Yamaha B405, B205 User Manual

YAMAHA

ELECTONE~

MAKING

BEDIENUNGSANLEITUNG

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Welcome
Congratulations! With your purchase
you have acquired the
available today. In
has
over
the
We
the unique

Yamaha's original

Willkommen in YAM
Wir gratulieren I M
Sie eine der modernsten

nischen Orgeln erworben. Die beiden Electone Mode/le
8-205

werklicher Erfahrungen

mentenbaus
der

Elektronik.

Wir
dessen verbluffender Faumlicher Tiefenwirkung der
durch die richtungsweisende YAMAHA Technologie
dem Gebiet der Digitai-Eiektronik
stert
vielseitige

to

Yamaha

combined

many
latest
are

sind

years

developments in modern electronic technology.

confident

"Living

und

8-405

kombiniert

iiberzeugt,

sein werden. Auf3erdem glauben wir,

Ausstattung,

's

wonderful

most

the

8-205,

the superb craftmanship

of

making

that

you

will

Sound"

digital

it

electronic technology has made

AHA

s wunderbarer

dem

Kauf

und

sind

das Produkt jahrelanger hand-

auf

mit

da/3

Sie vom lebendigen Klang

die vor allem dazu dient, das

world

of

of

a Yamaha Electone

advanced electronic organ

8-405

fine

musical

be

and

der Yamaha Electone ha ben

leistungsfahigsten elektro-

dem Gebiet des Musikinstru-

neuesten Entwicklungen

Electone, Yamaha

particularly

"Rich

m6glich

music!

it

instruments

Ambience"

welt

wurde, begei-

has acquired

with

pleased

der Musik.

da/3

with

that

und
erst

auf

Sie die

possible.
play

you
So

markable features,

yourself
this
you
the

Orgelspiel noch einfacher zu

wissen
Freude
Um die zahllosen Vorziige, die lhnen diese Orgel

vo/1
sehr
sungen genau befolgen.
mit
verschiedenen 8edienungse/emente
bevor
lernen
Merkmale
in kurzester

We

also believe

features incorporated in your Electone

with

endless satisfaction

that

you can

with

manual

should

instrument

und

und

nutzen

sorgfiiltig

der

Aufstellung

Sie

mit

Sie ebenfalls spielend die besonderen technischen

und

make

their positioning

carefully before starting

be able

in the

lhnen die Electone

Entspannung

zu

k6nnen, sol/ten Sie die 8edienungsanleitung

lesen

dem

Eigenschaften lhrer Yamaha Electone Orgel

Zeit

kennen.

that

the wide variety

and

musical

maximum

we

suggest

to

derive

shortest

mit

und

die darin anthaltenen

Zuniichst

der Orgel

Spielen beginnen.

use

that

and

operation

maximum

possible time.

machen, zu schiitzen

iiber

Musik

bereitet.

jedoch

und

den Funktionen der

of

will

pleasure.

of

these

many

you familiarize

by

to

play. In this way,

enjoyment

!ange Jahre vie/

miissen

vertraut

Auf

machen,

diese Weise

easy-to-

provide

re-

reading

from

bietet,

Anwei-

Sie

sich

Decouvrez, avec Yamaha,

Toutes nos felicitations! Vous possedez desormais l'orgue
electron/que le
8-dire votre
8-205
sances de ses specialistes
annees, real/sent de superbes instruments de musique
regroupant les decouvertes
recents en matiere de techno/ogie electron/que de pointe.
Nous
diverses tona/ites
rendues possibles
que originate creee

i Bienvenido a/ maravilfoso
;Felicidades! ;Enhorabuenal

Yamaha

e/ectronico que existe
B-405,
adquirida durante Ios largos
a la
calidad, con Ios

tr6nica moderna. Estamos seguros que a

en

produce la original tecno/ogfa e/ectronica

et

sommes

Yamaha ha combinado

manufacture

particular

plus

nouvel

8-405,

usted

Yamaha a concretise

certains que la reproduction tres fidele des

et

par

par

ha adquirido

ultimos

el

"sonido

un

mervei!leux

evo!ue

Electone Yamaha. Dans les Electone

la merveilleuse ambiance musicale

de instrumentos musicales de alta

qui

existe aujourd'hui,

et

artisans qui, depuis des

et

developpements les

la technologie e/ectronique numeri-

Yamaha, vous

mundo

hay

en dfa.

avances de la tecnologia elec-

vivo':

de la

AI

comprar

el

mas

En

su

alios

que ha estado dedicado

e/ "sonoro

monde

toutes

plairont

music

un E/ectone de

avanzado 6rgano

el

Electone

excelente artesania,

usted

ambiente"

musical!

c'est-

les connais-

plus

tout

parti-

a de Yamaha I

8-205

le agradara

que

digital

de

culierement. Nous pensons,
que le
que vous
de
Pour vous
ristiques aussi nombreuses que
suggerons de vous familiariser avec
mode
manuel

vous pourrez
temps, d'excellents resultats.

Yamaha. Tambien creemos que la amp/fa variedad

caracteristicas que tiene

v

de
musical
Con

numerosas v excelentes caracterfsticas, le sugerimos

que se familiarice primero con sus posiciones y
operacion leyendo este
de empezar a tocarlo. De esta manera, podra
a/

grand

offre

satisfaction

permettre

de

fonctionnement

avant

tocar..

maxima

le proporcionaran satisfacciones y un

sin //mites.

el

objeto de que

este instrumento, en e/

eventai/ de caracteristiques facilitant le

votre Electone vous garantira des heures

et

de plaisir musical.

d'utiliser

de

commencer

obtenir

de

usted

par

ail/eurs,

au

maximum

en lisant

a jouer. De

votre Electone, en tres

su

Electone, v que son faciles

pueda usar a!

manual

cuidadosamente

pouvoir

ces caracte-

diverses, nous vous

leur

position

attentivement

cette

maximo

menor

tiempo posible.

affirmer

jeu

et

leur

ce

maniere,

peu

de

de

placer

estas

su

antes

disfrutar

CONTENTS

Before Starting
Playing Melodies Using Various Instrumental Sounds
Automatic Rhythm Accompaniements for your Melodies
Automatic Chord and
The Automatic Arpeggio Effect
Harmonies
Creating the Sound
Interesting Tonal Variation and Innovative Sounds
Accessory Jacks

Looking
Important Advice
Guide
Your Electone Music Book
Specifications

If'.

Ein
Das Spielen einfacher Melodien mit verschiedenen

Automatische Rhytmusbegleitung zur Melodie
Automatische Akkord- und BaBbegleitung

Das
Kleine Harmonielehre
Klanggestaltung nach eigenen Wunschen
lnteressante Klangvariationen und eigene

ZubehoranschluBbuchsen
Wichtige Ratschliige
Wartung und Pflege lhrer Electone Orgel
Leitfaden zur richtigen Wahl der Register
ihr Electone Notenheft
Technische Daten

After

to

I!

\I I ')VIIU.l.IUII'.IS

Wort

lnstrumentalstimmen

automatische Arpeggio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

to

play

.........................................

..............

...........

Bass

Accompaniment

.................................

to

the Melody Line'\'

You

Want

.............................................

Your Electone

............................................

Registrations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

...............................................

vorweg . . . . . . . . . . . . . . . . . ,

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,Kiangschopfungen"

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---------,

Page '

I

2

3

4

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8

9

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2

3
4

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9

....

10

12
12
12

13

/9

35

IABI

.F

DFS

MATIERES

Avant de commencer a jouer

Comment jouer des melodies

sonorites instrumentales
Accompagnements rythmes automatiques pour vos melodies
Accompagnement avec accords automatiques et basses
Arpeges automatiques
Harmonies derivees du theme
Comment obtenir
Variations sonores interessantes et tonalites nouvelle'i
Jacks pour accessoires
Comment prendre soin

Conseils importants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Ouelques conseils
Votre cahier de musique Electone
Caracteristiques techniques

CONIFNIDO

Antes de empezar a tocar
Para

tocar melodias usando diversos sonidos instrumentales
Acompai'iamientos de ritmo automatico para sus melodias
Para

agregar un acompanamiento de acordes y notas bajas

automaticamente

Para

usar

el
Armonias para
Para

crear

el
lnteresantes variaciones ton ales e innovativos sonidos
Receptaculos para auxiliares
Cuidado
Aviso importante
Guia de Registros
Libra de Musica para
Especificaciones

de

le

son precis que vous desirez

en

matiere de registres

...........................................

efecto de arpegio automatico

la

linea de

sonido que desee

su Electone

............................................

............................................

su

.............................................

...................................

en

utilisant diverses

.....................................

.........................................

...................................

..................

.......................................

de

votre Electone

..............................

