Vox E 1 User Manual

Owner's Manual

Precautions

Location

Using the unit in the following locations can result in a malfunction.

• In direct sunlight

• Locations of extreme temperature or humidity

• Excessively dusty or dirty locations

• Locations of excessive vibration

• Close to magnetic ﬁelds

Power supply

Please connect the designated AC/AC power supply to an AC outlet of the correct voltage. Do not connect it to an AC outlet of voltage other than that for which your unit is intended.

Interference with other electrical devices

Radios and televisions nearby may experience reception interference. Operate this unit at a suitable distance from radios and televisions.

Handling

To avoid breakage, do not apply excessive force to the switches or controls.

Care

If the exterior becomes dirty, wipe it with a clean, dry cloth. Do not use liquid cleaners such as benzene or thinner, cleaning compounds or ﬂammable polishes.

Keep this manual

After reading this manual, please keep it for later reference.

Keeping foreign matter out of your equipment

Never set any container with liquid on this equipment. If liquid gets into the equipment, it could cause a breakdown, ﬁre, or electrical shock. Be careful not to let metal objects get into the equipment. If something does slip into the equipment, unplug the AC/AC power supply from the wall outlet. Then contact your nearest Korg dealer or the store where the equipment was purchased.

THE FCC REGULATION WARNING (for U.S.A.)

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

• Consult the dealer or an experienced radio/TV technician for help.

Unauthorized changes or modiﬁcation to this system can void the user’s authority to operate this equipment.

CE mark for European Harmonized Standards

CE mark which is attached to our company’s products of AC mains oper ated apparatus until December 31, 1996 means it conforms to EMC Directive (89/336/EEC) and CE mark Directive (93/68/EEC). And, CE mark which is attached after January 1, 1997 means it conforms to EMC Directive (89/336/ EEC), CE mark Directive (93/68/EEC) and Low Voltage Directive (73/23/EEC). Also, CE mark which is attached to our company’s products of Battery operated apparatus means it conforms to EMC Directive (89/336/EEC) and CE mark Directive (93/68/EEC).

IMPORTANT NOTICE TO CONSUMERS

This product has been manufactured according to strict speciﬁcations and voltage requirements that are applicable in the country in which it is intended that this product should be used. If you have purchased this product via the internet, through mail order, and/or via a telephone sale, you must verify that this product is intended to be used in the country in which you reside. WARNING: Use of this product in any country other than that for which it is intended could be dangerous and could invalidate the manufacturer's or distributor's warranty. Please also retain your receipt as proof of purchase otherwise your product may be disqualiﬁed from the manufacturer's or distributor's warranty.

Data Handling

Incorrect operation or malfunction may cause the contents of memory to be lost, so we recommend that you save important data on a ﬂoppy disk or other media source. Please be aw are that Korg will accept no responsibility for any damages which may result from loss of data.

* A United States patent has been obtained for Valve Reactor technology. Patents are pending

in other countries. (As of March 2003)

* Company names, product names , and names of f ormats etc. are the trademarks or registered

trademarks of their respective owners.

iii

Quick Start

A G

UIDE FOR THOSE WHO WANT TO PLAY GUITAR FIRST

AND R

Start” to get you up and running in a heartbeat.

explain how to use the knobs and switches of the amp and effect sections to create your own sounds.

this manual a chance - it’s been written by a fellow guitar nut and boasts some killer bells “n” whistles that’ll warrant y our interest. In short, it’ll be worth your while, we promise. I look forward to talking you through the ToneLab in more detail once

you’re done....

ETUP

EAD THE MANUAL LATER

ep, you’re right, the vast majority of manuals are about as interesting as watching paint dry and we know that you’re anxious to plug in to your new ToneLab and giv e it a whirl in the comfort of your home. So , here’s a “Quick

First we’ll get you started quickly using the preset programs. Then we’ll

Once you’ve satisﬁed your primal urge to play, I’d like to urge you to give

HINT:

Want life to be easy? Of course you do! For this reason I suggest you fold

out the inside back cover of this manual before you go any further.

HINT:

Why? So you can see the pretty pictures of the Top Panel and Rear Panel it

contains while you’re going through the “Quick Start,” that’s why!

If you’re going to connect ToneLab to a mixer or recorder, set the rear panel AMP/LINE switch (9.1) to “LINE,” and connect the OUTPUT jacks (L/MONO and R) (9.2) to the input jacks of your mixer or recorder. If you’re monitoring through headphones, connect them to the PHONES jack (5.2).

If you’ re connecting T oneLab to a guitar amp for playing live, set the rear panel AMP/LINE switch to “AMP” and connect the L/MONO output jack to the input jack of your guitar amp.

NOTE:

use the L/MONO jack.

NOTE:

MONO and R output jacks and connect them to the inputs on each ampliﬁer.

HINT:

Turn the LEVEL knob (9.3) on the rear panel of ToneLab all the way to the left, setting the volume to 0.

Plug the supplied AC/AC power supply into ToneLab’s rear panel AC9V pow er inlet (6.1), and plug the power supply into an AC wall socket.

Plug your guitar into the front panel INPUT jack (5.1).

If you’re connecting ToneLab to something that only has a mono input, just

If you’re connecting ToneLab to two ampliﬁers to run in stereo, take the L/

Rear panel area (at the end of this manual) shows an illustration of this.

Before you turn ToneLab on, lower the volume of your amp or mixer so you don’t hear any potentially speaker-damaging pops or buzz es . Then turn on the STANDBY switch (6.2) to power up ToneLab.

Turn up the volume controls of your amp or mixer, and ToneLab’s rear panel LEVEL knob (9.3) to adjust the volume.

NOTE:

tube” if you live on the west side of the Atlantic) warms up. This isn’t a malfunction – it’s a real analogue valve!

ISTEN TO THE PROGRAMS

Use the BANK ▲, ▼ buttons (3.2) to select a bank 1–24.

You won’t hear sound for several seconds while the valve (a.k.a. “vacuum

Notice that the number in the bank display (3.1) blinks and changes.

HINT:

ToneLab has 96 programs, organized into 24 banks with four channels in each bank (24 x 4 = 96). When shipped from the factory, banks 1–12 contain 48 programs. (The programs in banks 13–24 are identical to the programs in banks 1–

12.) Program Select mode lets you select these programs. ToneLab also has a Manual mode that simply reﬂects the current settings (positions) of the selectors and knobs.

HINT:

For an illustration, look at “Bank/Manual/Write/Tuner/Channel Section” in the diagram at the end of this manual.

Use the CHANNEL SELECT 1–4 buttons (3.3) to select a channel.

The selected channel will light, and the number in the bank display will stop blinking and stay lit. The program is now selected. Play your guitar to try it out! For example if you want to select program 1-2 (bank 1, channel 2), use the BANK

▲, ▼

buttons to make the bank display show “1,” and then press the SELECT CHANNEL 2 button to make the button light. To select another program in the same bank, simply press one of the CHANNEL SELECT buttons 1–4. To select a program from a different bank, perform steps 7 and 8.

NOTE:

Get back into Program Select mode as described in “Getting to Program Select Mode” (p.16).

HINT:

sounds, nostalgic clean sounds that work best with your rhythm (neck) pickup, aggressive modern crunch sounds for heavy rifﬁng with your lead (bridge) pickup, and much more. P.57 has a list of the preset programs.

STEP ON IT!:

it to switch programs.

If you can’t select a program, you’re probably not in Program Select mode.

The preset programs cover an amazing range of sounds; fat hi-gain lead

If you have the optional VOX Valvetronix foot controller, you can use

REATE YOUR OWN SOUNDS

To create your own sounds, use the knobs and buttons of the amp and effects sections – just as you would expect! The controls of the amp section work basically the same as on your favorite guitar amp. Simply turn the GAIN (1.3), TREBLE, MIDDLE, BASS, PRESENCE (1.5–1.8), and VR GAIN (1.4) (which corresponds to MASTER) knobs to get your desired sound. To get the most distortion, turn up the VR GAIN knob. CH VOLUME (1.9) regulates the volume while preserving the overall sound, including the distortion produced by the Valve Reactor. When you use the AMP TYPE (1.1) and CABINET TYPE selectors (1.2), it’s just as though a different guitar amp materialized right in front of you!

HINT:

If you want to hear the amp section with absolutely no effects, set the PEDAL selector to the “OFF” position to turn off the PEDAL section. Then hold down the TAP button (2.4) for at least one second to bypass the MODULATION, DELAY, and REVERB effects. (The effect LEDs that had been lit will start blinking.)

HINT:

P.33 lists recommended combinations of amp and cabinet models but others are ﬁne too.

HINT:

If you want to replicate the sound of the original amp, set [VR GAIN] to the maximum setting on vintage-type models that do not hav e a master v olume control (i.e., AC15, AC15TB, AC30, AC30TB, UK BLUES, UK 68P, BLACK 2x12, TWEED 1x12, and TWEED 4x10). For modern-type amps that have a master volume control, adjust [VR GAIN] in the same way that you would on the original amp. When the [VR GAIN] setting is low , preamp-type distortion will occur . As y ou raise the [VR GAIN] setting, the pre-amp will begin loading the Valve Reactor to cause clipping, and the warmth and distortion of the Valve Reactor will be added.

HINT:

For an illustration, look at area in the top panel diagr am at the end of this manual.

10.

ToneLab provides a PEDAL effect that is placed before the amp, and MODU-

LATION, DELAY, and REVERB effects that are placed after the cabinet. If the MODULATION, DELA Y, or REVERB effects are bypassed, press the TAP

button (2.4) to activate them. For example if you want to use the MODULATION effect CHORUS, press the MODULATION TYPE button (2.3) several times to make the CHORUS LED light. Notice that the TYPE button is lit. In this state, you can adjust the chorus settings by turning the three value knobs 1–3 located at the right; these knobs will adjust the speed, amount of effect mixed into your sound, and the depth of modulation. You can adjust the DELAY and REVERB effects in the same way. To set the delay time for the DELAY effect, press the TAP button (2.4) twice at the delay interval you want.

HINT:

Some effect settings may cause unwanted distortion. If this happens, lower the CH VOLUME (1.9).

HINT:

For an illustration, look at area in the top panel diagr am at the end of this manual.

If you want to keep your settings, you can either save the program as described on p.20, or write down the settings on the “Progr am Sheet” provided at the back of this manual.

Precautions ..................................................................................................ii

Data Handling.............................................................................................iii

Quick Start...................................................................................................iv

Introduction.................................................................................................1

Welcome Aboard! ....................................................................................................1

Main Features..........................................................................................................1

Valve Reactor Technology.......................................................................................2

An Overview of ToneLab..........................................................................................3

A Guitarist’s Guided Panel Tour.................................................................5

The Top Panel .........................................................................................................5

Rear Panel.............................................................................................................11

Setup...........................................................................................................12

Basic Connections.................................................................................................12

Using ToneLab For Direct-Line Recording.............................................................13

Using ToneLab For Live Performance ...................................................................14

Using the Optional Foot Controller.........................................................................14

Using ToneLab with a MIDI Device or Computer...................................................14

Selecting Programs or Manual Settings

(Program Select Mode / Manual Mode) ...................................................15

Programs (Program Select Mode).........................................................................15

MANUAL MODE: What You See is What You Get!.................................................16

Creating and Storing Your Own Program(s) ... & More...........................17

Creating Your own Program(s)..............................................................................17

Adjusting the Noise Reduction (UTILITY “NR SENS”)...........................................19

Naming a Program (UTILITY “Program Name”)....................................................19

Storing a Program..................................................................................................20

Restoring a Setting to its Original Value (Original Value)......................................20

Explanations of the Amp and Effect Types..............................................21

A. AMP Models......................................................................................................21

1. AC15...........................................................................................................23

2. AC15TB......................................................................................................24

3. AC30...........................................................................................................25

4. AC30TB......................................................................................................25

vii

5. UK BLUES..................................................................................................26

6. UK 68P .......................................................................................................26

7. UK ’80s.......................................................................................................27

8. UK ’90s.......................................................................................................27

9. UK MODERN (UK MODRN).......................................................................27

10. RECTO.....................................................................................................28

11. US HIGAIN (US HI-G) ..............................................................................28

12. BOUTIQUE OD (BTQ OD) .......................................................................28

13. BOUTIQUE CL (BTQ CL).........................................................................28

14. BLACK 2x12 (BLK 2X12)..........................................................................29

15. TWEED 1x12 (TWD 1X12).......................................................................29

16. TWEED 4x10 (TWD 4X10).......................................................................30

B. CABINET Models ..............................................................................................31

1. TWEED 1x12 (TWD 1X12).........................................................................31

2. TWEED 4x10 (TWD 4X10).........................................................................31

3. BLACK 2x10 (BLK 2X10)............................................................................31

4. BLACK 2x12 (BLK 2X12)............................................................................31

5. VOX AC15 (AC15)......................................................................................32

6. VOX AC30 (AC30)......................................................................................32

7. VOX AD412 (AD412)..................................................................................32

8. UK H30 4x12 (UK H30) ..............................................................................32

9. UK T75 4x12 (UK T75)...............................................................................32

10. US V30 4x12 (US V30).............................................................................32

11. OFF...........................................................................................................33

WHAT GOES WITH WHAT?..........................................................................33

C. PEDAL Effects...................................................................................................34

1. OFF.............................................................................................................34

2. COMP.........................................................................................................34

3. ACOUSTIC.................................................................................................35

4. VOX WAH...................................................................................................35

5. AUTO WAH ................................................................................................35

6. U-VIBE........................................................................................................36

7. OCTAVE.....................................................................................................36

8. TREBLE BOOST (TREB BST)...................................................................36

9. TUBE OD....................................................................................................36

10. FAT OD.....................................................................................................36

11. FUZZ.........................................................................................................36

D. MOD (Modulation) Effects.................................................................................37

1. OFF.............................................................................................................37

2. CHORUS....................................................................................................37

3. FLANGER...................................................................................................37

4. PHASER.....................................................................................................38

5. TREMOLO..................................................................................................38

6. ROTARY.....................................................................................................38

E. DELAY Effects...................................................................................................38

1. OFF.............................................................................................................39

2. DELAY........................................................................................................39

3. TAPE ECHO (T ECHO)..............................................................................39

4. MULTI HEAD (MULTI HD)..........................................................................39

viii

F. REVERB Effects................................................................................................40

1. OFF.............................................................................................................40

2. SPRING......................................................................................................40

3. ROOM.........................................................................................................40

4. PLATE ........................................................................................................40

Tuner...........................................................................................................41

Tuning Procedure ..................................................................................................41

Calibrating the Tuner .............................................................................................41

Using the Optional Foot Controller..........................................................42

Expression Pedal Settings (UTILITY “EXP ***” — “EXP INIT”)...........................42

Control via MIDI.........................................................................................45

Connecting a MIDI Device or Computer................................................................45

Setting the MIDI Channel (GLOBAL “MIDI CH”)....................................................46

Program Change (GLOBAL “PCHG OUT”) ...........................................................46

Control Change (GLOBAL “CCHG I/O”)................................................................47

Parameter Change (GLOBAL “SYEX OUT”).........................................................48

Backing up and Restoring Program Data

(GLOBAL “DUMP CUR,” DUMP ALL”)..................................................................48

Adjusting the Digital Output Level (GLOBAL “DOUT LVL”)...................50

Restoring the Factory Preset Programs...................................................51

Troubleshooting........................................................................................52

MIDI Implementation Chart......................................................................54

Specifications.............................................................................................56

Program list................................................................................................57

Index...........................................................................................................63

Top/Rear Panel............................................................... End of this manual

TOP PANEL.................................................................................End of this manual

Bank/Manual/Write/Tuner/Channel Section..........................End of this manual

REAR PANEL..............................................................................End of this manual

Program Sheet............................................................... End of this manual

Introduction

WELCOME ABOARD!

any thanks for adding the VO X Valvetr onix T oneLab to your sonic arse- nal. We’re sure it’ll give you countless hours of great guitar tones that will

your ToneLab, please read this manual at least once, and (as they say), “use the product as directed.” Keep the manual for future reference after you’ve read it; you’ll want to re-read it later at some point to pick up cool tips you may have missed the ﬁrst time around.

MAIN FEATURES

• ToneLab features Valve Reactor technology that switches between Class A and

• ToneLab uses sophisticated modeling technology to create amp, cabinet, and

• Since high-quality effects are built in, ToneLab is all you need to create a com-

• You can store all of your own amp settings and effect model settings as a “pro-

• Manual Mode lets you use ToneLab just like a conventional guitar amp. The

• For convenient tuning, an Auto Chromatic Tuner is built-in.

• If the optional VOX Valvetronix foot controller is connected, you can use it to

• ToneLab plays nicely with other equipment – it has a digital output jack and MIDI

feel as good as they sound!

To maximize your chances of enjoying a long and happy relationship with

Class AB power amp circuits with an actual 12AX7 (ECC 83) miniature triode valve (v acuum tube) to create the sound of an actual tube power amp , deliv ering the response and tone of classic amps.

effect sounds. You can choose from sixteen amp types that include classic vintage amps and expensive high-end valve amps, and ten different cabinet types. By combining amp types and cabinet types you can create an amazing range of sounds, some of which have never been heard before.

pletely ﬁnished sound. Ten types of pedal effects are placed before the amp. And after the cabinet are placed ﬁve types of modulation effects, three types of delay effects, and three types of reverb effects. You can choose one type for each effect plus Noise Reduction, and use them simultaneously.

gram” in one of 96 prog ram memories. T oneLab comes with 48 preset progr ams for instant gratiﬁcation.

sound will be exactly as speciﬁed by the physical positions of the amp section knobs. In other words...what you see is what you get!

switch programs, turn effects on/off, or set the tap tempo for the delay time. Since the foot controller also lets you control the wah and volume pedals, it’s a must-have item for live performance.

IN/OUT jacks.

IntroductionPanel TourSetupProgram/

Manual

Creating

and Storing

• ToneLab Sound Editor is an editor/librarian software that lets you visually edit ToneLab’s numerous parameters, and save and manage programs. To obtain the “ToneLab Sound Editor ,” please contact the VOX distributor in your country or download the latest version from: “http://www.voxamps.co.uk” or “http://www.valvetronix.com/” To ﬁnd your local Distributor go to: “http://www.voxamps.co.uk/dealers/worldwid.htm”

VALVE REACTOR TECHNOLOGY

THE POWER (AMP) AND THE GLORY!

alve Reactor technology was ﬁrst used on the VOX AD60/120VT Valvetronix amps.

cially for line recording.

with a speaker, they do not include a power amp circuit, output transformer, or speaker. In other words, they only have a preamp circuit. A real valve amp sound, however, is produced not just by the preamp, but also by the tone and distortion of the power amp, and by the constant changes in impedance that are created by the power amp driving the speakers. ToneLab contains an actual low-wattage valv e po wer amp circuit, a virtual output transformer (patent applied for) that uses solid-state components to simulate an output transformer, and a dummy speaker circuit that simulates the varying impedance of a real speaker. This means that although it’s low-power, ToneLab has the same circuit structure of an actual all-valve amp.

The Valve Reactor circuitry in ToneLab however has been tuned-up espe-

Since conventional modeling eff ects for line recording are not used directly

While much of the tone creation and shaping carried out is done in the digital domain, its Valve Reactor power amp is 100% analogue. The resulting journey your guitar’s signal takes through the analogue world of the power stage plays a major role in providing the all-important feel and tone of the original amps we modelled. The Valve Reactor power stage is, to all intents and purposes, a bona ﬁde valve (tube) push-pull power ampliﬁer, but in miniature. It utilizes a 12AX7 (ECC83) valve (a dual triode de vice - meaning “two valves in one”) and is equipped with an output transformer, just like a “real” valve amp. The power amp output of ToneLab’s Valve Reactor is designed to “read” the constantly changing impedance curve of the dummy speaker circuit system and feed this information back to the virtual output transformer – just like real valve ampliﬁers do. This information permits the behavior of the valve stage of the amp to vary with the speaker load (impedance), which is another important part of “real world” valve tone.

Apart from the vital valve tone this ingenious power amp design provides, it also allows us to replicate various “circuit characteristics” that are unique to the allvalve power stages of the amps we’ve modelled. These “characteristics” include: Class A or Class AB operation, Presence and Resonance (low end) control

FEEDBACK

(WITH OR W/O

PRESENCE &

RESONANCE)

DEPENDENT

VO X V AL VE REACTOR

PHASE

INVERTER

PREAMP

CIRCUIT

MODEL

12AX7 (DUAL TRIODE)

PUSH–PULL OUTPUT

MODEL DEPENDENT

12AX7 (ECC83)

BIAS

12AX7 (ECC83)

CLASS A OR AB

DUMMY

AMP

USING

SPEAKER

REACTOR

CONSTANT

CURRENT &

REACTIVE

FEEDBACK

OUTPUT TRANSFORMER

circuitry (both found in the negative feedback circuit that some, but not all, valv e po wer amps have) and pow er output. Being able to match such vital characteristics helps ensure that each and every one of our models is as tonally authentic as possible as opposed to the usual “close but deﬁnitely no cigar” norm of digital modeling. And just so you know, this patented in USA power amp technology is unique to VO X Valvetronix.

AN OVERVIEW OF ToneLab

Let’s talk about how ToneLab is structured.

IntroductionPanel TourSetupProgram/

Manual

Creating

and Storing

SIGNAL ROUTE

When you plug into ToneLab the signal passes through the following stages. You might want to glance at the explanations in “A Guitarist’s Guided Panel

Tour” (p.5) while you read this section.

EFFECTS

MODULATION

DELAY

REVERB

PEDAL

EFFECTS

AMP MODELS

16 TYPE

PRE AMP

GAIN

VR GAIN

VALVE REACTOR

POWER AMP

CLASS A

CLASS AB

CH VOLUME

CABINET MODELS

10 TYPE

STRUCTURE

You will perform or create sounds using one of ToneLab’s two modes; Progr am Select mode or Manual mode.

Additional functions are provided by UTILITY and GLOBAL modes (where you can make settings for the optional foot controller and for MIDI), WRITE mode where you can save your original programs, and TUNER mode which lets you tune your guitar. (To access these modes, just press the corresponding button.)

AMP/ LINE SW

Program Select mode:

• Choose, play, and edit any of the 96 programs.

Manual mode:

• Use ToneLab just like a guitar amp, where the sound will be exactly as the knobs are set. As we said before...what you see is what you get!

UTILITY:

• Adjust the noise reduction (the higher the settings the more noise will be suppressed).

• Name a program.

• Choose the function that will be controlled by the expression pedal of the optional foot controller.

GLOBAL:

• MIDI-related settings.

• Adjust the digital output level.

WRITE:

• Save a program.

TUNER:

• Use the auto chromatic tuner to tune your guitar.

But hey, talk is cheap and ultimately the proof of this particular pudding lies in the way ToneLab sounds and feels when you play it. So, let’s cut to the chase and get started. Grab your guitar, turn to “Quick Start” (p.iv), and prepare to experience some great sounds!

A Guitarist’s Guided Panel Tour

ere we’re going to learn about the knobs, buttons, and jacks on ToneLab’s top and rear panel.

To help make this manual as painless to use as possible, we’ve given it an inside back cover that folds out. And, when you fold it out you’ll see nice big pictures of the Top Panel, Rear Panel and more. Why did we do this? So you can have pictures of both panels staring you in the f ace while you read about ‘em - thus avoiding the annoying “ﬂicking between pages” that most manual’s require you to do because there’s only one picture of a panel and it’s never on the same page you’re reading! So, fold out that useful back cover and let’s go...

IntroductionPanel TourSetupProgram/

Manual

THE TOP PANEL

AMP SECTION

These control the settings for the amp.

1.1 AMP TYPE Selector

This allows you to select an amp type. The amp type you select will determine the operation of the power amp (Class A or AB), the response of the tone controls, and the wiring of the circuitry , causing the controls to function just as y ou would expect on the actual amp being modeled. The sixteen stunningly accurate amp models - each of which is based on an accepted all-tube classic – include the legendary VOX AC30TBX. (For details, see p.21.) As already mentioned in the intro to this manual, each model not only replicates the exact gain and tonal characteristics of the original amp’s preamp circuit, it also simulates the all-important power amp stage, in terms of both Class (A or AB) and negative feedback circuit (or lack thereof).

1.2 CABINET TYPE Selector

This selects one of ten cabinet models that replicate the shape and size of the cabinet plus the type and number of its speakers. (For details, refer to p.31.)

HINT: Notice that the AMP TYPE, CABINET TYPE, and PEDAL selectors have the

instantly recognizable “chicken-head” (pointer) knobs in the true VOX tradition.

Creating

and Storing

Preamp Controls

1.3 GAIN Control

This adjusts the preamp gain of the selected amp model.

1.4 VR GAIN Control

This adjusts the volume from the preamp to the Valve Reactor circuit. This setting will affect the amount of distortion produced by the Valve Reactor. (For details, refer to p.22.)

NOTE: The amount of Valve Reactor distortion is also affected by the GAIN control.

With some settings, you’ll notice less distortion.

1.5 TREBLE Control

1.6 MIDDLE Control

1.7 BASS Control

This trio of controls allows you to dial-in the exact amount of high, mid, and lo w frequencies. The manner in which each one of these controls behaves and interacts with the others is dependent on the amp type selected.

NOTE: In keeping with the originals, certain models will produce almost no sound

when these three tone controls are turned all the way down (counterclockwise).

NOTE: Not all of the original amps that we modeled ha ve controls f or T reble, Middle

and Bass. In such cases, rather than simply leaving the non-existent control unem-

ployed, we allow you to use all three to effectively increase the tonal range of the

original. For more details, see the explanation of each amp type starting on p.21.

Power Amp Controls

1.8 PRESENCE Control

This control allows you to adjust the amount of Presence (high frequency “sparkle”) in your sound.

If the original amp doesn’t have a Presence control, this will have a different function.

NOTE: Presence is a function of a power amp containing a negative feedback cir-

cuit, and not all the original amps we modeled contain one – for example, none of

the four Vox amps we modeled (AC15, AC15TB, AC30 & AC30TB) feature a nega-

tive feedback circuit. Furthermore, not all amps that have a negative feedback cir-

cuit necessarily feature a Presence control. For example, the original BLACK 2x12

– negative feedback in the power amp? Yes. Presence Control? Nope. Whenever a

modeled amp didn’t have a Presence control, rather than have this knob do abso-

lutely nothing, we used it to control something else. For more details on exactly

what the PRESENCE control does on each model, see the explanation of each

amp type starting on p.21.

1.9 CH VOLUME Control

This knob allows you to adjust the ov erall v olume of your ToneLab. You can use this to adjust the volume while preserving the tonal character, including the distortion created by the Valve Reactor circuit.

NOTE: Some effect settings may produce unwanted distortion. If this occurs, turn

down the CH VOLUME.

EFFECTS SECTION

The PEDAL effects are connected in “front” of the amp, and allow you to add one pedal effect to your setup, if you wish. All ten (10) of the effects on offer here are models of classic stompbox effects and, therefore, are meant to be added to your guitar’s signal before it hits the actual amp.

Modulation, delay, and reverb are placed after the cabinet, which is the way it’s done in a studio.

HINT: The reason that modulation, delay, and reverb effects are invariably set up

after the amp rather than in front of the amp as a “stompbox” is simple. To most

people’s ears, they sound better and more realistic that way. Think about it –

REVERB emulates the sound created by a room or a hall. So, logic dictates that if

we’re going to add it to our sound, the closer to the end of the signal chain w e put it,

the more “real” and natural it’s going to sound. The same is true for DELAY and for

many MODULATION effects too – their very nature dictates that they should be

added near the end of your signal path, not at its beginning.

Also, if you’re using a crunch or high gain lead sound then it makes much more

sense to add effects like ROTARY, ROOM (reverb) or DELAY to the signal after it’s

been distorted, rather than before. I mean, does it make any sense to add an effect

like reverb and then mash the heck out of your signal (i.e., distort it)? Not

really...right!? Good, case closed. Now our little detour’ s over – let’s get on with the

front panel tour...

2.1 Effect Type LEDs

These show the type of effect you are using. (For the PEDAL effect, the LED will be lit unless the selector is set to OFF.) If an LED is dark, that effect is OFF.

IntroductionPanel TourSetupProgram/

Manual

Creating

and Storing

2.2 PEDAL Selector

This lets you select one of the ten stompboxes on offer, or bypass the section. When you turn the PEDAL selector , the TYPE b utton will light, and you can use the three value knobs 1–3 to adjust the parameters. If you don’t want to use a pedal effect, select OFF. (For more information on each of the pedals models here, start on p.34.)

2.3 TYPE Buttons

These select the types of effects. You will also use these to select the effect that value knobs 1–3 will edit.

When you press a button once, it will light; now you can use value knobs 1–3 to edit the parameters of that effect. By pressing an already-lit button once again, you can switch to a different effect type. If you don’t want to use an effect, press the button repeatedly until all of the eff ect type LEDs f or that effect are off.

2.4 TAP Button (HOLD: EFFECT BYPASS)

This button enables you to set the delay time by merely tapping your ﬁnger on it at the desired tempo (speed). Hitting the T AP button twice or more will set the delay time. The button will blink at the time interval you tapped in.

If you press and hold the TAP button for one second or longer, the three eff ects Modulation, Delay, and Reverb will be bypassed. (When bypassed, the effect type LEDs that were lit will blink.)

HINT: To set a precise delay time that matches a song’s tempo, tap your ﬁnger on

the TAP button in time with the song. If it’s slightly off, use the Fine Control to match

it perfectly.

STEP ON IT! If the optional foot controller is connected, y ou can set the delay time

by tapping your foot.

HINT: To defeat Bypass, press the TAP button once again.

2.5 Value Knobs 1–3

In Program Select mode and Manual mode, these knobs adjust the eff ect. The knobs will edit the effect you selected b y its TYPE button (i.e., the effect whose button is lit). For details on the parameters that these three knobs adjust, refer to p.34 and following. (From the left, these knobs are called value knobs 1–3.)

When you are making UTILITY or GLOBAL settings, you can use v alue knob 3 to edit the value.

NOTE: For some effect settings, undesired distortion may occur. If this happens,

lower the CH VOLUME.

BANK/MANUAL/WRITE/TUNER/CHANNEL SECTION

Phew, the “Bank/Manual/Write/Tuner/Channel Section?” What a mouthful! Don’t stress though – just because this area houses a few different things doesn’t mean it’s complicated. In fact, as you’re about to discover, it’s both logical and simple ... honest! This section is simply where you select and view programs, and see the names and values of the amp and effect section par ameters that are creating your sound. This is also where you make UTILITY and GLOBAL settings.

3.1 BANK Display

This displays the program bank.

3.2 BANK/VALUE ▲, ▼ Buttons

In Program Select mode, use these buttons to select one of the eight (8) program banks. When making UTILITY or GLOBAL settings, use these buttons to edit parameters or values.

If you press ▲ and ▼ simultaneously, you will enter Manual mode.

3.3 CHANNEL SELECT/MENU & CURSOR 1/PREV, 2/NEXT, 3/√√√√, 4/®®

®®

But-

tons

In Program Select mode, use these buttons to select a channel within each bank. When making UTILITY or GLOBAL settings, use these buttons to select a menu or parameter.

3.4 UTILITY Button

This lets you assign a name to a program, adjust the Noise Reduction and set up the optional foot controller.

Press the UTILITY button to make the button light, and then use the 1/PREV or 2/NEXT buttons to move through the menu items listed below. After selecting the desired menu item, use value knob 3 or the ▲, ▼ b uttons to change the value.

NR SENS: Noise reduction (p.19) ********: Program name (p.19) EXP : Expression target (p.42) EXP MIN: Expression target range (minimum value) (p.42) EXP MAX: Expression target range (maximum value) (p.42) EXP INIT: Initialization setting for the expression pedal (p.42)

3.5 GLOBAL Button

This is where you adjust settings for MIDI or the digital output. Press the GLOBAL button to make it light, and then use the 1/PREV and 2/

NEXT buttons (3.3) to move through the menu items listed below. After selecting the desired menu item, use value knob 3 or the ▲, ▼ b uttons to change the value. For some menu items, you will also use the 3/√√√√ and 4/®®®® buttons.

IntroductionPanel TourSetupProgram/

Manual

MIDI CH: Set the MIDI channel (p.46) PCHG OUT: Output settings for program change messages (p.46) CCHG I/O: Output settings for control change messages (p.47) SYEX OUT: Output settings for system exclusive messages (p.48) DUMP CUR: Sends the current program data from the MIDI OUT jack (p.48) DUMP ALL: Sends all ToneLab data from the MIDI OUT jack (p.48) DOUT LVL: Digital output level (p.50)

3.6 WRITE/ENTER Button

This button is used when you want to store a new program. (p.20)

3.7 TUNER/CANCEL Button

This button turns the built-in chromatic tuner on/off. You will also use this to abort saving a program, or to cancel a GLOBAL or

UTILITY operation.

3.8 Name Display

This displays program names, effect names, and parameter names.

3.9 Valve Icon

This indicates the number and type of power valv es (v acuum tubes used in the power stage) in the original amp that is being modeled.

3.10 Value Display

This indicates the value of the parameter. If the displayed parameter value matches the value before you edited it (i.e., the value that is stored in the program), the ORIG (original value) icon will appear. If you hav e modiﬁed (edited) any parameter of the program, the EDIT icon will appear.

Creating

and Storing

VALVE

4.1 Valve window

ToneLab contains a 12AX7 (ECC83) valve (vacuum tube). The valve is a key part of the Valve Reactor power amp.

NOTE: The valve window may break if it is subjected to impact. Be particularly

careful not to let it be struck directly, since this may also break the valve itself . If the

valve window is broken, have it repaired immediately, since the valve itself may

break or other damage may occur if this is not ﬁxed.

INPUT/PHONES (The Front Panel)

5.1 INPUT Jack

Connect your guitar to this jack.

5.2 PHONE Jack (stereo)

Connect your headphones here. The rear panel LEVEL knob adjusts the headphone volume.

REAR PANEL

POWER SUPPLY

6.1 ~AC9V

Connect the included AC/AC power supply here.

6.2 STANDBY Switch

This switches the unit between operating and standby conditions.

MIDI

IntroductionPanel TourSetupProgram/

7.1 MIDI OUT Jack

This jack transmits MIDI data to control a connected external MIDI device.

7.2 MIDI IN Jack

This jack receives MIDI data to control ToneLab from a connected external MIDI device.

PEDAL

8.1 VOX BUS Jack

For connecting an optional VOX Valvetronix Foot Controller pedal...a must have item, as you’ll soon discover!

NOTE: Don’t ev er connect anything other than a compatable VOX foot controller to

this jack!

OUTPUT

9.1 AMP/LINE Switch

Set this switch for the device that the OUTPUT jack (or S/P DIF OUT jack) is connected to. You should set this to the “LINE” position if the output jack is connected to a mixer , recording de vice, if you are using headphones , or if ToneLab is connected to a power amp. Set this to the “AMP” position if ToneLab is connected to a guitar amp.

9.2 OUTPUT Jacks (L/MONO, R)

These are analogue output jacks (balanced/unbalanced TRS). Connect the L/ MONO jack if you are running in mono.

Manual

Creating

and Storing

9.3 LEVEL Knob

This adjusts the level of the OUTPUT jacks and PHONE jack.

9.4 S/P DIF OUT Jack (Digital Output)

This is an optical-type digital output jack in S/P DIF format (IEC60958, EIAJ CP-1201). It digitally sends the same audio as the OUTPUT jacks at a sampling rate of 44.1 kHz. You can connect it to the input jack of a digital recorder or other digital audio device.

NOTE: The LEVEL knob does not control the digital output level. Refer to “Adjust-

ing the digital output level,” p.50.

Setup

NOTE: You MUST turn off the power of all your equipment before you make con-

nections. If you ignore this warning, you may damage your speaker system or

experience malfunctions!

BASIC CONNECTIONS

1. Use audio cables to connect the ToneLab’s OUTPUT L/MONO (9.2) to your

mixer/recorder or guitar amp. (p.13, 14)

NOTE: If you’re making connections in mono, use the OUTPUT L/MONO jack.

Howev er to take the fullest adv antage of ToneLab’s sound, we strongly recommend

that you use stereo connections.

If you are using headphones, plug them into the PHONES jack (5.2).

NOTE: Signal from the OUTPUT jack will still be heard even if headphones are

plugged in.

If you want to use an optical cable to connect ToneLab to a digital mixer or recorder, connect the cable to the S/P DIF OUT jack (9.4). (p.13)

2. If you connect ToneLab to a mixer or recorder, set the AMP/LINE switch (9.1)

to “LINE.” If you connect it to a guitar amp, set the switch to “AMP.”

3. Turn the LEVEL knob (9.3) located on the rear of ToneLab all the way toward

the left (as seen from the rear), setting the volume to 0.

4. Connect the included AC/AC power supply to the rear panel AC9V power sup-

ply jack (6.1), and then connect the plug to an AC outlet.

5. Plug your guitar into the INPUT jack (5.1).

6. First, turn down the volume of your amp or mixer so you don’t hear crackles or

pops when the power is turned on! Then turn on the STANDBY switch (6.2) to turn on the power.

7. Adjust the volume by using the controls of your amp or mixer, and ToneLab’s

rear panel LEVEL knob (9.3).

Guitar

To a mixer/recorder or guitar amp

Headphones

PHONES

LINE/AMP S/P DIF OUT

OUTPUT L/MONO

To a digital mixer/recorder

VOX BUS

To a MIDI sequencer or computer

ToneLab

Dedicated foot controller

~AC9V

Mono jack

INPUT

AC/AC power supply

To an AC outlet

NOTE: Since ToneLab uses an actual valve (vacuum tube), it will produce no

sound for several seconds until the valve warms up. This isn’t a malfunction – it’s

just the nature of valves.

USING ToneLab FOR DIRECT-LINE RECORDING

EXAMPLE OF ANALOGUE CONNECTIONS

• When using ToneLab for analogue recording, set the rear panel AMP/LINE

switch (9.1) to the “LINE” position, and connect the OUTPUT L/MONO and R jacks (9.2) to the channel input jacks of your mixer or recorder.

HINT: If you’re using a mono connection, use the OUTPUT L/MONO jack.

HINT: If you’re using stereo connections, pan the input channels of your mixer/

recorder to the far left and right respectively.

IntroductionPanel TourSetupProgram/

Manual

Creating

and Storing

Guitar

OUTPUT L/MONO

ToneLab

LINE/AMP

LINE

Mono jack

INPUT

LINE IN 1

PAN L

LINE IN 2 PAN R

MIC

BAL

UNBAL

LINE IN 4

LINE IN 6

LINE IN 3

LINE IN 5

LINE IN 2

LINE IN 1

LOW CUT

75Hz

18dB/OCT

10dB

-40dB

10dB

-40dB

10dB

-40dB

TRIM

AUX

MON/

EFX

+15

EFX

+15

12kHz

-15 +15

-15

+15

-15 +15

MID

2.5kHz

-12 +12

-12

+12

-12

+12

LOW

80Hz

+15

-15

+15

-15

+15

-15

PAN

MUTE

ALT 3–4

SOLO

Mixer/recorder

Tape Send

STEREO AUX RETURNS

LEFT

(1/MONO)

BAL OR

UNBAL

LOW CUT 75Hz 18dB/OCT

-40dB

LINE IN 7-8

AUX

MON/ EFX

+15

EFX

+15

12kHz

-15 +15

MID

2.5kHz

-12 +12

U LOW 80Hz

+15

-15

PAN

7–8

MUTE

ALT 3–4

SOLO

40 50 60

RIGHT MONO

BAL OR UNBAL

LEVEL

-10

LINE IN 9-10

AUX 1

MON/ EFX

EFX

HI 12kHz

-15

MID

2.5kHz

-12

LOW 80Hz

-15

PAN

9–10

MUTE

ALT 3–4

SOLO

40 50 60

Tape Return

MAIN OUTS

TAPE

AUX SEND

OUTPUT

INPUT

MICRO SERIES 1402-VLZ

14-CHANNEL MIC/LINE MIXER

BAL/UNBAL

ALL BAL/UNBAL

MONO

BAL

UNBAL

LEVEL

PHONES

-10

LINE IN 13-14

LINE IN 11-12

AUX

MON/

EFX

+20

+10

+15

NORMALLED

AUX 1 MASTER

PRE

POST

EFX

AUX

EFX TO

AUX 1

+20

MONITOR

+15

SELECT

+15

RETURNS

SOURCE

LEFT RIGHT

MAIN

CLIP+28

12kHz

MIX

+10

+15

-15 +15

ALT

3-4

MID

2.5kHz

-12

+12

-12

+12

TAPE

-2

LOW

80Hz

-4

+15

-15

-7

ASSIGN

PAN

-10

TO MAIN MIX

Headphones

-20

NORMAL(AFL)

-30

LEVEL SET(PFL)

0dB=0dBu

SOLO

MODE

13–14

11–12

MUTE

POWER

RUDE SOLO LIGHT

PHANTOM

ALT 3–4

CONTROL

/ PHONES

MAIN MIX

ROOM

SOLO

PHONES

EXAMPLE OF DIGITAL CONNECTIONS

• When using ToneLab for digital recording, set the rear panel AMP/LINE switch (9.1) to the “LINE” position, and connect ToneLab’s S/P DIF OUT jack (9.4) to the digital input jack (S/P DIF format IEC60958 EIAJ CP-1201) of your mixer or recorder.

NOTE: The volume of the S/P DIF OUT jack is adjusted by the GLOBAL setting “DOUT LVL.” See p.50 for details.

Guitar

S/P DIF OUT

S/P DIF IN

ToneLab

Mono jack

INPUT

Digital mixer/recorder

Headphones

PHONES

+ 53 hidden pages

Vox E 1 User Manual

Precautions

Data Handling

Quick Start

Table of Contents

Introduction

WELCOME ABOARD!

MAIN FEATURES

VALVE REACTOR TECHNOLOGY

AN OVERVIEW OF ToneLab

A Guitarist’s Guided Panel Tour

THE TOP PANEL

REAR PANEL

Setup

BASIC CONNECTIONS

USING ToneLab FOR DIRECT-LINE RECORDING