YAMAHA Yamaha Clavinova Digital Piano, CLP-735WH, CLP-745WA, CLP-735B, CLP-735DW clp785_en_om_b0.pdf

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Owner’s Manual Mode d’emploi
CLP-785 CLP-775 CLP-745 CLP-735 CLP-795GP CLP-765GP
EN
Merci d'avoir choisi ce piano numérique de Yamaha ! Cet instrument offre une qualité de son et une expressivité exceptionnelles pour votre plus grand plaisir. Afin d'exploiter votre Clavinova au maximum de ses performances et de ses fonctions, lisez entièrement ce mode d'emploi et conservez-le afin de pouvoir le consulter ultérieurement. Avant d’utiliser l’instrument, lisez attentivement la section « PRÉCAUTIONS D’USAGE » aux pages 4−6. Pour plus d'informations sur l'assemblage de l'instrument, reportez-vous aux instructions figurant à la fin de ce manuel.
Thank you for purchasing this Yamaha Digital Piano! This instrument provides exceptionally high-quality sound and expressive control for your playing enjoyment. In order to make the most of your Clavinova’s performance potential and features, please read this Owner’s Manual thoroughly, and keep it in a safe place for later reference. Before using the instrument, be sure to read “PRECAUTIONS” on pages 4−6. For information on assembling the instrument, refer to the instructions at the end of this manual.
EnglishFrançais
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to
accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to
comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations
* This applies only to products distributed by YAMAHA CORP ORATION OF AMERICA. (class B)
does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by the interference.
Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/ reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
COMPLIANCE INFORMATION STATEMENT
(Supplierʼs declaration of conformity procedure)
Responsible Party : Yamaha Corporation of America
Address : 6600 Orangethorpe Ave., Buena Park, Calif. 90620
Telephone : 714-522-9011
Type of Equipment : Digital Piano
Model Name : CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
1) this device may not cause harmful interference, and
2) this device must accept any interference received including interference that may cause undesired operation.
* This applies only to products distributed by Yamaha Corporation of America. (FCC SDoC)
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Explanation of Graphical Symbols
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
For the AC adaptor
The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
IMPORTANT SAFETY INSTRUCTIONS
1 Read these instructions. 2 Keep these instructions. 3 Heed all warnings. 4 Follow all instructions. 5 Do not use this apparatus near water. 6 Clean only with dry cloth. 7 Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
8 Do not install near any heat sources such as
radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
9 Do not defeat the safety purpose of the polarized
or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
10 Protect the power cord from being walked on or
pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
11 Only use attachments/accessories specified by
the manufacturer.
12 Use only with the cart, stand,
tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
13 Unplug this apparatus during lightning storms or
when unused for long periods of time.
14 Refer all servicing to qualified service personnel.
Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
WAR NIN G
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
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PRECAUTIONS

For the AC adaptor
For the instrument
Power supply/AC adaptor
Do not open
Water warning
Fire warning
Influences on electro-medical devices (if Bluetooth functionality is included)
PLEASE READ CAREFULLY BEFORE PROCEEDING
Please keep this manual in a safe and handy place for future reference.
WARNING
• This AC adaptor is designed for use with only Yamaha electronic instruments. Do not use for any other purpose.
• Indoor use only. Do not use in any wet environments.
CAUTION
• When setting up, make sure that the AC outlet is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch of the instrument and disconnect the AC adaptor from the outlet. When the AC adaptor is connected to the AC outlet, keep in mind that electricity is flowing at the minimum level, even if the power switch is turned off. When you are not using the instrument for a long time, make sure to unplug the power cord from the wall AC outlet.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
• Do not place the power cord near heat sources such as heaters or radiators. Also, do not excessively bend or otherwise damage the cord, or place heavy objects on it.
• Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument.
• Use the specified adaptor (page 136 or page 138) only. Using the wrong adaptor can result in damage to the instrument or overheating.
• Use only the supplied power cord/plug.
• Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.
• Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place on it any containers (such as vases, bottles or glasses) containing liquids which might spill into any openings. If any liquid such as water seeps into the instrument, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel.
• Never insert or remove an electric plug with wet hands.
• Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire.
• This instrument contains no user-serviceable parts. Do not open the instrument or attempt to disassemble or modify the internal components in any way. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.
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(For information on whether Bluetooth functionality is included or not, refer to page 142.)
• Radio waves may affect electro-medical devices.
- Do not use this product near medical devices or inside areas in which the use of radio waves is restricted.
- Do not use this product within 15cm (6 in.) of persons with a heart pacemaker or defibrillator implant.
DMI-7 1/3
• Do not place the bench in an unstable position where it might
Using the bench (If included)
If you notice any abnormality
Power supply/AC adaptor
Assembly
Location
Connections
Handling caution
accidentally fall over.
• Do not play carelessly with or stand on the bench. Using it as a tool or stepladder or for any other purpose might result in accident or injury.
• Only one person should sit on the bench at a time, in order to prevent the possibility of accident or injury.
• If the bench screws become loose due to extensive long-term use, tighten them periodically using the specified tool in order to prevent the possibility of accident or injury.
• Keep special watch over any small children so that they don’t fall off the rear of the bench. Since the bench does not have a backrest, unsupervised use may result in accident or injury.
• When one of the following problems occur, immediately turn off the power switch and disconnect the electric plug from the outlet. Then have the device inspected by Yamaha service personnel.
- The power cord or plug becomes frayed or damaged.
- It emits unusual smells or smoke.
- Some object has been dropped into the instrument.
- There is a sudden loss of sound during use of the instrument.
- If any cracks or breakages exist on the instrument.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:
• When setting up the product, make sure that the AC outlet you are
• Do not connect the instrument to an electrical outlet using a multiple­connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.
• When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it.
• Remove the electric plug from the outlet when the instrument is not to be used for extended periods of time, or during electrical storms.
• Assemble the instrument in the proper sequence by following the assembly instructions in this manual. Also, make sure to tighten the screws regularly. Failure to do so might result in damage to the instrument or even injury.
using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, electricity is still flowing to the product at the minimum level. When you are not using the product for a long time, make sure to unplug the power cord from the wall AC outlet.
• Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum.
• Be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
• Do not place the instrument in an unstable position where it might accidentally fall over.
• Do not go near the instrument during an earthquake. Strong shaking during an earthquake could cause the instrument to move or tip over, resulting in damage to the instrument or its parts, and possibly causing injury.
• (CLP-785, CLP-775, CLP-745, CLP-735) When transporting or moving the instrument, always use two or more people. Attempting to lift the instrument by yourself may damage your back, result in other injury, or cause damage to the instrument itself.
• (CLP-795GP, CLP-765GP) Since this product is very heavy, make sure that a sufficient number of people are on hand to help, so you can lift and move it safely and easily. Attempting to lift or move the instrument by force may damage your back, result in other injury, or cause damage to the instrument itself.
• Before moving the instrument, remove all connected cables, to prevent damage to the cables or injury to anyone who might trip over them.
• Do not insert a finger or hand in any gaps on the key cover or instrument. Also take care that the key cover does not pinch your finger.
• Never insert or drop paper, metallic, or other objects into the gaps on the key cover, panel or keyboard. This could cause physical injury to you or others, damage to the instrument or other property, or operational failure.
• (CLP-785) Do not apply excessive force when closing the key cover. A key cover equipped with the SOFT-CLOSE™ mechanism closes the cover slowly. Applying excessive force to the key cover when closing it could damage the SOFT-CLOSE™ mechanism, and possibly result in injury to your hands and fingers caught under the closing key cover.
• Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors.
• Keep small parts out of the reach of infants. Your children may accidentally swallow them.
DMI-7 2/3
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• Do not use the instrument/device or headphones for a long period of
Using the bench (If included)
The name plate is located on the
bottom of the unit.
time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.
• For benches that can be adjusted, do not adjust the bench height while sitting on the bench, since this can cause excessive force to be imposed on the adjustment mechanism, possibly resulting in damage to the mechanism or even injury.
• Do not place your hand between moving parts. Otherwise, your hand could be pinched between the parts, possibly resulting in injury.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use. Even when the [ ] (Standby/On) switch is in standby status (power lamp
is off), electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you
unplug the power cord from the wall AC outlet.
The model number, serial number, power requirements, etc., may be found on or near the name plate, which is at the bottom of the unit. You should note this serial number in the space provided below and retain this manual as a permanent record of your purchase to aid identification in the event of theft.
Model No.
Serial No.
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
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(bottom_en_01)
DMI-7 3/3

NOTICE

To avoid the possibility of malfunction/ damage to the product, damage to data, or damage to other property, follow the notices below.
Handling
• Do not connect this product to public Wi-Fi and/or Internet directly. Only connect this product to the Internet through a router with strong password-protections. Consult your router manufacturer for information on security best practices.
• Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise. When you use the instrument along with an application on your smart device such as a smartphone or tablet, we recommend that you set Wi-Fi or Bluetooth to on after setting “Airplane Mode” to on on that device in order to avoid noise caused by communication.
• Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration, damage to the internal components or unstable operation. (Verified operating temperature range: 5° – 40°C, or 41° – 104°F.)
• Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.
• In the case of a model with a polished finish, bumping the surface of the instrument with metal, porcelain, or other hard objects can cause the finish to crack or peel. Use caution.
Maintenance
• When cleaning the instrument, use a soft and dry/slightly damp cloth. Do not use paint thinners, solvents, alcohol, cleaning fluids, or chemical-impregnated wiping cloths.
• In the case of a model with a polished finish, gently remove dust and dirt with a soft cloth. Do not wipe too hard since small particles of dirt can scratch the instrument’s finish.
• During extreme changes in temperature or humidity, condensation may occur and water may collect on the surface of the instrument. If water is left, the wooden parts may absorb the water and be damaged. Make sure to wipe any water off immediately with a soft cloth.
Saving data
• Some of the data of this instrument (page 104) and the Song data saved to the internal memory of this instrument (page 54) are retained when the power is turned off. However, the saved data may be lost due to some failure, an operation mis take, etc. S ave your i mport ant data onto USB flash d rive or an external device such as a computer (page 76). Before using a USB flash drive, make sure to refer to page 74.
• To protect against data loss through USB flash drive damage, we recommend that you save your important data onto spare USB flash drive or an external device such as a computer as backup data.

Information

About copyrights
• Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use.
• This product incorporates and bundles contents in which Yamaha owns copyrights or with respect to which Yamaha has license to use others’ copyrights. Due to copyright laws and other relevant laws, you are NOT allowed to distribute media in which these contents are saved or recorded and remain virtually the same or very similar to those in the product.
* The contents described above include a computer program,
Accompaniment Style data, MIDI data, WAVE data, voice recording data, a score, score data, etc.
* You are allowed to distribute medium in which your
performance or music production using these contents is recorded, and the permission of Yamaha Corporation is not required in such cases.
About functions/data bundled with the
instrument
• Some of the preset songs have been edited for length or arrangement, and may not be exactly the same as the original.
• This device is capable of using various types/formats of music data by optimizing them to the proper format music data for use with the device in advance. As a result, this device may not play them back precisely as their producers or composers originally intended.
• The bitmap fonts used in this instrument have been provided by and are the property of Ricoh Co., Ltd.
About this manual
• The illustrations and LCD screens as shown in this manual are for instructional purposes only, and may appear somewhat different from those on your instrument.
• Windows is a registered trademark of Microsoft® Corporation in the United States and other countries.
• iPhone, iPad are trademarks of Apple Inc., registered in the U.S . and ot her countri es.
• The letters at the end of the model name (such as “B,” “WA”) indicate the color or finish of the instrument. Since they simply indicate the appearance, these letters are omitted in this manual.
• The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Yamaha Corporation is under license.
• The company names and product names in this manual are the trademarks or registered trademarks of their respective companies.
Tuning
• Unlike an acoustic piano, this instrument does not need to be tuned by an expert (although the pitch can be user-adjusted to match other instruments). This is because the pitch of digital instruments is always maintained perfectly.
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Included Accessories

785 775 745 735 795GP 765GP
Owner’s Manual (this book)
“50 Classical Music Masterpieces” (Music Book)
Online Member Product RegistrationPower cord*, AC adaptor* Bench*War r a nt y *
* May not be included depending on your area. Check
with your Yamaha dealer.

About the Manuals

This instrument has the following documents and instructional materials.
Included Documents
Owner’s Manual (this book)
This document explains how to use the Clavinova.
• Introduction:
This section explains how to set up and start using your Clavinova. Setup is so simple, you can start playing right away.
•Main Operations:
This section explains various functions useful for your practice, such as Preset Song playback and Song recording.
• Detailed Settings:
This section explains how to make detailed settings for the Clavinova’s various functions. Refer to this section as necessary.
• Appendix:
This section introduces Message List, a description of Preset Voices, and other reference material.
Online Materials (Downloadable from the web)
Data List (CLP-785 and CLP-795GP only)
This document contains lists of XG Voices and XG Drum Kit that can be selected on the CLP-785 and CLP-795GP.
Smart Device Connection Manual
Explains how to connect the instrument to a smart device such as smartphone or tablet, etc.
Computer-related Operations
Includes instructions on connecting this instrument to a computer, and operations related to transferring song data.
MIDI Reference
Contains the MIDI-related information.
To obtain these manuals, access the Yamaha Downloads, enter the model name for searching the desired files.
Yamaha Downloads
https://download.yamaha.com/
Smart Device App “Smart Pianist”
Enjoy easy operation by connecting your smart device. To use this, you’ll need to install the “Smart Pianist” app (free for download). For details, refer to “Using a Smart Device App” on page 80.
Icons on this manual
Example:
This indicates that the relevant function is only available on certain models. These icons indicate that the function is available on the CLP-785 but not on the CLP-775, CLP-745, CLP-735, CLP-795GP or CLP-765GP.
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Table of Contents

PRECAUTIONS ....................................................4
NOTICE ......................................................................7
Information ................................................................7
Included Accessories ..................................................8
About the Manuals .....................................................8
Features .....................................................................10
Introduction 12
Panel Controls and Terminals .................................12
Getting Started — Playing the Clavinova ................15
Turning the Power On or Off .............................................15
Music Rest .............................................................................18
Lid ...........................................................................................20
Setting the Volume — [MASTER VOLUME] ..................21
Using Headphones ...............................................................21
Using the Pedals ....................................................................23
Basic Operations .......................................................24
Main Operations 26
Enjoying the Piano Performance .............................26
Selecting two Grand Piano Voices from the panel directly 26 Customizing the Sound and the Touch Response of Piano
Voices (Piano Room) ...........................................................27
Playing Various Musical Instrument Sounds (Voices) 30
Selecting Voices ....................................................................30
Listening to the Voice Demos .............................................32
Enhancing and Customizing the Sound ............................33
Playing Two Voices Simultaneously (Dual) .....................35
Splitting the Keyboard Range and Playing Two Different
Voices (Split Mode) ..............................................................36
Using Dual and Split Simultaneously ................................37
Playing Duo ...........................................................................38
Using the Metronome ..........................................................39
Playing the Keyboard along with Rhythm Playback 42
Playing Back Songs ...................................................43
Song Playback .......................................................................44
Playing a One-hand Part — Part Cancel Function
(MIDI Songs) ........................................................................48
Playing Back a Song Repeatedly .........................................49
Adjusting the Volume Balance ...........................................52
Useful Playback Functions ..................................................53
Recording Your Performance ..................................54
Recording Methods ..............................................................54
Quick MIDI Recording ........................................................55
MIDI Recording — Independent Tracks ..........................57
MIDI Recording to the USB Flash Drive ..........................59
Audio Recording to the USB Flash Drive .........................60
Other Recording Techniques ..............................................61
Handling Song Files .................................................65
Basic Song File Operation ................................................... 66
Deleting Files — Delete ....................................................... 67
Copying Files — Copy ......................................................... 68
Moving Files — Move ......................................................... 68
Convert a MIDI Song to an Audio Song during Playback —
MIDI to Audio ...................................................................... 69
Renaming Files — Rename ................................................. 70
Connections ..............................................................71
Connectors ............................................................................ 71
Connecting to an Audio Player ([AUX IN] jack) ............ 72
Using an External Speaker System for Playback
(AUX OUT [L/L+R]/[R] jacks) .......................................... 73
Connecting USB Devices (USB [TO DEVICE] Terminal)
................................................................................................. 74
Connecting External MIDI Devices (MIDI Terminals) .75 Connecting to a Computer (USB [TO HOST] Terminal)
................................................................................................. 76
Connecting to a Smart Device ............................................ 77
Using a Smart Device App .................................................. 80
Detailed Settings (Menu Display) 86
Common Operations in the Menu Displays ............86
Voice Menu ...............................................................87
Song Menu ................................................................92
Metronome/Rhythm Menu ......................................95
Recording Menu .......................................................96
System Menu .............................................................97
Appendix 106
Preset Voice List .....................................................106
Song List .................................................................109
Rhythm List ............................................................110
Message List ............................................................111
Troubleshooting .....................................................113
Assembling the Clavinova ......................................115
Specifications ..........................................................134
Index .......................................................................140
About Bluetooth .....................................................142
For information on whether Bluetooth functionality is included or not, refer to page 142.
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Features

Full-scale piano performance
GrandTouch Keyboard and GrandTouch-S Keyboard
The CLP-700 series models feature a special keyboard, which remarkably reproduces the authentic touch and feel of an actual grand piano. Its mechanism provides exceptionally expressive control from pianissimo to fortissimo. Moreover, the keys of the GrandTouch Keyboard (CLP-785, CLP-775 and CLP-795GP) have a long pivot point distance (length from the front side to the pivot point), for a more natural feeling, even when playing the inner part of a key.
Two world-renowned concert grand pianos page 26
All models feature piano sounds created with samples of the Yamaha CFX flagship concert grand piano and the famed Vienna-made Bösendorfer grand piano. The sound of the Yamaha CFX is powerful, sparkling and with a rich bass resonance. On the other hand, the Bösendorfer sound is soft and deep in the mid to bass range and beautiful for pianissimo parts. You can select the one that best matches the music you want to play.
* Bösendorfer is a subsidiary company of Yamaha.
Piano Room feature for adjusting touch and resonance page 27
From the Piano Room displays, you can adjust various parameters such as string resonance and touch response. You can also listen to the demo for VRM, which reproduces luxurious string and soundboard resonance, and the demo for Grand Expression Modeling, which recreates the subtle changes in the sound that respond to your touch.
• VRM effect for reproducing the distinctive reverberation of a grand piano
The VRM function on all models simulates the luscious resonance effect on acoustic pianos—where the sound of one string causes sympathetic vibration in other strings and the soundboard. You can vary the sound expressively by changing the timing of your pressing the keys, and the timing and depth of your pressing the pedal.
• Grand Expression Modeling for superbly expressive sound
On an actual acoustic piano, subtle changes in the sound can be produced by changing your playing touch from when you press a key to when you release it. The Grand Expression Modeling technology recreates these subtle changes in the sound that respond to your touch. This allows you to add accents by playing strongly or add resonance by playing softly to produce superbly expressive sound.
Realistic feeling of being immersed in the sound —even when using headphones page 22
When headphones are connected, the sounds of the CFX and Bösendorfer automatically switch to binaural sampling sound—which gives the impression of being immersed in the sound, as if it was actually emanating from the piano. When other piano Voices are selected, the Stereophonic Optimizer effect reproduces a natural sound distance.
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Convenient performance functions
Rhythm Tracks page 42
All models feature twenty different simple rhythm patterns (drums and bass accompaniment) that are perfectly suited to many types of music regularly performed on the piano, for even greater performance potential.
Preset Songs for effective practicing page 43
Also built into this instrument are 50 classical music masterpieces, plus 303 lesson Songs for mastering the piano. You can simply enjoy listening to these built-in Songs, or use them for separate right-hand/left-hand practicing.* The 303 lesson Songs consist of practice pieces taken from various standard piano instruction manuals, including “The Virtuoso Pianist.”
*The part on/off function is available only for MIDI songs that have both right- and left-hand parts.
Two recording methods page 54
The instrument lets you save your performance to internal memory or a USB flash drive (sold separately). You can record your performance using one of two methods, MIDI or Audio recording, according to your needs. MIDI recording is ideal for making independent tracks—for example, recording a right-hand part to Track 1 first, and then a left-hand part to Track 2—allowing you to create pieces that would be difficult to play live with both hands together. Audio recording on the other hand, saves recorded data in stereo, CD-quality WAV format to a USB flash drive, for storing to computer and playing on portable music players.
Connecting to a Smart Device page 77
By connecting this instrument to a smart device such as smart phone or tablet, you can enjoy compatible smart device apps. In addition, you can input the audio from a smart device to this instrument via Bluetooth* and hear it through the built-in speakers of the instrument.
*The models CLP-785, CLP-775, CLP-745, CLP-795GP and CLP-765GP are equipped with Bluetooth functionality; however, even these
models may not support Bluetooth, depending on the country in which you purchased the product. For details, refer to page 142.
Fortepiano Voices—authentic classical period piano sounds
All models feature authentic sounds created with samples of actual fortepianos—pianos which were made in the era of Mozart, Beethoven and Chopin. Enjoy performing with the actual sounds used in the era that classical music masterpieces were composed. Refer to page 30 for selecting Voices.
*The fortepiano shown in the picture is from the collection of at the
Hamamatsu Museum of Musical Instruments.
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11

Introduction

A-1 B-1 C0 D0 E0 F0 G0 A0 B0
5
8
!
7
9
3
))
$
@
##
&%
^^
4
4
5
8
!
7 9
3
)
$
@
#
&
%
4
^
6
785 775 745 735
CLP-735
795GP 765GP

