Make sure that your local AC mains voltage matches the voltage specified on the name plate on the bottom panel. In some
areas a voltage selector may be provided on the bottom panel
of the main keyboard unit near the power cord. Make sure that
the voltage selector is set for the voltage in your area. The
voltage selector is set at 240V when the unit is initially
shipped. To change the setting use a “minus” screwdriver to
rotate the selector dial so that the correct voltage appears next
to the pointer on the panel.
SPECIAL MESSAGE SECTION
PRODUCT SAFETY MARKINGS: Yamaha electronic
products may have either labels similar to the graphics
shown below or molded/stamped facsimiles of these
graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
See bottom of Keyboard enclosure for graphic symbol markings
The exclamation point within the equilateral triangle is intended to alert the
user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
Battery Notice: This product MAY contain a small nonrechargable battery which (if applicable) is soldered in
place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.
Warning: Do not attempt to recharge, disassemble, or
incinerate this type of battery. Keep all batteries away
from children. Dispose of used batteries promptly and as
regulated by applicable laws. Note: In some areas, the
servicer is required by law to return the defective parts.
However, you do have the option of having the servicer
dispose of these parts for you.
Disposal Notice: Should this product become damaged
beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and
federal regulations that relate to the disposal of products
that contain lead, batteries, plastics, etc.
NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the
unit is operating as designed) are not covered by the
manufacturer’s warranty, and are therefore the owners
responsibility. Please study this manual carefully and consult your dealer before requesting service.
The lightning flash with arrowhead
symbol, within the equilateral triangle,
is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that
may be of sufficient magnitude to constitute a risk of electrical shock.
IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety
testing laboratory in order that you may be sure that when
it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated.
DO NOT modify this unit or commission others to do so
unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished.
Claims filed under the expressed warranty may be denied
if the unit is/has been modified. Implied warranties may
also be affected.
SPECIFICATIONS SUBJECT TO CHANGE: The
information contained in this manual is believed to be
correct at the time of printing. However, Yamaha reserves
the right to change or modify any of the specifications
without notice or obligation to update existing units.
NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number,
serial number, power requirements, etc., are located on
this plate. You should record the model number, serial
number, and the date of purchase in the spaces provided
below and retain this manual as a permanent record of
your purchase.
CLP-860/860M
CLP-880/880M/880PE
CLP-840
CLP-820
ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally
friendly. We sincerely believe that our products and the
production methods used to produce them, meet these
goals. In keeping with both the letter and the spirit of the
law, we want you to be aware of the following:
92-469 1
CLP-820S
Model _____________________________________
Serial No. __________________________________
Purchase Date ______________________________
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep these precautions in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock,
short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
• Do not open the instrument or attempt to disassemble the internal parts or
modify them in any way. The instrument contains no user-serviceable parts.
If it should appear to be malfunctioning, discontinue use immediately and
have it inspected by qualified Yamaha service personnel.
• Do not expose the instrument to rain, use it near water or in damp or wet
conditions, or place containers on it containing liquids which might spill
into any openings.
• If the power cord or plug becomes frayed or damaged, or if there is a sudden
loss of sound during use of the instrument, or if any unusual smells or
smoke should appear to be caused by it, immediately turn off the power
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the
instrument or other property. These precautions include, but are not limited to, the following:
switch, disconnect the electric plug from the outlet, and have the instrument
inspected by qualified Yamaha service personnel.
• Only use the voltage specified as correct for the instrument. The required
voltage is printed on the name plate of the instrument.
• Before cleaning the instrument, always remove the electric plug from the
outlet. Never insert or remove an electric plug with wet hands.
• Check the electric plug periodically and remove any dirt or dust which may
have accumulated on it.
• Do not place the power cord near heat sources such as heaters or radiators,
and do not excessively bend or otherwise damage the cord, place heavy
objects on it, or place it in a position where anyone could walk on, trip over,
or roll anything over it.
• When removing the electric plug from the instrument or an outlet, always
hold the plug itself and not the cord. Pulling by the cord can damage it.
• Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.
• Remove the electric plug from the outlet when the instrument is not to be
used for extended periods of time, or during electrical storms.
•
Before connecting the instrument to other electronic components, turn off the
power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of
all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
• Do not expose the instrument to excessive dust or vibrations, or extreme
cold or heat (such as in direct sunlight, near a heater, or in a car during the
day) to prevent the possibility of panel disfiguration or damage to the internal components.
• Do not use the instrument near other electrical products such as televisions,
radios, or speakers, since this might cause interference which can affect
proper operation of the other products.
• Do not place the instrument in an unstable position where it might accidentally fall over.
• Before moving the instrument, remove all connected cables.
• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners,
solvents, cleaning fluids, or chemical-impregnated wiping cloths. Also, do
not place vinyl, plastic or rubber objects on the instrument, since this might
discolor the panel or keyboard.
