Viscount Unico 300, Unico 400, Unico 500 User manual

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For hundreds of years the classic organ has offered power, majesty and creativity to the musician that commands all the sounds possible through its
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configuration. It transforms the performer’s inner feelings and the composer’s intentions into an experience of magnificent proportion to the listener.
Viscount now makes it possible for organists throughout the world to experience the thrill that here-to-fore could only be experienced by those
musicians and listeners fortunate enough to play on, and listeners to hear in person, organs in the finest cathedrals and venues around the world.
Physis technology, through its Unico instruments, can now perfectly reproduce the sound, ambience, and configuration of any organ found in
famous venues around the world.
based on the floating-point state of the art, third generation of SHARC® Processors by Analog Devices. Each of them is capable of 2.4 GFLOPS
peak performance. Physis, with up to 8 SHARC® Processors, can send and process in excess of 12 Billion instructions per second (sustained
rate), thus providing the power to accomplish what digital sampling cannot.
It is difficult to separate the natural sound an organ produces from its interaction with its surrounding architecture. Each has an effect on the other.
Space and volume are the main architectural contributors effecting sound, especially when the sound is produced by something as unique as a
windblown pipe. Each hand-made pipe, with its own height, thickness, design and imperfections, speaks differently into its environment.
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Physis physically models the sound by measuring an organ’s natural and physical attributes, as well as its interaction
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with its environment. Then Physis rebuilds that sound through modeling technology, not storing samples like older
technologies, but rebuilding all the details through complex algorithms, down to the smallest imperfections - those
elements that give the original instrument its character and warmth. Physis creates its sound so that it is ever
changing, like the organ used for the model; however it can be adjusted to accommodate the desires of the most
demanding organist, or acoustically deprived environment.
Today, with the introduction of Physis Technology, Viscount has succeeded in reproducing sound waves just as they
would emanate from a windblown pipe organ-each with its own autonomy, individuality and unique characteristics.
Viscount’s Unico instrument, using Physis, produces a reproduction of each note’s sound wave just as it sounded in
the original organ. Since there are no “breaks” or “split-points”, as found in sampling technologies, the progression
of sound across the keyboard is accurate, smooth and natural.
However, the shapes of Physis sound waves are open, thus, making it is possible to edit, modify and extend their structure.
They produce a tri-dimensional sound. Physis speaks, not just with “Left-to-Right” motion, as currently done with older
technologies, but also with “Front-to-Back” and “Up and Down” motion as they do in real windblown pipes.
WWW.PHYSISORGANS.COM
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Technology
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The electronic organ,as with all sophisticated electronic devices, comes from an information technology
environment.
The electronic organ, as with all sophistycated electronic devices, comes from an information technology
environment. For this reason, in the Unico series we adopted Linux , a unix-like and open source
operating system, developed for personal computers. Linux is totally transparent to the organist, who’ll
continue to use his instrument like he does today, but with a lot of benefits in terms of connectivity
and integration with the personal computers world. Linux supports, for example, the whole USB world
(both as master or device), ethernet connection, IP protocol (Internet) and many other protocols and
hardware peripherals.
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500
unico500
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Man I
Prinzipal 8’ Flöte 8’ Prestant 4’ Offenflöte 4’ Doublette 2’ Larigot 1 1/3’ Sifflöte 1’ Sesquialtera II Mixtur IV
Regal 16’ Spanische Trompete 8’ Krummhorn 8’
Tremulant Coupler III/I
Man II
Prinzipal 16’ Prinzipal 8’ Hohlflöte 8’ Gedackt 8’ Gamba 8’ Unda Maris 8’ Oktave 4’ Spitzflöte 4’ Quinte 2 2/3’ Superoktave 2’ Kornett IV Mixtur V
Contra Trompete 16’ Trompete 8’ Klarine 4’
Tremulant Coupler III/II Coupler I/II
Man III
Bourdon 16’ Geigen Prinzipal 8’ Rohrgedackt 8’ Viola di Gamba 8’ Vox Celeste 8’ Oktave 4’ Gemshorn 4’ Rohrflöte 4’ Nasard 2 2/3’ Blockflöte 2’ Terz 1 3/5’ Scharf III
Fagott 16’ Trompete 8’ Oboe 8’ Vox Humana 8’ Clairon 4’
Tremulant
Pedal
Untersatz 32’ Prinzipalbass 16’ Subbass 16’ Gedackt 16’ Oktavbass 8’ Gedackt 8’ Choralbass 4’ Mixtur IV
Contra Bombarde 32’ Posaune 16’ Trompete 8’ Schalmei 4’
Coupler II/P Coupler III/P Coupler I/P
unico500
with its three manuals ,56 voices, drawsrops arrangements and luxury cabinet, offers the perfect environment to experience the amazing capabilities of Physis.
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unico500 / specifications
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Keyboards 3 x 61 notes “tracker touch” keyboards, with velocity control for MIDI and Orchestra sections.
Optional with wooden keys
Pedalboard 32 notes straight, straight concave, radiating concave Stop Type Wooden Drawknob Audio Amplifiers 6 x 60 Watt + 1 x 100 Watt, 7 channels internal amplification system Speakers 13 Expression Pedals 2 Wooden Pedal Crescendo Pedal Wooden Pedal 16 step programmable
STOPS and VOICES
Pedal 12 Man I 12 Man II 15 Man III 17 Total Speaking Stops 56 + 7 Orch. Hundreds voices in the internal sound bank Sound Styles 4 Preset + 4 User. Hundreds Sound Styles can be loaded and/or stored from/to internal memory and
Pen Drive
Alternative Voices Selectable additional sound for each Stop Orchestra Voices Selectable additional sound for each Stop
ACCESSORIES
General Pistons 10 Divisional Pistons 6 Memory Bank 16 Memory Segments 6 (A,B,C,D,E,F) Total Memories 960 General, 3840 Divisional, tens of thousands with Pen Drive Piston Sequencer Prev - Next Pistons and Toe Studs Return to Handset Registration Individual HR for General and Divisional Pistons Toe Studs 22 Console On - Ext. Out Speakers On Can be programmed as Main Out On and Antiphonal On Reed Cancel - Mixture Cancel Yes Automatic Pedal Yes Enclosed piston Yes Couplers 6 With Stops, Pistons and Toe Studs Transposer -6/+5 General Volume - Reverb Volume With Rotary Potentiometers Divisional Midi Enable Yes Organ Solo Piston Solo Coupler Midi Solo Piston Solo on Midi Out Orchestra and Midi Sustain With Expression Pedal Switch Pen Drive Mass Storage Usual Usb Pen Drive can be used as Mass Storage Key ON/OFF Power Switch Yes Sequencer Remote Control Optional Radio no directive 50 mt distance Remote Control with built in 2x16 display
DISPLAY 128 x 64 dots Graphic with Backlight
Edit Voice Parameters Stop by stop adjustable voice parameters Divisional Volume Separate for each Division Tremulant 3 Separately for each manuals Depth and Speed adjustable
Reverberation 8 Types Ensemble Effect Adjustable Air Pressure Effect Proportional to the active Voices Tracker Keyboard Effect Yes Historic Temperaments Kirnberger II, Kirnberger III, Werckmeister III, Werckmeister IV, Werckmeister V, Vallotti, Silbermann
I, Silbermann II, Kellner 1975, Meantone, Meantone pure minor third, Zarlino, Sauveur I, Sauveur II, Barca, Rameau, Pythagorean; each with programmable “Tonic” Key Note
Choir/Great Keyboards Inversion Yes Piston Combine Great/Pedal Divisional Piston Combine Output Router Stop by stop adjustable Windchest layout External Out Volume Control 13 (21) indipendent out volume control External Out 5 Band Equalizer 13 (21) indipendent out 5 Band Equalizer Internal Ampl. 5 Band Equalizer Yes Midi Programmable Tx/Rx Midi Ch., Tx/Rx Midi Filter, Send PG, Keyb. Midi Velocity: progammables Sequencer Interactive Song Sequencer with Overdubbing function Demo Songs Yes File Management Copy, Load, Save, Rename, Delete etc. under Linux Operating System Lock Organ With Password
CONNECTIONS
Midi In, Out, Thru Yes Stereo Headphone Out Yes Stereo Aux In Yes Mic In With Gain Control Multiple Line Out 13, 21 with Output Expansion Board USB to PC (For Viscount Organ Editor) For finest finishing and personalization like Stop by Stop, Note by Note Volume and Pitch
Regulation, Stop disposition, Internal and External Routing, etc.
USB for Pen Drive Yes
CONSOLE
Width x Height x Depth with Pedalb. cm 178x131.5x117 Width x Height x Depth without Pedalb. cm 178x131.5x78 Description Elegant Wooden Console Moldings, Elegant Wooden Lighted Music Rack, Wooden Roll Top with Key-
Lock, Bench with Music Storage Shelf
Weight Kg. 292
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400
unico400
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Man I
Prinzipal 8’ Flöte 8’ Prestant 4’ Offenflöte 4’ Doublette 2’ Larigot 1 1/3’ Sifflöte 1’ Sesquialtera II Mixtur IV
Regal 16’ Spanische Trompete 8’ Krummhorn 8’
Tremulant Coupler III/I
Man II
Prinzipal 16’ Prinzipal 8’ Hohlflöte 8’ Gedackt 8’ Gamba 8’ Unda Maris 8’ Oktave 4’ Spitzflöte 4’ Quinte 2 2/3’ Superoktave 2’ Kornett IV Mixtur V
Contra Trompete 16’ Trompete 8’ Klarine 4’
Tremulant Coupler III/II Coupler I/II
Man III
Bourdon 16’ Geigen Prinzipal 8’ Rohrgedackt 8’ Viola di Gamba 8’ Vox Celeste 8’ Oktave 4’ Gemshorn 4’ Rohrflöte 4’ Nasard 2 2/3’ Blockflöte 2’ Terz 1 3/5’ Scharf III
Fagott 16’ Trompete 8’ Oboe 8’ Vox Humana 8’ Clairon 4’
Tremulant
Pedal
Untersatz 32’ Prinzipalbass 16’ Subbass 16’ Gedackt 16’ Oktavbass 8’ Gedackt 8’ Choralbass 4’ Mixtur IV
Contra Bombarde 32’ Posaune 16’ Trompete 8’ Schalmei 4’
Coupler II/P Coupler III/P Coupler I/P
unico400
with its 3 manuals, 56 voices, tilt -tab stop arrangement and the same Unico 500 stop library, provides everything conveniently at your fingeritps to experience the power of Physis’s modeling technology.
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unico400 / specifications
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Keyboards 3 x 61 notes “tracker touch” keyboards, with velocity control for MIDI and Orchestra sections.
Optional with wooden keys
Pedalboard 32 notes straight, straight concave, radiating concave Stop Type Tilt Tab Audio Amplifiers 4 x 60 Watt + 1 x 100 Watt, 5 channels internal amplification system Speakers 9 Expression Pedals 2 Wooden Pedal Crescendo Pedal Wooden Pedal 16 step programmable
STOPS and VOICES
Pedal 12 Man I 12 Man II 15 Man III 17 Total Speaking Stops 56 + 7 Orch. Hundreds voices in the internal sound bank Sound Styles 4 Preset + 4 User. Hundreds Sound Styles can be loaded and/or stored from/to internal memory and
Pen Drive
Alternative Voices Selectable additional sound for each Stop Orchestra Voices Selectable additional sound for each Stop
ACCESSORIES
General Pistons 10 Divisional Pistons 6 Memory Bank 16 Memory Segments 6 (A,B,C,D,E,F) Total Memories 960 General, 3840 Divisional, tens of thousands with Pen Drive Piston Sequencer Prev - Next Pistons and Toe Studs Return to Handset Registration Individual HR for General and Divisional Pistons Toe Studs 22 Console On - Ext. Out Speakers On Can be programmed as Main Out On and Antiphonal On Reed Cancel - Mixture Cancel Yes Automatic Pedal Yes Enclosed piston Yes Couplers 6 With Stops, Pistons and Toe Studs Transposer -6/+5 General Volume - Reverb Volume With Rotary Potentiometers Divisional Midi Enable Yes Organ Solo Piston Solo Coupler Midi Solo Piston Solo on Midi Out Orchestra and Midi Sustain With Expression Pedal Switch Pen Drive Mass Storage Usual Usb Pen Drive can be used as Mass Storage Key ON/OFF Power Switch Yes Sequencer Remote Control Optional Radio no directive 50 mt distance Remote Control with built in 2x16 display
DISPLAY 128 x 64 dots Graphic with Backlight
Edit Voice Parameters Stop by stop adjustable voice parameters Divisional Volume Separate for each Division Tremulant 3 Separately for each manuals Depth and Speed adjustable
Reverberation 8 Types Ensemble Effect Adjustable Air Pressure Effect Proportional to the active Voices Tracker Keyboard Effect Yes Historic Temperaments Kirnberger II, Kirnberger III, Werckmeister III, Werckmeister IV, Werckmeister V, Vallotti, Silbermann
I, Silbermann II, Kellner 1975, Meantone, Meantone pure minor third, Zarlino, Sauveur I, Sauveur II, Barca, Rameau, Pythagorean; each with programmable “Tonic” Key Note
Choir/Great Keyboards Inversion Yes Piston Combine Great/Pedal Divisional Piston Combine Output Router Stop by stop adjustable Windchest layout External Out Volume Control 13 (21) indipendent out volume control External Out 5 Band Equalizer 13 (21) indipendent out 5 Band Equalizer Internal Ampl. 5 Band Equalizer Yes Midi Programmable Tx/Rx Midi Ch., Tx/Rx Midi Filter, Send PG, Keyb. Midi Velocity: progammables Sequencer Interactive Song Sequencer with Overdubbing function Demo Songs Yes File Management Copy, Load, Save, Rename, Delete etc. under Linux Operating System Lock Organ With Password
CONNECTIONS
Midi In, Out, Thru Yes Stereo Headphone Out Yes Stereo Aux In Yes Mic In With Gain Control Multiple Line Out 13, 21 with Output Expansion Board USB to PC (For Viscount Organ Editor) For finest finishing and personalization like Stop by Stop, Note by Note Volume and Pitch
Regulation, Stop disposition, Internal and External Routing, etc.
USB for Pen Drive Yes
CONSOLE
Width x Height x Depth with Pedalb. cm 162x127x111 Width x Height x Depth without Pedalb. cm 162x127x69.5 Description Elegant Wooden Console Moldings, Elegant Wooden Lighted Music Rack, Wooden Roll Top with Key-
Lock, Bench with Music Storage Shelf
Weight Kg. 195
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300
unico300
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Man I
Prinzipal 16’ Prinzipal 8’ Hohlflöte 8’ Gedackt 8’ Gamba 8’ Unda Maris 8’ Oktave 4’ Spitzflöte 4’ Quinte 2 2/3’ Superoktave 2’ Kornett IV Mixtur V
Contra Trompete 16’ Trompete 8’ Krummhorn 8’ Klarine 4’
Tremulant Coupler I/II
Man II
Bourdon 16’ Geigen Prinzipal 8’ Rohrgedackt 8’ Viola di Gamba 8’ Vox Celeste 8’ Oktave 4’ Gemshorn 4’ Rohrflöte 4’ Nasard 2 2/3’ Blockflöte 2’ Terz 1 3/5’ Scharf III
Fagott 16’ Trompete 8’ Oboe 8’ Vox Humana 8’ Clairon 4’
Tremulant
Pedal
Untersatz 32’ Prinzipalbass 16’ Subbass 16’ Gedackt 16’ Violone 16’ Oktavbass 8’ Gedackt 8’ Choralbass 4’ Flöte 4’ Mixtur IV
Contra Bombarde 32’ Posaune 16’ Trompete 8’ Schalmei 4’
Coupler II/P Coupler I/P
unico300
A distinctive 2 manuals with a 32 note Ago pedalboard, with 47 tilt-tabstops, USB connection and all the features provided by the Unico line.
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unico300 / specifications
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Keyboards 2 x 61 notes “tracker touch” keyboards, with velocity control for MIDI and Orchestra sections.
Optional with wooden keys
Pedalboard 32 notes straight, straight concave, radiating concave Stop Type Tilt Tab Audio Amplifiers 4 x 60 Watt + 1 x 100 Watt, 4 channels internal amplification system Speakers 9 Expression Pedals 1 Wooden Pedal Crescendo Pedal Wooden Pedal 16 step programmable
STOPS and VOICES
Pedal 14 Man I 16 Man II 17 Total Speaking Stops 47 + 5 Orch. Hundreds voices in the internal sound bank Sound Styles 4 Preset + 4 User. Hundreds Sound Styles can be loaded and/or stored from/to internal memory and
Pen Drive
Alternative Voices Selectable additional sound for each Stop Orchestra Voices Selectable additional sound for each Stop
ACCESSORIES
General Pistons 6 Divisional Pistons 6 Memory Bank 16 Memory Segments 6 (A,B,C,D,E,F) Total Memories 576 General, 1728 Divisional, tens of thousands with Pen Drive Piston Sequencer Prev - Next Pistons Return to Handset Registration Individual HR for General and Divisional Pistons Toe Studs 7 Console On - Ext. Out Speakers On Can be programmed as Main Out On and Antiphonal On Reed Cancel - Mixture Cancel Yes Automatic Pedal Yes Enclosed piston Yes Couplers 3 With Stops, Pistons and Toe Studs Transposer -6/+5 General Volume - Reverb Volume With Rotary Potentiometers Divisional Midi Enable Yes Organ Solo Piston Solo Coupler Midi Solo Piston Solo on Midi Out Orchestra and Midi Sustain With Expression Pedal Switch Pen Drive Mass Storage Usual Usb Pen Drive can be used as Mass Storage Key ON/OFF Power Switch Yes Sequencer Remote Control Optional Radio no directive 50 mt distance Remote Control with built in 2x16 display
DISPLAY 128 x 64 dots Graphic with Backlight
Edit Voice Parameters Stop by stop adjustable voice parameters Divisional Volume Separate for each Division Tremulant 2 Separately for each manuals Depth and Speed adjustable Reverberation 8 Types
Ensemble Effect Adjustable Air Pressure Effect Proportional to the active Voices Tracker Keyboard Effect Yes Historic Temperaments Kirnberger II, Kirnberger III, Werckmeister III, Werckmeister IV, Werckmeister V, Vallotti, Silbermann
I, Silbermann II, Kellner 1975, Meantone, Meantone pure minor third, Zarlino, Sauveur I, Sauveur II, Barca, Rameau, Pythagorean; each with programmable “Tonic” Key Note
Great/Swell Keyboards Inversion Yes Piston Combine Great/Pedal Divisional Piston Combine Output Router Stop by stop adjustable Windchest layout External Out Volume Control 5 (13) indipendent out volume control External Out 5 Band Equalizer 5 (13) indipendent out 5 Band Equalizer Internal Ampl. 5 Band Equalizer Yes Midi Programmable Tx/Rx Midi Ch., Tx/Rx Midi Filter, Send PG, Keyb. Midi Velocity: programmables Sequencer Interactive Song Sequencer with Overdubbing function Demo Songs Yes File Management Copy, Load, Save, Rename, Delete etc. under Linux Operating System Lock Organ With Password
CONNECTIONS
Midi In, Out, Thru Yes Stereo Headphone Out Yes Stereo Aux In Yes Mic In With Gain Control Multiple Line Out 5, 13 with Output Expansion Board USB to PC (For Viscount Organ Editor) For finest finishing and personalization like Stop by Stop, Note by Note Volume and Pitch
Regulation, Stop disposition, Internal and External Routing, etc.
USB for Pen Drive Yes
CONSOLE
Width x Height x Depth with Pedalb. cm 162x127x111 Width x Height x Depth without Pedalb. cm 162x127x69.5 Description Elegant Wooden Console Moldings, Elegant Wooden Lighted Music Rack, Wooden Roll Top with Key-
Lock, Bench with Music Storage Shelf
Weight Kg. 185
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Beauty and craftmade skill
We have over a century of experience manufacturing keyboard instruments and were the
first company to combine elegant furniture- style cabinets with innovative physical modeling
technology .
The Italian styling tradition that is evident in Art, Architecture and Music- can be found in our
hand crafted instruments. An Italian passion for design and aesthetic that helps our instruments
maintain,and increase their value over time.
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VISCOUNT INTERNATIONAL S.p.A.
Via Borgo 68 / 70 - 47836 Mondaino (RN) - Italy
Tel. + 39 0541 981700 - Fax +39 0541 981052
www.viscount-organs.com E-mail: organs@viscount.it
www.physisorgans.com
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