQ ..........................Immediately before EQ (default)

• PRE FADER ..................Immediately before the fader

• POST FADER ...............Immediately after the fader

B STEREO LINK

This ON/OFF button enables you to pair compressors for stereo operation even when channels are not paired.

DM1000—Owner’s Manual

64 Chapter 6—Input Channels

C CURVE

This area displays the current compressor curve.

D TYPE

This ﬁeld indicates the compressor type used by the currently-selected channel’s compressor (COMP/EXPAND/COMP (H)/COMP (S)).

Note: Yo u cannot change the compressor type on this page. To change the compressor type, recall a program that uses the desired compressor type from the compressor library.

E Meters

These meters indicate the levels of the post-compressor signals and the amount of gain reduction.

F ON/OFF

The ON/OFF button turns the currently-selected Input Channel’s compressor on or off.

G PARAMETER section

These controls enable you to set the compressor parameters. (See page 320 for more information on the parameters of each compressor type.)

Tip: You can store the compressor settings in the Compressor library, which features preset programs that can be used for various applications (see page 175).

Attenuating Input Channels

To set the attenuator for each channel, press the SELECTED CHANNEL EQUALIZER [DISPLAY] button repeatedly until the page listed below that contains the desired channels appears.

-ATT 1-16 page

This page enables you to set the attenuators for Input Channels 1–16.

-ATT 17-32 page

This page enables you to set the attenuators for Input Channels 17–32.

-ATT 33-48 page

This page enables you to set the attenuators for Input Channels 33–48.

The parameters on these three pages (and the procedure for setting them) are the same.

Move the cursor to the knob for the desired Input Channel, then rotate the Parameter wheel to set the amount of attenuation in the range of –96 dB to +12 dB. To reset the attenuation amount to 0 dB, move the cursor to the desired knob, then press the [ENTER] button.

DM1000—Owner’s Manual

Setting the Input Channels from the Display 65

You can also copy the currently-selected Input Channel attenuation setting to all Input Channels (including those not currently displayed on the screen). To do this, move the cursor to the source knob that you wish to copy, then double-click the [ENTER] button. The conﬁrmation window appears. Select YES to execute the copy operation.

You can also set the amount of attenuation in bits. To set the amount in bits in the range of +2 bits to –24 bits, move the cursor to the desired bit shift parameter below the attenuator knob, then rotate the Parameter wheel. (This function is available only for the Input Channel attenuators. You cannot use this function for the Output Channel attenuators.) You can copy the currently-selected attenuation setting in bits to all Input Channels. To do this, move the cursor to the source bit shift parameter box that you wish to copy, then double-click the [ENTER] button. The conﬁrmation window appears.

Select YES to execute the copy operation.

Tip:

•You can also display the desired page by pressing the EQUALIZER [DISPLAY] button once, then press the [SEL] button or move the fader of the corresponding channel.

•You can also set the attenuation amount (in dB) for the currently-selected channel on the EQ | EQ Edit page.

6

Input Channels

EQ’ing Input Channels

The DM1000’s Input Channels feature 4-band (LOW, LOW-MID, HIGH-MID, HIGH) parametric EQ. The LOW-MID and HIGH-MID bands are a peaking type of EQ. The LOW and HIGH bands can be set to shelving, peaking, or HPF and LPF respectively.

1 Press the [SEL] button or move the fader of the channel for which you wish

to adjust EQ.

2 Press the SELECTED CHANNEL EQUALIZER [DISPLAY] button repeatedly to

display the EQ | EQ Edit page.

32

1

4

5

6

DM1000—Owner’s Manual

66 Chapter 6—Input Channels

The parameters on this page are described below:

A EQ ON

The ON/OFF button turns the currently-selected Input Channel’s EQ on or off. You can press the [ENTER] button to turn the EQ on or off as long as the cursor is located on any parameter other than TYPE.

B TYPE

Selects the type of EQ. TYPE I is the EQ type used on legacy Yamaha 02R series digital mixing consoles. TYPE II is a newly developed algorithm.

C ATT

Determines the amount of pre-EQ signal attenuation in dB. It is the same Attenuator parameter that appears on the EQ | ATT 1-16, ATT 17-32, and ATT 33-48 pages.

D CURVE

This area displays the current EQ curve.

E Meters

These meters indicate the post-EQ signal levels of the currently-selected Input Channel and its available pair partner.

F LOW, L-MID, H-MID, HIGH sections

These sections contain the Q, Frequency (F), and Gain (G) parameters for the four bands. These parameter values range as follows:

Parameter LOW LOW-MID HIGH-MID HIGH

Q

Frequency

Gain

1. The LOW and HIGH GAIN controls function as filter on/off controls when Q is set to HPF or LPF respectively.

HPF, 10.0 to 0.10

(41 steps), L.SHELF

10.0 to 0.10 (41 steps)

21.2 Hz to 20.0 kHz (120 steps per 1/12 octave)

–18.0 dB to +18.0 dB (0.1 dB steps)

LPF, 10.0 to 0.10

(41 steps), H.SHELF

1

Tip:

• The LOW-band EQ functions as a high-pass ﬁlter when the Q parameter in the LOW section is set to HPF. It functions as a shelving-type EQ when the Q parameter is set to L.SHELF.

• The HIGH-band EQ functions as a low-pass ﬁlter when the Q parameter in the HIGH section is set to LPF. It functions as a shelving-type EQ when the Q parameter is set to H.SHELF.

3 Move the cursor to the desired parameter, then rotate the Parameter wheel

to change the value.

Tip:

•You can also press the buttons in the SELECTED CHANNEL section to select the desired band and use the rotary controls to directly edit the Q, F, and G parameters (see page 71).

•You can store the EQ settings in the EQ library, which features preset programs that can be used for various applications (see page 177).

DM1000—Owner’s Manual

Setting the Input Channels from the Display 67

Panning Input Channels

Input Channels can be panned in the range of L63 through CENTER to R63. To pan each channel, press the [PAN/SURROUND] button repeatedly until one of the following pages that contains the desired channels appears.

-Pan1-32 page

This page enables you to set the pan for Input Channels 1–32.

-Pan33-48 page

This page enables you to set the pan for Input Channels 33–48.

