Valeton GP-1 User Manual

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ATTENTION

Ple ase observe the follow ing precau tions to ens ure the safe use of t his unit.

Handling

Do not get the unit wet. If liquid is spilled on the unit,

shut it oﬀ immediately.

Do not block any of the ventilation openings.

Keep away from heat sources.

Disconnect the unit during storms to prevent

damage.

Operation of this unit within signicant

electromagnetic elds should be avoided.

Connecting the power and input/output jacks

Always turn OFF the power to the unit and all other

equipment before connecting or disconnecting any

cables. Also make sure to disconnect all connection

cables and the AC adapter before moving the unit.

Cleaning

Clea n only w ith a dry c loth.

Alterations

Do not open the unit.

Do not attempt to service the unit yourself.

Opening the chassis for any reason will void the

manufacturer’s warranty.

AC Adapter Operation

• Always use a DC9V center negative 500mA AC

adapter. Use of an adapter other than that

specied could damage the unit or cause

malfunction and pose a safety hazard.

• Always connect the AC adapter to an AC outlet

that supplies the rated voltage required by the

adapter.

•UNPLUG THE UNIT DURING L IGHTNING

STORMS O R WHEN UN USED FOR LONG

PERIOD S OF TIME.

Battery Operation

• Use 4 conventional 1.5V AAA batteries (or nickel

metal hydride batteries).

• Carefully read the safety indications on the

batteries before use.

• When not using the unit for an extended period,

remove the batteries from the unit.

• If battery leakage should occur, thoroughly

wipe the battery holder and the battery

terminals to remove battery uid.

• Close the battery holder cover when using the

GP-1.

Power Considerations

Since this unit’s power consumption is relatively

high, we recommend the use of an AC adapter.

If you use batteries, please use alkaline batteries.

Malfunction

If the unit should malfunction, disconnect the AC adapter and turn the power OFF

immediately.

Then, disconnect all other connected cables.

Prepare information including the model name, serial number, specic symptoms related to

the malfunction, your name, address and telephone number and contact the store where

you bought the unit, or contact VALETON support (info@valeton.net).

Please keep this manual in a convenient place for future reference.

TABLE OF CONTENTS

Overview

Introduction

Panel Introduction

Top Panel Rear Panel

Connections

Headphone/Practice Conﬁguration Mono Amp Conﬁguration Stereo Amp Conﬁguration Applying Power Applying Batteries

TABLE OF CONTENTS

Getting Started

Modes Explained

Navigating Presets

Bank Switch

Using The Tuner

Looper Function

Drum Machine

Editing Functions

Editing Presets

Utility

TABLE OF CONTENTS

Storing Presets

Copying A Preset

Other Functions

External Expression Pedal Factory Reset Pre-Patch-Select Expression Pedal Calibration

Effect Types List Presets Patch List Drum Rhythm List Speciﬁcations

36 89

105

OVERVIEW

Introduction

Thank you for choosing a VALETON prod uct!

The GP-1 is a compact, high performance guitar multi-eﬀects processor. It oﬀers a potent eﬀects processing platform and complete feature set, so you can improve your skill and experiment with diﬀerent guitar eﬀects, all with one simple-to-use, Portable device.

The GP-1 has 100 eﬀects to choose from and allows you to run 8 eﬀects simultaneously. It provides a EXP jack that allows you to connect an external Expression Pedal, which can be assigned to the eﬀect you want to control for real-time eﬀect changes.

100 included factory presets let you jump right in, and 100 user presets allow you to store all your favorite eﬀects.

The built-in tuner gets your guitar in tune. The built-in drum machine and aux input jack set you up to play along with a drum loop, metronome, or your favorite music.

Whether you're a beginner or an old guitar freak, the GP-1’s got it all to let you have at it!

Module Selector:

Switches between function modules. In patch edit mode, this knob selects the module/parameter for operation.

LED Display:

This display shows the patch numbers, setting values, and other operation information.

PANEL INTRODUCTION

Top View

PARA knob (with enter button):

This knob is used to set the master level or change parameter values. Press the button to switch the type of eﬀect, begin storing, etc.

[+]/[-] Footswitches:

These footswitches are used for controlling preset up/down, the tuner, start/stop drum rhythm, start/stop/record phrases and other functions.

OUTPUT Jack:

1/4” stereo audio jack, for connecting to a guitar ampliﬁer. You can use a mono cable to output the signal to an ampliﬁer, or use a Y cable to output the signal to two ampliﬁers.

You can also use a neutral stereo plug to output the signal to headphones.

Rear View

AUX IN Jack:

1/8” (3.5mm) stereo input audio jack. You can connect a CD player, MP3Player or other devices for jamming, practicing, and performance.

External Expression Pedal Jack:

1/4” stereo audio jack, for connecting a external expression pedal. You need a stereo cable with1/4” stereo plugs at both ends of the cable for connecting.

INPUT Jack:

1/4” mono audio jack, for connecting guitar.

Battery Holder:

For installing batteries (AAA x 4).

DC 9V Jack:

For power supply, use a 9-volt DC regulated by AC adapter, 500mA (plug polarity is positive on the barrel and negative in the center).

CONNECTIONS

Applying Power

1. Before applying power to anything, set your amp to a clean tone.

2. Turn the amp volume all the way down.

3. Connect the power supply to the power jack.

4. Connect the other end of the power supply to an AC outlet.

Applying batteries

1. Insert 4 AAA batteries into the battery holder.

2. Set your amp to a clean tone.

3. Turn the amp volume all the way down.

4. The device will turn on when you plug the guitar cable into the INPUT jack.

5. When not using the unit, please remove the cable from the INPUT jack.

NOTE : When the r emain ing cha rge is low , “LBAT” ap pears o n the dis play and will ﬂa sh.

Headphone/Practice Conﬁguration

Guitar

Headphones

Portable Music Player

EXP

Power Supply

Mono Amp Conﬁguration

Guitar

Amp

1/4" Mono Cable

Power Supply

Stereo Amp Conﬁguration

Amp 1 Amp 2

Guitar

1/4" Stereo Y Cable

Power Supply

GETTING STARTED

Modes Explained

The GP- 1 has two operation modes: Play Mode and Edi t Mode.

Play Mode

When the GP-1 is powered on and the module selector is turned to “Preset”, the unit will be in Play Mode. The LED screen shows the patch number ( from U-00 to P-99). Play Mode allows you to navigate presets using the PARA knob or footswitches.

When in Play Mode:

Push the PARA button to start/stop the Drum Machine.

Edit Mode

Edit Mode allows you to adjust the global Master Level, the Patch Level, select between the diﬀerent eﬀect modules, edit eﬀects, and edit the settings for the built-in drums.

NOTE:

·Effect settings changed in Edit Mode will need to be stored to a preset patch.

·The exceptions are the Master Level and drum machine settings, which are global settings and are not stored to

presets.

·Whenever you change a stored preset’s effect settings, the “EDIT” dot below the screen will light up, indicating the effect

settings have been changed from the stored value in the preset.

·See "Editing Presets" (page 23) for more information on storing presets.

Navigating Presets

The GP-1 has two preset banks: the User preset bank, which appears in the LED display as U-00 to U-99, and the Factory preset bank, which appears in the LED display as P-00 to P-99. From Play Mode, step on the [+]/[-] footswitches or turn the PARA knob to change presets (Hold down the [+] footswitch to scroll through presets).

NOTE:

·Using pre-patch-select mode (Page 32) , you can jump directly to a patch that is far from the current patch.

·See page 89 for more information on the Presets Patch List section.

Bank Switch

In play mode, hold down the [-] footswitch for more than 2 seconds until “BANK” appears on the screen.

The tens place digit of the current patch number will begin ﬂash. Step on the [+]/[-] footswitches or rotate the PARA knob to change the preset number.

Press and hold the [-] footswitch to toggle to the ones place digits, and repeat the step above to change the preset number.

