Vestax PMC-55 User Manual

VESTAX CORPORATION
2-37-1 Kamiuma, Setagaya-ku, Tokyo 154-0011 Japan Phone:03-3412-7011 Fax:03-3412-7013
VESTAX America
2750C 29th Ave Suite. 115 Hollywood. Fl33020 Phone:303-766-5269 Fax:303-766-2196
VESTAX(Europe)Ltd.
18 st.Christophers Road, Haslemere,Surrey GU 27 1DQ England. Phone:(0)1428-653117 Fax:(0)1428-661021
OWNER'S MANUAL
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3
15. Damage Requiring Service-Unplug this product from the wall outlet and refer servicing to qualified service personnel under the following conditions:
a. When the power-supply cord or plug is
damaged.
b. If liquid has been spilled or objects have fallen
into the product.
c. If the product has been exposed to rain or
water.
d. If the product dose not operate normally by
following the operating instructions. Adjust only those controls that are coverd by the operating instructions as an improper adjustment of other, controls may result in damage and will often require extensive work by a qualified technician to restore the product to its normal operation.
e. If the product has been dropped or cabinet has
been damaged.
f. When the product exhibits a distinct change in
perfromance-this indicates need for service.
16. Replacement Parts-When replacement parts are required, be sure the service technician has used replacement parts specified by the manufacturer or have the same characterristics as the original parts. Unauthorized substitutions may result in fire, electric shock or other hazards.
17. Safety Check-Upon completion of any service or repairs to product, ask the service technician to perfrom sefety checks to determine that the product is in proper operating condition.
18. Carts and Stands-The appliance should be used only with a cart stand that is recommended by manufacturer.
19. An appliance and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the appliance and cart combination to overturn.
FEATURES
1. A high specification VCA, Voltage Controlled Amplifier, is utilized in the Crossfader system. This minimizes noise and wear from the mechanical parts of the Crossfader. Additionally, the Crossfader "Curve" can be easily adjusted on the front panel for change in Mixing styles. At one extreme is the long running mix and at the other is the Scratch or Cut mix.
2. Each of the input channels will accept one stereo phono and two stereo line sources, these are instanly switchable giving a massive twelve input capability. Each input channel has a gain control for the setting of input levels. A level display, balance control and three band EQ are also provided on each channel. The separate Mic input section has its own EQ.
3. One stereo input of each channel can be connected via the top panel for quick and easy access. This is particularly useful for "visiting" DAT players,etc.
4. The stereo Insertion ports are provided on the front panel. These allow for the easy connection of outboard effects such as VESTAX DCR­1200PRO Frequency Separator, Compressor and Gate machines. And the stereo Master loop is provided on the top panel also. This allows for total sound control with Graphic EQ or Reverberator, etc.
5. The PMC-55 has the most comprehensive output lineup as well. No less than two separate Masters(balanced and unbalanced), one DJ Booth Monitor, one stereo Cue and a Headphones Monitor makes this mixer the most versatile "MIXER'S MIXER" available today.
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4
MAX
LINE 1
PHONO 1 LINE 2
LR
MIN
R
L
PGM 1
+6dB(0dB
)
IN
-24dB
PRE
OUT
POST PRE
OUT
POST PRE
OUT
POST PRE
OUT
POST
OUT
A MASTER B
+6dB(0dB
)
-24dB
+6dB(0dB
)
+6dB(0dB
)
+6dB(0dB
)
+6dB(0dB
)
+6dB(0dB
)
+6dB(0dB
)
+6dB(0dB
)
+6dB(0dB
)
+6dB(0dB
)
+6dB(0dB
)
+3 0
-3
-8
-13
(dB)(
dB
)(
dB
)(
dB
)
(dB)
-24dB
-24dB
-24dB
-24dB
-24dB
-24dB
-24dB
-24dB
-24dB
-24dB
HI
LOW
AUX
MASTER 1
C.F. ASSIGN
CUE
EQ CUT
IN
OUT
MASTER 2
MID
TRIM
BAL
INPUT
EQ EQ EQ EQ
EQ
LINE IN 2
MAX
LINE 3
PHONO 2 LINE 4
LR
MIN
R
L
PGM 2
IN
OUT
A MASTER B
+3 0
-3
-8
-13
HI
LOW
AUX
MASTER 1
C.F. ASSIGN
CUE
EQ CUT
IN
OUT
MASTER 2
MID
TRIM
BAL
INPUT
LINE IN 4
MAX
LINE 5
PHONO 3 LINE 6
LR
MIN
MAXMIN
MAXMIN
R
L
PGM 3
IN
OUT
A MASTER B
+3 0
-3
-8
-13
HI
LOW
AUX
MASTER 1
C.F. ASSIGN
CUE
EQ CUT
IN
OUT
MASTER 2
MID
TRIM
BAL
INPUT
LINE IN 6
MAX
1
+6 +3 +2 +1
0
-1
-2
-4
-7
-10
-15
-20
2
DJ
LINE 7
PHONO 4 LINE 8
LR
L
L
R
R
MIN
R
L
PGM 4
POWER
ON
OFF
MASTER LOOP
AUX
MIC LEVEL
MASTER
BOOTH MONITOR
HEAD PHONE MONITOR
DJ MIC IN
IN
OUT
A MASTER B
+3 0
-3
-8
-13
+16dB-16dB
+16dB-16dB
MAXMIN MAXMIN
MAXMIN
MAXMIN
MAXMIN
MAXMIN
HI
HI
LOW
LEVEL
SEND
RCV
MASTER 1
PHONES
TRANSFORMER TRANSFORMER
MIC INCF MODE
MASTER 1
MASTER 1 MASTER 2
OFF ON
IN METER LOOP
MASTER 2
CUE
MASTER
AUXCUE
MASTER 2
TALK OVER
LOW
AUX
MASTER 1
C.F. ASSIGN
CUE
EQ CUT
IN
OUT
MASTER 2
MID
TRIM
BAL
INPUT
GAIN
SEND
RCV
ON
LINE IN 8
B
A
PRO FESSIONAL MIXING CONTROLLER
10
9 8 7 6 5 4 3 2 1 0
10
9 8 7 6 5 4 3 2 1 0
10
9 8 7 6 5 4 3 2 1 0
10
9 8 7 6 5 4 3 2 1 0
PROGRAM INPUT SECTION
MICROPHONE SECTION
MASTER SECTION
MONITOR SECTION
CROSSFADER SECTION
(*)
(*)
(*)
(*)
(*)
(*)
(*)
(*)
CONTROL AND FUNCTIONS
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5
PROGRAM INPUT SECTION
MAX
LINE 1
PHONO 1 LINE 2
LR
MIN
R
L
PGM 1
+6dB(0dB
)
IN
-24dB
PRE
OUT
POST
OUT
A MASTER B
+6dB(0dB
)
-24dB
+6dB(0dB
)
+3
0
-3
-8
-13
(dB)
-24dB
HI
LOW
AUX
MASTER 1
C.F. ASSIGN
CUE
EQ CUT
IN
OUT
MASTER 2
MID
TRIM
BAL
INPUT
EQ
LINE IN 2
10 9 8 7 6 5 4 3 2 1 0
1
3
10
8
9
7
6
11
12
5
4
2
5
BALANCE CONTROL
Adjusts the stereo balance for each PGM channel. Can be used for adjusting the unbalanced stereo image caused by strong Anti-Skating setting. Clockwise rotation from center position increase volume of R over L channel. Counter clockwise rotation increase volume of L channel over R.
6
EQ CUT SWITCH
Press this switch to bypass EQ secti
on.
7
EQ (HI, MID, LOW)
Adjusts the HI,MID and LOW frequencies for each PGM channel. Each band has following specifications.
HI 8kHz -24dB~ +6dB Shelving type MID 500Hz -24dB~ +6dB Peaking type LOW 80Hz -24dB~+6dB Shelving type
8
AUX ASSIGN SWITCH
Used when sending signal to external effect processor connected to AUX SEND/RETURN (42).
9
MASTER OUT ASSIGN 1, 2
Used to send the signal from each program to either MASTER OUT 1 or 2 (43). MASTER LOOP is located on MASTER OUT 1.
10
CROSSFADER ASSIGN
Used to send the signal from each program to either the crossfader (A or B) or the master directory. A for left side of the crossfader, B for right side.
11
CUE ASSIGN
Used to send the signal from each program to monitor section for headphones monitoring. Signal is sent to CUE OUT (42) too. This allows for sending signal to external sampling unit connected to CUE OUT.
12
INPUT FADER
Used to adjust the Input level of each program. Usually set at the 7-8 position. This is a detachable fader for the ease of replacement. Replace with IF­50 when It is worn out.
HOW TO REPLACE THE INPUT FADER
Remove four screws which hold the fader unit panel.
Take the unit out with the panel
Remove a knob and two screws which hold the
fader unit.
Carefully remove the multi-cable connector from the fader unit.
Insert the connector to the new fader unit.
Replace the knob and the fader unit to the panel and fix it with screws.
Replace the fader unit panel and tighten the screws.
1
LINE IN 2, 4, 6, 8 (RCA)
Used for line level input. Connect CD player or tape deck to these jacks. Line level musical instruments with stereo outputs such as rhythm machine or sampler are also good for LINE IN. And they are located on the top panel for quick and easy access. This is particularly useful for "visiting" equipment.
2
INPUT SELECTOR
Used to select the input (two LINE or one PHONO) to be sent to each PGM channel.
3
INPUT LEVEL METER
The LED level meters indicate the input signal level of each PGM channel.
4
GAIN CONTROL
Adjusts the input level of each channel. Set INPUT FADER (12) to 7-8 position, adjust GAIN so that INPUT LEVEL METER(3) shows about 0dB.
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6
CROSSFADER SECTION
MICROPHONE SECTION
TRANSFORMER TRANSFORMER
CF MODE
B
A
14 13 15
13
CROSS FADER
Mixes the signal assignes by CROSSFADER ASSIGN(10) to A side of the crossfader and B side. When the crossfader is set in the center position, both A and B can be heard. This is a detachable fader for ease of replacement with CF-50 when it is worn out.
14
TRANSFORMER SWITCH
With the crossfader moved to either right or left, the opposite program can be heard instantly by pressing the oppositetransformer button.
15
CF MODE VOLUME
Adjust the crossfader curve. Clockwise rotation give a gentle crossfade good for long running mixes. Counter clockwise rotation gives a steep crossfade good for scratching and cutting.
16
MIC GAIN
Adjusts the input level from each microphone input.
17
MIC SELECTOR
Used to select the microphones to be Master section.
18
MIC EQ (HI,LOW)
Adjusts the HI and LOW frequencies for all microphones input.
19
MIC LEVEL
Adjusts the input level from all microphones input.
20
TALK OVER LEVEL
When TALK OVER SWITCH 21is depressed, the level of all sources excluding the microphone input are reduced. Reduction level can be adjusted by this control. Clockwise rotation gives a large reduction level.
21
TALK OVER SWITCH
When this switch is depressed, the level of all sources excluding the microphone input are reduced.
HOW TO REPLACE THE CROSS FADER
Remove a knob and four screws which hold the fader unit.
Take the unit out.
Carefully remove the multi-cable connector from the fader unit.
Insert the connector to the new fader unit.
Replace the knob and the fader unit and fix it with screws.
EQ
MAXMIN
MAXMIN
1
2
DJ
MIC
+16dB-16dB
+16dB-16dB
HI
LOW
LEVEL
IN
TALK OVER
GAIN
ON
17
18
16
19
20
21
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7
MASTER SECTION
22
MASTER LOOP (RCA)
This loop(send/return) is located on MASTER OUT 1 (43) before output jack. It is useful for total sound control with Graphic EQ or Reverberator,etc.
23
POWER SWITCH
LED located on the top panel is lit when on.
24
OUTPUT LEVEL METER
The LED level meters indicate the signal level of MASTER OUT 1 or 2 (43).
25
AUX SEND LEVEL
Used to adjust send level from AUX SEND (41). The signal is selected by AUX ASSIGN SWITCH (8).
26
AUX RETURN LEVEL
Used to adjust return level to AUX RETURN (41). This AUX RETURN can be used as the sub line input.
27
METER ASSIGN
Select either MASTER OUT 1 or 2 indicated by OUTPUT LEVEL METER (25).
28
LOOP SWITCH
Used when sending signal to external effect processor connected to MASTER LOOP (22).
29
MASTER OUT LEVEL 1, 2
Used to adjust the output level from MASTER OUT 1 and 2 (43).
(dB)
+6 +3 +2 +1
0
-1
-2
-4
-7
-10
-15
-20
L
L
R
R
POWER
ON
OFF
MASTER LOOP
AUX
LEVEL
MASTER
MAXMIN MAXMIN
MAXMIN
MAXMIN
SEND
RCV
MASTER 1
MASTER 1 MASTER 2
OFF ON
METER LOOP
MASTER 2
SEND
RCV
23
22
2827
24
25
29
26
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8
MONITOR SECTION
FRONT PANEL
30
BOOTH MONITOR SELECTOR
Select either MASTER OUT 1,2 (43) or CUE ASSIGN (11) for monitoring by boothout.
31
BOOTH MONITOR LEVEL
Used to adjust the output level from BOOTH OUT (44).
32
HEADPHONES MONITOR SELECTOR
Select either CUE OUT (42), MASTER OUT (43) or AUX SEND (41) for monitoring by headphones.
33
HEADPHONES LEVEL
Adjusting the headphones output level.
34
HEADPHONES JACK
When listening with stereo headphones, connect them to this jack. This features stereo cue system.
35
DJ MIC JACK
Input jack for connecting a DJ microphone.
36
PROGRAM SEND/RETURN (RCA)
They are stereo channel insertion ports allow for the easy connection of outboard effects.
BOOTH MONITOR
HEAD PHONE MONITOR
DJ MIC IN
MAXMIN
MAXMIN
PHONES
MIC IN
MASTER 1 MASTER 2
CUE
MASTER
AUXCUE
31
30
33
34
35
32
RCN
SEND
RCN
SEND
RCN
SEND
RL
PGM1
RL
PGM2
RL
PGM3
PGM I/O
RL
PGM4
36
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9
REAR PANEL
37
LINE IN 1, 3, 5, 7 (RCA)
They work the same as LINE IN 2, 4, 6, 8 (1).
38
PHONO IN 1, 2, 3, 4 (RCA)
Connects turntable output equipped with MM type pickup cartridge. If MC type cartridge is used, a pre­amp is required.
39
GROUND TERMINAL
Connects to ground lead of the turntable. This helps to reduce noise and hum.
40
MIC 1, 2 (1/4" Phone)
Input jack for connecting the microphones.
41
AUX SEND/RETURN (1/4" Phone)
Connects to outboard effects such as Delay machine. AUX SEND is located on pre-input fader.
42
CUE OUT (1/4" Phone)
When CUE ASSIGN(11) is depressed,the signal comes out from this jack. It can be used for sampling source output.
43
MASTER OUT 1, 2
(1/4" Phone, Unbalanced)
Connects to the input of power amplifier. These jacks are Phone type for consumer applications. This mixer has two pairs of MASTER OUT. And each output level can be set separately. This means that MASTER OUT (43) can be used for main output and sub. For example, one for hall, the other for entrance.
44
BOOTH OUT (1/4" Phone)
This can be used for DJ booth monitor. Same signal as HEADPHONES OUT comes out.
45
MASTER OUT 1, 2 (XLR, Balanced)
Connects to the input of power amplifier. These connectors are XLR type for professional audio applications. They works the same as Unbalanced MASTER OUT 1, 2 (43). Pin No.3 for HOT.
46
AC POWER CABLE
Connects the plug to AC outlet on the wall.
47
BALANCE OUT LEVEL SWITCH
Used to select the output level of the MASTER OUT 1.2.
PMC-55
50 / 60Hz 20W
AC100V
MADE IN JAPAN
SERIAL NO.
CAUTON
RISK OF ELECTRIC
SHOCK. DO NOT OPEN
WARNING;SHOCK HAZARD-DO NOT OPEN. AVIS;RISQUE DE CHOC ELELCTRIQUE -NE PAS OUVRIR.
GND GND GND
LINE 1
PHONO 1
LINE 3
PHONO 2
LINE 5
PHONO 3
RLRLRLRL
R
PIN 1 GND PIN 2 HOT PIN 3 COLD
L
RL
RLRL
LINE 7MASTER 1
MASTER 1
MASTER 2
BAL OUT LEVEL
-20 -10 0(dB)
AUX SEND
MASTER 2
AUX RTN
BOOTH OUT
CUE OUT
PHONO 4
MIC 2 MIC 1
PROFESSIONAL MIXING CONTROLLER
46 44
43 4145
42 4047
39
38
37
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10
BLOCK DIAGRAM
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11
CONNECTION
Speaker Speaker
CD PlayerVestax CD
EFFECTOR. (DELAY.REVERB.SAMPLER
AMPLIFIER FOR BOOTH MONITOR POWERED SPEAKER
Sampler
MIC
TurntableVestax PDX
CHANNELACHANNEL
B
MAX MINI MAX MINI
PROTECT B.T.L POWER
POWER
INPUT
PEAK
INPUT ON / OFF
PEAK
Power AmpVestax PT-X1000A]
LINE
1,3,5,7
GND
PHONO
1,3,5,7
SEND
SEND RTN
RETURN
RCN
SEND
RCN
SEND
RCN
SEND
RL
PGM1
RL
PGM2
RL
PGM3
PGM I/O
RL
PGM4
PMC-55
50 / 60Hz 20W
AC100V
MADE IN JAPAN
SERIAL NO.
CAUTON
RISK OF ELECTRIC
SHOCK. DO NOT OPEN
WARNING;SHOCK HAZARD-DO NOT OPEN. AVIS;RISQUE DE CHOC ELELCTRIQUE -NE PAS OUVRIR.
GND GND GND
LINE 1
PHONO 1
LINE 3
PHONO 2
LINE 5
PHONO 3
RLRLRLRL
R
PIN 1 GND PIN 2 HOT PIN 3 COLD
L
RL
RLRL
LINE 7MASTER 1
MASTER 1
MASTER 2
BAL OUT LEVEL
-20 -10 0(dB)
AUX SEND
MASTER 2
AUX RTN
BOOTH OUT
CUE OUT
PHONO 4
MIC 2 MIC 1
PROFESSIONAL MIXING CONTROLLER
EFFECTOR. (DELAY.REVERB.SAMPLER.
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12
BOOST CANCEL SW/TRIM LEVEL SELECT SW
Each EQ volume has boost cancel switch.
When boost cancel switch is on, equalizer range
changes - 24
+6dB to - 24〜0dB EQ boost is
canceled.
Each trim volume has level select switch. you can
select range of trim from -20,-10,and 0dB.
BOOST CANCEL SWITCH and TRIM LEVEL SELECT SWITCH are located under front panel. When you change settings, remove 8 screws () on front panel (refer to page 5, CONTROL AND FUNCTION) . And remove front panel.
CAUTION
BOOST CANCEL SWITCH
TRIM LEVEL SELECT SWITCH
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-24dB +6dB -24dB 0dB
14
SPECIFICATIONS
Normal Input Level/Impedance PHONO 42dBv60kΩ LINE 10dBv20kΩ MIC 60dBv2kΩ AUX RTN 10dBv10kΩ MASTER LOOP RTN 10dBv10kΩ PGM I/O RTN -10dBv5kΩ
Normal Output Level/Impedance MASTER OUTUNBAL. 0dBv1kΩ MASTER OUTBAL. +4dBm200Ω AUX SEND -10dBv500Ω CUT OUT 0dBv500Ω BOOTH OUT 0dBv500Ω HEADPHONES 80mW max. @ 33Ω/ ≧8Ω MASTER LOOP SEND -10dBv1kΩ PGM I/O SEND -10dBv500Ω Frequency Response 20Hz20kHz(+0,‐1dB S/N Ratio 120dB THD 0.01Dimensions DimensionsW×H×D 330×90×400mm Weight 7.0kg Power Requirement 20W
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Vestax Corporation
55/E/面付け 00.9.12 4:44 PM ページ 15
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