Yamaha CLP295 User Manual

CVP-409 / 407 OWNER’S MANUAL
Make sure that your local AC mains voltage matches the voltage specified on the name plate on the bottom panel. In some areas a voltage selector may be provided on the bottom panel of the main keyboard unit near the power cord. Make sure that the voltage selector is set for the voltage in your area. The voltage selector is set at 240V when the unit is initially shipped. To change the setting use a "minus" screwdriver to rotate the selector dial so that the correct voltage appears next to the pointer on the panel.
For information on assembling the keyboard stand, refer to the instructions at the end of this manual.
EN
SPECIAL MESSAGE SECTION
PRODUCT SAFETY MARKINGS:
products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section.
Yamaha electronic
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
See bottom of Keyboard enclosure for graphic symbol markings.
The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servic­ing) instructions in the literature accompanying the product.
The lightning flash with arrowhead symbol, within the equilateral trian­gle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclo­sure that may be of sufficient magni­tude to constitute a risk of electrical shock.
Battery Notice:
rechargable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.
Warning:
incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you.
Disposal Notice:
beyond repair, or for some reason its useful life is consid­ered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc.
NOTICE:
edge relating to how a function or effect works (when the unit is operating as designed) are not covered by the man­ufacturer’s warranty, and are therefore the owners respon­sibility. Please study this manual carefully and consult your dealer before requesting service.
NAME PLATE LOCATION:
cates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
This product MAY contain a small non-
Do not attempt to recharge, disassemble, or
Should this product become damaged
Service charges incurred due to lack of knowl-
The graphic below indi-
IMPORTANT NOTICE:
are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product perfor­mance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected.
SPECIFICATIONS SUBJECT TO CHANGE:
information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.
ENVIRONMENTAL ISSUES:
duce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:
All Yamaha electronic products
The
Yamaha strives to pro-
CVP-409GP (grand piano type)
Model
Serial No.
Purchase Date
CVP-409/407
92-469 1 (bottom)
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Power supply/Power cord
• Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument.
• Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.
• Use only the supplied power cord/plug.
• Do not place the power cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.
Do not open
• Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.
CAUTION
Water warning
• Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. If any liquid such as water seeps into the instrument, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel.
• Never insert or remove an electric plug with wet hands.
Fire warning
• Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire.
If you notice any abnormality
• If the power cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the instrument inspected by qualified Yamaha service personnel.
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:
Power supply/Power cord
• When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it.
• Remove the electric plug from the outlet when the instrument is not to be used for extended periods of time, or during electrical storms.
• Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.
Assembly
• Read carefully the attached documentation explaining the assembly process. Failure to assemble the instrument in the proper sequence might result in damage to the instrument or even injury.
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Location
• Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components.
• Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise.
• Do not place the instrument in an unstable position where it might accidentally fall over.
• Before moving the instrument, remove all connected cables.
• When setting up the product, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, electricity is still flowing to the product at the minimum level. When you are not using the product for a long time, make sure to unplug the power cord from the wall AC outlet.
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CVP-409/407 Owner’s Manual
3
Connections
• Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
Maintenance
• In the case of a model with a polished finish, gently remove dust and dirt with a soft cloth. Do not wipe too hard since small particles of dirt can scratch the instrument's finish.
• When cleaning the instrument, use a soft, dry or slightly damp cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths.
• During extreme changes in temperature or humidity, condensation may occur and water may collect on the surface of the instrument. If water is left, the wooden parts may absorb the water and be damaged. Make sure to wipe any water off immediately with a soft cloth.
Handling caution
•Take care that the key cover does not pinch your fingers, and do not insert a finger or hand in any gaps on the key cover or instrument.
• Never insert or drop paper, metallic, or other objects into the gaps on the key cover, panel or keyboard. If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel.
• Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.
• In the case of a model with a polished finish, bumping the surface of the instrument with metal, porcelain, or other hard objects can cause the finish to crack or peel. Use caution.
• Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors.
• Do not use the instrument/device or headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.
Using the bench (If included)
• Do not place the bench in an unstable position where it might accidentally fall over.
• Do not play carelessly with or stand on the bench. Using it as a tool or step­ladder or for any other purpose might result in accident or injury.
• Only one person should sit on the bench at a time, in order to prevent the possibility of accident or injury.
• (CVP-409 including grand piano type) Do not attempt to adjust the bench height while sitting on the bench, since this can cause excessive force to be imposed on the adjustment mechanism, possibly resulting in damage to the mechanism or even injury.
• If the bench screws become loose due to extensive long-term use, tighten them periodically using the included tool.
Saving data
Saving and backing up your data
• The data of the types listed below are lost when you turn off the power to the instrument. Save the data to the USER tab display (page 26), USB storage device (USB flash memory/floppy disk, etc).
• Recorded/Edited Songs (page 42, 143, 158)
• Created/Edited Styles (page 117)
• Edited Voices (page 99)
• Memorized One Touch Settings (page 51)
• Edited MIDI settings (page 196)
Moreover, the above-mentioned data can be saved all at once. Refer to page 76.
Data in the USER tab display (page 26) may be lost due to malfunction or incorrect operation. Save important data to a USB storage device (USB flash memory/floppy disk, etc).
When you change settings in a display page and then exit from that page, System Setup data (listed in the Parameter Chart of the separate Data List booklet) is automatically stored. However, this edited data is lost if you turn off the power without properly exiting from the relevant display.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
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CVP-409/407 Owner’s Manual
4
Thank you for purchasing this Yamaha Clavinova!
We recommend that you read this manual carefully so that you can fully take advantage of the advanced and
convenient functions of the instrument.
We also recommend that you keep this manual in a safe and handy place for future reference.
About this Owner’s Manual and Data List
This manual consists of the following sections.
Owner’s Manual
Introduction (page 10).......................... Please read this section first.
Quick Guide (page 23)......................... This section explains how to use the basic functions.
Basic Operation (page 63).................... This section explains how to use the basic operations including display-
based controls.
Reference (page 78) .............................This section explains how to make detailed settings for the instrument’s
various functions.
Appendix (page 205)............................ This section contains additional information such as Troubleshooting and
Specifications.
Data List
Voice List, MIDI Data Format, etc.
•The models CVP-409/407 will be referred to as the CVP/Clavinova in this Owner’s Manual.
•The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and may appear somewhat different from those on your instrument.
•The example Operation Guide displays shown in this Manual are in English.
• Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use.
•This device is capable of using various types/formats of music data by optimizing them to the proper format music data for use with the device in advance. As a result, this device may not play them back precisely as their producers or composers originally intended.
• Some of the preset songs have been edited for length or arrangement, and may not be exactly the same as the original.
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others' copyrights. Such copyrighted materials include, without lim­itation, all computer software, style files, MIDI files, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON'T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.
•The photos of the harpsichord, bandoneon, hackbrett, music box, dulcimer and cimbalom, shown in the displays of the Clavinova, are courtesy of the Gakkigaku Shiryokan (Collection for Organolgy), Kunitachi College of Music.
•The following instruments, shown in the displays of the Clavinova, are on display at the Hamamatsu Museum of Musical Instruments: balafon, gender, kalimba, kanoon, santur, gamelan gong, harp, hand bell, bagpipe, banjo, carillon, mandolin, oud, pan flute, pungi, rabab, shanai, sitar, steel drum, and tambra.
•This product is manufactured under license of U.S. Patents No.5231671, No.5301259, No.5428708, and No.5567901 from IVL Audio Inc.
•The bitmap fonts used in this instrument have been provided by and are the property of Ricoh Co., Ltd.
•This product utilizes NF, an embedded Internet browser from ACCESS Co., Ltd. NF is used with the patented LZW, licensed from Unisys Co., Ltd. NF may not be separated from this product, nor may it be sold, lent or transferred in any way. Also, NF may not be reverse-engineered, reverse-compiled, reverse-assembled or copied. This software includes a module developed by the Independent JPEG Group.
Trademarks:
• All other trademarks are the property of their respective holders.
CVP-409/407 Owner’s Manual
5
Accessories
Guide to Yamaha Online Member Product User Registration
“50 greats for the Piano” Music Book
Owner’s Manual
Data List
The following items may be included or optional, depending on your locale:
Bench
Tuning
Unlike an acoustic piano, the instrument does not need to be tuned. It always stays perfectly in tune.
Transporting
If you move to another location, you can transport the instrument along with other belongings. You can move the unit as it is (assembled) or you can disassemble the unit down to the condition it was in when you first took it out of the box. Transport the keyboard horizontally. Do not lean it up against a wall or stand it up on its side. Do not subject the instrument to excessive vibration or shock. When transporting the assembled instrument, make sure all screws are properly tightened and have not been loosened by moving the instrument.
After transporting the instrument, do the following to ensure optimum performance of the iAFC function (page 82).
• Place the Clavinova so that its rear panel is at least 10 cm away from the wall. (This is not necessary for the CVP-409 grand piano type.)
• (When using the SPATIAL EFFECT) Perform the automatic adjustment of the iAFC function (page 83).
CVP-409/407 Owner’s Manual
6
®
®

Table of Contents

Introduction
Enhanced Realism and Natural
Expressiveness ................................................. 10
Panel Controls ................................................. 12
Playing the Keyboard ...................................... 14
Setting Up ....................................................... 16
Music Rest ................................................... 16
Sheet Music Braces ...................................... 16
Lid (CVP-409 grand piano type) ................... 16
Using Headphones ....................................... 17
Changing the Display Language .................. 18
Display Settings ........................................... 18
Handling the Floppy Disk Drive (FDD) and
Floppy Disks .................................................... 21
Handling the USB Storage Device (USB Flash
Memory/Floppy Disk, etc) .............................. 22
Quick Guide .......................23
Playing the Demos .......................................... 23
Operations in the Basic Displays ..................... 25
Operation of the Main Display ............................. 25
Operation of the File Selection Display ................. 26
Operation of the Function Display ........................ 27
Playing Voices ................................................. 28
Playing the Piano Voice ........................................ 28
Playing Various Voices .......................................... 32
Practicing with the Songs ............................... 35
Playing Back Songs Before Practicing .................... 35
Displaying Music Notation (Score) ....................... 38
One-handed Practice with the Guide Lamps ......... 39
Practicing with the Repeat Playback Function ....... 41
Recording Your Performance ................................ 42
Playing Backing Parts with the performance
assistant Technology ....................................... 43
Playing Accompaniment with the Auto
Accompaniment Feature (Style Playback) ...... 44
Playing “Mary Had a Little Lamb” with the Auto
Accompaniment Feature ...................................... 45
Calling Up Ideal Setups for Each Song
—Music Finder ................................................ 52
Calling up the panel settings to match the Style
(Repertoire) .......................................................... 53
Singing Along with Song Playback (Karaoke)
or Your Own Performance .............................. 54
Connecting a Microphone ................................... 54
Singing with the Lyrics Display ............................. 55
Convenient Functions for Karaoke ........................56
Convenient Functions for Singing Along with Your
Own Performance ................................................58
Recording Your Performance as Audio
(USB Audio Recorder) ..................................... 60
Recording Your Performance as Audio .................. 60
Playing Back the Recorded Performance ............... 62
Basic Operation
Basic Operation ................................63
Selecting Message Language .......................... 63
The Messages Shown in the Display .............. 63
Instant Selection of the Displays
—Direct Access ................................................ 64
Basic Displays (Main Display and File Selection
Display) ............................................................ 65
Main Display ........................................................65
File Selection Display Configuration and Basic
Operation ............................................................. 66
File/Folder Operations in the File Selection Display
Restoring the Factory-programmed Settings
Restoring the Factory-programmed System .......... 74
Restoring the Factory-programmed Settings
Independently by Item ......................................... 75
Saving and Recalling Your Original Settings as a
Single File ............................................................. 75
Data Backup .................................................... 76
Backup procedure ................................................77
... 68
... 74
Reference
Using, Creating and Editing Voices ..78
Voice Characteristics ....................................... 78
Playing Different Voices Simultaneously ........ 79
Keyboard Parts (Right 1, Right 2, Left) .................. 79
Playing Two Voices Simultaneously
(Right 1 and 2 Parts) ............................................ 80
Playing Different Voices with the Left and Right
Hands (Right 1 and Left Parts) .............................. 81
Enhancing the Acoustic Realism of the Sound
(iAFC) ............................................................... 82
Adjusting the iAFC Depth ..................................... 82
Calibrating the iAFC Settings ................................ 83
Restoring the Default Calibration Setting
[iAFC Default] .......................................................84
Various display pages and menus appear on the LCD display of this instrument, indicating the functions and opera­tions. Throughout this manual, arrows are used in the instructions, indicating in shorthand the process of calling up these functions. The example shorthand below describes a four step operation:
1) press the [FUNCTION] button, 2) press the [D] button to select the Controller page, 3) press the TAB [ select the Keyboard/Panel page, and 4) press the [A] button to select the Initial Touch parameter.
[FUNCTION] [D] CONTROLLER TAB [
] KEYBOARD/PANEL [A] 1 INITIAL TOUCH
CVP-409/407 Owner’s Manual
] button to
7
Changing Pitch ................................................ 84
Transpose ............................................................. 84
Fine-tuning the Pitch of the Entire Instrument ...... 84
Scale Tuning ........................................................ 84
Adding Effects to Voices Played on the
Keyboard ......................................................... 86
Editing the Volume and Tonal Balance
(MIXING CONSOLE) ....................................... 88
Basic Procedure .................................................... 88
Voice Creating (Sound Creator) ..................... 99
Basic Procedure .................................................... 99
Creating Your Original Organ Flutes Voices ........ 103
Using, Creating and Editing the Auto
Accompaniment Styles ...................107
Style Characteristics ...................................... 107
Selecting a Chord Fingering Type ................ 107
Playing Only the Rhythm Channels of a
Style ............................................................... 108
Style Playback-related Settings ..................... 109
Split Point Settings ....................................... 111
Editing the Volume and Tonal Balance of the
Style (MIXING CONSOLE) ............................ 112
Convenient Music Finder feature ................. 112
Searching the Records ........................................ 112
Creating a Set of Favorite Records ...................... 114
Editing Records .................................................. 114
Saving the Record .............................................. 115
Style Creator ................................................. 117
Style Structure .................................................... 117
Creating a Style .................................................. 118
Editing the Created Style .................................... 123
Registering and Recalling Custom Panel Setups
—Registration Memory ..................131
Registering and Saving Custom Panel
Setups ............................................................ 131
Recalling the Registered Panel Setups ......... 132
Deleting an Unneeded Panel Setup/Naming a
Panel Setup ........................................................ 133
Disabling Recall of Specific Items
(Freeze Function) ............................................... 133
Calling Up Registration Memory Numbers in Order
—Registration Sequence .................................... 134
Using, Creating and Editing Songs
Compatible Song Types ................................ 136
Operations for Song Playback ...................... 137
Adjusting the Volume Balance and Voice
Combination, etc. (MIXING CONSOLE) ....... 140
Using the Practice Function (Guide) ............ 141
Selecting the Guide Function Type ..................... 141
Recording Your Performance ....................... 143
Recording Methods ............................................ 143
Editing a Recorded Song .................................... 158
...136
Using a Microphone .......................167
Editing Vocal Harmony Parameters .............. 167
Adjusting the Microphone and Harmony
Sound ............................................................ 170
Talk Setting ................................................... 174
Connecting the Clavinova Directly
to the Internet ...............................176
Connecting the Instrument to the Internet
Accessing the Special Website ...................... 177
Operations in the Special Website ............... 177
Scrolling the Display ........................................... 177
Following Links ................................................... 178
Entering Characters ............................................ 178
Return to the Previous Web Page ........................ 178
Refreshing a Web Page/Canceling Loading of a
Web Page ........................................................... 179
Purchasing and Downloading Data .................... 180
Registering Bookmarks of Your Favorite Pages .... 180
About the Internet Settings Display ....................183
Changing the Home Page ..................................186
Initializing Internet Settings ................................ 187
Glossary of Internet Terms ........................... 188
.. 176
Using Your Instrument with Other
Devices ............................................189
Using Headphones (1 [PHONES] jacks) ...... 189
Connecting a Microphone or Guitar
(2 [MIC./LINE IN] jack) ................................ 189
Connecting Audio & Video Devices
Using External Audio Devices for playback and Recording (3 [AUX OUT] Jacks, [AUX OUT
(LEVEL FIXED)] Jacks) .......................................... 189
Playing External Audio Devices with the Built-in
Speakers (4 [AUX IN] Jacks) ...............................190
Showing the Instrument’s Display Contents on an External Monitor (5
[VIDEO OUT] Terminal, [RGB OUT] Terminal
Using the Footswitch or Foot Controller
(6 [AUX PEDAL] jack) ................................... 191
Assigning Specific Functions to Each Foot Pedal
Connecting External MIDI Devices
(7 [MIDI] Terminals) .................................... 194
Connecting a Computer, USB Device,
or Internet (789) ) ................................... 194
Connecting a Computer
(7 [MIDI] and 8 [USB TO HOST] Terminals) ..... 194
Connecting to a USB-type LAN Adaptor and USB Storage Device (9
via the [USB TO DEVICE] Terminal) ............... 195
Connect to the Internet ()
[LAN] Port) .............. 196
What is MIDI? ................................................ 196
What You Can Do With MIDI ....................... 199
MIDI Settings ................................................ 200
Basic Operation .................................................. 200
Pre-Programmed MIDI Templates ....................... 201
MIDI System Settings ......................................... 202
(345 ) .. 189
) .. 190
... 191
CVP-409/407 Owner’s Manual
8
Using
Your
Instrument
with
Other
Devices
MIDI Transmit Settings ....................................... 202
MIDI Receive Settings......................................... 203
Setting the Bass Note for Style Playback via MIDI
Receive ............................................................... 203
Setting the Chord Type for Style Playback via MIDI
Receive ............................................................... 204
Appendix
Troubleshooting ............................................ 205
CVP-409 grand piano type: Keyboard Stand
Assembly ....................................................... 210
CVP-409/407: Keyboard Stand Assembly ..... 213
Installing the Floppy Disk Drive (Optional) .. 216
Specifications ................................................ 217
Index .............................................................. 219
Panel Button Chart ....................................... 222
Introduction
Quick Guide
Basic Operation
Reference
Using, Creating and Editing Voices
Using, Creating and Editing the Auto Accompaniment Styles
Registering and Recalling Custom Panel Setups
Using, Creating and Editing Songs
Using a Microphone
Connecting the Clavinova Directly to the Internet
Using Your Instrument with Other Devices
Appendix
CVP-409/407 Owner’s Manual
9
Introduction

Enhanced Realism and Natural Expressiveness

Authentic Acoustic Piano-like Touch
NW (Natural Wood) with Synthetic ivory keytops (CVP-409 including grand piano type)
This is the first Clavinova featuring a keyboard that has the feel of real ivory. The special Natural Wood keyboard of the CVP-409 uses real-wood white keys. The key surface is soft and slightly porous, giving the keys added grip and a natural friction that lets you play easily. The authentic touch and feel of the keys goes far beyond existing electronic key­boards, it makes you feel as if you’re playing a real grand piano. This specially crafted key­board lets you use techniques only possible on grand pianos, such as playing the same note successively and having the sounds blend smoothly even without use of the damper pedal, or playing the same key quickly and having perfect articulation without the sound cutting off unnaturally.
NW (Natural Wood) Keyboard (CVP-407)
The special Natural Wood keyboard of the CVP-407 uses real-wood white keys, to repro­duce as closely as possible the experience of playing an actual acoustic grand piano. The authentic touch and feel of the keys goes far beyond existing electronic keyboards, realis­tically recreating the hardness of the keys, the balance between the weight of the key and hammer, and the characteristic weight gradations of the keys – heavy in the low end, light in the high register – to make you feel as if you’re playing a real grand piano. Moreover, this specially crafted keyboard lets you use techniques only possible on grand pianos, such as playing the same note successively and having the sounds blend smoothly even without use of the damper pedal, or playing the same key quickly and having perfect articulation without the sound cutting off unnaturally.
The Acoustic Ambience of a Grand Piano —with the iAFC Feature
Turn on the iAFC (Instrumental Active Field Control) effect, and hear the sound expand around you—as if you’re playing on stage in a concert hall. Use the Spatial Effect to rec­reate and emphasize the natural sounds of true acoustic instruments. The overall sound is deeper and more resonant, especially when using the damper pedal (Dynamic Damper Effect).
SPATIAL Effect (greater depth) DYNAMIC DAMPER EffectSPATIAL Effect (less depth)
The Spatial Effect, which recreates the natural sounds of true acoustic instruments, is not applied to the default setting. For more details about iAFC, see page 82.
Audio Recording
Recording Your Performance as Audio......................................page 60
You can record your performance as audio data to a USB flash memory. Con­nect a microphone or guitar to the instrument and enjoy recording a guitar and keyboard performance together, or record your singing along with Song playback (in karaoke fashion).
CVP-409/407 Owner’s Manual
10
Playing the Instrument
Playing Piano Voices ................................................................ page 28
With just the press of a button, you can reconfigure the entire instrument for optimum piano performance, no matter what settings you’ve made from the panel. Now you can enjoy performing and practicing with authentic grand piano sounds and response—instantly.
Playing Other Instrument Voices ..............................................page 32
The instrument gives you not only various realistic piano Voices, but also features an exceptionally wide variety of authentic instruments, both acoustic and electronic.
Perform Along with a Full Band
—Song Playback......................................................................... page 35
Play along with previously recorded Song data, and fill out your solo perfor­mance with the sounds and arrangement of an entire band or orchestra.
Ease in Playing Backing Parts with Songs,
—performance assistant technology.........................................page 43
The new performance assistant technology features make it exceptionally easy to play professional-sounding backing parts along with Song playback.
Playing Melodies along with Auto Accompaniment,
—Style Playback .........................................................................page 44
Use the Style playback features to automatically produce full backing parts and accompaniment, while you play melodies on top. It’s like having an expert ensemble playing behind you. Select an accompaniment Style—such as pop, jazz, Latin, etc.— and let the instrument be your backing band!
Introduction
Practicing
Displaying and Playing along with the Music Score ................page 59
While playing back a Song, you can have the music score (notation) automati­cally shown on the display—an exceptionally convenient tool for learning and practicing pieces.
Guide Lamps...............................................................................page 39
The key guide lamps are also helpful in learning and practicing, since they indicate the notes you should play, when you should play them, and how long you should hold them down.
Recording Your Performance.................................................... page 42
The instrument lets you easily record your own performance and save it to inter­nal memory or a USB storage device. This, too, is an excellent practice tool, let­ting you listen back to your playing and spot your strong and weak points.
Expand Your Song Collection
Internet Direct Connection......................................................page 176
The instrument also connects directly to the Internet, letting you download Song data from special websites, and save them to internal memory or a USB storage device.
CVP-409/407 Owner’s Manual
11
Introduction

