Yamaha CS2XE1, CS2X User Manual
FORMANT SHAPING /
FM SYNTHESIS TONE GENERATOR
Formant Shaping Synthesis:The Evolution of FM
New synthesis technology — FS Synthesis
(Formant shaping / FM synthesis) — creates
sound with characteristics and flexibility
similar to the human voice for extraordinary
sonic depth and expressive control.
Upward compatible with voices from the
“classic” FM synthesizers and tone genera-
tors, such as the Yamaha DX and TX series.
Formant Sequences — “Fseqs” — produce
other-worldly vocal phrases, rhythm loops,
and more.
Assignable control knobs for extended
real-time sonic control as well as easy
programming.
A huge selection of 1408 preset voices,
including the best from the original DX and
TX series.
Block Diagram
Specifications
Tone Generation System Tone Generators Formant Shaping / FM Synthesis
DEMO Songs 15
Number of Voices Performance
Components Performance
Controls POWER Switch
Display LCD (Backlit)
Terminals Front panel Phones
Dimensions 480(W) x 235(D) x 44(H) mm
Weight 2.6Kg
Power Consumption USA 120V (60Hz) 12.0 Watts
Included Accessories Owner's Manual x 1, Data List x 1, AC Power Cord x 1
Descriptions and photographs in this brochure are for information purposes only,
and specifications are subject to change without notice.
Multi-Timbres 4 Parts (16 MIDI Channel Multi-Timbre)
Polyphony 32 notes (DVA)
Preset 384 (128 x 3 banks), Internal 128
Voice
Preset 1408 (128 x 11 banks), Internal 128 / 64 (Internal Fseq)
Fseq (Formant Sequence)
Preset 90, Internal 6 (max)
4 Parts (4 Voices), Fseq (Formant Sequence),
Voice Controller (Source / Destination Assignable Matrix)
Effects
Reverb 16 types, Variation 28 types,
Insertion 40 types, Equalizer
Voice
16 Operators (Voiced x 8, Unvoiced x 8), 88 Algorithms, LFO1,
LFO2, Dynamic Filter, Pitch EG
Main Volume x 1
Sound Control Knob x 4
Mode x 6 (PLAY, EDIT [PERFORM], EDIT [EFFECT], EDIT [VOICE], UTIL, SEARCH)
Data x 9 (MUTE/SOLO, ENTER, EXIT, PART / , CURSOR / , VALUE / )
Knob Select x 2 (ATTACK, RELEASE, FORMANT, FM / KN1-4 )
LED Mode x 6 Green, Knob Select x 2 Red
Rear panel Output L(MONO), R
Europe 240V (50Hz) 12.0 Watts
(Absolute / Relative)
Individual Out L, R
MIDI IN/OUT/THRU
SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter). DO
NOT connect this product to any power supply or adapter other than one
described in the manual, on the name plate, or specifically
recommended by Yamaha.
WARNING:
Do not place this product in a position where anyone could walk on, trip
over ,or roll anything over power or connecting cords of any kind. The use
of an extension cord is not recommended! IF you must use an extension
cord, the minimum wire size for a 25' cord (or less ) is 18 AWG. NOTE:
The smaller the AWG number ,the larger the current handling capacity.
For longer extension cords, consult a local electrician.
This product should be used only with the components supplied or; a
cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is
used, please observe all safety markings and instructions that
accompany the accessory product.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the
time of printing. However, Yamaha reserves the right to change or modify
any of the specifications without notice or obligation to update existing
units.
This product, either alone or in combination with an amplifier and
headphones or speaker/s, may be capable of producing sound levels
that could cause permanent hearing loss. DO NOT operate for long
periods of time at a high volume level or at a level that is uncomfortable.
If you experience any hearing loss or ringing in the ears, you should
consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period before
damage occurs.
Some Yamaha products may have benches and / or accessory mounting
fixtures that are either supplied with the product or as optional
accessories. Some of these items are designed to be dealer assembled
or installed. Please make sure that benches are stable and any optional
fixtures (where applicable) are well secured BEFORE using.
Benches supplied by Yamaha are designed for seating only. No other
uses are recommended.
NOTICE:
Service charges incurred due to a lack of knowledge relating to how a
function or effect works (when the unit is operating as designed) are not
covered by the manufacturer’s warranty, and are therefore the owners
responsibility. Please study this manual carefully and consult your dealer
before requesting service.
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and
environmentally friendly. We sincerely believe that our products and the
production methods used to produce them, meet these goals. In keeping
with both the letter and the spirit of the law, we want you to be aware of the
following:
Battery Notice:
This product MAY contain a small non-rechargeable battery which (if
applicable) is soldered in place. The average life span of this type of
battery is approximately five years. When replacement becomes
necessary, contact a qualified service representative to perform the
replacement.
This product may also use "household" type batteries. Some of these may
be rechargeable. Make sure that the battery being charged is a
rechargeable type and that the charger is intended for the battery being
charged.
When installing batteries, do not mix batteries with new, or with batteries
of a different type. Batteries MUST be installed correctly. Mismatches or
incorrect installation may result in overheating and battery case rupture.
Warning:
Do not attempt to disassemble, or incinerate any battery. Keep all
batteries away from children. Dispose of used batteries promptly and as
regulated by the laws in your area. Note: Check with any retailer of
household type batteries in your area for battery disposal information.
