TL Audio A4 User Manual

T L Audio
User Manual
Ebony Series A4 Summer
Tel 01462 492090, Fax 01462 492097.
www.tlaudio.co.uk email: info@tlaudio.co.uk
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CONTENTS.
CONTENTS. ...................................................................................................................................................2
INTRODUCTION..........................................................................................................................................3
WHY CLASS-A? ............................................................................................................................................4
WHY TUBES? ................................................................................................................................................4
WHY BALANCED I/O? ..................................................................................................................................4
PRECAUTIONS.............................................................................................................................................6
BLOCK DIAGRAM ......................................................................................................................................7
INSTALLATION ...........................................................................................................................................8
AC Mains Supply......................................................................................................................................8
Inputs. .......................................................................................................................................................8
Insertion Points. .......................................................................................................................................9
Balanced XLR Outputs. .........................................................................................................................10
Level Selection. ......................................................................................................................................10
Ventilation. .............................................................................................................................................10
OPERATION................................................................................................................................................11
Input Gain stage.....................................................................................................................................11
Channel Pan Control .............................................................................................................................11
Input switching .......................................................................................................................................11
Tube Stage Drive and Peak LEDs. .......................................................................................................11
Tube Drive Control ................................................................................................................................11
Insertion Points ......................................................................................................................................12
Output Gain............................................................................................................................................12
Metering .................................................................................................................................................12
SPECIFICATIONS......................................................................................................................................13
Power Requirements:.............................................................................................................................14
SERVICE.......................................................................................................................................................15
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INTRODUCTION
Thank you for purchasing the Ebony A4 Summer. The TL Audio Ebony Series of audio processors are a sleek looking range of discrete Class A processors designed to heighten your audio experience; they use signal paths constructed from discrete transistor “Class A” circuits, with switchable variable drive tube stages, putting you in control of how ‘creamy’ or how ‘cool’ your unit sounds. These techniques provide very high quality, uncoloured audio, with the option to add valve warmth at the touch of a button.
Hand assembled in England to the highest standards, the Ebony uses stylish, quality chrome knobs together with a high gloss black finish to make the exterior look just as smooth as the circuits sound. The Ebony Series have all the features you come to expect with TL Audio, including balanced I/O, multi input options, analogue VU metering and intuitive, precise controls. A combination of supreme quality, unrivalled sound and stylish aesthetics - this range offers superior analogue processing to accompany a digital world.
The Ebony Series A4 Summer is a 16 channel unit, accepting balanced or unbalanced line inputs, switchable between +4 and -10dB, via TRS Jack or DSUB connector. Each channel has individual Pan control, and there is also master gain control and balanced insert points with bypass. A tube stage may be switched into the master signal path, with variable drive control.
The block diagram of the processor is shown in fig.1. A discrete Class A electronically balanced input is used, delivering superior audio performance with very low noise, and wide bandwidth
The tube stage has a variable drive control, with the signal level indicated by the variable intensity “Drive” LED and “Peak” LED. Use of this feature typically introduces 1% to 10% harmonic distortion, predominately second harmonic, without changing the output level from the unit. This even harmonic distortion gives the colour and sound that tubes are famed for. The tube stage can be selected or bypassed as required.
A VU meter is provided, which can be selected to either input or output signals. The meter is also provided with a “+10dB” switch, which keeps the reading on the scale when driving a high level out (to a DAW, for example). In the +10 mode, 0VU is calibrated as +14dBu out.
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Why Class-A?
Class A circuits are designed with a constant current flowing through all of the transistors, which is sufficient to drive the peak output required from each block of the circuit. This ensures that every transistor is kept at its optimum operating point, minimising non-linearities due to changes in current and internal thermal effects, and eliminating the objectionable “cross-over” distortion typical of class AB circuits.
Due to the higher steady state (or “quiescent”) currents used, the power dissipation of class A circuits is substantially higher than can in general be handled by integrated circuits. It is also possible to design discrete transistor circuits to operate at higher voltage rails than are available for audio integrated circuits, adding the benefit of greater headroom and improved dynamic range. For these reasons, there are no integrated circuits in the audio paths of the Ebony Series so that they enjoy this improved dynamic range and greater headroom.
The outstanding audio quality is reflected in the technical specification of the units, with particularly low noise and distortion, and wide frequency response.
Why Tubes?
Valves - or “Tubes” - have long been associated with excellent audio quality, recognised as adding “warmth” or “depth” to a signal. Driving the valves harder results in an increasing level of mainly second harmonic distortion, which is responsible for the characteristic overdriven valve sound.
The Ebony Series feature variable drive valve circuits, which may be switched into the audio paths, or bypassed completely. The valve drive control varies the signal level through the valve stage, without affecting the overall gain from input to output. It is therefore possible to vary to the degree of harmonics added by the valve, from subtle warming to crunchy overdrive, with a single control. The signal level through the valve is displayed by the variable intensity “Drive” LED and the “Peak” LED.
Why Balanced I/O?
Balanced I/O (Inputs and Outputs) are always preferable to unbalanced connection in an audio system. A balanced signal consists of signal phase and non-phase connections, which form a differential pair, independent of the ground (or earth) connection. Noise, particularly mains hum and high frequency interference can often be present in unbalanced systems due to small differences in ground potential or circulating ground currents (“loops”) between units, where the signal phase (only) is taken as an absolute value with respect to ground.
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A correctly designed balanced interface should have both phase and non-phase signals of equal magnitude (and source impedance), but should allow either of the phase and non-phase signals to be connected to an arbitrary electrical point (e.g. ground) without changing the differential level. Therefore, if, for instance, the non-phase signal is shorted to ground by an unbalanced input on a piece of equipment, then the phase signal should double in magnitude to compensate. Such an arrangement is referred to as “floating” or “ground-free”. Balanced signals require 3 pin connectors, such as XLR’s or TRS jack plugs, carrying the phase and non-phase signals, plus a screening ground connection.
Naturally, the Ebony Series features balanced, ground-free signals for all line inputs and outputs, as well as insertion points where present. The range is also compatible with unbalanced equipment, as described above.
Please read this manual fully before installing or operating the Processor.
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