Yamaha Audio DM1000 User Manual

Owner’s ManualOwner’s Manual

Keep This Manual For Future Reference.Keep This Manual For Future Reference.

E

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC
requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST
be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with
these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with
other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may
cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all
installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the
problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on
different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in
is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer
authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service
Division, 6600 Orangethorpe Ave, Buena Park, CA 90620

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

WARNING: THIS APPARATUS MUST BE EARTHED

IMPORTANT

THE WIRES IN THIS MAINS LEAD ARE COLOURED IN
ACCORDANCE WITH THE FOLLOWING CODE:

GREEN-AND-YELLOW : EARTH
BLUE : NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may

not correspond with the coloured markings identifying the terminals in
your plug, proceed as follows:

The wire which is coloured GREEN and YELLOW must be
connected to the terminal in the plug which is marked by the letter E
or by the safety earth symbol or coloured GREEN and YELLOW.

The wire which is coloured BLUE must be connected to the terminal
which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the
terminal which is marked with the letter L or coloured RED.

* This applies only to products distributed by YAMAHA KEMBLE

MUSIC (U.K.) LTD.

NEDERLAND THE NETHERLANDS

● Dit apparaat bevat een lithium batterij voor geheugen
back-up.

ADVARSEL!
Lithiumbatteri—Eksplosionsfare ved fejlagtig
håndtering. Udskiftning må kun ske med batteri
af samme fabrikat og type. Levér det brugte
batteri tilbage til leverandoren.

VARNING
Explosionsfara vid felaktigt batteribyte. Använd
samma batterityp eller en ekvivalent typ som
rekommenderas av apparattillverkaren.
Kassera använt batteri enligt fabrikantens
instruktion.

VAROITUS
Paristo voi räjähtää, jos se on virheellisesti
asennettu. Vaihda paristo ainoastaan
laitevalmistajan suosittelemaan tyyppiin. Hävitä
käytetty paristo valmistajan ohjeiden
mukaisesti.

● This apparatus contains a lithium battery for memory
back-up.

● Raadpleeg uw leverancier over de verwijdering van de
batterij op het moment dat u het apparaat ann het einde
van de levensduur afdankt of de volgende Yamaha Service
Afdeiing:

Yamaha Music Nederland Service Afdeiing
Kanaalweg 18-G, 3526 KL UTRECHT
Te l. 030-2828425

● Gooi de batterij niet weg, maar lever hem in als KCA.

● For the removal of the battery at the moment of the
disposal at the end of the service life please consult your
retailer or Yamaha Service Center as follows:

Yamaha Music Nederland Service Center
Address: Kanaalweg 18-G, 3526 KL

UTRECHT

Te l: 030-2828425

● Do not throw away the battery. Instead, hand it in as small
chemical waste.

• Explanation of Graphical Symbols

The lightning flash with arrowhead symbol

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

The above warning is located on the side
of the unit

within an equilateral triangle is intended to
alert the user to the presence of uninsulated
“dangerous voltage” within the product’s
enclosure that may be of sufficient magnitude
to constitute a risk of electric shock to persons.

The exclamation point within an equilateral
triangle is intended to alert the user to the
presence of important operating and mainte­nance (servicing) instructions in the literature
accompanying the product.

IMPORTANT SAFETY INSTRUCTIONS

1 Read these instructions.
2Keep these instructions.
3 Heed all warnings.
4 Follow all instructions.
5 Do not use this apparatus near water.
6 Clean only with dry cloth.
7 Do not block any ventilation openings. Install in

accordance with the manufacturer’s instruc­tions.

8 Do not install near any heat sources such as

radiators, heat registers, stoves, or other appa­ratus (including amplifiers) that produce heat.

9 Do not defeat the safety purpose of the polar-

ized or grounding-type plug. A polarized plug
has two blades with one wider than the other. A
grounding type plug has two blades and a third
grounding prong. The wide blade or the third
prong are provided for your safety. If the pro­vided plug does not fit into your outlet, consult
an electrician for replacement of the obsolete
outlet.

10 Protect the power cord fr om being walked on or

pinched particularly at plugs, convenience
receptacles, and the point where they exit from
the apparatus.

11 Only use attachments/accessories specified by

the manufacturer.

12 Use only with the cart, stand,

tripod, bracket, or table spec­ified by the manufacturer, or
sold with the apparatus.
When a cart is used, use cau­tion when moving the cart/
apparatus combination to
avoid injury from tip-over.

13 Unplug this apparatus during lightning storms

or when unused for long periods of time.

14 Refer all servicing to qualified service person-

nel. Servicing is required when the apparatus
has been damaged in any way, such as power­supply cord or plug is damaged, liquid has been
spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or mois­ture, does not operate normally, or has been
dropped.

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,
DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.

4

Important Information

Important Information

Warnings

•Connect this unit’s power cord only to an AC outlet of the type stated in this Owner’s Man­ual or as marked on the unit. Failure to do so is a fire and electrical shock hazard.

•Do not allow water to enter this unit or allow the unit to become wet. Fire or electrical shock
may result.

•Do not place heavy objects, including this unit, on top of the power cord. A damaged power
cord is a fire and electrical shock hazard. In particular, be careful not to place heavy objects
on a power cord covered by a carpet.

•Do not place a container with liquid or small metal objects on top of this unit. Liquid or
metal objects inside this unit are a fire and electrical shock hazard.

•Do not scratch, bend, twist, pull, or heat the power cord. A damaged power cord is a fire
and electrical shock hazard.

•Do not remove the unit’s cover. You could receive an electrical shock. If you think internal
inspection, maintenance, or repair is necessary, contact your dealer.

•Do not modify the unit. Doing so is a fire and electrical shock hazard.

•If lightning begins to occur, turn off the power switch of the unit as soon as possible, and
unplug the power cable plug from the electrical outlet.

•If there is a possibility of lightning, do not touch the power cable plug if it is still connected.
Doing so may be an electrical shock hazard.

•Use only the included power cord for this unit. Using other types may be a fire and electrical
shock hazard.

•This unit has rear-panel slots for installing mini-YGDAI cards. For technical reasons, cer­tain card combinations are not supported. Before installing any cards, check the Yamaha
web site (see page 6) to see whether your card is compatible. Also check the total number of
cards that can be installed in the unit. Installing cards that are not endorsed by Yamaha may
cause electrical shock, fire, or damage to the unit.

•If the power cord is damaged (i.e., cut or a bare wire is exposed), ask your dealer for a
replacement. Using the unit with a damaged power cord is a fire and electrical shock hazard.

•If you notice any abnormality, such as smoke, odor, or noise, or if a foreign object or liquid
gets inside the unit, turn it off immediately. Remove the power cord from the AC outlet.
Consult your dealer for repair. Using the unit in this condition is a fire and electrical shock
hazard.

• Should this unit be dropped or the cabinet be damaged, turn the power switch off, remove
the power plug from the AC outlet, and contact your dealer. If you continue using the unit
without heeding this instruction, fire or electrical shock may result.

Cautions

•Keep this unit away from the following locations:
—Locations exposed to oil splashes or steam, such as near cooking stoves, humidifiers, etc.
—Unstable surfaces, such as a wobbly table or slope.
—Locations exposed to excessive heat, such as inside a car with all the windows closed, or

places that receive direct sunlight.

