Yamaha CLP-990M, CLP-990 User Manual

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IMPORTANT
Check your power supply
CLP-990 CLP-990M
Owner’s manual
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1
SPECIAL MESSAGE SECTION
PRODUCT SAFETY MARKINGS:
Y amaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
See bottom of Keyboard enclosure for graphic symbol markings
The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servic­ing) instructions in the literature accompanying the product.
The lightning flash with arrowhead symbol, within the equilateral trian­gle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclo­sure that may be of sufficient magni­tude to constitute a risk of electrical shock.
Battery Notice:
This product MAY contain a small non­rechargable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.
Warning:
Do not attempt to recharge, disassemble, or incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you.
Disposal Notice:
Should this product become damaged beyond repair, or for some reason its useful life is consid­ered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc.
NOTICE:
Service charges incurred due to lack of knowl­edge relating to how a function or effect w orks (when the unit is operating as designed) are not covered by the man­ufacturer’ s warranty, and are therefore the owners respon­sibility. Please study this manual carefully and consult your dealer before requesting service.
NAME PLATE LOCATION:
The graphic below indi­cates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
IMPORTANT NOTICE:
All Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product perfor ­mance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the time of printing. Howev er , Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.
ENVIRONMENTAL ISSUES:
Yamaha strives to pro­duce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:
CLP-990/990M
Model
Serial No.
Purchase Date
92-469
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PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep these precautions in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
• Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.
• Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings.
• If the power cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the instrument inspected by qualified Yamaha service personnel.
• Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument.
• Before cleaning the instrument, always remove the electric plug from the outlet. Never insert or remove an electric plug with wet hands.
• Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.
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CLP-990
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PRECAUTIONS
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:
• Do not place the power cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.
• When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it.
• Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lo wer sound quality, or possibly cause overheating in the outlet.
• Remove the electric plug from the outlet when the instrument is not to be used for e xtended periods of time, or during electrical storms.
• Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components , set all volume levels to minim um. Also, be sure to set the volumes of all components at their minimum lev els and gr adually raise the volume controls while pla ying the instrument to set the desired listening level.
• Do not expose the instrument to excessiv e dust or vibrations , or e xtreme cold or heat (such as in direct sun­light, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components.
• Do not use the instrument near other electrical products such as televisions, radios, or speakers , since this might cause interference which can affect proper operation of the other products.
• Do not place the instrument in an unstable position where it might accidentally fall over.
• Before moving the instrument, remove all connected cables.
• When cleaning the instrument, use a soft, dry or slightly damp cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths. Also, do not place vin yl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.
• Do not rest your weight on, or place heavy objects on the instrument, and do not use excessiv e f orce on the buttons, switches or connectors.
• Take care that the key cover does not pinch y our fingers , and do not insert a finger or hand in the key co v er gap.
• Never insert or drop paper or metallic or other objects between the slits of the key cover and the keyboard. If this happens, immediately turn off the power and remove the electric plug from the outlet and have the instrument inspected by qualified Yamaha service personnel.
• Do not place the instrument against a wall (allow at least 3 cm/one-inch from the wall), since this can cause inadequate air circulation, and possibly result in the instrument overheating.
• Read carefully the attached documentation explaining the assembly process. Failure to assemble the instrument in the proper sequence might result in damage to the instrument or even injury.
• Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a phy­sician.
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CLP-990
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PRECAUTIONS
USING THE BENCH (If included)
• Do not play carelessly with or stand on the bench. Using it as a tool or step-ladder or for any other purpose
might result in accident or injury.
• Only one person should sit on the bench at a time, in order to prevent the possibility of accident or injury.
• If the bench screws become loose due to extensive long-term use, tighten them periodically using the
included tool.
SAVING USER DATA
• Always save data to a floppy disk or an external device such as the Yamaha MIDI Data Filer MDF3 fre-
quently, in order to help prevent the loss of important data due to a malfunction or user operating error.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
When moving the instrument after assembly, always hold the bottom of the instrument and the handles located on the rear.
Do not hold the keyboard cover or speaker box. Improper handling can result in damage to the instrument or personal injury.
Key cover
Speaker box
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Thank you for choosing the Yamaha Clavinova CLP-990/990M. In order to make the most of
your Clavinova’s performance potential and features, please read this Owner’s Manual
thoroughly, and keep it in a safe place for later reference.

About this Owner’s Manual and Reference Booklet

This manual consists of four main sections: “Introduction,” “Basic Operation,” “Detailed Settings,” and “Appendix.” Also, a separate “Reference Booklet” is provided.
Introduction:
Basic Operation:
Detailed Settings:
Appendix:
Reference Booklet:
* The models CLP-990M will be referred to as the CLP-990 in this Owner’s Manual.
• The illustrations and LCD screens as shown in this Owner’ s Man ual are for instructional purposes only , and may appear somewhat different from those on your instrument.
• Unauthorized copying of copyrighted software for purposes other than the purchaser’s personal use is pro­hibited.
Please read this section first. In the “Application Index” section on page 11 and “Features” on page 16, you can learn how to use the Clavinova and its functions in particular situations.
This main section explains how to use the basic functions. Refer to this section while you play the Clavinova. If you have questions or come across the words you do not know, refer to the section entitled “Questions about Operations and Functions” on page 97, or the “Index” on page 106.
This section explains how to make detailed settings for the Clavinova’s various functions. Refer to this section as necessary.
This section introduces troubleshooting, a description of preset voices, and other reference material.
XG Voice List, MIDI Data Format, etc.
Trademarks
• Apple and Macintosh are trademarks of Apple Computer, Inc., registered in the U.S. and other countries.
• IBM-PC/AT is a trademark of International Business Machines Corporation.
• Windows is the registered trademark of Microsoft® Corporation.
All other trademarks are the property of their respective holders.
“The Clavinova-Computer Connection” is a supplementar y guidebook that describes, for beginners, what you can do with your Clavinova and a personal computer and how to set up a Clavinova-Computer system (the manual is not written for any specific models). The document is available as a PDF file (in English) at the following Internet address:
Clavinova W eb site:
http://www.yamaha.co.jp/english/product/cl/
Yamaha Manual Library (Electronic Musical Instruments)
http://www2.yamaha.co.jp/manual/english/
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Table of contents

Introduction.......................................................... 2
PRECAUTIONS........................................................................................................................................ 3
About this Owner’s Manual and Reference Booklet..................................................................................................... 6
Table of contents ................................................................................................................................... 7
Application Index
Use this index to find reference pages that may be helpful for your application and situation. .............................. 11
Handling the Floppy Disk Drive(FDD) and Floppy Disk ...................................................................... 13
Maintenance ........................................................................................................................................ 14
Included Accessories ............................................................................................................................ 15
Features ................................................................................................................................................ 16
Before Using the Clavinova.................................................................................................................. 18
Key cover ....................................................................................................................................................................... 18
Music stand ................................................................................................................................................................... 18
Turning the power on................................................................................................................................................... 19
Adjusting the display contrast...................................................................................................................................... 20
Setting the volume ........................................................................................................................................................ 20
Using headphones......................................................................................................................................................... 20
Basic Operation .................................................. 21
Part Names........................................................................................................................................... 22
Listening to the Demonstration Tunes................................................................................................ 24
Listening to 50 Piano Preset Songs ..................................................................................................... 26
Playing the 50 piano preset songs ................................................................................................................................ 26
Practicing a one-hand part using 50 preset songs....................................................................................................... 28
Selecting and Playing Voices ...............................................................................................................30
Selecting Voices............................................................................................................................................................. 30
Using the pedals ............................................................................................................................................................31
Adding variation to the sound [BRILLIANCE]/[REVERB]/[CHORUS].................................................................. 32
Transposition ... [TRANSPOSE].................................................................................................................................. 34
Combining two voices (Dual mode)............................................................................................................................ 35
Splitting the keyboard range and playing two different voices (Split mode) ............................................................ 37
Using the metronome................................................................................................................................................... 40
Recording Your Performance............................................................................................................... 41
Recording a New Song.................................................................................................................................................. 41
Recording to [TRACK 1]........................................................................................................................................ 41
Re-recording TRACK 1........................................................................................................................................... 43
Re-recording TRACK 1 partially............................................................................................................................ 44
Recording to [TRACK2]......................................................................................................................................... 45
Recording to the third or more tracks [EXTRA TRACKS] .................................................................................. 46
Other recording techniques.......................................................................................................................................... 46
Adding data to or recording over an existing song ............................................................................................... 46
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Table of contents
Changing a voice or tempo after recording........................................................................................................... 47
Adjusting the volume balance between playback and your performance [SONG BALANCE] ......................... 48
Recording in Dual or Split mode ........................................................................................................................... 49
Saving Recorded Songs and Handling the Files...[FILE]...................................................................... 50
Clavinova memory.................................................................................................................................................. 50
Basic file operation.................................................................................................................................................. 51
Saving recorded or other songs to Clavinova Storage memory...[SaveToMemory]................................................. 52
Saving recorded or other songs to floppy disk...[SaveToDisk] .................................................................................. 53
Deleting songs in Clavinova Storage memory or a floppy disk...[DeleteSong]......................................................... 53
Renaming a song...[RenameSong]............................................................................................................................... 54
Copying data from one floppy disk to another...[CopyDisk] .................................................................................... 55
Formatting a floppy disk...[FormatDisk] .................................................................................................................... 56
Changing the type of characters on screen...[CharacterCode]................................................................................... 56
Playing Back Recorded Songs and Commercially-available Music Data............................................. 57
Playing back a song ....................................................................................................................................................... 57
Turning track playback on and off............................................................................................................................... 59
Supported song data type ............................................................................................................................................. 59
Connections ......................................................................................................................................... 61
Connectors .................................................................................................................................................................... 61
Connecting a personal computer................................................................................................................................. 63
Detailed Settings ................................................ 69
Detailed Settings.................................................................................................................................. 70
Parameter List ............................................................................................................................................................... 70
Making detailed settings ...............................................................................................................................................72
Detailed settings for recording and playback [SONG SETTING] ........................................................ 74
Correcting note timing [Quantize].............................................................................................................................. 74
Specifying whether playback starts immediately along with the first voicing [QuickPlay]...................................... 75
Auditioning the channels [ChannelListen] ................................................................................................................. 75
Deleting data from each channel [ChannelClear]....................................................................................................... 75
Specifying the range and playing back repeatedly [FromToRepeat] ......................................................................... 75
Playing back the phrase specified by the phrase number [PhraseMark] ................................................................... 76
Playing back a song repeatedly [SongRepeat] .............................................................................................................76
Detailed settings for the metronome METRONOME [SETTING]........................................................ 77
Setting the metronome time signature [TimeSignature]............................................................................................ 77
Setting the metronome volume level [MetronomeVolume]...................................................................................... 77
Selecting the metronome voice [MetronomeSound] ................................................................................................. 77
Detailed settings for the voices [VOICE SETTING].............................................................................. 78
Setting the octave [Octave]*......................................................................................................................................... 78
Setting the volume level [Volume]*............................................................................................................................. 78
Setting the position of right and left channels [Pan]* ................................................................................................ 79
Fine tuning the pitch (only in Dual mode) [Detune]................................................................................................. 79
Selecting the reverb type [ReverbType]....................................................................................................................... 79
Setting the reverb depth [ReverbSend]*...................................................................................................................... 79
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Table of contents
Selecting the chorus type [Chorus Type]..................................................................................................................... 80
Setting the chorus depth [ChorusSend]*..................................................................................................................... 80
Setting the chorus on/off [ChorusOnOff]................................................................................................................... 80
Selecting the variation effect type [VariationType] .................................................................................................... 80
Setting the variation effect depth [VariationSend]* ................................................................................................... 81
Setting the touch sensitivity [TouchSense]*................................................................................................................ 81
Setting the right pedal function [RPedal].................................................................................................................... 81
Setting the center pedal function [MPedal] ................................................................................................................ 82
Setting the left pedal function [LPedal]....................................................................................................................... 82
Setting the auxiliary pedal function [AuxPedal] ......................................................................................................... 82
MIDI [MIDI SETTING]........................................................................................................................... 83
About MIDI................................................................................................................................................................... 83
Setting the MIDI transmit channel [MidiOutChannel] ............................................................................................. 84
Setting the MIDI receive channel (Port A) [MidiInAChannel] ................................................................................. 84
Setting the MIDI receive channel (Port B) [MidiInAChannel] ................................................................................. 85
Setting Local control on/off [LocalControl]................................................................................................................ 85
Selecting performance from the keyboard or song data for MIDI transmission [MidiOutSelect].......................... 85
Selecting a type of data received via MIDI [ReceiveParameter]................................................................................. 85
Selecting a type of data transmitted via MIDI [TransmitParameter] ........................................................................ 86
Executing song data bulk dump [SongBulkDump].................................................................................................... 86
Transmitting the initial settings on the panel [InitialSetup]...................................................................................... 86
Executing voice data bulk dump [VoiceBulkDump].................................................................................................. 86
Other settings ...................................................................................................................................... 87
Selecting a touch response [TouchResponse] ............................................................................................................. 87
Fine tuning the pitch [Tune]........................................................................................................................................ 87
Selecting a tuning curve for a piano voice [PianoTuningCurve]............................................................................... 87
Selecting a scale [Scale]................................................................................................................................................. 88
Depth of string resonance [StringResonanceDepth] .................................................................................................. 88
Depth of sustain sampling for the damper pedal [SustainSamplingDepth].............................................................. 88
Setting the speed of vibraphone’s vibrato effect [VibraphoneRotorSpeed] ..............................................................89
Selecting a pedal function for vibraphone
[VibraphonePedalMode].............................................................................................................................................. 89
Assigning the START/PAUSE function to a pedal [PedalStart/Pause]...................................................................... 89
Selecting a type of auxiliary pedal [AuxPedalType].................................................................................................... 89
Setting the point at which the damper pedal starts to affect the sound [HalfPedalPoint] ....................................... 90
Pitch bend range [PitchBendRange]............................................................................................................................ 90
Replacing the XG voices with preset voices [XGAlternative]..................................................................................... 90
Selecting items saved at shutdown [MemoryBackUp] ............................................................................................... 91
Restoring the normal (default) settings [FactorySet] ................................................................................................. 91
Other method for restoring the normal settings......................................................................................................... 91
Message List ......................................................................................................................................... 92
Questions about Operations and Functions........................................................................................97
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Table of contents
Appendix ............................................................ 99
Troubleshooting................................................................................................................................. 100
Data Compatibility............................................................................................................................. 101
Preset Voice List ................................................................................................................................. 103
Voice Combination Examples (Dual and Split) ................................................................................. 105
Index................................................................................................................................................... 106
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Application Index
Use this index to find reference pages that may be helpful for your application and situation.
Listening
Listening to demo songs...............................................“Listening to the Demonstration Tunes” on page 24
“Playing the 50 piano preset songs” on page 26
Listening to demo songs with different voices............“Listening to the Demonstration Tunes” on page 24
Listening to songs from “50 greats for the Clavinova” .......“Playing the 50 piano preset songs” on page 26
Listening to my recorded performance ............................................ “Recording to [TRACK 1]” on page 41
“Playing back a song” on page 57
Listening to songs in a floppy disk............................................................. “Playing back a song” on page 57
Playing
Using three pedals.............................................................................................“Using the pedals” on page 31
Playing an accompaniment that matches pitch ................... “Transposition ... [TRANSPOSE]” on page 34
Changing tonal color
Viewing the list of voices................................................................................ “Preset Voice List” on page 103
Simulating a concert hall........................................................................................... “[REVERB]” on page 33
Combining two voices..................................................... “Combining two voices (Dual mode)” on page 35
Playing different sounds with left and right hands
...........................“Splitting the keyboard range and playing two different voices (Split mode)” on page 37
Making a voice brighter and sharper, or softer and smoother........................“[BRILLIANCE]” on page 32
Adding spread to the sound.................................................................................... “[CHORUS]” on page 33
Practicing
Muting the right- or left-hand part ........... “Practicing a one-hand part using 50 preset songs” on page 28
Practicing with an accurate and steady tempo.......................................“Using the metronome” on page 40
Practicing using your recorded song ..........................................“Recording Your Performance” on page 41
“Turning track playback on and off” on page 59
Recording
Recording your performance...................................................... “Recording Your Performance” on page 41
Saving recorded songs to floppy disks or memory
...........................................................“Saving Recorded Songs and Handling the Files...[FILE]” on page 50
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Application Index
Use this index to find reference pages that may be helpful for your application and situation.
Settings
Making detailed settings for recording and playback
............................................“Detailed settings for recording and playback [SONG SETTING]” on page 74
Making detailed settings for the metronome
......................................... “Detailed settings for the metronome METRONOME [SETTING]” on page 77
Making detailed settings for the voices
................................................................. “Detailed settings for the voices [VOICE SETTING]” on page 78
Making detailed settings for MIDI ....................................................“MIDI [MIDI SETTING]” on page 83
Making detailed settings for the Clavinova.........................................................“Other settings” on page 87
Connecting the Clavinova to other devices
What is MIDI?.....................................................................................“MIDI [MIDI SETTING]” on page 83
Recording your performance..................................................... “AUX OUT [R], [L/L+R] jacks” on page 61
Raising the volume .....................................................................“AUX OUT [R], [L/L+R] jacks” on page 61
Outputting other instruments’ sound from the Clavinova.......... “AUX IN [R], [L/L+R] jacks” on page 62
Connecting a computer........................................................ “Connecting a personal computer” on page 63
Quick solution
What the Clavinova offers............................................................................. “Application Index” on page 11
“Features” on page 16
Returning to the main screen..............................................................................“[EXIT] button” on page 23
Resetting the Clavinova to the default setting
................................................................“Restoring the normal (default) settings [FactorySet]” on page 91
Meaning of the messages........................................................................................ “Message List” on page 92
If you have questions about operations and functions
..............................................................................“Questions about Operations and Functions” on page 97
Troubleshooting............................................................................................. “Troubleshooting” on page 100
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Handling the Floppy Disk Drive(FDD) and Floppy Disk

Precautions

Be sure to handle floppy disks and treat the disk drive with care. Follow the important precautions below.

Compatible Disk Type

3.5" 2DD and 2HD type floppy disks can be used.

Inserting/Ejecting Floppy Disks

To insert a floppy disk into the disk drive: Hold the disk so that the label of the disk is facing upward and the sliding shutter is facing forward, towards the disk slot. Carefully insert the disk into the slot, slowly pushing it all the way in until it clicks into place and the eject button pops out.
To eject a floppy disk:
Before ejecting the disk, be sure to confirm that the floppy disk drive is stopped. If the disk drive is operating (during the [SaveToDisk] (P53), [DeleteSong] (P53), [RenameSong] (P54), [CopyDisk] (P55), or [FormatDisk] (P56) opera­tion), the Clavinova displays [Executing]. Never attempt to remove the disk or turn the power off when the disk drive is operating. Doing so can damage the disk and possibly the disk drive. Press the eject button slowly as far as it will go; the disk will automatically pop out. When the disk is fully ejected, care­fully remove it by hand.
Eject button
If the eject button is pressed too quickly, or if it is not pressed in as far as it will go, the disk may not eject properly. The eject button may become stuck in a half-pressed posi­tion with the disk extending from the drive slot by only a few millimeters. If this happens, do not attempt to pull out the partially ejected disk, since using force in this situation can damage the disk drive mechanism or the floppy disk. To remove a partially ejected disk, try pressing the eject button once again, or push the disk back into the slot and then repeat the eject procedure. Be sure to remove the floppy disk from the disk drive before turning off the power. A floppy disk left in the drive for extended periods can easily pick up dust and dirt that can cause data read and write errors.