Panel Controls and Terminals

On the CLP-785/775/795GP, the control panel lights up when the power is turned on, and you can control it by pressing the panel indications or icons. Be sure to read “Turning the Power On or Off” on page 15, then turn on the power and check the panel.
Control Panel (page 24)
1 [P] (Standby/On) switch.................... page 16
For turning the power on or setting it to standby.
2 [MASTER VOLUME] slider ............... page 21
For adjusting the overall volume.
3 [u]/[d]/[<]/[>] buttons, display......... page 24
For selecting an item or setting a value using the buttons corresponding to the display indication. You cannot operate the display directly by pressing it with your finger.
4 [ ]/[FUNCTION] button ................. page 86
Pressing this button alternates the displays among the menus: “Voice,” “Song,” “Metronome/Rhythm,” “Recording” and “System”—from which you can make detailed settings for the related functions. With the CLP-745 and CLP-765GP, this is also used for connecting to a Bluetooth-equipped device such as a smart device (page 78).
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5 [ ]/[EXIT] button............................ page 25
Pressing this button exits from the current display, or returns to the Voice or Song display.
In this manual, the [ ] button is hereafter referred to as the [FUNCTION] button, and the [ ] button is referred to as the [EXIT] button.
6 [](Bluetooth) button (
CLP-785/775/795GP
............................................................. page 78
Used for connecting to a Bluetooth-equipped device such as a smart device.
Bluetooth capability
Depending on the country in which you purchased the product, the instrument may not have Bluetooth capability. If the Bluetooth logo is shown or printed on the control panel, this means that the product is equipped with Bluetooth functionality.
)
Panel Controls and Terminals
C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7
11
22
Each key has a note name; for example, the lowest (farthest left) key on the keyboard corresponds to A-1, and the highest (farthest right) key to C7.
7 [CFX GRAND] button........................ page 26
For selecting the “CFX Grand” Voice.
@ [SONG/DEMO] button ...................... page 43
Calls up Song List for selecting a demo Song or a Song to playback or edit.
8 [BÖSENDORFER] button.................. page 26
For selecting the “Bösendorfer” Voice.
# [REC] button....................................... page 54
For recording your keyboard performance.
9 [VOICE] button .................................. page 30
Calls up the Voice group list display.
) [DUAL/SPLIT] button ...........pages 35, 36, 37
For playing two Voices simultaneously, or different Voices on the left- and right-hand sections of the keyboard.
! [PIANO ROOM] button ..................... page 27
Calls up the Piano Room display where you can select an optimum piano sound and adjust the touch response.
$ [PLAY/PAUSE] button........................ page 44
For alternately playing back and pausing the Preset Songs or your recorded material.
% [METRONOME] button..................... page 39
For using the metronome functions.
^ [RHYTHM] button............................. page 42
For using the rhythm functions.
& [TEMPO] button ................................ page 39
For setting the tempo.
See the next page for overall views of the instruments, and their jacks and terminals.
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
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Panel Controls and Terminals
Key cover (page 15)
Music rest (page 18)
Pedals (page 23)
Music braces (page 19)
Music rest (page 19)
Key cover
(page 15)
Pedals (page 23)
Terminal panel (page 71)
Terminal panel
(page 71)
USB
[TO DEVICE]
terminal
(page 74)
USB
[TO DEVICE]
terminal
(page 74)
CLP-785
CLP-775, 745, 735
(CLP-775)
Terminal panel
(page 71)
[PHONES] jacks (page 21)
[PHONES]
jacks
(page 21)
(CLP-745, 735) Terminal panel (page 71)
CLP-795GP, 765GP
Music braces (page 19)
Key cover (page 15)
DC IN jack (page 15)
Pedals (page 23)
[PHONES] jacks
(page 21)
Lid (page 20)
Music rest (page 19)
(CLP-765GP)
Terminal panels
(page 71)
Music braces (page 18)
DC IN jack (page 15)
(CLP-775)
DC IN jack
(page 15)
(CLP-745, 735)
DC IN jack (page 15)
(CLP-795GP) Terminal panel (page 71)
Overall views, jacks and terminals
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Getting Started — Playing the Clavinova

AC
adaptor
AC outlet
DC IN jack (page 14)
Power cord
DC plug
AC plug
1-1
1-2
1-3
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The shape of the plug and outlet differ depending on your locale.
AC
adaptor
AC outlet
DC IN jack (page 14)
Power cord
DC plug
AC plug
1-1
1-2
1-3
785 775 745 735 795GP 765G P
The shape of the plug and
outlet differ depending on
your locale.
785 775 745 735 795GP 765G P
2-2
Be careful to avoid catching your fingers when opening or closing the cover.
CAUTION
2-1
WARNING
CAUTION
NOTE
CAUTION
This section explains how to set up and start using your Clavinova. Setup is so simple, you can start playing right away.

Turning the Power On or Off

1. Connect the plugs of the AC adaptor in the order shown in
the illustration.
Use the specified adaptor (page 136 or page 138) only. Using the wrong AC adaptor can result in damage to the instrument or overheating.
When setting up the product, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn the power off and disconnect the plug from the outlet.
When disconnecting the power cord/AC adaptor, first turn off the power, then follow this procedure in reverse order.
2. Open the key cover.
2-1. With both hands, hold the hand grip, then lift and open the
key cover.
2-2. Fold down the top of the key cover.
• Do not place anything (such as metal objects or pieces of paper) on top of the key cover. Small objects placed on the key cover may fall inside the unit when the cover is opened and may be nearly impossible to remove. Once inside, they could cause electric shock, short circuit, fire or other serious damage to the instrument.
• Hold the cover with both hands when opening or closing it. Do not release it until it is fully opened or closed. Be careful to avoid catching fingers (yours or others, especially children’s) between the cover and the unit.
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Getting Started — Playing the Clavinova
Be careful to avoid catching your fingers when opening or closing the cover.
CAUTION
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NOTICE
Press only the [P](Standby/ On) switch when turning the power on. Any other operations, such as pressing the keys, buttons or pedals may cause the instrument to malfunction.
The power lamp lights up.
NOTE
(CLP-785/775/795GP) You can change the time that elapses until the control panel turns off, or you can set it to remain on indefinitely. For details, refer to “Auto Backlight Off” on page 101.
Lift the cover slightly, then push and slide it to the end.
3. Turn down the [MASTER VOLUME] slider
at the right of the keyboard to “MIN.”
4. Press the [P] (Standby/On) switch at the right of the
keyboard to turn the power on.
The display located at the left of the keyboard and the power lamp on the [P](Standby/On) switch both light up.
On the CLP-785/775/795GP, the control panel lights up, and automatically turns off if you do not press it for a while. Simply press anywhere on the control panel to turn it on again.
5. Play the keyboard.
While playing the keyboard, adjust the volume level by using the [MASTER VOLUME] slider. For details, refer to “Setting the volume — [MASTER VOLUME]” on page 21.
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6. After you use the instrument, press and hold the
CAUTION
Even when the [P] (Standby/ On) switch is in standby status, electricity is still flowing to the instrument at the minimum level. Remove the electric plug from the outlet when the instrument is not to be used for extended periods of time, or during electrical storms.
CAUTION
(CLP-785) Do not apply excessive force when closing the key cover. Applying excessive force to the key cover when closing it could damage the SOFT-CLOSE™ mechanism, and possibly result in injury to your hands and fingers caught under the closing key cover.
Be careful to avoid catching your fingers when opening or closing the cover.
CAUTION
785 775 745 735 795GP 765G P
Be careful to avoid catching your fingers when opening or closing the cover.
CAUTION
785 775 745 735 795GP 765G P
NOTICE
•Any data which are not saved will be lost if the power
automatically turns off. Make sure to save your data before this happens.
• Depending on the instrument status, the power may not turn off automatically, even after the specified period of time elapses. Always turn off the power manually when the instrument is not in use.
+
The lowest key
[P] (Standby/On) switch for a second to turn the power off.
The power lamp on the [P] (Standby/On) switch is turned off.
7. Close the key cover.
7-1. If the music rest is unfolded,
fold it back.
7-2. With both hands, open the
folded top of the key cover, and close it gently.
The key cover is equipped with the special SOFT-CLOSE™ mechanism which closes the cover slowly.
Slide the cover toward you and gently lower the cover over the keys.
Getting Started — Playing the Clavinova
Auto Power Off function
To prevent unnecessary power consumption, this instrument features an Auto Power Off function that automatically turns the power off if the instrument is not operated for a specified period of time. The amount of time that elapses before the power is automatically turned off is approximately 30 minutes by default; however, you can change the setting (page 101).
Disabling Auto Power Off (simple method)
Turn the power on while holding down the lowest key on the keyboard. An “Auto power off disabled” message appears briefly and Auto Power Off is disabled.
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Getting Started — Playing the Clavinova
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NOTICE
Do not put anything heavy on the music rest for a long period of time. Doing so may damage the music rest.
1
2
Music brace
2
1
Music brace

Music Rest

Fold down the top of the key cover (see step 2 on page 15) when using the music rest.
Unfold the music rest:
1. Unfold the music rest, which is on the inside of the key cover.
2. Unfold the music braces, which allow you to hold the pages of music
books in place.
Fold the music rest:
1. Fold the music braces if they are unfolded.
2. Fold the music rest before closing the key cover.
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To raise the music rest:
785 775 745 735 795GP 765G P
Music braces
CAUTION
Do not try to use the music rest in a half-raised position. Also, when raising or lowering the music rest, do not release your hands from the music rest until it is all the way up or down.
Music braces
1.
Pull the music rest up and toward yourself as far as it will go.
2. Flip down the two metal
supports at the left and right on the rear of the music rest.
3. Lower the music rest so that the
metal supports latch into place.
Music braces allow you to hold the pages of music books in place.
To lower the music rest:
Close the Music braces if they are open, and then lower the music rest by following the instructions below.
1. Pull the music rest toward
yourself as far as it will go.
Getting Started — Playing the Clavinova
2. Raise the two metal supports
(at the rear of the music rest).
3. Gently lower the music rest
backward until it is all the way down.
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Getting Started — Playing the Clavinova
785 775 745 735 795GP 765G P
WARNING
• Do not let children open or close the lid. Also, be careful to avoid catching fingers (yours or others, and especially those of children) when raising or lowering the lid.
• (CLP-795GP) Do not use the outer recess for the longer stay. Doing so makes the lid unstable and may cause it to fall, resulting in damage or injury.
• Make sure that the end of the stay fits securely in the lid recess. If the stay is not properly seated in the recess, the lid may fall, causing damage or injury.
• Be careful that you or others do not bump the stay while the lid is raised. The stay may be dislodged from the lid recess causing the lid to fall.
1
2
785 775 745 735 795GP 765G P
Longer stay
Shorter stay
1
3
2
Lid
To o p en th e l id:
1.
Raise and hold the right side of the lid (viewed from the keyboard end of the instrument).
2. Raise the lid stay and carefully
lower the lid so that the end of the stay fits into the recess in the lid.
For the longer stay, use the inner recess, and for the shorter stay, use the outer recess to support the lid.
To close the lid:
1. Hold the lid stay and carefully
20
raise the lid.
2. Hold the lid in its raised
position and lower the lid stay.
3. Carefully lower the lid.
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
CAUTION

Setting the Volume — [MASTER VOLUME]

Decreases
the level.
Increases
the level.
Master Volume: The volume
level of the entire keyboard sound. Adjusting the [MASTER VOLUME] slider also affects the output level of the [PHONES] jacks and the output level of the AUX OUT jacks.
CAUTION
Do not use the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss.
785 775 745 735 795GP 765GP 785 775 745 735 795GP 765GP
Standard stereo
phone plug
Standard stereo
phone plug
Underside of keyboard
785 775 745 735 795GP 765GP
Standard stereo
phone plug
To adjust the volume, use the [MASTER VOLUME] slider located at the right of the keyboard. Play the keyboard to actually produce sound while you adjust the volume.
Intelligent Acoustic Control (IAC)
IAC is a function which automatically adjusts and controls the sound quality according to the overall volume of the instrument. Even when playing the instrument with the overall volume turned down, it permits both low sounds and high sounds to be clearly heard. IAC Control is effective only from the sound output of the instrument speakers.
You can set the IAC setting On or Off and its depth. For details, refer to “IAC” on page 98 and “IAC depth” on page 99. The default setting for this function is “On.”
Getting Started — Playing the Clavinova

Using Headphones

Connect a pair of headphones to one of the [PHONES] jacks. When the headphones are plugged into either of the [PHONES] jacks, the internal speaker system is automatically shut off. Two [PHONES] jacks are provided. Two sets of standard stereo headphones can be plugged in. (If you are using only one pair of headphones, you can plug them into either of these jacks.)
Do not use the headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss.
NOTE
• If you are using an adaptor plug, be sure to remove this as well when unplugging the headphones. No sound will come out of the instrument’s speakers if the adaptor plug is left connected.
• You can also hear sound through the speakers with the headphones plugged in. For details, refer to “Speaker” on page 100.
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Getting Started — Playing the Clavinova
Sampling
A technology which records the sounds of an acoustic instrument then stores them to the tone generator to be played based on information received from the keyboard.
NOTE
Voices in the Piano group are those contained in the “Piano” category in the Preset Voice List (page 106). For details about selecting Voices, refer to page 26.
NOTE
Before connecting an external powered speaker system, be sure to read “Connections” (page 71).
NOTICE
You can conveniently hang the headphones on the instrument when not using them. Install the headphone hanger by following the instruction at the end of this manual (CLP-785: page 119, CLP-775: page 122, CLP-745/735: page 125, CLP-795GP: page 129, CLP-765GP: page 133).
Reproducing the Natural Sensation of Sound Distance —Binaural Sampling and Stereophonic Optimizer
This instrument features two advanced technologies that allow you to enjoy exceptionally realistic, natural piano sound, even when listening on headphones.
Binaural Sampling
Binaural sampling is a method that uses two special microphones set at the ear position of a performer and records the sound from a piano as it is. Listening to the sound with this effect through headphones gives the impression of being immersed in the sound, as if it was actually emanating from the piano. When “CFX Grand” or “Bösendorfer” (page 26) is selected, connecting the headphones automatically enables binaural sampling sound.
Stereophonic Optimizer
The Stereophonic Optimizer is an effect which reproduces natural sound distance like the sound of binaural sampling even though you hear it on headphones. When any other Voice in the Piano group besides “CFX Grand” or “Bösendorfer” is selected, connecting the headphones automatically enables the Stereophonic Optimizer.
Do not hang anything other than the headphones on the hanger. Otherwise, the instrument or the hanger may be damaged.
This function is turned on by default. Note that when the “Speaker” setting (page 100) is On, this function will always be disabled. Since these sounds are optimized for listening with headphones, we recommend that you set this function to “OFF” in the following situations.
• Playing the piano sound of this instrument with an external powered speaker system, while monitoring the sound output from this instrument on connected headphones.
• Making an audio recording (page 54) while using headphones, and then playing that recorded audio Song through speakers of this instrument. (Make sure to turn off these functions before audio recording.)
For details on setting this On or Off, refer to “Binaural” on page 99.
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Using the Pedals

When you press the damper pedal here, the notes you play before you release the pedal have a longer sustain.
NOTE
Voices in the Piano group are those contained in the “Piano” category in the Preset Voice List (page 106). For details about selecting Voices, refer to page 26.
NOTE
You can assign other functions to each pedal by using “Pedal Assign” in “Voice” menu display (page 89).
785 775 74 5 735 795GP 765GP
NOTE
The pedals are covered with vinyl covers when shipped from the factory. If your instrument features the GP Response Damper Pedal, remove the cover from the damper pedal for optimum use of the pedal effect.
When you press the sostenuto pedal here while holding the note(s), the notes will sustain as long as you hold the pedal.
NOTE
While the sostenuto (center) pedal is held, a sustained (non­decaying) type of Voice such as strings or organ may sound continuously without decay after the notes have been released.
NOTE
The center pedal or left pedal can also be used as a [PLAY/ PAUSE] button. For details on the settings, refer to “Play/ Pause” on page 98.
This instrument is equipped with three foot pedals: damper pedal (right), sostenuto pedal (center), and soft pedal (left).
Damper pedal (right pedal)
When you press the damper pedal, the notes you play have a longer sustain. When you select a Voice in the Piano group, pressing the damper pedal activates the VRM (page 28) to accurately recreate the unique resonance of an acoustic grand piano’s soundboard and strings.
Half-pedal function
This instrument also has a Half-pedal function which allows you to use half-damper techniques, in which the damper is pressed somewhere between all the way down and all the way up. In this half-damper state (on a real piano), the damper felts only partially mute the strings. The Half-pedal function on the Clavinova lets you delicately and expressively control the damper muting, and create subtle nuances in your performance, by finely controlling the point at which pressure on the pedal affects the damper muting. For details on setting this, refer to “Half Pedal Point” on page 98.
Getting Started — Playing the Clavinova
GP Response Damper Pedal
The damper pedal of the CLP-785, CLP-775 and CLP-795GP is the GP Response Damper Pedal. This special pedal has been designed to provide enhanced tactile response and, when pressed, is much closer in feel to the pedal of an actual grand piano. It makes it easier to physically experience the half-pedal point and more easily apply the half-pedal effect than other pedals. Since the pressing sensation may vary depending on the situation, including the location where the instrument is installed, you should adjust the half-pedal point described above to the desired setting.
Sostenuto pedal (center pedal)
If you play a note or chord on the keyboard and press the sostenuto pedal while holding the note(s), the notes will sustain as long as the pedal is held. All subsequent notes will not sustain.
Soft pedal (left pedal)
The soft pedal reduces the volume and slightly changes the timbre of notes played while the pedal is pressed. The soft pedal will not affect notes that are already playing when it is pressed. In order to apply this effect, play notes after pressing the pedal. Keep in mind that this pedal function will be changed from the Soft pedal depending on the selected Voice. When the “Mellow Organ” is selected, pressing and releasing this pedal switches between “fast” and “slow” of the Rotary Speaker speed (“Rotary Speed” on page 88). When the “Vibraphone” is selected, this pedal switches Vibrato on and off (“VibeRotor” on page 88).
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Basic Operations

1.
1.
2.
2.
1.
785 775
745 735
745 735 765GP
785 775
EXIT
FUNCTION
795GP
765GP
795GP
When this is shown here, you can scroll through the display vertically.
Selecting Voices
Press the [VOICE] button to call up the Voice group list.
Press the [
u] or [d] button
to select a Voice group.
Selecting Songs and Demos
When this is shown here, you can scroll through the display vertically.
Press the [SONG/DEMO] button to ca ll up th e So ng category list.
Detailed Settings (Menu display)
Menu icon
Menu name
Press the [u] or [d] button to select a Song category.
Press the [FUNCTION] button repeatedly to select the desired menu.
You can change the time that elapses until the control panel turns off, or you can set it to remain on indefinitely. You can also set the operation sound to off. For details, refer to “Auto Backlight Off” or “Touch Panel Sound” on page 101.
NOTICE
Do not operate the control panel using a sharp item, your fingernails or other hard objects. This may damage the control panel.
NOTE
You cannot operate the control panel by pressing two or more places at once.
Changing the Control Panel Settings
The panel illustrations for CLP-735/745/765GP here and all those following are based on the CLP-745.
On the screen display, you can call up three main functions: Voice, Song and Demo. In addition, various detailed settings can be made, for even greater playability and performance potential.
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Basic Operations
Vo ic e : Instrument sound for playing from the keyboard. In addition to the Piano sounds, a wide variety of other musical
instrument sounds are available.
Song: A piece of music for listening enjoyment or for playing back and practicing along with. Demo: Voice Demos let you experience the characteristics of the Voices.
3.
4.
3.
2.
3.
4.
3.
Selecting a value from a list
[r] to select a Voice. [l] to return.
[r] to select a Voice. [u] to return.
This indicates the current position in the Voice group.
Press the [u] or [d] button to select a Voice.
Play the keyboard.
Voice display
[r] to select a Song. [l] to return.
[r] to select a Song. [u] to return.
Press the [u] or [d] button to select a Song.
Use the [l] or [r] button to select the previous or next bars.
Song display
[r] to detailed settings. [EXIT] to return to the previous display.
[r] to detailed settings. [l] to return.
Adjusting the value on the slider pop-up window
Press the [l] or [r] button to adjust the value, press the [EXIT] button to close the pop-up window.
Press the [u] or [d] button to select a parameter.
A checkmark is shown at the right of the selection.
Note that the hierarchy depth differs depending on the selected parameter.
Press the [EXIT] button to return to the Voice display or the Song display, depending on which display was previously shown. While the pop-up window is shown, pressing the [EXIT] button returns to the previously shown display.
Return to the Voice/Song display
Press the [l] or [r] button to select the previous or next Voice.
When “Lesson” is selected, press the [
u] or [d] button
to select a Lesson type.
Press the [PLAY/PAUSE] button to playback the Song.
Use the [
u][d] buttons or the [r] button
to select a setting.
Press the [l] button to return to the previous display.
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
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Main Operations

785 775 745 735795GP 765GP
Voice display
Voice name
NOTE
You can hear and experience the characteristics of the Voices by listening to the Demo Songs for each Voice (page 32).

Enjoying the Piano Performance

This instrument puts the sounds of two renowned grand pianos, the Yamaha CFX and Bösendorfer Imperial, as well as other piano sounds—each with its own distinctive appeal and sonic characteristics. Simply select the particular piano sound desired, according to the music you intend to play or your personal preferences.