Turn the module selector to “Preset”, then hold down the [-] footswitch / press the PARA knob / press both FOOTSWITCHES simultaneously to exit this mode.

NOTE: In this mode, you can still edit the presets.

Using The Tuner

Turn the module selector to “Preset”, then press and hold both FOOTSWITCHES simultaneously.

After “BTU” appears on the screen, release the switches within one second, and the unit will be set to bypass/tuner.

Press and hold both FOOTSWITCHES simultaneously. After “BTU” disappears and “MTU” appears on the screen, release the switches within one second, the unit will be set to the mute/tuner.

NOTE:

· If you continue to press both [+]/[-] foot switches for more than 2 seconds,the looper becomes active (Page 18).

·You can not set the unit to bypass/mute if the module selector isn’t set at PRESET.

Turn the PARA knob to set the standard pitch of middle A from 435Hz to 445Hz (Default: 440 Hz) when the unit is in the “BTU/MTU”.

The note name appears on screen. The top 5 LEDs indicate the note of your playing is sharp or ﬂat; the center green LED indicates the note is in tune. The second ﬂashing dot (#) below the screen indicates the sharp note.

Press either FOOTSWITCH to exit the “BTU/MTU”.

Looper Function

Turn the module selector to “Preset”, then press and hold both FOOTSWITCHES simultaneously for more than 2 seconds until “LOOP” appears on the screen. Then release the switches to begin using the Looper Function.

After “LOOP” disappears, “EMPT” will appear on the screen, indicating the current loop data.

Press the left FOOTSWITCH, and play a guitar phrase. “REC” appears on the display and recording starts. When loop recording is active, the ﬂashing dot indicating “Loop Data” will light up.

To stop loop playback, press the right footswitch (“STOP” appears on the display).

To start loop playback again, press the left footswitch.

Press the left FOOTSWITCH again to set the loop point, and the recorded phrase will begin playing back. “PLAY” appears on the display.

During loop playback, press the left footswitch (“REC” appears on the display) and begin playing the overdub phrase.

To end overdubbing, press the left footswitch again (“PLAY” appears on the display), and the looped phrase will play with the newly added overdub phrase.

NOTE:

·When in looper mode, use the PARA knob to change the presets, and the effects can still be edited.

·When in looper mode, push the PARA knob to start/stop the drum machine.

·To clear a recorded loop, press and hold the right footswitch for 2 seconds until the display reads “EMPT”, and the

ﬂashing dot of “loop data” will OFF.

·Press and h old bot h FOOTSW ITCHE S simul taneo usly to return t o PLAY mode .

Drum Machine

Turn the module selector to the DRUM module. The ﬁrst top LED above the screen will light to indicate the drum pattern.

Press either [+]/[-] footswitch to start playback of the current drum pattern, and press either [+]/[-] footswitch again to stop playback of the drum loop.

Whether the drum loop is playing or stopped, turn the PARA knob to change the drum pattern.

Press the PARA knob to move the target parameter to Drum Volume from 00 to 99 (the second top LED above the screen will light up ), then turn the PARA knob to adjust the parameter.

Press the PARA knob to move the target parameter to BPM (the third LED above the screen will light up). Then turn the PARA knob to adjust the parameter. Tempo can be set in a range from 040 to

280.

NOTE:

·When in Play and Looper mode, press the PARA knob to start/stop drum playback.

·When in Edit mode, press the right footswitch to start/stop drum playback.

·When in LOOPER mode, drum rhythm can be recorded in the loop data of the ﬁrst recording. When recording is ﬁnished

and turned to playback, the drum function will become unavailable until the loop data is cleared.

·See page 97 for more information on the Drum Rhythm List section.

EDITING FUNCTIONS

EDITING PRESETS

Turn the module selector to Preset, then press either [+]/[-] footswitch to start with an existing preset.

Turn the module selector to the eﬀect module you wish to edit.

This activates Edit mode. The available setting options are listed below:

01. COMP

02. NR

03. DS/AMP

04. EQ

05. CAB

06. MOD

07. DLY

08. REV

For mo re modu le deta ils, pl ease NOTE : che ck Effe ct Types an d Parame ters se ction (Page 3 6).

Turn the module selector to the eﬀect module and press the left footswitch to bypass or enable an eﬀect module.

Turn the module selector to the desired eﬀect module and press the

PARA knob to enable it.

To edit a enabled module in the edit mode, rotate the PARA knob to select an eﬀect TYPE (the TYPE selected is indicated as the top LED lights up).

Press the PARA knob to select among three parameters of the current eﬀect ( the A/B/C selected is indicated as the top LED lights up).

Rotate the PARA knob to modify the eﬀects settings by the current parameter.

Anytime a stored value within a preset is changed, the “EDIT” dot below the screen will light up , including the Patch Volume and the EXP target parameters (indicated by the TYPE LED and the B/C LED of the UTIL position).This indicates that you need to store the changes.

If you change presets or cut the power before saving, all edits will be lost.

Save the patch to retain your settings.

UTILTY

Turn the selector module to UTIL, and the A will be selected (indicated as the top LED lights up). Rotate the PARA knob to adjust the Master Volume (from 00 to 99). Use this parameter to control the global output level.

Press the PARA knob until B has been selected (indicated as the top LED lights up). Rotate the PARA knob to adjust the Patch Volume (from 00 to 99). Use this parameter to adjust the current patch output level, then press and hold the PARA knob to store the preset.

NOTE: Press the PARA knob to choose TYPE or C in the UTIL mode to set the target parameters linked to the EXP. See "EXP" on page 34 for more information on this operation.

Storing Presets

After you ﬁnish editing a preset, press and hold the PARA knob. The display will begin to ﬂash.

Rotate the PARA knob to select a user preset location. The display will show the patch number (from U00 to U99).

Press the PARA knob again to store the preset in that patch bank.

Copying A Preset

1. Turn the m odule s elector to “Preset”. Use t he F OOTS WITCHES o r PARA kn ob to sel ect the

pre set you wish to copy.

2. Press a nd hold t he PARA k nob. The patc h number will begin ﬂas hing in t he L ED dis play.

3. Use the PARA knob or foots wi tch to select a pa tch ban k where you wo uld lik e to store the

pre set (in dicat ed on the d isplay).

4. Press t he PARA k nob again to cop y the preset to this patch ban k.

NOTE : Turn th e modul e selec tor during th e above p rocedu re to canc el stori ng the pre set.

OTHER FUNCTIONS

External Expression Pedal

Turn the selector module to UTIL, and press the PARA knob until TYPE has been selected (indicated as the top LED lights up). Rotate the PARA knob until the target parameter appears in the display.

(See for the list o f param eters that can b e used wi th an Page 36 Exter nal Exp ressi on Pedal).

Press the PARA knob until C has been selected (indicated as the top LED lights up).

Press either [+]/[-] footswitch to select a target parameter for the External Expression Pedal (Max/Min appears in the display).

Rotate the PARA knob to select the minimum value the assigned parameter will reach with the Expression Pedal in the heel position.

Rotate the PARA knob to select the maximum value the assigned parameter will reach with the Expression Pedal in the toe position.

Store the Expression Pedal assignment to a preset.

Note:

·See page for more information on the Effect Type Parameters section. 36

·A pedal icon appears next to effect types/parameters that can be controlled by the external expression pedal.

·When you choose the target parameter in the TYPES of UTIL, its corresponding effect module must be enabled. Once the

external expression pedal has been plugged in, the last dot below the screen (EXP) will light up, which indicates the EXP can be used.

Factory Reset

Use this function to reset the GP-1 to its factory settings. This procedure erases all custom

user presets. Be sure you want to erase the memory, as all user-programmed data will lost!

Performing a Factory Reset is as follows:

1. Turn the module selector to Preset and connect the power while pressing and holding both

[+] [-] footswitches simultaneously.

2. When the “RST” appears on the display, release the footswitches. The screen will begin ﬂashing.

3. Press the PARA knob to restore all patches to their original factory settings and return to preset

mode.