Cleaning the Disk Drive Read/Write Head

• Clean the read/write head regularly. This instrument employs a precision magnetic read/write head which, after an extended period of use, will pick up a layer of magnetic particles from the disks used that will eventually cause read and write errors.
• To maintain the disk drive in optimum working order Yamaha recommends that you use a commercially-avail­able dry-type head cleaning disk to clean the head about once a month. Ask your Yamaha dealer about the avail­ability of proper head-cleaning disks.
• Never insert anything but floppy disks into the disk drive. Other objects may cause damage to the disk drive or floppy disks.
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Handling the Floppy Disk Drive(FDD) and Floppy Disk
write-protect tab open (protect position)

About the Floppy Disks

• To handle floppy disks with care:
• Do not place heavy objects on a disk or bend or apply pressure to the disk in any way. Always keep floppy disks in their protective cases when they are not in use.
• Do not expose the disk to direct sunlight, extremely high or low temperatures, or excessive humidity, dust or liq­uids.
• Do not open the sliding shutter and touch the exposed surface of the floppy disk inside.
• Do not expose the disk to magnetic fields, such as those produced by televisions, speakers, motors, etc., since magnetic fields can partially or completely erase data on the disk, rendering it unreadable.
• Never use a floppy disk with a deformed shutter or housing.
• Do not attach anything other than the provided labels to a floppy disk. Also make sure that labels are attached in the proper location.
• To protect your data (Write-protect Tab):
• To prevent accidental erasure of important data, slide the disk’s write-protect tab to the “protect” position (tab open).
• Data backup
• For maximum data security Yamaha recommends that you keep two copies of important data on separate floppy disks. This gives you a backup if one disk is lost or dam­aged. To make a backup disk use the Copy Disk function on page 55.

Maintenance

Clean the instrument using a dry, soft cloth or slightly damp, soft cloth (wring well).
Do not use benzine, thinner, detergent, or chemical cloth for cleaning. Do not place vinyl, plastic, or rubber products on the instrument. Otherwise, the panel or keys may be discolored or degraded. Before using the Clavinova, be sure to read “Precautions” on pages 3-5.

Tuning

Unlike an acoustic piano, the Clavinova does not need to be tuned. It always stays perfectly in tune.

Transporting

If you move to another location, you can transport the Clavinova along with other stuff. You can move the unit as it is (assembled) or you can disassemble the unit down to the condition when you first open the package. Transport the keyboard horizontally. Do not lean it to the wall and the like.
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Included Accessories

“50 greats for the Clavinova” Score Collection
Owner’s Manual
Recording disk
Save your recorded performance to this disk. (page 53)
Bench (included or optional depending on locale)
Reference Booklet
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Features

The Yamaha Clavinova CLP-990 digital piano offers unmatched sonic realism and natural grand-piano type playabil­ity as well as Yamaha’s original “ AWM Dynamic Stereo Sampling ” tone generation technology for rich, musical voices, and a special “ NL Keyboard (Natural Keyboard) ” that uses wooden keys with a new action mechanism for improved continuous key response. The CLP-990 GrandPiano1 voice features totally new samples painstakingly recorded from each key of a full concert grand piano. The CLP-990 GrandPiano1 voice features five velocity­switched samples ( nance of a piano soundboard, “
tain Sampling
when the damper pedal is pressed, and “ released. The CLP-990 comes much closer to the sound of a true acoustic piano.
Dynamic Sampling
String Resonance
), a “
Soundboard Reverb
” (page 88) that recreates resonance of piano strings, special “
” (page 33) effect that accurately simulates the reso-
Sus-
” (page 88)that samples the unique resonance of an acoustic grand piano’s soundboard and strings
Key-off Samples
” that add the subtle sound produced when the keys are
PHONES
A set of standard stereo headphones can be plugged in here for private practice. (page 20)
A
EXTRA
TRACK1SONG SELECTDEMO
FILE
TRACK
CLP-970
MIN
MASTER VOLUME
NEW SONG
SONG BALANCE
TRANSPOSEMAX
METRONOME
SETTINGSTART/STOP
TRACKS
2
SONG
UPDOWN
REC
STOP
START/
SETTING
PAUSE
SYNCHRO START
SONG
C
TEMPO
Connect an optional pedal here and assign one of the various functions to the pedal. (page 62)
OUTIN THRU
PC-2
PC-1
MacMIDI
MIDI
HOST SELECT
TO HOST
This jack and selector switch allow direct connection to a personal computer for sequencing and other music applications. (page 62-67)
CONTRASTB
YES
NO
EXIT
D
AUX PEDAL
HARPSI-
BASS
CHORD
MAIN
SPLIT
ORGAN/
PIANO/
HARPSI/
POINT
STRINGS
E. PIANO
MALLET
LEFT
VOICE
CHOIR
VOICE
BRILLIANCE
BASS
SETTING
EFFECT
L/L+RR
SETTING
OTHER SETTING
AUX IN
POWER
L/L+RR
AUX OUT
MIDI
CHORUSREVERBSTRINGS/
ORGAN
MALLET
E. PIANO/
PIANO
Connect recording equipment (such as a cassette tape recorder) here to record your performance. (page 61)
16
CLP-990
Connect a MIDI device here to use various MIDI functions. (page 63, 66) (About MIDI—page 83)
These jacks allow you to connect an external tone generator to reproduce the sound via the Clavinova’s internal sound system and speakers. (page 62)
Page 17
Features
The Clavinova includes 50 preset songs.
This section enables you to listen to these songs, practice using a convenient practice function, play back Clavinova music data (sold in music stores), and record and play back your performance. (page 26, 41, 57)
[FILE]
Save recorded songs and manage song files. (page 50)
[METRONOME]
[DEMO]
Demonstration playback is available for each voice. (page 24)
CLP-990
MIN
MASTER VOLUME
SONG SELECTDEMO
NEW SONG
SONG BALANCE
TRANSPOSEMAX
TRACK
1
STOP
SYNCHRO START
TRACK
2
START/ PAUSE
SONG
Use the metronome functions. (page 40)
EXTRA
FILE
SETTING
METRONOME
SONG
TRACKS
REC
The display allows accurate control and operation. (page 23)
A
SETTINGSTART/STOP
UPDOWN
C
TEMPO
[MIDI SETTING]
Make detailed MIDI settings, such as MIDI receive/transmit channels. (page 83)
MAIN voice gruop buttons
Select voices from 25 internal sounds including Grand Piano 1. (page 30)
You can also combine two voices at a time. (page 35)
[CONTRAST]
Adjust the brightness of the display using this control. (page 20)
CONTRASTB
YES
NO
D
EXIT
[REVERB]/ [CHORUS]
Add reverb (reverberation) and spread (chorus) to the sound. (page 33)
ORGAN
MALLET
E. PIANO/
PIANO
HARPSI-
BASS
MAIN
LEFT
CHORD
SPLIT
POINT
E. PIANO
ORGAN/
PIANO/
HARPSI/
STRINGS
MALLET
VOICE
BASS
MIDI
CHORUSREVERBSTRINGS/
BRILLIANCE
SETTING
OTHER SETTING
EFFECT
CHOIR
VOICE
SETTING
[MASTER VOLUME]
Adjust the volume level using this slider. (page 20)
TRANSPOSE [ ] [ ]
You can shift the pitch of the entire keyboard up or down so that the pitch will match that of another instrument or singer, while you play the same keys. (page 34)
[SONG SETTING]
Make detailed settings for song recording and playback. (page 74)
TEMPO [DOWN] [UP]
You can change the song tempo (speed). (page 27, 40, 42, 58)
LEFT voice group buttons/ [SPLIT POINT]
You can play different voices on the left- and right-hand sections of the keyboard. (page 37)
[EXIT]
The screen returns to its main display when you press this button. (page 23)
[VOICE SETTING]
You can make detailed settings for tone and effects. (page 78)
[OTHER SETTING]
Fine-tune the touch response and pitch, etc. (page 87)
BRILLIANCE [ ] [ ]
Adjust the brightness of the tone using these buttons. (page 32)
CLP-990 17
Page 18

Before Using the Clavinova

Key cover

To open the key cover:
Lift the cover slightly, then push and slide it open.
To close the key cover:
Slide the cover toward you and gently lower the cover over the keys.
Be careful to avoid catching your fingers when opening or closing the cover.
CAUTION
Hold the cover with both hands when opening or closing it. Do not release it until it is fully opened or closed. Be careful to avoid catching fingers (yours or others, especially children’s between the cover and the unit. Do not place objects such as a piece of metal or paper on top of the key cover. Small objects placed on the key cover may fall inside the unit when the cover is opened and may be nearly impossible to remove. This could cause electric shock, short circuit, fire or other serious damage to the instrument.

Adjusting the music stand angle

Changing the angle
Grasp the bottom of the stand and lift the stand while pulling it toward you. The stand locks at various angles when you hear a click .
Be careful not to pinch your fngers!
18
Replacing the stand to its original position
Raise the bottom of the stand until the stand becomes horizontal. Then lower the stand while supporting the bottom.
• When you adjust the music stand angle, be sure to hold the bottom part, not the upper part or the sides. Use caution not to pinch any­one’s fingers, especially those of young children, between the stand and the unit.
• Do not adjust the angle with sheet music or other objects resting on the stand. Otherwise, the objects may fall and cause injury.
• Do not place heavy objects on the music stand. Doing so may dam­age the music stand, or may cause injury.
CLP-990
Page 19
Before Using the Clavinova

Turning the power on

1. Connect the power cable.
First insert the plug of the power cable into the AC connector on the Clavinova, then plug the other end of the cable into the proper AC outlet on the wall. In some areas a plug adaptor may be provided to match the pin configuration of the AC wall outlets in your area.
12
The power connector is located on the lower part of the rear panel.
(The shape of plug differs depending on locale.)
WARNING!
Make sure your CLP-990 is rated for the AC voltage supplied in the area in which it is to be used (voltage rating appears on the name plate on the bottom panel). In some areas, a voltage selector may be provided on the bottom panel of the main keyboard unit near the power cord. Make sure that the v oltage selector is set f or the v oltage in y our area. Connecting the unit to the wrong AC supply can cause serious damage to the internal circuitry and may even pose a shock hazard!
Use only the AC power cord supplied with the CLP-990. If the supplied cord is lost or damaged and needs to be replaced, con­tact your Yamaha dealer. The use of an inappropriate replacement can pose a fire and shock hazard!
The type of AC power cord provided with the CLP-990 may be different depending on the country in which it is purchased. (In some areas a plug adaptor may be provided to match the pin configuration of the AC w all outlets in your area.) Do NOT modify the plug provided with the CLP-990. If the plug will not fit the outlet, have a proper outlet installed by a qualified electrician.
2. Turn on the power to the Clavinova.
Press the [POWER] switch located on the right of the keyboard to turn the power on.
• The screen located in the center of the front panel and the power indica­tor located below the left end of the keyboard lights up.
[POWER] switch
Power indicator
Power indicator
If you close the key cover without turning the power off, the power indicator remains lit, indicating that the power is still on.
TIP
A B
NO YES
C D
When you turn on the power to the Clavinova, a voice name appears on the screen.
Press the [POWER] switch again to turn off the power to the Clavinova.
• The screen and the power indicator turn off.
CLP-990
19
Page 20
PHONES
standard stereo phone plug
bottom surface
Optional headphones
HPE-160 Y amaha head­phones.
Before Using the Clavinova

Adjusting the display contrast

You can adjust the contrast of the display by turning the [CONTRAST] knob located to the right of the LCD.
A B
NO YES
C D
Use this knob.
CONTRAST
EXIT
TERMINOLOGY
CONTRAST:
difference between bright­ness and darkness

Setting the volume

While playing the keyboard, adjust the volume level by moving the [MASTER VOLUME] slider on the left of the front panel to the left or right.
MIN MAX
MASTER VOLUME
The level decreases. The level increases.
Do not use the Clavinova at a high volume level for a long period of time, or your hearing may be damaged.
TERMINOLOGY
MASTER VOLUME:
The volume level of the entire keyboard sound
TIP
You can also adjust the [PHONES] output level and the AUX IN input level using the [MASTER VOLUME] slider.

Using headphones

Connect a pair of headphones to one of the [PHONES] jacks. When the headphones are plugged into either of the [PHONES] jacks, the internal speaker system is automat­ically shut off. Two [PHONES] jacks are provided. Two sets of standard stereo head­phones can be plugged in. (If you are using only one pair of head­phones, you can plug them into either of these jacks.)
CLP-990
20
TIP
Page 21
Basic Operation
21 CLP-990
CLP-990 21
Page 22

Part Names

A
C
CLP-990
MIN
MASTER VOLUME
2
D
E
3 5
TRANSPOSEMAX
SONG SELECTDEMO
NEW SONG
SONG BALANCE
4 6 0 A
CLP-970
MIN
MASTER VOLUME
C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4
B-1A-1
F
CONTRASTB
YES
NO
D
MAIN
EXIT
LEFT
SPLIT POINT
PIANO
E. PIANO/
BASS
PIANO/
E. PIANO
G I J K N P
7 B
TRACK
TRACK
2
1
STOP
START/ PAUSE
SYNCHRO START
SONG
EXTRA TRACKS
REC
8
FILE
SONG
SETTING
9 C
SONG BALANCE
TRANSPOSEMAX
UPDOWN
REC
STOP
START/
SETTING
PAUSE
SYNCHRO START
C
SONG
TEMPO
A
EXTRA
TRACK
FILE
TRACK1SONG SELECTDEMO
METRONOME
SETTINGSTART/STOP
TRACKS
2
NEW SONG
SONG
CONTRASTB
PIANO
MAIN
YES
NO
SPLIT POINT
EXIT
LEFT
D
H
ORGAN
MALLET
HARPSI-
CHORD
BASS
ORGAN/
HARPSI/
STRINGS
MALLET
VOICE
METRONOME
SETTINGSTART/STOP
UPDOWN
TEMPO
E. PIANO/
HARPSI-
BASS
CHORD
HARPSI/
PIANO/
MALLET
E. PIANO
MIDI
CHORUSREVERBSTRINGS/
ORGAN
MALLET
SETTING
CHOIR
]
VOICE
OTHER
BASS
ORGAN/
BRILLIANCE
SETTING
SETTING
STRINGS
EFFECT
VOICE
C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7
CHOIR
VOICE
SETTING
L M O
CHORUSREVERBSTRINGS/
SETTING
BRILLIANCE
EFFECT
POWER
OTHER
SETTING
1
MIDI
Center “C”
PHONES
Q

Top panel

[POWER]..............................................P19
1
2 [MASTER VOLUME].............................P20
3 [DEMO] ...............................................P24
4 TRANSPOSE [ ] [ ] ..........................P34
5 SONG SELECT [ ] [ ]..........P26, 41, 57
6 SONG BALANCE [ ] [ ]....................P48
7 [TRACK1] [TRACK2] /
[EXTRA TRACKS] ............... P28, 41–46, 59
8 [FILE] ...................................................P50
9 SONG [STOP] /
[START/PAUSE] .......................P26, 42, 58
0 [REC]....................................................P42
A [SONG SETTING] ................................P74
B METRONOME [START/STOP] /
[SETTING]......................................P40, 77
C TEMPO [DOWN] [UP] .......P27, 40, 42, 58
D LCD buttons A [–] [+] / B [– (NO)] [+ (YES)] /
C [–] [+] / D [–] [+]...............................P23
R
S
T
E LCD screen ..........................................P23
F [CONTRAST] knob...............................P20
G [EXIT]...................................................P23
H Voice group buttons for the MAIN
section.................................................P30
I [SPLIT POINT] .....................................P38
J Voice group buttons for the LEFT
section.................................................P37
K [VOICE SETTING] ................................P78
L [REVERB]..............................................P33
M [CHORUS] ............................................P33
N BRILLIANCE [ ] [ ] ...........................P32
O [MIDI SETTING]...................................P83
P [OTHER SETTING] ...............................P87
Q [PHONES] ............................................P20
R Soft pedal ............................................P31
S Sostenuto pedal ..................................P31
T Damper pedal .....................................P31
22 CLP-990
Page 23

Connectors

\ ]
Part Names
U AUX OUT [R] [L/L+R]..........................P61
V AUX IN [R] [L/L+R] .............................P62
W [AUX PEDAL] ......................................P62
X [TO HOST] ..........................................P62
Floppy disk drive................................. P13
Panel logos
GM System Level 1
“GM System Level 1” is an addition to the MIDI standard which guarantees that any data conform­ing to the standard will play accurately on any GM-compatible tone generator or synthesizer from any manufacturer.
OUTIN THRU
MIDI
Z
Y HOST SELECT ..................................... P62
Z MIDI [IN] [OUT] [THRU] .................... P63
PC-2
PC-1
HOST SELECT
Y
MacMIDI
AUX PEDAL
TO HOST
X
W
L/L+RR
AUX IN
V
uppee left on the front board
L/L+RR
AUX OUT
U
\
XG Format
XG is a new Yamaha MIDI specification which sig­nificantly expands and improves on the “GM Sys­tem Level 1” standard with greater voice handling capacity, expressive control, and effect capability while retaining full compatibility with GM.
D LCD buttons E LCD
Use the LCD button A, B, C, or D to select the contents displayed on the LCD. Check the screen located in the center of the top panel after every operation. A voice name appears on the screen when you turn on the power to the unit.
A B
NO YES
C D
G[EXIT] button
When you press this button, the unit returns to the default screen (the screen that indicates a voice name(s) and is displayed when the power is turned on).
CLP-990 23
Page 24

Listening to the Demonstration Tunes

The Clavinova provides demonstration tunes that effectively demonstrate each of the MAIN voice groups. Refer to the table below for voice names and corresponding demo songs.
Demonstration tunes
Voice group Tunes Composer
PIANO E.PIANO/BASS HARPSICHORD MALLET ORGAN STRINGS/CHOIR
1 4
CLP-990
MIN MAX
MASTER VOLUME
DEMO SONG SELECT
TRANSPOSE
Chanson de l’adieu Original Le Coucou Original Organ Concerto Op.4 No.2 Original
NEW SONG
SONG BALANCE
TRACK1TRACK2EXTRA
STOP
SYNCHRO START
FILE METRONOME
TRACKS
START/ PAUSE
SONG
START/ STOP SETTING
REC
SONG
SETTING
TEMPO VOICE EFFECT
A B
UPDOWN
C D
F.F. Chopin – L.C. Daguin – G.F. Händel –
CONTRAST
NO YES
MAIN voice
2 3
group buttons
PIANO
E. PIANO/
HARPSI-
MALLET ORGAN STRINGS/
BASS
MAIN
EXIT
LEFT
CHORD
PIANO/
HARPSI/
ORGAN/
MALLET
STRINGS
BASS
SPLIT
E. PIANO
POINT
CHOIR
VOICE
SETTING
REVERB
BRILLIANCE
CHORUS MIDI
SETTING
OTHER
SETTING
3
Procedure
1. Engage the demo mode.
Press the [DEMO] button to engage the demo mode.
The MAIN voice group (upper row) button indicators light up in sequence.
A B
C D
2. Select a tune and start playback.
Press the voice group button (upper row) of the desired demonstration tune.
The corresponding voice button indicator lights up and playback starts. Until you stop playback, the selected tune will be played repeatedly using different voices (in the following order: PIANO E. PIANO/BASSHARPSICHORDMALLETORGAN STRINGS/CHOIR).
4
TERMINOLOGY
Mode:
A mode is a status under which you can execute a certain function. In demo mode, you can play back demonstration tunes.
NO YES
NOTE
To adjust the volume level of the demo songs, use the [MASTER VOLUME] slider.
24 CLP-990
Page 25
3. Stop the playback.
Press the button of the voice group being played or the [STOP] button.
4. Exit from demo mode.
Press the [DEMO] or [EXIT] button to exit from demo mode.
Listening to the Demonstration Tunes
CLP-990 25
Page 26

Listening to 50 Piano Preset Songs

The Clavinova provides performance data of 50 piano songs. You can just listen to these songs (page 26) or use them for practice (page 28). You can also refer to the included “50 greats for the Clavinova” that contains the scores for 50 piano preset songs.