...................................

......................................

la

melodia

..................................

...................................

.......................................

Electone

...............................

.......................

.......................

........................

.............................

..........

............

.........

............

......

......

Pagina

.......

Page·

1

2

3

4

7

8

9

10

12
12

12

13

19

35

1

2

3

4

8

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11

12

12

13

19

35

7

·

PART

1:

Before Starting

to

Play

•

Some

I 111

tional

yboa

ke

Next

V81

ues ot the notes and

~

I Eig

Fundamentals

~~

~

firt.l look at the

mu$i~

l

staff

rd. <'

tamilia1iz

Who&eMte

Dot

HMfnotJ

Dotted

OoHed eighth nole

SIX\tenth no

e yourself wi

-

led

tulf

note

Q.l~rter

hth

!'IOU!

te

relnlon,hh) bet

notation

<'

the

note

th

re-u

of

Music:

ween the

and

the

keys

on

£'

rl

the

notatit>n for the lengt h

s.

• f • I • t "

• t • +

• t • - -

• f

~

..

convtn·

the

actua

-l

Preliminary
for

Sound

Firn

ot

J

in

1) Tu m

2)

all, make

ths

elect tic.. I

the

The

power

Turn

the Master Vol u

Th

is

knob

men

t.

t

he

volume.

Power Switch

indi

controls the volume for the

The

further

Settings

Production

sure that the

outlet

and

thtn

to

the

cator

lamp

will

me

knob

you

lu

rn

plug

is lir

mly

:

"ON"

pos

tion

.

light

up,

clockwhe

it

clockwise, the 17eate1

.

entir

inserted

e instru·

(fJ

I \

3)

Depren

This pedal enilbles you

while vou are playing

h'Om

theExprusion

th

e keyboards.

Ptdal,

to

wilho

chonge lhe

vt

taking

volume

you

r hand$

l~vd

the

desi

red

Voice functions .

r

<'IJ~~

? :uv l 9

sJ

fnr

l

n~t

rur.t

on$

on

~ttin-J

Now that you have a

values of

of ert octua

the

l-.core

notes

.

ba~ic

and

rests, l

undernan

et''

di11g or

the

relati

ve

look at a segment

N....-.n.

of

IAc.c.on>paniM!fttt

c:t1(.(0

0

4) Select

(Rof• r

the$e control

to

•

O

Re

Measme 01

~----------------------------------------------------------------------------------------------

1

11a.w

tho.,., ;.,. "

8.1r

PART

11:

Playing

Melodies

Using Various

Instrumental

SP£CI

AL

PRf

,

..

"'"'

• •

lilf$1tll0flll

SflS

:..."'

,

.........

;119'[1

l•ltMitt

,---,

I

1[

tU:f

Special

Bv

pr~ng one

Special Preset switch bank.

to

ota~

or

lnstrumentJ.

voices

*

PleaY~

1 t Oepreu one

four

2) S

et

l.AUI"""

~(

""'-

tUSIO

"""

I,I VOltlS

Presets

of

the voice

with

the

sound

let'l

to

play

::.

mak)dy

wm

all oth

of

switthts)

the

Special Ptes&u: Volume

er

the

in the

on

buttons and

four

Spe

--

""""

you

can

QUiltty

\l'lil

one or

the

upptr

YOi<:e

cial Pres.ets switch

Sounds

...

lr(C!A.;

I'II!IOS

-YOlU,.,.(-

.se~ctor

and

se

control

buttOO$

program the Electone

timbre

thtMt

koyboard

tcvetn

Of:F

lector buttons (

to

in

of

1 varietY

wutrumental

.

8·205

bank.

Ma•.

"''

•

ox

CIISIOM

1'1)1<11

the

:

•

tnhnv~-on

8·405)

Custom

Uke the-Special Pre'Siets, the

an

array

a vatlety of instruments. Since

volumes

rwod\lC

f.l:

every

1) Depress

the

Custom Voiets

2)

$tide the

Volce&m·40Soolvl

of

v-o;ces

of

lht.

ovoiou

ru11s:tle

one

of

Custom

Custom

which

can

duplicate the sounds

10

1hl'l arriV

and

narurnl

the

fou r voice selector buttons in

switch

bank

Voices Vol

ume

Vo1ce.s

the

mne quatittes.

varv

MJunci

.

.

control

minutely.

lever

-

oonstst

thtv

to

Ma)C

of

of

and

.