Selecting two Grand Piano Voices from the panel directly

1. Press the [CFX GRAND] button or the [BÖSENDORFER]
button to select the piano type.
A Voice is called up from the selected Voice button and its name appears on the Voice display.
CFX Grand
Yamaha’s CFX concert grand piano sound with a wide dynamic range for maximum expressive control. Suitable for playing in any music genre and style.
Bösendorfer
The famed sound of the Vienna-made Bösendorfer Imperial concert grand piano. Its spacious sound evokes the size of the instrument, and is ideal for expressing tenderness in compositions.
2. Play the Keyboard.
Selecting Other Piano Voices
Press the [l][r] buttons to select other piano Voices than “CFX Grand” and “Bösendorfer.” You can also select the other Voices by pressing the [VOICE]
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
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button (page 30).
Customizing the Sound and the Touch Response of
NOTE
Voices in the Piano group are those contained in the “Piano” group in the Preset Voice List on page 106.
785 775 745 735795GP 765GP
EXIT
NOTE
If a Voice other than one in the Piano group is selected, pressing the [PIANO ROOM] button changes it to “CFX Grand.”
NOTE
Pressing the [PIANO ROOM] button disables the Dual/Split/ Duo functions.
Piano Room display
Piano Voices (Piano Room)
You can adjust the detailed settings of Voices in the Piano group in the Piano Room. Try creating a custom piano sound by adjusting the various parameters such as lid position, string resonance, damper resonance and so on.
1. Press the [PIANO ROOM] button to call up the Piano
Room display.
Enjoying the Piano Performance
2. Press the [u]/[d] buttons to select items (page 28).
3. Press the [l]/[r] buttons to change the settings (page 28).
4. Press the [EXIT] button to exit from the Piano Room
display.
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Enjoying the Piano Performance
Parameters you can set in the Piano Room
Item Icon Description
Lid Position Recreates the differences in sound depending on how high
Brightness Adjusts the brilliance of sound. Differs
Touch Determines how the sound responds to your playing
Reverb Determines the Reverb type which is applied to all the entire
Reverb Depth
Master Tune Fine tunes the pitch of the entire instrument. This function is
VRM Turns the VRM effect on/off. For information about the VRM
the (virtual) grand piano lid is opened.
strength. You should adjust this setting according to the specific Voice you’re playing or the particular Song you’re performing, as desired.
sound including the keyboard performance, Song playback and MIDI data input from an external MIDI device.
Adjusts the Reverb depth. When “Reverb” is set to “off” or a value of “0,” no effect is produced.
useful when you play this instrument along with other instruments or CD music.
function, refer to page 29.
Default setting
Full Full, Half,
depending on the Voice.
Medium Soft2, Soft1,
Differs depending on the Voice.
Differs depending on the Voice.
A3 = 440.0 Hz A3 = 414.8 Hz –
On On, Off
Listening to the VRM Demo
Press the [PLAY/PAUSE] button while this display is open to play back the VRM Demo Song. You can hear the Demo Song with and without the effect (VRM on or off). The five parameters below can be set when “VRM” is On.
Damper Resonance
Damper Noise
Determines the depth of the string resonance effect which is applied when the damper pedal is pressed.
Turns the Damper Noise produced by the VRM function On/ Off. For details on damper noise, refer to page 29. This function will be disabled when “Damper Resonance” is set to “0.”
50 10
On On, Off
Setting Range
Closed
0 – 10
Medium, Hard1, Hard2, Fixed
Refer to the Reverb Type List (page 90)
0 – 40
466.8 Hz (approx. 0.2 Hz steps)
String Resonance
Duplex Scale Resonance
Body Resonance
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Determines the depth of the string resonance effect which is applied when a note on the keyboard is pressed.
Adjusts the sympathetic vibrations of the duplex scaling resonance effect in VRM. For details about duplex scaling, refer to “What is Duplex Scale?” (page 29).
Adjusts the resonance of the piano itself (the soundboard, the sides, the frame and so on) in VRM.
50 10
50 10
50 10
Enjoying the Piano Performance
NOTE
NOTE
Item Icon Description
Grand Expression Selects the type of the Grand Expression Modeling effects,
which simulates the physical sound transitions of an actual piano. When this feature is set to “Dynamic,” you can control extremely subtle nuances in the performance and sound by changing your playing strength or touch. When set to “Static,” the nuances are generally fixed. For details about Grand Expression Modeling, refer to the below.
Grand Expression Modeling is effective only for the Voices of “CFX Grand” and “Bösendorfer.”
Default setting
Dynamic Dynamic, Static
Setting Range
Listening to the Demo
Press the [PLAY/PAUSE] button while this display is open to play back the Demo Song of this function. You can listen to the Demo song with “Dynamic” or “Static.”
Half Pedal Point Specify the point to which you must depress the right pedal
• If you wish to keep the Piano Room settings even after turning off the power, set “Voice” and “Other” in the “Backup” setting to “On.” For details, refer to page 104.
• The items listed above can also be set in the “Voice” menu display (page 87) or the “System” menu display (page 97). When you change these settings in the Piano Room display, the settings in the menu displays will also be changed. Conversely, changing the settings in the menu displays will also change the settings in the Piano Room display.
before the effect of “Sustain Continuously” begins to be applied. This setting applies only to the “Sustain Continuously” effect (page 91) that is assigned to the right pedal.
0 -2 (effective with
the shallowest press) – 0 – +4 (effective with the deepest press)
What is VRM?
The VRM (Virtual Resonance Modeling) function uses sophisticated physical modeling to simulate the actual string resonance sound that occurs when the damper pedal on a real piano is pressed or keys are played and held. On an actual acoustic piano, if you press the damper pedal and play a key, not only does the string of the pressed key vibrate, it also causes other strings and the soundboard to vibrate, each influencing the rest and creating a rich and brilliant resonance that sustains and spreads. The VRM (Virtual Resonance Modeling) technology featured in this instrument reproduces the complicated interaction of both string and soundboard resonance faithfully using a virtual musical instrument (physical modeling), and makes the sound more like a real acoustic piano. Since instantaneous resonance is made at the moment according to the state of the keyboard or pedal, you can vary the sound expressively by changing the timing of your pressing the keys, and the timing and depth of your pressing the pedal.
What is Duplex Scale?
Duplex scaling is a stringing method for pianos that uses extra, un-struck strings in the upper octaves to enhance the tone. These strings sympathetically vibrate with other strings in an acoustic piano, resonating with overtones, and adding richness, brilliance and complex color to the sound. Since they do not have a damper, they will continue sounding even after you release your hands from the keyboard.
What is Damper Noise?
Damper noise is the sound made on an acoustic piano when the damper pedal is pressed. The damper noise changes in tone and volume depending on how quickly the damper pedal is pressed down. Pressing the damper pedal slowly will make a quieter sound when the damper heads are released from the strings. Pressing the damper pedal with force will transmit the vibrations to the strings, which adds a lower and louder sound.
What is Grand Expression Modeling?
On an actual acoustic piano, subtle changes in the sound can be produced by changing your playing touch from when you press a key to when you release it. For example, when you press a key all the way to its bottom, the key hits the keybed underneath and the noise reaches the strings, changing the sound slightly. Furthermore, the tone when the damper is lowered onto strings to mute the sound is changed by how quickly you release the key. The Grand Expression Modeling technology recreates these subtle changes in the sound that respond to your touch. This allows you to add accents by playing strongly or add resonance by playing softly to produce superbly expressive sound. A crisp tone can be heard when playing staccato as well as a lingering sound produced when releasing the keys slowly.
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Playing Various Musical Instrument Sounds
NOTE
To hear and experience the characteristics of the Voices, listen to the Demo Songs for each Voice (page 32).
NOTE
Touch Response will not be applied to some Voices. For information about the Voices to which Touch Response can be applied, refer to the “Preset Voice List” on page 106.
XG
XG is a major enhancement of the GM System level 1 format (page 43), and was developed by Yamaha specially to provide more Voices and variations, as well as greater expressive control over Voices and effects, and to ensure compatibility of data well into the future.
NOTE
For information about the Voices, refer to the “Preset Voice List” (page 106).
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Voice g roup
Voice group list
(Voices)
In addition to the wonderfully realistic piano sounds, you can select and play other musical instrument sounds (Voices), such as organ or stringed instruments. You can also select authentic Voices of fortepianos, which were made in 18th and 19th centuries.

Selecting Voices

The Voices of the instrument are conveniently divided into groups of instrument types. Select a desired Voice and play the keyboard. You can also select a Voice from the XG Voices (CLP-785 and CLP-795GP only). For instructions, refer to page 31.
1. Press the [VOICE] button to call up the Voice group list.
Voice groups are listed in the display. The currently selected Voice group is highlighted.
2. Use the [u]/[d] buttons to select the Voice group.
Highlight the Voice group name you want to use.
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Playing Various Musical Instrument Sounds (Voices)
NOTE
Press the [<] button to return to the Voice List for selecting the Voice Group.
Voi ce
Voice display
NOTE
You can specify the Touch Response (how the sound responds to the way you play the keys). You should adjust this setting according to the specific Voice you’re playing or the particular Song you’re performing, as desired. For details on the settings, refer to “Touch” on page 97. You can also adjust the Touch Response for the Voices in the Piano group from the Piano Room display (page 28).
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Scroll to the bottom of the display by pressing the [
d] button.
3. Press the [r] button.
The Voices in the selected group are listed in the display.
4. Use the [u]/[d] buttons to scroll through the Voice list,
and then press the [r] button to select the desired Voice.
The currently selected Voice name is shown in the display.
You can select other Voices in order using the [l]/[r] buttons via the Voic e d is p la y.
u
Press the [
] button to go back to the Voice list.
5. Play the keyboard.
Selecting XG Voices
If you want to select a Voice from the XG voices, select “XG” in step 2.
Because the XG Voice group has an extremely large number of Voices, the group is divided into sub-groups. Press the [ then select the desired Voice group from the list by using the [ After this, follow the procedure beginning with step 3 above.
*For details on XG Voices, refer to the “Data List” on the website (page 8).
r] button to call up the Voice group list,
u]/[d] buttons.
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Playing Various Musical Instrument Sounds (Voices)
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Demo display
NOTE
Recording operations cannot be used during Voice Demo playback.

Listening to the Voice Demos

Several Demo recordings have been specially prepared to showcase the exceptional characteristics of the corresponding Voices. For information about the Voices that can be heard with these Demos, refer to the “Voice Demo Song List” on page 108.
1. Press the [SONG/DEMO] button to call up the Song list
display.
2. Use the [u]/[d] buttons to select “Demo,” and then press
the [r] button to call up the next display.
3. Use the [u]/[d] buttons to select the desired Voice Demo,
and then press the [r] button to call up the Demo display.
The currently selected Voice Demo name is shown in the display.
4. Press the [PLAY/PAUSE] button to start playback.
5. Press the [PLAY/PAUSE] button again to stop playback.
The Voice Demo stops automatically when Voice Demo playback reaches the end.
Selecting Other Demos
Press the [u] button to return to the Song list display, then repeat steps 3 – 4 of this section.
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Playing Various Musical Instrument Sounds (Voices)
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FUNCTION
EXIT
“System” menu display
1-1. Use the [u]/[d] buttons
to select “Sound.”
1-2. Press the [>] button to
call up the next display.
1-3. Use the [u]/[d] buttons
to select “Brilliance.”
1-4. Press the [>] button to
call up the next display.
1-5. Use the [u]/[d] buttons
to select the value.
Checkmark
Sound display Brilliance display
Default setting: Normal
NOTE
If you select Bright 1 – 3 for the Brilliance setting, the volume level will increase slightly. In this condition, if you raise the [MASTER VOLUME] slider setting, the sound may become distorted. If this happens, lower the volume accordingly.

Enhancing and Customizing the Sound

Applying the following effects gives you greater and richer expressive capabilities.
Brilliance
For adjusting the brightness of the sound or creating your own custom EQ settings. This setting is applied commonly to all parts (keyboard Voices/Song/ MIDI).
1. Press the [FUNCTION] button repeatedly to call up the
“System” menu display, then select the highlighted item in each display as illustrated below.
Use the [u]/[d] buttons to select the desired tonality in the Brilliance display. To reset the default setting, hold down the [FUNCTION] button on the CLP-785/775/795GP, or press the [ on the CLP-745/735/765GP.
Mellow 1 – 3
Normal
Bright 1 – 3
User
u]/[d] buttons simultaneously
Soft and mellow tone. The sound becomes more mellow and warmer as the number increases.
Standard tone.
Bright tone. The sound becomes brighter as the number increases.
Opens the “User” display, where you can create your own custom EQ settings. The EQ (Equalizer) processes the sound by dividing the frequency spectrum into multiple bands, allowing you to boost or cut them as required to tailor the overall frequency response and provide optimum sound when listening through the instrument’s internal speaker or headphones, etc. Refer to page 34 for details on operation.
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Playing Various Musical Instrument Sounds (Voices)
Default setting: 0 dB Setting range: -6 dB – 0 –
+6 dB
NOTE
You can adjust the Reverb depth for the selected Voice from the “Voice” menu display: “Voice Edit” “Reverb Depth” (page 88).
NOTE
You can adjust the Chorus depth for the selected Voice from the “Voice” menu display: “Voice Edit” “Chorus Depth” (page 88).
NOTE
When you want to apply the Chorus effect to a Voice whose Chorus type is set to off by default, set the Chorus type to something other than “Off,” then set the Chorus depth value as desired (greater than “0”).
Setting the User EQ
1. Select “User” in the “Brilliance” display (the step 1-5 on
page 33), and then press the [>] button.
A display in which you can set the gain for three frequency bands appears.
2. Use the [<]/[>] buttons to select a band, then use [u]/[d]
buttons to boost or cut it.
To reset the gain for each frequency band to the default value, hold down the [FUNCTION] button on the CLP-785/775/795GP, or press the [
d] buttons simultaneously on the CLP-745/735/765GP.
[
u]/
3. Press the [EXIT] button to close the “User” display.
Reverb
This control adds reverberation to the sound by simulating the natural reverberation of a concert hall. The ideal Reverb type is automatically selected whenever you select a Voice, but you can select any of the available Reverb types.
To select a desired Reverb type, use the “Voice” menu display: “Reverb” (page 87). You can also select the Reverb type for Voices in the Piano group from the Piano Room display (page 28).
This setting is applied commonly to all parts (keyboard Voices/Song/MIDI).
Chorus
This control adds warmth and spaciousness to the sound. The ideal Chorus type is automatically selected whenever you select a Voice, but you can select any of the available Chorus types.
To select a desired Chorus type, use the “Voice” menu display: “Chorus” (page 87).
This setting is applied commonly to all parts (keyboard Voices/Song/MIDI).
Effects
This instrument features a wide variety of Effects, letting you apply enhancements such as Echo or Tremolo to the selected Voice for your keyboard performance. You can select any of the available Effect types from the “Voice” menu display: “Voice Edit” “Effect” (page 88).
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Playing Various Musical Instrument Sounds (Voices)
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Voi c e 1
Voi c e 2

Playing Two Voices Simultaneously (Dual)

Two Voices can be played simultaneously. You can create warm and richly textured Voices by using Voices from different groups simultaneously in a layer, or by using Voices in the same group.
1. Press the [DUAL/SPLIT] button once to enter the Dual
mode.
(CLP-785/775/795GP) The color of the [DUAL/SPLIT] button changes to orange. (CLP-745/735/765GP) The [DUAL/SPLIT] button lamp lights up.
The Voice which is displayed at top is Voice 1, and the one at bottom is Voic e 2.
2. Select the Voices for layering.
2-1. Use the [u]/[d] buttons to highlight (Voice 1) in the
display.
2-2. Use the [l]/[r] buttons or the [VOICE] button to select the
desired Voice.
If you use the [VOICE] button to call up the Voice group list, press the [
r] button to select a Voice, and then return to the previous display.
Use the [ Voice in the same way.
3. Play the keyboard.
u]/[d] buttons to highlight (Voice 2), and then select a
4. Press the [DUAL/SPLIT] button to exit from the Dual
mode.
(CLP-785/775/795GP) The color of the [DUAL/SPLIT] button returns to white. (CLP-745/735/765GP) The [DUAL/SPLIT] button lamp goes out.
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Voi c e R
Voi c e L
NOTE
The specified Split Point key is included in the left-hand range.
NOTE
The Split Point can also be set via the menu display. For details, refer to “Split Point” on page 98.

Splitting the Keyboard Range and Playing Two Different Voices (Split Mode)

Split mode enables you to play two different Voices on the keyboard—one with your left hand and another with your right.
1. Press the [DUAL/SPLIT] button twice to enter the Split
mode.
(CLP-785/775/795GP) The color of the [DUAL/SPLIT] button changes to orange. (CLP-745/735/765GP) The [DUAL/SPLIT] button lamp lights up.
The Voice which is displayed at top is Voice R, and the one at bottom is Voic e L.
2. Select a Voice for the right-hand area and left-hand area.
2-1. Use the [u]/[d] buttons to highlight (Voice R) in the
display.
2-2. Use the [l]/[r] buttons or the [VOICE] button to select the
desired Voice.
If you use the [VOICE] button to call up the Voice group list, press the
r] button to select a Voice, and then return to the previous display.
[ Use the [ the same way.
3. Play the keyboard.
Changing the Split Point
You can change the Split Point (the border between the right- and left­hand ranges) from the default setting “F#2” to any other key. While in the
36
Split mode, hold down the [DUAL/SPLIT] button, and press the key you wish to assign as the Split Point.
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
u]/[d] buttons to highlight (Voice L), and select a Voice in
Playing Various Musical Instrument Sounds (Voices)
Center “C”
Voice R 1
Voice R 2 Voice L
NOTE
• The specified Split Point key is included in the left-hand range.
• For the information on setting the Split Point, refer to page 36.
4. Press the [DUAL/SPLIT] button to exit from the Split
mode.
(CLP-785/775/795GP) The color of the [DUAL/SPLIT] button returns to white. (CLP-745/735/765GP) The lamp of the [DUAL/SPLIT] button turns off.

Using Dual and Split Simultaneously

1. Press the [DUAL/SPLIT] button three times to turn the
Dual and Split modes on.
(CLP-785/775/795GP) The color of the [DUAL/SPLIT] button changes to orange. (CLP-745/735/765GP) The [DUAL/SPLIT] button lamp lights up.
The Voice displayed at top is Voice R1, the one in the middle is Voice R2, and the one at bottom is Voice L.
2. Select the Voices for layering and for the left-hand area.
2-1. Use the [u]/[d] buttons to highlight (Voice R1) in the
2-2. Use the [<]/[>] buttons or the [VOICE] button to select the
3. Play the keyboard.
4. Press the [DUAL/SPLIT] button to exit from the Dual and
Split mode.
(CLP-785/775/795GP) The color of the [DUAL/SPLIT] button returns to white. (CLP-745/735/765GP) The lamp of the [DUAL/SPLIT] button turns off.
display.
desired Voice.
If you use the [VOICE] button to call up the Voice group list, press the [
r] button to select a Voice, and then return to the previous display.
Use the [ and select Voices in the same way.
u]/[d] buttons to highlight (Voice R2) and (Voice L),
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Playing Various Musical Instrument Sounds (Voices)
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EXIT
FUNCTION
“System” menu display
1-1. Use the [u]/[d] buttons
to select “Keyboard.”
1-2. Press the [>] button to
call up the next display.
1-3. Use the [u]/[d] buttons
to select “Duo.”
1-4. Press the [>] button to
select “On.”
Keyboard display
NOTE
• In Duo, VRM is not effective.
• When the Type of Duo (page 98) is set to “Separated,” Reverb and Binaural Sampling/ Stereophonic Optimizer are not effective.
NOTE
The specified Split Point key is included in the left-hand range.
Left section
Split Point E3Equivalent to C3 (middle C) Equivalent to C3 (middle C)
Right section

Playing Duo

This function allows two different players to play the instrument, one on the left and the other on the right. This is convenient for practicing duets over the same octave range.
1. Press the [FUNCTION] button repeatedly to call up the
“System” menu display, and then select the highlighted item in each display as illustrated below.
(CLP-785/775/795GP) The color of the [DUAL/SPLIT] button changes to orange. (CLP-745/735/765GP) The [DUAL/SPLIT] button lamp lights up. The keyboard is divided into two sections, with the E3 key as the Split Point.
The pedal function changes as follows.
38
Right Pedal Damper pedal for the right-hand range
Center Pedal Damper pedal for both the right-hand and left hand ranges
Left Pedal Damper pedal for the left-hand range
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Playing Various Musical Instrument Sounds (Voices)
NOTE
You can listen to the sounds played by two players through both speakers as well, with a natural balance of sound. Press the [FUNCTION] button repeatedly to call up the “System” menu display, then change the settings in “Keyboard” “Type” (page 98).
NOTE
You can set the metronome volume, BPM and so on from the “Metronome/Rhythm” menu display (page 95).
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EXIT
FUNCTION
Metronome
2. Press the [EXIT] button to exit from the menu display.
[Duo] is shown in the Voice display while Duo mode is on.
3. Play the keyboard.
The sound of left-hand range is emitted from the left, the sound of right­hand range is emitted from the right by default.
4. Press the [DUAL/SPLIT] button to exit from the Duo
mode.
You can also exit from the Duo mode by following either of the instructions below.
• Press any of the [CFX GRAND], [BÖSENDORFER], [PIANO ROOM] buttons.
• Repeat the same procedure from step 1 to set it to “Off.”

