• Advanced IR Optimizer eliminates washout and dramatically
reduces over saturation of IR illuminated video without engaging
the Image Signal Processor chip
• 40 Infrared LEDs at 850nm enable viewing in total darkness up
to 150 feet
• 0.003 Lux (F1.2 @ 40IRE) / 0 Lux with IR LEDs On
• E-WDR by Adaptive Tone Reproduction
• 2.8-10mm Varifocal Auto Iris Lens with External Adjustments for
Focus and Zoom
To prevent fire or shock hazard, do not expose the unit to rain or moisture.
This symbol is intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in the literature
accompanying the unit.
This symbol is intended to alert the user to the presence of
uninsulated "dangerous voltage" within the product's enclosure that
may be of sufficient magnitude to constitute a risk of electric shock.
Warning (NTSC version) -- This equipment has been tested and found to comply with the limits for a Class A
digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable
protection against harmful interference when the equipment is operated in a commercial environment. This
equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instruction manual, may cause harmful interference to radio communications. Operation
of this equipment in a residential area is likely to cause harmful interference in which case the user will be
required to correct the interference at their own expense.
Caution -- Any changes or modifications in construction of this device that are not approved by the party
responsible for compliance could void the user's authority to operate the equipment.
Notice -- The images used in this manual are processed to help comprehension and
may differ from the actual video of the camera.
1. Safety Instructions and Notes
• Please read these safety and operating instructions before placing the camera into operation.
• Keep the manual in a safe place for later reference.
• Pay attention to safety when laying the connection cable and observe that the cable is not subjected to
heavy loads, kinks, damage or moisture.
• Never open the device to expose boards or lenses.
The warranty becomes void if repairs are undertaken by unauthorized persons.
• Only authorized service centers may perform maintenance or repairs.
• Use only a mild detergent to clean the housing.
• Keep the window surface clean of dirt or dust, which may reflect infrared light into the lens at night.
• The camera should never be operated beyond the technical specifications. This can lead to destruction.
WARNING
Caution
To prevent electric shocks
and risk of fire hazards, do
NOT use other than specified
power source.
Page 4
3
2. General Descriptions
This camera is an ultra clear resolution camera that realizes over 700TVL resolution and a crisp color
reproduction with Sony 960H EX-view CCD and Effio-E image signal processor.
Effio-E digital imaging system:
• Delivers crystal clear images with over 700TVL resolution that accurately captures every aspect of any
scene
• Color signal processing provides optimum balance between luminance and chroma signals for
high color reproducibility, even for a detailed scene containing very high spatial frequency
• Incorporates 2-D noise reduction signal processing
ICR mechanism:
• Enhances sensitivity up to 10x at night.
• Accepts infrared light
24VAC/12VDC dual power design:
• Offers flexibility of installation
• Ensures reliability
Main features:
• High Density 1/3” EX-VIEW CCD & Effio-E DSP
• 700TVL High Resolution
• Advanced IR Optimizer eliminates washout and dramatically reduces over saturation of IR illuminated
video without engaging the Image Signal Processor chip
• 40 Infrared LEDs at 850nm enable viewing in total darkness up to 150 feet
• 0.003 Lux (F1.2 @ 40IRE) / 0 Lux with IR LEDs On
• E-WDR by Adaptive Tone Reproduction
• 2.8-10mm Varifocal Auto Iris Lens with External Adjustments for Focus and Zoom
• Heavy Duty IP68 rated weather/vandal resistant aluminum construction is 100% water and dust proof
• OSD (On Screen Display) and Secondary Video Output
• 24VAC/12VDC Dual Voltage
Page 5
4
3. Supplied Items
• 1x VTC-IRE40/2810 Long range Weatherproof IR Bullet camera
• 1x Installation and Operating Instructions
• 1x Mounting template
• 1x ⓖ! Sunshield with ⓐ Attachment thumb screw for Sunshield panel
• 1x ①3mm Hex L-wrench
• 4x ②anchors
• 4x ③Wall mounting screws
• 1x ④Video Sub-output cable
4. Part Names
4.1 Front view
3. SuppliedItems
ⓐ
Sunshield attachment thumb screw
ⓑ IR LED Panel
ⓒ Double GlassWindow
ⓔ
ⓕ
ⓒ
ⓓ
ⓐ
ⓑ
ⓖ
ⓗ
ⓓ
Mounting Bracket Foot
ⓔ Foot mount Hole(x4)
ⓕ Arm assembly
ⓖ Sunshield
ⓗ OSD (On Screen Display
Control) cover
① ③ ④ ②
Page 6
5
4.2 Rear side view
5. Installation Instructions
• Make sure the power is not applied before the installation.
• Once the camera is installed, you may first connect the low voltage (AC24V or DC12V) wire to the
camera power connector, then plug the AC adapter to the AC outlets to avoid an improper reset from
power jitter and possible damage from voltage surge.
5.1. Mounting the camera
1) Drill 4 holes into the wall or ceiling using the supplied template
2) Insert the ② anchors into the drilled holes
3) Match ⓔ ( foot mount holes) to the drilled holes
4) Affix the mounting bracket by using ③ supplied screws
ⓛ Focus adjustment
ⓚ Zoom adjustment
ⓛ
ⓚ
Installation on Wall
Installation on Ceiling
Page 7
6
5.2. Power Supply Connections
The VTC-IRE40/2810 can operate on either 24AC or 12VDC, dual voltage power.
It is required that the polarity-matched connection is made for 12VDC supply, otherwise IR LEDs,
will not operate at night.
Primary and secondary grounds are completely isolated to avoid possible ground-loop problems.
5.3. Limit of pan and tilt
1. Pan limit
Pan is limited to +/- 90°.
2. Tilt limit
Tilt is limited to 0° (2°) min ~ 90° max.
Clamp connectors of power input
AC24V/DC12V (RED WIRE)
AC24V/GND (BLACK WIRE)
Installation on Wall
Installation on Ceiling
Page 8
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3. Inclination limit (horizontal image alignment)
Inclination limited to +/-90° max.
6. SETUP Menu
6.1 In the menu
The Setup menu can be accessed and controlled by the OSD control joy stick on the side of the camera.
Five commands are available with the joy stick.
In the menu, use ▲,▼ to move menu, ◀,▶ to change the settings and press ● to select or enter.
The FACTORY DEFAULT in this manual may NOT be the same as the default values set by
the FACTORY due to feature improvements or customer requirements.
To enter the menu, press ●.
6.2 MAIN menu
Follow the chart below for submenu settings.
Joy stick
VIDEO
SUB-OUT
connector
SYMBOL descriptions for joystick operation;
1. ▲,▼, ◀, ▶ - Denotes the direction
of Joystick lever operation.
2. ●
- Denotes “ENTER” by pressing
down on the Joystick lever
MAIN Menu-1
MAIN Menu-2
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MAIN menu-1
Default
Descriptions
SHUTTER
/AGC
AUTO
Sets the parameters related to the shutter mode and AGC for AUTO and
MANUAL settings. See '6.3 SHUTTER/AGC menu' for details.
LENS AUTO
Selects the lens type, AUTO or MANUAL. AUTO supports DC auto-iris lens
only. See '6.4 LENS menu' for details.
DAY/NIGHT
EXT1
w/ IR
LED
AUTO
w/o IR
LED
Can set DAY/NIGHT to AUTO, COLOR, BW, EXT1 and EXT2.
AUTO – Must be used only for a camera with NO IR LEDs.
Camera switches DAY from/to NIGHT automatically along with the
amount of light through the lens..
BURST, DELAY CNT, DAY
→NIGHT, NIGHT→DAY can be set.
See ‘DAY/NIGHT menu’ for details.
COLOR – DAY/NIGHT is disabled and forces to DAY mode only.
BW – DAY/NIGHT is disabled and forces to NIGHT mode only.
Camera switches its IR cut filter out and outputs BW video.
EXT1 – Must be used only for a camera equipped with IR LEDs.
DAY/NIGHT is switched by the external light sensor.
EXT2 – NEVER USE this mode.
PICT ADJUST
-
Sets MIRROR, BRIGHTNESS, CONTRAST, SHARPNESS, HUE or GAIN.
See '6.6 PICT ADJUST menu' for details.
WHITE BAL ATW
Sets ATW, PUSH, USER1, USER2, ANTI CR, MANUAL or PUSH LOCK.
See '6.7 WHITE BAL menu' for details.
ATR OFF
Sets ON/OFF for enabling/disabling ATR (Adaptive Tone Reproduction)
compensation for the better dynamic range (E-WDR) of the image.
See '6.8 ATR menu' to adjust the dynamic ranges.
BACKLIGHT OFF
Selects BACKLIGHT mode out of OFF, HLC or BLC. Areas and gains for
HLC and BLC are factory preset and not user adjustable.
NEXT
Moves to MAIN menu-2.
EXIT
Exits the setup menu. To save the changes, move cursor to 'SAVE ALL'
and press ● button before exiting the setup menu
SAVE ALL
Saves all parameters by pressing ● button when cursor is on 'SAVE ALL'
6. 2.1 MAIN menu- 1
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9
6.2.1 MAIN menu-2
6.3 SHUTTER/AGC menu
This menu shows how to control/select SHUTTER, AUTO IRIS and AGC to get the optimum image for
high luminance and the low luminance according to the scene.
For example, to reduce the “wash out” and extend the dynamic range for a highlighted scene, you will use
SHUTTER+AUTO IRIS in outdoor daylight. This mode may show color rolling or video level hunting
problems in a certain lighting condition such as fluorescent lights.
For Flickerless mode which reduces flicker by NTSC cameras under 50Hz light or PAL camera under
60Hz light, MAIN>SHUTTER/AGC>MANUAL>SHUTTER must be set to 1/100(NTSC), 1/120(PAL) and
MAIN>SHUTTER/AGC>AUTO>MODE to AUTO IRIS. Normal shutter speed with an auto iris lens should
be set to 1/60(NTSC) and 1/50(PAL) for the optimum sensitivity.
This is a complicated menu so please proceed with care when handling the Shutter.
To enter SHUTTER/AGC menu, press ● button at MAIN menu-1 >SHUTTER/AGC.
MAIN menu-2
Default
Descriptions
NR -
Sets the noise reduction parameters for NR MODE and Y LEVEL,
C LEVEL. See '6.10 NR menu' for details.
MOTION DET
OFF
Sets ON/OFF for enabling/disabling MOTION DET.
See '6.11 MOTION DET menu' for the parameter settings.
PRIVACY OFF
Sets ON/OFF for enabling/disabling PRIVACY.
See '6.12 PRIVACY menu' for the parameter settings.
LANGUAGE
ENGLISH
Selects the language out of 7 languages.
CAMERA ID OFF
Sets ON/OFF for enabling/disabling of ID display.
Factory default ID is Software version of camera.
User programmed camera ID will be lost and restored with Factory default
ID by CAMERA RESET. See '6.13 ID menu' for editing ID.
CAMERA
RESET
Restores FACTORY DEFAULT.
To save the restored parameters, move cursor to 'SAVE ALL' and press
● button before exiting the setup menu.
BACK
Returns to MAIN menu-1.
EXIT
Exits the setup menu.
To save the changes, move cursor to 'SAVE ALL' and press
● button
before exiting the setup menu
SAVE ALL
Saves all settings by pressing ● button when cursor is on 'SAVEALL'
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6.3.1 SHUTTER/AGC>AUTO SETUP menu
NOTICE : The setting AUTO IRIS at SHUTTER/AGC>AUTO SETUP>HIGH LUMINANCE MODE will be
changed to SHUT+AUTO IRIS if MAIN menu-1>LENS is changed to MANUAL.
As a result of this, the lens iris can NOT be fully opened when MAIN menu-1>LENS>
AUTO IRIS> MODE is OPEN.
This can be recovered by setting SHUTTER/AGC>AUTO SETUP>HIGH LUMINANCE MODE
to AUTO IRIS.
AUTO SETUP
Default
Descriptions
MODE
AUTO
IRIS
Sets the shutter mode from AUTO IRIS or SHUT+AUTO IRIS when in
MAIN>LENS>AUTO menu, but it is fixed to SHUT if in the
MAIN>LENS>MANUAL menu.
AUTO IRIS - Light level is controlled by an auto iris lens only.
For proper auto iris operation, the auto iris operation mode in MAIN>
LENS>AUTO>MODE must be set to AUTO.
The shutter speed is fixed to the setting at MAIN>SHUTTER/AGC>
MANUAL>SHUTTER in this mode.
Set SHUTTER to 1/60(NTSC) or 1/50(PAL) for the best sensitivity
unless it is in Flickerless mode.
To set Flickerless mode, MAIN>SHUTTER/AGC>MANUAL>SHUTTER
must be set to 1/100(NTSC), 1/120(PAL) and MAIN>SHUTTER/AGC>
AUTO>MODE to AUTO IRIS.
SHUT+AUTO IRIS- Light level is controlled by the combination of an
auto iris lens and a shutter control to improve the highlight from washout and extend the dynamic range. Shutter speed can vary between
1/60 (1/50) ~ 1/10,000 sec.
This mode can enhance the overall video quality of daylight but may
show a smear in a bright spot light or may show color rolling or video
level hunting under a certain lighting condition such as fluorescent lights.
BRIGHT-
NESS
032
Adjusts the brightness of the image with an auto iris lens or a shutter
speed control + an auto iris lens.
MODE
AGC
Sets AGC to compensate the video level when the scene is dim.
BRIGHT-
NESS
x0.50
Sets the brightness level which starts AGC from x0.25, x0.50, x0.75 and
x1.0 of full video level.
If set to x0.50, the camera will start AGC when the video level goes
down below the 50% level.
HIGH LUMINANCE
LOW
LUMINANCE
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6.3.2 SHUTTER/AGC>MANUAL SETUP menu
6.4 LENS menu
To enter LENS menu, press ● button at MAIN menu-1>LENS>AUTO.
MANUAL
SETUP
Default Descriptions
MODE
SHUT
+AGC
Compensates the video level by the manual shutter control and AGC.
SHUTTER
1/60
(1/50)
Sets the manual shutter to 1/60(1/50), 1/100(1/120), 1/250,1/500,1/1000,
1/2000,1/4000 or 1/10000.
Manual shutter is only useful for scenes where luminance is unchanged.
AGC 6.00
Sets AGC gain in dB. Higher gain compensates brighter but noise
increases.
Manual AGC can be set to 6, 12, 18, 24, 30, 36, 42 or 44.8 dB.
AUTO IRIS
Default
Descriptions
TYPE DC
MUST BE SET TO DC ONLY.
This camera does NOT support video type auto iris lens.
MODE AUTO
AUTO – Lens iris is automatically controlled according to the scene’s
light level.
OPEN – Lens is fully opened regardless of the light level.
CLOSE – Lens is fully closed.
SPEED 080
Adjusts the iris control speed.
The lower the value, the faster the speed.
If the speed is too slow or fast, the iris control may be unstable.
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6.5 DAY/NIGHT menu
To enter DAY/NIGHT menu, press ● button at MAIN menu-1>DAY/NIGHT.
IMPORTANT ACTIVITY!!!
DAY->NIGHT and NIGHT-> DAY operations must be examined and verified at the final
installation.
Block the lens for a few seconds for NIGHT mode then release and let it return to DAY mode.
If camera stays at NIGHT mode for more than 10sec, slightly decrease NIGHT→
DAY THRES and
repeat the fore-mentioned steps.
If the scene is too dim or lens iris was adjusted too low (near close), it may not return to DAY.
DAY/NIGHT
Default
Descriptions
IR
OPTIMIZER
OFF
IR OPTIMIZER feature can reduce the over-saturation in video caused by the
narrow emitting IR LEDs
OFF – Disables IR OPTMIZER.
ON – Enables IR OPTIMIZER.
MODE
AUTO
There are two modes available by how to manage IR OPTIMIZER.
AUTO – Reducing the over-saturation is automatically adjusted along with the
location of the subject.
CENTER – Center area is prioritized to reduce the over-saturation.
Over-saturation in the side area could be ignored.
LEVEL 015
Overall brightness is adjusted when IR OPTIMIZER is working.
High value in LEVEL increases the brightness but the over-saturation could
occur.
Low value in LEVEL decreases the brightness and the dim area could be
darker.
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6.6 PICT ADJUST menu
To enter PICT ADJUST menu, press ● button at MAIN menu-1>PICT ADJUST.
PICT ADJUST
Default
Descriptions
MIRROR
OFF
Picture will be flipped horizontally if it turns ON.
BRIGHTNESS
000
Increases or decreases the brightness of the picture.
This is different from that of DC iris lens and simply increases or decreases
the digital gain of the video.
Do not increase this too much, the dynamic range for the highlight area will
decrease.
CONTRAST
120
Increases or decreases the contrast of the picture.
SHARPNESS
128
Increases or decreases the sharpness of the picture.
Note: Too much sharpness can make the image appear harsh and will
show more noise. It may also show line flicker at the edge of object in the
picture.
HUE
128
Adjusts hue for NTSC version only.
GAIN
128
Increases or decreases the color gain of the picture.
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6.7 WHITE BAL menu
White balance can be set to ATW, PUSH, USER1, USER2, ANTI CR, MANUAL or PUSH LOCK.
ATW (Auto Tracking White balance) and PUSH (Full pull-in) is continuously monitoring/analyzing the color
temperature of the incoming light and correcting the white balance.
ATW limits the color temperature range to about 2,500˚K~8,500˚K to reduce the excessive compensation
for a large object that has a single color.
PUSH has no limits between about 1,800˚K~10,500˚K, but it may over-compensate the white balance for
a large object that has a single color.
In cases under 2,500˚K such as halogen light, ATW may stop and if so, PUSH mode is recommended.
USER1 and USER2 are a fixed white balance which is user-programmable by R-GAIN and B-GAIN and
useful only for consistent/steady lighting.
ANTI CR (Anti Color Rolling) can reduce color rolling under fluorescent lighting when the camera
operates in shutter control mode without an auto iris lens. (NTSC version only).
MANUAL white balance is a kind of fixed white balance that is user-programmable by B-GAIN, (R-GAIN
will be automatically adjusted in accordance with B-GAIN) and useful only with consistent/steady lighting.
PUSH LOCK is a fixed white balance where the white balance is compensated only while ● button is
pressed at MAIN>WHITE BAL>PUSH LOCK and finishes the white balance when ● button is released.
To enter ATW (MANUAL) menu, press ● button at MAIN menu-1>WHITE BAL>ATW(MANUAL).
ATW
Default
Descriptions
SPEED 250
Sets the AWB compensating speed. Lower value makes AWB faster.
CAUTION
If AWB is too fast, it may produce color oscillation.
DELAY CNT
001
Adjusts the AWB compensation period to next update of AWB.
The smaller value will update AWB more frequently.
ATW FRAME
X2.00
Determines the ATW range with respect to the fundamental range.
A higher value than x1.00 will extend the ATW range at lower and higher
color temperature.
ENVIRON-
MENT
INDOOR
Selects INDOOR or OUTDOOR.
The ATW is optimized for limited applications.
INDOOR - Optimized for Indoor installation and it compensates ATW for
low color temperature such as incandescent lights.
OUTDOOR - Optimized for outdoor sunlit applications and compensates
ATW for high color temperature such as daylight.
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6.8 ATR (Adaptive Tone Reproduction) Menu
The ATR feature improves the dynamic range and the visibility of the image by providing optimal gradation
compensation of the image in one field. This is achieved by two ways of image processing, luminance
compression and contrast enhancement, so that the tone can be enhanced in highlight and dark areas.
To enter ATR menu, press ● button in MAIN menu-1>ATR.
MANUAL WB
Default
Descriptions
LEVEL 064
Adjusts the manual white balance by LEVEL, (B-GAIN).
ATR
Default
Descriptions
LUMINANCE
MID
Compresses the highlight area and enhances the dark area so that the
entire image can converge toward the medium level.
LOW will compensate minimally and HIGH will level out the image
more. With a HIGH setting, the image may look less contrastive and
noise may increase in the dark area.
CONTRAST MID
Adjusts the strength of the image contrast.
If set to too high, the dark area may lose detail and the high luminance
area may saturate.
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6.9 BACKLIGHT menu
To enter BACKLIGHT menu, press ● button in MAIN menu-1>BACKLIGHT.
The Backlight Compensation – BLC – function is used to brighten an image in the foreground with a highly
lit area behind it such as sunlight, limiting the affect of silhouetting.
The Highlight Compensation – HLC – function is used to black out highlighted areas that may blind the
camera, in order to enable a clear visual image of objects, such as the license plates of an oncoming
vehicle or other objects that may be obstructed by headlamps.
6.10 NR menu
To enter the NR menu, press ● button in MAIN menu-2 >NR.
HLC OFF
HLC ON
BLC OFF
BLC ON
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6.11 MOTION DET menu
Up to 4 motion detection areas are available and each area is programmable in size and location.
The motion is displayed by means of blocks when MAIN menu-2>MOTION DET and MOTION
DET>BLOCK DISP are ON.
To enter MOTION DET menu, press ● button in MAIN menu-2 >MOTION DET>ON.
MOTION DET
Default
Descriptions
DETECT
SENSE
080
Adjusts the sensitivity for detecting motion. Higher value is more sensitive.
BLOCK DISP
ON
Enables or disables display blocks for the area where motion is detected.
MONITOR
AREA
OFF
Displays four motion windows as programmed in sizes and positions.
AREA SEL 1/4
Selects one of AREA1~AREA4 to be adjusted.
TOP (BOTTOM) -
◀ button moves up and ▶
button moves down the top
(bottom) border of the selected window at AREA SEL.
LEFT (RIGHT) -
◀ button moves left and ▶ button moves right the left
(right) border of the selected window at AREA SEL
NR
Default
Descriptions
NR MODE
Y/C
Selects OFF, Y, C or Y/C, which noise reduction is performed with.
Y LEVEL 006
Indicates the noise reduction strength for the luminance signal.
A higher value performs a stronger noise reduction, which makes the
image less sharp.
C LEVEL 004
Indicates the noise reduction strength for the chrominance signal.
A higher value performs a stronger noise reduction and makes the image
less sharp.
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6.12 PRIVACY menu
Up to 8 privacy areas are available and each area is programmable in size and location.
The number of privacy areas is limited to four when MOTION DET>MONITOR AREA is ON.
The privacy areas are masked with the color selected by PRIVACY>COLOR.
To enter PRIVACY menu, press ● button in MAIN menu-2 >PRIVACY>ON.
6.13 LANGUAGE menu
ENGLISH, JAPANESE, DEUTCH, FRANCAIS, RUSSIAN, PORTUGUES and ESPANOL
PRIVACY
Default
Descriptions
AREA SEL
1/8
Selects one of AREA1~AREA8 to be adjusted.
TOP (BOTTOM) -
◀ button moves up and ▶
button moves down the top
(bottom) border of the selected window at AREA SEL.
LEFT (RIGHT) -
◀ button moves left and ▶ button moves right the left
(right) border of the selected window at AREA SEL
COLOR
1
Sets one of 8 colors for the selected mask window at AREA SEL.
TRANSP
1.00
Transparency rate for the mask can be adjusted.
0.00 - Mask is fully transparent and not visible.
0.50 - Mask is 50% transparent.
0.75 - Mask is 25% transparent.
1.00 - Mask is not transparent.
MOSAIC
OFF
Enables or disables the mosaic effect for the selected mask window at
AREA SEL
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6.14 CAMERA ID menu
Up to 40 characters can be used/input for camera ID.
To enter CAMERA ID menu, press ● button in MAIN menu-2 >CAMERA ID.
Use ▲,▼,◀,▶ buttons to move a block cursor over the character table and press ● button to input the
selected character.
To move the character input position on CAMERA ID input line, move a cursor to ←→ on COMMAND LINE
and press ● button on ← or → .
To clear CAMERA ID input line, move a cursor to CLR on COMMAND LINE and press ● button.
To set the location of CAM TITLE to be displayed on the monitor, move a cursor to POS and press ● button
and then menu disappears and CAMERA ID will be displayed on the monitor.
Move CAMERA ID by using ▲,▼,◀,▶ buttons and press ● button to fix.
Menu will appear again. To finish CAM TITLE menu, press ● button on RET on command line.
6.15 CAMERA RESET
Camera loads Factory defaults.
To save them, go to SAVE ALL and press ● button.
6.16 EXIT
Exits SETUP MENU and returns to the normal display
COMMAND LINE
CAMERA ID input line
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7. Specifications
VTC-IRE40/2810
Image Device
1/3” High Density Sony EX-VIEW CCD & Effio-E DSP (960H)
● Design and specifications are subject to change for product improvements without prior notice.
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8. Dimensional Drawings
2.95” (75mm)
1.4” (35mm)
2.75” (70mm)
3.5” (90mm)
3.4” (86mm)
4.35” (110.5mm)
3.56”
(90.5mm)
12.48” (317mm)
10.7” (270.5mm)
Page 23
THE MIGHTY DOME
THE ULTRA VERSATILE DOME CAMERA SERIES
The Mighty Series Dome cameras include models produced
with the new Pixim-Powered Seawolf Wide Dynamic Range
DSP and the Sony Effio Day/Night DSP. The Highest
resolution Analog camera line up to date offers 700 TV Lines
of Resolution, up the coax OSD Control and low light capability
up to 0.00008 lux. Created to meet and solve the challenges
brought on by varying lighting conditions and display clear,
crisp images more accurately than ever before.
A long list of mounting and configuration options are also
available for this camera including extreme low temperature
Heater and built in UTP.
FEATURES:
• High Resolution of 700 TVL incorporating Pixim Seawolf
DSP for WDR & Sony Effio for Day/Night.
• Ultra Versatile Design with Infinity Ball Mount for
Any Viewing Angle
PIXIM WDR
Mighty DomesConventional Cameras
EFFIO DSP
During the DayAt Night
UTP Interface, Standard
Heater/Blower kits
available for all weather
protection all the way
down to -60*F!
• OSD (On Screen Display) with Joystick control for
Camera Function Setup
• Secondary Video Output (Cable Included)
• True Mechanical Day/Night function available
Mighty Dome Inside
(Shown in Black)
• Options include 24VAC with Heater/Blower (down to
-60°F) & UTP Transmission options.
• Vandal Resistant Version is Fully Gasket Sealed with
an IP686 Water tight NEMA Rating
• 1” Conduit Knockout
• Semi-Flush or Surface Mountable
• EXTENSIVE mounting options available
• With Night Watch DSS Low Light Color
Technology
• IR Corrected Lens Options Lens options: 2.9-10mm,
Can be Surface Mounted
with Included Surface
Mount Casing or SemiFlush Mounted for Sleek,
Low Profile Installation.
Secondary Video
Output Enables Ease
of Adjustment after
Installation.
Friction Fit Ball Mount
Camera Module Can
Achieve Virtually Any
Viewing Angle.
The Mighty Dome Vandal
base has been designed to
manage and protect video
and power cables without
the need for external
adaptors.
Page 24
VT-EHP
8 & 16 Channel Digital Video Recorders
The highest recorded resolution in a Real Time Analog
DVR, the EHP delivers “D1” – 704 x 480 @ 480pps
maximum frames per second. All of the powerful features
and applications of the EH Family can be found in the EHP
plus a built in DVD/RW, Jog Shuttle for ease of playback,
Individual video loop through, individual alarm inputs &
outputs as well as Point-of-Sale (POS) integration and
search functions. Available configurations of 8 and 16
channels with a maximum 8 Terabytes internal storage and
HDD Mirror redundancy place this DVR at the pinnacle of
the VITEK EH Lineup.
VT-EHP8 VT-EHP16
Video Input
IPS (Display / Recording)
Video Output
BNC Output
Audio In/Out
Storage
Archive
USB Port
System Control
Network
RJ-45 Ethernet Port
Playback Rate
PTZ
Point of Sale (POS)
Motion Area Setting
Recording Resolution Setting
Recording Quality Control
Player
E-mail notification
System Configuration
Bandwidth limit
Two-Way Audio
Case Form Factor