Panel Controls

1 [POWER] switch.............................................................. P. 14
2 [USB TO DEVICE] Terminal.............................................. P. 22
3 [MASTER VOLUME] dial.................................................. P. 15
4 [DEMO] button................................................................ P. 23
METRONOME
5 [ON/OFF] button ............................................................. P. 30
TRANSPOSE
6 [–] [+] buttons.................................................................. P. 56
TEMPO
7 [TAP TEMPO] button........................................................ P. 47
8 [–] [+] buttons.................................................................. P. 31
STYLE CONTROL
9 STYLE category selection buttons..................................... P. 45
0 [ACMP ON/OFF] button .................................................. P. 46
A [AUTO FILL IN] button .................................................... P. 48
B INTRO [I]/[II]/[III] buttons ................................................ P. 47
C MAIN VARIATION [A]/[B]/[C]/[D] buttons ....................... P. 48
D [BREAK] button................................................................ P. 48
E ENDING/rit. [I]/[II]/[III] buttons ........................................ P. 48
F [SYNC STOP] button........................................................ P. 48
G [SYNC START] button ...................................................... P. 47
H [START/STOP] button....................................................... P. 47
I [MUSIC FINDER] button.................................................. P. 52
Q [EXIT] button....................................................................P. 26
R [DATA ENTRY] dial .......................................................... P. 67
S [ENTER] button ................................................................P. 67
T [USB] button .................................................................... P. 67
U [USER] button ..................................................................P. 67
PART ON/OFF
V [DUAL (RIGHT2)] button .................................................P. 79
W [SPLIT (LEFT)] button........................................................P. 79
X [FUNCTION] button ........................................................P. 27
Y [INTERNET] button ........................................................ P. 176
SONG CONTROL
Z [SONG SELECT] button....................................................P. 35
[ [REC] button .................................................................... P. 42
\ [STOP] button .................................................................. P. 35
] [PLAY/PAUSE] button .......................................................P. 35
^ [REW]/[FF] buttons.........................................................P. 138
a [EXTRA TRACKS] button.................................................P. 144
b [TRACK 2 (L)] button........................................................P. 41
c [TRACK 1 (R)] button........................................................ P. 39
d [SCORE] button................................................................ P. 38
e [LYRICS/TEXT] button ....................................................... P. 55
f [GUIDE] button................................................................ P. 39
g [REPEAT] button............................................................... P. 41
J [LCD CONTRAST] knob .................................................. P. 18
K [A]–[J] buttons.................................................................. P. 25
L [DIRECT ACCESS] button................................................. P. 64
M [MIXING CONSOLE] button............................................ P. 88
N [CHANNEL ON/OFF] button ................................. P. 109, 143
O [1π†]–[8π†] buttons ................................................ P. 25
P TAB [√][®] buttons......................................................... P. 26
CVP-409/407 Owner’s Manual
12
PIANO Setting
h [PIANO RESET] button ..................................................... P. 29
REGISTRATION MEMORY
i REGIST BANK [+] [–] buttons.........................................P. 132
j [MEMORY] button .........................................................P. 131
k [1]–[8] buttons ...............................................................P. 131
VOICE CONTROL
l VOICE category selection buttons .................................... P. 32
m [VOICE EFFECT] button ................................................... P. 86
Introduction
ONE TOUCH SETTING
n [1]–[4] buttons................................................................. P. 50
o [OTS LINK] button........................................................... P. 51
p Drum Kit icons................ Data List (Drum/key Assignment List)
Pedals
q Left pedal......................................................................... P. 30
r Sostenuto pedal ............................................................... P. 30
s Damper pedal.................................................................. P. 30
t Keyboard guide lamps ..................................................... P. 39
u Mic signal/over lamps...................................................... P. 54
For quick reference, also see the alphabetically sorted “Panel Button Chart” on page 222.
For information on the jacks and connectors located on the bottom left of the instrument, see page 189.
The [USB TO DEVICE] terminal is also located on the bottom left of the instrument.
CVP-409/407 Owner’s Manual
13
14
Introduction

Playing the Keyboard

1
Connecting the power cable
First insert the plug of the power cable into the AC connector on the instru­ment, then plug the other end of the cable into the proper AC outlet on the wall.
CAUTION
Hold the cover with both hands when opening or clos­ing it. Do not release it until it is fully opened or closed. Be careful to avoid catching fin­gers (yours or others, espe­cially children’s) between the cover and the unit.
CAUTION
Do not place objects such as a piece of metal or paper on top of the key cover. Small objects placed on the key cover may fall inside the unit when the cover is opened and may be nearly impossible to remove. This could cause elec­tric shock, short circuit, fire or other serious damage to the instrument.
Opening the key cover
2
Using the hand grip on the front, lift open the key cover.
(The shape of the plug and outlet dif­fer depending on locale.)
CAUTION
Be careful to avoid catching your fingers when opening the cover.
3
Turning the power on
Press the [POWER] switch located on the right of the keyboard to turn the power on. The display located in the center of the front panel and the power indicator located below the left end of the keyboard lights up.
The power indicator lights up.
CVP-409/407 Owner’s Manual
4 Playing the keyboard
Play the keyboard to produce sound.
Adjusting the volume
While playing the keyboard, adjust the volume level by using the [MASTER VOLUME] located at the left of the panel.
5 Turning the power off
Press the [POWER] switch to turn the power off. The screen and the power indicator turn off.
6 Closing the key cover
Grip the metal rim at the top of the panel, and close the key cover.
Introduction
CAUTION
Be careful to avoid catching your fingers when closing the cover.
CVP-409/407 Owner’s Manual
15

Setting Up

y

Music Rest

When raising or lowering the music rest, do not release
our hands from the music
rest until it is all the way up or
Introduction
down.
Before lowering the music rest, close the sheet music braces (see below). The music rest will not close unless the sheet music braces are also closed.
CAUTION
CAUTION
To Raise the Music Rest:
CVP-409 grand piano type
1 Pull the music rest up and toward
yourself as far as it will go.
2 Flip down the two metal supports at
the left and the right on the rear of the music rest.
3 Lower the music rest so that it rests on
the metal supports.
CVP-409/407
Pull the music rest toward yourself as far as it will go. When raised, the music rest is fixed at a certain angle and cannot be adjusted.
To Lower the Music Rest:
CVP-409 grand piano type
1 Pull the music rest toward yourself as
far as it will go.
2 Raise the two metal supports until
they are flat against the rear surface of the music rest.
3 Gently lower the music rest backward
until it is all the way down.
CVP-409/407
Lift the music rest slightly, then turn it back slowly.
Close the sheet music braces
CVP-409 grand
piano type
CVP-409/407
CVP-409 grand
piano type
CVP-409/407
CAUTION
Be careful to avoid catching your fingers.
To turn on the iAFC (page 82), open the lid with the longer stay using the inner recess. When the lid is closed or open with the shorter stay, the iAFC will not be turned on.

Sheet Music Braces

These braces are for holding the pages of music books in place.
To Open To Close

Lid (CVP-409 grand piano type)

One long stay and one short stay are provided on the lid. Use one of them to open the lid to the desired angle.
To open the lid:
1 Raise the music rest as described in
“Music Rest” above.
2 Raise and hold the right side of the lid
(viewed from the keyboard end of the instrument).
3 Raise the lid stay and carefully lower the
lid so that the end of the stay fits into the recess in the lid.
3
1
2
CVP-409/407 Owner’s Manual
16
For the longer stay, use the inner recess, and for the shorter stay, use the outer
CAUTION
•Make sure that the end of the stay fits securely in the lid recess. If the stay is not properly seated in the recess, the lid may fall, caus­ing damage or injury.
• Be careful that you or oth­ers do not bump the stay while the lid is raised. The stay may be bumped out of the lid recess causing the lid to fall.
• Be careful to avoid catching fingers (yours or others, especially children’s) when raising or lowering the lid.
CAUTION
Do not listen with the head­phones at high volume for long periods of time. Doing so may cause hearing loss.
CAUTION
Do not hang anything other than the headphones on the hanger. Otherwise, the instru­ment or the hanger may be damaged.
recess to support the lid.
Longer stay Shorter stay

Using Headphones

Introduction
To close the lid:
1 Hold the lid stay and carefully raise the
lid.
2 Hold the lid in its raised position and
lower the lid stay.
3 Carefully lower the lid.
Using Headphones
Connect a pair of headphones to one of the [PHONES] jacks located on the bottom left of the instrument. Two sets of standard stereo headphones can be connected. (If you are using only one pair of headphones, you can plug them into either of these jacks.)
Using the Headphone Hanger
A headphone hanger is included in the instrument package so that you can hang the headphones on the instrument. Install the headphone hanger using included two screws (4 x 10mm) as shown in the figure.
INPUT
VOLUME
MIN MAX
LINE IN
MIC.
1
3
2
MIC. LINE PHONES
Outputting sound from the speaker while headphones are con­nected
1 Call up the operation display.
[FUNCTION] [J] UTILITY TAB[
2 Press the [3
Outputting sound only from the headphones
From the display called up in step 1 above, press the [3 (SPEAKER) button to select “OFF.”
When “OFF” is selected, the speakers will not sound and you can only hear the instrument sound via the headphones.
††
ππππ††
]/[4
√][®
] CONFIG 2
††
ππππ††
] (SPEAKER) button to select “ON.”
††
ππππ††
]/[4
††
ππππ††
]
CVP-409/407 Owner’s Manual
17

Changing the Display Language

Changing the Display Language
This determines the language used in the display for messages, file names, and character input.
1 Call up the operation display.
[FUNCTION] [J] UTILITY TAB[√][®] OWNER
Introduction
To return to the original display, press the [EXIT] button.
2 Press the [4
††
ππππ††
]/[5
††
ππππ††
] button to select a language.

Display Settings

Adjusting the Contrast of the Display
You can adjust the contrast of the display by turning the [LCD CONTRAST] knob located to the left of the display.
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18
Adjusting the Brightness of the Display
Adjust the brightness of the display.
Display Settings
1 Call up the operation display.
[FUNCTION] [J] UTILITY TAB[√][®] CONFIG 2
2 Press the [2
Selecting a Picture for the Main Display Back­ground
††
ππππ††
] button to adjust the brightness of the display.
Introduction
This function lets you select your favorite picture to be used as background for the Main display (page 25).
1 Call up the operation display.
[FUNCTION] [J] UTILITY TAB[√][®] OWNER
2 Press the [J] (MAIN PICTURE) button to call up the Picture Selection
Display.
3 Use the [A]–[J] buttons to select a picture.
J
2
33
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19
Display Settings
After selecting, press the [DIRECT ACCESS] button then press the [EXIT] button to return to the Main display. The newly selected picture is shown as the background of the Main display.
The explanation about picture compatibility at right applies also to the background of the Song Lyrics display.
Introduction
Importing a favorite picture for the Main display background
Even though a variety of pictures are available on the Preset drive, you can load your own favorite picture data from USB storage device (USB flash memory/floppy disk, etc) to the instrument for use as background. Make sure to use images no larger than 640 x 480 pixels. If you select a picture file on the USB storage device (USB flash memory/ floppy disk, etc), the background may take some time to appear. If you want to reduce this time, save the background from the USB drive to the USER drive of the Picture Selection display. If you select a picture file on the USB drive, the selected background will not be displayed when the power is turned on again unless the same media containing the data has been inserted into the drive.
Entering the Owner Name in the Opening Display
You can have your name appear in the opening display (the display that first appears when the power is turned on).
1 Call up the operation display.
[FUNCTION] [J] UTILITY TAB[√][®] OWNER
2
Press the [I] (OWNER NAME) button and call up the Owner Name display.
Refer to page 73 for character-entry details.
Displaying the version number
To check the version number of this instrument, press the [7 (VERSION) buttons in the display in step 1 above. Press the [EXIT] button to return to the original display.
π†
]/[8
π†
]
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20

Handling the Floppy Disk Drive (FDD) and Floppy Disks

(The floppy disk drive is optional. For instructions on installing the floppy disk drive, see page 216.)
The floppy disk drive lets you save original data you’ve cre­ated on the instrument to floppy disk, and allows you to load data from floppy disk to the instrument. Be sure to handle floppy disks and treat the disk drive with care. Follow the important precautions below.
Floppy Disk Compatibility
• 3.5" 2DD and 2HD type floppy disks can be used.
Formatting a Floppy Disk
• If you find that you are unable to use new, blank disks or old disks that have been used with other devices, you may need to format them. For details on how to format a disk, see page 68. Keep in mind that all data on the disk will be lost after formatting. Make sure to check before­hand whether or not the disk contains important data.
n
Floppy disks formatted on this device may or may not be useable as is on other devices.
Inserting/Removing Floppy Disks
Inserting a Floppy Disk into the Disk Drive:
• Hold the disk so that the label of the disk is facing upward and the sliding shutter is facing forward, towards the disk slot. Carefully insert the disk into the slot, slowly pushing it all the way in until it clicks into place and the eject button pops out.
n
Never insert anything but floppy disks into the disk drive. Other objects may cause damage to the disk drive or floppy disks.
Removing a Floppy Disk
• After checking that the instrument is not accessing* the floppy disk (checking that the use lamp on the floppy disk drive is off), firmly press the eject button at the upper right of the disk slot all the way in. When the floppy disk is ejected, pull it out of the drive. If the floppy disk cannot be removed because it is stuck, do not try to force it, but instead try pressing the eject button again, or try re-inserting the disk and attempt to eject it again.
* Access of the disk indicates an active operation, such as
recording, playback, or deletion of data. If a floppy disk is inserted while the power is on, the disk is automatically accessed, since the instrument checks whether the disk has data.
Cleaning the Disk Drive Read/Write Head
• Clean the read/write head regularly. This instrument employs a precision magnetic read/write head which, after an extended period of use, will pick up a layer of magnetic particles from the disks used that will eventu­ally cause read and write errors.
•To maintain the disk drive in optimum working order Yamaha recommends that you use a commercially-avail­able dry-type head cleaning disk to clean the head about once a month. Ask your Yamaha dealer about the avail­ability of proper headcleaning disks.
About Floppy Disks
Handle floppy disks with care, and fol­low these precautions:
• Do not place heavy objects on a disk or bend or apply pressure to the disk in any way. Always keep floppy disks in their protective cases when they are not in use.
• Do not expose the disk to direct sunlight, extremely high or low temperatures, or excessive humidity, dust or liq­uids.
• Do not open the sliding shutter and touch the exposed surface of the floppy disk inside.
• Do not expose the disk to magnetic fields, such as those produced by televisions, speakers, motors, etc., since magnetic fields can partially or completely erase data on the disk, rendering it unreadable.
• Never use a floppy disk with a deformed shutter or hous­ing.
• Do not attach anything other than the provided labels to a floppy disk. Also make sure that labels are attached in the proper location.
To Protect Your Data (Write-protect Tab):
•To prevent accidental erasure of important data, slide the disk’s write-protect tab to the “protect” position (tab open). When saving data, make sure that the disk’s write­protect tab is set to the “overwrite” position (tab closed).
Write-protect tab open (protect position)
Introduction
CAUTION
Do not remove the floppy disk or turn off the instrument itself while the disk is being accessed. Doing so may result not only in loss of data on the disk but also damage to the floppy disk drive.
• Be sure to remove the floppy disk from the disk drive before turning off the power. A floppy disk left in the drive for extended periods can easily pick up dust and dirt that can cause data-read and -write errors.
CVP-409/407 Owner’s Manual
21

Handling the USB Storage Device (USB Flash Memory/Floppy Disk, etc)

This instrument features a built-in [USB TO DEVICE] termi­nal. When connecting a USB device to the terminal, be sure to handle the USB device with care. Follow the important precautions below.
n
For more information about the handling of USB devices, refer to the owner’s manual of the USB device.
Compatible USB devices
Introduction
• USB storage devices (flash memory, floppy disk drive,
• USB hub
• USB-LAN adaptor
n
Connecting USB device
hard disk drive, etc.)
The instrument does not necessarily support all commer­cially available USB devices. Yamaha cannot guarantee operation of USB devices that you purchase. Before pur­chasing a USB device for use with this instrument, please visit the following web page: http://music.yamaha.com/download/
Other USB devices such as a computer keyboard or mouse cannot be used.
Using USB Storage Devices
By connecting the instrument to a USB storage device, you can save data you’ve created to the connected device, as well as read data from the connected device.
n
Although CD-R/RW drives can be used to read data to the instrument, they cannot be used for saving data.
The number of USB storage device to be used
Up to two USB storage devices can be connected to the [USB TO DEVICE] terminal. (If necessary, use a USB hub. The number of USB storage devices that can be used simultaneously with musical instruments even when a USB hub is used is a maximum of two.) This instrument can rec­ognize up to four drives in one USB storage device.
Formatting USB storage media
When a USB storage device is connected or media is inserted, a message may appear prompting you to format the device/media. If so, execute the Format operation (page 68).
• When connecting a USB device to the [USB TO DEVICE] terminal, make sure that the connector on the device is appropriate and that it is connected in the proper direction.
CAUTION
When connecting a USB device to the [USB TO DEVICE] terminal on the top panel, remove it before closing the key cover. If the key cover is closed with the USB device connected, the USB device may be damaged.
• If you intend to connect two or three devices at the same time to a terminal, you should use a USB hub device. The USB hub must be self-powered (with its own power source) and the power must be on. Only one USB hub can be used. If an error message appears while using the USB hub, disconnect the hub from the instrument, then turn on the power of the instrument and re-connect the USB hub.
•Though the instrument supports the USB 1.1 standard, you can connect and use a USB 2.0 storage device with the instrument. However, note that the transfer speed is that of USB 1.1.
CAUTION
The format operation overwrites any previously existing data. Make sure that the media you are formatting does not contain important data. Proceed with caution, espe­cially when connecting multiple USB storage media.
Protecting your data (write-protect)
To prevent important data from being inadvertently erased, apply the write-protect provided with each storage device or media. If you are saving data to the USB storage device, make sure to disable write-protect.
Connecting/removing USB storage device
Before removing the media from the device, make sure that the instrument is not accessing data (such as in the Save, Copy and Delete operations).
CAUTION
Avoid frequently turning the power on/off to the USB storage device, or connecting/disconnecting the device too often. Doing so may result in the operation of the instrument “freezing” or hanging up. While the instru­ment is accessing data (such as during Save, Copy, Delete, Load and Format operations) or is mounting the USB storage device (shortly after the connection), do NOT unplug the USB connector, do NOT remove the media from the device, and do NOT turn the power off to either device. Doing so may corrupt the data on either or both devices.
CVP-409/407 Owner’s Manual
22

Quick Guide

Playing the Demos

The Demos are more than just songs—they also provide helpful, easy-to-understand introductions to the features, functions and operations of the instrument. In a way, the Demos are an interactive “mini-man­ual”—complete with sound demonstrations and text showing what it can do for you.
1 Select the desired Language.
1 Call up the operation display.
[FUNCTION] [J]UTILITY TAB[√][®] OWNER
Quick Guide
2 Press the [4
to select the desired language.
††
ππππ††
]/[5
††
ππππ††
] buttons
2 Press the [DEMO] button to start the Demos.
Demos will play back continuously until stopped.
3 Press the [EXIT] button to stop the Demo playback.
When the Demo stops, the display returns to the MAIN display (page 65).
CVP-409/407 Owner’s Manual
23
Showing Specific Demo Topics
Quick Guide
1 Press the [7ππ
ππ††††
]/[8ππππ††††] buttons in the Demo display to call up the specific Demo menu.
2 Press one of the [A]–[I] buttons to show a specific Demo.
To return back to the previous display, press the [J] button.
When the Demo has more than one screen.
Press a [ to the screen number.
π†
] button corresponding
3 Press the [EXIT] button to exit from Demo.
CVP-409/407 Owner’s Manual
24

Operations in the Basic Displays

To start with, you should know a little about the basic displays that appear in the Quick Guide. There are three basic displays:
Main display See below.
File selection display page 26
Function display page 27

Operation of the Main Display

The Main display shows the basic settings and important information for the instrument (It is the same display that appears when the instrument is turned on.).You can also call up display pages related to the displayed function from the Main display.
n About information in the Main display
See page 65.
Quick Guide
1 [A]–[J] buttons
The [A]–[J] buttons correspond to the settings indicated next to the buttons. For example, press the [F] button, and the Voice (RIGHT 1) selection display will appear in the display.
2 [1
ππππ††††]–[8
The [1 the parameters which are indicated above the buttons. For example, pressing the [1 increase the Song (page 35) volume.
3 [DIRECT ACCESS] and [EXIT] buttons
Here’s a convenient way to return to the Main display from any other display: Simply press the [DIRECT ACCESS] button, then the [EXIT] button.
ππππ††††] buttons
π†
]–[8
π†
] buttons correspond to
π
] button will
1 1
3
2
3
CVP-409/407 Owner’s Manual
25

Operation of the File Selection Display

In the File Selection display, you can select the Voice (page 28)/Song (page 35)/Style (page 44), etc. In the example here, we’ll call up and use the Song Selection display.
1
2
Quick Guide
3, 5
3, 5
4
1 Press the [SONG SELECT] button to call up the Song Selection display.
2 Press the TAB [
About PRESET/USER/USB
PRESET ..............Internal memory to which the preprogrammed data are installed as preset data.
USER .................Internal memory that allows both reading and writing of data.
USB ................... USB storage device, such as USB flash memory/floppy disk drive, etc., which is connected
n Hereafter in this manual, any USB storage device such as USB flash memory/floppy disk, etc. will be referred to as “USB
storage device.”
√][®
] buttons to select the desired drive (PRESET/USER/USB).
to the [USB TO DEVICE] terminal.
3 Select a folder (if necessary).
Several Songs may be together in a folder. In this case, the folder(s) will appear in the display (see the illustration at right). Press one of the [A]–[J] buttons to select a folder. Press the [8 the next highest level folder.
π
] (UP) button to call up
4 Select a page (if the display has several pages).
When the drive contains more than ten Songs, the display is divided up into several pages. The page indica­tions are shown at the bottom of the display. Press one of the [1
5 Press one of the [A]–[J] buttons to select a Song.
You can also select a Song by using the [DATA ENTRY] dial, then press the [ENTER] button to execute.
6 Press the [EXIT] button to return to the previous display.
CVP-409/407 Owner’s Manual
26
π
]–[6π] buttons to select a page.

