Yamaha G10 Owner's Manual
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THE OFFICIAL PUBLICATION
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OF
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THE
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TM
J
UNE
1988
OYAMAHA®
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June 1988
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4 BASS SAX
A new DX7 voice created by Mark Phillips.
5
DREAM
SEQ
A new DX7 voice created by Mark Phillips.
6 PIANODROPS
A new DX7 voice created by David Rubinstein.
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Volume 4, Number 6
Issue
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#33
Editor
Tom Darter
Operations
Sibyl Darter
Editorial Board
Charles Feilding
Bob Frye
Rick Hewitt
Mark Koenig
J.P. Lincoln
Phil Moon
Jim Smerdel
Steve
Thatcher
Cover
Photograph
Jim Hagopian
Dee Dee Cawley
7 METALSYN
A new DX7 voice created by Brian Silverman.
8 Hot Tips
Reader tips for the DX7 II, SPX90,
10
17
19 Back Issues
©1988 Yamaha Music Corporation USA.
electronically, mechanically, photocopying, recording, or otherwise, without the prior written permission of
G10
A detailed introduction
By
Questions
Answers to questions from readers.
Important information for all AfterTouch readers.
No
Vincent
part of this publication
Bitetti.
to
Yamaha's new MIDI
may
be
reproduced, stored in a retrieval system, or transmitted in any form or
and
more.
Guitar
Yamaha International Corporation.
System.
by
any means,
AFTERTOUCH
lished monthly. Third class
postage paid
Prairie, MN and additional
points of entry.
SUBSCRIPTIONS:
Address subscription
respondence to AFTERTOUCH,
Northridge,
7938.
Send form 3579 to P.O.
Box
91327-7938.
Vol.
4 No.
P.O.
CA
POSTMASTER:
7938, Northridge,
6/
AFTERTOUCH 3
at
is
Long
Box
91327-
pub-
cor-
7938,
Free.
CA
·
DX7
BASS
SAX.
ANewDX7
Voice
By
Mark Phillips.
Notes:
This
voice
is
part
of
an
going
series
"ultimate
in
sax" patch-as
undiscovered.
Controller
changes
fairly
ties.
other
used
This
used
is
in
the
wide
range
(Of
course,
controllers
for
the
patch
is
for
single-note
used
same
probably
search
of
The F oat
to
make
timbre
over
of
possibili-
any
of
could
purpose.)
passages.
on-
the
the
also
best
yet
a
be
TRI
WAVE
(CONTROLLER)
MODIIMEB.
FOOT
CONTROL
BREATH
CONTROL
AFTERTOUCH
28
SPEED
R2
L2
0
DElAY
46
50
PITCH
RANGE
8
8
1 5
8
0 3
PMl
113
59
l.3
50
ENVB.OPE
OFF
MODE
PITCH
ON
OFF
OFF
OFF
FREQUENCY
0.50
R1
71
L1
99
a.JRVE
L I
R I +E I
OPO
2
FREQUENCY
1.00
R1
61
L1
99
a.JRVE
L I
R I +E I
OPO
1
A4
36
LA
44
OFF
GLISSANDO
PORTAMENTO
AMPLITUDE
ENVB.OPE
IR2
28
IL2 IL3
97
KEYBOARD
+L
OUTPUTLEVB.. I VELOCITY
ENVB.OPE
IR2 IR3
50
IL2
99
KEYBOARD SCALING
+L
OUTPUT
EGBIAS
OFF
OFF
OFF
OFF
OFF
OFF
•
ID~E
DATA
IR3
A4
17
65
LA
95
SCALING
BREAKPOINT
I
F3
86
•
ID~E
DATA
R-4
15
ll3
LA
92
BREAKPOINT
I
92
LEVB. I VELOCITY
99
I
ON
SYNC
0
TIME
ON
ON
lAMS
0
L
R
lAMS
65
0
L I
R I
IRS
I
!16
116
PMS
~
KEY TRANSPOSE
~
OSC.SYNC
0
0
DEPTH
2
0
IRS
0
I
DEPTH
26
42
3
ALGORITHM #2
FREQUENCY I DET\.NE
1.00
R1
L1
CURVE
OPt
FREQUENCY
R1
L1
CURVE
OPt
FREQUENCY
98
L1
4
ENVB..OPE DATA
IR2
63
l2
99
KEYBOARD SCALING
-L
-L l Ea
I
6
0.50
TR2
63
2
l
KEYBOARD SCALNG
+E
T
-L
I OUTPUT
5
0
..