—Locations subject to excessive humidity or dust accumulation.

•Hold the power cord plug when disconnecting it from an AC outlet. Never pull the cord. A
damaged power cord is a potential fire and electrical shock hazard.

•Do not touch the power plug with wet hands. Doing so is a potential electrical shock hazard.

DM1000—Owner’s Manual

Operating Notes

•This unit has ventilation holes along the front, rear, top, and sides to prevent the internal
temperature from rising too high. Do not block them. Blocked ventilation holes are a fire
hazard. In particular, do not operate the unit while it’s on its side, is upside down, or while
it’s covered with a cloth or dust sheet.

•If you are using the optional MB1000 Peak Meter Bridge, do not hold only the MB1000
when moving this unit. Otherwise, the meter brackets may be damaged, the main unit may
malfunction, or you may be injured if the unit falls.

•This unit is heavy. Use two or more people to carry it.

•When you transport or move this unit with the MB1000 attached, do not permit impact or
stress on the cable connector that connects the MB1000 to this unit. Otherwise, malfunc­tion may occur.

•This unit is equipped with a dedicated ground connection to prevent electrical shock.
Before connecting the power plug to an AC outlet, be sure to ground the unit.

•To relocate the unit, turn the power switch off, remove the power plug from the AC outlet,
and remove all connecting cables. Damaged cables may cause fire or electrical shock.

•If you know you will not use this unit for a long period of time, such as when going on vaca­tion, remove the power plug from the AC outlet. Leaving it connected is a potential fire haz­ard.

5

Operating Notes

• XLR-type connectors are wired as follows: pin 1–ground, pin 2–hot (+), and pin 3–cold (–).

•The performance of components with moving contacts, such switches, rotary controls, fad­ers, and connectors, deteriorates over time. The rate of deterioration depends on the oper­ating environment and is unavoidable. Consult your dealer about replacing defective
components.

•Using a mobile telephone near this unit may induce noise. If noise occurs, use the telephone
away from the unit.

•If the message “WARNING Low Battery!” appears when you turn on this unit, contact your
dealer as soon as possible about replacing the internal data backup battery. The unit will still
operate correctly, but data other than the presets will be lost.

•Before replacing the batteries, back up your data to a memory card, or another unit by using
MIDI Bulk Dump.

•The digital circuits of this unit may induce a slight noise into nearby radios and TVs. If noise
occurs, relocate the affected equipment.

•When connecting D-sub cables, be sure to tighten the screws on both sides of the connector
securely. To disconnect the cable, loosen the screws completely, then remove the cable by
holding the connector part. Do not remove the plug by pulling the cable while the screws
are still attached. Otherwise, the connector may be damaged, leading to malfunction.

•When you change the wordclock settings on any device in your digital audio system, some
devices may output noise, so turn down your power amps beforehand, otherwise your
speakers may be damaged.

Interference

This unit uses high-frequency digital circuits that may cause interference on radio and tele­vision equipment located nearby. If interference is a problem, relocate the affected equip­ment. Using a mobile telephone near the unit may induce noise. In this case use the
telephone away from the unit.

DM1000—Owner’s Manual

6

Important Information

Exclusion of Certain Responsibility

Manufacturer, importer, or dealer shall not be liable for any incidental damages including
personal injury or any other damages caused by improper use or operation of this unit.

Trademarks

ADAT MultiChannel Optical Digital Interface is a trademark and ADAT and Alesis are reg­istered trademarks of Alesis Corporation. Apogee is a trademark of Apogee Electronics, Inc.
Apple, Mac, and Power Macintosh are registered trademarks and Mac OS is a trademark of
Apple Corporation, Inc. HUI is a trademark of Mackie Designs, Inc. Intel and Pentium are
registered trademarks of Intel Corporation. Nuendo is a registered trademark of Steinberg
Media Technologies AG. Pro Tools is a trademark or registered trademark of Digidesign
and/or Avid Technology, Inc. Tascam Digital Interface is a trademark and Tascam and Teac
are registered trademarks of Teac Corporation. Microsoft and Windows are registered
trademarks of Microsoft Corporation, Inc. Waves is a trademark of Waves, Inc. Yamaha is a
trademark of Yamaha Corporation. All other trademarks are the property of their respective
holders and are hereby acknowledged.

Copyright

No part of this unit, its software, or this Owner’s Manual may be reproduced or distributed
in any form or by any means without the prior written authorization of Yamaha Corpora­tion.

© 2003 Yamaha Corporation. All rights reserved.

Yamaha Web Site

Further information about this unit, related products, and other Yamaha professional audio
equipment is available on the Yamaha Professional Audio Web site at:
<http://www.yamahaproaudio.com/>.

Package Contents

• DM1000 Digital Production Console

• CD-ROM

•Power cord

•This manual

•Studio Manager Installation Guide

Optional Extras

• MB1000 Peak Meter Bridge

• SP1000 Wooden Side Panels

• RK1 Rack Mount Kit

• mini YGDAI I/O cards

DM1000—Owner’s Manual

About this Owner’s Manual

This Owner’s Manual explains how to operate the DM1000 Digital Production Console.
The table of contents can help you familiarize yourself with the manual’s organization and

to locate tasks and topics The index can help you locate specific information.
Before diving in, it’s recommend that you read the “Operating Basics” chapter, starting on

page 27.
Each chapter in this manual discusses a specific section or function of the DM1000. The

Input and Output Channels are explained in the following chapters: “Input Channels,” “Bus
Outs,” and “Aux Sends.” Where possible, these chapters have been organized in order of sig­nal flow, from input to output.

Conventions Used in this Manual

The DM1000 features two types of buttons: physical buttons that you can press (e.g.,
ENTER and DISPLAY) and buttons that appear on the display pages. References to physical
buttons are enclosed in square brackets, for example, “press the [ENTER] button.” Refer­ences to display page buttons are not emphasized, for example, “move the cursor to the ON
button.”

You can select display pages by using the [DISPLAY] buttons or the Left Tab Scroll, Right
Tab Scroll, and F1–4 buttons below the display. In order to simplify explanations, the pro­cedures reference only the [DISPLAY] button method. See “Selecting Display Pages” on
page 28 for details on all the ways in which pages can be selected.

About this Owner’s Manual

7

Installing the DM1000

The DM1000 should be placed on a strong and stable surface, in a location that complies
with the warnings and cautions listed in the previous sections.

Always turn the power off when the instrument is not in use.

The illustrations and LCD screens as shown in this owner’s manual are for instructional
purposes only, and may appear somewhat different from those on your instrument.

Copying of commercially available music sequence data and/or digital audio files is
strictly prohibited except for your personal use.

DM1000—Owner’s Manual

8

Contents

Contents

1 Welcome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

2 Control Surface & Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Installing an Optional Card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

3 Operating Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

About the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Selecting Display Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Display Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Selecting Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Selecting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Selecting Fader Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Selecting Encoder Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Assigning Parameters to the ENCODER MODE [ASSIGN] button . . . . . . . . . . . . . . 35

Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

4 Connections and Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Wordclock Connections and Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Input and Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

5 Analog I/O & Digital I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Analog Inputs & Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Digital Inputs & Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Converting Sampling Rates of Signals Received at 2TR Digital Inputs . . . . . . . . 53

Monitoring Digital Input Channel Status . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Dithering Digital Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56

Setting the Transfer Format for Higher Sampling Rates . . . . . . . . . . . . . . . . . . . . . . . 57

6 Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

About Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Setting the Input Channels from the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Setting the Input Channels from the Control Surface . . . . . . . . . . . . . . . . . . . . . . 71

Pairing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Naming Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76

Using MS Stereo Microphone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

7 Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

About Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Bus Out 1–8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80

Setting the Stereo Out and Bus Out 1–8 from the Display . . . . . . . . . . . . . . . . . . . . . 81

Setting the Stereo Out and Bus Out 1–8 from the Control Surface . . . . . . . . . . . . . . 86

Pairing Buses or Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Attenuating Output Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

Naming the Stereo Out and Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

8 Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91

Aux Out 1–8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91

Setting Aux Out 1–8 from the Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Setting Aux Out 1–8 from the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Setting Aux Send Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Viewing Aux Send Settings for Multiple Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100

Panning Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Excluding Certain Channels from Aux Sends (Mix Minus) . . . . . . . . . . . . . . . . . 103

Copying Channel Fader Positions to Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

DM1000—Owner’s Manual

Contents

9 Input & Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Input Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Patching Direct Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111

Insert Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112

10 Control Room Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115

Control Room Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115

Control Room Monitor and Solo Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116

Using the Control Room Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118

Using the Solo Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118

Using the Talkback Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

11 Surround Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Using Surround Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Surround Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131

12 Grouping Channels & Linking Parameters . . . . . . . . . . . . . . . . . . 141

Grouping & Linking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141

Using Fader Groups and Mute Groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142

Linking EQ and Compressor Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144

13 Internal Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147

About the Internal Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147

Using Effects Processors via Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148

Inserting the Internal Effects into Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150

Editing Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151

About Surround Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153

About Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153

9

14 Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155

About Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155

Storing and Recalling Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157

Auto Scene Memory Update . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159

Fading Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160

Recalling Scenes Safely . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162

Sorting Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163

15 Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

About the Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

General Library Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

Using Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167

16 Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181

About Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181

Setting Up for Automix Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182

Recording an Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184

Punching In & Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188

[SEL] Button Functions While the [AUTO] Button Indicator Is On . . . . . . . . . . . . . 190

Playing Back an Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190

Automix Main Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191

Automix Memory Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195

Fader1 &2 pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196

Editing Events Offline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198

17 Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205

About Remote Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205

Pro Tools Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206

Nuendo Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 224

Other DAW Remote Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 224

MIDI Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225

Machine Control Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231

DM1000—Owner’s Manual

10

Contents

18 MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235

MIDI & the DM1000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235

MIDI Port Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 236

Assigning Scenes to Program Changes for Remote Recall . . . . . . . . . . . . . . . . . . 239

Assigning Parameters to Control Changes for Real-time Control . . . . . . . . . . . . 240

Controlling Parameters by Using Parameter Changes . . . . . . . . . . . . . . . . . . . . . . . . . 246

Transmitting Parameter Settings via MIDI (Bulk Dump) . . . . . . . . . . . . . . . . . . 246

19 Other Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249

Changing the Input and Output Connector Names . . . . . . . . . . . . . . . . . . . . . . . 249

Setting Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250

Creating a Custom Layer by Combining Channels (User Assignable Layer) . . . . . . . 255

Using the Oscillator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 256

Using the User Defined Keys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257

Using GPI (General Purpose Interface) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259

Using Operation Lock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 263

Cascading Consoles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265

Using the AD824 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 270

Checking the Battery and the System Version . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 272

Initializing the DM1000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 273

Calibrating the Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274

Appendix A: Parameter Lists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275

USER DEFINED KEYS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275

USER DEFINED KEYS Initial Assignments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 277

Input Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 278

Initial Input Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280

Output Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282

Initial Output Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 284

GPI Trigger Source List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286

User Defined Remote Layer Initial Bank Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287

Effects Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291

Preset EQ Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 316

Preset Gate Parameters (fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 320

Preset Compressor Parameters (fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . 320

Appendix B: Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 325

General Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 325

Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 330

Analog Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 330

Analog Output Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 330

Digital Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 331

Digital Output Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 331

I/O Slot Spec (1–2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 332

Control I/O Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 332

REMOTE Port . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 333

CONTROL Port . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 333

Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 334

Appendix C: MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 336

Scene Memory to Program Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 336

Initial Parameter to Control Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 337

MIDI Data Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 353

Appendix D: About Optional Product . . . . . . . . . . . . . . . . . . . . . . . . . 368

MB1000 Peak Meter Bridge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 368

Installing the SP1000 Side Panels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 371

Rack Mounting the DM1000 Using the RK1 Rack Mount Kit . . . . . . . . . . . . . . . 371

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 372

DM1000—Owner’s Manual

■

■

■

1 Welcome

Thank you for choosing the Yamaha DM1000 Digital Production Console.
The compact DM1000 Digital Console features 24-bit/96 kHz digital audio processing

without compromise, as well as 48-channel simultaneous mixing. The DM1000 covers a
broad range of needs and applications, including multi-track recording, 2-channel mix­down, and cutting-edge surround sound production. This integrated, comprehensive
audio system features remote control function for DAWs (Digital Audio Workstations) as
popularized by the DM2000 and 02R96 Digital Mixing Consoles.

The DM1000 offers the following features:

Hardware Features

• 17 touch-sensitive 100-mm motorized faders (for touch-sensitive selection of channels,

or for punching in and out during Automix recording)

•Faders can set levels for Input Channels, Aux Sends, and Bus Outs.

•Rotary Encoders enable you to control panning for each channel, AUX send levels, and

various parameters.

•Six selectable software layers determine the function of channel faders and Encoders.

• 320 x 240 dot LCD display with fluorescent backlighting

•Buttons and controls in the SELECTED CHANNEL section enable direct editing of

channel mix parameters.

• 12 USER-DEFINED KEYS enable you to assign functions to control DM1000 internal

parameters.

•Two expansion slots for optional digital I/O, AD, and DA cards.

Welcome

11

1

Welcome

Sonic Specifications

• Linear 24-bit, 128-times oversampling A/D converters

• Linear 24-bit, 128-times oversampling D/A converters

• 20 Hz through 40 kHz frequency response at 96 kHz sampling rate.

• 106 dB typical dynamic range

• 32-bit internal signal processing (58-bit accumulator)

Inputs and Outputs

• 16 mic/line inputs with switchable +48 V phantom power and 4 line inputs

• 12 Omni Outs assignable to Stereo Out, Bus Out, Monitor Out, and Input Channel

Direct Outs.

•Two optional slots allow a maximum of 32 inputs.

•Two 2-track digital inputs, with sampling rate converters capable of converting sam-

pling rates of 44.1 kHz through 96 kHz.

•Double Channel support for recording and playing at 88.2/96 kHz on 44.1/48 kHz leg-

acy multi-track digital recorders.

•You can cascade two DM1000s while remaining in the digital domain.

•Input patches enable assignment of input signals to desired signal paths.

•Output patches enable assignment of Bus Out signals and Input Channel Direct Outs to

desired output jacks.

DM1000—Owner’s Manual

■

■

■

12

Chapter 1—Welcome

Channel Configuration

•Simultaneous mixing of up to 48 Input Channels. Group multiple channels and pair
channels for stereo.

•8 Bus Outs and 8 AUX Sends. Buses 1-8 can be routed to Stereo Buses for use as Group
Buses.

•Channel library for storing and recalling the channel settings for each Input Channel
and Output Channel.

• 4-band EQ and dynamics processor equip all channels. Dynamics processor and EQ set­tings can be stored in libraries and recalled.

Effects

•Four high-quality multi-channel effects (Apply effects via AUX Sends or Channel
Inserts).

• Effect library for storing and recalling effect settings.

Scene Memory

•Scene memories for storing and recalling the mix settings as Scenes.

•Snapshot style automation with Scene memories recallable via Automix.

■ Surround Sound

•Supports 3-1, 5.1, and 6.1 channel surround sound production.

•Joystick for adjusting each channel's surround pan.

■ Automix

•Automated controls of channel faders and parameters via Automix. (Even more power­ful when combined with an MTR, DAW, and MIDI sequence system.)

•Control parameters of connected MIDI devices via Automix.

■ Remote Control

•Control and manage your DM1000 from your Mac or PC using bundled Studio Man­ager software

•Remote Layers for controlling popular DAWs (Digital Audio Workstations), including
Pro Tools, Nuendo, etc.

•Control an external recorder via MMC commands and P2 commands.

■ MIDI

•Equipped with MIDI ports and a USB port for computer connection.

•Scene recall and mix parameter changes via MIDI

DM1000—Owner’s Manual

Control Surface & Rear Panel 13

AUXPAN

DISPLAY

ASSIGN

ENCODER MODE

EQUALIZER

LOW

HIGH

GAIN

Q

FREQUENCY

LOW MID

HIGH MID

ROUTING

12

34

56

78

STEREO DIRECT

DISPLAY

DISPLAY

SELECTED CHANNEL

16

BUS 8

32 48

15

BUS 7

31 47

14

BUS 6

30 46

13

BUS 5

29 45

12

BUS 4

28 44

11

BUS 3

27 43

10

16151413121110

20dB

ONOFF

+48V

1

2

3

4

5

6

78 1213

14

15

16

91011

1615141312111098765432

PEAK

SIGNAL

1

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PAD

20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

0

5

10

15

20

30

40

50
60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 1

1

1

17 33

0

5

10

15

20

30

40

50
60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 2

2

2

18 34

0

5

10

15

20

30

40

50
60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 3

3

3

19 35

0

5

10

15

20

30

40

50
60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 4

4

4

20 36

0

5

10

15

20

30

40

50
60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 5

5

5

21 37

0

5

10

15

20

30

40

50
60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 6

6

6

22 38

0

5

10

15

20

30

40

50
60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 7

7

7

23 39

0

5

10

15

20

30

40

50
60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 8

8

8

24 40

0

5

10

15

20

30

40

50
60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

BUS 1

9

9

25 41

0

5

10

15

20

30

40

50
60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

0

5

10

15

20

30

40

50
60

70

50

40

30

20

15

10

+10

5

0

5

0

5

10

15

20

30

40

50
60

70

50

40

30

20

15

10

+10

5

0

5

0

5

10

15

20

30

40

50
60

70

50

40

30

20

15

10

+10

5

0

5

0

5

10

15

20

30

40

50
60

70

50

40

30

20

15

10

+10

5

0

5

0

5

10

15

20

30

40

50
60

70

50

40

30

20

15

10

+10

5

0

5

0

5

10

15

20

30

40

50
60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

ON

SOLO

SEL

ON

SOLO

SEL

ON

SOLO

SEL

ON

SOLO

SEL

ON

SOLO

SEL

BUS 2

26 42

AUTO

ON

SEL

STEREO

70

60

50

40

30

20

15

10

5

0

AUX2 AUX3 AU X4

AUX6AUX5 AUX7 AUX8

AUXSELECT

DISPLAY

FADER MODE

FADER

AUX

DISPLAY ACCESS

AUTOMIX DIO SETUP UTILITY

MIDI REMOTE METER VIEW

PAIR/GROUP

INPUT

OUTPUT

EFFECTSURROUND DYNAMICS SCENE

/

PAN/

INSERT/DELAY

PATCH

PATCH

GRAB

SCENE MEMORY

STORERECALL

DISPLAY

USER DEFINED
KEYS

ENTER

INC

DEC

TALKB ACK LEVEL

PHONES

LEVEL

010

010

PHONES

MONITOR

LEVEL

SOLO CLEAR

2TR D1

2TR D2

DIMMER

TALKBACK

MONITOR

STEREO

SLOT

BUS

DISPLAY

100

F1 F2 F3

F4

0

OVER

-2

-4

-6

-8

-10

-12

-14

-18

-24

-30

-36

-42

-48

-56

-72

0

OVER

-2

-4

-6

-8

-10

-12

-14

-18

-24

-30

-36

-42

-48

-56

-72

LR

AD Input Section (p. 14) SELECTED CHANNEL Section (p. 19)

Headphones
& Talkback
Section
(p. 21)

MONITOR
Section (p. 22)

Channel Strip Section (p. 15) STEREO Section (p. 15) USER DEFINED KEYS

Section (p. 21)

Data Entry
Section (p. 21)

LAYER Section
(p. 20)

SCENE MEMORY
Section (p. 20)

Display Section
(p. 18)

DISPLAY ACCESS Section
(p. 17)

AUX SELECT
Section (p. 16)

ENCODER
MODE Section
(p. 16)

FADER MODE
Section (p. 16)

2 Control Surface & Rear Panel

Control Surface

2

Control Surface & Rear Panel

DM1000—Owner’s Manual

14 Chapter 2—Control Surface & Rear Panel

AD Input Section

5

2

1

+48V

+48V

ONOFF

ONOFF

4

3

+48V

+48V

ONOFF

ONOFF

6

78 1213

+48V

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

1

91011

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

ONOFF

14

+48V

+48V

+48V

ONOFF

ONOFF

+48V

ONOFF

ONOFF

16

15

1

PAD

20dB

20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB

-60

-60

-60

-60

-60

-60

-60

-60

-60

-60

-60

-60

-60

-60

-16

-16

GAIN

GAIN

PEAK

PEAK

SIGNAL

SIGNAL

-16

GAIN

PEAK

SIGNAL

-16

GAIN

PEAK

SIGNAL

-16

GAIN

PEAK

SIGNAL

-16

GAIN

PEAK

SIGNAL

-16

-16

GAIN

GAIN

PEAK

PEAK

SIGNAL

SIGNAL

-16

-16

GAIN

GAIN

PEAK

PEAK

SIGNAL

SIGNAL

-16

GAIN

PEAK

SIGNAL

-16

GAIN

PEAK

SIGNAL

-16

-16

GAIN

GAIN

PEAK

PEAK

SIGNAL

SIGNAL

1615141312111098765432

2

-60

-60

-16

-16

GAIN

GAIN

PEAK

PEAK

SIGNAL

SIGNAL

3
4

5

A +48V ON/OFF switches 1–16

These switches turn on or off the +48 V phantom power feed to each INPUT.

B PAD switches 1–16

These switches turn on or off the 20 dB pad (attenuator) for each AD Input.

C GAIN controls 1–16

These controls adjust input sensitivity for each AD Input. Input sensitivity is +4 dB to
–40 dB when the Pad is on, and –16 dB to –60 dB when the Pad is off.

D PEAK indicators 1–16

These indicators light up when the input signal level is 3 dB below clipping. Adjust the Pad
switch and GAIN control so that the indicator rarely lights up at signal peak.

E SIGNAL indicators

These indicators light up when the input signal level is 20 dB below nominal.

DM1000—Owner’s Manual

Channel Strip Section

Control Surface 15

1

2

3

4

5

+10

5

0

5

10

15

20

30
40
50

17 33

SEL

SOLO

ON

AUX 1

A Encoders 1–16

These rotary Encoders adjust the channel parameter settings. Depending on the button
selected in the ENCODER MODE section (see page 16), the Encoders will adjust the chan­nel pan setting (when the ENCODER MODE [PAN] button indicator is lit), the AUX Send
level (when the ENCODER MODE [AUX] button indicator is lit), or any parameter (when
the ENCODER MODE [ASSIGN] button indicator is lit).

These Encoders also feature push switches that are used to view the value of the parameter

1

currently assigned to the Encoder, or to punch in or out during Automix recording.

B [SEL] buttons 1–16

0

5

10

15

20

30

40

50
60

70

These buttons enable you to select desired channels. The [SEL] button indicator for the cur­rently-selected channel lights up. The channel selected by each [SEL] button depends on the
currently-selected button in the LAYER section (see page 20).

These buttons also allow you to select channels for Automix recording and playback, create
or cancel channel pairs, and add channels to (or remove them from) Fader, Mute, EQ, and
Compressor groups.

C [SOLO] buttons 1–16

These buttons solo the selected channels. The [SOLO] button indicator of the cur­rently-soloed channel lights up.

D [ON] buttons 1–16

1

These buttons turn the selected channels on or off. The [ON] button indicators for On
channels light up.

E Channel faders 1–16

These are touch-sensitive 100 mm motorized faders. Depending on the button selected in
the FADER MODE Section (see page 16), the faders will adjust the input or output level of
the selected channels or buses, or adjust the AUX Send level.

2

Control Surface & Rear Panel

1

2

3

4

STEREO Section

A [AUTO] button

AUTO

SEL

ON

0

5

10

15

20

30

40

50
60
70

STEREO

When this button is turned on, you can use the [SEL] buttons 1–16 to turn the Automix
function on or off.

B [SEL] button

Selects the Stereo Bus.

C [ON] button

Tu r ns the selected bus on or off.

D [STEREO] fader

This touch-sensitive 100 mm motorized fader adjusts the final output level of the Stereo
Bus.

DM1000—Owner’s Manual

16 Chapter 2—Control Surface & Rear Panel

AUX SELECT Section

DISPLAY

AUX1

AUX SELECT

AUX2 AUX3 AUX4

AUX6AUX5 AUX7 AUX8

1

2

A [DISPLAY] button

This button displays an Aux-related page (see page 97).

B [AUX 1]–[AUX 8] buttons

These buttons select an Aux Send. When you press a button to select an AUX Send, the cor­responding button indicator lights up.

ENCODER MODE Section

1

A [DISPLAY] button

This button displays an Encoder page, enabling you to assign functions to Encoders 1–16
(see page 35). To use a function assigned to an Encoder, press the [ASSIGN] button to turn
on the button indicator.

ENCODER MODE

DISPLAY

AUXPAN

ASSIGN

2 3 4

B [PAN] button

If you press this button, the button indicator turns on and Encoders 1–16 function as chan­nel panpots.

C [AUX] button

If you press this button, the button indicator turns on and Encoders 1–16 function as chan­nel Aux Send. The Send destination is selected in the AUX SELECT Section.

D [ASSIGN] button

If you press this button, the button indicator turns on and Encoders 1–16 function as
assignable controls for the parameters assigned on the Encoder pages. (By default, Input
Patches of the corresponding Input Channels are assigned.)

FADER MODE Section

FADER MODE

FADE R

1

A [FADER/AUX] button

Toggles between the desired parameter to be adjusted by channel faders 1–16. The faders
adjust the Channel or Bus level when the FADER indicator is lit, and adjust the Aux Send
level when the AUX indicator is lit.

B FADER indicator
C AUX indicator

An indicator lights up to indicate the parameter selected via the [FADER/AUX] button.

2

AUX

3

DM1000—Owner’s Manual

DISPLAY ACCESS Section

Control Surface 17

6
5

9
J

1 2 3

DISPLAY ACCESS

AUTOMIX DIO SETUP UTILITY

MIDI REMOTE METER VIEW

/

PAIR/GROUP

INSERT/DELAY

PAN/

M

N O P

4

INPUT
PATC H

EFFECTSURROUND DYNAMICS SCENE

OUTPUT
PATCH

7
8

L
K

A [AUTOMIX] button

This button displays an Automix page, enabling you to make Automix settings (see
page 181).

B [DIO] button

This button displays a DIO page, enabling you to make digital I/O settings (see page 53).

C [SETUP] button

This button displays a Setup page, enabling you to make the DM1000 internal settings.

D [UTILITY] button

This button displays a Utility page, enabling you to use the internal oscillators and view
information about installed optional cards.

2

Control Surface & Rear Panel

E [MIDI] button

This button displays a MIDI page, enabling you to make MIDI settings (see page 238).

F [REMOTE] button

This button displays a Remote page, enabling you to control a DAW remotely and make
machine control settings (see page 205).

G [METER] button

This button displays a Meter page, which displays Input Channel levels, or Bus Out or Aux
Send Out levels (see page 37).

H [VIEW] button

This button displays a View page, enabling you to view and set mix parameters for a specific
channel (see page 69).

I [PAIR/GROUP] button

This button displays a Pair/Group page, enabling you to pair channels, group multiple fad­ers, or mute channels (see page 74 and 141).

J [ /INSERT/DELAY] button

This button displays a /INS/DLY page, enabling you to switch the signal phase, set the
signal to be inserted, or set the delay parameters (see page 60 and 150).

K [INPUT PATCH] button

This button displays an In Patch page, enabling you to patch input signals and Bus Out sig­nals to the desired Input Channels (see page 105).

L [OUTPUT PATCH] button

This button displays an Out Patch page, enabling you to patch Bus Out and Insert Out sig­nals to the desired destination (see page 108).

M [PAN/SURROUND] button

This button displays a Pan/Surr page, enabling you to adjust stereo or surround pan settings
(see page 67 and 121).

DM1000—Owner’s Manual

18 Chapter 2—Control Surface & Rear Panel

N [DYNAMICS] button

This button displays a Dynamics page, enabling you to control channel gates and compres­sors (see page 62).

O [EFFECT] button

This button displays an Effect page, enabling you to edit the internal effects processors and
use optional plug-in cards (see page 151).

P [SCENE] button

This button displays a Scene page, enabling you to store and recall Scenes (see page 155).

Display Section

1

OVER

OVER

0

0

-2

-2

-4

-4

-6

-6

-8

-8

-10

-10

-12

-12

-14

-14

-18

-18

-24

-24

-30

-30

-36

-36

-42

-42

-48

-48

-56

-56

-72

-72

LR

2

3

F1 F2 F3

F4

45 6

A Display

This is a 320 x 240 dot LCD display with a fluorescent backlight.

B Stereo meters

These 32-segment level meters display the final output level of the Stereo Bus.

C Contrast control

This control adjusts the display contrast.