The parameters on these two pages (and the procedure for setting them) are the same. Move the cursor to the desired Pan control, then rotate the Parameter wheel to set the value.

2 1

6

Input Channels

A Pan controls

These knobs adjust the channel pan settings. Press the [ENTER] button to reset the currently-selected Pan control to center.

B MODE

The MODE parameter determines how paired Input Channels are panned. There are three Pan modes as follows:

• INDIVIDUAL...............In Individual mode, paired Input Channel

pan controls operate independently.

• GANG ............................In Gang mode, paired Input Channel pan

controls operate in unison, maintaining the current pan range.

• INV GANG....................In Inverse Gang mode, paired Input Channel

pan controls operate in unison but move in opposite directions.

Tip:

•You can use the Encoders to change the Input Channel pan settings (see page 71). This is useful if you wish to change the pan settings quickly. You can also use the Joystick in the SELECTED CHANNEL section to change the pan settings, unless the DM1000 is in Surround mode.

•Surround Pan is available when the DM1000 is in Surround mode. Refer to Chapter 11 “Surround Functions” on page 121 for more information on Surround Pan.

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68 Chapter 6—Input Channels

Routing Input Channels

You can route each Input Channel to the Stereo Bus, Bus 1–8, or its own Direct Out. With the default setting, signals are routed only to the Stereo Bus. However, you can patch signals to a single or multiple destinations, if necessary.

1 Press the SELECTED CHANNEL ROUTING [DISPLAY] button repeatedly until

the page listed below that contains the desired channels appears.

- CH1-16 page

This page enables you to change the routing for Input Channels 1–16.

- CH17-32 page

This page enables you to change the routing for Input Channels 17–32.

- CH33-48 page

This page enables you to change the routing for Input Channels 33–48.

Tip: You can also display the desired page by pressing the ROUTING [DISPLAY] button once, then press the [SEL] button or move the fader of the corresponding channel.

The parameters on these three pages (and the procedure for setting them) are the same.

1

5 6

2

7

3 4

8

A PAN buttons

These buttons determine whether the Input Channel’s Pan setting is applied to the paired Bus outs (Follow Pan function).

B Bus buttons 1–8

These buttons route the currently-selected Input Channel to the Bus Outs. If the DM1000 is in Surround mode, the button indicators change as follows, depending on the selected Surround mode:

Bus buttons 12345678

Surround mode: 3-1

Surround mode: 5.1

Surround mode: 6.1

L=Left, R=Right, C=Center, S=Surround, Ls=Left Surround Rs=Right Surround, E=Low Frequency Effect, Bs=Back Surround

The above table shows the default assignment. The actual assignment may vary, depending on the settings on the Setup | Surround Bus Setup page.

LRCS 5678

LRLsRs C E 7 8

LRLsRs C Bs E 8

C S button

When this button is turned on, the currently-selected Input Channel is routed to the Stereo Bus.

DM1000—Owner’s Manual

Setting the Input Channels from the Display 69

D D button

When this button is turned on, the currently-selected Input Channel is routed to its Direct Out. See page 111 for more information on the Direct Out.

E ALL STEREO button

This button turns on the S button for all channels on the page.

F ALL BUS button

This button turns on the Bus buttons 1–8 for all channels on the page.

G ALL CLEAR button

This button clears all routing assignments on the page.

H SURROUND MODE

This ﬁeld displays the current Surround mode.

Viewing Input Channel Settings

You can view and adjust parameter settings for the currently-selected Input Channel on the View | Parameter or Fader pages.

■ Viewing the Gate, Compressor, and EQ Settings

To display the View | Parameter page for a speciﬁc Input Channel, use the corresponding [SEL] button or fader to select the desired channel, then press the DISPLAY ACCESS [VIEW] button, then the [F1] button.

Move the cursor to a parameter you wish to change, and rotate the Parameter wheel or press the [INC]/[DEC] buttons or [ENTER] button to modify the setting.

34

1

2

6

Input Channels

5

6 7

A GATE section

This section enables you to turn the gate-type dynamics processor on or off and set the parameters. (See page 62 for more information.)

B COMP section

This section enables you to turn the compressor-type dynamics processor on or off and set the parameters. (See page 63 for more information.)

C INSERT section

This section enables you to turn the Insert on or off and patch the Insert In and Out. (See page 112 for more information.)

D EQ section

This section enables you to set various EQ parameters. (See page 65 for more information.)

8

DM1000—Owner’s Manual

70 Chapter 6—Input Channels

E Meters

These meters indicate the signal levels of the currently-selected Input Channel and its available pair partner.

F (Phase) section

You can reverse the signal phase of the currently-selected Input Channel. (See page 60 for more information.)

G DELAY section

This section enables you to set the currently-selected channel’s Delay function. (See page 61 for more information.)

H PAIR section

This section indicates whether or not channels are paired. The heart icon ( ) is in one piece when channels are paired. The heart icon is broken ( ) when channels are not paired. (See page 73 for more information.)

■ Viewing the Pan, Fader, and Aux Send Level Settings

To display the View | Fader page of a certain Input Channel, use the corresponding [SEL] button or fader to select the desired channel, then press the DISPLAY ACCESS [VIEW] button, then the [F2] button.

Move the cursor to a parameter you wish to change, then rotate the Parameter wheel or press the [INC]/[DEC] buttons to modify the setting.

321 4

5

6

A PAN/ON/Fader section

• PAN control.................. This control adjusts the currently-selected Input Channel’s Pan

parameter. Press the [ENTER] button to reset the Pan control to Center.

• ON/OFF button ...........This button turns on or off the currently-selected Input Chan-

nel.

• Fader.............................. This parameter sets the fader position of the currently-selected

Input Channel. The fader knob is highlighted when the fader is set to 0.0 dB. Press the [ENTER] button to reset the Fader to 0.0 dB.

B SURROUND PAN section

• SURROUND PAN ....... The Surround pan parameters for the currently-selected Input

DM1000—Owner’s Manual

Channel are displayed only when a Surround mode is selected. See page 121 for more information on Surround pan.

Setting the Input Channels from the Control Surface 71

C BUS ROUTING/FOLLOW PAN section

• BUS ROUTING............This section enables you to select a destination Bus for the

selected channel. When the D button is turned on, the channel signal is patched to the Direct Out selected in the parameter box below the button.