Operation of the Function Display

In the Function display, you can make detailed settings. In the example here, we’ll call up and use the keyboard touch sensitivity setting display.
1 Press the [FUNCTION] button.
Categories of detailed settings are shown.
2 Press the [D] button to select the category CONTROLLER.
When the selected category is further divided into sub-categories, the tab(s) will be shown in the display.
Quick Guide
3 Press the TAB [
When the setting is further divided into additional settings, a list will be shown in the display.
®
] button to select the KEYBOARD/PANEL tab.
CVP-409/407 Owner’s Manual
27
Quick Guide
4 Press the [A] button to select the “1 INITIAL TOUCH.”
4
5
5 Press the [1
For details on the touch sensitivity settings, see page 29.
Throughout this manual, arrows are used in the instructions, indicating in shorthand the process of calling up certain displays and functions. For example, the instructions above can be indicated in shorthand as: [FUNCTION] → [D] CONTROLLER → TAB [ KEYBOARD/PANEL [A] 1 INITIAL TOUCH.
††
ππππ††
]/[2
††
ππππ††
] button to select touch sensitivity for the keyboard.

Playing Voices

The instrument features a variety of Voices, including exceptionally realistic piano Voices.
METRONOME [ON/OFF] button (page 30)
VOICE category selection buttons (page 32)
®
]
[PIANO RESET] button (page 29)

Playing the Piano Voice

Here, we’ll call up and play the piano voice. You can play the piano voice using the pedals or metronome.
CVP-409/407 Owner’s Manual
28
One-touch Piano Play
This convenient, easy-to-use feature completely and automatically reconfigures the entire instrument for optimum piano performance. No matter what settings you’ve made from the panel, you can instantly call up the piano settings by a single button press.
Press the piano-shaped [PIANO RESET] button on the lower right of the panel.
Piano Lock Function
The convenient Piano Lock function lets you “lock” the piano so that you don’t inadvertently change the settings by pressing another button on the panel. Once locked, the instrument stays in the piano mode, even if other buttons are pressed—preventing you from accidentally starting a Song (page 35) during your piano performance.
1 Press and hold down the [PIANO RESET] button on the lower right of the panel for three seconds
or longer, until a message appears prompting you to enable Piano Lock.
2 Press the [F] (OK) button to enable Piano Lock. 3 To turn Piano Lock off, press and hold down the [PIANO RESET] button again for three seconds or
longer.
Quick Guide
Setting the touch sensitivity of the keyboard
You can adjust the touch response of the instrument (how the sound responds to the way you play the keys). The touch sensitivity type becomes the common setting for all Voices.
1 Call up the operation display:
[FUNCTION] [D] CONTROLLER TAB [ PANEL [A] 1 INITIAL TOUCH
2 Press the [1
HARD 2 ..... Requires strong playing to produce high volume. Best
HARD 1 ..... Requires moderately strong playing for high volume.
NORMAL...Standard touch response.
SOFT 1....... Produces high volume with moderate playing strength.
SOFT 2....... Produces relatively high volume even with light play-
•This setting does not change the weight of the keyboard.
n
•When you do not want to apply touch sensitivity, set Touch to OFF for
•The touch sensitivity settings may have no effect with certain voices.
π†
]/[2
π†
] buttons to specify the touch response.
for players with a heavy touch.
ing strength. Best for players with a light touch.
the corresponding parts by pressing the [5†]–[7†] buttons. When Touch is set to OFF, you can specify the fixed volume level by press­ing the [4π†] button.
®
] KEYBOARD/
CVP-409/407 Owner’s Manual
29
Using the Pedals
The instrument features three pedals.
Damper Pedal (Right)
The damper pedal performs the same function as the damper pedal on an actual acoustic piano, letting you sustain the sound of the voices even after releasing the keys.
n
Quick Guide
Sostenuto Pedal (Center)
If you play a note or chord on the keyboard and press the sostenuto pedal while holding the note(s), the notes will sustain as long as the pedal is held. All subsequent notes will not sustain.
n
Left Pedal
When the Piano voice is selected, pressing this pedal reduces the volume and slightly changes the timbre of the notes you play. The settings assigned to this pedal may differ depending on the selected Voice.
n The depth of the left pedal effect can be adjusted (page 101).
Left Pedal
Sostenuto Pedal
• Some Voices may sound continuously or have a long decay after the notes have been released while the damper pedal is held.
• Certain Voices in the “PERCUSSION & DRUM KIT,” “GM&XG” and “GM2” groups may not be affected by use of the damper pedal.
• Certain Voices, such as [STRINGS] or [BRASS], sustain continuously when the sostenuto pedal is pressed.
• Certain Voices in the “PERCUSSION & DRUM KIT”, “GM&XG” and “GM2” groups may not be affected by use of the sostenuto pedal.
Damper Pedal
When you press the damper pedal here, the notes you play before you release the pedal have a longer sustain.
When you press the sostenuto pedal here while holding the note(s), the notes will sustain as long as you hold the pedal.
Foot Controller/Footswitch
An optional Yamaha foot controller (FC7) or footswitch (FC4 or FC5) can be connected to the AUX PEDAL jack and used to control various functions assigned (page 191).
Making Settings for the Pedals
You can assign one of the various functions to the three pedals or an optional foot controller/footswitch, doing things like controlling the Super Articulation voices (page 78) or starting and stopping the Style (
page 191).
Using the Metronome
The metronome provides a click sound, giving you an accurate tempo guide when you practice, or letting you hear and check how a specific tempo sounds.
1 Press the METRONOME [ON/OFF] button to start the metronome.
2 To stop the metronome, press the METRONOME [ON/OFF] button again.
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Adjusting the Tempo or Setting the Time Signature of the Metronome Sound
Adjusting the Metronome Tempo
1 Press the TEMPO [–]/[+] button to call up the pop-up tempo setting display.
2 Press the TEMPO [–]/[+] buttons to set the tempo.
Pressing and holding either button lets you continuously increase or decrease the value. You can also use the [DATA ENTRY] dial to adjust the value. To reset the tempo, press the TEMPO [–]/[+] but­tons simultaneously.
n About the Tempo display
The number in the display indicates how many quarter-note beats there are in one minute. The range is between 5 and
500. The higher the value, the faster the tempo.
3 Press the [EXIT] button to close the Tempo display.
Set the Popup Display Time
Quick Guide
1 Call up the operation display.
[FUNCTION] [J] UTILITY TAB [
2 Select the [B] (2 POPUP DISPLAY TIME) button, and use the [7
Determine the Metronome Time Signature and Other Settings
1 Call up the operation display:
[FUNCTION] [J] UTILITY TAB [
2
Set the parameters by pressing the [2
VOLUME Determines the level of the metronome sound.
SOUND
TIME SIGNATURE
Determines which sound is used for the metronome.
Bell Off............... Conventional metronome
Bell On............... Conventional metronome
English Voice...... Count in English
German Voice ....Count in German
Japanese Voice ...Count in Japanese
French Voice....... Count in French
Spanish Voice..... Count in Spanish
Determines the time signature of the metronome sound.
√][®
] CONFIG 2
] CONFIG 1 → [B] 2 METRONOME
††
ππππ††
]–[7
sound, with no bell.
sound, with bell.
π†
]/[8
ππππ††††] buttons.
π†
] buttons to set the time.
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Playing Various Voices

The instrument features a variety of Voices such as strings or wind instruments, including exceptionally realistic piano Voices.
Playing Preset Voices
The preset Voices are categorized and contained in appropriate folders. VOICE category selection buttons on the panel correspond to the categories of the preset Voices. For example, press the [PIANO] button to display various piano Voices.
Quick Guide
n About the various Voices
Determining how the Voice selection display is opened (when one of the VOICE category selection buttons is pressed).
You can select how the Voice selection display is opened (when one of the VOICE category selection buttons is pressed).
Refer to the Voice List in the separate Data List booklet.
1 Use the [A]/[B]/[F]/[G] (RIGHT1) buttons in the Main display to select the RIGHT 1
part.
Make sure the PART ON/OFF [DUAL (RIGHT2)]/[SPLIT (LEFT)] buttons are off. The Voice selected here is the RIGHT 1 part. For the Voice part, see page 79.
1 Call up the operation display.
[FUNCTION] [J] UTILITY TAB [
2 Select the [B] (2 VOICE CATEGORY BUTTON OPTIONS) button, and use the [1
how the Voice selection display is opened.
• OPEN&SELECT: Opens the Voice selection display with the top (first) voice of the voice category automatically selected (when one of the Voice category selection buttons is pressed). With the default settings, the OPEN&SELECT function is turned on.
• OPEN ONLY: Opens the Voice selection display with the currently selected voice (when one of the VOICE category selection
2 Press one of the VOICE category selection buttons to select a Voice category and call
up the Voice selection display.
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32
√][®
] CONFIG 2
π†
]/[2
π†
] buttons to change
3 Press one of the [A]–[J] buttons to select the desired Voice.
You can call up the information for the selected Voice by pressing the [7π] (INFORMATION) button.
n The Voice type and its defining characteristics are indicated above the Preset Voice name. For details on the characteris-
tics, see page 78.
n You can instantly jump back to the original display by “double-clicking” on one of the [A]–[J] buttons.
4 Play the keyboard.
n Restoring the Piano settings
Press the piano-shaped [PIANO RESET] button.
Quick Guide
Recalling your favorite Voices easily
The instrument has a huge amount of high-quality Voices, covering an exceptionally broad range of instrument sounds— making it perfect for virtually every musical application. However, the sheer number of Voices may seem overwhelming at first. To easily recall your favorite Voice, there are two methods:
Save your favorite Voice to the USER display in the Voice Selection display and recall it by using the [USER] button
1 Copy your favorite Voices from the Preset drive to the User drive.
Refer to page 70 for details on the copy operation.
2 Call up the selection display.
[USER] [F] VOICE (RIGHT1)
3 Select the desired Voice.
Press one of the [A]–[J] buttons to select the Voice.
Register your favorite Voice to Registration Memory and recall it with the REGISTRATION MEMORY [1]–[8] buttons
Refer to page 131 for details on Registration Memory operations.
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33
Playing the Voice Demos
To listen to the various Voices and hear how they sound especially in context, listen to the demo songs for each Voice.
Selecting percussion sounds
When one of the Drum Kit Voices in the [PERCUSSION & DRUM KIT] group is selected, you can play various drums and percussion instrument sounds on the keyboard. Details are given in the Drum Kit List of the separate Data List. To c heck which “Standard Kit 1” percussion sounds are assigned to each key, look at the icons printed above the keys.
Selecting sound effects
Quick Guide
You can play individual sound effects, such as bird chirps and ocean sounds from the keyboard. The sound effects are categorized as “GM&XG”/“GM2.”
1 In the Voice Selection display (page 33 step 3), press the [8
the Demo for the selected Voice.
2 To stop the Demo, press the [8
1 Use the [A]/[B]/[F]/[G] (RIGHT 1) buttons to select the RIGHT 1 part. 2 Press the [8 3 Press the [2 4 Press the [E]/[F] button to select “GM&XG”/“GM2.” 5 Press the [2 6 Press the [F] button to select “SoundEffect.”
π
] (UP) button to call up the Voice categories.
π
] button to display page 2.
π
] button to display page 2.
††
††
] (DEMO) button again.
††
††
] (DEMO) button to start
7 Press one of the [A]–[J] buttons to select the desired sound effect. 8 Play the keyboard.
Selecting GM/XG/GM2 Voices
n For details on the Voice allocation format, see page 199.
You can select the GM/XG/GM2 Voices directly via the panel operation. Perform steps 1–4 described above, select the desired category, then select the desired voice.
Playing different Voices simultaneously
The instrument can play different Voices simultaneously (page 79).
• Layering two different Voices
This is useful for creating rich and thick sounds.
• Setting separate Voices for the left and right sections of the keyboard
You can play different Voices with the left and right hands. For example, you can set up the keyboard to play the bass Voice with your left hand and the piano Voice with your right hand.
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34

Practicing with the Songs

n Song
On the instrument, performance data is called a “Song.”

Playing Back Songs Before Practicing

The instrument includes not only the preset demo Songs, but also many preset Songs. This section covers basic infor­mation on playing back the preset Songs or Songs in a CD-ROM.
1 Press the [SONG SELECT] button to call up the Song selection display.
2 Press one of the [A]–[J] buttons to select a Song category.
The preset Songs are categorized and contained in appropriate folders.
Quick Guide
3 Press one of the [A]–[J] buttons to select the desired Song.
You can also select the file by using the [DATA ENTRY] dial, then press the [ENTER] button to execute.
n You can instantly jump back to the original display by “double-clicking” on one of the [A]–[J] buttons.
4 Press the SONG [PLAY/PAUSE] button to start playback.
5 Press the SONG [STOP] button to stop playback.
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35
Playing Songs saved to USER (page 43)
1 Press the [SONG SELECT] button to call up the Song selection display.
Playing Songs saved to a USB storage device (page 43)
For information on using USB storage devices, see page 22.
Quick Guide
2 Press the TAB [
√][®
] button to select the USER tab.
3 Press one of the [A]–[J] buttons to select the desired Song.
n Select the file to which the data is saved.
You can also select the specified file to which the data is saved by pressing the [USER] button. [USER] [A] SONG [A]–[J]
1 Connect the USB storage device to the [USB TO DEVICE] terminal. 2 Press the [SONG SELECT] button to call up the Song selection display. 3 Press the TAB [
you inserted in Step 1. The indication “USB1”/“USB2” will be displayed depending on the number of the connected devices.
√][®
] buttons to select the USB tab (“USB1”/“USB2”), corresponding to the USB storage device
4 Use the [A]–[J] buttons to select a Song.
n Select the file to which the data is saved.
You can also select the specified file to which the data is saved by pressing the [USB] button. [USB] [A] SONG [A]–[J]
Playing Songs in sequence
You can play all Songs in a folder continuously.
1 Select a Song in the desired folder. 2 Call up the operation display.
[FUNCTION] [B] SONG SETTING
3 Press the [H] (REPEAT MODE) button to select “ALL.” 4 Press the SONG [PLAY/PAUSE] button to start playback.
All Songs in the folder play back continuously, in order.
5 Press the SONG [STOP] button to stop continuous playback. 6 To turn off the Song sequence playback, press the [H] button to select “OFF” in the display in step 2.
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Boost the volume of the part to be practiced
On the instrument, a single Song can contain separate data for up to sixteen MIDI channels. Specify the channel for practicing and increase the playback volume for the channel.
1 Select a Song. The method for selecting a Song is the same as “Playing Back Songs Before Practicing (page 35 step
1–5).”
2 Press the [MIXING CONSOLE] button to call up the MIXING CONSOLE display.
3
2,
4
3 Press the TAB [
√][®
] buttons to select the VOL/VOICE tab.
4 Press the [MIXING CONSOLE] button until “MIXING CONSOLE (SONG CH1–8)” is shown at the top of the dis-
play.
5 Press the [E]/[J] button to select “VOLUME.” 6 To raise the level of the desired channel(s), press the appropriate buttons [1
If the desired channel is not shown in the MIXING CONSOLE (SONG CH1–8) display, press the [MIXING CON­SOLE] button to call up the MIXING CONSOLE (SONG CH9–16) display.
If you don’t know which channel’s volume to raise:
• Look at the illustrations of the instruments indicated below “VOICE.”
ππππ††††]–[8
ππππ††††].
Quick Guide
• Look at the channel indicators, which light as the Song plays back. Watching these as you listen can show you
which channel you wish to boost.
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37

Displaying Music Notation (Score)

You can view the music notation of the selected Song. We suggest that you read through the music notation before starting to practice.
•The instrument can display the music notation of commercially-available music data or your recorded Songs.
n
•The displayed notation is generated by the instrument based on the Song data. As a result, it may not be exactly the same as com­mercially available sheet music of the same song—especially when displaying notation of complicated passages or many short notes.
•The notation functions cannot be used to create Song data by inputting notes. For information on creating Song data, see page 143.
1 Select a Song (page 35).
2 Press the [SCORE] button to display the music notation.
n Look through the entire score before playing back the Song
Press the TAB [
®
] button to select subsequent pages.
Quick Guide
Changing the Notation Display
You can change the notation display as desired to suit your personal preferences.
3 Press the SONG [PLAY/PAUSE] button to start playback.
The “ball” bounces along through the score, indicating the current position.
4 Press the SONG [STOP] button to stop playback.
1 Press the [SCORE] button to display the music nota-
tion.
2 Changing the following settings as desired.
Changing the size of the music notation
Press the [7 music notation.
Displaying only right-hand part/left-hand part notation
Press the [1 the left-hand part/right-hand part.
Customizing the notation display
• Display the note name at the left of the note
1 Press the [5 2 Press the [8 3 Press the [6 4 Press the [8
•Turn on the note colors
Press the [6
n About the note colors
Increase the number of measures in the display
You can increase the number of measures that will be displayed by decreasing the other items to be dis­played (part, lyrics, chords, etc.). Use the [1
π†
] button to change the size of the
π†
]/[2
π†
] button to disable display of
††
ππππ††
] (NOTE) button to display the note name.
††
ππππ††
] (SET UP) button to call up the detailed setting display.
] (NOTE NAME) button to select “Fixed Do.”
ππ
ππ
] (OK) button to apply the setting.
π†
] button to turn the COLOR on.
These colors are fixed for each note and cannot be changed. C: red, D: yellow, E: green, F: orange, G: blue, A: purple, and B: gray
π†
]–[4
π†
] buttons to turn off the items you want not to be displayed.
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Set the detailed parameters of the view type as desired.
1 Press the [8
2 Press the [1
LEFT CH/RIGHT CH
KEY SIGNATURE
QUANTIZE
NOTE NAME
††
ππππ††
] (SETUP) button to call up the detailed setting display.
††
ππππ††
††
]–[6
ππππ††
] buttons to set the view type.
Determines which MIDI channel in the Song data is used for the left-hand/right-hand part. This set­ting returns to AUTO when a different Song is selected.
AUTO
The MIDI channels in the Song data for the right- and left-hand parts are assigned automatically— setting the parts to the same channel as the channel which is specified in the [FUNCTION] → [B] SONG SETTING.
1–16
Assigns the specified MIDI channel (1–16) to each of the left- and right-hand parts.
OFF (LEFT CH only)
No channel assignment: This disables display of the left-hand key range.
This lets you enter key signature changes in the middle of a song, at the stopped position. This menu is useful when the selected Song contains no key signature settings for displaying notation.
This gives you control over the note resolution in the notation, letting you shift or correct the timing of all displayed notes so that they line up to a particular note value. Make sure to select the smallest note value used in the song.
Selects the type of the note name indicated at the left of the note in the notation from among the fol­lowing three types. The settings here are available when the NOTE parameter in “Display the note name at the left of the note” step 1 is set to ON.
A, B, C
Note names are indicated as letters (C, D, E, F, G, A, B).
FIXED DO
Note names are indicated in solfeggio and differ depending on the selected language. The language is specified in LANGUAGE of the OWNER display (page 63).
MOVABLE DO
Note names are indicated in solfeggio according to the scale intervals, and as such are relative to the key. The root note is indicated as Do. For example, in the key of G major the root note of “So” would be indicated as “Do.” As with “Fixed Do,” the indication differs depending on the selected language.
Quick Guide
3 Press the [8
n Save the notation view settings
ππ
ππ
] (OK) button to apply the setting.
The notation view settings can be saved as part of a Song (page 162).