•
On the CLP-880PE, gently remove dust and dirt with a soft cloth. Do not wipe
too hard since small particles of dirt can scratch the instrument’s finish.
• On the CLP-880PE, bumping the surface of the instrument with metal, porcelain, or other hard objects can cause the finish to crack or peel. Use caution.
• Do not rest your weight on, or place heavy objects on the instrument, and do
not use excessive force on the buttons, switches or connectors.
(1)B-6vari.
• (For instruments with a key cover) Take care that the key cover does not
pinch your fingers, and do not insert a finger or hand in the key cover gap.
• (For instruments with a key cover) Never insert or drop paper or metallic or
other objects between the slits of the key cover and the keyboard. If this
happens, immediately turn off the power and remove the electric plug from
the outlet and have the instrument inspected by qualified Yamaha service
personnel.
• Do not place the instrument against a wall (allow at least 3 cm/one-inch
from the wall), since this can cause inadequate air circulation, and possibly result in the instrument overheating.
• Read carefully the attached documentation explaining the assembly process. Failure to assemble the instrument in the proper sequence might
result in damage to the instrument or even injury.
• Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If
you experience any hearing loss or ringing in the ears, consult a physician.
■USING THE BENCH (if included)
• Do not play carelessly with or stand on the bench. Using it as a tool or
step-ladder or for any other purpose might result in accident or injury.
• Only one person should sit on the bench at a time, in order to prevent the
possibility of accident or injury.
• (For height-adjustable benches) Do not attempt to adjust the bench height
while sitting on the bench, since this can cause excessive force to be imposed on the adjustment mechanism, possibly resulting in damage to the
mechanism or even injury.
• If the bench screws become loose due to extensive long-term use, tighten
them periodically using the included tool.
■SAVING USER DATA
• Save all data to an external device such as the Yamaha MIDI Data Filer MDF3,
in order to help prevent the loss of important data due to a malfunction or
user operating error.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
CLP-880/860/840/820/820S
3
Introduction
Thank you for choosing a Yamaha Clavinova. Your Clavinova is a fine musical instrument that employs
advanced Yamaha music technology. With the proper care, your Clavinova will give you many years of
musical pleasure.
● Stereo sampling of the acoustic piano voices offers unmatched realism and expressive
power, while the AWM (Advanced Wave Memory) tone generator system offers rich,
realistic reproductions of all other voices.
● Piano-like touch response — adjustable in 4 stages — provides extensive expressive
control and outstanding playability.
● Dual mode allows 2 voices to be played simultaneously.
● Split mode (CLP-880/860) allows different voices to be played by the left and right
hands.
● On the CLP-880/860, damper pedal includes natural resonance effect for the piano
voices, simulating the string and sound-board resonance of acoustic pianos.
● Metronome feature with variable tempo facilitates practice.
● 2-track digital recorder lets you record and play back anything you play on the key-
board.
● MIDI compatibility and a range of MIDI functions make the Clavinova useful in a range
of advanced MIDI music systems.
● Built-in computer interface for direct connection to personal computers running advanced music software.
In order to make the most of your Clavinova’s performance potential and features, we urge you to read
this Owner’s Manual thoroughly, and keep it in a safe place for later reference.
*The models CLP-880M, CLP-880PE and CLP-860M will be referred to as the CLP-880 and CLP-860 in this
Owner’s Manual.
Included Accessories
● Owner’s Manual
● Bench (included or optional depending on locale)
CLP-880/860/840/820/820S
4
● Dust Cover (CLP-820S only)
Contents
The Control Panel ..........................................................6
Key Cover & Music Stand .............................................. 8
power ON, a second time to turn the power OFF.
When the power is initially turned ON, a voice
selector LED will light, and the power indicator
located below the left end of the keyboard will light
(except for CLP-820S).
2 [MASTER VOLUME] Control
The [MASTER VOLUME] control adjusts the
volume (level) of sound produced by the Clavinova’s
internal stereo sound system. The [MASTERVOLUME] control also adjusts headphone volume
1
CLASSICAL
ROCK
JAZZ
GRAND
PIANO
PIANO
PIANO
E. PIANO 1 E. PIANO 2
PIANO
CHORUS
HARD
SYMPHONIC
MEDIUM
TREMOLO
SOFT
DELAY
EFFECT
PIPE
CHURCH
JAZZ
HARPSI-
ORGAN
ORGAN
ORGAN BASS
CHORD
STRINGS
TOUCH
VARIATION SPLIT
METRONOME
RECORDER
PIANO
2
1
SONG
FUNCTION
SONG
START
/
TEMPO
FUNCTION
REC
SELECT
STOP
–
/ NO+ / YES
STEREO SAMPLING
CLP-
880
POWER
D6 E6 F6 G6 A6 B6 C7
CLP-880
when a pair of headphones is plugged into the
PHONES jack (page 10).
3 [BRILLIANCE] Control (CLP-880/860/840)
The [BRILLIANCE] Control adjusts the tonality
or “timbre” of the output sound from a mellow tone
to a bright tone.
4 [DEMO] Button
Activates the demo playback mode in which you
can select playback of different demonstration
sequences for each of the Clavinova’s voices. See
page 12 for details.
CLP-880/860/840/820/820S
6
The Control Panel
5 [TRANSPOSE] Button
The [TRANSPOSE] button allows access to the
Clavinova’s TRANSPOSE function (to shift the
pitch of the entire keyboard up or down in semitone
intervals).
6 [REVERB] Button
The [REVERB] button selects a number of
digital reverb effects that you can use for extra depth
and expressive power. See page 18 for details.
7 [EFFECT] Button (CLP-880/860/840)
This button selects a number of effects which can
give your sound greater depth and animation.
8 [TOUCH] Button
The [TOUCH] button makes it easy to adjust the
touch response of the Clavinova to match your
playing style. See page 21 for details.
9 Voice Selectors & [VARIATION] Button
Simply press any of the voice selectors to select
the corresponding voice. The voice selector LED
will light to indicate which voice is currently selected. Press the [VARIATION] button so that its
indicator lights to select a variation of the currently
selected voice.
There is also a dual mode in which two voices
can be played simultaneously across the full range of
the keyboard (see page 16 for details), and a split
mode on the CLP-880/860 which allows different
voices to be played by the left and right hands (see
page 17 for details).
0 [SPLIT] Button (CLP-880/860)
Engages the split mode, in which different voices
can be played on the left- and right-hand sections of
the keyboard. See page 17 for details.
! [METRONOME] Button
Turns the metronome sound on and off. The
[TEMPO ▼/▲] buttons, below, are used to set the
tempo of the metronome sound. The [–/NO] and [+/YES] buttons are used to change the time signature
(beat) of the metronome if used while the [METRO-NOME] button is held — page 23.
corder function. The tempo range is from 32 to 280
beats per minute — page 23. These same buttons are
also used to select functions — page 27.
# [FUNCTION] Button
This button accesses a range of utility functions
— including the MIDI functions — that significantly
enhance versatility and playability. See page 27 for
details.
$ [PIANO SONG] Button
This button enters the Piano Song Mode. While
in this mode you can use the [SONG SELECT ▼/▲] buttons to select from 50 songs.
% [SONG SELECT ▼/▲] (–/NO, +/YES) Buttons
These buttons select a piano song number for
playback, and are also used to adjust a range of other
parameters (i.e. their “–/NO” and “+/YES” functions).
^ RECORDER [START/STOP] and [REC] But-
tons
These buttons control the Clavinova’s recorder,
letting you record and play back just about anything
you play on the keyboard.
& RECORDER [1] and [2] Buttons
The Clavinova has a 2-track recorder, and these
buttons are used to select the track(s) to be recorded
or played back. See page 24 for details.
* Pedals
The soft (left), sostenuto (center) and damper
(right) pedals (soft/sostenuto [left] and damper
[right] in the case of the CLP-820S) provide a range
of expressive control capabilities similar to the pedal
functions on an acoustic piano. See page 20 for
details.
CLP-880/860/840/820CLP-820S
*
*
@ [TEMPO▼/▲] (FUNCTION </>) Buttons
These buttons adjust the tempo of the metronome
function as well as the playback tempo of the re-
Soft pedal
Sostenuto pedal
Damper pedal
Damper pedal
Soft/Sostenuto pedal
CLP-880/860/840/820/820S
7
Key Cover & Music Stand
Be careful to avoid catching your
fingers when opening or closing
the cover.
Be careful to avoid catching your
fingers when opening or closing
the cover.
• Hold the cover with both hands when moving it, and do not release it until it is fully opened or
closed. Be careful to avoid catching fingers (yours or others) between the cover and main unit.
• Do not place objects on top of the key cover. Small objects placed on the key cover may fall inside
the main unit when the cover is opened and may not be able to be removed. This could cause
electric shock, short circuit, fire or other serious damage to the instrument.
ZPull the stand up and toward yourself as far as it will go.
XFlip down the two metal supports at the left and the right on the rear
of the music stand.
CLower the music stand so that it rests on the metal supports.
As shown in the illustration, the angle of the music stand can be set in one
of three positions, according to the position of the metal supports. Set the left
and right metal supports to the same position.
To lower the music stand:
ZPull the music stand toward yourself as far as it will go.
XRaise the two metal supports (at the rear of the stand).
CGently lower the music stand backward until it is all the way down.
• Do not try to use the music stand in a half-raised position.
When lowering the stand, do not release your hands from the music stand
until it is all the way down.
These jacks are intended for use with an external tone generator module
such as the Yamaha DOU-10 Disk Orchestra Unit. The stereo outputs from
the external tone generator module are connected to the AUX IN L/L+R
and R jacks, allowing the sound of the tone generator to be reproduced via
the Clavinova’s internal sound system and speakers. A line-level mono
source can be connected to the L/L+R jack.
• The input signal from the AUX IN jacks is controlled by the Clavinova’s volume
and brilliance (CLP-880/860/840) controls. Reverb and effect (CLP-880/860/
840) functions will have no affect.
• The input signal from the AUX IN jacks is delivered to the AUX OUT jacks.
2 AUX OUT L/L+R and R Jacks
The AUX OUT L/L+R and R jacks deliver the output of the Clavino va for
connection to an instrument amplifier, mixing console, PA system, or recording
equipment. If you will be connecting the Clavinova to a monaural sound
system, use only the L/L+R jack. When a plug is inserted into the L/L+R jack
only , the left- and right-channel signals are combined and delivered via the L/
L+R jack so you don’t lose any of the Clavinova’s sound.
• The AUX OUT jack signal must never be returned to the AUX IN jacks, either
directly or through external equipment.
• The AUX OUT jack signal is not controlled by the Clavinova’s volume control.
Use the volume control on the external audio equipment to adjust the level.
MIDI
INOUTTHRU
Tone Generator
DOU-10
HOST SELECTTO HOST
PC-2 PC-1
MIDI
Mac
Personal Computer
3 PEDAL Jack
This terminal is for connecting the pedal cord from the pedal box (refer
to the “Keyboard Stand Assembly” on pages 48-67).
4 MIDI IN, THRU and OUT Connectors
The MIDI IN connector receives MIDI data from an external MIDI
device (such as the DOU-10 Disk Orchestra Unit) which can be used to
control the Clavinova. The MIDI THRU connector re-transmits any data
received at the MIDI IN connector, allowing “chaining” of several MIDI
instruments or other devices. The MIDI OUT connector transmits MIDI
data generated by the Clavinova (e.g. note and velocity data produced by
playing the Clavinova keyboard).
More details on MIDI are given in “MIDI Functions” on page 34.
5 TO HOST Connector & HOST SELECT Switch
This jack and selector switch allow direct connection to a personal
computer for sequencing and other music applications — without the need
for a separate MIDI interface. See page 38 for details.
● PHONES Jacks
(Bottom Panel)
Two sets of standard stereo headphones can be plugged in here for
private practice or late-night playing. The internal speaker system is automatically shut off when a pair of headphones is plugged into either of the
PHONES jacks.
Turn Power On..................................................................................................
After making sure that the Clavinova’s AC cord is properly plugged
POWER
into the Clavinova itself and plugged into a convenient AC wall outlet,
press the [POWER] switch located to the right of the keyboard to turn
the power ON. In some areas a plug adaptor may be provided to match
the pin configuration of the AC wall outlets in your area.
When the power is turned ON, one of the voice selector LEDs will
light, and the power indicator located below the left end of the keyboard will light (except for CLP-820S).
CLP-880
GRAND
PIANO
HARPSI-
CHORD
CLASSICAL
PIANO
STRINGS
MASTER
VOLUME
JAZZ
PIANO
PIPE
ORGAN
MAX
MIN
ROCK
PIANO
CHURCH
ORGAN
E. PIANO 1 E. PIANO 2
JAZZ
ORGAN
BASS
Set the Volume..................................................................................................
Initially set the [MASTER VOLUME] control about half way
between the “MIN” and “MAX” settings. Then, when you start playing,
re-adjust the [MASTER VOLUME] control for the most comfortable
listening level.
Select a Voice.....................................................................................................
Select the desired voice by pressing one of the voice selectors. Use
the [VARIATION] button to select a variation of the current voice, as
required.
The Clavinova also offers keyboard touch response, so the volume
and timbre of notes played can be controlled according to how “hard”
you play the keys. The amount of varia tion available depends on the
selected voice.
Add Effects As Required.......................................................................
You can add or change reverb, effects (CLP-880/860/840) and
brilliance (CLP-880/860/840) as desired by using the [REVERB]
button (page 18), [EFFECT] button (page 19) and the [BRIL-LIANCE] control (page 19).
CLP-880/860/840/820/820S
11
Playing the Demonstration Tunes
Demonstration tunes are provided that effectively demonstrate each of the
Clavinova’s voices. There are also 50 piano songs that you can play individually,
all in sequence, or in random order. Here’s how you can select and play the
demo tunes.
NOTE
• The demo or piano song mode cannot be engaged while the recorder (page 24) is in use.
• No MIDI reception occurs in the demo/piano song mode.