• FOLLOW PAN..............This button determines whether the Input Channel’s Pan set-

ting is applied to the paired Bus Outs (Follow Pan function). When the button is turned off, the Follow Pan function is disabled and an identical signal is sent to the paired Bus Outs.

D AUX section

• AU X................................These controls set the currently-selected Input Channel’s Aux

Send 1–8 levels and positions. (See page 91 for more information on Aux Sends.)

E Meter section

• Meters ............................These meters indicate the levels of the currently-selected Input

Channel.

• PRE EQ/PRE FADER/POST FADER ...........The metering position is displayed below

the meters.

6

Input Channels

F GROUP section

• FADER/MUTE/EQ/COMP ............... These buttons indicate which Fader, Mute, EQ,

or Comp group, if any, the currently-selected Input Channel is in. If the channel is in a group, the group number appears. If the channel is not in a group, “—” appears.

Setting the Input Channels from the Control Surface

You can use the faders, Encoders, [SEL] buttons, and various buttons and controls in the SELECTED CHANNEL section on the top panel to directly control most parameters for Input Channels.

Setting Input Channel Levels and Panning the Channels

1 Press the LAYER [1-16], [17-32], or [33-48] button to select a Layer.

2 Use the faders to set the Input Channel levels.

3 Press the ENCODER MODE [PAN] button, then rotate the corresponding

Encoder to pan the desired Input Channel.

When you rotate the Encoder, the current pan setting display pops up.

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72 Chapter 6—Input Channels

Routing and EQ’ing Input Channels

1 Press the [SEL] button or move the fader for the channel you wish to control.

2To route each Input Channel, use the following buttons in the SELECTED

CHANNEL section:

• ROUTING [1]–[8] buttons ................These buttons route the currently-selected Input

• ROUTING [STEREO] button............When this button is turned on, Input Channel

• ROUTING [DIRECT] button............When this button is turned on, the cur-

The corresponding button indicator lights up.

3To control EQ for the currently-selected channel, press one of the following

buttons to select the band you wish to adjust:

• EQUALIZER [HIGH] button ............HIGH band

• EQUALIZER [H-MID] button ..........HIGH-MID band

• EQUALIZER [L-MID] button ...........LOW-MID band

• EQUALIZER [LOW] button ..............LOW band

Channel to a Bus.

signals are routed to the Stereo Bus.

rently-selected Input Channel is routed to its Direct Out. (See page 111 for more information on Direct Out.)

4 Use the EQUALIZER [Q], [FREQUENCY], and [GAIN] controls to adjust the Q,

frequency, and gain of the band selected in Step 3.

See page 65 for more information on EQ.

Tip:

•Pressing and holding down the button selected in Step 3 resets the corresponding band parameter.

•Pressing the SELECTED CHANNEL [HIGH] and [LOW] buttons simultaneously resets all band parameters for the current EQ.

DM1000—Owner’s Manual

Pairing Input Channels

On the DM1000, you can pair adjacent odd-even Input Channels or counterpart channels on Layer 1 and Layer 2 that share the same physical fader. Faders and most parameters of paired channels are linked for stereo operation. Paired channels’ linked parameters and non-linked parameters (that are available for independent control) are listed below:

Linked parameters Non-linked parameters

[SEL] buttons Input patches

Faders Insert patches

Channel on/off Output patches

Insert on/off Comp insert position

Solo on/off Phase

Solo Safe Delay on/off

Aux on/off Delay time

Aux Send level Delay feedback

Aux Sends as Pre or Post Delay mix

Gate Routing

Comp settings Pan, Follow Pan

EQ settings Surround pan

Fader group Aux Send pan

Mute group Balance

Fade time Attenuators

Recall Safe

Routing settings

Pairing Input Channels 73

6

Input Channels

To pair channels, or to cancel channel pairs, you can use the [SEL] buttons on the top panel or access the Pair/Group pages.

■ Pairing Channels by Using the [SEL] Buttons

1 While pressing and holding down the [SEL] button for one of the channels

you wish to pair, press the [SEL] button for the adjacent channel. (The paired channel numbers should be odd and even in this order).

Note: The settings of the ﬁrst channel are copied to the second channel and the channels are paired if the Pair Conﬁrmation check box on the Preference1 page is not checked (default). (If the selected channels have already been paired, this procedure will cancel the pair setting.)

The Channel Pairing window appears.

Note: You can pair only channels that are adjacent, odd-e ven (in this order) channels. Pressing the [SEL] button for a non-adjacent channel will be ignored. You cannot pair or cancel a pair of vertical partners.

DM1000—Owner’s Manual

74 Chapter 6—Input Channels

2 Move the cursor to the desired button in the Channel Pairing window, then

press [ENTER].

The following buttons are available in this window:

• CANCEL

Cancels the operation.

• CH x ➔ y

Copies the odd channel parameter values to the even channel.

• CH y ➔ x

Copies the even channel parameter values to the odd channel.

• RESET BOTH

Resets both channel parameters to the default settings (same as when Channel memory #01 is recalled).

Move the cursor to the desired button, then press [ENTER] to conﬁrm the pair.

Tip: Pressing and holding down the ﬁrst [SEL] button of the paired channels and pressing the second [SEL] button cancels the pair.

■ Pairing Input Channels Using the Display

1 Press the [PAIR/GROUP] button repeatedly until the Pair/Grup | Input page

appears.

1

2 3

The parameters on this page are described below:

A PAIR MODE

Determines how channels are paired.

B STEREO/MONO x2 buttons

These buttons turn pairs on or off.

C MS buttons

These buttons are available when an MS microphone is connected. MS Decoding can be used to decode signals from MS microphones arranged as MS pairs. (See page 77 for more information on MS Decoding.)

DM1000—Owner’s Manual

Pairing Input Channels 75

2 Move the cursor to the PAIR MODE parameter ﬁeld (1), then select the

HORIZONTAL or VERTICAL button.

The function of each mode is described below:

• HORIZONTAL.............This button pairs adjacent odd-even channels (default).