Playing the 50 piano preset songs

METRONOME [START/STOP]
1
CLP-990
MIN MAX
MASTER VOLUME
Procedure
DEMO SONG SELECT
TRANSPOSE
NEW SONG
SONG BALANCE
TRACK1TRACK2EXTRA
STOP
SYNCHRO START
3
START/ PAUSE
2
SONG
FILE METRONOME
TRACKS
START/ STOP SETTING
REC
SONG
SETTING
UPDOWN
TEMPO VOICE EFFECT
TEMPO [DOWN] [UP]
A B
NO YES
C D
CONTRAST
4
PIANO
E. PIANO/
HARPSI-
MALLET ORGAN STRINGS/
BASS
MAIN
EXIT
LEFT
CHORD
PIANO/
HARPSI/
SPLIT
E. PIANO
MALLET
POINT
ORGAN/ STRINGS
CHOIR
BASS
VOICE
SETTING
REVERB
BRILLIANCE
CHORUS MIDI
SETTING
OTHER
SETTING
1. Select a song.
Press one of the [SONG SELECT] buttons repeatedly to select the desired piano song from P-001 to P-050.
Song select screen
A B
C D
The song number appears on the display.
2. Play a preset song.
Press the [START/PAUSE] button to start playback.
A B
C D
NO YES
the number of measures
NO YES
TERMINOLOGY
Song:
On the Clavinova, perfor­mance data is called a “Song.” This includes dem­onstration tunes and piano preset tunes.
TIP
• You can also use the C [–]/[+] buttons to select a song after pressing the [SONG SELECT] button.
• [P-000: NewSong] is a blank song provided for you to record your perfor­mance. (See page 41.)
• Use the SongRepeat parameter in the “SONG SETTING” menu to select repeat playback of all songs or repeat play­back of a single song. (See page 76.)
26 CLP-990
TIP
You can play the keyboard along with the preset song playback. You can change the voice playing on the k eyboard.
Page 27

Adjusting the tempo

Listening to 50 Piano Preset Songs
You can use the TEMPO [DOWN]/[UP] buttons to adjust the playback tempo as required. The default tempo (the song’s original tempo) is set when you press the [DOWN] and [UP] buttons simultaneously. Press either of the SONG SELECT [ ]/[ ] buttons to return to the song select screen.
A B
NO YES
C D
3. Stop the song playback.
When playback is complete, it automatically stops and the Clavinova locates the top of the song. To stop playback in the middle of a song, press the [STOP] button. You can also pause playback by pressing the [START/PAUSE] button. Playback stops when you press the button.

Fast forward and rewind

You can perform the following operations in the song select screen:
• Use the B [–]/[+] buttons to move back and forth (rewind and fast for­ward) through the song while the song is played or stopped.
• Press the SONG SELECT [ ] or the C [–] button during playback to restart playback from the top of the song.
• Press the SONG SELECT [ ] or the C [+] button during playback to start playback from the next song.
• Press the SONG SELECT [ ] or the C [–] button while playback is stopped in the middle of the song to locate the top of the song.
TIP
You can also use the D[–]/[+] buttons to change the tempo.
NOTE
Resetting the tempo
Whenever you select a new preset song, the tempo is automatically reset to the song’s original value.
4. Return to the default screen.
Press the [EXIT] button.
TERMINOLOGY
Default screen:
The default screen is a voice select screen (page 30) that appears when you turn on the power to the Clavinova.
CLP-990 27
Page 28
Listening to 50 Piano Preset Songs

Practicing a one-hand part using 50 preset songs

The 50 preset songs have separate left- and right-hand parts on individual tracks. You can turn the left- and right-hand parts on or off as required so you can practice the corresponding part (the part that is turned off) on the keyboard. The right-hand part is played by [TRACK 1] and the left-hand part is played by [TRACK 2].
1
CLP-990
MIN MAX
MASTER VOLUME
procedure
DEMO SONG SELECT
TRANSPOSE
NEW SONG
SONG BALANCE
TRACK1TRACK2EXTRA
START/
STOP
PAUSE
SYNCHRO START
SONG
23
TRACKS
REC
SETTING
FILE METRONOME
START/ STOP SETTING
SONG
A B
UPDOWN
C D
TEMPO VOICE EFFECT
NO YES
CONTRAST
EXIT
PIANO
E. PIANO/
HARPSI-
MALLET ORGAN STRINGS/
BASS
MAIN
LEFT
CHORD
PIANO/
HARPSI/
E. PIANO
MALLET
ORGAN/ STRINGS
SPLIT POINT
CHORUS MIDI
REVERB
CHOIR
BASS
VOICE
SETTING
BRILLIANCE
SETTING
OTHER
SETTING
1. Turn off the playback part you wish to practice.
After you select a song to practice, press the [TRACK1] or [TRACK2] button to turn off the corresponding part.
When you first select a song, both [TRACK1] and [TRACK2] indica­tors light up, indicating that you can play back both parts. When you press one of the buttons to turn off playback, the corresponding but­ton indicator turns off and the corresponding part playback is muted. Pressing the buttons repeatedly toggles between playback on and off.
2. Start playback and playing.
Press the [START/PAUSE] button to start playback. Play the part you just turned off.
Starting playback automatically as you start playing the keyboard (Synchro Start)
You can start playback as soon as you start playing the keyboard. This is called the “Synchro Start” function. To enter Synchro Start standby mode, press and hold down the [STOP] button and press the [START/PAUSE] button. The [START/ PAUSE] indicator flashes. Now play the keyboard. Playback starts simultaneously. To cancel the Synchro Start function, press the [STOP] button while the Clavinova is in Synchro Start standby mode.
TIP
You can turn parts on or off, even during playback.
TERMINOLOGY
Synchro:
Synchronous;occurring at the same time
28 CLP-990
Page 29
3. Stop playback.
Listening to 50 Piano Preset Songs
When playback is complete, it automatically stops and the Clavinova locates the top of the song. If you wish to stop playback in the middle of a song, press the [STOP] button. You can also pause playback by pressing the [START/PAUSE] button. Playback stops when you press the button.
You can also assign a phrase in a song to repeatedly practice that part. Refer to the [FromToRepeat] option in the “SONG SETTING” menu on page 75.
TIP
Resetting the part play­back
Both parts are automatically turned ON whenever you select a new song.
CLP-990 29
Page 30

Selecting and Playing Voices

Selecting Voices

MAIN voice
CLP-990
MIN MAX
MASTER VOLUME
Procedure
DEMO SONG SELECT
NEW SONG
SONG BALANCE
TRANSPOSE
TRACK1TRACK2EXTRA
TRACKS
START/
STOP
PAUSE
SYNCHRO START
SONG
REC
2
FILE METRONOME
START/ STOP SETTING
SONG
SETTING
A B
UPDOWN
C D
TEMPO VOICE EFFECT
CONTRAST
NO YES
PIANO
MAIN
SPLIT POINT
EXIT
LEFT
E. PIANO/
BASS
PIANO/
E. PIANO
1
group buttons
HARPSI-
MALLET ORGAN STRINGS/
CHORD
HARPSI/
ORGAN/
BASS
MALLET
STRINGS
CHOIR
VOICE
SETTING
REVERB
BRILLIANCE
CHORUS MIDI
SETTING
OTHER
SETTING
1. Select a voice group.
Press one of the MAIN voice group buttons (upper row).
2. Select a voice.
Use the A [–]/[+] buttons to select a voice.
V oice group Voice name V oice group Voice name
PIANO
E.PIANO/ BASS
HARPSI­CHORD
GrandPiano1 GrandPiano2 Marimba
MALLET E.Piano1 Celesta E.Piano2 SynthPiano PipeOrganFlute1 WoodBass PipeOrganFlute2
ORGAN ElectricBass PipeOrganTutti Bass&Cymbal JazzOrgan Harpsichord8' Harpsichord8'+4' SynthStrings ElectricClavichord SlowStrings
STRINGS/
CHOIR
Vibraphone
PipeOrganPrincipal
Strings
Choir SlowChoir Scat
TIP
To learn characteristics of the voices, listen to demo songs for each voice group (page 24). Refer to “Preset V oice List” on page 103 for more information on charac­teristics of each preset voice.
TERMINOLOGY
Voice
On the Clavinova, a voice means “tone” or “tonal color.”
TIP
You can control the loudness of a voice by how hard y ou play the keyboard, although different playing styles (touch sensitivities) have little or no effect with the sound of cer­tain musical instruments. Refer to “Preset Voice List” on page 103.
30 CLP-990
Page 31

Using the pedals

The Clavinova has three foot pedals: damper pedal (right), sostenuto pedal (center), and soft pedal (left) that produce a range of expressive effects similar to those produced by the pedals on an acoustic piano.
Selecting and Playing Voices

Damper (right) pedal

When you press the damper pedal, the notes you play have a longer sustain. When you select Grand Piano 1, pressing the damper pedal activates the instrument’s special “Sustain Samples” to accurately recreate the unique resonance of an acoustic grand piano’s soundboard and strings.

Sostenuto (center) pedal

If you play a note or chord on the keyboard and press the sostenuto pedal while holding the note(s), the notes will sustain as long as the pedal is held. All subsequent notes will not sustain.
q
.
q
.
q
.
h
When you press the damper pedal here, the notes you play before you release the pedal have a longer sustain.
q
.
q
.
q
.
h
When you press the sostenuto pedal here while holding the note(s), the notes will sustain as long as you hold the pedal.
TIP
If the damper pedal doesn’t work, or notes are sustained even when the pedal is not pressed, make sure that the RPedal parameter in the “VOICE SETTING” menu is set to ON (see page 81).
TIP
You can adjust the depth of the resonance produced by the “Sustain Samples” using the Sustain Sampling Depth parameter in the “OTHER SETTING” menu. (See page
88.)

Soft pedal (left)

The soft pedal reduces the volume and slightly changes the timbre of notes played while the pedal is pressed. (The soft pedal will not affect notes that are already playing when it is pressed. Press the pedal immediately before you play the target notes.)
With the Vibraphone and Jazz Organ voices, this pedal turns vibrato on and off or toggles the speed of vibrato. (See page 82.)
TIP
You can assign a function to each pedal via the “R Pedal”, “M Pedal”, and “L Pedal” parameters in the “VOICE SETTING” menu. (See page 81, 82.)
TIP
The center and left pedals can also be assigned to song start/stop operation (ST ART/P A USE function) via the “PedalStart/Pause” parameter in the “OTHER SETTING” menu (on page
89).
CLP-990 31
Page 32
Selecting and Playing Voices

Adding variation to the sound [BRILLIANCE]/[REVERB]/[CHORUS]

The Effect function enables you to add expression to the sound. The Clavinova effects include Brilliance, Reverb, and Chorus.
CLP-990
MIN MAX
MASTER VOLUME
[BRILLIANCE]
DEMO SONG SELECT
NEW SONG
SONG BALANCE
TRANSPOSE
TRACK1TRACK2EXTRA
START/
STOP
PAUSE
SYNCHRO START
SONG
TRACKS
REC
FILE METRONOME
START/ STOP SETTING
SONG
SETTING
A B
UPDOWN
C D
TEMPO VOICE EFFECT
NO YES
CONTRAST
EXIT
PIANO
E. PIANO/
HARPSI-
MALLET ORGAN STRINGS/
BASS
MAIN
LEFT
CHORD
PIANO/
HARPSI/
E. PIANO
MALLET
ORGAN/ STRINGS
SPLIT
POINT
BRILLIANCE [ ] [ ]
[REVERB] [CHORUS]
CHORUS MIDI
REVERB
BRILLIANCE
SETTING
OTHER
SETTING
CHOIR
BASS
VOICE
SETTING
You can use this control to adjust the brilliance of the tone and change the tonality to suit your preference.
Procedure
Press one of the BRILLIANCE [ ]/ [ ] buttons to select the desired tonality.
A B
NO YES
C D
Dark.................... Dark tone
Mellow ................ Soft and mellow tone
Normal ............... Standard tone
Bright ................. Bright tone
Metallic............... Sharp metallic tone
Press the [EXIT] button to return to the main screen.
You can also use the D [–]/ [+] buttons after you press one of the [BRILLIANCE] buttons to select the desired option.
Normal setting = Normal
Normal setting:
The “Normal setting” refers to the default setting (factory setting) obtained when you first turn on the power to the Clavinova.
If you select [Bright] or [Metallic] as the type of bril­liance, the volume level will increase slightly. Under this condition, if you raise the [MASTER VOLUME] slider setting, the sound may become distorted. In this case, lower the volume accordingly.
TIP
TIP
TERMINOLOGY
NOTE
32 CLP-990
Page 33
Selecting and Playing Voices
[REVERB]
This control adds reverberation to the sound by simulating the natural reverberation of a concert hall.
Procedure
Pressing the [REVERB] button repeatedly toggles the reverb on and off.
Even if the reverb effect is turned off, a “soundboard reverb” effect will be applied when the GrandPiano1 or GrandPiano2 voice is selected.
[CHORUS]
This control adds spread and spaciousness to the sound.
Procedure
Pressing the [CHORUS] button repeatedly toggles the cho­rus on and off.
You can turn the chorus effect on and off by pressing the [CHORUS] ON/OFF buttons on the panel and by setting the Chorus On Off parameter in the VOICE SETTING menu (see page 80). The [CHO­RUS] ON/OFF button setting on the panel is temporary. That is, if you select another voice, the chorus setting for the previous voice is cancelled. The Chorus On Off parameter setting is saved for each voice. That is, if you select a given voice, the chorus setting is auto­matically turned on or off according to the saved chorus setting.
TIP
You can select a reverb type via the Reverb Type param­eter in the “VOICE SET­TING” menu, and adjust the reverb depth f or the selected voice via the Reverb Send parameter. (See page 79.)
TIP
Normal setting = ON
TIP
You can select a chorus type via the Chorus Type param­eter in the “VOICE SET­TING” menu, and adjust the chorus depth for the selected voice via the Reverb Send parameter . You can also turn chorus on or off via the Chorus On Off parameter. (See page 80.)
TIP
Normal Setting
The normal chorus on/off setting is different for each voice.
CLP-990 33
Page 34
Selecting and Playing Voices

Transposition ... [TRANSPOSE]

The Clavinova’s Transpose function makes it possible to shift the pitch of the entire keyboard up or down in semitone intervals to facilitate playing in difficult key signatures, and to let you easily match the pitch of the keyboard to the range of a singer or other instruments. For example, if you set the transposition amount to “5,” playing key C produces pitch F. In this way, you can play the song as if it were in C major, and the Clavi­nova will transpose it to the key of F. You can also change the key signature of playback songs, in addition to your own performance.
CLP-990
MIN MAX
DEMO SONG SELECT
TRANSPOSE
MASTER VOLUME
NEW SONG
SONG BALANCE
TRACK1TRACK2EXTRA
TRACKS
START/
STOP
PAUSE
SYNCHRO START
SONG
REC
FILE METRONOME
START/ STOP SETTING
SONG
SETTING
A B
UPDOWN
C D
TEMPO VOICE EFFECT
21 3 3
CONTRAST
NO YES
EXIT
4
Procedure
1. Display the Transpose screen.
Press one of the TRANSPOSE [ ] and [ ] buttons.
A B
NO YES
C D
2. Select a type of transposition from Manual or Song.
Use the C [–] and [+] buttons to select Manual or Song.
Manual ............... Your manual performance
Song .................... Playback song
PIANO
E. PIANO/
HARPSI-
MALLET ORGAN STRINGS/
BASS
MAIN
LEFT
CHORD
PIANO/
HARPSI/
ORGAN/
MALLET
STRINGS
BASS
SPLIT
E. PIANO
POINT
CHOIR
VOICE
SETTING
REVERB
BRILLIANCE
CHORUS MIDI
SETTING
OTHER
SETTING
TERMINOLOGY
Transpose:
Changing the key signature of a song. On the Cla vinov a, transposing shifts the pitch of the entire keyboard.
3. Set the transposition amount.
4. Return to the main screen.
34 CLP-990
Use the D [–] and [+] or TRANSPOSE [ ] and [ ] buttons to set the transposition amount.
To set the amount of transposition to “0,” press the D [–] and [+] but­tons or the TRANSPOSE [ ] and [ ] buttons simultaneously.
Press the [EXIT] button.
TIP
The transposition range is from “–12 semitones” (down one octave) through “0” (nor­mal pitch) to “12 semitones” (up one octave).
Page 35
Selecting and Playing Voices

Combining two voices (Dual mode)

You can play two voices simultaneously across the entire range of the keyboard. In this way, you can simulate a melody duet or combine two similar voices to create a thicker sound. Refer to “Voice Combination Exam­ples (Dual and Split)” on page 105 for examples of effective voice combinations.
The numbers on the upper row indicate the steps in Dual mode using voices from different groups.
CLP-990
MIN MAX
MASTER VOLUME
DEMO SONG SELECT
TRANSPOSE
The numbers on the bottom row indicate the steps in Dual mode using voices from the same group.
NEW SONG
SONG BALANCE
TRACK1TRACK2EXTRA
TRACKS
START/
STOP
PAUSE
SYNCHRO START
SONG
REC
SETTING
FILE METRONOME
START/ STOP SETTING
SONG
A B
UPDOWN
C D
TEMPO VOICE EFFECT
2 3 1 4

Dual mode using voices in different voice groups

Procedure
1. Enter Dual mode.
Press two MAIN voice group buttons (upper row) simulta­neously.
A B
NO YES
2
NO YES
CONTRAST
EXIT
MAIN voice group buttons
1 32
PIANO
E. PIANO/
HARPSI-
MALLET ORGAN STRINGS/
BASS
MAIN
LEFT
CHORD
PIANO/
HARPSI/
ORGAN/
MALLET
STRINGS
BASS
SPLIT
E. PIANO
POINT
CHOIR
VOICE
SETTING
REVERB
BRILLIANCE
CHORUS MIDI
SETTING
OTHER
SETTING
MAIN voice group buttons
C D
1st voice 2nd voice
2. Select a voice.
Use the A [–]/[+] buttons and B [–]/[+] buttons to select a voice.
The voices listed in the upper row in “Preset Voice List” on page 103 are called 1st voices, and those listed in the bottom row are called 2nd voices.
3. Exit Dual mode and return to normal play mode.
Press any MAIN voice group button.
CLP-990 35
Page 36
Selecting and Playing Voices