One-handed Practice with the Guide Lamps

The key guide lamps indicate the notes you should play, when you should play them, and how long you should hold them down. You can also practice at your own pace—since the accompaniment waits for you to play the notes cor­rectly. Here, mute the right- or left-hand part and try practicing the part using the guide lamps.
Practicing the Right-hand Part (TRACK 1) Using the Guide Lamps
1 Select a Song (page 35).
2 Turn the [GUIDE] button on.
234
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39
3 Press the [TRACK 1 (R)] button to mute the right-hand part.
The indicator of the [TRACK 1 (R)] button goes out. You can now play that part by yourself.
n Have the guide lamp flash a lead-in to the music
In the GUIDE LAMP TIMING, select NEXT (page 142).
4 Press the SONG [PLAY/PAUSE] button to start playback.
Practice the muted part using the guide lamps.
n Adjusting the tempo
Refer to page 31.
Quickly changing tempo during a performance (Tap function)
The tempo can also be changed during Song playback by tapping the [TAP TEMPO] button twice at the desired tempo.
5 Press the SONG [STOP] button to stop playback.
Quick Guide
Adjusting the volume balance between the Song and the keyboard
This lets you adjust the volume balance between Song playback and the sound you play on the keyboard.
1 Call up the Main display.
n The Balance display is indicated at the bottom of the Main display.
2 To adjust the Song volume, press the [1
n About keyboard parts (Right 1, Right 2, Left)
Other guide functions
The initial setting “Follow Lights (page 142)” was used in the instructions “One-handed Practice with the Guide Lamps” above. There are additional functions in the Guide feature, as described below. To select a guide function, see page 141.
6 Turn the [GUIDE] button off.
[DIRECT ACCESS] → [EXIT]
When the Balance display is not indicated, press the [EXIT] button.
π†
] button. To adjust the keyboard (RIGHT 1) volume, press the [6
button.
See page 79.
π†
]
For keyboard performance
• Any Key
This lets you practice the timing of playing the keys.
For Karaoke
• Karao-Key
This function lets you control the Song playback timing with just one finger, while you sing along (page 54).
•Vocal CueTIME
This automatically controls the timing of the accompaniment to match the melody (pitch) of your singing—allow­ing you to practice singing with the correct pitch.
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Practicing the Left-hand Part (TRACK 2) Using the Guide Lamps
1,2 Follow the same steps as in “Practice the Right-hand Part (TRACK 1) Using the
Guide Lamps” on page 39.
3 Press the [TRACK 2] button to mute the left-hand part.
The indicator of the [TRACK 2 (L)] button goes out. You can now play that part by yourself.
4 Press the SONG [PLAY/PAUSE] button to start playback and practice the muted part
using the guide lamps.
5 Press the SONG [STOP] button to stop playback.
6 Turn the [GUIDE] button off.

Practicing with the Repeat Playback Function

The Song Repeat functions can be used to repeatedly play back a Song or a specific range of measures in a Song. This is useful for repeated practicing of difficult-to-play phrases.
Playing Back a Song Repeatedly
1 Select a Song (page 35).
2 Press the [REPEAT] button to turn on Repeat playback.
3 Press the SONG [PLAY/PAUSE] button to start playback.
The Song will be played back repeatedly until you press the SONG [STOP] button.
Quick Guide
4 Press the SONG [STOP] button to stop playback.
5 Press the [REPEAT] button to turn off Repeat playback.
Specifying a Range of Measures and Playing them Back Repeat­edly (A-B Repeat)
1 Select a Song (page 35).
2 Press the SONG [PLAY/PAUSE] button to start playback.
3 Specify the repeat range.
Press the [REPEAT] button at the starting point (A) of the range to be repeated. Press the [REPEAT] button again at the ending point (B). After an automatic lead-in (to help guide you into the phrase), the range from Point A to Point B is played back repeatedly.
n Instantly returning to Point A
Regardless of whether the Song is playing back or is stopped, pressing the [STOP] button returns to Point A.
4 Press the SONG [STOP] button to stop playback.
5 Press the [REPEAT] button to turn off Repeat playback.
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Other Methods for Specifying the A–B Repeat Range

Recording Your Performance

Record your performance by using the Quick Recording feature. This is an effective practice tool, allowing you to easily compare your own performance to the original song you are practicing. You can also use it to practice duet pieces by yourself, if you have your teacher or partner record his or her part beforehand.
Quick Guide
Specifying the repeat range while Songs are stopped
1 Press the [FF] button to advance to the Point A location. 2 Press the [REPEAT] button to specify Point A. 3 Press the [FF] button to advance to the Point B location. 4 Press the [REPEAT] button again to specify Point B.
Specifying the repeat range between Point A and the end of the Song
Specifying only Point A results in repeat playback between Point A and the end of the Song.
1 Press the [REC] and [STOP] buttons simultaneously.
A blank Song for recording is automatically set.
2 Select a Voice (page 32). The selected Voice will be recorded.
3 Press the [REC] button.
4 Start recording.
Recording begins automatically as soon as you play a note on the keyboard.
5 Press the SONG [STOP] button to stop recording.
A message prompting you to save the recorded performance appears. To close the message, press the [EXIT] button.
6 Press the SONG [PLAY/PAUSE] button to play back the recorded performance.
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7 Save the recorded performance.
1 Press the [SONG SELECT] button to call up the Song selection display. 2 Press the TAB [
save the data. Select USER to save the data to internal memory, or select USB to save the data to a USB storage device.
3 Press the [6 4 Enter the file name (page 73). 5 Press the [8
To cancel the Save operation, press the [8
CAUTION
The recorded song will be lost if you change to another Song or you turn the power off without executing the Save oper­ation.
When the following message appears: “Song” changed. Save?/“Song” speichern?/“Song” modifié. Sauv.?/“Song” cambiado. ¿Guardar?/Salvare “’Song” ?
The recorded data has not yet been saved. To save the data, press the [G] (YES) button to open the Song selection dis­play and save the data (see above). To cancel the operation, press the [H] (NO) button.
Playing Songs saved to a USER/USB storage device
Refer to page 36.
√][®
] buttons to select the appropriate tab (USER, USB, etc.) to which you want to
††
] (SAVE) button to call up the file naming display.
††
ππ
ππ
] (OK) button to save the file.
] (CANCEL) button.
Quick Guide

Playing Backing Parts with the performance assistant Technology

This feature makes it exceptionally easy to play the backing parts along with Song playback.
n Before using performance assistant technology
To use the performance assistant technology, the Song must contain chord data. If the Song contains this data, the current chord name will be displayed in the Main display during Song playback, letting you easily check whether the Song contains chord data or not.
1 Select a Song (page 35).
In these example instructions, we recommend that you use the Songs in the “Sing-a-long” folder.
2 Call up the operation display.
[FUNCTION] [B] SONG SETTING
3 Press the [8
††
ππππ††
] button to turn the [P.A.T.] (Performance Assistant) on.
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43
●● ●
Quick Guide
4 Press the SONG [PLAY/PAUSE] button to start playback.
5 Play the keyboard.
The instrument automatically matches your performance on the keyboard to the Song playback and chords, no matter what keys you play. It even changes the sound according to the way you play. Try playing in the three different ways below.
Playing the left and right hand together (method 1).
Playing the left and right hand together (method 2).
Playing the left hand and right hand alternately.
Play three notes at the same time with your right hand.
Play several notes one after the other with different fin­gers of your right hand.
Play three notes at the same time with your right hand.
6 Press the SONG [STOP] button to stop playback.
7 Press the [8
††
ππππ††
] button to turn the [P.A.T.] (Performance Assistant) off.
Playing Accompaniment with the Auto Accom­paniment Feature (Style Playback)
The Auto Accompaniment features let you produce automatic accompaniment playback simply by playing “chords” with your left hand. This lets you automatically recreate the sound of a full band or orchestra— even if you’re playing by yourself. The Auto Accompaniment sound is made up of the rhythm patterns of the Styles. The Styles of the instrument cover a wide range of different musical genres including pop, jazz, and many others.
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44

Playing “Mary Had a Little Lamb” with the Auto Accompaniment Feature

MARY HAD A LITTLE LAMB
Tr aditional
Style: Country Pop
122 233 35
1 1 1
C
3
21 2 3 2 3 2 1
1 1 4 1
CGC
GCC
4
1 Press the STYLE CONTROL “COUNTRY” button.
C
Quick Guide
Ending
Enabling tempo display above Style name
You can select whether the tempo is displayed above the Style name or not.
1 Call up the operation display.
√][®
[FUNCTION] [J] UTILITY TAB [
2 Select the [B] (2 DISPLAY STYLE TEMPO) button, and use the [5
play on/off.
• ON: Tempo is displayed above the Style name. With the default settings, the Display Style Tempo function is on.
• OFF: Tempo is not displayed above the Style name.
] CONFIG 2
π†
]/[6π†] buttons to switch the tempo dis-
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45
Quick Guide
2 Press one of the [A]–[J] buttons to select a Style “CountryPop.”
•The Style type and its defining characteristics are indicated above the Preset Style name. For details on the character-
n
istics, see page 107.
•When the [7π] (REPERTOIRE) button is pressed after selecting a Style, you can call up the custom panel settings (for voices and tempos, etc.) designed to best match the selected Style. To return to the previous display, press the [EXIT] button.
•You can instantly jump back to the original display by “double-clicking” on one of the [A]–[J] buttons.
3 Press the [ACMP ON/OFF] button to turn on Auto Accompaniment.
Use the left-hand section (lower part) of the keyboard to play the chords for sounding the Auto Accompaniment.
3 45 6
4 Press the [SYNC START] button to set Auto Accompaniment to standby—letting you
simultaneously start the accompaniment as soon as you start playing.
5 As soon as you play a chord with your left hand, the Auto Accompaniment starts.
Try playing chords with your left hand and play a melody with your right hand.
n Chord Fingerings
There are seven different fingering methods you can use to specify chords (page 107).
6 Automatically play an appropriate ending by pressing the [ENDING] button, at the
point in the score (page 45) indicated by “Ending.”
When Ending playback is finished, the Style automatically stops.
About the various Styles
n
Refer to the Style List in the separate Data List booklet.
Quickly changing the Style tempo during a performance (Tap function) The tempo can also be changed during playback by tapping the [TAP TEMPO] button twice at the desired tempo.
Specifying the split point (the border between the right- and left-hand range) See page 111.
Turns touch response on/off for the Style playback (Style Touch) See page 110.
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46
Adjusting the volume balance between the Style and the keyboard (page 40)
This lets you adjust the volume balance between Style playback and the sound you play on the keyboard.
1 Call up the Main display.
[DIRECT ACCESS] → [EXIT]
n
The Balance display is indicated at the bottom of the Main display. If the Balance display is not selected, press the [EXIT] button.
2 To adjust the Style volume, press the [2
button.
π†
] button. To adjust the keyboard (RIGHT 1) volume, press the [6
π†
]
Pattern Variation
While you play, you can automatically add specially created intros and endings, as well as variations in the rhythm/ chord patterns, for more dynamic, professional-sounding performances. There are several different auto accompani­ment pattern variations for each situation: starting your performance, during your performance, and ending your per­formance. Try out the variations and combine them freely.
To Start Playing
Quick Guide
Start/Stop
Styles start playing back as soon as the STYLE CONTROL [START/STOP] button is pressed.
Intro
This is used for the beginning of the song. Each preset Style features three different intros. When the intro finished play­ing, accompaniment shifts to the Main section (see “Main” in the “During Style playback” below). Press one of the INTRO [I]–[III] buttons before starting Style playback and press the STYLE CONTROL [START/STOP] button to start Style playback.
Synchro Start
This lets you start playback as soon as you play the keyboard. Press the [SYNC START] button when Style playback is stopped and play a chord in the chord section of the keyboard to start Style playback.
Tap
Tap out the tempo and automatically start the Style at that tapped speed. Simply tap (press/release) the [TAP TEMPO] button (four times for a 4/4 time signature), and the Style playback starts automatically at the tempo you tapped.
n The particular drum sound and the velocity (loudness) of the sound when the Tap function is used can be selected in the following
display. [FUNCTION] [J] UTILITY TAB[√] CONFIG 1 [B] 4 TAP
Fade In
For information on the settings, see page 191.
n For details on setting the fade-in and fade-out time, see page 109.
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47
During Style Playback
Main
This is used for playing the main part of the Song. It plays an accompaniment pattern of several measures, and repeats indefinitely. Each preset Style features four different patterns. Press one of the MAIN [A]–[D] buttons during Style playback.
Fill In
The fill-in sections let you add dynamic variations and breaks in the rhythm of the accompaniment, to make your per­formance sound even more professional.
Turn on the [AUTO FILL IN] button before starting Style playback or during playback. Then, simply press one of the MAIN VARIATION (A, B, C, D) buttons as you play, and the selected fill-in section plays automatically (AUTO FILL), spic­ing up the auto accompaniment. When the fill-in is finished, it leads smoothly into the selected main section (A, B, C, D).
Even when [AUTO FILL IN] button is turned off, pressing the same button of the currently playing section automatically plays a fill-in before returning to the same main section.
Quick Guide
Break
This lets you add dynamic breaks in the rhythm of the accompaniment, to make your performance sound even more professional. Press the [BREAK] button during Style playback.
To Finish Playing
Start/stop
Styles stop as soon as the STYLE CONTROL [START/STOP] button is pressed.
Ending
This is used for the ending of the Song. Each preset Style features three different endings. When the ending is finished, the Style stops automatically. Press one of the ENDING/rit. [I]–[III] buttons during Style playback. You can have the ending gradually slow down (ritardando) by pressing the same ENDING/rit. button again while the ending is playing back.
n If you press the ENDING/rit. [I] button in the middle of your performance, a fill-in automatically plays before the ENDING/rit. [I].
Fade Out
For information on the settings, see page 191.
n For details on setting the fade-in and fade-out time, see page 109.
Others
Synchro Stop
When Synchro Stop is on, you can stop and start the Style anytime you want by simply releasing or playing the keys (in the chord section of the keyboard). This is a great way to add dramatic breaks and accents to your performance. Press the [SYNC STOP] button before starting the Style playback.
Enable Synchro Stop by pressing/releasing keys (Synchro Stop Window)
n
48
See page 110.
Fixing the section pattern to either Intro or Main (Section Set)
For example, you can set this function to Intro to conveniently have an Intro play automatically whenever you select a Style (page 110).
CVP-409/407 Owner’s Manual
About the section button (INTRO/MAIN/ENDING, etc.) lamps
• Green The section is not selected.
• Red The section is currently selected.
• Off The section contains no data and cannot be played.
Learning How to Play (Indicate) Chords for Style Playback
Learning the Notes to Play for Certain Chords
If know the name of a chord but don’t know how to play it, you can have the instrument show you the notes to play (Chord Tutor function).
1 Call up the operation display.
[FUNCTION] [C] STYLE SETTING/SPLIT POINT/CHORD FINGERING TAB[][®] CHORD FINGERING
2 Press the [6
††
ππππ††
] button to select the root note.
Quick Guide
2 3
3 Press the [7
The notes you need to play to make the selected chord are shown in the display.
n The notes that are displayed correspond to Fingered, no matter which fingering type is selected (page 108).
††
ππππ††
]/[8
††
ππππ††
] button to select the chord type.
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Checking How to Play Chords with the Guide Lamps
For Songs containing chord data, you can have the individual notes of the chords indicated with the Guide lamps on the instrument.
1 Select a Song (page 35).
2 Press the [FUNCTION] button and press the [B] button to call up the Song Setting dis-
play, and make sure that the GUIDE MODE is set to “Follow Lights.”
3 Press the [ACMP ON/OFF] button to turn on Auto Accompaniment.
4 Press the [GUIDE] button.
Quick Guide
Appropriate Panel Settings for the Selected Style (One Touch Setting)
One Touch Setting is a powerful and convenient feature that automatically calls up the most appropriate panel settings (Voices or effects, etc.) for the currently selected Style, with the touch of a single button. If you’ve already decided which Style you wish to use, you can have One Touch Setting automatically select the appropriate Voice for you.
5 Press the SONG [PLAY/PAUSE] button to start playback.
The Guide lamps in the chord section of the keyboard flash according to the chords of the Song. Try practic­ing the chords, matching the Guide lamps.
1 Select a Style (page 46 step 2).
2 Press one of the ONE TOUCH SETTING [1]–[4] buttons.
Not only does this instantly call up all the settings (Voices, effects, etc.) that match the current Style—it also automatically turns on ACMP and SYNC START, so that you can immediately start playing the Style.
3 As soon as you play a chord with your left hand, the selected Style starts.
n Parameter Lock
You can “lock” specific parameters (e.g., effect, split point, etc.) to make them selectable only via the panel controls (page 132).
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Helpful hints for using One Touch Setting
Automatically changing One Touch Settings with the Main sections (OTS Link)
The convenient OTS (One Touch Setting) Link function lets you automatically have One Touch Settings change when you select a different Main section (A–D).To use the OTS Link function, press the [OTS LINK] button.
n Setting the timing for OTS changes
The One Touch Settings can be set to change with the sections in one of two different timings (page 110).
Memorizing the panel settings to the OTS
You can also create your own One Touch Setting setups.
1 Set up the panel controls (such as Voice, Style, effects,
and so on) as desired.
2 Press the [MEMORY] button. 3 Press one of the ONE TOUCH SETTING [1]–[4] buttons.
A message appears in the display prompting you to save the panel settings. It is possible to save the panel settings with another file (step 4), so register it in a favorite number from 1 to 4.
23
4 Press the [F] (YES) button to call up the Style selection
display and save the panel settings as a Style file (page 69).
CAUTION
The panel settings memorized to each OTS button will be lost if you change the Style or turn the power off without executing the Save operation.
Quick Guide
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51
Calling Up Ideal Setups for Each Song—Music Finder
If you want to play in a certain genre of music but don’t know which Style and Voice settings would be appropriate, the convenient Music Finder function can help you out. Simply select the desired music genre from among the Music Finder “Records,” and the instrument automatically makes all appropriate panel set­tings to let you play in that music style. A new record can be created by editing the currently selected one (page 114).
n The data (records) of the Music Finder are not the same as Song data and cannot be played back.
Quick Guide
1 Press the [MUSIC FINDER] button to call up the MUSIC FINDER display.
2
1
3
2 Press the TAB [
The ALL tab contains the preset records.
] button to select the ALL tab.
3 Select the desired record by using the following four search categories.
To select a record, press the [2
•You can also select the desired record by using the [DATA ENTRY] dial, then press the [ENTER] button to execute.
n
Searching the records
The Music Finder is also equipped with a convenient search function that lets you enter a song title or keyword—and instantly call up all the records that match your search criteria (page 112).
MUSIC ...............Contains the song title or music genre that describes each record, letting you easily
find the desired music style.
n Skipping up or down through the song alphabetically
When sorting records by song title, use the [1π†] button to skip up or down through the songs alphabetically. Simultaneously press the [π†] buttons to move the cursor to the first record.
STYLE.................This is the preset Style assigned to the record.
n Skipping up or down through the Style alphabetically
When sorting records by Style name, use the [4π†]/[5π†] button to skip up or down through the Styles alphabetically. Simultaneously press the [π†] buttons to move the cursor to the first record.
BEAT ..................This is the time signature registered to each Record.
††
ππππ††
]/[3
††
ππππ††
] buttons.
TEMPO ..............This is the assigned tempo setting for the record.
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4 Play the keyboard.
Notice that the panel settings have been automatically changed to match the music genre of the selected record.
Tempo Lock
n
Tempo Lock function lets you avoid changing the Tempo during Style playback when selecting another record. To turn on the Tempo Lock function, press the [I] (TEMPO LOCK) button in the Music Finder display.
Parameter Lock
You can “lock” specific parameters (e.g., effect, split point, etc.) to make them selectable only via the panel controls (page 132).
Calling up the panel settings to match the Style (Rep­ertoire)
The convenient Repertoire function automatically calls up the most appropriate panel settings (voice number, etc.) for the currently selected Style.
1 Select the desired Style for which you want to call up the panel settings from the
“PRESET”/“USER” tab on Style selection display.
n The Repertoire function is valid for Styles in the “PRESET”/“USER” tab. The Repertoire function cannot be used for Styles
saved to a USB storage device. To use the Repertoire function, save the desired Style in “USER” tab.
Quick Guide
2 Press the [7
The panel settings that match the Style under selection is searched according to the record group of the Music Finder. The list of the search results is shown on the “SEARCH 2” display of the Music Finder.
CAUTION
When the result of searching the record in the “SEARCH 2” display has already been shown, the searched result is lost.
3 Press the [2
Sorting the records
Press the [F] (SORT BY) button to sort the records.
• MUSIC .................. The record is sorted by song title.
• STYLE .................... The record is sorted by Style name.
• BEAT .....................The record is sorted by beat.
• TEMPO ................. The record is sorted by tempo.
Changing the order of the records
Press the [G] (SORT ORDER) button to change the order of the records (ascending or descending).
ππ
ππ
] (REPERTOIRE) button.
††
ππππ††
]–[3
††
ππππ††
] buttons to select the desired panel settings.
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Singing Along with Song Playback (Karaoke) or Your Own Performance