• VERTICAL....................This button pairs counterpart channels on Layer 1 and Layer 2

that share the same physical fader (e.g., CH1 & CH17, CH16 & CH32, etc.). This mode is useful when you wish to use one fader to control both stereo channels.

When you switch the Pair Mode, the combinations of channel numbers displayed on the page also change.

Note:

• When Pair mode is switched, only the channel numbers change. The mix parameters of the paired partners do not change.

•For example, if you change Pair mode from Horizontal to Vertical, the Input Channel “2” indication changes to Input Channel “17.” However, its parameters do not change. (If Channels 1 and 2 have been paired, switching the mode will pair Channels 1 and 17.)

3 Move the cursor to the desired channel’s MONOx2 button, then press

[ENTER].

The channels are paired.

6

Input Channels

4To cancel a pair, move the cursor to the desired channel’s STEREO button,

then press [ENTER].

Tip: You can also pair or cancel a pair of Output Channels in the same way on the Pair/Group | Output page (see page 87).

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76 Chapter 6—Input Channels

Naming Input Channels

By default, Input Channels are named CH1, CH2, etc. You can change these names if necessary. For example, it may be helpful for mixdown if you name a particular Input Channel with the type of musical instrument connected to the corresponding input jack.

1 Press the DISPLAY ACCESS [INPUT PATCH] button repeatedly until the In

Patch | CH Name page appears.

1 2

You can specify Short names in the center column (1) and Long (full) names in the right column (2).

2 Move the cursor to a name you wish to change, then press [ENTER].

The Title Edit window appears, enabling you to enter a name.

3 Edit the name, move the cursor to the OK button, then press [ENTER].

The new name is now effective.

Tip: The edited name is stored in the Input Patch library.

DM1000—Owner’s Manual

Using MS Stereo Microphone

The MS system is a type of stereo recording that uses two microphones; mono-directional M (Middle) and bi-directional S (Side) microphones. An M microphone picks up main signals, and an S microphone picks up directional signals. These two signals are decoded by calculating a sum (M plus S) and a difference (M minus S), and are recorded to L and R channels.

An MS microphone is usually a stereo microphone that has both M and S functions. Use an MS microphone in the following way:

1 Connect the R connector of an MS microphone to an odd channel input jack,

and the L connector to an even channel input jack.

Signals from the MS microphone are input from the L and R connectors. To use an MS microphone with the DM1000, connect the L connector to the input jack of an odd Input Channel, and connect the R connector to the input jack of the partner channel.

Using MS Stereo Microphone 77

MS microphone

6

Input Channels

R connector L connector

INPUT

234567819 234567819

2 Press the [PAIR/GROUP] button repeatedly until the Pair/Group | Input page

appears.

3Turn on the MS button for the channels to which the MS microphone is con-

nected.

The two channels are automatically paired and MS Decoding is turned on. With MS Decoding turned on, the faders and Encoders (Pan parameters) function as follows:

• Odd-channel faders.................M level (Controls the volume level.)

• Odd-channel Encoders...........ML/MR balance

• Even-channel faders ................S level (Controls the left and right directional spread.)

• Even-channel Encoders ..........SL/SR balance

4 Use the faders and Encoders to adjust the MS microphone level and balance.

When the signals are routed to paired Buses or the Stereo Bus, a sum of signals (ML plus SL) is sent to the odd-numbered Bus, and a difference of signals (ML minus SL) is sent to the even-numbered Bus.

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78 Chapter 6—Input Channels

DM1000—Owner’s Manual

7 Bus Outs

This chapter describes how to adjust the DM1000’s Stereo Out and Bus Out parameters.

About Stereo Out

The Stereo Out section receives Input Channel and Bus Out 1–8 signals, mixes them into two channels, processes them using on-board EQ, compressor, etc., then routes them to two channel output connectors. The following diagram illustrates the Stereo Out signal ﬂow.

Bus Outs 79

STEREO L

BUS6

BUS7

BUS8

STEREO R

INSERT

ATT

BUS1

BUS2

BUS3

BUS4

BUS5

• INSERT

This section enables you to route the Stereo Out signals to external devices via the on-board connectors or I/O cards, or insert internal effects processors.

•ATT (Attenuator)

This section enables you to attenuate or amplify the level of signals to be input to the EQ. The attenuator prevents post-EQ signals from clipping or corrects signal levels that are too low.

•4 BAND EQ (4-band equalizer)

This parametric EQ features four bands (HIGH, HIGH-MID, LOW-MID, and LOW).

• COMP (Compressor)

This dynamics processor can be used as compressor, expander, or limiter. The processor can be located pre-EQ, pre-[STEREO] fader, or post-[STEREO] fader.

(Gain Reduction)

METER

COMP

METER

4BAND

INSERT

EQ

Same as stereo master L

(Out Meter)

METER

ON

LEVEL

INSERT

BAL

OUTPUT

DELAY

METER

STEREO L

STEREO R

7

Bus Outs

OUTPUT PATCH

• ON (On/Off)

This button turns the Stereo Out on or off.

• LEVEL

The [STEREO] fader adjusts the Stereo Out output levels.

• Balance

This section enables you to adjust the level balance between the L and R channels of the Stereo Out.

• OUTPUT DELAY (Output delay)

This section delays the output signals. It is mainly used to ﬁne-tune the signal timing.

• METER

This section enables you to switch the metering position of signal levels that are displayed on the Meter page or by the stereo meter to the right of the screen. (See page 37 for more information on selecting the metering position.)

Note: By default, the Stereo Out signals are output to OMNI OUT 9–10. However, you can patch these signals to other output connectors or I/O cards using the Output Patch pages.

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80 Chapter 7—Bus Outs

Bus Out 1–8

The Bus Out 1–8 section mixes signals routed from Input Channels to the speciﬁed buses, processes them using on-board EQ, compressor, etc., then routes them to the speciﬁed output connectors or I/O cards.

The following diagram illustrates the Bus Out signal ﬂow.

STEREO R

STEREO L

BUS4

BUS3

BUS2

BUS1

BUS5

BUS7

BUS6

BUS8

INSERT

ATT

• INSERT

•ATT (Attenuator)

•4 BAND EQ (4-band equalizer)

• COMP (Compressor)

• ON (On/Off)

• LEVEL

• OUTPUT DELAY (Output delay)

• METER

The parameters and sections listed above are identical to those for the Stereo Out. For more information, refer to the explanation the Stereo Out (see page 79).