31

Press

ing

the

keyJ

du"

me

sound of t

* Pracnce playing t

in a Vlnetv of

different

of the

uppe1

keyboard

he

lnnrument you have se1ecud.

he

melody

voieei.

on

will

the

p(evious page

now

pro

j

~

~

...

31

Preulng

·

produce

* Ptactioe using

•

Uppt

Th

l• function blends

Pre&et$

ued

by the

If

you P

Presets and

abte to

tone

*

Wh

of

activ

will

the

kev•

of

the

upper

tN

JOUnd

of t.he

insuumtnl

the

followino melody.

r EnsembM

ond/o'

vpptr

••" 1h••

1n

ix

generating groups as you wish.

en the

the tone

ated

~

be that

(8-405

Only)

'""

sound•

tht

Cu1tom Voices wn.h

tone lovors.

button

the

CUstom Voices

the

~nd

Spte

iat Prosott

Jt\oers

lhe

sound generated

of

the

1090ther

produced

and the Ens.emble

RekfWed Mode

p<odUced

ere

'"

ktvboord will now

you

hnv

e chosen.

by

the

the

IOUnds

With bo

buttons,

by

bv

use

.

the

end

the

th

tht!

you

th

ree differtf\t

nnt

or

fUf'l('llion

Special Presers

Soecoa

gcner

Soec.al

will

~

mort

are

t

N '

fr

rr

1 rd1r

J

IV

2

PART

Ill: Automatic Rhythm Accompaniments

for Your Melodies

•

DODO

VOLUHE •-T£MPO

Auto

Th

is

1hy1hms

boogos and th& liko. Why

ground

1)

Choose

depress it.

Yo

and
hOI'izontal

it

pressing

2)

Depress

'

Rhythm

fur

lction au tomatically provides the

of

perQ.Jssion instruments li

to

your perfor

ons

J can al

is

so

var~ed

effects

comb

not

possible

bo

th buttons in any one vertical

either

ooon

mance?

of

the

12

combine rhyth

by

inat

to

one

of

ke

cymba

not

ctdd a lit de

rhythm

ms

push

ing several

ion

simultaneotlsly. (However.

obta

in compound r

the

Stan

switchet.

rhythmic

sel~~te

tor

to

achieve interesti

buttons

combination.

DU

n

l'

clee~r,

cri$p

ls,

dfums

,

back·

bunoll$

hythms

and

ng

in any

by

)

S

TART

•

Rhythm

This funct i

one·ba.r rhythmic variation

eight

in

the

to

uul

If

you

Variation pattern

Variation

on

bars. Since

musical phras.ing,

ivtm

th~

rnusic.

depress the ON

~

?

allow;

you

thE rhvthms

bunon only, the n

will

be introduced every

CJD

C.N

To introduce
depress

t

aneously

both

.

the

the

vmat•on

ON

and

c=Jc=J

ON 4BAR

f

to introduce

into

it

49AA

89AA

every eight

the 4 Sar/8

DD

_

VARIAnOH

the music every tour

chan

ge

provides an

Bar

.....

..........

RHYTHM

at

_

a preselected

or

natural breaks·

~xcell~nt

ew

four

bars

buttons

way

Rhythm

bars.

you must

simu1·

If

yoo

press

the

accompan

If

rh\

depress

ot

3)

TM

Te11po and

TEMPO

thi

tht rhythm.

VOLUME

clockwise

iment

you

press the

'thmic accompdniment w

either a key

the pedals.

rhythm

> i$

Volum

knob:

turned

knob:

to

increa

is

VOLUME

SlARr

Start

switch on the right the r

will

begin

imm

ediately.

Synchro Stan switch on

ill

cut

on the

regulated

e knobs.

~

I '

--*"-

(outer contlol

clockwise,

(In

ner control knob) Turn this

se

the volume.

10W1!r keyboard

by

a

combination

TIMPO

knob) The

the faster the tempo

the

in

as soon as you

hythm

.left, the

or one

of

the

further

or

* Now.

•

Y

ou

of

panimcnt 'Nflenever you wish

from the keyboord$,

you can play the melodi

2 using

your

favorite

Foot

Switch (Rhythm

can use the foot switch (located

the Expression pedal)

rhythm

nopJ

to stop

es shown

.

without

the

taking

on

at

rhythm

Foot

pi!Qe

the re

your

Swlt<h

1 and

ar

reft

aocom

hands

·

3

PART

IV:

Automatic

Chord

and Bass Accompaniment

3) St t

ehe

ptd

'-11

•

t

one

lew

tr~

•

Auto

This fum::don allows the introdo<:ti

chords a­ment.

You

lltss

no~es

by

,.ltct

Chord

, Fo

co

nven

ien

wi

th

on

e more

ss/Chord (Fun

nd pedal

lng on• of t

ngerod

ce

ban

can

thus ph•v a Wide

aummat

Wld

ically,

l'lo

Chord,

flexibili

auto

matic function - Men)()ry.

no

tes into

fu

neuon •whchcs: Si

or

ty vour eaectone iJ a

on

of

lo~r

the

rh

ychm

variety

determmtnQ t.he

CUstom

A·B.C

o f ch

Automatic Chord Accompaniment
the Touch of a Finger

I Single Fin

1) Press
Rhythm

the

switch

ger Ch

Start

or

bank

ord )

Synchr

,

o

Sun

switch in

•

'

'

l

-r

Oepfess

oh

21

Adjutt tht

o T

the

empo

desired r

one!

Volume

~w.,

tont

(lWJPM.V

hythm

k

nobl

ltvtn

teiKlOf b

.

to

the

dulrtd

utto

s)

k

eyboar

d

accompan

otck

com~Ntion

ngle

.

For

t.so

equipped

and

Fi

ngtr

eddod

i·

with

the

Auto

-

"

.,.

n and $et

uu;ngt

.

•

4)

Oepreu

6 ) N

keyboard you will

and

ow

if

bau

the

~reen

you

note

Single Finger Chord

hold

down

one

automet

into

the

esublis

ically i

rrrn

The

ch

ord produced
whose
key
a C m•Jor chord, jun

to

fuodament"il

plevod on t

produce an F major cho rd and so forth.

Relation between key position Oil lower

key

t LOWitl'

~

i'

t

thi

s time ts

ts

the nou; corresponding

pms

a

-nd the

'

k•YbOII

tho C k

ht lo'""

boCJrd

i:tybo.IGI

rT

of tht

hed

rhy-chm.

rd.

generat

butto

kayt

ntr

oduce

the

Th~n

ey, pton

ed

d\ord.

n.

on

the

lower

the

chord

major chord

to

ttut

to

pro d

uce

t

ho

F k

ey

Wh

en

the

an

d Cello

t

he

tonn

li

no

IP

•ano,

rhythm

A<

no Rhythm

stant.

c F G

Au

8'

of the

Gun•rl

that

I

QI!o

0

fl

,,

,

..

to

Bau

/Ch

~oicas

of the tower tone levers generate

inst ru

and •utomotico

matches

IOCtlon

the

.

..

ord

swatch

menu

pone<n produced

Tht

lnd1Cil

flutt

1$

ll

v prod

t

on"'

on

ed

. Lhe

in t

uce

wi

Horn

ht

e chord

by

ll

M con

a·

tower

tho

c

The

bass note

by

tht

key

altemltt

* Try

U$1

ng this aotot'T\atit: progr

playmg

keyboa•d while

limply presting

cormponds
want.

the

c

~~"'~~~~

' (Major ch"'dl

that

is genera-t

P'-ved

wlth

sel

to dN1

F G c

the

chord

ection

you

the

on

autom,lfically.

gil'M bel

suppl

· k

ey

funMmen

t

h•

on

ed

l

ow•r

am

ow.

y tho

i!Ceomp>n

the

lower keyboard thot

tal

of

ls

atso determln

keyb<»rd ond w

function while

Play

on

the

upper

lmcm by

dl!l chord y

ed

ill

ou

4

-

•

•

f~l•ll

Jl(l.

. . '

D·

ID

e.

• I

In

add•ttOn

Finger

ment w •th m•nor

chorrl

on tho

k

uy

ll mlno• chord,

lnnoad

If

V""
hO'dt
w111

Olord

••m1>ly

on

.

ng

Ha

podo

tho

dot>•tSJ

tJown •

•nlnot

ne ·:.nor •nd

to

functk)n to produce e•.nomatic accompani·

trt

lboard while holding

lower

'".~

...

St

¥

"'~

l·l,r

rot

major

chords.

Of

seventh chords. To produce a seventh

od

on

keyboa•dtt

dl!l:trl!n

both

a bl

key

on

.eve

nth

you

Cln

11$0

u.s4t

any ol tho while (long) ped•ls

d<•wn

tho eoproprloto

tha

11uno

tlmo .1fo r

u1

1ll

of

tho

biGck

(sho•t)

Pod

..