4. To cancel this operation, press either [+]/[-] footswitch before step 3.

Pre-Patch-Select

This function allows you to select a bank and patch in advance, and only switch to that patch after you conﬁrm the selection. This function is convenient during a live performance when you want to switch to a patch that is saved in a distant position. In this mode, the LED will keep ﬂashing.

1. Turn the module selector to Preset and connect the power while pressing and holding the [+] footswitch.

2. When the “PPS” appears on the display, release the PARA knob, which will be ﬂashing.

3. Press the PARA knob again to enter this mode.

4. To cancel this operation, press either [+]/[-] footswitch before step 3.

Press either [+]/[-] footswitch to navigate in this mode. The patch number will keep ﬂashing until conﬁrmation is completed in step 3.

To change the patch, press both [+] [-] footswitches simultaneously.

Note:

·If you enter edit mode or store mode when the screen for step 2 is open, the current patch will be the one affected.

·Reconnect the power to return to the usual patch order.

Expression Pedal Calibration

The external expression pedal can be calibrated if it does not function properly.

The procedure for calibrating the external expression pedal is as follows:

1. Turn the m odule s elector to UT IL and c onnec t the power whil e pressing and h oldin g

the PARA knob. “EXPE” appe ars on the display.

2. When th e displ ay prompts you with “SMI N”, press the expre ssion p edal al l the way b ack

(to e up) and press th e PARA kn ob.

3. When the displ ay prompts you with “SMAX”, press the expression pedal forward (toe

dow n) and press the PARA k nob.

4. “CP LE” will appear on the display, an d then th e unit enters pl ay mode.

Not e: If the di splay s hows “E RR”, you sho uld rep eat ste p 2.

Effect Types and Parameters

COMP (Compressors & Pre Eﬀects) Module(15)

L.BST (Low B oo st )

These 3 eﬀects increase bass/mid/high frequency signal gain to make the sound more satiated and powerful.

Para A Para B

G (Gain): 01~50 T (Tone): 01~50 V (Volume): 01~50

Adjusts the boost gain amout.

Adjusts the tone.

Para C

Adjusts the level of the signal after it has passed through the module.

Module Nam e

EXP Ta rge t (T YPE )

VOL (Volume)

Assigning the PARA C of this eﬀect is controlled by EXP.

Parameter s A-C & EX P Target

Type o f Eﬀe cts

EFFECT TYPES LIST

COMP (Compressors & Pre Eﬀects) Module(15)

L.BST (Low B oo st )

This eﬀect increases bass frequency signal gain to make the sound more satiated and powerful.

Para A Para B

G (Gain): 01~50 T (Tone): 01~50 V (Volume): 01~50

Adjusts the boost gain amout.

Adjusts the tone.

M.BST (Mid B oo st )

This eﬀect increases mid frequency signal gain to make the sound more satiated and powerful.

Para A Para B

G (Gain): 01~50

Adjusts the boost gain amout.

T (Tone): 01~50

Adjusts the tone.

Para C

Adjusts the level of the signal after it has passed through the module.

Para C

V (Volume): 01~50 VOL (Volume)

Adjusts the level of the signal after it has passed through the module.

EXP Ta rge t (T YPE )

VOL (Volume)

Assigning the PARA C of this eﬀect is controlled by EXP.

EXP Ta rge t (T YPE )

Assigning the PARA C of this eﬀect is controlled by EXP.

H.BST (Hig h Bo os t)

This eﬀect increases high frequency signal gain to make the sound more satiated and powerful.

Para A Para B

G (Gain): 01~50 T (Tone): 01~50 V (Volume): 01~50

Adjusts the boost gain amout.

Adjusts the tone.

Para C

Adjusts the level of the signal after it has passed through the module.

R.CMP (Red Compressor)

Based on the MXR M132 Super Comp*.

Para A Para B

Adjusts the sensitivity. Higher values result in higher sensitivity.

Adjusts the amount of time the compressor takes to respond to a signal that exceeds the threshold.

Para C

V (Volume): 01~50 A (Attack): 01~50 S (Sense): 01~50

Adjusts the level of the signal after it has passed through the compressor.

EXP Ta rge t (T YPE )

VOL (Volume)

Assigning the PARA C of this eﬀect is controlled by EXP.

EXP Ta rge t (T YPE )

VOL (Volume)

Assigning the PARA C of this eﬀect is controlled by EXP.

Para A Para B

Adjusts the compressor ratio.

This eﬀect provides a fully controllable wah eﬀect depending on picking dynamics.

Para A Para B

S (Sense): 01~50

Adjusts the eﬀect sensitivity

L.CMP (LA Com pr es so r)

This compressor allows more detailed adjustment.

Para C

T (Tone): 01~50 C (Comp): 01~50 VOL (Volume)

Adj usts th e tone .

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the compressor.

EXP Ta rge t (T YPE )

Assigning the PARA C of this eﬀect is controlled by EXP.

T.WAH (T-Wa h Wah)

EXP Ta rge t (T YPE )

WAH (Sense)

Assigning the PARA A of this eﬀect is controlled by EXP.

R (Reso): 01~50

Adj usts th e inte nsity of the res onance sound .

Para C

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the eﬀect.

Para A Para B

Adjusts the eﬀect depth.

Para A Para B

Q: 01~50

Adjusts the intensity of the resonance sound.

A.WAH (A-Wah Wah)

This eﬀect varies wah eﬀect automatically with speed control.

Para C

S (Speed): 01~50 D (Depth): 01~50

Adj usts th e eﬀec t spee d.

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the eﬀect.

Q.WAH (Q-Wah Wah)

This eﬀect varies wah eﬀect automatically and provides a Q control.

Para C

S (Speed): 01~50

Adj usts th e eﬀec t spee d.

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the eﬀect.

EXP Ta rge t (T YPE )

SPD (Speed)

Assigning the PARA B of this eﬀect is controlled by EXP.

EXP Ta rge t (T YPE )

SPD (Speed)

Assigning the PARA B of this eﬀect is controlled by EXP.

Para A Para B

F (Freq): 01~50

Adjusts the emphasized frequency.

Para A Para B

F (Freq): 01~50

Adjusts the emphasized frequency.

C.WAH (C-Wah Wah)

Based on the vintage CryBaby* wah pedal.

Q: 01~50

Adj usts th e inte nsity of the res onance sound .

V.WAH ( V-Wah Wah)

Based on the vintage Vox V846* wah pedal.

Q: 01~50

Adj usts th e inte nsity of the res onance sound .

Para C

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the eﬀect.

Para C

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the eﬀect.

EXP Ta rge t (T YPE )

WAH (Freq)

Assigning the PARA A of this eﬀect is controlled by EXP.

EXP Ta rge t (T YPE )

WAH (Freq)

Assigning the PARA A of this eﬀect is controlled by EXP.

Para A Para B

Sets the level that activates the limiter.

Para A Para B

Sets the level that activates the eﬀect.

LMT (Limit er )

This eﬀect reduces high-level signals only.

Para C

R (Release): 01~50 T (Threshold): 01~50 VOL (Volume)

Se ts th e rele ase t ime.

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the limiter.

EXP Ta rge t (T YPE )

Assigning the PARA C of this eﬀect is controlled by EXP.

S.ATK (Slow At ta ck )

Based on the BOSS SG -1 Slow Gear* pedal.

EXP Ta rge t (T YPE )

ATK (Attack)

Assigning the PARA B of this eﬀect is controlled by EXP.

A (Attack): 01~50T (Threshold): 01~50

Adj usts th e amou nt of t ime the eﬀect t akes to resp ond to a signal that e xceeds the thr eshold .

Para C

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the eﬀect.

Based on the Electro-Harmonix Micro POG*, which allows adding two octave voices (below/above the original sound) blend with dry level control .

Para A Para B

Sets the level of one Octave below.

Para A Para B

Sets the modulation frequency.

OCTA (Octave )

Set s the l evel of one Oc tave abo ve.

RMOD (Ring Mo d)

This eﬀect produces a magic ringing sound.

T (Tone): 01~50F (Freq): 01~50

Adj usts th e tone .

Para C

D (Dry): 01~50 H (High): 01~50L (Low): 01~50

Adjusts the dry signal level.

Para C

MIX: -25 ~ +25

Controls the mix level of the ringmod.

EXP Ta rge t (T YPE )

DRY

Assigning the PARA C of this eﬀect is controlled by EXP.

EXP Ta rge t (T YPE )

FREQ

Assigning the PARA A of this eﬀect is controlled by EXP.

Para A Para B

Sets the modulation frequency.

LOFI (Lo-F i)

This eﬀect produces a lo-ﬁ style tone.

T (Tone): 01~50F (Freq): 01~50

Adj usts th e tone .

Para C

MIX: -25 ~ +25

Controls the mix level of the Lo-Fi.

EXP Ta rge t (T YPE )

MIX

Assigning the PARA C of this eﬀect is controlled by EXP.

NR (Noise Reduction) Module(2)

ST.NR (Stand ar d No is e Re du ct io n)

This is a noise gate that eliminates the noise when you are not playing.

Para A Para B

T (Threshold): 01~50 A (Attack): 01~50 R (Release): 01~50

Sets the level that activates the noise gate.

Set s the a ttack t ime.

HD.NR (Har d No is e Re du ct io n)

This is a noise gate with a hard reduction process.

Para A Para B

T (Threshold): 01~50 A (Attack): 01~50 R (Release): 01~50

Sets the level that activates the noise gate.

Set s the a ttack t ime.

Para C

Set the release time of noise.

Para C

Set the release time of noise.

EXP Ta rge t (T YPE )

DS/AMP (Overdrive/Distortion/Amplier Simulator) Module(26)

A-30 (Heri ta ge A-30)

Based on the vintage VOX Ac30* combo ampliﬁer.

Para A Para B

G (Gain): 01~50 T (Tone): 01~50

Adjusts the gain.

Adj usts th e tone .

D-30 (Chie f D- 30 )

Based on the MATCHLESS CH IEFTAIN* combo ampliﬁer.

Para A Para B

G (Gain): 01~50 T (Tone): 01~50

Adjusts the gain.

Adj usts th e tone .

Para C

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the module.

Para C

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the module.

EXP Ta rge t (T YPE )

TWDY (Twee dy C ombo)

Based on the vintage Fender Tweed Deluxe* combo ampliﬁer.

Para A Para B

G (Gain): 01~50 T (Tone): 01~50

Adjusts the gain.

Adj usts th e tone .

FD 65 (Darkf ac e '6 5)

Based on the vintage Fender '65 Deluxe Reverb* combo ampliﬁer.

Para A Para B

G (Gain): 01~50 T (Tone): 01~50

Adjusts the gain.

Adj usts th e tone .

Para C

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the module.

Para C

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the module.

EXP Ta rge t (T YPE )

JT 45 (Plexi J T-4 5)

Based on the Marshall JTM45* ampliﬁer.

Para A Para B

G (Gain): 01~50 T (Tone): 01~50

Adjusts the gain.

Adj usts th e tone .

J800 (Plex i J- 80 0)

Based on the Marshall JCM800* ampliﬁer.

Para A Para B

G (Gain): 01~50 T (Tone): 01~50

Adjusts the gain.

Adj usts th e tone .

Para C

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the module.

Para C

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the module.

EXP Ta rge t (T YPE )

PL 59 (Plexi Lead '59)

Based on the Marshall 1959 SuperLead* ampliﬁer.

Para A Para B

G (Gain): 01~50 T (Tone): 01~50

Adjusts the gain.

Adj usts th e tone .

CALI (Cali fo rn ia C ru nc h+ )

Based on the MESA BO OGIE Mark ll C+* ampliﬁer.

Para A Para B

G (Gain): 01~50 T (Tone): 01~50

Adjusts the gain.

Adj usts th e tone .

Para C

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the module.

Para C

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the module.

EXP Ta rge t (T YPE )

RCTO (California Recto)

Based on the MESA BO OGIE Dual Rectiﬁer* ampliﬁer.

Para A Para B

G (Gain): 01~50 T (Tone): 01~50

Adjusts the gain.

Adj usts th e tone .

FR 51 (Frank en st ei n 51 )

Based on the PEAVEY EV H 5150* ampliﬁer.

Para A Para B

G (Gain): 01~50 T (Tone): 01~50

Adjusts the gain.

Adj usts th e tone .

Para C

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the module.

Para C

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the module.

EXP Ta rge t (T YPE )

SCR9 (Scre am er N in e)

Based on the TS9 Tube Screamer* overdrive pedal.

Para A Para B

G (Gain): 01~50 T (Tone): 01~50

Adjusts the gain.

Adj usts th e tone .

JCOD (Juic y OD )

Based on the vintage BOSS OD -1 Over Drive* pedal.

Para A Para B

G (Gain): 01~50 T (Tone): 01~50

Adjusts the gain.

Adj usts th e tone .

Para C

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the module.

Para C

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the module.

EXP Ta rge t (T YPE )

HPOD (Hype r OD )

Based on the BOSS SD -1Super OverDrive* pedal.

Para A Para B

G (Gain): 01~50 T (Tone): 01~50

Adjusts the gain.

Adj usts th e tone .

FOD (Force d OD )

Based on the Fulltone OCD* Overdrive pedal.

Para A Para B

G (Gain): 01~50 T (Tone): 01~50

Adjusts the gain.

Adj usts th e tone .

Para C

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the module.

Para C

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the module.

EXP Ta rge t (T YPE )

250 (Pream p 25 0 )

Based on the DOD 250 Overdrive Preamp* pedal.

Para A Para B

G (Gain): 01~50 T (Tone): 01~50

Adjusts the gain.

Adj usts th e tone .

DARK (Dark ta il D is t)

Based on the vintage PROCO R AT* Distortion pedal.

Para A Para B

G (Gain): 01~50 T (Tone): 01~50

Adjusts the gain.

Adj usts th e tone .

Para C

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the module.

Para C

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the module.

EXP Ta rge t (T YPE )

Based on the BOSS DS -1 Distortion* pedal.

Para A Para B

G (Gain): 01~50 T (Tone): 01~50

Adjusts the gain.

Adj usts th e tone .

MTAL (Me ta ly zer)

Based on the BOSS MT-2 Metal Zone* Distortion pedal.

Para A Para B

G (Gain): 01~50 T (Tone): 01~50

Adjusts the gain.

Adj usts th e tone .

SDS (Silk Di st )

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the module.

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the module.

Para C

EXP Ta rge t (T YPE )

DRTY (Dirty Dist)

Based on the DOD FX69 G RUNGE* Distortion pedal.

Para A Para B

G (Gain): 01~50 T (Tone): 01~50

Adjusts the gain.

Adj usts th e tone .

CRCH (Crun ch M as te r)

Based on the MI AUDIO CRUNCH BOX Distortion* pedal.

Para A Para B

G (Gain): 01~50 T (Tone): 01~50

Adjusts the gain.

Adj usts th e tone .

Para C

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the module.

Para C

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the module.

EXP Ta rge t (T YPE )

AUTH (Auth or it y Di st )

Based on the Marshall Guv’nor* Distortion pedal.

Para A Para B

G (Gain): 01~50 T (Tone): 01~50

Adjusts the gain.

Adj usts th e tone .

FRAG (Frag me nt D is t)

Based on the Marshall Shred Master* Distortion pedal.

Para A Para B

G (Gain): 01~50 T (Tone): 01~50

Adjusts the gain.

Adj usts th e tone .

Para C

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the module.

Para C

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the module.

EXP Ta rge t (T YPE )

FACE (Muddy F ac e)

Based on the vintage Dallas-Arbiter FUZZ FACE* fuzz pedal.

Para A Para B

G (Gain): 01~50 T (Tone): 01~50

Adjusts the gain.

Adj usts th e tone .

MUFF (US Muf ﬁn F uz z)

Based on the vintage Electro-Harmonix Big Muﬀ PI* fuzz pedal.

Para A Para B

G (Gain): 01~50 T (Tone): 01~50

Adjusts the gain.

Adj usts th e tone .

Para C

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the module.

Para C

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the module.

EXP Ta rge t (T YPE )

Para A Para B

G (Gain): 01~50 T (Tone): 01~50

Adjusts the gain.

This eﬀect provides a large adjustable range which is to turn an electric guitar tone into a natural acoustic tones.

Para A Para B

Adjusts the acoustic guitar body resonance.

Adj usts th e tone .

Adj usts th e uniq ue str ing to ne of aco ustic guitar.

FZBD (Fuzz B en de r)

Based on the vintage Vox Tone Bender* fuzz pedal.

Para C

V (Volume): 01~50

Adjusts the level of the signal after it has passed through the module.

ACSM (Acou st ic S im )

Para C

Adjusts the level of the signal after it has passed through the module.

EXP Ta rge t (T YPE )

Volume (A.VOL)V (Volume): 01~50T (Top) : 01~50B (Body) : 01~50

Assigning the PARA C of this eﬀect is controlled by EXP.

EQ (Equalizer) Module (3)

EQ 1 (Equali ze r 1)

This is a 3-band equalizer suited for guitar.

Para A Para B

L (Low): -12 ~ +12 M (Mid): -12 ~ +12 H (Hi): -12 ~ +12

Boosts or cuts the low (160 Hz) frequency band (±12dB).

Boo sts or cu ts the mid (80 0 Hz) fre quenc y ban d (±12d B).

EQ 2 (Equali ze r 2)

This is a 3-band equalizer suited for guitar.

Para A Para B

L (Low): -12 ~ +12 M (Mid): -12 ~ +12 H (Hi): -12 ~ +12

Boosts or cuts the low (125 Hz) frequency band (±12dB).

Boo sts or cuts th e mid (50 0 Hz) f requen cy ban d (±12 dB).

Para C

Boosts or cuts the high (3.2kHz) frequency band (±12dB).

Para C

Boosts or cuts the high (2kHz) frequency band (±12dB).

EXP Ta rge t (T YPE )

EQ 3 (Equali ze r 3)

This is a 3-band equalizer suited for guitar.

Para A Para B

L (Low): -12 ~ +12 M (Mid): -12 ~ +12 H (Hi): -12 ~ +12

Boosts or cuts the low (100 Hz) frequency band (±12dB).

Boo sts or cuts th e mid (1k Hz) fr equenc y ban d (±12 dB).

Para C

Boosts or cuts the high (6.4kHz) frequency band (±12dB).

EXP Ta rge t (T YPE )

CAB (Cabinet) Module (15)

H.112 (He ri ta ge 11 2)

Based on the VOX AC15* 1x12 cabinet.

Para A Para B

M (Mic Distance): 01~50 P (Presence): 01~50 V (Volume): 01~50

Adjusts the distance between microphone and cabinet.

Adj usts th e pres ence.

H.212 (Her it ag e 21 2)

Based on the VOX AC30* 2x12 Cabinet.

Para A Para B

M (Mic Distance): 01~50 P (Presence): 01~50 V (Volume): 01~50

Adjusts the distance between microphone and cabinet.

Adj usts th e pres ence.

Para C

Adjusts the level of the signal after it has passed through the eﬀect.

Para C

Adjusts the level of the signal after it has passed through the eﬀect.

EXP Ta rge t (T YPE )

GCAB (Plex i Gr ee nc ab 4 12 )

Based on the Marshall* 4x12 cabinet with Greenback* speakers.

Para A Para B

M (Mic Distance): 01~50 P (Presence): 01~50 V (Volume): 01~50

Adjusts the distance between microphone and cabinet.

Adj usts th e pres ence.

Para C

Adjusts the level of the signal after it has passed through the eﬀect.

VT 30 (Plexi Vintage 412)

Based on the Marshall* 4x12 cabinet with Vintage 30* speakers.

Para A Para B

M (Mic Distance): 01~50 P (Presence): 01~50 V (Volume): 01~50

Adjusts the distance between microphone and cabinet.

Adj usts th e pres ence.

Para C

Adjusts the level of the signal after it has passed through the eﬀect.

EXP Ta rge t (T YPE )

TWD8 (Tweed 8)

Based on the Fender Tweed Champ* 1x8 cabinet.

Para A Para B

M (Mic Distance): 01~50 P (Presence): 01~50 V (Volume): 01~50

Adjusts the distance between microphone and cabinet.

Adj usts th e pres ence.

Para C

Adjusts the level of the signal after it has passed through the eﬀect.

D.112 (Da rk fa ce 11 2)

Based on the Fender Deluxe Reverb* 1x12 cabinet.

Para A Para B

M (Mic Distance): 01~50 P (Presence): 01~50 V (Volume): 01~50

Adjusts the distance between microphone and cabinet.

Adj usts th e pres ence.

Para C

Adjusts the level of the signal after it has passed through the eﬀect.

EXP Ta rge t (T YPE )

D.212 (Dar kf ac e 21 2)

Based on the Fender Twin Reverb* 2x12 cabinet.

Para A Para B

M (Mic Distance): 01~50 P (Presence): 01~50 V (Volume): 01~50

Adjusts the distance between microphone and cabinet.

Adj usts th e pres ence.

Para C

Adjusts the level of the signal after it has passed through the eﬀect.

B.410 (Bas si st 4 10 )

Based on the Fender BASSMAN* 4x10 bass cabinet.

Para A Para B

M (Mic Distance): 01~50 P (Presence): 01~50 V (Volume): 01~50

Adjusts the distance between microphone and cabinet.

Adj usts th e pres ence.

Para C

Adjusts the level of the signal after it has passed through the eﬀect.

EXP Ta rge t (T YPE )

JAZZ (Jazz 2 12 )

Based on the Roland JC120*2x12 cabinet.

Para A Para B

M (Mic Distance): 01~50 P (Presence): 01~50 V (Volume): 01~50

Adjusts the distance between microphone and cabinet.

Adj usts th e pres ence.

Para C

Adjusts the level of the signal after it has passed through the eﬀect.

C.412 (Bas si st 4 10 )

Based on the MESA BO OGIE* 4x12 cabinet.

Para A Para B

M (Mic Distance): 01~50 P (Presence): 01~50 V (Volume): 01~50

Adjusts the distance between microphone and cabinet.

Adj usts th e pres ence.

Para C

Adjusts the level of the signal after it has passed through the eﬀect.

EXP Ta rge t (T YPE )

GRET (Grea t 110 )

Based on the GRETS CH 6156* 1x10 cabinet.

Para A Para B

M (Mic Distance): 01~50 P (Presence): 01~50 V (Volume): 01~50

Adjusts the distance between microphone and cabinet.

Adj usts th e pres ence.

Para C

Adjusts the level of the signal after it has passed through the eﬀect.

F.412 (Frank en st ei n 41 2)

Based on the PEAVEY 5150* 4x12 cabinet.

Para A Para B

M (Mic Distance): 01~50 P (Presence): 01~50 V (Volume): 01~50

Adjusts the distance between microphone and cabinet.

Adj usts th e pres ence.

Para C

Adjusts the level of the signal after it has passed through the eﬀect.

EXP Ta rge t (T YPE )

HIWY (Highway 412)

Based on the HIWATT DR103* 4x12 bass cabinet.

Para A Para B

M (Mic Distance): 01~50 P (Presence): 01~50 V (Volume): 01~50

Adjusts the distance between microphone and cabinet.

Adj usts th e pres ence.

Para C

Adjusts the level of the signal after it has passed through the eﬀect.