METER

4BAND

EQ

(Gain Reduction)

METER

COMP

INSERT

PAN

(Out Meter)

METER

ON

LEVEL

INSERT

ON

OUTPUT

DELAY

LEVEL

METER

BUS to STEREO

BUS 1(...8)

TO INPUT PATCH

BUS 1(...8)

OUTPUT PATCH

• Bus to Stereo

Bus Out 1–8 signals are also routed to the Stereo Bus. In addition to the ON, LEVEL, and other parameters, you can also set the Send Level, On/Off, Pan, and other parameters.

Tip: You can also pair adjacent odd-even buses (in this order) for stereo operation (see page 87).

Note: By default, channels 1–8 and 9–16 of Slots 1 and 2 are patched to the Bus Out 1–8 outputs. However, you can change this patching on the Output Patch page.

DM1000—Owner’s Manual

Setting the Stereo Out and Bus Out 1–8 from the Display 81

Setting the Stereo Out and Bus Out 1–8 from the Display

To set the Stereo Out and Bus Out 1–8 parameters, you can either move the cursor to the desired parameter on the display and change the value, or operate the desired button or control on the top panel.

This section explains how to set the parameters on the display.

Tip: Refer to Chapter 9 “Input & Output Patching” on page 105 for more information on how to set inserts.

Attenuating the Stereo Out and Bus Out

To attenuate the Stereo Out and Bus Out signals, press the SELECTED CHANNEL EQUALIZER [DISPLAY] button repeatedly to display the EQ | Out Att page. On this page, you can attenuate the Bus Out 1–8, Aux Out 1–8, and Stereo Out signals.

7

Bus Outs

The parameters on this page (and the procedure for setting them) are the same as for Input Channels, except that this page does not include the bit shift parameters (see page 64).

Delaying the Stereo Out and Bus Outs

To delay the Stereo Out and Bus Out 1–8 signals, press the [ /INSERT/DELAY] button repeatedly until the /INS/DLY | Out Dly page appears.

The parameters on this page (and the procedure for setting them) are the same as for Input Channels, except that this page does not include the MIX/FB.GAIN parameters (see page 61).

Tip: You can also display the Out Dly page by pressing the [ /INSERT/DELAY] button once, then press the [SEL] button or move the fader to select the Stereo Out or Bus Out 1–8.

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82 Chapter 7—Bus Outs

Compressing the Stereo Out and Bus Outs

To set the Stereo Out and Bus Out 1–8 compressors, press the [DYNAMICS] button, then the [F3] button to display the Dynamics | Comp Edit page, and use the [SEL] buttons or faders to select the Stereo Out or Bus Out 1–8.

The parameters on this page (and the procedure for setting them) are the same as for Input Channels (see page 63).

EQ’ing the Stereo Out and Bus Outs

To set the EQ for the Stereo Out and Bus Out 1–8 EQ, press the EQUALIZER [DISPLAY] button repeatedly to display the EQ | EQ Edit page, and use the [SEL] buttons or faders to select the Stereo Out or Bus Out 1–8.

The parameters on this page (and the procedure for setting them) are the same as for Input Channels (see page 65).

DM1000—Owner’s Manual

Setting the Stereo Out and Bus Out 1–8 from the Display 83

Routing Bus Out 1–8 Signals to the Stereo Bus

You can patch Bus Out 1–8 signals to Outputs and Slots 1/2, as well as to the Stereo Bus. You can adjust the level and pan settings of the signals routed to the Stereo Bus for each bus. This is convenient when you wish to use Bus Outs (1–8) as a Group Bus.

To patch the Bus Out 1–8 signals to the Stereo Bus, press the SELECTED CHANNEL ROUTING [DISPLAY] button repeatedly to display the Routing | Bus To St page.

1

2 3

7

Bus Outs

Move the cursor to the desired parameter you wish to change, then rotate the Parameter wheel or press the [INC]/[DEC] buttons to modify the setting.

A TO ST PAN

These controls pan the Bus Out 1–8 signals between the left and right Stereo Out buses.

B TO ST ON/OFF

These buttons turn on and off the Bus Out 1–8 to the Stereo Bus routing.

C TO ST Faders

These faders set the Bus Out 1–8 to Stereo Bus levels.

Note:

• The settings on this page do not affect the Bus output levels and on/off settings on the Master layer.

•However, the Bus output levels and on/off settings on the Master layer affect the settings on this page.

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84 Chapter 7—Bus Outs

Viewing the Stereo Out and Bus Out Settings

You can view and adjust parameter settings for the currently-selected Stereo Out or Bus Out on the View | Parameter and Fader pages.

■ Viewing the Compressor and EQ Settings

To display the View | Parameter page, use the corresponding [SEL] button or fader to select the desired bus, then press the DISPLAY ACCESS [VIEW] button, then the [F1] button.

The parameters on this page (and the procedure for setting them) are the same as for Input Channels, except for the following items:

•The Stereo Out and Bus Out 1–8 Parameter pages do not contain the Gate and Phase parameters.

•The Stereo Out Parameter page does not contain the Pair parameter.

■ Viewing Faders and Other Parameters

To display the View | Fader page, use the corresponding [SEL] button or fader to select the desired bus, then press the DISPLAY ACCESS [VIEW] button, then the [F2] button.

The Fader page layouts for Stereo Out and Bus Out 1–8 are slightly different.

• Stereo Out Fader page

1

2

3

A BAL

This control adjusts the level balance between the L and R channels of the Stereo Out.

B ON/OFF

This button turns the Stereo Out on or off, and links with the [ON] button in the STEREO section.

DM1000—Owner’s Manual

Setting the Stereo Out and Bus Out 1–8 from the Display 85

C Fader

This fader adjusts the Stereo Out output levels, and links with the [STEREO] fader. The fader knob is highlighted when the fader is set to 0.0 dB.

• Bus Out (1–8) Fader page

345

1 2

7

Bus Outs

A ON/OFF

This button turns the currently-selected Bus Out (1–8) on or off, and links with the [ON] (9–16) button in the Master layer.