Connect a microphone to the instrument and sing along with Song playback (Karaoke) or your own perfor­mance. The lyrics can be displayed when the Song contains lyric data. Sing with the microphone as you read the lyr­ics shown in the display. Lyrics can also be displayed with the music score, letting you play and sing while fol­lowing along with the notation and lyrics.
Quick Guide

Connecting a Microphone

1 Make sure you have a conventional dynamic microphone.
2 Set the [INPUT VOLUME] knob on the bottom panel of the instrument to the minimum
position.
3 Connect the microphone to the [MIC./LINE IN] jack.
n Always set the INPUT VOLUME to minimum when nothing is con-
nected to the [MIC/LINE IN] jack. Since the [MIC/LINE IN] jack is highly sensitive, it may pick up and produce noise when nothing is connected.
INPUT
VOLUME
MIN MAX
MIC.
LINE IN
MIC. LINE PHONES
2, 5
43
4 Set the [MIC. LINE] switch to “MIC.”
5 (For microphones having a power source, turn on the power first.) Adjust the [INPUT
VOLUME] knob while singing into the microphone.
Adjust the controls while checking the SIGNAL and OVER lamps. The SIGNAL lamp lights to indicate that an audio signal is being received. Make sure to adjust the INPUT VOLUME so that this lamp is light. The OVER lamp lights when the input level is too high. Make sure to adjust the INPUT VOLUME so that this lamp does not light.
Disconnecting the microphone
1
Set the [INPUT VOLUME] knob on the bottom panel of the instrument to the minimum position.
2 Disconnect the microphone from the [MIC./LINE IN] jack.
n Set the [INPUT VOLUME] knob to the minimum position before turning off the power.
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54

Singing with the Lyrics Display

Try singing while playing back a Song containing lyric data
1 Select a Song (page 35).
2 Press the [LYRICS/TEXT] button to display the lyrics.
When the Text display appears, press the [1
] (LYRICS) button to display the lyrics.
3 Press the SONG [PLAY/PAUSE] button to start playback.
Sing while following along with the lyrics on the display. The color of the lyrics changes as the Song plays.
4 Press the SONG [STOP] button to stop playback.
When the lyrics are unreadable
n
You may need to change the Lyrics Language setting to “International” or “Japanese” in the Song Setting display ([FUNCTION] → [B] SONG SETTING), if the lyrics shown are garbled or unreadable. This setting can be memorized as part of the Song data (page 162).
Changing the Lyrics Background Picture
You can change the background picture of the Lyrics display. Press the [7π†]/[8π†] (BACKGROUND) button in the Lyrics dis­play to call up the Lyrics picture selection display for the available picture files and select the desired one. Press the [EXIT] button to return to the previous display. The lyrics background picture can be saved to the Song (page 162).
Changing the lyrics
You can change the lyrics as desired (page 166).
Displaying Text
This feature lets you show text files (created on a computer) in the display of the instrument, enabling various useful possibilities, such as the showing of lyrics, chord names, and text notes.
1 Connect the USB storage device containing the text file to [USB TO DEVICE] terminal. 2 Press the [LYRICS/TEXT] button to display the text.
When the lyrics are displayed, press the [1
] (TEXT) button to display the text.
Quick Guide
3 Press the [5 4 Press the TAB [
π†
]/[6
π†
] (TEXT FILE) buttons to call up the Text selection display.
√][®
] buttons to select the desired TAB.
5 Double-click one of the [A]–[J] buttons to select a text file.
If the text is long, use the TAB [
n An optional foot pedal can also be used to turn pages (page 191).
The following additional settings are available in the TEXT display:
LYRICS ..........................................Switches the screen to the Lyrics display.
CLEAR...........................................Clears the text from the display (the text data itself is not erased).
FIXED 16-PROPORTIONAL 28.....Determines the text type (fixed or proportional) and font size.
TEXT FILE......................................Opens the Text selection display.
BACK GROUND...........................Allows changing of the background picture of the text display, as in the Lyrics
•The text file, which is copied in the USER tab can be showed.
n
• Line feed (or “carriage return”) is not automatically performed in the instrument. If a sentence is not displayed in its entirety because of limitations in the screen space, execute the line feed on your computer.
•When the background color is specified in the song data, the BACKGROUND setting cannot be changed.
√][®
] buttons to select other pages.
display described above. The background setting is common for both the Lyr­ics display and Text display.
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RGB OUT
computer monitor
TV monitor
Displaying the lyrics/text on an external TV, video, or computer monitor
The lyrics/text indicated on the display can also be output via the VIDEO OUT/RGB OUT terminal.
1 Use an appropriate video cable to connect the [VIDEO OUT]/[RGB OUT]
2 Set the external television, video, or computer monitor signal (NTSC,
Quick Guide

Convenient Functions for Karaoke

connector of the instrument to the video input connector on the TV/com­puter monitor.
PAL, or RGB) used by your video equipment, if necessary.
1 Call up the operation display.
[FUNCTION] [J] UTILITY TAB [
2
Press the [1π†] button to select the external television, video, or com­puter monitor signal.
√][®
] SCREEN OUT
Adjusting the tempo page 31
Transpose See below.
Applying Effects to Your Voice See below.
Adding Harmony Vocals to Your Voice page 57
Practicing Singing with Proper Pitch (Vocal CueTIME) page 142
Transpose
You can use this to adjust the key of the Song if it is too high or low.
•Transposing the Song key up................ Press the TRANSPOSE [+] button.
•Transposing the Song key down........... Press the TRANSPOSE [–] button.
• Resetting the transposition ................... Press the TRANSPOSE [+][–] buttons simultaneously.
Applying Effects to Your Voice
You can also apply various effects to your voice.
56
1 Call up the operation display.
[FUNCTION] [G] MIC SETTING/VOCAL HARMONY
2 Press the [4
n Selecting an effect type
You can select the effect type in the Mixing Console (page 92).
CVP-409/407 Owner’s Manual
††
ππππ††
]/[5
††
ππππ††
] buttons to turn the effect on.
Adding Harmony Vocals to Your Voice
You can also automatically apply various harmony vocals to your voice.
1 Select a Song which contains chord data (page 35).
If the Song contains this data, the current chord name will be displayed in the Main display during Song playback, letting you easily check whether the Song contains chord data or not.
2 Call up the operation display.
[FUNCTION] [G] MIC SETTING/VOCAL HARMONY
3 Press the [6
††
ππππ††
]/[7
††
ππππ††
] buttons to turn the harmony vocals (Vocal Harmony) on.
3
4 Press the [H] button to call up the Vocal Harmony selection display.
Quick Guide
4
5 Press one of the [A]–[J] buttons to select a Vocal Harmony type.
For details on the Vocal Harmony types, refer to the separate Data List.
6 Press the [ACMP ON/OFF] button to turn on Auto Accompaniment.
7 Press the SONG [PLAY/PAUSE] button and sing into the microphone.
The harmony is applied to your voice according to the chord data.
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57
Adjusting the microphone and Song volume (page 40)
You can adjust the volume balance between the Song playback and the microphone.
1 Call up the Main display.
n The Balance display is indicated at the bottom of the Main display.
2 To adjust the microphone volume, press the [4

Convenient Functions for Singing Along with Your Own Performance

Changing the Key (Transpose) See below.
Quick Guide
Displaying the Music Score on the Instrument and the Lyrics and Text on external monitor page 59
Making Announcements Between Songs page 59
Controlling Playback Timing by Your Voice (Karao-Key) page 142
[DIRECT ACCESS] → [EXIT]
If the Balance display is not indicated, press the [EXIT] button.
π†
To adjust the Song volume, press the [1
π†
] button.
] button.
Changing the Key (Transpose)
You can match both the Song and your keyboard performance to a certain key. For example, the Song data is in F, but you feel most comfortable singing in D, and you are accustomed to playing the keyboard part in C. To match up the keys, set the Master Transpose to “0,” the Keyboard Transpose to “2,” and the Song Transpose to “-3.” This brings the keyboard part up and the song data down to your desired singing key.
1 Call up the operation display.
[FUNCTION] [D] CONTROLLER TAB [
2 Press the [4
The following types are available. Select the one most suited to your purpose.
KEYBOARD
Transpose pitch of the keyboard played Voices and Style playback (controlled by what you play in the chord section of the keyboard).
SONG
Transposes the pitch of Song playback.
MASTER
Transpose the overall pitch of the instrument.
††
ππππ††
]/[5
††
ππππ††
] button to select the desired transpose type.
®
] KEYBOARD/PANEL → [B] TRANSPOSE ASSIGN
3 Press the TRANSPOSE [–]/[+] button to transpose.
You can set the value in semitone steps. To reset the transpose value, press the [+][–] buttons simultaneously.
4 Press the [EXIT] button to close the TRANSPOSE display.
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Displaying the Music Score on the Instrument and the Lyrics and Text on external monitor
This convenient sing-along function lets you have the music score shown on the display of the instrument (for your playing purposes), while only the lyrics are shown on an external monitor (page 56) so your audience can sing along.
1 Call up the operation display.
[FUNCTION] [J] UTILITY TAB [
2 Press the [3
ππ
ππ
]/[4
ππ
ππ
] button to select LYRICS.
√][®
] SCREEN OUT
Making Announcements Between Songs
This function is ideal for making announcements between your singing performances. When singing a song, several effects are usually assigned to the MIC Setup. When speaking to your audience, however, these effects may sound dis­turbing or unnatural. Whenever the TALK function is turned on, effects are automatically turned off.
1 Call up the operation display.
[FUNCTION] [G] MIC SETTING/VOCAL HARMONY
2 Press the [2
n Talk settings can be customized as well, allowing you to add any desired effects to your voice as you speak to your audi-
ence (page 174).
ππ
ππ
]/[3
ππ
ππ
] (TALK) button to turn the function on.
Quick Guide
2
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59

Recording Your Performance as Audio (USB Audio Recorder)

Here you’ll learn how to record your performance as audio data to a USB flash memory. For example, by connecting a guitar, microphone or other device to the instrument, you can record an ensemble performance of guitar and keyboard together or record yourself singing along with Song playback. The performance data is saved as a WAV file of conven­tional CD quality (44.1 kHz/16 bit). Since it is possible to play back the file on computer, a listener doesn’t need to have the particular instrument in order to hear the performance. This makes it possible to easily share your perfor-
Quick Guide
mances and recordings with your friends via e-mail, record your own CDs, or upload the recordings to websites for many others to enjoy as well.
Recording methods on the instrument include MIDI recording as well as audio recording. For details about the differ­ence between audio and MIDI recording, see page 196. For specific instructions on MIDI recording, refer to page 200.
n
•When recording with the USB Audio Recorder function, make sure to use an appropriate USB flash memory device.
• In order to record your own original CD, you’ll need a CD-R drive (or compatible device). Refer to the manual that came with your specific computer for details.
•When you attach a recorded file in an e-mail message, make sure the file size is small enough to be sent.
The following sounds can be recorded.
• Internal tone generator of the instrument. Keyboard parts (Right 1, Right 2, Left), Song parts, Style parts
• Input from a microphone, guitar or other instrument (via the [MIC./LINE IN] jack).
• Input from another audio device, such as a CD player, MP3 player or the like (via the [MIC./LINE IN] jack).
n Songs protected by copyright, such as preset songs, and the metronome sound cannot be recorded.
Moreover, the effect of iAFC (page 82) is not reflected in the recording.
The recorded data using this function is saved as:
• Stereo WAV data
• 44.1 kHz sample rate/16 bit resolution

Recording Your Performance as Audio

Now, try recording a performance of your singing along with Song playback with a connected microphone. The maxi­mum amount of recording time is 80 minutes, though this may differ depending on the capacity of the particular USB flash memory.
1 Set the desired Voice, etc. which you want to use for your performance, and connect
a microphone. (For information on setting the Voice, see page 28; for connecting a microphone, see page 54.)
Here, you’ll also see by example how to sing along with accompaniment/Style playback. To set the Style, go on to step 6 (page 46).
2 Connect the USB flash memory to the [USB TO DEVICE] terminal.
n
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60
•To record your performance by USB Audio Recorder, use the compatible USB flash memory. When the USB flash memory is not compatible, it is not likely to be able to record/playback normally.
• Before using a USB flash memory, be sure to read “Handling the USB Storage Device (USB Flash Memory/Floppy Disk, etc)” on page 22.
3 Press the [USB] button.
3
4
4 Press the [E] (USB AUDIO RECORDER) button to call up the recording display
(USB AUDIO RECORDER display).
5 If necessary, press the [E] (PROPERTY) button to call up the Property display, then
check the information of the USB flash memory.
Quick Guide
5 6, 7
8
The following information is indicated on the PROPERTY display.
• DRIVE NAME ...................................... Number of the USB storage device (USB 1, USB 2, etc.)
• ALL SIZE .............................................. Size of USB storage device
• FREE AREA........................................... Available recording space on the USB storage device
• POSSIBLE TIME.................................... Available time for recording
Press the [F] (OK)/[EXIT] button to close the PROPERTY display.
n The USB storage device of “USB1” is selected as the recording destination when multiple USB storage devices are connected. If a
floppy disk drive is assigned to “USB1,” “USB1” will be skipped. To check the number of the USB storage device (USB1 and USB2, etc.), press the [A]/[B]/[F] button on the display of step 4, and change the tab. Press the [EXIT] button to return to the previous display.
6 Start recording by pressing the [J] (REC) button, then start your performance.
When recording begins, the “RECORDING” indication on the display changes to red, and the elapsed recording time is displayed.
CAUTION
Avoid frequently connecting/disconnecting the USB flash memory, or turning the power on/off too often. Doing so may corrupt the USB flash memory data or the recording data.
7 Stop recording by pressing the [J] (STOP) button.
The file name is automatically named (and is always given a new, unique name), and a message indicating the file name is displayed.
n The recording operation continues, even if you close the Recording display by pushing the [EXIT] button. To stop the
recording, press the [J] (STOP) button on the Recording display.
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61

Playing Back the Recorded Performance

Play back the recorded performance.
1 Call up the USB AUDIO RECORDER display.
[USB] [E] (USB AUDIO RECORDER).
Quick Guide
2
Press the [7 saved to the connected USB flash memory.
The file recorded is selected in step 1-7 (page 60). For information about the operation method to change the name of the displayed file or to delete a file, see the section “File/Folder Operations in the File Selection Dis­play” on page 68. However, the operation that copies/moves file/folder to the User tab cannot be done here.
††
ππππ††
]/[8
††
ππππ††
] (AUDITION) button to display the audio files (WAV data)
3 Press one of the [A]–[J] buttons corresponding to the file you want to listen to, then
press the [8
The song is played back from the beginning, and the display indicates the auditioning process. This display closes automatically when auditioning is stopped. Press the [G] (CANCEL) or [EXIT] button to stop audition­ing.
CAUTION
Avoid frequently connecting/disconnecting the USB flash memory, or turning the power on/off too often. Doing so may corrupt the USB flash memory data or the auditioning data.
n Audio recording is processed internally so that playback volume will be appropriate when played on a computer. There-
fore, the playback sound might be distorted if you record at too high a volume. In this case, lower and adjust the volume of each part with Volume Balance display (page 40) and the Mixing Console (page 88), etc., and try recording again.
††
††
] (AUDITION) button.
4 Press the [EXIT] button to return to the USB AUDIO RECORDER display shown in step 4
of “Recording Your Performance as Audio” above.
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62

Basic Operation

The language selected here is also used for various “Mes­sages” shown during operations.

Selecting Message Language

You can select the desired language of the display messages.
1 Call up the operation display.
[FUNCTION] [J] UTILITY TAB[√][®] OWNER
2 Use [4
††
ππππ††
]/[5
††
ππππ††
] (LANGUAGE) buttons to select the language.
3 Press the [EXIT] button to return to the previous display.
3
2
Basic Operation

The Messages Shown in the Display

A message (information or confirmation dialog) sometimes appears on the screen to facilitate operation. When the message appears, simply press the appropriate button.
In this example, press the [F] (YES) button to start formatting the MEDIA (USB storage device such as USB flash memory/floppy disk, etc).
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Basic Operation
Instant Selection of the Displays—Direct Access
Instant Selection of the Displays— Direct Access
With the convenient Direct Access function, you can instantly call up the desired display—with just a single additional button press.
1 Press the [DIRECT ACCESS] button.
A message appears in the display prompting you to press the appropriate button.
2 Press the button corresponding to the desired setting display to
instantly call up that display.
Refer to the separate Data List for a list of the displays that can be called up with the Direct Access function.
Example of calling up the Guide function display
Press the [DIRECT ACCESS] button, then press the [GUIDE] button.
1
2
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Returning to the Main display
You can conveniently return to the Main display from any other display by simply pressing the [DIRECT ACCESS] button, then the [EXIT] button.

Basic Displays (Main Display and File Selection Display)

Returning to the Main display
Here’s a convenient way to return to the Main display from any other display: Simply press the [DIRECT ACCESS] button, then the [EXIT] button.
When you select the RIGHT 1 part, √ appears at the right of the Voice name.
When you select the RIGHT 2 part, √ appears at the right of the Voice name.
When you select the LEFT part,
®
appears at the left of the Voice
name.
Basic Displays (Main Display and File Selection Display)
There are two basic display types – Main and Selection. Here are explanations of each display segment and its basic operation.

Main Display

The Main display shows the current basic settings of the instrument such as the cur­rently selected Voice and Style, allowing you to see them at a single glance. The Main display is the one you’ll usually see when you play the keyboard.
78 !)
1
9
Basic Operation
1 Voice name
• RIGHT 1 (indicated at the right edge): Voice name currently selected for the RIGHT 1 part (page 79).
• RIGHT 2 (indicated at the right edge): Voice name currently selected for the RIGHT 2 part (page 79).
• LEFT (indicated at the right edge): Voice name currently selected for the LEFT part (page 79).
When the Left Hold function is ON, an “H” indication appears (page 86). Pressing one of the [A]–[C] and [F]–[H] buttons calls up the Voice Selection display for each part (page 32).
2 Style name and related information
Displays the currently selected Style name, time signature and tempo. Pressing the [D] button calls up the Style Selection display (page 45).
3 Current chord name
If the [ACMP ON/OFF] button is set to On, the chord specified in the chord section of the keyboard will be displayed.
4 Song name and related information
Displays the currently selected Song name, time signature and tempo. If the Song contains the chord data, the current chord name will be displayed in the “CHORD” segment (see 3 above). Pressing the [I] button calls up the Song Selection display (page 35).
5 Registration Memory Bank name
Displays the currently selected Registration Memory Bank name. Pressing the [J] button calls up the Registration Memory Bank Selection display (page 132). When the Freeze function is ON, an “F” indication appears (page 133).
6 Volume Balance
Displays the volume balance among the parts. Adjust the volume balance among the parts by using the [1
7 Transpose
Displays the amount of transposition in semitone units (page 56).
8 Tempo
Displays the current tempo of the Song or Style.
9 BAR (current position of the Song or Style)
Displays the current position of the Song or bar and beat number from playback start of the Style.
) Recording status of USB Audio recorder
While recording, a “REC” indication appears.
! Registration Sequence
Appears when the Registration Sequence is active (page 134).
]–[8
4
5
6
π†
] buttons.
2
3
π†
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Basic Operation
Basic Displays (Main Display and File Selection Display)
File Selection Display Configuration and Basic Operation
The File Selection display appears when you press one of the buttons shown below. From here you can select Voices, Styles, and other data.
VOICE category selection buttons
SONG SELECT button
STYLE category selection buttons
REGIST BANK selection buttons
File Selection Display Configuration
• Location (drive) of data
Preset
Location where pre-programmed (preset) data is stored.
User
Location where recorded or edited data is saved.
USB
Location where data on USB storage device (USB flash memory/floppy disk, etc) is saved.
Hereafter in this manual, any USB storage device such as USB flash memory/floppy disk, etc. will be referred to as “USB storage device.”
• Data files and folders
The data, both pre-programmed and your own original, are saved as “files.” You can drop files into a folder.
Folder
Folder Icon
File
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Basic Displays (Main Display and File Selection Display)
Select the file to which the data is saved.
You can also select the specified file to which the data is to be saved by pressing the [USB]/ [USER] buttons. [USB]/[USER] [A] SONG/[B] STYLE/[F] VOICE → [A]–[J]
File Selection Display Basic Operation
1
3
3
4
1 Select the tab containing the desired file by using the TAB [
buttons.
2 Select the page containing the desired file by using the [1
buttons ([1 and Style).
3 Select the file. There are two ways to do so.
• Press one of the [A]–[J] buttons.
• Select the file by using the [DATA ENTRY] dial, then press the [ENTER] button to execute.
4 Press the [EXIT] button to return to the previous display.
Closing the current folder and calling up the next highest level folder
To close the current folder and call up the next highest level folder, press the [8π] (UP) button.
Example of the PRESET Voice Selection display
The PRESET Voice files are categorized and contained in appropriate folders.
2
ππ
ππ
]–[5
ππ
ππ
] buttons for Voice, [1
3
√][®
ππ
ππ
]–[7
ππ
]–[6
ππ
ππ
] buttons for Song
ππ
This display shows the Voice files in a folder.
ππ
ππ
Basic Operation
]
]
The next highest level—in this case, folder—is shown. Each folder shown in this display contains appropriately cat­egorized Voices.
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Basic Operation
Basic Displays (Main Display and File Selection Display)

File/Folder Operations in the File Selection Display

•Saving Files ............................................................................................. page 69
• Copying Files/Folders (Copy & Paste).......................................................page 70
•Moving Files (Cut & Paste).......................................................................page 71
• Deleting Files/Folders .............................................................................. page 71
• Renaming Files/Folders............................................................................page 72
• Selecting Custom Icons for Files (shown at the left of file name)..............page 72
• Creating a New Folder ............................................................................page 72
• Entering characters.................................................................................. page 73
Formatting USB storage media
When a USB storage device is connected or media is inserted, a message may appear prompting you to format the device/media. If so, execute the format operation.
CAUTION
The format operation deletes any previously existing data. Make sure that the media you are formatting does not contain important data. Proceed with caution, espe­cially when connecting multiple USB storage medias.
The indications USB 1, USB 2, etc. will be displayed depending on the number of the connected devices.
1 Insert a USB storage device for formatting into the [USB TO
DEVICE].
2 Call up the operation display.
[FUNCTION] [J] UTILITY TAB[√][®]MEDIA
3 Press the [A]/[B] button to select the “USB” Tabs (USB1/USB2) con-
nected to the devices in step 1.
4 Press the [H] button to format the media.
3
4
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Basic Displays (Main Display and File Selection Display)
Internal memory (User tab displays) capacity
The internal memory capacity of the instrument is about 3.2MB. This capacity applies to all file types, including Voice, Style, Song, and Registration data files.
Saving Files
This operation lets you save your original data (such as Songs and Voices you’ve created) to a file.
1 After you’ve created a Song or Voice in the relevant SONG CREATOR
or VOICE SET display, press the [SAVE] display button.
The File Selection display for the corresponding data appears. Keep in mind that the Save operation is executed from the File Selection display.
Basic Operation
2 Select the appropriate tab (USER/USB) to which you want to save the
data by using the TAB [√][®] buttons.
3 Press the [6
4 Enter the file name (page 73). 5 Press the [8
If you want to cancel the Save operation, press the [8†] (CANCEL) button. The saved file will be automatically located at the appropriate position among the files in alphabetical order.
††
††
] (SAVE) button to call up the file naming display.
ππ
ππ
] (OK) button to save the file.
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Basic Displays (Main Display and File Selection Display)
Restrictions for protected Songs
Commercially available song data may be copy protected to prevent illegal copying or accidental erasure. They are marked by the indications at the upper left side of the file names. The indications and relevant restrictions are detailed below.
Basic Operation
Prot. 1 Indicates Preset Songs saved to the User tab display, Disk Orchestra
Collection (DOC) Songs, and Disklavier Piano Soft Songs. These cannot be copied/moved/saved to USB storage device.
Prot. 2 Orig Indicates Yamaha-protection-formatted Songs. These cannot be
copied. These can be moved/saved only to the USER tab display and USB storage device.
Prot. 2 Edit Indicates edited “Prot. 2 Orig” Songs. Make sure to save these to
the same folder containing the corresponding “Prot. 2 Orig” Song. These cannot be copied. These can be moved/saved only to the USER tab display and USB storage device.
Note for “Prot. 2 Orig” and “Prot. 2 Edit” Song file operation
Make sure to save the “Prot. 2 Edit” Song to the same folder containing its original “Prot. 2 Orig” Song. Otherwise the “Prot. 2 Edit” Song cannot be played back. Also, if you move a “Prot. 2 Edit” Song, be sure to move its original “Prot. 2 Orig” Song to the same location (folder) at the same time.
Copying Files/Folders (Copy & Paste)
This operation lets you copy a file/folder and paste it to another location (folder).
1 Call up the display containing the file/folder you want to copy. 2 Press the [3
The pop-up window for the Copy operation appears at the bottom of the dis­play.
††
††
] (COPY) button to copy the file/folder.
3 Press one of the [A]–[J] buttons corresponding to the desired file/
folder.
To cancel the selection, press the same [A]–[J] button again.
Selecting all files/folders
Press the [6†] (ALL) button to select all files/folders indicated on the cur­rent display including the other pages. To cancel the selection, press the [6†] (ALL OFF) button again.
4 Press the [7
To cancel the Copy operation, press the [8†] (CANCEL) button.
] (OK) button to confirm the file/folder selection.
5 Select the destination tab (USER/USB) to paste the file/folder, by
using the TAB [√][®] buttons.
††
6 Press the [4
The folder/file copied and pasted appears on the display at the appropriate position among the files in alphabetical order.
††
] (PASTE) button to paste the file/folder.
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Basic Displays (Main Display and File Selection Display)
Deleting all data in a USB storage device at once
Formatting a USB storage device completely erases all data on the USB storage device (page 68).
Moving Files (Cut & Paste)
This operation lets you cut a file and paste it to another location (folder).
1 Call up the display containing the file you want to move. 2 Press the [2
The pop-up window for the Cut operation appears at the bottom of the dis­play.
††
††
] (CUT) button to cut the file.
3 Press one of the [A]–[J] buttons corresponding to the desired file.
To cancel the selection, press the same [A]–[J] button again.
Selecting all files
Press the [6†] (ALL) button to select all files indicated on the current dis­play including the other pages. To cancel the selection, press the [6†] (ALL OFF) button again.
4 Press the [7
To cancel the Cut operation, press the [8†] (CANCEL) button.
††
††
] (OK) button to confirm the file selection.
5 Select the destination tab (USER/USB) to which the file is to be
pasted, by using the TAB [√][®] buttons.
6 Press the [4
The file moved and pasted appears on the display at the appropriate position among the files in alphabetical order.
††
††
] (PASTE) button to paste the file.
Basic Operation
Deleting Files/Folders
This operation lets you delete a file/folder.
1 Call up the display containing the file/folder you want to delete. 2 Press the [5
The pop-up window for the Delete operation appears at the bottom of the display.
3 Press one of the [A]–[J] buttons corresponding to the desired file/
folder.
To cancel the selection, press the same [A]–[J] button again.
Selecting all files/folders
Press the [6†] (ALL) button to select all files/folders indicated on the cur­rent display including the other pages. To cancel the selection, press the [6
4 Press the [7
To cancel the Delete operation, press the [8†] (CANCEL) button.
5 Follow the on-display instructions.
YES ........................Delete the file/folder
YES ALL .................Delete all selected files/folders
NO ........................Leave the file/folder as is without deleting
CANCEL ................Cancel the Delete operation
††
††
] (DELETE) button.
] (ALL OFF) button again.
] (OK) button to confirm the file/folder selection.
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Basic Displays (Main Display and File Selection Display)
Renaming Files/Folders
This operation lets you rename files/folders.
1 Call up the display containing the file/folder you want to rename.
Basic Operation
2 Press the [1
The pop-up window for the Rename operation appears at the bottom of the display.
3
Press one of the [A]–[J] buttons corresponding to the desired file/folder.
4 Press the [7
To cancel the Rename operation, press the [8
††
††
] (NAME) button.
††
††
] (OK) button to confirm the file/folder selection.
††
††
] (CANCEL) button.
5 Input the name (characters) of the selected file or folder (page 73).
The renamed folder/file appears on the display at the appropriate position among the files in alphabetical order.
6 Press the [8
Selecting Custom Icons for Files (Shown at the Left of File Name)
You can select custom icons for files (shown at the left of file name).
1–4
Operations are the same as the above “Renaming Files/Folders” section.
ππ
ππ
] (OK) button to actually enter the new name.
A new folder cannot be made in the PRESET tab.
Folder directories for the USER tab display
In the USER tab display, folder directories can contain up to four levels. The maximum total number of files and folders which can be stored is 2550, but this may differ depending on the length of the file names. The maximum number of files/folders which can be stored in a folder in the USER tab is 250.
5 Press the [1 6
Select the icon by using the [A]–[J] buttons or [3
The ICON display includes several pages. Press the TAB [®] button to select different pages. To cancel the operation, press the [8
7 Press the [8 8 Press the [8
††
††
] (ICON) button to call up the ICON display.
††
ππππ††
]–[5
] (CANCEL) button.
ππ
ππ
] (OK) button to apply the selected icon.
ππ
ππ
] (OK) button to actually enter the new name.
††
ππππ††
] buttons.
Creating a New Folder
This operation lets you create new folders. Folders can be created, named and organized as desired, making it easier to find and select your original data.
1 Call up the page of the File Selection display for which you wish to
create a new folder.
2 Press the [7
new folder.
††
††
] (FOLDER) button to call up the naming display for a
3 Input the name of the new folder (page 73).
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Basic Displays (Main Display and File Selection Display)
Depending on the display for character entry you are working in, some types of characters can­not be entered.
Even if you select Japanese as the Language, when you enter the characters in the lyrics editing display (page 166), the Internet Setting display (page 183), or website, the type of characters “CASE”/“case” may be entered.
The following half-size marks cannot be entered for a file/ folder name. \ / : * ? " < > |
Entering password or WEP key of wireless LAN connection in the website, those characters are converted to “*“.
In the case of characters which are not accompanied by special character marks (with the excep­tion of kanakan and half-size katakana), you can call up the mark list by pressing the [6
] button after selecting a charac­ter (before actual entry of a char­acter).
Entering Characters
The instructions that follow show you how to enter characters in naming your files/ folders and when entering the Keyword for Music Finder function/website. The method is much the same as entering names and numbers to a conventional mobile phone. Entering characters should be done in the display shown below.
1 Change the type of character by pressing the [1
• If you select a language other than Japanese as the Language (page 63), the following different types of characters are available:
CASE......................Alphabet (capital letters, half size), numbers (half
case .......................Alphabet (lowercase letters, half size), numbers (half
• If you select Japanese as the Language (page 63), the following different types of characters and sizes can be entered:
A B C.....................Alphabet (capital and small letters, full size), num-
ABC.......................Alphabet (capital and small letters, half size), num-
2 Use the [DATA ENTRY] dial to move the cursor to the desired position. 3 Press the [2
character you wish to enter.
For details on entering characters, refer to the following section, below instruction step 4.
ππ
] button.
ππ
size), marks (half size)
size), marks (half size)
(kana-kan) ...Hiragana and Kanji, marks (full size)
(kana) ............Katakana (normal size), marks (full size)
(kana) ..............Katakana (half size), marks (half size)
bers (full size), marks (full size)
bers (half size), marks (half size)
††
ππππ††
]–[6
††
ππππ††
] and [7
ππ
ππ
] buttons, corresponding to the
Basic Operation
4 Press the [8
return to the previous display.
Entering letters, numerals and symbols can be done by moving the cursor or pressing one of the character entry buttons. Alternately, you can wait for a short time and the characters will be entered automatically.
• Deleting characters
Move the cursor to the character you wish to delete by using the [DATA ENTRY] dial, and press the [7 ters on the line at once, press and hold the [7†] (DELETE) button.
• Entering special character marks (Japanese “ ” and “ ”)
Select a character to which a character mark is to be added and press the [6†] button before actual entry of the character.
• Entering marks
1 After actually entering a character by moving the cursor, press the
2 Use the [DATA ENTRY] dial to move the cursor to the desired mark,
Several different characters are assigned to each button, and the characters change each time you press the button.
ππ
ππ
] (OK) button to actually enter the new name and
] (DELETE) button. To delete all charac-
[6†] button to call up the mark list.
then press the [8π] (OK) button.
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73
Basic Operation
Th

Restoring the Factory-programmed Settings

• Inserting a Character
1 Move the cursor to the desired position.
2 Press the [2
3 Press the [8π] (OK) button to enter characters.
• Entering a Space
1 Move the cursor to the desired position.
2 Press [6†] button to call up the mark list. 3 Make sure the cursor is at the beginning space (blank) of the mark list,
• Entering numbers
First, select one of the following: “A B C” (full-size alphabet), “ABC” ”CASE“ (half-size capital alphabet) and “case” (half-size lowercase alphabet). Then, press and hold down the appropriate button, [2 [5 the desired number is selected.
• Converting into Kanji (Japanese language)
When the entered “hiragana” characters are shown in reverse display (highlighted), press the [1π]/[ENTER] button one or several times to convert the characters into the appropriate kanji. To actually enter the change, press the [1†]/[8π] (OK) button or enter the next character.
Use the same operation as in “Deleting Characters” above.
π†
]–[6
π†
], [7π] buttons to enter numbers and sym-
bols.
Use the same operation as in “Deleting Characters” above.
and press the [8π] (OK) button.
π†
], [6π] and [7π] button, for a while, or press it repeatedly until
π†
]–
When the entered “hiragana” characters are shown in reverse display (highlighted):
• Re-converting the characters into other kanji
Press the [1π]/[ENTER] button.
• Changing the reversed area
Use the [DATA ENTRY] dial.
• Changing the converted kanji back to “hiragana”
Press the [7†] (DELETE) button.
• Clearing the reversed area at once
Press the [8†] (CANCEL) button.
• Entering the “hiragana” itself (without converting it)
Press the [8π] (OK) button.
• Canceling the character-entering operation
Press the [8†] (CANCEL) button.
Restoring the Factory-programmed Settings
e operation of restoring the factory-programmed settings does not affect the Internet Set­tings. To reset the Internet Set­tings, refer to page 187.
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Restoring the Factory-programmed System

While holding the C7 key (right-most key on the keyboard), turn the [POWER] but­ton ON. This operation has the same result as and is a shortcut for the System Setup restore operation explained in step 2 of the following section.
Restoring the Factory-programmed Settings
CAUTION
This operation deletes all your original data for the respec­tive item (MIDI SETUP, USER EFFECT, MUSIC FINDER, and FILES&FOLDERS).

Restoring the Factory-programmed Settings Independently by Item

1 Call up the operation display.
[FUNCTION] [J] UTILITY TAB[®]SYSTEM RESET
2 Select items by pressing the [1
SYSTEM SETUP Restores the System Setup parameters to the original factory resettings.
MIDI SETUP Restores the MIDI settings including the MIDI templates on the User tab
USER EFFECT Restores the User Effect settings including the user effect types, user master
MUSIC FINDER
FILES&FOLDERS Deletes all files and folders stored in the User tab display.
REGIST Temporarily deletes the current Registration Memory settings of the
Refer to the separate Data List booklet for details about which parameters belong to the System Setup.
display to the original factory status.
EQ types, user master compressor types, and user vocal harmony types cre­ated via the Mixing Console display to the original factory resettings.
Restores the Music Finder data (all records) to the original factory resettings.
selected Bank. The same can be done also by turning the [POWER] button ON while holding the B6 key (right-most B key on the keyboard).
††
ππππ††
]–[3
††
ππππ††
] buttons.
Basic Operation
3 Checkmark the box of the item to be reset to the factory pro-
grammed settings by pressing the [4
4 Press the [D] button to execute the Factory Reset operation for all
checkmarked items.

Saving and Recalling Your Original Settings as a Single File

For the items below, you can save your Original Settings as a Single File for future recall.
1 Make all desired settings on the instrument. 2 Call up the operation display.
[FUNCTION] [J] UTILITY TAB[®]SYSTEM RESET
4
2
3
ππ
ππ
] button.
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75

Data Backup

3 Press one of the [F]–[I] buttons to call up the relevant display for sav-
ing your data.
Basic Operation
SYSTEM SETUP
MIDI SETUP The MIDI settings including the MIDI templates on the User tab display are
USER EFFECT The User Effect settings including the user effect types, user master EQ types,
MUSIC FINDER
Parameters set on the various displays such as the [FUNCTION] UTILITY and microphone setting display are handled as a single System Setup file. Refer to the sep­arate Data List booklet for details on which parameters belong to the System Setup.
handled as a single file.
user master compressor types, and user vocal harmony types created via the Mixing Console displays are managed as a single file.
All the preset and created records of the Music Finder are handled as a single file.
4 Select one of the tabs (other than the PRESET) by pressing the TAB
[√][®] buttons.
Note that the file in the PRESET tab display is the file of factory-programmed settings. If you select it, the factory-programmed settings for the respective item will be restored. (This is the same results as on page 75 “Restoring the Factory-programmed Settings Independently by Item”.)
5 Save your file (page 69). 6 To recall your file, select the tab and page to which you’ve saved the
file (same tab and page as specified in step 4), and press the corre­sponding [A]–[J] button.
Data Backup
For maximum data security Yamaha recommends that you copy or save your important data to a USB storage device. This provides a convenient backup if the internal memory is damaged.
Data that can be saved
1 Song*, Style, Registration Memory Bank and Voice
2 Music Finder Record, Effect**, MIDI Template and System File
* Protected Songs (those with a “Prot.1/Prot.2” indication at the upper left of the file name)
cannot be saved. However, Songs with a “Prot.2” indication can be moved (cut-and-paste operation) to a USB flash memory.
**Effect data includes the following:
- Edited or saved data in the Mixing Console “EFFECT/EQ/CMP.”
- Edited or saved data of the Vocal Harmony type.
3 All data listed in 1 and 2 above, as well as the Internet settings.
The backup procedure is different for the data types in 1, 2, and 3 above.
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Data Backup

Backup procedure

1 Song, Style, Registration Memory Bank
and Voice Data
1 Insert/connect the backup USB storage
device (destination).
2 Call up the display containing the desired
file to be copied.
Song:
Press the [SONG SELECT] button.
Style:
Press the STYLE category selection buttons.
Registration Memory Bank:
Press simultaneously REGISTRATION MEM­ORY [REGIST BANK] buttons [+][–] .
Voice:
Press one of the VOICE category selection but­tons.
3 Select the USER tab by using the TAB
[√][®] buttons.
4 Press the [3
file/folder.
The pop-up window for the Copy operation appears at the bottom of the display.
5 Press the [6
files/folders indicated on the current dis­play and all other pages.
To cancel the selection, press the [6†] (ALL OFF) button again.
6 Press the [7
file/folder selection.
To cancel the Copy operation, press the [8†] (CANCEL) button.
††
††
] (COPY) button to copy the
††
††
] (ALL) button to select all
††
††
] (OK) button to confirm the
2 Music Finder Record, Effect, MIDI Tem-
plate and System Data
1 Insert/connect the backup USB storage
device (destination).
2 Call up the operation display.
[FUNCTION] [J] UTILITY TAB [√][®] SYSTEM RESET
3 Press one of the [F]–[I] buttons to call up
the relevant display for saving your data.
4 Select the appropriate USB tab to which
you want to save the data by using the TAB [√][®] buttons.
5 Save your data (page 69).
3 All data listed in 1 and 2 above
1 Insert/connect the backup USB storage
device (destination).
2 Call up the operation display.
[FUNCTION] [J] UTILITY TAB [√][®] OWNER
3 Press the [D] (BACKUP) button to save the
data to the USB storage device.
To restore the data, press the [E] (RESTORE) button in step 3 above.
• It takes a few minutes to complete the backup/restore
n
Move the Protected Songs which are saved to the USER dis­play before restoring. If the songs are not moved, the opera­tion deletes the data.
operation.
• Backup data which has not been created on the CVP­409/407 cannot be restored.
CAUTION
Basic Operation
7 Select the destination USB tab to which
the file/folder is to be copied, by using the TAB [√][®] buttons.
††
8 Press the [4
the file/folder.
If a message appears indicating data cannot be copied
Protected Songs (“Prot. 1/Prot.2” is indicated at the upper left side of the file names) are included in the copied files. These protected Songs cannot be copied. However, Songs with a “Prot.2” indication can be moved (cut­and-paste operation) to a USB flash memory.
††
] (PASTE) button to paste
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77

Using, Creating and Editing Voices

/
Reference
Mega Voices Compatibility
Mega Voices are unique to the Clavinova and are not compati­ble with other models. Any song style data you’ve created on the Clavinova using the Mega Voices
Using, Creating and Editing Voices
will not sound properly when played back on other instru­ments.
Reference to Quick Guide pages
Playing Voices ................................................................................ page 28
Playing the Piano Voice........................................................... page 28
Playing Various Voices ............................................................. page 32

