Do not use this product until the following license agreement is understood and accepted.
By using this product, or allowing anyone else to do so, you are accepting this agreement.
This End-User License Agreement (EULA) represents the contractual conditions
between you, the Licensee, and UVI, located 159 rue Amelot, 75011 Paris - France for
the use of software, documentation and other materials created by UVI.
You should not register, install or use UVI Products until the following license
agreement is understood and accepted.
By using UVI Products, or allowing anyone else to do so, you are accepting this
agreement.
A- License Grant
1. UVI grants to you, subject to the following terms and conditions, the non-exclusive
right to use each authorized copy of the Product.
2. UVI Product license are granted only to a single user. You may use this product on
up to three separate computers or iLok Dongles, which shall be owned and used by
you exclusively.
3. Renting or lending the licensed Software to a third party is expressly forbidden.
4. Except if otherwise stated within this EULA, Licensee may resell the software to
a third party or transfer the software permanently. Request may be done using the
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maximum) by Pace. The serial number of the Product will be transferred to the third
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purchased for commercial recordings without paying any additional license fees or
providing source attribution to UVI.
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included in the Product or their derivatives, either as they exist on disc, reformatted
for use in another digital sampler, or mixed, combined, filtered, resynthesized
or otherwise edited, for use as sounds, multi-sounds, samples, multi-samples,
wavetables, programs or patches in a sampler, microchip or any hardware or software
sample playback device. You cannot sell the Product content or give it away for use by
others in their sampling or sample playback devices.
8. In the event UVI terminates this agreement due to your breach, you agree to return
the original and all other copies of the software and documentation to UVI.
9. UVI reserves all rights not expressly granted to herein.
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1. In order to use UVI Products it is required that you authorize them by registering
your Serial Number on uvi.net/register, have a free iLok account (not necessarily
a dongle) and install the free iLok License Manager (done automatically by UVI
Workstation and Falcon installers). It is impossible to use UVI Products if they are not
registered and authorized.
2. During authorization you will need to enter your name, email address and postal
address which will be stored in the UVI database. UVI uses a secure SSL connection
with 128-bit-encryption that meets current security standards to transmit your data
over the web. For further information about UVI’s handling of personal data please see:
https://www.uvi.net/privacy-policy
3. The UVI Product license allows up to 3 simultaneous activations on any combination
of iLok dongles and computers. Activations can be moved between devices at anytime
through the iLok License Manager.
C- Protection of Software
You agree to take all reasonable steps to protect the Product and any accompanying
documentation from unauthorized copying or use. You agree not to modify the
Product to circumvent any method or means adopted or implemented by UVI to
protect against or discourage the unlicensed use or copying of the Product.
D- Ownership
Ownership of, and title to, the enclosed digitally recorded sounds (including any
copies) are held by UVI.
Copies are provided to you only to enable you to exercise your rights under the
license.
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This agreement is effective from the date you open this package, and will remain in
full force until termination. This agreement will terminate if you break any of the terms
or conditions of this agreement. Upon termination you agree to return to UVI all copies
of this product and accompanying documentation and destroy any other copies made.
F- Restrictions
Except as expressly authorized in this agreement, you may not rent, lease, sub-license,
distribute, copy, reproduce, display, modify or timeshare the enclosed Product or
documentation.
G- NFR Serials and Free Products
UVI Products serial numbers labeled as “NFR” (Not For Resale) shall only be used for
demonstration, testing and evaluation purposes. NFR Products may not be used for
commercial purposes, and may not be resold or transferred.
They are not eligible for license recovery and are exempt from update, upgrade
or crossgrade offers, and cannot be purchased with or exchanged for vouchers.
Furthermore, as an owner of an NFR Product, you are not entitled to promotions
available for the commercial version of the Product.
H- No Support Obligation
UVI will make its best effort to support you in the event of technical difficulty with a
UVI Product. However, UVI is not obligated to furnish or make available to you any
additional information, software, technical information, know-how, or support.
I- Specifications and System Requirements
All technical specifications of UVI Products provided are intended to be estimates
or approximations. Due to numerous variables no guarantees of compatibility or
performance can be made. All such specifications shall be in writing.
End-User is solely responsible for, prior to purchase, ensuring that End-User’s devices
are compatible and meet the system requirements for UVI Products, and that the
applicable UVI Products meet End-User’s requirements.
Credits and Thanks ..............................................................................................................12
3
Page 4
Introduction
Digital Synsations Vol. 2
The late ‘80s and early ’90s was a time of great
technological change, ushering in the digital-era and
bringing with it exciting new possibilities. Over the years
a legion of digital synthesizers appeared from all across
the world, reforming the very idea of what a keyboard
could do. Equipped with new and innovative synthesis
techniques, these machines would forever change our
sonic landscape and lay the groundwork for the modern
software instruments and effects that we use today.
Digital Synsations Volume 2 is the next step in our
journey to revisit and preserve these revolutionaries,
exploring the capabilities and unique character of 3
digital synths from the ‘90s.
Minimum System Requirements
• UVI Workstation 2.6.10+ or Falcon 1.2.1+
• 18.25GB of disk space
For more information on the installation process, please refer to
the document: Soundbank Installation Guide
4
Page 5
DZmo - Interface
Mono / Poly
Amplitude
Filter
Stereo
1
3
2
6
1 Mono/Poly
Switch between mono and poly voicing
2 Amplitude
» ADSR
Typical envelope controls for the amp
» Vel > Atk
Remaps Attack to Note Velocity
» Velocity
Adjust the amp velocity sensistivity
4 Pitch
» Depth
Sets the depth of portamento
» Time
Sets the glide time
5 Drive
» On/Off Switch
» Amount
Sets the drive amount
4
Pitch
5
Drive
7
Bit Crusher
9
Modwheel
8
Eects
7 Bit Crusher
» Bit Crusher On/Off
Enable/Disable the Bit Crusher effect
» Bit
Set the bit reduction
» Frequency
Set the Bit Crusher sample rate
» Drive
Adjust the overdrive amount of the
Bit Crusher effect
3 Filter
» ADSR
Typical envelope controls for the filter
» VEL
Adjust the filter velocity sensitivity
» CUT
Filter cutoff frequency
» RES
Filter resonance amount
» ENV
Depth of the filter envelope
» Filter Type
Multimode filter can be set to low-pass
(LP), band-pass (BP), or high-pass [HP]
6 Stereo
» Mode - Off (mono)
» Mode - Alt
Stereo position alternates L/R every
note, width controlled by [Width]
» Mode - Uni
Layers multiple samples and augments
them for increased stereo presence
» Color
Utilizes neighboring samples from the
library to a unique effect
» Spread
Sets the stereo width (ALT mode)
» Detune
Detunes the unison layers (UNI mode)
8 Effects
» Phaser
Adjust effect mix amount
» Delay
Adjust effect mix amount
» Reverb
Adjust effect mix amount
9 Modwheel
» Power/Amount
Easily route your controllers Modwheel
to control common parameters such as
Vibrato, Tremolo and Filter Depth
5
Page 6
DZmo - Preset List
Bass
Agni Maya AN
aLo Bass AN
Calvin Bass
Fatable One
Funkzmo 1
Funkzmo 2
Funkzmo 3
Mini Lazer Harp
Modularperc
Organ Bass
Polykeys Bass
Roombass
Round Up
Saw Bass Tea
Square Face
Warmer
Weirdo Bass
Bells
Clearnet X Bells
Dark Mood
Fizmabell
JazzMBell
LFO Montbello
Musoc Bix
Pacques Beau
Space B3ells
Sporting Bell
Standard Bell
Transwave Bell 1
Transwave Bell 2
Transwave Bell Keys
Brass
Brass Analozmo
Fiz Brass
Funk 80s
HyBrassid
Limit Five
Movie Brass
So Brassizmo
Soft Table
Sporting Horns
Sweep B
Transbrass
FX-Weird
Bi Portamento
Drunk THX
Evolutione
Fizmotron
FXmo
Little Zap
Transwave Beach
Wind Transfert
Keyboards
Cindy Lau
Clavisonic
FizmOrgan
Giorgo Lamani
JazzMOrgan
Movie Show Keys
Muktivada AN
Polykeys
PulsoClavo
Soft Mood Keys
Space B3
Transwave Keys
Wurlizmo
Leads
aLo Solo
Analozmo
Fatablead
Formant Solo
Funkzmo Lead
Inclassablead
Lead Artifact
Pulsolo
Pure Translead
Roomsolo
Saw Sai Tea
Scream Vox
Soft Translead
Solo Brassizmo
Solo Maya
Pads
Bubble Gum
Clearnet X
Crystal Storm
Digital Pad
Explorer AN
Fifth Dimension
Galactipad
LFO Mont
Mirage AN
Mutable Waves
Peach Pad
Saint Petersbourg
So Padizmo
Soft Transpad
Sporting Pad
Polysynth
Bi Polysynth
Dirty Five
Keysoft Pix
Phatzmo
Poly Artifact
Poly Sporting
Soft Fizme
Stax Nalog
Seq
Arbalette
Fifth Seq
Mellow Seq
Modular Short
Seq Vox
Soft Corn
Square Short
Strings
Agni Klana AN
Fizmicato
Interfizmo
Movie BrasStrings
Phatzmood
Pure Transtring
Sad Analog
String Max In
Thin Digital
Transominous Waves
Sweeps
Aurora AN
Bass and Sweep
Casus Belly
Digital Sweep
Fantasmogorix
Lead Sweep
Sport Sweep
Sweep Table 1
Sweep Table 2
Swhithles
Transphonic
Tempo Synced
Active Step
Agotra AN
Chaos Sporting
Deepology AN
EFX Arena AN
Guimberlum
Moving Pad
Moving Stack
Paramatrix
ParaPadrix
Pulsar AN
Pulsar Solo
Realtime Waves
Soft Wooble AN
Spacial Lounge
Transmutable
Voxus Belly
Voxus Soli
Vocals-Formant
Analog Mood
Choir Formant
D50 Vox Like
Digital Kortex
Doozmo 1
Doozmo 2
Formant Keys
Hybrid Vox 1
Hybrid Vox 2
Inclassablvox
Narrow Fields
Phonemoid
Pluck In
Scream Pad
Sporting Voices
Sweep Formant
6
Page 7
DK5S - Interface
8
Eects
9
Modwheel
6
Stereo
Amplitude
Filter
Pitch
2
3
4
1 Mono/Poly
Switch between mono and poly voicing
2 Amplitude
» ADSR
Typical envelope controls for the amp
» Vel > Atk
Remaps Attack to Note Velocity
» Velocity
Adjust the amp velocity sensistivity
3 Filter
» ADSR
Typical envelope controls for the filter
» VEL
Adjust the filter velocity sensitivity
» CUT
Filter cutoff frequency
» RES
Filter resonance amount
» ENV
Depth of the filter envelope
» Filter Type
Multimode filter can be set to low-pass
(LP), band-pass (BP), or high-pass [HP]
4 Pitch
» Depth
Sets the depth of portamento
» Time
Sets the glide time
5 Drive
» On/Off Switch
» Amount
Sets the drive amount
6 Stereo
» Mode - Off (mono)
» Mode - Alt
Stereo position alternates L/R every
note, width controlled by [Width]
» Mode - Uni
Layers multiple samples and augments
them for increased stereo presence
» Color
Utilizes neighboring samples from the
library to a unique effect
» Spread
Sets the stereo width (ALT mode)
» Detune
Detunes the unison layers (UNI mode)
1
Mono / Poly
5
Drive
7
Bit Crusher
7 Bit Crusher
» Bit Crusher On/Off
Enable/Disable the Bit Crusher effect
» Bit
Set the bit reduction
» Frequency
Set the Bit Crusher sample rate
» Drive
Adjust the overdrive amount of the
Bit Crusher effect
8 Effects
» Phaser
Adjust effect mix amount
» Delay
Adjust effect mix amount
» Reverb
Adjust effect mix amount
9 Modwheel
» Power/Amount
Easily route your controllers Modwheel
to control common parameters such as
Vibrato, Tremolo and Filter Depth
7
Page 8
DK5S - Preset List
Bass
Acid Box
Bottle Bass
Classic Analog
Clic Sub 1
Clic Sub 2
Clic Sub 3
Filter K
Funky Like
Gorilla
House Club
Micro TB
Phat Grain
Pop Funk
Power Town
Subcon
Syncrhotron
Taurusing
Tubadditive
X Clubass
Zapp Mood
Bells
Basicell
Breathing Bells
Clickopolis
FantasiaK
Feerique
High Liasing
Hybrid Jazz Bells
JD Elec Piano Bell
Knalog Bells
Mat Swing
Monte Christo
Road Tines
Sine B
So Eighties
Talking Bell
Think Glass
Tubel Air
Ultra Soft Digit
Vox Bell
Brass
Car 5000
Cosmo Brasses
Frenchy Horn
Ghost Brasser
Mixed Brassy
Movin Brass
Obie 5K
Prophet 5K
Sax Additive
Synth Brass 1
Synth Brass 2
Van Allen
Xilhornphone
FX-Weird
Cyber Mosquito
Digital Jungle
ice Land
In Da Space
Marry Poppins
Multi FX
Sixth Dimension
Underground
Keyboards
Additive Tines
Dirty Darkeys
DKlavinet
DX Guitines
Dyno Vibes
FM Tiny
Harpsy Dre
JD Elec Piano
K5lavinet
Melancolikeys
Modern EP
Numerhodes
Piananalog
Steady Road
Suitcase Ditive
Super Pmart
Synth Keys
Toys Add Piano
Wurly DKS 1
Wurly DKS 2
Leads
Bottle Lead
FeedBackin
Lead Clic Sub
Micro TB Lead
Nicolead
Picky Lead
Subcon Lead
Supra Funky
Synchrotron Lead
Taurusing Lead
Wah Solo
Organs
Charlie Oled
Clear Organ
Full Space Organ
Happy Days
Hybrid Jazz
Mellorgan
Organ House 1
Organ House 2
Organ Vib
Orgatack
Process B3
Pure Ham 1
Pure Ham 2
Pads
Basic Padd
Calm Field
Composite Bed
Deep Field
Fantasiadditive
Jun Orange
Layer Bright
Mad O Five
Mini Overture
Movin Pad
Orbital Fluid
Pad Glass
Sine B Portapad
Verseau
Pluck
Cold Pluck
Crystal Guitar
Dulce Major
Flutata
Fretted Space
Generation X
Gorilla Frets
Hard Mute Guit
Hardmonix
Hybrid Pluck
K5oto
Little Slap
PCorn Acid Box
Pluck Vox
Resistance
Retro Phasing
Softy Plucky
Stack Atoh
Steam Reso
Steel Detuned
Stratadditive
Polysynth
Cyber Flute
Dirty Stack
Eurotek
Five Stars
Lauper Synth
Magic Flute
Modularium
Polysynth K5S
Ravage
Rave Party
Raw Saw
Soft Poly
Space Metal
Sweepoly
The Snake
Zapp Poly Mood
Strings
Claustrochestra
Dark Ensemble
Electro Strings
Four Pieces
Left and Right
Modularium Cordes
OB Strings
Simple Wave
Space Orchestra
Synth Strings
Very Soft Strings
Sweeps
Add Glasssweep
Frequency Browser
Gentel Lay
Heartificial
Multipolaire
Reversweep
Vocals
Dark Space 1
Dark Space 2
Fair Pad
Full Light
Mello Space
Moon Chorale
Pizzi Voices
Porta Vox 1
Porta Vox 2
So 90s
Stackoirs
Synthetic Motion
Vocabass
Vox Bell Pad
Xylo Voices
8
Page 9
DS-890 - Interface
4
Pitch
Amplitude
Filter
Stereo
2
3
6
1 Mode
Switch between mono and poly voicing
2 Amplitude
» ADSR
Typical envelope controls for the amp
» Vel > Atk
Remaps Attack to Note Velocity
» Velocity
Adjust the amp velocity sensistivity
4 Pitch
» Depth
Sets the depth of portamento
» Time
Sets the glide time
5 Drive
» On/Off Switch
» Amount
Sets the drive amount
1
Mono / Poly
5
Drive
7
Bit Crusher
9
Modwheel
8
Eects
7 Bit Crusher
» Bit Crusher On/Off
Enable/Disable the Bit Crusher effect
» Bit
Set the bit reduction
» Frequency
Set the Bit Crusher sample rate
» Drive
Adjust the overdrive amount of the
Bit Crusher effect
3 Filter
» ADSR
Typical envelope controls for the filter
» VEL
Adjust the filter velocity sensitivity
» CUT
Filter cutoff frequency
» RES
Filter resonance amount
» ENV
Depth of the filter envelope
» Filter Type
Multimode filter can be set to low-pass
(LP), band-pass (BP), or high-pass [HP]
6 Stereo
» Mode - Off (mono)
» Mode - Alt
Stereo position alternates L/R every
note, width controlled by [Width]
» Mode - Uni
Layers multiple samples and augments
them for increased stereo presence
» Color
Utilizes neighboring samples from the
library to a unique effect
» Spread
Sets the stereo width (ALT mode)
» Detune
Detunes the unison layers (UNI mode)
8 Effects
» Phaser
Adjust effect mix amount
» Delay
Adjust effect mix amount
» Reverb
Adjust effect mix amount
9 Modwheel
» Power/Amount
Easily route your controllers Modwheel
to control common parameters such as
Vibrato, Tremolo and Filter Depth