Yamaha PDP-400 User Manual

SPECIAL MESSAGE SECTION

PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

The exclamation point with the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:

Battery Notice: This product MAY contain a small nonrechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.

Warning: Do not attempt to recharge, disassemble, or incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you.

Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc.

The lightning flash with arrowhead symbol within the equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electrical shock.

IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected.

SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.

NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.

NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

PERSONAL DIGITAL PIANO MODEL PDP-400

AUX OUT

SPEAKER

AUX IN

OFF

ON

L

R

MIDI

IN

OUT

THRU

L/L+R

FOOT SWITCH

DAMPER

Model _____________________________________

92-469-

Serial No.__________________________________ Purchase Date _____________________________

➀

Introduction

Thank you for choosing a Yamaha PDP-400. Your PDP-400 is a fine musical instrument that employs advanced

Yamaha music technology. With the proper care, your PDP-400 will give you many years of musical pleasure.

● AWM (Advanced Wave Memory) tone generator system offers a range of 60 rich, realistic voices.

● A maximum of 32-note polyphony permits use of sophisticated playing techniques.

● Piano-like touch response provides extensive expressive control and outstanding playability.

● Dual and split play modes allow 2 voices to be played simultaneously or individually with the left and right hands.

● 24 exciting accompaniment styles can be used to provide rhythm-only accompaniment or fully-orchestrated rhythm, bass, and chord accompaniment. 50 additional accompaniment styles are provided on floppy disk (Style Disk).

● Full-keyboard ABC (Auto Bass Chord) provides accompaniment as you play across the entire keyboard.

● 24 Solo Styleplay variations make it simple to produce rich, complex harmonies.

● 10-track performance memory records and plays back your keyboard performances.

● Internal 3.5" floppy disk drive provides extended Performance Memory capacity and Disk Orchestra playback capability – one blank floppy disk for recording and one Disk Orchestra Collection disk with corresponding score are provided.

● MIDI compatibility, GM voices, and a range of MIDI functions make the PDP-400 useful in a range of ad-

vanced MIDI music systems.

In order to make the most of your PDP-400’s performance potential and features, we urge you to read this Own-

er’s Manual thoroughly, and keep it in a safe place for later reference.

Contents

Taking Care of Your PDP-400 ............ 1

The Panel Controls ............................... 2

Preparation.............................................. 4

The Volume Controls ........................... 5

Demonstration Playback..................... 6

Voice Selection ...................................... 7

■ Selecting the 60 Voices ....................... 7

■ Keyboard Percussion .......................... 8

Dual Mode................................................ 9

■ Engaging the Dual Mode ..................... 9

■ Dual-mode Voice Balance ................... 9

Split Mode.............................................. 10

■ Engaging the Split Mode ................... 10

■ Changing the Split Voices ................. 10

■ Changing the Split Point .................... 10

■ Split Balance ..................................... 11

■ Damper Pedal Operation in the Split

Mode ................................................. 11

Digital Reverb Effects ........................ 12

■ Selecting a Reverb Effect .................. 12

■ Reverb Depth Control ........................ 12

The Keyboard & Polyphony ............. 13

Pitch Wheel ........................................... 13

Modulation Wheel ............................... 13

The Pedals............................................. 14

■ Damper Pedal ................................... 14

■ Foot Switch (Multi-function) ............... 14

Pan........................................................... 15

Transposition ....................................... 15

Pitch Control......................................... 16

■ The Pitch Display .............................. 16

Accompaniment................................... 17

■ Style Selection ................................... 17

■ Tempo Control ................................... 17

■ Starting the Accompaniment ............. 18

■ Fill-ins ................................................ 19

■ Stopping the Accompaniment ........... 19

■ Metronome ........................................ 19

Auto Bass Chord (ABC) .................... 20

■ Single-finger Accompaniment ........... 20

■ Fingered Accompaniment ................. 21

■ Full-keyboard ABC ............................ 22

■ Volume Control .................................. 22

■ Changing the ABC Split Point ........... 22

■ Special Modes ................................... 22

Disk Styles ............................................ 23

■ Selecting & Loading Disk Styles ........ 23

■ Using a Loaded Disk Style ................ 24

Solo Styleplay ...................................... 25

■ Using Solo Styleplay ......................... 25

■ Harmonization Variations .................. 25

■ The Foot Switch & Solo Styleplay ..... 25

Disk Orchestra ..................................... 26

■ Automatic Performance ..................... 26

■ Playing Back only Specific Parts ....... 27

■ Volume Control .................................. 28

■

Guided Right- and Left-hand Practice

■ Repeat Functions .............................. 29

■ Other Playback Controls ................... 30

■ DISK ORCHESTRA COLLECTION

.. 28

Disk Copy .......................................... 30

■ Playing Other Types of Music Data ... 30

Performance Memory......................... 31

Easy One-pass Recording & Playback

Multi-track Recording & Playback ..... 32

■ Adding New Tracks ........................... 34

■ Punch-in Recording ........................... 35

■ Playback ............................................ 36

The Chord Sequence Function .......... 37

.31

Disk Control .......................................... 38

■ Formatting a New Disk ...................... 38

■ Copying Songs .................................. 39

■ Deleting a Song ................................. 40

■ Error Messages ................................. 40

Utility Mode 1........................................ 41

U1: Touch Sensitivity ............................ 41

U2: Accompaniment Volume Mode....... 42

U3: Individual Key Tuning ..................... 42

U4: Style Tempo Switching ................... 42

U5: Auto Synchro Start Switching ......... 43

U6: Random All Song Repeat ............... 43

U7: Octave Shift .................................... 43

U8: Mute................................................ 43

U9: Minor Harmonization ...................... 43

Ub: Standard MIDI File Playback Mode 43

Utility Mode 2........................................ 44

u1:

DOC Common Voice Conversion

u2: Save Panel Settings ........................ 45

u3: Load Panel Settings ........................ 45

u4: Save Individual Key Tuning............. 45

u5: Load Individual Key Tuning............. 46

u6: Quantize Song Data ........................ 46

MIDI Functions ..................................... 47

■ Send and Receive Channel Select .... 47

■ Local Control ON/OFF ....................... 48

■ Program Change ON/OFF ................ 48

■ Control Change ON/OFF ................... 48

■ The Multi-Timbre Mode ..................... 49

■ The Split Send Mode ......................... 49

■ MIDI Clock Select .............................. 50

■ Panel Data Send ............................... 50

■ MIDI Transpose Transmit .................. 50

■ The DOC Common Voice Mode ........ 50

The Connectors ................................... 51

Troubleshooting .................................. 52

Options................................................... 52

Index ....................................................... 53

MIDI Data Format.................................... i

Specifications......................................... v

Fingering Chart ..................................... vi

MIDI Implementation Chart................ xi

........ 44

Personal Digital Piano PDP-400

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Owner’s Manual

Bedienungsanleitung

English

Deutsch

Mode d’emploi

Manual de instrucciones

Français

Español

Taking Care of Your PDP-400

Your PDP-400 will give you years of playing pleasure if you observe the simple rules given below:

1

1. Avoid Humidity & Heat

Avoid placing the PDP-400 in areas that are subject to excessive humidity or heat. Do not leave the instrument near heaters or in a car exposed to direct sunlight, for example.

2. Avoid Dust & Moisture

Avoid locations in which the instrument is likely to be exposed to excessive dust or moisture.

3. Power-off Before Connecting

Connections between the PDP-400 and any other device must be made with both pieces of equipment turned off.

4. Handle With Care

Never apply excessive force to the controls, connectors or other parts of your PDP-400, and avoid scratching or bumping it with hard objects. Further, always turn the POWER switch off after use.

5. Clean Carefully

Clean the cabinet and keys of your PDP-400 only with a clean, slightly damp cloth. A neutral cleanser may be used if desired. Never use abrasive cleansers, waxes, solvents or chemical dust cloths since these can dull or damage the finish.

6. Never Tamper With the Internal Circuitry

Never open the PDP-400 cabinet and touch or tamper with the internal circuitry. Tampering with the circuitry can result in electrical shock!

7. Electric Interference

Since the PDP-400 contains digital circuitry, it may cause interference if placed too close to radio or television receivers. If this occurs, move the instrument further away from the affected equipment.

8. Check Your Power Supply

Make sure that your local AC mains voltage matches the voltage specified on the name plate on the rear panel. In some areas a voltage selector may be provided on the rear panel. Make sure that the voltage selector is set for the voltage in your area.

9. Name Plate Location

The PDP-400 name plate, including the unit’s serial number, is located on the rear panel of the main unit.

10.Handling Floppy Disks

Yamaha Disk Orchestra Collection and Style Disk are writeprotected, and therefore cannot be used to save songs. To save Performance Memory songs from the Performance Memory, a blank floppy disk should be used (one blank disk is supplied with the PDP-400).

Taking Care of Your Floppy Disks

■ Do NOT eject the disk during recording or playback, or at any time when the disk drive lamp is lit. Doing so may damage both the disk and the FDD.

■ Do NOT turn the PDP-400 on or off while the disk is in the drive.

■ Always eject the disk before turning the PDP-400 off.

■ When ejecting a floppy disk from the disk drive:

• To eject a floppy disk, press the eject button slowly as far as it will go. Then when the disk Is fully ejected, remove it by hand.

• The disk may not be ejected properly if the eject button is pressed too quickly or if it is not pressed in far enough. (The eject button may become stuck halfway with the disk extending from the slot by only a few millimeters). If this is the case, do not attempt to pull out the partially ejected disk. Doing so may damage the disk drive mechanism and/or the floppy disk. To remove a partially ejected disk, try pressing the eject button once again or push the disk back into the slot, then repeat the eject procedure carefully.

■ Do not insert anything but floppy disks into the disk drive. Other objects may cause damage to the disk drive or floppy disk.

■ Use only double-sided double density (2DD) 3.5-inch floppy disks with the PDP-400.

Precautions Regarding Floppy Disk Use

■ Never open the disk’s shutter. Dirt or dust on the Internal magnetic surface will cause data errors.

■ Never leave disks near a speaker, TV, or other device that emits a strong magnetic field.

■ Do not store disks in places exposed to direct sunlight or sources of high temperature.

■ Do not place heavy objects such as books on top of a disk.

■ Avoid getting the disks wet.

■ Be sure to store the disks in environmental condi-

tions as specified below:

• Storage temperature: 4° to 53°C (39° to 127°F).

• Storage humidity: 8 to 90% relative humidity.

• Store in an area free from dust, sand, smoke, etc.

■ Be sure to apply the disk label at the proper position. When changing the label never cover the old label with a new label; always remove the old label first.

Head Cleaning

The head of the disk drive unit will get dirty as you use it eventually causing data errors. If this occurs, clean the head with a 3.5 inch head cleaning disk (available from most computer supply stores).

Data Backup

It is recommended that you copy your recorded songs to another disk for backup (see page 39). If the original disk is damaged or your song is deleted, the backup disk can be used instead of the original.

Protecting Your Data (Write Protect Tab)

Write protect tab open (locked —

Disk drive lamp

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write protected)

Write protect tab closed (unlocked — write enabled)

2

The Panel Controls

POWER

1

pQ

MODULATION

PITCH

UP

MAX

0

MIN

DOWN

W

PHONES

2

MASTER VOLUME

MIN MAX

DEMO

MIDI/

TRANSPOSE

REVERB

%@# $

7890!

AUTO ACCOMPANIMENT

BASS

RHYTHM

5436

FOOT SWITCH

SOFT

ROOM HALL 1

SOSTENUTO

HALL 2

START/STOP

COSMIC

SOLO STYLEPLAY

CHORD 1

MAX

MIN

AUTO BASS CHORD

CHORD 2

MAX

MIN

START/STOP

FILL TO NORMAL

SINGLE FINGERFULL KEYBOARD

SYNCHRO START

INTRO/ENDING

VARIATIONNORMAL

FILL TO VARIATION

FINGERED

SOLO STYLEPLAY

^

STYLE

POP JAZZ

ROCK

SWING JAZZ

BALLAD

DANCE POP

POWER HOUSE

BIG BAND BOOGIE

wq

&

16BEAT

ROCK’N’

BALLAD

ROLL

16BEAT

POP

SHUFFLE

BOSSA

CHA-CHA

SAMBA

RHUMBA

SLOW ROCK ROCK SHUFFLE

MARCH POLKA

BLUEGRASS

COUNTRY SHUFFLE

WALTZ JAZZ

WALTZ

*

DISK STYLE 1

DISK STYLE 2

()

BEAT

METRONOME

TAP TEMPO

VOICE

PIANO

1 8

ORGAN

A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3

CDEFGAB

E

MIN

MAX

REVERB VOL

MIC. VOL MIC.

1 POWER Switch........................................................page 4

2 MASTER VOLUME Control .....................................page 5

3 [DEMO] Button.........................................................page 6

4 [REVERB] Button...................................................page 12

5 [FOOT SWITCH] Button ........................................page 14

6 [MIDI/TRANSPOSE] Button ..... page 5, 15, 29, 34, 41-50

7 AUTO ACCOMPANIMENT Volume Controls.... page 5, 22

8 AUTO BASS CHORD

[FULL KEYBOARD] Button.

page 22

9 AUTO BASS CHORD [SINGLE FINGER] Button.page 20

0 AUTO BASS CHORD [FINGERED] Button ..........page 21

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! [SOLO STYLEPLAY] Button..................................page 25

@ [START/STOP] Button .................................... page 18, 19

# [SYNCHRO START] Button...................................page 18

$ [INTRO/ENDING] Button ................................ page 18, 19

% [NORMAL/FILL TO NORMAL] Button............ page 18, 19

^ [VARIATION/FILL TO VARIATION] Button ..... page 18, 19

& STYLE Selectors ...................................................page 17

* [DISK STYLE] Buttons ..........................................page 23

( BEAT Display .........................................................page 19

) [METRONOME] Button .........................................page 19

OUT

IN

MIDI

e r t y

CLAVINOVA

E.PIANO HARPSI VIBES GUITAR STRINGS SPLIT

TONE

3

2 90

CHOIR

456

UPRIGHT

ELEC

BASS

DRUMS VOICE 13-60

The Panel Controls

OFF

SONG NUMBER

ON

SPEAKER

DISK ORCHESTRA / PERFORMANCE MEMORY

SONG SELECT

/

START/STOP

PHRASE REPEAT

LEFT/2TR ORCH/3-10TR RHYTHM

RIGHT/1TR

GUIDE

F F

REW

ui

DISK CONTROL

CHORD SEQUENCE

RECPAUSE

COPY

FORMAT

PDP-400

THRU

FOOT SWITCH

DAMPER

7

L/L+R R

AUX OUT——

LR

AUX IN——

3

o

E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7

PERSONAL DIGITAL PIANO MODEL PDP-400

q TEMPO Display and [▲] and [▼] Buttons.............page 17

w [TAP] Button...........................................................page 19

e VOICE Selectors......................................................page 7

r [SPLIT] Button .......................................................page 10

Y OIUTR

AUX OUT

SPEAKER

AUX IN

OFF

ON

L

R

L/L+R

R

DAMPER

MIDI

IN

OUT

THRU

FOOT SWITCH

p PITCH Wheel .........................................................page 13

Q MODULATION Wheel............................................page 13

W PHONES Jack .........................................................page 4

E MIC. Jack with MIC. VOL. &

REVERB VOL. Controls.........................................page 51

t 3.5" Floppy Disk Drive ........................page 23, 26, 31, 38

R SPEAKER ON/OFF Switch .....................................page 4

y DISK ORCHESTRA/PERFORMANCE MEMORY

Display and Buttons........................................ page 26, 31

T AUX IN R and L Jacks...........................................page 51

u [CHORD SEQUENCE] Button...............................page 37

i DISK CONTROL Buttons ......................................page 38

o Keyboard ................................................................page 13

Y AUX OUT R and L/L+R Jacks ...............................page 51

U DAMPER Jack .......................................................page 14

I FOOT SWITCH Jack .............................................page 14

O MIDI Connectors ....................................................page 51

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4

Preparation

■The Music Stand

■The Foot Switch

Attach the supplied music stand to the PDP-400 by inserting it into the groove

at the rear of the instrument’s top panel.

DAMPER

FOOT SWITCH

■The Power Switch

POWER

The supplied FC4 foot switch should normally be connected to the DAMPER

jack. It (or an optional FC4 or FC5 foot switch) can also be connected to the FOOT SWITCH jack — see page 14 for details.

In some areas the power cord must be connected to a socket on the rear panel of the instrument before being plugged into an AC wall outlet. A plug adaptor may also be provided to match the pin configuration of the AC wall outlets in your area. Make sure the power cord is properly connected to both the instrument and a convenient AC wall outlet, then press the [POWER] switch located to the left of the keyboard once to turn the power on. Press the [POWER] switch again to turn the power off.

When the power is initially turned on, the PIANO voice selector LED will light, the POP style selector LED will light, and “72” will appear on the TEMPO display.

■Headphones

A pair of stereo headphones can be plugged in here for private practice or latenight playing. The internal speaker system is automatically shut off when a pair of

PHONES

headphones is plugged into the PHONES jack.

■SPEAKER ON OFF Switch

SPEAKER

OFF

ON

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

If you will be using the PDP-400 with an external sound system connected via the AUX OUT jacks, the internal amplifier and speaker system can be turned off by using the rear-panel SPEAKER ON OFF switch.

The Volume Controls

5

The PDP-400 has several volume controls that give

you extra versatility in creating the required sound.

AUTO ACCOMPANIMENT

BASS

RHYTHM

MAX

MIN

CHORD 1

MAX

MIN

CHORD 2

MAX

MIN

MASTER VOLUME

MIN MAX

AUTO ACCOMPANIMENT

BASS

RHYTHM

CHORD 1

DEMO

REVERB

FOOT SWITCH

MAX

ROOM

SOFT

HALL 1

SOSTENUTO

MASTER VOLUME

HALL 2

START/STOP

MIDI/

COSMIC

SOLO STYLEPLAY

TRANSPOSE

MIN MAX

MIN

STYLE

AUTO BASS CHORD

DANCE

SLOW

16BEAT

SINGLE FINGERFULL KEYBOARD FINGERED

SYNCHRO START

ROCK’N’

SOLO

POP

ROCK

BALLAD

ROLL

STYLEPLAY

16BEAT

ROCK

POWER

JAZZ

POP

SHUFFLE

HOUSE

ROCK

INTRO/ENDING

BIG BAND

BOSSA

CHA-CHA

MARCH

SWING JAZZ

BOOGIE

SAMBA

RHUMBA

POLKA

BALLAD

VARIATION NORMAL

CHORD 2

MAX

START/STOP

MIN

VOICE

BEAT

BLUEGRASS

DISK

COUNTRY

CLAVINOVA

PIANO E.PIANO HARPSI VIBES GUITAR STRINGS SPLIT

STYLE 1

SHUFFLE

METRONOME

TONE

1

234567

WALTZ

8

90

UPRIGHT

TAP TEMPO

ELEC

ORGAN CHOIR

DRUMS VOICE 13-60

BASS

DISK

JAZZ

STYLE 2

WALTZ

DISK ORCHESTRA / PERFORMANCE MEMORY

SONG NUMBER

PHRASE

SONG

GUIDE

REPEAT

SELECT

/

START/STOP

F F

LEFT/2TR ORCH/3-10TR RHYTHM

RIGHT/1TR

REW

● Master Volume ........................................................................................................................................

The MASTER VOLUME control adjusts the overall volume of sound

MASTER VOLUME

MIN MAX

produced by the PDP-400. It also adjusts headphone volume when a pair of headphones is plugged into the PHONES jack.

Initially set the MASTER VOLUME control about half way between the

“MIN” and “MAX” settings. Then, when you start playing, adjust the control for the most comfortable listening level.

● Auto Accompaniment ............................................................................................................................

AUTO ACCOMPANIMENT

BASS

RHYTHM

MIDI/

TRANSPOSE

MAX

MIN

CHORD 1

MAX

MIN

CHORD 2

MAX

MIN

BASS

MAX

Separate volume controls are provided for the RHYTHM, CHORD 1, CHORD 2, and BASS sound. These volume controls let you set up the best balance between the various accompaniment parts when the AUTO BASS CHORD (ABC), Disk Orchestra Collection playback, and Performance Memory

features are used, and the RHYTHM volume control can be used to balance the keyboard and rhythm sound when only rhythm accompaniment is used.

The volume of the keyboard can be independently adjusted by using the BASS control while holding the [MIDI/TRANSPOSE] button — this is particularly handy for adjusting the balance when recording the PDP-400 sound.

DISK CONTROL

CHORD

REC

PAUSE

COPY

FORMAT

SEQUENCE

MIN

The Internal Amplifier & Speaker System

● Other Volume Control Modes

The Auto Accompaniment volume controls can be assigned to other functions

via the “Accompaniment Volume Mode” utility function (page 42). They can be

used to control modulation, pitch bend, and expression; or individual reverb

depth for the rhythm, chord 1, chord 2, and bass parts.

• If any or all of the Auto Accompaniment volume controls are set to their minimum

NOTES

The PDP-400 features a powerful stereo amplifier delivering 20 watts per channel to a highperformance speaker system . The PDP-400 speaker system employs two 13-centimeter speaker units that deliver exceptionally rich sound with natural response from powerful lows to shimmering highs.

positions, no sound will be produced by the corresponding parts. The maximum control positions produce the normal volume levels.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

6

E

U

Demonstration Playback

The PDP-400 features 13 demonstration tunes that demonstrate some of its voices.

Here’s how you can select and play the demo tunes.

CLAVINOVA TONE

GUIDE

LEFT/2TR ORCH/3-10TR RHYTHM

7

DISK CONTROL

CHORD

F F

REC

PAUSE

COPY

FORMAT

REW

SEQUENCE

2 90

STYLE

AUTO BASS CHORD

CHORD 1

CHORD 2

SOLO

POP

SINGLE FINGERFULL KEYBOARD FINGERED

STYLEPLAY

JAZZ

MAX

MIN

ROCK

MAX

SYNCHRO

INTRO/ENDING

START/STOP

START

SWING JAZZ BALLAD

VARIATION NORMAL

MIN

3

UPRIGHT BASS

BLUE-

DANCE

SLOW

16BEAT

ROCK’N’

GRASS

POP

ROCK

BALLAD

ROLL

16BEAT

DISK

COUNTRY

ROCK

POWER

POP

SHUFFLE

STYLE 1

SHUFFLE

HOUSE

METRONOME

BIG BAND

BOSSA

CHA-CHA

MARCH

WALTZ

DISK

JAZZ

BOOGIE

SAMBA

RHUMBA

POLKA

TAP TEMPO

STYLE 2

WALTZ

456

ELEC BASS

VOICE

BEAT

CLAVINOVA

PIANO E.PIANO HARPSI VIBES GUITAR STRINGS SPLIT

TONE

1

234567

8

90

UPRIGHT

ELEC

ORGAN CHOIR

DRUMS VOICE 13-60

BASS

DRUMS VOICE 13-60

DISK ORCHESTRA / PERFORMANCE MEMORY

SONG NUMBER

PHRASE

SONG

REPEAT

SELECT

/

START/STOP

RIGHT/1TR

DEMO

PIANO E.PIANO HARPSI VIBES GUITAR STRINGS

1 8

ORGAN CHOIR

AUTO ACCOMPANIMENT

BASS

RHYTHM

DEMO

REVERB

FOOT SWITCH

MAX

SOFT

ROOM HALL 1

SOSTENUTO

MASTER VOLUME

HALL 2

START/STOP

MIDI/

COSMIC

SOLO STYLEPLAY

TRANSPOSE

MIN MAX

MIN

ZPress the [DEMO] button .......................................................................................................................

DEMO

XSelect a Demo Tune ...............................................................................................................................

PIANO E.PIANO HARPSI VIB

1 8

ORGAN CHOIR

CLAVINOVA TONE

2 90

3

UPRIGHT BASS

45

ELEC BASS

DR

The 13 demo tunes are selected via the VOICE selectors — the voice selectors

will flash in sequence when the [DEMO] button is pressed. Press a selector to start playback of the corresponding tune. You can also select continuous repeat playback of all demo tunes by pressing the [START/STOP] button. The demo tunes will play back in sequential or random order, depending on the setting of the “Random All Song Repeat” utility function described on page 43.

CAdjust the Volume ..................................................................................................................................

MASTER VOLUME

MIN MAX

Use the MASTER VOLUME control to adjust the volume, and play along on

the keyboard if you like.

• The tempo cannot be adjusted during demo playback.

NOTES

VStop Playback .........................................................................................................................................

DEMO

START/STOP

The Demo Tunes

VOICE NAME COMPOSER SONG TITLE

PIANO F. F. Chopin Etude Op.25-1 “Aeolian Harp” or “The Shephered Boy” CLAVINOVA TONE D. Foster “Water Fountain” from “The Secret of My Success” HARPSICHORD J. S. Bach Italienisches Konzert (Italian Concerto) BWV 971 3rd movement GUITAR I. Albeniz Asturias STRINGS A. Vivaldi The Four Seasons No. 3 “Autumn” 1st movement ORGAN J. S. Bach Sinfonia from Kantate (Cantata) 29 BWV 29 CHOIR W. A. Mozart Requiem K. 626 No. 6 “Lacrimosa”

* The demonstration pieces listed above are short excerpts from the original compositions.

Demo playback can be stopped temporarily by pressing the [START/STOP]

button. Press the [DEMO] button when you want to stop demo playback and return to the normal mode.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Voice Selection

The PDP-400 has a total of 60 different voices that can be selected in a number of ways. There’s also a “Keyboard Percussion” mode that let’s you play a range of drums and percussion instruments on the keyboard.

PIANO E.PIANO HARPSI VIBES GUITAR STRINGS

1 8

ORGAN CHOIR

CLAVINOVA TONE

2 90

3

UPRIGHT BASS

456

ELEC BASS

DRUMS VOICE 13-60

7

AUTO ACCOMPANIMENT

BASS

RHYTHM

CHORD 1

DEMO

REVERB

FOOT SWITCH

MAX

ROOM

SOFT

HALL 1

SOSTENUTO

MASTER VOLUME

HALL 2

START/STOP

MIDI/

COSMIC

SOLO STYLEPLAY

TRANSPOSE

MIN MAX

MIN

STYLE

AUTO BASS CHORD

DANCE

SLOW

16BEAT

SINGLE FINGERFULL KEYBOARD FINGERED

SYNCHRO START

ROCK’N’

SOLO

POP

ROCK

BALLAD

ROLL

STYLEPLAY

16BEAT

ROCK

POWER

JAZZ

POP

SHUFFLE

HOUSE

ROCK

INTRO/ENDING

BIG BAND

BOSSA

CHA-CHA

MARCH

SWING JAZZ

BOOGIE

SAMBA

RHUMBA

POLKA

BALLAD

VARIATION NORMAL

CHORD 2

MAX

START/STOP

MIN

VOICE

BEAT

BLUEGRASS

DISK COUNTRY SHUFFLE

WALTZ JAZZ WALTZ

CLAVINOVA

PIANO E.PIANO HARPSI VIBES GUITAR STRINGS SPLIT

STYLE 1

METRONOME

TONE

1

234567

8

90

UPRIGHT

TAP TEMPO

ELEC

ORGAN CHOIR

DRUMS VOICE 13-60

BASS

DISK

STYLE 2

DISK ORCHESTRA / PERFORMANCE MEMORY

SONG NUMBER

PHRASE

SONG

GUIDE

REPEAT

SELECT

/

START/STOP

F F

LEFT/2TR ORCH/3-10TR RHYTHM

RIGHT/1TR

REW

■Selecting the 60 Voices

● Voices 1-12: Direct Panel Selection......................................................................................................

PIANO E.PIANO HARPSI VIBES GUITAR STRINGS SPLIT

1 8

ORGAN CHOIR

CLAVINOVA TONE

2 90

3

UPRIGHT BASS

456

ELEC BASS

DRUMS VOICE 13-60

7

● The VOICE 13-60 [▲] and [▼] Buttons..................................................................................................

VOICE 13-60

14

Of the PDP-400’s 60 voices, 12 are “panel voices” which

can be directly accessed by pressing the corresponding VOICE selector. When a voice selector is pressed the corresponding indicator will light and the number of the selected voice will appear on the TEMPO display while the voice selector is held.

The PIANO voice is automatically selected when the

power is initially turned on.

Use the [▲] and [▼] buttons immediately to the right of

the [VOICE 13-60] button to select a voice number between 13 and 60. Press either button briefly to select the next voice number in the specified direction, or hold the button for continuous scrolling in the specified direction. The [VOICE 13- 60] indicator will light and the voice number will appear on the TEMPO display during selection.

DISK CONTROL

CHORD

REC

PAUSE

COPY

FORMAT

SEQUENCE

If a panel voice (1-12) is selected, the last selected voice in

the 13-60 range can be instantly re-selected simply by pressing the [VOICE 13-60] button. The [VOICE 13-60] button will initially select voice number 13 (BRASS) after the power is turned on.

• Voice number 13 can be instantly selected by pressing

NOTES

the [▲] and [▼] buttons simultaneously.

● Numeric Selection ..................................................................................................................................

PIANO E.PIANO HARPSI VIBES GUITAR STRINGS SPLIT

ORGAN CHOIR

CLAVINOVA TONE

1 8

2 90

3

UPRIGHT BASS

456

ELEC BASS

DRUMS VOICE 13-60

7

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Enter the number of the desired voice via the voice selec-

tors (note that each voice selector has a number between 1 and 0 associated with it) while pressing the [DRUMS] selector.

To select voice number 16, for example, press and hold

[DRUMS], press [PIANO/1], then [GUITAR/6], then release the [DRUMS] button. The voice number will appear on the

TEMPO display while the [DRUMS] button is held. The [VOICE 13-60] button indicator will light whenever a voice

number between 13 and 60 is selected.

8

Voice Selection

Panel Voices (1 — 12)

No. Name

1 PIANO A-1 - C7 2 CLAVINOVA TONE C1 - C7 3 E. PIANO C1 - C6 4 HARPSI C1 - C6 5 VIBES F2 - F5 6 GUITAR E1 - F#4 7 STRINGS C0 - C6 8 ORGAN C0 - C6

9 CHOIR E1 - E5 10 UPRIGHT BASS C0 - F#3 11 ELEC BASS E0 - F#3 12 DRUMS —

Voices 13 — 60

No. Name

13 BRASS F0 - C6 14 POP BRASS F0 - C6 15 TRUMPET F0 - C6 16 MUTE TRUMPET F#2 - A5 17 HORN A#0 - F4 18 SAX A#0 - F#5

Usable Range

No. Name

19 SAX SOFT A#0 - F#5 20 CLARINET D2 - A#5 21 OBOE A#2 - G5 22 FLUTE G2 - F#6 23 ACCORDION F2 - A5 24 HARMONICA C3 - C6 25 STRINGS SOFT C0 - C6 26 VIOLIN C0 - C6 27 VIOLIN HARD C0 - C6 28 FULL ORGAN C0 - C6 29 JAZZ ORGAN 1 C1 - C6 30 SYNTH BRASS C1 - C6 31 SYNTH WOOD C2 - F#6 32 SYNTH STRINGS C0 - C6 33 SYNTH CHOIR E1 - E5 34 PIANO BRIGHT A-1 - C7 35 PIANO SOFT A-1 - C7 36 E. PIANO DX C1 - C6 37 SYNTH CRYSTAL C2 - C6 38 CELESTA C2 - C6 39 MARIMBA C2 - C6

• When the DRUMS voice is selected only the keys with drum or percussion sym-

NOTES

bols printed below them will sound.

• The PIANO voice is automatically selected when the power is initially turned on.

Usable Range

No. Name

40 FOLK GUITAR E1 - A4 41 JAZZ GUITAR 1 E1 - A4 42 JAZZ GUITAR 2 E1 - A4 43 ROCK GUITAR 1 E1 - A4 44 ROCK GUITAR 2 E1 - A4 45 MUTE GUITAR E1 - A4 46 BANJO C3 - A5 47 PIZZICATO C1 - C6 48 HARP C1 - C6 49 U. BASS SOFT C0 - F#3 50 E. BASS SOFT E0 - F#3 51 E. BASS HEAVY E0 - F#3 52 SYNTH BASS E0 - F#3 53

TIMPANI & ORCH. HIT 54 BASSOON A#0 - D4 55

CHAMBER STRINGS 56 JAZZ ORGAN 2 C1 - C6 57 ROCK GUITAR 3 E1 - A4 58 COSMIC 1 G0 - C6 59 COSMIC 2 G0 - C6 60 COSMIC 3 G0 - C6

Usable Range

E0 - C2/G2 - C6

C1 - C6

■Keyboard Percussion

DRUMS

Drum & Percussion Key Assignments

Key Instrument

A1 CYMBAL DAMP F#2 BRUSH ROLL G#2 HI-HAT CLOSED HEAVY A#2 CRASH CYMBAL LIGHT B2 BASS DRUM LIGHT C3 SNARE DRUM + RIM HEAVY C#3 RIDE CYMBAL CUP D3 SNARE DRUM + RIM LIGHT F3 BASS DRUM NORMAL F#3 RIM SHOT G3 SNARE DRUM HEAVY G#3 BRUSH SHOT A3 SNARE DRUM LIGHT A#3 HI-HAT PEDAL B3 SNARE DRUM ECHO C4 TOM 4 C#4 HI-HAT CLOSED NORMAL

When the [DRUMS] voice selector is pressed (its indicator will light), you can

play 44 different drum and percussion instruments on the keyboard. The percussion instruments played by the various keys are marked by symbols below the keys (keys with no symbols produce no sound).

• The TRANSPOSE and PITCH functions described on pages 15 and 16 do not

NOTES

Key Instrument

D4 TOM 3 D#4 HI-HAT OPEN E4 TOM 2 F4 TOM 1 F#4 RIDE CYMBAL NORMAL G4 ELECTRIC TOM 3 G#4 CRASH CYMBAL NORMAL A4 ELECTRIC TOM 2 (A#4) (CRASH CYMBAL) B4 ELECTRIC TOM 1 C5 CONGA LOW C#5 CABASA D5 CONGA HIGH D#5 METRONOME E5 BONGO HIGH F5 TIMBALE LOW

affect the DRUMS sound.

Key Instrument

F#5 CLAVES G5 TIMBALE HIGH G#5 CASTANETS A5 CUICA LOW A#5 COWBELL B5 CUICA HIGH C6 HAND CLAP C#6 AGOGO LOW D#6 AGOGO HIGH E6 BONGO LOW (F6) (CUICA LOW) F#6 TAMBOURINE (G6) (CRASH CYMBAL) G#6 TRIANGLE CLOSED (A6) (BRUSH ROLL) A#6 TRIANGLE OPEN

• Cymbals (except G6) can be muted by pressing the A1 key.

• HI-HAT OPEN (D#4) is muted by HI-HAT CLOSED HEAVY (G#2),

HI-HAT CLOSED NORMAL (C#4) and HI-HAT PEDAL (A#3).

• BRUSH ROLL (F#2) is muted by BRUSH SHOT (G#3).

• TRIANGLE OPEN (A#6) is muted by TRIANGLE CLOSED (G#6).

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

• The instruments listed in parentheses ( ) will not sound when played on the keyboard, but can be recorded using the Performance Memory (page 31) and will sound on playback. These instruments can also be played via MIDI.

Dual Mode

E

U

I

R S

9

The DUAL mode makes it possible to play two voices simultaneously across the entire range of the keyboard. This makes it easy to create exceptionally rich, thick tonal textures.

■Engaging the Dual Mode

PIANO E.PIANO HARPSI VIB

ORGAN CHOIR

CLAVINOVA TONE

1 8

2 90

3

UPRIGHT BASS

45

ELEC BASS

DR

To engage the DUAL mode simply press two voice selectors at the same time

— or press one voice selector while holding another. A voice in the 13…60 range can be “dualed” with the panel voices by pressing the [VOICE 13-60] button and any other voice selector at the same time (two voices in the 13…60 range cannot be combined). The [s] and [t] buttons can then be used to select the desired 13…60 voice. The higher voice number will appear on the TEMPO display during selection.

The voice indicators of both selected voices will light when the DUAL mode is active. To return to the normal single-voice play mode, press any single voice selector.

PIANO E.PIANO HARPSI VIBES GUITAR STRINGS

1 8

ORGAN CHOIR

MASTER VOLUME

MIN MAX

CLAVINOVA TONE

2 90

AUTO ACCOMPANIMENT

BASS

RHYTHM

CHORD 1

CHORD 2

DEMO

REVERB

FOOT SWITCH

MAX

ROOM

SOFT

HALL 1

SOSTENUTO

HALL 2

START/STOP

MIDI/

COSMIC

SOLO STYLEPLAY

TRANSPOSE

MIN

3

UPRIGHT BASS

STYLE

AUTO BASS CHORD

SOLO

POP

SINGLE FINGERFULL KEYBOARD FINGERED

STYLEPLAY

JAZZ ROCK

SYNCHRO

INTRO/ENDING

START/STOP

START

SWING JAZZ BALLAD

VARIATION NORMAL

456

ELEC BASS

VOICE

BEAT

BLUE-

DANCE

SLOW

16BEAT

ROCK’N’

GRASS

POP

ROCK

BALLAD

ROLL

16BEAT

DISK

ROCK

COUNTRY

POWER

POP

SHUFFLE

HOUSE

BIG BAND

BOSSA

CHA-CHA

MARCH

BOOGIE

SAMBA

RHUMBA

POLKA

CLAVINOVA

PIANO E.PIANO HARPSI VIBES GUITAR STRINGS SPLIT

STYLE 1

SHUFFLE

METRONOME

TONE

1

234567

WALTZ

8

90

UPRIGHT

TAP TEMPO

ELEC

ORGAN CHOIR

BASS

DISK

JAZZ

STYLE 2

WALTZ

DRUMS VOICE 13-60

7

DISK ORCHESTRA / PERFORMANCE MEMORY

SONG NUMBER

PHRASE

SONG

GUIDE

REPEAT

SELECT

/

START/STOP

LEFT/2TR ORCH/3-10TR RHYTHM

RIGHT/1TR

DISK CONTROL

CHORD

REC

F F

PAUSE

COPY

FORMAT

REW

SEQUENCE

■Dual-mode V oice Balance

The volume balance between the two voices combined in the DUAL mode can be adjusted by using the TEMPO [▲] and [▼] buttons while pressing both of the active voice selectors. The selected balance value (1 … 15) will be shown on the TEMPO display while the voice selectors and TEMPO [▲] or [▼] buttons are held.

■ A setting of “1” sets the volume of the lowest-numbered voice to maximum and

the highest-numbered voice to minimum (no sound).

■ A setting of “8” sets both voices to the same volume (this is the default balance

setting, and can be recalled by pressing the TEMPO [▲] and [▼] buttons si-

multaneously).

■ A setting of “15” sets the volume of the highest-numbered voice to maximum

and the lowest-numbered voice to minimum (no sound).

TEMPO

8

PIANO E.P

ORGAN CHOIR

CLAVINOVA TONE

1 8

2 90

3

UP BA

• The TEMPO [▲] and [▼] buttons allow two-speed scrolling: press lightly to scroll

NOTES

through the values slowly, or press firmly to scroll rapidly.

• The dual mode cannot be used when the DRUMS voice is selected. Also, the dual and split modes cannot be used at the same time.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

10

B

R

Split Mode

The split mode lets you play different voices with the left and right hands — bass with the left and piano with the right, for example. You can assign any of the PDP-400’s voices to the left and right-hand sections of the keyboard.

SPLIT

■Engaging the Split Mode

When the [SPLIT] button is pressed and its indicator lights, the keyboard is

split into left- and right-hand sections and different voices can be assigned to each. The split point is initially set at the F#2 key when the power is turned on, and the UPRIGHT BASS voice is initially assigned to the left-hand section of the keyboard (all keys up to and including F#2). The voice that was selected when the SPLIT mode was engaged is assigned to the right-hand section of the keyboard. The current settings are retained if the SPLIT mode is turned off (press the [SPLIT] button again) and on while the power remains on.

Left-hand section

SPLIT

F#2

▼

C3

Right-hand section

■Changing the Split Voices

AVINOVA

E.PIANO HARPSI VI

NE

3

0

UPRIGHT

OIR

BASS

45

ELEC BASS

D

SPLIT

The right-hand voice can be changed simply by pressing the appropriate voice

selector.

The left-hand voice can be changed by pressing a voice selector while holding

the [SPLIT] button.

AUTO ACCOMPANIMENT

BASS

RHYTHM

CHORD 1

DEMO

REVERB

FOOT SWITCH

MAX

SOFT

ROOM HALL 1

SOSTENUTO

MASTER VOLUME

HALL 2

START/STOP

MIDI/

COSMIC

SOLO STYLEPLAY

TRANSPOSE

MIN MAX

MIN

• All voices except BASS (voice numbers 10, 11, 49, 50, 51, and 52) and DRUMS

NOTES

(voice number 12) are shifted up one octave when assigned to the lower section

STYLE

AUTO BASS CHORD

DANCE

16BEAT

SINGLE FINGERFULL KEYBOARD FINGERED

SYNCHRO START

ROCK’N’

SOLO

POP

BALLAD

ROLL

STYLEPLAY

16BEAT

POWER

JAZZ

POP

SHUFFLE

HOUSE

ROCK

INTRO/ENDING

SWING

BIG BAND

BOSSA

CHA-CHA

JAZZ

BOOGIE

SAMBA

RHUMBA

BALLAD

VARIATION NORMAL

CHORD 2

MAX

START/STOP

MIN

VOICE

BEAT

BLUE-

SLOW

GRASS

ROCK

DISK

COUNTRY

ROCK SHUFFLE

MARCH POLKA

CLAVINOVA

PIANO E.PIANO HARPSI VIBES GUITAR STRINGS SPLIT

STYLE 1

SHUFFLE

METRONOME

TONE

1

234567

WALTZ

8

90

UPRIGHT

TAP TEMPO

ELEC

ORGAN CHOIR

DRUMS VOICE 13-60

BASS

DISK

JAZZ

STYLE 2

WALTZ

DISK ORCHESTRA / PERFORMANCE MEMORY

SONG NUMBER

PHRASE

SONG

GUIDE

REPEAT

SELECT

/

START/STOP

RIGHT/1TR

LEFT/2TR ORCH/3-10TR RHYTHM

of the keyboard (this function can be turned on or off via the “Octave Shift” utility function described on page 43).

DISK CONTROL

CHORD

F F

REC

PAUSE

COPY

FORMAT

REW

SEQUENCE

■Changing the Split P oint

SPLIT

C3

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

The split point can be set at any key by pressing the desired key while holding

the [SPLIT] button. The split point key name will appear on the TEMPO display while the [SPLIT] button is held.

Example:

A-1 A≠1 C 2 C~2

A-1 A#-1 C2 C#2

The default split point — F#2 — will always be set automatically whenever the

power is initially turned on.

■Split Balance

The volume balance between the left-hand and right-hand voices can be ad-

SPLIT

8

TEMPO

justed by using the TEMPO [▲] and [▼] buttons while holding the [SPLIT] but- ton. The selected balance value (1 … 15) will be shown on the TEMPO display while the [SPLIT] and TEMPO [s] or [▼] buttons are held.

■ A setting of “1” sets the volume of the left voice to maximum and the right

voice to minimum (no sound).

■ A setting of “8” sets both voices to the same volume (this is the default balance setting, and can be recalled by pressing the TEMPO [▲] and [▼] buttons simultaneously).

■ A setting of “15” sets the volume of the right voice to maximum and the left voice to minimum (no sound).

• The TEMPO [▲] and [▼] buttons allow two-speed scrolling: press lightly to scroll

NOTES

through the values slowly, or press firmly to scroll rapidly.

■Damper Pedal Operation in the Split Mode

Split Mode

11

DAMPER

SPLIT

FOOT SWITCH

The damper pedal (the supplied FC4 foot switch connected to the rear-panel

DAMPER jack — see “The Pedals” on page 14) can be assigned to the left voice only, the right voice only, or to both voices in the split mode.

■ Right Voice Only (default): Press the DAMPER pedal while holding the [SPLIT] button.

■ Left Voice Only: Press the FOOT SWITCH pedal (an optional FC4 or FC5 foot switch connected to the rear-panel FOOT SWITCH jack) while holding the [SPLIT] button.

■ Both Voices: Press both the DAMPER and FOOT SWITCH pedals while holding the [SPLIT] button.

• The dual and split modes cannot be used at the same time.

NOTES

• In the split the soft and sostenuto pedal functions apply to both the left- and righthand voices.

• When the ABC Single Finger mode (page 20) and the split mode are used simultaneously, the left-hand voice will be accompanied by the appropriate ABC chord voices.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

12

Digital Reverb Effects

The [REVERB] button provides a number of digital effects that you can use for extra depth and expressive power.

■Selecting a Reverb Effect

Each time the [REVERB] button is pressed the next effect on the reverb “list”

is selected and the corresponding indicator will light. No effect is selected when no indicator is lit.

REVERB

ROOM HALL 1 HALL 2 COSMIC

OFF (No indicator lit)

No effect is produced.

ROOM

This setting adds a reverb effect to the sound that is similar to the type of acoustic reverberation you would hear in a medium-size room.

REVERB

ROOM HALL 1 HALL 2 COSMIC

AUTO ACCOMPANIMENT

BASS

RHYTHM

CHORD 1

DEMO

REVERB

FOOT SWITCH

MAX

SOFT

ROOM HALL 1

SOSTENUTO

MASTER VOLUME

HALL 2

START/STOP

MIDI/

COSMIC

SOLO STYLEPLAY

TRANSPOSE

MIN MAX

MIN

STYLE

AUTO BASS CHORD

DANCE

16BEAT

SINGLE FINGERFULL KEYBOARD FINGERED

ROCK’N’

SOLO

POP

BALLAD

ROLL

STYLEPLAY

16BEAT

POWER

JAZZ

POP

SHUFFLE

HOUSE

ROCK

SYNCHRO

INTRO/ENDING

START

SWING

BIG BAND

BOSSA

CHA-CHA

JAZZ

BOOGIE

SAMBA

RHUMBA

BALLAD

VARIATION NORMAL

CHORD 2

MAX

START/STOP

MIN

VOICE

BEAT

BLUE-

SLOW

GRASS

ROCK

DISK

COUNTRY

ROCK

SHUFFLE

WALTZ

MARCH

JAZZ

POLKA

WALTZ

CLAVINOVA

PIANO E.PIANO HARPSI VIBES GUITAR STRINGS SPLIT

STYLE 1

METRONOME

TONE

1

234567

8

90

UPRIGHT

TAP TEMPO

ELEC

ORGAN CHOIR

DRUMS VOICE 13-60

BASS

DISK STYLE 2

DISK ORCHESTRA / PERFORMANCE MEMORY

SONG NUMBER

PHRASE

SONG

GUIDE

REPEAT

SELECT

/

START/STOP

RIGHT/1TR

LEFT/2TR ORCH/3-10TR RHYTHM

DISK CONTROL

CHORD

F F

REC

PAUSE

COPY

FORMAT

REW

SEQUENCE

■Reverb Depth Control

REVERB

ROOM HALL 1 HALL 2 COSMIC

8

TEMPO

HALL 1

For a more spacious reverb sound, use the HALL 1 setting. This effect simulates the natural reverberation of a medium-size concert hall.

HALL 2

HALL 2 simulates the reverb of a very large concert hall.

COSMIC

“COSMIC” is an echo effect in which the sound seems to “bounce” around in the stereo sound field.

• The ROOM effect is automatically selected when the POWER switch is turned

NOTES

on.

The depth of the selected reverb effect can be increased or decreased by press-

ing the TEMPO [▲] or [▼] button while holding the [REVERB] button. The reverb depth is shown on the TEMPO display while the [REVERB] and [▲] or [▼] buttons are held. The reverb depth range is from “0” (no effect) to “15” (maximum depth).

• Reverb depth is initially set to “8” when the power is turned on (this setting can be

NOTES

recalled during reverb depth selection by pressing the TEMPO [▲] and [▼] buttons simultaneously).

• The TEMPO [▲] and [▼] buttons allow two-speed scrolling: press lightly to scroll through the values slowly, or press firmly to scroll rapidly.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

The Keyboard & Polyphony

13

The PDP-400 has “32-note polyphony” which means you can normally play up to 32 notes at once. This number varies, however, according to the functions being used.

● The number of available notes is further reduced if the performance memory or a

Disk Orchestra Collection disk is being played at the same time. Further variation occurs with “1-layer” and “2-layer” voices. The polyphony is halved with 2-layer voices: voices 56 (JAZZ ORGAN 2), 58 (COSMIC 1), and 60 (COSMIC 3).

The PDP-400 also offers keyboard touch response, so the volume and timbre of notes played can be controlled according to how “hard” you play the keys. The amount of variation available depends on the selected voice.

Pitch Wheel

Keyboard only 32 notes. Keyboard only (dual) 16 notes. Keyboard + rhythm 24 notes (rhythm uses 8). Keyboard (dual) + rhythm 12 notes Keyboard + ABC 12 notes (rhythm 8; ABC 12). Keyboard (dual) + ABC 6 notes

PITCH

UP

0

DOWN

The PITCH wheel can be used to “bend” the pitch of notes up or down while play-

ing. The PITCH wheel is self-centering, and will automatically return to center position — i.e. normal pitch — when released. The PITCH wheel will affect both voices in the Dual and Split modes. Pitch-bend data is also transmitted via the MIDI OUT connector along with the note data. The range of the PITCH wheel is plus or minus one whole tone.

Modulation Wheel

MODULATION

MAX

MIN

The MODULATION wheel can be used to apply “modulation” in the form of a

vibrato effect to notes played on the keyboard. More modulation is applied as the wheel is rolled upward. Unlike the self-centering PITCH wheel, the MODULATION wheel will stay where it is set so you can set any degree of modulation you like and leave it that way. Please note, however, that when you select a different voice the “normal” modulation level for that voice will initially be recalled regardless of the position of the MODULATION wheel. The MODULATION wheel will affect both voices in the Dual and Split modes. Modulation data is also transmitted via the MIDI OUT connector along with the note data.

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14

The Pedals

The PDP-400 allows connection of two pedals which

offer a range of advanced expressive capabilities.

DAMPER

FOOT SWITCH

■Damper Pedal

The supplied FC4 foot switch functions as a damper pedal when connected to

the rear-panel DAMPER jack. The damper pedal functions in the same way as a damper pedal on an acoustic piano. When the damper pedal is pressed notes played have a long sustain. Releasing the pedal immediately stops (damps) any sustained notes.

■Foot Switch (Multi-function)

FOOT SWITCH

SOFT SOSTENUTO START/STOP SOLO STYLEPLAY

An optional FC4 or FC5 foot switch connected to the rear-panel FOOT SWITCH jack provides a number of functions which can be selected using the [FOOT SWITCH] button and indicators. Each time the [FOOT SWITCH] button

is pressed the next function on the function “list” is selected and the corresponding indicator will light.

DEMO

MASTER VOLUME

MIDI/

TRANSPOSE

MIN MAX

FOOT SWITCH

SOFT SOSTENUTO START/STOP SOLO STYLEPLAY

AUTO ACCOMPANIMENT

AUTO BASS CHORD

BASS

RHYTHM

CHORD 1

CHORD 2

REVERB

FOOT SWITCH

MAX

START/STOP

SOFT

ROOM HALL 1

SOSTENUTO

HALL 2

START/STOP

COSMIC

SOLO STYLEPLAY

MIN

SINGLE FINGERFULL KEYBOARD FINGERED

SYNCHRO START

STYLE

DANCE

16BEAT

ROCK’N’

SOLO

POP

BALLAD

ROLL

STYLEPLAY

16BEAT

POWER

JAZZ

POP

SHUFFLE

HOUSE

ROCK

INTRO/ENDING

BIG BAND

BOSSA

CHA-CHA

SWING JAZZ

BOOGIE

SAMBA

RHUMBA

BALLAD

VARIATION NORMAL

VOICE

BEAT

BLUE-

SLOW

GRASS

ROCK

DISK

COUNTRY

ROCK SHUFFLE

MARCH POLKA

CLAVINOVA

PIANO E.PIANO HARPSI VIBES GUITAR STRINGS SPLIT

STYLE 1

SHUFFLE

METRONOME

TONE

1

234567

WALTZ

8

90

UPRIGHT

TAP TEMPO

ELEC

ORGAN CHOIR

DRUMS VOICE 13-60

BASS

DISK

JAZZ

STYLE 2

WALTZ

DISK ORCHESTRA / PERFORMANCE MEMORY

SONG NUMBER

PHRASE

SONG

GUIDE

REPEAT

SELECT

/

START/STOP

RIGHT/1TR

LEFT/2TR ORCH/3-10TR RHYTHM

DISK CONTROL

CHORD

F F

REC

PAUSE

COPY

FORMAT

REW

SEQUENCE

● Soft...........................................................................................................................................................

Pressing the soft pedal subtly reduces the volume and slightly changes the timbre of notes played. The SOFT function is automatically selected whenever the POWER switch is turned on.

● Sostenuto ................................................................................................................................................

If you play a note or chord on the keyboard and press the sostenuto pedal while the note(s) are held, those notes will be sustained as long as the pedal is held (as if the damper pedal had been pressed) but all subsequently played notes will not be sustained. This makes it possible to sustain a chord, for example, while other notes are played “staccato.”

The SOSTENUTO function cannot be selected while the SOLO STYLEPLAY feature is operating.

● Start/Stop ................................................................................................................................................

The foot switch performs the same function as the panel [START/STOP] but- tons. For details on the START/STOP function, refer to the “Accompaniment” section on page 18, 19.

● Solo Styleplay .........................................................................................................................................

For details on the SOLO STYLEPLAY function see “SOLO STYLEPLAY” on page 25 (the SOLO STYLEPLAY pedal function can only be selected when the SOLO STYLEPLAY feature is in use).

• The damper, soft, and sostenuto pedal functions do not affect the DRUMS voice.