50
IR2
28
IL2
L
I
+L
I
-E
I
4
1.00
1R2
50
IL2
99
L I
+L
R l
-L
I OUTPUT
3
1113
ll.3
BREAKPOINT
I I L I 0
OOTPUT
I~E
ENVB.OPE
1113
ll.3
BREAAPOINT
I I L
l I R I
I~E
ENVB.OPE
1113
ll3
KEYBOARD SCALING
BREAKPOINT
I I L
I I R I
OUTPUT
I~E
ENVB..OPEDATA
lR3
ll3
KEYBOARD SCALING
BREAKPOINT
I I L I
l I R I
98
99
L I
R l
98
99 99 95
L I
R
71
99 97 95
CURVE
R
OPt
FREQUENCY
At
52
L1
99
CURVE
OPt
lAMS
0
IR-4
44
54
l4
95
0
I R I
LEVB.. I VB..OCITY
55
~
lAMS
DATA
IR-4
44
54
l•
0
E3
LEVB.
I va.ocnv
84
~
lAMS
OA
TA
IR-4
17
65
TLA
0
F3
LEVB. I VB..OCITY
87
~
lAMS
IFM
15
65
lLA
92
0
82
LEVa
I VB..OCITY
99
I
0
IRS
l 0
DEPTH
24
0
0
IRS
l
DEPTH
11
20
0
1
IRS
1
DEPTH
11
2
0
IRS
I 0
DEPTH
3
0
6
0
6
34
26
28
4 AITERTOUCH/Vol. 4 No. 6
DX7
TRI
WAVE
(CONTROU.ER)
MODWHEB.
FOOT
BREATH
AFTERTOUCH
FAEOJENCY
2.00
R1
L1
CURVE
OPO
FREQUENCY
Rltrtrs
L1
CURVE
OPO
ENVB.OPE
IR2
19
26
IL2
46
56
KEYBOARD SCALING
L I
-L
R I
-L
I
OUTPUT
2
1.00
ENVB..OPE
59
53
IL2
99
94 97
KEYBOARD SCALING
L j
-L
R I
-L
I OUTPUT LEVEL I VELOCITY
1
36
36
SPEED
Da.AY
R1
IR2
18
L1
IL2
48
RANGE
CONTROL
CONTROL
tETU~E
IR3 IR4
ILl
BREA-KPOINT
I I L I 0 L I
I I R I 0 R I
I.AMS
DATA
53
71
A-1 A-1
LEVEL I VELOCITY
54
IRS
25
IL4
I 0
46 48
3 4
38
PM:>
so
I"'
95
ILl
51
50
PITCH
ENVB...OPE
Pf!CH
OFF OFF
15
OFF OFF
15
OFF OFF OFF
15
OFF OFF OFF
8
2
DEPTH
~
I
OET\JNE
IL3
BREAKPOINT
I I L I 0
I I R I 0 R I
I.AMS
DATA
IL4
30
0
o
0
I
DEPTH
0
-7
53
A-1 A-1
99
I I
2 OFF 3
IWD
IR4
so
IL4
50
AMPLITUDE
FAEOUEJ.ICY
1.02
R1
L1
CURVE
OPO
FREQUENCY
R1
L1
CURVE
OPO
ENVB.OPE
IR2
10 19
IL2
58
KEYBOARD
-L
-L
I
OUTPUT
1.00
ENVB.OPE
r2
59
53
IL2 IL3
99 94
KEYBOARD
L I
-L
-L
I OUTPUT LEVEl I VB.OCITY
3
ALGORITHM
SYNC
I
I
EGBIAS
PMS
~
KEY
TRANSPOSE
~
OSC.SYNC
ON
ON
I
DETUNE
I.AMS
+3
DATA
I"'
IR4
IL4
SCALING
+7
DATA
r-
IL4
SCALING
12
0
I.AMS
30
0
IRS
I
1
#5
41
ILl
20
BREAKPOINT
I I L I 0
I I R I 0
LEVB. I VB.OCITY
92
~
I
DElUNE
...
53
1
97
BREAKPOINT
I I L I 0
I I R I 0
99
o
0
DEPTH
3
o
RS
I 0
DEPTH
3
FREQUENCY
2.04
Rl
IR2
14
L1
IL2
53
OJRVE
L
I
R I
OPO
6
FREQUENCY
2.02
Rl
IR2
31
L1
IL2
99
aJRVE
L I
R I
OPO
5
I
DElUNE
'
+1
ENVB..OPE
DA.TA
_IR3
72
47
KEYBOARD SCALING
-L
-L
I
OUTPUT
21
90
KEYBOARD SCALING
-L
-L
I
OUTPUT
IR4
48
IL3
IL4
41 0
BREAKPOINT
_I
I L I 0
A-1
I I R I 0
LEVB.. I VELOCITY
99
t
I
DETUNE
-1
ENVB.OPE DATA
IR3
IR4
36
IL3
IL4
85
BREAKPOINT
I I L I 0
A-1
I I R I 0
LEVB... l VELOCITY
99
I
IAMS3
17
lAMS
37
0
t
I 0
DEPTH
2
1
IRS
I
DEPTH
1
DREAM
SEQ.
ANewDX7
Voice
Mark
Notes:
o)
0
This
dream
score.
complex
Relatively
velopes
(and
the
The
Controller
subtle
(Of
controllers
for
This
used
attacks
voice
sequence
Detuning
on
slow
sound
Mod
changes
course,
the
same
patch
for
and
vibrato
chords
By
Phillips.
was
designed
in a film
provides
pattern.
slow
attack
operators
on
evolve
and
set
up
in
the
any
of
also
purpose.)
effective
with
en-
all)
gradually.
the
to
timbre.
the
be
when
staggered
some
decays
to
Wheel
are
could
is
releases.
for
a
cause
Foot
effect
other
used
a
Vol.
4 No.
6/
AFTERTOUCH 5
DX7
PIANO
..
DROPS.
ANewDX7
Voice
Rubinstein
Notes:
This
reverb
long
slow,
passages.
By
voice
has
a
effect
sustain.
melodic-feeling
soft
with a medium
It
is
David
digital
useful
99
ON
MID
SYNC
CONTROLLER)
MOD
WHEEL
FOOT
CONTRa.
BREATH
CONTROL
AFTERTOUCH
in
RANGE
97
0
99
30
PITCH
AMPLITUDE
ON
OFF
OFF
OFF OFF
ON
OFF
ON ON
FREQJENCV 1 DET\JijE
5.00
R1
IR2
95
L1 IL2
99
CURVE
L
I
l
R
OPO
3
FREQUENCY
1.00
R1
IR2
88
L1 IL2
99
CURVE
L I
R I
OPI
2
+2
ENVELOPE
lRl
28
27
ll3
90
0 0
KEYBOARD
BREAKPOt<T
-L
I I L I
DO
-E
I I R I
l
OUTPUT
LEVEL
79
~
I
DEl\JNE
+2
ENVELOPE
IRl
92
71
ll3
67
91
KEYBOARD
BREAKPOINT
-L
I I L I 0 L I
C3
-L
I I R I
I
OUTPUT
LEVEL I VELOCITY
88
EGBIAS
ON
ON
OFF
DATA
IR4
ILA
SCALING
DATA
IR4
ILA
SCALING
KEY
lAMS
IRS
47
I
I VB.OCITY
lAMS
IRS
63
I
90
~
~
5
2
DEPTH
4
0
PMS
TRANSPOSE
OSC.SYNC
1
2
DEPTH
0
99
2
13
FABJUENCY
R1
95
L1
99 90
CURVE
L
R I
OPO
FREQUENCY
A1
83
L1
99
CURVE
R I
OPO
1.00
ENVELOPE
IR2
28
IL2
KEYBOARD
BREAKPOINT
I
-L
-L
I
OUTPUT
6
1.00
ENVELOPE
1R2
0
IL2
90
KEYBOARD
-L
-L
I
OUTPUT
5
I~E
IRl
ll3
I I L I 0
A-1
I I R I 0
59
I
DETLt<E
IA3
ll3
BREAKPOINT
I I L I 0
I l R I 0
67
•
lAMS
DATA
1R4
27
47
ILA
0 0
SCALING
LEVB.. I VB..OCilY
~
lAMS
+3
CA.
TA
lR4
27
50
IL.
0 0
SCALING
A3
LEVB..
I VB..OCITY
1
IRS
2
I
DEPlH
3
3
IRS
I 2
DEPTH
2
5
6 AFTERTOUCH/Vol. 4 No. 6
FREQUENCY
R1 IR2
83
L1
99
CURVE
L I
R I
OPI
ID~E
1.00
ENVELOPE
IR3
28 23
IL2
ll3
85
KEYBOARD
BREAKPOINT
-L
I I L j 0
A#3
-L
I I R I
I
OUTPUTLEVEL
1
99
~
lAMS
DATA
IR4
35
!LA
0 0
SCALING
I
VELOCITY
3
IRS
2
I
DEPTH
15
4
FREQUENCY
R1
85
L1
99
CURVE
L
R I
OPO
I~E
1.00
ENVELOPE
IR2
IRl
28
IL2
ll3
85
KEYBOARD
BREAKPOINT
I
-L
I I L I
-L
I I R I
I a.JTPUT LEVB. I VB..OCITY
4
98
I I
ALGORITHM #4
~
DATA
IR4
23
50
!LA
0 0
SCALING
A3
lAMS
0
IRS
3
I
DEPTH
0
15
3
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