Using the Metronome

The instrument has a built-in metronome (a device that keeps an accurate tempo)—a convenient tool for practice.
1. Press the [METRONOME] button to start the metronome.
This calls up the Tempo display, from which you can adjust the tempo. For details, see next section.
2. Press the [METRONOME] button to stop the metronome.
To close the Tempo display, press the [EXIT] button.
Adjusting the Tempo
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Playing Various Musical Instrument Sounds (Voices)
NOTE
For information on setting the time signature, refer to page 40.
Tempo value
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FUNCTION
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Time Signature
Time Signature display
1. Press the [TEMPO] button to call up the Tempo display.
2. Use the [<]/[>] buttons to adjust the tempo.
You can adjust the tempo value (number of beats per minute) using the [<]/[>] buttons.
To reset tempo to the default setting
CLP-785/775/795GP: Hold down the [FUNCTION] button. CLP-745/735/765GP: Press the [<] and [>] buttons simultaneously.
3. Press the [EXIT] button to close the Tempo display.
Setting the metronome time signature
1. Press the [FUNCTION] button repeatedly to call up the
“Metronome/Rhythm” menu display.
2. Use the [u]/[d] buttons to select “Time Sig.” and then
press the [r] button.
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3. Use the [u]/[d] buttons to select the desired time
Half note
Quarter note
Dotted quarter note
Eighth note
Note type
The length of one beat
Metronome detailed settings
You can set the metronome volume, BPM and so on from the “Metronome/Rhythm” menu display (page 95).
signature.
Setting range: 2/2, 1/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 7/8, 9/8, 12/8 Default setting: 4/4 (Selecting a MIDI Song will change the tempo value to
that specified in the selected MIDI Song data.)
Tempo indication and Setting range
Tempo is displayed as “note type=xxx” (For example: =120). Selecting the Time Signature changes the available parameters as follows.
Note type Time Signature Setting range
2/2 3 – 250
1/4, 2/4, 3/4, 4/4, 5/4,6/4, 7/4 5 – 500
6/8, 9/8, 12/8 4 – 332 (even numbers only)
Playing Various Musical Instrument Sounds (Voices)
3/8, 7/8 10 – 998 (even numbers only)
* When the tempo value of the selected MIDI Song is outside the setting range on the instrument,
the value will be changed to fit within the setting range.
* Note type will be fixed to quarter note as long as the “BPM” parameter in the “Metronome/Rhythm”
menu display is set to “Crotchet” regardless of the Time Signature you set.
and 999
4. Turn the “Bell” setting on.
For details, refer to “Bell” in the “Metronome/Rhythm” menu (page 95). The Metronome plays back according to the selected Time Signature with the Bell sound on the first beat of each measure.
5. Press the [EXIT] button to close the “Metronome/
Rhythm” menu display.
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Playing the Keyboard along with Rhythm
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EXIT
FUNCTION
About the Rhythm Tempo
• The Rhythm tempo is equivalent to that set for the Metronome (page 39).
• Even if you set the Rhythm tempo, selecting a MIDI Song will change the tempo value to that specified in the selected MIDI Song data.
Detailed Settings for the Rhythm
From the “Metronome/Rhythm” menu display (page 95), you can set detailed parameters, such as Rhythm volume and Sync Start, letting you start Rhythm playback by simply pressing a key.
NOTE
The Rhythm display cannot be called up during Song playback or recording.
To set the Intro/Ending on or off
“Intro” and “Ending” allow you to vary the arrangement of the accompaniment. You can set “Intro” and “Ending” on/off via “Intro” or “Ending” in the “Metronome/Rhythm” menu display (page 95).
NOTE
• Some arrangements may not be suitable for use with this feature.
• 9th, 11th and 13th chords cannot be recognized.
• For details on how to play chords, refer to commercially available chord books.
Playback
This instrument features various rhythm patterns, allowing you to play and perform along with dynamic Rhythm playback. The preset Rhythms consist of drums and bass accompaniment.
1. Press the [RHYTHM] button to start Rhythm playback.
Intro playback starts followed by the Rhythm playback.
2. Use the [<]/[>] buttons to call up the desired Rhythm.
For details on the available Rhythms, refer to the Rhythm List (page 110).
3. Play the keyboard along with Rhythm playback.
The instrument will automatically create appropriate accompaniment bass sound while you play, based on the chords you play. The default setting of the bass sound is “On.” If you don’t want to have the bass accompaniment sound, set it to “Off.” Press the [FUNCTION] button repeatedly to call up the “Metronome/ Rhythm” menu display, and make the settings in “Bass.”
4. To stop Rhythm playback, press the [RHYTHM] button
again.
The Rhythm will automatically stop after an Ending is played.
5. Press the [EXIT] button to exit from the Rhythm display.
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Playing Back Songs

MIDI Audio
Indicates explanation applies only to MIDI Songs
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This instrument can play Preset Songs, Songs you recorded on this instrument, or commercially available Songs. In addition to listening to these Songs, you can play the keyboard as the Song plays back.
MIDI Songs and Audio Songs
There are two kinds of Songs that can be recorded and played back on this instrument: MIDI Songs and Audio Songs. A MIDI Song is comprised of your keyboard performance information and is not a recording of the actual sound itself. The performance information refers to which keys are played, at what timing, and at what strength—just as in a musical score. Based on the recorded performance information, the tone generator (of the Clavinova, etc.) outputs the corresponding sound. A MIDI Song uses a small amount of data capacity in comparison to an Audio song, and allows you to easily change aspects of the sound, such as Voices used, etc. An Audio Song is a recording of the performed sound itself. This data is recorded in the same way as that used with voice recorders, etc. This data can be played with a portable music player, etc., allowing you to easily let other people hear your performance.
Availability of functions differs between MIDI Songs and Audio Songs. In this chapter, the following icons indicate whether or not the explanation applies to MIDI Songs or Audio Songs individually.
Example:
You can play back the following types of Songs in this instrument.
• Preset Voice Demo Songs (Voice Demo). reset Songs: 50 classical Preset Songs (“50 Classical”) and 303 Lesson Songs
•P
(“Lesson”)
• Your own recorded Songs (see page 54 for instructions on recording)
• Commercially available MIDI Song data: SMF (Standard MIDI File)
The maximum size for playback on this instrument is approx. 500KB per single MIDI Song.
• Commercially available Audio Song data: Wav (file extension = .wav with
44.1 kHz sample rate, 16-bit resolution, stereo, and maximum 80 minutes length)
The CLP-785 and CLP-795GP are compatible with the following formats.
GM System Level 2
“GM (General MIDI)” is one of the most common Voice allocation formats. “GM System Level 2” is a standard specification that enhances the original “GM” and improves Song data compatibility. It provides for increased polyphony, greater Voice selection, expanded Voice parameters, and integrated effect processing.
XG
XG is a major enhancement of the GM System Level 1 format, and was developed by Yamaha specifically to provide more Voices and variations, as well as greater expressive control over Voices and effects, and to ensure compatibility of data well into the future.
GS
GS was developed by the Roland Corporation. In the same way as Yamaha XG, GS is a major enhancement of the GM specifically to provide more Voices and Drum kits and their variations, as well as greater expressive control over Voices and effects.
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Playing Back Songs
MIDI Audio
NOTE
The instrument can automatically select a Song file saved in the root directory of the USB flash drive as soon as the USB flash drive is connected. For instructions, refer to “USB Autoload” on page 100.
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NOTE
Before using a USB flash drive, be sure to read “Connecting USB Devices (USB [TO DEVICE] terminal)” on page 74.
Song category
[d] button

Song Playback

1. If you want to play back a Song in a USB flash drive,
connect the USB flash drive containing Song data to the USB [TO DEVICE] terminal beforehand.
Audio files to be played must be on a USB flash drive.
2. Press the [SONG/DEMO] button to call up the Song List
display, then select the desired category using [u]/[d] buttons.
Select the desired one from “50 Classical,” “Lesson,” “User” or “USB” referring to the category descriptions below.
Voice Demos let you experience the characteristics of the Voices
Demo
50 Classical
44
Lesson
User
USB
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(MIDI Song). Refer to page 32 for how to play back the Demo. For Song names, refer to the “Voice Demo Song List” on page 108.
50 classical Preset Songs (MIDI Songs). For these Songs, see the music book “50 Classical Music Masterpieces,” included with this instrument. For details, refer to the “Song List” on page 109.
303 Preset Songs (MIDI Songs) ideal for practice, taken from “The Virtuoso Pianist” and others. For these Songs, refer to the Lesson Songs on page 109. Lesson Songs are divided into several folders depending on the types.
MIDI Songs which have been recorded and saved to the instrument by using the Record function (page 54), and MIDI Songs which have been copied/moved to the instrument using File operations (page 65).
MIDI/Audio Songs saved to the USB flash drive by recording them with this instrument or Audio Songs converted from MIDI Songs (page 69), or MIDI/ Audio Songs saved to the USB flash drive.
3. Press the [>] button to display the Songs in the specified
NOTE
Press the [<] button to return to the category/folder.
Icon
Song List
Icon Data format
Folder
MIDI Songs
Audio Songs
NOTE
“NoSong” will be shown in the display when no data exists in that folder.
When Songs cannot be read from a USB flash drive
If the song cannot be read, you may need to change the Language setting for the Song name in the “System” menu display (page 101).
NOTE
Press the [u] button to return to the Song list.
NOTE
When the Song title is too long to be displayed, press the [
d]
button to see the full title.
Song name
Song display: MIDI Song Song display: Audio Song
Song name
Category name Category name
Song display: MIDI Song Song display: Audio Song
Current position Current position
NOTE
If a Song has been selected, the original tempo of the Song is used, and the Metronome setting (page 39) will be ignored.
category, and then select a desired Song using the [u]/[d] buttons.
When “User” or “USB” category is selected, the icon indicating Song types are shown to the left of the Song name.
Since the Lesson Songs are conveniently divided into specific folders, select the desired folder, press the [>] button, and then select a Song.
To select a recorded Song saved to USB flash drive:
When you record a Song and save it to a USB flash drive, the recorded Song will automatically be saved to the USER FILES folder on a USB flash drive. If you want to select the Song from the USER FILES folder, select USB in step 2, and USER FILES folder in step 3.
Playing Back Songs
4. Press the [>] button to select the desired Song.
The Song display lets you to see the currently selected Song name and its category name.
5. Press the [PLAY/PAUSE] button to start playback.
The current position of the Song playback will be shown.
You can play the keyboard along with Song playback. You can also change the Voice for your keyboard performance. To adjust the volume balance between your keyboard performance and MIDI Song playback, or to adjust the Audio Volume, set the appropriate Volume parameters individually in the “Song” menu display (page 52).
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Playing Back Songs
NOTE
Useful playback functions are described on pages 48 – 53.
Song display: MIDI Song Song display: Audio Song
Measure number Elapsed time
6. Press the [PLAY/PAUSE] button again to stop playback.
Even if you don’t press the [PLAY/PAUSE] button, the Song stops automatically when Song playback reaches the end.
Rewind/Fast forward/Returning to the top of the Song
1. Use the [<] and [>] buttons to move back or forth through
the Song (in bars or seconds), while the Song display is shown.
Holding the corresponding button scrolls backward/forward continuously.
Returning to the top of the Song
(CLP-785/775/795GP) Hold down the [FUNCTION] button. (CLP-745/735/765GP) Press the [<] and [>] buttons simultaneously.
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Adjusting the tempo
NOTE
Changing the tempo of an Audio Song may change its tonal characteristics.
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EXIT
FUNCTION
MIDI Song Audio Song
Tempo Tempo
You can adjust the playback tempo of a Song.
1. Press the [TEMPO] button to call up the Tempo display.
For a MIDI Song, press the [TEMPO] button during Song playback or while the Song display is shown. For an Audio Song, press the [TEMPO] button during Song playback.
Playing Back Songs
2. Change the Tempo value using the [<]/[>] buttons.
To recall the original tempo (the tempo particular to the Song), hold down the [FUNCTION] button on the CLP-785/775/795GP, or press the [<] and [>] buttons simultaneously on the CLP-745/735/765GP. When a MIDI Song is selected, the tempo range differs depending on the Time Signature for a selected Song. Available setting values may only include even numbers (multiples of 2), depending on the Time Signature. For more information, refer to page 41. When an Audio Song is selected, the tempo range is between 75% – 125%. 100% is the original tempo value. Higher values result in a faster tempo.
3. Press the [EXIT] button to exit from the Tempo display.
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Playing Back Songs
MIDI Audio
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FUNCTION
NOTE
The parts can be turned on or off even during playback.
NOTE
Usually, Channel 1 is assigned to “R,” Channel 2 is assigned to “L,” and Channels 3 – 16 are assigned to “Extra.” However, the assignments may differ depending on the particular Song. Channels assigned to “Extra” cannot be set to on or off individually.
NOTE
Some songs in “50 Classical” and “Lesson” categories are duet songs. Refer to page 109 about part assignment for the duet songs.
NOTE
Whenever you select another MIDI Song, both parts are automatically turned on.
“Song” menu display
2-1. Use the [u]/[d] buttons
to select “L/R.”
2-2. Press the [>] button to
call up the next display.
2-3. Use the [u]/[d] buttons
to select desired track.
L/R display

Playing a One-hand Part — Part Cancel Function (MIDI Songs)

Some MIDI Songs, such as Preset Songs, are divided into right-hand and left­hand parts. By using such Song data, you can practice the left hand by turning on only the right-hand part, and practice the right hand by turning on only the left-hand part—allowing you to practice parts separately for easy mastery of difficult material.
1. Select a Song for practicing.
For instructions, refer to page 44. Song categories “50 Classical” and “Lesson” are recommended for this.
2. Select a part you want to practice, then set the part to off.
Press the [FUNCTION] button repeatedly to call up the “Song” menu display, then select the highlighted item in each display as illustrated below.
In the “L/R” display, select the part (track) you want to mute for practicing. Select “R” for practicing the right-hand part, or “L” for the left­hand part.
3. Use the [>] button to select “Off” for the selected part.
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4. Press the [PLAY/PAUSE] button to start playback.
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FUNCTION
“Song” menu display Repeat display
Play and practice the part you just muted.
5. Press the [PLAY/PAUSE] button again to stop playback.
Even if you don’t press the [PLAY/PAUSE] button, the Song stops automatically when Song playback reaches the end.

Playing Back a Song Repeatedly

There are three Repeat items as follows. These are convenient for repeatedly practicing difficult phrases. It is a good idea to use this function and the Part Cancel function (above) for practicing difficult phrases, in the case of MIDI Songs.
AB Repeat ............. Play a MIDI Song repeatedly by designating a specific
range within the Song.
Phrase Repeat...... Play a MIDI Song repeatedly by designating a phrase or
phrases within the Song.
Song Repeat.......... Play a MIDI/Audio Song repeatedly, or play all MIDI/
Audio Songs saved in a designated folder repeatedly in order or in random order.
Playing Back Songs
The explanations here apply only to AB Repeat and Song Repeat. For Phrase Repeat, refer to page 92.
1. Select a Song to be played back.
For instructions, refer to page 44.
2. Call up the Repeat display.
Press the [FUNCTION] button repeatedly to call up the “Song” menu display. Select “Repeat,” then press the [>] button.
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Playing Back Songs
MIDI Audio
A – B display
Specifying the top of a Song as Point A
Specify Point A before starting playback, then start playback and specify Point B.
Specifying the end of a Song as Point B
Specifying only Point A results in repeat playback between Point A and the Song end (as Point B).
NOTE
You can also specify the repeat range by the following procedure.
1 Highlight the measure
number using the [
u] button,
then fast-forward the Song to Point A using the [<]/[>] buttons.
2 Highlight “Set A” using the
[
d] button, then press the [>]
button.
After specifying Point A, the display for specifying Point B is called up.
3 Specify Point B in the same
way as Point A.
3. In the Repeat display, select a desired item using the [u]/
[d] buttons, then press the [>] button.
If you want to set AB Repeat, select “A – B.” If you want to set Song Repeat, select “Song.”
4. Set in the appropriate setting display.
•AB Repeat .................See below.
•Song Repeat...............See page 51.
AB Repeat setting
Specify the repeat range.
4-1. Press the [PLAY/PAUSE] button to start Song playback.
4-2. Press the [>] button at the starting point (A) of the range
to be repeated.
4-3. Press the [>] button again at the ending point (B).
After an automatic lead-in (to help guide you into the phrase), the range from Point A to Point B is played back repeatedly.
5.
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To turn off the Repeat function, press the [>] button while “Repeat Off” is highlighted, or select another Song
.
Song Repeat setting
MIDI Audio
Setting display
Checkmark
Icon
4-1. Select the desired Repeat type using the [u]/[d] buttons
in the setting display.
Playing Back Songs
Off
Single
All
Random
Disables repeated playback.
Plays through the selected file repeatedly.
Continuously plays back all Songs within a designated range in order.
Continuously plays back all Songs within a designated range in random order.
4-2. Press the [PLAY/PAUSE] button to start Repeat
playback.
Icons corresponding to each Repeat setting are shown on the Song display.
While the Repeat setting is on, (Single), (All), or
(Random) is shown in the upper right corner of the Song display.
5. To turn off the Repeat function, press the [PLAY/PAUSE]
button again to stop playback, and then select “Off” in step 4-1.
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Playing Back Songs
MIDI Audio
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FUNCTION
“Song” menu display (When a MIDI Song is selected)
“Song” menu display (When an Audio Song is selected)
NOTE
Some commercially available music data contain extremely high volumes. When using such data (MIDI Song), adjust the “Song – Keyboard” setting.

Adjusting the Volume Balance

When a MIDI Song is selected, you can adjust the Volume balance between the Song playback and the sound you are playing on the keyboard, or between the Right and Left parts of the selected Song. When an Audio Song is selected, you can adjust the Audio Song volume.
Select the desired Song beforehand. For instructions, refer to page 44.
1. Press the [FUNCTION] button repeatedly to call up the
“Song” menu display. Select “Volume,” and then press the [>] button.
2. When a MIDI Song is selected, select “Song – Keyboard”
or “Song L – R” using the [u]/[d] buttons, then press the [>] button to call up the setting display. When an Audio Song is selected, use the [<]/[>] buttons to set the Audio playback volume. After setting the value, go on to step 4.
Song – Keyboard
52
Song L – R
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Adjust the Volume balance between the MIDI Song playback and the sound you are playing on the keyboard.
Adjust the Volume balance between the Right and Left parts of the selected MIDI Song.
3. Adjust the Volume balance by using the [<]/[>] buttons.
The Song playback volume will be lower.The volume of your playing will be lower.
R part volume will be lower. L part volume will be lower.
NOTE
The selected parameters of “Song – Keyboard” will be maintained (Backup Setting) even when the power is turned off. Make sure not to set the volume levels to minimum. Otherwise the sound of keyboard or songs will not be played. You can change the settings to maintain the selected parameter or not. For details, refer to “Backup Setting” on page 104.
MIDI Audio
In the case of “Song – Keyboard”:
In the case of “Song L – R”:
4. Press the [EXIT] button twice to exit from the “Song”
menu display.
Whenever you select another MIDI Song, the setting for “Song L – R” is restored to its default setting. As for “Song – Keyboard” and Audio Volume, selecting another Song will not reset the value.
Playing Back Songs

Useful Playback Functions

Starting/pausing playback by using a pedal
You can assign the Song Play/Pause function (the same function as the [PLAY/ PAUSE] button on the control panel) to the center or the left pedal. Press the [FUNCTION] button repeatedly to call up the “System” menu display, and then select “Pedal” → “Play/Pause” to make the assignment. For details, refer to page 98. This is convenient for starting or pausing playback when you are performing and can’t take your hands from the keyboard.
Transposing the pitch of a Song
You can shift the pitch of Song playback up or down in semitone intervals. Press the [FUNCTION] button repeatedly to call up the “Song” menu display → “Transpose.” For details, refer to page 92.
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Recording Your Performance

MIDI
Audio
MIDI
MIDI
MIDI
Audio
This instrument allows you to record your performance in the following two methods.
• MIDI Recording
With this method, recorded performances are saved to the instrument or a USB flash drive as an SMF (format 0) MIDI file. If you want to re-record a specific section or edit parameters such as Voice, use this method. Also you can record your performance to each Track one by one. Since a MIDI Song can be converted to an Audio Song after recording (page 69), you may want to use MIDI recording (with overdubbing and multiple parts) to first create a complex arrangement you would not otherwise be able to play live, then convert it to an Audio Song. This instrument allows you to record approximately 500 KB of data per Song.
•Audio Recording
With this method, recorded performances are saved to a USB flash drive as an Audio file. Recording is done without designating the recorded part. Since it is saved in stereo WAV format of normal CD quality resolution (44.1 kHz/16 bit), it can be transmitted to and played on portable music players by using a computer. Because the audio sound input* from the external device is also recorded, you can record your keyboard performance along with the performance sound of the connected audio device, computer, or smart device, etc. This instrument allows you to record up to 80 minutes per single recording.
*Audio sound input (Audio input sound): Audio data sent to this instrument from the external devices such as a computer or a smart device, etc., when connecting the instrument with the devices via [AUX IN] jack, [USB TO HOST] terminal, wireless LAN, or Bluetooth. For connection with these devices, refer to the “Connections” section from page 71.
For details about the difference between MIDI Songs and Audio Songs, refer to page 43.