Disposal Notice:
Should this product become damaged beyond repair, or for some reason
its useful life is considered to be at an end, please observe all local, state,
and federal regulations that relate to the disposal of products that contain
lead, batteries, plastics, etc. If your dealer is unable to assist you, please
contact Yamaha directly.
NAME PLATE LOCATION:
The name plate is located on the bottom of the product. The model
number, serial number, power requirements, etc., are located on this plate.
You should record the model number, serial number, and the date of
purchase in the spaces provided below and retain this manual as a
permanent record of your purchase.
Model
Serial No.
92-BP
Purchase Date
PLEASE KEEP THIS MANUAL
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep these precautions in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock,
short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
• Do not open the instrument or attempt to disassemble the internal parts or
modify them in any way. The instrument contains no user-serviceable parts. If
it should appear to be malfunctioning, discontinue use immediately and have
it inspected by qualified Yamaha service personnel.
• Do not expose the instrument to rain, use it near water or in damp or wet
conditions, or place containers on it containing liquids which might spill into
any openings.
• If the AC adaptor cord or plug becomes frayed or damaged, or if there is a
sudden loss of sound during use of the instrument, or if any unusual smells
or smoke should appear to be caused by it, immediately turn off the power
switch, disconnect the adaptor plug from the outlet, and have the instrument
inspected by qualified Yamaha service personnel.
CAUTION
• Use the specified adaptor (PA-3B or equivalent recommended by Yamaha)
only. Using the wrong adaptor can result in damage to the instrument or
overheating.
• Before cleaning the instrument, always remove the electric plug from the
outlet. Never insert or remove an electric plug with wet hands.
• Check the electric plug periodically and remove any dirt or dust which may
have accumulated on it.
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the
instrument or other property. These precautions include, but are not limited to, the following:
• Do not place the AC adaptor cord near heat sources such as heaters or
radiators, and do not excessively bend or otherwise damage the cord, place
heavy objects on it, or place it in a position where anyone could walk on, trip
over, or roll anything over it.
• When removing the electric plug from the instrument or an outlet, always hold
the plug itself and not the cord.
• Do not connect the instrument to an electrical outlet using a multipleconnector. Doing so can result in lower sound quality, or possibly cause
overheating in the outlet.
• Unplug the AC power adaptor when not using the instrument, or during
electrical storms.
• Before connecting the instrument to other electronic components, turn off the
power for all components. Before turning the power on or off for all
components, set all volume levels to minimum.
• Do not expose the instrument to excessive dust or vibrations, or extreme cold
or heat (such as in direct sunlight, near a heater, or in a car during the day) to
prevent the possibility of panel disfiguration or damage to the internal
components.
• Do not use the instrument near other electrical products such as televisions,
radios, or speakers, since this might cause interference which can affect
proper operation of the other products.
• Do not place the instrument in an unstable position where it might
accidentally fall over.
• Before moving the instrument, remove all connected adaptor and other cables.
• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners,
solvents, cleaning fluids, or chemical-impregnated wiping cloths. Also, do not
place vinyl, plastic or rubber objects on the instrument, since this might
discolor the panel or keyboard.
• Do not rest your weight on, or place heavy objects on the instrument, and do
not use excessive force on the buttons, switches or connectors.
• Use only the stand/rack specified for the instrument. When attaching the stand
or rack, use the provided screws only. Failure to do so could cause damage to
the internal components or result in the instrument falling over.
• Do not operate the instrument for a long period of time at a high or
uncomfortable volume level, since this can cause permanent hearing loss. If
you experience any hearing loss or ringing in the ears, consult a physician.
■REPLACING THE BACKUP BATTERY
• This instrument contains a non rechargeable internal backup battery which
permits internal data to remain stored even when the power is off. When the
backup battery needs replacing, the message “Battery Low” will display in the
LCD. When this happens, immediately back up your data (using an external
device such as the floppy disk-based Yamaha MIDI Data Filer MDF3), then
have qualified Yamaha service personnel replace the backup battery.
• Do not attempt to replace the backup battery yourself, in order to prevent the
possible serious hazards. Always have qualified Yamaha service personnel
replace the backup battery.
• Never place the backup battery in a location that a child can reach, since a
child might accidentally swallow the battery. If this should happen, consult a
physician immediately.
■SAVING USER DATA
• Save all data to an external device such as the Yamaha MIDI Data Filer MDF3,
in order to help prevent the loss of important data due to a malfunction or user
operating error.
Yamaha cannot be held responsible for damage caused by improper use or
modifications to the instrument, or data that is lost or destroyed.
(3)-3
Always turn the power off when the instrument is not in use.
About This Manual
CONTENTS
Congratulations on your purchase of the CS2x Control Synthesizer! And
thank you for choosing Yamaha.
The CS2x introduces a completely new dimension to the enormously
popular CS1x, providing more great sounds, additional SOUND
CONTROL knobs for broader real-time sound sculpting capabilities, plus
other handy features which provide for greater overall operational
convenience and performance flexibility.
This owner’s manual is your personal “hands on” guide to getting the
most from your CS2x — so be sure to keep it in a safe and accessible
place for quick and easy reference whenever you may need it! It is
divided into the following sections:
Getting Started
This section includes everything you need to get to know the CS2x inside and out.
It is divided into four parts: Welcome To The World Of CS2x Control Synthesis,
Setting Up The CS2x, Getting To Know The CS2x, CS2x Quick Tour.
Feature Reference
This section provides descriptions of CS2x features and explanations of operations.
It is in essence a dictionary which you can refer to any time you need to know the
specifics about any given feature. It is organized into the following sections:
Performance Mode, Multi Play Mode, Utility Mode, Store Mode and Factory
Settings.
Appendix
This section provides information related to the digital effects, MIDI, error messages,
troubleshooting and more.
A separate CS2x Control Synthesizer “Data List” book provides tables,
lists and other information related to Preset Performances, normal and
drum voices, MIDI Data Format and more.
Naming Conventions
For maximum ease of understanding, two basic conventions are used
throughout this manual regarding the names of CS2x features, as follows:
• The names of specific buttons located on the panel are placed inside
brackets, e.g. [ARPEGGIO] button, [PERFORMANCE] button, [USER]
button, etc.
Getting Started .................................... 6
Welcome To The World Of CS2x Control Synthesis .......... 6
Main Features.......................................................................... 7
Top Panel ................................................................................ 8
Rear Panel.............................................................................. 10
Setting Up The CS2x........................................................ 11
Basic Connections ................................................................ 11
Powering Up! ........................................................................ 14
Playing The Demo Songs ...................................................... 14
Getting To Know The CS2x .............................................. 15
CS2x Tone Generation .......................................................... 15
Normal Voices And Drum Voices .......................................... 18
Layers .................................................................................... 18
Knob Parameters .................................................................... 19
Panel Edit Parameters ............................................................ 20
Operating Modes .................................................................. 21
CS2x Quick Tour.............................................................. 23
Performance Mode ................................................................ 23
Performance Selection .................................................... 23
Performance Mode Select ........................................ 23
Performance Bank Select .......................................... 23
Performance Number Select .................................... 23
Performance Play ............................................................ 25
Octave Shift Function .............................................. 25
PITCH And MODULATION Wheels ........................ 25
Scenes And SCENE CONTROL Function .................. 25
Performance Editing And Store........................................ 26
SOUND CONTROL Knobs ...................................... 26
The Arpeggiator ........................................................ 27
Panel Edit Matrix ...................................................... 29
User Performance Store ............................................ 30
Multi Play Mode.................................................................... 31
Sequencer Setup ...................................................... 31
Multi Play Mode Select ............................................ 31
Part Assign ................................................................ 32
Part Parameter Edit .................................................... 32
XG Operation .................................................... 33
Multi Play In Performance Mode .......................................... 33
Using The CS2x With XGworks ...................................... 34
• The names of other panel features and terminals are printed in all-caps
just as they appear on the panel, e.g. PITCH wheel, TO HOST terminal,
EFFECT REV SEND parameter, etc.
The illustrations and LCD screens as shown in this owner's manual
are for instructional purposes only, and may be different from the
ones on your instrument.
The company names and product names in this owner's manual are
the trademarks or registered trademarks of their respective
companies.
Feature Reference .............................. 40
Performance Mode.......................................................... 40
Common Edit 1 .................................................................... 43
Common Edit 2 .................................................................... 45
Layer Edit 1............................................................................ 47
Layer Edit 2............................................................................ 50
Layer Edit 3............................................................................ 52
Layer Edit 4............................................................................ 54
Multi Play Mode.............................................................. 57
Utility Mode .................................................................... 61
Store Mode...................................................................... 66
Factory Settings .............................................................. 69
Appendix ............................................ 70
Digital Effects .................................................................. 70
About MIDI .................................................................... 72
Specifications .................................................................. 76
Troubleshooting .............................................................. 77
Error Messages ................................................................ 78
Index .............................................................................. 79
5
Getting Started
CONTROL
SYNTHESIZER
Getting Started
Welcome To The World Of CS2x
Control Synthesis
Whether you’re a beginner and the CS2x is your very first professional synth, or you’re a seasoned professional making a living
entertaining the masses — or whether you style yourself as anything in between — you’re sure to find the CS2x to be one of the finest
electronic musical instruments you’ll ever own. It’s certainly one of the most
fun.
It can be said that the CS2x is a sort of
“hands on” interactivity, broad dimensions of sound, an Arpeggiator, and a wealth of real-time control features — and unites it with the
best of modern digital — such as stable pitch, a full 64 notes of polyphony, one-touch setting reconfigurations, a generous 16 MB of
Wave ROM plus lots of storage memory, comprehensive MIDI features, and much, much more.
Another great thing about the CS2x is that there are no pages and pages of hard-to-get-at hidden functions. Literally everything you need
is laid out right before your eyes. And simply a press of a button — or twist of a knob — away. Since all complicated concepts and
frustration factors are eliminated right from the start, the CS2x is quick and easy to learn to operate.
And if you should ever need to use the CS2x as a multitimbral tone generator, you’ll find it the ideal MIDI system component since it’s
designed to accommodate XG and General MIDI System Level 1 (GM) formats with ease. It also lets you set up your own configuration
of multiple timbres using a unique “4-Layer plus 12-Part” system that lets you keep your Performance timbre intact. There’s even a stereo
mini plug input which lets you “mix” the stereo or mono audio signals of an external component such as a sampler or submixer with
the CS2x’s audio output.
All things considered, the CS2x is sweet and simple — but incredibly powerful. Capable of holding its own in literally any music
situation, it’s an exciting world of modern music that you’ll be proud to be a part of.
analog-style digital synth
. It takes the best of traditional analog — such as simplicity of use, natural
GM System Level 1
“GM System Level 1” is a standard specification that defines the arrangement of voices in a tone generator and its MIDI
functionality, ensuring that data can be played back with substantially the same sounds on any GM-compatible tone generator,
regardless of its manufacturer or model. Tone generators and song data that meet the “GM System Level 1” bear this GM logo.
XG
“XG” is a tone generator format that expands the voice arrangement of the “GM System Level 1” specification to meet the everincreasing demands of today’s computer peripheral environment, providing richer expressive power while maintaining upward
compatibility of data. “XG” greatly expands “GM System Level 1” by defining the ways in which voices are expanded or edited
and the structure and type of effects.
When commercially available song data bearing the XG logo is played back on a tone generator which bears the XG logo, you
will enjoy a full musical experience that includes unlimited expansion voices and effect functions.
6
Getting Started
Main Features
The CS2x is designed for maximum real-time control during performance. This makes it the ideal
choice for Dance DJs, Rhythm And Rhyme MCs, Drum & Bass and Techno musicians — and
anyone else whose music thrives on a cutting edge synth sound. It’s also an ideal multitimbral
“module” fit for any type of MIDI system. Following is a list of the CS2x’s main features.
● 16 MB Wave ROM With AWM2 Voices
AWM2 (Advanced Wave Memory 2) voices are comprised of actual digital recordings, or
samples, of real musical instrument and other sounds. Voices available for use include 586
normal voices and 20 drum voices (kits) for GM and XG format applications in Multi Play mode,
plus much more.
● 256 Preset And 256 User Performances
A “Performance” is a complete configuration of a
in sophisticated keyboard and velocity splits) plus digital effects selections, Arpeggiator and
many other parameter settings. Performance mode — the chief operating mode for real-time play
— has 256 great-sounding Preset Performances plus 256 User Performances for storing your
own.
● 8 Real-time Sound Control Knobs And “Scenes”
The SOUND CONTROL knobs give you direct access to key parameters of the currently selected
Performance as you play. Each Performance has two Scene memories, each of which provides
instant recall of specific SOUND CONTROL knob positions. You can use the MODULATION
wheel or a connected Foot Controller to “morph” between the sound of each Scene during
performance.
Layer
(up to 4 voices either stacked or playing
● Arpeggiator With 40 Patterns
The Arpeggiator lets you select from 40 types of arpeggiated chord patterns and 10 timing
subdivisions. Included are Up, Down and Up/Down patterns across one or more octaves, plus
various special patterns including Techno, House, Random, Echo&Pan and more. All Arpeggiator
settings are stored as part of each Performance. The Arpeggiator’s tempo can be controlled by an
external MIDI clock, and the Arpeggiator data can be output via MIDI.
● 3 Programmable Digital Effects Units
The three independent DSP digital effects units — Reverb (12 types), Chorus (14 types) and
Variation (62 types) — can all be used simultaneously.
● Easy Connection To And Use With A Computer
A built-in TO HOST terminal plus HOST SELECT switch permits direct connection to an IBM
PC/AT or Apple Macintosh computer without the need for any peripheral interface hardware.
Multi Play mode allows for multitimbral play of up to 16 different Parts (across 16 MIDI
channels, when using an external sequencer) with 64 notes of available polyphony.
7
Getting Started
Top Panel
VOLUME
ATTACK
2
MW FC
1
SCENE
PITCH
MODULATION
FOOT
FOOT
FOOT
PHONES
L/MONO
DECAY
CUTOFFCUTOFF LPFHPF
R
OUTPUT
RELEASE DATAASSIGN
RESONANCE
STANDBY
DC IN
VOLUME
CONTROLLER
ON
ARPEGGIO
1
–
–
PART LAYER
PRESET
–
ASSIGN 2
–
SWITCH
HOLD
PROGRAM
SHIFT
OCTAVE
USER
INPUT TO HOST
+
+
+
+
HOST SELECT
PERFORMANCE
PRESET USER ARPEGGIATOR
IN OUT
THRU
MIDI
CONTROL SYNTHESIZER
,
&
VWX
STORE
MULTI
UTILITY
YZ
8
7
7
8
9
9
PQR STU
MNO
6
5
6
4
4
5
JKL
GHI
DEF
3
2
3
2
1
1
ABC
0
0
QUICK PC
PERFORMANCE
SPACE
.,
ENTER
ENTER
–
–
NO
YES
STORE
ARPEGGIATOR
PERFORM
TEMPO
LEVEL
SUB
TYPE
P BEND
RANGE
NOTE
SFT
ATK
TIME
ATK
TIME
BANK
DEMO
MULTI
UTILITY
MASTER
TUNE
REV
DIVIDE
TYPE
MW
FMOD
FMOD
PMOD
CUTOFF
NOTE
TUNE
DETUNE
LIMIT
LIMIT
LIMIT
HIGH
LOW
LOW
AEG
DCY
REL
AMOD PMOD
SUS
TIME
TIME
LEVEL
FEG
REL
DCY
SUS
INIT
TIME
TIME
LEVEL
LEVEL
REV
VOLUME
PROGRAM
PAN
SEND
SYSTEM
KBD
VEL
VEL
TRANS
FIX
CURVE
CH
PERFORM
EFFECT
NAME
CHO
VARI
VARI
VARI
TYPE
PARAM
DATA
TYPE
FC
CUTOFF
VARI
EF
VEL
LIMIT
HIGH
FMOD
ATK
ATK
LEVEL
TIME
EFFECT
VARI
CHO
SEND
SEND
MIDI
DEVICE
RCVCHTRANS
NO
COMMON
PORTA
ASSIGN1
PARAM
SWITCH
TIME
ASSIGN
2
DATAPARAMDEPTHOFFSET
LFO
SPEED
PHASE
WAVE
INIT
LAYER
PEG
DCY
REL
REL
TIME
TIME
LEVEL
POLY
FILTER
REZ
MONO
CUTOFF
ASSIGN
CTRL
BULK
LOCAL
UTILITY
NO
DUMP
1 VOLUME knob
This knob controls the CS2x’s overall audio volume level output from the
PHONES and OUTPUT jacks. Turn it between left-most (minimum) and
right-most (maximum) positions to set the proper listening level whether
using headphones or amplified speakers.
2 SOUND CONTROL knobs
The eight SOUND CONTROL knobs are used for real-time control and
edit of various tone generator parameters. Turning a knob to the left or
right will offset its specified parameter values accordingly (left for
negative values, right for positive values). Each knob has a detented
center stop position which represents the original value of the parameter.
(page 19.)
3 [SCENE] buttons
Each of the CS2x’s 512 Performances has two “Scene” memories in which
are stored the specific positions of the eight SOUND CONTROL knobs,
giving you the capability of slight or even radical sound reshaping at the
press of a [SCENE] button. Simultaneously pressing both [SCENE] buttons
activates the SCENE CONTROL function, which lets you use the
MODULATION wheel or a connected Foot Controller to “sound morph”
between the two Scenes. (page 25.)
4 [ARPEGGIO] button
Pressing this button turns the Arpeggiator on and off. When the
Arpeggiator is on, you can create automatic arpeggiated chords as you
play. You can designate arpeggio type, tempo and timing subdivision
using the panel edit functions. An ARPEGGIATOR SPLIT function lets you
split the keyboard at C3 so the chords you play to the left of the split point
will create arpeggiated chords and everything from the split point and
above will play as normal. An ARPEGGIATOR HOLD function will cause
arpeggiated chords to continue playing even after you release the keys.
(page 27.)
5 [SHIFT] button
This button has three functions. (1) Holding [SHIFT] and pressing
OCTAVE [-]/[+] transposes the octave of a Performance or voice up or
down (page 25). (2) Holding [SHIFT] and pressing [ARPEGGIO] turns the
ARPEGGIATOR HOLD function on and off (page 27). (3) Holding [SHIFT]
and pressing ARPEGGIATOR TYPE [UP/DOWN] (in Performance Edit
mode when the Arpeggiator Type screen is displayed) turns the
ARPEGGIATOR SPLIT function on and off (page 27).
6 PART/LAYER/OCTAVE [-]/[+]
buttons
These two buttons have three functions. (1) In Performance mode you can
use them to select one of the four Layer voices (page 29). (2) In Multi Play
mode you can use them to select one of the 16 Parts (page 32). (3) When
used in conjunction with the [SHIFT] button you can use them to
transpose the octave of the Performance or voice up or down (page 25).
7 [PRESET] and [USER]
Performance buttons
Pressing one of these buttons lets you access a Preset or User
Performance bank in Performance Play mode. Each time you press
[PRESET] or [USER] toggles between P1 and P2 or U1 and U2 banks,
respectively. Each bank contains 128 Performances, making a total of 512
available. (page 23.)
8 PROGRAM [-]/[+] buttons
Each time you press one of these buttons lets you step up ([+]) or down
([-]) through each consecutive Performance (in Performance mode) or
voice (in Multi Play mode). Holding either switch lets you continuously
“scroll” through the list of programs.
9 LCD
The backlit LCD screen displays various types of information to indicate
the current operating status of the CS2x, depending on which mode or
particular function is selected.
8
Getting Started
) NUMERIC KEYPAD
The NUMERIC KEYPAD is used in conjunction with the [ENTER/YES] and
[-/NO/QUICK PC] buttons and has several functions. In Performance
mode or Multi Play mode you can use it to select a specific Performance
or voice program number (page 24) as well as for selecting a program
number when the QUICK PROGRAM CHANGE function is active (page
41). In Edit mode you can use it to input positive or negative numeric data
values (page 42) or to select characters when naming a User Performance
(page 45).
! [-/NO/QUICK PC] button
This button has three functions. (1) As a [-] button you can use it to enter
negative data values in Edit mode (page 42). (2) As a [NO] button you can
use it to cancel a store operation if you change your mind (page 66). (3)
As a [QUICK PC] button you can use it to activate the QUICK PROGRAM
CHANGE function (page 41).
@ [ENTER/YES] button
This button is used as an [ENTER] button in conjunction with the
NUMERIC KEYPAD in order to enter a specific program number in Play
mode (page 24) or data value in Edit mode (page 42). It is used as a [YES]
button to confirm store operations (page 66).
# EDIT PARAMETER ROTARY
switch
In Performance mode this six-position switch lets you select one of the
two COMMON or four LAYER menus of parameters (page 41). In Multi
Play mode only the bottom menu of parameters are available, regardless
of the current position of the switch (page 57).
$ Parameter Value [UP/DOWN]
buttons
Used for accessing and editing specific panel parameters and settings,
each of these ten buttons corresponds to a parameter name printed on the
panel above or below a given [UP/DOWN] button. Press it once to enter
Edit mode and display the parameter screen in the LCD. Press the [▲]
area to increase and the [▼] area to decrease values. Holding down
either area will continuously scroll through available settings. In
Performance Edit mode, the position of the EDIT PARAMETER ROTARY
switch determines which COMMON or LAYER parameter is available for
each button. In Multi Part Edit mode, only the parameters printed directly
above the buttons are available. In Utility mode, only the parameters
printed directly below the buttons are available.
^ [MULTI] button
Pressing this button activates Multi Play mode, which lets you select and
play any of the 586 XG voices, as well as designate up to 16 Parts for
multitimbral play (when using an external sequencer). Parameters which
can be edited in Multi Play Edit mode are printed in a row directly above
the Parameter Value [UP/DOWN] buttons. (page 31.)
DEMO function
Pressing [PERFORMANCE] and [MULTI] simultaneously activates
the factory-programmed demonstration songs (page 14).
& [UTILITY] button
Pressing this button activates Utility mode, which lets you access those
“system” parameters that affect the CS2x as a whole, including MASTER
TUNE, MIDI TRANSMIT and RECEIVE CHANNEL numbers, keyboard
LOCAL on/off setting, etc., as printed directly below each Parameter
Value [UP/DOWN] button (page 61).
* [STORE] button
This button is used when performing User Performance, Scene and Multi
Store operations (page 66).
( PITCH wheel
This controller lets you bend the pitch up or down as you play. It is springloaded to automatically return to center position when you let go of it. In
Performance mode you can determine the extent of pitch change using
the PITCH BEND RANGE edit function (page 45).
º MODULATION wheel
This controller lets you apply or set a designated amount of vibrato or
tremolo as you play. You can also set it to affect filter cutoff, filter
modulation, and pitch modulation (page 46) as well as other controllable
parameters (page 64). When the SCENE CONTROL function is active it
can be used to “morph” the sound in real-time between the two Scenes.
¡ Keyboard
The 61-key touch-sensitive keyboard features Initial Touch (velocity)
control.
% [PERFORMANCE] button
Pressing this button activates Performance mode, which lets you select
any of the Preset or User Performances, use the SOUND CONTROL
knobs and SCENE functions, as well as activate the Arpeggiator and
COMMON and LAYER edit parameters. Press [PERFORMANCE] to enter
Performance mode from another mode, or to exit Edit mode and redisplay
the Performance Program Select screen after performing a panel edit
operation. (page 23.)
9
Getting Started
Rear Panel
THRU
MIDI
HOST SELECT
2 PC-1
PC-
INOUT
MIDI Mac
TO HOST
INPUT
1 MIDI terminals
The MIDI terminals let you connect external MIDI devices such as a
sampler, drum machine, sequencer, or computer using MIDI cables.
MIDI IN is for input of MIDI note and other performance-related data, as
well as bulk data dumps from another CS2x or MIDI data storage device.
MIDI OUT is for output of MIDI note and other performance-related data,
as well as for bulk data dumps to another CS2x or MIDI data storage
device. MIDI THRU is for “daisy chain” connection of multiple MIDI
instruments, as the MIDI data received at MIDI IN is passed along
unaffected to MIDI THRU. (NOTE: Set HOST SELECT to “MIDI” when
using the MIDI terminals.)
2 HOST SELECT switch
This switch lets you designate the type of host computer, either PC1, PC2,
Mac, or MIDI (page 13). (NOTE: When a host computer is not connected,
set HOST SELECT to “MIDI” for normal MIDI transmission and reception.)
3 TO HOST terminal
This terminal lets you connect the CS2x directly to a host computer which
does not have a MIDI interface (page 13).
ASSIGNABLE
FOOT
SWITCH
FOOT
CONTROLLER
FOOT
VOLUME
STANDBY
ON
OUTPUT
R
IN
DC
L/MONO
PHONES
6 FOOT CONTROLLER jack
By connecting an optional Yamaha FC7 or FC9 foot controller to this jack
you can control filter modulation, filter cutoff, and the Variation effect
(page 12), as well as the Control Change Number (page 64). You can also
use it for “sound morphing” between Scenes when the SCENE CONTROL
function is active (page 25).
7 FOOT VOLUME jack
By connecting an optional Yamaha FC7 or FC9 foot controller to this jack
you can regulate overall volume by foot.
8 STANDBY/ON switch
This switch is for turning the power of the CS2x on and off (page 14).
9 DC IN terminal
This terminal is for connection of the supplied Yamaha PA-3B Power
Adaptor. (CAUTION: Do not attempt to use an AC adaptor other than the
Yamaha PA-3B or equivalent, since the use of an incompatible adaptor
may cause irreparable damage to the CS2x, and may even pose a serious
shock hazard.)
4 INPUT jack
This jack lets you connect an external audio source (such as a sampler,
CD player, etc.) directly to the CS2x using either a stereo or mono mini
plug. The incoming audio signals are combined and output at the CS2x's
OUTPUT terminals, thus eliminating the need for an external mixer. To
) OUTPUT jacks
The stereo OUTPUT jacks let you connect the CS2x to an external stereo
amplifier/speaker system. When using a mono system, use the L/MONO
jack. (page 11.)
control the relative balance of the signals, use the external device's
output volume control and the CS2x's panel edit PERFORM LEVEL
parameter (Performance mode; page 44) or VOLUME parameter (Multi
Play mode, page 59).
! PHONES jack
This jack lets you connect a set of stereo headphones for private listening
(page 11).
5 FOOTSWITCH jack
By connecting an optional Yamaha FC4 or FC5 footswitch to this jack you
can control hold on/off, portamento on/off and other parameters,
determined by the ASSIGN CTRL NO (Assign Control Change Number)
setting in Utility mode (page 64).
10
Setting Up The CS2x
CONTROL
SYNTHESIZER
1. STANDBY
3. To electrical outlet
2. DC IN
PHONES
L/MONO
OUTPUT
R
DC
IN
FOOT
VOLUME
FOOT
CONTROLLER
FOOT
SWITCH
ASSIGNABLE
INPUT
TO HOST
HOST SELECT
PC-
2PC-1
MIDI Mac
INOUT
MIDI
THRU
STANDBY
ON
Amp
MIXER
CS2x
Speaker Speaker
Headphones
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 L R
L R INPUT
R OUTPUT
L
R OUTPUTPHONES
L
CONTROL SYNTHESIZER
Getting Started12Getting Started
This section steps you through the basic connections required for integrating the CS2x into everything from a simple
amplification system to a full-blown MIDI music studio. Also included is information about turning on the power and
listening to the preprogrammed “Demo” songs.
Basic Connections
There are many ways to incorporate the CS2x into a simple or
expanded music system. Below are a few examples to get you
started.
Power Adaptor
The CS2x comes equipped with a Yamaha PA-3B AC adaptor
which supplies DC power to the instrument.
1. Make sure the STANBY/ON switch is in the STANDBY (off)
position.
2. Connect the PA-3B’s DC plug to the CS2x’s DC IN jack.
3. Connect the adaptor’s AC plug to the nearest electrical
outlet.
The CS2x By Itself
At the simplest level, all you need to do to monitor the CS2x is
connect a pair of stereo headphones to the PHONES jack located
on the rear panel.
Or you could connect a pair of amplified speakers (i.e. speakers
with their own built-in amps, like those used with a personal
computer) using two audio cables plugged into the CS2x’s left
and right OUTPUT jacks and each amplified speaker’s input jack.
(For mono use, connect one end of a single audio cable to the
CS2x’s L/MONO jack.)
Or if you want to integrate the CS2x into a larger system with
other instruments and additional audio processing capabilities,
connect it to a mixer, amplifier and stereo monitor system as
shown below.
c
Do not attempt to use an AC adaptor other than the PA-3B.
Use of an incompatible adaptor may result in irreparable
damage to the CS2x, and could even pose a serious shock
hazard.
Be sure to disconnect the power adaptor from the electrical
outlet when the CS2x is not in use.
c
In order to avoid possible damage to the speakers or other
connected electronic equipment, before switching on the
power of any component, make sure the CS2x’s volume level
and the volume levels of the connected equipment are set to
minimum.
11
Connecting A Foot
PERFORMANCE
MULTI
DEMO
STORE
UTILITY
UTILITY
MASTER
TUNE
KBD
TRANS
VEL
CURVE
VEL
FIX
SYSTEM
P BEND
RANGE
TYPE
ARPEGGIATOR
TEMPO
PMOD
SUB
DIVIDE
PERFORM
LEVEL
MW
FMOD
CUTOFF
REV
TYPE
CHO
TYPE
VARI
TYPE
VARI
PARAM
PERFORM
NAME
VARI
DATA
ASSIGN1
PARAM
PORTA
SWITCH
TIME
EFFECT
VARI
EF
FC
CUTOFF
FMOD
COMMON
ASSIGN
CTRL
NO
BULK
DUMP
LOCAL
MIDI
DEVICE
NO
RCV
CH
TRANS
CH
BANK
PROGRAM
ATK
TIME
ATK
TIME
DCY
TIME
DCY
TIME
FEG
AEG
SUS
LEVEL
SUS
LEVEL
VOLUME
PAN
REL
TIME
REL
TIME
AMOD PMOD
INIT
LEVEL
ATK
TIME
REV
SEND
EFFECT
CHO
SEND
VARI
SEND
ATK
LEVEL
FMOD
LFO
PEG
DCY
TIME
WAVE
FILTER
CUTOFF
REZ
SPEED
REL
TIME
REL
LEVEL
PHASE
INIT
POLY
MONO
ASSIGN
2
DATAPARAMDEPTHOFFSET
VEL
LIMIT
HIGH
LIMIT
HIGH
LIMIT
LOW
LIMIT
LOW
NOTE
TUNE
NOTE
SFT
DETUNE
LAYER
PHONES
L/MONO
OUTPUT
R
DC
IN
FOOT
VOLUME
FOOT
CONTROLLER
FOOT
SWITCH
ASSIGNABLE
INPUT
TO HOST
HOST SELECT
PC-
2 PC-1
MIDI Mac
INOUT
MIDI
THRU
STANDBY
ON
FC7 or FC9
TONE GENERATOR
TG500
Tone Generator
Sequencer
(QY700)
OUT THRUMIDI IN
CS2x
MIDI OUT IN
MIDI IN
HOST SELECT
PC-2 PC-1
MIDI Mac
CONTROL SYNTHESIZER
Controller
Connecting External MIDI
Components
In addition to the on-board SOUND CONTROL knobs and other
real-time controllers, you can connect an optional Yamaha FC7
or FC9 foot controller to the CS2x’s FOOT CONTROLLER jack
and assign one of many available parameters to be controlled by
foot.
1. Connect the FC7 or FC9 cable to the CS2x’s FOOT
CONTROLLER jack.
2. Press the [UTILITY] button to enter Utility mode.
3. Press the ASSIGN CTRL NO [UP/DOWN] button once.
There are many different types of MIDI components available
which you could connect directly to the CS2x using MIDI cables
to take advantage of the CS2x’s multitimbral features and greatly
expand your music production capabilities. Following is an
example of how to connect an external sequencer and additional
tone generator to build up a comprehensive music production
system.
1. Set the CS2x’s rear panel HOST SELECT switch to MIDI.
2. Connect a MIDI cable from the CS2x’s MIDI OUT terminal
to the sequencer’s MIDI IN terminal. Connect another MIDI
cable from the CS2x’s MIDI IN terminal to the sequencer’s
MIDI OUT terminal.
4. Move the foot controller pedal to display “FC” in the LCD.
5. Use the ASSIGN CTRL NO [UP/DOWN] button to select the
Control Change Number and Name of the parameter that
you want to control.
For information about available Control Change Numbers and
Names, see page 65.
n
You can also connect an FC7 or FC9 foot controller to the
CS2x’s FOOT VOLUME jack and assign a parameter to it in
the same way as described above.
3. Connect a MIDI cable from the CS2x’s MIDI THRU terminal
to the tone generator’s MIDI IN terminal
In this monster system, the CS2x is the “master keyboard
controller” used for music note and control data input into the
QY700’s MIDI channel tracks. The QY700 sends the recorded
data directly to the CS2x’s Parts, and — via the MIDI THRU
terminal — to the external tone generator’s Parts.
n
When recording Parts to an external sequencer, you need to
turn the keyboard Local setting to OFF (page 63). For details
about assigning CS2x MIDI transmit and receive channels,
see page 63. For details about assigning MIDI channels and
other settings for the external devices, consult the owner’s
manual of each.
Getting Started
Connecting A MIDI Data
TO HOST
Connecting Cable
HOST SELECT
PC-2 PC-1
MIDI Mac
Computer
CS2x
CONTROL SYNTHESIZER
MDR SEO JOB UTIL
MIDI
MMDDFF2
MIDI DATA FILTER
CURSOR
- FILE DATA +
REC PAUSE START/STOP
TEMPO
MDF3 etc.
MIDI IN
MIDI
OUT
MIDI OUT
MIDI IN
HOST SELECT
PC-2 PC-1
MIDI Mac
CS2x
CONTROL SYNTHESIZER
Storage Device
By connecting a MIDI data storage device such as the Yamaha
MDF3 MIDI Data Filer to the CS2x you can save a single User
Performance or all the User Performances and Utility parameters
to floppy disk using MIDI data “Bulk Dump” operations.
This lets you build up complete libraries of Performance and
other data, which you can easily load back into the CS2x. (You
can also play compatible song data on the CS2x directly from the
MDF3 itself, without the need for a sequencer.)
n
The HOST SELECT switch must be set to MIDI. For details
about CS2x Bulk Dump operations, see page 64. (Also refer
to the owner’s manual of the MIDI data storage device for
instructions about sending and receiving data.)
Direct Connection To Macintosh
If you have an Apple Macintosh not equipped with an external
MIDI interface, perform the following operation:
1. Set the HOST SELECT switch to Mac.
2. Connect the cable from the CS2x’s TO HOST terminal to the
Macintosh’s Modem or Printer port.
3. Turn on the power of the host computer, then the CS2x.
4. Launch the music software application, and set up the
software options for operation with the CS2x.
n
You may have to set the Apple MIDI Driver setting as follows:
MIDI Interface Type (Clock) →1MHz. Other settings may
also be required. Refer to the owner’s manual of your
particular music software for more information.
Direct Connection To IBM PC and Clones
If you have an IBM PC/AT or compatible computer not equipped
with an external MIDI interface, perform the following operation:
1. Set the HOST SELECT switch to PC-2.
2. Connect the cable from the CS2x’s TO HOST terminal to one
of the computer’s serial ports, COM 1 or COM 2.
Connecting A Computer
Using the CS2x with a computer permits the widest variety of
options for getting the most from the CS2x’s multitimbral music
production capabilities based on the particular music sequencer
software application you use.
With its built-in host computer interface (TO HOST terminal) the
CS2x is designed for direct connection to an Apple Macintosh,
IBM PC/AT or NEC PC-9800 Series computer — without the need
for a special MIDI interface between the computer and the CS2x.
(If your computer already has a MIDI interface installed, you may
prefer to use it.)
Depending on the computer or interface used, you will need to
use the appropriate MIDI/computer connecting cable (see
following) as well as set the HOST SELECT switch to either PC-1
(NEC PC-9800 Series), PC-2 (IBM PC and clones), Mac
(Macintosh), or MIDI (standard MIDI interface).
3. Turn on the power of the host computer, then the CS2x.
4. Launch the music software application, and set up the
software options for operation with the CS2x.
n
For more information, refer to the owner’s manual of your
particular music software.
MIDI/Computer Connecting Cables
MIDI Standard MIDI cable, maximum length 15 meters.
Mac Apple Macintosh Peripheral cable (M0197), maximum
length 2 meters.
PC-1 8-pin MINI DIN to D-SUB 25-pin cable, maximum length
1.8 meters. (If your PC-1 type computer has a 9-pin serial port,
use the PC-2 type cable.)
PC-2 8-pin MINI DIN to D-SUB 9-pin cable, maximum length
1.8 meters.
13
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