Voice Characteristics

The Voice type and its defining characteristics are indicated above the Preset Voice name.
Natural!
S. Articulation!
Mega Voice The Mega Voices are not intended to be played from the keyboard. They are
Live! These acoustic instrument sounds were sampled in stereo, to produce a truly
Cool! These Voices capture the dynamic textures and subtle nuances of electric
Sweet! These acoustic instrument sounds also benefit from Yamaha’s sophisticated
Live!Drums These are high-quality drum sounds taking full advantage of Stereo Sampling
Live!SFX These are high-quality Latin percussion sounds taking full advantage of Stereo
Drums Various drum and percussion sounds are assigned to individual keys, letting
SFX Various special effect sounds are assigned to individual keys, letting you play
Organ Flutes!
These rich and luscious Voices are comprised mostly of keyboard instrument sounds and are especially intended for playing piano and other keyboard parts. They also take full advantage of Yamaha’s advanced sampling technology such as Stereo Sampling, Dynamic Sampling, Sustain Sampling, and Key-off Sampling.
The Super Articulation voices sound remarkably authentic and natural, featuring the unique performance characteristics of each instrument—for example, guitar scratching sounds or the legato phrasing of wind instruments. They provide many of the same benefits as the MegaVoices (see below), but with greater playability and expressive control in real time. To effectively play these natural sounds in performance of certain voices, you may need to use the pedal or footswitch. For details on how to best play each voice, call up the Information window (pressing the [7
π
] button in the Voice Selection display).
primarily designed for use with recorded MIDI sequence data (such as songs and styles). Some of the guitar and bass Voices in particular have been cre­ated as Mega Voices.
What makes Mega Voices special is their use of velocity switching. Normal Voices use velocity switching, too—to make the sound quality and/or level of a Voice according to how strongly or softly you play it. This makes the instrument’s Voices sound authentic and natural. However, with Mega Voices, each velocity range (the measure of your playing strength) has a completely different sound. For example, a Mega guitar Voice includes the sounds of various performance techniques. In conventional instruments, different Voices having those sounds would be called up via MIDI and played in combination to achieve the desired effect. However, now with Mega Voices, a convincing guitar part can be played with just a single Voice, using specific velocity values to play the desired sounds. Because of the complex nature of these Voices and the precise velocities need to play the sounds, they’re not intended for playing from the keyboard. They are, however, very useful and convenient when creating MIDI data—especially when you want to avoid using several different Voices just for a single instrument part.
authentic, rich sound—full of atmosphere and ambience.
instruments—thanks to a huge amount of memory and some very sophisti­cated programming.
technology—and feature a sound so finely detailed and natural, you’ll swear you’re playing the real thing!
and Dynamic Sampling.
Sampling and Dynamic sampling. They give you a broader and more versatile range of Latin percussion than the normal drum Voices.
you play the sounds from the keyboard.
the sounds from the keyboard.
This authentic organ Voice lets you use the Sound Creator to adjust the various footages and craft your own original organ sounds. See page 103 for details.
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Playing Different Voices Simultaneously

Adjusting the volume balance among parts
Adjust the volume balance among the parts in the BALANCE display (page 40).
Specifying the split point (the border between the right­and left-hand range)
See page 111.
Playing Different Voices Simulta­neously
The instrument keyboard features various functions and performance conveniences that are simply unavailable on an acoustic instrument. It allows you to play several different Voices together in a layer, or play one Voice with your left hand while you play a different Voice (or even two layered Voices!) with your right.

Keyboard Parts (Right 1, Right 2, Left)

Voices can be assigned independently to each keyboard part: Right 1, Right 2, and Left. You can combine these parts by using the PART ON/OFF buttons to create a rich, ensemble sound.
Reference
Keyboard Part Combinations
Playing a single Voice (Right 1 part)
You can play a single Voice over the entire keyboard range. This is used for nor­mal performance—for example, with the piano Voice. Make sure the PART ON/OFF [DUAL (RIGHT2)]/[SPLIT (LEFT)] buttons are turned off.
Dual: Playing Two Voices Simultaneously (Right 1 and 2 parts)
You can simulate a melody duet or combine two similar Voices to create a thicker sound.
Refer to page 80 for Voice selection operations for the Right 2 part.
Split: Playing Different Voices with the Left and Right Hands (Right 1 and Left parts)
You can play different Voices with the left and right hands. For example, try play­ing the bass Voice with your left hand and the piano Voice with your right. The keyboard lamp will light at the split point of the keyboard.
Using, Creating and Editing Voices
Right 1 part
Right 2 part Right 1 part
Refer to page 81 for Voice selection operations for the Left part.
Dual+Split: Playing Three Different Voices with the Left and Right Hands (Right 1, 2 and Left parts)
You can combine these three parts to create a rich, ensemble sound.
Left part
Left part
Right 1 part
Right 2 part Right 1 part
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Playing Different Voices Simultaneously
/

Playing Two Voices Simultaneously (Right 1 and 2 Parts)

You can play two Voices simultaneously with the Right 1 and 2 parts by turning Dual on.
1 Press the PART ON/OFF [DUAL (RIGHT2)] button to play two Voices
For the selected part, a LEFT mark appears at the right of the Voice name in the Main display.
simultaneously with the Right 1 and 2 parts.
Using, Creating and Editing Voices
Quickly selecting Voices for Right 1 and 2 parts
You can quickly select the Right 1 and 2 part Voices, just from the VOICE category selection but­tons. Press and hold one VOICE category selection button, then press another. The Voice of the first pressed button is automati­cally set for the Right 1 part, while the Voice of the second pressed button is set for the Right 2 part.
2 Press one of the VOICE category selection buttons to call up the Voice
selection display for the Right 2 part.
3 Press the TAB [
4
] button to select the PRESET display.
3
4
Switching the Dual on/off with a pedal
You can use a pedal to switch the Dual on/off (when the PART ON OFF [DUAL (RIGHT2)] is appro­priately assigned; page 191). This is useful for turning the Dual on and off while you play.
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4 Press one of the [A]–[J] buttons to select a Voice. 5 Play the keyboard. 6 Press the PART ON/OFF [DUAL (RIGHT2)] button again to turn it off.
Playing Different Voices Simultaneously
For the selected part, a RIGHT mark appears at the left of the Voice name in the Main display.
Switching the Split on/off with a pedal
You can use a pedal to switch the Split on/off (when the PART ON/ OFF [SPLIT (LEFT)] is appropri­ately assigned; page 191). This is useful for turning the Split on and off while you play.
Specifying the split point (the border between the right­and left-hand range)
See page 111.

Playing Different Voices with the Left and Right Hands (Right 1 and Left Parts)

You can play different Voices with the Left and Right Hands (Right 1 and Left parts) by turning Split on.
1 Press the PART ON/OFF [SPLIT (LEFT)] button to play different Voices
with the Right and Left Hands (Right 1 and Left parts).
2 Press one of the VOICE category selection buttons to call up the Voice
selection display for the Left part.
Using, Creating and Editing Voices
3 Press the TAB [
] button to select the PRESET display.
3
4
4
4 Press one of the [A]–[J] buttons to select a Voice. 5 Play the keyboard. 6 Press the PART ON/OFF [SPLIT (LEFT)] button again to turn it off.
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Enhancing the Acoustic Realism of the Sound (iAFC)

-
Enhancing the Acoustic Realism of the Sound (iAFC)
When iAFC is engaged, the instrument will sound deeper and more resonant, similar
iAFC cannot be used in the following cases.
•When the Speaker setting is
Headphones SW (page 17), and headphones are con­nected.
•When the Speaker setting is
Off.
• (CVP-409 grand piano type)
When the lid is closed or open with the shorter stay.
When using iAFC, do not block or cover the speaker located on the underside of the keyboard (CVP-409 grand piano type) or the rear panel (CVP-409/407) of the instrument. The optimal iAFC effect cannot be obtained if this speaker is blocked.
to an acoustic musical instrument. This lets you experience the ambience and rever­beration that are characteristic of performing on stage or simulates the sustain sound that occur when you press the damper pedal of a grand piano. This section describes how to make various settings for the iAFC function. You can also perform an automatic adjustment in order to obtain the optimal iAFC effect.
Turning on the iAFC of the CVP-409 grand piano type
To turn on the iAFC, open the lid with the longer stay using the inner recess. When the lid is closed or open with the shorter stay, the iAFC will not be turned on.

Adjusting the iAFC Depth

Using, Creating and Editing Voices
iAFC uses Yamaha’s EMR (Elec­tronic Microphone Rotator) tech nology to ensure stability against acoustic feedback.
The depth of the acoustic piano resonance simulation and stage ambience simula­tion can be set.
1 Call up the operation display.
[FUNCTION] [H] iAFC SETTING
2 Press the [D] button to turn the iAFC on.
2
34
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82
3 Press the [3
EFFECT depth.
• DYNAMIC DAMPER Effect
This simulates the sustain sound that occurs when you press the damper pedal of a grand piano. The microphone is not used, but the sound pro­duced within the instrument is processed to create a spacious sensation.
††
ππππ††
]/[4
††
ππππ††
] buttons to adjust the DYNAMIC DAMPER
Enhancing the Acoustic Realism of the Sound (iAFC)
4
Press the [5
If you select the “SPATIAL EFFECT”, make sure to execute the calibration operation (see below).
•SPATIAL EFFECT
Spatial Effect creates a sense of reverberation and spaciousness by picking up the output sound using internal microphones and output the sound from the speaker on the underside (CVP-409 grand piano type) or the rear (CVP-409/
407) of the instrument. The spread and spaciousness of the sound is different depending on the depth. The default setting for the depth is 0.
For lower depth settings: This creates the resonance and enhances the acoustic realism of the sound that is characteristic of acoustic instruments by creating a virtual soundboard.
For deeper depth settings: The sound of the instrument itself and the sound of singing and other instruments played nearby is picked up by internal microphones, and processed to simulate the spatial characteristics of per­forming together on stage.
††
ππππ††
]/[6
††
] buttons to adjust the SPATIAL EFFECT depth.
ππππ††

Calibrating the iAFC Settings

This automatically adjusts the sensitivity and response of iAFC so that the optimal iAFC effect will be obtained. Make sure to execute this operation when you use “SPATIAL EFFECT.”
Using, Creating and Editing Voices
1 Press the [I] (MIC CALIBRATION) button in the iAFC operation display
(page 82) to call up the calibration display.
2 Press the [G] (CALIBRATION START) button to begin calibration.
When automatic adjust begins, a test sound (noise) will sound for about five seconds. While automatic adjustment is being performed, do not make audible noises in the vicinity of the Clavinova.
If the iAFC effect is slight or inaudible:
If it seems that iAFC is not effective when playing back Songs or Styles, turn the iAFC feature off.
1 Call up the operation display.
[FUNCTION] [H] iAFC SETTING
2 Press the [D] button to turn iAFC off.
2
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Changing Pitch

Restoring the Default Calibration Setting [iAFC Default]

1 Press the [I] (MIC CALIBRATION) button in the iAFC operation display
(page 82) to call up the calibration display.
2 Press the [J] (BASIC SETTING) button to restore to the default setting.
Changing Pitch

Transpose

Transpose the pitch of the keyboard up or down (in semitones).
•Transposing during performance
You can easily set the desired transposition of the overall sound of the instru­ment by pressing the TRANSPOSE [–]/[+] buttons.
Using, Creating and Editing Voices
Please note that the Tune func­tion does not affect the Drum Kit or SFX Kit Voices.
Hz (Hertz):
This unit of measurement refers to the frequency of a sound and represents the number of times a sound wave vibrates in a second.
•Transposing before performance
Change the transpose settings in the MIXING CONSOLE display. You can set the transposition for the keyboard pitch (KBD), song playback (SONG), or overall sound of the instrument (MASTER), respectively.
1 Call up the operation display.
[MIXING CONSOLE] TAB [√][®] TUNE
2 Use the [1
††
ππππ††
]–[3
††
ππππ††
] buttons to set the transposition.

Fine-tuning the Pitch of the Entire Instrument

You can fine-tune the pitch of the entire instrument—useful when you play the instrument along with other instruments or CD music.
1 Call up the operation display.
[FUNCTION] [A] MASTER TUNE/SCALE TUNE TAB [√] MASTER TUNE
2 Use the [4
Press the 4 or 5’s [π] and [†] buttons simultaneously to reset the value to the factory resetting of 440.0 Hz.
††
ππππ††
]/[5
††
ππππ††
] buttons to set the tuning.
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Scale Tuning

You can select various scales for playing in custom tunings for specific historical periods or music genres.
1 Call up the operation display.
[FUNCTION] [A] MASTER TUNE/SCALE TUNE TAB [®] SCALE TUNE
2 Select the desired part for which you want to set the scale by using
Cent:
In musical terms a “cent” is 1/ 100th of a semitone. (100 cents equal one semitone.)
Instantly recalling the desired scale
Register the desired scale to the Registration Memory. Be sure to checkmark the SCALE item when registering (page 131).
the [6
††
ππππ††
Checkmark the box by pressing the [8π] button.
]/[7
††
ππππ††
] buttons.
3 Use the [A]/[B] buttons to select the desired scale.
The tuning of each note for the currently selected scale is indicated in the keyboard illustration at the upper right of the display.
4 Change the following settings as necessary.
•Tuning the individual notes of the keyboard (TUNE)
1 Press the [3 2 Use the [4
• Determines the base note for each scale.
Press the [2
ππππ††
When the base note is changed, the pitch of the keyboard is transposed, yet maintains the original pitch relationship between the notes.
††
ππππ††
] button to select the note for tuning.
††
ππππ††
††
] button to select the base note.
]/[5
††
ππππ††
] buttons to set the tuning in cents.
Changing Pitch
Preset Scale Types
EQUAL TEMPERAMENT
PURE MAJOR PURE MINOR
PYTHAGOREAN This scale was devised by the famous Greek philosopher and is created
MEAN-TONE This scale was created as an improvement on the Pythagorean scale, by
WERCKMEISTER KIRNBERGER
ARABIC Use these tunings when playing Arabic music.
The pitch range of each octave is divided equally into twelve parts, with each half-step evenly spaced in pitch. This is the most commonly used tuning in music today.
These tunings preserve the pure mathematical intervals of each scale, especially for triad chords (root, third, fifth). You can hear this best in actual vocal harmonies – such as choirs and a cappella singing.
from a series of perfect fifths, which are collapsed into a single octave. The 3rd in this tuning are slightly unstable, but the 4th and 5th are beautiful and suitable for some leads.
making the major third interval more “in tune.” It was especially popu­lar from the 16th century to the 18th century. Handel, among others, used this scale.
This composite scale combines the Werckmeister and Kirnberger sys­tems, which were themselves improvements on the mean-tone and Pythagorean scales. The main feature of this scale is that each key has its own unique character. The scale was used extensively during the time of Bach and Beethoven, and even now it is often used when per­forming period music on the harpsichord.
Using, Creating and Editing Voices
Tuning values for Preset Scales (base note: C) (in cents)
EQUAL TEM­PERAMENT
PURE MAJOR
PURE MINOR
PYTHAGOREAN
MEAN-TONE
WERCKMEISTER
KIRNBERGER
ARABIC 1
ARABIC 2
* In the display, the rounded off value is shown.
CC####DEbbbbEFF####GAbbbbABbbbbB
0 00 000000000
0 -29.7 3.9 15.6 -14.1 -2.3 -9.4 2.3 -27.3 -15.6 18.0 -11.7
0 33.6 3.9 15.6 -14.1 -2.3 31.3 2.3 14.1 -15.6 18.0 -11.7
0 14.1 3.9 -6.3 7.8 -2.3 11.7 2.3 15.6 6.3 -3.9 10.2
0 -24.2 -7.0 10.2 -14.1 3.1 -20.3 -3.1 -27.3 -10.2 7.0 -17.2
0 -10.2 -7.8 -6.3 -10.2 -2.3 -11.7 -3.9 -7.8 -11.7 -3.9 -7.8
0 -10.2 -7.0 -6.3 -14.1 -2.3 -10.2 -3.1 -7.8 -10.2 -3.9 -11.7
00-50.0 0 0 0 0 0 0 -50.0 0 0
0000-50.0 0 0 0 0 0 0 -50.0
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Adding Effects to Voices Played on the Keyboard

-
Adding Effects to Voices Played on the Keyboard
The instrument features a sophisticated multi-processor effect system which can add extraordinary depth and expression to your sound.
1 Call up the operation display.
[DIRECT ACCESS] → [EXIT]
2 Select the desired part for which you want to add effects by pressing
one of the [A]–[C], [F]–[H] buttons.
Using, Creating and Editing Voices
You can use a pedal to turn the Harmony/Echo effects on and off (page 191).
Portamento:
Portamento is a function that cre ates a smooth transition in pitch from the first note played on the keyboard to the next. The porta­mento time (the pitch transition time) can be set via the MIXING CONSOLE display (page 90).
DSP:
Stands for Digital Signal Proces­sor (or Processing). DSP changes and enhances the audio signal in the digital realm to produce a wide range of effects.
3 Press the [VOICE EFFECT] button to call up the VOICE EFFECT display.
4 Use the buttons at the lower/right part of the display to apply effects
to the Voices.
Effect Parameters
LEFT HOLD
HARMONY/ ECHO
MONO/POLY
DSP/DSP VARIATION
This function causes the LEFT part Voice to be held even when the keys are released. Non-decaying voices such as strings are held continuously, while decay­type voices such as piano decay more slowly (as if the sustain pedal has been pressed).
The Harmony/Echo types are applied to the right-hand Voices (page 87).
This determines whether the part’s Voice is played monophonically (only one note at a time) or polyphonically. Using the MONO mode lets you play single, lead sounds (such as brass instruments) more realistically. It also lets you expressively control the Portamento effect (depending on the selected Voice) by playing legato.
With the digital effects built into the instrument, you can add ambience and depth to your music in a variety of ways—such as adding reverb that makes you sound like you are playing in a concert hall.
•The DSP switch is used to turn the DSP (Digital Signal Processor) effect on or off for the currently selected keyboard part.
•The DSP Variation switch is used to change between variations of the DSP effect. You could use this while you play, for example, to change the rotat­ing speed (slow/fast) of the rotary speaker effect.
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Adding Effects to Voices Played on the Keyboard
Canceling the chord sound for the harmony effect
This cancels the sound of the chord played in the chord range of the keyboard—letting you hear only the Harmony effect. Set [ACMP ON/OFF] to On, set [SYNC START] to Off, and select “Off” for the Stop Accompani­ment parameter.
Selecting the Harmony/Echo type
You can select the desired Harmony/Echo effect from a variety of types. In order to make the type you’ve selected here effective, set HARMONY/ECHO to On in the display shown in step 4 above.
1
Call up the operation display by pressing the [J] (TYPE SELECT) button.
2 Use the [1
††
ππππ††
]–[3
††
ππππ††
] buttons to select the Harmony/Echo type
(see below).
3 Use the [4
††
ππππ††
]–[8
††
ππππ††
] buttons to select various Harmony/Echo set-
tings (page 88).
The available settings differ depending on the Harmony/Echo type.
Harmony/Echo Types
The Harmony/Echo types are divided into the following groups, depending on the particular effect applied.
Harmony Types
These types apply the harmony effect to notes played in the right-hand sec­tion of the keyboard according to the chord specified in the left-hand sec­tion of the keyboard. (Note that the “1+5” and “Octave” settings are not affected by the chord.)
Multi Assign Type
This type applies a special effect to chords played in the right-hand section of the keyboard.
Echo Types
These types apply echo effects to notes played in the right-hand section of the keyboard in time with the currently set tempo.
Using, Creating and Editing Voices
Harmony Types
When one of the Harmony Types is selected, the Harmony effect is applied to notes played in the right-hand section of the keyboard according to the type selected above and the chord specified in the chord section of the keyboard shown below.
Split point Split point
Chord section for Style playback and Harmony effect
Chord section for Style playback and Harmony effect
Split Point (for Style)
Left Voice
Split Point (for keyboard Voice)
Right 1 Right 2 Voices
Left Voice and chord section for Harmony effect
Right 1 Right 2 Voices
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Editing the Volume and Tonal Balance (MIXING CONSOLE)