B Fader

This fader sets the currently-selected Bus Out (1–8) level, and links with the fader (9–16) in the Master layer. The fader knob is highlighted when the fader is set to 0.0 dB.

C TO ST PAN

This control sets the Bus Out to Stereo Out Pan position for the currently-selected Bus Out (1–8).

D TO ST ON/OFF

This button turns on or off the Bus Out to Stereo Out signal for the currently-selected Bus Out (1–8).

E TO ST Fader

This fader sets the Bus Out to Stereo Out signal level for the currently-selected Bus Out (1–8).

Tip: The TO ST PAN, ON/OFF, and TO ST Fader parameters also appear on the Routing | Bus to St page.

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86 Chapter 7—Bus Outs

Setting the Stereo Out and Bus Out 1–8 from the Control Surface

You can use the faders, Encoders, [SEL] buttons, and various buttons and controls in the SELECTED CHANNEL section on the top panel to directly control certain parameters for the Stereo Out and Bus Out 1–8.

Setting the Levels

Move the [STEREO] fader to adjust the Stereo Out levels. Press the [ON] button in the STEREO section to turn the Stereo Out on or off.

To set Bus Out 1–8 levels, press the [MASTER] button in the LAYER section to select the Master layer, then move faders 9–16. At this time, you can turn Bus Out 1–8 on or off using the [ON] 9–16 buttons.

EQ’ing the Stereo Out and Bus Outs

1 Press the [SEL] button or move the fader of the bus to which you want to

apply EQ.

2To control the EQ of the currently-selected bus, select the desired band to

adjust by pressing one of the following buttons:

• EQUALIZER [HIGH] button ............HIGH band

• EQUALIZER [H-MID] button ..........HIGH-MID band

• EQUALIZER [L-MID] button ...........LOW-MID band

• EQUALIZER [LOW] button ..............LOW band

3 Use the EQUALIZER [Q], [FREQUENCY], and [GAIN] controls to adjust the Q,

frequency, and gain of the band selected in Step 2.

See page 65 for more information on EQ.

DM1000—Owner’s Manual

Pairing Buses or Aux Sends

You can pair adjacent odd-even (in this order) buses or Aux Sends for stereo operation. Paired bus and Aux Send linked parameters and non-linked parameters (that are available for independent controls) are listed below:

Linked parameters Non-linked parameters

[SEL] buttons Output Patching

Fader Insert Patching

Channel on/off Delay on/off

Insert on/off Delay time

Solo on/off Bus to Stereo Pan (*)

Comp settings

Comp insert position

EQ settings

Fader group

Mute group

Fade time

Recall safe

Attenuators

Bus to Stereo on/off (*)

Bus to Stereo fader (*)

Parameters marked with an asterisk (*) are available only for Bus Outs.

Pairing Buses or Aux Sends 87

7

Bus Outs

1 Press the DISPLAY ACCESS [PAIR/GROUP] button repeatedly until the

Pair/Grup | Output page appears.

1

2

The parameters on this page are described below.

A STEREO/MONOx2

These buttons turn Bus or Aux Send pairs on or off.

B F.S

This button determines whether Aux Sends follow the Input Channel Surround Pan when the DM1000 is in a Surround mode. When this button is turned on, Aux Sends follow the Input Channel Surround Pan. This is useful for feeding Surround signals to external Surround effects processors.

2 Move the cursor to the MONOx2 button for the desired Bus or Aux Send,

then press [ENTER].

The buses or Aux Sends are paired.

3To cancel a pair, move the cursor to the STEREO button for the desired Bus

or Aux Send, then press [ENTER].

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88 Chapter 7—Bus Outs

Attenuating Output Signals

To attenuate the DM1000’s output signals, display the EQ | Out Att page and adjust the Stereo Out and Bus Out 1–8 attenuators individually.

If necessary, you can also select Output and I/O card channels and specify the amount of attenuation. This technique is convenient when you want to attenuate output signals quickly, regardless of the source signal patching.

1 Press the DISPLAY ACCESS [SETUP] button repeatedly until the Setup | Out-

put Att page appears.

12

2 Move the cursor in the left column (1), then scroll the list up or down using

the Parameter wheel to select the desired output or slot channel for which you want to adjust attenuation.

The following outputs and slot channels can be selected:

• OMNI OUT 1–12.....................OMNI OUT connectors 1–12

• SLOT 1-1 through 1-16...........Channels 1–16 of Slot 1

• SLOT 2-1 through 2-16...........Channels 1–16 of Slot 2

3 Move the cursor to the parameter value in the right column (

the Parameter wheel or press the [INC]/[DEC] buttons to set the amount of attenuation.

The amount of attenuation can be set from 0 dB to –9 dB.

Tip: To reset the attenuation amount of all Output Channels to 0 dB, move the cursor to the INITIALIZE button, then press [ENTER].

2), then rotate

DM1000—Owner’s Manual

Naming the Stereo Out and Bus Outs 89

Naming the Stereo Out and Bus Outs

You can change the default Bus names (BUS1, AUX4, STEREO, etc.). It may be convenient to name the buses “Monitor Out” or “Effect Send,” for example, so that you can easily identify the signal type.

1 Press the DISPLAY ACCESS [OUTPUT PATCH] button repeatedly until the Out

Patch | CH Name page appears.

1 2

7

Bus Outs

You can specify Short names in the center column (1) and Long (full) names in the right column (2).

2 Move the cursor to a name you wish to change, then press [ENTER].

The Title Edit window appears, which enables you to edit the name.

3 Edit the name, move the cursor to the OK button, then press [ENTER].

The new name is now effective.

Tip: The edited name is stored in the Output Patch library.

DM1000—Owner’s Manual

90 Chapter 7—Bus Outs

DM1000—Owner’s Manual

8 Aux Sends

This chapter describes how to control Aux Out 1–8.

Aux Out 1–8

The Aux Out 1–8 section mixes signals routed from the Input Channels to the corresponding Aux Sends, processes them using on-board EQ, compressor, etc., then routes them to the speciﬁed internal effects processors, output connectors or I/O card connectors.

The DM1000 features eight Aux Sends, which can be used to send signals to the internal and external effects processors and monitors.

The following diagram illustrates the Aux Out 1–8 signal ﬂow.

Aux Sends 91

AUX 1

AUX 8

INSERT

ATT

METER

4BAND

EQ

(Gain Reduction)

METER

COMP

INSERT

(Out Meter)

METER

ON

LEVEL

INSERT

OUTPUT

DELAY

METER

AUX 1(...8)

TO INPUT PATCH

AUX 1(...8)

• INSERT

•ATT (Attenuator)

•4 BAND EQ (4-band equalizer)

• COMP (Compressor)

• ON (On/Off)

• LEVEL

• OUTPUT DELAY (Output delay)

• METER

These parameters are the same as the Stereo Out and Bus Out 1–8 (see page 79).

Tip: You can also pair adjacent odd-even Aux Sends (in this order) for stereo Aux operation.

8

Aux Sends

OUTPUT PATCH

Note: With the default setting, Aux Out 1–8 are patched to OMNI OUT connectors 1–8 and Aux Out 1–4 are patched to internal effects processors 1–4. However, you can change this patching on the Out Patch page.

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92 Chapter 8—Aux Sends

Setting Aux Out 1–8 from the Control Surface

You can use the faders, Encoders, [SEL] buttons, and various buttons and controls in the SELECTED CHANNEL section on the top panel to directly control certain parameters for Aux Out 1–8.

Setting Levels

To set Aux Out 1–8 levels, press the [MASTER] button in the LAYER section to select the Master layer, then move faders 1–8. At this time, you can turn Aux Out 1–8 on or off using the corresponding [ON] 1–8 buttons.

EQ settings

To control Aux Out 1–8 EQ parameters, select the desired Aux Out (1–8) using the corresponding [SEL] button or fader, then use the buttons and controls in the SELECTED CHANNEL section. The parameters on this page (and the procedure for setting them) are the same as for Input Channels (see page 72).

Setting Aux Out 1–8 from the Display

To set Aux Out 1–8 parameters, you can either move the cursor to the desired parameter on the screen and change the value, or operate the desired button or control on the top panel.

This section explains how to set the parameters on the screen.

Tip: Refer to Chapter 9 “Input & Output Patching” on page 105 for more information on how to set inserts.

Attenuating Aux Outs

To attenuate Aux Out 1–8 signals, press the SELECTED CHANNEL EQUALIZER [DISPLAY] button repeatedly to display the EQ | Out Att page.

The parameters on this page (and the procedure for setting them) are the same as for Input Channels, except that this page does not include the bit shift parameters (see page 64).

DM1000—Owner’s Manual

Setting Aux Out 1–8 from the Display 93

Delaying Aux Outs

To delay Aux Out 1–8 signals, press the [ /INSERT/DELAY] button repeatedly until the

/INS/DLY | Out Dly page appears.

The parameters on this page (and the procedure for setting them) are the same as for Input Channels, except that this page does not have the MIX/FB.GAIN parameters (see page 61).

Tip: You can also display the Out Dly page by pressing the [ /INSERT/DELAY] button once, then selecting the desired Aux Out (1–8) by pressing the corresponding [SEL] button or moving the fader.

Comp settings

To set the Aux Out 1–8 compressors, press the [DYNAMICS] button, then the [F3] button to display the Dynamics | Comp Edit page, and select the desired Aux Out 1–8 by using the corresponding [SEL] buttons or faders.

8

Aux Sends

The parameters on this page (and the procedure for setting them) are the same as for Input Channels (see page 63).

DM1000—Owner’s Manual

94 Chapter 8—Aux Sends

EQ settings

To set the EQ for Aux Out 1–8, press the EQUALIZER [DISPLAY] button repeatedly to display the EQ | EQ Edit page, and use the [SEL] buttons or faders to select Aux Out 1–8.

The parameters on this page (and the procedure for setting them) are the same as for Input Channels (see page 65).

Viewing Aux Out settings

You can view and adjust the parameter settings for the currently-selected Aux Out on the View | Parameter and Fader pages.

■ Viewing the Compressor and EQ Settings

To display the View | Parameter page, use the corresponding [SEL] button or fader to select the desired Aux Out (1–8), then press the DISPLAY ACCESS [VIEW] button, then the [F1] button.

The parameters on this page (and the procedure for setting them) are the same as for Input Channels, except that this page does not include the Gate and Phase parameters (see page 69).

DM1000—Owner’s Manual

Setting Aux Out 1–8 from the Display 95

■ Viewing Faders and On/Off Parameters

To display the View | Fader page, use the corresponding [SEL] button or fader to select the desired Aux Out (1–8), then press the DISPLAY ACCESS [VIEW] button, then the [F2] button.

• ON/OFF.........................This button turns the currently-selected Aux Out (1–8) on or

off. It links with the corresponding [ON] (1–8) button in the Master layer.

• Fader ..............................This fader sets the currently-selected Aux Out (1–8) level. It

links with the corresponding fader (1–8) in the Master layer. The fader knob is highlighted when the fader is set to 0.0dB.

8

Aux Sends

DM1000—Owner’s Manual

96 Chapter 8—Aux Sends

Setting Aux Send Levels

You can adjust the level of signals routed from Input Channels to the corresponding Aux Out (1–8). To do this, you can either use the Encoders on the top panel or set the parameters on the screen.

Using the Encoders

1 Press the AUX SELECT [AUX 1]–[AUX 8] buttons to select the sends.

2 Press the ENCODER MODE [AUX] button.

When the ENCODER MODE [AUX] button is turned on, you can rotate the Encoders to set Aux Send levels.

3 Select a layer that contains the source Input Channels, then rotate the cor-

responding Encoders.

The DM1000 displays the Send level of the currently-selected channel.

Note: If rotating the Encoders seems ineffective, check the Mode and Pre/Post parameters on the Aux | Send page (see page 97).

DM1000—Owner’s Manual

Setting Aux Send Levels 97

Setting Send Levels from the Display

You can view multiple channels’ Aux Send levels on the screen and adjust them individually.

1 Press the AUX SELECT [AUX 1]–[AUX 8] buttons to select the Aux Sends.

2 Press the AUX SELECT [DISPLAY] button repeatedly until the page listed

below that contains the desired channels appears.

-Send1-32 page

This page displays the Aux Send levels of Input Channels 1–32.

-Send33-48 page

This page displays the Aux Send levels of Input Channels 33–48.

8

Aux Sends

The parameters on these two pages (and the procedure for setting them) are the same.

• Aux Send rotary controls

These controls adjust the Aux Send level of the Input Channels. The current numeric levels appear below the rotary controls.

• PRE/POST

These buttons enable you to specify the Aux Sends signal source points. The PRE buttons send pre-fader signals, and the POST buttons send post-fader signals.

• MODE

Aux Sends have two operating modes that determine how signals are sent: Fixed (Aux Send levels are ﬁxed); and Variable (Aux Send levels are variable).

• GLOBAL

The GLOBAL PRE and POST buttons enable you to set all Input Channels for the selected Aux Send to pre-fader or post-fader simultaneously.

Note: In Fixed mode, Aux Send ON/OFF buttons appear instead of the Aux Send rotary controls, PRE/POST buttons, and GLOBAL PRE/POST buttons. These ON/OFF buttons turn on or off each Input Channel for the currently-selected Aux Send.

DM1000—Owner’s Manual

98 Chapter 8—Aux Sends

3 Move the cursor to the FIXED or VARIABLE button in the MODE section for

the currently-selected Aux Send to select a mode.

• Fixed Mode

In this mode, Aux Send levels are ﬁxed at nominal (0.0dB). Also, channel ON/OFF buttons appear instead of the Send level rotary controls and PRE/POST buttons.

•Variable Mode

In this mode, Aux Send levels are variable and the signal source point can be either pre-fader or post-fader. Channel Send level rotary controls and PRE/POST buttons appear on the screen.

Tip: You can select Variable or Fixed mode individually for each of the eight Aux Sends.

Note:

•In Fixed mode, all ON/OFF buttons are turned OFF.

• When you switch to Variable mode, the signal source points are set to post-fader (PRE/POST

buttons are set to POST), and Send level rotary controls are reset to –∞.

DM1000—Owner’s Manual

Setting Aux Send Levels 99

4 If you switched to Fixed mode in Step 3, the ON/OFF buttons turn on or off

each Input Channel on or off for the currently-selected Aux Send.

Note: In Fixed mode, the Aux On/Off parameters for paired Input Channels are not linked to each other.

5 If you switched to Variable mode in Step 3, the PRE/POST buttons and Send

level rotary controls enable you to adjust the signal source points and Send levels.

8

Aux Sends

You can turn each Input Channel on or off for the currently-selected Aux Send even in Variable mode. To do this, move the cursor to the desired Send level control, then press [ENTER]. (The rotary controls for Off channels are grayed out.)

Tip:

•In Variable mode, Aux Send levels, Aux On/Off, and Pre/Post parameters for paired Input Channels are linked to each other.

•GLOBAL PRE/POST buttons enable you to set all Input Channels simultaneously (including those not displayed on the current page) to pre-fader or post-fader.

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100 Chapter 8—Aux Sends

Viewing Aux Send Settings for Multiple Channels

You can view and set parameters for all Aux Send 1–8, including setting levels and Pre/Post parameters.

This is convenient when you wish to visually check all Aux Send settings or simultaneously adjust the levels of certain channels routed to Aux 1–8.

1 Press the AUX SELECT [DISPLAY] button repeatedly until the page listed

below that contains the desired channels appears.

-View1–16 page

This page displays the Aux Send levels of Input Channels 1–16.

-View17–32 page

This page displays the Aux Send levels of Input Channels 17–32.

-View33–48 page

This page displays the Aux Send levels of Input Channels 33–48.

These pages display the source Input channels and the corresponding Aux Sends in a matrix. The parameters on these three pages (and the procedure for setting them) are the same.

1

2

3

A DISPLAY

Use the following buttons to display the desired parameters.

• LEVEL ........................... Select the LEVEL button to display Send level bar graphs for

Input Channels routed to Aux 1–8.

• PRE/POST ....................Select the PRE/POST button to display signal source points for

Input Channels routed to Aux 1–8.

B FIX/VARI

These buttons indicate the Aux mode (Fixed or Variable) for Aux Out 1–8 and are only for display purposes.

C LEVEL

This ﬁeld displays in dB the level of the Aux Send currently-selected by the cursor.

2 Move the cursor to either the DISPLAY LEVEL or PRE/POST button and press

[ENTER] to display the Level or Pre/Post parameters.

DM1000—Owner’s Manual

Yamaha Audio DM1000 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

Important Information

Warnings

Cautions

Operating Notes

Interference

Exclusion of Certain Responsibility

Trademarks

Copyright

Yamaha Web Site

Package Contents

Optional Extras

About this Owner’s Manual

Conventions Used in this Manual

Installing the DM1000

Contents

1 Welcome

2 Control Surface & Rear Panel

Control Surface

Rear Panel

Installing an Optional Card

3 Operating Basics

About the Display

Selecting Display Pages

Display Interface

Selecting Layers

Selecting Channels

Selecting Fader Modes

Selecting Encoder Modes

Assigning Parameters to the ENCODER MODE [ASSIGN] button

Metering

4 Connections and Setup

Connections

Wordclock Connections and Settings

Input and Output Patching

5 Analog I/O & Digital I/O

Analog Inputs & Outputs

Digital Inputs & Outputs

Converting Sampling Rates of Signals Received at 2TR Digital Inputs

Monitoring Digital Input Channel Status

Dithering Digital Outputs

Setting the Transfer Format for Higher Sampling Rates

6 Input Channels

About Input Channels

Setting the Input Channels from the Display

Setting the Input Channels from the Control Surface

Pairing Input Channels

Naming Input Channels

Using MS Stereo Microphone

7 Bus Outs

About Stereo Out

Bus Out 1–8

Setting the Stereo Out and Bus Out 1–8 from the Display

Setting the Stereo Out and Bus Out 1–8 from the Control Surface

Pairing Buses or Aux Sends

Attenuating Output Signals

Naming the Stereo Out and Bus Outs

8 Aux Sends

Aux Out 1–8

Setting Aux Out 1–8 from the Control Surface

Setting Aux Out 1–8 from the Display

Setting Aux Send Levels

Viewing Aux Send Settings for Multiple Channels