Dual mode using voices in the same voice group

Procedure
1. Select a voice group.
In normal play mode, press the desired MAIN voice group button.
2. Select a voice.
Use the A [–]/[+] buttons to select a voice.
3. Select another voice.
Use the B [–]/[+] buttons to select another voice in the same voice group.
To use the identical voices, press the B [–]/[+] buttons once. To use different voices within the same voice group, press the B [–]/[+] but­tons repeatedly.
A B
NO YES
C D
4. Exit Dual mode and return to normal play mode.
Press any MAIN voice group button.
36 CLP-990
Page 37
Selecting and Playing Voices
Splitting the keyboard range and playing two differ­ent voices (Split mode)
Split mode enables you to play two different voices on the keyboard — one with the left hand and another with the right hand. For example, you can play a bass part using the Wood Bass or Electric Bass voice with the left hand, and a melody with the right hand. Refer to “Voice Combination Examples (Dual and Split)” on page 105 for examples of effective voice combinations.
CLP-990
MIN MAX
MASTER VOLUME
DEMO SONG SELECT
NEW SONG
SONG BALANCE
TRANSPOSE
TRACK1TRACK2EXTRA
TRACKS
START/
STOP
PAUSE
SYNCHRO START
SONG
REC
SETTING
E. PIANO/
BASS
PIANO/
E. PIANO
2
HARPSI-
MALLET ORGAN STRINGS/
CHORD
HARPSI/
ORGAN/
MALLET
STRINGS
1 3 5
2
FILE METRONOME
START/ STOP SETTING
SONG
A B
UPDOWN
C D
TEMPO VOICE EFFECT
NO YES
CONTRAST
EXIT
PIANO
MAIN
SPLIT POINT
LEFT
3 44
MAIN voice group buttons
CHORUS MIDI
REVERB
CHOIR
BASS
VOICE
BRILLIANCE
SETTING
LEFT voice group buttons
SETTING
OTHER
SETTING
Procedure
1. Enter Split mode.
Press one of the LEFT voice group buttons (bottom row).
A B
C D
2. Select a voice for the right hand.
Use the MAIN voice group buttons (upper row) and the A [–]/[+] buttons.
3. Select a voice for the left hand.
Use the LEFT voice group buttons (bottom row) and the C [–]/[+] buttons.
NO YES
CLP-990 37
Page 38
Selecting and Playing Voices
Voice group
MAIN LEFT
PIANO PIANO/E.PIANO GrandPiano1
E.PIANO/BASS E.Piano1
BASS WoodBass
HARPSICHORD HARPSICHORD/MALLET Harpsichord8'
MALLET Vibraphone
ORGAN ORGAN/STRINGS PipeOrganPrincipal
STRINGS/CHOIR Strings
Voice name
GrandPiano2
E.Piano2 SynthPiano
ElectricBass Bass&Cymbal
Harpsichord8'+4' EcelctricClavichord
Marimba Celesta
PipeOrganFlute1 PipeOrganFlute2 PipeOrganTutti JazzOrgan
SynthStrings SlowStrings Choir SlowChoir Scat
4. Specify the split point (the border between the right-
38 CLP-990
and left-hand range).
The normal setting of the split point is “FI2.”
F 2
Center “C”
TIP
A specified “split point” key is included in the left-hand range.
Page 39
To change the split point setting:
Press the [SPLIT POINT] button, then use the D [–]/[+] but­tons to specify the split point.
(Optional) Press and hold down the [SPLIT POINT] button and play the key you wish to assign as the split point.
A B
NO YES
C D
Press the [EXIT] button to return to the main screen.
5. Exit Split mode and return to normal play mode.
Press the voice group button that you pressed for the left­hand range.
Selecting and Playing Voices
In Split mode, you can use Dual mode (see page 35) for the MAIN and LEFT ranges respectively.
A B
NO YES
C D
CLP-990 39
Page 40
Selecting and Playing Voices

Using the metronome

The Clavinova is built-in metronome (a device that keeps an accurate tempo) is a convenient feature for practice.
CLP-990
MIN MAX
MASTER VOLUME
Procedure
DEMO SONG SELECT
NEW SONG
SONG BALANCE
TRANSPOSE
TRACK1TRACK2EXTRA
TRACKS
START/
STOP
PAUSE
SYNCHRO START
SONG
1 2
FILE METRONOME
START/ STOP SETTING
REC
SONG
SETTING
TEMPO [DOWN] [UP]
A B
UPDOWN
C D
TEMPO VOICE EFFECT
NO YES
CONTRAST
EXIT
PIANO
E. PIANO/
HARPSI-
MALLET ORGAN STRINGS/
BASS
MAIN
LEFT
CHORD
PIANO/
HARPSI/
ORGAN/
MALLET
STRINGS
BASS
SPLIT
E. PIANO
POINT
CHOIR
VOICE
SETTING
REVERB
BRILLIANCE
CHORUS MIDI
SETTING
OTHER
SETTING
1. Start the metronome.
Press the METRONOME [START/STOP] button.
When the metronome is sounding, the beat indicator flashes at the current tempo.

Adjusting the tempo

Press the TEMPO [DOWN] or [UP] button.
A B
NO YES
C D
To adjust the tempo (number of beats per minute: 10–400), use the TEMPO [DOWN]/[UP] or the D [–]/[+] buttons. To reset the tempo to the normal (default) setting, press the [DOWN] and [UP] keys or the D [–] and [+] keys simultaneously. Press the [EXIT] button to return to the normal screen.
TIP
The default tempo is 120. (If a song has been selected, the song tempo is used.)
TIP
You can set the time signa­ture, metronome volume, and metronome tone using the METRONOME [SET­TING] button. (See page 77.)
2. Stop the metronome.
40 CLP-990
Press the METRONOME [START/STOP] button.
Page 41

Recording Your Performance

This chapter explains how to record your performance using the Clavinova recording function. You can, for example, play back what you have played on the Clavinova key­board for an effective practice aid. You can also record just the left-hand part, then practice the right-hand part while playing back the recorded left-hand part.
You can record your perfor­mance (audio data) to a cas­sette tape recorder or other recording devices via the AUX OUT connector. (see page 61.)
TIP
Since you can record up to sixteen tracks separately, you could record the left­and right-hand parts separately, or record each part of a four-handed perfor­mance or ensemble song one by one to build a song.
TERMINOLOGY
The format of performance data recorded on a cassette tape differs from that of data recorded on the Clavinova. A cas­sette tape records audio signals. On the other hand, the Clavino v a “sa v es” inf ormation regarding note timing, voices , and a tempo value, but not audio signals. When you play back recorded songs, the Clavinova produces sound based on the saved information. Therefore, recording on the Clavinova may be more accurately called “saving information.” However, this book often uses the word “recording” because it seems to make more sense.
Recording vs. Saving:
A message (information or confirmation dialog) sometimes appears on the screen to facilitate operation. Refer to the “Message List” on page 92 for an explanation of each message, appropriate actions to take, and troubleshooting information.

Recording a New Song

Recording to [TRACK 1]

3
2
CLP-990
MIN MAX
MASTER VOLUME
DEMO SONG SELECT
TRANSPOSE
NEW SONG
SONG BALANCE
TRACK1TRACK2EXTRA
START/
STOP
PAUSE
SYNCHRO START
SONG
5
TRACKS
REC
3 5
FILE METRONOME
START/ STOP SETTING
SONG
SETTING
A B
UPDOWN
C D
TEMPO VOICE EFFECT
4 6
Procedure
1. Select “NewSong” for recording.
Press the SONG SELECT [ ] [ ] buttons simulta­neously.
New Song screen
A B
NO YES
CONTRAST
EXIT
1
PIANO
E. PIANO/
HARPSI-
MALLET ORGAN STRINGS/
BASS
MAIN
LEFT
CHORD
PIANO/
HARPSI/
ORGAN/
MALLET
STRINGS
BASS
SPLIT
E. PIANO
POINT
If you select a song other than “P-000: NewSong” and record on a track that already has data, the existing data on the track will be lost.
CHOIR
VOICE
SETTING
REVERB
BRILLIANCE
NOTE
CHORUS MIDI
SETTING
OTHER
SETTING
NO YES
C D
CLP-990 41
Page 42
Recording Your Performance
2. Select a voice.
Select a voice (or voices) for recording (see page 30).
Set the other parameters, such as reverb and chorus. Adjust the [MASTER VOLUME] slider to set the volume level to suit your preference. You can also use the slider to adjust the level during playback. After you set the tempo or if the record standby screen does not appear, press one of the SONG SELECT [ ] [ ] buttons once to return to the New Song screen.
3. Enter record mode and select a recording track.
Press and hold down the [REC] button and press the [TRACK 1] button.
The [TRACK 1] indicator flashes in red. (To cancel recording, press the [REC] or [STOP] button.)
Record standby screen
A B
NO YES
NOTE
Set the tempo in Step 3.
NOTE
See page 49 for more infor­mation on recording in Dual/ Split mode.
C D
Set the tempo, if necessary. If this record standby screen does not appear, press one of the SONG SELECT [ ] [ ] buttons once.
4. Start and stop recording.
Recording begins automatically as soon as you play a note on the keyboard.
(Optional) Press the [START/PAUSE] button to start recording. The recording screen displays the current measure number.
Record screen
A B
C D
To stop recording, press the [STOP] button. The Clavinova locates the top of the song.
The [TRACK 1] indicator lights up in green. (Record mode is auto­matically cancelled.)
NO YES
Measure number in recording
TIP
You can record data while using the metronome. The metronome is not recorded.
TIP
When you press the [START/PAUSE] button dur­ing recording, recording is paused. To resume record­ing, press the [START/ PAUSE] button again or play a note on the keyboard.
TIP
When you press the [REC] button, recording pauses.
42 CLP-990
Page 43
Recording Your Performance
5. Play back the recorded performance.
Press the [START/PAUSE] button to play back the recorded performance.
When playback is complete, it automatically stops and the Clavinova locates the top of the song. To stop playback in the middle of a song, press the [STOP] button. You can also pause playback by pressing the [START/PAUSE] button. Playback stops when you press the button.
When you turn off the power to the Clavinova, the recorded performance data will be lost. If you wish to keep the recording, save the data using the SaveToMemory parameter (page 52) or SaveToDisk parameter (page 53) in the File menu.

Re-recording TRACK 1

This section explains how to record again in case your performance was not satisfactory.
Procedure
To erase recorded data from a track, use the Channel Clear parameter in the “SONG SETTING” menu. (See page 75.)
NOTE
1. Select a voice or voices for recording, if necessary.
Repeat Step 2 on page 42 if you wish to change the previ­ous settings.
Follow the procedure from Step 3 on page 42 to re-record.
The original performance data will be overwritten by new performance data.
CLP-990 43
Page 44
Recording Your Performance

Re-recording TRACK 1 partially

This section explains how to record part of a song again.
Procedure
1. Pause the song at the beginning of the part you wish
to re-record.
Use the B [–]/[+] buttons while the playback screen is dis­played to move through the measures or play back the recording and press the [START/PAUSE] button to locate a point slightly prior to the beginning of the part you wish to re-record.
Playback screen
A B
NO YES
C D
2. Select a voice or voices for recording, if necessary.
Repeat Step 2 on page 42 if you wish to change the previ­ous settings.
3. Select the recording method and enter record mode.
NOTE
If the playback screen is not displayed, press one of the
SONG SELECT buttons once.
[] []
3-1 Press and hold down the [REC] button, and press the
44 CLP-990
C [–]/[+] buttons repeatedly to specify how the recording should start and press the D [–]/[+] buttons repeatedly to specify how the recording should end.
While you are holding down the [REC] button, the following record­ing method select screen appears.
A B
NO YES
C D
Starting methods:
Norm (Normal) — The existing data will be erased after re-recording starts. Key On — Data that exists prior to the point where you start playing a note will not be erased.
Page 45
Recording Your Performance
Ending methods:
Replace – The data after the point you stop recording will also be erased. Punch Out — The data after the point you stop recording will remain.
3-2 Keep holding down the [REC] button and press the
[TRACK 1] button.
The [TRACK 1] indicator flashes in red. (To stop recording, press the [REC] button again or press the [STOP] button.)
Follow the procedure beginning with Step 4 on page 42.

Recording to [TRACK2]

This section explains how to record another part on the second track.
2
CLP-990
MIN MAX
MASTER VOLUME
DEMO SONG SELECT
TRANSPOSE
NEW SONG
SONG BALANCE
TRACK1TRACK2EXTRA
TRACKS
START/
STOP
PAUSE
SYNCHRO START
SONG
REC
SETTING
FILE METRONOME
START/ STOP SETTING
SONG
A B
UPDOWN
C D
TEMPO VOICE EFFECT
CONTRAST
NO YES
EXIT
2
Procedure
TIP
If you cancel recording by pressing the [REC] button, recording stops when you press the button. If you can­cel recording by pressing the [STOP] button, the Cla vi­nova locates the top of the song.
1
PIANO
E. PIANO/
HARPSI-
MALLET ORGAN STRINGS/
BASS
MAIN
LEFT
CHORD
PIANO/
HARPSI/
ORGAN/
MALLET
STRINGS
BASS
SPLIT
E. PIANO
POINT
CHOIR
VOICE
SETTING
REVERB
BRILLIANCE
CHORUS MIDI
SETTING
OTHER
SETTING
1. Select a voice.
Select a voice (or voices) for recording. Repeat Step 2 on page 42.
2. Enter record mode and select a recording track.
Press and hold down the [REC] button and press the [TRACK 2] button.
The [TRACK 2] indicator flashes in red. (To cancel recording, press the [REC] or [STOP] button.)
Make the recording by following the procedure beginning with Step 4 on page 42.
You can record a new part while listening to playback of the recorded [TRACK 1] data.
TIP
Pressing the [TRACK 1] but­ton repeatedly toggles between playback on (the indicator lights up in green) and off (the indicator turns off).
CLP-990 45
Page 46
Recording Your Performance

Recording to the third or more tracks [EXTRA TRACKS]

You can continue recording other parts into tracks 3–16 [EXTRA TRACKS] one by one.
Procedure
1. Hold down the [REC] button in step 2 in the “Record-
ing to [TRACK2]” on page 45 and use the B [–]/[+] but­tons to select a recording track (3–16).
A B
select a recording track (3-16)
NO YES
C D
2. While holding down the [REC] key, press the [EXTRA
TRACKS] button.
Then, follow the procedure beginning with Step 4 on page 42.

Other recording techniques

Adding data to or recording over an existing song

The previous section explains how to record your performance from the beginning by selecting a blank “P­000: NewSong.” You can also add your performance to or overwrite existing songs (such as 50 preset songs [P-001—P-050], commercially-available music data [see page 60], or your old recorded performances [see page 50]).
Procedure
1. Select a song for recording (P-001 – P-050).
Select one of the preset songs (P-001–P-050) instead of “P-000: NewSong” as described in Step 1 of “Recording to [TRACK1]” on page 41. To select a song from commercial music data sold in stores or from already-recorded data, see Steps 1 and 2 on page 57.
If you record on a track that already has data, the exist­ing data on the track will be lost.
NOTE
46 CLP-990
To continue recording, follow the procedure described in “Recording a New Song” from page 41 to 46.
Page 47
Recording Your Performance

Changing a voice or tempo after recording

You can change the voice and tempo after recording to change a song’s feel or to set a more suitable tempo. You can also change these elements in the middle of a song.
Procedure
1. Select a song you wish to change by using the SONG
SELECT [ ] [ ] buttons.
2. To change the voice or tempo in the middle of the
song, specify the measure to change using the B [–]/ [+] buttons.
3. Change the settings (voice, reverb, etc.).
For example, if you wish to change the recorded E.Piano1 voice to E. Piano2, use the MAIN voice group buttons and the A [–]/[+] buttons to select E.Piano2. When the setting is complete, press one of the SONG SELECT [ ] [ ] buttons once to return to the song select screen.
4. Press and hold down the [REC] button and select the
track to change.
The indicator for the selected track lights up in red. Change the tempo setting now, if necessary.
At this point, do not play the keyboard or press the [START/PAUSE] button. Otherwise, recording will start, erasing the recorded data.
TIP
Refer to “Questions about Operations and Functions” on page 97 for information on the settings that can be changed here.
TIP
Change the tempo in Step 4.
CAUTION
The edited settings (except for the tempo setting) will be saved in memory and you will not be able to restore the previous settings. Proceed with caution.
5. Press the [STOP] or [REC] button to exit record mode.
CLP-990 47
Page 48
Recording Your Performance

Adjusting the volume balance between playback and your performance [SONG BALANCE]

While recording multiple parts into tracks one by one, you can adjust the volume balance between the play­back of the recorded parts and your current performance.
Procedure
1. Press one of the SONG BALANCE [ ] [ ] buttons.
A B
NO YES
C D
2. Adjust the song balance using the SONG BALANCE
[ ] [ ] or D [–]/[+] buttons.
To lower the volume of the playback sound, press the SONG BAL­ANCE [ ] or D [–] button. To lower the volume of the performance sound, press the SONG BAL­ANCE [ ] or D [+] button.
Setting range:
127:127 – 1:127 (Lowering the volume of the playback sound) 127:127 – 127:1 (Lowering the volume of the performance sound) Normal setting: 127:127
TIP
Commercially-available song data contains a large amount of data. If you are using such songs, be sure to adjust the song balance.
TIP
The song balance setting is also used during playback. (See page 57.)
48 CLP-990
Page 49
Recording Your Performance

Recording in Dual or Split mode

When you record in Dual or Split mode, the Clavinova records each voice onto a separate track. The follow­ing table shows how tracks are assigned to each voice.
CAUTION
When you record multiple parts into tracks one by one, or when you record new data over an existing song (see page 46), the existing data will be erased. Proceed with caution.
In the following example, Tracks 1, 2, and EXTRA TRACKn have been selected for recording.
Tracks assigned for
Dual Split Split+Dual
recording
TRACK1 TRACK2
EXTRA TRACKn
TRACK1 TRACK2
↓↓↓ ↓↓↓ ↓↓↓
MAIN (1st voice)
Tracks used for record­ing
Note: TRACKn = TRACK 3 – TRACK 16
If “n+1,” “n+2,” and “n+3” exceed 16, TRACKs 1, 2, and 3 are used.
LEFT (1st voice)
MAIN (2nd voice)
LEFT (2nd voice)
TIP
Switching between Dual and Split mode in a song is not recorded.
TRACK1 TRACK2 TRACKn TRACK1 TRACKn TRACK1 TRACKn
TRACK3 TRACK4
––
TRACKn +2
EXTRA TRACKn
TRACK2 TRACKn+1 TRACK2 TRACKn +1
TRACK1 TRACK2
TRACK3 TRACKn +2
TRACK4 TRACKn +3
EXTRA TRACKn
CLP-990 49
Page 50

Saving Recorded Songs and Handling the Files...[FILE]

File screens (accessed via the [FILE] button) enables you to handle song files (e.g., save, delete, and rename recorded songs), copy and format disks, and change the characters on the screen.
The following parameters are provided for these operations:
Settings
Parameter
name
Saves recorded and other songs in Clavino v a memory SaveToMemory 52 Saves recorded and other songs on floppy disks SaveToDisk 53 Deletes song data from Clavinova memory or floppy disk
DeleteSong 53 Changes the title of songs RenameSongs 54 Copies data from floppy disk to floppy disk CopyDisk 55 Formats a floppy disk FormatDisk 56 Change the type of characters on the screen CharacterCode 56
Reference
page

Clavinova memory

The Clavinova has the following three types of memory:
Current memory: This is a temporary memory area where you can temporarily place and edit the currently-selected song before playback or recording.
Preset song memory: This read-only memory area saves 50 piano preset songs.
Storage memory: This memory area enables you to save recorded songs or song data loaded from floppy disk.
TERMINOLOGY
File
A file contains a group of data. On the Clavinova, a song file includes song data and a song number.
Memory
Memory is a location inside the Clavinova in which you can save and edit data.
Formatting (Initializing)
Floppy disks are a conve­nient media that allow you to save various data for per­sonal computers and other devices. There are many ways (formats) to save data on floppy disks, depending on the device. Therefore, you need to prepare a floppy disk by assigning a format before you can use it on a particular type of device. This operation is called “for­matting.”
Character code
Type of characters
When you select a song in the song select screen, it is loaded from Preset song memory, Storage memory, or floppy disk, into Current memory. You will use Current memory to play back and record songs. When you turn off the power to the Clavinova, songs saved in Preset song memory and Stor­age memory are not erased. On the other hand, songs in Current memory are lost. If you wish to keep a song in Current memory, you must save it in Stor­age memory or on a floppy disk (see page 52, 53). In this manual, a song located in a song recorded in Current memory, is referred to as a “Current song,” a song in Storage memory is a “Memory song,” and a song on a floppy disk is a “Disk song.”
Clavinova
Preset song memory
CLP-970
MIN
MASTER VOLUME
Current memory
EXTRA
FILE
TRACK1SONG SELECTDEMO
TRACK
METRONOME
SETTINGSTART/STOP
TRACKS
2
NEW SONG
SONG
SONG BALANCE
UPDOWN
REC
TRANSPOSEMAX
STOP
START/
SETTING
PAUSE
SYNCHRO START
TEMPO
SONG
Storage memory
CONTRASTB
A
PIANO
MAIN
YES
NO
SPLIT
POINT
EXIT
LEFT
D
C
MIDI
E. PIANO/
HARPSI-
CHORUSREVERBSTRINGS/
ORGAN
MALLET
SETTING
BASS
CHORD
CHOIR
VOICE
OTHER
PIANO/
BRILLIANCE
BASS
ORGAN/
HARPSI/
SETTING
SETTING
E. PIANO
STRINGS
MALLET
EFFECT
VOICE
Floppy disk
POWER
50 CLP-990
Page 51
Saving Recorded Songs and Handling the Files...[FILE]
Basic file operation
A message (information or confirmation dialog) sometimes appears on the screen to facilitate operation. Refer to the “Message List” on page 92 for an explanation of each message, appropriate actions to take, and troubleshooting information.
[FILE]
CLP-990
MIN MAX
MASTER VOLUME
DEMO SONG SELECT
TRANSPOSE
NEW SONG
SONG BALANCE
TRACK1TRACK2EXTRA
TRACKS
START/
STOP
PAUSE
SYNCHRO START
SONG
REC
SETTING
FILE METRONOME
START/ STOP SETTING
SONG
A B
UPDOWN
C D
TEMPO VOICE EFFECT
Procedure
1. Select a song, or have a floppy disk ready.
Select a song you wish to save or rename. (Optional) Insert a floppy disk for copying or formatting into the disk drive.
2. Access the File menu.
Press the [FILE] button.
A B
NO YES
C D
To close the File menu, press the [EXIT] button once or twice.
NO YES
CONTRAST
EXIT
PIANO
E. PIANO/
HARPSI-
MALLET ORGAN STRINGS/
BASS
MAIN
LEFT
CHORD
PIANO/
HARPSI/
ORGAN/
MALLET
STRINGS
BASS
SPLIT
E. PIANO
POINT
CHOIR
VOICE
SETTING
REVERB
BRILLIANCE
CHORUS MIDI
SETTING
OTHER
SETTING
3. Select the desired parameter.
Press the [FILE] or A [–]/[+] buttons repeatedly to display the desired item from the following: “SaveToMemory”, “SaveToDisk,” “DeleteSong”, “RenameSong”, “CopyDisk”, “FormatDisk”, “CharacterCode”.
4. Set the parameter or execute the command.
Use the B [– (NO)]/[+ (YES)], C [–]/[+], D [–]/[+] buttons. For more information regarding this procedure, refer to the corre­sponding section below.
5. Close the File menu.
Press the [EXIT] button.
CLP-990 51
Page 52
Saving Recorded Songs and Handling the Files...[FILE]

Saving recorded or other songs to Clavinova Storage memory...[SaveToMemory]

If you record a song, then turn off the power to the Clavinova, the song will be erased. To save the recorded song, you must save it into the Clavinova Storage memory or to a floppy disk. (To save a song to a floppy disk, refer to the next section [SaveToDisk].) You can also save the preset songs, disk songs, and additional or overwriting recordings (page 46) to Storage memory.
A B
C D
NO YES
Procedure
See page 51 the basic operation information. The following is a detailed pro­cedure of Step 4.
4-1 Name the song.
To move the cursor (a small underline), use the C [–]/[+] buttons. To insert a space, press the C [–]/[+] buttons simultaneously. To select a character on the cursor, use the D [–]/[+] buttons. To delete a character, press the D [–]/[+] buttons simultaneously.
You can use up to 58 characters for a song name. If the name is longer than the screen, use the C [–]/[+] buttons to move the cursor and scroll the name.
4-2 Execute the operation.
Press the B [+ (YES)] button located next to “Execute?→” “Sure?
.” appears on the screen. Press the B [+ (YES)] button again
to confirm the operation. (To cancel the operation, press the B [– (NO)] button.) The Clavinova displays “Executing” on the screen during the opera­tion. When the operation is complete, “Completed” appears. The song is automatically numbered as “Mxx,” where “M” means “Memory” and “xx” is a number.
TIP
• Y ou can change the type of characters on the screen using the Char­acterCode parameter.
• When you select a saved song later, the name with an extension “.MID” will appear.
TERMINOLOGY
“Execute?”: Do you wish to execute the operation?
“Sure?”: Are you sure? “Executing”: The Clavinova
is executing the operation. “Completed”: The operation
is complete.
If Storage memory contains one or more songs, and you save a new song, the Clavi­nova automatically sorts the songs alphabetically and renumbers them.
52 CLP-990
TIP
CAUTION
Do not turn off the power while the screen displays “Executing.”
Page 53
Saving Recorded Songs and Handling the Files...[FILE]
Saving recorded or other songs to floppy disk...[SaveToDisk]
You can save recorded songs, preset songs, Memory songs, and additional or overwriting recordings (page 46) songs onto a floppy disk.
A B
NO YES
C D
Procedure
See page 51 for basic operation information. The following is a detailed pro­cedure of Step 4.
4. Make sure that a formatted floppy disk (page 56) is
inserted in the disk drive.
Follow the steps for the [SaveToMemory] operation (see page 52) to name and save the song. The song is automatically numbered as “Dxx,” where “D” means “Disk” and “xx” is a number.
The song data is saved in the SMF format (format 0). Therefore, you can play the disk on instruments that support the SMF format.
Do not turn off the power or eject the floppy disk while the screen displays “Execut­ing.”
TIP
CAUTION
Deleting songs in Clavinova Storage memory or a floppy disk...[DeleteSong]
You can delete Memory songs and Disk songs, but not Preset songs or Cur­rent songs.
A B
NO YES
C D
Procedure
See page 51 for basic operation information. The following is a detailed pro­cedure of Step 4.
To delete a Current song, select “ALL” for the Channel­Clear parameter in the “SONG SETTING” menu (page 75). Alternatively,
press the SONG SELECT
[ ]/[ ]
taneously to display “Song Changed Save?”. This means “A song has been edited. Do you wish to save the change?” Press the B [– (NO)] button. The Current song is deleted and a blank “NewSong” is selected.
TIP
buttons simul-
CLP-990 53
Page 54
Saving Recorded Songs and Handling the Files...[FILE]
4-1 Select a song to delete.
Use the C [–]/[+] buttons to select a song.
4-2 Execute the operation.
Press the B [+ (YES)] button located next to “Execute?.” Follow the instructions on screen.

Renaming a song...[RenameSong]

TIP
If you select a Memory song or Disk song, deleting the song does not erase song data from Current memory. Howev er, if you return to the song select screen, song information other than the song name is replaced by “--------------”.
TIP
After you delete a song, the Clavinova automatically updates the song numbers.
CAUTION
Do not turn off the power or eject the floppy disk while the screen displays “Execut­ing.”
You can change a song’s title (except for the preset songs and [P-000: NewSong].
A B
NO YES
C D
Procedure
See page 51 for basic operation information. The following is a detailed pro­cedure for Step 4.
4. Name the song as described in the [SaveToMemory]
section (page 52).
CAUTION
Do not turn off the power or eject the floppy disk while the screen displays “Execut­ing.”
TIP
After you rename a song, the Clavinova sorts songs alphabetically and renum­bers them.
54 CLP-990
Page 55
Saving Recorded Songs and Handling the Files...[FILE]
Copying data from one floppy disk to another...[CopyDisk]
You can copy the entire contents of one floppy disk to another floppy disk.
A B
NO YES
C D
Procedure
See page 51 for basic operation information. The following is a detailed pro­cedure for Step 4.
4-1 Make sure that a formatted floppy disk is inserted in
the disk drive.
4-2 Press the B [+ (YES)] button located next to “Exe-
cute?.”
4-3 When the screen indicates “Insrt Target Disk”, eject
the source disk and insert the destination disk.
When the copy operation is complete, the Clavinova displays “Com­pleted.”
TIP
Use the same type of disk (2DD or 2HD) for the desti­nation disk as the source disk.
TERMINOLOGY
Insrt Tar get Disk:
Insert the destination (tar­get) disk.
CAUTION
Do not turn off the power or eject the floppy disk while the screen displays “Execut­ing.”
CLP-990 55
Page 56
Saving Recorded Songs and Handling the Files...[FILE]
Formatting a floppy disk...[FormatDisk]
You can format a floppy disk so that it can be used with the Clavinova.
A B
NO YES
C D
Procedure
See page 51 for basic operation information. The following is a detailed pro­cedure for Step 4.
4-1 Make sure that the formatted floppy disk is inserted in
the disk drive.
4-2 Press the B [+ (YES)] button located next to “Exe-
cute?.”
Follow the instructions on screen.
Do not turn off the power or eject the floppy disk while the screen displays “Execut­ing.”
CAUTION
Changing the type of characters on screen...[Char­acterCode]
You can change the type of characters that appear on screen. The default setting is “International.” To input katakana, change this setting to “Japanese.”
A B
NO YES
C D
Options: International, Japanese
Character list [International]
[Japanese]
56 CLP-990
Page 57

Playing Back Recorded Songs and Commercially-available Music Data

You can play back songs recorded using the Record function (page 41) as well as commercially-available music data. You can also play the keyboard along with the playback.

Playing back a song

To play back a song from a floppy disk, insert the disk into the disk drive.
1 2-2 2-1
CLP-990
MIN MAX
MASTER VOLUME
DEMO SONG SELECT
TRANSPOSE
SONG BALANCE [ ] [ ]
Procedure
NEW SONG
SONG BALANCE
TRACK1TRACK2EXTRA
START/
STOP
PAUSE
SYNCHRO START
SONG
3
4
FILE METRONOME
TRACKS
START/ STOP SETTING
REC
SONG
SETTING
UPDOWN
TEMPO VOICE EFFECT
2-2
TEMPO [DOWN] [UP]
A B
C D
NO YES
5
CONTRAST
EXIT
MAIN
LEFT
See page 59 for information on the types of song data that can be played on the Clavinova.
PIANO
E. PIANO/
HARPSI-
MALLET ORGAN STRINGS/
BASS
CHORD
PIANO/
HARPSI/
SPLIT
E. PIANO
MALLET
POINT
ORGAN/ STRINGS
CHOIR
BASS
VOICE
SETTING
TIP
REVERB
CHORUS MIDI
BRILLIANCE
SETTING
OTHER
SETTING
1. Display the song select screen.
Press either the SONG SELECT [ ]/[ ] buttons.
Song select screen
A B
NO YES
C D
2. Select the desired song.
2-1 Use the A [–]/[+] buttons to select the song type: “Pre-
setSong,” “MemorySong,” or “DiskSong.”
If the internal Storage memory contains one or more songs, the Clavi­nova displays “MemorySong.” If a floppy disk that contains song data is inserted in the drive, the Clavinova displays “DiskSong.”
2-2 Use the C [–]/[+] or SONG SELECT [ ]/[ ] buttons
to select a song.
TIP
You can enjoy ensemble performance by yourself. Record the parts for a four­handed song or a piano duet, then play the recorded part while playing the other part on the keyboard.
TIP
Use the SongRepeat parameter in the “SONG SETTING” menu (page 76) to select repeat playback of all songs or repeat playback of a single song.
CLP-990 57
Page 58
Playing Back Recorded Songs and Commercially-available Music Data
3. Start playback.
Press the [START/PAUSE] button.
Starting playback automatically as you start playing the keyboard (Syn­chro Start)
You can start playback as soon as you start playing the keyboard. This is called the “Synchro Start” function. To enter Synchro Start standby mode, press and hold down the [STOP] but­ton and press the [START/PAUSE] button. The [START/PAUSE] indicator flashes. Now play the keyboard. Playback starts simultaneously. To cancel the Synchro Start function, press the [STOP] button while the Clavinova is in Synchro Start standby mode.
You can move back and forth (rewind and fast forward) through the bars by using the B [–]/[+] buttons in the song select screen while the Clavinova is playing or stopped.
The bar number in playback
A B
NO YES
C D
You can play the keyboard while the Clavinova is playing back a song. You can also play the notes in a voice different from the playback voice by selecting the voice from the panel, and adjusting the volume balance between the playback parts and your current performance using the SONG BALANCE [ ] [ ] buttons. (See page 48.)
Press either of the SONG SELECT [ ]/[ ] buttons to return to the song select screen.
Adjusting the tempo
You can use the TEMPO [DOWN]/[UP] buttons to adjust the playback tempo as required before or during playback. The default tempo (the song’s original tempo) is set when you press the [DOWN] and [UP] buttons simul­taneously.
TERMINOLOGY
Bar: measure
TIP
You can play the metronome along with the song play­back. When you stop play­back, the metronome is also stopped.
TIP
In the song select screen:
• Press the SONG SELECT [ ] or the C[–] button while playback is
stopped in the middle of the song to locate the top of the song.
• Press the SONG SELECT [ ] or the C[–] button during playback
to restart playback from the top of the song.
• Press the SONG SELECT [ ] or the C[+] button during play-
back to start playback from the next song.
Press either of the SONG SELECT [ ]/[ ] buttons to return to the song select screen.
4. Stop playback.
58 CLP-990
When playback is complete, the Clavinova automatically stops and locates the top of the song. To stop playback in the middle of a song, press the [STOP] button. You can also pause playback by pressing the [START/PAUSE] button. Playback stops when you press the button.
Page 59
Playing Back Recorded Songs and Commercially-available Music Data
5. Return to the main screen.
Press the [EXIT] button.
Eject the floppy disk from the disk drive if you have been playing a disk song.

Turning track playback on and off

When you select a song on the Clavinova, the indicators for tracks that con­tain data ([TRACK 1], [TRACK 2], [EXTRA TRACKS]) are lit in green. While the Clavinova is playing or stopped, pressing these track buttons turn off the indicators, and the data on those tracks will not be played. Pressing the track buttons toggles track playback on and off. You can play the part that is turned off.

Supported song data type

Data formats that can be played on the CLP-990
The Clavinova CLP-990 plays song data in the following formats:
TIP
When the Clavinova plays back commercially-avail­able music data or record­ings from other instruments, all track indicators may light up green regardless of whether or not all tracks contains data.
TIP
You can practice a part or phrase using the FromToRe­peat (page 75) and Phrase­Mark parameters (page 76) in the “SONG SETTING” menu.
Floppy disk format
3.5-inch 2DD disks in the MS-DOS 720KB format
3.5-inch 2HD disks in the MS-DOS 1.44MB format
Sequence format
SMF (Standard MIDI File) formats 0 and 1 ESEQ Performance data recorded on the CLP-990 is saved in the SMF for­mat 0 in a floppy disk.
TERMINOLOGY
Disk format:
A structured method for writ­ing data to disk.
TERMINOLOGY
Sequence format:
A structured method for recording performance data.
CLP-990 59
Page 60
Playing Back Recorded Songs and Commercially-available Music Data
Voice arrangement format
XG voice arrangement GM system level 1 voice arrangement DOC voice arrangement
Performance data recorded with preset voices on the CLP-990 can be played on other XG-compatible instruments. The CLP-990 provides XG voices for song playback, as well as preset voices. See page 6 of the separate “Reference Booklet” for the XG voice list. Refer to “Data compatibility” on page 101 for more information on formats.

Song data recorded on other instruments

When you play on the CLP-990 song data recorded on the Clavinova CVP­109, 107, 105, 103, 98, 96, 94, 92, or CLP-870, you may notice a slight differ­ence in volume balance, although the voices sound almost identical. You can also play back song data from the Yamaha Disklavier player piano.
TERMINOLOGY
Voice arrangement format:
A structured method for numbering the voices for assignment.
60 CLP-990
Page 61

Connections

Connectors

CAUTION
Before connecting the Clavinova to other electronic components, turn off the power to all the components. Before turning the power on or off to all components, set all volume levels to minimum (0). Otherwise, electrical shock or damage to the components may occur.
OUTIN THRU
MIDI
6
PC-2
PC-1
MacMIDI
HOST SELECT
TO HOST
5 4 3
AUX PEDAL
L/L+RR
AUX IN
2
L/L+RR
AUX OUT
1
1 AUX OUT [R], [L/L+R] jacks
You can connect these jacks to a stereo system to amplify the Clavinova or to a cassette tape recorder to record your performance. Refer to the diagram below and use audio cables for connection. Adjust the volume level on the stereo system or cassette tape recorder, not using the Clavinova’s [MASTER VOLUME] slider.
CAUTION
When the Clavinova’s AUX OUT jacks are connected to an external audio sys­tem, first turn on the power to the Clavinova, then to the external audio system. Reverse this order when you turn the power off.
Clavinova
phone plug
(standard)
L/L+RR
AUX OUT
AUX OUT
alternatively
RCA phono phone adapter plug
RCA phono plug
audio cable
cassette tape recorder
stereo system
AUX IN
RCA phono plug
CAUTION
Do not route the output from the AUX OUT jacks to the AUX IN jacks. That is, when you connect an external audio device to the AUX OUT jacks, do not connect the audio device to the Clavinova’s AUX IN jacks. If you make this connection, the signal input at the AUX IN jacks is output from the AUX OUT. This creates an audio loop, causing audio oscillation and abnormal playback, leading to mal­function of both pieces of equipment.
TIP
Use audio cables and adapter plugs with no resis­tance.
TIP
The Clavinova’s [MASTER VOLUME] slider setting does not affect the signal output from the AUX OUT jacks.
CLP-990 61
Page 62
Connections
2 AUX IN [R], [L/L+R] jacks
The stereo outputs from another instrument can be connected to these jacks, allowing the sound of an external instrument to be reproduced via the Clavi­nova’s speakers. Refer to the diagram below and use audio cables for connec­tion.
CAUTION
When the Clavinova’s AUX IN jacks are connected to an external device, first turn on the power to the external divice, then to the Clavinova. Reverse this order when you turn the power off.
Clavinova
L/L+RR
Plug shape depends on the divece.
AUX OUT (OUTPUT)
phone plug
(standard)
AUX IN
AUX IN
Tone Generator
audio cable
TIP
The Clavinova’s [MASTER VOLUME] slider setting affects the input signal from the AUX IN jacks, but the [REVERB], [CHORUS], and [BRILLIANCE] (page 32) set­tings do not.
TIP
If you connect the Clavi­nova to a monaural device, use only the AUX IN [L/L+R] jack or AUX OUT [L/L+R] jack.
3 AUX PEDAL jack
Connect an optional foot controller FC7 or foot switch FC4 or FC5 here. Using the FC7 enables you to add expression to your performance by control­ling the volume level of the notes you play. Using the FC4 or FC5 enables you to turn the assigned function on and off. Use the AuxPedal parameter in the “VOICE SETTING” menu. You can also assign the [START/PAUSE] button function to this foot switch. (See page 89.)
4 TO HOST jack
This jack allows direct connection to a personal computer. (Refer to “Con­necting a personal computer” on page 63 for more information.)
5 HOST SELECT switch
This switch should be set according to the type of connected MIDI device or personal computer. (Refer to “Connecting a personal computer” on page 63 for more information.)
62 CLP-990
Page 63
Connections
MIDI [IN], [OUT], [THRU] connectors
6
Use MIDI cables to connect external MIDI devices to these connectors. Make sure you set the HOST SELECT switch (described on the privious page) to MIDI when you use these connectors.

Connecting a personal computer

You can enjoy computer music data on the Clavinova by connecting a computer to the TO HOST (or MIDI) jack.
“The Clavinova-Computer Connection” is a supplementary guidebook that describes, for beginners, what you can do with your Clavinova and a personal computer and how to set up a Clavinova-Computer sys­tem (the manual is not written for any specific models). The document is available as a PDF file (in English) at the following Internet address:
Clavinova Web site: http://www.yamaha.co.jp/english/product/cl/ Yamaha Manual Library (Electronic Musical Instruments): http://www2.yamaha.co.jp/manual/english/ (You need to register first. Check the Clavinova web page.)
There are the three methods by which to connect the Clavinova to a personal computer:
1. Connecting the serial port on the computer to the Clavinova’s TO HOST jack (page 64)
2. Using a MIDI interface and the Clavinova’s MIDI connectors (page 66)
3. Using the USB port on the computer and the UX256, a USB interface (page 67)
For more information, refer to the following pages.
TIP
When connecting the Clavinova to a personal computer, first turn off the power to both the Clavinova and the computer before connecting any cables and setting the HOST SELECT switch. After making connections and switch settings, turn on the power to the computer first, then to the Clavinova.
TIP
If you do not use the TO HOST jack of the Clavinova, make sure you disconnect the cable from the jac k. If the cable is left connected, the Clavinova may not function properly.
TIP
When the HOST SELECT switch is set to “PC-1,” PC-2,” or “Mac,” you can use the TO HOST jack, but the MIDI connec­tors are disabled since no data transfer occurs via the MIDI connectors. On the other hand, when the HOST SELECT switch is set to “MIDI,” you can use the MIDI connectors, but not the TO HOST jack since no data is transferred via the T O HOST jack.
CLP-990 63
Page 64
Connections
1. Connecting the serial port on the computer to the Clavinova’s TO HOST jack
Connection
Use a special serial cable (page 65) to connect the computer’s serial port (RS-232C or RS-422) to the Clavi­nova’s TO HOST jack.
Connect the computer’s serial port (RS-232C or RS-422) to the Clavinova’s TO HOST jack. In this connection, the Clavinova functions as a MIDI interface. Therefore, you do not need a special MIDI interface.
Clavinova
PC-2
PC-1
MacMIDI
HOST SELECT
RS-232C (D-sub 9-pin) RS-232C (D-sub 25-pin)
Windows Windows Macintosh
TO HOST
TO HOST
modem port
Note for Windows 95/98 users (regarding MIDI driver)
To transfer data via the computer’s serial port and the Clavinova’s TO HOST jack, you need to install a specified MIDI driver (Yamaha CBX driver for Windows 95/98). You can download this driver from the following XG Library on the Yamaha Web site: http://www.yamaha-xg.com
64 CLP-990
Page 65
Type of serial cables and connection pin assignments
According to the type of computer you connect, use one of the following serial cables.
Connections
• Windows (with a serial port of D-sub 9-pin)
8-pin mini DIN plug D-sub 9-pin plug (Yamaha CCJ-PC2 or equivalent)
mini DIN 8-pin
1 2 3 4 8 5
8 (CTS) 7 (RTS) 2 (RxD) 5 (GND)
3 (TxD)
D-sub 9-pin
• Windows (with a serial port of D-sub 25-pin)
8-pin mini DIN plug D-sub 25-pin plug (Yamaha CCJ-PC1NF or equivalent)
mini DIN 8-pin
1 2 3 4 8 5
5 (CTS) 4 (RTS) 3 (RxD) 7 (GND)
2 (TxD)
D-sub 25-pin
Clavinova HOST SELECT switch setting
• Macintosh
System peripheral plug 8-pin plug (Yamaha CCJ-MAC or equivalent)
mini DIN 8-pin
1 2 3 4 5 6 7 8
2 (HSK i) 1 (HSK O) 5 (RxD-) 4 (GND) 3 (TxD-) 8 (RxD+) 7 (GP-) 6 (TxD+)
• Pin assignment
The following diagram shows the pin assignments for each cable.
Pin numbers (view from front)
mini DIN 8-pin D-sub 25-pin
67
34
1
8
5
2
1234567891011
14 15 16 17
18 19 20 21 22 23 24 25
12 13
mini DIN 8-pin
D-sub 9-pin
45321
9876
Set the Clavinova HOST SELECT switch properly according to the type of connected computer.
Macintosh: “Mac” (data transfer rate: 31,250bps, 1MHz clock)
Windows: “PC-2” (data transfer rate: 38,400bps)
TIP
If your system does not work properly with the connections and settings listed above, y our software ma y require different settings. Check y our softw are operation manual and set the HOST SELECT s witch to the proper data tr ansf er rate . (Data transfer rate of “PC-1” is 31,250bps.)
CLP-990 65
Page 66
Connections
2. Using a MIDI interface and the Clavinova’s MIDI connectors
Connection
Use a MIDI interface device to connect a computer to the Clavinova using special MIDI cables.
Clavinova
OUTIN THRU
MIDI
PC-2
PC-1
HOST SELECT
MacMIDI
MIDI
IN
MIDI OUT
MIDI IN
MIDI interface
Windows Macintosh
MIDI OUT
MIDI OUT
Clavinova HOST SELECT switch setting
Set the Clavinova HOST SELECT switch to “MIDI.”
MIDI IN
MIDI interface
66 CLP-990
Page 67
Connections
3. Using the USB port on the computer and the UX256, a USB interface
Connect the USB port of the computer to the UX256 using a USB cable, install the driver (that came with the UX256) on the computer, and connect the UX256 to the Clavinova using a serial cable or MIDI cables. For more information, refer to the instruction manual for the UX256.
UX256 Yamaha USB-MIDI interface.
Connecting the UX256 to the Clavinova using a serial cable
USB cable
Standard Machintosh 8-pin system peripheral cable
computer
UX256
Connecting the UX256 to the Clavinova using MIDI cables
PC-1
or
HOST SELECT
CLP-970
TRANSPOSEMAX
MIN
MASTER VOLUME
Mac
TO HOST
Clavinova
CONTRASTB
A
EXTRA
FILE
TRACK1SONG SELECTDEMO
TRACK
METRONOME
SETTINGSTART/STOP
TRACKS
2
NEW SONG
SONG
SONG BALANCE
UPDOWN
REC
STOP
START/
SETTING
PAUSE
SYNCHRO START
C
TEMPO
SONG
OUTIN
MIDI
CHORUSREVERBSTRINGS/
ORGAN
MALLET
E. PIANO/
PIANO
HARPSI-
SETTING
CHOIR
BASS
CHORD
MAIN
YES
NO
VOICE
SPLIT
OTHER
BASS
ORGAN/
HARPSI/
BRILLIANCE
PIANO/
SETTING
POINT
SETTING
STRINGS
MALLET
E. PIANO
EXIT
LEFT
D
EFFECT
VOICE
POWER
MIDI
computer
USB cable
UX256
MIDI
MIDI cables
EXTRA
TRACK1SONG SELECTDEMO
TRACK
CLP-970
TRACKS
2
NEW SONG SONG BALANCE
REC
TRANSPOSEMAX
MIN
STOP
START/
SETTING
PAUSE
SYNCHRO START
MASTER VOLUME
SONG
HOST SELECT
Clavinova
CONTRASTB
A
FILE
METRONOME
SETTINGSTART/STOP
SONG
UPDOWN
C
TEMPO
MIDI
CHORUSREVERBSTRINGS/
ORGAN
MALLET
E. PIANO/
PIANO
HARPSI-
SETTING
CHOIR
BASS
CHORD
MAIN
YES
NO
VOICE
SPLIT
OTHER
BRILLIANCE
BASS
ORGAN/
HARPSI/
PIANO/
SETTING
POINT
SETTING
STRINGS
MALLET
E. PIANO
EXIT
LEFT
D
EFFECT
VOICE
POWER
CLP-990 67
Page 68
68 CLP-990
Page 69
Detailed Settings
CLP-990 69
CLP-990 69
Page 70

Detailed Settings

You can set various parameters to make the best use of Clavinova functions, such as fine tuning the pitch, selecting a voice for the metronome, repeating playback, etc. See page 72 for the normal (default) setting for each parameter.

Parameter List

The following parameters are available.
Recording and playback [SONG SETTING]
Settings Parameter name Reference page
Correcting note timing Quantize 74 Specifying whether playback starts immediately
along with the first voicing Auditioning the channels ChannelListen 75 Deleting data by each channel ChannelClear 75 Specifying the range and playing back repeatedly FromToRepeat 75 Playing back the phrase specified by the phrase
number Playing back a song repeatedly SongRepeat 76
QuickPlay 75
PhraseMark 76
Metronome METRONOME [SETTING]
Settings Parameter name Reference page
Metronome time signature TimeSignature 77 Metronome volume level MetronomeVolume 77 Metronome voice MetronomeSound 77
Voices [VOICE SETTING]
In Dual mode, parameters with the “*” mark are set for Voice 1 and Voice 2 individually.
Settings Parameter name Reference page
Octave* Octave 78 Volume level* Volume 78 Position of right and left channels* Pan 79 Fine pitch adjustment (only in Dual mode) Detune 79 Reverb type ReverbType 79 Reverb depth* ReverbSend 79 Chorus type ChorusType 80 Chorus depth* ChorusSend 80 Chorus on/off ChorusOnOff 80 Variation effect type VariationType 80 Variation effect depth* VariationSend 81 Touch sensitivity* TouchSense 81
70 CLP-990
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Detailed Settings
Right pedal function RPedal 81 Center pedal function MPedal 82 Left pedal function LPedal 82 Auxiliary pedal function AuxPedal 82
MIDI [MIDI SETTING]
Settings Parameter name Reference page
MIDI transmit channel MidiOutChannel 84 MIDI receive channel (Port A) MidiInAChannel 84 MIDI receive channel (Port B) MidiInBChannel 85 Local control on/off LocalControl 85 Selecting performance from the keyboard or song
data for MIDI transmission Type of data received via MIDI ReceiveParameter 85 Type of data transmitted via MIDI TransmitParameter 86 Song data bulk dump SongBulkDump 86 Transmitting the initial settings InitialSetup 86 Voice data bulk dump VoiceBulkDump 86
MidiOutSelect 85
[OTHER SETTING]
Settings Parameter name Reference page
Selecting a touch response TouchResponse 87 Fine tuning of the pitch Tune 87 Selecting a tuning curve for a piano voice PianoTuningCurve 87 Selecting a scale Scale 88 Depth of string resonance StringResonanceDepth 88 Depth of sustain sampling for the damper pedal SustainSamplingDepth 88 Setting the speed of vibraphone’s vibrato effect VivraphoneRotorSpeed 89 Selecting a pedal function for vibraphone VibraphonePedalMode 89 Assigning the START/PAUSE function to a pedal PedalStart/Pause 89 Selecting a type of auxiliary pedal AuxPedalType 89 Setting the point at which the damper pedal starts
to affect the sound Pitch bend range PitchBendRange 90 Replacing the preset voices with XG voices XGAlternative 90 Selecting the items saved at the time of shutdown MemoryBackUp 91 Restoring the normal (default) settings FactorySet 91
HalfPedalPoint 90
CLP-990 71
Page 72
Detailed Settings

Making detailed settings

METRONOME [SETTING]
A [–] [+] B [– (NO) ] [+ (YES) ]
[MIDI SETTING]
CLP-990
MIN MAX
DEMO SONG SELECT
TRANSPOSE
MASTER VOLUME
NEW SONG
SONG BALANCE
TRACK1TRACK2EXTRA
STOP
SYNCHRO START
FILE METRONOME
TRACKS
REC
START/
SONG
PAUSE
SETTING
SONG
[SONG SETTING]
START/ STOP SETTING
A B
UPDOWN
C D
TEMPO VOICE EFFECT
C [–] [+] D [–] [+]
Procedure
1. Access a setting menu.
Press the desired setting button ([SONG SETTING], MET­RONOME [SETTING], [VOICE SETTING], [MIDI SETTING], or [OTHER SETTING]) to access the corresponding setting menu.
Press the [EXIT] button any time to close the setting menu.
2. Select the desired parameter or part.
Press the setting button, A [–]/[+], and/or C [–]/[+] but­tons repeatedly as required.
NO YES
CONTRAST
EXIT
PIANO
E. PIANO/
HARPSI-
MALLET ORGAN STRINGS/
BASS
MAIN
LEFT
CHORD
PIANO/
HARPSI/
ORGAN/
MALLET
STRINGS
BASS
SPLIT
E. PIANO
POINT
CHORUS MIDI
REVERB
BRILLIANCE
SETTING
SETTING
OTHER
CHOIR
VOICE
SETTING
[VOICE SETTING]
[OTHER SETTING]
3. Set the parameter or part.
Some parameters or parts lead you to more options. Use the B [– (NO)]/[+ (YES)], C [–]/[+], and D [–]/[+] buttons to select or set the option.
To restore the normal parameter value, press the [–] and [+] buttons simultaneously.
72 CLP-990
Page 73
4. Write, execute, or save the data.
There are two ways to respond to the messages.
If “Execute?” or “Start?” appears:
Press the B [+(YES)] button to display confirmation ([Sure?→]). To proceed, press the B [+(YES)] button again. The Clavinova displays “Executing” and writes the data. When the operation is complete, it displays “Completed” for three seconds, then returns to the previous screen. To cancel the operation, press the B [–(NO)] button instead of the B [+(YES)] button.
A B
Detailed Settings
NO YES
C D
If “Set?” appears:
Press the B [+(YES)] button to execute the setting. The Clavinova dis­plays “Executing” and saves the data. When the operation is complete, it displays “Completed” for three seconds, then returns to the previ­ous screen.
A B
C D
5. Close the setting menu.
Press the [EXIT] button.
NO YES
CLP-990 73
Page 74

Detailed settings for recording and playback [SONG SETTING]

You can make detailed settings for the selected song. First, select the desired song from preset songs (“PresetSong”), memory songs (“MemorySong”), or disk songs (“DiskSong”) (see page 57).
Procedure
Select the desired song and press the [SONG SETTING] button to access the “Song Setting” menu.
CLP-990
MIN MAX
MASTER VOLUME
DEMO SONG SELECT
TRANSPOSE
NEW SONG
SONG BALANCE
TRACK1TRACK2EXTRA
TRACKS
START/
STOP
PAUSE
SYNCHRO START
SONG
SONG
REC
SETTING
FILE METRONOME
START/ STOP SETTING
TEMPO VOICE EFFECT
A B
UPDOWN
C D
[SONG SETTING]

Correcting note timing [Quantize]

You can correct the timing of notes. For example, you can adjust recorded notes to precise eighth or sixteenth notes, or make the entire feel of a song more lively (with a swing type of rhythm).
• Changes are made by song.
• You can also listen to the sound while changing the setting. To change the data, you need to respond to “Execute?
See the procedure on page 72.
.”
Stores the changed value.
A B
NO YES
C D
Specifies the type of note.
NO YES
CONTRAST
EXIT
PIANO
E. PIANO/
HARPSI-
MALLET ORGAN STRINGS/
BASS
MAIN
LEFT
CHORD
PIANO/
HARPSI/
SPLIT
E. PIANO
MALLET
POINT
ORGAN/ STRINGS
CHOIR
BASS
VOICE
SETTING
REVERB
BRILLIANCE
CHORUS MIDI
If you select “1/8” for correction:
Performance data
Swing rate = 50% : not swinging
Swing rate = 75% (51% or higher) :
The timing of even beat notes is slightly delayed.
Swing rate = 25% (49% or lower) :
The timing of even beat notes is slightly early.
Swing rate = 67% :
The timing of the even beat notes is moved to the third beat of the triplets.
SETTING
OTHER
SETTING
3 3
Notes for which you can adjust the timing:
[OFF]
[1/4] [1/8]
[1/16]
3
[1/12]
3
[1/24]
quarter note eighth note sixteenth note eighth note triplets sixteenth note triplets
If you select “1/8” or “1/16” for correction, the Clavi­nova displays “SwingRate=xx%”, which enables you to make the entire feel of a song more lively and swinging.
Setting range:
0% - 100%
74 CLP-990
TIP
Save the edited song data to memory or a disk. (See page 50.)
Page 75
Detailed settings for recording and playback [SONG SETTING]
Specifying whether playback starts immediately along with the first voicing [QuickPlay]
This parameter enables you to specify whether a song that starts from the middle of a bar, or a song with a silence prior to the first note, should be played from the first note or from the top of the bar (rest or blank). See the procedure on page 72.
A B
NO YES
C D
Setting range:
[On] Playing from the first note [Off] Playing from the top of the bar (including a rest
or blank)
Auditioning the channels [Chan­nelListen]
You can select a single channel to listen to its contents. Playback starts from the first note. See the procedure on page 72.
Playback continues as long as you press and hold down this button.
A B
C D
Use these buttons to select the desired channel for playback.
Setting range:
Ch1 - Ch16
NO YES

Deleting data from each channel [ChannelClear]

You can delete data from each of 16 channels. See the procedure on page 72.
Press this button to delete data.
A B
NO YES
C D
Use these buttons to select the desired channel for deletion.
Setting range:
Ch1 - Ch16, ALL (all channels)
TIP
• Channels that do not contain any data are not displayed. However, for some songs, all channels (including the channels that contain no data) may be displayed.
• Save the edited song data to memory or disk. (See page 50.)

Specifying the range and playing back repeatedly [FromToRepeat]

You can specify a range (in steps of beats) in a song to play back repeatedly.
• Playback repeats after it reaches just prior to the beat specified as the end point.
• If you start playing back a song with “Repeat On” selected, the count down starts, followed by the repeated playback of the specified part until you press the [STOP] button.
• If you select “Repeat Off,” normal playback starts.
See the procedure on page 72.
Use these buttons to select “Repeat On.”
A B
TIP
Usually, channels that do not contain any data are not dis­played. However, for some songs, all channels (including the channels that contain no data) may be displayed.
NO YES
C D
Use these buttons to specify the start point of the repeated range.
NOTE
When you select another song, the specified range is auto­matically cancelled and the Repeat function is turned off.
Use these buttons to specify the end point of the repeated range.
CLP-990 75
Page 76
Detailed settings for recording and playback [SONG SETTING]
Playing back the phrase specified by the phrase number [Phrase­Mark]
If you select a song from an ensemble collection disk, such as the “Disk Orchestra Collection” or one of the “XG for Piano” disks, you can specify phrase numbers in the score to play back from the score from the mark point, or to play back the phrase repeatedly.
• If you start playing back a song with “Repeat On” selected, the count down starts, followed by the repeated playback of the specified phrase until you press the [STOP] button.
• If you select “Repeat Off,” normal playback starts from the specified phrase.
See the procedure on page 72.
Use these buttons to select “Repeat On.”
A B
NO YES
C D
Use these buttons to specify the phrase number.
Setting range of the phrase number:
Off (not specified) 1 - the last phrase number of the song If you select any song other than those from the “Disk Orchestra Collection” or one of the “XG for Piano” disks, you can select only “Off.”

Playing back a song repeatedly [SongRepeat]

You can repeatedly play back all songs or a single song selected from the 50 preset songs or from the floppy disks.
• When you start playback, the Clavinova plays the song you selected using the front panel, then starts repeat playback of the specified songs until you press the [STOP] button.
See the procedure on page 72.
Use these buttons to select “On.”
A B
NO YES
C D
Use these buttons to specify the repeated songs.
Setting range:
[DiskSongs] All songs in the floppy disk inserted
in the disk drive [MemorySongs] All songs in the Clavinova’s memory [Disk+Memory] All songs from “DiskSongs” and
“MemorySongs” [PresetSongs] All 50 preset songs [ALL] All songs from “DiskSongs,” “Mem-
orySongs,” and “PresetSongs” [OneSong] One song selected from the front
panel
76 CLP-990
Page 77
Detailed settings for the metro­nome METRONOME [SETTING]
You can set the time signature, volume level, and voice of the Clavinova metronome.
Procedure
Press the [METRONOME SETTING] button to access the Metro­nome Setting menu.
METRONOME [SETTING]
E. PIANO/
HARPSI-
PIANO/
E. PIANO
BASS
MALLET ORGAN STRINGS/
CHORD
HARPSI/
ORGAN/
MALLET
STRINGS
CHOIR
BASS
VOICE
SETTING
BRILLIANCE
SETTING
OTHER
SETTING
CHORUS MIDI
REVERB
CLP-990
MIN MAX
MASTER VOLUME
DEMO SONG SELECT
NEW SONG
SONG BALANCE
TRANSPOSE
TRACK1TRACK2EXTRA
TRACKS
START/
STOP
PAUSE
SYNCHRO START
SONG
REC
SETTING
FILE METRONOME
START/ STOP SETTING
SONG
TEMPO VOICE EFFECT
A B
UPDOWN
C D
CONTRAST
NO YES
PIANO
MAIN
SPLIT POINT
EXIT
LEFT
Setting the metronome time sig­nature [TimeSignature]
See the procedure on page 72.
A B
NO YES
C D
Use these buttons to set the numerator of the time signature.
Use these buttons to set the denominator of the time signature.
For example, to specify “3/4,” use the C [–]/[+] buttons to select “3” and the D [–]/[+] buttons to select “4.”
Setting range for the numerator:
1 - 16
Setting options for the denominator:
2, 4, and 8

Setting the metronome volume level [MetronomeVolume]

Selecting the metronome voice [MetronomeSound]

See the procedure on page 72.
A B
NO YES
C D
Setting range:
[BellOff] Click (standard metronome sound) [EnglishVoice] Click and “1, 2, 3, 4” in English [GermanVoice] Click and “1, 2, 3, 4” in German [JapaneseVoice] Click and “1, 2, 3, 4” in Japanese [FrenchVoice] Click and “1, 2, 3, 4” in French [SpanishVoice] Click and “1, 2, 3, 4” in Spanish [BellOn] Click and bell
TIP
To mute the beat count, select “BellOff.”
See the procedure on page 72.
A B
C D
Setting range:
0-127
NO YES
CLP-990 77
Page 78

Detailed settings for the voices [VOICE SETTING]

This menu enables you to make various detailed settings for the voices in Dual or Split mode and the effects. You can make these settings for each voice (or each combination of voices) individually. You can listen to the notes you play on the keyboard while changing the settings.
Procedure
1. Select a voice and press the [VOICE SETTING] button to access the
“Voice Setting” menu.
E. PIANO/
HARPSI-
CLP-990
MIN MAX
MASTER VOLUME
DEMO SONG SELECT
NEW SONG
SONG BALANCE
TRANSPOSE
TRACK1TRACK2EXTRA
TRACKS
START/
STOP
PAUSE
SYNCHRO START
SONG
REC
SETTING
FILE METRONOME
START/ STOP SETTING
SONG
TEMPO VOICE EFFECT
A B
UPDOWN
C D
CONTRAST
NO YES
PIANO
MAIN
SPLIT POINT
EXIT
LEFT
MALLET ORGAN STRINGS/
BASS
PIANO/
E. PIANO
CHORD
HARPSI/ MALLET
ORGAN/
STRINGS
CHOIR
BASS
SETTING
[VOICE SETTING]
CHORUS MIDI
REVERB
VOICE
BRILLIANCE
SETTING
OTHER
SETTING
2. Press the A [–]/[+] buttons to select the part for which you wish to
change the voice.
The range of the displayed part varies depending on the selected voice. [Main] MAIN voices (displayed with a single voice or in Split mode)
× Layer] MAIN Voice 1 and Voice 2 (displayed when the MAIN side is in Dual
[Main
mode) [Left] LEFT voice (displayed in Split mode) [Left
× Layer] LEFT Voice 1 and Voice 2 (displayed when the LEFT side is in Dual mode)
TIP
In Dual mode, parameters with the “*” mark are set for Voice 1 and Voice 2 individually.

Setting the octave [Octave]*

You can shift the pitch up and down in octave steps. See the procedure on page 72.
A B
NO YES
C D

Setting the volume level [Volume]*

You can set the volume level for each voice part. See the procedure on page 72.
A B
NO YES
In Dual mode:
A B
C D
Voice for editing (Voice 1 or Voice 2)
Setting range:
–2 (two octaves lower - 0 (no pitch shift) - +2 (two octaves higher)
78 CLP-990
C D
NO YES
Page 79
Detailed settings for the voices [VOICE SETTING]
In Dual mode:
A B
NO YES
C D
Voice for editing (Voice 1 and Voice 2)
Setting range:
0 - 127

Setting the position of right and left channels [Pan]*

You can specify the position in the stereo image from which you hear the sound. See the procedure on page 72.
A B
NO YES
C D
In Dual mode:
A B
NO YES
C D
Voice for editing (Voice 1 or Voice 2)
Setting range:
–20 - +20 (With positive values, the pitch of Voice 1 is raised and the pitch of Voice 2 is lowered. With nega­tive values, the pitch of Voice 1 is lowered and the pitch of Voice 2 is raised.)

Selecting the reverb type [ReverbType]

TIP
You cannot set this parameter for the voice parts “Left” and “LeftXLayer.”
See the procedure on page 72.
A B
NO YES
C D
Setting range:
Room Simulates reverberation in a room. Hall Simulates reverberation in a concert hall. Hall2 Reverberation is slightly longer than that of
“Hall1.”
Stage Reverberation suitable for a solo instrument
sound.
Plate Reverberation from the vibration of a metal
plate.
Setting range:
L64 (hard left) - C (center) - R63 (hard right)

Fine tuning the pitch (only in Dual mode) [Detune]

You can slightly shift the pitch of two voices selected for Dual mode. See the procedure on page 72.
A B
NO YES
C D

Setting the reverb depth [ReverbSend]*

TIP
The reverb eff ect is not applied if the ReverbSend parameter is set to “0.”
See the procedure on page 72.
A B
NO YES
C D
CLP-990 79
Page 80
Detailed settings for the voices [VOICE SETTING]
In Dual mode:
A B
NO YES
C D
Voice for editing (Voice 1 or Voice 2)
Setting range:
0 - 127

Selecting the chorus type [Chorus Type]

TIP
You cannot set this parameter for the voice parts “Left” and “Left
× Layer.”
See the procedure on page 72.
A B
NO YES
In Dual mode:
A B
NO YES
C D
Voice for editing (Voice 1 or Voice 2)
Setting range:
0 - 127

Setting the chorus on/off [ChorusOnOff]

You can set the [CHORUS] button on or off for each voice. When you select a voice, the chorus on/off set­ting for the voice automatically changes according to this parameter.
TIP
Even if this parameter is turned on, the chorus effect is dis­abled if the ChorusSend parameter is set to 0.
C D
Setting range:
Chorus Adds a rich, spacious sound. Celeste Adds swell and a spacious sound. Flanger Adds swell effects of an ascending or
descending jet plane.
Setting the chorus depth [Cho­rusSend]*
See the procedure on page 72.
A B
NO YES
C D
See the procedure on page 72.
A B
NO YES
C D
Setting range:
On/Off

Selecting the variation effect type [VariationType]

You can select other effects (than reverb and chorus). See the procedure on page 72.
A B
NO YES
C D
80 CLP-990
Page 81
Setting range:
DelayLCR Delay applied at left, center, and right
positions.
DelayLR Delay applied at left and right posi-
tions. Echo Echo-like delay CrossDelay Left and right delays are crossed. Symphonic Adds a rich and deep acoustic effect. RotarySpeaker Adds the vibrato effect of a rotary
speaker. Tremolo The volume level changes in rapid
cycles. VibeRotor The vibrato effect of a vibraphone. AutoPan The sound pans left to right and back
and forth. Phaser The phase changes periodically,
swelling the sound. AutoWah The center frequency of the wah filter
changes periodically. SoundBoardRev Simulates the reverberation of a
piano soundboard. Off No effect.
Detailed settings for the voices [VOICE SETTING]

Setting the touch sensitivity [TouchSense]*

This parameter enables determines the manner and degree to which the volume level changes in response to your touch on the keyboard (how hard you play). Since the volume level of the harpsichords and pipe organs do not change regardless of how you play the keyboard, the normal setting for these voices is 127. (See the setting range below.) See the procedure on page 72.
A B
NO YES
C D
In Dual mode:
A B
NO YES
C D

Setting the variation effect depth [VariationSend]*

See the procedure on page 72.
A B
NO YES
C D
In Dual mode:
A B
NO YES
C D
Voice for editing (Voice 1 or Voice 2)
Setting range:
0 - 127
Voice for editing (Voice 1 or Voice 2)
Setting range:
0 (softest) - 64 (largest changes in the level) - 127 (loudest and fixed)

Setting the right pedal function [RPedal]

See the procedure on page 72.
A B
NO YES
C D
Setting range:
SustainCont Damper function that sustains the
sound longer as you press the pedal
deeper. Sustain On/Off switch type damper function. PitchBend Changes the pitch continuously. Off No function.
Normal setting:
SustainCount
CLP-990 81
Page 82
Detailed settings for the voices [VOICE SETTING]

Setting the center pedal function [MPedal]

See the procedure on page 72.
A B
NO YES
C D
Setting range:
Sostenuto Sostenuto pedal function. (See page 31.) RotarySpeed Changes the number of rotations of the
rotary speaker effect in the JazzOrgan voice. (Pressing the pedal repeatedly toggles between fast and slow rotation speeds.)
VibeRotor Turns vibrato of the Vibraphone voice
on and off. (Pressing the pedal repeat­edly toggles between on and off.)
Off No function.
Normal Setting:
Sostenuto

Setting the left pedal function [LPedal]

See the procedure on page 72.
A B
NO YES
C D
Setting the auxiliary pedal func­tion [AuxPedal]
You can assign a function to the pedal connected to the Clavinova’s AUX PEDAL jack. See the procedure on page 72.
A B
NO YES
C D
Setting range:
Expression Makes the sound softer or louder. Sustain On/Off switch type damper function.
(See page 31.)
SustainCont Damper function that sustains the
sound longer as you press the pedal
deeper. (See page 31.) PitchBend Changes the pitch continuously. Sostenuto Sostenuto pedal function. (See page 31.) Soft Soft pedal function. (See page 31.) RotarySpeed Changes the number of rotations of the
rotary speaker effect in the JazzOrgan
voice. (Pressing the pedal repeatedly toggles
between fast and slow rotation speeds.) VibeRotor Turns the vibrato of the Vibraphone
voice on and off. (Pressing the pedal
repeatedly toggles between on and off.) Off No function.
Normal setting:
Expression
Setting range:
Soft Soft pedal function. (See page 31.) RotarySpeed Changes the number of rotations of the
rotary speaker effect in the JazzOrgan voice. (Pressing the pedal repeatedly toggles between fast and slow rotation speeds.)
VibeRotor Turns the vibrato of the Vibraphone
voice on and off. (Pressing the pedal repeatedly toggles between on and off.)
Off No function.
Normal Setting:
Soft (for all voices other than JazzOrgan and Vibra­Phone) Rotary Speed (JazzOrgan), Vibraphone (VibeRotor)
82 CLP-990
TIP
Optional pedals
• Yamaha FC7 foot controller
This foot controller is suitable for controlling Expression, SustainCont, and PitchBend.
• Yamaha FC4 foot controller
Yamaha FC5 foot controller These foot switches are suitable for controlling Sustain, Sostenuto, Soft, RotarySpeed, and VibeRotor.
Page 83

MIDI [MIDI SETTING]

You can make detailed MIDI settings, such as setting up MIDI transmit/receive channels.

About MIDI

MIDI (Musical Instrument Digital Interface) is a standard format for data transmission/reception. It enables the transfer of performance data and commands between MIDI devices and personal computers. Using MIDI, you can control a connected MIDI device from the Clavinova, or control the Clavinova from a con­nected MIDI device or computer.
TIP
MIDI connectors
OUTIN THRU
PC-2
PC-1
MacMIDI
MIDI
HOST SELECT
MIDI [IN]: Receives MIDI data. MIDI [OUT]: Transmits MIDI data. MIDI [THRU]: Transmits data received at the MIDI [IN] connector as it is.
TIP
Prepare dedicated MIDI cables.
MIDI performance data and commands are transferred in the form of numeric values.
Since MIDI data that can be transmitted or received var­ies depending on the type of MIDI device, check the “MIDI Implementation Chart” to find out what MIDI data and com­mands your devices can transmit or receive. The Clavi­nova’ s MIDI Implementation Chart is listed on pages 31 and 32 in the “Reference Booklet” for the CLP-990.
[TO HOST] connector
Use this connector to connect the Clavinova to a computer.
PC-2
PC-1
MacMIDI
HOST SELECT
TIP
The type connecting cable varies depending on the computer. Refer to “Connecting a Per­sonal Computer” on page 63 for more information.
TO HOST
When you are using the MIDI connectors, set the [HOST SELECT] switch to “MIDI.” (See page 63.)
TIP
When you are using the [TO HOST] connector, set the [HOST SELECT] switch cor­rectly, according to the type of computer you are using. (See page 63.)
You can also obtain detailed information about MIDI from various music magazines and books.
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MIDI [MIDI SETTING]
Procedure
Press the [MIDI SETTING] button to enter MIDI setting mode.
[MIDI SETTING]
CLP-990
MIN MAX
DEMO SONG SELECT
TRANSPOSE
MASTER VOLUME
NEW SONG
SONG BALANCE
TRACK1TRACK2EXTRA
TRACKS
START/
STOP
PAUSE
SYNCHRO START
SONG
REC
SETTING
FILE METRONOME
START/ STOP SETTING
SONG
TEMPO VOICE EFFECT
A B
UPDOWN
C D
Setting the MIDI transmit chan­nel [MidiOutChannel]
This parameter enables you to specify the channel on which the Clavinova transmits MIDI data. See the procedure on page 72.
A B
NO YES
C D
Select a voice part. Specify the channel.
Setting for:
Main, Left, Layer, Left Layer
Setting range:
Ch1 - Ch16, Off (Not transmitted.)
Normal setting:
Main — Ch1 Left — Ch2 Layer — Ch3 Left Layer— Ch4
NO YES
CONTRAST
EXIT
PIANO
E. PIANO/
HARPSI-
MALLET ORGAN STRINGS/
BASS
MAIN
LEFT
CHORD
PIANO/
HARPSI/
SPLIT
E. PIANO
MALLET
POINT
ORGAN/
STRINGS
CHOIR
BASS
VOICE
SETTING
REVERB
BRILLIANCE
CHORUS MIDI
SETTING
OTHER
SETTING
TIP
The received data is played back using the XG voices (page 6 in the “Reference Booklet” for the CLP-990). You can also assign the Clavinova’s preset voices to part of the data. (See “XG Alternative” on page 90.)
See the procedure on page 72.
A B
NO YES
C D
Select a channel. Select On or Off.
Setting for:
Ch1 - Ch16
Setting range:
On/Off
Normal setting:
On for all channels
MIDI data

Setting the MIDI receive channel (Port A) [MidiInAChannel]

This parameter enables you to specify for each channel whether the Clavinova receives data at the MIDI [IN] connector or the [TO HOST] port A (CBX driver’s port A).
84 CLP-990
MIDI IN
Port A Port B
Sound source A
Channels 1-16
Used for song playback
TO HOST
Sound source B
Channels 1-16
Used for performance
and playback
Page 85

Setting the MIDI receive channel (Port B) [MidiInAChannel]

This parameter enables you to specify for each channel whether the Clavinova receives data at the MIDI [IN] connector or the [TO HOST] port B (CBX driver’s port B).
MIDI [MIDI SETTING]
Setting range:
On/Off
Normal setting:
On
Selecting performance from the keyboard or song data for MIDI
TIP
The received data is played back using the preset voices (page 103).
See the procedure on page 72.
A B
NO YES
C D
Select a channel. Select On or Off.
Setting for:
Ch1 - Ch16
Setting range:
On/Off
Normal setting:
On for all channels

Setting Local control on/off [LocalControl]

“Local Control On” is a state in which the Clavinova produces the sound from its tone generator when you play the keyboard. In “Local Control Off” state, the keyboard and the tone generator are cut off from each other. This means that even if you play the keyboard, the Clavinova will not produce the sound. Instead, the keyboard data can be transmitted via MIDI to a con­nected MIDI device, which can produce the sound. The “Local Control Off” setting is useful when you wish to play an external sound source while playing the keys on the Clavinova. See the procedure on page 72.
A B
NO YES
transmission [MidiOutSelect]
You can select whether your performance data or song playback data (including demo songs) is sent via MIDI. See the procedure on page 72.
A B
NO YES
C D
Setting range:
Keyboard (performance data played on the keyboard) Song (song playback data)
Normal setting:
Keyboard

Selecting a type of data received via MIDI [ReceiveParameter]

This parameter enables you to specify which MIDI data the Clavinova can receive. See the procedure on page 72.
A B
NO YES
C D
Select a type of data. Select On or Off.
Type of data:
Note, Control, Program, Pitch Bend, SysEx (System Exclusive)
Setting range:
On/Off
Normal setting:
On for all types of data
C D
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MIDI [MIDI SETTING]
Selecting a type of data transmit­ted via MIDI [TransmitParameter]
This parameter enables you to specify which MIDI data the Clavinova can transmit. See the procedure on page 72.
A B
NO YES
C D
Select a type of data. Select On or Off.
Type of data:
Note, Control, Program, Pitch Bend, SystemRealTime, SysEx (System Exclusive)
Setting range:
On/Off
Normal setting:
On for all types of data

Executing song data bulk dump [SongBulkDump]

You can save current song data on the Clavinova as MIDI bulk data by transferring it to a connected MIDI data filer (such as an MDF3) or a sequencer. To play back the saved song data, send the bulk data back from the storage device to the Clavinova and follow the usual playback procedure. You can interrupt song data bulk dump transmission by pressing the B [– (NO)] button. See the procedure on page 72.

Transmitting the initial settings on the panel [InitialSetup]

You can transmit the panel data, such as voice selec­tion, to a connected sequencer. Before you record per­formance data to a connected MDF3 or sequencer, it is useful if you first send and record (at the beginning of the performance data) the panel setup data for your performance during playback. See the procedure on page 72.
A B
NO YES
C D

Executing voice data bulk dump [VoiceBulkDump]

You can transmit the voice data specified in the “Voice Setting” menu (page 78) as MIDI bulk data. You can interrupt voice data bulk dump transmission by press­ing the B [– (NO)] button. See the procedure on page 72.
A B
NO YES
C D
A B
C D
86 CLP-990
NO YES
Page 87

Other settings

You can make detailed settings for touch, tuning, scale, etc.
Procedure
Press the [OTHER SETTING] button to enter Other Setting mode.
CLP-990
MIN MAX
DEMO SONG SELECT
TRANSPOSE
MASTER VOLUME
NEW SONG
SONG BALANCE
TRACK1TRACK2EXTRA
TRACKS
START/
STOP
PAUSE
SYNCHRO START
SONG
REC
SETTING
FILE METRONOME
START/ STOP SETTING
SONG
TEMPO VOICE EFFECT
A B
UPDOWN
C D
NO YES
CONTRAST
EXIT
E. PIANO/
HARPSI-
PIANO/
E. PIANO
BASS
MALLET ORGAN STRINGS/
CHORD
HARPSI/
ORGAN/
MALLET
STRINGS
CHOIR
BASS
PIANO
MAIN
SPLIT POINT
LEFT
[OTHER SETTING]
VOICE
SETTING
CHORUS MIDI
REVERB
BRILLIANCE
SETTING
OTHER
SETTING

Selecting a touch response [TouchResponse]

You can specify a touch response (how the sound responds to the way you play the keys). See the procedure on page 72.
A B
NO YES
C D
Setting range:
Light With a soft touch, the Clavinova produces a
loud sound. The volume level of tones tends
to be consistent. Medium Standard touch response. Heavy You must hit the key very hard to generate a
loud volume. This allows for versatile expres-
sion, from pianissimo to fortissimo tones. Fixed No touch response. The volume level will be
the same regardless of how hard you play the
keys. Use the B [–]/[+] buttons to set the vol-
ume level.
Setting range of the “Fixed” volume level:
1 - 127

Fine tuning the pitch [Tune]

You can fine tune the pitch of the entire instrument. This function is useful when you play the Clavinova along with other instruments or CD music. See the procedure on page 72.
A B
NO YES
C D
Setting range:
A3=427.0Hz - 453.0Hz (0.1Hz steps)

Selecting a tuning curve for a piano voice [PianoTuningCurve]

You can select a tuning curve from “GrandPiano1” and “GrandPiano2.” Select “Flat” if you feel the tuning curve of the piano voice does not quite match that of other instruments voices. See the procedure on page 72.
A B
NO YES
C D
Setting range:
Stretch Tuning curve particularly for pianos Flat Tuning curve in which the frequency is
octave doubled over the entire keyboard range
CLP-990 87
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Other settings

Selecting a scale [Scale]

You can select various scales. Equal Temperament is the most common contempo­rary piano tuning scale. However, history has known numerous other scales, many of which serve as the basis for certain genres of music. You can experience the tunings of these genres. See the procedure on page 72.
A B
NO YES
C D
Setting range:
Equal One octave is divided into twelve equal inter-
vals. Currently most popular piano tuning scale.
PureMajor/PureMinor
Based on natural overtones, three major chords using these scales produce a beautiful, pure sound. They are sometimes used for chorus parts.
Pythagorean
This scale, designed by Pythagoras, a Greek philosopher, is composed of only five pitches. The 3rd produces swells, but the 4th and 5th are beautiful and suitable for some leads.
MeanTone
This scale is an improvement of the Pythagorean in that the swell of the 3rd has been eliminated. It spread during the late 16th century through the late 18th century. Handel used this scale.
WerckMeister/KirnBerger
These scales combine Mean Tone and Pythagorean in different ways. With these scales, modulation changes the impression and feel of the songs. They were often used in the era of Bach and Beethoven. They are also often used now to reproduce the music of that era on harpsichords.
Normal setting:
Equal
If you select a scale other than Equal, you need to spec­ify the root note using the B [–]/[+] buttons.
A B
NO YES
C D
Setting range:
C, CI, D, Eb, E, F, FI, G, Ab, A, Bb, B

Depth of string resonance [StringResonanceDepth]

This parameter is effective only on “GrandPiano1.” See the procedure on page 72.
A B
NO YES
C D
Setting range:
1 - 10, Off
Depth of sustain sampling for the damper pedal [SustainSam­plingDepth]
This parameter is effective only on “GrandPiano1.” See the procedure on page 72.
A B
NO YES
C D
Setting range:
1 - 10, Off
88 CLP-990
Page 89
Other settings
Setting the speed of vibraphone’s vibrato effect [VibraphoneRotor­Speed]
This parameter enables you to set the speed of vibrato when you select the Vibraphone voice and use a vibe rotor pedal. See the procedure on page 72.
A B
NO YES
C D
Setting range:
1 - 10, Off

Selecting a pedal function for vibraphone [VibraphonePedalMode]

This parameter enables you to select whether the sound is sustained while you press the keys on the key­board (“PianoLike”) or the sound is sustained only while you press and hold down the sustain pedal, like playing a real vibraphone (“Normal”). See the procedure on page 72.
A B
NO YES
C D
Setting range:
PianoLike, Normal
Normal setting:
PianoLike
Assigning the START/PAUSE func­tion to a pedal [PedalStart/ Pause]
TIP
If you assign the START/PA USE function to a pedal and turn the function On, the pedal function assigned to the pedal in the Voice Setting menu (pages 81 and 82) is disabled.
See the procedure on page 72.
A B
NO YES
C D
Select a pedal to assign the function. Set to On or Off.
Setting for:
Left, Middle, AUX
Setting range:
On/Off
Normal setting:
Off for all pedals

Selecting a type of auxiliary pedal [AuxPedalType]

A pedal connected to the [AUX PEDAL] connector may switch on and off differently. For example, some pedals turn on the effects and others turn them off when you press them. Use this parameter to reverse this mechanism. See the procedure on page 72.
A B
NO YES
C D
Setting range:
Make, Break
CLP-990 89
Page 90
Other settings

Setting the point at which the damper pedal starts to affect the sound [HalfPedalPoint]

You can specify how far down you should press on the right pedal until the damper effect (page 31) starts working. This setting is effective when the right pedal function (page 81) is set to either SustainCont or Sus­tain. See the procedure on page 72.
A B
NO YES
C D
Setting range:
–2 (effective with the shallowest press) - 0 - +2 (effec­tive with the deepest press)

Pitch bend range [PitchBendRange]

This parameter enables you to set the range of continu­ous pitch change made by the Pitch Bend function.
• This parameter is effective only on the keyboard
performance sound.
• You can set the range in semitone steps. See the procedure on page 72.
Replacing the XG voices with pre­set voices [XGAlternative]
The CLP-990 provides the XG tone generator for the purpose of playing GM, XG, or DOC music data (page 60). You can replace some XG voices with the preset voices on the panel for playback. This parameter enables you to select “Native” (using the preset voices) or “XG” (using the XG voices). See the procedure on page 72.
A B
NO YES
C D
Select the desired item. Select on or off.
Setting for:
All preset voices on the panel
Setting range:
Native Using the preset voices XG Using the XG voices
Normal setting:
GrandPiano1 Native (using the preset voices) Other voices XG (using the XG voices)
A B
NO YES
C D
Setting range:
–12 (Pitch is lowered by 12 semitones [one octave] when you press the pedal.) - +12 (Pitch is raised by 12 semitones [one octave] when you press the pedal.)
Normal setting:
–2
90 CLP-990
Page 91
Other settings
Selecting items saved at shut­down [MemoryBackUp]
You can back up some settings, such as voice selection and metronome setting, so that they will not be lost after you turn off the power to the Clavinova.
• Memory songs (saved in the Clavinova’s memory),
the backup on/off setting (this parameter setting), and the “CharacterCode” parameter setting (page 56) are always backed up.
See the procedure on page 72.
A B
NO YES
C D
Select the desired item. Select on or off.
Setting for:
Transpose, Brilliance, ReverbOnOff, SplitPoint, Main/ LeftVoice, MetronomeSetting, SongSetting, SongBal­ance, MidiSetting, and OtherSetting
Setting range:
On/Off
Normal setting:
The Transpose, Main/LeftVoice, and MetronomeSet­ting parameters are set to Off. Other parameters are set to On.

Restoring the normal (default) settings [FactorySet]

You can reset the Clavinova to its normal (factory default) settings.
• The CharacterCode parameter setting in the File menu does not change.
• The MemoryBackUp parameter setting (On/Off) (left column) is reset to the normal setting.
• You can specify whether the memory songs are erased or kept.
See the procedure on page 72.
Reset the Clavinova.
A B
NO YES
C D
Select a value for memory songs.
Selecting for “MemorySong”:
MemorySongExcluded Memory songs are kept. MemorySongIncluded Memory songs are erased.

Other method for restoring the normal settings

Press and hold down the white key on the right end (C7) and press the [POWER] switch to turn on the power to the Clavinova. In this case, the Memory songs saved in the storage memory are not erased. If you wish to erase Memory songs at this time, press and hold down the right-most white key (C7) and black key (B on the power to the Clavinova.
b
6) and press the [POWER] switch to turn
CONTRASTB
YES
NO
EXIT
D
ORGAN
MALLET
E. PIANO/
PIANO
HARPSI-
BASS
CHORD
MAIN
SPLIT
PIANO/
ORGAN/
HARPSI/
POINT
E. PIANO
STRINGS
MALLET
LEFT
VOICE
MIDI
CHORUSREVERBSTRINGS/
SETTING
CHOIR
VOICE
OTHER
BRILLIANCE
BASS
SETTING
SETTING
EFFECT
B 6
POWER
C7
[POWER]
CLP-990 91
Page 92

Message List

The messages are listed in alphabetical order.
Message Meaning
This message is displayed following the message “BulkDataReceiving Song/ Voice.” Receiving bulk data is complete. After this message appears, you can proceed to the next step.
Receiving bulk data has failed. Check the parameter settings and try again.
The Clavinova is receiving the song bulk data while this message is dis­played. Wait until the message disappears, then proceed to the next step.
The Clavinova is receiving the voice setting bulk data while this message is displayed. Wait until the message disappears, then proceed to the next step.
You have cancelled the “SongBulkDump” (page 86) or “VoiceBulkDump” (page 86) transmission by pressing the B [–(NO)] button.
This message is displayed following the message “Executing.” The Clavi­nova’s internal processing is complete. You may proceed to the next step.
Writing or reading data from the disk has failed. Try again. If you still see this message, the disk may be damaged or the disk drive may have malfunc­tion. If you see this message while using a brand new disk, it is more likely that the disk drive is malfunctioning. Ask your Yamaha dealer for repair.
The floppy disk space is full and can no longer record data. Use a new disk (page 53) or delete unnecessary files from the disk (page 53) to make room for new data.
You attempted to eject a floppy disk from the disk drive while the drive was writing or reading. The writing or reading operation is not complete yet. Try it again.
92 CLP-990
Page 93
Message Meaning
You tried to save a song by changing its title (using the “RenameSong” (page
54), “SaveToMemory” (page 52), or “SaveToDisk” (page 53) parameter), but a song with the same name already exists in memory or on the floppy disk. Three seconds after this message appears, the previous screen is restored. Rename the song.
This message prompts you to execute a file-related operation. Press the B [+ (YES)] button to proceed, or press the [EXIT] button to cancel.
The Clavinova is processing the data internally. Wait until the message dis­appears, then proceed to the next step.
Message List
The normal (factory default) settings (except for the memory song setting) (“FactorySet” on page 91) have been restored. This message also appears if you press and hold down the C7 key and turn on the power to the Clavinova (page 91).
The normal (factory default) settings (including the memory song setting) (“FactorySet” on page 91) have been restored. This message also appears if you press and hold down the C7 and B
b
6 keys and turn on the power to the
Clavinova (page 91).
The Clavinova’s flash memory (storage memory) has expired. Consult your Yamaha dealer. If this message appears, the Clavinova will not back up the songs and settings in memory. Press the [EXIT] button to return to the pre­vious screen.
In the CopyDisk operation (page 55), the copy source disk has not been inserted to the disk drive. Insert the disk.
In the CopyDisk operation (page 55), the copy destination disk has not been inserted into the disk drive. Insert the disk.
You turned off the power to the Clavinova while it was writing a song to storage memory. This message appears next time you turn on the power. The Clavinova checks if the contents of storage memory can be recovered.
This message appears following the message “LastPowerOffIllegalMemo­rySongChecking,” indicating that the Clavinova recovered data in the stor­age memory as much as possible.
CLP-990 93
Page 94
Message List
Message Meaning
This message appears following the message “LastPowerOffIllegalMemo­rySongChecking,” indicating that the Clavinova could not recover data in the storage memory and that all memory songs were deleted.
There is not enough memory space left and you cannot save any more songs. Save songs to a floppy disk (page 53) or delete some songs in the storage memory, then save new data to memory.
A floppy disk has not been inserted into the disk drive for a disk-related operation. Insert the disk and continue.
You tried to delete a song that does not exist in the storage memory or on disk. You cannot delete the song.
This message prompts you to select whether you wish to overwrite the exist­ing data with new data when you add recordings to a song. Press the B [+ (YES)] button to allow overwriting. Press the B [– (NO)] button to cancel.
You tried to start playing a song or perform another operation right after you select the song. Wait until the message disappears.
1. You tried to write, copy, or delete data on a disk that has its “write pro­tect” tab on, or a disk that is internally protected against writing. Set the protect tab to off (unprotected) (page 14) and try again. If you still see this message, the disk is internally protected (such as commercially avail­able music data). You cannot write or copy to such a disk.
2. This message also appears when you try to copy data on an internally­protected disk onto another disk using the CopyDisk function (page 55). You cannot duplicate such a disk.
You tried to copy or delete data in internally-protected files (such as com­mercially available music data). You cannot write to, copy, or delete such files.
94 CLP-990
Page 95
Message Meaning
1. After you load an internally-protected song into the Clavinova’s Current memory or storage memory, you tried to save the song to a floppy disk. You cannot save such a song to another disk. You cannot write or copy to such a disk.
2. This message also appears if you try to transmit bulk data (page 86) of an internally-protected song (such as commercially available music data). You cannot transmit bulk data of such songs.
This message prompts you to select whether you wish to save the edited set­tings. Press the B [+ (YES)] button to save the settings. Press the [EXIT] but­ton to cancel.
Message List
You tried to perform another operation before saving the recorded song to storage memory or a floppy disk. If you continue the operation, the recorded song will be lost. To delete the new recording, press the B [– (NO)] button. To keep the recording, press the B [+ (YES)] button. The Clavinova displays the “SaveToMemory” (page 52) or “SaveToDisk” (page 53) parame­ter screen. If necessary, select “SaveToMemory” or “SaveToDisk” accordingly and save the recorded song, then proceed to another operation.
The Clavinova has found some defects in the selected (or playing) song. Select the song and play it again. If you still see this message, the song data may be damaged.
The Current memory space is full during recording. Recording stops auto­matically. The data recorded up to that point remains. This message also appears when you try to enter recording mode to make an additional recording but the song data already fills the Current memory. In this case, you cannot make an additional recording. Use the “ChannelClear” parame­ter (page 75) to delete unnecessary tracks (if any) to make more room in memory.
The size of the selected song is larger than the Current memory (page 97). The CLP-990 cannot read the song. Select another song.
This message prompts you to start the operation. To start, press the B [+ (YES)] button. Press the [EXIT] button to cancel the operation.
CLP-990 95
Page 96
Message List
Message Meaning
This message prompts you to confirm the execution. Press the B [+ (YES)] button to continue. Press the B [– (NO)] button to cancel.
There is a malfunction with the TO HOST connector.
When you are using the CLP-990 with a connected computer:
The power to the computer is turned off, the cables are connected incor­rectly, the [HOST SELECT] switch is set incorrectly, or the driver or MIDI application on the computer works incorrectly. Turn off the power to the CLP-990 and the computer, then check the cable connections and the [HOST SELECT] switch setting. Then, turn on the power to the computer and the CLP-990 in this order and check to see if the driver and MIDI appli­cation on the computer work properly.
When you are using only the CLP-990:
This message appears if a cable is connected to the TO HOST connector on the CLP-990. In this case, turn off the power to the CLP-990, remove the cable from the TO HOST connector, then turn on the power to the CLP-990. If the cable is left connected to the TO HOST connector, the CLP-990 may not work correctly.
You tried to perform a file- or disk-related operation using an unformatted disk. Eject the disk, format it using the “FormatDisk” parameter (page 56), and try again.
You tried to perform a file- or disk-related operation using an unformatted disk. To cancel the operation, press the B [– (NO)] button. To format the disk and try again, press the B [+ (YES)] button to display the “FormatDisk” parameter (page 56).
You tried to copy data to a different type of disk (e.x.: 2DD 2HD
2DD) during the CopyDisk operation (page 55). Eject the disk and
insert an appropriate disk.
You used a period or space at the beginning of a song name or you tried to change a song name that includes a character (or characters) not supported by the CLP-990, and the CLP-990 could not process the name. The Clavi­nova displays the previous screen in three seconds. Rename the song cor­rectly.
2HD,
96 CLP-990
Page 97

Questions about Operations and Functions

The buttons do not respond.
While you are using a function, some buttons not used for the function are disabled. If the song is playing, stop the playback. Otherwise, press the [EXIT] button to return to the main screen. Then, perform the desired operation.
The sound sustains and does not decay when I press the sostenuto pedal.
With the voices in the ORGAN or STRINGS/ CHOIR group, the sound continues sustaining while you are holding down the sostenuto pedal.
Higher or lower notes does not sound correctly
when the transpose or octave setting is made.
The setting range for the transposition and octave setting is C2 - G8. (With the normal setting, the Clavinova’s 88 keys covers the range of A1 - C7.) If the lowest key is set to a note lower than C2, it will produce a sound one octave higher. If the highest key is set to a note higher than G8, it will produce a sound one octave lower.
How can I return to the recording or song select screen during song recording or playback?
Press one of the SONG SELECT [ ] and [ ] buttons once.
The tempo does not change even though I
recorded with tempo changes.
Depending on the timing of tempo changes, the changed tempo may not be recorded. In this case, the recording will be played back at the original tempo. Make tempo changes when the recording track is selected and a red track indicator is flashing. The same trick applies to editing the tempo after record­ing.
Performance in Dual or Split mode is not recorded. Track data is lost unexpectedly.
For Dual or Split mode recording, the recording track for the second voice (that is, the voice for the left-hand part) is automatically assigned (page 48). Therefore, if the track already has data, the data will be overwritten during recording. Also, switching to Dual mode or Split mode in the middle of the song is not recorded. Therefore, the notes you played with the second voice (or the notes lower than the Split point) are not recorded.
What type of data is recorded?
Data recorded in the tracks:
• Note data (notes you play)
• Voice selection
• Clavinova pedals and external pedals on/off
• Reverb depth “ReverbSend”
• Chorus depth “ChorusSend”
• Variation effect depth “VariationSend”
• Voice octave setting “Octave”
• Voice volume level “Volume”
• Stereo image of each voice “Pan”
• Fine tuning of two voice pitch (Dual mode) “Detune”
• Volume level changes for each voice with response to the way you play “TouchSense”
Data recorded globally in all tracks:
•Tempo
• Time signature
•Reverb type
• Chorus type
• Variation effect type
You can change all data except for note data after record­ing. You can change the time signature at the beginning of the song, or at a position in the song to which you move, by using the B [–]/[+] buttons while the song is stopped.
CLP-990 97
Page 98
Questions about Operations and Functions
I cannot change the key signature in the song
after recording.
Press the [STOP] button to locate the top of the song, use the B [–]/[+] buttons to locate the mea­sure in which you wish to change the key signature, then change it.
How much data can I record?
• Current memory (page 50): About 600KB
• Storage memory (page 50): About 750KB
• 2DD floppy disk (page 13): about 720KB
• 2HD floppy disk (page 13): about 1.4MB
The on/off setting of the pedal connected to the AUX PEDAL jack is reversed.
Some types of pedals may turn on and off in oppo­site fashion. Use the “AuxPedalType” parameter (page 89) in the “OTHER SETTING” menu to change the external pedal setting.
The song title is not correct.
The “CharacterCode” setting may be different than that used when you named the song. Also, if the song was recorded on another instrument, the title might be displayed incorrectly. Use the “Character­Code” parameter (page 56) in the FILE menu to change the setting. However, if the song was recorded on another instrument, changing the “CharacterCode” parameter setting may not resolve the problem.
What is the difference between “TouchSense” and “TouchResponse” MIDI data?
“TouchSense” determines the manner and degree to which the volume level changes in response to your touch on the keyboard. It causes MIDI exclu­sive data (that controls the tone generator) to be output. “TouchResponse” determines the touch sensitivity as an instrument and causes MIDI note-on velocity data to be output.
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Appendix
CLP-990 99
CLP-990 99
Page 100

Troubleshooting

Problem Cause Solution
The Clavinova does not turn on.
A click or pop is heard when the power is turned on or off.
Noise is heard from the Clavinova’s speakers.
The overall volume is low, or no sound is heard.
The pitch and/or tone of the piano voices in certain ranges do not sound right.
Mechanical noise is heard during performance.
The Clavinova has not been plugged in properly.
Electrical current is being applied to the instrument.
The noise may be due to interfer­ence caused by the use of a mobile phone in close proximity to the Clavinova.
The [MASTER VOLUME] is set too low.
Headphones are connected. The Local Control function is turned
off. The Clavinova’s piano voices
attempt to precisely simulate actual piano sounds. However, as a result of sampling algorithms, overtones in some ranges may sound exag­gerated, producing a somewhat dif­ferent pitch or tone.
The Clavinova’s keyboard mecha­nism simulates the keyboard mech­anism of a piano. Mechanical noise is also heard on a piano.
Securely insert the female plug into the socket on the Clavinova, and the male plug into a proper AC out­let. (See page 19.)
This is normal, and is no cause for concern.
Turn off the mobile phone, or use it further away from the Clavinova.
Raise the [MASTER VOLUME] level. (See page 20.)
Unplug the headphones. (See page
20.) Turn the Local Control function on.
(See page 85.)
This is normal.
This is normal.
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