Recording Methods

This chapter covers the following four methods. Note that the created data format differs depending on the method, MIDI or Audio.
• Quick MIDI Recording ....................................... page 55
This method lets you start recording most quickly. Your performance will be recorded and saved to the “User” category in this instrument’s internal memory.
• MIDI Recording — Independent Tracks ............ page 57
This lets you record the right, left and extra parts separately. Since you can record the left part while playing back the right, this is useful for recording both parts of a duet. Since you can record up to sixteen parts separately, record the performance of each instrument part one by one and create fully orchestrated compositions.
• MIDI Recording to the USB Flash Drive ............page 59
This method is useful when you want to overwrite the already recorded MIDI Song in the USB flash drive or create a New MIDI Song on the USB flash drive.
• Audio Recording to the USB Flash Drive ...........page 60
This method lets you record your performance as Audio data to the USB flash drive connected to the USB [TO DEVICE] terminal.
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Quick MIDI Recording

MIDI
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NOTE
If you want to record the left­hand and right-hand parts individually, refer to “MIDI Recording—independent Tracks” (page 57), since the Recording method here assumes that both the left and right parts are being recorded together.
Using the Metronome/ Rhythm
You can use the Metronome/ Rhythm while recording. While the Metronome sound cannot be recorded, the Rhythm sound can. Make sure to enter the Recording mode before starting Rhythm playback, since entering the Recording mode during playback of the Rhythm stops its playback.
NOTE
The “Song – Keyboard” Volume Balance (page 52) will not be recorded.
NOTE
With MIDI recording, the performance will be recorded to Track 1. However, in the Dual/Split/Duo mode, the tracks assigned for recording and the tracks actually used for recording are different. For details refer to “Recording Track Assignment” on page 57.
Mode:
A mode is a status under which you can execute a certain function. In Recording mode, you can record Songs.
NOTE
Pressing and holding the [REC] button for a second will call up the display which lists the Recording Target Songs. In this case, select “New Song” then press the [>] button referring to the table on page 59.
To start recording as soon as a Rhythm starts:
When a Rhythm (page 42) is selected, press the [RHYTHM] button to start Rhythm playback and MIDI recording simultaneously.
Measure number
REC display
REC display (during recording)
This is the quickest way to start recording.
1. Make the necessary settings such as Voice selection and
time signature.
Before starting the Recording operation, select a Voice (page 30) for your keyboard performance, turn Dual/Split/Duo on or off as desired, set the tempo and time signature of the Metronome/Rhythm (page 39), then select a Reverb/Chorus/Effect type as desired.
2. Press the [REC] (Record) button to enter the Recording
mode.
A blank new Song for recording is automatically set.
Recording Your Performance
The [PLAY/PAUSE] button will flash at the current tempo. To exit from the Recording mode, press the [REC] (Record) button again.
3. Play the keyboard (or press [PLAY/PAUSE]) to start
recording.
When you wish to record an empty section at the start of the Song, press the [PLAY/PAUSE] button to start recording.
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Recording Your Performance
NOTICE
The recorded MIDI Song will be lost if you change to another Song or you turn the power off without executing the Save operation.
Renaming the recorded Song
The recorded Songs are named automatically, but you can rename Songs as you like (page 70).
NOTE
Refer to page 67 for how to delete a Song.
NOTE
Parameter settings other than Voice and Tempo, such as note data, pedal (Damper/Soft/ Sostenuto) data, octave setting and time signature, cannot be changed after recording.
4. After you finish your performance, press the [REC]
(Record) button again to stop recording.
This operation exits from the Recording mode and calls up the display for saving the recorded performance data.
5. If you want to save the recorded performance, press the [>]
button to execute the Save operation while “Save” is highlighted.
After the Save operation is completed, the display shows “Save Completed” then returns to the Song display. The recorded Song will be named “USERSONGxxx” (xxx: number) and saved in the “User” category.
• If you are not satisfied with your performance and want to record again, highlight “Retry” then press the [>] button. Try recording again from step 3.
• If you do not want to save the recorded data, highlight “Cancel” then press the [>] button.
6. To hear the recorded performance, press the [PLAY/
PAUSE] button.
Data for each Track
• Note data (your keyboard performance)
•Voice selection
• Pedal operations (Damper/Soft/Sostenuto)
•Reverb Depth
•Chorus Depth
•Effect Depth
• Sound brightness — “Brightness”
• Resonance effect setting — “HarmonicContent”
•Octave
• Volume setting for each Voice — “Volume”
•Pan for each Voice
•Detune
•Touch Sensitivity
• Grand Expression Modeling data
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Data that can be recorded to MIDI Songs
Data commonly for all Tr ac ks
•Scale
•Tempo
•Time Signature
• Reverb Type
•Chorus Type
•Effect Type

MIDI Recording — Independent Tracks

MIDI
NOTE
If you want to record your performance to the USB flash drive or you want to add the recording to the MIDI Song in the USB flash drive, refer to “MIDI Recording to the USB flash drive” (page 59).
NOTE
Rhythm cannot be added to a recorded Song. When you want to record Rhythm, make sure to record the Rhythm playback first.
NOTE
Because bass accompaniment of the Rhythm sounds only when playing the keyboard, in order to record the bass accompaniment, it is necessary to record keyboard performance with it as well.
12345678910111213141516
Example:
Right-hand part
Left-hand part Rhythm
NOTE
If you record your performance with both hands to R then to L, both are played back at the same time as a single Song.
Recording Track Assignment
• When recording the Rhythm, you cannot freely select desired tracks. The Rhythm is recorded to Tracks 9 – 11.
• When Dual/Split/Duo is on, only the R1 Voice performance will be recorded to the selected Track, and the R2 Voice performance will be recorded to the Track number which is 6 plus the selected Track, and the L Voice performance of Split/Duo will be recorded to the Track number which is 3 plus the selected Track.
NOTICE
Note that recording your performance to a Track containing data will overwrite the previously recorded data.
Recording Track
Track Data Status
Contains data.
Contains no data.
With MIDI Recording, you can create a MIDI Song consisting of 16 tracks by recording your performance to each track one by one. In recording a piano piece, for example, you can record the right-hand part to Track 1 then record the left-hand part to Track 2, allowing you create a complete piece which may be difficult to play live with both hands together. To record a performance with Rhythm playback, for example, record Rhythm playback, then record melodies to Track 1 while listening to the already recorded Rhythm playback. In this way, you can create an entire Song which would otherwise be difficult, or even impossible, to play live.
When you want to record a new track of an already recorded MIDI Song:
After selecting the target MIDI Song (steps 1 – 4 on pages 44 – 45), press and hold the [REC] (Record) button for a second to call up the display which lists the Recording Target Songs, select the 4th item (the selected MIDI Song), press the [>] button, then go to step 2 described on this page.
Recording Your Performance
1. Execute the same operations as in step 1 and step 2 on
page 55 to enter the Recording mode with a new blank Song selected.
2. Use the [<]/[>] buttons to select a Recording Track.
When you want to record the right-hand part, highlight “R” (Track 1). When you want to record the left-hand part, highlight “L” (Track 2). Alternately, when you want to record your performance to Tracks 3 – 16, call up the desired one by pressing the [<]/[>] buttons repeatedly. If the Rhythm playback was recorded first before other tracks, it is automatically recorded to one of the Tracks 9 – 11 (or all the three tracks). If this is the case, select the desired track for recording from any except for these tracks.
3. Play the keyboard to start recording.
When you want to record the Rhythm playback first, press the [RHYTHM] button to start recording. When you want to record an empty section at the start of the Song, press the [PLAY/PAUSE] button to start recording.
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Recording Your Performance
NOTICE
The recorded MIDI Song will be lost if you change to another Song or you turn the power off without executing the save operation.
Renaming the recorded Song
The recorded Songs are named automatically, but you can rename Songs as desired (page 70).
NOTE
For instructions on rewinding, fast-forwarding and returning to the top of the Song during Song playback, refer to page 46.
NOTICE
Note that recording your performance to a Track containing data will overwrite the previously recorded data.
NOTE
Refer to page 67 for how to delete a Song. Refer to “Track Delete” on page 93 for how to delete a track.
4. After you finish your performance, press the [REC]
(Record) button to stop recording.
This operation exits from the Recording mode and calls up the display for saving the recorded performance data.
5. If you want to save the recorded performance, press the [>]
button to execute the Save operation while “Save” is highlighted.
After the Save operation is completed, the display shows “Save Completed” then returns to the Song display. The recorded Song will be named “USERSONGxxx” (xxx: number) and saved in the “User” category.
• If you are not satisfied with your performance and want to record again, highlight the cursor to “Retry” then press the [>] button. Try recording again from step 3.
• If you do not want to save the recorded data, highlight “Cancel” then press the [>] button.
6. To hear the recorded performance, press the [PLAY/
PAUSE] button.
7. To record another Track, enter the Song Recording mode
again.
7-1. Press and hold the [REC] (Record) button for a second.
7-2. Use the [d] button to select existing MIDI Song (at the
You can check whether or not each Track contains recorded data by the indication that appears at the upper right of each Track. For details on the indication, refer to “Track Data Status” on page 57.
8. Record your performance to another track by repeating
58
steps 2 – 6 of this section.
In step 2, select a track which has no recorded data. In step 3, play the keyboard while listening to the already recorded data.
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
The Recording Target Songs will be listed on the display.
bottom of the list), then press the [>] button.

MIDI Recording to the USB Flash Drive

MIDI
NOTE
To connect a USB flash drive, be sure to read the section “Connecting USB Devices (USB [TO DEVICE] terminal)” on page 74.
NOTE
Before starting the Recording operation, check the remaining memory capacity of the USB flash drive. “System” menu: “Utility” “USB Properties” (page 100).
785 775 745 735795GP 765GP
These instructions describe how to overwrite an already recorded MIDI Song in the USB flash drive or how to create a New MIDI Song on the USB flash drive.
1. Connect the USB flash drive to the USB [TO DEVICE]
terminal.
Recording Your Performance
2. Select a MIDI Song as Recording target, then enter the
Recording mode.
2-1. If you want to record an additional Track to the already
recorded MIDI Song, select the desired MIDI Song in the USB flash drive. If you want to record from scratch, skip this step.
2-2. Press and hold the [REC] (Record) button for a second to call
up the display which lists the Recording Target Songs.
2-3. From the Recording Target Songs, select “New Song (USB)”
or the MIDI Song selected in step 2-1 (4th item below) using
u]/[d] buttons, then press the [>] button to enter the
the [ Recording mode.
Recordin g Target
Song
New Song Select this when you want to record your performance to a
blank MIDI Song and save to “User” category in this instrument’s internal memory.
New Song (USB)* Select this when you want to record your performance to a
blank MIDI Song and save to the USB flash drive.
New Audio (USB)* Select this when you want to record your performance to
blank audio data and save to the USB flash drive.
Description
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Recording Your Performance
NOTICE
Note that recording your performance to a Track containing data will overwrite the previously recorded data.
NOTE
The time signature and tempo cannot be changed when replacing the part of an existing MIDI Song.
Audio
NOTE
To connect a USB flash drive, be sure to read the section “Connecting USB Devices (USB [TO DEVICE] terminal)” on page 74.
NOTE
Before starting the Recording operation, check the remaining memory capacity of the USB flash drive. “System” menu: “Utility” “USB Properties” (page 100).
NOTE
With Audio recording, distorted sound may be produced if the Voice Volume is set to the value higher than the default setting. Make sure to set the Voice Volume to the default value or less before recording from the “Voice” menu display: “Voice Edit” “Volume” (page 88).
NOTE
With Audio recording, audio signals such as those from the [AUX IN] jack are also recorded.
Recordin g Target
Song
xxxxx (MIDI Song selected in step 2-1 above)**
* Can be selected only when the USB flash drive is connected to the USB [TO DEVICE]
terminal.
** Will not be shown when an already recorded MIDI Song is not selected in step 2-1 above,
or when a Preset Song is selected in step 2-1.
Select this when you want to record additionally to/overwrite the currently selected MIDI Song.
Description
3. Execute the Recording operation, then save the recorded
performance.
• When you want to record additionally to the currently selected MIDI Song, or record to a specified track on a blank MIDI Song:
Execute steps 2 – 8 in “MIDI Recording—Independent Tracks” on page 57.
• When you want to quick record to a blank MIDI Song:
Execute steps 3 – 6 in “Quick MIDI Recording” on page 55.

Audio Recording to the USB Flash Drive

These instructions describe how to record your performance as audio data. Note that an audio file to which your performance is to be recorded can be saved only to a USB flash drive. This is why you should prepare your USB flash drive device before starting the Recording operation.
1. Connect the USB flash drive to the USB [TO DEVICE]
terminal.
2. Press and hold the [REC] (Record) button for a second to
call up the display which lists the Recording Target Songs.
3. Use the [u]/[d] buttons to select “New Audio (USB)” then
press the [>] button.
4. Execute steps 3 – 6 in “Quick MIDI Recording” (page 55).
Unlike with MIDI Recording, the elapsed time is shown on the display while Audio Recording is being executed.
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Other Recording Techniques

MIDI
785 775 745 735795GP 765GP
FUNCTION
Re-recording a MIDI Song in parts
You can re-record a specific range of the MIDI Song.
Recording Your Performance
1. Set the parameters which determine how recording starts
and stops.
1-1. Press the [FUNCTION] button repeatedly to call up the
“Recording” menu display.
1-2. Use the [u]/[d] buttons to select “RecStart,” then select the
value which determines how recording starts by using the [>] button.
Normal
KeyOn
1-3. Use the [u]/[d] buttons to select “RecEnd,” then select the
value which determines how recording stops by using the [>] button.
Replace
PunchOut
The already recorded data will be replaced with the new one as soon as recording starts.
The already recorded data will be maintained until you press a key, and actual recording starts as soon as you press a key.
The data after the point you stop recording will also be erased.
The data after the point you stop recording will remain.
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Recording Your Performance
NOTE
The time signature cannot be changed when replacing the part of an existing Song.
2. Press the [SONG/DEMO] button to call up the Song List
display.
3. Select the desired MIDI Song.
For instructions, refer to page 44.
4. Specify the start point you wish to re-record.
Use the [<]/[>] buttons to move the playback position (measure number) to the desired point. Alternately, press the [PLAY/PAUSE] button to start playback, then press the [PLAY/PAUSE] button again slightly prior to the desired point.
If necessary, select the settings (Voice and other parameters). Select the desired settings, if you wish to change the previous ones.
5. Press and hold the [REC] (Record) button for a second to
call up the display which lists the Recording Target Songs, then select the 4th item (Song selected in step 3), then press the [>] button to enter the recording mode.
6. Use the [<]/[>] buttons to select a Track for re-recording.
7. Play the keyboard or press the [PLAY/PAUSE] button to
start recording.
8. Press the [REC] (Record) button to stop recording.
9. Save the recorded performance by following step 5 on
page 58.
10.To hear the recorded performance, press the [PLAY/
PAUSE] button.
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Changing the tempo or the Voice of a previously
MIDI
785 775 745 735
EXIT
FUNCTION
795GP 765GP
“Song” menu display
3-1. Use the [u]/[d] buttons
to select “Edit.”
3-2. Press the [>] button to
call up the next display.
3-3. Use the [u]/[d] buttons
to select “Tempo Change.”
3-4. Press the [>] button to call up
the next display.
Edit display Tempo Change display
recorded MIDI Song
For MIDI Songs, you can change the tempo and Voice after recording to change a feel or to set a more suitable tempo.
To c h ang e t he te mpo:
Recording Your Performance
1. Select the MIDI Song you wish to change.
2. Press the [TEMPO] button to call up the Tempo display,
3. Press the [FUNCTION] button repeatedly to call up the
4.
For instructions, refer to page 44.
then set the desired Tempo.
For instructions, refer to page 39.
“Song” menu display, then select the highlighted item in each display as illustrated below.
Apply the selected Tempo value to the current MIDI Song data.
Press the [d] button to highlight “Execute,” then press the [>] button to apply the new Tempo value to the current MIDI Song data.
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Recording Your Performance
“Song” menu display
3-1. Use the [u]/[d] buttons
to select “Edit.”
3-2. Press the [>] button to
call up the next display.
3-3. Use the [u]/[d] buttons
to select “Voice Change.”
3-4. Press the [>] button to
call up the next display.
Edit display Voice Change display
When this operation is completed, “Completed” is shown on the display, and the Tempo Change display will be restored after a while.
5. Press the [EXIT] button to exit from the “Song” menu
display.
To change the Voice:
1. Select the MIDI Song you wish to change.
For instructions, refer to page 44.
2. Select the desired Voice.
For instructions, refer to page 30.
3. Press the [FUNCTION] button repeatedly to call up the
“Song” menu display, then select the highlighted item in each display as illustrated below.
4.
Press the [>] button to call up the setting display, then select the desired Track using the [u]/[d] buttons.
5. Apply the Voice selected in step 2 for the Track selected in
step 4 to the current MIDI Song data.
Press the [<] button to return to the Voice Change display. Press the [d] button to highlight “Execute,” then press the [>] button to apply the new Voice to the current MIDI Song data.
When this operation is completed, “Completed” is shown on the display, and the Voice Change display will be restored after a while.
6. Press the [EXIT] button to exit from the “Song” menu
display.
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Handling Song Files

Song name
Icon*
Category name
Instrument
USB flash drive
User
Can be copied/moved.
Can be copied/moved.
Root
USER FILES folder
NOTE
NOTE
The “File” menu in the “Song” menu display (page 92) enables you to apply various operations to Song files — Songs you recorded on this instrument or commercially available Songs.
connect a USB flash drive, be sure to read the section “Precautions when using the USB [TO DEVICE]
To terminal” on page 74.
Operation File menu Page
Deleting files Delete pages 66, 67
Copying files *Copy pages 66, 68
Moving files *Move pages 66, 68
Converting a MIDI Song to an Audio Song during playback *MIDI to Audio pages 66, 69
Renaming files Rename pages 66, 70
Settings marked with a “*” are effective only when a MIDI Song is selected.
File
A file contains a group of data. On this instrument, a Song file includes Song data and a Song name.
Song Types and File Operation Limitations
Song types are indicated as the category name and icon in the Song display. The following chart shows the Song type and restrictions on File operations.
* The icon appears only when you select a Song in the “User” or “USB”
category.
Data Location
Category
Instrument Demo Demo (Voice Demo) ×××× ×
USB flash drive device
50 Classical Lesson Lesson Preset Songs ×××× ×
User
USB
50 classical Preset Songs ×××× ×
Your own recorded Songs (MIDI)
MIDI Songs
Audio Songs
Song Type
 
 ×× ×
Deleting
files
Renaming
files
 
Copying
files
Moving
files
: Yes, ×: No
Convert a
MIDI Song to
an Audio
Song during
playback
Range of the Copy/Move operation
As for a MIDI Song in the “User” category in the instrument, you can Copy/Move it only to the USER FILES folder on a USB flash drive. Selecting a MIDI Song from “User” for copying/moving automatically specifies the USER FILES folder as the destination. As for a MIDI Song in a USB flash drive, you can Copy/Move it to the “User” category in the instrument.
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USER FILES folder
If the USB flash drive device plugged into the instrument contains no USER FILES folder, one will be created automatically when you format or record a Song to that device. The recorded Song will then be saved in that folder.
Please note that the copy features are intended for your personal use only.
Folders cannot be copied.
Root:
The highest level of a hierarchical structure. This indicates an area which does not belong to a folder.
65
Handling Song Files
785 775 745 735795GP 765GP
EXIT
FUNCTION
“Song” menu display
For example: Renaming files

Basic Song File Operation

Song files can be handled via the instructions shown below.
1. Connect the appropriate USB flash drive containing the
desired files to the USB [TO DEVICE] terminal.
2. Select a Song for handling.
For information on selecting a Song, see page 44.
3. Call up the File mode.
3-1. Press the [FUNCTION] button repeatedly to call up the
“Song” menu display. Use the [ then press the [>] button.
3-2. Select the desired operation from “Delete,” “Copy,” “Move,”
“MIDI to Audio” or “Rename.”
From here, if you wish to close the File mode, press the [EXIT] button once or twice.
u]/[d] buttons to select “File”
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4. Execute the selected operation.
NOTICE
Do not disconnect the USB flash drive during file handling or when a USB flash drive is mounted. Doing so may delete all data in the USB flash drive and the instrument.
NOTE
You cannot delete multiple Songs at the same time.
NOTICE
Do not turn off the power or eject the USB flash drive while “Executing” is shown in the display.
For specific instructions, refer to the corresponding section.
Delete....................................page 67
Copy......................................page 68
Move .....................................page 68
MIDI to Audio...................page 69
Rename ................................page 70
During operation, messages (information, confirmation, etc.) may be shown on the display. For explanations and details, refer to “Message List” on page 111.
5. Press the [EXIT] button to close the File mode.

Deleting Files — Delete

For details about Song types which can be deleted, refer to page 65.
Handling Song Files
See page 66 for information on basic operations. The following is a detailed procedure of step 4 on that page.
4-1. While “Delete” is highlighted, press the [>] button to call
up the setting display.
4-2. Highlight “Execute” by pressing [d] button, and then
press the [>] button.
After the Song is deleted, the display returns to the Song List display.
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Handling Song Files
File name
Copy destination
Copy destination:
“USB” will be shown when the copy destination is the USB flash drive or “User” when the instrument is the copy destination. A file copied to the USB flash drive is stored to the USER FILES folder on it.
NOTE
A message appears when a Song with the same name already exists in the copy destination. Select “Overwrite” when you want to overwrite the selected Song, or “Cancel” to cancel by using the [
u]/[d]
buttons, and then press the [>] button.
NOTICE
Overwrite operations erase any existing data of the copy destination file and overwrite with data of the copy source file.
NOTICE
Do not turn off the power or eject the USB flash drive while “Executing” is shown in the display.
Move destination
“USB” will be shown when the move destination is the USB flash drive or “User” when the instrument is the move destination. A file moved to the USB flash drive is stored to the USER FILES folder on it.
NOTE
A message appears when a Song with same name already exists in the move destination. Select “Overwrite” when you want to overwrite the selected Song, or “Cancel” to cancel by using the [
u]/[d] buttons, then
press the [>] button.
NOTICE
Overwrite operations erase any existing data of the move destination file and overwrite with data of the move source file.
NOTICE
Do not turn off the power or eject the USB flash drive while “Executing” is shown in the display.
Move destination
File name

Copying Files — Copy

For details about Song types and ranges that can be copied, refer to page 65.
See page 66 for information on basic operations. The following is a detailed procedure of step 4 on that page.
4-1. While “Copy” is highlighted, press the [>] button to call
up the setting display.
4-2. Highlight “Execute” by pressing [d] button, then press
the [>] button.
The selected Song will be copied to the destination with the same name as the copy source file.

Moving Files — Move

For details about Song types and ranges that can be moved, refer to page 65. See page 66 for information on basic operations.
The following is a detailed procedure of step 4 on that page.
4-1. While “Move” is highlighted, press the [>] button to call
4-2. Highlight “Execute” by pressing the [d] button, then
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up the setting display.
press the [>] button.
The selected Song will be moved to the destination and the display returns to the Song list display.
Convert a MIDI Song to an Audio Song during
NOTE
After conversion, the MIDI Song remains in the original data location.
NOTICE
Do not turn off the power or disconnect the USB flash drive during the conversion. Otherwise the data will be lost.
NOTE
A message appears when a Song with same name already exists in the copy destination. Select “Overwrite” when you want to overwrite the selected Song by using the [
u]/[d]
buttons, then press the [>] button.
NOTE
To cancel this operation, press the [EXIT] button during the conversion. When the operation is canceled, the converted Audio Song will not be saved.
Playback — MIDI to Audio
A MIDI Song in the “User” memory of the instrument or on a USB flash drive can be converted to an Audio Song then saved to the USER FILES folder on a USB flash drive. For information about which Song types can be converted, refer to page 65.
See page 66 for information on basic operations. The following is a detailed procedure of step 4 on that page.
4-1. While “MIDI to Audio” is highlighted, press the [>]
button to call up the setting display.
4-2. Highlight “Execute” by pressing the [d] button, then
press the [>] button.
This operation starts playback and conversion from MIDI to Audio. This is basically the same as that of Audio Song Recording, which allows you to record your keyboard performance and other audio input sound (page 54). After you convert the Song, a message “Convert completed” will be shown and the display returns to Song List display.
Handling Song Files
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Handling Song Files
Cursor
NOTE
For information about the character types available for the Song name, refer to “Language” on page 101.
NOTICE
Do not turn off the power or eject the USB flash drive while “Executing” is shown in the display.

Renaming Files — Rename

For details about Song types which can be renamed, refer to page 65.
See page 66 for information on basic operations. The following is a detailed procedure of step 4 on that page.
4-1. While “Rename” is highlighted, press the [>] button to
call up the setting display.
4-2. Assign a name to the Song.
Use the [<]/[>] buttons to move the cursor highlight (underline). Use the [ position. Pressing the [REC] button will delete the character at the current cursor position. A Song name can contain up to 46 characters. Characters which extend beyond the display capacity and are not visible can be viewed by moving the highlight by using the [<]/[>] buttons.
u]/[d] buttons to change the character at the current cursor
4-3. Press the [FUNCTION] button.
After the Song is renamed, the display returns to the Song List display where the renamed Song can be selected.
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Connections

CAUTION
Before connecting the instrument to other electronic components, turn off the power of all the components. Also, before turning any components on or off, make sure to set all volume levels to minimum (0). Otherwise, damage to the components, electrical shock, or even permanent hearing loss may occur.
NOTE
Before using the Bluetooth function, be sure to read “About Bluetooth” on page 142.
785 775 745 735 795GP 765G P
1 5 62 3 4
7
Terminals under the keyboard
Bottom (rear view)
785 775 745 735 795GP 765G P
1 2 5
3
7
6
Terminals under the keyboard
Bottom (rear view)
CLP-775
CLP-745/735/765GP
Right
(higher-key side)
Left (lower-key side)
Right
(higher-key side)
Left (lower-key side)

Connectors

You can connect other devices to this instrument’s connectors. For information about location of these connectors, refer to “Panel Controls and Terminals” on page 14. You can connect this instrument to a smart device such as a smartphone via Bluetooth (page 77) if the instrument is equipped with Bluetooth*.
*For information on whether Bluetooth functionality is included or not, refer to page 142.
3 7
6
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Connections
NOTE
There are two different types of USB terminals on the instrument: USB [TO DEVICE] and USB [TO HOST]. Take care not to confuse the two terminals and the corresponding cable connectors. Be careful to connect the proper plug in the proper direction.
NOTE
• Connect or disconnect the pedal when the power of this instrument is turned off.
• Do not press the footswitch/ foot pedal while turning the power on. Doing this changes the recognized polarity of the footswitch, resulting in reversed footswitch operation.
NOTICE
When the Clavinova’s [AUX IN]
jack is connected to an external device, first turn on the power to the external device, then to the Clavinova. Reverse this order when you turn the power off.
NOTE
The instrument’s [MASTER VOLUME] setting affects the input signal from the [AUX IN] jack.
NOTE
Use audio cables and adaptor plugs having no (zero) resistance.
Instrument
Phone plug (stereo mini) Phone plug (stereo mini)
Portable audio player
Audio cable
Headphone jack
Audio signal
1 USB [TO DEVICE] terminal
You can connect a USB flash drive to this terminal, or use a USB wireless LAN adaptor UD-WL01 (sold separately) to connect with a smart device such as a smartphone. For details, refer to “Connecting to a Computer” (page 76) or “Using a Smart Device App” (page 80). Before using the USB [TO DEVICE] terminal, be sure to read “Precautions when using the USB [TO DEVICE] terminal” on page 74.
2 USB [TO HOST] terminal
This terminal allows connection to a computer or a smart device, such as smartphone or tablet. For details, refer to “Connecting to a Computer” (page 76) or “Connecting to a Smart Device” (page 77).
3 MIDI [IN], [OUT], [THRU] terminals
These terminals are used to connect external MIDI devices, such as a synthesizer or a sequencer. For details, refer to “Connecting External MIDI Devices” on page 75.
4 [AUX PEDAL] jack (CLP-785/795GP)
A separately sold FC7 foot controller or FC4A/FC5 foot switch can be connected to this jack. By using an FC7 you can control the volume while playing to add expression to your performance, or control various other functions. By using an FC4A/FC5, you can switch various selected functions on/off. To select the function that will be controlled, use the “Aux Assign” (page 98) in the “System” menu display.
5 [AUX IN] jack
This jack is used to connect an audio player, such as a smartphone or portable audio player. (See below.)
6 AUX OUT [L/L+R] [R] jacks (CLP-785/795GP)
AUX OUT [R] [L/L+R] jacks (CLP-775/745/735/765GP)
These jacks are used to connect to external powered speaker systems (page 73).
7 [PEDAL] jack
This jack allows connection to the pedal cord (CLP-785: page 118, CLP-775: page 121, CLP-745/735: page 124, CLP-795GP: page 129, CLP-765GP: page 132).

Connecting to an Audio Player ([AUX IN] jack)

You can connect the headphone jack of an audio player, such as a smartphone or portable audio player, to the instrument’s [AUX IN] jack. Audio playback on the connected device is output from the built-in speakers of this instrument.
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Using an External Speaker System for Playback
NOTE
Use only the [L/L+R] jack for connection with a monaural device.
NOTICE
•To avoid possible damage, first turn on the power to the instrument, then to the external device. When turning off the power, first turn off the power to the external device, then to the instrument. Since this instrument’s power may automatically be turned off due to the Auto Power Off function (page 17), turn off the power to the external device, or disable Auto Power Off when you do not intend to operate the instrument.
• Do not route the output from the AUX OUT jacks to the [AUX IN] jack. If you make this connection, the signal input at the [AUX IN] jack is output from the AUX OUT jacks. These connections could result in a
feedbac
k loop that will make normal performance impossible, and may even damage the equipment.
NOTE
Use audio cables and adaptor plugs having no (zero) resistance.
NOTE
When you are monitoring the sound output via the AUX OUT jacks from headphones connected to the instrument, we recommend that you set the Binaural Sampling and Stereophonic Optimizer functions to off. For details, refer to page 22.
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Clavinova
AUX OUT Input jack
Powered speaker
Audio signal
Phone plug (standard) Phone plug (standard)
Audio cable
785 775 745 735 795GP 765G P
Clavinova
AUX OUT Inp ut jack
Powered speaker
Audio cable
Phone plug (standard) Phone plug (standard)
Audio signal
(AUX OUT [L/L+R]/[R] jacks)
These jacks let you connect the Clavinova to external powered speaker systems, for playing in larger venues at higher volumes.
Connections
The Clavinova’s [MASTER VOLUME] setting will affect the sound that is output from AUX OUT jacks. When the Clavinova’s AUX OUT jacks are connected to an external speaker and you want to turn off the speaker sound of the Clavinova, switch the “speaker” parameter to off via the “System” menu: “Utility” → “Speaker” (page 100).
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Connections
NOTE
NOTICE
NOTICE
NOTE
NOTICE
NOTICE

Connecting USB Devices (USB [TO DEVICE] Terminal)

You can connect a USB flash drive or a USB wireless LAN adaptor UD-WL01 (sold separately) to the USB [TO DEVICE] terminal. You can save data you’ve created on the instrument to the USB flash drive (pages 65,
104), or you can connect the instrument to a smart device such as an iPad via wireless LAN (page 81).
Precautions when using the USB [TO DEVICE] terminal
This instrument features a built-in USB [TO DEVICE] terminal. When connecting a USB device to the terminal, be sure to handle the USB device with care. Follow the important precautions below.
For more information about the handling of USB devices, refer to the owner’s manual of the USB device.
Compatible USB devices
•USB flash drive
•USB hub
• USB wireless LAN adaptor UD-WL01 (sold separately; may not be available in some areas)
Other USB devices such as a computer keyboard or mouse cannot be used. The instrument does not necessarily support all commercially available USB devices. Yamaha cannot guarantee operation of USB devices that you purchase. Before purchasing a USB device for use with this instrument, please visit the following web page:
https://download.yamaha.com/
Although USB devices 2.0 to 3.0 can be used on this instrument, the amount of time for saving to or loading from the USB device may differ depending on the type of data or the status of the instrument. USB 1.1 devices cannot be used on this instrument.
If you intend to connect two devices at the same time to a terminal, you should use a bus-powered USB hub. Only one USB hub can be used. If an error message appears while using the USB hub, disconnect the hub from the instrument, then turn on the power of the instrument and re-connect the USB hub.
Do not use an extension cable when connecting a USB device.
Using USB Flash Drives
By connecting the instrument to a USB flash drive, you can save data you’ve created to the connected device, as well as read data from the connected USB flash drive.
Number of USB flash drives that can be
used
Only one USB flash drive can be connected to the USB [TO DEVICE] terminal. (If necessary, use a USB hub. The number of USB flash drives that can be used simultaneously with musical instruments even when a USB hub is used is only one.)
Formatting a USB flash drive
You should format the USB flash drive only with this instrument (page 100). A USB flash drive formatted on another device may not operate properly.
The rating of the USB [TO DEVICE] terminal is a maximum of 5V/500mA. Do not connect USB devices having a rating above this, since this can cause damage to the instrument itself.
Connecting a USB device
When connecting a USB device to the USB [TO DEVICE] terminal, make sure that the connector on the device is appropriate and that it is connected in the proper direction.
•Avoid connecting or disconnecting the USB device during
playback/recording and file management operations (such as Save, Copy, Delete and Format), or when accessing the USB device. Failure to observe this may result in “freezing” of the operation of the instrument or corruption of the USB device and the data.
• When connecting then disconnecting the USB device (and
vice versa), make sure to wait a few seconds between the two operations.
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The format operation overwrites any previously existing data. Make sure that the USB flash drive you are formatting does not contain important data.
To protect your data (write-protect)
To prevent important data from being inadvertently erased, apply the write-protect provided with each USB flash drive. If you are saving data to the USB flash drive, make sure to disable write-protect.
Turning off the instrument
When turning off the instrument, make sure that the instrument is NOT accessing the USB flash drive by playback/recording or file management (such as during Save, Copy, Delete and Format operations). Failure to do so may corrupt the USB flash drive and the data.
Connecting External MIDI Devices (MIDI
CAUTION
Before connecting the instrument to other MIDI devices, turn off the power of all the components.
NOTE
For details about MIDI, refer to “MIDI Basics” downloadable from the Yamaha website (page 8).
NOTE
• Since MIDI data that can be transmitted or received varies depending on the type of MIDI device, check the MIDI Data Format to find out what MIDI data and commands your devices can transmit or receive. The MIDI Data Format is contained in the “MIDI Reference” downloadable from the Yamaha website (page 8).
• When transmitting MIDI data from this instrument to an external MIDI device, unexpected sounds may occur because of data related to the Grand Expression Modeling.
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Clavinova
MIDI IN MIDI INMIDI OUT MIDI OUT
MIDI transmit
MIDI receive
External MIDI device
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Clavinova
MIDI IN MIDI INMIDI OUT MIDI OUT
MIDI receive
MIDI transmit
External MIDI device
Te r mi n a l s)
The sophisticated MIDI functions give you powerful tools to expand your music performance and creation possibilities. Use the MIDI terminals and standard MIDI cables to connect external MIDI devices (keyboard, sequencer, etc.)
MIDI [IN].......... Receives MIDI messages from another MIDI device.
MIDI [OUT]......Transmits MIDI messages generated on this instrument to
another MIDI device.
MIDI [THRU]... Simply relays the MIDI messages received at MIDI IN.
Connections
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Connections
NOTICE
• Use an AB type USB cable of
less than 3 meters. USB 3.0 cables cannot be used.
•If you are using a DAW
(digital audio workstation) application with this instrument, set the Audio Loopback function to off (see below). Otherwise, a loud sound may occur, depending on the settings of the computer or the application software.
NOTE
• When using a USB cable to
connect the instrument to your computer, make the connection directly without passing through a USB hub.
• For information on setting up
your sequence software, refer to the owner’s manual of the relevant software.
• The instrument will begin
transmission a short time after the computer or smart device is connected.
• Unexpected sounds may
occur if you edit MIDI data related to the Grand Expression Modeling on a computer.
NOTE
• When transmitting or
receiving audio signals by using a computer running Windows, the Yamaha Steinberg USB Driver should be installed to the computer. For details, refer to the “Computer-related Operations” on the website.
• The volume of the audio
sound input can be adjusted from a computer or smart device.
NOTE
• The Audio Loopback function
also affects the audio input sound when using the Bluetooth Audio function (page 78) or the wireless LAN connection (page 81).
• The playback sound of an
Audio Song (page 43) is also output to a computer or smart device when this is set to “On,” while the sound is not output when this is set to “Off.”
• With Audio Recording
(page 54), the audio input sound from the connected computer or smart device is recorded when this is set to “On,” while the sound is not recorded when this is set to “Off.”
Computer
USB cable
USB terminal
Clavinova

Connecting to a Computer (USB [TO HOST] Terminal)

By connecting a computer to the [USB TO HOST] terminal via a USB cable, you can transfer MIDI data or Audio data between the instrument and the computer. For details on using a computer with this instrument, refer to the “Computer-related Operations” on the website (page 8).
Transmitting/Receiving Audio Data (USB Audio Interface function)
By connecting a computer or a smart device to the USB [TO HOST] terminal via a USB cable, digital audio data can be transmitted/received. This USB Audio Interface function provides the following advantages:
• Playing back audio data with high sound quality
This gives you direct, clear sound in which the sound quality has less noise and deterioration than that from the [AUX IN] jack.
• Recording performance on the instrument as audio data by using a recording software or a music production software
The recorded audio data can be played back on the computer or smart device.
For instructions on connecting, refer to “Computer-related Operations” or the “Smart Device Connection Manual” on the website (page 8).
Audio Loopback On/Off
This allows you to set whether audio sound input from the connected computer or smart device is output to a computer or a smart device or not along with the performance played on the instrument. To output the audio input sound, set the Audio Loopback to “On.” For example, if you want to record the audio input sound as well as the sound played on the instrument by using the computer or the smart device, set this to “On.” If you intend to record only the sound played on the instrument by using the computer or the smart device, set this to “Off.” For details on the settings, refer to “Audio Loopback” on page 101.
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NOTICE

Connecting to a Smart Device

NOTE
• Before using the USB [TO DEVICE] terminal, be sure to read “Precautions when using the USB [TO DEVICE] terminal” on page 74.
• When you use the instrument along with a smart device, we recommend that you set that device’s “Airplane Mode” to on and then the Wi­Fi/Bluetooth setting to on in order to avoid noise caused by communication.
• The instrument will begin transmission a short time after the computer or smart device is connected.
• When using a USB cable to connect the instrument to your smart device, make the connection directly without passing through a USB hub.
Connecting a smart device such as a smartphone or tablet allows you to enjoy the features shown below. You can listen to audio playback from a smart device on your instrument’s speakers, or use a compatible smart device app to make playing this instrument easier and more fun. The method of connection varies depending on your intended use.
• Using a compatible smart device app
Connect the device to this instrument via Bluetooth* or other methods. For details, refer to page 80.
• Listening to audio played back on a smart device through the speakers of this instrument (Bluetooth* Audio function)
Connect the device to this instrument via Bluetooth. For details, refer to page 78.
• Transmitting/receiving audio data (USB Audio Interface function)
Connect the device to this instrument’s USB [TO HOST] terminal via a USB cable. For details, refer to page 76.
*For information on whether Bluetooth functionality is included or not, refer to page 142.
Connections
• Use an AB type USB cable of less than 3 meters. USB 3.0 cables cannot be used.
• Do not place your smart device in an unstable position. Doing so may cause the device to fall and
result in damage.
•If you are using a DAW (digital audio workstation) application with this instrument, set the Audio
Loopback function (page 76) to off. Otherwise, a loud sound may occur, depending on the settings of the application software.
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Connections
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Bluetooth logo
Bluetooth logo
NOTE
• In this manual, “Bluetooth­equipped device” refers to a device that can transmit audio data on it to the instrument using the Bluetooth function, via wireless communication. For proper operation, the device must be compatible with A2DP (Advanced Audio Distribution Profile). The Bluetooth Audio function is explained here by using a smart device as an example of such Bluetooth-equipped devices.
• Refer to page 80 for transmitting/receiving the MIDI data between the instrument and the smart device via Bluetooth.
• Bluetooth headphones or speakers cannot be paired.
• When the Bluetooth is set to Off on this instrument, the smart device cannot be connected via Bluetooth. Set the Bluetooth on beforehand (page 79).
Paring
“Pairing” means to register Bluetooth-equipped smart devices on this instrument, and establish the mutual recognition for wireless communication between the two.
NOTE
• Only one smart device can
be connected to this instrument at a time (although up to 8 smart devices can be paired to this instrument). When pairing with the 9th smart device has succeeded, pairing data for the device with the oldest connection date will be deleted.
• Make sure to complete the
settings on the smart device within 5 minutes.
• If you are required to enter a
passkey, enter the numerals “0000.”
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FUNCTION
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Listening to Audio Data from a Smart Device through this Instrument (Bluetooth Audio Function)
Bluetooth capability
The models CLP-785, CLP-775, CLP-745, CLP-795GP and CLP-765GP are equipped with Bluetooth functionality; however, even these models may not support Bluetooth, depending on the country in which you purchased the product. If the Bluetooth logo is shown or printed on the control panel, this means that the product is equipped with Bluetooth functionality.
Before using the Bluetooth function, be sure to read “About Bluetooth” on page 142.
You can input the sound of the audio data saved in a Bluetooth-equipped device, such as a smart phone or digital audio player, to this instrument and listen to it through the built-in speaker of the instrument.
1. (CLP-785/775/795GP) Hold down the [ ] (Bluetooth)
button for 3 seconds. (CLP-745/765GP) Hold down the [FUNCTION] button for 3 seconds.
78
The pop-up window will appear which indicates that the instrument is standing by for pairing.
To cancel the pairing, press the [EXIT] button.
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2. On the smart device, set the Bluetooth function to on and
Can receive audio data
NOTE
You can adjust the volume of the sound input via Bluetooth by the [MASTER VOLUME] slider. To adjust the volume balance between your keyboard performance and the input sound via Bluetooth, adjust the volume on the smart device.
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“System” menu display
1-1. Confirm that “Bluetooth”
is selected.
1-2. Press the [>] button to
call up the next display.
1-3. Confirm that “Bluetooth”
is selected.
Bluetooth display
select “CLP-xxx AUDIO” from the connection list.
For details, refer to the smart device owner’s manual. After pairing is completed, the connection status will be shown in the display.
3. Play back audio data on the smart device to confirm that
the built-in speakers of the instrument can output the audio sound.
When you turn on the instrument the next time, the last-connected smart device will be connected to this instrument automatically, if the Bluetooth function of the smart device and the instrument is set to on. If it is not connected automatically, select the model name of the instrument from the connection list on the smart device.
Connections
Switching the Bluetooth Function On/Off
For information on whether Bluetooth functionality is included or not, refer to page 142.
Before using the Bluetooth function, be sure to read “About Bluetooth” on page 142.
By default, the Bluetooth function will be on right after turning the instrument’s power on, however you can set the function to off.
1. Press the [FUNCTION] button repeatedly to call up the
“System” menu display, then select the highlighted item in each display as illustrated below.
2. Press the [>] button to switch on/off.
To exit from the “System” menu display, press the [EXIT] button.
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Connections
NOTICE
Activating the “Smart Pianist” app while the instrument is connected to the smart device overwrites the settings on the instrument by that of “Smart Pianist.” Save your important setup data as a backup file to a USB flash drive (page 104).
NOTE
When using the “Smart Pianist” app, you cannot use any buttons on the instrument other than the [EXIT] button. Control the instrument by using “Smart Pianist.” Pressing the [EXIT] button on the instrument disconnects the instrument from the “Smart Pianist” app, and enables you to control the instrument by using its buttons.
NOTE
A smart device cannot be connected when the Bluetooth function of this instrument is set to off. (The default setting: On) Refer to page 79 for how to set On or Off.
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Voice display
Can transmit and receive MIDI data
Can transmit and receive MIDI data, and receive audio data