NOTES

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Pan

15

MIDI/

TRANSPOSE

RHYTHM

MIDI/

TRANSPOSE

MAX

MIN

The pan settings are as follows:

PL6 PL5 PL4 PL3 PL2 PL1 P C Pr1 Pr2 Pr3 Pr4 Pr5 Pr6

Full Left

(P d)

Center

MASTER VOLUME

MIN MAX

Right

DEMO

MIDI/

TRANSPOSE

Full

AUTO ACCOMPANIMENT

BASS

RHYTHM

CHORD 1

REVERB

FOOT SWITCH

MAX

SOFT

ROOM HALL 1

SOSTENUTO

HALL 2

START/STOP

COSMIC

SOLO STYLEPLAY

MIN

STYLE

AUTO BASS CHORD

DANCE

16BEAT

SINGLE FINGERFULL KEYBOARD FINGERED

ROCK’N’

SOLO

POP

BALLAD

ROLL

STYLEPLAY

16BEAT

POWER

JAZZ

POP

SHUFFLE

HOUSE

ROCK

SYNCHRO

INTRO/ENDING

START

BIG BAND

BOSSA

CHA-CHA

SWING JAZZ

BOOGIE

SAMBA

RHUMBA

BALLAD

VARIATION NORMAL

CHORD 2

MAX

START/STOP

MIN

VOICE

BEAT

BLUE-

SLOW

GRASS

ROCK

DISK

COUNTRY

ROCK SHUFFLE

MARCH POLKA

CLAVINOVA

PIANO E.PIANO HARPSI VIBES GUITAR STRINGS SPLIT

STYLE 1

SHUFFLE

METRONOME

TONE

1 WALTZ JAZZ WALTZ

234567

8

90

UPRIGHT

TAP TEMPO

ELEC

ORGAN CHOIR

DRUMS VOICE 13-60

BASS

DISK STYLE 2

DISK ORCHESTRA / PERFORMANCE MEMORY

SONG NUMBER

PHRASE

SONG

GUIDE

REPEAT

SELECT

/

START/STOP

RIGHT/1TR

LEFT/2TR ORCH/3-10TR RHYTHM

DISK CONTROL

CHORD

F F

REC

PAUSE

COPY

FORMAT

REW

SEQUENCE

● The pan (stereo) position of the voice played on the key-

board can be adjusted by moving the RHYTHM volume control while holding the [MIDI/TRANSPOSE] button. The pan position is shown on the TEMPO display, from “PL6” for full left at the “MIN” control position, through “PC” for center, to “Pr6” for full right at the “MAX” control position. This can be used to produce a broader ensemble sound with the Performance Memory multitrack recording feature.

Each voice has a preset pan setting (indicated by “Pd” on the TEMPO display) which is automatically set when the power is first turned on.

NOTES

• The “Pd” keyboard scale pan default for some voices places the treble-register sound to the right and the bass-register sound to the left. Using a different PAN setting places the entire voice, low and high notes included, at the same position.

• The DRUMS voice has a preset PAN setting which cannot be changed.

Transposition

The PDP-400’s TRANSPOSE function makes it possible to shift the pitch of the entire keyboard up or down in semitone intervals up to a maximum of six semitones. “Transposing” the pitch of the PDP-400 keyboard makes it easier to play in difficult key signatures, and you can simply match the pitch of the keyboard to the range of a singer or other instrumentalist.

MIDI/

TRANSPOSE

Display Transposition Display Transposition

-6 -6 semitones 0 Normal

-5 -5 semitones 1 +1 semitone

-4 -4 semitones 2 +2 semitones

-3 -3 semitones 3 +3 semitones

-2 -2 semitones 4 +4 semitones

-1 -1 semitone 5 +5 semitones 0 Normal 6 +6 semitones

-2

TEMPO

MIDI/

TRANSPOSE

AUTO ACCOMPANIMENT

BASS

RHYTHM

CHORD 1

DEMO

REVERB

FOOT SWITCH

MAX

SOFT

ROOM HALL 1

SOSTENUTO

MASTER VOLUME

HALL 2

START/STOP

MIDI/

COSMIC

SOLO STYLEPLAY

TRANSPOSE

MIN MAX

MIN

STYLE

AUTO BASS CHORD

DANCE

16BEAT

SINGLE FINGERFULL KEYBOARD FINGERED

ROCK’N’

SOLO

POP

BALLAD

ROLL

STYLEPLAY

16BEAT

POWER

JAZZ

POP

SHUFFLE

HOUSE

ROCK

SYNCHRO

INTRO/ENDING

START

SWING

BIG BAND

BOSSA

CHA-CHA

JAZZ

BOOGIE

SAMBA

RHUMBA

BALLAD

VARIATION NORMAL

CHORD 2

START/STOP

VOICE

BEAT

BLUE-

SLOW

GRASS

ROCK

DISK

COUNTRY

ROCK SHUFFLE

MARCH POLKA

CLAVINOVA

PIANO E.PIANO HARPSI VIBES GUITAR STRINGS SPLIT

STYLE 1

SHUFFLE

METRONOME

TONE

1

234567

WALTZ

8

90

UPRIGHT

TAP TEMPO

ELEC

ORGAN CHOIR

DRUMS VOICE 13-60

BASS

DISK

JAZZ

STYLE 2

WALTZ

DISK ORCHESTRA / PERFORMANCE MEMORY

SONG NUMBER

PHRASE

SONG

GUIDE

REPEAT

SELECT

/

START/STOP

RIGHT/1TR

LEFT/2TR ORCH/3-10TR RHYTHM

DISK CONTROL

CHORD

F F

REC

PAUSE

COPY

FORMAT

REW

SEQUENCE

● Use the TEMPO [▲] and [▼] buttons to select the desired

degree of transposition while holding the [MIDI/TRANS- POSE] button. The amount of transposition selected is shown on the TEMPO display as follows:

NOTES

• Press the [▲] and [▼] buttons simultaneously while holding the [MIDI/ TRANSPOSE] button to restore normal keyboard pitch.

• Transpose is always set to Normal when the power is turned on.

• The TRANSPOSE function does not affect the DRUMS sound.

• The TEMPO [▲] and [▼] buttons allow two-speed scrolling: press

lightly to scroll through the values slowly, or press firmly to scroll rapidly.

• Notes below and above the original 88-key range of the PDP-400 sound one octave higher and lower, respectively.

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16

Pitch Control

Pitch control makes it possible to tune the PDP-400 over a ±50-cent range (approximate) in approximately 1.2-cent or 1-hertz intervals. A hundred “cents” equals one semitone, so the tuning range provided allows fine tuning of overall pitch over a range of approximately a semitone. Pitch control is useful for tuning the PDP-400 to match other instruments or recorded music.

● Tuning Up................................................................................................................................................

A-1B

-1

TEMPO

3

C

3

B

ZTo tune up (raise pitch), hold the A-1 and B-1 keys simultaneously (A-1 and B-

1 are the two lowest white keys on the keyboard) and press any key between C3 and B3. Each time a key in this range is pressed the pitch is raised by approximately 1.2 cents, up to a maximum of about 50 cents above standard pitch. To raise the pitch in 1-hertz increments press the TEMPO [▲] button instead of the C3-B3 keys. The TEMPO [▼] button can also be used to tune down while the A-1 and B-1 keys are held.

XRelease the A-1 and B-1 keys.

● Tuning Down...........................................................................................................................................

-1

A#

-1

A

TEMPO

3

C

3

B

ZTo tune down (lower pitch), hold the A-1 and A#-1 keys simultaneously and

press any key between C3 and B3. Each time a key in this range is pressed the pitch is lowered by approximately 1.2 cents, up to a maximum of about 50 cents below standard pitch. To lower the pitch in 1-hertz increments press the TEMPO [▼] button instead of the C3-B3 keys. The TEMPO [▲] button can also be used to tune up while the A-1 and A#-1 keys are held.

XRelease the A-1 and A#-1 keys.

● To Restore Standard Pitch* ...................................................................................................................

-1

A#

A-1B

3

-1

C

3

B

ZTo restore standard pitch (A3 = 440 Hz), hold the A-1, A#-1, and B-1 keys si-

multaneously and press any key between C3 and B3, or simultaneously press the TEMPO [▲] and [▼] buttons.

XRelease the A-1, A#-1, and B-1 keys.

TEMPO

* Standard pitch (A3 = 440 Hz) is automatically set whenever the POWER

switch is initially turned on.

• The PITCH function does not affect the DRUMS sound.

NOTES

• The TEMPO [▲] and [▼] buttons allow two-speed scrolling: press lightly to scroll through the values slowly, or press firmly to scroll rapidly.

■The Pitch Display

Example:

442 442.0...... 442.24

4.42 442.25.... 442.49

44.2 442.5...... 442.74

The approximate pitch of A3 is shown on the TEMPO display in Hertz while the pitch control function is in operation. The total display range is from approximately 427 hertz (-50 cents) to 453 hertz (+50 cents).

The dots to the right of each figure in the display are used to provide a general idea of fractional pitches.

442. 442.75.... 442.99

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Accompaniment

K

F

K

C

W

K

The PDP-400 has 24 “styles” that can be used as a basis for rhythm accompaniment, or fully

orchestrated rhythm, bass, and chord accompaniment (see “Auto Bass Chord” on page 20).

• The Accompaniment Style data is not transmitted via the MIDI OUT connector.

NOTES

17

START/STOP

SYNCHRO START

INTRO/ENDING

VARIATIONNORMAL

FILL TO NORMAL

FILL TO VARIATION

■Style Selection

POP JAZZ

ROCK

SWING JAZZ

BALLAD

DANCE POP

POWER HOUSE

BIG BAND BOOGIE

16BEAT BALLAD

16BEAT POP

BOSSA SAMBA

■Tempo Control

ROCK’N’ ROLL

16BEAT SHUFFLE

CHA-CHA RHUMBA

STYLE

AUTO ACCOMPANIMENT

RHYTHM

DEMO

REVERB

FOOT SWITCH

MAX

SOFT

ROOM HALL 1

SOSTENUTO

MASTER VOLUME

HALL 2

START/STOP

MIDI/

COSMIC

SOLO STYLEPLAY

TRANSPOSE

MIN MAX

MIN

SLO ROC

lector has two indicators and style names above it. These two styles are selected

ROC SHU

alternately each time the selector is pressed.

MAR POL

DANCE

16BEAT

POP JAZZ

ROCK

SWING JAZZ

BALLAD

BASS

CHORD 1

CHORD 2

MAX

MIN

POP POWER

HOUSE

BIG BAND BOOGIE

STYLE

AUTO BASS CHORD

SINGLE FINGERFULL KEYBOARD FINGERED

SYNCHRO

INTRO/ENDING

START/STOP

START

VARIATION NORMAL

BLUE-

DANCE

SLOW

16BEAT

ROCK’N’

SOLO

POP

GRASS

POP

ROCK

BALLAD

ROLL

STYLEPLAY

16BEAT

COUNTRY

ROCK

POWER

JAZZ

POP

SHUFFLE

HOUSE

ROCK

WALTZ

BIG BAND

BOSSA

CHA-CHA

MARCH

SWING JAZZ

JAZZ

BOOGIE

SAMBA

RHUMBA

POLKA

BALLAD

WALTZ

BALLAD 16BEAT

POP

BOSSA SAMBA

DISK STYLE 1

METRONOME

DISK

TAP TEMPO

STYLE 2

BEAT

ROCK’N’ ROLL

16BEAT SHUFFLE

CHA-CHA RHUMBA

VOICE

CLAVINOVA

PIANO E.PIANO HARPSI VIBES GUITAR STRINGS SPLIT

TONE

1

234567

8

90

UPRIGHT

ELEC

ORGAN CHOIR

DRUMS VOICE 13-60

BASS

The 24 styles are selected using 12 STYLE selectors. Note that each style se-

The POP style is automatically selected when the power is initially turned on.

• There are also two [DISK STYLE] buttons that can be used to select styles

NOTES

loaded from floppy disk (the supplied Style Disk). See the “Disk Styles” section on

SLOW ROCK

ROCK SHUFFLE

MARCH POLKA

BLUEGRASS

COUNTRY SHUFFLE

WALTZ JAZZ

WALTZ

DISK ORCHESTRA / PERFORMANCE MEMORY

SONG NUMBER

SONG SELECT

/

START/STOP

DISK STYLE 1

DISK STYLE 2

PHRASE

GUIDE

REPEAT

RIGHT/1TR

LEFT/2TR ORCH/3-10TR RHYTHM

DISK CONTROL

CHORD

F F

REC

PAUSE

COPY

REW

SEQUENCE

BEAT

METRONOME

TAP TEMPO

FORMAT

page 23 for details.

• Use the RHYTHM volume control to adjust the volume of the rhythm sound.

86

TEMPO

Whenever you select a different style, the “suggested” tempo for that style is

also selected, and the tempo is displayed on the TEMPO display in quarter-note beats per minute (unless the accompaniment is playing, in which case the same tempo is maintained).

You can change the tempo to any value between 32 and 280 beats per minute,

however, by using the TEMPO [▲] and [▼] buttons. This can be done either before the accompaniment is started or while it is playing. Press either button briefly to decrement or increment the tempo value by one, or hold the button for continuous decrementing or incrementing. Press lightly for slow, or harder for fast decrementing or incrementing.

• The suggested tempo for the selected style can be recalled at any time by press-

NOTES

ing both the [▲] and [▼] buttons simultaneously.

Suggested Tempos

Style

POP 72 JAZZ ROCK 116 DANCE POP 132 POWER HOUSE 126 16BEAT BALLAD 72 16BEAT POP 108 ROCK’N’ROLL 160 16BEAT SHUFFLE 90 SLOW ROCK 72 ROCK SHUFFLE 192 BLUEGRASS 120 COUNTRY SHUFFLE

Suggested Tempo

116

Style

Suggested Tempo

SWING 208 JAZZ BALLAD 69 BIG BAND 176 BOOGIE 176 BOSSA 160 SAMBA 106 CHA-CHA 144 RHUMBA 120 MARCH 120 POLKA 120 WALTZ 100 JAZZ WALTZ 160

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

18

Accompaniment

■Starting the Accompaniment

There are several ways to start the accompaniment:

● Straight Start...........................................................................................................................................

START/STOP

Press the [START/STOP] button. Each of the styles also has a variation that can be selected by pressing the [VARIA-

TION/FILL T O VARIATION] button (its LED will light) before pressing the [START/ STOP] button. Normally the [NORMAL/FILL TO NORMAL] button LED will be lit (or

you can select it if the variation is selected), indicating that the normal pattern is selected.

Normal straight start Variation straight start

NORMAL/FILL TO NORMAL

= =

VARIATION/FILL TO VARIATION

START/STOP START/STOP

● Start With an Introduction .....................................................................................................................

INTRO/ENDING

Intro start

Fill start to normal

Fill start to variation

Press the [INTRO/ENDING] button. If you press the [NORMAL/FILL T O NORMAL] or [VARIATION/FILL TO VARI-

ATION] button while holding the [INTRO/ENDING] button, the rhythm will start with an appropriate fill and then go to the normal rhythm or variation rhythm, respectively.

(Flashing)

=

INTRO/ENDING

=

INTRO/ENDING

=

INTRO/ENDING

START/STOP

(Flashing)

+

NORMAL/FILL TO NORMAL

(Flashing)

VARIATION/FILL TO VARIATION

+

START/STOP

The selected start mode can be disengaged prior to starting the accompaniment by

pressing the selected button (flashing indicator) a second time.

● Synchronized Start.................................................................................................................................

Any of the start types described above can be synchronized to the first note or chord

SYNCHRO START

played on the keyboard by first pressing the [SYNCHRO START] button so that its indi- cator lights. When the keyboard is split or Auto Bass Chord Single Finger or Fingered mode is used, the first note played on the left-hand section of the keyboard will start the accompaniment (i.e. keys to the left of and including the split-point key — normally F#2). Once the synchronized start mode has been selected, use the [NORMAL/FILL T O NOR- MAL], [VARIATION/FILL TO VARIATION] and/or [INTRO/ENDING] buttons to select the type of start you want.

The first dot of the BEAT display will flash at the current tempo when a synchronized

start mode has been selected.

SYNCHRO START

Play key Play key

Play key

+

NORMAL/FILL TO NORMAL

+

VARIATION/FILL TO VARIATION

Play key Play key

Normal start Variation start Intro start Fill start to normal Fill start to variation

After pressing

NORMAL/FILL TO NORMAL

=

VARIATION/FILL TO VARIATION

= =

INTRO/ENDING

=

INTRO/ENDING

=

INTRO/ENDING

The synchronized start mode can be cancelled by pressing the [SYNCHRO START]

button a second time so that its indicator goes out.

• The synchronized start mode is automatically turned on when one of the ABC modes is

NOTES

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

engaged — see page 20 for details.

Accompaniment

● Tap start ..................................................................................................................................................

This function lets you set the tempo and start the rhythm in one operation. Sim-

METRONOME

120

TAP TEMPO

1st. Beat 2nd. Beat 3rd. Beat 4th. Beat

ply tap the [TAP] button at the required tempo — 3 times for a 3/4 style and 4 times for a 4/4 style. The rhythm will start from the beginning of the next measure at the specified tempo.

• The [TAP] button can also be used to change the tempo during rhythm playback.

NOTES

In this case the “tap” click will not sound.

• If you tap the [TAP] button less than the required number of times (i.e. 3 or 4), the

tap tempo function will be cancelled after a few seconds.

● Measure Number

During rhythm playback the current measure number is shown on the TEMPO display.

● The Beat Display

The four LED dots of the BEAT display provide a visual indication of the se- lected tempo. The leftmost (red) dot flashes on the first beat of each measure, the second dot flashes on the second beat, and so on (all dots except the leftmost dot are green). When a 3/4-time rhythm is selected, only the first three dots will flash.

19

■Fill-ins

The PDP-400 provides two types of automatic “fill-ins.”

FILL TO NORMAL

VARIATIONNORMAL

FILL TO VARIATION

■ Fill To Normal: Press the [NORMAL/FILL TO NORMAL] button during

playback to produce a fill-in and go to the normal rhythm.

■ Fill To Variation: Press the [VARIATION/FILL TO VARIATION] button

during playback to produce a fill-in and go to the variation pattern. If you hold one of the FILL buttons, the fill-in will repeat until the end of the

measure in which button is released.

■Stopping the Accompaniment

The accompaniment can be stopped at any time by pressing the [START/

START/STOP

INTRO/ENDING

STOP] button. Press the [INTRO/ENDING] button if you want to go to the ending pattern and then stop.

• If you started with an intro or fill-in, or using the SYNCHRO mode, these selec-

NOTES

• If the foot switch function is switched to START/STOP operation, it performs the

■Metronome

tions are maintained even after the accompaniment is stopped.

same function as the panel [START/STOP] buttons (press to START, press again to STOP).

The PDP-400 also offers a metronome function that is ideal for practice. To start the metronome, simply press the [METRONOME] button so that its

METRONOME

86

indicator lights. The metronome will play at the currently selected tempo whether a style is playing or not. The metronome volume can be adjusted via the RHYTHM volume control.

Press the [METRONOME] button again to stop the metronome sound (the METRONOME indicator will go out). The metronome will also stop automatically if the [START/STOP] button is pressed to stop a style in progress.

• The metronome will not normally sound when a style is playing. If the style is

NOTES

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

started by pressing the [START/STOP] button while the metronome is playing, however, the metronome will continue to sound along with the style.

20

Auto Bass Chord (ABC)

The PDP-400 includes a sophisticated auto-

accompaniment system (Auto Bass Chord —

AUTO BASS CHORD

SINGLE FINGERFULL KEYBOARD

FINGERED

ABC) that can provide automated rhythm, bass and chord backing in a number of ways.

AUTO ACCOMPANIMENT

BASS

RHYTHM

CHORD 1

DEMO

REVERB

FOOT SWITCH

MAX

SOFT

ROOM HALL 1

SOSTENUTO

MASTER VOLUME

HALL 2

START/STOP

MIDI/

COSMIC

SOLO STYLEPLAY

TRANSPOSE

MIN MAX

MIN

STYLE

AUTO BASS CHORD

DANCE

16BEAT

SINGLE FINGERFULL KEYBOARD FINGERED

SYNCHRO START

ROCK’N’

SOLO

POP

BALLAD

ROLL

STYLEPLAY

16BEAT

POWER

JAZZ

POP

SHUFFLE

HOUSE

ROCK

INTRO/ENDING

SWING

BIG BAND

BOSSA

CHA-CHA

JAZZ

BOOGIE

SAMBA

RHUMBA

BALLAD

VARIATION NORMAL

CHORD 2

MAX

START/STOP

MIN

VOICE

BEAT

BLUE-

SLOW

GRASS

ROCK

DISK

COUNTRY

ROCK SHUFFLE

MARCH POLKA

CLAVINOVA

PIANO E.PIANO HARPSI VIBES GUITAR STRINGS SPLIT

STYLE 1

SHUFFLE

METRONOME

TONE

1

234567

WALTZ

8

90

UPRIGHT

TAP TEMPO

ELEC

ORGAN CHOIR

DRUMS VOICE 13-60

BASS

DISK

JAZZ

STYLE 2

WALTZ

DISK ORCHESTRA / PERFORMANCE MEMORY

SONG NUMBER

PHRASE

SONG

GUIDE

REPEAT

SELECT

/

START/STOP

F F

REC

PAUSE

RIGHT/1TR

LEFT/2TR ORCH/3-10TR RHYTHM

REW

■Single-finger Accompaniment

SINGLE FINGER accompaniment makes it simple to produce accompaniment using major, seventh, minor and minor-

seventh chords by pressing a minimum number of keys in the ABC section of the keyboard. The automatic accompaniment consists of rhythm, bass and chords.

ZSelect SINGLE FINGER ..........................................................................................................................

SINGLE FINGER

XSelect a Style ..........................................................................................................................................

Press the [SINGLE FINGER] button to select the SINGLE FINGER mode

(the SINGLE FINGER indicator will light).

DISK CONTROL

CHORD

COPY

FORMAT

SEQUENCE

Select the desired accompaniment using the style selectors (see “Style Selec-

tion” on page 17).

CSet the Tempo.........................................................................................................................................

Use the TEMPO [▲] and [▼] buttons to set the desired accompaniment tempo

if necessary (see “Tempo Control” on page 17).

VPlay ..........................................................................................................................................................

Pressing any key on the ABC section of the keyboard (up to the split point —

normally the F#2 key) will cause the automatic chord and bass accompaniment to

C

Cm

C

Cm

7

begin (synchro start is automatically selected in the ABC mode). If you press a “C” key, for example, a C-major accompaniment will be played. Press another key in the ABC section of the keyboard to select a new chord. The key you press will always determine the “root” of the chord played (i.e. “C” for a C chord) .

• Automatic synchro start switching can be enabled or disabled via the utility 1

NOTES

mode “Auto Synchro Start Switching” function, described on page 43.

● Playing Minor, Seventh, and Minor-seventh Chords in the Single-

finger Mode

• For a minor chord, press the root key and a black key to its left.

• For a seventh chord, press the root key and a white key to its left.

• For a minor-seventh chord, press the root key and both a white and black key to its left.

BStop the Accompaniment ......................................................................................................................

Press the [START/STOP] or [INTRO/ENDING] button to stop the accompani-

START/STOP

INTRO/ENDING

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

ment.

• Press the [SINGLE FINGER] button so that its indicator goes out when you want

NOTES

to exit from the SINGLE FINGER mode.

Auto Bass Chord (ABC)

■Fingered Accompaniment

The FINGERED mode is ideal if you already know how to play chords on a keyboard, since it allows you to supply

your own chords for the Auto Accompaniment feature.

ZSelect FINGERED ...................................................................................................................................

FINGERED

XSelect a Style ..........................................................................................................................................

CSet the Tempo.........................................................................................................................................

VPlay ..........................................................................................................................................................

Press the [FINGERED] button to select the FINGERED mode (the FIN-

GERED indicator will light).

Select an accompaniment style using the style selectors (see “Style Selection”

on page 17).

Use the TEMPO [▲] and [▼] buttons to set the desired accompaniment tempo

if necessary (see “Tempo Control” on page 17 for more details).

As soon as you play any chord (up to 4 notes) on the lower keyboard (up to the

split point — normally the F#2 key), the PDP-400 will automatically begin to play the chord along with the selected rhythm and an appropriate bass line (synchro start is automatically selected in the ABC mode*).

21

* Automatic synchro start switching can be enabled or disabled via the utility 1 mode “Auto

Synchro Start Switching” function, described on page 43.

The PDP-400 will accept the following chord 20 types:

• Major [M]

• Minor [m]

• Major seventh [M7]

• Sixth [6]

• Seventh [7]

• Minor sixth [m6]

• Minor seventh [m7]

• Minor major seventh [mM7]

• Minor seventh flatted fifth [m7-5]

• Minor flatted fifth [m-5]

• Major flatted fifth [M-5]

• Seventh flatted fifth [7-5]

• Major seventh flatted fifth [M7-5]

• Seventh suspended fourth [7sus4]

• Suspended fourth [sus4]

• Augmented [aug]

• Seventh sharp fifth [7+5]

• Major seventh sharp fifth [M7+5]

• Diminished [dim]

• Half diminished

(minor major seventh flatted fifth) [mM7-5]

● The [INTRO/ENDING], [NORMAL/FILL TO NORMAL], and [VARIA-

TION/FILL T O VARIATION] buttons can be used in the ABC mode to create

pattern variations in the same way that they are used with rhythm patterns (refer to the “Accompaniment” section on page 18, 19 for details).

NORMAL/FILL TO NORMAL

Normal start Variation start Intro start Fill start to normal Fill start to variation

=

VARIATION/FILL TO VARIATION

= =

INTRO/ENDING

=

INTRO/ENDING

=

INTRO/ENDING

+

NORMAL/FILL TO NORMAL

+

VARIATION/FILL TO VARIATION

Lower key

NOTES

• The automatic accompaniment will sometimes not change when related chords are played in sequence (e.g. some minor chords followed by the minor seventh).

Lower key Lower key

BStop the Accompaniment ......................................................................................................................

Press the [START/STOP] or [INTRO/ENDING] button to stop the accompani-

START/STOP

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

INTRO/ENDING

ment.

• Press the [FINGERED] button so that its indicator goes out when you want to exit

NOTES

from the FINGERED mode.

22

Auto Bass Chord (ABC)

■Full-keyboard ABC

● Full-keyboard ABC

FULL KEYBOARD

● Conventional Full-

keyboard ABC

SINGLE FINGERFULL KEYBOARD FINGERED

■Volume Control

AUTO ACCOMPANIMENT

BASS

RHYTHM

MIDI/

TRANSPOSE

CHORD 1

CHORD 2

MAX

MIN

BASS

MAX

MIN

When this advanced auto-accompaniment mode is engaged (press the [FULL KEY-

BOARD] button so that its indicator lights) the PDP-400 will automatically create ap-

propriate accompaniment while you play just about anything, anywhere on the keyboard: chords, a bass line, arpeggiated chords, a melody line. You don’t have to worry about specifying the accompaniment chords. Although Full-keyboard ABC is designed to work with many songs, some arrangements may not be suitable for use with this feature. Try playing a few simple songs in the Full-keyboard ABC mode to get a feel for its capabilities.

• Chord detection occurs at approximately 8th-note intervals. Extremely short chords —

NOTES

less than an 8th note in length — may therefore not be detected.

The Conventional Full-keyboard ABC mode can be engaged by pressing the [SIN-

GLE FINGER] and [FINGERED] buttons simultaneously (both indicators will light).

In this mode the split point is de-activated and notes played anywhere on the keyboard are detected and used to determine the harmonization of the accompaniment. In the Conventional Full-keyboard ABC mode, chord detection is possible when at least three notes are played anywhere on the keyboard.