• The demo/piano song data is not transmitted via the MIDI connectors.
* See page 41 for a complete listing of the demo tunes.
Voice Demo
CLP-880
GRAND
PIANO
HARPSI-
CHORD
CLASSICAL
PIANO
STRINGS
JAZZ
PIANO
PIPE
ORGAN
DEMO
DEMO
ROCK
PIANO
CHURCH
ORGAN
E. PIANO 1 E. PIANO 2
JAZZ
ORGAN
BASS
Engage the Demo Mode .........................................................................
Press the [DEMO] button to engage the demo mode — the voice
selector indicators will flash in sequence.
Play a Voice Demo.........................................................................................
Press one of the voice selectors to start playback of all songs starting
from the corresponding voice demo tune — featuring the voice normally selected by that voice selector button. (If you press the [START/STOP] button instead of a voice selector button, the GRAND PIANO
demo tune will begin playback.) The indicator of the selected voice
selector button will flash during playback, and “- - -” will appear on the
LED display. You can start playback of any other voice demo tune
during playback by simply pressing the corresponding voice selector.
You can stop playback at any time by pressing the [START/STOP]
button or the voice selector of the currently playing demo.
NOTE
• Use the [MASTER VOLUME] control to adjust the volume and the
[BRILLIANCE] control (CLP-880/860/840) to adjust the brilliance (page
19).
Exit From the Demo Mode....................................................................
Press the [DEMO] button to exit from the demo mode and return to
Engage the Piano Song Mode .........................................................
Press the [PIANO SONG] button to engage the piano song mode —
the [PIANO SONG], [1] and [2] indicators will light.
Play a Piano Song.........................................................................................
START
STOP
SONG
SELECT
–
/ NO+ / YES
/
To play any of the 50 piano songs provided, use the [SONG SE-
LECT ▼/▲] buttons to select the number of the tune you want to play(the number will appear on the LED display), then press the [START/
STOP] button. Playback will stop automatically when playback of the
selected piano song has finished.
Select “ALL” instead of a number to play all piano songs in se-
quence, or select “rnd” to continuously play all piano songs in random order. Press the [START/STOP] button to stop playback.
• Use the [MASTER VOLUME] control to adjust the volume.
• You can use the [TEMPO ▼/▲] buttons to adjust the playback tempo as
required. This produces a relative tempo variation, with a range from “50” through “- - -” to “50” at maximum; the range will differ depending on
the selected song.
• The default tempo “- - -” is automatically selected whenever a new piano
song is selected, or playback of a new piano song begins during “
“
rnd
” playback.
• You can play the keyboard along with the piano song playback. The voice
playing on the keyboard can be changed.
• You can change the Brilliance control (CLP-880/860/840) and Reverb
type that is applied to the voice you play on the keyboard and for the
piano song playback. You can change the Effect type (CLP-880/860/840)
and Touch sensitivity that is applied to the voice you play on the keyboard. When a new piano song is selected or a new piano song is
automatically started in continuous play, the HALL 1 reverb type will
automatically be selected.
ALL
” or
PIANO
SONG
Exit From the Piano Song Mode....................................................
Press the [PIANO SONG] button to exit from the piano song mode,
the indicator will go off, and return to the normal play mode.
specified phrase within a piano song. Combined with the Part Cancel
function described below, this provides an excellent way to practice
difficult phrases.
Specify the Beginning (A) of the Phrase..............................
The A-B Repeat function can be used to continuously repeat a
RECORDER
12
START
/
REC
STOP
FUNCTION
FUNCTION
Select and play a piano song, then press the [FUNCTION] button at
the beginning of the phrase you want to repeat. This sets the “A” point
(“A-” will appear on the display).
To set the “A” point at the very beginning of the song, press the
[FUNCTION] button before starting playback.
Specify the End (B) of the Phrase ...............................................
Press the [FUNCTION] button a second time at the end of the
phrase. This sets the “B” point (“A-b” will appear on the display). At
this point repeat playback will begin between the specified A and B
points.
The 50 piano songs have separate left- and right-hand parts that can
be turned on and off as required so you can practice the corresponding
part on the keyboard. The right-hand part is played by the recorder’s [1]
track, and the left-hand part is played by recorder’s [2] track. (Some of
the songs are arrangements for four-hands, tracks [1] and [2] correspond to primo and secondo parts of the arrangement.)
RECORDER
12
START
/
REC
STOP
RECORDER
12
START
/
REC
STOP
RECORDER
12
START
/
REC
STOP
Turn the Desired Part Off ......................................................................
Press the RECORDER [1] or [2] button to turn the corresponding
part off — the corresponding indicator will go out (these buttons
alternately toggle the corresponding part on and off).
NOTE
• The parts can be turned on or off even during playback.
• The Piano Song Part Cancel function cannot be used during “
“
rnd
” playback.
• The “Piano Song Part Cancel Volume” function described on page 33 can
be used to set the canceled part so that it plays at a volume from “0” (no
sound) to “20”. The default setting is “5”.
• Both parts are automatically turned ON whenever a new song is selected.
When the Synchro Start function is engaged, playback of the selected piano song will begin automatically as soon as you start playing
on the keyboard.
To engage the Synchro Start function press the [START/STOP]
button while holding the part button corresponding to the part which is
ON. A dot will appear in the lower right corner of the display. (Repeat
the previous operation to disengage the Syncro Start function.)
Playback will then start as soon as you begin playing on the keyboard.
NOTE
• If you hold a track button which is OFF while pressing the [START/STOP]
button, that track will be turned ON and the Synchro Start mode will be
engaged.
Left Pedal Start/Stop..................................................................................
The left pedal can be assigned to start and stop piano song playback
via the “Left Pedal Mode” function described on page 32.
The dual mode makes it possible to play two voices simultaneously across
the entire range of the keyboard.
AZZ
ROCK
PIANO
E. PIANO 1 E. PIA
ANO
Voice numbering priority
123456
CLASSICAL
GRAND
PIANO
PIANO
HARPSICHORD
STRINGS
789101112
JAZZ
PIANO
PIPE
ORGAN
ROCK
PIANO
CHURCH
ORGAN
E. PIANO 1 E. PIANO 2
JAZZ
BASS
ORGAN
To activate the dual mode simply press two voice selectors at the
same time (or press one voice selector while holding another). The
voice indicators of both selected voices will light when the dual mode
is active. To return to the normal single-voice play mode, press any
single voice selector.
According to the voice numbering priority as shown in the diagram
on the left, lower valued voice numbers will be designated as the 1st
Voice (the other voice will be designated as the 2nd Voice).
The [STRINGS] [VARIATION] voice has a slow attack. This
voice can sometimes be used with another voice in the Dual Mode to
produce a better “blend”.
NOTE
• The dual and split modes (CLP-880/860) cannot be engaged at the same
time.
• The [VARIATION] button indicator will light if the variation is engaged for
either or both of the dual-mode voices. While the dual mode is engaged
the [VARIATION] button can be used to tur n the variation for both voices
on or off. To use the variation for only one of the voices the setting must
be made prior to engaging the dual mode.
• [EFFECT] in the Dual Mode
Depending upon the conditions one effect type will take priority over the
other. Depth will be decided according to the depth default value of the
voice combination. However, using function F3 (see page 29) you can
change the depth value for each voice as you like.
Effect depth setting via the panel controls (i.e. pressing the [-/NO] or [+/
YES] buttons while holding the [EFFECT] button — see page 19) will be
applied to the 1st Voice only.
• [REVERB] in the Dual Mode
The reverb type assigned to the 1st Voice will take priority over the other.
(If the reverb is set to OFF, the 2nd Voice’s reverb type will be in affect.)
Reverb depth setting via the panel controls (i.e. pressing the [-/NO] or [+/
YES] buttons while holding the [REVERB] button — see page 18) will be
applied to the 1st Voice only.
Other Dual Mode Functions...............................................................
The Clavinova Function mode provides access to a number of other
dual-mode functions, listed below. See the corresponding pages for
details.
The split mode makes it possible to play two different voices on the keyboard
— one with the left hand and another with the right hand. The Left Voice is
played on all keys to the left of (and including) a specified “split point” key, while
the Right Voice is played on all keys to the right of the split point key.
To activate the split mode simply press the [SPLIT] button so thats
SPLIT
ZZNOROCK
PIANO
E. PIA
indicator lights. The split mode can be turned off at any time by pressing the
[SPLIT] button again so that its indicator goes out.
NOTE
• The dual and split modes cannot be engaged at the same time.
Selecting the Right and Left Voices ....................................................
The voice that was selected before the split mode was engaged becomes
the Right Voice in the split mode. (The Right Voice can also be changed while
in the split mode, by simply pressing the corresponding voice selector.)
To select a Left Voice press the corresponding voice selector while
holding the [SPLIT] button (default: [BASS]). The indicator of the Left
Voice selector will light while the [SPLIT] button is pressed, then only the
Right Voice selector and [SPLIT] button indicators will remain lit.
SPLIT
Example:
• The variation can be individually turned on and off for the split mode voices.
NOTE
Normally the voice indicator of the Right Voice lights in the split mode. The
[VARIATION] can be used to turn the variation for the Right Voice on or off as
required. While the [SPLIT] button is held, however, the voice indicator of the
Left Voice lights, and in this state the [VARIATION] button can be used to turn
the variation for the Left Voice on or off as required.
• [EFFECT] in the Split Mode
Depending upon the conditions, one effect type will take priority over the other.
Depth will be decided according to the depth default value of the voice
combination. However, using function F4 (see page 30) you can change the
depth value for each voice as you like.
Effect depth setting via the panel controls (i.e. pressing the [-/NO] or [+/YES]
buttons while holding the [EFFECT] button — see page 19) will be applied to
the Right Voice only.
• [REVERB] in the Split Mode
The reverb type assigned to the Right Voice will take priority over the other. (If
the reverb is set to OFF, the Left Voice’s reverb type will be in affect.)
Reverb depth setting via the panel controls (i.e. pressing the [-/NO] or [+/YES]
buttons while holding the [REVERB] button — see page 18) will be applied to
the Right Voice only.
Setting the Split Point.........................................................................................
The split point is initially set at the F#2 key by default. You can change
the split point to any other key by pressing the key while holding the
[SPLIT] button (the name of the current split-point key appears on the LED
display while the [SPLIT] button is held). The split point can also be set via
the Function mode (see below).
The [REVERB] button selects a number of digital reverb effects that you can
use for extra depth and expressive power.
ROOM
HALL 1
HALL 2
STAGE
REVERB
To select a reverb type press the [REVERB] button a few times
until the indicator corresponding to the desired type lights (the indicators light in sequence each time the [REVERB] button is pressed). No
reverb is produced when all indicators are off.
OFF
No reverb effect is selected when no REVERB indicator is lit.
ROOM
This setting add a continuous reverb effect to the sound that is similar
to the type of acoustic reverberation you would hear in a room.
HALL 1
For a “bigger” reverb sound, use the HALL 1 setting. This effect
simulates the natural reverberation of a small-size concert hall.
HALL 2
For a really spacious reverb sound, use the HALL 2 setting. This effect
simulates the natural reverberation of a large concert hall.
STAGE
A simulation of the type of reverb produced in a stage environment.
NOTE
• The default reverb type (including OFF) and depth settings are different
for each voice.
Adjust the reverb depth for the selected voice by using the [–/NO]
and [+/YES] buttons while holding the [REVERB] button. The depth
range is from 0 through 20 (the current depth setting appears on the
LED display while the [REVERB] button is held). A setting of “0”
produces no effect, while a setting of “20” produces maximum reverb
depth. Press the [–/NO] and [+/YES] buttons simultaneously while
holding the [REVERB] button to recall the default setting for the
current voice (default depth settings are different for each voice).
The [EFFECT] button allows you to select one of the effects that can give
your sound greater depth and animation.
CHORUS
SYMPHONIC
TREMOLO
DELAY
EFFECT
To select an effect type press the [EFFECT] button a few times
until the indicator corresponding to the desired type lights (the indicators light in sequence each time the [EFFECT] button is pressed). No
effect is produced when all indicators are off.
OFF
No effect is selected when no EFFECT indicator is lit.
CHORUS
Shimmering, broadening effect
SYMPHONIC
Adds a deep, symphonic backdrop
TREMOLO
Tremolo effect
DELAY
Echo effect
NOTE
• The default effect type (including OFF) and depth settings are different for
each voice.
Effect depth can be individually adjusted for the selected voice by
SONG
SELECT
–
/ NO+ / YES
using the [–/NO] and [+/YES] buttons while holding the [EFFECT]
button. The depth range is from 0 through 20 (the current depth setting
appears on the LED display while the [EFFECT] button is held). A
setting of “0” produces no effect, while a setting of “20” produces
maximum effect depth. Press the [–/NO] and [+/YES] buttons simultaneously while holding the [EFFECT] button to recall the default
setting for the current voice (the default depth settings are different for
each voice).
Brilliance (CLP-880/860/840)
This control can be used to change the tonality or “timbre” of the sound
output. The control range is from MELLOW to BRIGHT.
BRILLIANCE
BRIGHT
For a brighter or “sharper” tone, slide the control towards the
BRIGHT position. For a “rounder” more mellow tone, slide the control
towards the MELLOW position.
• When the BRILLIANCE is set to BRIGHT, the overall sound will be
slightly louder. If the MASTER VOLUME is set at a high level the sound
may become distorted. If so, lower the MASTER VOLUME level.
CLP-880/860/840/820/820S
19
The Pedals
The CLP-820
produce a range of expressive effects similar to those produced by the
pedals on an acoustic piano.
S
has two and other models have three foot pedals that
The damper pedal functions in the same way as a damper pedal on
an acoustic piano. When the damper pedal is pressed notes played have
a long sustain. Releasing the pedal immediately stops (damps) any
sustained notes.
On the CLP-880/860, when GRAND PIANO, CLASSICAL PIANO, or JAZZ PIANO is selected the damper pedal also produces a
special “resonance” that simulates the ring of the strings and the sound
board of an acoustic piano.
The CLP-880/860 damper pedal additionally features continuous
damping. This allows you to create shorter effects by pressing the
damper pedal down only part of the way.
NOTE
• On the CLP-880/860, soundboard depth and damper pedal mode (switch/
continuous) settings can be changed using the “Pedal Functions” (page
32) in the function mode.
Sostenuto (Center) Pedal (except for CLP-820S) .....................
If you play a note or chord on the keyboard and press the sostenuto
pedal while the note(s) are held, those notes will be sustained as long as
the pedal is held (as if the damper pedal had been pressed) but all
subsequently played notes will not be sustained. This makes it possible
to sustain a chord, for example, while other notes are played “staccato.”
NOTE
• Organ and string voices will continue to sound for as long as the sostenuto pedal is depressed.
The soft pedal reduces the volume and slightly changes the timbre of
notes played while the pedal is pressed. The soft pedal will not affect
notes which are already playing when it is pressed.
The left pedal can also be assigned to song start/stop operation (or
sostenuto in the case of the CLP-820S) via the “Left Pedal Mode”
described on page 32.
Four different types of keyboard touch sensitivity — HARD, MEDIUM, SOFT
or FIXED — can be selected to match different playing styles and preferences.
HARD
MEDIUM
SOFT
TOUCH
To select a touch sensitivity type press the [TOUCH] button a few
times until the indicator corresponding to the desired type lights (the
indicators light in sequence each time the [TOUCH] button is pressed).
HARD
The HARD setting requires the keys to be played quite hard to
produce maximum loudness.
MEDIUM
The MEDIUM setting produces a fairly “standard” keyboard response.
This is the initial factory default setting.
SOFT
The SOFT setting allows maximum loudness to be produced with
relatively light key pressure.
FIXED (no indicator lit)
All notes are produced at the same volume no matter how hard the
keyboard is played.
When the FIXED type is selected, the volume of notes played in the
FIXED mode can be set by using the [–/NO] and [+/YES] buttons
while the [TOUCH] button is held (the current volume level appears on
the display). The volume range is from 1 through 127. The default
setting is 64.
NOTE
• This setting does not change the weight of the keyboard.
• The touch sensitivity type and volume set in the FIXED mode will become
the common setting for all voices.
TRANSPOSE
Transposition
The Clavinova’s TRANSPOSE function makes it possible to shift the pitch of
the entire keyboard up or down in semitone intervals up to a maximum of 12
semitones (i.e. a maximum of one octave up or down). “Transposing” the pitch
of the Clavinova keyboard facilitates playing in difficult key signatures, and you
can easily match the pitch of the keyboard to the range of a singer or other
instrumentalist.
SONG
SELECT
–
/ NO+ / YES
Use the [–/NO] or [+/YES] button while holding the [TRANS-
POSE] button to transpose down or up as required. The transposition
range is from “–12” (down one octave) through “0” (normal pitch) to
“12” (up one octave). The amount of transposition appears on the LED
display while the [TRANSPOSE] button is held. The default transpose
setting is “0”.
NOTE
• The [TRANSPOSE] button indicator remains lit when a transpose setting
other than “0” is selected.
• Notes below and above the A-1 … C7 range of the Clavinova sound one
octave higher and lower, respectively.
Tuning makes it possible to adjust the pitch of the Clavinova over a 427.0 Hz
… 453.0 Hz (corresponding to the A3 note’s Hz) range in approximately 0.2
Hertz intervals. Pitch control is useful for tuning the Clavinova to match other
instruments or recorded music.
ZTo tune down (lower pitch), hold the A-1 and A#-1 keys simulta-
neously.
XPress any key between C3 and B3. Each time a key in this range is
pressed the pitch is decreased by approximately 0.2 Hz.
SONG
SELECT
–
/ NO+ / YES
The [–/NO] and [+/YES] buttons can also be used to tune down or up,
respectively, in
approximately
1 Hz increments. Press the [–/NO] and
[+/YES] buttons simultaneously to recall standard tuning (A3 = 440
Hz).
A#
A-1B
CRelease the A-1 and A#-1 keys.
-1
-1
3
C
3
B
To Restore Standard Pitch...................................................................
ZTo restore the default pitch (A3 = 440 Hz), hold the A-1, A#-1 and
B-1 keys simultaneously.
XPress any key between C3 and B3.
CRelease the A-1, A#-1 and B-1 keys.
In terms of “Hertz”, the overall tuning range is from 427.0 Hz to 453.0
Hz. The current tuning setting is shown on the LED display while the tuning
is being adjusted. Tenths of a Hertz are indicated on the LED display by the
appearance and position of one or two dots, as in the following example:
DisplayValue
440440.0
4.40440.2
44.0440.4
440.440.6
4.40.440.8
NOTE
• An alternative tuning method is available in the Function mode — page 28.