Using a Smart Device App

By using a compatible smart device app, you can get more enjoyment out of this instrument. Especially, “Smart Pianist” (available as a free download) lets you select the Voice and make Metronome settings intuitively, and allows you to display the notation, depending on the selected data. Access the web page of the respective apps on the following website for information on each app, including apps such as “Smart Pianist” that are compatible with this instrument, as well as for information on which smart devices are supported.
https://www.yamaha.com/kbdapps/
Connect your smart device to this instrument via Bluetooth or other methods.
Connecting via Bluetooth
For information on whether Bluetooth functionality is included or not, refer to page 142.
Before using the Bluetooth function, be sure to read “About Bluetooth” on page 142.
Connect from the settings screen of the app you will be using. For the “Smart Pianist” app, follow the instructions on the connection wizard (shown below). Select “CLP-XXX (model name) MIDI” as the Bluetooth device to pair with. The devices will be able to transmit and receive MIDI data when they are connected. To play the audio data from your smart device on this instrument, refer to page 78. The connection status will be shown on the instrument’s display once the Bluetooth connection has been made.
Using other methods to connect
See the “Smart Device Connection Manual” on the website (page 8) for how to connect using other methods. When connecting using the UD-WL01 (sold separately), you will need to make settings on the instrument, following the steps in the “Smart Device Connection Manual.” For details, refer to page 81. To use the “Smart Pianist” app, connect by following the instructions on the “Smart Pianist” connection wizard (shown below).
Connection wizard of “Smart Pianist”
After downloading the “Smart Pianist” to your smart device and starting the “Smart Pianist,” tap “ ” (Menu) located at the upper left on the “Smart Pianist” screen to open the Menu, and then tap “Instrument” →“Start Connection Wizard” to start the connection wizard.
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Connecting via Wireless LAN (with the UD-WL01*)
NOTICE
Do not connect this product to
public Wi-Fi and/or Internet directly. Only connect this product to the Internet through a router with strong password-
protections. Consult your router manufacturer for information on security best practices.
NOTE
If the menus shown in the Wireless LAN display, are different from those shown here, the instrument is in the Accesspoint mode. Set the Wireless LAN Mode parameter to “Infrastructure Mode” by following the step 1 on page 84.
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“System” menu display
1-1. Use the [u]/[d] buttons
to select “Utility.”
1-2. Press the [>] button to
call up the next display.
1-3. Use the [u]/[d] buttons
to select “Wireless LAN.”
1-4. Press the [>] button to
call up the next display.
1-5. Use the [u]/[d] buttons
to select “Select Network.”
Utility display Wireless LAN display
*The USB wireless LAN adaptor UD-WL01 (sold separately) may not be available depending on your area.
When connecting a smart device by using the USB wireless LAN adaptor, start wireless connection according to the instructions in the “Smart Device Connection Manual” on the website, then make sure to set up the instrument appropriately, using the following instructions “Displaying the Wireless LAN Networks and Connecting to a Network,” “Automatic Setup by WPS,” “Manual Setup” or “Connecting by the Accesspoint Mode.” Refer to pages 81 – 85 in this Owner’s Manual for the required operations on this instrument.
Displaying the Wireless LAN Networks and connecting to
a Network
Make sure to connect the USB wireless LAN adaptor (sold separately) to the USB [TO DEVICE] terminal, otherwise the displays for setup below will not be shown.
Connections
1. Press the [FUNCTION] button repeatedly to call up the
“System” menu display, then select the highlighted item in each display as illustrated below.
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Connections
NOTE
If no signal from the access point is received, the access point cannot be listed. Also, closed access points cannot be listed.
NOTE
WPS setup is not available while the instrument is in the following modes or conditions:
• While a Song or a Demo
Song is playing back or being paused temporarily, or while the instrument is in the Song Recording mode.
• When Wireless LAN mode is
set to “Accesspoint Mode” in the “System” menu.
2. Press the [>] button to call up the network list.
For a network with a lock icon , you need to enter the proper password.
3. Connect the instrument to the Network.
3-1. Select the desired network, then press the [>] button.
The name of the selected network will be fully shown in the display, letting you confirm this is the network you want to use.
3-2. Press the [>] button.
• For a network without a lock icon:
Connecting starts.
• For a network with a lock icon:
You need to enter the proper password. For details on how to enter characters, refer to the “Renaming files” on page 70. After entering the password, press the [FUNCTION] button to finalize the setting. This operation starts connecting automatically. When connection is done successfully, “Completed” is shown in the display, and returns to the “Select Network” display.
4. Connect the smart device to the access point.
For instructions on the setup for the smart device, refer to the “Smart Device Connection Manual” on the website (page 8).
Automatic Setup by WPS
Please make sure to connect the USB wireless LAN adaptor (sold separately) to the USB [TO DEVICE] terminal, otherwise the displays for setup will not be shown.
If your access point supports WPS, you can easily connect the instrument to access point by WPS, without making settings, such as password input, etc. Press the WPS button on the USB wireless LAN adaptor more than 3 seconds, and press the WPS button on your access point within two minutes. When connection is done successfully, “Completed” is shown in the display, and the Voice display will be shown. Finally, connect the smart device to the access point. For instructions on the setup for the smart device, refer to the “Smart Device Connection Manual” on the website (page 8).
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Manual Setup
NOTE
The password cannot be set when you select “none” for the security setting.
Make sure to connect the USB wireless LAN adaptor (sold separately) to the USB [TO DEVICE] terminal, otherwise the displays for setup will not be shown.
1. To call up the network list, perform steps 1 – 2 in the
“Displaying the Wireless LAN Networks and connecting to a Network” (page 81).
2. Select “Other” at the bottom of the network list, then press
the [>] button.
3. Set the SSID, Security and Password to the same as the
settings on the access point.
Connections
3-1. Select the “SSID” then press the [>] button to call up the
display for SSID input, then enter the SSID.
For details on how to enter the characters, refer to “Renaming files” on page 70. After entering the SSID, press the [FUNCTION] button to finalize the setting. Operation returns to the “Other” display.
3-2. Select “Security” then press the [>] button to call up the
Security list. Select the security then return to the “Other” display by pressing the [<] button.
3-3. Select “Password,” then set the password in the same way as
SSID.
4. Select “Connect >” at the bottom of the display shown in
step 3, then press the [>] button to start connecting.
When connection is done successfully, “Completed” is shown in the display, and returns to the “Select Network” display.
5. Connect the smart device to the access point.
For instructions on the setup for the smart device, refer to the “Smart Device Connection Manual” on the website (page 8).
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Connections
NOTE
This cannot be used to connect to the internet or another wireless LAN device.
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“System” menu display
1-1. Use the [u]/[d] buttons
to select “Utility.”
1-2. Press the [>] button to
call up the next display.
1-3. Use the [u]/[d] buttons to
select “Wireless LAN Option.”
1-4. Press the [>] button to call up
the next display.
1-5. Use the [u]/[d] buttons to
select “Wireless LAN Mode.”
1-6. Press the [>] button to call
up the next display.
Utility display
Wireless LAN Option display
1-7. Use the [u]/[d] buttons to
select “Accesspoint Mode.”
Wireless LAN Mode display
Connecting by the Accesspoint Mode
Please make sure to connect the USB wireless LAN adaptor (sold separately) to the USB [TO DEVICE] terminal, otherwise the displays for setup will not be shown.
1. Switch the instrument to the “Accesspoint Mode.”
Press the [FUNCTION] button repeatedly to call up the “System” menu display, then select the highlighted item in each display as illustrated below.
When mode change is done successfully, “Completed” is shown in the display, operation returns to the Wireless LAN Mode display.
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2. Set SSID, Security, Password and Channel.
“System” menu display Utility display Wireless LAN display
2-1. From the “System” menu display, select the highlighted item
in each display as illustrated below.
2-2. Set the SSID, Security, Password and Channel.
Select and enter each value/setting in the same way as in step 3 in “Manual Setup.” For the setting range for each item, refer to “Wireless LAN” (In the Accesspoint mode) on page 102.
3. Save the setting.
Select “Save >” at the bottom of the Wireless LAN display, then press the [>] button to start saving. When saving is done successfully, “Completed” is shown in the display, and operation returns to the Utility display.
Connections
4. Connect the smart device to the instrument (as an access
point).
For instructions on the setup for the smart device, refer to the “Smart Device Connection Manual” on the website (page 8).
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Detailed Settings (Menu Display)

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FUNCTION
Menu name
Menu icon
Pressing the [FUNCTION] button opens one of the five menu displays (Voice, Song, Metronome/Rhythm, Recording and System). You can make settings for various functions from these menu displays.

Common Operations in the Menu Displays

If you want to edit items related to Voice or Song, you will need to make the necessary preparations before opening the menu display.
• If you want to edit Voice-related parameters (by calling up the “Voice” menu), select a Voice. If you want to edit parameters related to the R1/R2/L Voices, such as volume balance, turn on Dual/Split/Duo, then select the desired Voices.
• If you want to set Song playback parameters, such as Repeat, select a Song.
• If you want to edit your recorded MIDI Song data (by calling up Edit in the “Song” menu), select the recorded MIDI Song.
1. Press the [FUNCTION] button several times to select the desired menu.
Pressing the [FUNCTION] button repeatedly will call up the following menu displays in order, according to the vertical menu at the left of the display.
Voic e menu (pa ge 87 ) Song menu (page 92) Metronome/Rhythm menu (page 95) Recording menu (page 96)
/ System menu (page 97)
2. Use the [u]/[d]/[<]/[>] buttons to select the desired parameter.
While referring as needed to the parameter list on each page listed in step 1, use the [u]/[d] buttons to navigate through the display vertically and use the [<]/[>] buttons to navigate through display horizontally.
3. In the display called up in step 2, use the [u]/[d]/[<]/[>] buttons to select a value
or execute the operation.
Most displays allow you to select a value by simply using the [u]/[d] buttons, although some, such as Edit in the “Song” menu and Backup in the “System” menu, let you execute an operation. If a pop-up window is shown, set the value with the [<]/[>] buttons, then exit from the window using the [EXIT] button. Also, when the selected parameter provides only two options (on and off, for example), simply pressing the [>] button will alternate the value between the two options.
4. To exit from the menu display, press the [EXIT] button.
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Voice Menu

NOTE
NOTE
NOTE
NOTE
NOTE
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Voice Menu
This menu lets you edit or set various parameters related to keyboard performance, such as Voice parameters. By turning on Dual/Split/Duo, you can make the settings for each Voice or each Voice combination. While playing the keyboard and hearing the sound, change a parameter value to find your desired sound. Note that you should turn on Dual/Split/Duo before calling up the “Voice” menu display.
Parameters with * are shown only when Dual/Split/Duo is on.
To call up the desired parameter:
Turn on Dual, Split or Duo as necessary, select Voices as necessary, press the [FUNCTION] button several times to select “Voice” menu, then use the [u]/[d]/ [<]/[>] buttons to select the desired parameter.
[>] [<]
Transpose (Pop-up
window)
[>] [<]
[>] [<]
Shifts the pitch of the entire keyboard up or down in
semitone intervals to facilitate playing in difficult key signatures, and to let you easily match the pitch of the keyboard to the range of a singer or other instruments. For example, if you set this parameter to “5,” playing key C produces pitch F. In this way, you can play the F major song as if it were in C major.
The setting here will not affect Song playback. If you want to transpose Song playback, use the Transpose parameter in the “Song” menu (page 92).
Description Default setting Setting range
0 -12 (-1 octave) – 0
(normal pitch) – +12 (+1 octave)
Piano Setting
Reverb (Setting
Chorus (Setting
Lid Position (Setting
VRM Refer to the description of “VRM” on page 28. Demo cannot be played in Voice Menu.
Damper Res. (Resonance)
Damper Noise
String Res. (Resonance)
Duplex Scale Res. (Resonance)
Body Res. (Resonance)
Grand Exp. (Expression)
display)
display)
Your keyboard performance data will be transmitted with the transposed note numbers while MIDI note numbers received from an external MIDI device or computer will not be affected by the Transpose setting.
display)
(Setting display)
(Setting display)
(Setting display)
(Setting display)
Refer to the description of “Lid Position” on page 28.
VRM is effective only for Voices in the Piano group.
Refer to the description of “Grand Expression” on page 29. Demo cannot be played in Voice
Menu.
Grand Expression Modeling is effective only for the Voices of “CFX Grand” and “Bösendorfer.”
Determines the Reverb type which is applied to all the
entire sound including the keyboard performance, Song playback and MIDI data input from an external MIDI device.
Determines the Chorus type which is applied to all the
entire sound including the keyboard performance, Song playback and MIDI data input from an external MIDI device.
Differs depending on the Voice or Voice combination.
Differs depending on the Voice or Voice combination.
Refer to the Reverb Type List (page 90).
Refer to the Chorus Type List (page 90).
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Voice Menu
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To call up the desired parameter:
Turn on Dual, Split or Duo as necessary, select Voices as necessary, press the [FUNCTION] button several times to select “Voice” menu, then use the [u]/[d]/ [<]/[>] buttons to select the desired parameter.
[>] [<]
Voice Edit (Voice names)* Octave Shifts the pitch of the keyboard up and down in octave
[>] [<]
[>] [<]
steps. This parameter can be set for each Voices when Dual/Split/Duo is on.
Volume Adjusts the volume for each of the R1/R2/L Voices. This
Reverb Depth Adjusts the Reverb depth for each of the R1/R2/L Voices.
Chorus Depth Adjusts the Chorus depth for each of the R1/R2/L Voices.
Effect In addition Reverb and Chorus, another Effect can be
Rotary Speed Available only for the Voice of which the Effect Type is set
VibeRotor Available only for the Voice of which the Effect Type is set
VibeRotor Speed
Effect Depth Adjusts the Effect depth for each of the R1/R2/L Voices.
Pan Adjusts the stereo pan position for each of the R1/R2/L
lets you adjust the balance between the R1/R2/L Voices when Dual/Split/Duo is on.
This lets you adjust the balance between the R1/R2/L Voices when Dual/Split/Duo is on. The “0” setting will produce no effect.
NOTE
When a VRM Voice is used for several parts simultaneously, unexpected sounds may result since the Reverb depth for a part which has priority will become the common setting for the parts. During Song playback, setting for a Song part is used (priority order: Ch. 1, Ch. 2...Ch. 16), while the setting for a keyboard part is used when Song playback is stopped (priority order: R1, L and R2 Voices).
This lets you adjust the balance between the R1/R2/L Voices when Dual/Split/Duo is on. The “0” setting will produce no effect.
NOTE
When a VRM Voice is used for several parts simultaneously, unexpected sounds may result since the Chorus depth for a part which has priority will become the common setting for the parts. During Song playback, setting for a Song part is used (priority order: Ch. 1, Ch. 2...Ch. 16), while the setting for a keyboard part is used when Song playback is stopped (priority order: R1, L and R2 Voices).
applied to the R1/R2/L Voices of the keyboard independently. Note that this Effect type can be selected for up to two Voices.
to “Rotary.” This parameter determines the rotation speed of the Rotary Speaker effect.
to “VibeRotor.” This parameter turns on or off the VibeRotor effect.
Available only for the Voice of which the Effect Type is set to “VibeRotor.” This parameter determines the speed of the Vibraphone vibrato effect.
Note that some Effect types do not allow you to adjust the depth.
Voices.
Description Default setting Setting range
Differs depending on the Voice or Voice combination.
Differs depending on the Voice or Voice combination.
Differs depending on the Voice or Voice combination.
Differs depending on the Voice or Voice combination.
Differs depending on the Voice or Voice combination.
Differs depending on the Voice or Voice combination.
Differs depending on the Voice or Voice combination.
Differs depending on the Voice or Voice combination.
Differs depending on the Voice or Voice combination.
Differs depending on the Voice or Voice combination.
-2 (two octaves lower) – 0 (no pitch shift) – +2 (two octaves higher)
0 – 127
0 – 40
0 – 127
Refer to the Effect Type List (page 90).
Fast, Slow
On, Off
1 – 10
1 – 127
L64 (leftmost) – C (center) – R63 (rightmost)
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To call up the desired parameter:
785 775
745 735
795GP
765GP
Turn on Dual, Split or Duo as necessary, select Voices as necessary, press the [FUNCTION] button several times to select “Voice” menu, then use the [u]/[d]/ [<]/[>] buttons to select the desired parameter.
[>] [<]
Voice Edit (Voice names)* Harmonic Cont Produces a distinctive “peaky” tone by raising the
Pedal Assign
Balance* Volume
[>] [<]
Brightness Adjusts the brightness of the R1/R2/L Voices
Touch Sens. Determines the degree to which the volume level
RPedal Turns the Right pedal function on or off for each of the
CPedal Turns the Center pedal function on or off for each of the
LPedal Turns the Left pedal function on or off for each of the R1/
Right (Setting
Center (Setting
Left (Setting
R2 – R1*
Volume L – R* (Pop-up
display)
display)
display)
(Pop-up window)
window)
[>] [<]
Description Default setting Setting range
Resonance value of the Filter. This parameter can be set for each of the R1/R2/L Voices when Dual/Split/Duo is on.
Harmonic content may have little audible effect or not be applied to some Voices.
independently.
changes in response to your touch on the keyboard (how hard you play). Since the volume level of some Voices such as Harpsichord and Organ do not change regardless of how you play the keyboard, the default setting for these Voices is 127.
R1/R2/L Voices. This parameter is useful when you want to ensure, for example, that the pedal function affects the right-hand performance but does not affect the left-hand performance.
R1/R2/L Voices. This parameter is useful when you want to ensure, for example, that the pedal function affects the right-hand performance but does not affect the left-hand performance.
R2/L Voices. This parameter is useful when you want to ensure, for example, that the pedal function affects the right-hand performance but does not affect the left-hand performance.
Assigns one of various functions (other than the original one) to the Right pedal.
Assigns one of various functions (other than the original one) to the Center pedal.
Assigns one of various functions (other than the original one) to the Left pedal.
Adjusts the volume balance between R1 and R2 Voices when Dual is on. After adjusting this with the [<]/[>] buttons, press the [EXIT] button to exit from the pop-up window.
Adjusts the volume balance between the left and right keyboard sections when Split/Duo is on. After adjusting via the [<]/[>] buttons, press the [EXIT] button to exit from the pop-up window.
Voice Menu
Differs depending on the Voice or Voice combination.
Differs depending on the Voice or Voice combination.
Differs depending on the Voice or Voice combination.
Differs depending on the Voice or Voice combination.
Differs depending on the Voice or Voice combination.
Differs depending on the Voice or Voice combination.
SustainCont Refer to the Pedal
Sostenuto Refer to the Pedal
Rotary Speed (Mellow Organ), Vibe Rotor (Vibraphone), Soft (other Voices)
Differs depending on the Voice or Voice combination.
Differs depending on the Voice or Voice combination.
-64 – +63
-64 – +63
0 (softest) – 64 (largest changes in the level) – 127 (which produces the loudest volume regardless of how you play the keyboard)
On, Off
On, Off
On, Off
Function List (page 91).
Function List (page 91).
Refer to the Pedal Function List (page 91).
R2+10 – 0 – R1+10
L+10 – 0 – R+10
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Voice Menu
785 775
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795GP
765GP
To call up the desired parameter:
Turn on Dual, Split or Duo as necessary, select Voices as necessary, press the [FUNCTION] button several times to select “Voice” menu, then use the [u]/[d]/ [<]/[>] buttons to select the desired parameter.
[>] [<]
Balance*
[>] [<]
Detune* (Pop-up
window)
[>] [<]
Description Default setting Setting range
Detunes the R1 Voice and R2 Voice in Dual mode to create a thicker sound. On the display, move the slider rightward via the [>] button will raise the R1 Voice pitch and lower the R2 Voice pitch, and vice versa. After adjusting this, press the [EXIT] button to exit from the pop-up window.
Reverb Type List
Off No effect
Recital Hall Simulates clear reverberation in a mid-sized hall suitable for piano recital.
Concert Hall Simulates brilliant reverberation in a large hall for public orchestra performances.
Chamber Simulates the elegant reverberation in a small room suitable for chamber music.
Cathedral Simulates the solemn reverberation in a high-ceiling stone-made cathedral.
Club Simulates the lively reverberation in a jazz club or a small bar.
Plate Simulates the bright sound of vintage reverb equipment used in recording studios.
Differs depending on the Voice or Voice combination.
R2+20 – 0 – R1+20
Chorus Type List
Off No effect
Chorus Adds a rich, spacious sound.
Celeste Adds swell and a spacious sound.
Flanger Adds swell effects similar to the sound of an ascending or descending jet plane.
Effect Type List
Off No effect
DelayLCR Delay applied at left, center, and right positions.
DelayLR Delay applied at left and right positions.
Echo Echo-like delay
CrossDelay Left and right delays cross each other in alternation.
Symphonic Adds a rich and deep acoustic effect.
Rotary Adds the vibrato effect of a rotary speaker.
Tremolo The volume level changes in rapid cycles.
VibeRotor The vibrato effect of a vibraphone.
AutoPan The sound pans left to right and back and forth.
Phaser The phase changes periodically, swelling the sound.
AutoWah The center frequency of the wah filter changes periodically.
Distortion Distorts the sound.
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Voice Menu
Pedal Function List
Available pedal
(O: Can be assigned, X: Cannot)
Pedal
Function Description
Sustain (Switch) On/off switch type damper O O O O
Sustain Continuously
Sostenuto Sostenuto (page 23) O O O O
Soft Soft (page 23) O O O O
Expression* A function that lets you create changes in dynamics (volume) as you play X X X O
PitchBend Up* A function that smoothly raises the pitch X X O O
PitchBend Down* A function that smoothly lowers the pitch X X O O
Rotary Speed Changes the rotational speed of the MellowOrgan rotary speaker (switches
VibeRotor Switches the vibraphone vibrato on/off (switches on/off each time you
When you want to assign a function marked with * to the pedal connected to the [AUX PEDAL] jack (CLP-785/795GP), you should use a Foot Controller (page 72). For other functions, you should use a Footswitch (page 72).
Damper that sustains the sound proportionately to how deeply you press the pedal (page 23)
between fast and slow each time you press the pedal)
press the pedal)
Left
Center
pedal
pedal
XXO X
OOO O
OOO O
Right pedal
connected
to the [AUX
PEDAL] jack
(CLP-785/
795GP)
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Song Menu