• The Dual or SPLIT mode can be used with Full-keyboard ABC.

NOTES

• The Full-keyboard and Conventional Full-keyboard ABC modes will be disengaged and the Fingered mode will be engaged if Solo Styleplay is turned on.

• Solo Styleplay will automatically be turned off whenever the Full-keyboard or Conventional Full-keyboard ABC mode is engaged.

• Press the [FULL KEYBOARD] button so that its indicator goes out when you want to exit from the FULL-KEYBOARD ABC mode. To exit from the Conventional Full-keyboard ABC mode press the [SINGLE FINGER] or [FINGERED] button twice.

The RHYTHM, CHORD 1, CHORD 2, and BASS volume controls can be used to

adjust the volume of the corresponding accompaniment parts when using ABC. In general, CHORD 1 controls rhythmic chords while CHORD 2 controls more decorative chords (arpeggios, etc.). The volume of the keyboard can be independently controlled by using the BASS volume control while holding the [MIDI/TRANSPOSE] button.

• Some styles may not use all four parts: RHYTHM, CHORD 1, CHORD 2, and BASS.

NOTES

• Usually the CHORD 1 and CHORD 2 parts will not play simultaneously in the Fullkeyboard ABC mode to prevent possible conflict with the melody. The sound of the silent part can be restored by changing the setting of the corresponding volume control — CHORD 1 or CHORD 2.

■Changing the ABC Split Point

SINGLE FINGER

C3

The ABC split point can be set at any key by pressing the desired key while holding

the [SINGLE FINGER] or [FINGERED] button.

The default split point — F#2 — will always be set automatically whenever the

power is initially turned on.

■Special Modes

● Mute

● Minor Harmonization

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Some accompaniment notes may be automatically muted if they interfere musically with what is being played by the right hand. This mute function can be enabled or disabled via the Utility mode “Mute” function described on page 43. The mute function is normally enabled (default).

When playing a 7th chord in a minor key, the ABC system will automatically shift a 9th note down to the octave, and a 6th note to the 5th when the “Minor Harmonization” utility function described on page 43 is turned on. The default setting for this function is off.

• Minor Harmonization will not function in the Full-keyboard ABC mode.

NOTES

Disk Styles

A “Style Disk” is supplied with the PDP-400, providing an extra 50 ABC accompaniment styles. Any two of these patterns can be loaded into the PDP400’s memory at a time. The [DISK STYLE 1] and [DISK STYLE 2] buttons select the loaded disk styles in the same way as the STYLE selectors select the internal styles.

• If no disk styles are loaded as described below, the

NOTES

[DISK STYLE 1] and [DISK STYLE 2] buttons select pre-programmed disk styles contained in internal

AUTO ACCOMPANIMENT

AUTO BASS CHORD

BASS

RHYTHM

CHORD 1

CHORD 2

DEMO

REVERB

ROOM HALL 1

MASTER VOLUME

HALL 2

MIDI/

COSMIC

TRANSPOSE

MIN MAX

SINGLE FINGERFULL KEYBOARD FINGERED

FOOT SWITCH

MAX

SYNCHRO

INTRO/ENDING

START/STOP

START SOFT SOSTENUTO START/STOP SOLO STYLEPLAY

VARIATION NORMAL

MIN

ROM memory. These are the default styles selected by the [DISK STYLE 1] and [DISK STYLE 2] buttons whenever the power is initially turned on.

■Selecting & Loading Disk Styles

ZInsert the Style Disk ...............................................................................................................................

Insert the Style Disk into the disk drive with the sliding door on the disk facing the drive slot and the label side facing upward. The disk should click into place and the disk lamp will light briefly while the PDP-400 reads and identifies the disk.

DISK STYLE 1

SONG NUMBER

888

DISK STYLE 2

STYLE

DANCE

16BEAT

ROCK’N’

SOLO

POP

BALLAD

ROLL

STYLEPLAY

16BEAT

POWER

JAZZ

POP

SHUFFLE

HOUSE

ROCK

BIG BAND

BOSSA

CHA-CHA

SWING JAZZ

BOOGIE

SAMBA

RHUMBA

BALLAD

VOICE

BEAT

BLUE-

SLOW

GRASS

ROCK

DISK

ROCK

COUNTRY

CLAVINOVA

PIANO E.PIANO HARPSI VIBES GUITAR STRINGS SPLIT

STYLE 1

SHUFFLE

METRONOME

TONE

1

WALTZ

MARCH

JAZZ

POLKA

WALTZ

234567

8

90

UPRIGHT

TAP TEMPO

ELEC

ORGAN CHOIR

DRUMS VOICE 13-60

BASS

DISK STYLE 2

DISK ORCHESTRA / PERFORMANCE MEMORY

SONG NUMBER

PHRASE

SONG

GUIDE

REPEAT

SELECT

/

START/STOP

LEFT/2TR ORCH/3-10TR RHYTHM

RIGHT/1TR

REW

23

DISK CONTROL

CHORD

REC

F F

PAUSE

COPY

FORMAT

SEQUENCE

XMake Sure the [SONG SELECT] Indicator Is Lit ..................................................................................

SONG SELECT

The [SONG SELECT] indicator will light automatically when the disk is ready. If a disk is already loaded and the [SONG SELECT] indicator is not lit, press the [SONG SELECT] button so that it lights. When this is done the [DISK STYLE 1] and [DISK STYLE 2] button indicators will flash alternately, and the single-finger ABC mode and synchronized start mode will be engaged (any other ABC mode will remain active if it was selected before the disk was loaded).

CSelect a Style ..........................................................................................................................................

Use the [▲] and [▼] buttons below the SONG NUMBER display to select the

SONG NUMBER

desired style number. The selected style number will appear on the SONG NUMBER display — “A1” for example. You can “preview” the selected style by

A2

playing on the left-hand section of the keyboard (single-finger or fingered). Pattern playback will stop if a different pattern number is selected.

• If a tempo is set prior to loading the style, that tempo becomes the default for the

NOTES

loaded style.

VLoad the Style .........................................................................................................................................

DISK STYLE 1

DISK STYLE 2

Press the [DISK STYLE 1] or [DISK STYLE 2] button to load the selected pattern into that button. The [DISK STYLE 1] or [DISK STYLE 2] indicator will light, and the [SONG SELECT] indicator will go out.

BRepeat......................................................................................................................................................

Repeat steps X through V to select and load a second pattern into the other

[DISK STYLE] button if you like.

NEject the Disk When Done .....................................................................................................................

When you’ve finished with the Style Disk, press the disk drive EJECT button to remove it.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

24

Disk Styles

Disk Style List

Group No. Name

ROCK 5 COUNTRY ROCK

DANCE POP

1 HARD ROCK 2 ROCK’N’ROLL 2 3 ROCKABILLY 460’S ROCK

6 RHYTHM & BLUES 7 SOUL ROCK 8 ROCK BALLAD

9 GOSPEL 10 GOSPEL BALLAD 11 8BEAT 12 FOLK

POP

JAZZ 24 RAGTIME

13 LULLABY 14 16BEAT BALLAD 15 16BEAT SHUFFLE 2 16 16BEAT SHUFFLE 3 17 8BEAT DANCE 18 16BEAT DISCO 19 HOUSE POP 20 TECHNO POP 21 BOOGIE 2 22 STRIDE PIANO 23 DIXIELAND

25 OLD TIME SWING 26 CONTEMPORARY JAZZ 27 BIG BAND 2

Group No. Name

28 BOSSA 2 29 POP BOSSA

LATIN

STANDARD 36 FOXTROT

WALTZ

WORLD

30 SAMBA 31 TANGO 32 MAMBO 33 LATIN POP 34 BROADWAY 35 SHOWTIME

37 SLOW FOX 38 MARCH 6/8 39 WALTZ 2 40 VIENNESE WALTZ 41 SWING WALTZ 42 LATIN WALTZ 43 CHANSON 44 BOLERO 45 BLUEGRASS 2 46 COUNTRY SHUFFLE 2 47 JAPANESE BALLAD 48 SEVILLIANAS 49 CARIBBEAN 50 REGGAE

■Using a Loaded Disk Style

DISK STYLE 1

DISK STYLE 2

SONG NUMBER

A2

After you’ve loaded the desired Disk Styles, the [DISK STYLE 1] and [DISK

STYLE 2] buttons can be used in exactly the same way as the other STYLE but-

tons to select the loaded patterns for ABC accompaniment (see “Auto Bass Chord (ABC)” beginning on page 20).

The number of the Disk Style selected by the [DISK STYLE 1] or [DISK

STYLE 2] button will be shown on the SONG NUMBER display.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Solo Styleplay

This sophisticated feature not only provides automatic rhythm, bass and chord accompaniment, but it also adds appropriate harmony notes (two or three harmonized notes) to a melody you play on the upper keyboard.

SOLO STYLEPLAY

25

AUTO ACCOMPANIMENT

BASS

RHYTHM

CHORD 1

DEMO

REVERB

FOOT SWITCH

MAX

SOFT

ROOM HALL 1

SOSTENUTO

MASTER VOLUME

HALL 2

START/STOP

MIDI/

COSMIC

SOLO STYLEPLAY

TRANSPOSE

MIN MAX

MIN

STYLE

AUTO BASS CHORD

DANCE

16BEAT

SINGLE FINGERFULL KEYBOARD FINGERED

SYNCHRO START

ROCK’N’

SOLO

POP

BALLAD

ROLL

STYLEPLAY

16BEAT

POWER

JAZZ

POP

SHUFFLE

HOUSE

ROCK

INTRO/ENDING

SWING

BIG BAND

BOSSA

CHA-CHA

JAZZ

BOOGIE

SAMBA

RHUMBA

BALLAD

VARIATION NORMAL

CHORD 2

MAX

START/STOP

MIN

VOICE

BEAT

BLUE-

SLOW

GRASS

ROCK

DISK

COUNTRY

ROCK

SHUFFLE

WALTZ

MARCH

JAZZ

POLKA

WALTZ

CLAVINOVA

PIANO E.PIANO HARPSI VIBES GUITAR STRINGS SPLIT

STYLE 1

METRONOME

TONE

1

234567

8

90

UPRIGHT

TAP TEMPO

ELEC

ORGAN CHOIR

DRUMS VOICE 13-60

BASS

DISK STYLE 2

DISK ORCHESTRA / PERFORMANCE MEMORY

SONG NUMBER

PHRASE

SONG

GUIDE

REPEAT

SELECT

/

START/STOP

RIGHT/1TR

LEFT/2TR ORCH/3-10TR RHYTHM

REW

■Using Solo Styleplay

ZTurn Solo Styleplay ON..........................................................................................................................

Press the [SOLO STYLEPLAY] button to turn the SOLO STYLEPLAY mode

SOLO STYLEPLAY

XSelect a Style ..........................................................................................................................................

CSet the Tempo.........................................................................................................................................

VPlay ..........................................................................................................................................................

BStop the Accompaniment ......................................................................................................................

on. The SINGLE FINGER mode is automatically selected when SOLO STYLEPLAY is turned on, unless the FINGERED mode is already selected. If a FULL KEYBOARD mode is selected, the FINGERED mode will automatically

be selected since Solo Styleplay cannot be used with the FULL KEYBOARD modes.

Select an accompaniment style using the style selectors (see “Style Selection” on page 17). An appropriate voice for the selected style will automatically be selected, but you can also select any other voice after selecting the style.

Set the desired tempo if necessary using the TEMPO [▲] and [▼] buttons (see “Tempo Control” on page 17).

Play the required chords (SINGLE FINGER or FINGERED) on the ABC section of the keyboard while playing a melody line on the upper keyboard (for some styles, only one note can be played at a time on the right-hand section of the keyboard in the Solo Styleplay mode).

Press [START/STOP] or [INTRO/ENDING] to stop the accompaniment.

DISK CONTROL

CHORD

F F

REC

COPYPAUSE

FORMAT

SEQUENCE

NTurn Solo Styleplay OFF........................................................................................................................

Press the [SOLO STYLEPLAY] button again to turn the function off.

■Harmonization V ariations

SOLO STYLEPLAY

POP JAZZ

ROCK

SWING JAZZ

BALLAD

DANCE POP

POWER HOUSE

BIG BAND BOOGIE

16BEAT BALLAD

16BEAT POP

BOSSA SAMBA

It is possible to apply the harmonization type and voice from a different style to the selected style by pressing the style selector corresponding to the harmonization type you want to use (except for the [DISK STYLE 1/2] selector) while holding the [SOLO STYLEPLAY] button — the selected STYLE button indicator will flash while the [SOLO STYLEPLAY] button is held. This makes it possible, for exam- ple, to use the solo styleplay harmonization type and voice from the 16 BEAT BALLAD style when actually playing in the POP style.

■The Foot Switch & Solo Styleplay

FOOT SWITCH

SOFT SOSTENUTO START/STOP SOLO STYLEPLAY

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

If the FOOT SWITCH function is set to SOLO STYLEPLAY after the SOLO STYLEPLAY mode is selected, harmonization of notes played on the right-

hand section of the keyboard only occurs while the FOOT SWITCH pedal is pressed. This allows you to combine normal ABC type performance with SOLO STYLEPLAY as required.

The FOOT SWITCH SOSTENUTO function can not be selected while SOLO STYLEPLAY is on.

• The SOLO STYLEPLAY mode will be disengaged if the ABC FINGERED or

NOTES

SINGLE FINGER mode is turned off or the FULL KEYBOARD ABC mode is turned on.

26

Disk Orchestra

Using Yamaha Disk Orchestra disks (one is supplied with the PDP-400, others are available from Yamaha), the PDP-400 will let you enjoy listening to automated performances, or function as your “private music tutor,” allowing you to practice various par ts of a piece while the others are played automatically. You can also play “in ensemble” with the complete Disk Orchestra arrangement.

• The Disk Orchestra Collection playback data is not transmitted via the MIDI OUT

NOTES

connector.

SONG NUMBER

SONG SELECT

/

START/STOP

AUTO ACCOMPANIMENT

AUTO BASS CHORD

BASS

RHYTHM

CHORD 1

CHORD 2

DEMO

REVERB

ROOM HALL 1

MASTER VOLUME

HALL 2

MIDI/

COSMIC

TRANSPOSE

MIN MAX

SINGLE FINGERFULL KEYBOARD FINGERED

FOOT SWITCH

MAX

SYNCHRO

START/STOP

START SOFT SOSTENUTO START/STOP SOLO STYLEPLAY

MIN

PHRASE REPEAT

RIGHT/1TR

STYLE

BLUE-

DANCE

SLOW

16BEAT

ROCK’N’

SOLO

POP

GRASS

POP

ROCK

BALLAD

ROLL

STYLEPLAY

16BEAT

COUNTRY

ROCK

POWER

JAZZ

POP

SHUFFLE

HOUSE

ROCK

INTRO/ENDING

BIG BAND

BOSSA

CHA-CHA

MARCH

SWING

WALTZ

JAZZ

BOOGIE

SAMBA

RHUMBA

POLKA

BALLAD

VARIATION NORMAL

WALTZ

GUIDE

LEFT/2TR ORCH/3-10TR RHYTHM

VOICE

BEAT

DISK

CLAVINOVA

PIANO E.PIANO HARPSI VIBES GUITAR STRINGS SPLIT

STYLE 1

METRONOME

TONE

1

234567

8

90

UPRIGHT

TAP TEMPO

ELEC

ORGAN CHOIR

DRUMS VOICE 13-60

BASS

DISK STYLE 2

REW

DISK ORCHESTRA / PERFORMANCE MEMORY

SONG NUMBER

PHRASE

SONG

GUIDE

REPEAT

SELECT

/

START/STOP

RIGHT/1TR

LEFT/2TR ORCH/3-10TR RHYTHM

DISK CONTROL

CHORD

F F

REC

PAUSE

COPY

REW

SEQUENCE

F F

FORMAT

PAUSE

■Automatic Performance

ZInsert a Disk Orchestra Disk..................................................................................................................

Insert the DISK ORCHESTRA disk into the disk drive with the sliding door

facing the drive slot and the label side facing upward. The disk should click into place and the disk lamp will light briefly while the PDP-400 reads and identifies the disk.

• If a disk is already loaded and the [SONG SELECT] indicator is out, press the

DISK ORCHESTRA / PERFORMANCE MEMORY

NOTES

XSelect a Song Number ...........................................................................................................................

When the disk is inserted the [SONG SELECT], [RIGHT/1TR], [LEFT/

SONG NUMBER

2

2TR], [ORCH/3-10TR], and [RHYTHM] indicators will light if the corresponding tracks contain performance data, and the selected song number will be shown on the SONG NUMBER display. Use the [▲] and [▼] buttons below the display to select the desired song number. Select “ALL” if you want all songs on the disk to be played and repeated until playback is stopped.

[SONG SELECT] button so that the indicator lights before proceeding.

• You can also start sequential repeat playback by using the [▲] and [▼] buttons to

NOTES

select the song number from which playback is to begin, and then pressing the [START/STOP] button while holding the [MIDI/TRANSPOSE] button.

• The songs can be made to play back and repeat either in sequence or in random order when “

ALL

” is selected or when starting playback by pressing the [START/ STOP] button while holding the [MIDI/TRANSPOSE] button, and playback is started, depending on the setting of the “Random All Song Repeat” utility function (page 43).

CStart Playback.........................................................................................................................................

Start playback of the selected song by pressing either the DISK ORCHES-

/

START/STOP

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

TRA/PERFORMANCE MEMORY [START/STOP] button or the ABC [START/STOP] button. Unless “ALL” is selected, the selected song will play

through to the end and playback will stop automatically. The current measure number will be shown on the TEMPO display during playback, and the voice indicator used for the RIGHT/1TR and LEFT/2TR parts will light. The voice can be changed as required via the VOICE selectors.

Playback can be stopped at any time by pressing the DISK ORCHESTRA/

PERFORMANCE MEMORY or ABC [START/STOP] button.

Disk Orchestra

• Please note that playback cannot be started while the PDP-400 is searching the

NOTES

VEject the Disk When Done .....................................................................................................................

When you’ve finished with the currently loaded disk, simply press the disk

drive EJECT button to remove it.

disk for a selected song.

• With some songs the displayed measure numbers may not match those marked on the score.

• Some songs start after a click count-in.

• The playback tempo can be changed freely as required. The preset tempo for the

selected song can be recalled at any time by pressing the TEMPO [▲] and [▼] buttons simultaneously.

• During “

• Some Disk Orchestra software does not produce a tempo display (e.g. free-

ALL

” playback three dots will appear along the bottom of the currently-

playing song number.

tempo phrases, etc.). In this case, three lit bars appear along the bottom of the TEMPO display and the numbers shown on the display will not match the actual measure numbers of the song.

27

CAUTION

NEVER eject a disk or turn the power off while:

1. The disk drive lamp is on.

2. The DISK ORCHESTRA function is playing.

■Playing Back only Specific Parts

The [RIGHT/1TR], [LEFT/2TR], [ORCH/3-10TR], and [RHYTHM] buttons

RIGHT/1TR LEFT/2TR ORCH/3-10TR RHYTHM

57 10

B5 C6 D6 E6 F6

98643

can be used to select playback of specific parts. The [LEFT/2TR] button turns the left-hand part on or off, the [RIGHT/1TR] button turns the right-hand part on or off, the [ORCH/3-10TR] button turns the ORCHESTRA parts on or off, and the [RHYTHM] button turns the rhythm part on or off. When a part is on, the corresponding LED indicator lights. You can, for example, turn off the right and/or lefthand parts so you can practice them on the keyboard.

● Turning Individual Orchestra Parts On or Off

Normally the [ORCH/3-10TR] buttons turns all the orchestra parts (tracks 3 through 10) on or off at once. You can, however, turn these parts on or off individually by pressing the keys shown in the illustration to the left while holding the [ORCH/3-10TR] button:

Press the key once to display the status of the corresponding track on the SONG NUMBER display, and a second to turn the track on or off. The status of the track is indicated by a dot to the right of the rightmost digit:

t10.

.......

No dot .............No data

Flashing dot ....Playback off

Lit dot .............. Playback on

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

28

Disk Orchestra

■Volume Control

RHYTHM Drum and Percussion parts

(track 15).

BASS Bass part (track 3). CHORD 1 Other backing parts except

Bass (track 4-10).

CHORD 2 Main left- and right-hand parts

(track 1 & 2).

During DISK ORCHESTRA playback use the RHYTHM volume control to adjust the volume of the drum and percussion parts, the CHORD 2 volume control adjusts the volume of the main left- and right-hand parts, the CHORD

1 volume control adjusts the volume of all other parts except the bass, and the BASS control adjusts the volume of the bass part.

• When a different song is selected the volume settings will correspond to

NOTES

those in the song data, regardless of the positions of the volume controls.

■Guided Right- and Left-hand Practice

With this feature, the PDP-400 waits for you to play the appropriate keys

before playing ahead, so you can learn to play the piece at your own pace.

Press the [GUIDE] button so that its indicator lights to turn the guide mode

on. The settings of the [RIGHT/1TR] and [LEFT/2TR] buttons will then determine whether the guide function operates for the left-hand part only, the righthand part only, or both the right- and left-hand parts, as listed to the left.

When you press the [START/STOP] button to begin playback, the introduc-

tion will play automatically but then the PDP-400 will stop and wait for you to play the next key(s). As you play the appropriate keys, the piece will continue, pausing until you play the right keys each time.

As with automated performance, the song will stop automatically when the

end is reached, or it can be stopped at any time by pressing the [START/STOP] button.

After turning on...

Left- and right-hand guide =

Right-hand guide only

Left-hand guide only =

=

GUIDE

RIGHT/1TR LEFT/2TR

or

RIGHT/1TR LEFT/2TR

• Disk Orchestra playback tempo can be set to any desired value after a song

NOTES

has been selected by using the TEMPO [▲] and [▼] buttons.

• The [PAUSE], [REW] and [FF] buttons will not operate when the guide function is in use.

● Guide Modes ...........................................................................................................................................

The PDP-400 has two guide modes which can be selected as follows:

-1

A

GUIDE

-1

B

GUIDE

● Normal Wait:

This mode is automatically selected when the power is turned on. It can also be selected by pressing the A-1 key (the lowest key) while holding the [GUIDE] button. In the normal wait mode the PDP-400 will wait until the appropriate key or chord is played before proceeding to the next note.

● Delayed Wait:

This mode can be selected by pressing the B-1 key (the second-to-lowest white key) while holding the [GUIDE] button. In the delayed wait mode the PDP-400 will play ahead for 8 quarter-note beats (two measures in 4/4 time) and then wait until the appropriate key or chord is played.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Disk Orchestra

■Repeat Functions

● Phrase Repeat

Use this function if you want to practice a specific phrase within a song, as indicated by the phrase marks on the

Disk Orchestra Collection score.

ZSelect a Song ..........................................................................................................................................

SONG NUMBER

2

XTurn Phrase Repeat ON and Select a Phrase Number........................................................................

Press the [SONG SELECT] button so that its indicator lights and select the

desired song by using the [▲] and [▼] buttons below the SONG NUMBER display.

29

SONG NUMBER

P81

PHRASE REPEAT

Press the [PHRASE REPEAT] button (its LED indicator will light). When this

is done the SONG NUMBER display will function as the phrase number display. Use the [▲] and [▼] buttons below the display to select the desired phrase number (refer to the DISK ORCHESTRA COLLECTION book that comes with the DISK ORCHESTRA COLLECTION disk).

CSelect a Part to Practice.........................................................................................................................

RIGHT/1TR LEFT/2TR ORCH/3-10TR RHYTHM

Use the [RIGHT/1TR], [LEFT/2TR], [ORCH/3-10TR], and [RHYTHM]

buttons to turn playback of the various parts on or off, as required.

VStart Playback.........................................................................................................................................

/

START/STOP

Press the [START/STOP] button to begin playback of the selected phrase.

Phrase playback will repeat until the [START/STOP] button is pressed a second time.

• The count-in may not sound with some songs — e.g. those that do not include a

NOTES

rhythm track.

● A-B Repeat

This function allows you to specify any section of a DISK ORCHESTRA song for continuous repeat playback.

MIDI/

TRANSPOSE

PHRASE REPEAT

+

While the song is playing, hold the [MIDI/TRANSPOSE] and press the

[PHRASE REPEAT] button once at the beginning of the section to be repeated

(the “A” point) and again at the end of the section to be repeated (the “B” point). Repeat playback will begin automatically from the A point as soon as the B point

“A” point “B” point

has been specified. The programmed A and B points are retained until a different song number or mode is selected, and the A-B phrase can be selected again for repeat playback after playback has been stopped by following the Phrase Repeat

SONG NUMBER

A8b

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

procedure described above and selecting “A-b” instead of a phrase number in step X.

• The specified A-B repeat points will be erased when a new song number is se-

NOTES

lected.

30

Disk Orchestra

■Other Playback Controls

● Pause .......................................................................................................................................................

PAUSE

● Rewind and Fast Forward......................................................................................................................

REW

F F

● Pedal Pause/Next Phrase.......................................................................................................................

FOOT SWITCH

SOFT SOSTENUTO START/STOP SOLO STYLEPLAY

Press the [oPAUSE] button to temporarily stop DISK ORCHESTRA playback.

Press the [oPAUSE] button again (or the [START/STOP] button) to resume play- back from the same point.

During DISK ORCHESTRA operation the [r REW] and [f FF] buttons func-

tion as follows:

■ While playback is stopped or paused the [r REW] and [f FF] buttons can be

used to step backward or forward through the song a measure at a time. Either button can also be held for continuous stepping in the specified direction.

■ During playback the [r REW] and [f FF] buttons allow you to move rapidly in

the specified direction for as long as the button is held. No sound is produced during [r REW] operation.

• Using the [rREW] button may cause the voice, tempo, and/or volume to change.

NOTES

• The [oPAUSE], [rREW] and [fFF] buttons do not function while a guide mode is engaged.

If the FOOT SWITCH pedal is set for START/STOP operation using the [FOOT

SWITCH] button, it functions as a pause/next phrase control during DISK ORCHES-

TRA playback: press once to pause, and again to continue from the beginning of the next phrase (refer to the DISK ORCHESTRA COLLECTION book that comes with the DISK ORCHESTRA COLLECTION disk for phrase locations).

• The pedal pause/next phrase function will not operate if the guide, phrase repeat, or

NOTES

all songs repeat modes are active.

■DISK ORCHESTRA COLLECTION Disk Copy

The [ORCH/3-10TR] and [RHYTHM] parts of songs from DISK ORCHESTRA COLLECTION disks — the disk

supplied with the PDP-400 and others available from Yamaha — can be copied to separate disks by following the “Copying Disk Orchestra Disks” instructions given on page 39 of the “Disk Control” section. Data copied in this way can be played back and manipulated via the Performance Memory (page 31) — you can, for example, record your own [RIGHT/1TR] and [LEFT/2TR] parts.

• Disk Orchestra Collection phrase marks are not copied.

NOTES

■Playing Other Types of Music Data

In addition to Disk Orchestra Collection disks, the PDP-400 can also play back Yamaha Disklavier PianoSoft™ disks, disks

containing Yamaha ESEQ format sequence data, and disks containing songs recorded in Standard MIDI File format (format 0 only).

It is possible to change the track 1/2 voice by using the panel voice selectors during playback of Disk Orchestra Collection and Disklavier PianoSoft disks. In this case the playback voice will become the same as the voice played via the keyboard. The playback voice cannot be changed when playing back other type of disks (the keyboard voice can be changed).

The phrase repeat function described above can only be used with Disk Orchestra Collection disks. A-B repeat can be used with any type of data. The guide function can only be used with ESEQ files.

The [ORCH/3-10TR] part select button can also be used with all types of data: with files other than General MIDI files it turns tracks 3 through 14 on or off, and with General MIDI Files it turns tracks 3 through 9 and 11 through 16 on or off. The

[RHYTHM] button can be used to turn track 15 on and off with file types other than General MIDI (with General MIDI files the [RHYTHM] button turns track 10 on and off). With any type of file the individual tracks (1 through 16) can be turned on and off

as described on page 27 — tracks 11 through 16 are controlled by keys G6 through C7, respectively.

When playing files other than General MIDI files the Auto Accompaniment volume controls affect the following tracks (the volume of General MIDI format tracks cannot be controlled):

BASS Track 3 CHORD 2 Tracks 1 & 2 CHORD 1 Tracks 4 … 14 RHYTHM Track 15

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

When playing General MIDI Files the PDP-400’s internal tone generator is auto-

matically switched to the GM System Level 1 voice allocation.

Performance Memory

The PDP-400 features a built-in “sequencer” which can be used to independently record up to ten separate parts of a single musical composition, plus a rhythm track. Each part is recorded on one of the Performance Memory “tracks” accessed via the [RIGHT/1TR], [LEFT/2TR], [ORCH/3-10TR], and [RHYTHM] buttons. The music data that you record is stored on a 3.5" floppy disk loaded into the PDP-400’s disk drive unit. Up to approximately 60 songs can be recorded on a single disk, depending on the amount of data contained in each song. Before you can record, however, you must “format” a new disk, as described on page 38.

• The Performance Memory playback data is not transmitted via the MIDI OUT connector.

NOTES

31

SONG NUMBER

SONG SELECT

/

START/STOP

MASTER VOLUME

MIN MAX

PHRASE REPEAT

RIGHT/1TR

AUTO ACCOMPANIMENT

AUTO BASS CHORD

BASS

RHYTHM

CHORD 1

CHORD 2

DEMO

REVERB

FOOT SWITCH

MAX

START/STOP

SOFT

ROOM HALL 1

SOSTENUTO

HALL 2

START/STOP

MIDI/

COSMIC

SOLO STYLEPLAY

TRANSPOSE

MIN

GUIDE

LEFT/2TR ORCH/3-10TR RHYTHM

SINGLE FINGERFULL KEYBOARD FINGERED

SYNCHRO START

STYLE

DANCE

16BEAT

ROCK’N’

SOLO

POP

BALLAD

ROLL

STYLEPLAY

16BEAT

POWER

JAZZ

POP

SHUFFLE

HOUSE

ROCK

INTRO/ENDING

SWING

BIG BAND

BOSSA

CHA-CHA

JAZZ

BOOGIE

SAMBA

RHUMBA

BALLAD

VARIATION NORMAL

VOICE

BEAT

BLUE-

SLOW

GRASS

ROCK

DISK

COUNTRY

ROCK SHUFFLE

MARCH POLKA

CLAVINOVA

PIANO E.PIANO HARPSI VIBES GUITAR STRINGS SPLIT

STYLE 1

SHUFFLE

METRONOME

TONE

1

234567

WALTZ

8

90

DISK

JAZZ

ORGAN CHOIR

TAP TEMPO

STYLE 2

WALTZ

CHORD

REW

DISK ORCHESTRA / PERFORMANCE MEMORY

SONG NUMBER

SONG SELECT

UPRIGHT

ELEC

DRUMS VOICE 13-60

BASS

/

START/STOP

RIGHT/1TR

F F

PHRASE

GUIDE

REPEAT

LEFT/2TR ORCH/3-10TR RHYTHM

DISK CONTROL

CHORD

REC

F F

PAUSE

COPY

FORMAT

REW

SEQUENCE

RECPAUSE

SEQUENCE

Easy One-pass Recording & Playback

ZInsert a Formatted Disk..........................................................................................................................

If you haven’t already done so, make sure that a properly formatted disk is loaded into the PDP-400 disk drive (see page 38), and that the disk’s write protect tab is set to the “write” position (tab closed).

DISK ORCHESTRA / PERFORMANCE MEMORY

• If you insert an unformatted disk, “

NOTES

Please format the disk before proceeding.

• If a disk is already loaded and the [SONG SELECT] indicator is out, press the [SONG SELECT] button so that the indicator lights before proceeding.

For

” will appear on the SONG NUMBER display.

XSelect a Song Number ...........................................................................................................................

Select a SONG NUMBER between 1 and 60 for the piece you are about to record

SONG NUMBER

1

(up to 60 different songs, each with a different song number, can be recorded on a single disk). Make sure the song number you select has not already been used for a song previously recorded on the disk you are using.

• If the [RIGHT/1TR], [LEFT/2TR], [ORCH/3-10TR], or [RHYTHM] button indicator

NOTES

glows green when a song number is selected, the corresponding track of the selected song already contains recorded data. Before recording over a song that contains previous data, we recommend that you delete the entire song as described in “Delet- ing a Song” on page 40.

CSelect a Voice .........................................................................................................................................

Use the VOICE selectors to select the voice you want to record with. You can try

out the selected voice on the keyboard before proceeding.

VEngage the Record Ready Mode...........................................................................................................

REC

SONG NUMBER

680

Press the [REC] button so that its indicator lights. The [RIGHT/1TR] indicator

should also glow red at this point, indicating that you are ready to record on track 1.

● Remaining Disk Space Display

When you release the [REC] button the amount of disk space available for recording will appear on the SONG NUMBER display (in approximate kilobytes). With an empty disk you should have about 700 kilobytes of space for recording (room enough for about 50,000 notes if no other PDP-400 functions are used). If no space is available for recording, “FUL” will appear on the display.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

32

Performance Memory

BStart Recording.......................................................................................................................................

Play on the keyboard. Recording will begin automatically as soon as you start

playing.

• You can turn the metronome on before or during recording (the metronome

NOTES

sound will not be recorded).

NStop Recording.......................................................................................................................................

Stop recording by pressing the [START/STOP] button or the [REC] button.

/

START/STOP

REC

When recording has finished the indicator of the recorded track will glow green, indicating that the track is ready for playback.

• The PDP-400 may continue to write data to the disk for a short time after you stop

NOTES

recording. “ disk while this display is showing.

rEc

” will appear on the display while this occurs. DO NOT eject the

MPlay Back the Recording .......................................................................................................................

/

START/STOP

Press the [START/STOP] button to play back your recording. Play along on the keyboard if you like. During playback you can use the [oPAUSE], [r REW], and [f FF] buttons, as described on page 30. You can also change the playback tempo via the TEMPO [▲] and [▼] buttons.

<Stop Playback .........................................................................................................................................

Playback will stop automatically when the end of the recording is reached, or you can press the [START/STOP] button to stop it at anytime.

Multi-track Recording & Playback

ZInsert a Formatted Disk..........................................................................................................................

If you haven’t already done so, make sure that a properly formatted disk is loaded into the PDP-400 disk drive (see page 38), and that the disk’s write protect tab is set to the “write” position (tab closed).

• If a disk is already loaded and the [SONG SELECT] indicator is out, press the

NOTES

XSelect a Song Number ...........................................................................................................................

SONG NUMBER

1

Select a SONG NUMBER between 1 and 60 for the piece you are about to record (up to 60 different songs, each with a different song number, can be recorded on a single disk). Make sure the song number you select has not already been used for a song previously recorded on the disk you are using.

CSet All Performance Features As Required .........................................................................................

Set up all necessary performance features as required: voice, voice mode (normal, dual, or split), style, tempo, foot switch function, etc. Try out the features as you select them to check that you have the right overall sound.

VEngage the Record Ready Mode...........................................................................................................

REC

Press the [REC] button so that its indicator lights. The [RIGHT/1TR] indicator should also glow red at this point, indicating that you are ready to record on track

1. As soon as you release the [REC] button the first dot of the beat indicator will begin to flash at the currently set tempo.

[SONG SELECT] button so that the indicator lights before proceeding.

• Be careful not to start recording prematurely by either playing the keyboard or

NOTES

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

pressing the [START/STOP] button before you’ve completed the following steps.

Performance Memory

BSelect the Track(s) to Record................................................................................................................

Only one track can be recorded at a time. If you press [RIGHT/1TR] you will

SONG NUMBER

RIGHT/1TR

r6

SONG NUMBER

rhY

RIGHT/1TR LEFT/2TR ORCH/3-10TR

RHYTHM

SINGLE FINGERFULL KEYBOARD FINGERED

ORCH/3-10TR

record on track number 1. If you press [LEFT/2TR] you will record on track number 2. If you press [ORCH/3-10TR], you can choose to record on track 3, 4, 5, 6, 7, 8, 9, or 10 by selecting the desired track number using the [▲] and [▼] buttons below the SONG NUMBER display while holding the [ORCH/3-10] button (the selected track number will appear on the SONG NUMBER display). When a record track has been selected the corresponding indicator will light.

● Recording with Rhythm

To record a rhythm in addition to the part you play on the keyboard, select the desired style via the STYLE selectors and press the [RHYTHM] button so that its indicator glows red. “rhY” will appear on the SONG NUMBER display while the [RHYTHM] button is held. The rhythm data will be recorded on track 15. If you only want to record the rhythm track, de-select all other selected tracks by pressing their buttons so that their indicators go out. If you select the rhythm track for recording, or the rhythm track already contains data, the metronome will sound at the current tempo.

● Recording with ABC

When recording with ABC auto-accompaniment the keyboard part can only be recorded to track 1 or 2. To record with ABC press the [RIGHT/1TR] or [LEFT/

2TR] button and then engage an ABC mode. The [ORCH/3-10TR] and [RHYTHM] indicators will light automatically in addition to the [RIGHT/1TR]

or [LEFT/2TR] indicator, and the ABC sound will be recorded on tracks 3 through 10 while what you play on the keyboard will be recorded on track 1 or 2. If you only want to record the ABC sound, de-select track 1 or 2 by pressing the appropriate button so that the indicator goes out. In the same way, de-select the

[RHYTHM] track if you don’t want to record the rhythm sound.

33

SOLO STYLEPLAY

● Recording with Solo Styleplay

If you also select solo styleplay, the solo styleplay sound will be recorded on tracks 11 through 14. Solo Styleplay can be recorded at the same time as SIN-

GLE FINGER or FINGERED ABC, but not at the same time as FULL KEYBOARD mode ABC.

NStart Recording.......................................................................................................................................

The synchronized start mode is automatically selected when the record ready

mode is engaged, so recording will begin automatically as soon as any key on the keyboard is pressed or the [START/STOP] button is pressed (see page 18 for the various synchro start modes). The current measure number is shown on the TEMPO display as you record.

The following parameters will be recorded in addition to notes you play:

Parameters recorded for Each Track

• Voice*

• Dual Voice*

• Split Voice*

• Volume* (Not change-

able during recording)

• Expression (Not recorded as an initial

setting)

• Pan*

• Damper Pedal*

• Soft Pedal*

• Sostenuto Pedal (Not

recorded as an initial setting)

• Modulation*

• Pitch Bend*

• Reverb Depth* (Not

recorded as an initial setting)

• Dual Balance*

• Split Balance*

Parameters Recorded for the Entire Song

• Style

• Rhythm Volume*

• Reverb Type*

• Reverb Depth*

• Tempo*

• Intro Mode (Not change-

able during recording)

• Ending Mode (Not recorded as an initial setting)

• Fill-in

• ABC Mode (Not change-

able during recording)

• ABC Volume*

• Solo Styleplay Mode (Not

changeable during recording)

• Solo Styleplay Variation (Not changeable during recording)

Parameters Recorded for Each Track via MIDI Only

• Pitch Bend Sensitivity (Not recorded as an initial setting)

• Coarse Tune (Not recorded as an initial setting)

• Fine Tune (Not recorded as an initial setting)

MStop Recording.......................................................................................................................................

/

START/STOP

REC

Press the [REC] button a second time, or the [START/STOP] button to stop

recording.

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34

Performance Memory

■Adding New Tracks

When you’ve finished recording the first track, you can simply play it back as described in the previous section or

add a new track to your song. To record a new track:

ZSelect a Voice .........................................................................................................................................

Select a voice and other parameters for the new track. Try out the voice and selected

parameters before proceeding.

XEngage the Record Ready Mode...........................................................................................................

REC

CSelect a Track .........................................................................................................................................

VStart Recording.......................................................................................................................................

BStop Recording.......................................................................................................................................

Press the [REC] button to engage the record ready mode.

● Monitoring Previously Recorded Tracks

All previously recorded tracks are automatically selected for playback when the record mode is engaged. You can turn these tracks on or off as required by pressing the corresponding track button(s) before pressing the [REC] button.

Select a track other than the one you used to record the previous track. The indicator

of the track selected for recording should glow red.

• Remember that if you record on a track that has already been recorded, the previous

NOTES

material will be erased and the new material will be recorded in its place.

Play on the keyboard or press the [START/STOP] button to start recording.

Press the [START/STOP] button or the [REC] button to stop recording.

BASS

MIDI/

TRANSPOSE

Volume of each track

MAX

MIN

● Changing the Initial Parameter Values

The initial values of parameters marked with asterisks (*) in the lists given in step N on page 33 can be changed for each track or the entire song by engaging the record mode for the desired track, changing the parameters as required, and then disengaging the record mode (press the [REC] button again) without actually recording. To cancel any initial parameter values you’ve made, select a different track and then press the [REC] button to disengage the record mode.

To change individual ABC part volume settings engage any ABC mode after turning [REC] on, set the RHYTHM, CHORD 1, CHORD 2, and/or BASS volume control as required, then disengage the record mode.

The BASS volume control can be used while holding the [MIDI/TRANSPOSE] button to independently adjust the volume of each track (except the rhythm track). The volume of the rhythm track is adjusted via the RHYTHM volume control. Please note that volume settings can only be decreased.

Individual track reverb depth can be adjusted by using the BASS volume while holding the [REVERB] button, and the overall reverb depth can be adjusted by using the TEMPO [▲] and [▼] buttons while holding the [REVERB] button. Also note that the tempo, reverb type, style, style variation, fill-in, and intro/ending settings are common to all tracks and cannot be set independently for different tracks.

● Erasing the Tracks

Individual tracks — except the rhythm track — can be completely erased by starting and stopping recording without actually playing or changing any parameters (i.e. press the [START/STOP] button twice). The same procedure can be used to erase the rhythm track if the RHYTHM volume control is set to its minimum position.

• Tracks 3-10 can be erased by engaging the record mode, turning ABC on, and then

NOTES

pressing the [START/STOP] button twice.

● Recording Without a Disk

The PDP-400 has enough internal RAM memory to allow recording for a while even if a disk is not loaded (up to approximately 1,600 notes if no other data is recorded). If you accidentally record without loading a disk, make sure you use the COPY function (described on page 39) to copy the recorded data to disk if you want to keep the recorded data (the internal RAM memory is not backed up). This is necessary because the internal RAM memory is cleared automatically when a Disk Orchestra Collection, Disklavier PianoSoft, or Style Disk is loaded, or a performance disk is loaded and the [SONG SELECT] button is pressed.

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Performance Memory

■Punch-in Recording

“Punch-in recording” allows you to start recording from any point within a previously-recorded track, leaving all

recorded material up to the punch-in point intact.

ZPlay the Song..........................................................................................................................................

/

START/STOP

XPause Before the Punch-in Point..........................................................................................................

PAUSE

CEngage the Record Ready Mode...........................................................................................................

Play back the song in order to locate the point you want to punch-in from. You

can also use the [fFF] and [r REW] buttons to locate the punch-in point.

Press the [oPAUSE] button to pause playback a bit before the point at which

you want to start recording. Leave a measure or more before the punch-in point so you’ll be able to grasp the timing for the punch in.

35

REC

Press the [REC] button to engage the record ready mode. The last track selected

for recording will automatically be reselected.

VSelect a Track .........................................................................................................................................

RIGHT/1TR LEFT/2TR ORCH/3-10TR RHYTHM

If you want to record on a different track than the one that is currently selected

for recording (red indicator), use the normal track selection procedure.

BStart Playback & Recording ..................................................................................................................

/

START/STOP

Press the [START/STOP] button to start playback from the current pause loca-

tion, then begin playing at the point you want to record from. Recording will begin as soon as you begin playing on the keyboard.

• Since all material after the punch-in point will be erased, be sure to play right

NOTES

through to the end of the track once recording has begun.

NStop Recording.......................................................................................................................................

/

START/STOP

/

START/STOP

REC

RIGHT/1TR LEFT/2TR

Press the [START/STOP] button or the [REC] button to stop recording.

● Erasing All Material From the Punch-in Point

If at step B, above, you press the [START/STOP] button while holding the track button corresponding to the track on which you want to record, recording will begin immediately. If you then stop recording without actually playing anything, all recorded material from the punch-in point to the end of the track will be erased.

• Punch-in recording cannot be used with ABC, SOLO STYLEPLAY, or RHYTHM

NOTES

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tracks.

36

Performance Memory

■Playback

Original Performance Memory recordings can be played back and controlled in the same way as described in the Disk Orchestra section, beginning on page 26. You can individually select tracks to play back (page 27), use the guide function with the data recorded on tracks 1 and 2 (page 28), and use the A-B repeat function (page 29).

• The playback voice cannot be changed when playing back Performance Memory

NOTES

● Volume Control

The RHYTHM, CHORD 1, CHORD 2, and BASS volume controls can be

used to adjust the volume of the corresponding accompaniment parts when

playing back data that was recorded with ABC.

When playing back data that was recorded without ABC, however, these

volume controls have the following track assignments.

RHYTHM: RHYTHM track CHORD 1: 4 - 10 tracks CHORD 2: 1 & 2 tracks BASS: 3 track

● Multi-timbre Recording via MIDI

Data from an external MIDI device such as a sequencer or music computer can also be recorded to the Performance

Memory as follows:

ZMake the Required MIDI Connections

Connect the MIDI OUT terminal of the trans-

mitting device to the PDP-400’s MIDI IN terminal using a standard MIDI cable.

XSelect the External Clock Mode

To select the external clock mode press the

[ORGAN] VOICE button while holding the [MIDI/ TRANSPOSE] button. When selected, the [ORGAN] indicator will light while the [MIDI/TRANSPOSE] button is pressed. In this mode the PDP-400

is controlled by an external MIDI clock signal.

CSelect a Song Number

Select the song number to which you want to

record the data by using the SONG NUMBER [▲] and [▼] buttons (of course, a properly formatted floppy disk must already be loaded in the disk drive).

VEngage the MIDI Record Ready Mode

Press the [REC] button while holding the

[MIDI/TRANSPOSE] button to engage the MIDI

record ready mode. In this mode all tracks (1 through 15) can be recorded at the same time via the

correspondingly numbered MIDI channels. That is, MIDI data received on channel 1 will be recorded on track 1, data received via channel 2 will be recorded on track 2, etc.

BMatch the Time Signature & Tempo

Select a style having a time signature that matches that of the data you are going to record (e.g. 4/4, 3/4), and match the PDP-400 tempo setting to that of the data to be recorded.

NRecord the MIDI Data

Play back the MIDI data on the sequencer, music computer, or other device. Recording will start and stop automatically.

NOTES

• Please note that the PDP-400’s internal styles cannot be played during multi-timbre recording.

• Any notes played on the keyboard and other setting changes will be recorded on track 1 during multi-timbre recording.

• Initial panel settings will not be recorded unless the settings are changed in the record ready mode.

• Previous data on all tracks will be erased when new data is recorded in the multi-timbre mode.

• Be sure to turn the multi-timbre and external clock modes off when you’re finished multi-timbre recording (see pages 49 and

50).

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Performance Memory

data (the voice played via the keyboard can be changed).

The Chord Sequence Function

The CHORD SEQUENCE function provides a convenient way to enter chord sequences and style changes one at a time.

37

• The chord sequence data will replace any previous ABC data.

NOTES

Beat

Measure number

• The number of the measure to be entered is shown on the TEMPO display, while the beat to be entered is shown on the BEAT

NOTES

CHORD SEQUENCE

?

BEAT

B6A

6

qw

C

7

12

ZEngage the Chord Sequence Function

Press the [CHORD SEQUENCE] button. The [ORCH/3-10TR] and

[RHYTHM] track button indicators will glow red, and the ABC FINGERED

mode will be automatically selected — switch to the SINGLE FINGER mode if you prefer. If the SINGLE FINGER mode was already selected it will remain engaged.

XEnter the Chords and/or Style Changes

Make the required style changes (style number, normal/variation, fill-in, intro/

ending, and tempo, as necessary), play and hold a chord on the left-hand section of the keyboard, and press the [q] key (look for the “q ” symbol below the B6 key) or the [w] key (C7) to enter the chord for a quarter note or whole note, respectively. You can move one beat backward by pressing the [?] key (A6).

Continue entering chords in this manner until your sequence is complete.

display.

• If no chords are entered, the result will be a rhythm-only sequence.

CStop Recording

When all the required chords and style changes have been entered, press the

[CHORD SEQUENCE] button to stop recording.

• The chord sequence data now resides in Performance Memory tracks 3 though

NOTES

● Punch-in Chord Sequence Recording

You can begin chord sequence recording from any point within a previouslyrecorded song by pausing playback at the point you want to begin chord sequence recording, engaging the Chord Sequence function at that point, and entering the chords up to the end of the sequence as described above.

NOTES

10 and 15, and can be played back in the normal way. Add melody tracks 1 and 2 as required. You can also record over individual tracks of the sequence and replace them with original material if you like by using the standard Performance Memory track selection and record procedure.

• If you attempt punch-in chord sequence recording on a song in which no chord sequence data has been entered, “no” will appear on the SONG NUMBER display and the recording will not be possible.

• If you record chord sequences to all songs on a disk, the maximum number of songs available on that disk will be 55.

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38

Disk Control

This chapter describes several important disk control functions: Formatting new disks, copying songs, and deleting songs.

DISK CONTROL

COPY

FORMAT

AUTO ACCOMPANIMENT

BASS

RHYTHM

CHORD 1

DEMO

REVERB

FOOT SWITCH

MAX

SOFT

ROOM HALL 1

SOSTENUTO

MASTER VOLUME

HALL 2

START/STOP

MIDI/

COSMIC

SOLO STYLEPLAY

TRANSPOSE

MIN MAX

MIN

STYLE

AUTO BASS CHORD

DANCE

16BEAT

SINGLE FINGERFULL KEYBOARD FINGERED

ROCK’N’

SOLO

POP

BALLAD

ROLL

STYLEPLAY

16BEAT

POWER

JAZZ

POP

SHUFFLE

HOUSE

ROCK

SYNCHRO

INTRO/ENDING

START

BIG BAND

BOSSA

CHA-CHA

SWING JAZZ

BOOGIE

SAMBA

RHUMBA

BALLAD

VARIATION NORMAL

CHORD 2

MAX

START/STOP

MIN

VOICE

BEAT

BLUE-

SLOW

GRASS

ROCK

DISK

COUNTRY

ROCK SHUFFLE

MARCH POLKA

CLAVINOVA

PIANO E.PIANO HARPSI VIBES GUITAR STRINGS SPLIT

STYLE 1

SHUFFLE

METRONOME

TONE

1

234567

WALTZ

8

90

UPRIGHT

TAP TEMPO

ELEC

ORGAN CHOIR

DRUMS VOICE 13-60

BASS

DISK

JAZZ

STYLE 2

WALTZ

DISK ORCHESTRA / PERFORMANCE MEMORY

SONG NUMBER

PHRASE

SONG

GUIDE

REPEAT

SELECT

/

START/STOP

RIGHT/1TR

LEFT/2TR ORCH/3-10TR RHYTHM

DISK CONTROL

CHORD

F F

REC

PAUSE

COPY

REW

SEQUENCE

■Formatting a New Disk

The PDP-400 uses only 3.5" 2DD floppy disks. We recommend that you use Yamaha 2DD disks. Before you can use a new disk for recording, the disk must be “formatted” so that the PDP-400 can recognize it and correctly write the music data onto it.

ZInsert the Disk To Be Formatted ...........................................................................................................

Insert a new blank disk. Make sure that the disk’s write protect tab is set to the “write” position (tab closed), and insert the new disk into the disk drive unit with the sliding door facing the drive slot and the label side of the disk facing upward. The disk should click securely into place, and the disk drive lamp should light briefly.

•“

For

NOTES

Write protect tab closed (unlocked — write enabled)

” will appear on the SONG NUMBER display to indicate that a blank

(unformatted) disk is loaded in the drive.

•“

Pro

” will appear if a protected disk that cannot be formatted is loaded in the drive: a write-protected disk, a Disk Orchestra Collection disk, a Disklavier disk, or a disk formatted by the Disklavier.

FORMAT

XEngage the Format Function.................................................................................................................

FORMAT

Press the DISK CONTROL [FORMAT] button. The [FORMAT] button LED

will flash and “nY” will appear on the SONG NUMBER display.

CConfirm the Format Operation ..............................................................................................................

SONG NUMBER

n8Y

Use the SONG NUMBER [▲] and [▼] buttons to select either “ n” (NO) or

“Y” (YES) on the display. “Y” if you intend to execute the format operation or “n” if you wish to cancel the operation. This step is necessary because formatting completely erases any data that is already on the disk — make sure that the disk you’re about to format does not contain any important data!

VStart Formatting......................................................................................................................................

If you selected “Y” in the previous step, press the [FORMAT] button again and

SONG NUMBER

F80

formatting will begin. The number of each “track” on the disk will be shown on the display as the format process continues (“F80” through “1”). When formatting is complete (the display will show “1”), you can go ahead and record using the performance memory, or use the COPY function (below) to copy songs or Disk Style data to the disk.

• The format operation can be aborted at any time prior to actually starting the

NOTES

format operation by pressing the [START/STOP] button. In this case, the disk will have to be properly formatted again before use.

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Disk Control

■Copying Songs

Song data can be “backed up” by copying to a new song number or a different disk, as follows:

ZSelect the Source Song .........................................................................................................................

39

SONG NUMBER

2

Press the [SONG SELECT] button and use the [▲] and [▼] buttons below the

SONG NUMBER display to select the number of the song you wish to copy.

XEngage the Copy Function ....................................................................................................................

COPY

Press the [COPY] button. The [COPY] button LED will flash.

CSelect the Destination Song ..................................................................................................................

c81 ....... c60

Copy to same disk

%81 ....... %60

Copy to different disk (Song number greater than 60)

Use the [▲] and [▼] buttons below the SONG NUMBER display to select the

song number you wish to copy to (i.e. the destination song number). If you select a song number that already contains data, that data will be overwritten by the new song data. If you select a song number greater than 60 (%61 through %60 will appear on the display), the copy will be made to a different disk.

VStart Copying ..........................................................................................................................................

SONG NUMBER

COPY

cPY

d81 Insert source disk. d82 Insert destination disk.

• While the data is being copied the number of times the disks will have to be exchanged to complete the copy operation will be shown on the display.

Press the [COPY] button again to begin the actual copy operation. “cPY” will

appear on the SONG NUMBER display and the [COPY] indicator will light continuously during the copy operation.

If you chose to copy to a different disk, you may have to exchange the source and destination disks a few times if the song being copied is long and complex. In this case, the PDP-400 will prompt you to insert the source and destination disks with the displays shown to the left.

• If you copy to a song number that already contains data, the PDP-400 will ask

NOTES

you to confirm the copy operation. Use the SONG NUMBER [▲] and [▼] buttons to select either “n” (NO) or “Y” (YES) on the display. “Y” if you intend to execute the copy operation or “n” if you wish to cancel the operation. The copy operation will begin automatically if you select “Y”.

• The copy operation can be aborted at any time prior to actually starting the copy operation (i.e. while the [COPY] indicator is flashing) or during the disk exchange display (“d1” or “d2”) by pressing the [START/STOP] button.

● Copying Disk Orchestra Disks ([ORCH/3-10TR] and [RHYTHM] parts only)....................................................

All Disk Orchestra data except the right-hand and left-hand parts can be copied to a separate disk by following the

standard copy procedure outlined above. The copied data cannot, however, be copied a second time to another disk.

● Copying the Style Disk Data..................................................................................................................

All Style Disk data can be copied to a separate disk by following the standard copy procedure outlined above. A single disk can hold up to 50 styles. Style Disk data can only be copied to a newly formatted disk (i.e. no other data can be previously recorded on the disk) or a disk which already contains copied style data.

• Data from the Style Disk cannot be copied to a disk that contains Performance

NOTES

Memory or Disk Orchestra Collection data. The reverse is also true: Performance Memory and Disk Orchestra Collection data cannot be copied to a disk that contains data copied from the Style Disk.

● Copying Data Recorded Without a Disk...............................................................................................

If you’ve used the performance memory to record data without first loading a disk: press the [COPY] button, insert a formatted disk, then select the destination song number and copy as described above.

• Data cannot be copied from Disklavier disks, or Standard MIDI File disks. Data

NOTES

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cannot be copied to any write protected disk. It is also not possible to copy from one song number to another within the same Disk Orchestra disk.

40

Disk Control

■Deleting a Song

You can delete any song from a loaded disk as follows:

ZEngage the Delete Function .................................................................................................................

MIDI/

TRANSPOSE

COPY

XSelect the Song to Delete .....................................................................................................................

Press the [COPY] button while holding the [MIDI/TRANSPOSE] button. The

[COPY] LED will flash and “d80” will appear on the SONG NUMBER display.

SONG NUMBER

Use the SONG NUMBER [▲] and [▼] buttons to select the song number you

wish to delete.

d1

CConfirm & Execute the Delete Operation ............................................................................................

SONG NUMBER

nY

COPY

Press the [COPY] button a second time — “n8Y” will appear on the SONG

NUMBER display. Use the SONG NUMBER [▲] and [▼] buttons to select either

“n” (NO) or “Y” (YES) on the display. “Y” to immediately delete the selected song, or “n” if you wish to cancel the operation.

• The delete operation can be aborted at any time prior to actually starting the

NOTES

delete operation (i.e. while the [COPY] indicator is flashing) by pressing the [START/STOP] button.

• Data recorded to memory without loading a disk can be deleted simply by executing step Zand selecting “n” or “Y”.

• Data cannot be deleted from any write protected disk, the supplied Style Disk, Disk Orchestra Collection disks, or Disklavier disks.

■Error Messages

If an error related to the disk occurs, one of the following messages may appear. If this happens, check the possible causes and solutions listed below. If all else fails, try a different disk. If this doesn’t clear up the problem, contact your Yamaha dealer.

dEr Disk Error.

Pro Write Protected.

For Unformatted Disk.

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An error occurred while writing to or reading from the disk.

Try the operation again; if the error occurs a second time the disk or drive may be faulty. If the drive has been in use for some time the heads may be dirty. Clean the heads with a commercially-available floppy disk head cleaner. If the error still occurs with one disk and not others the disk should be considered faulty and should be discarded. If the error occurs with all disks the drive may be faulty. Refer the problem to your Yamaha dealer.

You have attempted to format, write to, copy to, or delete data from a writeprotected disk. Use a disk that is not write protected (set the disk’s write-protect tab to the write-enable position).

The loaded disk is not formatted for use with the PDP-400. After making sure that the disk does not contain any important data (for another device, for example), format the disk as described on page 38.

Utility Mode 1

41

The “general utility functions” in this group apply

to a wide range of functions and features. There

POP JAZZ

ROCK

are 10 functions in the group which are accessed as follows:

MIDI/

TRANSPOSE

AUTO ACCOMPANIMENT

RHYTHM

DEMO

REVERB

FOOT SWITCH

MAX

ROOM

SOFT

HALL 1

SOSTENUTO

MASTER VOLUME

HALL 2

START/STOP

MIDI/

COSMIC

SOLO STYLEPLAY

TRANSPOSE

MIN MAX

MIN

SWING JAZZ

BALLAD

STYLE

AUTO BASS CHORD

DANCE

16BEAT

SINGLE FINGERFULL KEYBOARD FINGERED

SYNCHRO START

ROCK’N’

SOLO

POP

BALLAD

ROLL

STYLEPLAY

16BEAT

POWER

JAZZ

POP

SHUFFLE

HOUSE

ROCK

INTRO/ENDING

BIG BAND

BOSSA

CHA-CHA

SWING JAZZ

BOOGIE

SAMBA

RHUMBA

BALLAD

VARIATION NORMAL

BASS

CHORD 1

CHORD 2

MAX

START/STOP

MIN

VOICE

BEAT

BLUE-

SLOW

GRASS

ROCK

DISK

ROCK

COUNTRY

CLAVINOVA

PIANO E.PIANO HARPSI VIBES GUITAR STRINGS SPLIT

STYLE 1

SHUFFLE

METRONOME

TONE

1 MARCH POLKA

234567

WALTZ

8

90

UPRIGHT

TAP TEMPO

ELEC

ORGAN CHOIR

DRUMS VOICE 13-60

BASS

DISK

JAZZ

STYLE 2

WALTZ

DISK ORCHESTRA / PERFORMANCE MEMORY

SONG NUMBER

PHRASE

SONG

GUIDE

REPEAT

SELECT

/

START/STOP

LEFT/2TR ORCH/3-10TR RHYTHM

RIGHT/1TR

REW

ZSelect a Utility Function.........................................................................................................................

Use the [POP/JAZZ ROCK] and [SWING/JAZZ BALLAD] style selectors

while holding the [MIDI/TRANSPOSE] button. The [POP/JAZZ ROCK] style selector increments the utility function number each time it is pressed, and the [SWING/JAZZ BALLAD] button decrements the utility function number.

The Utility Mode 1 functions are indicated on the TEMPO display by a tall “U”

in the leftmost digit position. The number of the function is displayed by the center digit (“1” through “9”, and “b”), and the current setting is shown by the right digit.

The [MIDI/TRANSPOSE] button must be held until after you’ve set the func-

tion, below.

• You can cancel the selected function at this point and exit from the utility mode

NOTES

simply be releasing the [MIDI/TRANSPOSE] button.

MIDI/

TRANSPOSE

U1.2

Utility Mode 1

Function number

Setting

POP JAZZ

ROCK

SWING JAZZ

BALLAD

DISK CONTROL

CHORD

REC

F F

PAUSE

COPY

FORMAT

SEQUENCE

XSet as Required ......................................................................................................................................

MIDI/

TRANSPOSE

TEMPO

Use the TEMPO [▲] and [▼] buttons while still holding the [MIDI/TRANS-

POSE] button to select the required setting (the available settings for each utility

function are listed below).

CRelease the [MIDI/TRANSPOSE] Button to Exit...................................................................................

Release the [MIDI/TRANSPOSE] button to exit from the Utility 1 Mode when

you’ve finished making the required settings.

U1: T ouch Sensitivity

The PDP-400 can be set to one of three different types of keyboard touch sensitivity to match different playing styles

and preferences.

1: Soft. Allows maximum loudness to be produced with relatively light key pressure. 2: Medium. Produces a fairly “standard” keyboard response. 3: Hard. Requires the keys to be played quite hard to produce maximum loudness.

• The MEDIUM setting (2) is automatically selected whenever the POWER switch is turned

NOTES

on.

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42

Utility Mode 1

U2: Accompaniment Volume Mode

Normally the Auto Accompaniment volume controls are used to adjust the volume of the Rhythm, Chord 1, Chord 2, and Bass accompaniment parts, as labelled on the PDP-400 panel. This function can be used to assign these volume controls to other operations.

1: Rhythm, Chord 1, Chord 2, and Bass volume control. 2: Modulation, Pitch Bend +, Pitch Bend -, and Expression. In this mode the RHYTHM slider

controls modulation depth, the CHORD 1 slider controls upward pitch bend, the CHORD 2 slider controls downward pitch bend, and the BASS slider controls expression (overall volume).

3: Reverb depth for the Rhythm, Chord 1, Chord 2, and Bass tracks. This applies when playing

with ABC and when playing back performance memory data that was recorded with ABC. When playing back performance memory data that was recorded without ABC, and when playing back Disk Orchestra Collection data, the CHORD 1, CHORD 2 and BASS controls correspond to tracks 4-10, 1-2, and 3, respectively.

• The Rhythm, Chord 1, Chord 2, and Bass volume setting (1) is automatically selected when-

NOTES

ever the POWER switch is turned on.

•1 and 2 can be recorded and their initial values can be changed as described on page 34.

3

U3: Individual Key Tuning

The Individual Key Tuning Feature makes it possible to individually tune each key on the PDP-400 keyboard in order to match different tuning standards. The pitch of each key can be raised or lowered by a maximum of 50 cents (approximately) from the standard pitch.

applies only to playback.

: Individual key tuning OFF.

F U: Raise pitch. d: Lower pitch.

ZSelect Up or Down Tuning.....................................................................................................................

First, use the TEMPO [▲] and [▼] buttons to select either “U” if you want to raise the

pitch of a key or “d” if you want to lower the pitch of a key. Remember to keep the [MIDI/

TRANSPOSE] button held until step V, below.

XPress the Key To Be Tuned Once .........................................................................................................

Press the key to be tuned once to display the current tuning value on the SONG NUMBER

display. “0” indicates normal pitch, positive values indicate that pitch has been increased by the corresponding number of steps (about 1.2 cents per step), and negative (“-”) values indicate that pitch has been lowered by the corresponding number of steps.

CPress the Key To Tune...........................................................................................................................

Subsequent presses on the key selected in the previous step tune the key in the specified “U” or “d” direction — one 1.2-cent step per press. The highest and lowest possible values are “44” and “-44”, respectively.

VSelect a New Key Or Exit .......................................................................................................................

To tune a different key, repeat steps Z through C, above. To exit from the Individual Key Tuning function, release the [MIDI/TRANSPOSE] key.

• Individual key tuning is automatically turned OFF (F) whenever the POWER switch is turned on.

NOTES

• The Individual Key Tuning data can be saved to and loaded from disk by using the Utility Mode 2 “Save Individual Key Tuning” and “Load Individual Key Tuning” functions (pages 45 and 46).

U4: Style Tempo Switching

This function determines whether the “suggested” tempo for each style will be automatically selected whenever a style is selected (while style playback is stopped) or whether the currently selected tempo will be maintained regardless of the selected style (refer to page 17).

n: Style tempo switching OFF — the current tempo is maintained. Y: Style tempo switching ON —

• Style tempo switching is automatically turned ON (Y) whenever the POWER switch is turned on.

NOTES

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the suggested tempo for each style is automatically selected.

U5: Auto Synchro Start Switching

This function determines whether the “Synchro Start” mode will automatically be turned ON and OFF when an ABC

mode is turned ON and OFF (refer to page 20, 21).

n: Auto synchro start switching OFF — synchro start is not tur ned on and off with ABC. Y: Auto synchro start switching ON — synchro start is automatically turned on and off with ABC.

• Auto synchro start switching is automatically turned ON (Y) whenever the POWER switch is

NOTES

turned on.

U6: Random All Song Repeat

This function determines whether the songs are played back and repeated in sequential or random order when “ALL”

is selected when playing back a disk (refer to page 26). This function also affects demo song playback (page 6).

n: Random all song repeat OFF — the songs are played in sequence. Y: Random all song repeat ON — the songs are played in random order.

• Random all song repeat is automatically turned OFF (n) whenever the POWER switch is turned

NOTES

on.

U7: Octave Shift

This function determines whether the left-hand voice in a split keyboard setup will be automatically shifted up one

octave (refer to page 10).

n: Octave shift OFF — no octave shift will occur. Y: Octave shift ON — appropriate voices will be shifted.

Utility Mode 1

43

• Octave shift is automatically turned ON (Y) whenever the POWER switch is turned on.

NOTES

U8: Mute

Turns the Auto Accompaniment mute function on or off (refer to page 22).

n: Mute OFF. Y: Mute ON.

• The mute function is automatically turned ON (Y) whenever the POWER switch is turned on.

NOTES

U9: Minor Harmonization

Turns the Auto Accompaniment minor harmonization function on or off (refer to page 22).

n: Minor harmonization OFF. Y: Minor harmonization ON.

• The Minor harmonization function is automatically turned OFF (n) whenever the POWER

UA:

(Not Used)

NOTES

This function permanently set to “Y” and cannot be changed.

switch is turned on.

Ub: Standard MIDI File Playback Mode

This function determines whether standard MIDI files on floppy disk are played back using the General MIDI voice

assignments or the standard PDP-400 voice assignments.

n: Standard SMF Mode. Standard PDP-400 voice assignments (unless a “GM ON” message is

included in the data). Track 10 not necessarily drums.

Y: GM SMF Mode. General MIDI voice assignments. Track 10 is always drums.

• The Standard SMF mode is useful when playing back a disk containing Standard MIDI Files

NOTES

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created on an external sequencer using the PDP-400 panel voice assignments.

• The GM SMF mode is automatically selected (Y) whenever the POWER switch is turned on.

44

Utility Mode 2

This group of utility functions covers a range of disk-related jobs. There are 6 functions in the group which are accessed as follows:

• Utility Mode 2 functions can

NOTES

only be accessed when a disk

DANCE POP

POWER HOUSE

BIG BAND BOOGIE

is present in the PDP-400 disk drive.

MIDI/

TRANSPOSE

AUTO ACCOMPANIMENT

BASS

RHYTHM

CHORD 1

DEMO

REVERB

FOOT SWITCH

MAX

SOFT

ROOM HALL 1

SOSTENUTO

MASTER VOLUME

HALL 2

START/STOP

MIDI/

COSMIC

SOLO STYLEPLAY

TRANSPOSE

MIN MAX

MIN

STYLE

AUTO BASS CHORD

DANCE

16BEAT

SINGLE FINGERFULL KEYBOARD FINGERED

SYNCHRO START

ROCK’N’

SOLO

POP

BALLAD

ROLL

STYLEPLAY

16BEAT

POWER

JAZZ

POP

SHUFFLE

HOUSE

ROCK

INTRO/ENDING

SWING

BIG BAND

BOSSA

CHA-CHA

JAZZ

BOOGIE

SAMBA

RHUMBA

BALLAD

VARIATION NORMAL

CHORD 2

MAX

START/STOP

MIN

VOICE

BEAT

BLUE-

SLOW

GRASS

ROCK

DISK

COUNTRY

ROCK SHUFFLE

MARCH POLKA

CLAVINOVA

PIANO E.PIANO HARPSI VIBES GUITAR STRINGS SPLIT

STYLE 1

SHUFFLE

METRONOME

TONE

1

234567

WALTZ

8

90

UPRIGHT

TAP TEMPO

ELEC

ORGAN CHOIR

DRUMS VOICE 13-60

BASS

DISK

JAZZ

STYLE 2

WALTZ

SONG NUMBER

ZSelect a Utility Function.........................................................................................................................

Use the [DANCE POP/POWER HOUSE] and [BIG BAND/BOOGIE] style selectors while holding the [MIDI/TRANSPOSE] button. The [DANCE POP/POWER HOUSE] style selector increments the utility function number each time it is pressed, and the [BIG BAND/BOOGIE] button decrements the utility function number.

The Utility Mode 2 functions are indicated on the TEMPO display by a small “u” in the leftmost digit position. The number of the function is displayed by the center digit (“1” through “6”), and the function is indicated by the right digit.

The [MIDI/TRANSPOSE] button must be held until after you’ve executed the function, below.

• You can cancel the selected function at this point and exit from the utility mode simply

NOTES

be releasing the [MIDI/TRANSPOSE] button.

MIDI/

TRANSPOSE

u1.c

Utility Mode 2

DANCE POP

POWER HOUSE

BIG BAND BOOGIE

Function number

DISK ORCHESTRA / PERFORMANCE MEMORY

PHRASE

SONG

REPEAT

SELECT

/

START/STOP

RIGHT/1TR

GUIDE

LEFT/2TR ORCH/3-10TR RHYTHM

DISK CONTROL

CHORD

F F

REC

PAUSE

COPY

FORMAT

REW

SEQUENCE

XExecute as Required ..............................................................................................................................

MIDI/

TRANSPOSE

TEMPO

Use the TEMPO [▲] or [▼] button while still holding the [MIDI/TRANSPOSE] button to execute the function (the “u6” function uses other buttons).

CRelease the [MIDI/TRANSPOSE] Button to Exit...................................................................................

Release the [MIDI/TRANSPOSE] button to exit from the Utility 2 Mode when you’ve finished making the required settings.

u1: DOC Common Voice Conversion

This function can be used to convert the performance memory voice assignments used by the PDP-400 to DOC (Disk Orchestra Collection) Common Voice Assignments so songs recorded on the PDP-400 can be played back on other compatible Yamaha instruments.

ZInsert the Disk and Select a Song.........................................................................................................

Insert the disk containing the data to be converted into the PDP-400 disk drive and select the song to be converted. This function cannot be executed if an appropriate disk is not loaded (see “Notes” below).

XSelect and Execute the Conversion Function .....................................................................................

Select the “u1” function as described in the introduction to this section, then, while still holding the [MIDI/TRANSPOSE] button, press the TEMPO [▲] or [▼] button to begin conversion. Simply release the [MIDI/TRANSPOSE] button before pressing the TEMPO

[▲] or [▼] button if you want to cancel the function. You can release the [MIDI/TRANS- POSE] button once the conversion has started, and the conversion will continue to comple-

tion.

The DOC Common Voice Conversion function will automatically be exited when the conversion is complete.

• This function cannot be used to convert the voice data on Disk Orchestra Collection,

NOTES

Disklavier, Style, Standard MIDI File, write-protected, or already-converted disks.

• Once converted, the data cannot be returned to its original form. It is therefore a good idea to make a backup copy of the data before using this function.

• Some models used for playback of the converted data may not have the required voices or different voices will be used, so the sound may not be exactly the same as the original.

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Utility Mode 2

u2: Save Panel Settings

This function saves the current settings of all panel controls to disk. The data can then be reloaded at any time by

using the Load Panel Settings function (u3), described next.

ZInsert the Disk and Select a Song Number ..........................................................................................

Make sure that a properly formatted disk is loaded in the PDP-400 disk drive and select the song number you want to save the data to. Panel settings can be saved to a blank song number or one that already contains performance memory data.

XSelect and Execute the Function .........................................................................................................

Select the “u2” function as described in the introduction to this section, then, while still holding the [MIDI/TRANSPOSE] button, press the TEMPO [ begin saving the panel settings. Simply release the [MIDI/TRANSPOSE] button before pressing the TEMPO [▲] or [▼] button if you want to cancel the function.

The panel settings are saved to one song file on the disk. The Save Panel Settings function will automatically be exited when the data has been saved.

ss

s] or [▼] button to

ss

u3: Load Panel Settings

45

This function reloads the panel settings saved to disk by the Save Panel Settings function (u2), described above.

ZInsert the Disk and Select a Song Number ..........................................................................................

Make sure that the disk containing the saved panel settings is loaded in the PDP-400 disk drive and select the song number you want to load the data from.

XSelect and Execute the Function .........................................................................................................

Select the “u3” function as described in the introduction to this section, then, while still holding the [MIDI/TRANSPOSE] button, press the TEMPO [▲] or [▼] button to begin loading the panel settings. Simply release the [MIDI/TRANSPOSE] button before pressing the TEMPO [▲] or [▼] button if you want to cancel the function.

The Load Panel Settings function will automatically be exited when the data has been loaded.

u4: Save Individual Key Tuning

This function saves the current individual key tuning data set up via the Utility Mode 1 “Individual Key Tuning” function (U3) to disk. The data can then be reloaded at any time by using the Load Individual Key Tuning function (u5), described next.

ZInsert the Disk and Select a Song Number ..........................................................................................

Make sure that a properly formatted disk is loaded in the PDP-400 disk drive and select the song number you want to save the data to. Individual key tuning data can be saved to a blank song number or one that already contains performance memory data.

XSelect and Execute the Function ..........................................................................................................

Select the “u4” function as described in the introduction to this section, then, while still holding the [MIDI/TRANSPOSE] button, press the TEMPO [▲] or [▼] button to begin saving the tuning settings. Simply release the [MIDI/TRANSPOSE] button before pressing the TEMPO [▲] or [▼] button if you want to cancel the function.

The tuning settings are saved to one song file on the disk. The Save Individual Key Tuning function will automatically be exited when the data has been saved.

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46

Utility Mode 2

u5: Load Individual Key Tuning

This function reloads the individual key tuning data saved to disk by the Save Individual Key Tuning function (u4),

described above.

ZInsert the Disk and Select a Song Number ..........................................................................................

Make sure that the disk containing the saved tuning data is loaded in the PDP-400 disk

drive and select the song number you want to load the data from.

XSelect and Execute the Function ..........................................................................................................

Select the “u5” function as described in the introduction to this section, then, while

still holding the [MIDI/TRANSPOSE] button, press the TEMPO [▲] or [▼] button to begin loading the tuning data. Simply release the [MIDI/TRANSPOSE] button before pressing the TEMPO [▲] or [▼] button if you want to cancel the function.

The Load Individual Key Tuning function will automatically be exited when the data has been loaded. The Individual Key Tuning function (U3) will then be automatically engaged with the loaded tuning, unless the loaded data is the same as that currently in the PDP-400.

u6: Quantize Song Data

This function “quantizes” song memory data that has already been recorded to disk. This means that all notes are

aligned to the nearest specified beat, thereby “tightening up” the overall timing.

ZInsert the Disk and Select a Song .........................................................................................................

Make sure that the disk containing the song you want to quantize is loaded in the PDP400 disk drive, and that the song to be quantized is selected.

XSelect the Quantize Function ................................................................................................................

Select the “u6” function as described in the introduction to this section.

CSelect the Quantize Value ......................................................................................................................

While still holding the [MIDI/TRANSPOSE] button, use the SONG NUMBER [▲]

SONG NUMBER

32

and [▼] buttons to select the desired quantize value, as shown on the SONG NUMBER display:

oFF: “Free”. No quantization.

32: All notes aligned to the nearest 32nd note. 16: All notes aligned to the nearest 16th note.

8: All notes aligned to the nearest 8th note. 24: All notes aligned to the nearest 16th note triplet. 12: All notes aligned to the nearest 8th note triplet.

6: All notes aligned to the nearest quarter note triplet.

3

VSelect a Track..........................................................................................................................................

Still holding the [MIDI/TRANSPOSE] button, use the [RIGHT/1TR], [LEFT/2TR],

or [ORCH/3-10TR] and [▲]/[▼] buttons to select the track you want to quantize.

BQuantize the Data ...................................................................................................................................

Still holding the [MIDI/TRANSPOSE] button, press the TEMPO [▲] button to begin

nY

TEMPO

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quantization or the [▼] button to cancel. The Quantize Song Data function will automatically be exited when the data has been quantized.

• Once quantized, song data cannot be returned to its original “free” form. It is therefore a

NOTES

good idea to make a backup copy of the data before using this function.

• Only song data created by the PDP-400 can be quantized. Data converted by the DOC Common Voice Conversion function (page 44) cannot be quantized.

• Only note and voice data is quantized.

MIDI Functions

MIDI, the Musical Instrument Digital Interface, is a world-standard communication interface that allows MIDI-compatible musical instruments and equipment to share musical information and control one another. This makes it possible to create “systems” of MIDI instruments and equipment that offer far greater versatility and control than is available with isolated instruments.

The PDP-400 has 11 MIDI functions that are accessed by pressing the appropriate VOICE selector while holding the [MIDI/TRANSPOSE] button. The MIDI functions accessed by the various VOICE selectors are shown in the following chart:

47

Function Selector

1. Send Channel Select PIANO

2. Receive Channel Select CLAVINOVA TONE

MIDI/

TRANSPOSE

CLAVINOVA

PIANO E.PIANO HARPSI VIBES GUITAR STRINGS

TONE

1

2

8

90

ORGAN CHOIR

3. Local ON/OFF E. PIANO

4. Program Change ON/OFF HARPSI

5. Control Change ON/OFF VIBES

6. Multi-Timbre Mode ON/OFF GUITAR

AUTO ACCOMPANIMENT

BASS

RHYTHM

CHORD 1

DEMO

REVERB

FOOT SWITCH

MAX

SOFT

ROOM HALL 1

SOSTENUTO

MASTER VOLUME

HALL 2

START/STOP

MIDI/

COSMIC

SOLO STYLEPLAY

TRANSPOSE

MIN MAX

MIN

STYLE

AUTO BASS CHORD

CHORD 2

SINGLE FINGERFULL KEYBOARD FINGERED

MAX

SYNCHRO

INTRO/ENDING

START/STOP

START

VARIATION NORMAL

MIN

BLUE-

DANCE

SLOW

16BEAT

ROCK’N’

SOLO

POP

GRASS

POP

ROCK

BALLAD

ROLL

STYLEPLAY

16BEAT

DISK

COUNTRY

ROCK

POWER

JAZZ

POP

SHUFFLE

STYLE 1

SHUFFLE

HOUSE

ROCK

SWING

WALTZ

BIG BAND

BOSSA

CHA-CHA

MARCH

DISK

JAZZ

BOOGIE

SAMBA

RHUMBA

POLKA

STYLE 2

BALLAD

WALTZ

7. Split Send Mode STRINGS

8. MIDI Clock Select ORGAN

9. Panel Data Transmit CHOIR

10. MIDI Transpose Transmit UPRIGHT BASS

11. DOC Common Voice Mode ON/OFF ELEC BASS

The available settings and procedure for each MIDI function are described below.

• Always use a high-quality MIDI cable to connect MIDI OUT to MIDI IN terminals.

NOTES

Never use MIDI cables longer than about 15 meters, since cables longer than this can pick up noise which can cause data errors.

• When using the PDP-400 with other MIDI equipment, always refer to the MIDI specifications (implementation chart and MIDI data format) of the equipment used to ensure compatibility.

METRONOME

TAP TEMPO

BEAT

3

456

UPRIGHT

ELEC

BASS

VOICE

CLAVINOVA

PIANO E.PIANO HARPSI VIBES GUITAR STRINGS SPLIT

TONE

1

234567

8

90

UPRIGHT

ELEC

ORGAN CHOIR

DRUMS VOICE 13-60

BASS

7

DISK ORCHESTRA / PERFORMANCE MEMORY

SONG NUMBER

PHRASE

SONG

GUIDE

REPEAT

SELECT

/

START/STOP

LEFT/2TR ORCH/3-10TR RHYTHM

RIGHT/1TR

DISK CONTROL

CHORD

REC

F F

PAUSE

COPY

FORMAT

REW

SEQUENCE

■Send and Receive Channel Select

In any MIDI control setup, the MIDI channels of the transmitting and receiving equipment must be matched for proper data transfer (there are 16 MIDI channels). An “OMNI” receive mode is also available, which allows reception on all 16 MIDI channels. In the OMNI mode it is not necessary to match the receive channel of the receiving device to the transmit channel of the transmitting device.

ZHold [MIDI/TRANSPOSE] and press [PIANO] to set the send channel or

S1......S16

Send channel

r1......r16

Receive channel

ALL

OMNI ON

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

[CLAVINOVA TONE] to set the receive channel.

XUse TEMPO [▲] and [▼] buttons to select the desired channel (the selected

channel number is shown on the TEMPO display — the OMNI ON receive mode is indicated by “ALL” on the display).

CRelease [MIDI/TRANSPOSE].

• When the power is initially turned ON, MIDI receive is set to the OMNI ON mode

NOTES

and the transmit channel is set to 1.

48

MIDI Functions

■Local Control ON/OFF

MIDI OUT

MIDI Sequencer

MIDI IN

Tone Generator

Played from PDP-400 keyboard.

MIDI OUT

“Local Control” refers to the fact that, normally, the PDP-400 keyboard controls its internal tone generator, allowing the internal voices to be played directly from the keyboard. This situation is “Local Control ON” since the internal tone generator is controlled locally by its own keyboard.

Local control can be turned off, however, so that the PDP-400 keyboard does not play the internal voices, but the appropriate MIDI information is still transmitted via the MIDI OUT connector when notes are played on the keyboard. At the same time, the internal tone generator responds to MIDI information received via the MIDI IN connector. This means that while an external MIDI sequencer, for

PDP-400

Local control OFF. Played from MIDI Sequencer.

example, plays the PDP-400’s internal voices, an external tone generator can be played from the PDP-400 keyboard. Local Control is automatically turned ON when the power is initially turned on.

E.PIANO

= local control OFF.

E.PIANO

= local control ON.

ZHold [MIDI/TRANSPOSE] and press [E. PIANO].

XRelease [MIDI/TRANSPOSE].

■Program Change ON/OFF

Normally the PDP-400 will respond to MIDI program change numbers received from an external keyboard or other MIDI device, causing the correspondingly numbered PDP-400 voice to be selected. The PDP-400 will normally also send a MIDI program change number whenever one of its voices is selected, causing the correspondingly numbered voice or program to be selected on the external MIDI device if the device is set up to receive and respond to MIDI program change numbers.

This function makes it possible to cancel program change number reception and transmission so that voices can be selected on the PDP-400 without affecting the external MIDI device, and vice versa. Program Change is automatically turned on when the power is initially turned on.

HARPSI

= program change reception/

transmission OFF.

HARPSI

= program change reception/

transmission ON.

ZHold [MIDI/TRANSPOSE] and press [HARPSI].

XRelease [MIDI/TRANSPOSE].

■Control Change ON/OFF

Normally the PDP-400 will respond to MIDI control change data received from an external MIDI device or keyboard, causing the selected PDP-400 voice to be affected by pedal and other “control” settings received from the controlling device. The PDP-400 also transmits MIDI control change information when either of its pedals or the modulation wheel are operated.

This function makes it possible to cancel control change data reception and transmission if you do not want the PDP400 voices to be affected by control change data received from an external device or vice versa. Control Change is automatically turned on when the power is initially turned on.

VIBES

= control change reception/

transmission OFF.

VIBES

= control change reception/

transmission ON.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

ZHold [MIDI/TRANSPOSE] and press [VIBES].

XRelease [MIDI/TRANSPOSE].

■The Multi-Timbre Mode

The Multi-Timbre mode is a special mode in which the PDP-400 voices can be independently controlled on different MIDI channel numbers (1 through 15) by an external MIDI device. The Multi-Timbre mode is off when the power is initially turned on.

The Multi-Timbre mode can be activated as follows:

MIDI Functions

49

GUITAR

= Multi-Timbre mode ON.

GUITAR

= Multi-Timbre mode OFF.

ZHold [MIDI/TRANSPOSE] and press [GUITAR].

XRelease [MIDI/TRANSPOSE].

In this mode MIDI program change numbers received by the PDP-400 select the corresponding PDP-400 voices — i.e. the same voices selected by the panel controls. The DOC Common Voice Mode described on page 50 also allows multi-timbre control of the PDP-400, but with different voice assignments.

● Rhythm Instrument Note Assignments

The PDP-400’s rhythm instruments are controlled via MIDI channel 15. The note assignments for the various rhythm instruments are given below:

Note (MIDI Note No.)

A1 (45) CYMBAL DAMP F#2 (54) BRUSH ROLL G#2 (56) HI-HAT CLOSED HEAVY A#2 (58) CRASH CYMBAL LIGHT B2 (59) BASS DRUM LIGHT C3 (60) C#3 (61) RIDE CYMBAL CUP D3 (62) F3 (65) BASS DRUM NORMAL F#3 (66) RIM SHOT G3 (67) SNARE DRUM HEAVY G#3 (68) BRUSH SHOT A3 (69) SNARE DRUM LIGHT A#3 (70) HI-HAT PEDAL B3 (71) SNARE DRUM ECHO C4 (72) TOM 4 C#4 (73)

Instrument

SNARE DRUM + RIM HEAVY

SNARE DRUM + RIM LIGHT

HI-HAT CLOSED NORMAL

Note (MIDI Note No.)

D4 (74) TOM 3 D#4 (75) HI-HAT OPEN E4 (76) TOM 2 F4 (77) TOM 1 F#4 (78) RIDE CYMBAL NORMAL G4 (79) ELECTRIC TOM 3 G#4 (80) CRASH CYMBAL A4 (81) ELECTRIC TOM 2 A#4 (82) B4 (83) ELECTRIC TOM 1 C5 (84) CONGA LOW C#5 (85) CABASA D5 (86) CONGA HIGH D#5 (87) METRONOME E5 (88) BONGO HIGH F5 (89) TIMBALE LOW

Instrument

CRASH CYMBAL NORMAL

Note (MIDI Note No.)

F#5 (90) CLAVES G5 (91) TIMBALE HIGH G#5 (92) CASTANETS A5 (93) CUICA LOW A#5 (94) COWBELL B5 (95) CUICA HIGH C6 (96) HAND CLAP C#6 (97) AGOGO LOW D#6 (99) AGOGO HIGH E6 (100) BONGO LOW F6 (101) CUICA LOW F#6 (102) TAMBOURINE G6 (103) CRASH CYMBAL G#6 (104) TRIANGLE CLOSED A6 (105) BRUSH ROLL A#6 (106) TRIANGLE OPEN

Instrument

■The Split Send Mode

In the split send mode notes played on the left-hand section of the keyboard (to the left of and including the split point key — see “Changing the Split Point” on page 10) are transmitted on MIDI channel 2, while the upper keyboard section transmits on the MIDI channel set using the Send Channel Select function described earlier. In this mode the leftand right-hand sections of the keyboard can be used to play separate external keyboards or tone generators set to receive on the appropriate channels. The Split Send Mode is automatically turned off when the power is initially turned on.

STRINGS

= Split Send Mode ON.

STRINGS

= Split Send Mode OFF.

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ZHold [MIDI/TRANSPOSE] and press [STRINGS].

XRelease [MIDI/TRANSPOSE].

50

MIDI Functions

■MIDI Clock Select

This function determines whether the PDP-400’s rhythm and ABC timing is controlled by the PDP-400’s own internal clock or an external MIDI clock signal received from external equipment connected to the MIDI IN connector. The Clock Mode is automatically set to INTERNAL when the power is initially turned on.

ORGAN

= EXTERNAL.

ORGAN

= INTERNAL.

■Panel Data Send

This function causes all the current PDP-400 panel settings (selected voice, etc) to be transmitted via the MIDI OUT connector. This is particularly useful if you will be recording performances to a MIDI sequence recorder which will be used to control the PDP-400 on playback. By transmitting the PDP-400 panel settings and recording them on the MIDI sequence recorder prior to the actual performance data, the PDP-400 will be automatically restored to the same settings when the performance is played back.

ZHold [MIDI/TRANSPOSE] and press the [ORGAN]. XRelease [MIDI/TRANSPOSE].

• If the Clock Mode is set to EXTERNAL and a MIDI clock signal is not being received

NOTES

from an external source, the rhythm, ABC and other clock-dependent features will not operate.

ZHold [MIDI/TRANSPOSE] and press [CHOIR].

XRelease [MIDI/TRANSPOSE].

■MIDI Transpose T ransmit

This function transposes the pitch of transmitted MIDI note data up or down in semitone intervals up to a maximum of six semitones. The pitch of notes played on the keyboard is not affected.

Display Transposition

t-6 -6 semitones t-5 -5 semitones t-4 -4 semitones t-3 -3 semitones t-2 -2 semitones t-1 -1 semitone t-0 Normal t-1 +1 semitone t-2 +2 semitones t-3 +3 semitones t-4 +4 semitones t-5 +5 semitones t-6 +6 semitones

ZHold [MIDI/TRANSPOSE] and press [UPRIGHT BASS]. XUse the TEMPO [▲] and [▼] buttons to select the desired degree of transposition

while holding the [MIDI/TRANSPOSE] button. The amount of transposition selected is shown on the TEMPO display.

CRelease [MIDI/TRANSPOSE].

• Press the TEMPO [▲] and [▼] buttons simultaneously while holding the [MIDI/

NOTES

TRANSPOSE] button to restore normal transmitted pitch.

• Transpose is always set to Normal when the power is turned on.

■The DOC Common Voice Mode

This mode is similar to the Multi-Timbre Mode described on page 49, but MIDI program change numbers received on all channels are converted to Yamaha DOC Common Voice Numbers. MIDI program change numbers transmitted when the panel voice selectors are operated are also converted to the common voice numbers.

The DOC Common Voice mode is always off when the power is initially turned on. It can be activated as follows:

ELEC BASS

= Common Voice mode

ON.

ELEC BASS

= Common Voice mode

OFF.

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ZHold [MIDI/TRANSPOSE] and press [ELEC BASS].

XRelease [MIDI/TRANSPOSE].

• The panel voices you play on the keyboard are not converted to the DOC Common

NOTES

Voices in this mode.

The Connectors

Although the PDP-400 is a self-contained musical instrument that simply be plugged into the AC mains outlet and played, it also features a number of connectors for system expansion.

● AUX IN L and R Jacks ............................................................................................................................

AUX IN

L

R

Tone Generator

● AUX OUT L/L+R and R Jacks ................................................................................................................

AUX OUT

L/L+R

R

These jacks are intended primarily for use with external synthesizers or tone

generator modules.

For example, the outputs of the synthesizer/tone generator can be to the PDP-

400 AUX IN jacks, allowing the sound of the synthesizer/tone generator to be reproduced via the PDP-400’s internal amplifier and speaker system.

• The input signal from the AUX IN jacks is delivered to the AUX OUT jacks, but is

NOTES

not affected by the PDP-400’s volume control or reverb effect.

The AUX OUT L/L+R and R jacks deliver the output of the PDP-400 for con-

nection to an instrument amplifier, mixing console, PA system, or recording equipment. If you will be connecting the PDP-400 to a monaural sound system, use only the L/L+R jack. When a plug is inserted into the L/L+R jack only, the left- and right-channel signals are combined and delivered via the L/L+R jack so you don’t lose any of the PDP-400’s sound.

51

Stereo System

CAUTION

• The AUX OUT jack signal must never be returned to the AUX IN jacks, either directly or through external equipment.

● MIDI IN, THRU and OUT Connectors ....................................................................................................

THRU

Tone Generator

MIDI OUT

MIDI Sequencer

IN

The MIDI IN connector receives MIDI data from an external MIDI device

(such as a synthesizer, sequencer, music computer, etc.) which can be used to control the PDP-400. The MIDI THRU connector re-transmits any data received at the MIDI IN connector, allowing “chaining” of several MIDI instruments or other devices. The MIDI OUT connector transmits MIDI data generated by the PDP-400 (e.g. note and velocity data produced by playing the PDP-400 keyboard).

More details on MIDI are given in “MIDI Functions” on page 47.

● MIC. Jack, MIC. VOL. and REVERB VOL. Controls .............................................................................

A standard microphone with a 1/4" phone plug can be connected to

the MIC. jack. The microphone sound is then mixed with the PDP-400

MIN

MAX

REVERB VOL.

MIN

MAX

MIC. VOL. MIC.

sound and delivered via the PDP-400’s speakers. The MIC. VOL. control can be used to adjust the microphone volume, and the REVERB VOL. control can be used to adjust the depth of the reverb effect applied to the microphone sound.

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52

If you encounter what appears to be a malfunction, please check the following points before assuming that your PDP-400 is faulty.

Troubleshooting

1. No Sound When the Power is Turned On

Is the AC plug properly connected to an AC wall outlet? Check the AC connection carefully. Is the MASTER VOLUME control turned up to a reasonable listening level?

2. No Rhythm, ABC, or Performance Memory Sound

Check the Auto Accompaniment volume control settings. No sound is produced if these are set to their minimum positions.

3. The PDP-400 Reproduces Radio or TV Sound

This can occur if there is a high-power transmitter in your vicinity. Contact your Yamaha dealer.

4. Intermittent Static Noise

This is usually due to turning on or off a household appliance or other electronic equipment which is fed by the same AC mains line as your PDP-400.

5. Interference Appears On Radio or TV Sets Located Near the PDP-400

The PDP-400 contains digital circuitry which can generate radio-frequency noise. The solution is to move the PDP400 further away from the affected equipment, or vice versa.

6. Distorted Sound When the PDP-400 is Connected to An External Amplifier/Speaker System

If the PDP-400 is connected to a stereo system or instrument amplifier and the sound is distorted, reduce the setting of the PDP-400 volume control to a level at which the distortion ceases.

Options

● BC-7 Bench

A stable, comfortable bench styled to match your Yamaha PDP-400.

● HPE-160 Stereo Headphones

High-performance lightweight dynamic headphones with extra-soft ear pads.

● Keyboard Stand LP-3

This convenient stand positions the keyboard at just the right height for comfortable playing.

● Foot Switch FC4/FC5

One FC4 foot switch is supplied with the PDP-400. Obtain another FC4 or an FC5 foot switch if you want to use both the DAMPER and FOOT SWITCH functions.

• Some items may not be available in certain areas.

NOTES

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Index

53

A

A-B repeat ................................................... 29

ABC, recording with .................................... 33

Accompaniment volume mode.................... 42

Auto accompaniment volume controls .......... 5

Auto Bass Chord ......................................... 20

Auto synchro start switching ....................... 43

Aux in jacks ................................................. 51

Aux out jacks............................................... 51

B

Balance, dual mode ...................................... 9

Balance, split mode..................................... 11

C

Chord sequence.......................................... 37

Chord types................................................. 21

Connectors.................................................. 51

Control change on/off.................................. 48

Conventional Full-keyboard ABC ................ 22

Copying songs ............................................ 39

D

Damper pedal ............................................. 14

Damper pedal, split mode ........................... 11

Delayed wait ............................................... 28

Deleting a song ........................................... 40

Demonstration playback ............................... 6

Depth control, reverb .................................. 12

Disk control ................................................. 38

Disk orchestra automatic performance ....... 26

Disk orchestra collection disk copy ....... 30, 39

Disk orchestra playback part selection ....... 27

Disk style list ............................................... 24

Disk styles ................................................... 23

DOC common voice conversion ................. 44

DOC common voice mode .......................... 50

Drum and percussion key assignments ........ 8

Dual mode..................................................... 9

E

Erasing tracks ............................................. 34

Error messages........................................... 40

ESEQ data files........................................... 30

F

Fill-ins.......................................................... 19

Fingered accompaniment ........................... 21

Floppy disk handling ..................................... 1

Formatting a disk ........................................ 38

Foot switch .................................................. 14

Foot switch, Solo Styleplay ......................... 25

Full-keyboard ABC ...................................... 22

G

General MIDI data files ............................... 30

Guide modes............................................... 28

Guided right- and left-hand practice............ 28

H

Harmonization, Solo Styleplay .................... 25

Headphones.................................................. 4

I

Individual key tuning ................................... 42

Individual key tuning, load........................... 46

Individual key tuning, save.......................... 45

Initial parameter values, changing .............. 34

Internal amplifier and speaker system .......... 5

Introductions ............................................... 18

K

Keyboard..................................................... 13

Keyboard percussion .................................... 8

L

Local control on/off...................................... 48

M

Metronome .................................................. 19

Mic. jack ...................................................... 51

Mic. reverb .................................................. 51

Mic. volume ................................................. 51

MIDI clock select ......................................... 50

MIDI connectors .......................................... 51

MIDI functions ............................................. 47

MIDI transpose transmit .............................. 50

Minor harmonization ............................. 22, 43

Monitoring tracks......................................... 34

Modulation wheel ........................................ 13

Multi-timbre mode ....................................... 49

Multi-timbre recording via MIDI ................... 36

Music stand ................................................... 4

Mute ...................................................... 22, 43

N

Normal wait .................................................28

O

Octave shift ................................................. 43

Options........................................................ 52

P

Pan.............................................................. 15

Panel controls ............................................... 2

Panel data send .......................................... 50

Panel settings, save/load ............................ 45

Parameters, performance memory ............. 33

Pause .......................................................... 30

Pedal pause/next phrase ............................ 30

Pedals ......................................................... 14

Performance memory ................................. 31

Phrase repeat ............................................. 29

Pitch wheel.................................................. 13

Pitch control ................................................ 16

Playback controls ........................................ 30

Playback, performance memory ................. 36

Polyphony ................................................... 13

Power switch ................................................. 4

Precautions ...................................................1

Program change on/off ............................... 48

Punch-in recording ...................................... 35

Q

Quantize song data ..................................... 46

R

Random all song repeat .............................. 43

Recording and playback, multitrack ............ 32

Recording and playback, one pass ............. 31

Repeat functions ......................................... 29

Reverb ........................................................ 12

Rewind and fast forward ............................. 30

Rhythm instrument MIDI note assignments 49

Rhythm, recording with ............................... 33

S

Send/receive channel select ....................... 47

Single-finger accompaniment ..................... 20

Soft pedal .................................................... 14

Solo styleplay .............................................. 25

Solo styleplay, recording with ..................... 33

Song number selection ......................... 26, 31

Sostenuto pedal .......................................... 14

Speaker on/off............................................... 4

Split mode ................................................... 10

Split point, ABC ........................................... 22

Split point, normal ....................................... 10

Split send mode .......................................... 49

Split voices, changing ................................. 10

Standard MIDI file playback mode .............. 43

Starting the accompaniment ....................... 18

Stopping the accompaniment ..................... 19

Style disk, copying ...................................... 39

Style tempo switching ................................. 42

Style selection ............................................. 17

Synchronized start ...................................... 18

T

Tap start ...................................................... 19

Tempo control ............................................. 17

Touch sensitivity ......................................... 41

Track selection ............................................ 33

Tracks, adding new ..................................... 34

Transposition .............................................. 15

Troubleshooting .......................................... 52

U

Utility mode 1 .............................................. 41

Utility mode 2 .............................................. 44

V

Voice list........................................................ 8

Voice selection .............................................. 7

Volume controls ................................ 5, 22, 28

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i

MIDI Data Format/MIDI-Datenformat/Format des

If you’re already very familiar with MIDI, or are using a computer to control your music hardware with computer-generated MIDI messages, the data provided in this section can help you to control the PDP-400.

Falls Sie bereits mit MIDI vertraut sind oder einen Computer zur Hardware-Steuerung einsetzen, werden Ihnen die nachfolgend aufgeführten Daten bei der Steuerung des PDP-400 wahrscheinlich hilfreich sein.

1. NOTE ON/OFF

[9nH] [kkH] [vvH]

9nH= Note on/off event

(n= MIDI channel number)

kkH= Note number

(Transmission: 0FH~72H= D#-1~F#7, Reception= 15H~6CH: A-1~C7)

vvH= Velocity

(Note on= 01H~7FH, Note off= 00H)

[8nH] [kkH] [vvH]

8nH= Note off event

(n= MIDI channel number)

kkH= Note number

(Transmission: 0FH~72H= D#-1~F#7, Reception= 15H~6CH: A-1~C7)

vvH= Velocity (Note off= 00H~7FH) * 8nH (note off) is receive only.

9nH (vvH=00H) used for transmission.

2. CONTROL CHANGE

[BnH] [ccH] [vvH]

BnH= Control event

(n= MIDI channel number) ccH= Control number vvH= Control value

• Modulation (Vibrato) [BnH] [01H] [vvH]

n= MIDI channel number vvH= Modulation

00H~0FH: Off : AM also off. 10H~1FH: 1 : Voice default AM

when greater than 10H

20H~2FH: 2 30H~3FH: 3 40H~4FH: 4 50H~5FH: 5 60H~6FH: 6 70H~7FH: 7

* LFO speed fixed for each voice

• Volume [BnH] [07H] [vvH]

n= MIDI channel number vvH= Volume (00H~7FH)

00H: -∞ 6FH: -3dB 7FH: ±0dB

• Pan [BnH] [0AH] [vvH]

n= MIDI channel number vvH= Pan (00H~7FH)

00H~17H: Left 6 18H~1FH: Left 5 20H~27H: Left 4 28H~2FH: Left 3 30H~37H: Left 2 38H~3FH: Left 1 40H~47H: Center 48H: Voice default Pan 49H:

Scaling Pan (Standard) (receive only)

4AH:

Scaling Pan (Wide) (receive only)

4BH:

Scaling Pan (Narrow L) (receive only)

4CH:

Scaling Pan (Narrow C) (receive only)

4DH:

Scaling Pan (Narrow R) (receive only)

4EH:

Scaling Pan (Half L) (receive only)

4FH:

Scaling Pan (Half R) (receive only) 50H~57H: Right 1 58H~5FH: Right 2 60H~67H: Right 3 68H~6FH: Right 4 70H~77H: Right 5 78H~7FH: Right 6

• Expression [BnH] [0BH] [vvH]

n= MIDI channel number vvH= Expression (00H~7FH)

00H: -∞ 6FH: -3dB 7FH= ±0dB

• Damper pedal [BnH] [40H] [vvH]

n= MIDI channel number vvH= Control value (00H~7FH)

00H~3FH: off 40H~7FH: on

• Sostenuto pedal [BnH] [42H] [vvH]

n= MIDI channel number vvH= Control value (00H~7FH)

00H~3FH: Off 40H~7FH: On

Si vous vous êtes déjà familiarisés avec l’interface MIDI, ou si vous utilisez un ordinateur pour commander votre matériel de musique au moyen de messages MIDI générés par ordinateur, les données suivantes vous aideront à commander le PDP-400.

Si ya está muy familiarizado con MIDI o si está usando una computadora para controlar su música con mensajes MIDI generados por computadora, los datos proporcionados en esta sección le ayudarán a controlar la PDP-400.

• Soft pedal [BnH] [43H] [vvH]

n= MIDI channel number vvH= Control value (00H~7FH)

00H~3FH: Off 40H~7FH: On

• Portamento control [BnH] [54H] [vvH]

n= MIDI channel number vvH= Control value (00H~7FH)

15H~6CH: Key Number

• Reverb depth [BnH] [5BH] [vvH]

n= MIDI channel number vvH= Reverb Depth (00H~7FH)

Individually adjustable for each channel.

3. MODE MESSAGES (receive only)

[BnH] [ccH] [vvH]

BnH= Control event

(n= MIDI channel number) ccH= Mode message number vvH= Mode message value

• All sound off [BnH] [78H] [00H]

n= MIDI channel number

• Reset all controllers [BnH] [79H] [00H]

n= MIDI channel number

• Local Control ON/OFF [BnH] [7AH] [vvH]

n= MIDI channel number vvH= 00H: Off

7FH: On

• All notes OFF [BnH] [7BH] [00H]

n= MIDI channel number

• OMNI OFF/All notes OFF [BnH] [7CH] [00H]

n= MIDI channel number

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donées MIDI/Formato de datos MIDI

ii

• OMNI ON/All notes OFF [BnH] [7DH] [00H]

n= MIDI channel number

4. REGISTERED/NON-REGISTERED PARAMETER NUMBER

• Data entry [BnH] [06H] [mmH] [BnH] [26H] [llH]

n= MIDI channel number mm/ll=RPN

• Data inc [BnH] [60H] [xxH]

n= MIDI channel number xx= Dummy, RPN

• Data dec [BnH] [61H] [xxH]

n= MIDI channel number xx= Dummy, RPN

• Non-registered parameter number [BnH] [62H] [llH] [BnH] [63H] [mmH]

n= MIDI channel number * No parameter is received, but the data is

recognized because of RPN reception.

• Registered parameter number [BnH] [64H] [llH] [BnH] [65H] [mmH]

n= MIDI channel number llH= 00H, mmH= 00H: llH= 01H, mmH= 00H: Fine tune llH= 02H, mmH= 00H: llH= 7FH, mmH= 7FH: RPN Reset

Pitch bend range

Coarse tune

5. PROGRAM CHANGE

[CnH] [ppH]

CnH= Program change event

(n= MIDI channel number)

ppH= Program number

Panel Voices

dd VOICE 00H PIANO 01H CLAVINOVA TONE 02H E. PIANO 03H HARPSICHORD 04H VIBES 05H GUITAR 06H STRINGS 07H ORGAN 08H CHOIR 09H UPRIGHT BASS 0AH E. BASS 0BH DRUMS

Voices 13 — 60

dd VOICE 0CH BRASS 0DH POP BRASS 0EH TRUMPET 0FH MUTE TRUMPET 10H HORN 11H SAX 12H SAX SOFT 13H CLARINET 14H OBOE 15H FLUTE 16H ACCORDION 17H HARMONICA 18H STRINGS SOFT 19H VIOLIN 1AH VIOLIN HARD 1BH FULL ORGAN 1CH JAZZ ORGAN 1 1DH SYNTH BRASS 1EH SYNTH WOOD 1FH SYNTH STRINGS 20H SYNTH CHOIR 21H PIANO BRIGHT 22H PIANO SOFT 23H E. PIANO DX 24H SYNTH CRYSTAL 25H CELESTA 26H MARIMBA 27H FOLK GUITAR 28H JAZZ GUITAR 1 29H JAZZ GUITAR 2 2AH ROCK GUITAR 1 2BH ROCK GUITAR 2 2CH MUTE GUITAR 2DH BANJO 2EH PIZZICATO 2FH HARP 30H U. BASS SOFT 31H E. BASS SOFT 32H E. BASS HEAVY 33H SYNTH BASS 34H TIMPANI & ORCH. HIT 35H BASSOON 36H CHAMBER STRINGS 37H JAZZ ORGAN 2 38H ROCK GUITAR 3 39H COSMIC 1 3AH COSMIC 2 3BH COSMIC 3

6. PITCH BENDER

[EnH] [llH] [mmH]

EnH= Bender event

(n= MIDI channel number) llH= Least significant byte mmH= Most significant byte

* Caution: The bend range is set to ±200

cents when the power is turned on. The bend range is set to ±300 cents when the Multi-Timbre Mode or the DOC Common Voice Mode is engaged. RPN data can be used to set the range in ±100 cents increments.

7. SYSTEM REALTIME MESSAGES

[rrH] F8H: Timing clock FAH: Start FCH: Stop FEH: Active sensing

Data Transmission Reception

F8H Transmitted every Received as 96-clock

96 clocks tempo timing when

FAH Rhythm start Rhythm start FCH Rhythm stop Rhythm stop FEH Transmitted every All notes are turned

200 milliseconds off if no data is

* Caution: If an overrun framing error oc-

curs the Damper, Sostenuto, and Soft effects for all channels are turned off and an All Note Off occurs.

MIDI clock is set to External

received for more than 400 milliseconds

8. SYSTEM EXCLUSIVE MESSAGES

• YAMAHA MIDI format

[F0H] [43H] [xnH] [ffH] ..... [F7H]

43H= YAMAHA ID xnH= Substatus + MIDI channel number ffH= Format number

* n specifies the receive channel regard-

less of whether omni is on or off.

x ff Information 0 7CH Panel data receive 2 7CH Panel data bulk dump request 2 7DH

Panel Data Send Format

F0H, 43H, 0xH, 7CH, 00H, 22H

53H, 4BH, 20 H, 20H 43H, 56H, 50H, 27H, 39H, 33H 3xH, 3yH [Panel Data] [Check Sum (1byte)]= 0

(53H+4BH+20H+...

...+Data end)

F7H

Model ID data bulk dump request

(x: channel number, data length= Panel data+0cH)

(Version x, y)

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iii

MIDI Data Format/MIDI-Datenformat/Format des donées MIDI/Formato de datos MIDI

[Panel Data Contents]

(1) ABC ON/OFF (2) SSP ON/OFF (3) SSP NO. (4) MANUAL VOICE (5) MANUAL VOLUME (6) RHYTHM NO. (7) RHYTHM VARIATION (8) TEMPO (Absolute value LSB) (9) TEMPO (Absolute value MSB) (10) RHYTHM VOLUME (11) CHORD 1 VOLUME (12) CHORD 2 VOLUME (13) BASS VOLUME (14) SPLIT POINT (15) DUAL/SPLIT MODE (16) DUAL/SPLIT VOICE (17) DUAL/SPLIT BALANCE (18) REVERB (19) REVERB DEPTH (20) FOOT SWITCH FUNCTION (21) VOICE BANK (Upper 4 bits) (22) INTRO

Individual Key Tuning Data Bulk Dump Format

F0H, 43H 73H, 34H (Product ID) 06H (Bulk ID) 00H (Bulk No.) 00H, 00H, 0bH, 00H (Data Length= wxyH

[BULK DATA] (low (A-1), high (A-1)

[CHECK SUM (1byte)]= 0-sum

88*2 bytes)

...low (C7), high (C7))

(BULK DATA)

• PDP-400 MIDI Format [F0H] [43H] [73H] [34H] [xxH] [F7H]

43H= YAMAHA ID 73H

]= Product ID

34H xxH= Substatus

xxH Information 02H Internal MIDI clock 03H External MIDI clock 13H Multi-timbre mode off 14H

DOC Common Voice mode on 15H Multi-timbre mode on 18H

DOC Common Voice

individual track reverb depth on 7nH All Note Off,

Receive Channel = n+1, Omni off

* When nn = 2, 3, 13, 14, 15, 18, or 7C,

PDP common ID (73H, 01H) is recognized as well as 73H, 34H.

* All Control Change values are reset when

[13H], [14H] or [15H] is received. All voices and other parameters are also reset when [14H] or [15H] is received in order to ensure the same initial settings.

mode

• Special Messages [F0H] [43H] [73H] [34H] [11H] [0nH] [ccH] [vvH] [F7H]

43H= YAMAHA ID 73H

]= Product ID

34H 11H= PDP Special Control Code

0nH= Control MIDI Change

(n= special control change number) ccH= Control number ddH= Control value

cc Control Value [dd]

08H DUAL/SPLIT 00H= lower MAX

Balance 10H ABC Mode 00H= Off

11H

Rhythm Variation

12H Fill In Switch 00H= Fill to normal

Event Off event

13H Intro/Ending 00H=

Switch Event

14H Split [ddH]= Split key

15H

Rhythm Number 19H Volume [ddH]= Volume value

1AH

Rhythm Volume 1BH

Metronome mode

(receive only) 21H Solo Styleplay 00~17H=Style

Number number 22H Solo Styleplay 00H~3FH= Off

30H Drums Parameter Change

59H Reverb 00H= Off

See Drum Parameter Expanded Format, below

7FH= upper MAX

01H= ABC Single

Finger 02H= ABC Fingered 03H= Conventional

Full-Keyboard

ABC 04H= Full-Keyboard

ABC 00H= Off 01H=

Variation number

01H= Fill to normal

On event 02H= Fill to variation

On event 03H= Fill to variation

Off event

Intro mode Off 01H= Intro mode On 02H=

Ending mode On 03H= Fill to normal

mode On

04H= Fill to variation

mode On

number (the highest note in the left-hand keyboard range)

[ddH]=

Rhythm number

n= 2 (BASS)

4 (CHORD 1)

5 (CHORD 2) [ddH]= Volume value 00H: Off 01H: On

40H~7FH= On

01H= Room 02H= Hall 1 03H= Hall 2 04H= Cosmic

5AH

Dual/Split mode

damper)

5CH

Dual/Split Voice

5DH Foot Switch [ddH]= Function

Function number

* When cc = 59 (Reverb), PDP common ID

(73H, 01H) is recognized in addition to 73H, 34H.

00H= Off 01H= Dual 02H= Split

(upper damper) 03H= Split

(lower damper) 04H= Split

(upper/lower

05H= Split & Lower Voice Oct Up (upper damper)

06H= Split & Lower Voice Oct Up (lower damper)

07H= SPLIT & Lower Voice Oct Up (upper/ lower damper)

[ddH]=

Dual/Split voice

number

Drum Parameter Expanded Format

[F0H] [43H] [73H] [34H] [11H] [0nH]

[30H] [34H] .....[F7H]

73H, 34H: Product ID;

01H is recognized in addition to 34H.

0x30: /* Drum Parameter */ *2 Expanded

Format

* This resets all parameters when a differ-

ent drum kit is selected. Expands Special Message 30.

• Effect Level [F0H] [43H] [73H] [34H] [11H] [0nH] [30H] [43H] [knH] [enH] [slH] [F7H]

11H: PDP special control code 0nH: MIDI Channel Number

* Received only on channel 15 (0EH) in

the PDP-400, affecting all tracks. Received only on channel 10 (09H) n

the GM mode, affecting all tracks. 30H: Drums Parameter Change 43H: Effect Send Level knH: Key Number

* Also included in the panel key code in

the DOC Common Voice mode (be-

cause conversion is not possible). In-

cluded in the GM key code in the GM

mode.

* When kn = 01 the en for all keys is set to

the default.

When kn = 02 the en for all keys is set to

s1. enH: Effect Number

en= 5B: Reverb Depth slH: Send Level

* This data applies a ± 40H offset to the

CH depth parameter of each channel of

each instrument.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

iv

Example [F0H] [43H] [73H] [xxH] [11H] [0eH] [30H] [43H] [knH] [enH] [slH] [F7H]

[knH] [enH] [slH] [36H] [5bH] [10H]:

F#0 Brush Roll reverb depth set to -30H.

[01H] [5bH] [xxH]:

Reverb depth for all keys set to default (±0).

[02H] [5bH] [20H]:

Reverb depth for all keys set to -20H.

• Pan Set Switching [F0H] [43H] [73H] [34H] [11H] [0nH] [30H] [47H] [knH] [pnH] [F7H]

11H: PDP special control code 0nH: MIDI Channel Number

* Received only on channel 15 (0EH) in

the PDP-400, affecting all tracks. Received only on channel 10 (09H) in

the GM mode, affecting all tracks. 30H: Drums Parameter Change 47H: Panpot knH: Key Number

* Also included in the panel key code in

the DOC Common Voice mode (be-

cause conversion is not possible). In-

cluded in the GM key code in the GM

mode.

* When kn = 01 pan is set to the value

specified in pn.

When kn = 02 the pan for all keys is set

to the pin point specified in pn. pnH: Pan

* When kn = 01 pan is set to the value

specified in pn.

pn= 00: Normal DOC Setting

= 01: Narrow DOC left

= 02: Narrow DOC center

= 03: Narrow DOC right

= 04: Normal GM Setting

= 05: Narrow GM left

= 06: Narrow GM center

= 07: Narrow GM right

* Normal pan value used when kn is other

than 01.

However, values 48…4F are also set to

pin-point center.

• Beat, Tempo LED ON/OFF

[F0H] [43H] [73H] [34H] [11H] [4FH] [ccH] [ddH] [F7H]

43H= YAMAHA ID 73H

]= Product ID

34H

(PDP-400 common ID [73H, 01H] is

recognized in addition to 73H, 34H.) 11H= PDP special control code 4FH= Control MIDI Change ccH= 00H: Beat lamp on/off

01H: Tempo lamp on/off ddH= 00H: On

7FH: Off

• Absolute Tempo [F0H] [43H] [73H] [34H] [11H] [1nH] [ccH] [ddH] [F7H]

43H= YAMAHA ID 73H

]= Product ID

34H 11H= PDP special control code

1nH= Control MIDI Change

(Transmit: n = Control Change number)

(Receive: any channel OK) cc= Absolute tempo low byte dd= Absolute tempo high byte

Tempo= dd*128+ccH

• All MIDI data available for general use are

given above.

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v

Specifications/T echnische Daten/Spécifications /Especificaciones

PDP-400

KEYBOARD 88 KEYS (A-1 — C7)

TONE GENERATOR AWM (Advanced Wave Memory)

VOICE SELECTORS & PIANO, CLAVINOVA TONE, E. PIANO, HARPSI, VIBES, GUITAR, STRINGS, ORGAN, CHOIR, CONTROLS UPRIGHT BASS, ELEC BASS, DRUMS, VOICE 13 - 60, ▲/▼, SPLIT

AUTO BASS CHORD & FULL KEYBOARD, SINGLE FINGER, FINGERED, SOLO STYLEPLAY, RHYTHM VOLUME, CONTROLS CHORD 1 VOLUME, CHORD 2 VOLUME, BASS VOLUME

STYLE SELECTORS & POP, JAZZ ROCK, DANCE POP, POWER HOUSE, 16BEAT BALLAD, 16BEAT POP, ROCK’N’ROLL, CONTROLS 16BEAT SHUFFLE, SLOW ROCK, ROCK SHUFFLE, BLUEGRASS, COUNTRY SHUFFLE, SWING,

DISK STYLE 50 styles (refer to page 24)

KEYBOARD PERCUSSION 44 instruments (refer to page 8)

REVERB ROOM, HALL 1, HALL 2, COSMIC

JAZZ BALLAD, BIG BAND, BOOGIE, BOSSA, SAMBA, CHA-CHA, RHUMBA, MARCH, POLKA, WALTZ, JAZZ WALTZ, DISK STYLE 1/2 START/STOP, SYNCHRO START, INTRO/ENDING, NORMAL/FILL TO NORMAL, VARIATION/ FILL TO VARIATION, TEMPO ▲/▼, TEMPO Display, BEAT LED, TAP, METRONOME

DISK ORCHESTRA/ SONG SELECT, PHRASE REPEAT, GUIDE, RIGHT/1TR, LEFT/2TR, ORCH/3-10TR, RHYTHM, PERFORMANCE MEMORY >/■ START/STOP, rREW, fFF, oPAUSE, REC, CHORD SEQUENCE, SONG NUMBER Display

DISK DRIVE & CONTROLS 3.5" 2DD Micro Floppy Disk Drive. COPY, FORMAT

PEDAL CONTROLS DAMPER, FOOT SWITCH (SOFT, SOSTENUTO, START/STOP, SOLO STYLEPLAY)

OTHER CONTROLS MASTER VOLUME, MIDI/TRANSPOSE, DEMO, POWER, PITCH, MODULATION, SPEAKER ON/OFF

JACKS & CONNECTORS PHONES x 2, AUX OUT R and L/L + R, AUX IN R and L, MIDI IN/OUT/THRU,

INPUT & OUTPUT AUX OUT: Output Impedance 600 Ω LEVEL/IMPEDANCE AUX IN: Input Impedance 10 kΩ / Input Sensitivity -10dBm

MAIN AMPLIFIERS 40 W (20 W x 2)

SPEAKERS 13 cm (5-1/8”) x 2

DIMENSIONS (W x D x H) 1385 mm x 424 mm x 176 mm (54-1/2” x 16-3/4” x 7”)

WEIGHT 39.5 kg (87.1 lbs.)

MIC./MIC.VOL./REVERB VOL.

* Specifications subject to change without notice. * Änderungen ohne Vorankündigung vorbehalten. * Sous toute réserve de modification des caractéristiques sans préavis. * Especificaciones sujetas a cambios sin previo aviso.

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

C

7

D (E )

7

D

7

E

7

F

7

G

7

A

7

B

7

#

b

C (D )

#

b

F (G )

#

b

G (A )

#

b

A (B )

#

b

Cm

D m (E m)

Dm

Em

Fm

Gm

Am

Bm

#

b

C m (D m)

#

b

F m (G m)

#

b

G m (A m)

#

b

A m (B m)

#

b

Cm

D m (E m )

Dm

Em

Fm

Gm

Am

Bm

#

b

C m (D m )

#

b

F m (G m )

#

b

G m (A m )

#

b

A m (B m )

#

b

7

C

D (E )

D

E

F

G

A

B

#

b

C (D )

#

b

F (G )

#

b

G (A )

#

b

A (B )

#

b

7

Fingering Chart/Akkordliste/Tablature/Gráfica de

vi

* All fingerings shown are simple root-position types.

digitado

* Die hier gezeigten Akkorde sind jeweils die Grundakkorde. * Tous les doigtés indiqués sont du type à position fondamentale simple. * Todos los digitados se muestran como tipos de posición de raíz sencilla.

Major Dur Majeur Mayor

Minor Moll Mineur Menor

Seventh Dur-Septakkord Septième Séptima

Minor seventh Moll-Septakkord Mineure septième Menor de séptima

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

vii

Fingering Chart / Akkordliste/T ablature /Gráfica de digitado

Major seventh Dur-Akkord mit großer

Septime Majeure septième Mayor de séptima

CM

7

C M

#

7

b

(D M )

7

DM

7

#

D M

7

b

(E M )

7

EM

7

FM

7

Minor major seventh Moll-Akkord mit großer

Septime Septième majeure sur

mineur Menor de séptima mayor

CmM

7

C mM

#

7

b

(D mM )

7

DmM

7

#

D mM

7

b

(E mM )

7

EmM

7

FmM

7

Caug

C aug

#

b

(D aug)

Daug

#

D aug

b

(E aug)

Eaug

Faug

Augmented Übermäßig Augmenté Aumentado

Cdim

C dim

#

b

(D dim)

Ddim

#

D dim

b

(E dim)

Edim

Fdim

Diminished Vermindert Diminué Disminuida

F M

#

7

b

(G M )

GM

7

G M

#

b

(A M )

AM

7

A M

#

7

b

(B M )

BM

7

F mM

#

7

b

(G mM )

GmM

7

G mM

#

b

(A mM )

AmM

7

A mM

#

b

(B mM )

BmM

7

F aug

#

b

(G aug)

Gaug

#

G aug

b

(A aug)

Aaug

A aug

#

b

(B aug)

Baug

F dim

#

b

(G dim)

Gdim

#

G dim

b

(A dim)

Adim

A dim

#

b

(B dim)

Bdim

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

Fingering Chart / Akkordliste/T ablature/ Gráfica de digitado

viii

Sixth Dur-Akkord mit

hinzugefügter Sexte Sixte Sexta

C

6

C

#

6

b

(D )

6

D

6

#

D

6

b

(E )

6

E

6

Suspended fourth Vorgehaltene

Quarte Quarte sur sensible Cuarta suspendida

Csus

4

C sus

#

4

b

(D sus )

4

Dsus

4

#

D sus

4

b

(E sus )

4

Esus

4

Minor seventh flatted fifth Moll-Septakkord mit

verminderter Quinte Quinte diminuée sur

mineure septième Menor de séptima y quinta

bemol

-5

Cm

7

-5

C m

#

7

-5

b

(D m )

7

-5

Dm

7

-5

#

D m

7

-5

b

(E m )

7

-5

Em

7

Major seventh flatted fifth Dur-Akkord mit großer

Septime und verminderter Quinte

Quinte diminuée sur majeure septième

Mayor de séptima y quinta bemol

-5

CM

7

-5

C M

#

7

b

-5

(D M )

7

-5

DM

7

-5

#

D M

7

-5

b

(E M )

7

-5

EM

7

F

6

F

#

6

b

(G )

G

6

G

6

#

b

(A )

A

6

A

#

6

b

(B )

B

6

-5

Fsus

4

F sus

#

4

b

6

(G sus )

Gsus

4

G sus

#

b

(A sus )

Asus

4

A sus

#

4

b

(B sus )

Bsus

4

Fm

7

F m

-5

#

7

b

(G m )

7

-5

Gm

7

-5

G m

#

7

b

(A m )

7

-5

Am

7

-5

A m

#

7

b

(B m )

7

-5

Bm

7

-5

FM

7

F M

#

-5

7

b

(G M )

7

-5

GM

7

-5

G M

#

7

b

(A M )

7

-5

AM

7

A M

-5

#

7

b

(B M )

7

BM

-5

7

-5

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

ix

Fingering Chart / Akkordliste/T ablature /Gráfica de digitado

Half diminished (minor major seventh flatted fifth)

Halbvermindert (Moll-Akkord mit großer Septime und verminderter Quinte)

Demi diminué (Septième majeure sur mineur quinte diminué)

Medio disminuida (menor mayor de séptima y quinta bemol)

-5

CmM

7

-5

C mM

#

7

b

-5

(D mM )

7

Minor sixth Moll-Akkord mit

hinzugefügter Sexte Mineure sixte Menor de sexta

Cm

6

C m

#

6

b

(D m )

6

Seventh suspended fourth Dur-Septakkord mit

vorgehaltener Quarte Quarte sur septième sensible Séptima y cuarta suspendida

C sus

4

7

C sus

#

4

7

b

(D sus )

4

7

Major flatted fifth Dur-Akkord mit

verminderter Quinte Majeure quinte diminuée Mayor de quinta bemol

-5

C

-5

#

C

-5

b

(D )

-5

DmM

7

-5

#

D mM

7

-5

b

(E mM )

7

-5

EmM

7

-5

FmM

7

-5

F mM

#

7

b

(G mM )

7

-5

GmM

7

-5

G mM

#

7

b

(A mM )

-5

7

-5

AmM

7

-5

Dm

6

#

D m

6

b

(E m )

6

Em

6

Fm

6

F m

#

-5

6

b

(G m )

Gm

6

G m

#

b

(A m )

Am

6

D sus

4

7

#

D sus

7

b

(E sus )

7

E sus

4

7

F sus

4

7

F sus

#

7

b

(G sus )

7

G sus

4

7

G sus

#

7

b

(A sus )

7

A sus

7

4

D

-5

#

D

-5

b

(E )

-5

E

-5

F

-5

#

F

b

(G )

-5

G

-5

G

#

-5

b

(A )

-5

A

-5

A

A sus

-5

A mM

#

7

b

(B mM )

-5

7

-5

BmM

7

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

A m

#

b

(B m )

Bm

6

#

7

b

(B sus )

7

B sus

7

4

#

b

(B )

-5

B

-5

Fingering Chart / Akkordliste/T ablature/ Gráfica de digitado

x

Minor flatted fifth Moll-Akkord mit

verminderter Quinte Mineure quinte diminuée Menor de quinta bemol

-5

Cm

-5

C m

#

-5

b

(D m )

-5

Dm

-5

#

D m

-5

b

(E m )

-5

Em

Seventh flatted fifth Dur-Septakkord mit

verminderter Quinte Quinte diminuée en

septième Séptima y quinta bemol

-5

C

7

-5

#

C

7

-5

b

(D )

7

-5

D

7

-5

#

D

7

-5

b

(E )

7

-5

E

7

Seventh sharp fifth Dur-Septakkord mit

erhöhter Quinte Septième ajoutée sur

quinte Séptima y quinta

sostenida

+5

C

7

+5

#

C

7

+5

b

(D )

7

+5

D

7

+5

#

D

7

+5

b

(E )

7

+5

E

7

Major seventh sharp fifth Dur-Akkord mit großer

Septime und erhöhter Quinte Majeure septième ajoutée

sur quinte Mayor de séptima y quinta

sostenida

+5

CM

7

+5

C M

#

7

b

+5

(D M )

7

+5

DM

7

+5

#

D M

7

+5

b

(E M )

7

+5

EM

7

-5

Fm

-5

F m

#

b

(G m )

-5

Gm

-5

G m

#

-5

b

(A m )

-5

Am

-5

A m

#

b

-5

(B m )

-5

Bm

-5

F

7

-5

F

#

-5

7

b

(G )

7

-5

G

7

-5

G

#

7

-5

b

(A )

7

-5

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7

-5

A

#

7

b

-5

(B )

7

-5

B

7

-5

+5

F

7

+5

F

#

7

+5

b

(G )

7

+5

G

7

+5

G

#

7

+5

b

(A )

7

+5

A

7

+5

A

#

7

b

+5

(B )

7

+5

B

7

+5

FM

7

F M

+5

#

7

+5

b

(G M )

7

+5

GM

7

G M

+5

#

7

b

(A M )

+5

7

+5

AM

7

A M

#

+5

7

b

(B M )

+5

7

BM

+5

7

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/or

another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the

requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by the interference.

Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

CANADA

THIS DIGITAL APPARATUS DOES NOT EXCEED THE “CLASS B” LIMITS FOR RADIO NOISE EMISSIONS FROM DIGITAL APPARATUS SET OUT IN THE RADIO INTERFERENCE REGULATION OF THE CANADIAN DEPARTMENT OF COMMUNICATIONS.

LE PRESENT APPAREIL NUMERIQUE N’EMET PAS DE BRUITS RADIOELECTRIQUES DEPASSANT LES LIMITES APPLICABLES AUX APPAREILS NUMERIQUES DE LA “CLASSE B” PRESCRITES DANS LE REGLEMENT SUR LE BROUILLAGE RADIOELECTRIQUE EDICTE PAR LE MINISTERE DES COMMUNICATIONS DU CANADA.

CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE

BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.

ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES,

INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU’AU FOND.

• This applies only to products distributed by Yamaha Canada Music Ltd.

• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée.

Dit produkt is gefabriceerd in overeenstemming met de radiostoringsvoorschriften van de Richtlijn van de Raad (82/499/EEG).

ΑΥΤΗ Η ΣΥΣΚΕΥΗ ΑΝΤΑΠΟΚΡΙΝΕΤΑΙ ΣΤΙΣ ΑΠΑΙΤΗΣΕΙΣ ΤΩΝ Ο∆ΗΓΙΩΝ ΤΗΣ ΕΥΡΩΠΑΙΚΗΣ ΟΙΚΟΝΟΜΙΚΗΣ ΚΟΙΝΟΤΗΤΑΣ 82/499/Ε.Ο.Κ..

Este produto está de acordo com o radio de interferencia frequente requiridos do Conselho Diretivo 82/499/EEC.

Dette apparat overholder det gaeldende EF-direktiv vedrørende radiostøj. Cet appareil est conforme aux prescriptions de la directive communautaire

87/308/CEE. Diese Geräte entsprechen der EG-Richtlinie 82/499/EWG und/oder 87/308/

EWG. This product complies with the radio frequency interference requirements of

the Council Directive 82/499/EEC and/or 87/308/EEC. Questo apparecchio è conforme al D.M.13 aprile 1989 (Direttiva CEE/87/

308) sulla soppressione dei radiodisturbi. Este producto está de acuerdo con los requisitos sobre interferencias de

radio frequencia fijados por el Consejo Directivo 87/308/CEE.

YAMAHA CORPORATION

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Connecting the Plug and Cord

IMPORTANT. The wires in this mains lead are coloured in accordance with the following code:

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows:

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

Making sure that neither core is connected to the earth terminal of the three pin plug.

• This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd.

BLUE : NEUTRAL BROWN : LIVE

IMPORTANT SAFETY INSTRUCTIONS

INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,

AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.

WARNING- When using any electrical or electronic prod-

uct, basic precautions should always be followed. These precautions include, but are not limited to, the following:

1. Read all Safety Instructions, Installation Instructions,

Special Message Section items, and any Assembly Instructions found in this manual BEFORE marking any connections, including connection to the main supply.

2. Main Power Supply Verification: Yamaha products are

manufactured specifically for the supply voltage in the area where they are to be sold. If you should move, or if any doubt exists about the supply voltage in your area, please contact your dealer for supply voltage verification and (if applicable) instructions. The required supply voltage is printed on the name plate. For name plate location, please refer to the graphic found in the Special Message Section of this manual.

3. This product may be equipped with a polarized plug

(one blade wider than the other). If you are unable to insert the plug into the outlet, turn the plug over and try again. If the problem persists, contact an electrician to have the obsolete outlet replaced. Do NOT defeat the safety purpose of the plug.

4. Some electronic products utilize external power sup-

plies or adapters. Do NOT connect this type of product to any power supply or adapter other than one described in the owners manual, on the name plate, or specifically recommended by Yamaha.

5. WARNING: Do not place this product or any other

objects on the power cord or place it in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25' cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician.

6. Ventilation: Electronic products, unless specifically

designed for enclosed installations, should be placed in locations that do not interfere with proper ventilation. If instructions for enclosed installations are not provided, it must be assumed that unobstructed ventilation is required.

7. Temperature considerations: Electronic products should

be installed in locations that do not significantly contribute to their operating temperature. Placement of this product close to heat sources such as; radiators, heat registers and other devices that produce heat should be avoided.

8. This product was NOT designed for use in wet/damp loca-

tions and should not be used near water or exposed to rain. Examples of wet/damp locations are; near a swimming pool, spa, tub, sink, or wet basement.

9. This product should be used only with the components

supplied or; a cart, rack, or stand that is recommended by the manufacturer. If a cart, rack, or stand is used, please observe all safety markings and instructions that accompany the accessory product.

10. The power supply cord (plug) should be disconnected from

the outlet when electronic products are to be left unused for extended periods of time. Cords should also be disconnected when there is a high probability of lightening and/or electrical storm activity.

11. Care should be taken that objects do not fall and liquids are

not spilled into the enclosure through any openings that may exist.

12. Electrical/electronic products should be serviced by a

qualified service person when:

a. The power supply cord has been damaged; or b. Objects have fallen, been inserted, or liquids have been

spilled into the enclosure through openings; or c. The product has been exposed to rain; or d. The product does not operate, exhibits a marked change

in performance; or e. The product has been dropped, or the enclosure of the

product has been damaged.

13. Do not attempt to service this product beyond that de-

scribed in the user-maintenance instructions. All other servicing should be referred to qualified service personnel.

14. This product, either alone or in combination with an ampli-

fier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.

15. Some Yamaha products may have benches and/or acces-

sory mounting fixtures that are either supplied as a part of the product or as optional accessories. Some of these items are designed to be dealer assembled or installed Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended.

92-469-2

PLEASE KEEP THIS MANUAL

VT06630 501POCP1.3-01A0 Printed in Japan

Yamaha PDP-400 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual