PARTS LIST
BLOCK DIAGRAM
OVERALL CONNECTOR CIRCUIT DIAGRAM
CIRCUIT DIAGRAM
.154/164
PA
011640
HAMAMATSU, JAPAN
1.29K-6096 Printed in Japan ’02.06
1
02R96
IMPORTANT NOTICE
This manual has been provided for the use of authorized Yamaha Retailers and their service personnel. It has been assumed
that basic service procedures inherent to the industry, and more specifically Yamaha Products, are already known and understood by the users, and have therefore not been restated.
WARNING :Failure to follow appropriate service and safety procedures when servicing this product may result in per-
IMPORTANT :This presentation or sale of this manual to any individual or firm does not constitute authorization certifi-
The data provided is belived to be accurate and applicable to the unit(s) indicated on the cover. The research engineering, and
service departments of Yamaha are continually striving to improve Yamaha products. Modifications are, therefore, inevitable
and changes in specification are subject to change without notice or obligation to retrofit. Should any discrepancy appear to
exist, please contact the distributor’s Service Division.
WARNING :Static discharges can destroy expensive components. Discharge any static electricity your body may have
IMPORTANT :Turn the unit OFF during disassembly and parts replacement. Recheck all work before you apply power
sonal injury, destruction of expensive components and failure of the product to perform as specified. For
these reasons, we advise all Yamaha product owners that all service required should be performed by an
authorized Yamaha Retailer or the appointed service representative.
cation, recognition of any applicable technical capabilities, or establish a principal-agent relationship of
any form.
accumulated by grounding yourself to the ground bus in the unit (heavy gauge black wires connect to
this bus.)
to the unit.
WARNING: CHEMICAL CONTENT NOTICE!
The solder used in the production of this product contains LEAD. In addition, other electrical/electronic and/or plastic (Where
applicable) components may also contain traces of chemicals found by the California Health and Welfare Agency (and possibly
other entities) to cause cancer and/or birth defects or other reproductive harm.
DO NOT PLACE SOLDER, ELECTRICAL/ELECTRONIC OR PLASTIC COMPONENTS IN YOUR MOUTH FOR ANY REASON WHAT
SO EVER!
Avoid prolonged, unprotected contact between solder and your skin! When soldering, do not inhale solder fumes or expose
eyes to solder/flux vapor!
If you come in contact with solder or components located inside the enclosure of this product, wash your hands before handling
food.
WARNING: THIS APPARATUS MUST BE EARTHED
IMPORTANT
THE WIRES IN THIS MAINS LEAD ARE COLOURED IN
ACCORDANCE WITH THE FOLLOWING CODE:
GREEN-AND-YELLOW : EARTH
BLUE : NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may
not correspond with the coloured markings identifying the terminals in
your plug, proceed as follows:
The wire which is coloured GREEN and YELLOW must be
connected to the terminal in the plug which is marked by the letter E
or by the safety earth symbol or coloured GREEN and YELLOW.
The wire which is coloured BLUE must be connected to the terminal
which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the
terminal which is marked with the letter L or coloured RED.
* This applies only to products distributed by YAMAHA KEMBLE
MUSIC (U.K.) LTD.
WARNING
Components having special characteristics are marked and must be replaced with parts having specification equal to those
originally installed.
2
LITHIUM BATTER Y HANDLING
This product uses a lithium battery for memory back-up.
WARNING :Lithium batteries are dangerous because they can be exploded by improper handling. Observe the following pre-
Leave lithium battery replacement to qualified service personnel.
Always replace with batteries of the same type.
When installing on the PC board by soldering, solder using the connection terminals provided on the battery cells.
Never solder directly to the cells. Perform the soldering as quickly as possible.
Never reverse the battery polarities when installing.
Do not short the batteries.
Do not attempt to recharge these batteries.
Do not disasemble the batteries.
Never heat batteries or throw them into fire.
ADVARSEL!
Lithiumbatteri-Eksplosionsfare ved fejlagtig handtering. Udskiftning ma kun ske med batteri af samme fabrikat og type. lever det brugte
batteri tilbage til leverandren.
VARNING
Explosionsfara vid felaktigt batteribyte.
Anvand samma batterityp eller en ekvivalent typ som rekommenderas av apparattillverkaren.
Kassera anvant batteri enligt fabrikantens instruktion.
VAROITUS
Paristo voi rajahtaa, jos se on virheellisesti asennettu.
Vaihda paristo ainoastaan laitevalmistajan suosittelemaan tyyppiiin.
Havita kaytetty paristo valmistajan ohjeiden mukaisesti.
The following information complies with Dutch official Gazette 1995. 45; ESSENTIALS OF ORDER ON THE COLLECTION OF BATTERIES.
• Please refer to the diassembly procedure for the removal of Back-up Battery.
• Leest u voor het verwijderen van de backup batterij deze beschrijving.
cautions when handling or replacing lithium batteries.
02R96
Take care not to trap your fingers.
3
02R96
SPECIFICATIONS
02R96
General Spec
Number of scene memories
Sampling Frequency
Signal Delay
Fader
Fader Resolution
Total Harmonic Distortion
(CH INPUT to STEREO OUT)
(Input Gain=Min.)
Frequency Response
(CH INPUT to STEREO OUT)
Dynamic Range
(maximum level to noise level)
Hum & Noise
(20 Hz–20 kHz)
*2
*1
Rs=150 Ω
Input Gain=Max.
Input Pad =0 dB
Maximum Voltage Gain
Crosstalk
(@ 1 kHz)
Input Gain=Min.
AD Input (1–16: A/B)
AD Input (17–24)
Analog Input
(2TR IN ANALOG 1, 2)
Internal
External
fs=48 kHz
fs=96 kHz
Phantom switch
Pad switch
Gain control
Peak indicator
Signal indicator
Insert
Insert switch
AD converter
Gain control
Peak indicator
Signal indicator
AD converter
AD converter
99
44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
Normal rate: 44.1 kHz–10% to 48 kHz+6%
Double rate: 88.2 kHz–10% to 96 kHz+6%
Less than 2.0 ms CH INPUT to STEREO OUT (fs=48 kHz)
Less than 1.1 ms CH INPUT to STEREO OUT (fs=96 kHz)
100 mm motorized with touch sense × 25
+10 to –96, –∞ dB (256 steps/100 mm) input faders
0 to –130, – ∞ dB (256 steps/100 mm) master faders, stereo fader
Less than 0.05% 20 Hz to 20 kHz @ +14 dB into 600 Ω
Less than 0.01% 1 kHz @ +18 dB into 600 Ω (fs=48 kHz)
Less than 0.05% 20 Hz to 40 kHz @ +14 dB into 600 Ω
Less than 0.01% 1 kHz @ +18 dB into 600 Ω
20 Hz–20 kHz, 0.5, –1.5 dB @ +4 dB into 600 Ω (fs=48 kHz)
20 Hz–40 kHz, 0.5, –1.5 dB @ +4 dB into 600 Ω (fs=96 kHz)
110 dB typ. DA Converter (STEREO OUT)
105 dB typ. AD+DA (to STEREO OUT) @ fs=48 kHz
105 dB typ. AD+DA (to STEREO OUT) @ fs=96 kHz
–128 dB Equivalent Input Noise
–92 dB residual output noise. STEREO OUT (STEREO OUT off)
–92 dB (96 dB S/N) STEREO OUT (STEREO fader at nominal level and
all CH INPUT faders at minimum level)
–64 dB (68 dB S/N) STEREO OUTPUT (STEREO fader at nominal leve
and one CH INPUT fader at nominal level)
74 dB CH INPUT (CH1–24) to STEREO OUT/OMNI (BUS) OUT
74 dB CH INPUT (CH1–24) to OMNI (AUX) OUT (via pre input fader)
74 dB CH INPUT (CH1–24) to CONTROL ROOM MONITOR OUT (via
STEREO bus)
–80 dB adjacent input channels (CH1–24)
–80 dB input to output
+48 V DC is supplied to A (XLR-3-31 type) input
0/26 dB attenuation
44 dB (–60 to –16), detented
LED (red) turns on when post HA level reaches 3 dB below clipping
LED (green) turns on when post HA level reaches 20 dB below nominal
I/O (pre AD converter)
on/off
24-bit linear, 128-times oversampling (fs=48 kHz)
44 dB (–34 to +10), detented
LED (red) turns on when post HA level reaches 3 dB below clipping
LED (green) turns on when post HA level reaches 20 dB below nominal
24-bit linear, 128-times oversampling (fs=48 kHz)
24-bit linear, 128-times oversampling (fs=48 kHz)
l
4
02R96
Option Input (SLOT 1–4)Available cards
Digital Input
(2TR IN DIGITAL 1–3)
SRC
Input patch
Phase
Gate-type
Comp-type
*3
*4
Attenuator
EQ
Delay
Input Channel CH1–56
On/off
Fader
Aux send
Solo
Pan
Surround pan
LFE level
Routing
Direct out
Metering
Level control
TALKBACK
AD converter
Talkback select
On/off
Level
OSCILLATOR
On/off
Waveform
Routing
STEREO OUTDA converter
OMNI OUT 1–8
Output patch
DA converter
Monitor select
Mono
CONTROL ROOM MONITOR
OUT
Dimmer
DA converter
Level control
Phones level
Monitor select
STUDIO MONITOR OUT
DA converter
Level control
Optional digital interface cards (MY8, MY4 series)
On/off (1:3 and 3:1 maximum input to output sample rate ratio)
—
Normal/reverse
On/off
Key in: 12 ch Group (1–12, 13–24, 25–36, 37–48, 49–56)/AUX1–8
On/off
Key in: self /Stereo Link
Pre EQ/pre fader/post fader
–96.0 to +12.0 dB (0.1 dB step)
4-band PEQ
*5
On/off
0–43400 samples
—
100 mm motorized (INPUT/AUX1–8)
On/off
AUX1–8; pre fader/post fader
On/off
Pre fader/after pan
127 positions (Left= 1–63, Center, Right= 1–63)
127 × 127 positions
–∞, –96 dB to +10 dB (256 step)
STEREO, BUS1–8, DIRECT OUT
Pre EQ/pre fader/post fader
Displayed on LCD
Peak hold on/off
Analog rotary potentiometer
24-bit linear, 128-times oversampling
Built-in microphone/AD IN 1–16
—
0 to –96 dB (1 dB step)
—
Sine 100 Hz, sine 1 kHz, sine 10 kHz, pink noise, burst noise
BUS1–8, AUX1–8, STEREO L, R
24-bit linear, 128-times oversampling
SURROUND MONITOR, STEREO, BUS1–8, AUX1–8, DIRECT OUT
1–56, INSERT OUT (CH1–56, BUS1–8, AUX1–8, STEREO)
24-bit linear, 128-times oversampling
STEREO, 2TR IN DIGITAL 1, 2TR IN DIGITAL 2, 2TR IN DIGITAL 3, 2TR
IN ANALOG 1, 2TR IN ANALOG 2, ASSIGN 1, 2 (BUS 1–8/AUX 1–8)
On/off
On/off
24-bit linear, 128-times oversampling
Analog rotary potentiometer
Analog rotary potentiometer
CONTROL ROOM, STEREO, AUX 7, AUX 8, TALKBACK
24-bit linear, 128-times oversampling
Analog rotary potentiometer
5
02R96
2TR OUT DIGITAL 1–3
Option Output (SLOT 1–4)
STEREO
BUS1–8
AUX1–8
Dither
Output patch
Available card
Output patch
Dither
Comp-type
*4
Attenuator
EQ
On/off
Fader
Balance
Delay
Metering
Comp-type
*4
Attenuator
EQ
On/off
Fader
Delay
Bus to stereo
Metering
Comp-type
*4
Attenuator
EQ
On/off
Fader
Delay
Metering
On/off
Word length 16, 20, 24-bit
STEREO, BUS1–8, AUX 1–8, DIRECT OUT 1–56, INSERT OUT,
CONTROL ROOM
Optional digital interface card (MY8, MY4 series)
SURROUND MONITOR, STEREO, BUS1–8, AUX1–8, DIRECT OUT
1–56, INSERT OUT (CH1–56, BUS1–8, AUX1–8, STEREO)
On/off
Word length 16/20/24-bit
On/off
Pre EQ/pre fader/post fader
–96.0 to +12.0 dB (0.1 dB step)
4-band PEQ
*5
On/off
—
100 mm motorized
127 positions (Left=1–63, Center, Right=1–63)
0–43400 samples
Displayed on LCD
Peak hold on/off
On/off
Pre EQ/pre fader/post fader
–96.0 to +12.0 dB (0.1 dB step)
4-band PEQ
*5
On/off
—
100 mm motorized
0–43400 samples
Level (–∞, –130 dB to 0 dB)
On/off
Pan: 127 positions (Left=1–63, Center, Right=1–63)
Displayed on LCD
Peak hold on/off
On/off
Pre EQ/pre fader/post fader
–96.0 to +12.0 dB (0.1 dB step)
4-band PEQ
*5
On/off
—
100 mm motorized
0–43400 samples
Displayed on LCD
Peak hold on/off
6
02R96
Mute
Solo
Source
Monitor to C-R
SURROUND MONITOR
INTERNAL EFFECTS
(EFFECT 1–4)
Power Requirements
Dimensions(H x D x W)
Net weight
Operating free-air temperature range
Storage temperature range
Supplied Accessories
Options
*1. Total harmonic distortion is measured with a 6 dB/octave filter @ 80 kHz.
*2. Hum & Noise are measured with a 6 dB/octave filter @ 12.7 kHz; equivalent to a 20 kHz filter with infinite dB/octave
attenuation.
*3. See“Gate Parameters” on page 8.
*4. See“Comp Parameters” on page 8.
*5. See“EQ Parameters” on page 7.
Oscillator
Monitor matrix
Bass
management
Monitor
alignment
Bypass
In/out
Effect-in from
Effect-out to
Japan
U.S.A./Canada120 V, 60 Hz 200 W
Other220–240 V, 50/60 Hz 200 W
ATT (–12.0 dB to 12 dB 0.1 dB step), Delay (0–30.0 msec 0.02 msec
step)
On/off
8-in, 8-out (EFFECT1): depends on effects type
2-in, 2-out (EFFECT2–4): depends on effects type
AUX1–8/INSERT OUT/effect-out
Input patch/effect-in
100 V, 50/60 Hz 190 W
239 x 697 x 667 mm (9.4" x 27.4" x 26.3")
34 kg (75 lbs)
10–35°C (50–95°F)
–20 to 60°C (–4 to 140°F)
AC Cable
CD-ROM (Studio Manager)
Digital interface card (MY8, MY4 series)
PEAK METER BRIDGE: MB02R96
SIDE PANEL: SP02R96
EQ Parameters
Q
F
G
LOW/HPFL-MIDH-MIDHIGH /LPF
0.1–10.0
(41 points)
low shelving
HPF
±18 dB
(0.1 dB step)
HPF: on/off
0.1–10.0
(41 points)
21.2 Hz–20 kHz (1/12 oct step)
±18 dB
(0.1 dB step)
0.1–10.0
(41 points)
high shelving
LPF
±18 dB
(0.1 dB step)
LPF: on/off
7
02R96
Gate Parameters
Gate
Ducking
Threshold
Range
Attack
Hold
Decay
Threshold
Range
Attack
Hold
Decay
–54 dB to 0 dB (0.1 dB step)
–70 dB to 0 dB (1 dB step)
0 ms–120 ms (1 ms step)
0.02 ms–1.96 s (216 points) @ 48 kHz
0.02 ms–2.13 s (216 points) @ 44.1 kHz
0.01 ms–981 ms (216 points) @ 96 kHz
0.01 ms–1.06 s (216 points) @ 88.2 kHz
5 ms–42.3 s (160 points) @ 48 kHz
6 ms–46.0 s (160 points) @ 44.1 kHz
3 ms–21.1 s (160 points) @ 96 kHz
3 ms–23.0 s (160 points) @ 88.2 kHz
–54 dB to 0 dB (0.1 dB step)
–70 dB to 0 dB (1 dB step)
0 ms–120 ms (1 ms step)
0.02 ms–1.96 s (216 points) @ 48 kHz
0.02 ms–2.13 s (216 points) @ 44.1 kHz
0.01 ms–981 ms (216 points) @ 96 kHz
0.01 ms–1.06 s (216 points) @ 88.2 kHz
5 ms–42.3 s (160 points) @ 48 kHz
6 ms–46.0 s (160 points) @ 44.1 kHz
3 ms–21.1 s (160 points) @ 96 kHz
3 ms–23.0 s (160 points) @ 88.2 kHz
Comp Parameters
Threshold
Ratio (x :1)
Out gain
Knee
Compressor
Expander
Attack
Release
Threshold
Ratio (x :1)
Out gain
Knee
Attack
Release
–54 dB to 0 dB (0.1 dB step)
x=1, 1.1, 1.3, 1.5, 1.7, 2, 2.5, 3, 3.5, 4, 5, 6, 8, 10, 20, ∞ (16 points)
0 dB to +18 dB (0.1 dB step)
Hard, 1, 2, 3, 4, 5 (6 step)
0 ms–120 ms (1 ms step)
5 ms–42.3 s (160 points) @ 48 kHz
6 ms–46.0 s (160 points) @ 44.1 kHz
3 ms–21.1 s (160 points) @ 96 kHz
3 ms–23.0 s (160 points) @ 88.2 kHz
–54 dB to 0 dB (0.1 dB step)
x=1, 1.1, 1.3, 1.5, 1.7, 2, 2.5, 3, 3.5, 4, 5, 6, 8, 10, 20, ∞ (16 points)
0 dB to +18 dB (0.1 dB step)
Hard, 1, 2, 3, 4, 5 (6 points)
0 ms–120 ms (1 ms step)
5 ms–42.3 s (160 points) @ 48 kHz
6 ms–46.0 s (160 points) @ 44.1 kHz
3 ms–21.1 s (160 points) @ 96 kHz
3 ms–23.0 s (160 points) @ 88.2 kHz
8
02R96
Compander H
Compander S
Controls
Threshold
Ratio (x :1)
Out gain
Width
Attack
Release
Threshold
Ratio (x :1)
Out gain
Width
Attack
Release
–54 dB to 0 dB (0.1 dB step)
x=1, 1.1, 1.3, 1.5, 1.7, 2, 2.5, 3, 3.5, 4, 5, 6, 8, 10, 20 (15 points)
–18 dB to 0 dB (0.1 dB step)
1 dB–90 dB (1 dB step)
0 ms–120 ms (1 ms step)
5 ms–42.3 s (160 points) @ 48 kHz
6 ms–46.0 s (160 points) @ 44.1 kHz
3 ms–21.1 s (160 points) @ 96 kHz
3 ms–23.0 s (160 points) @ 88.2 kHz
–54 dB to 0 dB (0.1 dB step)
x=1, 1.1, 1.3, 1.5, 1.7, 2, 2.5, 3, 3.5, 4, 5, 6, 8, 10, 20 (15 points)
–18 dB to 0 dB (0.1 dB step)
1 dB–90 dB (1 dB step)
0 ms–120 ms (1 ms step)
5 ms–42.3 s (160 points) @ 48 kHz
6 ms–46.0 s (160 points) @ 44.1 kHz
3 ms–21.1 s (160 points) @ 96 kHz
3 ms–23.0 s (160 points) @ 88.2 kHz
Analog Section
INPUT 1–16
INPUT 17–24
TALKBACK
STUDIO MONITOR OUT
CONTROL ROOM MONITOR OUT
PHONES
Digital Section
FADER MODE Section
DISPLAY CONTROL Section
+48 V switch ON/OFF
PAD switch 0/26 dB
GAIN control–16 to –60 dB
INSERT switchON/OFF
GAIN control+10 to –34 dB
TALKBACK LEVEL control
STUDIO LEVEL control
CONTROL ROOM LEVEL control
PHONES LEVEL control
AUX SELECT
FADER MODE
ENCODER MODE
DISPLAY ACCESS
buttons
EFFECTS/PLUG-INS
Others
DISPLAY button
AUX 1, AUX 2, AUX 3, AUX 4, AUX 5, AUX 6, AUX 7, AUX 8
buttons (w/LED)
FADER, AUX button (w/LED)
DISPLAY button
GATE ON, COMP ON buttons (w/LED)
Parameter control x 5
DISPLAY button
L, R, LINK, GRAB, EFFECT buttons (w/LED)
Pan control
Joystick (Sound image position control)
DISPLAY button
EQ ON button (w/LED)
GAIN controls: LOW, LOW-MID, HIGH-MID, HIGH
FREQUENCY/Q controls: LOW, LOW-MID, HIGH-MID, HIGH
controls (w/SW)
DISPLAY button
CONTROL ROOM, STEREO, AUX 7, AUX 8 buttons (w/LED)
CLEAR button
Fader (w/touch sense) x 1
INC, DEC,
Parameter wheel
, , ,
, ENTER buttons
10
Indicators
Analog Section
02R96
PEAK LED
SIGNAL LED
x24INPUT 1–24
x24INPUT 1–24
Digital Section
DISPLAY CONTROL Section DISPLAY
DYNAMICS
PAN/SURROUND
SELECTED CHANNEL Section
EQUALIZER
MONITOR SectionSOLO
SCENE MEMORY sectionScene memory number
Libraries
Effect library (EFFECT 1–4)
Compressor library
Gate library
EQ library
Channel library
Surround Monitor library
Input patch library
Output patch library
Bus to Stereo library
Presets52 (EFFECT 2–4: 44)
User memories76
Presets36
User memories92
Presets4
User memories124
Presets40
User memories160
Presets2
User memories127
Presets1
User memories32
Presets1
User memories32
Presets1
User memories32
Presets1
User memories32
320 × 240 dot graphic LCD (w/contrast control potentiometer)
GATE, COMP LEDs x2
Pan position LEDs x10
A: XLR-3-31 type
(Balanced)
B: Phone jack (TRS)
(Balanced)
Phone jack (TRS)
(Balanced)
Phone jack (TRS)
Phone jack (TRS)
(Balanced)
Phono (Unbalanced)
InputPAD GAIN
INPUT A/B 1–16
INPUT 17–24
INSERT IN 1–16
2TR IN ANALOG
1 [L, R]
2TR IN ANALOG
2 [L, R]
–60
dB
0
–16
dB
26
–34
dB
—
+10
dB
—10K Ω
—10K Ω
—10K Ω
Actual Load
Impedance
3k Ω
4K Ω
For Use
With
Nominal
50–600 Ω
Mics &
600 Ω
Lines
600 Ω
Lines
600 Ω
Lines
600 Ω
Lines
600 Ω
Lines
Sensitivity
–70 dB
(0.245 mV)
–26 dB
(38.8 mV)
0 dB
(775 mV)
–44 dB
(4.89 mV)
0 dB
(775 mV)
–6 dB
(388 mV)
+4 dB
(1.23 V)
–10 dBV
(0.316 V)
*1. Sensitivity is the lowest level that will produce an output of +4 dB (1.23 V) or the nominal output level when the unit
is set to maximum gain. (All faders and level controls are maximum position.)
*2. XLR-3-31 type connectors are balanced (1=GND, 2=HOT, 3=COLD).
*3. Phone jacks are balanced (Tip=HOT, Ring=COLD, Sleeve=GND).
*4. Phone jacks are wired: Tip=OUT, Ring=IN, Sleeve=GND
In these specifications, when dB represents a specific voltage, 0 dB is referenced to 0.775 Vrms.
For 2TR IN ANALOG 2 levels, 0 dBV is referenced to 1.00 Vrms.
All input AD converters (except INSERT I/O 1–16) are 24-bit linear, 128-times oversampling.
+48 V DC (phantom power) is supplied to CH INPUT (1–16) XLR type connectors via individual switches.
Connector
*2
*3
*3
*4
*3
Analog Output Spec
Output
Actual Source
Impedance
600 Ω10k Ω Lines—
STEREO OUT [L, R]
150 Ω600 Ω Lines—
STUDIO MONITOR OUT
[L, R]
C-R MONITOR OUT [L, R]
OMNI OUT 1–8
INSERT OUT 1–16
PHONES
150 Ω10k Ω Lines—
150 Ω10k Ω Lines—
150 Ω10k Ω Lines
600 Ω10k Ω Lines—
100 Ω
*1. The maximum output level of each OMNI OUT can be set internally.
*2. XLR-3-32 type connectors are balanced (1=GND, 2=HOT, 3=COLD).
*3. Phone jacks are balanced (Tip=HOT, Ring=COLD, Sleeve=GND).
*4. Phone jacks are wired: Tip=OUT, Ring=IN, Sleeve=GND
*5. PHONES stereo phone jack is unbalanced (Tip=LEFT, Ring=RIGHT, Sleeve=GND).
For Use
With
Nominal
GAIN SW
*1
Nominal
–10 dBV
(0.316 V)
(1.23 V)
(1.23 V)
(1.23 V)
+18 dB
(default)
+4 dB
(1.23 V)
(0.245 V)
(1.23 V)
8 Ω Phones—4 mW25 mW
40 Ω Phones
—12 mW75 mW
Output level
+4 dB
+4 dB
+4 dB
+4 dB
–10 dB
+4 dB
Max. before
clip
+4 dBV
(1.58 V)
+18 dB
(6.16 V)
+18 dB
(6.16 V)
+18 dB
(6.16 V)
+18 dB
(6.16 V)
+4 dB
(1.23 V)
+18 dB
(6.16 V)
Connector
Phono (Unbalanced)
XLR-3-32 type
(Balanced)
*2
Phone Jack (TRS)
(Balanced)
*3
Phone Jack (TRS)
(Balanced)
*3
Phone Jack (TRS)
(Balanced)
Phone Jack (TRS)
*3
*4
Stereo Phone Jack (TRS)
(Unbalanced)
*5
12
STEREO OUT [L, R], 0 dBV is referenced to 1.00 Vrms.
In these specifications, when dB represents a specific voltage, 0 dB is referenced to 0.775 Vrms.
All output DA converters (except INSERT OUT 1–16) are 24-bit, 128-times oversampling.
*1. XLR-3-31 type connectors are balanced (1=GND, 2=HOT, 3=COLD).
Digital Output Spec
OutputFormatData lengthLevelConnector
1
2TR OUT DIGITAL
2
3
CASCADE OUT
*1. Channel status of 2TR OUT DIGITAL 1
Type: 2 audio channels
Emphasis: NO
Sampling rate: depends on the internal configuration
AES/EBU
Professional use
IEC-60958
Consumer use
IEC-60958
Consumer use
*1
*4
*4
——RS422
24-bit
24-bit
24-bit
XLR-3-31 type (Balanced)
D-SUB Half Pitch Connector 68P
(Female)
*2
*2
*2
RS422
0.5V pp/75 Ω Phono
0.5V pp/75 Ω Phono
02R96
*1
XLR-3-32 type (Balanced)
D-SUB Half Pitch Connector 68P (Female)
*3
*2. Dither: word length 16/20/24 bit
*3. XLR-3-32 type connectors are balanced (1=GND, 2=HOT, 3=COLD).
*4. Channel status of 2TR OUT DIGITAL 2, 3
Type: 2 audio channels
Category code: 2 channel PCM encoder/decoder
Copy prohibit: NO
Emphasis: NO
Clock accuracy: Level II (1000 ppm)
Samplin
rate: depends on the internal configuration
13
02R96
I/O Slot Spec (1-4)
Each I/O SLOT accepts a digital interface card. Only SLOT #1 has a serial interface.
Card NameFunctionAcceptInputOutput
MY8-AT
MY8-TD
MY8-AE
MY4-AD
MY8-AD
MY4-DA
MY8-AD24
MY8-AD96
MY8-DA96
MY8-AE96S
MY8-AE96
*1. See the Digital I/O chapter.
Details depend on each interface card.
ADATYES8 IN
TASCAMYES8 IN
AES/EBUYES8 IN
ANALOG INYES4 IN—4
ANALOG INYES8 IN—4
ANALOG OUT YES —
ANALOG INYES8 IN—4
ANALOG INYES8 IN—4
ANALOG OUT YES —
AES/EBUYES8 IN
AES/EBUYES8 IN
8 OUT (depends on output
*1
patch)
8 OUT (depends on output
*1
patch)
8 OUT (depends on output
*1
patch)
4 OUT (depends on output
*1
patch)
8 OUT (depends on output
*1
patch)
8 OUT (depends on output
*1
patch)
8 OUT (depends on output
*1
patch)
Number of
available cards
4
4
4
4
4
2
4
Control I/O Spec
I/O PortFormatLevelConnector in Console
TO HOST
MIDI
TIME CODE IN
WORD CLOCK
CONTROL
METER
*1. XLR-3-31 type connectors are balanced (1=GND, 2=HOT, 3=COLD).
*2. This switch is on the rear panel.
AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 AUX 7 AUX 8 BUS 1 BUS 2 BUS 3 BUS 4 BUS 5 BUS 6 BUS 7 BUS 8
+
48V
48V
48V
ON
ON
OFF
OFF
26dB
26dB
26dB
-60
-60
-16
-16
GAIN
GAIN
GAIN
PEAK
PEAK
SIGNAL
SIGNAL
OFF
OFF
ON
ON
INSERT
INSERT
ROUTING
DISPLAY
12
4
3
56
78
STEREOFOLLOWPANDIRECT
DYNAMICS
DISPLAY
GATEON COMPON
EQUALIZER
DISPLAY
DISPLAY
AUTO
SEL
SOLO
ON
LOW
FREQUENCYQFREQUENCYQFREQUENCYQFREQUENCY
Q
GAIN
EQON
USER DEFINED KEYS
12345678
910111213141516
AUTO
AUTO
SEL
SEL
SOLO
SOLO
ON
ON
10
10
10
5
5
5
0
0
0
5
5
5
10
10
10
15
15
15
20
20
20
30
30
30
40
40
40
50
50
50
SELECTED CHANNEL Section (p. 21)
ON
OFF
-60
OFF
ON
dB
Hz
kHz
AUTO
SEL
SOLO
ON
+
10
+
10
17 18
DISPLAY
LR
GATE/ COMP
GATE
COMP
5
0
5
10
15
20
30
40
50
GAIN
GAIN
PEAK
SIGNAL
DISPLAY ACCESS
INSERT
PAN/ SURROUND
AUTO
SEL
SOLO
ON
10
19
17
+
34
34
10
GAIN
20
18
+
34
34
10
GAIN
PEAK
SIGNAL
19 20 21 22 23 24
SELECTED CHANNEL
PHASE /
DELAY
L
ODD
THRESHOLD
LOW MID
GAIN
dB
Hz
kHz
AUTO
AUTO
SEL
SEL
SOLO
SOLO
ON
ON
10
10
5
5
0
0
5
5
10
10
15
15
20
20
30
30
40
40
50
50
02R96
Control Panel
PANEL LAYOUT
232421
+
+
34
34
10
10
GAIN
GAIN
22
+
+
34
34
10
10
GAIN
GAIN
PEAK
PEAK
SIGNAL
SIGNAL
DIGITAL MIXING CONSOLE
R
LINK GRAB EFFECT
EVEN
RANGE
ATTACK
DECAY
ATTACKTHRESHOLD
HIGH MID
GAIN
dB
Hz
kHz
SCENE MEMORY
STORERECALL
LAYER
STEREO
0
5
10
15
20
30
40
50
60
70
RELEASE
AUTO
SEL
ON
HOLD
GAIN
HIGH
GAIN
dB
Hz
kHz
DISPLAY
REMOTE1 24
MASTER25 48
SET
REW FF
STOP PLAY
SHUTTLE
SCRUB
ENTER
RATIO
DISPLAY
AUTO
SEL
SOLO
ON
10
5
0
5
10
15
20
30
40
50
STEREO
010
STUDIO
LEVEL
CONTROL
ROOM
AUX7 AUX8
CONTROL ROOM
2TRD1 2TRA1
2TRD2 2TRA2
2TRD3 STEREO
ASSIGN
BUS
SURROUND MONITOR LEVEL
CONTROLROOM LEVEL
DIMMER
MACHINE CONTROL
LOCATEMEMORY
1234
5678
DISPLAY
STUDIO
SOLO
CLEAR
SURROUND
MONITOR
1 ASSIGN2
TALKBACK
REC
010
TALKBACKLEVEL
PHONES
010
PHONES
LEVEL
STEREO
SLOT
100
100
Monitor , Phones & Talkback
Section (p. 25)
MONITOR Section (p.25)
SCENE MEMORY (p. 23)
MACHINE CONTROL (p. 24)
INCDEC
Data Entry & Transport (p. 24)
17
Channel strips (p. 18)
USER DEFINED KEYS (p. 24)
LAYER (p. 23)STEREO (p. 23)
02R96
02R96
AD Input Section
q
+
48V
ON
OFF
Channel strips
w
e
r
t
y
e
r
t
q
PAD
26dB
-16
GAIN
PEAK
SIGNAL
1
INSERT
+
10
GAIN
+
10
GAIN
PEAK
SIGNAL
17 18
q [+48V ON/OFF] switches
(AD 1–16)
-60
w [PAD] switches (AD 1–16)
e [GAIN] controls
r [PEAK] indicators
OFF
ON
t [SIGNAL] indicators
y [INSERT ON/OFF] switches
(AD 1–16)
17
34
18
34
18
w
e
r
t
y
AUTO
SEL
q Encoders
SOLO
ON
1
w [AUTO] buttons
e [SEL] buttons
r [SOLO] buttons
t [ON] buttons
y Channel faders
10
5
0
5
10
15
20
30
40
50
1
25
49
AUX SELECT
02R96
DISPLAY
AUX SELECT
AUX
AUX
q
ENCODER MODE
q
ENCODER MODE
DISPLAY
w
FADER MODE
AUX
2
1
AUX3AUX
4
q AUX SELECT [DISPLAY] button
w [AUX 1]–[AUX 8] buttons
AUX
6
5
AUX7AUX
8
w
q ENCODER MODE [DISPLAY] button
AUXPAN
e
ASSIGN
1
r
ASSIGN
2
w [PAN] button
e [AUX] button
r [ASSIGN 1] & [ASSIGN 2] buttons
FADER MODE
DISPLAY ACCESS
qwer
DISPLAY ACCESS
t
y
AUTOMIX DIOSETUPUTILITY
MIDIREMOTE METER VIEW
PAIRGROUP INPUT
o
AUXFADER
qw
PATCH
!0
OUTPUT
PATCH
!2!1
q [FADER] button
w [AUX] button
q [AUTOMIX] button
w [DIO] button
e [SETUP] button
r [UTILITY] button
t [REMOTE] button
u
y [MIDI] button
i
u [METER] button
i [VIEW] button
o [PAIR] button
!0 [GROUP] button
!1 [INPUT PATCH] button
!2 [OUTPUT PATCH] button
19
02R96
EFFECTS/PLUG-INS
q
wer
EFFECTS / PLUG INS
DISPLAY
INTERNAL
PLUG INS
EFFECTS
1234
CHANNEL
INSERTS
Display Section
t
y
q EFFECTS/PLUG-INS [DISPLAY] button
w [INTERNAL EFFECTS] button
e [PLUG-INS] button
r [CHANNEL INSERTS] button
t EFFECTS/PLUG-INS [1]–[4] buttons
y Parameter Up/Down buttons
u Parameter controls [1]–[4]
q
u
w
20
e
r
q Display
w Contrast control
e [F1]–[F4] buttons
r Left Tab Scroll button
t Right Tab Scroll button
t
SELECTED CHANNEL Section
02R96
ROUTING
q
w
DISPLAY
DISPLAY
DISPLAY
DISPLAY
EQ ON
ROUTING
12
3
56
78
STEREOFOLLOW PANDIRECT
ROUTING
12
3
56
78
STEREOFOLLOW PANDIRECT
DYNAMICS
GATE ON COMP ON
EQUALIZER
4
FREQUENCY
Q
t
SELECTED CHANNEL
DISPLAY ACCESS
4
LOW
GAIN
DISPLAY
LR
GATE / COMP
GATE
COMP
dB
Hz
kHz
PHASE /
DELAY
INSERT
PAN / SURROUND
L
ODD
THRESHOLD
LOW MID
FREQUENCY
Q
GAIN
R
EVEN
RANGE
ATTA CK
RATIO
ATTA CKTHRESHOLD
HIGH MID
FREQUENCY
Q
dB
Hz
kHz
GAIN
RELEASE
dB
Hz
kHz
LINK GRAB EFFECT
DECAY
FREQUENCY
Q
HOLD
GAIN
HIGH
GAIN
dB
Hz
kHz
q ROUTING [DISPLAY] button
w [FOLLOW PAN] button
e [STEREO] button
r [DIRECT] button
t ROUTING [1]–[8] buttons
DISPLAY ACCESS
e
DISPLAY ACCESS
PHASE /
DELAY
INSERT
w
q
r
q PHASE/INSERT button
w DELAY button
21
02R96
DYNAMICS
q DYNAMICS [DISPLAY] button
w [GATE ON] button
e [COMP ON] button
r [GATE/COMP] button
t [THRESHOLD], [RANGE], [ATTACK], [DECAY],
[HOLD] ([THRESHOLD], [RATIO], [ATTACK],
[RELEASE], [GAIN]) controls
y [GATE/COMP] indicators
PAN/SURROUND
q
PAN / SURROUND
DISPLAY
LR
wer
RANGE
RATIO
t
ATTA CK
ATTA CKTHRESHOLD
DECAY
RELEASE
HOLD
GAIN
q
DISPLAY
w
e
DYNAMICS
GATE ON COMP ON
r
GATE / COMP
GATE
COMP
THRESHOLD
y
q PAN/SURROUND
i
L
ODD
EVEN
R
LINK GRAB EFFECT
yt
u
[DISPLAY] button
w [L] & [R] buttons
e PAN display
r PAN control
t [LINK] button
y [GRAB] button
u [EFFECT] button
i Joystick
EQUALIZER
22
we
q
q EQUALIZER [DISPLAY] button
w [FREQUENCY/Q] controls
e EQ [GAIN] controls
r [EQ ON] button
t [FREQUENCY/Q] indicators
y EQ displays
DISPLAY
EQ ON
r
EQUALIZER
FREQUENCY
Q
LOW
FREQUENCY
GAIN
Q
dB
Hz
kHz
yt
LOW MID
GAIN
HIGH MID
FREQUENCY
Q
GAIN
dB
Hz
kHz
dB
Hz
kHz
FREQUENCY
Q
HIGH
GAIN
dB
Hz
kHz
LAYER
STEREO
q
q
w
e
LAYER
STEREO
AUTO
SEL
ON
02R96
REMOTE1 24
MASTER25 48
w
e
q [1–24] & [25–48] buttons
w [REMOTE] button
e [MASTER] button
SCENE MEMORY
q
DISPLAY
w
0
r
5
10
15
20
30
40
50
60
70
STEREO
SCENE MEMORY
STORERECALL
rty
e
q [AUTO] button
w [SEL] button
e [ON] button
r Fader
q SCENE MEMORY [DISPLAY] button
w Scene memory display
e Edit indicator
r [STORE] button
t Scene Up/Down buttons
y [RECALL] button
23
02R96
USER DEFINED KEYS
q
USER DEFINED KEYS
DISPLAY
12345678
9 10111213141516
q USER DEFINED KEYS [DISPLAY] button
w USER DEFINED KEYS [1]–[16] buttons
MACHINE CONTROL
DISPLAY
SET
MACHINE CONTROL
1234
5678
q
w
e
r
REWFF
STOPPLAY
LOCATE MEMORY
REC
t
w
q MACHINE CONTROL
[DISPLAY] button
w LOCATE MEMORY [1]–[8] buttons
e [SET] button
r [REW] button
t [FF] button
y [STOP] button
u [PLAY] button
i [REC] button
yui
Data Entry & Transport
q
w
SHUTTLE
SCRUB
e
r
ENTER
t
q [SHUTTLE] button
INCDEC
y
w [SCRUB] button
e Parameter wheel
r [ENTER] button
t [DEC] & [INC] buttons
y Cursor buttons
24
Monitor, Phones & Talkback Section
010
TALKBACKLEVEL
r
e
010
STUDIO
LEVEL
PHONES
010
PHONES
LEVEL
qtw
MONITOR Section
02R96
q [STUDIO LEVEL] control
w [PHONES LEVEL] control
e [PHONES] jack
r T alkback mic
t [TALKBACK LEVEL] control
MONITOR
DISPLAY
STUDIO
CONTROL
STEREO
ROOM
AUX7AUX8
SOLO
CLEAR
CONTROL ROOM
2TR D1 2TR A1
2TR D2 2TR A2
2TR D3 STEREO
1
ASSIGN
SURROUND
TALKBACK
2
SLOT
100
100
ASSIGN
BUS
SURROUND MONITOR LEVEL
CONTROL ROOM LEVEL
DIMMER
STUDIO
q
w
r
MONITOR
DISPLAY
STUDIO
CONTROL
ROOM
AUX7AUX8
STEREO
SOLO
q
w
SOLO
CLEAR
CONTROL ROOM
CONTROL ROOM
q
w
e
u
o
!1
2TR D1 2TR A1
2TR D22TR A2
2TR D3 STEREO
1
ASSIGN
SURROUND
2
SLOT
100
ASSIGN
BUS
SURROUND MONITOR LEVEL
!2
100
CONTROL ROOM LEVEL
!3
DIMMER
TALKBACK
q MONITOR [DISPLAY] button
w [CONTROL ROOM] button
e [STEREO] button
e
r [AUX 7] button
t
t [AUX 8] button
q [SOLO] indicator
w [CLEAR] button
q STEREO [2TR D1] button
w STEREO [2TR D2] button
r
e STEREO [2TR D3] button
r STEREO [2TR A1] button
t
t STEREO [2TR A2] button
y
y [STEREO] button
u STEREO [ASSIGN 1] button
i
i STEREO [ASSIGN 2] button
o SURROUND [BUS] button
OMNI OUTs, Digital I/O & Control Section (p. 28)Power Section (p. 28)
SLOT Section (p. 28)
AD Input Section
q
w
q
02R96
q [INPUT A & B (BAL)] connectors
w [INSERT I/O +4dB (UNBAL)] connectors
(AD 1–16)
Analog Master I/O Section
qe
ryt
q [STUDIO MONITOR OUT +4 dB (BAL)] connectors
w [STEREO OUT +4 dB (BAL)] connectors
e [2TR IN ANALOG 1 +4 dB (BAL)] connectors
r
[CONTROL ROOM MONITOR OUT +4 dB (BAL)] connectors
t [STEREO OUT –10 dBV (UNBAL)] connectors
y [2TR IN ANALOG 2 –10 dBV (UNBAL)] connectors
w
27
02R96
OMNI OUTs, Digital I/O & Control Section
wertyuio!1!2
q
!4!5
q [OMNI OUT +4dB (BAL)] connectors
w [SMPTE TIME CODE INPUT] connector
e [MTC TIME CODE INPUT] connector
r [USB TO HOST] port
t [SERIAL TO HOST] port
y [2TR OUT DIGITAL COAXIAL 2 & 3] connectors
u [2TR OUT DIGITAL AES/EBU 1] connector
i [2TR IN DIGITAL COAXIAL 2 & 3] connectors
o [2TR IN DIGITAL AES/EBU 1] connector
!0 [WORD CLOCK OUT] connector
!1 [WORD CLOCK 75Ω ON/OFF] termination switch
!2 [WORD CLOCK IN] connector
!3 [CONTROL] port
!4 [METER] port
!5 [MIDI IN, OUT & THRU] ports
!6 [CASCADE IN & OUT] ports
!0
!3
!6
Power Section
q
w
e
SLOT Section
q [POWER ON/OFF] switch
w Grounding screw
e [AC IN] connector
r Cooling fan
r
q
q [SLOT 1]–[SLOT 4]
28
MB02R96
Controls
t
02R96
o
r
e
w
i
OVER
56
u
q Channel indicators
w [INPUT METERING POSITION]
button & indicators
e [PEAK HOLD] button
r [LAYER] buttons
t [OUTPUT METERING POSITION]
button & indicators
y Meters
u [STEREO] meters
i [CONTROL ROOM] button
o [BUS] meters
y
q
29
02R96
CIRCUIT BOARD LAYOUT
02R96
Bottom Assembly
<Top view>
Power supply unit
<Rear view>
JK1
<Top view>
BRG
DSP
DA
JK1
DAOPT
JK2 (2/2)
JK2 (2/2)
JK2 (1/2)
CPU1
OPT
30
Power supply unit
DSPBRG
JK2 (1/2)
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