NOTE
NOTE
NOTE
NOTE
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765GP
Song Menu
This menu lets you set various parameters related to Song playback and edit the Song data with a single touch. Select a desired Song before beginning the operation.
• The parameters marked with * will be available only when a MIDI Song is selected. These parameters are not shown when an Audio
Song is selected.
• The parameters marked with ** will be available only when an Audio Song is selected.
• When using the “Edit” menu, select a MIDI Song other than the preset Song.
• Execute is a function that edits or changes the current Song data. Note that pressing the [>] button will actually change the Song data.
• The content of the “Song” menu differs depending on the type of Song currently selected (MIDI/Audio).
To call up the desired parameter:
Select a Song as necessary, press the [FUNCTION] button several times to select “Song” menu, then use the [u]/[d]/[<]/[>] buttons to select the desired parameter.
[>] [<]
L/R* R, L, Other Turns on (Play) or off (Mute) each of the Song tracks.
Repeat A – B* (Setting display) Lets you play back a specified range (from Point A to B)
Volume Song –
Transpose (Setting display) Shifts the pitch of Song playback up or down in
[>] [<]
Phrase* Phrase Mark This parameter is available only when a MIDI Song
Song (Setting display) By setting this parameter, you can play back only a
Keyboard*
Song L – R* (Pop-up
(Pop-up window)** Adjusts the Audio volume. 100 0 – 127
[>] [<]
For details, refer to page 48.
of the current Song repeatedly. For instructions, refer to page 49.
containing the Phrase Mark. By specifying a Phrase number here, you can play back the current Song from the mark point, or to play back the corresponding
Repeat Off On (repeat
(Pop-up window)
window)
phrase repeatedly. If you start Song playback with a Phrase set to “On,” the countdown starts, followed by repeated playback of the specified phrase or phrases until you press the [PLAY/PAUSE] button.
specific Song, or specific Songs in order repeatedly or randomly. For details, refer to page 49.
Adjusts the volume balance between the Song playback sound and keyboard performance.
Adjusts the volume balance between the right-hand part left-hand parts of Song playback.
semitone intervals. For example, if you set this parameter to “5,” a Song created in C major will be played back in F major.
Description Default setting Setting range
On On, Off
Off On, Off
000 000 – the last
Off Off, Single, All,
0 Key+64 – 0 –
0 L+64 – 0 – R+64
0 -12 (-1 octave) – 0
phrase number of the Song
playback)/Off (no repeat)
Random
Song+64
(normal pitch) – +12 (+1 octave)
The Transpose setting will not affect the audio signals, such as those input from the [AUX IN] jack.
MIDI Song playback data will be transmitted with the transposed note numbers while MIDI note numbers received from an external MIDI device or computer will not be affected by the Transpose setting.
Applying transpose to an Audio Song may change its tonal characteristics.
File Delete Cancel Deletes a specific Song. For details about Song types
Execute ––
Copy* Cancel Copies a specific MIDI Song then saves it to a different
Execute ––
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which can be deleted, refer to page 65.
location. For details about Song types which can be copied, refer to page 65.
––
––
NOTE
To call up the desired parameter:
785 775
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765GP
Select a Song as necessary, press the [FUNCTION] button several times to select “Song” menu, then use the [u]/[d]/[<]/[>] buttons to select the desired parameter.
[>] [<]
File Move* Cancel Moves a MIDI Song to a different location. For details
Edit* Quantize Quantize The Quantize function allows you to align all the notes in
Others* Quick Play This parameter enables you to specify whether a Song
[>] [<]
MIDI to Audio* Cancel Converts a MIDI Song to an Audio file. For details about
Rename (Setting display) Edits a Song name. For details about Song types which
Track Delete Track Deletes a specific track data of the current MIDI Song.
Tempo Change Cancel Changes the tempo value of the current MIDI Song as
Voice Change Track Changes the Voice of a specific track in the current
Track Listen Track This lets you play back only the selected Track to listen
Play Track This parameter enables you to specify the tracks for
[>] [<]
Execute ––
Execute ––
Strength 100% 0% – 100%
Execute ––
Execute ––
Execute ––
Execute ––
Start
about Song types which can be moved, refer to page 65.
Song types which can be converted, refer to page 65.
can be renamed, refer to page 65.
the current MIDI Song to the correct timing, such as 8th note or 16th note.
1. Set the Quantize value to the smallest notes in the MIDI Song.
2. Set the Strength value which determines how strongly the notes will be quantized.
3. Move the highlight to “Execute” then press the [>] button to actually change the MIDI Song data.
1. Select the desired track to be deleted.
2. Move the highlight to “Execute,” then press the [>] button to actually delete the specified track data.
data. Before calling up the “Song” menu display, set the desired Tempo value for changing.
Move the highlight to “Execute,” then press the [>] button to actually change the Tempo value as MIDI Song data.
MIDI Song to the current Voice as data.
1. Select a track of which the Voice will be changed.
2. Move the highlight to “Execute,” then press the [>] button to actually change the Voice as MIDI Song data.
that starts from the middle of a bar, or a Song with a silence prior to the first note, should be played from the first note or from the top of the bar (rest or blank). This parameter is useful for a MIDI Song that starts with a short one-or two-beat pick-up or lead-in.
to its contents. To do this, select a Track, move the highlight to “Start,” then press and hold the [>] button to start playback from the first note. Playback continues while holding the [>] button.
playing back on this instrument. When “1&2” is selected, only tracks 1 and 2 will be played back, while tracks 3 to 16 will be transmitted via MIDI. When “All” is selected, all tracks will be played back on this instrument.
Description Default setting Setting range
Song Menu
––
––
––
1/16 Refer to “Quantize
Track 1 Track 1 – Track 16
Differs depending on the Song
Track 1 Track 1 – Track 16
On On, Off
Track 1 Track 1 – Track 16
All All, 1&2
setting range.” (page 94)
Refer to “Strength setting range.” (page 94)
Tempo of Song playback can be set on the display called up by pressing the [TEMPO] button. For instructions, refer to page 47.
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Song Menu
1/4................
1/8................
1/16..............
1/6................
1/12..............
1/24..............
1/8+1/12.......
1/16+1/24.....
1/32..............
1/16+1/12.....
quarter note
quarter note triplet
eighth note
eighth note triplet
sixteenth note
sixteenth note triplet
thirty-second note
eighth note + eighth note triplet*
sixteenth note + eighth note triplet*
sixteenth note + sixteenth triplet*
Original data
Quantizing strength = 100
Quantizing strength = 50
Quarter-note length
Quantize Supplementary
Quantize setting range
The three Quantize settings marked with asterisks (*) are exceptionally convenient, since they allow you to quantize two different note values at the same time. For example, when the straight eighth notes and eighth notes triplet are contained in the same part, if you quantize by straight eighth notes, all notes in the part are quantized to straight eighth notes—completely eliminating any triplet feel. However, if you use the eighth note + eighth note triplet setting, both the straight and triplet notes will be quantized correctly.
Strength setting range
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Metronome/Rhythm Menu

NOTE
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Metronome/Rhythm Menu
This menu lets you set the volume and tempo indication format of the Metronome (page 39) or Rhythm (page 42). In addition, you can set the bell sound of the Metronome to play back at the first beat and adjust parameters related to Rhythm playback variation.
To call up the desired parameter:
Press the [FUNCTION] button several times to select “Metronome/Rhythm” menu, then use the [u]/[d] buttons to select the desired parameter.
[>] [<]
Time Signature (Setting
Volume (Pop-up
BPM Determines whether the note type of the tempo indication
Bell Determines whether or not the bell sound is played back
Intro Determines whether the Intro is played back or not before
Ending Determines whether the Ending is played back or not
SyncStart When this is set to “On,” you can start Rhythm playback
Bass Determines whether the auto bass accompaniment for
[>] [<]
display)
window)
[>] [<]
Determines the time signature of the metronome. When
you select or playback MIDI Songs, this will automatically be changed to the time signature of the selected songs.
Determines the volume of the Metronome or Rhythm. You
can adjust the volume balance between the keyboard performance and Metronome/Rhythm playback.
is affected by the Metronome Time Signature (page 40) or not (crotchet). When “Time Sig.” is selected, the denominator of the Time Signature is shown as the note type of the tempo indication. (The dotted quarter note is shown as the note type of the tempo indication only when the Time Signature is set to “6/8,” “9/8,” or “12/8.”)
at the first beat of the specified Time Signature.
the Rhythm pattern is started.
During Song playback, the Intro cannot be played back even if you start the Rhythm with this parameter set to “On.”
before the Rhythm pattern is stopped.
also by pressing any note on the keyboard.
When you want to use this function, follow the instructions below:
1. Set this function to on.
2. Press the [RHYTHM] button to enter the Synchro start standby mode.
The [RHYTHM] button flashes.
3. Press any key to start with the rhythm.
the Rhythm is on or off.
Description Default setting Setting range
4/4 2/2, 1/4, 2/4, 3/4,
82 0 – 127
Time Sig. Time Sig.,
Off On, Off
On On, Off
On On, Off
Off On, Off
On On, Off
4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 7/8, 9/8, 12/8
Crotchet
Setting the Tempo
Tempo of Metronome/Rhythm can be set on the display called up by pressing the [TEMPO] button. For details on setting the Tempo for the Metronome or Rhythm, refer to page 39.
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Recording Menu

NOTE
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765GP
Recording Menu
This menu lets you make detailed settings related to MIDI Recording (page 54).
The settings here will not affect Audio Recording.
To call up the desired parameter:
Press the [FUNCTION] button several times to select “Recording” menu, then use the [u]/[d] buttons to select the desired parameter.
[>] [<]
RecStart This parameter, which is used when you overwrite the already
RecEnd This parameter, which is used when you overwrite the already
RecRhythm Determines whether or not Rhythm playback will be recorded
[>] [<]
[>] [<]
recorded MIDI Song, determines when the actual MIDI Recording starts after you execute the Recording Start operation. When set to “Normal,” actual recording will starts as soon as you execute the Recording Start operation. When set to “KeyOn,” actual recording starts as soon as you press any key after you execute the Recording Start operation.
recorded MIDI Song, determines whether the existing data after the point at which you stop recording will be erased or not.
during MIDI Recording.
Description Default setting Setting range
Normal Normal, KeyOn
Replace Replace,
On On, Off
PunchOut
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System Menu

NOTE
NOTE
NOTE
NOTE
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System Menu
This menu lets you make the overall settings applied to the entire instrument. Bluetooth compatibility is indicated by the following icons. (For details on Bluetooth compatibility, see page 142.)
: models equipped with Bluetooth : models not equipped with Bluetooth
Parameters marked with * are available only if the instrument is equipped with Bluetooth functionality.
To call up the desired parameter:
Press the [FUNCTION] button several times to select “System” menu, then use the [u]/[d]/[<]/[>] buttons to select the desired parameter.
[>] [<]
Bluetooth* Bluetooth Switches the Bluetooth function on/off (page 79). On On, Off
Tuning Master Tune (Pop-up
Keyboard Touch (Setting
[>] [<]
Pairing For registering (pairing) the Bluetooth device (page 78).
Scale Tune (Setting
Base Note (Setting
window)
display)
display)
display)
[>] [<]
Description Default setting Setting range
This parameter is shown only when “Bluetooth” (above) is set to “On.”
Fine tunes the pitch of the entire instrument. This function is useful when you play this instrument along with other instruments or CD music.
These settings will not be applied to the Drum Kit Voices or Audio Song. Also, these settings will not be recorded to a MIDI Song.
Modern acoustic pianos are tuned almost exclusively in equal temperament, which divides one octave into twelve equal intervals. Likewise, this digital piano employs equal temperament, but it can be changed at the touch of a button to play in historical temperaments used in the 16th to 19th centuries.
Determines the base note for the Scale selected above. When the base note is changed, the pitch of the keyboard is transposed, yet maintains the original pitch relationship between the notes. This setting is necessary when Scale Tune is set to something other than “Equal Temperament.”
When Scale Tune is set to “Equal Temperament,” “---” is shown on the display and this parameter cannot be edited.
Determines how the sound responds to your playing strength. This setting does not change the weight of the keyboard.
Soft2: Produces relatively high volume even with light
playing strength. Best for players with a light touch.
Soft1: Produces high volume with moderate playing
strength.
Medium: Standard Touch Sensitivity.
Hard1: Requires moderately strong playing for high
volume.
Hard2: Requires strong playing to produce high
volume. Best for players with a heavy touch.
Fixed: No touch response. The volume level will be the
same regardless of how hard you play the keys.
––
A3 = 440.0 Hz A3 = 414.8 Hz –
Equal Temperament
C C, C , D, E , E , F,
Medium Soft 2, Soft 1,
466.8 Hz (approx.
0.2 Hz steps)
Refer to the “Scale Tune List” (page 103)
F , G, A , A, B , B
Medium, Hard 1, Hard 2, Fixed
The setting here will not be recorded to a MIDI Song and not be transmitted as MIDI messages.
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System Menu
NOTE
NOTE
785 775
745 735
795GP
765GP
To call up the desired parameter:
Press the [FUNCTION] button several times to select “System” menu, then use the [u]/[d]/[<]/[>] buttons to select the desired parameter.
[>] [<]
Keyboard Fixed Velocity (Pop-up
Pedal Half Pedal Point (Pop-up
Sound Brilliance (Setting
[>] [<]
window)
Duo (Setting
Type Selects the sound balance between the left and right
Split Point (Setting
Soft Pedal Depth
Pitch Bend Range
Aux Polarity (CLP-785/ 795GP)
Aux Assign (CLP-785/ 795GP)
Aux Area (CLP-785/ 795GP)
Play/Pause (Setting
IAC Turns the IAC effect on or off. For details about IAC, refer
display)
display)
window)
(Pop-up window)
(Pop-up window)
(Setting display)
(Setting display)
display)
display)
[>] [<]
Determines the velocity with which you play the keys when Touch (above) is set to “Fixed.”
The setting here will not be recorded to a MIDI Song and not be transmitted as MIDI messages.
Splits the keyboard into two ranges, allowing you to play duets over the same octave range (page 38).
speakers while Duo is on.
Separated: The sound of the left-hand range is output
from the left speaker(s), and the sound of the right­hand range is output from the right speaker(s).
Balanced: The sounds played by two players are
output through both speakers, with a natural balance of sound.
Determines the Split Point (the boundary between the right-hand and left-hand keyboard areas).
Here you can specify the point to which you must depress the right pedal before the assigned effect begins to be applied. This setting applies only to the “Sustain Continuously” effect (page 91) that is assigned to the right pedal.
Determines how deeply the Soft pedal effect is applied. This parameter is available only for the pedal to which “Soft” (page 91) is assigned.
Determines the range of the pitch bend that is produced via the pedal in semitone steps. This setting is available only for the pedal to which “Pitch Bend Up” or “Pitch Bend Down” (page 91) is assigned.
For some Voices, the pitch may not be changed according to the Pitch Bend Range value set here.
A pedal connected to the [AUX PEDAL] jack may switch
on and off differently. For example, some pedals turn the effects on and others turn them off when you press them. Use this parameter to reverse this mechanism.
Assigns a function to the pedal connected to the [AUX PEDAL] jack.
Determines the keyboard area to which the function of the pedal connected to the [AUX PEDAL] jack is applied.
Assigns the [PLAY/PAUSE] button’s function to one of the Left pedal, Center pedal and pedal connected to the [AUX PEDAL] jack (CLP-785/795GP). If a value other than “Off” is selected here, the corresponding pedal's function assigned in the “Voice” menu (page 89) is disabled.
Adjusts the overall brilliance of sound for this instrument. You can also select “User” to make your own custom EQ settings. For details, refer to page 33.
to page 21.
Description Default setting Setting range
64 1 – 127
Off On, Off
Separated Separated,
F 2 (Split), E3 (Duo)
0 -2 (effective with
51 10
2 0 – +12 (pressing
Make Make, Break
Expression Refer to the Pedal
All All, Right, Left
Off Off, Left, Center,
Normal Mellow 1 – 3,
On On, Off
Balanced
A-1 – C7
the shallowest press) – 0 – +4 (effective with the deepest press)
the pedal will raise/lower the pitch by 12 semitones [1 octave])
Function List (page 91).
AUX (CLP-785/ 795GP)
Normal, Bright 1 – 3, User
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NOTE
To call up the desired parameter:
785 775
745 735
795GP
765GP
Press the [FUNCTION] button several times to select “System” menu, then use the [u]/[d]/[<]/[>] buttons to select the desired parameter.
System Menu
[>] [<]
Sound IAC depth (Pop-up
MIDI MIDI OUT (Setting
[>] [<]
window)
Binaural Turns the Binaural Sampling function (when headphones
display)
MIDI IN (Setting
Local Control “Local Control On” is a state in which this instrument
Receive Param. (Setting
Transmit Param.
display)
display)
(Setting display)
[>] [<]
Description Default setting Setting range
Determines the depth of the IAC. The higher the value, the more clearly the low/high sounds at lower volume levels.
are connected) on or off. When the function is on and headphones are connected, the sound from this instrument changes to the sound of Binaural Sampling or the sound enhanced with the Stereophonic Optimizer, allowing you to enjoy more realistic sound (page 22).
When the “Speaker” setting (page 100) is on, this function will always be disabled even when headphones are connected.
Determines the MIDI channel on which the MIDI messages generated via the keyboard performance will be transmitted from the MIDI [OUT] or USB [TO HOST] terminal. When Dual/Split/Duo is on, the MIDI channels are assigned as follows.
• Performance via the R1 Voice = n (setting value)
• Performance via the R2 Voice = n+2
• Performance via the L Voice = n+1
Determines which part of the instrument will be controlled by each channel data of the MIDI messages coming from the MIDI [IN] and USB [TO HOST] terminal.
Song: Song par t is controlled by the MIDI messages.
Keyboard: The entire keyboard is controlled regardless
of the Dual/Split/Duo setting.
R1: The keyboard performance via the R1 Voice is
controlled.
L: The keyboard performance via the L Voice is
controlled.
R2: The keyboard performance via the R2 Voice is
controlled.
Off: No part is controlled.
produces the sound from its tone generator when you play the keyboard. In “Local Control Off” state, the keyboard and the tone generator are cut off from each other. This means that even if you play the keyboard, this instrument will produce no sound. Instead, the keyboard data can be transmitted via MIDI to a connected MIDI device or computer, which can produce the sound. The “Local Control Off” setting is useful when you wish to play only an external sound source while playing the keys on this instrument.
Determines which types of MIDI messages can be received or recognized by this instrument.
MIDI message types:
Note on/off, Control Change, Program Change, Pitch Bend, System Exclusive
Determines which types of MIDI messages can be transmitted from this instrument.
MIDI message types:
Note on/off, Control Change, Program Change, Pitch Bend, SystemRealTime, System Exclusive
0-3 +3
On On, Off
Ch1 Ch1 – Ch16, Off
“Song” for each of all MIDI channels
On On, Off
On (for all the MIDI messages)
On (for all the messages)
(not transmitted)
For each MIDI channel:
•Song
•Keyboard
•R1
•L
•R2
•Off
On, Off (for each MIDI message)
On, Off (for each message)
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
99
System Menu
NOTICE
NOTE
NOTICE
NOTE
785 775
745 735
795GP
765GP
Amount of free space
Amount of entire memory
To call up the desired parameter:
Press the [FUNCTION] button several times to select “System” menu, then use the [u]/[d]/[<]/[>] buttons to select the desired parameter.
[>] [<]
MIDI Initial Setup Cancel Transmits the current panel settings such as Voice
[>] [<]
Execute
[>] [<]
Description Default setting Setting range
selection to a connected MIDI device or computer. Before you start recording your performance to a connected MIDI device or computer, execute this operation to record the current panel settings at the beginning of your performance data. It causes that the same panel settings are called up when the recorded performance is played back.
Operation:
Move the highlight to “Execute,” then press the [>] button to transmit the panel settings as MIDI messages.
Backup Backup Setting For instructions about these functions, refer to pages 104
Backup
Restore
Factory Reset
Utility USB Format Cancel This lets you format or initialize the USB flash drive
Execute
– 105.
connected to the USB [TO DEVICE] terminal.
Executing the Format operation will delete all data saved in the USB flash drive. Save important data to a computer or another storage device.
When connecting the USB flash drive to the USB [TO DEVICE] terminal, a message prompting you to execute the Format operation may appear. If such a case occurs, execute the Format operation.
Operation
Move the highlight to “Execute,” then press the [>] button to start the Format operation. After Formatting is completed, a message appears then the instrument returns to the Utility display after a while.
––
––
––
Never turn off the power or disconnect the USB flash drive while “Executing” is shown in the display.
USB Properties Shows the amount of free space and entire memory in
USB Autoload When this is set to “On,” the Song saved in the root
Speaker (Setting
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
100
display)
the USB flash drive connected to the USB [TO DEVICE] terminal.
directory can be selected (shown on the display) automatically as soon as the USB flash drive is connected to the USB [TO DEVICE] terminal.
Lets you switch the speaker on/off.
Normal: The speaker will sound only if headphones are
not connected.
On: The speaker will always sound.
Off: The speaker will not sound.
When this setting is on, “Binaural” (page 99) will always be disabled.
––
Off On, Off
Normal Normal, On, Off
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