D [F1]–[F4] buttons

These buttons select a page from a multi-page screen. Selecting a tab at the bottom of the
screen using one of these buttons displays the corresponding page. (See page 28 for more
information on displaying a page.)

E Left Tab Scroll [ ] button
F Right Tab Scroll [ ] button

If there are more pages available than the four whose tabs are currently displayed, use these
buttons to display the additional tabs. These buttons are available only when the left or right
Tab Scroll arrow appears.

DM1000—Owner’s Manual

Tab Scroll arrow

Control Surface 19

SELECTED CHANNEL Section

1 5

SELECTED CHANNEL

ROUTING

DISPLAY

12

2

3

34

56

78

STEREO DIRECT

4

A ROUTING [DISPLAY] button

This button displays a Routing page, enabling you to route selected channels to the desired
Bus, and adjust the level of the signals routed from Buses 1–8 to the Stereo Bus (see page 68
and 83).

DISPLAY

Q

FREQUENCY

GAIN

GRAB

EQUALIZER

HIGH

HIGH MID

LOW MID

LOW

MN

J
6

7
8

9
K
L

2

Control Surface & Rear Panel

B ROUTING [1]–[8] buttons
C ROUTING [STEREO] button
D ROUTING [DIRECT] button

These buttons select the desired Bus for routing the selected Input Channel signals. The cor­responding button indicator for the currently-selected Bus lights up.

E EQUALIZER [DISPLAY] button

This button displays an EQ page, enabling you to set the selected channel equalizer (see
page 64 and 65).

F EQUALIZER [HIGH] button
G EQUALIZER [HIGH-MID] button
H EQUALIZER [LOW-MID] button
I EQUALIZER [LOW] button

These buttons select the EQ band (HIGH, HIGH-MID, LOW-MID, LOW). The corre­sponding button indicator of the currently-selected band lights up.

J EQUALIZER [Q] control

This control adjusts the currently-selected band Q.

K EQUALIZER [FREQUENCY] control

This control adjusts the currently-selected band frequency.

L EQUALIZER [GAIN] control

This control adjusts the currently-selected band gain.

M [GRAB] button

This button enables Joystick control of the surround pan setting for the currently-selected
Input Channel. This button can be turned on only when the surround pan setting is avail­able.

N Joystick

The Joystick is used to set the surround pan position (see page 126).

DM1000—Owner’s Manual

20 Chapter 2—Control Surface & Rear Panel

LAYER Section

1

A [1-16]/[17-32]/[33-48] buttons

These buttons select an Input Channel Layer. The channel strips control Channels 1–16,
17–32, or 33–48, depending on the button selected here. (See page 31 for more information
on Layers.)

B [REMOTE 1]/[REMOTE 2] buttons

These buttons select the Remote Layer, which can be used to control external devices,
including DAWs. (See page 205 for more information on the Remote Layer.)

C [MASTER] button

This button selects the Master Layer, which can be used to control Bus and Aux Send. (See
page 31 for more information on the Master Layer.)

2

3

SCENE MEMORY Section

SCENE MEMORY

STORERECALL

21 3 4 5

A Scene memory display

The number of the currently-selected Scene memory is displayed here.

B Edit indicator

If you adjust a mix parameter after a Scene has been recalled or stored, a dot flashes here.

C [STORE] button

This button enables you to store the current mix settings (See page 155 for more informa­tion on Scene Memories).

D Scene Up [ ] / Down [ ] buttons

These buttons select a Scene to store or recall. Pressing the Scene Up [ ] button increments
the selection; pressing the Scene Down [ ] button decrements the selection. Holding down
either key increments or decrements the selection continuously.

E [RECALL] button

This button recalls the Scene memory selected by the Scene Up [ ] / Down [ ] buttons.

DM1000—Owner’s Manual

USER DEFINED KEYS Section

Control Surface 21

1

2

4

USER DEFINED
KEYS

DISPLAY

DEC

A [DISPLAY] button

This button displays a User Def page, enabling you to assign functions to but­tons 1–12 (see page 257).

B [1]–[12] buttons

These buttons perform the functions assigned in the User Def pages.

Data Entry Section

3

INC

A Parameter wheel

This control adjusts the parameter values shown on the display. Turning it
clockwise increases the value; turning it counterclockwise decreases the value.
This wheel also enables you to scroll a displayed list and select a character for
entry (see page 30).

B [ENTER] button

This button activates a selected (highlighted) button on the display, and con­firms the edited parameter values.

2

Control Surface & Rear Panel

1

2

C [DEC] & [INC] buttons

These buttons increment or decrement a parameter value by one. Pressing the
[INC] button increments the value; pressing the [DEC] button decrements

ENTER

the value. Holding down either key increments or decrements the value con­tinuously.

D Left, Right, Up, Down ([ ]/[ ]/[ ]/[ ]) cursor buttons

These buttons move the cursor around the display pages, or select parameters
and options. Holding down a cursor button moves the cursor continuously
in the respective direction.

Headphones & Talkback Section

A TALKBACK LEVEL control

This control sets the level of the built-in talkback microphone. (See page 119 for more
information on the Talkback function.)

B Talkback mic

This built-in microphone is used for talkback.

010

TALKBACK LEVEL

010

PHONES

LEVEL

21

43

PHONES

C PHONES LEVEL control

This control sets the level of the PHONES. (See page 115 for more information on moni­toring through the headphones.)

D PHONES jack

You can connect a set of stereo headphones to this stereo phone jack.

DM1000—Owner’s Manual

22 Chapter 2—Control Surface & Rear Panel

MONITOR Section

1

2

4

7

DISPLAY

SOLO CLEAR

2TR D1

SLOT

TALKBACK

DIMMER

MONITOR

2TR D2

BUS

STEREO

MONITOR

LEVEL

3
5
6

8

100

9 J K

A [DISPLAY] button

This button displays a Monitor page, enabling you to adjust monitor settings (see page 115
and 131).

B [SOLO] indicator

This indicator flashes when a single or multiple channels are soloed.

C [CLEAR] button

This button “unsolos” all soloed Channels.

D [2TR D1] button
E [2TR D2] button
F [STEREO] button

These buttons select the Control Room Monitor output signal. When the [2TR D1] button
indicator is lit, the signal at the 2TR OUT DIGITAL 1 jack is selected. When the [2TR D2]
button indicator is lit, the signal at the 2TR OUT DIGITAL 2 jack is selected. When the
[STEREO] button indicator is lit, the Stereo Bus signal is selected.

If you change the parameter setting on the Monitor | Solo/C-R page (see page 116), you can
monitor the OMNI IN signal, instead of the 2TR IN DIGITAL signal, when you press the
[2TR D1] or [2TR D2] button.

G [SLOT] button
H [BUS] button

These buttons select the Surround Monitor signal source. When the [BUS] button indicator
is lit, the Bus 1–8 signals are selected. When the [SLOT] button indicator is lit, the signals
from Slots 1/2 are selected. (See page 131 for more information on the Surround Monitor.)

I [DIMMER] button

This button activates the Dimmer function, which lowers the Monitor and Surround Mon­itor signals. This function is convenient when you wish to talk in the control room during
mixdown. The [TALKBACK] button indicator flashes while the Talkback function is active
(see page 116).

J [TALKBACK] button

This button turns on the Talkback function. While the button indicator is lit, the Talkback
mic signal is sent to any desired Bus or Slot (see page 119).