E.212 (Chi ef 2 12 )

Based on the MATCHLESS CH IEFTAIN* 2x12 Cabinet.

Para A Para B

M (Mic Distance): 01~50 P (Presence): 01~50 V (Volume): 01~50

Adjusts the distance between microphone and cabinet.

Adj usts th e pres ence.

Para C

Adjusts the level of the signal after it has passed through the eﬀect.

EXP Ta rge t (T YPE )

SOLO (Solo is t 41 2)

Based on the SOLDAN O* 4x12 cabinet.

Para A Para B

M (Mic Distance): 01~50 P (Presence): 01~50 V (Volume): 01~50

Adjusts the distance between microphone and cabinet.

Adj usts th e pres ence.

Para C

Adjusts the level of the signal after it has passed through the eﬀect.

EXP Ta rge t (T YPE )

Para A Para B

D (Depth): 01~50

Adjusts the eﬀect depth.

This eﬀect produces a modern feeling chorus sound, bright and deep.

Para A Para B

D (Depth): 01~50

Adjusts the eﬀect depth.

MO D (Modulation) Module (22)

DRCH (Dr ea m Ch or us )

Based on the BOSS CE -1 Chorus* pedal.

Para C

S (Speed): 01~50

Ad just s th e eﬀe ct s peed .

HDCH (Hard C ho ru s)

S (Speed): 01~50

Ad just s th e eﬀe ct s peed .

MIX: -25 ~ +25

Controls the mix with the original signal.

MIX: -25 ~ +25

Controls the mix with the original signal.

Para C

EXP Ta rge t (T YPE )

M.MIX

Assigning the PARA C of this eﬀect is controlled by EXP.

EXP Ta rge t (T YPE )

M.MIX

Assigning the PARA C of this eﬀect is controlled by EXP.

Para A Para B

D (Depth): 01~50

Adjusts the eﬀect depth.

Para A Para B

D (Depth): 01~50

Adjusts the eﬀect depth.

CCH (Concr et e Ch or us )

This eﬀect produces a thick and lush sound.

S (Speed): 01~50

Ad just s th e eﬀe ct s peed .

SCH (Sky Cho ru s)

This eﬀect produces a bright and clear chorus.

S (Speed): 01~50

Ad just s th e eﬀe ct s peed .

Para C

MIX: -25 ~ +25

Controls the mix with the original signal.

Para C

MIX: -25 ~ +25

Controls the mix with the original signal.

EXP Ta rge t (T YPE )

M.MIX

Assigning the PARA C of this eﬀect is controlled by EXP.

EXP Ta rge t (T YPE )

M.MIX

Assigning the PARA C of this eﬀect is controlled by EXP.

VVB (Vintage Vibrato)

Based on the vintage Boss VB-2 Vibrato* pedal.

Para A Para B

D (Depth): 01~50 S (Speed): 01~50 M.SPD(Speed)V (Volume): 01~50

Adjusts the eﬀect depth.

Ad just s th e eﬀe ct s peed .

Para C

Adjusts the eﬀect volume.

BVB (Brigh t Vibrato)

This eﬀect modulates the pitch of the incoming signal at an even rate.

Para A Para B

D (Depth): 01~50 S (Speed): 01~50 V (Volume): 01~50

Adjusts the eﬀect depth.

Ad just s th e eﬀe ct s peed .

Para C

Adjusts the eﬀect volume.

EXP Ta rge t (T YPE )

Assigning the PARA B of this eﬀect is controlled by EXP.

EXP Ta rge t (T YPE )

M.SPD (Speed)

Assigning the PARA B of this eﬀect is controlled by EXP.

OPTR (Opto Tr em ol o)

Based on the DEME TER TREMULATOR* tremolo pedal.

Para A Para B

D (Depth): 01~50 S (Speed): 01~50 V (Volume): 01~50

Adjusts the eﬀect depth.

Ad just s th e eﬀe ct s peed .

Para C

Adjusts the eﬀect volume.

BITR (Bias Tr em ol o)

This eﬀect modulates the volume of the signal at an even rate.

Para A Para B

D (Depth): 01~50 S (Speed): 01~50 V (Volume): 01~50

Adjusts the eﬀect depth.

Ad just s th e eﬀe ct s peed .

Para C

Adjusts the eﬀect volume.

EXP Ta rge t (T YPE )

M.SPD (Speed)

Assigning the PARA B of this eﬀect is controlled by EXP.

EXP Ta rge t (T YPE )

M.SPD (Speed)

Assigning the PARA B of this eﬀect is controlled by EXP.

Para A Para B

D (Depth): 01~50

Adjusts the eﬀect depth.

Para A Para B

D (Depth): 01~50

Adjusts the eﬀect depth.

TUTR (Tube Tremolo)

Based on the Electro-Harmonix WIGGLE R* tremolo pedal.

Para C

S (Speed): 01~50

Ad just s th e eﬀe ct s peed .

V (Volume): 01~50

Adjusts the eﬀect volume.

ROTA (Rotary )

Based on the vintage SHIN-EI UNI-VIBE* rotary pedal.

Para C

S (Speed): 01~50

Ad just s th e eﬀe ct s peed .

V (Volume): 01~50

Adjusts the eﬀect volume.

EXP Ta rge t (T YPE )

M.SPD (Speed)

Assigning the PARA B of this eﬀect is controlled by EXP.

EXP Ta rge t (T YPE )

M.SPD (Speed)

Assigning the PARA B of this eﬀect is controlled by EXP.

PHAS (Phas er )

This eﬀect splits the incoming signal and changes the phasing of the signal.

Para A Para B

D (Depth): 01~50 S (Speed): 01~50 MIX: -25 ~ +25

Adjusts the eﬀect depth.

Ad just s th e eﬀe ct s peed .

Para C

Controls the mix with the original signal.

FBPH (Feed ba ck P ha se r)

This eﬀect produces a phasing sound with feedback.

Para A Para B

D (Depth): 01~50 S (Speed): 01~50 MIX: -25 ~ +25

Adjusts the eﬀect depth.

Ad just s th e eﬀe ct s peed .

Para C

Controls the mix with the original signal.

EXP Ta rge t (T YPE )

M.SPD (Speed)

Assigning the PARA B of this eﬀect is controlled by EXP.

EXP Ta rge t (T YPE )

M.SPD (Speed)

Assigning the PARA B of this eﬀect is controlled by EXP.

FLNG (Flan ge r)

This eﬀect produces a standard ﬂanger tone.

Para A Para B

D (Depth): 01~50 S (Speed): 01~50 MIX: -25 ~ +25

Adjusts the eﬀect depth.

Ad just s th e eﬀe ct s peed .

Para C

Controls the mix with the original signal.

NFLG (Nega ti ve F la ng er )

This eﬀect produces a exaggerated ﬂanger tone with negative feedback.

Para A Para B

D (Depth): 01~50 S (Speed): 01~50 MIX: -25 ~ +25

Adjusts the eﬀect depth.

Ad just s th e eﬀe ct s peed .

Para C

Controls the mix with the original signal.

EXP Ta rge t (T YPE )

M.SPD (Speed)

Assigning the PARA B of this eﬀect is controlled by EXP.

EXP Ta rge t (T YPE )

M.SPD (Speed)

Assigning the PARA B of this eﬀect is controlled by EXP.

JTLY (Jetl yz er )

This eﬀect produces a massive ﬂanger tone with plenty of feedback.

Para A Para B

D (Depth): 01~50 S (Speed): 01~50 MIX: -25 ~ +25

Adjusts the eﬀect depth.

Ad just s th e eﬀe ct s peed .

Para C

Controls the mix with the original signal.

STEP (Step Flanger)

This eﬀect produces an automatic ﬂanger tone with step variation.

Para A Para B

D (Depth): 01~50 S (Speed): 01~50 MIX: -25 ~ +25

Adjusts the eﬀect depth.

Ad just s th e eﬀe ct s peed .

Para C

Controls the mix with the original signal.

EXP Ta rge t (T YPE )

M.SPD (Speed)

Assigning the PARA B of this eﬀect is controlled by EXP.

EXP Ta rge t (T YPE )

M.SPD (Speed)

Assigning the PARA B of this eﬀect is controlled by EXP.

This eﬀect mixes a dry signal and a signal that is slightly out of tune.

Para A Para B

Pre Delay: 001~200 (ms) C (Cent): -25 ~ +25

Adjusts the detuning in cents.

Se ts th e pr e-d ela y tim e of th e eﬀe ct s ound ..

PBND (Pitc h Be nd er )

This eﬀect shifts the pitch from -12 semitones to +12 semitones.

Para A Para B

R (Range): -12 ~ +12 T (Tone): 01~50

Adjusts the pitch shift amount in semitones.

Ad just s th e ton e.

DTUN (Detu ne )

Controls the mix with the original signal.

Para C

MIX: -25 ~ +25

Para C

MIX: -25 ~ +25

EXP Ta rge t (T YPE )

M.MIX

Assigning the PARA C of this eﬀect is controlled by EXP.

EXP Ta rge t (T YPE )

RAN (Range)

Assigning the PARA A of this eﬀect is controlled by EXP.

FBPB (Feed ba ck P it ch B en de r)

This eﬀect shifts the pitch with a short delay and feedback.

Para A Para B

R (Range): -12 ~ +12 F (Feedback): 01~50

Adjusts the pitch shift amount in semitones.

Ad just s th e amo ut of feed bac k.

A.LPF (Aut o Lo w Pa ss F il te r)

This eﬀect produces low ﬁlter variation at an even rate.

Para A Para B

S (Speed): 01~50F (Freq): 01~50

Adjusts the ﬁlter working frequency.

Ad just s th e eﬀe ct s peed .

Para C

MIX: -25 ~ +25

Controls the mix with the original signal.

Para C

MIX: -25 ~ +25

Controls the mix with the original signal.

EXP Ta rge t (T YPE )

RAN (Range)

Assigning the PARA A of this eﬀect is controlled by EXP.

EXP Ta rge t (T YPE )

RATE

Assigning the PARA B of this eﬀect is controlled by EXP.

A.BPF (Aut o Ba nd P as s Fi lt er )

This eﬀect produces an auto band pass ﬁlter eﬀect.

Para A Para B

F (Freq): 01~50 S (Speed): 01~50

Adjusts the ﬁlter working frequency.

Ad just s th e eﬀe ct sp eed.

A.HPF (Aut o Hi gh P as s Fi lt er )

This eﬀect produces high ﬁlter variation at an even rate.

Para A Para B

S (Speed): 01~50F (Freq): 01~50

Adjusts the ﬁlter working frequency.

Ad just s th e eﬀe ct sp eed.

Para C

MIX: -25 ~ +25

Controls the mix with the original signal.

Para C

MIX: -25 ~ +25

Controls the mix with the original signal.

EXP Ta rge t (T YPE )

RATE

Assigning the PARA B of this eﬀect is controlled by EXP.

EXP Ta rge t (T YPE )

RATE

Assigning the PARA B of this eﬀect is controlled by EXP.

DLY (DELAY) Module (9)

DDLL (Digital Delay Long)

This eﬀect produces a pure, accurate delay eﬀect.

Para A Para B

F (Feedback): 01~50

Adjusts the amout of feedback.

Time:50 (ms)~200 (10ms)

Ad just s th e del ay t ime. Adjusts the eﬀect level.

DDLS (Digi ta l De la y Sh or t)

This eﬀect produces a pure, accurate delay eﬀect.

Para A Para B

F (Feedback): 01~50 L (Level): 01~50

Adjusts the amout of feedback.

Ad just s th e del ay t ime. Adjusts the eﬀect level.

Para C

L (Level): 01~50 FDBK (Feedback)、TIME

Para C

EXP Ta rge t (T YPE )

Assigning the PARA A or B of this eﬀect is controlled by EXP.

EXP Ta rge t (T YPE )

FDBK (Feedback)、TIMETime:50 (ms)~500 (ms)

Assigning the PARA A or B of this eﬀect is controlled by EXP.

ADLL (Analog Delay Long)

Based on the Electro-Harmonix DELUXE M EMORY MAN* analog delay pedal.

Para A Para B

F (Feedback): 01~50 L (Level): 01~50

Adjusts the amout of feedback.

Time:50 (ms)~100 (10ms)

Ad just s th e del ay t ime.

Para C

Adjusts the eﬀect level.

ADLS (Anal og D el ay S ho rt )

Based on the BOSS DM -2 DELAY* pedal.

Para A Para B

F (Feedback): 01~50 L (Level): 01~50

Adjusts the amout of feedback.

Time:50 (ms)~300 (ms)

Ad just s th e del ay t ime.

Para C

Adjusts the eﬀect level.

EXP Ta rge t (T YPE )

FDBK (Feedback)、TIME

Assigning the PARA A or B of this eﬀect is controlled by EXP.

EXP Ta rge t (T YPE )

FDBK (Feedback)、TIME

Assigning the PARA A or B of this eﬀect is controlled by EXP.

MODL (Mod Delay)

This eﬀect produces a pure delay with chorus eﬀect.

Para A Para B

F (Feedback): 01~50 L (Level): 01~50

Adjusts the amout of feedback.

Time:50 (ms)~200 (10ms)

Ad just s th e del ay t ime.

Para C

Adjusts the eﬀect level.

DNDL (Dynamic Delay)

This eﬀect produces a pure delay eﬀects with variation in dynamic.

Para A Para B

F (Feedback): 01~50 L (Level): 01~50

Adjusts the amout of feedback.

Time:50 (ms)~200 (10ms)

Ad just s th e del ay t ime.

Para C

Adjusts the eﬀect level.

EXP Ta rge t (T YPE )

FDBK (Feedback)、TIME

Assigning the PARA A or B of this eﬀect is controlled by EXP.

EXP Ta rge t (T YPE )

FDBK (Feedback)、TIME

Assigning the PARA A or B of this eﬀect is controlled by EXP.

TPEC (Tape Echo)

This eﬀect simulates the echo tone from a tape machine.

Para A Para B

F (Feedback): 01~50 L (Level): 01~50

Adjusts the amout of feedback.

Time:50 (ms)~200 (10ms)

Ad just s th e del ay t ime. Adjusts the eﬀect level.

Para C

TBEC (Tube Echo)

This eﬀect simulates the sound from a tube-driven echo machine.

Para A Para B

F (Feedback): 01~50 L (Level): 01~50

Adjusts the amout of feedback.

Time:50 (ms)~200 (10ms)

Ad just s th e del ay t ime. Adjusts the eﬀect level.

Para C

EXP Ta rge t (T YPE )

FDBK (Feedback)、TIME

Assigning the PARA A or B of this eﬀect is controlled by EXP.

EXP Ta rge t (T YPE )

FDBK (Feedback)、TIME

Assigning the PARA A or B of this eﬀect is controlled by EXP.

PPDL (Ping Pong Delay)

This ping-pong delay outputs the delay sound alternately to the left and right.

Para A Para B

F (Feedback): 01~50 L (Level): 01~50

Adjusts the amout of feedback. Ad just s th e del ay t ime. Adjusts the eﬀect level.

Time:50 (ms)~200 (10ms)

Para C

EXP Ta rge t (T YPE )

FDBK (Feedback)、TIME

Assigning the PARA A or B of this eﬀect is controlled by EXP.

RE V (REV ERB) Module (8)

This reverb eﬀect simulates a spring reverberator.

Para A Para B

D (Decay): 01~50 T (Tone): 01~50

Sets the duration of the reverberation.

Para A Para B

D (Decay): 01~50 T (Tone): 01~50

Sets the duration of the reverberation.

Ad just s th e eﬀe ct t one.

This reverb eﬀect simulates a room reverberation.

Ad just s th e eﬀe ct t one.

SPRN (Spri ng B ox )

Para C

MIX: -25 ~ +25

Controls the mix with the original signal.

ROOM (Room R ev er b)

Para C

MIX: -25 ~ +25

Controls the mix with the original signal.

EXP Ta rge t (T YPE )

R.MIX (Mix)

Assigning the PARA C of this eﬀect is controlled by EXP.

EXP Ta rge t (T YPE )

R.MIX (Mix)

Assigning the PARA C of this eﬀect is controlled by EXP.

CHUR (Chur ch R ev er b)

This reverb eﬀect simulatesa a church reverberation.

Para A Para B

D (Decay): 01~50 T (Tone): 01~50

Sets the duration of the reverberation.

Para A Para B

D (Decay): 01~50 T (Tone): 01~50

Sets the duration of the reverberation.

Ad just s th e eﬀe ct t one.

This reverb eﬀect simulates a club reverberation.

Ad just s th e eﬀe ct t one.

MIX: -25 ~ +25

Controls the mix with the original signal.

CLUB (Club R ev er b)

MIX: -25 ~ +25

Controls the mix with the original signal.

Para C

EXP Ta rge t (T YPE )

R.MIX (Mix)

Assigning the PARA C of this eﬀect is controlled by EXP.

EXP Ta rge t (T YPE )

R.MIX (Mix)

Assigning the PARA C of this eﬀect is controlled by EXP.

This reverb eﬀect simulates a music hall reverberation.

Para A Para B

D (Decay): 01~50 T (Tone): 01~50

Sets the duration of the reverberation.

Para A Para B

D (Decay): 01~50 T (Tone): 01~50

Sets the duration of the reverberation.

Ad just s th e eﬀe ct t one.

This reverb eﬀect simulates a plate reverberator.

Ad just s th e eﬀe ct t one.

HALL (Hall Reverb)

Para C

MIX: -25 ~ +25

Controls the mix with the original signal.

PLAT (Vi nt ag e Plate)

Para C

MIX: -25 ~ +25

Controls the mix with the original signal.

EXP Ta rge t (T YPE )

R.MIX (Mix)

Assigning the PARA C of this eﬀect is controlled by EXP.

EXP Ta rge t (T YPE )

R.MIX (Mix)

Assigning the PARA C of this eﬀect is controlled by EXP.

This reverb eﬀect simulates a arena reverberation.

Para A Para B

D (Decay): 01~50 T (Tone): 01~50

Sets the duration of the reverberation.

Para A Para B

D (Decay): 01~50 T (Tone): 01~50

Sets the duration of the reverberation.

Ad just s th e eﬀe ct t one.

This reverb eﬀect provides a reverb with modulation.

Ad just s th e eﬀe ct t one.

ARNA (A re na R everb)

Para C

MIX: -25 ~ +25

Controls the mix with the original signal.

M.RVB (Mod Reverb)

Para C

MIX: -25 ~ +25

Controls the mix with the original signal.

EXP Ta rge t (T YPE )

R.MIX (Mix)

Assigning the PARA C of this eﬀect is controlled by EXP.

EXP Ta rge t (T YPE )

R.MIX (Mix)

Assigning the PARA C of this eﬀect is controlled by EXP.

PRESETS PATCH LIST

No.

P00

P01

P02

P03

P04

P05

P06

P07

P08

P09

P10

P11

P12

P13

TYPE EXP

Solo Dist

Overdrive

Chorus + Reverb

Touch Wah

Distortion + Reverb

Slow Attack

Overdrive + Delay

Distortion + Delay

Flanger + Reverb

Detune + Reverb

Distortion + Reverb

Pitch Shifter + Reverb

Distortion + Reverb

Auto Wah

Tim e

Vol

M.Mix

Wah

Vol

R.Mix

Tim e

Vol

R.Mix

Range

Vol

Range

Feedback

Speed

No.

P14

P15

P16

P17

P18

P19

P20

P21

P22

P23

P24

P25

P26

P27

TYPE EXP

Distortion + Delay

Distortion + Reverb

Distortion + Delay

Flanger + Delay

Overdrive

Compressor + Delay

Auto Wah + Delay

Distortion

Tremolo + Reverb

Vibrato + Delay

Distortion + Reverb

Distortion + Chorus

Clean Delay

Short Delay

Feedback

Vol

Time

M.Speed

Vol

Tim e

Speed

Vol

M.Speed

R.Mix

Vol

Time

Vol

No.

P28

P29

P30

P31

P32

P33

P34

P35

P36

P37

P38

P39

P40

P41

TYPE EXP

Bit Krush + Delay

Chorus + Delay

Auto Wah + Delay

Slow Attack + Delay

Compressor + Delay

Low Pass Filter + Delay

Ring Mod + Delay

Detune + Delay

Chorus + Delay

Distortion + Delay

Auto Wah + Delay

Detune + Delay

High Gain Distortion + Delay

Mod Delay

Feedback

Time

Feedback

Vol

Freq

M.Mix

Feedback

Master Volu me

Time

M.Mix

M.Speed

No.

P42

P43

P44

P45

P46

P47

P48

P49

P50

P51

P52

P53

P54

P55

TYPE

Compressor + Chorus

Compressor + Flanger

Distortion + Vibrato

Slow Attack + Tremolo

Distortion + Phaser

Tremolo + Reverb

Distortion + Rotary

Vibrato + Reverb

Chorus + Reverb

Vibrato + Delay

Flanger + Delay

Compressor + Rotary

Bit Krush + Rotary

Tremolo + Reverb

EXP

M.Mix M.Speed

M.Speed

Vol

M.Speed

R.Mix

M.Mix

Time M.Speed

M.Speed

M.Mix

M.Speed

No.

P56

P57

P58

P59

P60

P61

P62

P63

P64

P65

P66

P67

P68

P69

TYPE

Tremolo + Delay

Fuzz + Rotary

Flanger + Delay

Auto Wah + Flanger

Slow Attack + Vibrato

Compressor + Flanger

Distortion + Tremolo

Auto Wah + Detune

Compressor + Low Pass Filter

Touch Wah + Vibrato

Band Pass Filter

Low Pass Filter

Feedback Phaser

Ring Mod + Band Pass Filter

EXP

M.Speed

Master Volu me

Speed

Master Volu me

M.Speed

Master Volu me

Speed

Vol

Wah

Rate

Vol

Freq

No.

P70

P71

P72

P73

P74

P75

P76

P77

P78

P79

P80

P81

P82

P83

TYPE EXP

Compressor + High Pass Filter

Band Pass Filter + Phaser

Delay + Reverb

Fuzz + Reverb

Band Pass Filter + Reverb

Delay + Reverb

Auto Wah + Reverb

Feedback Phaser + Reverb

Chorus + Reverb

Overdrive + Reverb

Distortion + Reverb

Vibrato + Reverb

Acoustic Guitar

Slow Attack + Rotary

Vol

Speed

R.Mix

Master Volu me

M.Mix Speed

R.Mix

M.Mix

R.Mix

Master Volu me

M.Speed

Master Volu me

Attack

No.

P84

P85

P86

P87

P88

P89

P90

P91

P92

P93

P94

P95

P96

P97

Compressor + Pitch Shifter

Slow Attack + Pitch Shifter

Compressor + Pitch Shifter

Feedback Pitch Shifter + Reverb

Compressor + Pitch Shifter

TYPE EXP

Octave + Chorus

Ring Mod + Reverb

Octave + Detune

Super Bass

Octave + Chorus

Pitch Shifter + Reverb

Slow Attack + Phaser

Acoustic Sim + Reverb

Auto Wah + Pitch Shifter

Dry

Freq

Range

Master Volu me

Dry

Vol

Range

Master Volu me

R.Mix

Vol

Master Volu me

Vol Speed

Range

Valeton GP-1 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual