Merci d'avoir choisi ce piano numérique de Yamaha !
Cet instrument offre une qualité de son et une expressivité exceptionnelles pour votre plus grand plaisir.
Afin d'exploiter votre Clavinova au maximum de ses performances et de ses fonctions, lisez entièrement ce mode
d'emploi et conservez-le afin de pouvoir le consulter ultérieurement.
Avant d’utiliser l’instrument, lisez attentivement la section « PRÉCAUTIONS D’USAGE » aux pages 4−6.
Pour plus d'informations sur l'assemblage de l'instrument, reportez-vous aux instructions figurant à la fin de ce
manuel.
Thank you for purchasing this Yamaha Digital Piano!
This instrument provides exceptionally high-quality sound and expressive control for your playing enjoyment.
In order to make the most of your Clavinova’s performance potential and features, please read this Owner’s Manual
thoroughly, and keep it in a safe place for later reference.
Before using the instrument, be sure to read “PRECAUTIONS” on pages 4−6.
For information on assembling the instrument, refer to the instructions at the end of this manual.
EnglishFrançais
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY
THIS UNIT!
This product, when installed as indicated in the
instructions contained in this manual, meets FCC
requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the
FCC, to use the product.
2. IMPORTANT: When connecting this product to
accessories and/or another product use only high
quality shielded cables. Cable/s supplied with this
product MUST be used. Follow all installation
instructions. Failure to follow instructions could void
your FCC authorization to use this product in the
USA.
3. NOTE: This product has been tested and found to
comply with the requirements listed in FCC
Regulations, Part 15 for Class “B” digital devices.
Compliance with these requirements provides a
reasonable level of assurance that your use of this
product in a residential environment will not result in
harmful interference with other electronic devices.
This equipment generates/uses radio frequencies
and, if not installed and used according to the
instructions found in the users manual, may cause
interference harmful to the operation of other
electronic devices. Compliance with FCC regulations
* This applies only to products distributed by YAMAHA CORP ORATION OF AMERICA.(class B)
does not guarantee that interference will not occur in
all installations. If this product is found to be the
source of interference, which can be determined by
turning the unit “OFF” and “ON”, please try to
eliminate the problem by using one of the following
measures:
Relocate either this product or the device that is
being affected by the interference.
Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/
reorient the antenna. If the antenna lead-in is 300
ohm ribbon lead, change the lead-in to co-axial type
cable.
If these corrective measures do not produce
satisfactory results, please contact the local retailer
authorized to distribute this type of product. If you can
not locate the appropriate retailer, please contact
Yamaha Corporation of America, Electronic Service
Division, 6600 Orangethorpe Ave, Buena Park,
CA90620
The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
COMPLIANCE INFORMATION STATEMENT
(Supplierʼs declaration of conformity procedure)
Responsible Party : Yamaha Corporation of America
Address : 6600 Orangethorpe Ave., Buena Park, Calif. 90620
Telephone : 714-522-9011
Type of Equipment : Digital Piano
Model Name : CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP
This device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions:
1) this device may not cause harmful interference, and
2) this device must accept any interference received including interference that may cause undesired operation.
* This applies only to products distributed by Yamaha Corporation of America.(FCC SDoC)
The lightning flash with arrowhead symbol
within an equilateral triangle is intended to
alert the user to the presence of uninsulated
“dangerous voltage” within the product’s
enclosure that may be of sufficient magnitude
to constitute a risk of electric shock to
persons.
The exclamation point within an equilateral
triangle is intended to alert the user to the
presence of important operating and
maintenance (servicing) instructions in the
literature accompanying the product.
IMPORTANT SAFETY INSTRUCTIONS
1Read these instructions.
2Keep these instructions.
3Heed all warnings.
4Follow all instructions.
5Do not use this apparatus near water.
6Clean only with dry cloth.
7Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
8Do not install near any heat sources such as
radiators, heat registers, stoves, or other
apparatus (including amplifiers) that produce
heat.
9Do not defeat the safety purpose of the polarized
or grounding-type plug. A polarized plug has two
blades with one wider than the other. A
grounding type plug has two blades and a third
grounding prong. The wide blade or the third
prong are provided for your safety. If the provided
plug does not fit into your outlet, consult an
electrician for replacement of the obsolete outlet.
10 Protect the power cord from being walked on or
pinched particularly at plugs, convenience
receptacles, and the point where they exit from
the apparatus.
11 Only use attachments/accessories specified by
the manufacturer.
12 Use only with the cart, stand,
tripod, bracket, or table specified
by the manufacturer, or sold with
the apparatus. When a cart is
used, use caution when moving
the cart/apparatus combination
to avoid injury from tip-over.
13 Unplug this apparatus during lightning storms or
when unused for long periods of time.
14 Refer all servicing to qualified service personnel.
Servicing is required when the apparatus has
been damaged in any way, such as power-supply
cord or plug is damaged, liquid has been spilled
or objects have fallen into the apparatus, the
apparatus has been exposed to rain or moisture,
does not operate normally, or has been dropped.
WAR NIN G
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR
MOISTURE.
Influences on electro-medical devices
(if Bluetooth functionality is included)
PLEASE READ CAREFULLY BEFORE PROCEEDING
Please keep this manual in a safe and handy place for future reference.
WARNING
• This AC adaptor is designed for use with only Yamaha electronic
instruments. Do not use for any other purpose.
• Indoor use only. Do not use in any wet environments.
CAUTION
• When setting up, make sure that the AC outlet is easily accessible. If
some trouble or malfunction occurs, immediately turn off the power
switch of the instrument and disconnect the AC adaptor from the
outlet. When the AC adaptor is connected to the AC outlet, keep in
mind that electricity is flowing at the minimum level, even if the power
switch is turned off. When you are not using the instrument for a long
time, make sure to unplug the power cord from the wall AC outlet.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical
shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
• Do not place the power cord near heat sources such as heaters or
radiators. Also, do not excessively bend or otherwise damage the cord,
or place heavy objects on it.
• Only use the voltage specified as correct for the instrument. The
required voltage is printed on the name plate of the instrument.
• Use the specified adaptor (page 136 or page 138) only. Using the
wrong adaptor can result in damage to the instrument or overheating.
• Use only the supplied power cord/plug.
• Check the electric plug periodically and remove any dirt or dust which
may have accumulated on it.
• Do not expose the instrument to rain, use it near water or in damp or
wet conditions, or place on it any containers (such as vases, bottles or
glasses) containing liquids which might spill into any openings. If any
liquid such as water seeps into the instrument, turn off the power
immediately and unplug the power cord from the AC outlet. Then have
the instrument inspected by qualified Yamaha service personnel.
• Never insert or remove an electric plug with wet hands.
• Do not put burning items, such as candles, on the unit. A burning item
may fall over and cause a fire.
• This instrument contains no user-serviceable parts. Do not open the
instrument or attempt to disassemble or modify the internal
components in any way. If it should appear to be malfunctioning,
discontinue use immediately and have it inspected by qualified
Yamaha service personnel.
(For information on whether Bluetooth functionality is included or not,
refer to page 142.)
• Radio waves may affect electro-medical devices.
- Do not use this product near medical devices or inside areas in
which the use of radio waves is restricted.
- Do not use this product within 15cm (6 in.) of persons with a heart
pacemaker or defibrillator implant.
DMI-7 1/3
• Do not place the bench in an unstable position where it might
Using the bench (If included)
If you notice any abnormality
Power supply/AC adaptor
Assembly
Location
Connections
Handling caution
accidentally fall over.
• Do not play carelessly with or stand on the bench. Using it as a tool or
stepladder or for any other purpose might result in accident or injury.
• Only one person should sit on the bench at a time, in order to prevent
the possibility of accident or injury.
• If the bench screws become loose due to extensive long-term use,
tighten them periodically using the specified tool in order to prevent
the possibility of accident or injury.
• Keep special watch over any small children so that they don’t fall off
the rear of the bench. Since the bench does not have a backrest,
unsupervised use may result in accident or injury.
• When one of the following problems occur, immediately turn off the
power switch and disconnect the electric plug from the outlet. Then
have the device inspected by Yamaha service personnel.
- The power cord or plug becomes frayed or damaged.
- It emits unusual smells or smoke.
- Some object has been dropped into the instrument.
- There is a sudden loss of sound during use of the instrument.
- If any cracks or breakages exist on the instrument.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage
to the instrument or other property. These precautions include, but are not limited to, the following:
• When setting up the product, make sure that the AC outlet you are
• Do not connect the instrument to an electrical outlet using a multipleconnector. Doing so can result in lower sound quality, or possibly
cause overheating in the outlet.
• When removing the electric plug from the instrument or an outlet,
always hold the plug itself and not the cord. Pulling by the cord can
damage it.
• Remove the electric plug from the outlet when the instrument is not to
be used for extended periods of time, or during electrical storms.
• Assemble the instrument in the proper sequence by following the
assembly instructions in this manual. Also, make sure to tighten the
screws regularly. Failure to do so might result in damage to the
instrument or even injury.
using is easily accessible. If some trouble or malfunction occurs,
immediately turn off the power switch and disconnect the plug from the
outlet. Even when the power switch is turned off, electricity is still
flowing to the product at the minimum level. When you are not using
the product for a long time, make sure to unplug the power cord from
the wall AC outlet.
• Before connecting the instrument to other electronic components, turn
off the power for all components. Before turning the power on or off for
all components, set all volume levels to minimum.
• Be sure to set the volumes of all components at their minimum levels
and gradually raise the volume controls while playing the instrument to
set the desired listening level.
• Do not place the instrument in an unstable position where it might
accidentally fall over.
• Do not go near the instrument during an earthquake. Strong shaking
during an earthquake could cause the instrument to move or tip over,
resulting in damage to the instrument or its parts, and possibly
causing injury.
• (CLP-785, CLP-775, CLP-745, CLP-735) When transporting or
moving the instrument, always use two or more people. Attempting to
lift the instrument by yourself may damage your back, result in other
injury, or cause damage to the instrument itself.
• (CLP-795GP, CLP-765GP) Since this product is very heavy, make sure
that a sufficient number of people are on hand to help, so you can lift
and move it safely and easily. Attempting to lift or move the instrument
by force may damage your back, result in other injury, or cause
damage to the instrument itself.
• Before moving the instrument, remove all connected cables, to prevent
damage to the cables or injury to anyone who might trip over them.
• Do not insert a finger or hand in any gaps on the key cover or
instrument. Also take care that the key cover does not pinch your
finger.
• Never insert or drop paper, metallic, or other objects into the gaps on
the key cover, panel or keyboard. This could cause physical injury to
you or others, damage to the instrument or other property, or
operational failure.
• (CLP-785) Do not apply excessive force when closing the key cover. A
key cover equipped with the SOFT-CLOSE™ mechanism closes the
cover slowly. Applying excessive force to the key cover when closing it
could damage the SOFT-CLOSE™ mechanism, and possibly result in
injury to your hands and fingers caught under the closing key cover.
• Do not rest your weight on, or place heavy objects on the instrument,
and do not use excessive force on the buttons, switches or connectors.
• Keep small parts out of the reach of infants. Your children may
accidentally swallow them.
• Do not use the instrument/device or headphones for a long period of
Using the bench (If included)
The name plate
is located on the
bottom of the
unit.
time at a high or uncomfortable volume level, since this can cause
permanent hearing loss. If you experience any hearing loss or ringing
in the ears, consult a physician.
• For benches that can be adjusted, do not adjust the bench height while
sitting on the bench, since this can cause excessive force to be
imposed on the adjustment mechanism, possibly resulting in damage
to the mechanism or even injury.
• Do not place your hand between moving parts. Otherwise, your hand
could be pinched between the parts, possibly resulting in injury.
Yamaha cannot be held responsible for damage caused by improper
use or modifications to the instrument, or data that is lost or
destroyed.
Always turn the power off when the instrument is not in use.
Even when the [ ] (Standby/On) switch is in standby status (power lamp
is off), electricity is still flowing to the instrument at the minimum level.
When you are not using the instrument for a long time, make sure you
unplug the power cord from the wall AC outlet.
The model number, serial number, power requirements, etc., may be found on
or near the name plate, which is at the bottom of the unit. You should note this
serial number in the space provided below and retain this manual as a
permanent record of your purchase to aid identification in the event of theft.
To avoid the possibility of malfunction/ damage to the
product, damage to data, or damage to other property,
follow the notices below.
Handling
• Do not connect this product to public Wi-Fi and/or Internet
directly. Only connect this product to the Internet through a
router with strong password-protections. Consult your router
manufacturer for information on security best practices.
• Do not use the instrument in the vicinity of a TV, radio, stereo
equipment, mobile phone, or other electric devices.
Otherwise, the instrument, TV, or radio may generate noise.
When you use the instrument along with an application on
your smart device such as a smartphone or tablet, we
recommend that you set Wi-Fi or Bluetooth to on after setting
“Airplane Mode” to on on that device in order to avoid noise
caused by communication.
• Do not expose the instrument to excessive dust or vibrations,
or extreme cold or heat (such as in direct sunlight, near a
heater, or in a car during the day) to prevent the possibility of
panel disfiguration, damage to the internal components or
unstable operation. (Verified operating temperature range:
5° – 40°C, or 41° – 104°F.)
• Do not place vinyl, plastic or rubber objects on the
instrument, since this might discolor the panel or keyboard.
• In the case of a model with a polished finish, bumping the
surface of the instrument with metal, porcelain, or other hard
objects can cause the finish to crack or peel. Use caution.
Maintenance
• When cleaning the instrument, use a soft and dry/slightly
damp cloth. Do not use paint thinners, solvents, alcohol,
cleaning fluids, or chemical-impregnated wiping cloths.
• In the case of a model with a polished finish, gently remove
dust and dirt with a soft cloth. Do not wipe too hard since
small particles of dirt can scratch the instrument’s finish.
• During extreme changes in temperature or humidity,
condensation may occur and water may collect on the surface
of the instrument. If water is left, the wooden parts may
absorb the water and be damaged. Make sure to wipe any
water off immediately with a soft cloth.
Saving data
• Some of the data of this instrument (page 104) and the Song
data saved to the internal memory of this instrument
(page 54) are retained when the power is turned off. However,
the saved data may be lost due to some failure, an operation
mis take, etc. S ave your i mport ant data onto USB flash d rive or
an external device such as a computer (page 76). Before using
a USB flash drive, make sure to refer to page 74.
• To protect against data loss through USB flash drive damage,
we recommend that you save your important data onto spare
USB flash drive or an external device such as a computer as
backup data.
Information
About copyrights
• Copying of the commercially available musical data including
but not limited to MIDI data and/or audio data is strictly
prohibited except for your personal use.
• This product incorporates and bundles contents in which
Yamaha owns copyrights or with respect to which Yamaha has
license to use others’ copyrights. Due to copyright laws and
other relevant laws, you are NOT allowed to distribute media
in which these contents are saved or recorded and remain
virtually the same or very similar to those in the product.
* The contents described above include a computer program,
Accompaniment Style data, MIDI data, WAVE data, voice
recording data, a score, score data, etc.
* You are allowed to distribute medium in which your
performance or music production using these contents is
recorded, and the permission of Yamaha Corporation is not
required in such cases.
About functions/data bundled with the
instrument
• Some of the preset songs have been edited for length or
arrangement, and may not be exactly the same as the original.
• This device is capable of using various types/formats of music
data by optimizing them to the proper format music data for
use with the device in advance. As a result, this device may
not play them back precisely as their producers or composers
originally intended.
• The bitmap fonts used in this instrument have been provided
by and are the property of Ricoh Co., Ltd.
About this manual
• The illustrations and LCD screens as shown in this manual
are for instructional purposes only, and may appear
somewhat different from those on your instrument.
• Windows is a registered trademark of Microsoft® Corporation
in the United States and other countries.
• iPhone, iPad are trademarks of Apple Inc., registered in the
U.S . and ot her countri es.
• The letters at the end of the model name (such as “B,” “WA”)
indicate the color or finish of the instrument. Since they
simply indicate the appearance, these letters are omitted in
this manual.
• The Bluetooth® word mark and logos are registered
trademarks owned by Bluetooth SIG, Inc. and any use of such
marks by Yamaha Corporation is under license.
• The company names and product names in this manual are
the trademarks or registered trademarks of their respective
companies.
Tuning
• Unlike an acoustic piano, this instrument does not need to be
tuned by an expert (although the pitch can be user-adjusted to
match other instruments). This is because the pitch of digital
instruments is always maintained perfectly.
Online Member Product Registration
Power cord*, AC adaptor*
Bench*
War r a nt y *
* May not be included depending on your area. Check
with your Yamaha dealer.
About the Manuals
This instrument has the following documents and
instructional materials.
Included Documents
Owner’s Manual (this book)
This document explains how to use the
Clavinova.
• Introduction:
This section explains how to set up and start using your
Clavinova. Setup is so simple, you can start playing right
away.
•Main Operations:
This section explains various functions useful for your
practice, such as Preset Song playback and Song
recording.
• Detailed Settings:
This section explains how to make detailed settings for
the Clavinova’s various functions. Refer to this section as
necessary.
• Appendix:
This section introduces Message List, a description of
Preset Voices, and other reference material.
Online Materials (Downloadable from
the web)
Data List (CLP-785 and CLP-795GP only)
This document contains lists of XG Voices
and XG Drum Kit that can be selected on the
CLP-785 and CLP-795GP.
Smart Device Connection Manual
Explains how to connect the instrument to a
smart device such as smartphone or tablet, etc.
Computer-related Operations
Includes instructions on connecting this
instrument to a computer, and operations
related to transferring song data.
MIDI Reference
Contains the MIDI-related information.
To obtain these manuals, access the Yamaha
Downloads, enter the model name for searching
the desired files.
Yamaha Downloads
https://download.yamaha.com/
Smart Device App “Smart Pianist”
Enjoy easy operation by connecting your smart
device. To use this, you’ll need to install the “Smart
Pianist” app (free for download). For details, refer to
“Using a Smart Device App” on page 80.
Icons on this manual
Example:
This indicates that the relevant function is only
available on certain models. These icons indicate that
the function is available on the CLP-785 but not on
the CLP-775, CLP-745, CLP-735, CLP-795GP or
CLP-765GP.
The CLP-700 series models feature a special keyboard, which remarkably reproduces the authentic touch and feel of an
actual grand piano. Its mechanism provides exceptionally expressive control from pianissimo to fortissimo. Moreover,
the keys of the GrandTouch Keyboard (CLP-785, CLP-775 and CLP-795GP) have a long pivot point distance (length
from the front side to the pivot point), for a more natural feeling, even when playing the inner part of a key.
Two world-renowned concert grand pianospage 26
All models feature piano sounds created with samples of the Yamaha CFX flagship concert grand piano and the famed
Vienna-made Bösendorfer grand piano. The sound of the Yamaha CFX is powerful, sparkling and with a rich bass
resonance. On the other hand, the Bösendorfer sound is soft and deep in the mid to bass range and beautiful for
pianissimo parts. You can select the one that best matches the music you want to play.
* Bösendorfer is a subsidiary company of Yamaha.
Piano Room feature for adjusting touch and resonancepage 27
From the Piano Room displays, you can adjust various parameters such as string resonance and touch response. You
can also listen to the demo for VRM, which reproduces luxurious string and soundboard resonance, and the demo for
Grand Expression Modeling, which recreates the subtle changes in the sound that respond to your touch.
• VRM effect for reproducing the distinctive reverberation of a grand piano
The VRM function on all models simulates the luscious resonance effect on acoustic pianos—where the
sound of one string causes sympathetic vibration in other strings and the soundboard. You can vary the
sound expressively by changing the timing of your pressing the keys, and the timing and depth of your
pressing the pedal.
• Grand Expression Modeling for superbly expressive sound
On an actual acoustic piano, subtle changes in the sound can be produced by changing your playing touch
from when you press a key to when you release it. The Grand Expression Modeling technology recreates
these subtle changes in the sound that respond to your touch. This allows you to add accents by playing
strongly or add resonance by playing softly to produce superbly expressive sound.
Realistic feeling of being immersed in the sound
—even when using headphonespage 22
When headphones are connected, the sounds of the CFX and Bösendorfer automatically switch to binaural sampling
sound—which gives the impression of being immersed in the sound, as if it was actually emanating from the piano.
When other piano Voices are selected, the Stereophonic Optimizer effect reproduces a natural sound distance.
All models feature twenty different simple rhythm patterns (drums and bass accompaniment) that are perfectly suited
to many types of music regularly performed on the piano, for even greater performance potential.
Preset Songs for effective practicingpage 43
Also built into this instrument are 50 classical music masterpieces, plus 303 lesson Songs for mastering the piano. You
can simply enjoy listening to these built-in Songs, or use them for separate right-hand/left-hand practicing.* The 303
lesson Songs consist of practice pieces taken from various standard piano instruction manuals, including “The Virtuoso
Pianist.”
*The part on/off function is available only for MIDI songs that have both right- and left-hand parts.
Two recording methodspage 54
The instrument lets you save your performance to internal memory or a USB flash drive (sold separately). You can
record your performance using one of two methods, MIDI or Audio recording, according to your needs. MIDI
recording is ideal for making independent tracks—for example, recording a right-hand part to Track 1 first, and then a
left-hand part to Track 2—allowing you to create pieces that would be difficult to play live with both hands together.
Audio recording on the other hand, saves recorded data in stereo, CD-quality WAV format to a USB flash drive, for
storing to computer and playing on portable music players.
Connecting to a Smart Devicepage 77
By connecting this instrument to a smart device such as smart phone or tablet, you can enjoy compatible smart device
apps. In addition, you can input the audio from a smart device to this instrument via Bluetooth* and hear it through the
built-in speakers of the instrument.
*The models CLP-785, CLP-775, CLP-745, CLP-795GP and CLP-765GP are equipped with Bluetooth functionality; however, even these
models may not support Bluetooth, depending on the country in which you purchased the product. For details, refer to page 142.
Fortepiano Voices—authentic classical period
piano sounds
All models feature authentic sounds created with samples of
actual fortepianos—pianos which were made in the era of Mozart,
Beethoven and Chopin. Enjoy performing with the actual sounds
used in the era that classical music masterpieces were composed.
Refer to page 30 for selecting Voices.
*The fortepiano shown in the picture is from the collection of at the
On the CLP-785/775/795GP, the control panel lights up when the power is turned on, and you can control
it by pressing the panel indications or icons. Be sure to read “Turning the Power On or Off” on page 15,
then turn on the power and check the panel.
For selecting an item or setting a value using the
buttons corresponding to the display indication.
You cannot operate the display directly by pressing it
with your finger.
4 []/[FUNCTION] button ................. page 86
Pressing this button alternates the displays among
the menus: “Voice,” “Song,” “Metronome/Rhythm,”
“Recording” and “System”—from which you can
make detailed settings for the related functions. With
the CLP-745 and CLP-765GP, this is also used for
connecting to a Bluetooth-equipped device such as a
smart device (page 78).
Used for connecting to a Bluetooth-equipped device
such as a smart device.
Bluetooth capability
Depending on the country in which you purchased
the product, the instrument may not have Bluetooth
capability. If the Bluetooth logo is shown or printed
on the control panel, this means that the product is
equipped with Bluetooth functionality.
The shape of the plug and
outlet differ depending on
your locale.
AC
adaptor
AC outlet
DC IN jack (page 14)
Power cord
DC plug
AC plug
1-1
1-2
1-3
785775745735795GP 765G P
The shape of the plug and
outlet differ depending on
your locale.
785775745735795GP 765G P
2-2
Be careful to avoid catching your fingers
when opening or closing the cover.
CAUTION
2-1
WARNING
CAUTION
NOTE
CAUTION
This section explains how to set up and start using your Clavinova. Setup is so simple, you can start playing
right away.
Turning the Power On or Off
1. Connect the plugs of the AC adaptor in the order shown in
the illustration.
Use the specified adaptor
(page 136 or page 138) only.
Using the wrong AC adaptor
can result in damage to the
instrument or overheating.
When setting up the product,
make sure that the AC outlet
you are using is easily
accessible. If some trouble
or malfunction occurs,
immediately turn the power
off and disconnect the plug
from the outlet.
When disconnecting the power
cord/AC adaptor, first turn off
the power, then follow this
procedure in reverse order.
2. Open the key cover.
2-1. With both hands, hold the hand grip, then lift and open the
key cover.
2-2. Fold down the top of the key cover.
• Do not place anything
(such as metal objects or
pieces of paper) on top of
the key cover. Small
objects placed on the key
cover may fall inside the
unit when the cover is
opened and may be nearly
impossible to remove.
Once inside, they could
cause electric shock, short
circuit, fire or other serious
damage to the instrument.
• Hold the cover with both
hands when opening or
closing it. Do not release it
until it is fully opened or
closed. Be careful to avoid
catching fingers (yours or
others, especially
children’s) between the
cover and the unit.
Be careful to avoid catching your fingers
when opening or closing the cover.
CAUTION
785775745735795GP 765G P
NOTICE
Press only the [P](Standby/
On) switch when turning the
power on. Any other
operations, such as pressing
the keys, buttons or pedals may
cause the instrument to
malfunction.
The power
lamp lights up.
NOTE
(CLP-785/775/795GP) You can
change the time that elapses
until the control panel turns off,
or you can set it to remain on
indefinitely. For details, refer to
“Auto Backlight Off” on
page 101.
Lift the cover slightly, then
push and slide it to the end.
3. Turn down the [MASTER VOLUME] slider
at the right of the keyboard to “MIN.”
4. Press the [P] (Standby/On) switch at the right of the
keyboard to turn the power on.
The display located at the left of the keyboard and the power lamp on the
[P](Standby/On) switch both light up.
On the CLP-785/775/795GP, the control panel lights up, and automatically
turns off if you do not press it for a while. Simply press anywhere on the control
panel to turn it on again.
5. Play the keyboard.
While playing the keyboard, adjust the volume level by using the [MASTER
VOLUME] slider. For details, refer to “Setting the volume — [MASTER
VOLUME]” on page 21.
6. After you use the instrument, press and hold the
CAUTION
Even when the [P] (Standby/
On) switch is in standby
status, electricity is still
flowing to the instrument at
the minimum level. Remove
the electric plug from the
outlet when the instrument is
not to be used for extended
periods of time, or during
electrical storms.
CAUTION
(CLP-785) Do not apply
excessive force when closing
the key cover. Applying
excessive force to the key
cover when closing it could
damage the SOFT-CLOSE™
mechanism, and possibly
result in injury to your hands
and fingers caught under the
closing key cover.
Be careful to avoid catching your fingers
when opening or closing the cover.
CAUTION
785775745735795GP 765G P
Be careful to avoid catching your fingers
when opening or closing the cover.
CAUTION
785775745735795GP 765G P
NOTICE
•Any data which are not saved
will be lost if the power
automatically turns off. Make
sure to save your data before
this happens.
• Depending on the instrument
status, the power may not
turn off automatically, even
after the specified period of
time elapses. Always turn off
the power manually when the
instrument is not in use.
+
The lowest key
[P] (Standby/On) switch for a second to turn the power
off.
The power lamp on the [P] (Standby/On) switch is turned off.
7. Close the key cover.
7-1. If the music rest is unfolded,
fold it back.
7-2. With both hands, open the
folded top of the key cover,
and close it gently.
The key cover is equipped with the
special SOFT-CLOSE™ mechanism
which closes the cover slowly.
Slide the cover toward you
and gently lower the cover
over the keys.
Getting Started — Playing the Clavinova
Auto Power Off function
To prevent unnecessary power consumption, this instrument features an Auto
Power Off function that automatically turns the power off if the instrument is
not operated for a specified period of time. The amount of time that elapses
before the power is automatically turned off is approximately 30 minutes by
default; however, you can change the setting (page 101).
Disabling Auto Power Off (simple method)
Turn the power on while holding down the lowest key on the keyboard. An
“Auto power off disabled” message appears briefly and Auto Power Off is
disabled.
Do not try to use the music
rest in a half-raised position.
Also, when raising or
lowering the music rest, do
not release your hands from
the music rest until it is all
the way up or down.
Music braces
1.
Pull the music rest up and toward
yourself as far as it will go.
2. Flip down the two metal
supports at the left and right on
the rear of the music rest.
3. Lower the music rest so that the
metal supports latch into place.
Music braces allow you to hold the
pages of music books in place.
To lower the music rest:
Close the Music braces if they are open,
and then lower the music rest by
following the instructions below.
• Do not let children open or
close the lid. Also, be
careful to avoid catching
fingers (yours or others,
and especially those of
children) when raising or
lowering the lid.
• (CLP-795GP) Do not use
the outer recess for the
longer stay. Doing so
makes the lid unstable and
may cause it to fall,
resulting in damage or
injury.
• Make sure that the end of
the stay fits securely in the
lid recess. If the stay is not
properly seated in the
recess, the lid may fall,
causing damage or injury.
• Be careful that you or
others do not bump the
stay while the lid is raised.
The stay may be dislodged
from the lid recess causing
the lid to fall.
1
2
785775745735795GP 765G P
Longer stay
Shorter stay
1
3
2
Lid
To o p en th e l id:
1.
Raise and hold the right side of
the lid (viewed from the
keyboard end of the instrument).
2. Raise the lid stay and carefully
lower the lid so that the end of
the stay fits into the recess in
the lid.
For the longer stay, use the inner recess, and for the shorter stay, use the
outer recess to support the lid.
level of the entire keyboard
sound.
Adjusting the [MASTER
VOLUME] slider also affects
the output level of the
[PHONES] jacks and the
output level of the AUX OUT
jacks.
CAUTION
Do not use the instrument for
a long period of time at a
high or uncomfortable
volume level, since this can
cause permanent hearing
loss.
To adjust the volume, use the [MASTER VOLUME]
slider located at the right of the keyboard. Play the
keyboard to actually produce sound while you
adjust the volume.
Intelligent Acoustic Control (IAC)
IAC is a function which automatically adjusts and controls the sound quality
according to the overall volume of the instrument. Even when playing the
instrument with the overall volume turned down, it permits both low sounds
and high sounds to be clearly heard. IAC Control is effective only from the
sound output of the instrument speakers.
You can set the IAC setting On or Off and its depth. For details, refer to “IAC”
on page 98 and “IAC depth” on page 99. The default setting for this function is
“On.”
Getting Started — Playing the Clavinova
Using Headphones
Connect a pair of headphones to one of the [PHONES] jacks. When the headphones are plugged into either
of the [PHONES] jacks, the internal speaker system is automatically shut off. Two [PHONES] jacks are
provided. Two sets of standard stereo headphones can be plugged in. (If you are using only one pair of
headphones, you can plug them into either of these jacks.)
Do not use the headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent
hearing loss.
NOTE
• If you are using an adaptor plug, be sure to remove this as well when unplugging the headphones. No sound will come out of the
instrument’s speakers if the adaptor plug is left connected.
• You can also hear sound through the speakers with the headphones plugged in. For details, refer to “Speaker” on page 100.
A technology which records
the sounds of an acoustic
instrument then stores them to
the tone generator to be played
based on information received
from the keyboard.
NOTE
Voices in the Piano group are
those contained in the “Piano”
category in the Preset Voice
List (page 106). For details
about selecting Voices, refer to
page 26.
NOTE
Before connecting an external
powered speaker system, be
sure to read “Connections”
(page 71).
NOTICE
You can conveniently hang the headphones on the instrument when not using
them. Install the headphone hanger by following the instruction at the end of
this manual (CLP-785: page 119, CLP-775: page 122, CLP-745/735: page 125,
CLP-795GP: page 129, CLP-765GP: page 133).
Reproducing the Natural Sensation of Sound Distance
—Binaural Sampling and Stereophonic Optimizer
This instrument features two advanced technologies that allow you to enjoy
exceptionally realistic, natural piano sound, even when listening on
headphones.
Binaural Sampling
Binaural sampling is a method that uses two special microphones set at the ear
position of a performer and records the sound from a piano as it is. Listening to
the sound with this effect through headphones gives the impression of being
immersed in the sound, as if it was actually emanating from the piano. When
“CFX Grand” or “Bösendorfer” (page 26) is selected, connecting the
headphones automatically enables binaural sampling sound.
Stereophonic Optimizer
The Stereophonic Optimizer is an effect which reproduces natural sound
distance like the sound of binaural sampling even though you hear it on
headphones. When any other Voice in the Piano group besides “CFX Grand” or
“Bösendorfer” is selected, connecting the headphones automatically enables
the Stereophonic Optimizer.
Do not hang anything other
than the headphones on the
hanger. Otherwise, the
instrument or the hanger may
be damaged.
This function is turned on by default. Note that when the “Speaker” setting
(page 100) is On, this function will always be disabled. Since these sounds are
optimized for listening with headphones, we recommend that you set this
function to “OFF” in the following situations.
• Playing the piano sound of this instrument with an external powered speaker
system, while monitoring the sound output from this instrument on
connected headphones.
• Making an audio recording (page 54) while using headphones, and then
playing that recorded audio Song through speakers of this instrument. (Make
sure to turn off these functions before audio recording.)
For details on setting this On or Off, refer to “Binaural” on page 99.
When you press the damper
pedal here, the notes you
play before you release the
pedal have a longer sustain.
NOTE
Voices in the Piano group are
those contained in the “Piano”
category in the Preset Voice
List (page 106). For details
about selecting Voices, refer to
page 26.
NOTE
You can assign other functions
to each pedal by using “Pedal
Assign” in “Voice” menu
display (page 89).
78577574 5735 795GP 765GP
NOTE
The pedals are covered with
vinyl covers when shipped
from the factory. If your
instrument features the GP
Response Damper Pedal,
remove the cover from the
damper pedal for optimum use
of the pedal effect.
When you press the sostenuto
pedal here while holding the
note(s), the notes will sustain as
long as you hold the pedal.
NOTE
While the sostenuto (center)
pedal is held, a sustained (nondecaying) type of Voice such
as strings or organ may sound
continuously without decay
after the notes have been
released.
NOTE
The center pedal or left pedal
can also be used as a [PLAY/
PAUSE] button. For details on
the settings, refer to “Play/
Pause” on page 98.
This instrument is equipped with three foot pedals:
damper pedal (right), sostenuto pedal (center), and
soft pedal (left).
Damper pedal (right pedal)
When you press the damper pedal, the notes you play
have a longer sustain.
When you select a Voice in the Piano group, pressing
the damper pedal activates the VRM (page 28) to
accurately recreate the unique resonance of an
acoustic grand piano’s soundboard and strings.
Half-pedal function
This instrument also has a Half-pedal function which allows you to use half-damper
techniques, in which the damper is pressed somewhere between all the way down and all
the way up. In this half-damper state (on a real piano), the damper felts only partially
mute the strings. The Half-pedal function on the Clavinova lets you delicately and
expressively control the damper muting, and create subtle nuances in your performance,
by finely controlling the point at which pressure on the pedal affects the damper muting.
For details on setting this, refer to “Half Pedal Point” on page 98.
Getting Started — Playing the Clavinova
GP Response Damper Pedal
The damper pedal of the CLP-785, CLP-775 and CLP-795GP is the GP Response Damper
Pedal. This special pedal has been designed to provide enhanced tactile response and,
when pressed, is much closer in feel to the pedal of an actual grand piano. It makes it
easier to physically experience the half-pedal point and more easily apply the half-pedal
effect than other pedals. Since the pressing sensation may vary depending on the
situation, including the location where the instrument is installed, you should adjust the
half-pedal point described above to the desired setting.
Sostenuto pedal (center pedal)
If you play a note or chord on the keyboard and
press the sostenuto pedal while holding the note(s),
the notes will sustain as long as the pedal is held.
All subsequent notes will not sustain.
Soft pedal (left pedal)
The soft pedal reduces the volume and slightly changes the timbre of notes
played while the pedal is pressed. The soft pedal will not affect notes that are
already playing when it is pressed. In order to apply this effect, play notes after
pressing the pedal.
Keep in mind that this pedal function will be changed from the Soft pedal
depending on the selected Voice. When the “Mellow Organ” is selected,
pressing and releasing this pedal switches between “fast” and “slow” of the
Rotary Speaker speed (“Rotary Speed” on page 88). When the “Vibraphone” is
selected, this pedal switches Vibrato on and off (“VibeRotor” on page 88).
When this is shown here,
you can scroll through the
display vertically.
Selecting Voices
Press the [VOICE] button
to call up the Voice group
list.
Press the [
u] or [d] button
to select a Voice group.
Selecting Songs and
Demos
When this is shown here,
you can scroll through the
display vertically.
Press the [SONG/DEMO]
button to ca ll up th e So ng
category list.
Detailed Settings (Menu display)
Menu icon
Menu name
Press the [u] or [d] button
to select a Song category.
Press the [FUNCTION]
button repeatedly to
select the desired menu.
You can change the time that elapses until the control panel turns off, or you can set it to remain on indefinitely. You can also set the
operation sound to off. For details, refer to “Auto Backlight Off” or “Touch Panel Sound” on page 101.
NOTICE
Do not operate the control panel using a sharp item, your fingernails or other hard objects. This may damage the control panel.
NOTE
You cannot operate the control panel by pressing two or more places at once.
Changing the Control Panel Settings
The panel illustrations for CLP-735/745/765GP
here and all those following are based on the
CLP-745.
On the screen display, you can call up three main functions: Voice, Song and Demo. In addition, various
detailed settings can be made, for even greater playability and performance potential.
Vo ic e : Instrument sound for playing from the keyboard. In addition to the Piano sounds, a wide variety of other musical
instrument sounds are available.
Song: A piece of music for listening enjoyment or for playing back and practicing along with.
Demo: Voice Demos let you experience the characteristics of the Voices.
3.
4.
3.
2.
3.
4.
3.
Selecting a value from a list
[r] to select a Voice.
[l] to return.
[r] to select a Voice.
[u] to return.
This indicates the
current position in
the Voice group.
Press the [u] or [d] button
to select a Voice.
Play the keyboard.
Voice display
[r] to select a Song.
[l] to return.
[r] to select a Song.
[u] to return.
Press the [u] or [d] button
to select a Song.
Use the [l] or [r] button to select
the previous or next bars.
Song display
[r] to detailed settings.
[EXIT] to return to the
previous display.
[r] to detailed settings.
[l] to return.
Adjusting the value on the
slider pop-up window
Press the [l] or [r] button to adjust the
value, press the [EXIT] button to close
the pop-up window.
Press the [u] or [d] button
to select a parameter.
A checkmark is
shown at the right of
the selection.
Note that the hierarchy depth differs
depending on the selected parameter.
Press the [EXIT] button to return to the Voice
display or the Song display, depending on
which display was previously shown.
While the pop-up window is shown, pressing
the [EXIT] button returns to the previously
shown display.
Return to the Voice/Song display
Press the [l] or [r] button to select
the previous or next Voice.
When “Lesson” is selected,
press the [
u] or [d] button
to select a Lesson type.
Press the [PLAY/PAUSE] button to
playback the Song.
Use the [
u][d] buttons or the [r] button
to select a setting.
Press the [l] button to return to the previous
display.
You can hear and experience
the characteristics of the
Voices by listening to the Demo
Songs for each Voice
(page 32).
Enjoying the Piano Performance
This instrument puts the sounds of two renowned grand pianos, the Yamaha CFX and Bösendorfer
Imperial, as well as other piano sounds—each with its own distinctive appeal and sonic characteristics.
Simply select the particular piano sound desired, according to the music you intend to play or your
personal preferences.
Selecting two Grand Piano Voices from the panel directly
1. Press the [CFX GRAND] button or the [BÖSENDORFER]
button to select the piano type.
A Voice is called up from the selected Voice button and its name appears
on the Voice display.
CFX Grand
Yamaha’s CFX concert grand piano sound with a wide dynamic range for
maximum expressive control. Suitable for playing in any music genre and
style.
Bösendorfer
The famed sound of the Vienna-made Bösendorfer Imperial concert
grand piano. Its spacious sound evokes the size of the instrument, and is
ideal for expressing tenderness in compositions.
2. Play the Keyboard.
Selecting Other Piano Voices
Press the [l][r] buttons to select other piano Voices than “CFX Grand” and
“Bösendorfer.” You can also select the other Voices by pressing the [VOICE]
Voices in the Piano group are
those contained in the “Piano”
group in the Preset Voice List
on page 106.
785775745735795GP765GP
EXIT
NOTE
If a Voice other than one in the
Piano group is selected,
pressing the [PIANO ROOM]
button changes it to “CFX
Grand.”
NOTE
Pressing the [PIANO ROOM]
button disables the Dual/Split/
Duo functions.
Piano Room display
Piano Voices (Piano Room)
You can adjust the detailed settings of Voices in the Piano group in the Piano
Room. Try creating a custom piano sound by adjusting the various parameters
such as lid position, string resonance, damper resonance and so on.
1. Press the [PIANO ROOM] button to call up the Piano
Room display.
Enjoying the Piano Performance
2. Press the [u]/[d] buttons to select items (page 28).
3. Press the [l]/[r] buttons to change the settings (page 28).
4. Press the [EXIT] button to exit from the Piano Room
Lid PositionRecreates the differences in sound depending on how high
BrightnessAdjusts the brilliance of sound.Differs
TouchDetermines how the sound responds to your playing
ReverbDetermines the Reverb type which is applied to all the entire
Reverb
Depth
Master TuneFine tunes the pitch of the entire instrument. This function is
VRMTurns the VRM effect on/off. For information about the VRM
the (virtual) grand piano lid is opened.
strength. You should adjust this setting according to the
specific Voice you’re playing or the particular Song you’re
performing, as desired.
sound including the keyboard performance, Song playback
and MIDI data input from an external MIDI device.
Adjusts the Reverb depth. When “Reverb” is set to “off” or a
value of “0,” no effect is produced.
useful when you play this instrument along with other
instruments or CD music.
function, refer to page 29.
Default
setting
FullFull, Half,
depending on
the Voice.
MediumSoft2, Soft1,
Differs
depending on
the Voice.
Differs
depending on
the Voice.
A3 = 440.0 HzA3 = 414.8 Hz –
OnOn, Off
Listening to the VRM Demo
Press the [PLAY/PAUSE] button
while this display is open to play
back the VRM Demo Song. You
can hear the Demo Song with and
without the effect (VRM on or off).
The five parameters below can be set when “VRM” is On.
Damper
Resonance
Damper
Noise
Determines the depth of the string resonance effect which is
applied when the damper pedal is pressed.
Turns the Damper Noise produced by the VRM function On/
Off. For details on damper noise, refer to page 29. This
function will be disabled when “Damper Resonance” is set to
“0.”
Determines the depth of the string resonance effect which is
applied when a note on the keyboard is pressed.
Adjusts the sympathetic vibrations of the duplex scaling
resonance effect in VRM. For details about duplex scaling,
refer to “What is Duplex Scale?” (page 29).
Adjusts the resonance of the piano itself (the soundboard,
the sides, the frame and so on) in VRM.
50 – 10
50 – 10
50 – 10
Enjoying the Piano Performance
NOTE
NOTE
ItemIconDescription
Grand ExpressionSelects the type of the Grand Expression Modeling effects,
which simulates the physical sound transitions of an actual
piano. When this feature is set to “Dynamic,” you can control
extremely subtle nuances in the performance and sound by
changing your playing strength or touch. When set to
“Static,” the nuances are generally fixed. For details about
Grand Expression Modeling, refer to the below.
Grand Expression Modeling is effective only for the Voices of
“CFX Grand” and “Bösendorfer.”
Default
setting
DynamicDynamic, Static
Setting Range
Listening to the Demo
Press the [PLAY/PAUSE] button
while this display is open to play
back the Demo Song of this
function. You can listen to the
Demo song with “Dynamic” or
“Static.”
Half Pedal PointSpecify the point to which you must depress the right pedal
• If you wish to keep the Piano Room settings even after turning off the power, set “Voice” and “Other” in the “Backup” setting to “On.” For
details, refer to page 104.
• The items listed above can also be set in the “Voice” menu display (page 87) or the “System” menu display (page 97). When you
change these settings in the Piano Room display, the settings in the menu displays will also be changed. Conversely, changing the
settings in the menu displays will also change the settings in the Piano Room display.
before the effect of “Sustain Continuously” begins to be
applied. This setting applies only to the “Sustain
Continuously” effect (page 91) that is assigned to the right
pedal.
0-2 (effective with
the shallowest
press) – 0 – +4
(effective with
the deepest
press)
What is VRM?
The VRM (Virtual Resonance Modeling) function uses sophisticated physical modeling to simulate the actual string resonance sound
that occurs when the damper pedal on a real piano is pressed or keys are played and held.
On an actual acoustic piano, if you press the damper pedal and play a key, not only does the string of the pressed key vibrate, it also
causes other strings and the soundboard to vibrate, each influencing the rest and creating a rich and brilliant resonance that sustains
and spreads. The VRM (Virtual Resonance Modeling) technology featured in this instrument reproduces the complicated interaction
of both string and soundboard resonance faithfully using a virtual musical instrument (physical modeling), and makes the sound more
like a real acoustic piano. Since instantaneous resonance is made at the moment according to the state of the keyboard or pedal, you
can vary the sound expressively by changing the timing of your pressing the keys, and the timing and depth of your pressing the
pedal.
What is Duplex Scale?
Duplex scaling is a stringing method for pianos that uses extra, un-struck strings in the upper octaves to enhance the tone. These
strings sympathetically vibrate with other strings in an acoustic piano, resonating with overtones, and adding richness, brilliance and
complex color to the sound. Since they do not have a damper, they will continue sounding even after you release your hands from the
keyboard.
What is Damper Noise?
Damper noise is the sound made on an acoustic piano when the damper pedal is pressed. The damper noise changes in tone and
volume depending on how quickly the damper pedal is pressed down. Pressing the damper pedal slowly will make a quieter sound
when the damper heads are released from the strings. Pressing the damper pedal with force will transmit the vibrations to the strings,
which adds a lower and louder sound.
What is Grand Expression Modeling?
On an actual acoustic piano, subtle changes in the sound can be produced by changing your playing touch from when you press a
key to when you release it. For example, when you press a key all the way to its bottom, the key hits the keybed underneath and the
noise reaches the strings, changing the sound slightly. Furthermore, the tone when the damper is lowered onto strings to mute the
sound is changed by how quickly you release the key. The Grand Expression Modeling technology recreates these subtle changes in
the sound that respond to your touch. This allows you to add accents by playing strongly or add resonance by playing softly to
produce superbly expressive sound. A crisp tone can be heard when playing staccato as well as a lingering sound produced when
releasing the keys slowly.
To hear and experience the
characteristics of the Voices,
listen to the Demo Songs for
each Voice (page 32).
NOTE
Touch Response will not be
applied to some Voices. For
information about the Voices to
which Touch Response can be
applied, refer to the “Preset
Voice List” on page 106.
XG
XG is a major enhancement of
the GM System level 1 format
(page 43), and was developed
by Yamaha specially to
provide more Voices and
variations, as well as greater
expressive control over Voices
and effects, and to ensure
compatibility of data well into
the future.
NOTE
For information about the
Voices, refer to the “Preset
Voice List” (page 106).
785775745735795GP765GP
Voice g roup
Voice group list
(Voices)
In addition to the wonderfully realistic piano sounds, you can select and play other musical instrument
sounds (Voices), such as organ or stringed instruments. You can also select authentic Voices of fortepianos,
which were made in 18th and 19th centuries.
Selecting Voices
The Voices of the instrument are conveniently divided into groups of
instrument types. Select a desired Voice and play the keyboard.
You can also select a Voice from the XG Voices (CLP-785 and CLP-795GP
only). For instructions, refer to page 31.
1. Press the [VOICE] button to call up the Voice group list.
Voice groups are listed in the display. The currently selected Voice group
is highlighted.
2. Use the [u]/[d] buttons to select the Voice group.
Playing Various Musical Instrument Sounds (Voices)
NOTE
Press the [<] button to return to
the Voice List for selecting the
Voice Group.
Voi ce
Voice display
NOTE
You can specify the Touch
Response (how the sound
responds to the way you play
the keys). You should adjust
this setting according to the
specific Voice you’re playing or
the particular Song you’re
performing, as desired. For
details on the settings, refer to
“Touch” on page 97. You can
also adjust the Touch
Response for the Voices in the
Piano group from the Piano
Room display (page 28).
785775745735795GP 765GP
Scroll to the bottom of the display
by pressing the [
d] button.
3. Press the [r] button.
The Voices in the selected group are listed in the display.
4. Use the [u]/[d] buttons to scroll through the Voice list,
and then press the [r] button to select the desired Voice.
The currently selected Voice name is shown in the display.
You can select other Voices in order using the [l]/[r] buttons via the
Voic e d is p la y.
u
Press the [
] button to go back to the Voice list.
5. Play the keyboard.
Selecting XG Voices
If you want to select a Voice from the XG voices, select “XG” in step 2.
Because the XG Voice group has an extremely large number of Voices, the group
is divided into sub-groups. Press the [
then select the desired Voice group from the list by using the [
After this, follow the procedure beginning with step 3 above.
*For details on XG Voices, refer to the “Data List” on the website (page 8).
Playing Various Musical Instrument Sounds (Voices)
785775745735795GP765GP
Demo display
NOTE
Recording operations cannot
be used during Voice Demo
playback.
Listening to the Voice Demos
Several Demo recordings have been specially prepared to showcase the
exceptional characteristics of the corresponding Voices. For information about
the Voices that can be heard with these Demos, refer to the “Voice Demo Song
List” on page 108.
1. Press the [SONG/DEMO] button to call up the Song list
display.
2. Use the [u]/[d] buttons to select “Demo,” and then press
the [r] button to call up the next display.
3. Use the [u]/[d] buttons to select the desired Voice Demo,
and then press the [r] button to call up the Demo display.
The currently selected Voice Demo name is shown in the display.
4. Press the [PLAY/PAUSE] button to start playback.
5. Press the [PLAY/PAUSE] button again to stop playback.
The Voice Demo stops automatically when Voice Demo playback reaches
the end.
Selecting Other Demos
Press the [u] button to return to the Song list display, then repeat steps 3
– 4 of this section.
Playing Various Musical Instrument Sounds (Voices)
785775745735795GP765GP
FUNCTION
EXIT
“System” menu display
1-1. Use the [u]/[d] buttons
to select “Sound.”
1-2. Press the [>] button to
call up the next display.
1-3. Use the [u]/[d] buttons
to select “Brilliance.”
1-4. Press the [>] button to
call up the next display.
1-5. Use the [u]/[d] buttons
to select the value.
Checkmark
Sound displayBrilliance display
Default setting: Normal
NOTE
If you select Bright 1 – 3 for the
Brilliance setting, the volume
level will increase slightly. In
this condition, if you raise the
[MASTER VOLUME] slider
setting, the sound may
become distorted. If this
happens, lower the volume
accordingly.
Enhancing and Customizing the Sound
Applying the following effects gives you greater and richer expressive
capabilities.
Brilliance
For adjusting the brightness of the sound or creating your own custom EQ
settings. This setting is applied commonly to all parts (keyboard Voices/Song/
MIDI).
1. Press the [FUNCTION] button repeatedly to call up the
“System” menu display, then select the highlighted item in
each display as illustrated below.
Use the [u]/[d] buttons to select the desired tonality in the Brilliance
display. To reset the default setting, hold down the [FUNCTION] button
on the CLP-785/775/795GP, or press the [
on the CLP-745/735/765GP.
Mellow 1 – 3
Normal
Bright 1 – 3
User
u]/[d] buttons simultaneously
Soft and mellow tone. The sound becomes more mellow and warmer as
the number increases.
Standard tone.
Bright tone. The sound becomes brighter as the number increases.
Opens the “User” display, where you can create your own custom EQ
settings. The EQ (Equalizer) processes the sound by dividing the
frequency spectrum into multiple bands, allowing you to boost or cut
them as required to tailor the overall frequency response and provide
optimum sound when listening through the instrument’s internal speaker
or headphones, etc. Refer to page 34 for details on operation.
Playing Various Musical Instrument Sounds (Voices)
Default setting: 0 dB
Setting range: -6 dB – 0 –
+6 dB
NOTE
You can adjust the Reverb
depth for the selected Voice
from the “Voice” menu display:
“Voice Edit” “Reverb Depth”
(page 88).
NOTE
You can adjust the Chorus
depth for the selected Voice
from the “Voice” menu display:
“Voice Edit” “Chorus Depth”
(page 88).
NOTE
When you want to apply the
Chorus effect to a Voice whose
Chorus type is set to off by
default, set the Chorus type to
something other than “Off,”
then set the Chorus depth
value as desired (greater than
“0”).
Setting the User EQ
1. Select “User” in the “Brilliance” display (the step 1-5 on
page 33), and then press the [>] button.
A display in which you can set the gain for three frequency bands
appears.
2. Use the [<]/[>] buttons to select a band, then use [u]/[d]
buttons to boost or cut it.
To reset the gain for each frequency band to the default value, hold down
the [FUNCTION] button on the CLP-785/775/795GP, or press the [
d] buttons simultaneously on the CLP-745/735/765GP.
[
u]/
3. Press the [EXIT] button to close the “User” display.
Reverb
This control adds reverberation to the sound by simulating the natural
reverberation of a concert hall. The ideal Reverb type is automatically selected
whenever you select a Voice, but you can select any of the available Reverb types.
To select a desired Reverb type, use the “Voice” menu display: “Reverb”
(page 87). You can also select the Reverb type for Voices in the Piano group
from the Piano Room display (page 28).
This setting is applied commonly to all parts (keyboard Voices/Song/MIDI).
Chorus
This control adds warmth and spaciousness to the sound. The ideal Chorus
type is automatically selected whenever you select a Voice, but you can select
any of the available Chorus types.
To select a desired Chorus type, use the “Voice” menu display: “Chorus”
(page 87).
This setting is applied commonly to all parts (keyboard Voices/Song/MIDI).
Effects
This instrument features a wide variety of Effects, letting you apply
enhancements such as Echo or Tremolo to the selected Voice for your keyboard
performance. You can select any of the available Effect types from the “Voice”
menu display: “Voice Edit” “Effect” (page 88).
Playing Various Musical Instrument Sounds (Voices)
785775745735795GP765GP
Voi c e 1
Voi c e 2
Playing Two Voices Simultaneously (Dual)
Two Voices can be played simultaneously. You can create warm and richly
textured Voices by using Voices from different groups simultaneously in a layer,
or by using Voices in the same group.
1. Press the [DUAL/SPLIT] button once to enter the Dual
mode.
(CLP-785/775/795GP) The color of the [DUAL/SPLIT] button changes to
orange.
(CLP-745/735/765GP) The [DUAL/SPLIT] button lamp lights up.
The Voice which is displayed at top is Voice 1, and the one at bottom is
Voic e 2.
2. Select the Voices for layering.
2-1. Use the [u]/[d] buttons to highlight (Voice 1) in the
display.
2-2. Use the [l]/[r] buttons or the [VOICE] button to select the
desired Voice.
If you use the [VOICE] button to call up the Voice group list, press the
[
r] button to select a Voice, and then return to the previous display.
Use the [
Voice in the same way.
3. Play the keyboard.
u]/[d] buttons to highlight (Voice 2), and then select a
4. Press the [DUAL/SPLIT] button to exit from the Dual
mode.
(CLP-785/775/795GP) The color of the [DUAL/SPLIT] button returns to
white.
(CLP-745/735/765GP) The [DUAL/SPLIT] button lamp goes out.
Playing Various Musical Instrument Sounds (Voices)
785775745735795GP765GP
EXIT
FUNCTION
“System” menu display
1-1. Use the [u]/[d] buttons
to select “Keyboard.”
1-2. Press the [>] button to
call up the next display.
1-3. Use the [u]/[d] buttons
to select “Duo.”
1-4. Press the [>] button to
select “On.”
Keyboard display
NOTE
• In Duo, VRM is not effective.
• When the Type of Duo
(page 98) is set to
“Separated,” Reverb and
Binaural Sampling/
Stereophonic Optimizer are
not effective.
NOTE
The specified Split Point key is
included in the left-hand range.
Left section
Split Point E3Equivalent to C3 (middle C)Equivalent to C3 (middle C)
Right section
Playing Duo
This function allows two different players to play the instrument, one on the
left and the other on the right. This is convenient for practicing duets over the
same octave range.
1. Press the [FUNCTION] button repeatedly to call up the
“System” menu display, and then select the highlighted
item in each display as illustrated below.
(CLP-785/775/795GP) The color of the [DUAL/SPLIT] button changes to
orange.
(CLP-745/735/765GP) The [DUAL/SPLIT] button lamp lights up.
The keyboard is divided into two sections, with the E3 key as the Split
Point.
The pedal function changes as follows.
38
Right PedalDamper pedal for the right-hand range
Center PedalDamper pedal for both the right-hand and left hand ranges
Playing Various Musical Instrument Sounds (Voices)
NOTE
You can listen to the sounds
played by two players through
both speakers as well, with a
natural balance of sound.
Press the [FUNCTION] button
repeatedly to call up the
“System” menu display, then
change the settings in
“Keyboard” “Type”
(page 98).
NOTE
You can set the metronome
volume, BPM and so on from
the “Metronome/Rhythm” menu
display (page 95).
785775745735795GP765GP
EXIT
FUNCTION
Metronome
2. Press the [EXIT] button to exit from the menu display.
[Duo] is shown in the Voice display while Duo mode is on.
3. Play the keyboard.
The sound of left-hand range is emitted from the left, the sound of righthand range is emitted from the right by default.
4. Press the [DUAL/SPLIT] button to exit from the Duo
mode.
You can also exit from the Duo mode by following either of the
instructions below.
• Press any of the [CFX GRAND], [BÖSENDORFER], [PIANO ROOM]
buttons.
• Repeat the same procedure from step 1 to set it to “Off.”
Using the Metronome
The instrument has a built-in metronome (a device that keeps an accurate
tempo)—a convenient tool for practice.
1. Press the [METRONOME] button to start the metronome.
This calls up the Tempo display, from which you can adjust the tempo.
For details, see next section.
2. Press the [METRONOME] button to stop the metronome.
To close the Tempo display, press the [EXIT] button.
3. Use the [u]/[d] buttons to select the desired time
Half note
Quarter note
Dotted quarter note
Eighth note
Note type
The length of one beat
Metronome detailed
settings
You can set the metronome
volume, BPM and so on from
the “Metronome/Rhythm” menu
display (page 95).
signature.
Setting range: 2/2, 1/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 7/8, 9/8, 12/8
Default setting: 4/4 (Selecting a MIDI Song will change the tempo value to
that specified in the selected MIDI Song data.)
Tempo indication and Setting range
Tempo is displayed as “note type=xxx” (For example: =120). Selecting
the Time Signature changes the available parameters as follows.
Note typeTime SignatureSetting range
2/23 – 250
1/4, 2/4, 3/4, 4/4, 5/4,6/4, 7/4 5 – 500
6/8, 9/8, 12/84 – 332 (even numbers only)
Playing Various Musical Instrument Sounds (Voices)
3/8, 7/810 – 998 (even numbers only)
* When the tempo value of the selected MIDI Song is outside the setting range on the instrument,
the value will be changed to fit within the setting range.
* Note type will be fixed to quarter note as long as the “BPM” parameter in the “Metronome/Rhythm”
menu display is set to “Crotchet” regardless of the Time Signature you set.
and 999
4. Turn the “Bell” setting on.
For details, refer to “Bell” in the “Metronome/Rhythm” menu (page 95).
The Metronome plays back according to the selected Time Signature with
the Bell sound on the first beat of each measure.
5. Press the [EXIT] button to close the “Metronome/
• The Rhythm tempo is
equivalent to that set for the
Metronome (page 39).
• Even if you set the Rhythm
tempo, selecting a MIDI Song
will change the tempo value
to that specified in the
selected MIDI Song data.
Detailed Settings for the
Rhythm
From the “Metronome/Rhythm”
menu display (page 95), you
can set detailed parameters,
such as Rhythm volume and
Sync Start, letting you start
Rhythm playback by simply
pressing a key.
NOTE
The Rhythm display cannot be
called up during Song
playback or recording.
To set the Intro/Ending on
or off
“Intro” and “Ending” allow you
to vary the arrangement of the
accompaniment. You can set
“Intro” and “Ending” on/off via
“Intro” or “Ending” in the
“Metronome/Rhythm” menu
display (page 95).
NOTE
• Some arrangements may not
be suitable for use with this
feature.
• 9th, 11th and 13th chords
cannot be recognized.
• For details on how to play
chords, refer to commercially
available chord books.
Playback
This instrument features various rhythm patterns, allowing you to play and perform along with dynamic
Rhythm playback. The preset Rhythms consist of drums and bass accompaniment.
1. Press the [RHYTHM] button to start Rhythm playback.
Intro playback starts followed by the Rhythm playback.
2. Use the [<]/[>] buttons to call up the desired Rhythm.
For details on the available Rhythms, refer to the Rhythm List (page 110).
3. Play the keyboard along with Rhythm playback.
The instrument will automatically create appropriate accompaniment
bass sound while you play, based on the chords you play.
The default setting of the bass sound is “On.”
If you don’t want to have the bass accompaniment sound, set it to “Off.”
Press the [FUNCTION] button repeatedly to call up the “Metronome/
Rhythm” menu display, and make the settings in “Bass.”
4. To stop Rhythm playback, press the [RHYTHM] button
again.
The Rhythm will automatically stop after an Ending is played.
5. Press the [EXIT] button to exit from the Rhythm display.
This instrument can play Preset Songs, Songs you recorded on this instrument, or commercially available
Songs. In addition to listening to these Songs, you can play the keyboard as the Song plays back.
MIDI Songs and Audio Songs
There are two kinds of Songs that can be recorded and played back on this
instrument: MIDI Songs and Audio Songs.
A MIDI Song is comprised of your keyboard performance information and is not a
recording of the actual sound itself. The performance information refers to which
keys are played, at what timing, and at what strength—just as in a musical score.
Based on the recorded performance information, the tone generator (of the
Clavinova, etc.) outputs the corresponding sound. A MIDI Song uses a small amount
of data capacity in comparison to an Audio song, and allows you to easily change
aspects of the sound, such as Voices used, etc.
An Audio Song is a recording of the performed sound itself. This data is recorded in
the same way as that used with voice recorders, etc. This data can be played with a
portable music player, etc., allowing you to easily let other people hear your
performance.
Availability of functions differs between MIDI Songs and Audio Songs. In this chapter, the
following icons indicate whether or not the explanation applies to MIDI Songs or Audio Songs
individually.
Example:
You can play back the following types of Songs in this instrument.
• Your own recorded Songs (see page 54 for instructions on recording)
• Commercially available MIDI Song data: SMF (Standard MIDI File)
The maximum size for playback on this instrument is approx. 500KB per single
MIDI Song.
• Commercially available Audio Song data: Wav (file extension = .wav with
44.1 kHz sample rate, 16-bit resolution, stereo, and maximum 80 minutes length)
The CLP-785 and CLP-795GP are compatible with the following formats.
GM System Level 2
“GM (General MIDI)” is one of the most common Voice allocation formats. “GM System Level
2” is a standard specification that enhances the original “GM” and improves Song data
compatibility. It provides for increased polyphony, greater Voice selection, expanded Voice
parameters, and integrated effect processing.
XG
XG is a major enhancement of the GM System Level 1 format, and was developed by Yamaha
specifically to provide more Voices and variations, as well as greater expressive control over
Voices and effects, and to ensure compatibility of data well into the future.
GS
GS was developed by the Roland Corporation. In the same way as Yamaha XG, GS is a major
enhancement of the GM specifically to provide more Voices and Drum kits and their
variations, as well as greater expressive control over Voices and effects.
The instrument can
automatically select a Song file
saved in the root directory of
the USB flash drive as soon as
the USB flash drive is
connected. For instructions,
refer to “USB Autoload” on
page 100.
785775745735795GP765GP
NOTE
Before using a USB flash drive,
be sure to read “Connecting
USB Devices (USB [TO
DEVICE] terminal)” on
page 74.
Song category
[d] button
Song Playback
1. If you want to play back a Song in a USB flash drive,
connect the USB flash drive containing Song data to the
USB [TO DEVICE] terminal beforehand.
Audio files to be played must be on a USB flash drive.
2. Press the [SONG/DEMO] button to call up the Song List
display, then select the desired category using [u]/[d]
buttons.
Select the desired one from “50 Classical,” “Lesson,” “User” or “USB”
referring to the category descriptions below.
Voice Demos let you experience the characteristics of the Voices
(MIDI Song). Refer to page 32 for how to play back the Demo. For Song
names, refer to the “Voice Demo Song List” on page 108.
50 classical Preset Songs (MIDI Songs). For these Songs, see the music
book “50 Classical Music Masterpieces,” included with this instrument.
For details, refer to the “Song List” on page 109.
303 Preset Songs (MIDI Songs) ideal for practice, taken from “The Virtuoso
Pianist” and others. For these Songs, refer to the Lesson Songs on page 109.
Lesson Songs are divided into several folders depending on the types.
MIDI Songs which have been recorded and saved to the instrument by
using the Record function (page 54), and MIDI Songs which have been
copied/moved to the instrument using File operations (page 65).
MIDI/Audio Songs saved to the USB flash drive by recording them with this
instrument or Audio Songs converted from MIDI Songs (page 69), or MIDI/
Audio Songs saved to the USB flash drive.
3. Press the [>] button to display the Songs in the specified
NOTE
Press the [<] button to return to
the category/folder.
Icon
Song List
IconData format
Folder
MIDI Songs
Audio Songs
NOTE
“NoSong” will be shown in the
display when no data exists in
that folder.
When Songs cannot be
read from a USB flash drive
If the song cannot be read, you
may need to change the
Language setting for the Song
name in the “System” menu
display (page 101).
NOTE
Press the [u] button to return to
the Song list.
NOTE
When the Song title is too long
to be displayed, press the [
d]
button to see the full title.
Song
name
Song display: MIDI Song Song display: Audio Song
Song
name
Category nameCategory name
Song display: MIDI SongSong display: Audio Song
Current positionCurrent position
NOTE
If a Song has been selected,
the original tempo of the Song
is used, and the Metronome
setting (page 39) will be
ignored.
category, and then select a desired Song using the [u]/[d]
buttons.
When “User” or “USB” category is selected, the icon indicating Song
types are shown to the left of the Song name.
Since the Lesson Songs are conveniently divided into specific folders,
select the desired folder, press the [>] button, and then select a Song.
To select a recorded Song saved to USB flash drive:
When you record a Song and save it to a USB flash drive, the recorded
Song will automatically be saved to the USER FILES folder on a USB flash
drive. If you want to select the Song from the USER FILES folder, select
USB in step 2, and USER FILES folder in step 3.
Playing Back Songs
4. Press the [>] button to select the desired Song.
The Song display lets you to see the currently selected Song name and its
category name.
5. Press the [PLAY/PAUSE] button to start playback.
The current position of the Song playback will be shown.
You can play the keyboard along with Song playback. You can also change
the Voice for your keyboard performance. To adjust the volume balance
between your keyboard performance and MIDI Song playback, or to
adjust the Audio Volume, set the appropriate Volume parameters
individually in the “Song” menu display (page 52).
Changing the tempo of an
Audio Song may change its
tonal characteristics.
785775745735795GP765GP
EXIT
FUNCTION
MIDI SongAudio Song
TempoTempo
You can adjust the playback tempo of a Song.
1. Press the [TEMPO] button to call up the Tempo display.
For a MIDI Song, press the [TEMPO] button during Song playback or
while the Song display is shown. For an Audio Song, press the [TEMPO]
button during Song playback.
Playing Back Songs
2. Change the Tempo value using the [<]/[>] buttons.
To recall the original tempo (the tempo particular to the Song), hold
down the [FUNCTION] button on the CLP-785/775/795GP, or press the
[<] and [>] buttons simultaneously on the CLP-745/735/765GP.
When a MIDI Song is selected, the tempo range differs depending on the
Time Signature for a selected Song. Available setting values may only
include even numbers (multiples of 2), depending on the Time Signature.
For more information, refer to page 41.
When an Audio Song is selected, the tempo range is between 75% –
125%. 100% is the original tempo value. Higher values result in a faster
tempo.
3. Press the [EXIT] button to exit from the Tempo display.
The parts can be turned on or
off even during playback.
NOTE
Usually, Channel 1 is assigned
to “R,” Channel 2 is assigned
to “L,” and Channels 3 – 16 are
assigned to “Extra.” However,
the assignments may differ
depending on the particular
Song. Channels assigned to
“Extra” cannot be set to on or
off individually.
NOTE
Some songs in “50 Classical”
and “Lesson” categories are
duet songs. Refer to page 109
about part assignment for the
duet songs.
NOTE
Whenever you select another
MIDI Song, both parts are
automatically turned on.
“Song” menu display
2-1. Use the [u]/[d] buttons
to select “L/R.”
2-2. Press the [>] button to
call up the next display.
2-3. Use the [u]/[d] buttons
to select desired track.
L/R display
Playing a One-hand Part — Part Cancel
Function (MIDI Songs)
Some MIDI Songs, such as Preset Songs, are divided into right-hand and lefthand parts. By using such Song data, you can practice the left hand by turning
on only the right-hand part, and practice the right hand by turning on only the
left-hand part—allowing you to practice parts separately for easy mastery of
difficult material.
1. Select a Song for practicing.
For instructions, refer to page 44. Song categories “50 Classical” and
“Lesson” are recommended for this.
2. Select a part you want to practice, then set the part to off.
Press the [FUNCTION] button repeatedly to call up the “Song” menu
display, then select the highlighted item in each display as illustrated
below.
In the “L/R” display, select the part (track) you want to mute for
practicing. Select “R” for practicing the right-hand part, or “L” for the lefthand part.
3. Use the [>] button to select “Off” for the selected part.
4. Press the [PLAY/PAUSE] button to start playback.
795GP765GP785775745735
FUNCTION
“Song” menu displayRepeat display
Play and practice the part you just muted.
5. Press the [PLAY/PAUSE] button again to stop playback.
Even if you don’t press the [PLAY/PAUSE] button, the Song stops
automatically when Song playback reaches the end.
Playing Back a Song Repeatedly
There are three Repeat items as follows. These are convenient for repeatedly
practicing difficult phrases. It is a good idea to use this function and the Part
Cancel function (above) for practicing difficult phrases, in the case of MIDI
Songs.
AB Repeat ............. Play a MIDI Song repeatedly by designating a specific
•
range within the Song.
•
Phrase Repeat...... Play a MIDI Song repeatedly by designating a phrase or
phrases within the Song.
•
Song Repeat.......... Play a MIDI/Audio Song repeatedly, or play all MIDI/
Audio Songs saved in a designated folder repeatedly in
order or in random order.
Playing Back Songs
The explanations here apply only to AB Repeat and Song Repeat. For Phrase
Repeat, refer to page 92.
1. Select a Song to be played back.
For instructions, refer to page 44.
2. Call up the Repeat display.
Press the [FUNCTION] button repeatedly to call up the “Song” menu
display. Select “Repeat,” then press the [>] button.
“Song” menu display (When a MIDI Song is selected)
“Song” menu display (When an Audio Song is selected)
NOTE
Some commercially available
music data contain extremely
high volumes. When using
such data (MIDI Song), adjust
the “Song – Keyboard” setting.
Adjusting the Volume Balance
When a MIDI Song is selected, you can adjust the Volume balance between the
Song playback and the sound you are playing on the keyboard, or between the
Right and Left parts of the selected Song. When an Audio Song is selected, you
can adjust the Audio Song volume.
Select the desired Song beforehand. For instructions, refer to page 44.
1. Press the [FUNCTION] button repeatedly to call up the
“Song” menu display. Select “Volume,” and then press the
[>] button.
2. When a MIDI Song is selected, select “Song – Keyboard”
or “Song L – R” using the [u]/[d] buttons, then press the
[>] button to call up the setting display.
When an Audio Song is selected, use the [<]/[>] buttons to
set the Audio playback volume. After setting the value, go
on to step 4.
Adjust the Volume balance between the MIDI Song playback and
the sound you are playing on the keyboard.
Adjust the Volume balance between the Right and Left parts of the
selected MIDI Song.
3. Adjust the Volume balance by using the [<]/[>] buttons.
The Song playback volume will be lower.The volume of your playing will be lower.
R part volume will be lower.L part volume will be lower.
NOTE
The selected parameters of
“Song – Keyboard” will be
maintained (Backup Setting)
even when the power is turned
off. Make sure not to set the
volume levels to minimum.
Otherwise the sound of
keyboard or songs will not be
played. You can change the
settings to maintain the
selected parameter or not. For
details, refer to “Backup
Setting” on page 104.
MIDIAudio
In the case of “Song – Keyboard”:
In the case of “Song L – R”:
4. Press the [EXIT] button twice to exit from the “Song”
menu display.
Whenever you select another MIDI Song, the setting for “Song L – R” is
restored to its default setting. As for “Song – Keyboard” and Audio
Volume, selecting another Song will not reset the value.
Playing Back Songs
Useful Playback Functions
Starting/pausing playback by using a pedal
You can assign the Song Play/Pause function (the same function as the [PLAY/
PAUSE] button on the control panel) to the center or the left pedal. Press the
[FUNCTION] button repeatedly to call up the “System” menu display, and then
select “Pedal” → “Play/Pause” to make the assignment. For details, refer to
page 98.
This is convenient for starting or pausing playback when you are performing
and can’t take your hands from the keyboard.
Transposing the pitch of a Song
You can shift the pitch of Song playback up or down in semitone intervals.
Press the [FUNCTION] button repeatedly to call up the “Song” menu display →
“Transpose.” For details, refer to page 92.
This instrument allows you to record your performance in the following two methods.
• MIDI Recording
With this method, recorded performances are saved to the instrument or a USB flash drive as an SMF
(format 0) MIDI file. If you want to re-record a specific section or edit parameters such as Voice, use this
method. Also you can record your performance to each Track one by one. Since a MIDI Song can be
converted to an Audio Song after recording (page 69), you may want to use MIDI recording (with
overdubbing and multiple parts) to first create a complex arrangement you would not otherwise be able to
play live, then convert it to an Audio Song. This instrument allows you to record approximately 500 KB of
data per Song.
•Audio Recording
With this method, recorded performances are saved to a USB flash drive as an Audio file. Recording is done
without designating the recorded part. Since it is saved in stereo WAV format of normal CD quality
resolution (44.1 kHz/16 bit), it can be transmitted to and played on portable music players by using a
computer. Because the audio sound input* from the external device is also recorded, you can record your
keyboard performance along with the performance sound of the connected audio device, computer, or
smart device, etc. This instrument allows you to record up to 80 minutes per single recording.
*Audio sound input (Audio input sound): Audio data sent to this instrument from the external devices such as a computer or a smart
device, etc., when connecting the instrument with the devices via [AUX IN] jack, [USB TO HOST] terminal, wireless LAN, or
Bluetooth. For connection with these devices, refer to the “Connections” section from page 71.
For details about the difference between MIDI Songs and Audio Songs, refer to page 43.
Recording Methods
This chapter covers the following four methods. Note that the created data
format differs depending on the method, MIDI or Audio.
This method lets you start recording most quickly. Your performance will be
recorded and saved to the “User” category in this instrument’s internal
memory.
This lets you record the right, left and extra parts separately. Since you can
record the left part while playing back the right, this is useful for recording both
parts of a duet. Since you can record up to sixteen parts separately, record the
performance of each instrument part one by one and create fully orchestrated
compositions.
• MIDI Recording to the USB Flash Drive ............page 59
This method is useful when you want to overwrite the already recorded MIDI
Song in the USB flash drive or create a New MIDI Song on the USB flash drive.
• Audio Recording to the USB Flash Drive ...........page 60
This method lets you record your performance as Audio data to the USB flash
drive connected to the USB [TO DEVICE] terminal.
If you want to record the lefthand and right-hand parts
individually, refer to “MIDI
Recording—independent
Tracks” (page 57), since the
Recording method here
assumes that both the left and
right parts are being recorded
together.
Using the Metronome/
Rhythm
You can use the Metronome/
Rhythm while recording. While
the Metronome sound cannot
be recorded, the Rhythm
sound can. Make sure to enter
the Recording mode before
starting Rhythm playback,
since entering the Recording
mode during playback of the
Rhythm stops its playback.
NOTE
The “Song – Keyboard” Volume
Balance (page 52) will not be
recorded.
NOTE
With MIDI recording, the
performance will be recorded
to Track 1. However, in the
Dual/Split/Duo mode, the
tracks assigned for recording
and the tracks actually used for
recording are different. For
details refer to “Recording
Track Assignment” on page 57.
Mode:
A mode is a status under which
you can execute a certain
function. In Recording mode,
you can record Songs.
NOTE
Pressing and holding the [REC]
button for a second will call up
the display which lists the
Recording Target Songs. In this
case, select “New Song” then
press the [>] button referring to
the table on page 59.
To start recording as soon
as a Rhythm starts:
When a Rhythm (page 42) is
selected, press the [RHYTHM]
button to start Rhythm
playback and MIDI recording
simultaneously.
Measure number
REC display
REC display (during recording)
This is the quickest way to start recording.
1. Make the necessary settings such as Voice selection and
time signature.
Before starting the Recording operation, select a Voice (page 30) for your
keyboard performance, turn Dual/Split/Duo on or off as desired, set the
tempo and time signature of the Metronome/Rhythm (page 39), then
select a Reverb/Chorus/Effect type as desired.
2. Press the [REC] (Record) button to enter the Recording
mode.
A blank new Song for recording is automatically set.
Recording Your Performance
The [PLAY/PAUSE] button will flash at the current tempo.
To exit from the Recording mode, press the [REC] (Record) button again.
3. Play the keyboard (or press [PLAY/PAUSE]) to start
recording.
When you wish to record an empty section at the start of the Song, press
the [PLAY/PAUSE] button to start recording.
The recorded MIDI Song will be
lost if you change to another
Song or you turn the power off
without executing the Save
operation.
Renaming the recorded
Song
The recorded Songs are
named automatically, but you
can rename Songs as you like
(page 70).
NOTE
Refer to page 67 for how to
delete a Song.
NOTE
Parameter settings other than
Voice and Tempo, such as note
data, pedal (Damper/Soft/
Sostenuto) data, octave setting
and time signature, cannot be
changed after recording.
4. After you finish your performance, press the [REC]
(Record) button again to stop recording.
This operation exits from the Recording mode and calls up the display for
saving the recorded performance data.
5. If you want to save the recorded performance, press the [>]
button to execute the Save operation while “Save” is
highlighted.
After the Save operation is completed, the display shows “Save
Completed” then returns to the Song display. The recorded Song will be
named “USERSONGxxx” (xxx: number) and saved in the “User”
category.
• If you are not satisfied with your performance and want to record
again, highlight “Retry” then press the [>] button. Try recording again
from step 3.
• If you do not want to save the recorded data, highlight “Cancel” then
press the [>] button.
6. To hear the recorded performance, press the [PLAY/
If you want to record your
performance to the USB flash
drive or you want to add the
recording to the MIDI Song in
the USB flash drive, refer to
“MIDI Recording to the USB
flash drive” (page 59).
NOTE
Rhythm cannot be added to a
recorded Song. When you want
to record Rhythm, make sure to
record the Rhythm playback
first.
NOTE
Because bass accompaniment
of the Rhythm sounds only
when playing the keyboard, in
order to record the bass
accompaniment, it is
necessary to record keyboard
performance with it as well.
12345678910111213141516
Example:
Right-hand part
Left-hand partRhythm
NOTE
If you record your performance
with both hands to R then to L,
both are played back at the
same time as a single Song.
Recording Track
Assignment
• When recording the Rhythm,
you cannot freely select
desired tracks. The Rhythm is
recorded to Tracks 9 – 11.
• When Dual/Split/Duo is on,
only the R1 Voice
performance will be recorded
to the selected Track, and the
R2 Voice performance will be
recorded to the Track number
which is 6 plus the selected
Track, and the L Voice
performance of Split/Duo will
be recorded to the Track
number which is 3 plus the
selected Track.
NOTICE
Note that recording your
performance to a Track
containing data will overwrite
the previously recorded data.
Recording Track
Track Data Status
Contains data.
Contains no data.
With MIDI Recording, you can create a MIDI Song consisting of 16 tracks by
recording your performance to each track one by one. In recording a piano
piece, for example, you can record the right-hand part to Track 1 then record
the left-hand part to Track 2, allowing you create a complete piece which may
be difficult to play live with both hands together. To record a performance with
Rhythm playback, for example, record Rhythm playback, then record melodies
to Track 1 while listening to the already recorded Rhythm playback. In this way,
you can create an entire Song which would otherwise be difficult, or even
impossible, to play live.
When you want to record a new track of an already recorded
MIDI Song:
After selecting the target MIDI Song (steps 1 – 4 on pages 44 – 45), press and hold
the [REC] (Record) button for a second to call up the display which lists the
Recording Target Songs, select the 4th item (the selected MIDI Song), press the [>]
button, then go to step 2 described on this page.
Recording Your Performance
1. Execute the same operations as in step 1 and step 2 on
page 55 to enter the Recording mode with a new blank
Song selected.
2. Use the [<]/[>] buttons to select a Recording Track.
When you want to record the right-hand part, highlight “R” (Track 1).
When you want to record the left-hand part, highlight “L” (Track 2).
Alternately, when you want to record your performance to Tracks 3 – 16,
call up the desired one by pressing the [<]/[>] buttons repeatedly. If the
Rhythm playback was recorded first before other tracks, it is
automatically recorded to one of the Tracks 9 – 11 (or all the three tracks).
If this is the case, select the desired track for recording from any except
for these tracks.
3. Play the keyboard to start recording.
When you want to record the Rhythm playback first, press the
[RHYTHM] button to start recording. When you want to record an
empty section at the start of the Song, press the [PLAY/PAUSE] button to
start recording.
The recorded MIDI Song will be
lost if you change to another
Song or you turn the power off
without executing the save
operation.
Renaming the recorded
Song
The recorded Songs are
named automatically, but you
can rename Songs as desired
(page 70).
NOTE
For instructions on rewinding,
fast-forwarding and returning
to the top of the Song during
Song playback, refer to
page 46.
NOTICE
Note that recording your
performance to a Track
containing data will overwrite
the previously recorded data.
NOTE
Refer to page 67 for how to
delete a Song. Refer to “Track
Delete” on page 93 for how to
delete a track.
4. After you finish your performance, press the [REC]
(Record) button to stop recording.
This operation exits from the Recording mode and calls up the display for
saving the recorded performance data.
5. If you want to save the recorded performance, press the [>]
button to execute the Save operation while “Save” is
highlighted.
After the Save operation is completed, the display shows “Save
Completed” then returns to the Song display. The recorded Song will be
named “USERSONGxxx” (xxx: number) and saved in the “User”
category.
• If you are not satisfied with your performance and want to record
again, highlight the cursor to “Retry” then press the [>] button. Try
recording again from step 3.
• If you do not want to save the recorded data, highlight “Cancel” then
press the [>] button.
6. To hear the recorded performance, press the [PLAY/
PAUSE] button.
7. To record another Track, enter the Song Recording mode
again.
7-1. Press and hold the [REC] (Record) button for a second.
7-2. Use the [d] button to select existing MIDI Song (at the
You can check whether or not each Track contains recorded data by the
indication that appears at the upper right of each Track. For details on the
indication, refer to “Track Data Status” on page 57.
8. Record your performance to another track by repeating
58
steps 2 – 6 of this section.
In step 2, select a track which has no recorded data. In step 3, play the
keyboard while listening to the already recorded data.
The Recording Target Songs will be listed on the display.
bottom of the list), then press the [>] button.
MIDI Recording to the USB Flash Drive
MIDI
NOTE
To connect a USB flash drive,
be sure to read the section
“Connecting USB Devices
(USB [TO DEVICE] terminal)”
on page 74.
NOTE
Before starting the Recording
operation, check the remaining
memory capacity of the USB
flash drive. “System” menu:
“Utility” “USB Properties”
(page 100).
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These instructions describe how to overwrite an already recorded MIDI Song
in the USB flash drive or how to create a New MIDI Song on the USB flash
drive.
1. Connect the USB flash drive to the USB [TO DEVICE]
terminal.
Recording Your Performance
2. Select a MIDI Song as Recording target, then enter the
Recording mode.
2-1. If you want to record an additional Track to the already
recorded MIDI Song, select the desired MIDI Song in the USB
flash drive. If you want to record from scratch, skip this step.
2-2. Press and hold the [REC] (Record) button for a second to call
up the display which lists the Recording Target Songs.
2-3. From the Recording Target Songs, select “New Song (USB)”
or the MIDI Song selected in step 2-1 (4th item below) using
u]/[d] buttons, then press the [>] button to enter the
the [
Recording mode.
Recordin g Target
Song
New SongSelect this when you want to record your performance to a
blank MIDI Song and save to “User” category in this
instrument’s internal memory.
New Song (USB)*Select this when you want to record your performance to a
blank MIDI Song and save to the USB flash drive.
New Audio (USB)*Select this when you want to record your performance to
Note that recording your
performance to a Track
containing data will overwrite
the previously recorded data.
NOTE
The time signature and tempo
cannot be changed when
replacing the part of an
existing MIDI Song.
Audio
NOTE
To connect a USB flash drive,
be sure to read the section
“Connecting USB Devices
(USB [TO DEVICE] terminal)”
on page 74.
NOTE
Before starting the Recording
operation, check the remaining
memory capacity of the USB
flash drive. “System” menu:
“Utility” “USB Properties”
(page 100).
NOTE
With Audio recording, distorted
sound may be produced if the
Voice Volume is set to the value
higher than the default setting.
Make sure to set the Voice
Volume to the default value or
less before recording from the
“Voice” menu display: “Voice
Edit” “Volume” (page 88).
NOTE
With Audio recording, audio
signals such as those from the
[AUX IN] jack are also
recorded.
Recordin g Target
Song
xxxxx (MIDI Song
selected in step 2-1
above)**
* Can be selected only when the USB flash drive is connected to the USB [TO DEVICE]
terminal.
** Will not be shown when an already recorded MIDI Song is not selected in step 2-1 above,
or when a Preset Song is selected in step 2-1.
Select this when you want to record additionally to/overwrite
the currently selected MIDI Song.
Description
3. Execute the Recording operation, then save the recorded
performance.
• When you want to record additionally to the currently
selected MIDI Song, or record to a specified track on a
blank MIDI Song:
Execute steps 2 – 8 in “MIDI Recording—Independent Tracks” on
page 57.
• When you want to quick record to a blank MIDI Song:
Execute steps 3 – 6 in “Quick MIDI Recording” on page 55.
Audio Recording to the USB Flash Drive
These instructions describe how to record your performance as audio data.
Note that an audio file to which your performance is to be recorded can be
saved only to a USB flash drive. This is why you should prepare your USB flash
drive device before starting the Recording operation.
1. Connect the USB flash drive to the USB [TO DEVICE]
terminal.
2. Press and hold the [REC] (Record) button for a second to
call up the display which lists the Recording Target Songs.
3. Use the [u]/[d] buttons to select “New Audio (USB)” then
The time signature cannot be
changed when replacing the
part of an existing Song.
2. Press the [SONG/DEMO] button to call up the Song List
display.
3. Select the desired MIDI Song.
For instructions, refer to page 44.
4. Specify the start point you wish to re-record.
Use the [<]/[>] buttons to move the playback position (measure number)
to the desired point. Alternately, press the [PLAY/PAUSE] button to start
playback, then press the [PLAY/PAUSE] button again slightly prior to the
desired point.
If necessary, select the settings (Voice and other parameters).
Select the desired settings, if you wish to change the previous ones.
5. Press and hold the [REC] (Record) button for a second to
call up the display which lists the Recording Target Songs,
then select the 4th item (Song selected in step 3), then
press the [>] button to enter the recording mode.
6. Use the [<]/[>] buttons to select a Track for re-recording.
7. Play the keyboard or press the [PLAY/PAUSE] button to
start recording.
8. Press the [REC] (Record) button to stop recording.
9. Save the recorded performance by following step 5 on
page 58.
10.To hear the recorded performance, press the [PLAY/
When this operation is completed, “Completed” is shown on the display,
and the Tempo Change display will be restored after a while.
5. Press the [EXIT] button to exit from the “Song” menu
display.
To change the Voice:
1. Select the MIDI Song you wish to change.
For instructions, refer to page 44.
2. Select the desired Voice.
For instructions, refer to page 30.
3. Press the [FUNCTION] button repeatedly to call up the
“Song” menu display, then select the highlighted item in
each display as illustrated below.
4.
Press the [>] button to call up the setting display, then select
the desired Track using the [u]/[d] buttons.
5. Apply the Voice selected in step 2 for the Track selected in
step 4 to the current MIDI Song data.
Press the [<] button to return to the Voice Change display. Press the [d]
button to highlight “Execute,” then press the [>] button to apply the new
Voice to the current MIDI Song data.
When this operation is completed, “Completed” is shown on the display,
and the Voice Change display will be restored after a while.
6. Press the [EXIT] button to exit from the “Song” menu
The “File” menu in the “Song” menu display (page 92) enables you to apply various operations to Song files
— Songs you recorded on this instrument or commercially available Songs.
connect a USB flash drive, be sure to read the section “Precautions when using the USB [TO DEVICE]
To
terminal” on page 74.
OperationFile menuPage
Deleting filesDeletepages 66, 67
Copying files*Copypages 66, 68
Moving files*Movepages 66, 68
Converting a MIDI Song to an Audio Song during playback*MIDI to Audiopages 66, 69
Renaming filesRenamepages 66, 70
Settings marked with a “*” are effective only when a MIDI Song is selected.
File
A file contains a group of data.
On this instrument, a Song file
includes Song data and a Song
name.
Song Types and File Operation Limitations
Song types are indicated as the category name and icon in
the Song display. The following chart shows the Song type
and restrictions on File operations.
* The icon appears only when you select a Song in the “User” or “USB”
category.
Data Location
Category
InstrumentDemoDemo (Voice Demo)×××× ×
USB flash
drive device
50 Classical
Lesson Lesson Preset Songs ×××× ×
User
USB
50 classical Preset Songs ×××× ×
Your own recorded Songs (MIDI)
MIDI Songs
Audio Songs
Song Type
×× ×
Deleting
files
Renaming
files
Copying
files
Moving
files
: Yes, ×: No
Convert a
MIDI Song to
an Audio
Song during
playback
Range of the Copy/Move operation
As for a MIDI Song in the “User” category in the instrument, you can Copy/Move it
only to the USER FILES folder on a USB flash drive. Selecting a MIDI Song from
“User” for copying/moving automatically specifies the USER FILES folder as the
destination.
As for a MIDI Song in a USB flash drive, you can Copy/Move it to the “User”
category in the instrument.
If the USB flash drive device
plugged into the instrument
contains no USER FILES folder,
one will be created
automatically when you format
or record a Song to that device.
The recorded Song will then be
saved in that folder.
Please note that the copy
features are intended for your
personal use only.
Folders cannot be copied.
Root:
The highest level of a
hierarchical structure. This
indicates an area which does
not belong to a folder.
65
Handling Song Files
785775745735795GP765GP
EXIT
FUNCTION
“Song” menu display
For example: Renaming files
Basic Song File Operation
Song files can be handled via the instructions shown below.
1. Connect the appropriate USB flash drive containing the
desired files to the USB [TO DEVICE] terminal.
2. Select a Song for handling.
For information on selecting a Song, see page 44.
3. Call up the File mode.
3-1. Press the [FUNCTION] button repeatedly to call up the
“Song” menu display. Use the [
then press the [>] button.
3-2. Select the desired operation from “Delete,” “Copy,” “Move,”
“MIDI to Audio” or “Rename.”
From here, if you wish to close the File mode, press the [EXIT] button
once or twice.
Do not disconnect the USB
flash drive during file handling
or when a USB flash drive is
mounted. Doing so may delete
all data in the USB flash drive
and the instrument.
NOTE
You cannot delete multiple
Songs at the same time.
NOTICE
Do not turn off the power or
eject the USB flash drive while
“Executing” is shown in the
display.
For specific instructions, refer to the corresponding section.
Delete....................................page 67
•
Copy......................................page 68
•
Move .....................................page 68
•
MIDI to Audio...................page 69
•
Rename ................................page 70
•
During operation, messages (information, confirmation, etc.) may be
shown on the display. For explanations and details, refer to “Message List”
on page 111.
5. Press the [EXIT] button to close the File mode.
Deleting Files — Delete
For details about Song types which can be deleted, refer to page 65.
Handling Song Files
See page 66 for information on basic operations.
The following is a detailed procedure of step 4 on that page.
4-1. While “Delete” is highlighted, press the [>] button to call
up the setting display.
4-2. Highlight “Execute” by pressing [d] button, and then
press the [>] button.
After the Song is deleted, the display returns to the Song List display.
“USB” will be shown when the
copy destination is the USB
flash drive or “User” when the
instrument is the copy
destination. A file copied to the
USB flash drive is stored to the
USER FILES folder on it.
NOTE
A message appears when a
Song with the same name
already exists in the copy
destination. Select “Overwrite”
when you want to overwrite the
selected Song, or “Cancel” to
cancel by using the [
u]/[d]
buttons, and then press the [>]
button.
NOTICE
Overwrite operations erase any
existing data of the copy
destination file and overwrite with data of the copy source
file.
NOTICE
Do not turn off the power or
eject the USB flash drive while
“Executing” is shown in the
display.
Move destination
“USB” will be shown when the
move destination is the USB
flash drive or “User” when the
instrument is the move
destination. A file moved to the
USB flash drive is stored to the
USER FILES folder on it.
NOTE
A message appears when a
Song with same name already
exists in the move destination.
Select “Overwrite” when you
want to overwrite the selected
Song, or “Cancel” to cancel by
using the [
u]/[d] buttons, then
press the [>] button.
NOTICE
Overwrite operations erase any
existing data of the move
destination file and overwrite with data of the move source
file.
NOTICE
Do not turn off the power or
eject the USB flash drive while
“Executing” is shown in the
display.
Move destination
File
name
Copying Files — Copy
For details about Song types and ranges that can be copied, refer to page 65.
See page 66 for information on basic operations.
The following is a detailed procedure of step 4 on that page.
4-1. While “Copy” is highlighted, press the [>] button to call
up the setting display.
4-2. Highlight “Execute” by pressing [d] button, then press
the [>] button.
The selected Song will be copied to the destination with the same name
as the copy source file.
Moving Files — Move
For details about Song types and ranges that can be moved, refer to page 65.
See page 66 for information on basic operations.
The following is a detailed procedure of step 4 on that page.
4-1. While “Move” is highlighted, press the [>] button to call
4-2. Highlight “Execute” by pressing the [d] button, then
The selected Song will be moved to the destination and the display
returns to the Song list display.
Convert a MIDI Song to an Audio Song during
NOTE
After conversion, the MIDI
Song remains in the original
data location.
NOTICE
Do not turn off the power or
disconnect the USB flash drive
during the conversion.
Otherwise the data will be lost.
NOTE
A message appears when a
Song with same name already
exists in the copy destination.
Select “Overwrite” when you
want to overwrite the selected
Song by using the [
u]/[d]
buttons, then press the [>]
button.
NOTE
To cancel this operation, press
the [EXIT] button during the
conversion. When the
operation is canceled, the
converted Audio Song will not
be saved.
Playback — MIDI to Audio
A MIDI Song in the “User” memory of the instrument or on a USB flash drive
can be converted to an Audio Song then saved to the USER FILES folder on a
USB flash drive. For information about which Song types can be converted,
refer to page 65.
See page 66 for information on basic operations.
The following is a detailed procedure of step 4 on that page.
4-1. While “MIDI to Audio” is highlighted, press the [>]
button to call up the setting display.
4-2. Highlight “Execute” by pressing the [d] button, then
press the [>] button.
This operation starts playback and conversion from MIDI to Audio.
This is basically the same as that of Audio Song Recording, which
allows you to record your keyboard performance and other audio input
sound (page 54). After you convert the Song, a message “Convert
completed” will be shown and the display returns to Song List display.
For information about the
character types available for
the Song name, refer to
“Language” on page 101.
NOTICE
Do not turn off the power or
eject the USB flash drive while
“Executing” is shown in the
display.
Renaming Files — Rename
For details about Song types which can be renamed, refer to page 65.
See page 66 for information on basic operations.
The following is a detailed procedure of step 4 on that page.
4-1. While “Rename” is highlighted, press the [>] button to
call up the setting display.
4-2. Assign a name to the Song.
Use the [<]/[>] buttons to move the cursor highlight (underline).
Use the [
position. Pressing the [REC] button will delete the character at the
current cursor position.
A Song name can contain up to 46 characters. Characters which extend
beyond the display capacity and are not visible can be viewed by
moving the highlight by using the [<]/[>] buttons.
u]/[d] buttons to change the character at the current cursor
4-3. Press the [FUNCTION] button.
After the Song is renamed, the display returns to the Song List display
where the renamed Song can be selected.
Before connecting the
instrument to other
electronic components, turn
off the power of all the
components. Also, before
turning any components on
or off, make sure to set all
volume levels to minimum
(0). Otherwise, damage to the
components, electrical
shock, or even permanent
hearing loss may occur.
NOTE
Before using the Bluetooth
function, be sure to read
“About Bluetooth” on
page 142.
785775745735795GP 765G P
156234
7
Terminals under the keyboard
Bottom (rear view)
785775745735795GP 765G P
125
3
7
6
Terminals under the keyboard
Bottom (rear view)
CLP-775
CLP-745/735/765GP
Right
(higher-key side)
Left
(lower-key side)
Right
(higher-key side)
Left
(lower-key side)
Connectors
You can connect other devices to this instrument’s connectors. For information
about location of these connectors, refer to “Panel Controls and Terminals” on
page 14. You can connect this instrument to a smart device such as a
smartphone via Bluetooth (page 77) if the instrument is equipped with
Bluetooth*.
*For information on whether Bluetooth functionality is included or not, refer to page 142.
There are two different types of
USB terminals on the
instrument: USB [TO DEVICE]
and USB [TO HOST]. Take care
not to confuse the two
terminals and the
corresponding cable
connectors. Be careful to
connect the proper plug in the
proper direction.
NOTE
• Connect or disconnect the
pedal when the power of this
instrument is turned off.
• Do not press the footswitch/
foot pedal while turning the
power on. Doing this
changes the recognized
polarity of the footswitch,
resulting in reversed
footswitch operation.
NOTICE
When the Clavinova’s [AUX IN]
jack is connected to an external
device, first turn on the power to
the external device, then to the
Clavinova. Reverse this order
when you turn the power off.
NOTE
The instrument’s [MASTER
VOLUME] setting affects the
input signal from the [AUX IN]
jack.
NOTE
Use audio cables and adaptor
plugs having no (zero)
resistance.
Instrument
Phone plug (stereo mini)Phone plug (stereo mini)
Portable audio player
Audio cable
Headphone jack
Audio signal
1 USB [TO DEVICE] terminal
You can connect a USB flash drive to this terminal, or use a USB wireless LAN adaptor
UD-WL01 (sold separately) to connect with a smart device such as a smartphone. For
details, refer to “Connecting to a Computer” (page 76) or “Using a Smart Device App”
(page 80). Before using the USB [TO DEVICE] terminal, be sure to read “Precautions
when using the USB [TO DEVICE] terminal” on page 74.
2 USB [TO HOST] terminal
This terminal allows connection to a computer or a smart device, such as smartphone or
tablet. For details, refer to “Connecting to a Computer” (page 76) or “Connecting to a
Smart Device” (page 77).
3 MIDI [IN], [OUT], [THRU] terminals
These terminals are used to connect external MIDI devices, such as a synthesizer or a
sequencer. For details, refer to “Connecting External MIDI Devices” on page 75.
4 [AUX PEDAL] jack (CLP-785/795GP)
A separately sold FC7 foot controller or FC4A/FC5 foot switch can be connected to this
jack. By using an FC7 you can control the volume while playing to add expression to
your performance, or control various other functions. By using an FC4A/FC5, you can
switch various selected functions on/off. To select the function that will be controlled,
use the “Aux Assign” (page 98) in the “System” menu display.
5 [AUX IN] jack
This jack is used to connect an audio player, such as a smartphone or portable audio
player. (See below.)
6 AUX OUT [L/L+R] [R] jacks (CLP-785/795GP)
AUX OUT [R] [L/L+R] jacks (CLP-775/745/735/765GP)
These jacks are used to connect to external powered speaker systems (page 73).
7 [PEDAL] jack
This jack allows connection to the pedal cord (CLP-785: page 118, CLP-775: page 121,
CLP-745/735: page 124, CLP-795GP: page 129, CLP-765GP: page 132).
Connecting to an Audio Player ([AUX IN] jack)
You can connect the headphone jack of an audio player, such as a smartphone
or portable audio player, to the instrument’s [AUX IN] jack. Audio playback on
the connected device is output from the built-in speakers of this instrument.
Use only the [L/L+R] jack for
connection with a monaural
device.
NOTICE
•To avoid possible damage,
first turn on the power to the
instrument, then to the
external device. When turning
off the power, first turn off the
power to the external device,
then to the instrument. Since
this instrument’s power may
automatically be turned off
due to the Auto Power Off
function (page 17), turn off
the power to the external
device, or disable Auto Power
Off when you do not intend to
operate the instrument.
• Do not route the output from
the AUX OUT jacks to the
[AUX IN] jack. If you make
this connection, the signal
input at the [AUX IN] jack is
output from the AUX OUT
jacks. These connections
could result in a
feedbac
k
loop that will make normal
performance impossible, and
may even damage the
equipment.
NOTE
Use audio cables and adaptor
plugs having no (zero)
resistance.
NOTE
When you are monitoring the
sound output via the AUX OUT
jacks from headphones
connected to the instrument,
we recommend that you set the
Binaural Sampling and
Stereophonic Optimizer
functions to off. For details,
refer to page 22.
785775745735795GP 765G P
Clavinova
AUX OUTInput jack
Powered speaker
Audio signal
Phone plug (standard)Phone plug (standard)
Audio cable
785775745735795GP 765G P
Clavinova
AUX OUTInp ut jack
Powered speaker
Audio cable
Phone plug (standard)Phone plug (standard)
Audio signal
(AUX OUT [L/L+R]/[R] jacks)
These jacks let you connect the Clavinova to external powered speaker systems,
for playing in larger venues at higher volumes.
Connections
The Clavinova’s [MASTER VOLUME] setting will affect the sound that is
output from AUX OUT jacks. When the Clavinova’s AUX OUT jacks are
connected to an external speaker and you want to turn off the speaker sound of
the Clavinova, switch the “speaker” parameter to off via the “System” menu:
“Utility” → “Speaker” (page 100).
You can connect a USB flash drive or a USB wireless LAN adaptor UD-WL01 (sold separately) to the USB
[TO DEVICE] terminal. You can save data you’ve created on the instrument to the USB flash drive (pages 65,
104), or you can connect the instrument to a smart device such as an iPad via wireless LAN (page 81).
Precautions when using the USB
[TO DEVICE] terminal
This instrument features a built-in USB [TO DEVICE]
terminal. When connecting a USB device to the
terminal, be sure to handle the USB device with care.
Follow the important precautions below.
For more information about the handling of USB devices, refer
to the owner’s manual of the USB device.
Compatible USB devices
•USB flash drive
•USB hub
• USB wireless LAN adaptor UD-WL01 (sold
separately; may not be available in some areas)
Other USB devices such as a computer keyboard or
mouse cannot be used.
The instrument does not necessarily support all
commercially available USB devices. Yamaha cannot
guarantee operation of USB devices that you purchase.
Before purchasing a USB device for use with this
instrument, please visit the following web page:
https://download.yamaha.com/
Although USB devices 2.0 to 3.0 can be used on this
instrument, the amount of time for saving to or
loading from the USB device may differ depending
on the type of data or the status of the instrument.
USB 1.1 devices cannot be used on this instrument.
If you intend to connect two devices at the same time to a
terminal, you should use a bus-powered USB hub. Only one
USB hub can be used. If an error message appears while
using the USB hub, disconnect the hub from the instrument,
then turn on the power of the instrument and re-connect the
USB hub.
Do not use an extension cable when connecting a USB
device.
Using USB Flash Drives
By connecting the instrument to a USB flash drive,
you can save data you’ve created to the connected
device, as well as read data from the connected USB
flash drive.
Number of USB flash drives that can be
used
Only one USB flash drive can be connected to the
USB [TO DEVICE] terminal. (If necessary, use a USB
hub. The number of USB flash drives that can be used
simultaneously with musical instruments even when
a USB hub is used is only one.)
Formatting a USB flash drive
You should format the USB flash drive only with this
instrument (page 100). A USB flash drive formatted
on another device may not operate properly.
The rating of the USB [TO DEVICE] terminal is a maximum of
5V/500mA. Do not connect USB devices having a rating above
this, since this can cause damage to the instrument itself.
Connecting a USB device
When connecting a USB device to
the USB [TO DEVICE] terminal,
make sure that the connector on
the device is appropriate and that
it is connected in the proper
direction.
•Avoid connecting or disconnecting the USB device during
playback/recording and file management operations (such
as Save, Copy, Delete and Format), or when accessing the
USB device. Failure to observe this may result in “freezing”
of the operation of the instrument or corruption of the USB
device and the data.
• When connecting then disconnecting the USB device (and
vice versa), make sure to wait a few seconds between the
two operations.
The format operation overwrites any previously existing data.
Make sure that the USB flash drive you are formatting does not
contain important data.
To protect your data (write-protect)
To prevent important data from being inadvertently
erased, apply the write-protect provided with each
USB flash drive. If you are saving data to the USB
flash drive, make sure to disable write-protect.
Turning off the instrument
When turning off the instrument, make sure that the
instrument is NOT accessing the USB flash drive by
playback/recording or file management (such as
during Save, Copy, Delete and Format operations).
Failure to do so may corrupt the USB flash drive and
the data.
Connecting External MIDI Devices (MIDI
CAUTION
Before connecting the
instrument to other MIDI
devices, turn off the power of
all the components.
NOTE
For details about MIDI, refer to
“MIDI Basics” downloadable
from the Yamaha website
(page 8).
NOTE
• Since MIDI data that can be
transmitted or received varies
depending on the type of
MIDI device, check the MIDI
Data Format to find out what
MIDI data and commands
your devices can transmit or
receive. The MIDI Data
Format is contained in the
“MIDI Reference”
downloadable from the
Yamaha website (page 8).
• When transmitting MIDI data
from this instrument to an
external MIDI device,
unexpected sounds may
occur because of data
related to the Grand
Expression Modeling.
785775745735795GP 765G P
Clavinova
MIDI INMIDI INMIDI OUTMIDI OUT
MIDI transmit
MIDI receive
External MIDI device
785775745735795GP 765G P
Clavinova
MIDI INMIDI INMIDI OUTMIDI OUT
MIDI receive
MIDI transmit
External MIDI device
Te r mi n a l s)
The sophisticated MIDI functions give you powerful tools to expand your
music performance and creation possibilities. Use the MIDI terminals and
standard MIDI cables to connect external MIDI devices (keyboard, sequencer,
etc.)
• MIDI [IN].......... Receives MIDI messages from another MIDI device.
• MIDI [OUT]......Transmits MIDI messages generated on this instrument to
another MIDI device.
• MIDI [THRU]... Simply relays the MIDI messages received at MIDI IN.
less than 3 meters. USB 3.0
cables cannot be used.
•If you are using a DAW
(digital audio workstation)
application with this
instrument, set the Audio
Loopback function to off (see
below). Otherwise, a loud
sound may occur, depending
on the settings of the
computer or the application
software.
NOTE
• When using a USB cable to
connect the instrument to
your computer, make the
connection directly without
passing through a USB hub.
• For information on setting up
your sequence software,
refer to the owner’s manual of
the relevant software.
• The instrument will begin
transmission a short time
after the computer or smart
device is connected.
• Unexpected sounds may
occur if you edit MIDI data
related to the Grand
Expression Modeling on a
computer.
NOTE
• When transmitting or
receiving audio signals by
using a computer running
Windows, the Yamaha
Steinberg USB Driver should
be installed to the computer.
For details, refer to the
“Computer-related
Operations” on the website.
• The volume of the audio
sound input can be adjusted
from a computer or smart
device.
NOTE
• The Audio Loopback function
also affects the audio input
sound when using the
Bluetooth Audio function
(page 78) or the wireless
LAN connection (page 81).
• The playback sound of an
Audio Song (page 43) is also
output to a computer or smart
device when this is set to “On,”
while the sound is not output
when this is set to “Off.”
• With Audio Recording
(page 54), the audio input
sound from the connected
computer or smart device is
recorded when this is set to
“On,” while the sound is not
recorded when this is set to
“Off.”
Computer
USB cable
USB terminal
Clavinova
Connecting to a Computer (USB [TO HOST]
Terminal)
By connecting a computer to the [USB TO HOST] terminal via a USB cable,
you can transfer MIDI data or Audio data between the instrument and the
computer. For details on using a computer with this instrument, refer to the
“Computer-related Operations” on the website (page 8).
Transmitting/Receiving Audio Data (USB Audio
Interface function)
By connecting a computer or a smart device to the USB [TO HOST] terminal
via a USB cable, digital audio data can be transmitted/received. This USB
Audio Interface function provides the following advantages:
• Playing back audio data with high sound quality
This gives you direct, clear sound in which the sound quality has less noise
and deterioration than that from the [AUX IN] jack.
• Recording performance on the instrument as audio data by using a
recording software or a music production software
The recorded audio data can be played back on the computer or smart
device.
For instructions on connecting, refer to “Computer-related Operations” or the
“Smart Device Connection Manual” on the website (page 8).
Audio Loopback On/Off
This allows you to set whether audio sound input from the connected
computer or smart device is output to a computer or a smart device or not
along with the performance played on the instrument. To output the audio
input sound, set the Audio Loopback to “On.”
For example, if you want to record the audio input sound as well as the sound
played on the instrument by using the computer or the smart device, set this to
“On.” If you intend to record only the sound played on the instrument by using
the computer or the smart device, set this to “Off.” For details on the settings,
refer to “Audio Loopback” on page 101.
• Before using the USB [TO
DEVICE] terminal, be sure to
read “Precautions when
using the USB [TO DEVICE]
terminal” on page 74.
• When you use the instrument
along with a smart device,
we recommend that you set
that device’s “Airplane
Mode” to on and then the WiFi/Bluetooth setting to on in
order to avoid noise caused
by communication.
• The instrument will begin
transmission a short time
after the computer or smart
device is connected.
• When using a USB cable to
connect the instrument to
your smart device, make the
connection directly without
passing through a USB hub.
Connecting a smart device such as a smartphone or tablet allows you to enjoy
the features shown below. You can listen to audio playback from a smart device
on your instrument’s speakers, or use a compatible smart device app to make
playing this instrument easier and more fun. The method of connection varies
depending on your intended use.
• Using a compatible smart device app
Connect the device to this instrument via Bluetooth* or other methods. For
details, refer to page 80.
• Listening to audio played back on a smart device through the
speakers of this instrument (Bluetooth* Audio function)
Connect the device to this instrument via Bluetooth. For details, refer to
page 78.
• Transmitting/receiving audio data (USB Audio Interface function)
Connect the device to this instrument’s USB [TO HOST] terminal via a USB
cable. For details, refer to page 76.
*For information on whether Bluetooth functionality is included or not, refer to page 142.
Connections
• Use an AB type USB cable of less than 3 meters. USB 3.0 cables cannot be used.
• Do not place your smart device in an unstable position. Doing so may cause the device to fall and
result in damage.
•If you are using a DAW (digital audio workstation) application with this instrument, set the Audio
Loopback function (page 76) to off. Otherwise, a loud sound may occur, depending on the settings of
the application software.
• In this manual, “Bluetoothequipped device” refers to a
device that can transmit
audio data on it to the
instrument using the
Bluetooth function, via
wireless communication. For
proper operation, the device
must be compatible with
A2DP (Advanced Audio
Distribution Profile). The
Bluetooth Audio function is
explained here by using a
smart device as an example
of such Bluetooth-equipped
devices.
• Refer to page 80 for
transmitting/receiving the
MIDI data between the
instrument and the smart
device via Bluetooth.
• Bluetooth headphones or
speakers cannot be paired.
• When the Bluetooth is set to
Off on this instrument, the
smart device cannot be
connected via Bluetooth. Set
the Bluetooth on beforehand
(page 79).
Paring
“Pairing” means to register
Bluetooth-equipped smart
devices on this instrument,
and establish the mutual
recognition for wireless
communication between the
two.
NOTE
• Only one smart device can
be connected to this
instrument at a time
(although up to 8 smart
devices can be paired to this
instrument). When pairing
with the 9th smart device has
succeeded, pairing data for
the device with the oldest
connection date will be
deleted.
• Make sure to complete the
settings on the smart device
within 5 minutes.
• If you are required to enter a
passkey, enter the numerals
“0000.”
785775745
Bluetooth
EXIT
FUNCTION
795GP765GP
Listening to Audio Data from a Smart Device through
this Instrument (Bluetooth Audio Function)
Bluetooth capability
The models CLP-785, CLP-775, CLP-745, CLP-795GP and CLP-765GP are equipped
with Bluetooth functionality; however, even these models may not support Bluetooth,
depending on the country in which you purchased the product. If the Bluetooth logo is
shown or printed on the control panel, this means that the product is equipped with
Bluetooth functionality.
Before using the Bluetooth function, be sure to read “About Bluetooth” on page 142.
You can input the sound of the audio data saved in a Bluetooth-equipped
device, such as a smart phone or digital audio player, to this instrument and
listen to it through the built-in speaker of the instrument.
1. (CLP-785/775/795GP) Hold down the [] (Bluetooth)
button for 3 seconds.
(CLP-745/765GP) Hold down the [FUNCTION] button
for 3 seconds.
78
The pop-up window will appear which indicates that the instrument is
standing by for pairing.
2. On the smart device, set the Bluetooth function to on and
Can receive audio data
NOTE
You can adjust the volume of
the sound input via Bluetooth
by the [MASTER VOLUME]
slider. To adjust the volume
balance between your
keyboard performance and
the input sound via Bluetooth,
adjust the volume on the smart
device.
785775745735795GP 765G P
“System” menu display
1-1. Confirm that “Bluetooth”
is selected.
1-2. Press the [>] button to
call up the next display.
1-3. Confirm that “Bluetooth”
is selected.
Bluetooth display
select “CLP-xxx AUDIO” from the connection list.
For details, refer to the smart device owner’s manual.
After pairing is completed, the connection status will be shown in the
display.
3. Play back audio data on the smart device to confirm that
the built-in speakers of the instrument can output the
audio sound.
When you turn on the instrument the next time, the last-connected smart
device will be connected to this instrument automatically, if the Bluetooth
function of the smart device and the instrument is set to on. If it is not
connected automatically, select the model name of the instrument from
the connection list on the smart device.
Connections
Switching the Bluetooth Function On/Off
For information on whether Bluetooth functionality is included or not, refer to
page 142.
Before using the Bluetooth function, be sure to read “About Bluetooth” on page 142.
By default, the Bluetooth function will be on right after turning the
instrument’s power on, however you can set the function to off.
1. Press the [FUNCTION] button repeatedly to call up the
“System” menu display, then select the highlighted item in
each display as illustrated below.
2. Press the [>] button to switch on/off.
To exit from the “System” menu display, press the [EXIT] button.
Activating the “Smart Pianist”
app while the instrument is
connected to the smart device
overwrites the settings on the
instrument by that of “Smart
Pianist.” Save your important
setup data as a backup file to a
USB flash drive (page 104).
NOTE
When using the “Smart Pianist”
app, you cannot use any
buttons on the instrument other
than the [EXIT] button. Control
the instrument by using “Smart
Pianist.” Pressing the [EXIT]
button on the instrument
disconnects the instrument
from the “Smart Pianist” app,
and enables you to control the
instrument by using its
buttons.
NOTE
A smart device cannot be
connected when the Bluetooth
function of this instrument is
set to off. (The default setting:
On) Refer to page 79 for how
to set On or Off.
785775745735795GP 765G P
Voice display
Can transmit and receive MIDI data
Can transmit and receive MIDI data,
and receive audio data
Using a Smart Device App
By using a compatible smart device app, you can get more enjoyment out of this
instrument. Especially, “Smart Pianist” (available as a free download) lets you
select the Voice and make Metronome settings intuitively, and allows you to
display the notation, depending on the selected data.
Access the web page of the respective apps on the following website for
information on each app, including apps such as “Smart Pianist” that are
compatible with this instrument, as well as for information on which smart
devices are supported.
https://www.yamaha.com/kbdapps/
Connect your smart device to this instrument via Bluetooth or other methods.
Connecting via Bluetooth
For information on whether Bluetooth functionality is included or not, refer to
page 142.
Before using the Bluetooth function, be sure to read “About Bluetooth” on page 142.
Connect from the settings screen of the app you will be using. For the “Smart
Pianist” app, follow the instructions on the connection wizard (shown below).
Select “CLP-XXX (model name) MIDI” as the Bluetooth device to pair with.
The devices will be able to transmit and receive MIDI data when they are
connected. To play the audio data from your smart device on this instrument,
refer to page 78. The connection status will be shown on the instrument’s
display once the Bluetooth connection has been made.
Using other methods to connect
See the “Smart Device Connection Manual” on the website (page 8) for how to
connect using other methods. When connecting using the UD-WL01 (sold
separately), you will need to make settings on the instrument, following the
steps in the “Smart Device Connection Manual.” For details, refer to page 81.
To use the “Smart Pianist” app, connect by following the instructions on the
“Smart Pianist” connection wizard (shown below).
Connection wizard of “Smart Pianist”
After downloading the “Smart Pianist” to your smart device and starting the “Smart
Pianist,” tap “” (Menu) located at the upper left on the “Smart Pianist” screen to
open the Menu, and then tap “Instrument” →“Start Connection Wizard” to start the
connection wizard.
public Wi-Fi and/or Internet
directly. Only connect this
product to the Internet through
a router with strong password-
protections. Consult your router
manufacturer for information on
security best practices.
NOTE
If the menus shown in the
Wireless LAN display, are
different from those shown
here, the instrument is in the
Accesspoint mode. Set the
Wireless LAN Mode parameter
to “Infrastructure Mode” by
following the step 1 on
page 84.
785775745735
FUNCTION
795GP765GP
“System” menu display
1-1. Use the [u]/[d] buttons
to select “Utility.”
1-2. Press the [>] button to
call up the next display.
1-3. Use the [u]/[d] buttons
to select “Wireless LAN.”
1-4. Press the [>] button to
call up the next display.
1-5. Use the [u]/[d] buttons
to select “Select
Network.”
Utility displayWireless LAN display
*The USB wireless LAN adaptor UD-WL01 (sold separately) may not be available
depending on your area.
When connecting a smart device by using the USB wireless LAN adaptor, start
wireless connection according to the instructions in the “Smart Device
Connection Manual” on the website, then make sure to set up the instrument
appropriately, using the following instructions “Displaying the Wireless LAN
Networks and Connecting to a Network,” “Automatic Setup by WPS,” “Manual
Setup” or “Connecting by the Accesspoint Mode.” Refer to pages 81 – 85 in this
Owner’s Manual for the required operations on this instrument.
Displaying the Wireless LAN Networks and connecting to
a Network
Make sure to connect the USB wireless LAN adaptor (sold separately) to the
USB [TO DEVICE] terminal, otherwise the displays for setup below will not be
shown.
Connections
1. Press the [FUNCTION] button repeatedly to call up the
“System” menu display, then select the highlighted item in
each display as illustrated below.
If no signal from the access
point is received, the access
point cannot be listed. Also,
closed access points cannot
be listed.
NOTE
WPS setup is not available
while the instrument is in the
following modes or conditions:
• While a Song or a Demo
Song is playing back or
being paused temporarily, or
while the instrument is in the
Song Recording mode.
• When Wireless LAN mode is
set to “Accesspoint Mode” in
the “System” menu.
2. Press the [>] button to call up the network list.
For a network with a lock icon , you need to enter the proper
password.
3. Connect the instrument to the Network.
3-1. Select the desired network, then press the [>] button.
The name of the selected network will be fully shown in the display,
letting you confirm this is the network you want to use.
3-2. Press the [>] button.
• For a network without a lock icon:
Connecting starts.
• For a network with a lock icon:
You need to enter the proper password. For details on how to enter
characters, refer to the “Renaming files” on page 70. After entering the
password, press the [FUNCTION] button to finalize the setting. This
operation starts connecting automatically.
When connection is done successfully, “Completed” is shown in the
display, and returns to the “Select Network” display.
4. Connect the smart device to the access point.
For instructions on the setup for the smart device, refer to the “Smart
Device Connection Manual” on the website (page 8).
Automatic Setup by WPS
Please make sure to connect the USB wireless LAN adaptor (sold separately) to
the USB [TO DEVICE] terminal, otherwise the displays for setup will not be
shown.
If your access point supports WPS, you can easily connect the instrument to
access point by WPS, without making settings, such as password input, etc.
Press the WPS button on the USB wireless LAN adaptor more than 3 seconds,
and press the WPS button on your access point within two minutes.
When connection is done successfully, “Completed” is shown in the display,
and the Voice display will be shown.
Finally, connect the smart device to the access point. For instructions on the
setup for the smart device, refer to the “Smart Device Connection Manual” on
the website (page 8).
The password cannot be set
when you select “none” for the
security setting.
Make sure to connect the USB wireless LAN adaptor (sold separately) to the
USB [TO DEVICE] terminal, otherwise the displays for setup will not be
shown.
1. To call up the network list, perform steps 1 – 2 in the
“Displaying the Wireless LAN Networks and connecting to
a Network” (page 81).
2. Select “Other” at the bottom of the network list, then press
the [>] button.
3. Set the SSID, Security and Password to the same as the
settings on the access point.
Connections
3-1. Select the “SSID” then press the [>] button to call up the
display for SSID input, then enter the SSID.
For details on how to enter the characters, refer to “Renaming files” on
page 70. After entering the SSID, press the [FUNCTION] button to
finalize the setting. Operation returns to the “Other” display.
3-2. Select “Security” then press the [>] button to call up the
Security list. Select the security then return to the “Other”
display by pressing the [<] button.
3-3. Select “Password,” then set the password in the same way as
SSID.
4. Select “Connect >” at the bottom of the display shown in
step 3, then press the [>] button to start connecting.
When connection is done successfully, “Completed” is shown in the
display, and returns to the “Select Network” display.
5. Connect the smart device to the access point.
For instructions on the setup for the smart device, refer to the “Smart
Device Connection Manual” on the website (page 8).
This cannot be used to connect
to the internet or another
wireless LAN device.
785775745735
FUNCTION
795GP765GP
“System” menu display
1-1. Use the [u]/[d] buttons
to select “Utility.”
1-2. Press the [>] button to
call up the next display.
1-3. Use the [u]/[d] buttons to
select “Wireless LAN Option.”
1-4. Press the [>] button to call up
the next display.
1-5. Use the [u]/[d] buttons to
select “Wireless LAN Mode.”
1-6. Press the [>] button to call
up the next display.
Utility display
Wireless LAN Option display
1-7. Use the [u]/[d] buttons to
select “Accesspoint Mode.”
Wireless LAN Mode display
Connecting by the Accesspoint Mode
Please make sure to connect the USB wireless LAN adaptor (sold separately) to
the USB [TO DEVICE] terminal, otherwise the displays for setup will not be
shown.
1. Switch the instrument to the “Accesspoint Mode.”
Press the [FUNCTION] button repeatedly to call up the “System” menu
display, then select the highlighted item in each display as illustrated
below.
When mode change is done successfully, “Completed” is shown in the
display, operation returns to the Wireless LAN Mode display.
“System” menu displayUtility displayWireless LAN display
2-1. From the “System” menu display, select the highlighted item
in each display as illustrated below.
2-2. Set the SSID, Security, Password and Channel.
Select and enter each value/setting in the same way as in step 3 in
“Manual Setup.” For the setting range for each item, refer to “Wireless
LAN” (In the Accesspoint mode) on page 102.
3. Save the setting.
Select “Save >” at the bottom of the Wireless LAN display, then press the
[>] button to start saving.
When saving is done successfully, “Completed” is shown in the display,
and operation returns to the Utility display.
Connections
4. Connect the smart device to the instrument (as an access
point).
For instructions on the setup for the smart device, refer to the “Smart
Device Connection Manual” on the website (page 8).
Pressing the [FUNCTION] button opens one of the five menu displays (Voice, Song, Metronome/Rhythm,
Recording and System). You can make settings for various functions from these menu displays.
Common Operations in the Menu Displays
If you want to edit items related to Voice or Song, you will need to make the necessary preparations before
opening the menu display.
• If you want to edit Voice-related parameters (by calling up the “Voice” menu), select a Voice. If you want to edit
parameters related to the R1/R2/L Voices, such as volume balance, turn on Dual/Split/Duo, then select the
desired Voices.
• If you want to set Song playback parameters, such as Repeat, select a Song.
• If you want to edit your recorded MIDI Song data (by calling up Edit in the “Song” menu), select the recorded
MIDI Song.
1. Press the [FUNCTION] button several times to select the desired menu.
Pressing the [FUNCTION] button repeatedly will call up the following menu displays in order, according
to the vertical menu at the left of the display.
Voic e menu (pa ge 87 )
Song menu (page 92)
Metronome/Rhythm menu (page 95)
Recording menu (page 96)
/System menu (page 97)
2. Use the [u]/[d]/[<]/[>] buttons to select the desired parameter.
While referring as needed to the parameter list on each page listed in step 1, use the [u]/[d] buttons to
navigate through the display vertically and use the [<]/[>] buttons to navigate through display horizontally.
3. In the display called up in step 2, use the [u]/[d]/[<]/[>] buttons to select a value
or execute the operation.
Most displays allow you to select a value by simply using the [u]/[d] buttons, although some, such as Edit
in the “Song” menu and Backup in the “System” menu, let you execute an operation.
If a pop-up window is shown, set the value with the [<]/[>] buttons, then exit from the window using the
[EXIT] button.
Also, when the selected parameter provides only two options (on and off, for example), simply pressing the
[>] button will alternate the value between the two options.
4. To exit from the menu display, press the [EXIT] button.
This menu lets you edit or set various parameters related to keyboard performance, such as Voice
parameters. By turning on Dual/Split/Duo, you can make the settings for each Voice or each Voice
combination. While playing the keyboard and hearing the sound, change a parameter value to find your
desired sound. Note that you should turn on Dual/Split/Duo before calling up the “Voice” menu display.
Parameters with * are shown only when Dual/Split/Duo is on.
To call up the desired parameter:
Turn on Dual, Split or Duo as necessary, select Voices as necessary, press the
[FUNCTION] button several times to select “Voice” menu, then use the [u]/[d]/
[<]/[>] buttons to select the desired parameter.
[>]
[<]
Transpose (Pop-up
window)
[>]
[<]
[>]
[<]
–Shifts the pitch of the entire keyboard up or down in
semitone intervals to facilitate playing in difficult key
signatures, and to let you easily match the pitch of the
keyboard to the range of a singer or other instruments.
For example, if you set this parameter to “5,” playing key
C produces pitch F. In this way, you can play the F major
song as if it were in C major.
The setting here will not affect Song playback. If you want to
transpose Song playback, use the Transpose parameter in
the “Song” menu (page 92).
DescriptionDefault setting Setting range
0-12 (-1 octave) – 0
(normal pitch) –
+12 (+1 octave)
Piano
Setting
Reverb(Setting
Chorus(Setting
Lid Position(Setting
VRM–Refer to the description of “VRM” on page 28. Demo cannot be played in Voice Menu.
Damper
Res.
(Resonance)
Damper
Noise
String Res.
(Resonance)
Duplex
Scale Res.
(Resonance)
Body Res.
(Resonance)
Grand Exp.
(Expression)
display)
display)
Your keyboard performance data will be transmitted with the
transposed note numbers while MIDI note numbers received
from an external MIDI device or computer will not be affected
by the Transpose setting.
display)
(Setting
display)
(Setting
display)
(Setting
display)
(Setting
display)
Refer to the description of “Lid Position” on page 28.
VRM is effective only for Voices in the Piano group.
–
–Refer to the description of “Grand Expression” on page 29. Demo cannot be played in Voice
Menu.
Grand Expression Modeling is effective only for the Voices of “CFX Grand” and “Bösendorfer.”
–Determines the Reverb type which is applied to all the
entire sound including the keyboard performance, Song
playback and MIDI data input from an external MIDI
device.
–Determines the Chorus type which is applied to all the
entire sound including the keyboard performance, Song
playback and MIDI data input from an external MIDI
device.
Differs depending
on the Voice or
Voice
combination.
Differs depending
on the Voice or
Voice
combination.
Turn on Dual, Split or Duo as necessary, select Voices as necessary, press the
[FUNCTION] button several times to select “Voice” menu, then use the [u]/[d]/
[<]/[>] buttons to select the desired parameter.
[>]
[<]
Voice Edit (Voice names)* OctaveShifts the pitch of the keyboard up and down in octave
[>]
[<]
[>]
[<]
steps. This parameter can be set for each Voices when
Dual/Split/Duo is on.
VolumeAdjusts the volume for each of the R1/R2/L Voices. This
Reverb DepthAdjusts the Reverb depth for each of the R1/R2/L Voices.
Chorus DepthAdjusts the Chorus depth for each of the R1/R2/L Voices.
EffectIn addition Reverb and Chorus, another Effect can be
Rotary SpeedAvailable only for the Voice of which the Effect Type is set
VibeRotorAvailable only for the Voice of which the Effect Type is set
VibeRotor
Speed
Effect DepthAdjusts the Effect depth for each of the R1/R2/L Voices.
PanAdjusts the stereo pan position for each of the R1/R2/L
lets you adjust the balance between the R1/R2/L Voices
when Dual/Split/Duo is on.
This lets you adjust the balance between the R1/R2/L
Voices when Dual/Split/Duo is on. The “0” setting will
produce no effect.
NOTE
When a VRM Voice is used for several parts simultaneously,
unexpected sounds may result since the Reverb depth for a
part which has priority will become the common setting for the
parts. During Song playback, setting for a Song part is used
(priority order: Ch. 1, Ch. 2...Ch. 16), while the setting for a
keyboard part is used when Song playback is stopped
(priority order: R1, L and R2 Voices).
This lets you adjust the balance between the R1/R2/L
Voices when Dual/Split/Duo is on. The “0” setting will
produce no effect.
NOTE
When a VRM Voice is used for several parts simultaneously,
unexpected sounds may result since the Chorus depth for a
part which has priority will become the common setting for the
parts. During Song playback, setting for a Song part is used
(priority order: Ch. 1, Ch. 2...Ch. 16), while the setting for a
keyboard part is used when Song playback is stopped
(priority order: R1, L and R2 Voices).
applied to the R1/R2/L Voices of the keyboard
independently. Note that this Effect type can be selected
for up to two Voices.
to “Rotary.” This parameter determines the rotation
speed of the Rotary Speaker effect.
to “VibeRotor.” This parameter turns on or off the
VibeRotor effect.
Available only for the Voice of which the Effect Type is set
to “VibeRotor.” This parameter determines the speed of
the Vibraphone vibrato effect.
Note that some Effect types do not allow you to adjust the
depth.
Voices.
DescriptionDefault setting Setting range
Differs depending
on the Voice or
Voice
combination.
Differs depending
on the Voice or
Voice
combination.
Differs depending
on the Voice or
Voice
combination.
Differs depending
on the Voice or
Voice
combination.
Differs depending
on the Voice or
Voice
combination.
Differs depending
on the Voice or
Voice
combination.
Differs depending
on the Voice or
Voice
combination.
Differs depending
on the Voice or
Voice
combination.
Differs depending
on the Voice or
Voice
combination.
Differs depending
on the Voice or
Voice
combination.
Turn on Dual, Split or Duo as necessary, select Voices as necessary, press the
[FUNCTION] button several times to select “Voice” menu, then use the [u]/[d]/
[<]/[>] buttons to select the desired parameter.
[>]
[<]
Voice Edit (Voice names)* Harmonic Cont Produces a distinctive “peaky” tone by raising the
Pedal
Assign
Balance*Volume
[>]
[<]
BrightnessAdjusts the brightness of the R1/R2/L Voices
Touch Sens.Determines the degree to which the volume level
RPedalTurns the Right pedal function on or off for each of the
CPedalTurns the Center pedal function on or off for each of the
LPedalTurns the Left pedal function on or off for each of the R1/
Right(Setting
Center(Setting
Left(Setting
R2 – R1*
Volume L – R* (Pop-up
display)
display)
display)
(Pop-up
window)
window)
[>]
[<]
DescriptionDefault setting Setting range
Resonance value of the Filter. This parameter can be set
for each of the R1/R2/L Voices when Dual/Split/Duo is on.
Harmonic content may have little audible effect or not be
applied to some Voices.
independently.
changes in response to your touch on the keyboard (how
hard you play). Since the volume level of some Voices
such as Harpsichord and Organ do not change
regardless of how you play the keyboard, the default
setting for these Voices is 127.
R1/R2/L Voices. This parameter is useful when you want
to ensure, for example, that the pedal function affects the
right-hand performance but does not affect the left-hand
performance.
R1/R2/L Voices. This parameter is useful when you want
to ensure, for example, that the pedal function affects the
right-hand performance but does not affect the left-hand
performance.
R2/L Voices. This parameter is useful when you want to
ensure, for example, that the pedal function affects the
right-hand performance but does not affect the left-hand
performance.
Assigns one of various functions (other than the original
one) to the Right pedal.
Assigns one of various functions (other than the original
one) to the Center pedal.
Assigns one of various functions (other than the original
one) to the Left pedal.
Adjusts the volume balance between R1 and R2 Voices
when Dual is on. After adjusting this with the [<]/[>]
buttons, press the [EXIT] button to exit from the pop-up
window.
Adjusts the volume balance between the left and right
keyboard sections when Split/Duo is on. After adjusting
via the [<]/[>] buttons, press the [EXIT] button to exit
from the pop-up window.
Voice Menu
Differs depending
on the Voice or
Voice
combination.
Differs depending
on the Voice or
Voice
combination.
Differs depending
on the Voice or
Voice
combination.
Differs depending
on the Voice or
Voice
combination.
Differs depending
on the Voice or
Voice
combination.
Differs depending
on the Voice or
Voice
combination.
Turn on Dual, Split or Duo as necessary, select Voices as necessary, press the
[FUNCTION] button several times to select “Voice” menu, then use the [u]/[d]/
[<]/[>] buttons to select the desired parameter.
[>]
[<]
Balance*
[>]
[<]
Detune*(Pop-up
window)
[>]
[<]
DescriptionDefault setting Setting range
Detunes the R1 Voice and R2 Voice in Dual mode to
create a thicker sound.
On the display, move the slider rightward via the [>]
button will raise the R1 Voice pitch and lower the R2
Voice pitch, and vice versa. After adjusting this, press the
[EXIT] button to exit from the pop-up window.
Reverb Type List
OffNo effect
Recital HallSimulates clear reverberation in a mid-sized hall suitable for piano recital.
Concert HallSimulates brilliant reverberation in a large hall for public orchestra performances.
ChamberSimulates the elegant reverberation in a small room suitable for chamber music.
CathedralSimulates the solemn reverberation in a high-ceiling stone-made cathedral.
ClubSimulates the lively reverberation in a jazz club or a small bar.
PlateSimulates the bright sound of vintage reverb equipment used in recording studios.
Differs depending
on the Voice or
Voice
combination.
R2+20 – 0 –
R1+20
Chorus Type List
OffNo effect
ChorusAdds a rich, spacious sound.
CelesteAdds swell and a spacious sound.
FlangerAdds swell effects similar to the sound of an ascending or descending jet plane.
Effect Type List
OffNo effect
DelayLCRDelay applied at left, center, and right positions.
DelayLRDelay applied at left and right positions.
EchoEcho-like delay
CrossDelayLeft and right delays cross each other in alternation.
SymphonicAdds a rich and deep acoustic effect.
RotaryAdds the vibrato effect of a rotary speaker.
TremoloThe volume level changes in rapid cycles.
VibeRotorThe vibrato effect of a vibraphone.
AutoPanThe sound pans left to right and back and forth.
PhaserThe phase changes periodically, swelling the sound.
AutoWahThe center frequency of the wah filter changes periodically.
Expression*A function that lets you create changes in dynamics (volume) as you playXXXO
PitchBend Up*A function that smoothly raises the pitchXXOO
PitchBend Down*A function that smoothly lowers the pitchXXOO
Rotary SpeedChanges the rotational speed of the MellowOrgan rotary speaker (switches
VibeRotorSwitches the vibraphone vibrato on/off (switches on/off each time you
When you want to assign a function marked with * to the pedal connected to the [AUX PEDAL] jack (CLP-785/795GP), you should use a Foot
Controller (page 72). For other functions, you should use a Footswitch (page 72).
Damper that sustains the sound proportionately to how deeply you press
the pedal (page 23)
between fast and slow each time you press the pedal)
This menu lets you set various parameters related to Song playback and edit the Song data with a single
touch. Select a desired Song before beginning the operation.
• The parameters marked with * will be available only when a MIDI Song is selected. These parameters are not shown when an Audio
Song is selected.
• The parameters marked with ** will be available only when an Audio Song is selected.
• When using the “Edit” menu, select a MIDI Song other than the preset Song.
• Execute is a function that edits or changes the current Song data. Note that pressing the [>] button will actually change the Song data.
• The content of the “Song” menu differs depending on the type of Song currently selected (MIDI/Audio).
To call up the desired parameter:
Select a Song as necessary, press the [FUNCTION] button several times to
select “Song” menu, then use the [u]/[d]/[<]/[>] buttons to select the desired
parameter.
[>]
[<]
L/R*R, L, Other–Turns on (Play) or off (Mute) each of the Song tracks.
RepeatA – B*(Setting display) Lets you play back a specified range (from Point A to B)
VolumeSong –
Transpose (Setting display)–Shifts the pitch of Song playback up or down in
[>]
[<]
Phrase*Phrase MarkThis parameter is available only when a MIDI Song
Song(Setting display) By setting this parameter, you can play back only a
Keyboard*
Song L – R*(Pop-up
(Pop-up window)**Adjusts the Audio volume.1000 – 127
[>]
[<]
For details, refer to page 48.
of the current Song repeatedly. For instructions, refer to
page 49.
containing the Phrase Mark. By specifying a Phrase
number here, you can play back the current Song from
the mark point, or to play back the corresponding
RepeatOffOn (repeat
(Pop-up
window)
window)
phrase repeatedly. If you start Song playback with a
Phrase set to “On,” the countdown starts, followed by
repeated playback of the specified phrase or phrases
until you press the [PLAY/PAUSE] button.
specific Song, or specific Songs in order repeatedly or
randomly. For details, refer to page 49.
Adjusts the volume balance between the Song
playback sound and keyboard performance.
Adjusts the volume balance between the right-hand
part left-hand parts of Song playback.
semitone intervals. For example, if you set this
parameter to “5,” a Song created in C major will be
played back in F major.
DescriptionDefault setting Setting range
OnOn, Off
OffOn, Off
000000 – the last
OffOff, Single, All,
0Key+64 – 0 –
0L+64 – 0 – R+64
0-12 (-1 octave) – 0
phrase number of
the Song
playback)/Off (no
repeat)
Random
Song+64
(normal pitch) –
+12 (+1 octave)
The Transpose setting will not affect the audio signals, such
as those input from the [AUX IN] jack.
MIDI Song playback data will be transmitted with the
transposed note numbers while MIDI note numbers
received from an external MIDI device or computer will not
be affected by the Transpose setting.
Applying transpose to an Audio Song may change its tonal
characteristics.
FileDeleteCancelDeletes a specific Song. For details about Song types
Execute––
Copy*CancelCopies a specific MIDI Song then saves it to a different
location. For details about Song types which can be
copied, refer to page 65.
––
––
NOTE
To call up the desired parameter:
785775
745735
795GP
765GP
Select a Song as necessary, press the [FUNCTION] button several times to
select “Song” menu, then use the [u]/[d]/[<]/[>] buttons to select the desired
parameter.
[>]
[<]
FileMove*CancelMoves a MIDI Song to a different location. For details
Edit*QuantizeQuantizeThe Quantize function allows you to align all the notes in
Others*Quick Play–This parameter enables you to specify whether a Song
[>]
[<]
MIDI to Audio*CancelConverts a MIDI Song to an Audio file. For details about
Rename(Setting display) Edits a Song name. For details about Song types which
Track DeleteTrackDeletes a specific track data of the current MIDI Song.
Tempo Change CancelChanges the tempo value of the current MIDI Song as
Voice ChangeTrackChanges the Voice of a specific track in the current
Track ListenTrackThis lets you play back only the selected Track to listen
Play Track–This parameter enables you to specify the tracks for
[>]
[<]
Execute––
Execute––
Strength100%0% – 100%
Execute––
Execute––
Execute––
Execute––
Start
about Song types which can be moved, refer to
page 65.
Song types which can be converted, refer to page 65.
can be renamed, refer to page 65.
the current MIDI Song to the correct timing, such as 8th
note or 16th note.
1. Set the Quantize value to the smallest notes in the
MIDI Song.
2. Set the Strength value which determines how
strongly the notes will be quantized.
3. Move the highlight to “Execute” then press the
[>] button to actually change the MIDI Song data.
1. Select the desired track to be deleted.
2. Move the highlight to “Execute,” then press the
[>] button to actually delete the specified track data.
data. Before calling up the “Song” menu display, set the
desired Tempo value for changing.
Move the highlight to “Execute,” then press the [>] button
to actually change the Tempo value as MIDI Song data.
MIDI Song to the current Voice as data.
1. Select a track of which the Voice will be changed.
2. Move the highlight to “Execute,” then press the
[>] button to actually change the Voice as MIDI Song
data.
that starts from the middle of a bar, or a Song with a
silence prior to the first note, should be played from the
first note or from the top of the bar (rest or blank). This
parameter is useful for a MIDI Song that starts with a
short one-or two-beat pick-up or lead-in.
to its contents. To do this, select a Track, move the
highlight to “Start,” then press and hold the [>] button to
start playback from the first note. Playback continues
while holding the [>] button.
playing back on this instrument. When “1&2” is
selected, only tracks 1 and 2 will be played back, while
tracks 3 to 16 will be transmitted via MIDI. When “All” is
selected, all tracks will be played back on this
instrument.
DescriptionDefault setting Setting range
Song Menu
––
––
––
1/16Refer to “Quantize
Track 1Track 1 – Track 16
Differs depending
on the Song
Track 1Track 1 – Track 16
OnOn, Off
Track 1Track 1 – Track 16
AllAll, 1&2
setting range.”
(page 94)
Refer to “Strength
setting range.”
(page 94)
–
Tempo of Song playback can be set on the display called up by pressing the [TEMPO] button. For instructions, refer to page 47.
The three Quantize settings marked with asterisks (*) are exceptionally
convenient, since they allow you to quantize two different note values
at the same time. For example, when the straight eighth notes and
eighth notes triplet are contained in the same part, if you quantize by
straight eighth notes, all notes in the part are quantized to straight
eighth notes—completely eliminating any triplet feel. However, if you
use the eighth note + eighth note triplet setting, both the straight and
triplet notes will be quantized correctly.
This menu lets you set the volume and tempo indication format of the Metronome (page 39) or Rhythm
(page 42). In addition, you can set the bell sound of the Metronome to play back at the first beat and adjust
parameters related to Rhythm playback variation.
To call up the desired parameter:
Press the [FUNCTION] button several times to select “Metronome/Rhythm”
menu, then use the [u]/[d] buttons to select the desired parameter.
[>]
[<]
Time Signature (Setting
Volume(Pop-up
BPM––Determines whether the note type of the tempo indication
Bell––Determines whether or not the bell sound is played back
Intro––Determines whether the Intro is played back or not before
Ending ––Determines whether the Ending is played back or not
SyncStart ––When this is set to “On,” you can start Rhythm playback
Bass––Determines whether the auto bass accompaniment for
[>]
[<]
display)
window)
[>]
[<]
–Determines the time signature of the metronome. When
you select or playback MIDI Songs, this will automatically
be changed to the time signature of the selected songs.
–Determines the volume of the Metronome or Rhythm. You
can adjust the volume balance between the keyboard
performance and Metronome/Rhythm playback.
is affected by the Metronome Time Signature (page 40) or
not (crotchet). When “Time Sig.” is selected, the
denominator of the Time Signature is shown as the note
type of the tempo indication. (The dotted quarter note is
shown as the note type of the tempo indication only when
the Time Signature is set to “6/8,” “9/8,” or “12/8.”)
at the first beat of the specified Time Signature.
the Rhythm pattern is started.
During Song playback, the Intro cannot be played back even if
you start the Rhythm with this parameter set to “On.”
before the Rhythm pattern is stopped.
also by pressing any note on the keyboard.
When you want to use this function, follow the instructions
below:
1. Set this function to on.
2. Press the [RHYTHM] button to enter the Synchro start
standby mode.
The [RHYTHM] button flashes.
3. Press any key to start with the rhythm.
the Rhythm is on or off.
DescriptionDefault setting Setting range
4/42/2, 1/4, 2/4, 3/4,
820 – 127
Time Sig.Time Sig.,
OffOn, Off
OnOn, Off
OnOn, Off
OffOn, Off
OnOn, Off
4/4, 5/4, 6/4, 7/4,
3/8, 6/8, 7/8, 9/8,
12/8
Crotchet
Setting the Tempo
Tempo of Metronome/Rhythm can be set on the display called up by pressing the [TEMPO] button. For
details on setting the Tempo for the Metronome or Rhythm, refer to page 39.
This menu lets you make detailed settings related to MIDI Recording (page 54).
The settings here will not affect Audio Recording.
To call up the desired parameter:
Press the [FUNCTION] button several times to select “Recording” menu, then
use the [u]/[d] buttons to select the desired parameter.
[>]
[<]
RecStart––This parameter, which is used when you overwrite the already
RecEnd––This parameter, which is used when you overwrite the already
RecRhythm––Determines whether or not Rhythm playback will be recorded
[>]
[<]
[>]
[<]
recorded MIDI Song, determines when the actual MIDI
Recording starts after you execute the Recording Start
operation. When set to “Normal,” actual recording will starts
as soon as you execute the Recording Start operation. When
set to “KeyOn,” actual recording starts as soon as you press
any key after you execute the Recording Start operation.
recorded MIDI Song, determines whether the existing data
after the point at which you stop recording will be erased or
not.
This menu lets you make the overall settings applied to the entire instrument.
Bluetooth compatibility is indicated by the following icons. (For details on Bluetooth compatibility, see
page 142.)
: models equipped with Bluetooth
: models not equipped with Bluetooth
Parameters marked with * are available only if the instrument is equipped with Bluetooth functionality.
To call up the desired parameter:
Press the [FUNCTION] button several times to select “System” menu, then use
the [u]/[d]/[<]/[>] buttons to select the desired parameter.
[>]
[<]
Bluetooth* Bluetooth–Switches the Bluetooth function on/off (page 79).OnOn, Off
TuningMaster Tune(Pop-up
Keyboard Touch(Setting
[>]
[<]
Pairing–For registering (pairing) the Bluetooth device (page 78).
Scale Tune(Setting
Base Note(Setting
window)
display)
display)
display)
[>]
[<]
DescriptionDefault setting Setting range
This parameter is shown only when “Bluetooth” (above) is
set to “On.”
Fine tunes the pitch of the entire instrument. This function
is useful when you play this instrument along with other
instruments or CD music.
These settings will not be applied to the Drum Kit Voices or
Audio Song. Also, these settings will not be recorded to a
MIDI Song.
Modern acoustic pianos are tuned almost exclusively in
equal temperament, which divides one octave into twelve
equal intervals. Likewise, this digital piano employs equal
temperament, but it can be changed at the touch of a
button to play in historical temperaments used in the 16th
to 19th centuries.
Determines the base note for the Scale selected above.
When the base note is changed, the pitch of the
keyboard is transposed, yet maintains the original pitch
relationship between the notes. This setting is necessary
when Scale Tune is set to something other than “Equal
Temperament.”
When Scale Tune is set to “Equal Temperament,” “---” is
shown on the display and this parameter cannot be edited.
Determines how the sound responds to your playing
strength. This setting does not change the weight of the
keyboard.
• Soft2: Produces relatively high volume even with light
playing strength. Best for players with a light touch.
• Soft1: Produces high volume with moderate playing
strength.
• Medium: Standard Touch Sensitivity.
• Hard1: Requires moderately strong playing for high
volume.
• Hard2: Requires strong playing to produce high
volume. Best for players with a heavy touch.
• Fixed: No touch response. The volume level will be the
same regardless of how hard you play the keys.
––
A3 = 440.0 HzA3 = 414.8 Hz –
Equal
Temperament
CC, C , D, E , E , F,
MediumSoft 2, Soft 1,
466.8 Hz (approx.
0.2 Hz steps)
Refer to the
“Scale Tune List”
(page 103)
F , G, A , A, B ,
B
Medium, Hard 1,
Hard 2, Fixed
The setting here will not be recorded to a MIDI Song and not
be transmitted as MIDI messages.
Press the [FUNCTION] button several times to select “System” menu, then use
the [u]/[d]/[<]/[>] buttons to select the desired parameter.
[>]
[<]
Keyboard Fixed Velocity (Pop-up
PedalHalf Pedal Point (Pop-up
SoundBrilliance(Setting
[>]
[<]
window)
Duo(Setting
Type–Selects the sound balance between the left and right
Split Point(Setting
Soft Pedal
Depth
Pitch Bend
Range
Aux Polarity
(CLP-785/
795GP)
Aux Assign
(CLP-785/
795GP)
Aux Area
(CLP-785/
795GP)
Play/Pause(Setting
IAC–Turns the IAC effect on or off. For details about IAC, refer
display)
display)
window)
(Pop-up
window)
(Pop-up
window)
(Setting
display)
(Setting
display)
display)
display)
[>]
[<]
Determines the velocity with which you play the keys
when Touch (above) is set to “Fixed.”
The setting here will not be recorded to a MIDI Song and not
be transmitted as MIDI messages.
Splits the keyboard into two ranges, allowing you to play
duets over the same octave range (page 38).
speakers while Duo is on.
• Separated: The sound of the left-hand range is output
from the left speaker(s), and the sound of the righthand range is output from the right speaker(s).
• Balanced: The sounds played by two players are
output through both speakers, with a natural balance of
sound.
Determines the Split Point (the boundary between the
right-hand and left-hand keyboard areas).
Here you can specify the point to which you must
depress the right pedal before the assigned effect
begins to be applied. This setting applies only to the
“Sustain Continuously” effect (page 91) that is assigned
to the right pedal.
Determines how deeply the Soft pedal effect is applied.
This parameter is available only for the pedal to which
“Soft” (page 91) is assigned.
Determines the range of the pitch bend that is produced
via the pedal in semitone steps. This setting is available
only for the pedal to which “Pitch Bend Up” or “Pitch
Bend Down” (page 91) is assigned.
For some Voices, the pitch may not be changed according to
the Pitch Bend Range value set here.
–A pedal connected to the [AUX PEDAL] jack may switch
on and off differently. For example, some pedals turn the
effects on and others turn them off when you press them.
Use this parameter to reverse this mechanism.
Assigns a function to the pedal connected to the [AUX
PEDAL] jack.
Determines the keyboard area to which the function of
the pedal connected to the [AUX PEDAL] jack is applied.
Assigns the [PLAY/PAUSE] button’s function to one of the
Left pedal, Center pedal and pedal connected to the
[AUX PEDAL] jack (CLP-785/795GP). If a value other
than “Off” is selected here, the corresponding pedal's
function assigned in the “Voice” menu (page 89) is
disabled.
Adjusts the overall brilliance of sound for this instrument.
You can also select “User” to make your own custom EQ
settings. For details, refer to page 33.
to page 21.
DescriptionDefault setting Setting range
641 – 127
OffOn, Off
SeparatedSeparated,
F 2 (Split),
E3 (Duo)
0-2 (effective with
51 – 10
20 – +12 (pressing
MakeMake, Break
ExpressionRefer to the Pedal
AllAll, Right, Left
OffOff, Left, Center,
NormalMellow 1 – 3,
OnOn, Off
Balanced
A-1 – C7
the shallowest
press) – 0 – +4
(effective with the
deepest press)
the pedal will
raise/lower the
pitch by 12
semitones
[1 octave])
Press the [FUNCTION] button several times to select “System” menu, then use
the [u]/[d]/[<]/[>] buttons to select the desired parameter.
System Menu
[>]
[<]
SoundIAC depth(Pop-up
MIDIMIDI OUT(Setting
[>]
[<]
window)
Binaural–Turns the Binaural Sampling function (when headphones
display)
MIDI IN(Setting
Local Control–“Local Control On” is a state in which this instrument
Receive Param. (Setting
Transmit
Param.
display)
display)
(Setting
display)
[>]
[<]
DescriptionDefault setting Setting range
Determines the depth of the IAC. The higher the value,
the more clearly the low/high sounds at lower volume
levels.
are connected) on or off. When the function is on and
headphones are connected, the sound from this
instrument changes to the sound of Binaural Sampling or
the sound enhanced with the Stereophonic Optimizer,
allowing you to enjoy more realistic sound (page 22).
When the “Speaker” setting (page 100) is on, this function will
always be disabled even when headphones are connected.
Determines the MIDI channel on which the MIDI
messages generated via the keyboard performance will
be transmitted from the MIDI [OUT] or USB [TO HOST]
terminal. When Dual/Split/Duo is on, the MIDI channels
are assigned as follows.
• Performance via the R1 Voice = n (setting value)
• Performance via the R2 Voice = n+2
• Performance via the L Voice = n+1
Determines which part of the instrument will be controlled
by each channel data of the MIDI messages coming from
the MIDI [IN] and USB [TO HOST] terminal.
• Song: Song par t is controlled by the MIDI messages.
• Keyboard: The entire keyboard is controlled regardless
of the Dual/Split/Duo setting.
• R1: The keyboard performance via the R1 Voice is
controlled.
• L: The keyboard performance via the L Voice is
controlled.
• R2: The keyboard performance via the R2 Voice is
controlled.
• Off: No part is controlled.
produces the sound from its tone generator when you
play the keyboard. In “Local Control Off” state, the
keyboard and the tone generator are cut off from each
other. This means that even if you play the keyboard, this
instrument will produce no sound. Instead, the keyboard
data can be transmitted via MIDI to a connected MIDI
device or computer, which can produce the sound. The
“Local Control Off” setting is useful when you wish to play
only an external sound source while playing the keys on
this instrument.
Determines which types of MIDI messages can be
received or recognized by this instrument.
MIDI message types:
Note on/off, Control Change, Program Change, Pitch
Bend, System Exclusive
Determines which types of MIDI messages can be
transmitted from this instrument.
MIDI message types:
Note on/off, Control Change, Program Change, Pitch
Bend, SystemRealTime, System Exclusive
Press the [FUNCTION] button several times to select “System” menu, then use
the [u]/[d]/[<]/[>] buttons to select the desired parameter.
[>]
[<]
MIDIInitial SetupCancelTransmits the current panel settings such as Voice
[>]
[<]
Execute
[>]
[<]
DescriptionDefault setting Setting range
selection to a connected MIDI device or computer.
Before you start recording your performance to a
connected MIDI device or computer, execute this
operation to record the current panel settings at the
beginning of your performance data. It causes that the
same panel settings are called up when the recorded
performance is played back.
Operation:
Move the highlight to “Execute,” then press the [>] button
to transmit the panel settings as MIDI messages.
BackupBackup Setting–For instructions about these functions, refer to pages 104
Backup–
Restore–
Factory Reset–
UtilityUSB FormatCancelThis lets you format or initialize the USB flash drive
Execute
– 105.
connected to the USB [TO DEVICE] terminal.
Executing the Format operation will delete all data saved in the
USB flash drive. Save important data to a computer or another
storage device.
When connecting the USB flash drive to the USB
[TO DEVICE] terminal, a message prompting you to execute
the Format operation may appear. If such a case occurs,
execute the Format operation.
Operation
Move the highlight to “Execute,” then press the [>] button
to start the Format operation. After Formatting is
completed, a message appears then the instrument
returns to the Utility display after a while.
––
––
––
Never turn off the power or disconnect the USB flash drive
while “Executing” is shown in the display.
USB Properties–Shows the amount of free space and entire memory in
USB Autoload–When this is set to “On,” the Song saved in the root