K MONITOR LEVEL control

This control adjusts the monitor level.

Note:

• The DM1000 allows you to patch source signals to any output jack (other than the PHONES
jack). Therefore, the console does not feature a dedicated monitor output jack. Instead, you
can route monitoring signals to any desired output jack (typically to OMNI OUT jacks
1–12).

•By default, monitoring signals are assigned to OMNI OUT jacks 11 and 12.

DM1000—Owner’s Manual

Rear Panel

Rear Panel 23

AD Input and Output Section (p. 23)

2

Control Surface & Rear Panel

POWER

ON
OFF

16

4

AC IN

OMNI

IN

213

METER

CONTROL

SMPTE IN

INPUT

SLOT

REMOTE MIDI

INOUT

TO HOST

USB

WORD CLOCK

INOUT

1

SLOT

23456781101112131415 9
23456781101112 9

2TR IN

DIGITAL

2

2

COAXIAL AES/EBUCOAXIALAES/EBU

Power Section (p. 25) Digital I/O & Control Section (p. 24) SLOT Section (p. 24)

AD Input and Output Section

1

1

16

4

OMNI

IN

213

INPUT

23456781101112131415 9
23456781101112 9

2 3

A INPUT connectors 1–16

These balanced XLR-3-31-type con-

Male XLR plug

nectors accept line-level and micro­phone signals. The nominal signal level
ranges from –60 dB through +4 dB.

B OMNI IN connectors 1–4

These balanced XLR-3-31-type connectors accept line-level signals. The nominal signal
level is +4 dB.

C OMNI OUT connectors 1–4

These balanced XLR-3-32-type con-

Female XLR plug

nectors output any Bus signals and
channel Direct Out signals. The nomi­nal signal level is +4 dB.

1 (ground)

3 (cold)

2 (hot)

2 (hot)

3 (cold)

1 (ground)

DM1000—Owner’s Manual

24 Chapter 2—Control Surface & Rear Panel

SLOT Section

SLOT

SLOT

1

A SLOT 1 & 2

You can insert optional mini-YGDAI cards into these slots. (See page 26 for more informa­tion on installing these cards.)

Digital I/O & Control Section

1

METER

CONTROL

SMPTE IN

REMOTE MIDI

432

INOUT

TO HOST

USB

6 7 8 9 J L K5

WORD CLOCK

INOUT

1

2

2TR IN

DIGITAL

2

COAXIAL AES/EBUCOAXIALAES/EBU

1

A METER connector

This connector enables you to connect an optional MB1000 Meter Bridge.

B CONTROL connector

This 25-pin D-sub connector provides access to the GPI (General Purpose Interface).
Through this connector, the Talkback function can be turned on and off from external
equipment, or external equipment can be started or stopped from the DM1000 (see
page 259).

C SMPTE TIME CODE INPUT connector

This balanced XLR-3-31-type connector is used to input SMPTE timecode to synchronize
the Automix function.

D REMOTE connector

This 9-pin D-Sub connector is used to remotely control external equipment that supports
the Yamaha AD824 and Sony P2 Protocol (remote control commands that are used on TAS­CAM DA-98HR and other professional video recorders). Use a reverse cable to connect an
AD824, and use a straight cable to connect a P2 Protocol device. Use a reverse cable to con­nect two DM1000s to each other. Connecting two DM1000s to each other enables commu­nication via MIDI Protocol and SOLO Logic synchronization.

E MIDI IN & OUT ports

These standard MIDI IN and OUT ports enable you to connect the DM1000 to other MIDI
equipment.

F TO HOST USB port

This USB port enables you to connect a computer equipped with a USB port.

G WORD CLOCK OUT connector

This BNC connector outputs a wordclock signal from the DM1000 to a connected external
device.

DM1000—Owner’s Manual

Rear Panel 25

H WORD CLOCK IN connector

This BNC connector inputs a wordclock signal from a connected external device to the
DM1000.

I 2TR OUT DIGITAL AES/EBU 1

This XLR-3-31-type connector outputs AES/EBU format digital audio. The connector is
typically used to connect the digital stereo input (AES/EBU format) of a DAT recorder, MD
recorder, or CD recorder.

J 2TR OUT DIGITAL COAXIAL 2

This phono connector outputs consumer format (IEC-60958) digital audio. The connector
is typically used to connect the digital stereo input (consumer format) of a DAT recorder,
MD recorder, or CD recorder.

K 2TR IN DIGITAL AES/EBU 1

This XLR-3-32-type connector accepts AES/EBU format digital audio. The connector is
typically used to connect the digital stereo output (AES/EBU format) of a DAT recorder,
MD recorder, or CD recorder.

L 2TR IN DIGITAL COAXIAL 2

This phono connector accepts consumer format (IEC-60958) digital audio. The connector
is typically used to connect the digital stereo output (consumer format) of a DAT recorder,
MD recorder, or CD recorder.

2

Control Surface & Rear Panel

Power Section

1

POWER

ON
OFF

A Grounding screw

Be sure to use this screw to ground the DM1000 to protect yourself against electrical shock.
The supplied power cord features a three-pin plug. If the ground terminal of the AC outlet

is grounded, then the unit will be grounded sufficiently via the power cord. If the AC outlet
does not provide a suitable ground, this screw must be connected to a suitable ground
point. Grounding is also an effective method for eliminating hum, interference, and other
noise.

B POWER ON/OFF switch

This switch turns the power to the DM1000 on or off.

Note: To prevent loud clicks and thumps in your speakers, turn on your audio equipment in
the following order (reverse this order when turning off )—sound sources, multitrack and mas­ter recorders, DM1000, monitoring power amplifiers.

AC IN

32

C AC IN connector

This connector enables you to connect the DM1000 to an AC outlet via the supplied power
cord.

DM1000—Owner’s Manual

26 Chapter 2—Control Surface & Rear Panel

WORD CLOCK

INOUT

CONTROL

IN

OUT

TO HOST

USB

REMOTE MIDI

SMPTE IN

COAXIAL AES/EBU

COAXIAL

AES/EBU

2

2

1

2TR IN

DIGITAL

METER

POWER

ON
OFF

1

SLOT

SLOT

INPUT

OMNI

IN

23

4

56

78

1

10

111213

145

9

234

567

8

1

10

11

12

9

2

1

3

DIGITAL MIXING CONSOLE
MODEL DM1000

AC IN

WORD CLOCK

INOUT

CONTROL

IN

OUT

TO HOST

USB

REMOTE MIDI

SMPTE IN

COAXIAL AES/EBU

COAXIAL

AES/EBU

2

2

1

2TR IN

DIGITAL

METER

POWER

ON
OFF

1

SLOT

SLOT

INPUT

OMNI

IN

23456

78

1

10

111213

145

9

23

4

567

8

1

10

11

12

9

2

1

3

DIGITAL MIXING CONSOLE
MODEL DM1000

AC IN

Installing an Optional Card

Visit the following Yamaha Pro Audio web site to ensure that the card you are installing is
supported by the DM1000. Also, verify the number of cards (including other Yamaha or
third-party cards) that can be installed in the unit.

<http://www.yamahaproaudio.com/>.

Follow the steps below to install an optional mini-YGDAI card.

1 Make sure that the power to the DM1000 is turned off.

2 Undo the two fixing screws and remove the slot cover, as shown below.

Keep the cover and fixing screws in a safe place for future use.

3 Insert the card between the guide rails and slide it all the way into the slot,

as shown below.

You may have to push firmly to fully insert the card into the internal connector.

4 Secure the card using the attached thumbscrews.

Tighten the screws firmly, or else the card may not be grounded correctly, which may cause
the DM1000 to malfunction.

DM1000—Owner’s Manual

3 Operating Basics

This chapter describes basic operations on the DM1000, including how to use the display
and operate the controls on the top panel.

Operating Basics 27

About the Display

The top panel display indicates various parameters that you must set before you can operate
the DM1000. The display indicates the following items:

3Current Scene

1Selected DISPLAY
2Selected channel
9Page title

KPage area

3

Operating Basics

4EDIT indicator

5MIDI indicator

6Surround mode indicator

7Sampling rate indicator

8Timecode counter
JChannel name

MTab Scroll arrowsLPage tabs

A Selected DISPLAY

This section indicates the currently-selected display page group.

B Selected channel

This section indicates the Input or Output Channel currently selected by its correspond­ing [SEL] button or fader. The first four characters are the Channel ID (e.g.,
CH1–CH48, BUS1–BUS8, AUX1–AUX8, ST-L, ST-R). The second four characters are
the channel’s Short name. You can edit the channel’s Short name if you desire (see
page 76 and 89).

C Current Scene

This section indicates the number and title of the currently-selected Scene memory (see
page 156). If the selected Scene is write-protected, a padlock icon ( ) appears.

D EDIT indicator

This indicator appears when the current mix settings no longer match those of the Scene
that was most-currently recalled. It works in unison with the Edit indicator dot on the
Scene Memory display.

E MIDI indicator

This indicator appears when the DM1000 is receiving MIDI data via the MIDI IN port,
USB port, REMOTE connector, or an installed MY8-mLAN card.

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28 Chapter 3—Operating Basics

F Surround mode indicator

This indicator identifies the currently-selected Surround mode (ST=stereo, 3-1, 5.1, or

6.1) (see page 121).

G Sampling rate indicator

This indicator identifies the DM1000’s current sampling rate: 44.1 kHz (44k), 48 kHz
(48k), 88.2 kHz (88k), or 96 kHz (96k).

H Timecode counter

This counter displays the current position in the MIDI timecode being received via the
MIDI IN port, USB port, REMOTE connector, or an installed MY8-mLAN card. It
works in unison with the timecode counter on an optional MB1000 Meter Bridge.

If MIDI clock is selected as the timecode source on the Setup | Time Ref page, this
counter indicates the current MIDI clock position in bars:beats:clocks.

I Page title

This section indicates the title of the current page.

J Channel name

Depending on which page is currently selected, the channel name is the Long name of
the channel currently selected by its corresponding [SEL] button or the cursor buttons.

K Page area

This page area displays various page contents.

L Page tabs

These tabs enable you to select a display page.

M Tab Scroll arrows

These arrows indicate that more pages are available.

Selecting Display Pages

To select a display page:

1 Press the corresponding button on the top panel to select the desired page

group.

Display pages are grouped by function. To select a page group, press the [DISPLAY] button
in the following sections: AUX SELECT, ENCODER MODE, ROUTING, EQUALIZER,
MONITOR, USER DEFINED KEY. You can select additional page groups by pressing the
desired button in the DISPLAY ACCESS section.

2You can select pages that have currently-displayed tabs by pressing the

[F1]–[F4] buttons.

If the selected display page group contains multiple pages, press the [F1]–[F4] buttons
below the corresponding tab to select a specific page.

3To select a page for which a tab is not currently displayed, press either the

Left or Right [ ]/[ ] Tab Scroll button (depending on where the page is
located) to display the page tab, then press the corresponding [F1]–[F4] but­ton.

If display page groups contain more than four pages, either the left or right arrow appears.
To display the currently-hidden tabs, press the Right or Left [ ]/[ ] Tab Scroll button.

You can also select a page from a page group as follows:

• Selecting the next page in a page group:

Press the button you selected in Step 1 repeatedly. This enables you to select a page that has
a hidden tab.

DM1000—Owner’s Manual

•To select the previous page in a page group:

Press and hold down the button you selected in Step 1. The screen steps back through the
pages one by one. Release the button when the desired page is displayed. This enables you
to select a page that has a hidden tab.

•To select the first page in the group:

Double-click the button you selected in Step 1.

4 Press the cursor buttons to move the cursor (a bold frame) to a button,

parameter box, rotary control, or fader so that you can change the value.

Tip: The DM1000 remembers the current page and parameter when you select a new page
group. If you return to the previous page group, the DM1000 displays the correct page, with
the same parameter selected. You can also select a page by using the controls or buttons on the
top panel (see page 250).

Display Interface

This section describes how to use the display interface.

Rotary Controls & Faders

Display Interface 29

3

Operating Basics

The rotary controls and faders enable you to adjust the contin­uously variable parameter values, including Input Channel lev­els and effects parameters. Press the cursor buttons to move the
cursor to a rotary control or fader you want to adjust, then
rotate the Parameter wheel or press the [INC]/[DEC] buttons
to modify the value.

Buttons

The buttons enable you to turn certain functions on (enabled)
or off (disabled). Move the cursor to the appropriate button,
then press the [ENTER] button to turn the function on (high­lighted) or off. The buttons also enable you to select one of two
options or to execute certain functions.

Parameter Boxes

The parameter boxes enable you to select one of multiple
options. Press the cursor buttons to move the cursor to a
parameter box, then rotate the Parameter wheel or press the
[INC]/[DEC] buttons to select the setting.

You may need to press the [ENTER] button to confirm the
change of certain parameter box. If you edit a value in this type
of parameter boxes, the value flashes. Press the [ENTER] but­ton to confirm the change, and the flashing stops. If you move
the cursor to other parameters while the edited value is flash­ing, the edit is cancelled.

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30 Chapter 3—Operating Basics

Confirmation Messages

For certain functions, the DM1000 prompts you for confirmation before executing the
functions, as shown here.

Move the cursor to YES and press [ENTER] to execute the function, or move the cursor to
NO and press [ENTER] to cancel.

If you take no action for awhile, the confirmation window closes automatically and the
function is not executed.

Title Edit Window

The Title Edit window enables you to enter titles for Scene and library memories, Auto­mixes, and so on. You can enter 4, 12, or 16 characters, depending on the item.

The figure on the left shows uppercase characters and various punctuation marks. The fig­ure on the right shows lowercase characters and numbers.

Use the cursor buttons to select characters, and press the [ENTER] button to enter them
into the title. The cursor moves to the right automatically as each character is entered. Use
the Parameter wheel or the Left and Right cursor buttons to move the cursor within the title.

Use the SHIFT LOCK button to select uppercase or lowercase characters, and use the SPC
button to enter a space.

To insert a space at the cursor position and move subsequent characters to the right, move
the cursor to the INS button and press [ENTER].

To delete the character at the cursor position and move subsequent characters to the left,
move the cursor to the DEL button and press [ENTER].

When you have finished, move the cursor to the OK button, then press [ENTER] to confirm
the title. To cancel the title entry, move the cursor to the CANCEL button, then press
[ENTER].

DM1000—Owner’s Manual