Multi Assign Type
Multi Assign effect automatically assigns notes played simultaneously in the right-hand section of the keyboard to separate parts (Voices). Both of the keyboard part [RIGHT 1] and [RIGHT 2] should be turned on when using the Multi Assign effect. The Right 1 and Right 2 Voices are alternately assigned to the notes in the order you play.
Echo Types
When one of the Echo Types is selected, the corresponding effect (echo, tremolo, trill) is applied to the note played in the right-hand section of the keyboard in time with the cur­rently set tempo, regardless of the [ACMP ON/OFF] and the LEFT part on/off status. Keep in mind that Trill works when you hold down two notes on the keyboard simultaneously (last two notes if more than two notes are held), and it plays those notes alternately.
Harmony/Echo Settings
Using, Creating and Editing Voices
VOLUME
SPEED This parameter is only available when Echo, Tremolo, or Trill is selected in Type
ASSIGN
CHORD NOTE ONLY
TOUCH LIMIT
This parameter is available for all types with the exception of “Multi Assign.” It determines the level of the harmony/echo notes generated by the Harmony/Echo effect.
above. It determines the speed of the Echo, Tremolo, and Trill effects.
This parameter is available for all types with the exception of “Multi Assign.” This lets you determine the keyboard part via which the harmony/echo notes will be sounded.
This parameter is available when one of the Harmony Types is selected. When this is set to “ON,” the Harmony effect is applied only to the note (played in the right-hand section of the keyboard) that belongs to a chord played in the chord section of the keyboard.
This parameter is available for all types with the exception of “Multi Assign.” It determines the lowest velocity value at which the harmony note will sound. This allows you to selec­tively apply the harmony by your playing strength, letting you create harmony accents in the melody. The harmony effect is applied when you play the key strongly (above the set value).
Editing the Volume and Tonal Balance (MIXING CONSOLE)
The Mixing Console gives you intuitive control over aspects of the keyboard parts and Song/Style channels, including volume balance and the timbre of the sounds. It lets you adjust the levels and stereo position (pan) of each Voice to set the opti­mum balance and stereo image, and lets you set how the effects are applied.
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Basic Procedure

1 Press the [MIXING CONSOLE] button to call up the MIXING CON-
SOLE display.
2
1, 3
44
5
Editing the Volume and Tonal Balance (MIXING CONSOLE)
About Parts
See below.
Instantly setting all parts to the same value
Once you’ve selected a parame­ter in step 4, you can instantly set the same value to all other parts. To do this, simultaneously hold down one of the [A]–[J] but­tons, and use the [1]–[8] buttons or the [DATA ENTRY] dial.
2 Use the TAB [
For information on the available parameters, see the section “Adjustable items (parameters) in the MIXING CONSOLE displays” on page 90.
√][®
] buttons to call up the relevant setting display.
3 Press the [MIXING CONSOLE] button repeatedly to call up the MIX-
ING CONSOLE display for the relevant parts. The MIXING CONSOLE displays actually consist of several different part displays. The part name is indicated at the top of the display. The various MIXING CONSOLE displays alternate among the following:
PANEL PART display STYLE PART display SONG CH 1–8 display SONG CH 9–16 display
4 Press one of the [A]–[J] buttons to select the desired parameter. 5 Use the [1
††
ππππ††
]–[8
††
ππππ††
] buttons to set the value.
6 Save your MIXING CONSOLE settings.
• Saving the PANEL PART display settings
Register them to Registration Memory (page 131).
• Saving the STYLE PART display settings
Save them as Style data. 1 Call up the operation display.
[FUNCTION] [F] DIGITAL REC MENU [B] STYLE CREATOR
2 Press the [EXIT] button to close the RECORD display. 3 Press the [I] (SAVE) button to call up the Style Selection display for sav-
ing your data, then save it (page 69).
• Saving the SONG CH 1–8/9–16 display settings
First register the edited settings as part of the Song data (SET UP), then save the Song. See the SONG CREATOR CHANNEL display SETUP item explana­tion on page 162.
Using, Creating and Editing Voices
About Parts
PANEL PART
In the PANEL PART display of the MIXING CONSOLE, you can indepen­dently adjust the level balance among the Keyboard parts (RIGHT 1, RIGHT 2 and LEFT), SONG, STYLE, and MIC parts. The part components are the same as those that appear in the display when you press the panel [BAL­ANCE] button (page 40).
STYLE PART
A Style consists of eight separate channels. Here you can adjust the level balance among these eight channels or parts. These part components are the same as those that appear in the display when you press the panel [CHAN­NEL ON/OFF] button to call up the STYLE display.
SONG CH 1–8/9–16
A Song consists of sixteen separate channels. Here you can adjust the level balance among these sixteen channels or parts. These part components are the same as those that appear in the display when you press the panel [CHANNEL ON/OFF] button to call up the SONG display.
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Editing the Volume and Tonal Balance (MIXING CONSOLE)
Adjustable Items (parameters) in the MIXING CONSOLE Dis­plays
The following explanations cover the available items (parameters) in the MIXING CONSOLE displays.
VOL/VOICE
Using, Creating and Editing Voices
•The RHY2 channel in the STYLE PART display can only be assigned to Drumkit Voices and SFX kit Voices.
•When playing GM song data, channel 10 (in the SONG CH 9–16 page) can only be used for a Drum Kit Voice.
SONG AUTO REVOICE See page 91.
VOICE Allows you to re-select the Voices for each part. When the Style
channels are called up, neither Organ Flutes Voices nor User Voices can be selected. When the Song channels are called up, User Voices cannot be selected.
PANPOT Determines the stereo position of the selected part (channel).
VOLUME Determines the level of each part or channel, giving you fine
control over the balance of all the parts.
FILTER
HARMONIC CONTENT Allows you to adjust the resonance effect (page 101) for each
part.
BRIGHTNESS Determines the brightness of the sound for each part by adjusting
the cutoff frequency (page 101).
TUNE
PORTAMENTO TIME Portamento is a function that creates a smooth transition in pitch
from the first note played on the keyboard to the next. The Porta­mento Time determines the pitch transition time. Higher values result in a longer pitch change time. Setting this to “0” results in no effect. This parameter is available when the selected keyboard part is set to Mono (page 86).
PITCH BEND RANGE Determines the range of the PITCH BEND in semitones for each
OCTAVE Determines the range of the pitch change in octaves for each
TUNING Determines the pitch of each keyboard part.
TRANSPOSE Allows you to set the transposition for the keyboard pitch (KEY-
keyboard part (when a pedal is assigned to this function).
keyboard part.
BOARD), Song playback (SONG), or overall sound of the instru­ment (MASTER), respectively.
EFFECT
TYPE Select the desired effect type (page 93). After editing various
REVERB Adjusts the amount of the Reverb sound for each part or chan-
CHORUS Adjusts the amount of the Chorus sound for each part or chan-
DSP Adjusts the amount of the DSP sound for each part or channel.
parameters for the selected effect type, you can save it as an orig­inal effect.
nel.
nel.
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90
EQ (Equalizer)
Editing the Volume and Tonal Balance (MIXING CONSOLE)
TYPE Select the desired EQ type to suit the type of music and the per-
formance environment (page 95). This affects the overall sound of the instrument.
EDIT For editing the EQ (page 95).
EQ HIGH Determines the center frequency of the high EQ band that is
attenuated/boosted for each part.
EQ LOW Determines the center frequency of the low EQ band that is
attenuated/boosted for each part.
CMP (Master Compressor)
See page 97. This affects the overall sound of the instrument.
Song Auto Revoice
This feature lets you use the high-quality sounds of the instrument to full advantage with XG-compatible song data. When you play back any commercially available XG song data or that created on other instruments, you can use Auto Revoice to automatically assign the specially created Voices of the instrument (Natural!, Live!, Cool!, etc.) instead of the conventional XG Voices of the same type.
1–3 Same operation as in the “Basic Procedure” on page 88. In step 2,
select the VOL/VOICE tab.
Using, Creating and Editing Voices
4 Press the [G] (SETUP) button to call up the AUTO REVOICE SETUP dis-
play.
5 Use the [1
6 Use the [4
XG selected in step 5.
Several different Revoice settings are available by using the [F]/[G]/[I] but­tons, for conveniently calling up the recommended Revoice settings in one action.
ALL REVOICE: Replaces all of the replaceable XG Voices with the
PIANO REVOICE: Replaces only the piano Voices. BASIC REVOICE: Replaces only the recommended Voices that are suit-
ALL NO REVOICE: All Voices are returned to the original XG Voices.
††
ππππ††
††
ππππ††
††
]–[3
ππππ††
] buttons to select the Voice to be replaced.
567
††
ππππ††
]–[6
] buttons to select the Voice for replacing the
high-quality Voices of the instrument.
able for playing back the song.
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91
Editing the Volume and Tonal Balance (MIXING CONSOLE)
7 Press the [8
To cancel the Revoice operation, press the [8†] (CANCEL) button.
ππ
] (OK) button to apply your Revoice settings.
ππ
8 In the VOL/VOICE tab display, press the [F] button to set SONG AUTO
REVOICE to ON.
Effect Type
Selecting an Effect type
1–3 Same operation as in the “Basic Procedure” on page 88. In step 2,
select the EFFECT tab.
4 Press the [F] (TYPE) button to call up the Effect Type selection display.
Using, Creating and Editing Voices
DSP:
Stands for Digital Signal Proces­sor (or Processing). DSP changes and enhances the audio signal in the digital realm to produce a wide range of effects.
5 Use the [1
††
ππππ††
††
]/[2
ππππ††
] buttons to select the effect BLOCK.
5678
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92
Editing the Volume and Tonal Balance (MIXING CONSOLE)
Effect Block Effect-applicable parts Effect characteristics
REVERB All parts Reproduces the warm ambience of playing
CHORUS All parts Produces a rich “fat” sound as if several
DSP1 STYLE PART
DSP2 DSP3 DSP4 DSP5
DSP6 Microphone sound Dedicated for use only with the microphone
6 Use the [3
SONG CHANNNEL 1–16
RIGHT 1, RIGHT 2, LEFT, SONG CHANNEL 1–16
††
ππππ††
]/[4
††
ππππ††
] buttons to select the part to which you want
in a concert hall or jazz club.
parts are being played simultaneously.
In addition to the Reverb and Chorus types, the instrument has special DSP effects, that include additional effects usually used for a specific part, such as distortion and tremolo.
Any unused DSP blocks are automatically assigned to the appropriate parts (channels) as needed.
sound.
to apply the effect.
7 Use the [5 8 Use the [7
††
ππππ††
††
ππππ††
]/[6
]/[8
††
ππππ††
] buttons to select the effect CATEGORY.
††
ππππ††
] buttons to select the effect TYPE.
If you want to edit the effect parameters, go on to the next operation.
Using, Creating and Editing Voices
Editing and Saving the effect
9 Press the [F] (PARAMETER) button to call up the display for editing
the effect parameters.
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93
Editing the Volume and Tonal Balance (MIXING CONSOLE)
10 If you have selected one of the DSP 2–5 effect blocks in step 5:
You can edit its standard parameters as well as its variation parameter. To select the standard type of parameters, press the [B] button. To select its variation parameter, press the [E] button.
Re-selecting the Effect block, category and type
Use the [1π†]–[3π†] but­tons. The re-selected effect con­figuration is displayed at the upper left side box in the display.
10
13
11 12
Using, Creating and Editing Voices
Effect Return Level:
Determines the level or amount of effect applied. This is set for all parts or chan­nels.
11 Select one of the parameters you want to edit by using the [4
††
[5
ππππ††
] buttons.
Available parameters differ depending on the selected Effect type.
12 Adjust the value for the selected parameter by using the [6
††
[7
ππππ††
] buttons. If you have selected the REVERB, CHORUS or DSP1
effect block in step 5:
Adjust the Effect Return Level by pressing [8
π†
] button.
ππππ††
††
ππππ††
††
]/
]/
13 Press the [I] (SAVE) button to call up the display for saving your origi-
nal effect.
14 Use the [3
the effect.
The maximum number for effects that can be saved differs depending on the effect block.
††
ππππ††
]–[6
††
ππππ††
] buttons to select the destination for saving
15
CVP-409/407 Owner’s Manual
94
14
15 Press the [I] (SAVE) button to save the effect (page 69).
When recalling the saved effect, use the same procedure as in step 8.
Editing the Volume and Tonal Balance (MIXING CONSOLE)
EQ (Equalizer)
Equalizer (also called “EQ”) is a sound processor that divides the frequency spec­trum into multiple bands that can be boosted or cut as required to tailor the overall frequency response. Usually an equalizer is used to correct the sound from speak­ers to match the special character of the room. For example, you can cut some of the low range frequencies when playing in large spaces where the sound is too “boomy,” or boost the high frequencies in rooms and close spaces where the sound is relatively “dead” and free of echoes. The instrument possesses a high-grade five­band digital EQ. With this function, a final effect—tone control can be added to the output of your instrument. You can select one of the five preset EQ settings in the EQ display. You can even create your own custom EQ settings by adjusting the fre­quency bands, and save the settings to one of two User Master EQ types.
Gain
0
5 bands
Select a Preset EQ type
LOW LOW MID MID HIG MID HIGH EQ1 EQ2 EQ3 EQ4 EQ5
Bandwidth (also called “Shape” or “Q”)
Freq (Frequency)
1–3 Same operation as in the “Basic Procedure” on page 88. In step 2,
select the EQ tab.
4 Use the [A]/[B] buttons to select a preset EQ type to suit your perfor-
mance (music style or environment).
If you want to edit the EQ parameters, go on to the next operation.
Editing and Saving the selected EQ
Using, Creating and Editing Voices
5 Press the [F] (EDIT) button to call up the MASTER EQ EDIT display.
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95
Editing the Volume and Tonal Balance (MIXING CONSOLE)
6 Use the [A]/[B] buttons to select a preset EQ type.
6
9
Using, Creating and Editing Voices
7 Use the [3
bands.
Use the [8
8
††
ππππ††
π†
] button to boost or cut all the five bands at the same time.
]–[7
††
ππππ††
] buttons to boost or cut each of the five
7
8 Adjust the Q (bandwidth) and the FREQ (center frequency) of the
band selected in step 7.
• Bandwidth (also called “Shape” or “Q”)
Use the [1 width.
• FREQ (center frequency)
Use the [2 band.
††
ππππ††
]button. The higher the value of Q, the narrower the band
π†
]button. The available FREQ range is different for each
9 Press the [H] or [I] (STORE 1 or 2) button to save the edited EQ type
(page 69).
Up to two types of EQ can be created and saved. When recalling the saved EQ type, use the same procedure as in step 6.
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96
Editing the Volume and Tonal Balance (MIXING CONSOLE)
Master Compressor
Compressor is an effect commonly used to limit and compress the dynamics (soft­ness/loudness) of an audio signal. For signals that vary widely in dynamics, such as vocals and guitar parts, it “squeezes” the dynamic range, effectively making soft sounds louder and loud sounds softer. When used with gain to boost the overall level, this creates a more powerful, more consistently high-level sound. Compres­sion can be used to increase sustain for electric guitar, smooth out the volume of a vocal, or bring a drum kit or rhythm pattern further up-front in the mix. The instru­ment has a sophisticated multi-band compressor that allows you to adjust the com­pression effect for individual frequency bands—giving you detailed sonic control. You can edit and save your own custom Compressor types, or conveniently select from one of the presets.
Selecting a Master Compressor type
1–3 Same operation as in the “Basic Procedure” on page 88. In step 2,
select the CMP tab.
4 Use the [A]/[B] buttons to select a preset Master Compressor type.
Selecting a Master Compressor type automatically sets the parameters (at the bottom of the display) to the optimum values for the type.
4
5
5 Press the [F] button to set the Master Compressor to ON.
If you want to edit the Master Compressor parameters, go on to the next operation.
Using, Creating and Editing Voices
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97
Editing the Volume and Tonal Balance (MIXING CONSOLE)
Editing and Saving the selected Master Compressor
Using, Creating and Editing Voices
Threshold:
Determines the minimum level at which compression starts. The compressor affects only the sound of levels higher than that of Threshold.
6 Use the [1
Compressor, or which frequencies compression is applied to.
For example, select “LOW” when you want to emphasize low frequencies, and “HIGH” when you want to emphasize high frequencies.
††
ππππ††
]/[2
††
ππππ††
] buttons to select the frequency curve for the
8
67
7 Use the [3
mum level at which compression starts) and Gain (level of com­pressed signal at three separate frequency bands).
These values offset those of the frequency curve settings in step 6.
††
ππππ††
]–[7
††
ππππ††
] buttons to determine the Threshold (mini-
8 Press the [I] (SAVE) button to call up the display for saving your origi-
nal Master Compressor settings.
9 Use the [3
the Master Compressor settings.
††
ππππ††
]–[6
††
ππππ††
] buttons to select the destination for saving
10
9
10 Press the [I] (SAVE) button to save the Master Compressor settings
(page 69).
When recalling the saved Master Compressor settings, use the same proce­dure as in step 4.
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98

Voice Creating (Sound Creator)

Editing the ORGAN FLUTES Voices
The editing method is different for the ORGAN FLUTES Voices compared to other Voices. For instructions on editing the ORGAN FLUTES Voices, see page 103.
CAUTION
If you select another Voice without saving the settings, the settings will be lost. If you wish to store the settings here, make sure to save the settings as a User Voice before selecting another Voice or turning the power off.
The instrument has a Sound Creator feature that allows you to create your own Voices by editing some parameters of the existing Voices. Once you’ve created a Voice, you can save it as a User Voice to the USER/(USB) display for future recall. The editing method is different for the ORGAN FLUTES Voices and for other Voices.

Basic Procedure

1
Select the desired Voice (other than an Organ Flutes Voice) (page 32).
Voice Creating (Sound Creator)
2 Press the [6
3 Use the TAB [
For information on the available parameters, see the “Editable Parameters in the VOICE SET Displays” on page 100.
ππ
ππ
] (VOICE SET) button to call up the VOICE SET display.
√][®
] buttons to call up the relevant setting display.
4
Using, Creating and Editing Voices
3
6
4 As necessary, use the [A]/[B] buttons to select the item (parameter)
to be edited.
5 Use the [1 6 Press the [D] (COMPARE) button to compare the sound of the edited
Voice with the unedited Voice.
7 Press the [I] (SAVE) button to save your edited Voice (page 69).
5
††
ππππ††
]–[8
††
ππππ††
] buttons to edit the Voice.
7
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99
Voice Creating (Sound Creator)
A f
The available parameters differ depending on the Voice.
Changes to velocity curve according to Touch sensitivity
Editable Parameters in the VOICE SET Displays
The following covers in detail the editable parameters that are set in the displays explained in step 3 of the “Basic Procedure” on page 99. The Sound Creator param­eters are organized into five different displays. The parameters in each display are described separately, below. These are also treated as part of the Voice Set parame­ters (page 106), which are automatically called up when the Voice is selected.
Using, Creating and Editing Voices
TOUCH SENSE DEPTH
Changes to velocity curve according to VelDepth (with Off­set set to 64)
ctual Velocity
or tone generator
127
64
0
Depth=127 (twice)
Depth=64 (normal)
Depth=32 (half)
Depth=0
64
Received Velocity (Actual KeyOn speed)
127
TOUCH SENSE OFFSET
Changes to velocity curve according to VelOffset (with Depth set to 64)
Actual Velocity for tone generator
Offset=96 (+64)
127
Depends on
64
offset
Depends on
0
offset
64
Offset=0 (-127)
Offset=127 (+127)
Offset=64 (normal)
Offset=32 (-64)
127
Received Velocity (Actual KeyOn speed)
PIANO
This display is available only when the Natural! piano Voice (page 78) is selected.
TUNING CURVE Determines the tuning curve. Select “FLAT” if you feel the tuning
KEY OFF SAMPLE Adjusts the volume of the key-off sound (the subtle sound that
SUSTAIN SAMPLE Adjusts the depth of sustain sampling for the damper pedal.
STRING RESONANCE Adjusts the depth of string resonance.
curve of the piano Voice does not quite match that of other instru­ments Voices.
STRETCH
Tuning curve particularly for pianos
FLAT
Tuning curve in which the frequency is octave doubled over the entire keyboard range
occurs when you release a key).
COMMON
VOLUME Adjusts the volume of the current edited Voice.
TOUCH SENSE Adjusts the touch sensitivity (velocity sensitivity), or how greatly the
PART OCTAVE Shifts the octave range of the edited Voice up or down in octaves.
MONO/POLY Determines whether the edited Voice is played monophonically or
PORTAMENTO TIME
volume responds to your playing strength.
DEPTH
Determines the velocity sensitivity, or how much the level of the voice changes in response to your playing strength (velocity).
OFFSET
Determines the amount by which received velocities are adjusted for the actual velocity effect.
When the edited Voice is used as any of the RIGHT 1–2 parts, the R1/R2 parameter is available; when the edited Voice is used as the LEFT part, the LEFT parameter is available.
polyphonically (page 86).
Sets the portamento time when the edited Voice is set to “MONO” above.
Portamento Time:
The Portamento Time deter­mines the pitch transition time. Portamento is a function that cre­ates a smooth transition in pitch from the first note played on the keyboard to the next.
CONTROLLER
1. MODULATION
When a pedal function is assigned to MODULATION, the pedal can be used to modulate the parameters below as well as the pitch (vibrato). Here, you can set the degree to which the pedal modulates each of the following parameters.
FILTER Determines the degree to which the pedal modulates the Filter Cut-
AMPLITUDE Determines the degree to which the pedal modulates the amplitude
LFO PMOD Determines the degree to which the pedal modulates the pitch, or
LFO FMOD Determines the degree to which the pedal modulates the Filter
LFO AMOD Determines the degree to which the pedal modulates the amplitude,
100
CVP-409/407 Owner’s Manual
off Frequency. For details about the filter, see page 101.
(volume).
the vibrato effect.
modulation, or the wah effect.
or the tremolo effect.
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