<evb"""

+

tho

chord

llllll

L

'l

•ck

onol

lowtJ

.

~

mt

a whl

k.oyboard

n

Aflylhl~tCilc

(•hOf'l)

tt IHdal

the

Single

>roduco

pedals

=Cm

the

pt~~JI

)

whllo
utsuh

Produci

panlme

I

Fin

1) Turn

2) Adjust the lower t

3)

4} Oep

5)

ng

an Automatic Chord Acc

nt

by

Fingering

ge

red Chord I

on

th

l!:

Start

Auto Rhythm •switch bfnk

l)oprou tho

\hO

Tempo

Adju

st the pedal

ren

Flng~

n

tnd

the red

and

hol

ct.os1rcd

V()IUrut k116hs.

tone levers to

f ingered Chord button.

d down 3

an

Entire Chord

or Synch

rhy1h11'

one

levers t o th• dtslrt d

,

chord

to Stltt twit

.,.,,,,oto•

th•

on

om·

ch

Wnon

settings

detired settings.

thtlow

tr

keyboard.

in t

i)nd

h4

sot

.

* Let's pJactk:e

melody below.

---

wing

c

tht~

functi

on

wh

ile

pf~ing

the

This IUtomatkaUy

1n

'"

altt

rtllltlng pattern matching the •hythm seJec:ttd.

Thl!

ctimd pl'oduecct

kflyhoard

chord.

*

Play

lhe
the

c

,.

ond

the

accompanlmen\

finv&rod

lower k•vi.Joord.

11

""1

• •L•

ru.•1

••.r'

A r

--

the

dlord

. This

..

o~

lllill

~·

otntrottt

I'

ba"

the

not.,

Is

ont

on

the

tht

''

Js

lhC. llrevlous

toncwr

... •n•

jl

1·1 l

chord

and bass

""'''don the

deter

mined bV th

page

positlonong for

-

non

lower

1t

u'irlg

j

Au

tomatic Accompaniment Using Both

Lower Keyboard and

Ped

als

•

(Custom A-B

1) Turn

2)

3)

4) Swhc:h

S)

on

the

Auto

Rhythm

Otprou

tho

Adjurt

Adjurt

~press

the

T

empo

the
the

on

tower

1ho

and

l

pedal

I

he

the

keyboard

The chord part

will be the
while

tl>i

bag

ptessed

keyboard

automatic

on

and

performance.

-C

]

Stan

on

swit

ch

t-onk.

dettrld

ower

rhythm

Volume kn

tone

lone

wh

in · Custom A-8-C

Synchro

obs

lev.tr$

levers

Start

Sttlrte1or

.

to

the des

to

tht

des-ired settings.

button

bultOr'

ired

T

...

••

pe~ls

while

holding

,

o.f

lht:t

autoro.uic accompaniment

sound gtne•

no

the

keyboard. In

the

accompanimen

Otid

to

"'"11

pedals will each generate a separate

t,

be

by

ba.-d

othef

thU$

down

th4t

kJwer ktybO:Ird,

on

WOTdl

enhilncing

switch in the

&nd

••

settings.

.

the chord

the

. t

no"'

he

on

do

lower

your

Thlt

functiOn

accompaniment

If

you

press

Finget

Olonf,

b

utton,

ti

nue

aven
lower key
hll51

no1e .selectarl

rota1ned

you

h.wt'

eh

ofd

change. A \'felcome convenience indeed!

•

Conuant

This switch is

ment

from

·

buttOft Wtd the Single Finger

are

p~

will

no looger ma

the

chord

IV.

as;

rt 1he respective k

lunak>n con

to

allow

the

the

aulo

if

board

•n

tho rncmorv

only

u54td to

lhl

together,

ind

1110

911111tr

allows

vou

y0\

1 have

M

emory

tile Fingered

mat

ic rhythm

you $hould

. (Will>

to

Auto

the

for

pedAl aoc:omp;u)imont will •b:o

.)

touch

dlseng;Jge

Rhythm

the

tc

h

t

f'l~

t

he

ban

note

evs

bO

coupled with

lltxlblh

rv.

to

nofe

th6

otnomatiC

wt.ie.Cttd

b\.ltton together

Chord

,_move your

Cw1om

Usu-.g

tho lower

Auto

will

were

in a

tntmotv

with

or

the

Cu.tom

acco

mpan

iment

hand

A·B.C

this M

koyboord

the

automatic KCOmpan

Plttorn.

Of

Fi"i)erod

autome'tic JJCCOmJ)iniment

Rhy

th m

be

pro

being

1

~0

emory

When

Chord

pauern.

dUced

held

M

emo<v

-arn

to

the

continu

down.

rhy

thm

bonk.

the

Single

A·B·C

will con·

from

tunctton

eUect

Coo.su

button

Instead,

ous
This

function

the
the

lM

il

1·

ru

·

• Norm..l

This

oootrol

When

the

koyboatd

penlmtnt

ruu1~~ttn1

b

utt

on

1s

the

la5t $0\lnd yoo played

emitted

*

continu

If

you

Bou/CIIord

cancels the

Notmal

llld

the pecbls

you

mev

.

When

the

depressed logelher

ously even

do

not
progrom will

control

deslrt

Auto

employ

Auto

is

on

you may

to

provide

wtthout

lntroduclng

Rhythm is

wit

h the Normal

on the l

if

you take

the

Auto

not

function.

owe

Bass/Chord PC'O!}f'atn.

play

the

lowor

an

y

norm

al accom·
IUIOmot

on

and tht. Memory

lc

button

t keyboard will be

VO\If

hand

off

.

Rhy

1hm,

the

Auto

,

6

PART

V: Using the Automatic Arpeggio Effect

:':

."':

f'!

..

~

1 J I

••••

t•

--

••

& "llln llrrtgglo

Auto

This functton 1n1bles

bnlhant

ply

uon

formonce

accompan

1) Swileh

Arpeggio

t fpeggio

dcproning

tan

bo used

bv

lrt'ltn1

on

Rhythm switch

s.Mc1or and
your

lilclng

~

in

time

the

keys

to

if&at

lldding a decorotive ripple

.

tlw!

SynchrO

bank,

adjutt

.

1

you

to·

with

&he

on

the

iowor koybootd . This func-

advantagt

Start

cltocm

the Tempo

...

I;

::___

1

aut

.Of1\lttGIIY

Auto

•n

enhirnc:ing

button

the

--iat•

end

-:

...

·-

c-

produce

Rhythm

Votume knobs

by

your

ollect to

on

the

Rhythm

1

sim-

per·

the

Auto

to

4)

Set

tile

Volwno

The

mc:w-e

IM

I<Pf91110

6) Hold

down

Thil

Will

tho

not

..

rath•r

thin

chord JOUnd

Tn. arpeggio

even

1f

voo

•

Bv

w•nt the Sustain

ltP19QIO

1

h8

Mowing

a;ua:tlin effec1

•

control.

the

slide is

elfe<:t

a key

IUIOMOII~IIV

you

• tlng!e

pattern

change

and

mowd

will

on

tM

hall$

seleeted Holding down o chord

note

will chongo

to

a.

teW!'f

the lewr

prolong

towlfd'

be.

1o-

pr-

Will

eene,.te

d,ff.,.nt

vou

c.,

tow:ard

the

kayboard.

••mpo

•P4ISIJ!Jt0

MAX

the

loudtr-

on

orpcggio

a flowtng

10

mat

ptodvce a 1USU1ned

LONG

b.tfod

broktn

ch

the

rtlythm

w•ll •~te

•

on

...

Bec:ouiG
t11o

the

utahu

2)

Stloct

the

3) Switch

Tt..st bullons

Arpeggio

By

can

YOtCt buttons

oetivtting swotcNt,
pochlon whon

the

Au

to Rhythm funetion. moko ce....,n thot

litter

Into the oper1t1ng

the

eutomatic

one

of

-rOPriate

on

tht

"'""

Nrnmg

Q11'11rltt

Auto

Atpogglo

cbe

fovr

-ctoo

........ ,

--

des

ired

dctosm.,..

='2

beong

on

both

nvo voices

llbo

bt

the

Auto

workl

mode

arpegg1o

tffta~

o¥Oiloble ponotrm

button

.

[

wol

ct

MltctOr

the

rogosttr

~

OCirte

JWltches

func;tion

wrt

Arpoogio tffoet ••

at

s.imutta.niOUitv

••

thtt

,

..

,

In conjunction with

vou

""""'*'

you

w•nt

by

preuing

button

.

ot

the

Auto

f'o9he<

than

.:!<1

1ht

wne

time,

you

. Since these

tcunting

bo<h

••In
not

and

the OFF

wantod.

set

to

de-

• Auto

(Wuh

11

togathtt with

ment. The

as

on
seventh
podll• tOQIIINr with

Fingered

(Art•••"'

io

will continue

lo-

._

.

Atp.

th

note

on

a chord

tN..,.

or

Chord

aetlwottd

kevbotfd.

Now

trv

tn.

Auto

'10 1

•

Fonoor

the

l

owtr

t11o

.-peggio

-.Id

-v

you

minor chood

and the

PI

""'VI

along

w~h

~n

playong

Ar-o

Auto

B

Chord

k•vtx.rd

automttic

effect

when

ploytd

can..._

by

one

ot

Omom

wn.n

the

when you

IM

tune

ON

.

Cf!.

fd

"'on)

to

gtntrlt:t

chood

tnd

w1ll

foUow

on

IM

tlloor-to!h.xofo

••"'I>IY

t11o

Atpeggoo,

dlpresslng

kovt You con

ABC

IN

t•k•

your hand from the

on

tho

simply

plov

an

arpeggiO

ban

aceo.._,;

the Ame

lower

tOQOthor

Memory tuncuon

tho orpeggoo

prowiOUt

PJttem

keyboord

one

of

alto

uw

efteet

pogo

woth

.

;

tN

the

1

PART

..

VI: Harmonies

to

the Melody Line

•

Melody

This

function

each no1c

Since

tht

lmPQ:Md

11c:t.

tnd

you only play a single
board

1J

Set

on

Chord

ou•omat~cally

of

the melody played

ehOt'd

.elected

Of!

the

mtlody

full molody lino

tht

upper

and

(B-<~OSon

gttne1ates

on

on

the

lower kttyboard

you

catl

enjoy

will\

httmonln

nott

at

a ttme

lowt:r tone le

the

ver

9)

Tilt tcllllldl

the

upper k

\l

pptr

-t

The Custom Voices

w•th

1ho

f

Whon

ot

tho

octrvlted,

2) Switch

Tf'ttUI

On

Chord

harmon1e1

from the notes played

the mttody and tho ha1mony sound 11
thgh tly

""

dt

•••

oddod

me

lody tounds 11hnost

to

tw11monue With

tyboord

Wrlllltvtr

Mtlodv On Chord function.

tho

Spool~

cone

lovots

tht

M~lody

on

either

MUChM

lunct10n.

art

added

llparotod

1 1

In

I

In hiQhtr

should

' ·

cannot

!

Prosots

Mode 1 or Mode 2.

control

.

rn

are

4!od

tho

On

Chord

tht

...."hen

tn the

on

the

'''Y

In

roghttrs

all

if

it

be

OJ*Il<H"'

lo

this

is beiAg played

the

be

<Htormlned

used

In

us.tt

Ens.emblt I

wolt

you

..

ver-

upper keyboard,

modo,

than In Modo 1 ond tho

t

vJ

hcumonte.s

upper keyboard,

11

super

th•

luxury

wen

though

on

the

UPt)lf

t.

(Refer

to

melody Pltved

by

to

generate chords

end one or moro

UI'W':tlnn

not

"""

'

oto

Of

the

~tlody

wlect th•s

regtstefl

tha harmonfot

some

if

in

mode,

tO

they

chords.

f01

o(

key

PI·

on

the

at

way

rhat

,,..

3) Play

·

a

·

• Vulunu

ft

The Volume

QOf1«ated

qu1o10r

enywey

•

the

on

the lower.

Wlltn thi•

k

eyho.,d

voice

Mltcttd

On

Ct'H'.M'd

holding

lower k

down

eybo

Soh

by

than

.

C.n~l

melody

;.

done

woll

be

lor tho

function

the

ard.

Soft
the Melody

the

sound

on

the

the

produc:eO

upper

c»a.ses

keys

bunon

On

I)<OduCitd

upper

kty

bot

chord

on

ple~d

woth

the

ktybuord. Th•

to

OJ..,UHII when

either

tht

funher reduce'

Chord,

by

which

the

rd

and

th

e c

hord

on

Lhe lower

melody

uppM

upper keyboard

Mtlody

'VOU

the

it

normelly

In

tht

IIOP

or

the

wund

"'

Thlt

button

'"'""lllll••

the Molody

On

Chord

fun ction.

8