Yamaha PF1000E1 User Manual

Page 1

Owner's Manual

Before using the PF-1000, be sure to read “Precautions„ on pages 3-4.

IMPORTANT

Check your power supply

Make sure that your local AC mains voltage matches the voltage specified on the name plate on the bottom panel. In some areas a voltage selector may be provided on the bottom panel of the main keyboard unit. Make sure that the voltage selector is set for the voltage in your area. The voltage selector is set at 240V when the unit is initially shipped. To change the setting use a "minus" screwdriver to rotate the selector dial so that the correct voltage appears next to the pointer on the panel.

Page 2

Introduction

SPECIAL MESSAGE SECTION

PRODUCT SAFETY MARKINGS:

products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section.

Yamaha electronic

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

See bottom of Keyboard enclosure for graphic symbol markings.

The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

The lightning ﬂash with arrowhead symbol, within the equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufﬁcient magnitude to constitute a risk of electrical shock.

Battery Notice:

rechargable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately ﬁve years. When replacement becomes necessary, contact a qualiﬁed service representative to perform the replacement.

Warning:

incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you.

Disposal Notice:

beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc.

NOTICE:

edge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.

NAME PLATE LOCATION:

cates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

This product MAY contain a small non-

Do not attempt to recharge, disassemble, or

Should this product become damaged

Service charges incurred due to lack of knowl-

The graphic below indi-

IIMPORTANT NOTICE:

ucts are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless speciﬁcally authorized by Yamaha. Product performance and/or safety standards may be diminished. Claims ﬁled under the expressed warranty may be denied if the unit is/has been modiﬁed. Implied warranties may also be affected.

SPECIFICATIONS SUBJECT TO CHANGE:

information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the speciﬁcations without notice or obligation to update existing units.

ENVIRONMENTAL ISSUES:

duce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:

All Yamaha electronic prod-

The

Yamaha strives to pro-

PF-1000

Model

Serial No.

Purchase Date

PF-1000

92-469 1

Page 3

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, ﬁre or other hazards. These precautions include, but are not limited to, the following:

Power supply/Power cord

•

Only use the voltage speciﬁed as correct for the instrument. The required voltage is printed on the name plate of the instrument.

•

Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.

•

Use only the supplied power cord/plug.

•

Do not place the power cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.

Do not open

•

Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualiﬁed Yamaha service personnel.

Water warning

•

Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings.

•

Never insert or remove an electric plug with wet hands.

Fire warning

•

Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a ﬁre.

If you notice any abnormality

•

If the power cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the instrument inspected by qualiﬁed Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:

Power supply/Power cord

•

When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it.

•

Remove the electric plug from the outlet when the instrument is not to be used for extended periods of time, or during electrical storms.

•

Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.

Assembling the keyboard stand

•

Read carefully this manual or the attached documentation explaining the assembly process. Failure to assemble the stand in the proper sequence might result in damage to the instrument or even injury.

(1)B-7

Location

•

Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disﬁguration or damage to the internal components.

•

Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise.

•

Do not place the instrument in an unstable position where it might accidentally fall over.

•

Before moving the instrument, remove all connected cables.

•

Do not place objects in front of the instrument’s air vent, since this may prevent adequate ventilation of the internal components, and possibly result in the instrument overheating.

1/2

PF-1000

Page 4

Connections

•

Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.

Maintenance

•

When cleaning the instrument, use a soft, dry or slightly damp cloth. Do not use paint thinners, solvents, cleaning ﬂuids, or chemical-impregnated wiping cloths.

Handling caution

•

Never insert or drop paper, metallic, or other objects into the gaps on the panel or keyboard. If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualiﬁed Yamaha service personnel.

•

Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.

•

Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors.

•

Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.

Using the bench (If included)

•

Do not place the bench in an unstable position where it might accidentally fall over.

•

Do not play carelessly with or stand on the bench. Using it as a tool or step-ladder or for any other purpose might result in accident or injury.

•

Only one person should sit on the bench at a time, in order to prevent the possibility of accident or injury.

•

If the bench screws become loose due to extensive long-term use, tighten them periodically using the included tool.

Saving data

Saving and backing up your data

•

Current memory data (see page 39) is lost when you turn off the power to the instrument. Save the data to a ﬂoppy disk/the User Drive (see page 39). Saved data may be lost due to malfunction or incorrect operation. Save important data to a ﬂoppy disk.

When you change settings in a display page and then exit from that page, System Setup data (listed in the Parameter Chart of the separate Data List booklet) is automatically stored. However, this edited data is lost if you turn off the power without properly exiting from the relevant display.

Backing up the ﬂoppy disk

•

To protect against data loss through media damage, we recom-

mend that you save your important data onto two ﬂoppy disks.

Yamaha cannot be held responsible for damage caused by improper use or modiﬁcations to the instrument, or data that is lost or destroyed.

Always turn the power off when the instrument is not in use.

(1)B-7

PF-1000

2/2

Page 5

Thank you for purchasing the Yamaha PF-1000 electronic piano! We recommend that you read this manual carefully so that you can fully take advantage of the advanced and convenient functions of the PF-1000. We also recommend that you keep this manual in a safe and handy place for future reference.

About this Owner’s Manual and Data List

This manual consists of four main sections: Introduction, Quick Guide, Basic Operation, and Reference. Also, a separate Data List is provided.

Introduction (page 2): Please read this section ﬁrst.

Quick Guide (page 20): This section explains how to use the basic functions.

Basic Operation (page 38): This section explains how to use the basic operations including display-based controls.

Reference (page 52): This section explains how to make detailed settings for the PF-1000’s various functions.

Data List : Voice List, MIDI Data Format, etc.

* The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and may appear

somewhat different from those on your instrument. * The example Operation Guide displays shown in this Manual are in English. * The bitmap fonts used in this instrument have been provided by and are the property of Ricoh co., Ltd. * Copying of the commercially available software is strictly prohibited except for your personal use.

This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, styles ﬁles, MIDI ﬁles, WAVE data and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.

Trademarks:

• Apple and Macintosh are trademarks of Apple Computer, Inc.

• IBM-PC/AT is a trademark of International Business Machines Corporation.

• Windows is the registered trademark of Microsoft® Corporation.

• All other trademarks are the property of their respective holders.

PF-1000

Page 6

Accessories

Eject button

“50 greats for the Piano” Disk (and Music Book)

Recording disk

Owner’s Manual

Data List

Pedal Unit

Bench (included or optional depending on locale)

Dust Cover

Music Rest

Keyboard Stand

■

Handling the Floppy Disk Drive (FDD) and Floppy Disk

Precautions

Be sure to handle ﬂoppy disks and treat the disk drive with care. Follow the important precautions below.

Compatible Disk Type

• 3.5" 2DD and 2HD type ﬂoppy disks can be used.

Inserting/Ejecting Floppy Disks

To insert a ﬂoppy disk into the disk drive:

• Hold the disk so that the label of the disk is facing

upward and the sliding shutter is facing forward,

towards the disk slot. Carefully insert the disk into the

slot, slowly pushing it all the way in until it clicks into

place and the eject button pops out.

Drive lamp

When the power is turned on, the drive lamp (at the bottom left of the drive) lights to indicate the drive can be used.

To eject a ﬂoppy disk:

Before ejecting the disk, be sure to conﬁrm that data is not being written to the ﬂoppy disk. If data is currently being written to the ﬂoppy disk in the following operations, the messages “Now executing,” “Now copying,” and “Now formatting” appears in the display.

• Moving, copying, pasting, saving, or deleting data (page 42 - 44).

• Naming ﬁles and folders (page 41); creating a new folder (page 44).

• Copying a disk to an another disk (page 139); formatting the disk (page 139).

PF-1000

Page 7

• Never attempt to remove the disk or turn the power off when the data is being written to the ﬂoppy disk. Doing so can damage the disk and possibly the disk drive. Press the eject button slowly as far as it will go; the disk will automatically pop out. When the disk is fully ejected, carefully remove it by hand.

• If the eject button is pressed too quickly, or if it is not pressed in as far as it will go, the disk may not eject properly. The eject button may become stuck in a halfpressed position with the disk extending from the drive slot by only a few millimeters. If this happens, do not attempt to pull out the partially ejected disk, since using force in this situation can damage the disk drive mechanism or the ﬂoppy disk. To remove a partially ejected disk, try pressing the eject button once again, or push the disk back into the slot and then repeat the eject procedure.

• Be sure to remove the ﬂoppy disk from the disk drive before turning off the power. A ﬂoppy disk left in the drive for extended periods can easily pick up dust and dirt that can cause data read and write errors.

Cleaning the Disk Drive Read/Write Head

• Clean the read/write head regularly. This instrument employs a precision magnetic read/write head which, after an extended period of use, will pick up a layer of magnetic particles from the disks used that will eventually cause read and write errors.

• To maintain the disk drive in optimum working order Yamaha recommends that you use a commerciallyavailable dry-type head cleaning disk to clean the head about once a month. Ask your Yamaha dealer about the availability of proper head-cleaning disks.

• Never insert anything but ﬂoppy disks into the disk drive. Other objects may cause damage to the disk drive or ﬂoppy disks.

• Never use a ﬂoppy disk with a deformed shutter or housing.

• Do not attach anything other than the provided labels to a ﬂoppy disk. Also make sure that labels are attached in the proper location.

To protect your data (Write-protect Tab):

• To prevent accidental erasure of important data, slide the disk’s write-protect tab to the “protect” position (tab open).

write-protect tab open (protect position)

Data backup

• For maximum data security Yamaha recommends that you keep two copies of important data on separate ﬂoppy disks. This gives you a backup if one disk is lost or damaged. To make a backup disk use the Disk to Disk function on page 139.

About the Floppy Disks

To handle ﬂoppy disks with care:

• Do not place heavy objects on a disk or bend or apply pressure to the disk in any way. Always keep ﬂoppy disks in their protective cases when they are not in use.

• Do not expose the disk to direct sunlight, extremely high or low temperatures, or excessive humidity, dust or liquids.

• Do not open the sliding shutter and touch the exposed surface of the ﬂoppy disk inside.

• Do not expose the disk to magnetic ﬁelds, such as those produced by televisions, speakers, motors, etc., since magnetic ﬁelds can partially or completely erase data on the disk, rendering it unreadable.

PF-1000

Page 8

About the Display Messages

A message (information or conﬁrmation dialog) sometimes appears on the screen to facilitate operation. When such messages appear, simply follow the instructions as shown by pressing the corresponding button.

For this example, press the [G] (YES) button to execute formatting.

You can select the desired language from the Help display (page 49).

PF-1000

Page 9

Table of Contents

Introduction

SPECIAL MESSAGE SECTION ................................... 2

PRECAUTIONS.......................................................... 3

About this Owner’s Manual and Data List .............. 5

Accessories ............................................................... 6

Handling the Floppy Disk Drive (FDD)

and Floppy Disk..................................................... 6

About the Display Messages.................................... 8

Application Index................................................... 12

What can you do with the PF-1000?...................... 14

Setting Up the PF-1000.......................................... 16

About the pedal unit............................................................... 16

About the music rest............................................................... 16

Turning the Power On and Off................................................ 16

Using headphones ..................................................................17

Panel Controls and Terminals................................ 18

Quick Guide

Playing the Demos ................................................. 20

Song Playback ........................................................ 21

Playback of Songs ....................................................21

Playing Voices ........................................................ 25

Playing a Voice ........................................................25

Playing Two Voices Simultaneously ..........................26

Playing Different Voices with the Left

and Right Hands...................................................27

Playing Styles ......................................................... 28

Playing a style..........................................................28

Style Sections...........................................................30

One Touch Setting...................................................32

Music Finder........................................................... 33

Using the Music Finder ............................................33

Searching the Music Finder Records.........................34

Saving and Recalling Music Finder Data...................35

Playing and Practicing with the Songs.................. 36

Playing Along with the PF-1000 ...............................36

Recording ................................................................37

Basic Operations

— Organizing Your Data ....... 38

Selecting Files and Folders..................................... 40

File/Folder-related Operations .............................. 41

Naming Files/Folders ...............................................41

Moving Files/Folders ................................................42

Copying Files/Folders...............................................43

Deleting Files/Folders...............................................43

Saving Files ..............................................................44

Organizing Files by Creating a New Folder ..............44

Displaying Upper Level pages ..................................44

Entering Characters and Changing Icons .................44

Using the [DATA ENTRY] Dial................................ 46

Direct Access — Instant Selection of Displays....... 47

Help Messages........................................................ 49

Using the Metronome............................................ 50

Adjusting the Tempo ............................................. 50

Tap Tempo ............................................................. 51

Reference

Playing the Demos.................52

Voices.....................................54

Selecting a Voice .................................................... 54

One-touch Piano Play.............................................. 55

Layer/Left — Playing Several Sounds

Simultaneously .................................................... 56

Layer — Layering Two Different Voices ................... 56

Left — Setting Separate Voices for the Left

and Right Sections of the Keyboard ..................... 57

Applying Voice Effects ........................................... 57

Using the Pedals..................................................... 58

Styles......................................59

Playing a style ........................................................ 59

Playing a Style’s Rhythm Channels only .................. 61

Adjusting the Volume Balance/Channel Muting ...... 61

Chord Fingerings.................................................... 62

Arranging the Style Pattern

MAIN A/B/C/D, INTRO, ENDING, BREAK) ...................64

Stopping the Style Playback While Releasing Keys

(SYNC. STOP) ...................................................... 65

Selecting Intro and Ending Types

(INTRO/ENDING) ................................................ 66

Playing Fill-in patterns automatically when changing

accompaniment sections — Auto Fill In................ 66

Appropriate Panel Setting for the Selected

Style

(ONE TOUCH SETTING)......................................67

Automatically Changing One Touch Settings

with the Sections — OTS Link .............................. 68

Registering the Panel Controls in One Touch

Setting (ONE TOUCH SETTING)........................... 68

Calling Up Ideal Setups for Your Music

— Music Finder.................................................... 69

Searching the Ideal Setups — Music Finder Search

Editing Records — Music Finder Record Edit ........... 71

(SECTIONS:

.... 70

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Page 10

Song Playback ....................... 73

Creating Accompaniment

Compatible Song Types......................................... 73

Song Playback ........................................................ 74

Playing the Internal Songs........................................74

Playing Back Songs on Disk......................................76

Other Playback-related Operations...........................76

Muting Specific Parts

— Track1/Track2/Extra Tracks............................ 77

Repeat Playback of a Specific Range ..................... 77

Displaying Music Notation — Score ...................... 78

Displaying the Lyrics .............................................. 81

Saving and Recalling Custom Panel Setups

— Registration Memory ....... 82

Registering Panel Setups

— Registration Memory...................................... 82

Saving Your Registration Memory Setups.................83

Recalling a Registration Memory Setup ................ 84

Editing Voices

— Sound Creator ................... 85

Operation ............................................................... 85

SOUND CREATOR Parameters ............................... 86

Styles — Style Creator .........106

About Creating Accompaniment Styles............... 106

Style File Format................................................... 107

Operation ............................................................. 107

Realtime Recording — Basic ................................ 108

Step Recording..................................................... 109

Assembling an Accompaniment Style —Assembly

Edit the Created Accompaniment Style .............. 111

Change the Rhythmic Feel

— Groove and Dynamics ................................... 111

Editing the Channel Data...................................... 113

Making Style File Format Settings —Parameter ..... 114

.. 110

Adjust the Volume Balance and Changing Voices

— Mixing Console ................116

Operation ............................................................. 116

Setting the Level Balance and Voice

— Volume/Voice ............................................... 117

Changing the Tone of the Voice — Filter............ 118

Changing Pitch-related Settings — Tune ............ 118

Adjusting the Effects ............................................ 119

Effect Structure ..................................................... 121

Making Global and Other

Recording Your Performances and Creating Songs

— Song Creator ..................... 90

About Song Recording........................................... 90

Quick Recording..................................................... 91

Multi Recording ..................................................... 92

Recording Individual Notes — Step Record .......... 94

Operation ................................................................94

Recording Melodies — Step Record (Note) ..............96

Recording Chord Changes for the Auto Accompani-

ment — Step Record (Chord) ...............................97

Select the Recording Options: Starting, Stopping,

Punching In/Out — Rec Mode............................ 99

Editing a Recorded Song ..................................... 100

Editing Channel-related Parameters — Channel.....100

Editing Note Events — 1 - 16.................................103

Editing Chord Events — CHD.................................104

Editing System Events

— SYS/EX. (System Exclusive) .............................104

Inputting and Editing Lyrics ...................................105

Customizing the Event List — Filter........................105

Important Settings

— Function...........................122

Operation ............................................................. 122

Fine Tuning the Pitch/Selecting a Scale

— Master Tune/Scale Tune............................... 124

Tuning the Overall Pitch — Master Tune............... 124

Selecting a Scale — Scale Tune ............................. 124

Setting Song-related Parameters

— Song Settings................................................ 126

Setting Auto Accompaniment-related

Parameters — Style Setting, Split Point,

and Chord Fingering......................................... 127

Setting Auto Accompaniment-related Parameters

— Style Setting and Split Point .......................... 127

Setting the Fingering Method — Chord Fingering

Making Settings for the Pedals and Keyboard

— Controller...................................................... 128

Making Settings for the Pedals .............................. 128

Changing the Touch Sensitivity and Transpose

— Keyboard/Panel............................................. 130

Setting the Registration Sequence, Freeze,

and Voice Set..................................................... 131

Specifying the Order for Calling Up Registration

Memory Presets — Registration Sequence.......... 131

Maintaining Panel Settings — Freeze .................... 131

Changing the Automatically Selected Voice

Settings — Voice Set.......................................... 132

... 128

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Setting Harmony and Echo.................................. 132

Showing the PF-1000 Display on a TV

— Video Out...................................................... 133

Setting the MIDI Parameters............................... 134

Making Overall System Settings

(Local Control, Clock, etc.) — System.................134

Transmitting MIDI Data — Transmit ......................135

Receiving MIDI Data — Receive .............................136

Setting Root Note Channels — Root ......................136

Setting Chord Channels — Chord Detect ..............136

Other Settings — Utility ...................................... 137

Making Settings for Fade In/Out, Metronome,

Parameter Lock, and Tap — CONFIG 1...............137

Making Settings for the Display, Speaker System,

and Voice Number Indication — CONFIG 2........138

Copying and Formatting Disks — Disk...................139

Entering Your Name and Language Preference

— Owner............................................................140

Restoring the Factory-programmed Settings

of the PF-1000 — System Reset ..........................140

Using Your PF-1000 with Other

Introduction

Quick Guide

Basic Operations - Organizing Your Data

Playing the Demos

Voices

Devices................................. 141

Using the Headphones (PHONES jacks)..................141

Connecting the Microphone or Guitar

(MIC/LINE IN jack)..............................................141

Connecting Audio & Video Devices .......................142

Using the Pedal (footswitch) or Foot Controller

(AUX PEDAL jack) ...............................................143

Connecting external MIDI devices

(MIDI terminals) .................................................143

Connecting to a Computer

(MIDI terminals/TO HOST terminal)....................143

What’s MIDI?.........................................................145

What You Can Do With MIDI.................................147

Data Compatibility............................................... 148

Disk format ............................................................148

Sequence Format...................................................148

Voice Allocation Format .........................................149

Assembling the Keyboard

Stand ................................... 150

Styles

Song Playback

Saving and Recalling Custom Panel Setups - Registration Memory

Editing Voices - Sound Creator

Recording Your Performances and Creating Songs - Song Creator

Creating Accompaniment Styles

- Style Creator

Adjust the Volume Balance and Changing Voices - Mixing Console

Troubleshooting.................. 152

Specifications ...................... 154

Index ................................... 156

Making Global and Other Important Settings - Function

Using Your PF-1000 with Other Devices

Appendix

PF-1000

Page 12

Application Index

Use this index to ﬁnd reference pages that may be helpful for your particular application and situation.

Listening

Listening to the internal songs................................................................................................................ page 74

Listening to disk songs .......................................................................“Playing Back Songs on Disk” on page 76

Listening to demo songs......................................................................................................................... page 52

Listening to the demo of the selected voices ..........................................................................................page 54

Listening to songs with the special voices of the PF-1000..................................................................... page 117

Playing

Calling up the piano setting ...................................................................................................................page 55

Using the three performance control pedals........................................................................................... page 58

Playing an accompaniment that matches pitch..................................................“Transpose Assign” on page 130

Combining two voices ...................................................... “Layer — Layering Two Different Voices” on page 56

Playing separate voices with the right and left hands

...........................“Left — Setting Separate Voices for the Left and Right Sections of the Keyboard” on page 57

Changing the sound

Enhancing the sound with reverb and other effects .....................................“Applying Voice Effects” on page 57

.................................................................................................................“Adjusting the Effects” on page 119

Adjusting the Level Balance................................................................................................................. page 117

Combining two voices ...................................................... “Layer — Layering Two Different Voices” on page 56

Playing separate voices with the right and left hands

...........................“Left — Setting Separate Voices for the Left and Right Sections of the Keyboard” on page 57

Creating voices ...................................................................................................................................... page 85

Playing the auto accompaniment

Playing the accompaniment automatically............................................................................................. page 59

Calling up ideal panel settings for your music........................................................................................ page 69

Practicing

Muting the right- or left-hand part................... “Muting Speciﬁc Parts — Track1/Track2/Extra Tracks” on page 77

Practicing with an accurate and steady tempo.............................................“Using the Metronome” on page 50

Recording

Recording your performance...........................................................................................................pages 91, 92

Creating a song by entering notes ..........................................................................................................page 94

Creating your original settings

Creating voices ...................................................................................................................................... page 85

Creating accompaniment styles............................................................................................................ page 106

PF-1000

Page 13

Using a microphone

Connecting the microphone............... ”Connecting the Microphone or Guitar (MIC/LINE IN jack)” on page 141

Settings

Registering Panel Setups......................................................................................................................... page 82

Tuning the pitch/Selecting a scale ........................................................................................................ page 124

Making detailed settings for playing back songs................................................................................... page 122

Making detailed settings for the auto accompaniment.......................................................................... page 127

Making settings for the pedals........... “Making Settings for the Pedals and Keyboard — Controller” on page 128

Making detailed settings for the keyboard voices .................................................................................page 130

Showing the display on a TV .......................“Showing the PF-1000 Display on a TV — Video Out” on page 133

Making detailed settings for MIDI ........................................................................................................page 134

Connecting the PF-1000 to other devices

Basic information on MIDI..................................................................................... “What’s MIDI?” on page 145

Recording your performance...................”Playing the sounds of the PF-1000 through an external audio system,

and recording the sounds to an external recorder (AUX OUT jacks)” on page 142

Raising the volume .................................”Playing the sounds of the PF-1000 through an external audio system,

and recording the sounds to an external recorder (AUX OUT jacks)” on page 142

Outputting another instrument’s sound from the PF-1000 .............. ”Outputting the sound of an external device

through the built in speakers of the PF-1000 (AUX IN jacks)” on page 142

Connecting a computer. .......... .”Connecting to a Computer (MIDI terminals/TO HOST terminals)” on page 143

Assembling the keyboard stand

Using the stand.......................................................................... “Assembling the Keyboard Stand” on page 150

Quick solution

Basic functions of the PF-1000 and how you can best use it ...........................................................pages 12, 14

Resetting the PF-1000 to the default setting

............................ “Restoring the Factory-programmed Settings of the PF-1000 — System Reset” on page 140

Displaying the Messages......................................................................“About the Display Messages” on page 8

Troubleshooting ................................................................................................................................... page 152

PF-1000

Page 14

What can you do with the PF-1000?

DEMO

Explore the Demos (page 20, 52)

These not only showcase the stunning voices and styles of the instrument, they introduce you to the various functions and features — and give you hands-on experience using the PF1000!

TRACK1

START/STOP

SYNC.START

TAP TEMPO

SONG

REW

TRANSPOSE

TOPREC

TEMPO

MIN MAX

MASTER VOLUME

FADE IN/OUT POP & ROCK

ACMP

START/STOP

METRONOME

BREAK INTRO

POP BALLADS

AUTO FILL IN

SONG

Playback previously recorded songs (page 21, 36, 73)

Enjoy a wide variety of preset songs as well as songs on commercially available disks.

MARCH &

DANCE

OTS LINK

SWING & JAZZ

R & B COUNTRY

MAIN

STYLE CONTROL

WORLD

LATIN WALTZ BALLROOM PIANIST

STYLE

ENDING/rit.

SYNC.STOP SYNC.START

USER

START/STOP

EXTRA TRACKS TRACK2

STYLE L

NEW SONG

RESET RESET

REPEAT

LCD

CONTRAST

DEMO

HELP

FUNCTION

DIGITAL STUDIO

SOUND

CREATOR

DIGITAL

RECORDING

MIXING

CONSOLE

PART

BALANCE

DIRECT ACCESS

CHANNEL

ON/OFF

2 31 564

PART

STYLE

Back up your performance with Auto Accompaniment (page 28, 59)

Playing a chord with your left hand automatically plays the auto accompaniment backing. Select an accompaniment style — such as pop, jazz, Latin, etc. — and let the PF-1000 be your backing band!

PF-1000

DIGITAL RECORDING

Record your performances (page 90, 106)

With the powerful and easy-to-use song recording features, you can record your own keyboard performances, and create your own complete, fully orchestrated compositions — which you can then save to the USER drive or a ﬂoppy disk for future recall.

Page 15

6 7 8

LCD

The large LCD (together with the various panel buttons) provides comprehensive and easyto-understand control of the PF-1000’s operations.

BACK

VOICE

PART

ON/OFF

LAYER

LEFT

MUSIC FINDER

ENTER

DATA ENTRY

EXIT

MUSIC FINDER

Call up the perfect accompaniment style (page 33, 69)

If you know what song you want to play, but you don’t know which style or voice would be right for it, let the Music Finder help you. Just select the song title, and the PF-1000 automatically calls up the most appropriate style and voice.

REVERB

DSP VARIATION

PIANO & ORGAN & HARPSI. E.PIANO

BRASS WOODWIND STRINGS

ACCORDION

HARMONY/

VOICE EFFECT ONE TOUCH SETTING

PERCUSSION

CHOIR & PAD

LEFT HOLDMONOECHO

BASSGUITAR

VOICE REGISTRATION MEMORY

PIANO

Set up the piano — instantly (page 55)

You can call up all the optimum piano settings for the PF-1000 with just a single button press — then play the extraordinarily realistic grand piano voice.

4321

4321FREEZEUSERXGSYNTH.

8 MEMORY765

VOICE

Enjoy a huge variety of realistic voices (page 25, 54)

The PF-1000 features a wealth of exceptionally authentic and dynamic voices (more than 800) — including piano, strings, woodwinds, and more!

VIDEO OUT AUX IN

TO HOST terminal

Make music with a computer — quickly and easily (page 143)

Dive in and take advantage of the wide world of computer music software. Connections and setup are exceptionally easy, and you can play back your computer recorded parts with different instrument sounds — all from a single PF-1000!

L/L+R

AUX OUT PHONES POWER

RL R

L/L+R

PEDAL AUX PEDALAC INLET

LEVEL FIXED

MIDI TO HOSTHOST SELECT

OUT

THRU

MIDI PC-2 MacPC-1

ON OFF

INPUT

VOLUME MIC

MIN MAX

LINE IN MIC LINE

PF-1000

Page 16

Setting Up the PF-1000

You do not need to install the stand to play the PF-1000. However, if you wish to assemble the stand, refer to page 150.

About the pedal unit

Insert the plug of the pedal unit, with the arrow in the plug facing upward.

V I D E

O O U T

/ L

+ R

L / L +

A U X

O U

T C I

N L E T

L E

V E L F I X E

P E D

A L

N E

S E D A L

N O

F F

I N

O S T

O U

T O

O S TH

H R U

Turning the Power On and Off

Connect the power cable.

First insert the plug of the power cable into the [AC

INLET] on the left side panel, then plug the other end of the cable into the proper AC outlet on the wall.

V I D E

O O U T

/ L

+ R

I N

L / L + R

A U X O

T C I N

L E T

L E VE

L FI XE

P E D A

N E

S E D A L

W D I

O F F

I N

O S

I D

O U

T O

M a

O S

T H

R U

V 0 2 2

VOLTAGE SELECTOR

240V

V 3 1

About the music rest

The PF-1000 is supplied with a music rest that can be attached to the instrument by inserting it into the holes at the rear of the control panel.

(The shape of plug differs depending on locale.)

WARNING

Make sure your PF-1000 is rated for the AC voltage supplied in the area in which it is to be used (voltage rating appears on the name plate on the bottom panel). In some areas, a voltage selector may be provided on the bottom panel of the main keyboard unit. Make sure that the voltage selector is set for the voltage in your area. Connecting the unit to the wrong AC supply can cause serious damage to the internal circuitry and may even pose a shock hazard! Use only the AC power cord supplied with the PF-1000. If the supplied cord is lost or damaged and needs to be replaced, contact your Yamaha dealer. The use of an inappropriate replacement can pose a ﬁre and shock hazard! The type of AC power cord provided with the PF-1000 may be different depending on the country in which it is purchased. (In some areas a plug adaptor may be provided to match the pin conﬁguration of the AC wall outlets in your area.) DO NOT modify the plug provided with the PF-1000. If the plug will not ﬁt the outlet, have a proper outlet installed by a qualiﬁed electrician.

PF-1000

Page 17

Press the [POWER] switch located on the left side

panel to turn on the power.

→ The main display appears in the LCD display.

POWER

ON OFF

Using headphones

Connect a pair of headphones to one of the [PHONES] jacks on the left side panel. Two [PHONES] jacks are provided. Two sets of standard stereo headphones can be plugged in. (If you are using only one pair of headphones, you can plug them into either of these jacks.)

V I D E O

O U T

/ L

+ R

I N

L / L

+ R

A U

X O U

T C I

N L E

L E

V E L F

I X E D

E D A

N E

S E D

A L

W D I

O F F

I N

H O

S T

I D

O U

T O

M a

O S

H R U

When you’re ready to turn off the power, press the [POWER] switch again.

→ The display will turn off.

Adjusting the display contrast

If the LCD is difﬁcult to read, adjust the contrast with the [LCD CONTRAST] knob at the left of the LCD.

LCD

CONTRAST

Setting the volume

Use the [MASTER VOLUME] dial to adjust the volume to an appropriate level.

V I D E

O O

U T

/ L

I N

L / L + R

A U X

T C I N

L E T

L E V E L

F I X E

E D A L

S E D

A L

O F F

I N

O U

T O

M a

O S T

T H

R U

PHONES

CAUTION

Do not use headphones at a high volume for an extended period of time. Doing so may cause hearing loss.

MIN MAX

MASTER VOLUME

CAUTION

Do not use the PF-1000 at a high volume level for a long period of time, or your hearing may be damaged.

PF-1000

Page 18

Panel Controls and Terminals

LATIN WALTZ BALLROOM PIANIST

STYLE

MAIN

STYLE CONTROL

MARCH &

WORLD

ENDING/rit.

SYNC.STOP SYNC.START

USER

START/STOP

13 14

EXTRA TRACKS TRACK2

STYLE L

TRACK1

15 17

START/STOP

TOPREC

NEW SONG

SYNC.START

18 19 20 21 22 23

TAP TEMPO

RESET RESET

24 25 26

TEMPO

MIN MAX

MASTER VOLUME

FADE IN/OUT POP & ROCK

ACMP

START/STOP

METRONOME

BREAK INTRO

POP BALLADS

AUTO FILL IN

5 76

8 9

DANCE

OTS LINK

SWING & JAZZ

R & B COUNTRY

LCD

CONTRAST

DEMO

HELP

FUNCTION

DIGITAL STUDIO

SOUND

CREATOR

DIGITAL

REPEAT

RECORDING

MIXING

CONSOLE

PART

DIRECT

ACCESS

BALANCE

CHANNEL

ON/OFF

PART

2 31 54

REW

SONG

TRANSPOSE

VIDEO OUT AUX IN

L/L+R

MASTER VOLUME

[MASTER VOLUME] dial ................................................P. 17

[FADE IN / OUT] button .................................................. P. 65

METRONOME

[START / STOP] button (METRONOME)........................P. 50

STYLE

STYLE buttons ...............................................................P. 59

STYLE CONTROL

[ACMP] button ................................................................P. 60

[AUTO FILLIN] button .....................................................P. 66

[OTS LINK] button ..........................................................P. 68

[BREAK] button ..............................................................P. 64

[INTRO] button .........................................................P. 31, 66

MAIN [A] – [D] buttons.................................................... P. 64

[ENDING / rit.] button................................................P. 31, 66

[SYNC.STOP] button ......................................................P. 65

[SYNC.START] button ....................................................P. 60

[START / STOP] button (STYLE CONTROL) .................P. 60

SONG

[EXTRA TRACKS (STYLE)] button ................................ P. 77

[TRACK 2 (L)] button......................................................P. 77

[TRACK 1 (R)] button .....................................................P. 77

[REC] button...................................................................P. 90

[TOP] button ................................................................... P. 76

[START / STOP] button (SONG).....................................P. 74

[REW] button ..................................................................P. 76

[FF] button ...................................................................... P. 76

[REPEAT] button............................................................. P. 77

TEMPO

[–] [+] buttons (TEMPO) .................................................P. 50

[TAP TEMPO] button ......................................................P. 51

TRANSPOSE

[–] [+] buttons (TRANSPOSE) ...................................... P. 130

62 63

AUX OUT PHONES POWER

RL R

L/L+R

PEDAL AUX PEDALAC INLET

LEVEL FIXED

MIDI TO HOSTHOST SELECT

67 69 70

OUT

[DEMO] button................................................................ P. 52

[HELP] button ................................................................. P. 49

[FUNCTION] button......................................................P. 122

DIGITAL STUDIO

[SOUND CREATOR] button............................................P. 85

[DIGITAL RECORDING] button .............................. P. 90, 106

[MIXING CONSOLE] button ......................................... P. 116

DISPLAY CONTROL

[LCD CONTRAST] knob................................................. P. 17

[A] - [J] buttons ...............................................................P. 40

[DIRECT ACCESS] button .............................................P. 47

[BALANCE] button.......................................................... P. 61

[CHANNEL ON / OFF] button................................... P. 61, 76

▲▼] - [8▲▼] buttons ............................................P. 38 - 45

[BACK] button........................................................... P. 40, 46

[NEXT] button...........................................................P. 40, 46

[ENTER] button ..............................................................P. 46

[DATA ENTRY] dial .........................................................P. 46

[EXIT] button...................................................................P. 40

VOICE PART ON/OFF

[LAYER] button ...............................................................P. 56

[LEFT] button.................................................................. P. 56

MUSIC FINDER

[MUSIC FINDER] button.................................................P. 69

Floppy disk drive (3.5”).....................................................P. 6

VOICE EFFECT

[REVERB] button............................................................ P. 57

[DSP] button ................................................................... P. 57

[VARIATION] button ........................................................ P. 57

[HARMONY / ECHO] button........................................... P. 58

[MONO] button ...............................................................P. 58

[LEFT HOLD] button....................................................... P. 58

646160

MIDI PC-2 MacPC-1

THRU

ON OFF

INPUT

VOLUME MIC

MIN MAX

7372

LINE IN MIC LINE

PF-1000

Page 19

5 6 7 8

BACK

VOICE

PART

ON/OFF

LAYER

LEFT

MUSIC FINDER

ENTER

DATA ENTRY

EXIT

49 50 52 53

REVERB

DSP VARIATION

PIANO & ORGAN & HARPSI. E.PIANO

BRASS WOODWIND STRINGS

HARMONY/

VOICE EFFECT ONE TOUCH SETTING

PERCUSSION

ACCORDION

CHOIR & PAD

LEFT HOLDMONOECHO

BASSGUITAR

VOICE REGISTRATION MEMORY

PIANO

57 58 59

4321

4321FREEZEUSERXGSYNTH.

8 MEMORY765

VOICE

VOICE buttons................................................................P. 54

ONE TOUCH SETTING

[1] - [4] buttons (ONE TOUCH SETTING) ......................P. 67

PIANO Setting

[PIANO] button ...............................................................P. 55

REGISTRATION MEMORY

[FREEZE] button ............................................................P. 84

[1] – [8] buttons (REGISTRATION MEMORY)................ P. 82

[MEMORY] button...........................................................P. 82

Connectors

[VIDEO OUT] jack ........................................................P. 142

AUX IN [L / L+R] [R] jacks ............................................ P. 142

AUX OUT [L / L+R] [R] jacks ........................................ P. 142

AUX OUT (LEVEL FIXED) [L] [R] jacks........................P. 142

[PHONES] jacks ...........................................................P. 141

[AC INLET] .....................................................................P. 16

[PEDAL] jack...................................................................P. 16

[AUX PEDAL] jack ........................................................P. 143

MIDI [THRU] [OUT] [IN] terminals ................................P. 143

[HOST SELECT] switch................................................P. 143

[TO HOST] terminal...................................................... P. 144

POWER

[ON / OFF] button (POWER)..........................................P. 17

Microphone Connectors

[INPUT VOLUME] knob ................................................P. 141

[MIC / LINE IN] jack......................................................P. 141

[MIC LINE] switch.........................................................P. 141

Pedals

Left pedal........................................................................ P. 58

Sostenuto pedal..............................................................P. 58

Damper pedal.................................................................P. 58

The Panel Logos

The logos printed on the PF-1000 panel indicate standards/ formats it supports and special features it includes.

GM System Level 1

“GM System Level 1” is an addition to the MIDI standard which guarantees that any data conforming to the standard will play accurately on any GM-compatible tone generator or synthesizer from any manufacturer.

XG Format

XG is a new Yamaha MIDI speciﬁcation which signiﬁcantly expands and improves on the “GM System Level 1” standard with greater voice handling capacity, expressive control, and effect capability while retaining full compatibility with GM. By using the PF-1000’s XG voices, it is possible to record XG-compatible song ﬁles.

XF Format

The Yamaha XF format enhances the SMF (Standard MIDI File) standard with greater functionality and open-ended expandability for the future. The PF-1000 is capable of displaying lyrics when an XF ﬁle containing lyric data is played. (SMF is the most common format used for MIDI sequence ﬁles. The PF-1000 is compatible with SMF Formats 0 and 1, and records “song” data using SMF Format 0.)

Disk Orchestra Collection

The DOC voice allocation format provides data playback compatibility with a wide range of Yamaha instruments and MIDI devices.

Style File Format

The Style File Format (SFF) is Yamaha’s original style ﬁle format, which uses a unique conversion system to provide high-quality automatic accompaniment based on a wide range of chord types. The PF-1000 uses the SFF internally, reads optional SFF style disks, and creates SFF styles using the Style Creator feature.

PF-1000

Page 20

Quick Guide . . . . . . . . . . . . . . . . . . . . . . . . .

Playing the Demos

The PF-1000 features an extensive variety of Demo songs, that showcase its rich, authentic voices and its dynamic rhythms and styles.

What’s more, there’s a special selection of Demo functions. These take you through a hands-on journey of all the important features and functions of the instrument — letting you see ﬁrsthand how to effectively use the PF1000 in your own music.

1 Pressing the [DEMO] button

automatically plays back the Demo songs at random.

DEMO

HELP

FUNCTION

For this example, FUNCTION is selected. Function Demos demonstrate many of the different functions on the PF-

1000.

2 Press the [BACK]/[NEXT] button to select the Demo

Demo button

categories.

Reference

on page 52

BACK NEXT

Voice Demos showcase the voices of the PF-1000. Style Demos introduce you to the rhythms and accompaniment styles of the PF-1000 (page 52).

Press any of the [A] to [J] buttons or [8▼] (AUTO) button (FUNCTION page only) to select the Demo songs.

For this example, press the [8▼] (AUTO) button. All of the function demos are played back in sequence.

2 31 5 6 7 84

For details about the Demos, refer to page 52.

Press the [EXIT] button to exit from the demo mode and return to the MAIN display when you’ve ﬁnished playing the demo songs.

When you’re done with the Demos, you can get to know your PF-1000 even better with these functions:

• Preset Song (Song Book) playback (page 21)

• Disk Song Playback (page 21)

• Short demo playback of the selected voice (in the Voice Open display; page 26).

Quick Guide

Page 21

Song Playback

Reference

on page 73

Here’s where all of the amazing voices, effects, rhythms, styles and other sophisticated features of the PF-1000 come together — in songs!

As you heard in the Demos, the PF-1000 contains many built-in recordings. But there’s more. Check out the included disk or call up the Song Open (PRESET) display. And there’s an even greater wealth of song material you can enjoy with your PF-1000 — in commercially available software.

Make sure that the Lan-

Song related buttons

BALANCE and CHANNEL buttons

Floppy disk drive

guage setting for the instrument (page 140) is the same as that of the ﬁle name of the song that you are playing back.

The following songs are compatible for playback on the PF-1000. Refer to pages 73, 148 for more details on the logos.

Disks bearing this logo contain song data for voices deﬁned in the GM standard.

Disks bearing this logo contain song data using the XG format, an extension of the GM standard that provides a wider variety of voices and more comprehensive sonic control.

Disks bearing this logo contain song data for voices deﬁned in Yamaha’s DOC format.

Songs containing a large amount of data may not be able to be read properly by the instrument, and as such you may not be able to select them. The maximum capacity is about 200– 300KB, however this may differ depending on the data contents of each song.

Playback of Songs

1 If you want to play back a disk song, insert an appropriate disk containing song data into the disk drive.

CAUTION

• Make sure to read the section “Using the Floppy Disk Drive (FDD) and Floppy Disks” on page 6.

Quick Guide

Page 22

Song Playback

2 Press the [A] button to call up the Song Open display.

If the MAIN screen is not displayed, press the [DIRECT ACCESS] button followed by the [EXIT] button.

PRESET FLOPPY DISK

From the MAIN display (the display shown when the power is turned on), you can select songs, voices, accompaniment styles, etc.

3 PRESET only

Press the [A] button to select the preset songs (Song Book) folder.

Press the [BACK]/[NEXT] button to select the drive.

Quick Guide

Page 23

Song Playback

4 Press one of the [A] to [J] buttons to select a song ﬁle. 5 Press the SONG [START/STOP] button to start playback.

START/STOP

TOPREC

NEW SONG

SYNC.START

6 While the song is playing, try using the Mute function to turn certain instrument channels off or on —

letting you craft dynamic arrangements on the ﬂy!

1) Press the [CHANNEL ON/OFF] button.

2) Press the [1 - 8▲▼] button corresponding to the channel you wish to turn on or off.

• To rewind or fast forward to the playback point of the song, press the [REW] or [FF] button.

• With song data software (Standard MIDI format 0) that includes lyrics, you can view the lyr-

ics on the display during playback. You can also view the score. See pages 78 and 81 for details.

CHANNEL

ON/OFF

PAR T

If the STYLE tab is selected, press this button again.

2 31 5 6 7 842 31 5 6 7 84

Quick Guide

Page 24

Song Playback

7 Finally, take the producer’s seat and try your hand at mixing. These Balance controls let you adjust the levels

of the individual parts — the song, the style, your singing, and your playing.

1) Press the [BALANCE] button.

2) Press the [1 - 8▲▼] button corresponding to the part of which the volume you wish to adjust.

BALANCE

You can call up a full set of mixing controls by pressing the [MIXING CONSOLE] button (page 116).

2 31 5 6 7 84

8 Press the SONG [START/STOP] button to stop playback.

START/STOP

NEW SONG

TOPREC

SYNC.START

• The [FADE IN/OUT] button (page 65) can be used to produce smooth fadeins and fade-outs when starting and stopping the song, as well as the accompaniment.

Quick Guide

Page 25

Playing Voices

The PF-1000 features a stunning variety of over 800 dynamic, rich and realistic voices. Try playing

Reference

on page 54

some of these voices now and hear what they can do for your music. Here, you’ll learn how to select individual voices, combine two voices in a layer, and split two voices between your left and right hands.

Voice related buttons

Playing a Voice

1 Press the [F] button to call up the menu for selecting the MAIN voice.

If the MAIN screen is not displayed, press the [DIRECT ACCESS] button followed by the [EXIT] button.

The voice you’re selecting

VOICE

PAR T

ON/OFF

LAYER

LEFT

here belongs to the MAIN part, and is called the MAIN voice. (See page 56 for more information.)

2 Select a voice group.

For this example, STRINGS is selected.

Yo u ’ll want to hear the MAIN voice all by itself — so make sure that the LAYER and LEFT parts are turned off.

PIANO & ORGAN & HARPSI. E.PIANO

BRASS WOODWIND STRINGS

ACCORDION

PERCUSSION

CHOIR & PAD

VOIC E

BASSGUITAR

USERXGSYNTH.

Press the [BACK]/[NEXT] button to select the memory location of the voice. For this example, PRESET is selected.

Quick Guide

Page 26

Playing Voices

3 Select a voice.

For this example, ”Orchestra” is selected.

4 Play the voices.

Naturally, you can play the voice yourself from the keyboard, but you can also have the PF-1000 demonstrate the voice for you. Simply press the [8▲] button from the display above, and a Demo of the voice plays automatically.

You can instantly jump back

to the Main display by “double-clicking” on one of the [A]

- [J] buttons.

Press the [8▲] button to start the Demo for the selected voice. To stop the Demo, press this button again.

Press the corresponding buttons to select the other pages — and discover even more voices.

There’s more to the Demo features than just voices, though–for more information, see page 52.

Playing Two Voices Simultaneously

1 Press the VOICE PART ON/OFF [LAYER] button to turn the LAYER part on.

2 Press the [G] button to select the LAYER part. 3 Select a voice group.

Here, we’ll select a lush pad to ﬁll out the sound. Call up the “CHOIR & PAD” group.

PIANO & ORGAN & HARPSI. E.PIANO

BRASS WOODWIND STRINGS

4 Select a voice.

For example, select “Hah Choir.”

5 Play the voices.

Now, you can play two different voices together in a rich sounding layer — the MAIN voice you selected in the previous section, plus the new LAYER voice you’ve selected here.

ACCORDION

PERCUSSION

CHOIR & PAD

VOIC E

BASSGUITAR

USERXGSYNTH.

VOICE

PART

ON/OFF

LAYER

LEFT

And that’s just the beginning. Check out these other voice-related features:

• Instant setup of the PF-1000 for piano play — with the press of a single button (page 55).

• Create your own original voices — quickly and easily — by changing the settings of existing voices (page 85).

• Set up your favorite panel settings — including voices, styles, and more — and call them up whenever you need them (page 82).

Quick Guide

Page 27

Playing Different Voices with the Left and Right Hands

ON/OFF

LAYER

LEFT

VOICE

PART

1 Press the VOICE PART ON/OFF [LEFT] button to turn the

LEFT part on.

2 Press the [H] button to select the LEFT part. 3 Select a voice group.

Here, we’ll select the “STRINGS” group — so that you can play rich, orchestral chords with your left hand.

PIANO & ORGAN & HARPSI. E.PIANO

ACCORDION

PERCUSSION

BASSGUITAR

Playing Voices

BRASS WOODWIND STRINGS

CHOIR & PAD

VOIC E

USERXGSYNTH.

4 Select a voice, then press the [EXIT] button to return to the MAIN display.

For example, select “Symphon. Str.”

5 Press the [I] button to call up the SPLIT POINT display. From here, you can set the particular key on the

keyboard that separates the two voices — called the Split Point. To do this, simultaneously hold down the [F] or [G] button and press the desired key on the keyboard. (For more information, see page 127.)

6 Play the voices.

The notes you play with your left hand sound one voice, while the notes you play with your right sound a different voice (or voices).

Split Point

LEFT

MAIN/LAYER

MAIN and LAYER voices are meant to be played with the right hand. The LEFT voice is played with the left hand.

7 Press the [EXIT] button to return to the MAIN display.

EXIT

Quick Guide

Page 28

Playing Styles

The PF-1000 has a huge variety of musical “styles” that you can call upon to back up your own performance. They give you anything from a simple, yet effective piano backing or percussion accompaniment to a full band or orchestra.

Style related buttons

Playing a style

1 Select a style group and a style.

If the MAIN screen is not displayed, press the [DIRECT ACCESS] button followed by the [EXIT] button.

POP & ROCK

POP BALLADS

DANCE

SWING & JAZZ

R & B COUNTRY

LATIN

STYLE

Reference

on page 59

For this example, DANCE is selected.

For this example, EuroTrance is selected.

Press the [BACK]/[NEXT] button to select the memory location of the style. For this example, PRESET is selected.

2 Turn ACMP on.

The speciﬁed left-hand section of the keyboard becomes the “Auto Accompaniment” section, and chords played in this section are automatically detected and used as a basis for fully automatic accompaniment with the selected style.

Split Point

ACMP

Auto Accompaniment

section

• The point on the keyboard that separates the auto accompaniment section and the right-hand section of the keyboard is called the “split point.” Refer to page 127 for instructions on setting the split point.

3 Turn SYNC.START on.

SYNC.START

Quick Guide

Page 29

4 As soon as you play a chord with your left hand, the style starts.

For this example, play a C major chord (as shown below).

Split Point

Auto Accompaniment

section

5 Change the tempo by using the TEMPO[–] [+] buttons if necessary.

Simultaneously press the TEMPO [–] [+] buttons to return the tempo to its original setting. Press the [EXIT] button to leave the TEMPO display.

6 Try playing other chords with your left hand.

For information on how to enter chords, see “Chord Fingerings” on page 62.

Playing Styles

The Tempo can also be adjusted by using the [TAP TEMPO] button (page 51).

7 Press the STYLE CONTROL [START/STOP] button to stop the style.

And there’s much more. Check out these other style-related features:

• Easily create your own original styles (page 106).

• Set up your favorite panel settings — including styles, voices, and more — and call them up whenever you need

them (page 82).

Embellish and enhance your melodies — with the automatic Harmony and Echo effects

This powerful performance feature lets you automatically add harmony notes to the melodies you play with your right hand — based on the chords you play with your left. Tremolo, Echo, and other effects are available, too.

1 Turn HARMONY/ECHO on.

REVERB DSP VARIATION

2 Turn ACMP on (page 28).

3 Play a chord with your left hand and play some notes in the right-hand range of the

keyboard.

The PF-1000 has various Harmony/Echo types (page 132). The Harmony/Echo type may change according to the selected MAIN voice.

HARMONY/

VOICE EFFECT

LEFT HOLDMONOECHO

For details about Harmony/ Echo types, refer to the separate Data List.

• Harmony/Echo is just one of the many Voice Effects you can use. Try out some of the other effects and see how they can enhance your performance (page 57).

Quick Guide

Page 30

Playing Styles

Style Sections

Each style in the auto accompaniment is made up of “sections.” Since each section is a rhythmic variation of the basic style, you can use them to add spice to your performance and mix up the beats — while you’re playing. Intros, Endings, Main patterns, and Breaks — they’re all here, giving you the dynamic elements you need to create professionalsounding arrangements.

INTRO This is used for the beginning of the song. When the intro ﬁnishes playing, accompaniment shifts to the

MAIN This is used for playing the main part of the song. It plays an accompaniment pattern of several measures,

BREAK This lets you add dynamic variations and breaks in the rhythm of the accompaniment, to make your

ENDING This is used for the ending of the song. When the ending is ﬁnished, the auto accompaniment stops

main section.

and repeats indeﬁnitely until another section’s button is pressed.

performance sound even more professional.

automatically.

1 - 4 Use the same operations as in “Playing a style” on pages 28 and 29.

5 Press the [INTRO] button.

BREAK INTRO

6 As soon as you play a chord with your left hand, the Intro starts.

For this example, play a C major chord (as shown below).

Split Point

MAIN

STYLE CONTROL

ENDING/rit.

Auto Accompaniment

section

When the playback of the intro is ﬁnished, it automatically leads into main section.

7 Press any of the MAIN [A] to [D] buttons or [BREAK]

button as desired. (See the Accompaniment Structure on the next page.)

8 Press the [AUTO FILL IN] button to add a ﬁll-in, if

necessary.

Fill-in patterns play automatically between each change in the Main sections.

9 Press the [ENDING] button.

This switches to the ending section. When the ending is ﬁnished, the style automatically stops.

BREAK

BREAK INTRO

AUTO FILL IN

MAIN

STYLE CONTROL

ENDING/rit.

Quick Guide

Page 31

■ Accompaniment Structure

FADE IN/OUT

INTRO (page 66)

INTRO (page xx)

(max. four patterns)

MAIN VARIATION

INTRO A INTRO B INTRO C

via BREAK

MAIN

VARIATION

Playing Styles

INTRO D

MAIN

VARIATION

via BREAK

ENDING (page xx)

ENDING (page 66)

• An Intro doesn’t necessarily have to be at the beginning! If you want, you can play an Intro section in the middle of your performance by simply pressing the [INTRO] button at the desired point.

• Watch your timing with the Break sections. If you press a [BREAK] button too close to the end of the measure (i.e., after the ﬁnal eighth note), the Break section starts playing from the next measure. This also applies to the Auto Fill-in.

• Mix up your intros and use any of the other sections to start the style, if you want.

• If you want to come back into the style right away after an Ending, simply press the [INTRO] button while the Ending section is playing.

• If you press the [BREAK] button while the ending is playing, the break will immediately start playing, continuing with the main section.

ENDING A ENDING B ENDING C

(max. four patterns)

MAIN

VARIATION

via BREAK

Press the [ENDING] button.

MAIN

VARIATION

ENDING D

via BREAK

You can have the ending gradually slow down (ritardando) by pressing the [ENDING] button again while the ending is playing back.

Other Controls

FADE IN/OUT The [FADE IN/OUT] button can be used to produce smooth fade-ins and fade-outs (page 65)when starting and stopping

TAP TEMPO The style can be started at any tempo you desire by “tapping” out the tempo with the [TAP/TEMPO] button. For details,

TAP TEMPO

SYNC.STOP When Synchro Stop is on, you can stop and start the style anytime you want by simply releasing or playing the keys (in

SYNC.STOP

the style.

see page 51.

the Auto Accompaniment section of the keyboard). This is a great way to add dramatic breaks and accents to your performance. For details, see page 65.

Quick Guide

Page 32

Playing Styles

ONE TOUCH SETTING buttons

One Touch Setting

One Touch Setting is a powerful and convenient feature that automatically calls up the most appropriate panel settings (voice number, etc.) for the currently selected style, with the touch of a single button. This is a wonderful way to instantly reconﬁgure all the settings on the PF-1000 to match the style you want to play.

1 Select a style (page 28).

2 Press one of the [ONE TOUCH SETTING] buttons.

Not only does this instantly call up all the settings (voices, effects, etc.) that match the current style (see page 67) — it also automatically turns on ACMP and SYNC. START, so that you can immediately start playing the style.

4321

ONE TOUCH SETTING

3 As soon as you play a chord with your left hand, the auto accompaniment starts.

Split Point

Auto Accompaniment

section

4 Play melodies with your right hand and play various chords with your left hand. 5 Try out other One Touch Setting setups.

4321

ONE TOUCH SETTING

You can also create your own One Touch Setting setups. For details, refer to page 68.

• Here’s another way to further automate musical changes and spice up your performance: Use the convenient OTS (One Touch Setting) Link function to automatically change One Touch Settings when you select a different Main section (page 68).

Quick Guide

Page 33

Music Finder

Reference

on page 69

MUSIC FINDER button

If you want to play in a certain song but don’t know which style and voice settings would be appropriate, the convenient Music Finder can help you out. Simply select the song name from the Music Finder and the PF-1000 automatically makes all appropriate panel settings to let you play in that music style!

Using the Music Finder

1 Press the [MUSIC FINDER] button.

MUSIC FINDER

2 Select a record.

Select the desired record.

For this example, press the [1 - 3

▲▼] button to select a record by song title.

3 Play along with the style playback.

Split Point

Press the [BACK]/[NEXT] button to select the desired page of records. For this example, ALL is selected.

2 31 5 6 7 84

You can also have the voice and other important settings change automatically with the style changes. To do this, turn on OTS LINK (page 68) and set the OTS LINK TIMING (page 127) to “REAL TIME.”

Auto Accompaniment

section

Press the [EXIT] button to return to the MAIN display.

Quick Guide

Page 34

Music Finder

Searching the Music Finder Records

The Music Finder is also equipped with a convenient search function that lets you enter a song title or keyword — and instantly call up all the records that match your search criteria.

1 Press the [MUSIC FINDER] button.

MUSIC FINDER

2 Press the [I] button to call up the MUSIC FINDER SEARCH 1 display.

The results of Search 1 and 2 appear in the correspondingly numbered SEARCH 1/ 2 displays.

For this example,

press the [A] button to call up the display for inputting the song title.

For this example, ANY is selected.

Refer to page 45 for instructions on entering characters.

Press the [F], [G]

and [H] to clear the previous conditions, if necessary.

Enter the song title,

then press the [8▲] (OK) button.

Quick Guide

2 31 5 6 7 84

For this example, ALL is selected.

Press the [8▲] (START SEARCH)

button.

The search function calls up all records that contain the entered word or words.

Page 35

7 Select a record (see step #2 on page 33) and play along with the style playback.

Split Point

Auto Accompaniment

section

Press the [EXIT] button to return to the MAIN display.

You can also create your own Music Finder setups and save them to ﬂoppy disk (pages 38 and 44).

Saving and Recalling Music Finder Data

Music Finder

To save your Music Finder data, call up the MUSIC FINDER Open/Save window from the SYSTEM RESET page (page 140) of the UTILITY display, and follow the same procedure as that in the Open/Save window for Voice (page 38,

44). To recall the saved data, execute the appropriate operation from the MUSIC FINDER’s Open/Save window. Records

can be replaced or added (page 71).

In the instructions above, all Music Finder data is handled together. Besides this, when you save or load style ﬁles, the Music Finder data that uses the relevant style ﬁle(s) is stored or added automatically. When you copy or move a style ﬁle on a ﬂoppy disk to the USER drive (page 42, 43), the record which was recorded when storing the relevant style is automatically added to the PF-1000.

• In the example above, you speciﬁed a song title, but you can also look for relevant records by keyword or music

genre — for example, Latin, 8-beat, etc. (page 70).

Quick Guide

Page 36

Playing and Practicing with the Songs

• If you want to start the song right away without an intro, use the Sync Start function. To set Sync Start to standby, simultaneously hold down the [TOP] button and press the SONG [START/STOP] button. Song playback starts automatically the moment you start playing the melody.

• If you can hear the PF-1000 playing the melody part as well, check the channel setting for the melody part in the song data, and change the channel assigned to Track 1 (page 126). You can also change the song channel itself permanently (page 101).

Playing and Practicing with the Songs

Reference

on page 73

Song related buttons

Playing Along with the PF-1000

In this section, try using the PF-1000’s song playback features to cancel or mute the right-hand melody while you play the part yourself. It’s like having a very talented and versatile playing partner accompany you while you perform.

1 - 4 Use the same operations as in “Song Playback” on pages 21 - 23. 5 Press the [TRACK 1] button to cancel the right hand melody part.

TRACK1

To cancel the left hand part, press the [TRACK 2] button

6 If you want to have the notation displayed as you play, press the [C] button. If you want to see the lyrics,

press the [B] button.

If the MAIN screen is not displayed, press the [DIRECT ACCESS] button followed by the [EXIT] button.

7 Press the SONG [START/STOP] button and play the part.

START/STOP

TOPREC

NEW SONG

8 Press the SONG [START/STOP] button to stop playback.

NEW SONG

Quick Guide

TOPREC

SYNC.START

START/STOP

SYNC.START

If the selected song does not contain lyric data, lyrics are not displayed.

Page 37

Playing and Practicing with the Songs

Recording

The PF-1000 lets you record, too — quickly and easily. Try out the Quick Recording feature now and capture your keyboard performance.

1 - 3 Select a voice for recording. Use the same operations as in “Playing a Voice” on pages 25, 26. 4 Press the [REC] and [TOP] buttons simultaneously to select “New Song“ for recording.

START/STOP

TOPREC

NEW SONG

SYNC.START

5 Simultaneously hold down the [REC] button and press the [TRACK1] button.

REC

REW

SONG

EXTRA TRACKS TRACK2

STYLE L

TRACK1

REPEAT

6 Recording starts as soon as you start playing the keyboard.

7 When you’ve ﬁnished recording, press the [REC] button.

REC

8 To hear your newly recorded performance, return the song to the beginning by

using the [TOP] button and press the SONG [START/STOP] button.

START/STOP

TOPREC

NEW SONG

SYNC.START

9 Save the recorded data as required (pages 38, 44).

CAUTION

The recorded data will be lost if you turn off the power. To keep your important recordings, you’ll need to save them to the User drive or ﬂoppy disk.

Quick Guide

Page 38

Basic Operations — Organizing Your Data

The PF-1000 utilizes a variety of data types — including voices, accompaniment styles, songs and registration memory settings. Much of this data is already programmed and contained in the PF-1000; you can also create and edit your own data with some of the functions on the instrument. All this data is stored in separate ﬁles — just as is done on a computer. Here, we’ll show you how to use the basic operations of the display controls in handling and organizing the data of the PF-1000 in ﬁles and folders. Files can be opened, saved, named, moved, or deleted in their respective Open/Save displays. You can select these displays according to their respective ﬁle types, as well: Song, Voice, Style, etc. Moreover, you can organize your data efﬁciently by putting various ﬁles of the same type into a single folder. The Open/Save displays for Song, Voice, Style, and Registration Bank can be called up from the MAIN display (the display shown when the power is turned on) by pressing the appropriate [A] - [J] button.

Open/Save display for Song (page 74)

handles the Song ﬁles.

Open/Save display for Voice (page 54)

handles the Voice ﬁles.

The following Open/Save display types

are also available; however, these are selected from displays other than the MAIN display (page 140

• SYSTEM SETUP

• MIDI SETUP

• USER EFFECT

• MUSIC FINDER

PF-1000

Open/Save display for Style (page 59)

handles the Style ﬁles.

If the MAIN screen is not displayed, press the [DIRECT ACCESS] button followed by the [EXIT] button.

Open/Save display for Registration Bank (page 83)

handles the Registration Bank ﬁles.

Page 39

Basic Operations — Organizing Your Data

Example — Open/Save display for Voice

Each Open/Save display consists of PRESET, USER, and FLOPPY DISK drive pages.

PRESET drive

The ﬁles that are preprogrammed and installed internally to the PF-1000 are kept here. Preset ﬁles can be loaded but cannot be re-written. However, you can use a preset ﬁle as a basis for creating your own original ﬁle (which can be saved in the USER or FLOPPY DISK drive).

USER drive

Files kept here are those containing your own original data, created or edited using the various functions of the PF-1000. They are stored internally to the PF-1000.

FLOPPY DISK drive

You can also store your original data to ﬂoppy disk. Commercially available disk software can also be called up here. Naturally, these ﬁles are available only when the appropriate disk is inserted in the ﬂoppy disk drive.

BACK NEXT

Changes drives among

PRESET, USER and FLOPPY DISK.

File

All data, both preprogrammed and your own original, are stored as “ﬁles.”

Calls up the upper level directory page. In this example, the voice folder selection page can be called up.

Current Memory

“Current Memory” is the area where the voice is called up when you select a voice. Also it is the area where you edit your voice using the SOUND CREATOR function. Your edited voice should then be saved as a ﬁle in the USER or FLOPPY DISK drive. Recording songs (page 90) and creating accompaniment styles (page 106) are done within the current memory. Please make sure to properly save this data to the USER/FLOPPY DISK drive as a ﬁle or ﬁles. The data will be lost if you turn off the power without saving.

PF-1000

Page 40

Basic Operations — Organizing Your Data

Selecting Files and Folders

Select a ﬁle shown in the display. In this example, we’ll select a voice ﬁle.

First, press the VOICE [PIANO & HARPSI] button to call up the display containing the ﬁles. This display (“Open/Save” display) is typical of those used to call up and store ﬁles (voice ﬁles). The PF-1000 already contains a variety of voices in the PRESET section. You can store your own original voices created with the Sound Creator function to the USER or FLOPPY DISK section.

2 31 5 6 7 84

Use the [1▲] ~ [7▲] buttons to

turn the pages.

When the amount of pages exceeds six, the bottom of the display changes as shown below.

Press Prev.(previous)

Press Next

BACK NEXT

DATA ENTRY

Select the ﬁle/folder.

There are two ways to select the ﬁle/folder:

• Press the [A] - [J] button.

Press the letter button corresponding to the ﬁle/folder you wish to call up. (In the example display shown above, the voice ﬁles are shown.)

• Use the [DATA ENTRY] dial and the

[ENTER] button.

When you turn the [DATA ENTRY] dial, the highlight moves among the available ﬁles/ folders. Highlight the desired ﬁle or folder (voice ﬁles are shown in the example above) and press the [ENTER] button to call up the selected item.

ENTER

Select “PRESET,” “USER,” or

“FLOPPY DISK” by using the [BACK][NEXT] button.

When “JAPANESE” is selected for the Language parameter (pages 49, 140), and you change this to one of the western languages, the kanji and kana characters of the ﬁle name stored in the disk drive are changed to western characters. In the opposite case, special Latin characters and marks are changed into normal characters. Also, in the case of ﬂoppy disk data, text in the ﬁles are changed to characters that cannot be read by the instrument. Keep in mind that similar problems may occur when trying to access ﬁles originating or edited by a computer having a different language operating system. In general, be careful when switching languages — you risk not being able to access the data properly.

Double-clicking the appropriate [A] -[J] button calls up the corresponding ﬁle and returns to the MAIN display.

Press the [EXIT] button to go back to the MAIN display.

END

You can go back to the previous display by pressing the [EXIT] button.

Exiting from small pop-up windows

You can also exit from small pop-up windows (such as in the illustration below) by pressing the [EXIT] button.

PF-1000

Highlighting the desired ﬁle and double-clicking the [ENTER] button calls up the corresponding ﬁle and returns to the MAIN display.

Page 41

Basic Operations — Organizing Your Data

File/Folder-related Operations

Naming Files/Folders

You can assign names to ﬁles and folders. Any ﬁle/folder in the USER and FLOPPY DISK sections can be named or renamed. Execute the following steps when there is data in the User drive. If there are Preset ﬁles/folders you wish to rename, copy them beforehand (page 43) and use them as User ﬁles/folders.

Press the [1▼] (NAME) button (page 38).

The NAME display appears.

Select the appropriate ﬁle/folder and press the [7▼](OK) button.

The currently selected ﬁle/folder is highlighted. To select another ﬁle/folder, press one of the [A] - [J] buttons.

A ﬁle/folder name can contain up to 50 half size letters (or 25 Hiragana and kanji letters), including the Icon ID (see the note below) and the extension.

The ﬁle name will appear on your computer as follows. If you change the Icon ID or the extension, the icon may change or the ﬁle may not be properly recognized.

ABCDE.S002.MID

File ID Icon ID

Extension

END

2 31 5 6 7 84

Input the new name (page 45).

Press the [8▲] (OK) button. To cancel, press the [8▼] (CANCEL) button.

PF-1000

Page 42

Basic Operations — Organizing Your Data

Moving Files/Folders

You can move ﬁles and folders as desired, for organizing your data. Any ﬁle/folder in the USER and FLOPPY DISK sections can be moved, using the cut-and-paste operation described below.

Press the [2▼] (CUT) button (page 38).

The CUT display appears.

Select the desired ﬁle/folder for moving.

Select the appropriate ﬁle/folder and press the [7▼](OK) button. The currently selected ﬁle/folder is highlighted. To select another ﬁle/folder, press one of the [A] [J] buttons. Several ﬁles/folders can be selected together, even those from other pages. To release or cancel the selection, press the button of the selected ﬁle/folder again. Press the [6▼] (ALL) button to select all the ﬁles/folders in the displayed page (USER/FLOPPY DISK). When the [6▼] (ALL) button is pressed the [6▼] button changes to “ALL OFF” button to release or cancel the selection.

Press the [7▼] (OK) button.

To stop the operation, press the [8▼] (CANCEL) button.

Call up the destination display.

Only the USER and FLOPPY DISK pages can be selected as the destination.

Press the [4▼] (PASTE) button.

END

The ﬁle/folder you cut is now pasted at the destination.

This operation cannot be used to directly move a ﬁle/ folder from one ﬂoppy disk to another. If you want to do this, cut and paste the ﬁle or folder from the ﬁrst ﬂoppy disk to the USER page, then change disks and paste it to the FLOPPY DISK page.

All ﬁles/folders in a ﬂoppy disk can be copied to another disk in one batch (page 139).

After being pasted, the ﬁles are automatically re-ordered in alphabetical order and displayed.

About ﬁles/folders in a ﬂoppy disk

In the FLOPPY DISK page of the Open/Save display, only the ﬁles which can be handled in that Open/Save display will appear — even though a folder in a ﬂoppy disk can contain different kinds of ﬁles. In the case of a folder cutand-paste operation (for ﬂoppy disk), an entire folder can be cut; however, only the speciﬁc ﬁles which can be handled in the current Open/ Save display will be pasted.

PF-1000

Page 43

Basic Operations — Organizing Your Data

Copying Files/Folders

You can also copy ﬁles and folders as desired, for organizing your data. Any ﬁle/folder in the PRESET, USER and FLOPPY DISK sections can be copied, using the copy-and-paste operation described below.

Press the [3▼] (COPY) button

(page 38).

The COPY display appears.

Press the [7▼] (OK) button.

To stop the operation, press the [8▼] (CANCEL) button.

Call up the destination display.

Only the USER and FLOPPY DISK pages can be selected as the destination.

Select the desired ﬁle/folder.

Select the appropriate ﬁle/folder and press the [7▼](OK) button. The currently selected ﬁle/folder is highlighted. To select another ﬁle/ folder, press one of the [A] - [J] buttons. Several ﬁles/folders can be selected together, even those from other pages. To release or cancel the selection, press the button of the selected ﬁle/folder again. Press the [6▼] (ALL) button to select all the ﬁles/folders in the displayed page (PRESET/USER/ FLOPPY DISK). When the [6▼] (ALL) button is pressed, the [6▼] button changes to “ALL OFF,” letting you release or cancel the selection.

Press the [4▼] (PASTE) button.

END

The ﬁle/folder you copied is now pasted at the destination.

Please note that the copy functions are intended for your personal use only.

This operation cannot be used to directly copy a ﬁle/ folder from one ﬂoppy disk to another. If you want to do this, copy and paste the ﬁle or folder from the ﬁrst ﬂoppy disk to the User page, then change disks and paste it to the Floppy Disk page.

Deleting Files/Folders

You can also delete ﬁles and folders as desired, for organizing your data. Any ﬁle/folder in the USER and FLOPPY DISK sections can be deleted, using the operation described below.

Press the [5▼] (DELETE) button (page 38).

The DELETE display appears.

Select the desired ﬁle/folder.

Select the appropriate ﬁle/folder and press the [7▼](OK)

button. The currently selected ﬁle/folder is highlighted. To select another ﬁle/folder, press one of the [A] - [J] buttons. Several ﬁles/folders can be selected together, even those from other pages. To release or cancel the selection, press the button of the selected ﬁle/folder again. Press the [6▼] (ALL) button to select all the ﬁles/folders in the displayed page (USER/FLOPPY DISK). When the [6▼] (ALL) button is pressed, the [6▼] button changes to “ALL OFF,” letting you release or cancel the selection.

END

Press the [7▼] (OK) button.

To cancel the operation, press the [8▼] (CANCEL) button.

The message “Are you sure you want to delete the

“******” ﬁle (or data/folder)? YES/NO” appears.

YES ..........Deletes the highlighted item.

NO............ Exits from the prompt without deleting.

When several ﬁles have been selected, the message

“Are you sure you want to delete the “******” ﬁle (or data/folder)? YES/YES ALL/NO/CANCEL” appears.

YES/NO...... Deletes the highlighted item (YES), or

skips the highlighted item without deleting

(NO).

YES ALL .... Deletes all selected items at once.

CANCEL .... Exits from the prompt without deleting.

PF-1000

Page 44

Basic Operations — Organizing Your Data

Saving Files

This operation lets you save the data (such as song and voice) you created in current memory (page 39) to ﬁles. The ﬁles can be saved only to the USER and FLOPPY DISK drives. If the Open/Save display for the type of data you wish to save is not shown, ﬁrst return to the MAIN display by pressing the [DIRECT ACCESS] button followed by the [EXIT] button. Then, press the appropriate button [A]–[J] from the MAIN display to call up the respective Open/Save display. Finally, call up the USER or FLOPPY DISK page (pages 38, 39).

Press the [6▼]

(SAVE) button.

Enter a name for the new ﬁle (page 45).

Press the [8▲] (OK) button.

To stop the operation, press the [8▼] (CANCEL) button.

The internal memory capacity of the PF-1000 is about 580KB. Memory capacity for 2DD and 2HD ﬂoppy disks is about 720KB and 1.44MB, respectively. When you store data to these locations, all ﬁle types of the PF-1000 (Voice, Style, Song, Registration, etc.) are stored together.

The ﬁles of commercially available DOC software and Yamaha Disklavier software, and their edited ﬁles on the PF-1000, can be stored in the USER page, but cannot be copied to another ﬂoppy disk.

Organizing Files by Creating a New Folder

This operation lets you easily organize your various ﬁles into categories by creating a new folder for each category. Folders can only be created in the USER and FLOPPY DISK sections.

Call up the page to

which you wish to

Enter the name of the new folder (page 45).

create a new folder and press the [7▼] (NEW) button (page 38).

To cancel the operation, press the [8▼] (CANCEL) button.

Press the [8▲](OK) button.

Folder directories can contain up to four levels. The maximum total number of ﬁles and folders which can be stored is 800, but this may differ depending on the length of the ﬁle names. The maximum number of ﬁles which can be stored in a folder will be 250.

Displaying Upper Level pages

Press the [8▼] (UP) button to call up the upper level pages. For example, you can call up the folder level pages from the ﬁle level pages.

Entering Characters and Changing Icons

Press the [1▼]

(NAME), [6▼] (SAVE), or [7▼] (NEW) button (page 38).

Change the type of character by using the [1▲] button.

If you select Japanese as the Language in the FUNCTION display (page 140), the following different types of characters and sizes can be entered:

(kana-kan)

Hiragana and kanji, marks (full size)

(kana)

Katakana (normal size), marks (full size)

(kana)

Katakana (half size), marks (half size)

A B C — Alphabet (capital and small letters, full size), numbers (full size), marks (full size) ABC — Alphabet (capital and small letters, half size), numbers (half size), marks (half size)

If you’ve selected a language other than Japanese in the FUNCTION display (page 140), the following types of characters are available:

CASE — Alphabet (capital letters, half size), numbers (half size), marks (half size) case — Alphabet (lowercase letters, half size), numbers (half size), marks (half size)

Call up the ICON SELECT display by pressing the [1▼] button. This lets you change the icon at the left of the ﬁle name.

PF-1000

Page 45

Basic Operations — Organizing Your Data

Entering Characters

The instructions that follow show you how to enter characters in naming your ﬁles and folders. The method is much the same as inputting names and numbers to your cell phone.

Move the cursor to the desired position by using the [DATA ENTRY] dial.

Press the appropriate button, [2▲] - [7▲] and [2▼]- [6▼], corresponding to the character you wish to enter.

Several different characters are assigned to each button, and the characters change each time you press the button. To actually enter the selected character, move the cursor or press another letter-input button. If you’ve entered a character by mistake, move the cursor to the character letter you wish to erase and press the

[7▼] (DELETE) button. If you want to delete all of the characters on the line at once, press and hold down the [7▼] (DELETE) button for a while, or press the [8▼] (CANCEL) button. When the cursor appears in reverse display

(highlight), only the reversed area is deleted.

To actually enter the new name, press the [8▲] (OK) button.

To cancel the operation, press the [8▼] (CANCEL) button.

■ Converting into Kanji (Japanese language)

This applies only if you are using the “ (kana-kan)” button (in Japanese). When the input “hiragana” characters are shown in reverse display (highlighted), press the [ENTER] button one or several times to convert the characters into the appropriate kanji. The reversed area can be changed by the [DATA ENTRY] dial. The converted area can be changed back to “hiragana” by the [7▼] (DELETE) button. The reversed area can be cleared at once by the [8▼] (CANCEL) button. To actually enter the change, press the [8▲] (OK) button or enter the next character. To enter the “hiragana” itself (without converting it), press the [8▲] (OK) button.

The following half-size marks cannot be used in naming ﬁles and folders: ¥ \ / : * ? “ < > |

■ Entering special character marks (umlaut, accent, Japanese “ ” and “ ”)

Select a character to which a character mark is to be added and press the [6▼] button (before actual entry of the character.)

■ Entering miscellaneous characters (marks)

You can call up the mark list by pressing the [6▼] button, after actually entering a character by moving the cursor.

Move the cursor to the desired mark by using the [DATA ENTRY] dial, then press the

▲] (OK) or [ENTER] button.

■ Entering numbers

First, select one of the following: “A B C” (full-size alphabet), “ABC” “CASE” (half-size capital alphabet) and “case” (half-size lowercase alphabet). Then, press and hold down the appropriate button, [2 repeatedly until the desired number is selected.

▲] - [7▲] and [2▼] - [5▼], for a while, or press it

In the case of characters which are not accompanied by special character marks (with the exception of kanakan and half-size katakana), you can call up the mark list by pressing the [6▼] button after selecting a character (before actual entry of a character).

PF-1000

Page 46

Basic Operations — Organizing Your Data

BACK NEXT

2 31 5 6 7 84

Cancels the icon selection operation.

Turns pages for icon selection.

Enters the selected icon.

Changing the Icon

You can also change the icon that appears at the left of the ﬁle name. Call up the ICON SELECT display by pressing the [1▼] (ICON) button from the character input display (page 45).

Select the desired icon by using the [A] - [J] buttons, or by using the [3▲▼] - [5▲▼] buttons, then enter the selected icon by pressing the [8▲] (OK) button.

Using the [DATA ENTRY] Dial

This convenient control lets you easily select items in the display or quickly change parameter values. The actual function of the [DATA ENTRY] dial differs depending on the selected display.

■ Adjusting values

You can change parameter values by rotating the [DATA ENTRY] dial. In the example [BALANCE] display, turning the dial adjusts the volume of the part in reverse display (highlight). To adjust the volume of another part, ﬁrst select the part by pressing the [ corresponding to the part, then rotate the [DATA ENTRY] dial.

■ Selecting items

You can select the desired item or function in the display by rotating the [DATA ENTRY] dial. The selected item can then be called up or executed by using the [ENTER] button. In the example VOICE display, you can select the desired voice ﬁle with the [DATA ENTRY] dial, and call up the selected item by pressing the [ENTER] button on the panel.

▲▼] button

DATA ENTRY

ENTER

DATA ENTRY

PF-1000

Page 47

Basic Operations — Organizing Your Data

Direct Access — Instant Selection of Displays

DIRECT

ACCESS

LCD

CONTRAST

DEMO

HELP

FUNCTION

DIGITAL STUDIO

SOUND

CREATOR

DIGITAL

RECORDING

MIXING

CONSOLE

REW

REPEAT

TRANSPOSE

BALANCE

DIRECT ACCESS

PART

CHANNEL

2 31 5 6 7 84

ON/OFF

PART

MIN MAX

MASTER VOLUME

FADE IN/OUT POP & ROCK

START/STOP

METRONOME

ACMP

BREAK INTRO

POP BALLADS

AUTO FILL IN

MARCH &

R & B COUNTRY

MAIN

STYLE CONTROL

WORLD

LATIN WALTZ BALLROOM PIANIST

STYLE

ENDING/rit.

SYNC.STOP SYNC.START

DANCE

SWING & JAZZ

OTS LINK

EXTRA TRACKS TRACK2

TRACK1

STYLE L

USER 4321

START/STOP

TOPREC

NEW SONG

SYNC.START

SONG

TAP TEMPO

RESET RESET

TEMPO

With the convenient Direct Access function, you can instantly call up the desired display — with just a single additional button press. Press the [DIRECT ACCESS] button and a message appears in the display prompting you to press the appropriate button. Then, simply press the button corresponding to the desired setting display to instantly call up that display. In the example below, Direct Access is used to call up the display for selecting the Chord Fingering (page 128).

DIRECT

ACCESS

BACK

VOICE

PART

ON/OFF LAYER

LEFT

MUSIC FINDER

ENTER

DATA ENTRY

EXIT

HARMONY/

REVERB

PIANO & ORGAN & HARPSI. E.PIANO

BRASS WOODWIND STRINGS

LEFT HOLDMONOECHO

DSP VARIATION

VOICE EFFECT ONE TOUCH SETTING

PERCUSSION

ACCORDION

BASSGUITAR

CHOIR & PAD

VOICE REGISTRATION MEMORY

PIANO

4321FREEZEUSERXGSYNTH.

8 MEMORY765

ACMP

Refer to the Direct Access Chart (page 48) for a list of the displays that can be called up with the Direct Access function.

Here’s a convenient way to return to the MAIN display from any other display: Simply press the [DIRECT

ACCESS] button, then the [EXIT] button.

PF-1000

Page 48

Basic Operations — Organizing Your Data

Direct Access Chart

Operation: [DIRECT ACCESS] button + button listed below Corresponding LCD display and function

STYLE [POP & ROCK]

STYLE CONTROL [ACMP] FUNCTION CHORD FINGERING FINGERING TYPE selection 128

SONG [TRACK1]

METRONOME [START/STOP]

TEMPO [TAP TEMPO] TAP settings

TRANSPOSE [–] CONTROLLER

MENU [DEMO]

DIGITAL STUDIO [SOUND CREATOR]

[BALANCE] [CHANNEL ON/OFF] VOICE settings [DIRECT ACCESS] Exit from the Direct Access mode [NEXT] — [BACK] — [ENTER] — [MUSIC FINDER] MUSIC FINDER MUSIC FINDER SEARCH1 (Searching the records) 70 [EXIT] Return to the MAIN display VOICE PART [LAYER]

VOICE EFFECT [REVERB]

VOICE [PIANO & HARPSI]

ONE TOUCH SETTING [1]–[4] — [PIANO] REGISTRATION MEMORY [FREEZE] FREEZE 131

PEDAL RIGHT

[POP BALLADS] [DANCE] [SWING & JAZZ] [R & B] [COUNTRY] [LATIN] [MARCH & WORLD] [WALTZ] [BALLROOM] [PIANIST] [USER]

[BREAK]

MAIN [A] VOLUME settings MAIN [B] MAIN [C] BRIGHTNESS settings MAIN [D]

[AUTO FILL IN] DSP settings [OTS LINK] [SYNC. STOP] SYNC. STOP WINDOW setting [SYNC. START] — [START/STOP] —

[TRACK2] TRACK2 CHANNEL selection [EXTRA TRACKS] [REPEAT] [REC] — [TOP] — [START/STOP] — [REW] — [FF] —

[–] [+]

[+] MIXING CONSOLE TUNE 118

[HELP] LCD BRIGHTNESS settings 138 [FUNCTION] MIDI MIDI settings 134

[DIGITAL RECORDING] SCALE TUNING setting [MIXING CONSOLE] —

[LEFT]

[VARIATION] EFFECT TYPE selection [HARMONY/ECHO] FUNCTION HARMONY/ECHO 132 [MONO] MIXING CONSOLE TUNE PORTAMENTO TIME settings 118 [LEFT HOLD]

[E.PIANO] [ORGAN & ACCORDION] [PERCUSSION] [GUITAR] [BASS] [BRASS] [WOODWIND] [STRINGS] [CHOIR & PAD] [SYNTH.] [XG] [USER]

[1]–[8] REGISTRATION BANK REGISTRATION EDIT (Editing the REGISTRATION) 83 [MEMORY]

CENTER CENTER PEDAL function assignment LEFT LEFT PEDAL function assignment AUX AUX PEDAL function assignment

FUNCTION

MIXING CONSOLE (STYLE PAR T)

FUNCTION

FUNCTION SONG SETTING

FUNCTION

MIXING CONSOLE (SONG PAR T)

MIXING CONSOLE

FUNCTION

STYLE SETTING/SPLIT POINT

VOLUME/VOICE

FILTER

EFFECT

STYLE SETTING/SPLIT POINT

UTILITY

MIDI MIDI CLOCK setting 135

UTILITY

MASTER TUNE/SCALE TUNE

VOLUME/VOICE

TUNE OCTAVE settings 118

EFFECT

STYLE SETTING/SPLIT POINT

VOICE SET 132

CONTROLLER

REGISTRATION SEQUENCE (Creating the REGISTRATION SEQUENCE) 131

CONTROLLER

SPLIT POINT (ACMP) setting 127

VOICE settings

HARMONIC CONTENT settings

REVERB settings

TRACK1 CHANNEL selection

METRONOME settings

TRANSPOSE settings

LANGUAGE selection 140

MASTER TUNING setting

VOLUME settings

REVERB settings

SPLIT POINT (LEFT) setting 127

KEYBOARD TOUCH selection

RIGHT PEDAL function assignment

See pages

117[INTRO] PANPOT settings

118

119[ENDING] CHORUS settings

127

126

137[FADE IN/OUT] FADE IN/OUT settings

130

124

117

119[DSP] DSP settings

130

128

PF-1000

Page 49

Basic Operations — Organizing Your Data

Help Messages

The Help messages give you explanations and descriptions of all the main functions and features of the PF-1000.

HELP

LCD

MIN MAX

MASTER VOLUME

FADE IN/OUT POP & ROCK

START/STOP

METRONOME

ACMP

BREAK INTRO

POP BALLADS

AUTO FILL IN

CONTRAST

DEMO

HELP

FUNCTION

DIGITAL STUDIO

SOUND

CREATOR

DIGITAL

MARCH &

R & B COUNTRY

MAIN

STYLE CONTROL

WORLD

LATIN WALTZ BALLROOM PIANIST

STYLE

ENDING/rit.

SYNC.STOP SYNC.START

DANCE

SWING & JAZZ

OTS LINK

EXTRA TRACKS TRACK2

TRACK1

USER 4321

STYLE L

START/STOP

TOPREC

NEW SONG

SYNC.START

START/STOP

SONG

TAP TEMPO

RESET RESET

TEMPO

RECORDING

MIXING

CONSOLE

REW

REPEAT

TRANSPOSE

BALANCE

DIRECT ACCESS

PART

CHANNEL

2 31 5 6 7 84

ON/OFF

PART

BACK

VOICE PART

ON/OFF

LAYER

LEFT

MUSIC FINDER

ENTER

DATA ENTRY

EXIT

HARMONY/

REVERB

PIANO & ORGAN & HARPSI. E.PIANO

BRASS WOODWIND STRINGS

LEFT HOLDMONOECHO

DSP VARIATION

VOICE EFFECT ONE TOUCH SETTING

BASSGUITAR

PERCUSSION

ACCORDION

CHOIR & PAD

VOICE REGISTRATION MEMORY

PIANO

4321FREEZEUSERXGSYNTH.

8 MEMORY765

DEMO

HELP

FUNCTION

2 31 5 6 7 84

2-1 Select the desired

Help topic.

Select the Language, if necessary. The language selected here are also used for various “Messages” shown during operations.

2-2 Call up the topic.

BACK NEXT

Use this to select different pages.

Help messages can be displayed in any one of the following languages:

ENGLISH JAPANESE GERMAN FRENCH SPANISH ITALIAN

The language can also be selected in the FUNCTION “LANGUAGE” (page 140) display.

When “JAPANESE” is selected for the Language parameter, and you change this to one of the western languages, the kanji and kana characters of the ﬁle name stored in the disk drive are changed to western characters. In the opposite case, special Latin characters and marks are changed into normal characters. Also, in the case of ﬂoppy disk data, text in the ﬁles are changed to characters that cannot be read by the instrument. Keep in mind that similar problems may occur when trying to access ﬁles originating or edited by a computer having a different language operating system. In general, be careful when switching languages — you risk not being able to access the data properly.

Help messages also feature links to the detailed explanation or actual setting display of the selected topic. Simply select the underlined word (using the [DATA ENTRY] dial), and press the [ENTER] button to jump to the detailed explanation or actual setting display of the selected topic.

DATA ENTRY

ENTER

END

Press this to return to the previous display.

EXIT

PF-1000

Page 50

Basic Operations — Organizing Your Data

The sound, volume level, and the beat (time signature) of the metronome can all be changed (page 137).

Using the Metronome

The metronome provides a click sound, giving you an accurate tempo guide when you practice, or letting you hear and check how a speciﬁc tempo sounds.

LCD

CONTRAST

DEMO

HELP

FUNCTION

DIGITAL STUDIO

SOUND

CREATOR

DIGITAL

RECORDING

MIXING

CONSOLE

REPEAT

TRANSPOSE

BALANCE

DIRECT ACCESS

PART

CHANNEL

2 31 5 6 7 84

ON/OFF

PART

BACK

VOICE

PART

ON/OFF LAYER

LEFT

MUSIC FINDER

ENTER

DATA ENTRY

EXIT

HARMONY/

REVERB

DSP VARIATION

LEFT HOLDMONOECHO

VOICE EFFECT ONE TOUCH SETTING

PIANO & ORGAN & HARPSI. E.PIANO

BRASS WOODWIND STRINGS

BASSGUITAR

PERCUSSION

ACCORDION

CHOIR & PAD

VOICE REGISTRATION MEMORY

PIANO

4321FREEZEUSERXGSYNTH.

8 MEMORY765

MIN MAX

MASTER VOLUME

FADE IN/OUT POP & ROCK

START/STOP

METRONOME

START/STOP

METRONOME

POP BALLADS

DANCE

AUTO FILL IN

ACMP

BREAK INTRO

MARCH &

R & B COUNTRY

MAIN

STYLE CONTROL

WORLD

LATIN WALTZ BALLROOM PIANIST

STYLE

ENDING/rit.

SYNC.STOP SYNC.START

SWING & JAZZ

OTS LINK

EXTRA TRACKS TRACK2

TRACK1

USER 4321

STYLE L

START/STOP

REW

TOPREC

NEW SONG

SYNC.START

START/STOP

SONG

TAP TEMPO

RESET RESET

TEMPO

The metronome starts by pressing the METRONOME [START/STOP] button. Adjust the tempo by using the TEMPO[–] [+] buttons (see below). To stop the metronome, press the [START/STOP] button again.

Adjusting the Tempo

This section shows you to adjust the playback tempo — which not only affects the metronome, but also the playback of a song or an accompaniment style.

MIN MAX

MASTER VOLUME

FADE IN/OUT POP & ROCK

START/STOP

METRONOME

ACMP

BREAK INTRO

POP BALLADS

AUTO FILL IN

TAP TEMPO

RESET

TEMPO

MARCH &

R & B COUNTRY

MAIN

WORLD

LATIN WALTZ BALLROOM PIANIST

STYLE

ENDING/rit.

STYLE CONTROL

SYNC.STOP SYNC.START

DANCE

SWING & JAZZ

OTS LINK

EXTRA TRACKS TRACK2

TRACK1

USER 4321

STYLE L

START/STOP

REW

TOPREC

NEW SONG

SYNC.START

START/STOP

SONG

TAP TEMPO

RESET RESET

TEMPO

LCD

CONTRAST

DEMO

HELP

FUNCTION

DIGITAL STUDIO

SOUND

CREATOR

DIGITAL

RECORDING

MIXING

CONSOLE

REPEAT

TRANSPOSE

BALANCE

DIRECT

ACCESS

PART

CHANNEL

2 31 5 6 7 84

ON/OFF

PART

BACK

VOICE PART

ON/OFF LAYER

LEFT

MUSIC FINDER

ENTER

DATA ENTRY

EXIT

HARMONY/

REVERB

DSP VARIATION

LEFT HOLDMONOECHO

VOICE EFFECT ONE TOUCH SETTING

PIANO & ORGAN &

PERCUSSION

HARPSI. E.PIANO

ACCORDION

BASSGUITAR

CHOIR & PAD

BRASS WOODWIND STRINGS

VOICE REGISTRATION MEMORY

PIANO

4321FREEZEUSERXGSYNTH.

8 MEMORY765

1 2

RESET

TAP TEMPO

TEMPO

Press either the TEMPO [–] button or the [+] button.

EXIT

END

Press this to close the TEMPO display.

PF-1000

Adjust the tempo by using either the TEMPO [

+] buttons or the [DATA ENTRY] dial.

[

–]

The number in the display indicates how many quarter-note beats there are in one minute. The range is between 5 and 500. The higher the value, the faster the tempo.

When you change the tempo, both tempos of the current song and style will be changed to the same tempo. To restore their respective default (initial) tempo settings, press both the TEMPO [

–] [+]

buttons simultaneously. Also refer to the “Tempo Indications — MAIN display” (page 51) for more about tempo.

Songs and accompaniment styles have been given default (initial) tempo settings, designed to best suit the song/style.

Page 51

Basic Operations — Organizing Your Data

Tap Tempo

This useful feature lets you tap out the tempo for a song or an accompaniment style. Simply tap the [TAP TEMPO] button at the desired speed, and the tempo of the song or the accompaniment style changes to match your tapping.

Playback the song or the

accompaniment style (page 59, 74).

■ Tempo Indications — MAIN Display

There are three different tempo indications in the Main display, as shown below.

Indicates the default (initial) tempo setting for the currently selected song (unless the tempo has been changed manually).

Indicates the current tempo for the selected song, accompaniment style or the metronome which is now playing back. When nothing is playing back (stopped), this indicates the tempo for the selected style. When the song and style are played back simultaneously, the tempo of the style is automatically

changed to match the tempo of the

song, and is displayed here. This tempo is used for recording when recording a song or accompaniment style.

Indicates the default (initial) tempo setting for the currently selected accompaniment style (unless the tempo has been changed manually).

TAP TEMPO

RESET

TEMPO

Tap the [TAP TEMPO] button twice to change the tempo.

Hitting the [TAP TEMPO] button produces a tapping sound. You can change this sound, if desired (page 138).

You can also use Tap Tempo to automatically start the song or accompaniment style at the desired tempo. While both the song and accompaniment style are stopped, tap the [TAP TEMPO] button several times, and the selected accompaniment style starts automatically at the tempo you tapped. While a song is set to Sync. Start stand-by (page 60, 74), tapping the [TAP TEMPO] button starts the song playback in the same manner. For songs and styles in 2/4 and 4/4 time, tap four times; for 3/4 time, tap three times; for 5/4 time, tap ﬁve times.

PF-1000

Page 52

Playing the Demos

Reference

The PF-1000 is an extraordinarily versatile and sophisticated instrument, featuring a wide variety of dynamic voices and rhythms, plus a wealth of advanced functions. Three different types of Demo songs have been specially prepared showcasing the stunning sound and features of the PF-1000.

FADE IN/OUT POP & ROCK

POP BALLADS

DANCE

AUTO FILL IN

OTS LINK

ACMP

BREAK INTRO

START/STOP

MIN MAX

MASTER VOLUME

METRONOME

Pressing the [DEMO]

button automatically plays back the Demo songs at random.

SWING & JAZZ

R & B COUNTRY

MAIN

STYLE CONTROL

MARCH &

WORLD

LATIN WALTZ BALLROOM PIANIST

STYLE

ENDING/rit.

SYNC.STOP SYNC.START

DEMO

HELP

LCD

CONTRAST

TRANSPOSE

DEMO

HELP

FUNCTION

DIGITAL STUDIO

SOUND

CREATOR

DIGITAL

RECORDING

MIXING

CONSOLE

REPEAT

BALANCE

DIRECT ACCESS

PART

CHANNEL

2 31 5 6 7 84

ON/OFF

PART

FUNCTION

EXTRA TRACKS TRACK2

TRACK1

STYLE L

USER 4321

START/STOP

REW

TOPREC

NEW SONG

SYNC.START

SONG

TAP TEMPO

RESET RESET

TEMPO

BACK

VOICE

PART

ON/OFF LAYER

LEFT

MUSIC FINDER

ENTER

DATA ENTRY

EXIT

HARMONY/

REVERB

DSP VARIATION

LEFT HOLDMONOECHO

VOICE EFFECT ONE TOUCH SETTING

PIANO & ORGAN &

PERCUSSION

HARPSI. E.PIANO

ACCORDION

BASSGUITAR

CHOIR & PAD

BRASS WOODWIND STRINGS

VOICE REGISTRATION MEMORY

HELP

FUNCTION

PIANO

4321FREEZEUSERXGSYNTH.

8 MEMORY765

2-1 Use the [BACK][NEXT] buttons to select the desired Demo category.

2-2 Use these to select

different display pages.

Function Demos ....... These demonstrate each of the different functions on the PF-1000.

Voice Demos ............. These showcase the voices of the PF-1000.

Style Demos .............. These introduce you to the rhythms and accompaniment styles of the PF-1000.

BACK NEXT

2-3 Press one of these buttons twice

— once to select the desired demo, and once again to start it.

2 31 5 6 7 84

Press this to play back all Demo songs/items continuously, starting from the ﬁrst item at the top left of the display. This is available only from the FUNCTION page.

All of the available demos are played back in sequence, starting from the one at top left. The VOICE and STYLE pages do not have the [AUTO] button; however, all demo songs are played back in sequence. Pressing this button cancels the interactive features of the Function Demos (otherwise available in step 3 below).

PF-1000

Page 53

Playing the Demos

For the Function demos, an introduction screen appears in the display and

the Demo starts playing.

This example shows the Voices in the FUNCTION demo.

2 31 5 6 7 84

BACK NEXT

DATA ENTRY

ENTER

Select the desired word or item by using the [DATA ENTRY] dial, then press the [ENTER] button or number buttons ([1▼], [2▼], etc.) to call it up.

Use the [BACK][NEXT] buttons in the introduction screen to call up the previous or next page.

Press the SONG [START/ STOP] button to stop the

Demo song. To start the Demo again from the point at which it was stopped, press the SONG [START/ STOP] button again. Rewind and fast-forward can also be used with the Demo songs (page 76).

Relevant explanations are shown in the display.

2 31 5 6 7 84

EXIT

END

Return to the MAIN screen.

PF-1000

Page 54

Voices

The PF-1000 gives you an enormous selection of authentic voices, including various keyboard instruments, strings and brass — and many, many more.

MARCH &

R & B COUNTRY

MAIN

STYLE CONTROL

WORLD

LATIN WALTZ BALLROOM PIANIST

STYLE

ENDING/rit.

SYNC.STOP SYNC.START

USER 4321

START/STOP

MIN MAX

MASTER VOLUME

FADE IN/OUT POP & ROCK

START/STOP

METRONOME

ACMP

BREAK INTRO

POP BALLADS

AUTO FILL IN

DANCE

SWING & JAZZ

OTS LINK

Selecting a Voice

Select the desired voice group.

Indicates that the display

2-2 Select the

is for selecting the MAIN voice (page 25).

various pages in the current voice group.

Press this to call up the display for selecting the voice group.

Play the keyboard to hear the

selected voice.

2 31 5 6 7 84

EXTRA TRACKS TRACK2

TRACK1

STYLE L

START/STOP

TOPREC

NEW SONG

SYNC.START

TAP TEMPO

RESET RESET

TEMPO

PIANO & ORGAN & HARPSI. E.PIANO

LCD

CONTRAST

DEMO

HELP

FUNCTION

DIGITAL STUDIO

SOUND

CREATOR

DIGITAL

RECORDING

MIXING

CONSOLE

REW

REPEAT

SONG

TRANSPOSE

BALANCE

DIRECT ACCESS

PART

CHANNEL

2 31 5 6 7 84

ON/OFF

PART

PIANO & ORGAN & HARPSI. E.PIANO

ACCORDION

EXIT

PERCUSSION

BRASS WOODWIND STRINGS

BACK

VOICE

PART

ON/OFF

LAYER

LEFT

MUSIC FINDER

ENTER

DATA ENTRY

BASSGUITAR

PERCUSSION

ACCORDION

CHOIR & PAD

VOICE

HARMONY/

REVERB

PIANO & ORGAN & HARPSI. E.PIANO

BRASS WOODWIND STRINGS

LEFT HOLDMONOECHO

DSP VARIATION

VOICE EFFECT ONE TOUCH SETTING

BASSGUITAR

PERCUSSION

ACCORDION

CHOIR & PAD

VOICE REGISTRATION MEMORY

When you select a voice

BASSGUITAR

USERXGSYNTH.

PIANO

4321FREEZEUSERXGSYNTH.

8 MEMORY765

group, the last selected

BRASS WOODWIND STRINGS

CHOIR & PAD

VOICE

USERXGSYNTH.

voice will automatically be selected.

Selecting a voice automatically selects the best-suited effect and other settings for that particular voice. You can

2-1 Select the memory location of the

voice (PRESET/USER/FLOPPY DISK).

BACK NEXT

disable this so that settings are not automatically selected (page 132).

You can set how much the

volume of the voice changes according to your playing strength (page 130).

For a list of the available voices, refer to the separate Data List.

You can set whether the voice bank and program change numbers (“MSBLSB-Program Change number” at the right above the voice name) are displayed or not (page 138).

XG is a major enhancement of the GM System level 1 format, and was developed by Yamaha specially to provide more voices and variations, as well as greater expressive control over voices and effects, and to ensure compatibility of data well into the future.

END

2-3 Select the voice.

Press this to start the demo of the selected voice. To stop the demo at any time, press this button again.

Press this to return to the MAIN display.

EXIT

PF-1000

Page 55

Voices

Voice Characteristics

The voice type and its deﬁning characteristics are indicated above the voice name.

Natural!

These rich and luscious voices are comprised mostly of keyboard instrument sounds and are especially intended for playing piano and other keyboard parts. Since they use a completely independent sound source, you can play full, sustained chords — even along with the accompaniment style — and not have to worry about notes cutting off. They also take full advantage of Yamaha’s advanced sampling technology such as Stereo Sampling, Dynamic Sampling, Sustain Sampling, and Key-off Sampling.

Live!

These acoustic instrument sounds were sampled in stereo, to produce a truly authentic, rich sound — full of atmosphere and ambience.

Cool!

These voices capture the dynamic textures and subtle nuances of electric instruments — thanks to a huge amount of memory and some very sophisticated programming.

Sweet!

These acoustic instrument sounds also beneﬁt from Yamaha’s sophisticated technology — and feature a sound so ﬁnely detailed and natural, you’ll swear you’re playing the real thing!

Drum

Various drum and percussion sounds are assigned to individual keys, letting you play the sounds from the keyboard.

SFX

Various special effect sounds are assigned to individual keys, letting you play the sounds from the keyboard.

Keyboard Percussion

When one of the drum of SFX kits is selected in the PERCUSSION voice group, various drum, percussion, and special effect sounds are assigned to individual keys, letting you play the sounds from the keyboard. The various drums and percussion instruments of the Standard Kit are indicated by symbols above the assigned keys. Keep in mind that even though different kits feature different sounds, some same-named sounds in different kits are identical. Refer to the separate Data List (Drum/key Assignment List) for a listing of the sounds in each drum/SFX kit.

One-touch Piano Play

This convenient, easy-to-use feature completely and automatically reconﬁgures the entire PF-1000 for optimum piano performance. No matter what settings you’ve made from the panel, you can instantly call up the piano settings by a single button press.

PIANO

PIANO button

This reconﬁgures all of the panel settings for playing the PF-1000 as a piano.

You can also use the metronome with this function (page 50).

Piano Lock function

The convenient Piano Lock function lets you “lock” the piano so that you don’t inadvertently change the settings by pressing another button on the panel. Once locked, the PF-1000 stays in the piano mode, even if other buttons are pressed — preventing you from accidently starting a song or accompaniment style during a piano concert.

Hold down the [PIANO] button for a short time, until a message appears prompting you to enable Piano Lock.

To enable Piano Lock, select “OK.”

To turn Piano Lock off, hold down the [PIANO] button again for a short time.

Even if you turn Piano Lock off, the piano settings are still active.

PF-1000

Page 56

Voices

LEFT part

MAIN part

Split point

Left range Right range

LEFT part

MAIN part

Split point

LAYER part

Left range Right range

Layer/Left — Playing Several Sounds Simultaneously

The PF-1000 lets you set three voices for simultaneous play: MAIN, LAYER, and LEFT. By effectively combining these three, you can create richly textured, multi-instrument setups for your performance.

VOICE PART

ON/OFF

LAYER

LEFT

HARMONY/

REVERB

DSP VARIATION

LEFT HOLDMONOECHO

VOICE EFFECT ONE TOUCH SETTING

PIANO & ORGAN &

PERCUSSION

HARPSI. E.PIANO

ACCORDION

BASSGUITAR

CHOIR & PAD

BRASS WOODWIND STRINGS

VOICE REGISTRATION MEMORY

PIANO

4321FREEZEUSERXGSYNTH.

8 MEMORY765

MAIN part

MIN MAX

MASTER VOLUME

FADE IN/OUT POP & ROCK

START/STOP

METRONOME

ACMP

BREAK INTRO

POP BALLADS

AUTO FILL IN

MARCH &

R & B COUNTRY

MAIN

STYLE CONTROL

WORLD

LATIN WALTZ BALLROOM PIANIST

STYLE

ENDING/rit.

SYNC.STOP SYNC.START

DANCE

SWING & JAZZ

OTS LINK

EXTRA TRACKS TRACK2

TRACK1

USER 4321

STYLE L

START/STOP

REW

TOPREC

NEW SONG

SYNC.START

START/STOP

SONG

TAP TEMPO

RESET RESET

TEMPO

Playing a layer of two voices

Playing two voices separately — on the left and right sections of the keyboard

LCD

CONTRAST

DEMO

HELP

FUNCTION

DIGITAL STUDIO

SOUND

CREATOR

DIGITAL

RECORDING

MIXING

CONSOLE

REPEAT

PART

TRANSPOSE

LAYER part

BACK

VOICE

PART

BALANCE

DIRECT ACCESS

CHANNEL

2 31 5 6 7 84

ON/OFF

PART

ON/OFF LAYER

LEFT

MUSIC FINDER

ENTER

DATA ENTRY

EXIT

Playing three different voices — one on the left section of the keyboard, plus a layer of two on the right

Layer — Layering Two Different Voices

Press this to

turn the LAYER function on. To

turn it off, press the button again.

ON/OFF

VOICE

PART

LAYER

LEFT

Select LAYER with the [G] button. Press the same button

to call up the VOICE display, from which you can select the speciﬁc voice you want to play in a layer with the Main voice. The method of selecting a voice here is the same as that in VOICE (MAIN) display (page 54).

There is an alternate way for quickly selecting both the MAIN and LAYER voices from the panel: While holding down one panel voice button, press a second voice button. The ﬁrst selected voice

becomes the MAIN voice, and the second becomes the LAYER.

PF-1000

END

EXIT

Press this to return to the MAIN display.

Page 57

Voices

Left — Setting Separate Voices for the Left and Right Sections of the Keyboard

Set the LEFT to

ON. Press this button again to set it to OFF.

VOICE

PART

ON/OFF

LAYER

END

Press this to return to the MAIN display.

LEFT

EXIT

Select LEFT with the [H] button. Press the same

button to call up the VOICE display, from which you can select the speciﬁc voice you want to play in a left. How to select the voice is the same as the way of VOICE (MAIN) screen (page 54).

The split point can be freely set to any key on the keyboard. To set it, call up the SPLIT POINT display by pressing the [I] (SPLIT POINT) button in the MAIN display. The operation steps are the same as in the

STYLE SETTING/SPLIT

POINT display of the FUNCTION page (page 127).

Each part (MAIN, LAYER, and LEFT) can have its own volume setting (page 61).

You can also use the LAYER and LEFT functions together, to create a combination layer/split. To do this, set separate voices for the left and right sections of the keyboard (as indicated), and set up a layer of two different voices on the right.

Applying Voice Effects

This section of the panel lets you add a variety of effects to the voices you play on the keyboard.

HARMONY/

VOICE EFFECT

HARMONY/

LEFT HOLDMONOECHO

PERCUSSION

CHOIR & PAD

VOICE REGISTRATION MEMORY

PIANO

BASSGUITAR

MIN MAX

MASTER VOLUME

FADE IN/OUT POP & ROCK

START/STOP

METRONOME

ACMP

BREAK INTRO

POP BALLADS

AUTO FILL IN

LCD

CONTRAST

DEMO

HELP

FUNCTION

DIGITAL STUDIO

SOUND

CREATOR

DIGITAL

MARCH &

R & B COUNTRY

MAIN

STYLE CONTROL

WORLD

LATIN WALTZ BALLROOM PIANIST

STYLE

ENDING/rit.

SYNC.STOP SYNC.START

DANCE

SWING & JAZZ

OTS LINK

EXTRA TRACKS TRACK2

TRACK1

USER 4321

STYLE L

START/STOP

TOPREC

NEW SONG

SYNC.START

START/STOP

SONG

TAP TEMPO

RESET RESET

TEMPO

RECORDING

MIXING

CONSOLE

REW

REPEAT

TRANSPOSE

BALANCE

DIRECT ACCESS

PART

CHANNEL

2 31 5 6 7 84

ON/OFF

PART

BACK

VOICE PART

ON/OFF

LAYER

LEFT

MUSIC FINDER

ENTER

DATA ENTRY

EXIT

REVERB DSP VARIATION

REVERB

DSP VARIATION

VOICE EFFECT ONE TOUCH SETTING

PIANO & ORGAN & HARPSI. E.PIANO

ACCORDION

BRASS WOODWIND STRINGS

Press one of the effect buttons to turn the corresponding effects on. Press it again to turn the effect off. For explanations on each of the effects, see below.

■ REVERB

Reverb is an effect that recreates the acoustic ambiance of a performance space — anything from a small jazz club to a concert hall.

■ DSP

The PF-1000 features a variety of dynamic built-in digital effects, letting you process the sound in various ways. You can use DSP to enhance the voices in subtle ways — such as by applying chorus to add animation and depth, or using a symphonic effect to give the sound warmth and richness. DSP also has effects such as distortion that can completely change the character of the sound. DSP is set for the currently selected part (MAIN/ LAYER/LEFT).

The DSP and VARIATION effect types and the their depth can be selected and adjusted in the MIXING CON- SOLE display (page 119).

LEFT HOLDMONOECHO

4321FREEZEUSERXGSYNTH.

8 MEMORY765

■ VARIATION (Regular voice only; page 86)

This control changes the Variation effect settings, letting you alter some aspect of the effect, depending on the selected type. For example, when the Rotary Speaker effect is selected (page 119), this lets you switch the rotor speed between slow and fast.

PF-1000

Page 58

Voices

■ HARMONY/ECHO

This control adds Harmony or Echo effects to the voices played on the right hand section of the keyboard (page 132).

■ MONO

This control determines whether the voice is played monophonically (only one note at a time) or polyphonically for each part (MAIN/LAYER/LEFT). This is set to MONO when the lamp is lit, and set to polyphonic when the lamp is off. When set to MONO, only the last note played will sound. This lets you play wind instrument voices more realistically. Depending on the selected voice, the MONO setting also lets you effectively use the Portamento effect, when playing in legato.

■ LEFT HOLD

This function causes the left part voice to be held even when the keys are released — the same effect as when the damper (sustain) pedal is pressed. This function is especially effective when used with the auto accompaniment. For example, if you play and release a chord in the auto accompaniment section of the keyboard (with the left part on and the Left voice set to Strings), the strings part sustains, adding a natural richness to the overall accompaniment sound.

The Portamento effect creates a smooth pitch glide between successively played notes.

You can add special emphasis to melody lines you play over chords by using the Layer function with a monophonic voice. Set the Main voice to play polyphonically and set the Layer voice to play monophonically (MONO). In this case, the melody you play — including the top notes of any chords — sounds monophonically. Try this using the following voices.

MAIN voice

(polyphonic) + Sweet Trump (monophonic)

: Brass Section

LAYER voice

Using the Pedals

Included with the PF-1000 is a special pedal unit that features the following pedals.

Left Pedal

■ Damper Pedal (Right)

The damper pedal performs the same function as the damper pedal on an actual acoustic piano, letting you sustain the sound of the voices even after releasing the keys.

■ Sostenuto Pedal (Center)

If you play a note or chord on the keyboard and press the sostenuto pedal while the note(s) are held, those notes will be sustained as long as the pedal is held, but all subsequently played notes will not be sustained.

Damper Pedal

Sostenuto Pedal

When you press the damper pedal here, the notes you play before you release the pedal have a longer sustain.

When you press the sostenuto pedal here while holding the note, the note will sustain as long as you hold the pedal.

You can also assign one of many other functions to these pedals (as well as the optional foot controller or footswitch). For example, you can use it to start/stop the accompaniment style, or use it to play Fill-ins (page 128).

• Some voices may sound continuously or have a long decay after the notes have been released while the damper pedal is held.

• Certain voices in the [PER- CUSSION] and [XG]

groups may not be affected by use of the damper pedal.

• Certain voices, such as [STRINGS] or [BRASS], sustain continuously when the sostenuto pedal is pressed.

• Certain voices in the [PERCUSSION] and [XG] groups may not be affected by use of the sostenuto pedal.

■ Left Pedal

When the Piano voice is selected, pressing this pedal reduces the volume and slightly changes the timbre of the notes you play. The settings assigned to this pedal may differ depending on the selected voice.

■ Foot Controller/Footswitch

An optional Yamaha foot controller (FC7) or footswitch (FC4 or FC5) can be connected to the AUX PEDAL jack and used to control various functions assigned in the FUNCTION page (page 128).

PF-1000

The depth of the left pedal effect can be adjusted (

page 128

Page 59

Styles

The PF-1000 features styles (accompaniment patterns) in a variety of different musical genres including pops, jazz, Latin and dance. To use it, all you have to do is play the chords with your left hand as you perform and the selected Accompaniment Style (style) matching your music will automatically play along, instantly following the chords you play. Try selecting some of the different styles (refer to separate Data List (Style List) ) and play them.

MARCH &

POP & ROCK

POP BALLADS

DANCE

SWING & JAZZ

R & B COUNTRY

WORLD

LATIN WALTZ BALLROOM PIANIST

USER

ACMP

BREAK INTRO

FADE IN/OUT POP & ROCK

START/STOP

MIN MAX

MASTER VOLUME

METRONOME

AUTO FILL IN

ACMP

BREAK INTRO

POP BALLADS

AUTO FILL IN

OTS LINK

DANCE

SWING & JAZZ

R & B COUNTRY

OTS LINK

MAIN

STYLE CONTROL

MARCH &

WORLD

LATIN WALTZ BALLROOM PIANIST

STYLE

ENDING/rit.

SYNC.STOP SYNC.START

Playing a style

POP & ROCK

POP BALLADS

DANCE

SWING & JAZZ

STYLE

MAIN

STYLE CONTROL

EXTRA TRACKS TRACK2

TRACK1

USER 4321

STYLE L

START/STOP

REW

TOPREC

NEW SONG

SYNC.START

START/STOP

SONG

TAP TEMPO

RESET RESET

TEMPO

R & B COUNTRY

ENDING/rit.

LCD

CONTRAST

DEMO

HELP

FUNCTION

DIGITAL STUDIO

SOUND

CREATOR

DIGITAL

RECORDING

MIXING

CONSOLE

REPEAT

PART

TRANSPOSE

LATIN WALTZ BALLROOM PIANIST

DIRECT ACCESS

BALANCE

CHANNEL ON/OFF

PART

MARCH &

WORLD

SYNC.STOP SYNC.START

2 31 5 6 7 84

EXIT

BACK

VOICE

PART

ON/OFF LAYER

LEFT

DATA ENTRY

START/STOP

MUSIC FINDER

ENTER

USER

HARMONY/

REVERB

DSP VARIATION

LEFT HOLDMONOECHO

VOICE EFFECT ONE TOUCH SETTING

PIANO & ORGAN &

PERCUSSION

HARPSI. E.PIANO

ACCORDION

BASSGUITAR

CHOIR & PAD

BRASS WOODWIND STRINGS

VOICE REGISTRATION MEMORY

STYLE

PIANO

4321FREEZEUSERXGSYNTH.

8 MEMORY765

BACK NEXT

2-1 Select a location

(Preset, User, Floppy Disk) for saving the style.

2-2 Select a Style.

2 31 5 6 7 84

When you've opened a lower directory's display, this button (UP) lets you call up the next higher directory, from which you can select Style groups.

For a list of the available accompaniment styles, refer to the separate Data List (Style List).

PF-1000

Page 60

Styles

accompaniment section of the keyboard. (Depending on the settings, this may be the range of the Left voice, or the entire keyboard.)

When the [ACMP] button is set to on, you can play/indicate chords from the auto

AUTO FILL IN

ACMP

BREAK INTRO

ACMP

BREAK INTRO

As soon as you play a chord with the auto accompaniment section, the style starts. For details about chord ﬁngerings, refer to page 62.

OTS LINK

AUTO FILL IN

The Tempo can be adjusted using the TEMPO [–][+] or [TAP TEMPO] button. If you tap the [TAP TEMPO] button, the tempo will adjust to the same speed that you tapped.

OTS LINK

MAIN

STYLE CONTROL

ENDING/rit.

SYNC.STOP SYNC.START

Turn SYNC. (SYNCHRONIZED) START on.

MAIN

STYLE CONTROL

ENDING/rit.

Split point

Auto Accompaniment section

START/STOP

SYNC.STOP SYNC.START

You can set the key range for auto accompaniment (page 127).

Sync. Start

Enabling this lets you start the style simply by playing the keyboard.

START/STOP

• You can begin the rhythm channels (tracks) of the Style by pressing the [START/STOP] button.

• The rhythm channels of the style can also be started by tapping the [TAP TEMPO] button. With the style stopped, tap the [TAP TEMPO] button three, four or ﬁve times (three for 3/4 time, four for 2/4 or 4/4 time, ﬁve for 5/4 time).

When you simultaneously

Stop the style.

END

Turn ACMP off.

play back accompaniment styles with a song, the accompaniment parts recorded to the song (chan-

SYNC.STOP SYNC.START

START/STOP

ACMP

BREAK

nels 9 - 16) are temporarily replaced by the selected accompaniment style — letting you try out and use different accompaniment with the song (page 75).

Accompaniment Style Characteristics

The deﬁning characteristics of some of the accompaniment styles are indicated above the relevant style names in the Open/Save display.

Session!

These styles provide even greater realism and authentic backing by mixing in original chord types and changes, as well as special riffs with chord changes, with the Main sections. These have been programmed to add “spice” and a professional touch to your performances of certain songs and in certain genres. As a result, the styles may not necessarily be appropriate — or even harmonically correct — for all songs and for all chord playing. In some cases for example, playing a simple major triad may result in a seventh chord, or playing an onbass chord may result in incorrect or unexpected accompaniment.

Piano Combo!

These accompaniment styles feature a basic piano trio (piano, bass, and drums), augmented in some cases with other instruments. Since this is a small combo sound, the accompaniment backing is appropriately sparse, making it useful and effective for a wide variety of songs.

Pianist!

These special styles provide piano-only accompaniment — effectively recreating the left-hand performance of an accomplished pianist. Just by playing the proper chords with your left hand, you can automatically add complicated arpeggios and bass/chord patterns — such as difﬁcult-to-play stride piano parts.

PF-1000

Page 61

Playing a Style’s Rhythm Channels only

Styles

Select a style (page 59).

ACMP

BREAK INTRO

Play along with the rhythm playback.

The Tempo can be adjusted using the TEMPO [–][+] or [TAP TEMPO] buttons.

Set to off.

AUTO FILL IN

OTS LINK

Rhythm starts.

MAIN

STYLE CONTROL

ENDING/rit.

SYNC.STOP SYNC.START

If you tap the [TAP TEMPO] button, the tempo will adjust to the same speed that you tapped.

START/STOP

The Rhythm channels are part of the styles. Each style has different rhythm patterns.

You can also start the rhythm simply by playing a key on the keyboard, if Sync Start is enabled (turn on the [SYNC.START] button).

Press the STYLE CONTROL [START/STOP]

END

button again to stop the rhythm playback.

Adjusting the Volume Balance/Channel Muting

BALANCE display

MIC part

Call up the BALANCE display.

BALANCE

CHANNEL

ON/OFF

PART

Call up the

Channel ON/ OFF display.

STYLE part (Auto Accompaniment section)

SONG part

Adjust the output level of the Part.

CHANNEL ON/OFF display

Call up the STYLE display by pressing the [CHANNEL ON/OFF] button, then turn the instrument you want to cancel off. To listen to only one instrument by itself, hold down the appropriate button for the channel to set the channel to SOLO. To cancel SOLO, simply press the appropriate channel button again.

When selecting the style group “PIANIST,” the rhythm doesn’t sound. When you want to use any of the styles, always make sure that ACMP is turned on.

Parts played from the keyboard (MAIN/LAYER/ LEFT)

Channel

Refers to the MIDI channel in the song data (page 147). The channels are assigned as shown below.

Song

1 - 16

Accompaniment Style

9 - 16

PF-1000

Page 62

Styles

Chord Fingerings

The style playback can be controlled by the chords you play in the keys to the left of the split point. There are 7 types of ﬁngerings as described below. Go to the CHORD FINGERING page (page 128), and select the Chord Fingerings. The page shows how to play chords with your left hand.

SINGLE FINGER

Single Finger accompaniment makes it simple to produce beautifully orchestrated accompaniment using major, seventh, minor and minor-seventh chords by pressing a minimum number of keys on the auto accompaniment section of the keyboard. The abbreviated chord ﬁngerings described below are used.

For a major chord, press the root key only. For a minor chord, simultaneously press the root key

and a black key to its left.

For a seventh chord, simultaneously press the root key and a white key to its left.

For a minor-seventh chord, simultaneously press the root key and both a white and black key to its left.

MULTI FINGER

The Multi Finger mode automatically detects Single Finger or Fingered chord ﬁngerings, so you can use either type of ﬁngering without having to switch ﬁngering modes. If you want to play minor, seventh, or minor-seventh chords using the SINGLE FINGER operation in the MULTI FINGER Mode, always press the closest white/black key(s) to the root of the chord.

Chord detection in the AI Full Keyboard mode occurs at approximately 8th-note intervals. Extremely short chords — less than an 8th note in length — may not be detected.

FINGERED

This mode lets you produce accompaniment by playing full chords on the auto accompaniment section of the keyboard. The Fingered mode recognizes the various chord types listed on the next page.

FINGERED ON BASS

This mode accepts the same ﬁngerings as the FINGERED mode, but the lowest note played in the auto accompaniment section of the keyboard is used as the bass note, allowing you to play “on bass” chords. For example, to indicate a C-on-E chord, play a C major chord with E as the lowest note (E, G, C).

FULL KEYBOARD

This method detects chords in the entire key range. Chords are detected in a way similar to Fingered, even if you split the notes between your left and right hands — for example, playing a bass note with your left hand and a chord with your right, or by playing a chord with your left hand and a melody note with your right.

In Full Keyboard mode, chords are detected based on the lowest and second lowest notes you play. If the two lowest notes fall within a single octave, those two notes determine the chord. If the lowest note and the second lowest note are separated by more than one octave, the lowest note becomes the bass and the chord is determined from the second lowest note and the other notes played in the same octave.

AI FINGERED

This mode is basically the same as FINGERED, with the exception that less than three notes can be played to indicate the chords (based on the previously played chord, etc.).

AI FULL KEYBOARD

Artiﬁcial Intelligence

When this advanced auto accompaniment mode is engaged, the PF-1000 will automatically create appropriate accompaniment while you play just about anything, anywhere on the keyboard using both hands. You don’t have to worry about specifying the accompaniment chords. Although the AI Full Keyboard mode is designed to work with many songs, some arrangements may not be suitable for use with this feature. This mode is similarto FULL KEYBOARD, with the exception that less than three notes can be played to indicate the chords (based on the previously played chord, etc.). 9th and 11th chords cannot be played.

PF-1000

Page 63

Chord Types Recognized in the Fingered Mode (Example for “C” chords)

CM7

Styles





CM7



Csus4

CmM7

( )

Caug

CmM7

( )



( )

CM7aug

( )

Cm7



( )

CmM7



( )



( )

Chord Name [Abbreviation] Normal Voicing

Cm9

Cdim

( )

Cm6

Cdim7



C7aug

Display for root “C”

Major [M] 1 - 3 - 5 C

Ninth [9] 1 - 2 - 3 - 5 C9

( )

Cm7

C7sus4 Csus2

Cm7

( )



( )

• Notes in parentheses can

• For FINGERED, FIN-

Sixth [6] 1 - (3) - 5 - 6 C6

Sixth ninth [69] 1 - 2 - 3 - (5) - 6 or 3 - 6 - 2* C6

Major seventh [M7] 1 - 3 - (5) - 7 CM7

Major seventh ninth [M79] 1 - 2 - 3 - (5)j - 7 CM7

Major seventh add sharp eleventh [M711]

Flatted ﬁfth [ 5] 1 - 3 - 5 C 5

Major seventh ﬂatted ﬁfth [M75] 1 - 3 - 5 - 7 CM7



 

 

1 - (2) - 3 - 4 - 5 - 7 or 1 - 2 - 3 - 4 - (5) - 7

Suspended fourth [sus4] 1 - 4 - 5 Csus4

Augmented [aug] 1 - 3 - 5 Caug

Major seventh augmented [M7aug] 1 - (3) - 5 - 7 CM7aug

Minor [m] 1 - 3 - 5 Cm

Minor ninth [m9] 1 - 2 - 3 - 5 Cm9

Minor sixth [m6] 1 - 3 - 5 - 6 Cm6

Minor seventh [m7] 1 - 3 - (5) - 7 Cm7

Minor seventh ninth [m7

] 1 - 2 - 3 - (5) - 7 or 3 - 7 - 2 Cm7

Minor seventh eleventh [m711] 1 - (2) - 3 - 4 - 5 - ( 7) Cm7

Minor major seventh [mM7] 1 - 3 - (5) - 7 CmM7

Minor major seventh ninth [mM79] 1 - 2 - 3 - (5) - 7 CmM7

Minor seventh ﬂatted ﬁfth [m75] 1 - 3 - 5 - 7 Cm7 5

Minor major seventh ﬂatted ﬁfth [mM75] 1 - 3 - 5 - 7 CmM7

 

 

Diminished [dim] 1 - 3 - 5 Cdim

Diminished seventh [dim7] 1 - 3 - 5 - 6 Cdim7

Seventh [7] 1 - 3 - (5) - 7 or 1 - (3) - 5 - 7 C7

 

Seventh ﬂatted ninth [7

Seventh add ﬂatted thirteenth [713] 1 - 3 - 5 - 6 - 7 C7

] 1 - 2 - 3 - (5) - 7 C7

 

Seventh ninth [79] 1 - 2 - 3 - (5) - 7 or 3 - 7 - 2* C7

Seventh add sharp eleventh [711]



Seventh add thirteenth [713] 1 - 3 - (5) - 6 - 7 or 3 - 6 - 7 C7

Seventh sharp ninth [79] 1 - 2 - 3 - (5) - 7 C7

Seventh ﬂatted ﬁfth [75] 1 - 3 - 5 - 7 C7



 

Seventh augmented [7aug] 1 - 3 - 5 - 7 C7aug

Seventh suspended fourth [7sus4] 1 - 4 - 5 - 7 C7sus4















1 - (2) - 3 - 4 - 5 - 7 or 1 - 2 - 3 - 4 - (5) - 7









CM7

• Playing two same root

• A perfect ﬁfth (1 + 5) pro-

• The auto accompaniment

• You can also have the PF-







Suspended second [sus2] 1 - 2 - 5 Csus2

* Only this voicing (inversion) is recognized. Other chords not marked with an asterisk can be played in any inversion.

( )

Cm7

( )



be omitted.

GERED ON BASS, and AI FINGERED, if you play any three adjacent keys (including black keys), the chord sound will be canceled and only the rhythm instruments will continue playing (Chord Cancel function). This let you play back only the rhythm.

keys in the adjacent octaves produces accompaniment based only on the root.

duces accompaniment based on the root and the ﬁfth.

Style will sometimes not change when related chords are played in sequence (e.g. some minor chords followed by the minor seventh).

1000 “teach” you how to play Fingered chords. From the CHORD FINGERING display (page 128), specify the chord you want to learn, and the notes you should press are indicated in the display.

( )

PF-1000

Page 64

Styles

Arranging the Style Pattern

(SECTIONS: MAIN A/B/C/D, INTRO, ENDING, BREAK)

The PF-1000 features various types of Auto Accompaniment Sections that allow you to vary the arrangement of the Style. They are: Intro, Main, Break and Ending. By switching among them as you play, you can easily produce the dynamic elements of a professionalsounding arrangement in your performance.

Select a style (page 59).

2-1 Turn the ACMP function on.

AUTO FILL IN

ACMP

BREAK INTRO

2-2 Press the [INTRO] button. To cancel the INTRO section

before starting the style, press the [INTRO] button again.

The Intro section starts as soon as you play a key in the Auto

Accompaniment section of the keyboard, and changes to the Main section.

OTS LINK

Auto Accompaniment section

MAIN

STYLE CONTROL

ENDING/rit.

SYNC.STOP SYNC.START

2-3 Turn the SYNC. START function on.

Split point

START/STOP

AUTO FILL IN

ACMP

BREAK INTRO

Press this button to add breaks.

OTS LINK

Main sections can be shifted.

MAIN

STYLE CONTROL

ENDING/rit.

SYNC.STOP SYNC.START

START/STOP

You can also use this function to play only rhythms (page 61).

• If you press the [INTRO]

button, you can play back an Intro section while an accompaniment is playing.

• Section button indications

— [BREAK], [INTRO],

[MAIN], [ENDING] buttons LED is green

— The section is not selected.

LED is red

— The section is currently selected.

LED is off

— No section data; the section cannot be played.

• You can dynamically control the level of the accompaniment by how softly or strongly you play the keys in the Auto Accompaniment section of the keyboard (page 127).

• If you press the [SYNC. START] button while an

accompaniment is playing, the accompaniment will stop and the PF-1000 will enter Synchronized Start standby status.

• You can also change style sections by using the pedal (page 128).

• The Break section lets you add dynamic variations and breaks in the rhythm of the accompaniment, to make your performance sound even more professional. If you press the [BREAK] button while an accompaniment is playing, the ﬁll-in will play back for one measure.

• The indicator of the destination section (MAIN A/ B/C/D) will ﬂash while the Break is playing.

• When the [AUTO FILLIN] button is set to on and the MAIN [A][B][C][D] button is pressed after the ﬁnal half beat (eighth note) of the measure, the ﬁll-in will begin from the next measure.

PF-1000

Page 65

Styles

This switches to the ending section. When the ending is ﬁnished,

END

AUTO FILL IN

ACMP

BREAK INTRO

OTS LINK

the Style stops automatically. You can have the ending gradually slow down (ritardando) by pressing the same [ENDING/rit.] button again while the ending is playing back.

MAIN

STYLE CONTROL

ENDING/rit.

SYNC.STOP SYNC.START

START/STOP

Fade-in/Fade-out

The accompaniment style also include a convenient Fade-in/Fade-out function that gradually fades in and fades out the accompaniment. To start the style with a fade-in, press the [FADE IN/OUT] button, then turn SYNC. START on. To cancel the fade-in before starting the style, press the button again. To fade out and stop the Style, press this button while the style is playing. The time of the fade-in/fade-out can also be set (page 137).

Stopping the Style Playback While Releasing Keys (SYNC. STOP)

When the Synchro Stop function is engaged, accompaniment playback will stop completely when all keys in the Auto Accompaniment section of the keyboard are released. Accompaniment playback will start again as soon as the key in the Auto Accompaniment section is played.

Turn ACMP (Accompaniment) on.

Turn SYNC. STOP on. SYNC. START is also automatically set to on when

SYNC. STOP is turned on.

AUTO FILL IN

ACMP

BREAK INTRO

OTS LINK

MAIN

STYLE CONTROL

ENDING/rit.

SYNC.STOP SYNC.START

START/STOP

• Styles can also be started

by pressing the STYLE

CONTROL [START/ STOP] button.

• You can select the Intro and Ending type by pressing the [E] button in the MAIN window (page 66).

• If you press the [INTRO] button while the ending is playing, the Intro section will begin playing after the ending is ﬁnished.

• When the [AUTO FILLIN] button is set to on and you press a MAIN button while the ending is playing, ﬁll-in accompaniment will immediately start playing, continuing with the Main section.

• You can begin the accompaniment by using the Ending instead of the Intro section. In this case, the auto accompaniment doesn’t stop when the ending is ﬁnished.

• If you select a different style while the style is not playing, the “default” tempo for that style is also selected. If the accompaniment is playing, the same tempo is maintained even if you select a different style.

• When STOP ACMP is set to on and the accompaniment is not playing, you can play both chords and bass in the Auto Accompaniment section in the keyboard (page 127).

As soon as you play a chord with your left hand, the auto accompaniment

starts.

Auto Accompaniment section

The auto accompaniment stops when you release your left hand from the keys.

Playing a chord with your

left hand automatically restarts the auto accompaniment.

Split point

END

Press the [SYNC. STOP]/ [SYNC. START] button again to stop the accompaniment.

You can also use the SYNC. STOP function by pressing the auto accompaniment section/left-hand range brieﬂy (page 127).

Synchro Stop cannot be set to on when the ﬁngering mode is set to Full Keyboard/AI Keyboard or the auto accompaniment on the panel is set to off.

PF-1000

Page 66

Styles

Selecting Intro and Ending Types (INTRO/ENDING)

Select a Intro

To call up the [MAIN] display, ﬁrst press the [DIRECT

ACCESS] button, then press the [EXIT] button.

Play the style using the Intro or Ending section (page 30, 31).

Select a Ending

Playing Fill-in patterns automatically when changing accompaniment sections — Auto Fill In

AUTO FILL IN

Play the style and switch among the accompaniment sections as they play

(page 30, 31).

ACMP

BREAK INTRO

Fill-in patterns play automatically between each change in the Main sections.

END

To cancel the Auto Fill, press the [AUTO FILLIN] button again.

OTS LINK

MAIN

STYLE CONTROL

ENDING/rit.

SYNC.STOP SYNC.START

START/STOP

Fill

A short phrase used to add variation to the style.

You can also add a ﬁll-in by pressing the selected MAIN button again.

You can temporarily disable Auto Fill In during a performance by pressing the next Main section’s button twice quickly.

PF-1000

Page 67

Styles

Appropriate Panel Setting for the Selected Style

(ONE TOUCH SETTING)

The convenient One Touch Setting function makes it easy for you to select voices and effects that are appropriate to the style you’re playing. Each preset style has four pre-programmed panel setups that you can select by pressing a single button.

4321

LEFT HOLDMONOECHO

PIANO

BASSGUITAR

4321FREEZEUSERXGSYNTH.

8 MEMORY765

MIN MAX

MASTER VOLUME

LCD

CONTRAST

DEMO

HELP

FUNCTION

DIGITAL STUDIO

SOUND

CREATOR

DIGITAL

MARCH &

R & B COUNTRY

MAIN

STYLE CONTROL

WORLD

LATIN WALTZ BALLROOM PIANIST

STYLE

ENDING/rit.

SYNC.STOP SYNC.START

FADE IN/OUT POP & ROCK

POP BALLADS

DANCE

SWING & JAZZ

AUTO FILL IN

OTS LINK

ACMP

BREAK INTRO

Select a style (page 59).

Press one of the ONE TOUCH SETTING buttons ([1] - [4]).

START/STOP

METRONOME

EXTRA TRACKS TRACK2

TRACK1

USER 4321

STYLE L

START/STOP

TOPREC

NEW SONG

SYNC.START

START/STOP

SONG

TAP TEMPO

RESET RESET

TEMPO

RECORDING

MIXING

CONSOLE

REW

REPEAT

TRANSPOSE

BALANCE

DIRECT ACCESS

PART

CHANNEL

2 31 5 6 7 84

ON/OFF

PART

LED is red — The One Touch Setting is currently selected.

4321

BACK

VOICE

PART

ON/OFF

LAYER

LEFT

MUSIC FINDER

ENTER

DATA ENTRY

EXIT

ONE TOUCH SETTING

HARMONY/

REVERB

DSP VARIATION

VOICE EFFECT ONE TOUCH SETTING

PIANO & ORGAN &

PERCUSSION

HARPSI. E.PIANO

ACCORDION

CHOIR & PAD

BRASS WOODWIND STRINGS

VOICE REGISTRATION MEMORY

As soon as you play a

chord with your left hand, the auto accompaniment starts.

ONE TOUCH SETTING

LED is green — The One Touch

Setting is not selected.

LED is off — No One Touch Setting data. The button is not available.

Various settings (such as voices, effects, etc.) that match the selected style can be instantly recalled. When the style is not playing, Auto Accompaniment and Sync. Start will automatically be turned on. For details about the One Touch Setting parameters, refer to the separate Data List (Parameter Chart).

Stop the Auto Accompaniment.

AUTO FILL IN

ACMP

BREAK INTRO

OTS LINK

MAIN

ENDING/rit.

SYNC.STOP SYNC.START

STYLE CONTROL

Split point

Auto Accompaniment section

START/STOP

Try out other One Touch Setting setups. You can also create your own One

Touch Setting setups (page 68).

4321

ONE TOUCH SETTING

PF-1000

Page 68

Styles

Automatically Changing One Touch Settings with the Sections — OTS Link

The convenient OTS (One Touch Setting) Link function lets you automatically have One Touch Settings change when you select a different Main section (A - D).

AUTO FILL IN

END

When you switch among the Main sections (A

OTS LINK

To cancel the OTS Link function, press the [OTS LINK] button again.

- D), the corresponding One Touch Setting will be called up automatically.

The Main sections A, B, C, and D correspond to One Touch Settings 1, 2, 3, and 4, respectively.

The One Touch Settings can be set to change with the sections in one of two different timings (page 127):

• Immediately when you press a section button.

• At the next measure (in an accompaniment style), after you press a section button.

Registering the Panel Controls in One Touch Setting (ONE TOUCH SETTING)

This section covers how to create your own One Touch Setting setups (four setups per style). For a list of One Touch Setting setup parameters, refer to the separate Data List (Parameter Chart).

Select a style.

Set up the panel controls

such as selecting a voice as required.

Press the [MEMORY]

button.

MEMORY

Press one of the ONE TOUCH SETTING buttons:[1] through [4].

4321

ONE TOUCH SETTING

The items you can register in a One Touch Setting are Voice, Harmony and Pedal settings.

A message prompting you to save the current style will appear. Select “YES”

END

to call up the STYLE display, then save the panel settings (page 38, 44).

Unless you store the panel settings here, the registered settings will be deleted when you select a different accompaniment style.

PF-1000

Page 69

Calling Up Ideal Setups for Your Music — Music Finder

The Music Finder feature lets you instantly call up the appropriate settings for the instrument — including voice, style, and One Touch Settings — simply by selecting the desired song title. If you want to play a certain song but don’t know which style and voice settings would be appropriate, the convenient Music Finder function will help you out. The recommended settings, which together make up a “record,” can also be edited and stored. This lets you create and save your own Music Finder records for future recall.

FADE IN/OUT POP & ROCK

START/STOP

METRONOME

ACMP

BREAK INTRO

LCD

CONTRAST

DEMO

HELP

FUNCTION

DIGITAL STUDIO

SOUND

CREATOR

DIGITAL

MARCH &

POP BALLADS

DANCE

AUTO FILL IN

WORLD

SWING & JAZZ

R & B COUNTRY

LATIN WALTZ BALLROOM PIANIST

STYLE

OTS LINK

ENDING/rit.

MAIN

STYLE CONTROL

EXTRA TRACKS TRACK2

TRACK1

STYLE L

USER 4321

START/STOP

TOPREC

NEW SONG

START/STOP

MUSIC FINDER

SYNC.START

TAP TEMPO

RESET RESET

TEMPO

SYNC.STOP SYNC.START

RECORDING

MIXING

CONSOLE

REW

SONG

BALANCE

REPEAT

DIRECT ACCESS

PART

CHANNEL

2 31 5 6 7 84

ON/OFF

TRANSPOSE

PART

BACK

VOICE PART

ON/OFF

LAYER

LEFT

MUSIC FINDER

ENTER

DATA ENTRY

EXIT

MUSIC FINDER

REVERB

PIANO & ORGAN & HARPSI. E.PIANO

BRASS WOODWIND STRINGS

HARMONY/

LEFT HOLDMONOECHO

DSP VARIATION

VOICE EFFECT ONE TOUCH SETTING

PERCUSSION

ACCORDION

CHOIR & PAD

PIANO

BASSGUITAR

VOICE REGISTRATION MEMORY

4321FREEZEUSERXGSYNTH.

8 MEMORY765

The MUSIC FINDER records and its contents is just one example of the recommended panel setups. You can also create your own Music Finder settings for your favorite songs and genres.

Keep in mind that Music Finder is a performance aid in that it automatically ﬁnds appropriate accompaniment styles and voices for your playing. Even though you can specify song titles, it does not actually contain song data.

Styles

top record by pressing the [1▲▼] button to call up the recommended setups. The setting data shown here is referred to as a “record.”

Select a record. For example, select the

2 31 5 6 7 84

Select a record by song title.

When sorting records by song title, use the [1▲▼] button to skip up or down through the songs alphabetically. Simultaneously press the [▲▼] buttons to move the cursor to the ﬁrst record.

All ..........................Show all records.

FAVORITE ..............Show the records that have added to the “Favorite” page.

SEARCH1,2...........Show the results by SEARCH function (page 70).

Sorting the records

MUSIC ...... The record is sorted by song title.

STYLE....... The record is sorted by style name.

BEAT ........ The record is sorted by beat.

TEMPO ..... The record is sorted by tempo.

Change the order of the records (ascending or descending).

Add the selected record to “Favorite (Bookmark)” page

When you press the [H] button, the “Add selected data to the favorite list? YES/NO” message will be

displayed. Select [YES] to add the selected page to

Show the number of records of each page.

“FAVORITE ” page.

Search record(s). Enter the condition of the search

in the MUSIC FINDER SEARCH display (page 70). The results of SEARCH 1 or 2 appear in the

“SEARCH 1” or “SEARCH 2” page respectively.

Call up the MUSIC FINDER RECORD EDIT (page 71) display (for editing the selected record).

Turn TEMPO LOCK on/off. TEMPO LOCK function lets you avoid changing

the Tempo during style playback when selecting another record. The on/off setting affects all pages (ALL/FAVORITE/SEARCH 1/SEARCH 2).

Select a record by style name. When sorting the records by style name, press these buttons to move the cursor to the next /previous style. Simultaneously press the [▲▼] buttons to move the cursor to the ﬁrst record.

Play the style (page 60).

Records can be selected by using the [DATA ENTRY] dial and pressing the [ENTER] button.

PF-1000

Page 70

Styles

Searching the Ideal Setups — Music Finder Search

You can search the record by music title or keywords. The results appears in the display.

Press the [I]

(SEARCH 1) button or [J] (SEARCH 2)

button in the MUSIC FINDER display.

Enter the

conditions for the search (see below), then start search by using [START SEARCH]

button.

Start searching the record. The results that satisfy all the conditions appear in the SEARCH page. For details about the search settings in this display, see below.

2 31 5 6 7 84

■ [A] MUSIC

Searches by music or song title. Press this button to call up the display for inputting the song title. When you enter the song title (page 45), the search function calls up all records that contain the entered word or words.

■ [B] KEYWORD

Searches by keyboard. Press this button to call up the display for inputting the keyword. When you enter the keyword (page 45), the search function calls up all records that contain the entered word or words. You can search several different keywords simultaneously by inserting a separator (comma) between each. The search function ﬁnds and displays all records that contain at least one match in the keywords.

■ [C] STYLE

Searches by style name. Press this button to call up the STYLE FILE SELECT display. Press the [A] through [J] button in the display to select the desired accompaniment style. This convenient function lets you ﬁnd all songs that use a certain accompaniment style.

■ [D] BEAT

Searches by beat or rhythmic feel.

The STYLE FILE SELECT display can only be used to select the style name for searching; it cannot be used to call up the actual accompaniment style.

■ [E] SEARCH AREA

Selects a speciﬁc location for searching. You can further narrow down your search by using the SEARCH 1 and 2 selections.

■ [F]~[H] CLEAR

Clears the entered item at left.

■ [1▲▼] TEMPO FROM

You can also narrow your search by specifying a tempo range. This lets you set the minimum tempo for the search. Press the [▲▼] buttons simultaneously to instantly reset the tempo value to the minimum.

■ [2▲▼]TEMPO TO

You can also narrow your search by specifying a tempo range. This lets you set the maximum tempo for the search. Press the [▲▼] buttons simultaneously to instantly reset the tempo value to the maximum.

■ [3▲▼]~[5▲▼] GENRE

Selects the speciﬁc music genre for searching. The available range includes all genres (ANY), the preset genres, and any genres you’ve entered yourself (page 69).

■ [8▼] CANCEL

Press this to cancel the operation and return to the previous display.

PF-1000

Page 71

Editing Records — Music Finder Record Edit

You can also change/clear a preset record. To avoid changing/clearing the record, register the record as a new record after editing.

From this display, you can call up existing records and edit them to suit your preferences. You can even use this to create your own Music Finder records.

Press the [8 ▲▼] (RECORD EDIT) button in the MUSIC FINDER display.

Change/clear the record data. You can also register new records. For details

about all settings and operations, see below.

Styles

All Music Finder records can be stored together as a single ﬁle (page 140). When calling up a stored ﬁle, a message appears prompting you to replace or append the records as desired.

• Replace:

All Music Finder records currently in the instrument are deleted and replaced with the records of the selected ﬁle.

• Append:

The records called up are added to the vacant record numbers.

2 31 5 6 7 84

■ [A] MUSIC

Selects the music or song title for editing. Press the button to call up the display for inputting the music or song title, then edit the name as desired.

■ [B] KEYWORD

Selects the keyword for editing. Press the button to call up the display for inputting the keyword, then edit it as desired. You can enter several different keywords by inserting a separator (comma) between each.

■ [C] STYLE

Selects the style name for editing. Always enter the name when a new record is registered. Press the button to call up the STYLE FILE SELECT display. Press the [A] through [J] button in the display to select the desired style you want to change/clear/register.

■ [D] BEAT

Selects the beat (time signature) for editing. When another ﬁle is selected by pressing the [C] button, the current beat setting is replaced with the beat setting of the selected ﬁle.

■ [E] FAVORITE

Adds the selected record to the FAVORITE page (page 69).

■ [F]~[H] CLEAR

Clears the entered item at left.

The STYLE FILE SELECT display can only be used to select the style name for record editing; it cannot be used to call up the actual accompaniment style.

Keep in mind that the Beat setting made here is only for the Music Finder search function; this does not affect the actual Beat setting of the accompaniment style itself.

■ [I] DELETE RECORD

Clears the selected record. The deleted record number becomes empty. When you press this button, a message appears prompting you to execute, abort or cancel the operation.

YES .................. Press this to clear the record and close the display.

NO .................. Press this to close the display without clearing the record.

CANCEL........... Press this to close the message box and return to the previous display.

PF-1000

Page 72

Styles

■ [J] NEW RECORD

Registers a new record. The smallest available empty record number is used for registering. When you press this button, a message appears prompting you to execute, abort or cancel the operation.

YES .................. Press this to register the record and close the display.

NO .................. Press this to close the display without registering the record.

CANCEL........... Press this to close the message box and return to the previous display.

■ [1▼▲] TEMPO

Determines the tempo for the selected style. When changing the style with the [C] button, the tempo is automatically changed to that of the changed style.

■ [3▼▲]~[5▼▲] GENRE

Indicates and changes the genre to which the selected record is assigned. The available range includes all preset genres as well as any you’ve entered yourself.

■ [6▼▲] GENRE NAME

For entering a genre name. Press the button to call up the display for inputting the genre name, then edit the name as desired. A maximum of 200 genre names can be stored. The genre name you input becomes effective when the current record is edited (overwritten) by pressing the [8▲] (OK) button, or when a new record is registered by pressing the [J] (NEW RECORD) button. If you exit from the MUSIC FINDER EDIT display without actually editing or registering a record, the input genre name is deleted.

The maximum number of records is 2500, including internal records.

■ [8▲] OK

Executes all editing and changes to the record. When you press this button, a message appears prompting you to execute, abort or cancel the operation.

YES .................. Press this to replace the record and close the display.

NO .................. Press this to close the display without replacing the record.

CANCEL........... Press this to close the message box and return to the previous display.

■ [8▼] CANCEL

Press this to cancel the operation and return to the MUSIC FINDER display.

To maintain the edited and registered data, make sure to save all Music Finder records as a ﬁle (page 140). If no saved, the data will be lost when another Music Finder ﬁle is called up or the factory-programmed settings are restored (page 140).

PF-1000

Page 73

Song Playback

Commercially available music data is subject to copyright restrictions, and is intended only for your own personal use.

For more information on the song ﬁle types compatible with the PF-1000, see page 148.

Here you’ll learn how to play back songs. Songs include the internal songs of the instrument, performances you’ve recorded yourself using the recording functions (page 90), and commercially available song data. You can use this highly versatile feature in a variety of ways — playing along on the keyboard with the recorded song, as well as practicing and learning new music with the Repeat (page 77) function. You can also display the music notation and lyrics in the LCD.

EXTRA TRACKS TRACK2

STYLE L

NEW SONG

FADE IN/OUT POP & ROCK

BREAK INTRO

START/STOP

MIN MAX

MASTER VOLUME

METRONOME

ACMP

TOPREC

POP BALLADS

AUTO FILL IN

TRACK1

START/STOP

SYNC.START

DANCE

SWING & JAZZ

OTS LINK

R & B COUNTRY

MAIN

STYLE CONTROL

STYLE

REW

SONG

MARCH &

WORLD

LATIN WALTZ BALLROOM PIANIST

ENDING/rit.

SYNC.STOP SYNC.START

REPEAT

EXTRA TRACKS TRACK2

TRACK1

STYLE L

USER 4321

START/STOP

REW

TOPREC

NEW SONG

SYNC.START

SONG

TAP TEMPO

RESET RESET

TEMPO

LCD

CONTRAST

DEMO

HELP

FUNCTION

DIGITAL STUDIO

SOUND

CREATOR

DIGITAL

RECORDING

MIXING

CONSOLE

REPEAT

TRANSPOSE

BALANCE

DIRECT ACCESS

PART

CHANNEL ON/OFF

PART

Compatible Song Types

• Internal songs (Song Book)

• Song data on included disk (50 greats for the piano)

• Commercially available song data

Disks having this logo mark feature song data compatible with GM (General MIDI).

2 31 5 6 7 84

BACK

VOICE PART

ON/OFF LAYER

LEFT

MUSIC FINDER

ENTER

DATA ENTRY

EXIT

HARMONY/

REVERB

DSP VARIATION

PIANO & ORGAN & HARPSI. E.PIANO

BRASS WOODWIND STRINGS

LEFT HOLDMONOECHO

VOICE EFFECT ONE TOUCH SETTING

BASSGUITAR

PERCUSSION

ACCORDION

CHOIR & PAD

VOICE REGISTRATION MEMORY

PIANO

4321FREEZEUSERXGSYNTH.

8 MEMORY765

Disks having this logo mark feature song data compatible with Yamaha’s XG format. XG is a signiﬁcant enhancement of the “GM system level 1” standard, providing more voices, greater editing control, and support for multiple effect sections and effect types.

Disks having this logo mark feature song data compatible with Yamaha’s DOC (Disk Orchestra Collection)

format.

Disks having this logo mark feature song data compatible with Yamaha’s original MIDI ﬁle format.

• Songs you recorded (page 90) and stored to the PF-1000 or disk.

PF-1000

Page 74

Song Playback

Playing the Internal Songs

2-2 Open a folder and

select a song to be played back.

BACK

2-1 Select the PRESET tab with the [BACK]

button.

BACK

If the MAIN screen (at left) is not displayed, press the [DIRECT ACCESS] button followed by the [EXIT] button.

You can also make a variety of other settings (such as tempo, voice selection, etc.) and have them automatically called up when you play back the song (page 102).

You can enable the Synchro Start for the song by simultaneously pressing the

[TOP] button and the SONG [START/STOP] but-

ton. The song starts as soon as you play the keyboard. You can also use this function along with the Style’s Synchro Start function (page 60).

You can have the volume automatically fade in and fade out at the beginning and end of the song. Simply press the [FADEIN/OUT] button at the start of song playback to fade in the song, and press it again at the end of the song to fade out.

The song starts.

NEW SONG

TOPREC

START/STOP

SYNC.START

SONG

REW

Adjust the tempo by using the TEMPO [–][+] buttons (page 50) or the [TAP TEMPO] button. You can even change the playback speed by tapping out the tempo — simply tap the [TAP TEMPO] button twice.

Songs can also be played back continuously. Set SONG CHAIN PLAY to ON from the SONG SETTING display (page 126).

PF-1000

END

REPEAT

START/STOP

To stop the song immediately, press the button again.

EXIT

Press the button in order to go back to the previous screen.

Make sure that the Language setting for the instrument (page 140) is the same as that of the ﬁle name of the song that you are playing back.

Page 75

Song Playback

Simultaneously Playing a Song and an Accompaniment Style

When playing back a song and an accompaniment style at the same time, channels 9 16 of the song data are replaced with accompaniment style channels — allowing you to use the auto accompaniment styles and features in place of the accompaniment parts of the song. Make the settings below and play your own chord substitutions in place of the song’s chord data.

• [ACMP] button .................. ...ON

• [AUTO FILL IN] button ..... ...ON

Select the song and start playback by pressing the SONG [START/STOP] button.

Select the desired accompaniment style.

Start the style by pressing the STYLE CONTROL [START/STOP] button.

While the song is playing, insert a break or change sections (with the STYLE

section buttons.) Fill-in patterns play when you switch sections.

END

The accompaniment stops when you stop the song. If the accompaniment style is playing and you start the song, the accompaniment automatically stops. However, for internal songs that use accompaniment styles, the accompaniment style is not stopped.

The style automatically stops when the song ﬁnishes or is stopped.

Some of the internal songs have been created using the accompaniment styles. For these songs, the accompaniment styles are automatically started when starting song playback.

PF-1000

Page 76

Song Playback

Playing Back Songs on Disk

Insert the disk into the drive.

Before proceeding, make sure to read the section “Handling the Floppy Disk Drive (FDD) and Floppy Disk” (page 6).

Insert the disk shutter side ﬁrst and label face up.

The method for playing back is the same as in the “Playing the Internal Songs” instructions (page 74), except that you should select FLOPPY DISK page in the SONG display.

Other Playback-related Operations

■ Repeat / Rewind / Fast forward

During playback, you can have the song return to the top and play back again from the beginning by pressing this button. When playback is stopped, pressing this button returns the song to the beginning.

TOPREC

NEW SONG

SYNC.START

SONG POSITION display

When “BAR” is selected, you can specify a measure number (counted from the beginning of the song) by using the [REW] and [FF] buttons. When “PHRASE MARK” is selected, specify the phrase mark number by using the [REW] and [FF] buttons.

START/STOP

SONG

REW

REPEAT

Press this button to call up the SONG POSITION display (see below). To return to the SONG display, press the [EXIT] button.

You can set whether or not the PF-1000 automatically calls up the ﬁrst disk song when a disk is inserted (page 139).

Some song data for the PF1000 has been recorded with special “free tempo” settings. During playback of such song data, the measure numbers shown in the display will not correspond to the actual measure; this only serves as a reference as to how much of the song has been played back.

Phrase Mark

This data speciﬁes a certain location in the song data.

“PHRASE MARK” is shown only when the song contains phrase marks. Press the [J] button to toggle between “BAR” and “PHRASE MARK,” then use the [REW] and [FF] buttons to select the desired measure or phrase mark.

■ Adjusting the Volume Balance / Muting Speciﬁc Channels

BALANCE

CHANNEL

ON/OFF

PART

CHANNEL ON/OFF display

Select the [SONG] tab with the [CHANNEL ON/OFF] button, and mute the desired channel by setting it to [OFF]. To solo a channel (only that channel will sound), hold down the appropriate button corresponding to the channel. To release the solo for the channel, press that channel’s button again.

PF-1000

Press this button to call up the BALANCE display (page 61).

Press this button to call up the CHANNEL ON/OFF display (see below).

Channel

Refers to the MIDI channel in the song data. The channels are assigned as shown below for the PF-1000.

Song

1 - 16

Accompaniment Style

9 - 16

Page 77

Song Playback

Muting Speciﬁc Parts — Track1/Track2/Extra Tracks

This feature lets you mute certain parts of the song (Track1, Track2, Extra Tracks), and play back only those parts you want to hear. For example, if you want to practice the melody of a song, you can mute just the right-hand part and play that part yourself.

Select the song to be played back (page 73).

Use this button to turn on/off the additional performance parts (all but the right hand/left hand).

EXTRA TRACKS TRACK2

STYLE L

TRACK1

Use this button to turn on/off the right-hand part.

Use this button to turn on/off the left-hand part.

You can change the channel assignments for Track 1 and Track 2 (page 126), letting you specify which parts are muted when pressing the

[TRACK 1]/[TRACK 2]/ [EXTRA TRACKS] buttons.

All tracks are automatically set to on when selecting a different song.

Start the song.

Adjust the tempo by using the TEMPO [–][+] buttons (page 50).

NEW SONG

TOPREC

START/STOP

SYNC.START

SONG

REW

REPEAT

END

START/STOP

To stop the song, press the button again.

Repeat Playback of a Speciﬁc Range

This feature allows you to specify a certain range of the song (between Point A and Point B), and play it back repeatedly.

Play back the song (page 74, 76).

START/STOP

TOPREC

NEW SONG

After an automatic lead-in (to help guide you into the phrase), the range from

point A to point B is played back repeatedly.

SYNC.START

SONG

REW

Press this button at the point you want the

REPEAT

repeating phrase to start (Point A). Press this button at the point you want the repeating phrase to end (Point B).

Regardless of whether the song is playing back or is stopped, pressing the [TOP] button returns to point A.

You can also specify Points A and B when the song is stopped. Set Point A by pressing the [REPEAT] but- ton, then use the [FF] button to move to the desired end location, then set Point B by pressing the [REPEAT] button again.

Point B cannot be selected unless Point A has been selected ﬁrst.

Specifying only Point A results in repeat playback between Point A and the end of the song.

Stop the song.

START/STOP

END

REPEAT

To cancel the Repeat function, press the button again.

The speciﬁed A and B points will be erased when selecting a different song number, cancelling the Repeat function, or selecting a different repeat mode — such as Phrase Repeat or repeat in Song Chain Play (page 126).

PF-1000

Page 78

Song Playback

Displaying Music Notation — Score

With this feature, you can have the notation automatically shown on the display as the song plays. This can be used with your own recordings as well as the internal Demo songs.

Select the

desired song (page 74, 76).

Enables/disables display of the left-hand key range. Depending on other settings, this parameter may be unavailable and may appear grayed out. If this is the case, go to the detailed setting display (shown below; use the [8▲▼] buttons) and set the LEFT CH. parameter to any channel except “AUTO.” Or, go to the SONG SETTING display in the Function menu (page 126) and set the TRACK 2 parameter to any channel except “OFF.”

If the MAIN screen (at left) is not displayed, press the [DIRECT ACCESS] button followed by the [EXIT] button.

The displayed notation is generated by the PF-1000 based on the song data. As a result, it may not be exactly the same as commercially available sheet music of the same song — especially when displaying notation of complicated passages or many short notes.

Some song data for the PF1000 has been recorded with special “free tempo” settings. For such song data, the tempo, beat, measure and music notation will not be displayed correctly.

[RIGHT] and [LEFT] cannot be turned off at the same time.

Enables/disables display of the right-hand key range. Channel 1 is automatically selected when [TRACK1] is set to [OFF] from the SONG SETTING display (page 126).

Enables/disables display of the lyrics. If the selected song does not contain lyric data, lyrics are not displayed.

Enables/disables display of the chords. If the selected song does not contain chord data, chords are not displayed.

Enables/disables display of the note name (pitch).

Determines the display resolution (or zoom level) of the notation.

SMALL ..... Notation is shown in small size.

LARGE ..... Notation is shown in large size.

This calls up the detailed setting display for notation. For details, see the next page.

2 31 5 6 7 84

The note name is indicated at the left of the note. When the space between the notes is too small, the indication may be moved to the top left of the note.

You can increase the number of measures that will be displayed by decreasing the other items to be displayed (parts, lyrics, chords, etc.).

When accidentals (sharp and ﬂats) and notes cannot be displayed on one line, they are displayed in the next line from the middle of the measure.

The notation functions cannot be used to create song data by inputting notes. For information on creating song data, see page 94.

PF-1000

Page 79

Song Playback

Detailed Settings for Notation

When “LEFT” and “RIGHT” are set to the same channel, the notation of the right-hand notes and left-hand notes are displayed in piano format (two connected staves).

2 31 5 6 7 84

■ [1▲▼] LEFT CH/[2▲▼] RIGHT CH

This determines the Left channel (channel for the left-hand part) and Right channel (channel for the right-hand part). This setting returns to AUTO when a different song is selected.

AUTO .........................The channels for the right- and left-hand parts are assigned automatically — setting the parts

to the same channel as the channel which is speciﬁed in the SONG SETTING display of the

Function menu (page 122).

1-16............................Assigns the part to the speciﬁed channel, 1- 16.

OFF (LEFT CH only)....No channel assignment.

■ [3▲▼], [4▲▼] KEY SIGNATURE

This lets you enter key signature changes in the middle of a song, at the stopped position, allowing you to transpose key at any point within a song. For a list of the key signatures, with their relative minor keys and accidentals, see the chart below.

Key Signatures and Accidentals

C Maj (A min) G Maj (E min) D Maj (B min) A Maj (F min) E Maj (C min) B Maj (G min) F Maj (D min) C Maj (A min)

C Maj (A min) G Maj (E min) D Maj (B min) A Maj (F min) E Maj (C min) B Maj (G min) F Maj (D min)

The note indicates the root note of the major key, and the note indicates the root of the relative minor.

■ [5▲▼] QUANTIZE

This gives you control over the note resolution in the notation, letting you shift or correct the timing of all displayed notes so that they line up to a particular note value. Make sure to select the smallest note value which is used in the song.

Note resolution:

1/4 note, 1/8 note, 1/16 note, 1/32 note, 1/4 note triplet, 1/8 note triplet, 1/16 note triplet, 1/32 note triplet

Short notes and ornamented notes (such as trills and grace notes) which are shorter than the Note resolution will not be displayed in the notation.

PF-1000

Page 80

Song Playback

■ [6▲▼] NOTE NAME

Select the Note Name type when “NOTE” (page 78) is set to ON.

ABC ................. Note names are indicated as letters (C, D, E, F, G, A, B).

Fixed Do.......... Note names are indicated in solfeggio and differ depending on the selected language (page 49).

English.............. Do Re Mi Fa Sol La Ti

French..............Ut Re Mi Fa Sol La Si

Italian............... Do Re Mi Fa Sol La Si

German............Do Re Mi Fa Sol La Si

Spanish............. Do re Mi Fa Sol La Si

Japanese...........

Movable Do..... Note names are indicated in solfeggio according to the scale intervals, and as such are relative to

the key. The root note is indicated as Do. For example, in the key of G major the root note of Sol would be indicated as Do. As with “Fixed Do,” the indication differs depending on the selected language.

■ [8▲] OK

This closes the detailed setting display and starts generating the notation. You can also execute this by pressing the [ENTER] button on the panel.

■ [8▼] CANCEL

This closes the detailed setting display without changing the settings. You can also execute this by pressing the [EXIT] button or [RECORD] button on the panel.

You can select the display pages (one before and after) by the using the [BACK]/ [NEXT] buttons or the pedal (page 128).

PF-1000

Page 81

Song Playback

Displaying the Lyrics

This function lets you display the lyrics while the song is playing back — making it easy to sing along with your performance or song playback.

Select the

desired song (page 74, 76).

The language used for lyr-

ics display depends on the particular lyric data. If the lyrics are garbled or unreadable, you can remedy this by changing the “LYRICS LANGUAGE” setting from the SONG SETTING display (page 122).

If the selected song does not contain lyric data, lyrics are not displayed.

If the selected song contains chord data, chord names are displayed with the lyrics.

The lyrics are

in reverse display along with song playback.

START/STOP

TOPREC

NEW SONG

SYNC.START

Start the song.

END

Stop the song. To return to the previous page, press the button.

SONG

REW

NEW SONG

REPEAT

TOPREC

START/STOP

SYNC.START

SONG

REW

The contents of the display can also be shown on a connected TV (page 133,

142).

REPEAT

The lyrics can be changed (page 105).

EXIT

PF-1000

Page 82

Saving and Recalling Custom Panel Setups — Registration Memory

Registration Memory is a powerful feature that lets you set up the PF-1000 just as you want — selecting speciﬁc voices, styles, effect settings etc. — and save your custom panel setup for future recall. Then, when you need those settings, simply press the appropriate REGISTRATION MEMORY button.

LCD

CONTRAST

DEMO

HELP

FUNCTION

DIGITAL STUDIO

SOUND

CREATOR

DIGITAL

RECORDING

TRACK1

MIXING

CONSOLE

REW

SONG

TAP TEMPO

BALANCE

REPEAT

DIRECT

ACCESS

PART

CHANNEL

2 31 5 6 7 84

ON/OFF

PART

TRANSPOSE

MIN MAX

MASTER VOLUME

FADE IN/OUT POP & ROCK

START/STOP

METRONOME

ACMP

BREAK INTRO

MARCH &

POP BALLADS

DANCE

AUTO FILL IN

WORLD

SWING & JAZZ

R & B COUNTRY

LATIN WALTZ BALLROOM PIANIST

STYLE

OTS LINK

ENDING/rit.

MAIN

STYLE CONTROL

EXTRA TRACKS TRACK2

STYLE L

USER 4321

START/STOP

TOPREC

NEW SONG

START/STOP

SYNC.START

RESET RESET

TEMPO

SYNC.STOP SYNC.START

Registering Panel Setups — Registration Memory

This shows you how to register your custom panel settings to the REGISTRATION MEMORY buttons. Make all the settings you want with the panel controls, and Registration Memory will “remember” them for you.

Set up the panel controls as desired.

For a list of the settings that can be registered, refer to the separate Data List (Parameter Chart).

4321FREEZE 8 MEMORY765

REGISTRATION MEMORY

BACK

VOICE PART

ON/OFF LAYER

LEFT

MUSIC FINDER

ENTER

DATA ENTRY

EXIT

HARMONY/

REVERB

PIANO & ORGAN & HARPSI. E.PIANO

BRASS WOODWIND STRINGS

LEFT HOLDMONOECHO

DSP VARIATION

VOICE EFFECT ONE TOUCH SETTING

PERCUSSION

ACCORDION

BASSGUITAR

CHOIR & PAD

VOICE REGISTRATION MEMORY

4321FREEZE 8 MEMORY765

REGISTRATION MEMORY

PIANO

4321FREEZEUSERXGSYNTH.

8 MEMORY765

Keep in mind that songs or styles on disk cannot registered to Registration Memory. If you want to register a disk-based song or style, copy the relevant data to “USER” in the SONG/STYLE display (page 38) and register the data separately.

Select the desired parameter groups for the settings you want to register. You can also use the [DATA ENTRY] dial to navigate in this display. To

register a parameter group, checkmark the corresponding box. Groups left without checkmarks will not be included in the Registration Memory setting. This allows you to maintain certain settings, even when switching among Registration Memory presets. You can also use the Freeze function (page 84) to override the Registration Memory changes — letting you prevent certain panel settings from being changed.

Press the desired number button for registering the settings.

END

Indicator is green......The panel setting is registered, but not selected.

Indicator is red .........The panel setting is registered and is currently selected.

Indicator is off ..........The panel setting is not registered.

2 31 5 6 7 84

4321FREEZE 8 MEMORY765

REGISTRATION MEMORY

Cancels the registration and returns to the MAIN

display. You can also use

the [EXIT] button.

Enters a checkmark to the selected box. You can also use the [ENTER] button.

Removes the checkmark from the selected box. You can also

use the [ENTER] button.

Any data that was previously registered to the selected REGISTRATION MEMORY button (indicator is green or red) will be erased and replaced by the new settings.

The registrations registered here will be lost when the power is turned off, unless you perform the Save operation explained on the next page.

PF-1000

Yamaha PF1000E1 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual