Theta digital CB User Manual

CORPORATION
Casablanca
Owner’s Manual
Digital Done Right
PREFACE
CONGRATULATIONS
IMPORTANT
Save all packaging in a dry place away from fire hazards. Your Casablanca is a precision electronic instrument and should be properly packaged any time shipment is made. In the unlikely event that you have to return your Casablanca to the factory for service, or if you send it to us for updating, the original packaging will best protect the unit from shipping damage.
In order to achieve the fullest flexibility and enjoyment from your Casablanca, we at Theta recommend that you read this manual in full before connecting the unit to your audio/video system.
WARNING
United Stated law prohibits disposition of these commodities to Libya, Laos, North Korea, Cambodia or Cuba unless otherwise authorized by the United States.
NOTE:
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio and television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
* Reorient or relocate the receiving antenna.
* Increase the separation between equipment and receiver.
* Connect the receiver into an outlet on a circuit different from that which the Casablanca is connected to.
Acknowledgments
Casa Nova is manufactured under license from Dolby Laboratories. “Dolby”, “Pro Logic”, “AC-3”, and the double-D symbol are trademarks of Dolby Laboratories. Confidential Unpublished Works. Copyright 1992­1997 Dolby Laboratories, Inc. All rights reserved.
Casablanca is manufactured under license from Digital Theater Systems. Inc. US Pat. No 5,451,942 and other worldwide patents issues pending. “DTS” and “DTS Digital Surround” are trademarks of Digital Theater Systems, Inc. 1996 Digital Theater Systems, Inc. All rights reserved.
Casablanca is manufactured under license from SRS Labs, Inc. US Pat No 5,319,713, 5,333,201 and 7,771,295. “Circle Surround
Portions of this product manufactured under a license from Desper Products, Inc. Spatializer the circle-in-square device are trademarks owned by Desper Products, Inc.
1996-97 Theta Digital Corporation. All rights reserved. 1996-98 Glenn Buckley. All rights reserved.
No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, for any purpose, without the express written permission of Theta Digital Corporation.
TM
” and the Circle Surround Logo are trademarks of SRS Labs, Inc. 1994-1998.
, N-2-2, and
ii
Casablanca Identification Record
This information is for your records and for future identification of the Casablanca. Please take a moment to fill out all pertinent data now, and as upgrades and/or options are installed. Whenever upgrades and/or changes are requested, the serial number will be required.
SERIAL NUMBER
DATE PURCHASED
DEALER’S NAME
DEALER’S ADDRESS/PHONE
INSTALLED CARDS
(Date of installation)
(Date of installation)
(Date of installation)
(Date of installation)
(Date of installation)
(Date of installation)
(Date of installation)
(Date of installation)
(Date of installation)
(Date of installation)
(Date of installation)
(Date of installation)
iii
SAFETY PRECAUTIONS
Please carefully read each item of the operating instructions and safety precautions before using this product. Use extra care to follow the warnings written on the product itself and/or in the operating instructions. Keep the operating instructions and safety precautions for future reference.
CAUTION: TO REDUCE THE RISK OF ELECTRICAL SHOCK, DO NOT REMOVE ANY OF THE COVER PANELS.
NO USER-SERVICEABLE PARTS INSIDE. REFER ALL SERVICING TO QUALIFIED SERVICE PERSONNEL ONLY.
TO PREVENT FIRE OR SHOCK HAZARD, DO NOT ALLOW LIQUIDS TO SPILL OR OBJECTS TO FALL INTO ANY OPENINGS OF THE PRODUCT.
THIS UNIT IS SUPPLIED WITH A 3 PIN GROUNDED AC PLUG. ALWAYS INSERT THE AC PLUG INTO A GROUNDED OUTLET. DO NOT REMOVE THE GROUND PIN OR DISABLE THE GROUND FOR ANY PURPOSE.
BEFORE MAKING ANY CONNECTIONS TO THE CASABLANCA, FIRST TURN OFF THE POWER AND THEN DISCONNECT THE AC POWER CORD.
WHEN INSTALLING THE CASABLANCA IN YOUR SYSTEM, MAKE CERTAIN TO ALLOW A MINIMUM OF ½ INCH OF VENTILATION ON EACH SIDE OF THE UNIT. ALSO ALLOW AT LEAST 1½ INCH OF VENTILATION SPACE ABOVE THE UNIT. IMPROPER VENTILATION OF THE UNIT MAY CAUSE OVERHEATING, WHICH MAY DAMAGE THE UNIT AND CAUSE A FIRE. PLACE THE UNIT ON A SOLID SURFACE ONLY. I.E. NOT ON CARPET, ETC.
DO NOT PLACE THE CASABLANCA NEAR HEAT SOURCES SUCH AS DIRECT SUNLIGHT, STOVES, HEAT REGISTERS, RADIATORS OR OTHER HEAT PRODUCING EQUIPMENT.
TO PREVENT DAMAGE TO THE ANALOG OUTPUT CIRCUITRY, BE CERTAIN NOT TO SHORT THE OUTPUT SIGNAL PIN(S) TO GROUND. ENSURE THAT YOUR AUDIO OUTPUT CABLES DO NOT HAVE ANY INTERNAL SHORTS BEFORE CONNECTING THEM TO THE CASABLANCA.
IF REPLACEMENT OF THE AC LINE FUSE BECOMES NECESSARY, REPLACE ONLY WITH SAME VALUE AND TYPE OF FUSE. NEVER BYPASS THE FUSE.
IF THE AC CORD BECOMES DAMAGED, DO NOT USE IT. IMMEDIATELY REPLACE IT WITH A NEW ONE OF THE SAME OR BETTER RATING.
AFTER MARKET and THIRD PARTY MODIFICATIONS
Please note that any after market and/or third party modifications will void the warranty. In the case of changing the feet on a unit, in order to prevent any damage (which will also not be covered under warranty), please verify that the screws being used to secure non Theta feet do not screw any deeper into the chassis than the original ones. The original screw is 10-32 by 3/8 and goes into the chassis 1/5 of an inch.
iv
Table of Contents
PREFACE ...........................................................................................................................................................ii
Casablanca Identification Record ................................................................................................................... iii
SAFETY PRECAUTIONS ............................................................................................................................. iv
List of Figures ................................................................................................................................................. vi
List of Tables ..................................................................................................................................................vi
INTRODUCTION................................................................................................................................................ 1
IMPORTANT NOTICE.................................................................................................................................... 2
Reference Manual Conventions ..................................................................................................................... 2
Glossary of Terms and Abbreviations ............................................................................................................ 3
Block Diagram - Input and Surround Processing Sections ............................................................................ 4
Block Diagram - DAC and Analog Out Sections............................................................................................. 5
Front Panel Layout ......................................................................................................................................... 6
Rear Panel Layout .......................................................................................................................................... 7
FRONT PANEL OPERATIONS ......................................................................................................................... 9
Main Menu ...................................................................................................................................................... 9
A-D Button .................................................................................................................................................... 10
Priority Switching .......................................................................................................................................... 10
Mode Function .............................................................................................................................................. 11
Tape Out Function ........................................................................................................................................ 14
Standard Tape Out Configuration ............................................................................................................. 14
Optional Upgrade Tape Out Configuration ............................................................................................... 14
Set-Up Function............................................................................................................................................ 15
Set-Up - Speaker Configuration ................................................................................................................ 16
Set-Up - Speaker Levels ........................................................................................................................... 18
Set-Up - Speaker Delays .......................................................................................................................... 19
Set-Up - Analog Input Levels .................................................................................................................... 20
Set-Up - Input Names ............................................................................................................................... 21
Set-Up - Miscellaneous ............................................................................................................................. 22
Set-Up - (Second Page): Dolby Digital...................................................................................................... 23
Balance Function .......................................................................................................................................... 24
REMOTE CONTROL ....................................................................................................................................... 25
Remote Control Layout................................................................................................................................. 26
Remote Control Operations .......................................................................................................................... 27
Input Select Menu and Non Menu Functions................................................................................................ 27
Status Display............................................................................................................................................... 28
Mode Function .............................................................................................................................................. 29
Tape Out Function ........................................................................................................................................ 30
Set-Up Function............................................................................................................................................ 31
Set-Up - Speaker Configuration ................................................................................................................ 32
Set-Up - Speaker Levels ........................................................................................................................... 33
Set-Up - Speaker Delays .......................................................................................................................... 34
Set-Up - Analog Input Levels .................................................................................................................... 35
Set-Up - Input Names ............................................................................................................................... 36
Set-Up - Miscellaneous ............................................................................................................................. 37
Set-Up - (Second Page): Dolby Digital...................................................................................................... 38
Balance Function .......................................................................................................................................... 39
APPENDIXES .................................................................................................................................................. 40
Appendix A Troubleshooting Guide........................................................................................................ 41
Appendix B Wiring Diagrams and Speaker Placement Guides ............................................................. 42
Input and Tape Out Connections ..................................................................................................... 42
Rear Panel Remote and Main power Jacks .................................................................................... 42
Six Channel Single-Ended Output Wiring Diagram ......................................................................... 43
Six Channel Balanced Output Wiring Diagram................................................................................ 44
Nine Channel Balanced Output Wiring Diagram ............................................................................. 45
Appendix C Factory Settings and Blank Setting Charts ......................................................................... 46
Appendix D Remote Extender Jack Technical Description and Protocol............................................... 47
Appendix E Specifications...................................................................................................................... 48
Limited Warranty Terms and Conditions ...................................................................................................... 49
v
List of Figures
Figure 1 - Block Diagram of Input and Surround Processing Sections ..............................................................4
Figure 2 - Block Diagram of DAC and Analog Outputs ...................................................................................... 5
Figure 3 - Front Panel Layout............................................................................................................................. 6
Figure 4 - Rear Panel Layout ............................................................................................................................. 7
Figure 5 - Front Panel Display of the MAIN Menu.............................................................................................. 9
Figure 6 - Front Panel Display of the MODE Menu - First Page ...................................................................... 11
Figure 7 - Front Panel Display of the MODE Menu - Second Page ................................................................. 12
Figure 8 - Front Panel Display of the TAPE OUT Menu .................................................................................. 14
Figure 9 - Front Panel Display of the SET-UP Menu - First Page.................................................................... 15
Figure 10 - Front Panel Display of the SET-UP Menu - Second Page............................................................. 15
Figure 11 - Front Panel Display of the SET-UP: Speaker Configuration Sub Menu ........................................ 16
Figure 12 - Front Panel Display of the SET-UP: Speaker Levels Sub Menu ................................................... 18
Figure 13 - Front Panel Display of the SET-UP: Speaker Delays Sub Menu................................................... 19
Figure 14 - Rear Delay Settings ....................................................................................................................... 19
Figure 15 - Front Panel Display of the SET-UP: Analog Input Levels Sub Menu ............................................ 20
Figure 16 - Front Panel Display of the SET-UP: In Name Sub Menu .............................................................. 21
Figure 17 - Front Panel Display of the SET-UP: Misc Sub Menu..................................................................... 22
Figure 18 - Front Panel Display of the SET-UP: (Second Page): Dolby Digital Sub Menu .............................. 23
Figure 19 - Front Panel Display of the Balance Menu - First Page .................................................................. 24
Figure 20 - Front Panel Display of the Balance Menu - Second Page............................................................. 24
Figure 21 - Remote Control Layout.................................................................................................................. 26
Figure 22 - Video Monitor Display of the INPUT Menu .................................................................................... 27
Figure 23 - Video Monitor Display of the STATUS Display .............................................................................. 28
Figure 24 - Video Monitor Display of the MODE Menu - First Page.................................................................29
Figure 25 - Video Monitor Display of the MODE Menu - Second Page ........................................................... 29
Figure 26 - Video Monitor Display of the Tape Out Menu ................................................................................ 30
Figure 27 - Video Monitor Display of the SET-UP Menu - First Page .............................................................. 31
Figure 28 - Video Monitor Display of the SET-UP Menu - Second Page ......................................................... 31
Figure 29 - Video Monitor Display of the SET-UP: Speaker Configuration Sub Menu .................................... 32
Figure 30 - Video Monitor Display of the SET-UP: Speaker Levels Sub Menu................................................ 33
Figure 31 - Video Monitor Display of the SET-UP: Speaker Delays Sub Menu ............................................... 34
Figure 32 - Video Monitor Display of the SET-UP: Analog Input Levels Sub Menu ......................................... 35
Figure 33 - Video Monitor Display of the SET-UP: Input Names Sub Menu .................................................... 36
Figure 34 - Video Monitor Display of the SET-UP: Miscellaneous Sub Menu.................................................. 37
Figure 35 - Video Monitor Display of the SET-UP: (Second Page): Dolby Digital Sub Menu .......................... 38
Figure 36 - Video Monitor Display of the Balance Menu - First Page ..............................................................39
Figure 37 - Video Monitor Display of the Balance Menu - Second Page ......................................................... 39
Figure 38 - Examples of Input and Tape Out Connections .............................................................................. 42
Figure 39 - Recommended Wiring Scheme Using the Six Channel Single-Ended Output Card ..................... 43
Figure 40 - Recommended Speaker Placement for Six Channel Configuration.............................................. 43
Figure 41 - Recommended W iring Scheme Using Six Balanced Channels .................................................... 44
Figure 42 - Recommended W iring Scheme Using Nine Balanced Channels .................................................. 45
Figure 43 - Recommended Speaker Placement for Nine Channel Configuration ........................................... 45
List of Tables
Table 1 - Glossary of Terms and Abbreviations................................................................................................. 3
Table 2 - Priority Switching Defaults ................................................................................................................ 10
Table 3 - Available Configuration Settings for Each Speaker .......................................................................... 16
Table 4 - Source to Output Routing for Speaker Level Configuration..............................................................18
Table 5 - Available Video Source Names ....................................................................................................... 21
Table 6 - Available Audio Source Names ........................................................................................................ 21
vi
INTRODUCTION
Welcome to a new world of possibilities. Casablanca is by far the most advanced surround sound processor/home theater controller available today. It offers the advantages of Theta’s legendary mastery in digital signal processing and sound quality unapproachable by any other equipment.
Getting to know your Casablanca
Despite Casablanca’s great technical sophistication, we believe in making it as easy as possible for you to use. We think you’ll enjoy the intuitive way the Casablanca works. Rather than offer a frustrating bewilderment of little used functions in constant view, vying for your attention, Casablanca is structured systematically by function.
The “user interface” is based on simple logic. For example, when a function button is pressed, you can make changes within its menu(s) and press the same function button again to store the changes and exit that function. (The same button that got you in gets you back out). Also, when in a function menu or sub-menu, other features and functions will not be accessible, as they have no direct relation to the function being edited.
This Casablanca has been put through a rigorous and unique testing procedure that insures that it will last for many years with minimal service requirements. This procedure includes the following:
All assembled circuit boards are given a thorough visual inspection and are then tested in a bench- reference Casablanca.
The tested assembled circuit boards are then installed in a new Casablanca and the whole unit is tested for every function and parameter.
The unit is put on a burn-in torture rack for 100 hours to test for any possible component failures.
The Casablanca is tested on an audio analyzer for all pertinent parameters.
The Casablanca is put through a final bench test wherein every possible feature, mode and parameter
is checked.
The unit has all remaining chassis components installed and then undergoes a complete visual inspection, which assures that all Casablanca’s meet visual specifications.
Burn In Time
This unit has a break in period of about 1 week during which continuous improvement in sound quality will be observed. It is recommended that music be played continuously through the unit during this time, to expedite the break in period.
1
IMPORTANT NOTICE
I. Due to the computer-based circuitry used in Theta products, it is imperative that the Casablanca be
connected to a ground via its three wire AC power cord. It is important that the AC power outlet, which the Casablanca is plugged into, is actually grounded. Failure to do so will severely compromise the performance, reliability and safety of use of the Casablanca.
II. It is also important to prevent contact with static electricity when connecting other components and
cables to the Casablanca. When connecting cables, simply place one hand on top of the Casablanca and then grasp the metal “barrel” of the cable with the other hand and plug (unplug) the cable into (from) the appropriate jack on the Casablanca.
III. The Casablanca, as with all electronic equipment, is susceptible to static discharges. Resetting the
unit may be required if anomalies occur after receiving a static discharge. In this case, put the unit in standby and turn off the rear panel power switch for 1 minute, then turn it on again.
IV. Ventilation is an important issue when placing the Casablanca in a system. Make certain that the
Casablanca is placed in a well ventilated area or rack unit.
V. Please take note that some powerline conditioners defeat the AC power ground on their outlets. If
the intention is to plug the Casablanca into a line conditioner, check with your dealer to make certain that the particular conditioner that is intended for use DOES NOT DEFEAT THE AC GROUND on its AC outlets.
VI. DO NOT remove any cover panels from the Casablanca, as there are no user serviceable
components inside. Refer servicing and updating to qualified service personnel only.
VII. The Casablanca can be susceptible to excessive RF. Shorting plugs in all unused inputs will improve
the sound quality and may reduce the susceptibility to RF induced anomalies.
Reference Manual Conventions
For clarity purposes, references to buttons, LED’s and display parameters will be shown in bold capital letters.
All functions to be performed from, and in reference to the front panel of the Casablanca will be found in the front section of this manual, whereas all functions to be performed using the hand held remote and/or viewed on a video monitor will be found in the back, or last part of this manual.
2
Glossary of Terms and Abbreviations
TERM DEFINITION
AES/EBU (Audio Engineering Society) / (European Broadcasters Union)
Analog-to-Digital Converter A device that converts analog signals into a digital
Balanced Audio Signals Signals that are carried on three-conductor cables,
dB Decibel, a relative unit of loudness. Dolby 3 Stereo The Dolby 3 Stereo mode reproduces sound using
Digital-to-Analog Converter A device that converts digital signals into an analog
Hz (Hertz) A unit of frequency. IR Infrared. A method of wireless transmission of data. LFE Low Frequency Effect. Commonly a discrete audio
mS milliSecond, or 1\1000 of a second. Oversampling The process of taking more samples than is required
Phantom Center Mode The Phantom setting for the center speaker redirects
Phantom Surround Mode The Phantom setting for the surround speakers is
Sampling Rate The rate at which an analog (real world) signal is
S/PDIF Interface (Sony/Phillips Digital Interface format) TRS Tip, Ring, Sleeve. Names of the 3 connecting
Unbalanced Audio Signals (AKA single-ended) Signals that are carried on two-conductor cables,
Table 1 - Glossary of Terms and Abbreviations
A three wire balanced digital audio standard. This interface uses a 3-pin XLR type connector and allows for data communication between digital audio equipment.
format. Once encoded, all audio is stored or processed as a series of numbers rather than as the audio itself.
with two of the conductors carrying the same signal 180° out of phase and the third as ground. Balanced connections usually cost more than unbalanced connections, but are less susceptible to picking up hum and prevent interference with low-level signals.
only the 3 front channels, and is intended to be used either before surround speakers are installed, or for programs that might benefit from deriving a center channel output, but where the quality of the surround output is unsatisfactory.
format.
track designated for a sub woofer.
in order to more accurately reconstruct a digitized signal for playback in the analog domain.
the center channel signal equally to the front left and right outputs, thus creating an illusion of a center speaker. It is to be used when a center speaker is not present.
intended to be used when no surround speakers are present in the system. With this setting active, the surround information is added to the front channels. If the current mode is Dolby Pro Logic, the Casablanca will automatically decode in Dolby 3 Stereo.
converted into digital numeric values. A digital audio interconnection standard, developed jointly by Sony and Phillips.
elements of a stereo phono jack or plug.
one “hot”, or signal, and one ground.
3
Block Diagram - Input and Surround Processing Sections
Figure 1 - Block Diagram of Input and Surround Processing Sections
4
Block Diagram - DAC and Analog Out Sections
Figure 2 - Block Diagram of DAC and Analog Outputs
5
Front Panel Layout
Figure 3 - Front Panel Layout
1. 40 character by 2 row amber or green back lit liquid crystal display (
DISPLAY
2.
POWER
3.
POWER
4. exit the standby mode. The LCD will display the Casablanca into standby mode and the LED above the front panel
REMOTE
5.
6. Buttons 1 through 6. Used to select a desired input on the menu.
MODE
7.
TAPE OUT
8.
SET-UP
9. the display & remote power jack time-out delays, selecting between NTSC and PAL video sources and accessing additional Dolby Digital parameters.
BALANCE
10.
A-D
11. will depend on the current
MUTE
12.
ANALOG LEVEL
13.
button. Press repeatedly to change front panel LCD brightness between off, low, medium and high.
LED. Lights when the Casablanca is in standby mode.
button. After the rear panel
button. Activates/deactivates the
button. Activates the
button. Used for routing audio and video
button. Used for setting speaker configurations/levels/delays, analog input levels, naming inputs, setting
button. Sets a temporary balance configuration to adjust for unique program or room characteristics.
button. Activates either the analog, digital or RF input jack for the selected input channel. Available options
button. Mutes/unmutes all audio outputs with the exception of the
display. Shows input level, in dB, of currently selected analog input.
MODE
MODE
MAIN POWER
REMOTE POWER
select menus for the currently selected input.
, and RF will only be an option if the optional Digital Input board is installed.
switch is turned on press the front panel
MAIN
INPUT
signals to the
LCD).
POWER
menu. Pressing this button again will place the
POWER
jack on the rear panel.
MAIN MENU
button will light.
, or parameter to change when in a sub
TAPE OUT
TAPE OUT
jacks.
jacks.
button to
Dolby Pro Logic
14. also installed, The
Dolby Digital
15.
DTS
16.
17.
18.
19.
20.1 through 6 LED indicators. Light when buttons 1 through 6 are selected.
indicator. Lights when the DTS feature is installed. It will go out when the display is turned off.
LOCK
light. Lights when a digital source is detected on a selected input.
LEVEL LEFT
selected, adjusts EQ parameter when the
LEVEL UP
in most edit modes, and shifts
indicator. Lights when the Dolby Pro Logic feature is installed only. If Dolby Digital (AC-3) is
Dolby Pro Logic
indicator. Lights when Dolby Digital is installed. It will go out when the display is turned off.
RIGHT
and
and
DOWN
buttons. Shifts audio balance to the left and right when the
buttons. Increases/decreases master volume. Also used to increment/decrement values
indicator will not be lit. It will go out when the display is turned off.
MAIN MENU
FRONT/REAR
audio balance in
is active and adjusts the slope value in the
BALANCE
6
mode.
BALANCE
SET-UP
function is
menu.
Rear Panel Layout
Figure 4 - Rear Panel Layout
Main Power Switch.
1. this be left ON at all times during regular use with the exception of whenever cables are connected/disconnected or when the unit is not going to be used for an extended period of time.
Master power switch. Disconnects AC to all circuits past the switch. It is recommended that
AC Power
2.
Remote Power
3. again.
Main Power 1
4.
Main Power 2
5. the time parameter value that is stored in the when the front panel
Main Power 3
6. represents the time parameter value that is stored in the deactivated when the front panel
Remote Control Extender
7. stereo phone jack. Please refer to Appendix D for technical details.
Video
8. switched with corresponding audio inputs and fed to the main video output. Four S-Video inputs, corresponding to the first four audio inputs only, are provided for the same functionality as the composite inputs, except in the S­Video format. Video inputs are routed to the video tape output jack through the input signals can be present at the S-Video
Main Digital Input
9. S/PDIF format at 32K, 44.1K or 48KHz sampling rates. There are two open spaces provided for optional AT&T and/or Theta Single Mode Laserlinque optical input modules. There are two RCA digital Tape Out connectors on this card who’s source can be selected in the
connector: 3 wire, IEC 320 connector with an EMI filter.
jack. Activated/deactivated when associated front panel or remote button is pressed/pressed
jack. Activated/deactivated when front panel
jack. Activated when front panel
POWER
jack. Activated when front panel
card. This optional card, necessary for on-screen display, provides six composite RCA inputs that are
card. Six Coaxial (RCA) and two TosLink inputs are provided for digital audio signals in the
button is pressed again (putting the Casablanca in Standby mode).
POWER
jack. An externally mounted (remote) Infrared (IR) receiver plugs into this miniature
button is pressed again (putting the Casablanca in Standby mode).
POWER
SET-UP: MISC
POWER
Main
and/or
TAPE OUT
POWER
button is pressed once, plus x seconds. X represents
button is pressed once, plus two times x seconds.
SET-UP: MISC
Tape
outputs.
menu.
button is pressed/pressed again.
sub menu,
RPWR
feature. This jack is deactivated
sub menu,
RPWR
TAPE OUT
feature. This jack is
button. Only S-Video
X
Auxiliary Digital Input
10. (balanced XLR) input , one BNC and one TosLink input. Additionally there is one space provided for an optional AT&T or Theta Single Mode optical input.
Analog Input
11. laserdisc, CD and DAT players, phono preamplifiers, external D/A converters, Tape decks, AM/FM tuners, etc. There are two pairs of analog tape outs for recording purposes.
card. Six stereo RCA inputs are provided for any line level analog output devices such as VCR’s,
card. This optional card provides two RCA Dolby Digital (AC-3) RF inputs, one AES/EBU
7
12. First
Analog Output
channel (L & R) superior quality balanced card loaded in this slot. Configured as a surround processor, this slot could contain one of the following: A six channel standard quality single ended D/A card (left, right, center, sub, left surround and right surround) or a three channel balanced card (left, right and center). A balanced card can be either standard or superior quality. All balanced cards also have single ended outputs; the standard card has a plus and minus single ended output for each channel whereas the superior quality balanced card is equipped with one gold plated single ended output jack on each channel.
card. Configured as a 2 channel D/A converter/preamp there would be a 2
13. Second standard quality balanced card or a three channel superior quality balanced card. If only two analog output cards are installed, this slot would contain outputs for sub, left surround and right surround channels. If three analog output cards are installed, this second slot would contain outputs for left front sub, left surround and right surround channels.
14. Third card or a three channel superior quality balanced card, however, it must be the same quality as the second card. This third slot accommodates additional sub woofers (right front sub, left surround sub and right surround sub). Figure 4 represents this configuration in standard quality.
Analog Output
Analog Output
card. This slot could contain one of the following options: a three channel
card. This slot could contain either a three channel standard quality balanced
8
FRONT PANEL OPERATIONS
This section describes the functionality of each button on the Casablanca’s front panel only. For remote functionality descriptions, please refer to the section entitled manual. Descriptions for front panel buttons/functionality not covered in this section can be found in the preceding
FRONT PANEL LAYOUT
section.
REMOTE CONTROL OPERATIONS
Main Menu
later in this
When the Casablanca is first powered up via the default standby mode. Pressing the start-up routine and then the turns off. This display will be on all of the time during normal operation and will change only when one of the function buttons (shown shaded in figure 5) is pressed. The example only and will most likely differ from the user’s set up.
MAIN MENU
POWER
, shown in figure 5 below. As this menu appears, the
MAIN POWER
button on the front panel will result in the LCD displaying the
* * *
switch on the back panel, it will be in the
POWER
INPUT NAMES
shown in this figure are for
LED
Figure 5 - Front Panel Display of the MAIN Menu
Pressing the from 0 to 73, relative maximum.
Pressing the low pass shelf EQ that, at 2KHz, drops by 1.5dB when the parameter value is set at 1, 3dB when set at 2, 6dB when set at 3, and 9dB when set at 4. Being a shelf EQ, the roll off amplitude never drops significantly below the specified dB value. The EQ is active in all modes except Analog Direct and the front left/right speakers in Analog Matrix modes. It is designed to roll off excess brightness in different program material.
LEVEL UP/DOWN
LEVEL LEFT/RIGHT
buttons will adjust the master volume for all speakers. This value ranges
buttons will adjust the EQ setting between
OFF, 1, 2, 3
and 4. This is a
MUTE
The feature is enabled, the either the is set to The
The off, the red Dolby Pro Logic, Dolby Digital and DTS displays go off, if applicable.
Buttons 1 through 6 are used to select a desired input, or audio source. Each has an LED above it, which will light when the respective input button is pressed. Note that only inputs 1 through 4 have S-video input jacks and only inputs 1 and 2 have Dolby Digital (
Pressing the either analog or digital, whichever corresponds to the signal format being sent to the currently selected input. See page 10 for additional information on the
Pressing the value of + means that the audio output phase is at 0° and - (minus) is at 180° out of phase.
button will toggle the audio on and off in all speakers each time it is pressed. When the mute
LEVEL
MUTE
button is pressed again or the
DIGITAL
MUTE
DISPLAY
, the Casablanca will remain muted until it locks on to a valid signal on the selected input.
feature is active in all menus.
button will toggle the LCD brightness between off, low, medium and high. When the display is
A-D
button will toggle the currently selected input between
PHASE
button on the remote when the
value will be replaced with the word
LEVEL UP
AC-3 RF
A-D
button.
) input jacks.
or
MAIN
menu is active will change the
9
MUTING
DOWN
, which will remain displayed until
buttons are pressed. If the
ANALOG
and
DIGITAL
PHASE
A-D
button
. Select
value. A
A-D Button
The primary use of the channel. For example, Input channel # 1 has several physical input jacks on the rear panel, all of which accept
A-D
the
Caution
only into an analog input jack. Damage, not covered under warranty, can occur if an analog signal is applied to a digital input. Additionally, please ensure that a video plug is not inadvertently inserted into a digital audio jack and visa versa, otherwise, the Casablanca will cease to respond.
Some devices such as LD players feature both analog and digital audio outputs. To avoid rewiring the LD player outputs to the Casablanca inputs when changing between laser disks with analog only audio tracks, it is advisable to connect both the analog and digital outputs of the LD player, if featured, to both the Casablanca’s analog and digital inputs (use the same input channel number). In this way, if the Casablanca’s
LD1
input is set to
A-D
button will instantly reconfigure the Casablanca to play the analog tracks.
When using modes that utilize digital formats only, such as Dolby Digital, DTS, etc., the deactivated except:
1) In the case of selecting the
digital Dolby Digital signal present on the same input channel. Please refer to page 11 for additional information on using the
2) When the
mode is only temporary, and not stored. In this case, if the stored by via the will become active as soon as the
an analog or a digital signal. When appropriate signals are applied to both of these, pressing
either
button simply selects one of them and ignores the other(s).
: Please take special care to insert only a digital signal into a digital input jack and an analog signal
MODE
A-D
button, the display will show
A-D
button is to select either the analog or digital input jack for a specific input
DIGITAL
is not stored. If the auto-detect feature automatically changes the
and an LD being played contains only analog audio tracks, simply pressing the
AC-3 RF
AC-3 RF
jacks for the Dolby Digital mode when there is both an RF and
jacks with the Dolby Digital mode.
MODE
MODE
ANALOG
reverts back to the stored
and the analog inputs of the current input channel
allows the selection of
MODE
(approximately 15 seconds).
MODE
A-D
button is
, the detected
ANALOG
The Analog Direct and Analog Matrix modes accept an analog input only. Therefore, in the LCD above the
A-D
button at all times when in either of these modes, thus deactivating the
ANALOG
is displayed
A-D
button.
Priority Switching
The Casablanca’s inputs can support virtually every digital audio data format used in today’s technology. Since it is most unlikely that one input number will require more than one digital format, some of the input jacks share the same input channel number. For example, an AES/EBU (balanced) XLR, a glass optical, a TosLink, and an RCA jack are all assigned to input # 1.
If a digital signal were present at more than one input jack with the same input channel assigned to it, the Casablanca will automatically select one of them according to a pre-determined priority, since two input signals cannot share the same channel. This is called
Each input channel has different input jacks assigned to it, as indicated by the channel number next to each digital input on the rear panel. Table 2 shows the entire priority switching scheme.
PRIORITY INPUT 1 INPUT 2 INPUT 3 INPUT 4 INPUT 5 INPUT 6
1 AES/EBU BNC TosLink Optical RCA RCA 2 RCA RCA RCA RCA - ­3 TosLink TosLink - - - ­4 Optical Optical - - - -
Table 2 - Priority Switching Defaults
Priority Switching
.
10
Mode Function
Pressing the page consists of 6 different signal ‘processing’ modes, one of which can be selected and applied to the currently selected input. The menu title “ displayed in the lower right corner of the LCD indicating that there are more modes to select from on the next page. Pressing the second page the menu title “ below it. This indicates that pressing the Figure 6 shows the first
MODE
button (shaded in figures 6 and 7) once displays the first page of the
MODE”
A-D
button once will reveal this second page, consisting of additional modes. In the
MODE
MODE”
page and figure 7 shows the second.
is also displayed in the upper right corner with a
A-D
is displayed in the upper right corner and a
button once more will return the user to the first
* * *
MODE
left
menu. This
arrow is
right
arrow displayed
MODE
page.
Figure 6 - Front Panel Display of the MODE Menu - First Page
Press button 1 - 6 to select the desired mode. The corresponding LED above buttons 1 through 6 will illuminate.
Note
: If a specific feature such as Dolby Digital or DTS is not installed in the Casablanca, its corresponding
selection button (in this case, button 4 or 5) will be disabled.
The first 6 modes shown in figure 6 are described below. The EQ is active in all modes except Analog Direct and for the front left/right speakers in Analog Matrix.
Simple Matrix ( the signal routed to the surround speakers is equal to left minus right signals. Crossing over any speaker(s) produces a sub channel.
Special Matrix ( surround speakers.
Dolby Pro Logic (
Dolby Digital ( Please refer to page 22 for additional Dolby Digital options, selectable in the second page of the menu. If menu], the Casablanca will automatically search for a valid Dolby Digital signal at both the digital and input jacks of channels 1 and 2. When detected, the LCD will display corresponding to the input the signal was detected on. If a Dolby Digital signal is present on both the digital and RF jacks simultaneously, the Casablanca will lock on to, and display the first one it finds. In this case, the user can press the
If the Casablanca detects a Dolby Digital signal on a digital input jack of the current channel, the selection is message on both the LCD and video monitor:
MATX
): The signal routed to the center speaker is equal to the left plus right input signals and
SPCL MATX
PRO
): When
DIGTL
): (Optional). When this button is selected, Dolby Digital decoding is implemented.
DOLBY DIGITAL
A-D
DIGITAL
, and the
): A mode similar to Dolby Pro Logic with more ambience retrieval in the
PRO
is selected, Dolby Pro Logic decoding is implemented.
SET-UP
is selected, when the
button once to select the other, if desired.
MODE
is
set to
not
**RECEIVING DOLBY DIGITAL SIGNAL**
CHANGING MODE TO DOLBY DIGITAL
MODE
button is pressed once more [to exit the
DOLBY DIGITAL
DIGITAL
, the Casablanca will display the following
or RF above the
A-D
MODE
RF
button,
A-D
and display 15 seconds after the Casablanca ceases to receive this signal, the
DOLBY DIGITAL
as the current mode. However, this is not stored and therefore approximately
11
MODE
will revert back to the previous
mode, before detecting the Dolby Digital signal.
Note that auto-switching can occur only with digital signals. If the current input channel is set to
ANALOG
Note that RF is not a digital signal. It is a radio frequency. Therefore, Dolby Digital laser disks cannot be
auto- detected.
RF
input jacks are provided for inputs 1 and 2 only, therefore RF selection is only available on inputs 1 and 2. Since Dolby Digital is only a digital and/or RF format, unless it is not the ‘stored’ mode, in which case pressing the current input channel. Note that the lower right corner of the LCD will read RF or input jack type is selected.
, auto-detection and auto-switching will not occur.
ANALOG
selection is not allowed using the
A-D
button will select the analog inputs for the
DIGITAL
A-D
, indicating which
button
DTS
: (Optional) Selecting specification which consists of up to 5 plus 1 discrete channels of digital data for a total of 6 separate audio channels.
If the Casablanca detects a DTS signal on the current channel, the is
not
and display after the Casablanca ceases to receive this signal, the detecting the DTS signal.
STEREO
will produce a prior to being sent to the processor. The EQ and crossover effects are active on all channels in this mode.
DTS
set to
: Left and Right input signals are sent to the Left and Right front speakers, which if crossed over,
, the Casablanca will display the following message on both the LCD and video monitor:
DTS
as the current mode. However, this is not stored and therefore approximately 15 seconds
SUB
channel. If the input signal is analog, it is routed through an analog to digital converter
DTS
will decode a Digital Theater Systems encoded signal according to the
A-D
**RECEIVING DTS SIGNAL**
CHANGING MODE TO DTS
MODE
* * *
will revert back to the previous mode, before
selection is
DIGITAL
, and the
DTS
MODE
Figure 7 - Front Panel Display of the MODE Menu - Second Page
Each of the 6 modes shown in figure 7 are described below.
Analog Direct ( Left/Right outputs via the volume controls. Since there is no surround processing in Analog Direct, the sub woofer, EQ, phantom center channel, and crossover effects are not available. Note: If these effects are desired, use the
ANALOG A-D
button.
Analog Matrix ( (left & right analog input signals routed directly to the main outputs via the volume controls), and at the same time, the input signal is routed through an analog to digital converter in order to derive the other channels,
ANLG DRCT
STEREO
is displayed in the LCD above the
ANLG MATX
): This mode takes the selected analog input and routes it directly to the main
mode. The Analog Direct mode accepts an analog input only. Therefore,
): The signal routing in this mode is the same as Analog Direct (
A-D
button at all times when in this mode, thus deactivating the
ANLG DRCT
12
),
which include left & right surround and center. These other channels can have EQ and be crossed over (creating a the sub woofer(s)), or perform phantom center speaker. The Analog Matrix mode accepts an analog input only. Therefore, deactivating the
SUB
channel), but the front left and right channels may not have EQ, be crossed over (routed to
ANALOG
A-D
button.
is displayed in the LCD above the
A-D
button at all times when in this mode, thus
MONO
crossed over, a sub channel will be produced. If the center channel is set to
SPEAKER CONFIG
CIRCLE SURROUND
Circle Surround is an innovative approach to surround processing. One of its versatility’s is its capacity to create stereo surround signals whereas virtually all other surround decoding algorithms create only mono surround signals. If your Casablanca has this option installed, an addendum has been included with this manual which describes Circle Surround processes and operations in more detail.
After selecting a mode for the current input channel, pressing the Casablanca to the can be controlled using the
: This mode routes the input signal to the center channel only, however, if the center channel is
OFF
sub menu, the input signal will be routed to the front left and right speakers.
* * *
MAIN MENU
LEVEL UP/DOWN
MODE
and stores any changes. While in the
buttons.
button once more returns the
MODE
menu, the
PHTM
or
in the
MASTER VOLUME
SET-UP
:
13
Tape Out Function
This feature simultaneously controls signals routed to the video, analog audio and digital audio tape out jacks.
* * *
Figure 8 - Front Panel Display of the TAPE OUT Menu
Pressing the The menu title “ figure are for example only and will most likely differ from the user’s set up.
Standard Tape Out Configuration
The following guidelines apply when the Digital Input board is in its standard configuration, i.e. the optional tape out D/A converter has not been installed.
A source to be recorded can be selected independently of the source currently being viewed or listened to provided that the input for the source to be recorded is set to
It is possible to record a source in analog with input being watched or listened to and
Optional Upgrade Tape Out Configuration
When the optional D/A converter has been installed onto the main Digital Input board, a digital source can be recorded, i.e. sent to the analog watched or listened to.
To route a signal to the appropriate for the audio sources, press the the input source format that the user intends to record. A video source will be routed to the video jack, a digital audio source to the digital and analog audio the analog audio
TAPE OUT
TAPE OUT”
TAPE OUT
button once changes the LCD display to the
is displayed in the upper right corner. Note: The
ANALOG
DIGITAL
STEREO
TAPE OUT
TAPE OUT
by pressing one of the 1 - 6 buttons. The LED above the selected source will light. For
A-D
button to toggle between
TAPE OUT
jacks.
is selected in the
jacks, at the same time as a different digital source is being
jack(s), press the
input selected only if the source is the same as the
* * *
ANALOG
TAPE OUT
TAPE OUT
in the
MODE
TAPE OUT
and
menu.
MAINDA
jacks and an analog audio source to
menu shown in figure 8.
INPUT NAMES
TAPE OUT
button and then select a source
(Digital), whichever matches
shown in this
menu.
TAPE OUT
Now the routing is completed. Press store any changes. The
CAUTION
does not contain Dolby Digital or DTS decoding capabilities. Full scale and potentially damaging noise will be output!
: It is not advisable to route a 5.1 source (DTS/AC-3) to the optional tape out DAC as this section
MASTER VOLUME
TAPE OUT
again to return the Casablanca to the
can be controlled using the
14
LEVEL UP/DOWN
MAIN MENU
buttons.
and
Set-Up Function
This function provides access to a series of sub menus that will allow the configuration of the entire system.
In this section, each feature of the display. Only those functions that have a direct relationship to the one being edited will be active in edit modes. Access to all other functions will be temporarily disabled during this time.
Pressing the shown in figure 9.
SET-UP
button once changes the front panel display to the first page of the
SET-UP
menu is discussed in detail along with a diagram of each LCD
SET-UP
* * *
menu,
Figure 9 - Front Panel Display of the SET-UP Menu - First Page
The menu title “ corner of the LCD indicating that there are more set-up options to select from on the next page. Pressing the
A-D
button once will reveal this second page of additional options. On the second page the menu title “
UP”
is also displayed in the upper right corner with a
pressing the
SET-UP
page and figure 10 shows the second.
SET-UP”
A-D
button once more will return the user to the first
is displayed in the upper right corner. A
left
arrow is displayed in the lower right
right
SET-
arrow displayed below it. This indicates that
SET-UP
page. Figure 9 shows the first
As indicated in figure 9, buttons 1, 2 and 3 are assigned to speaker related analog input levels, button 5 to input channel names and button 6 to miscellaneous functions which include the display and remote power jack activation times (referred to as the ‘time out’ feature) and video format settings. The second page consists of additional Dolby Digital set up parameters.
Pressing buttons 1 - 6 for the desired functions and additional information for that feature.
SET-UP
feature will in turn display a sub menu providing editable
* * *
SET-UP
functions, button 4 to
Figure 10 - Front Panel Display of the SET-UP Menu - Second Page
After the last sub menu changes have been made, press the menu. Pressing the In this menu, the
SET-UP
MASTER VOLUME
button once more returns the LCD to the
can be controlled using the
SET-UP
button again to return to this
MAIN MENU
LEVEL UP/DOWN
and stores any changes. buttons.
SET-UP
15
Set-Up - Speaker Configuration
This sub menu allows the user to configure speakers to reflect the audio system configuration or the listener’s preference, for the available speakers and their respective frequency responses.
* * *
Figure 11 - Front Panel Display of the SET-UP: Speaker Configuration Sub Menu
To configure the Casablanca to reflect your speaker set up, from the once and then front panel LCD. The bottom row shows the speaker(s) to be configured and the top row displays the current setting for that speaker. The sub menu title “
Press buttons 1 through 5 to select the speaker(s) to be configured. The LED above the button you pressed will light. Press set to be crossed over, pressing
LEFT/RIGHT
more detailed discussion of the Casablanca’s crossover frequencies, slopes and sub woofers follows table 3.
Press the to return to the
The Left/Right ( full range audio signal or crossed over at a specified frequency and slope. If the setting for one or more of these speakers is not set to speaker will be represented as two numbers separated by a dash. These two numbers indicate the crossover frequency followed by a value representing the slope. The slope can be adjusted in 6dB/octave increments, to a maximum of 24 dB/octave. This correlates to 4 possible slope settings: 6dB, 12dB, 18db and 24dB. These four settings are represented on the Casablanca as 1, 2, 3 and 4 respectively.
SPEAKER CONFIG
LEVEL UP/DOWN
changes the slope setting. The available options for all speakers are shown in Table 3. A
SET-UP
BUTTON SPEAKER
button once to return to the
MAIN
menu and store any changes.
1 LEFT/RIGHT - OFF FULL 40 50 60 80 100 120 2 CENTER PHTM** OFF FULL 40 50 60 80 100 120 3 SURROUND PHTM*** OFF FULL 40 50 60 80 100 120 4 SUBS - 0 1 2* 3* 4* - - ­5 SUBS XOVER FULL - - - - - - -
Table 3 - Available configuration settings for each speaker
LT/RT
), Center (
(button 1) once. Figure 11 shows the menu that will be displayed on the
SPEAKER CONFIG”
to cycle through the options for each speaker. For any speakers that are
LEVEL UP/DOWN
CEN
) and Surround (
FULL
(full range),
changes the crossover frequency and pressing
SET-UP
menu (shown in figure 9). Press
AVAILABLE SETTINGS
SUR
) speakers can be individually set to respond to a
PHTM
(Phantom) or
MAIN MENU
is displayed in the upper right corner.
OFF
press the
(disabled), the setting for that
SET-UP
SET-UP
button
LEVEL
once more
There are 5 applicable values for the first sub woofer ( refer to the number of discrete sub woofer channels configured in the Casablanca.
Note
: If the source does not contain a discrete sub woofer or LFE channel, no signal will be routed to the
SUB
output unless one or more speakers are crossed over. If the source contains a discrete LFE channel
and the
SUBS
are turned off (set to 0), the LFE signal will be routed to all other channels.
SUBS
16
) configuration setting: 0, 1, 2*, 3* and 4*. These
*If the system is configured with D/As for a maximum of 6 channels, this value will be limited to 0 or 1. If any subs are configured into the system (button 4 parameter value is greater than 0), the sub(s) can further be set to respond in one of two ways:
1) If any speaker is set to be crossed over, all frequencies below the set crossover frequency will be automatically routed to the sub woofer(s) (button to any existing LFE.
2) Send a full range signal to the sub(s), and allow them to utilize their internal crossovers, if any. (button
5
parameter value set to
FULL
)
5
parameter value set to
XOVER
) and be added
**The phantom ( the listener is positioned equidistant from the front left and right speakers. There is, however, no substitute for a real center speaker as it creates a solid center image even when the listener is positioned off-axis. The phantom setting is most useful on video sources where a more prominent center image is desirable and no center speaker is present. On music sources, source’s imaging properties.
***The phantom ( present in the system. In this case, with 5.1 sources, the surround information is added to the front channels. In Dolby Pro Logic mode, the Casablanca will automatically decode in Dolby 3 stereo. With all other sources, this setting prevents the surround channels from being created.
Note
: If the Casablanca is configured for 9 channels and the number of
front and/or center speakers routes the low-pass portion of the front and/or center signals to the
LEFT/RIGHT SUB
signals to the outputs.
Additionally, if the number of full LFE are routed to the
If the number of routed to the
PHTM
) setting for the center speaker creates the illusion of having a center speaker when
OFF
may be the preferred setting as it maintains the original
PHTM
) setting for the surround speakers should be utilized when no surround speakers are
* * *
SUBS
is set to 4, crossing over the
outputs. Crossing over the surround speakers routes the low-pass portion of the surround
LEFT/RIGHT SURROUND SUB
SUBS
is set to 1, all of the low-pass portion of all crossed over speakers and the
LEFT FRONT SUB
SUBS
is set to 2, the LFE and all of the low-pass portion of all crossed over speakers are
LEFT/RIGHT FRONT SUB
outputs. Any LFE is distributed evenly amongst all 4
output jack.
outputs. (LFE is divided by 2 and distributed evenly between both).
FRONT
SUB
If the number of
FRONT SUB SUB
output, and any LFE is divided by 3 and distributed evenly to these 3
SUBS
is set to 3, all of the low-pass portion of the front signals is routed to the
outputs, all of the low-pass portion of the surround signals is routed to the
17
SUB
LEFT/RIGHT
LEFT SURROUND
outputs.
Set-Up - Speaker Levels
This sub menu allows the user to set the relative level of each speaker in order to reflect the audio system speaker configuration, room characteristics, or the listener’s preference. The relative range is -15dB to +10dB. These levels are stored in the Casablanca’s memory and can be changed in the
Levels
sub menu shown in figure 12. The
BALANCE
function (discussed later) allows the user to
SET-UP: Speaker
temporarily adjust the Left/Right and Front/Rear balances, and the Center & Sub channel levels to compensate for differences in program material or source.
To display the
SPEAKER LVLS)
(
SET-UP: Speaker Levels
sub menu from the
once. The current relative level of each configured speaker will be displayed on the top row of the LCD. Additionally, the sub menu title “ the sub menu title, the
SOURCE
(the name assigned to the current input) is displayed. It is important to note
LEVELS
MAIN
menu press
SET-UP
once, then button
” will be displayed in the upper right corner. Below
that this is a global function, thus levels are not stored by source.
* * *
Figure 12 - Front Panel Display of the SET-UP: Speaker Levels Sub Menu
Press buttons 1-6 to select the speaker level to be changed. The LED above that button will light. Press
LEVEL UP MASTER VOLUME
volume down/up, respectively.
Press the to return to the
LEVEL DOWN
or
SET-UP
MAIN
to increase or decrease the relative level of the selected speaker. The
function is accessible in this sub menu by pressing the
button once to return to the
SET-UP
menu (shown in figure 9). Press
menu and store any changes.
LEVEL LEFT/RIGHT
SET-UP
buttons for
once more
2
To aid in establishing a desired system speaker level balance, the Casablanca provides the user with the option of either routing the currently selected audio signal to the outputs, or routing an internally generated noise signal to either the currently selected speaker or to all speakers simultaneously.**
This function is accessed via the to select a speaker. Pressing the the 3 possible routings. When the
A-D
button in the
A-D
button repeatedly toggles through these two sources. Table 4 shows
A-D
button is pressed, the source name will appear in the LCD below the
SET-UP: Speaker Levels
sub menu. Press buttons 2-
sub menu title.
Press A-D Button MODE SOURCE USED
Once Selected Input AUDIO INPUT
Twice Noise – all** speakers NOISE A
Three times Noise - one* speaker NOISE 1
Currently selected
*
speaker except
**Except
SUB
SUB
Table 4 - Source to Output Routing for Speaker Level Configuration.
Note
: It is recommended that levels be set relative to the front Left and Right speakers. The first step would be to adjust the Left and Right level value(s) to zero dB. The remaining speakers can be adjusted accordingly by pressing buttons 2-6 one at a time, then pressing
LEVEL UP
LEVEL DOWN
or
to increase or
decrease each speaker’s relative level using an SPL meter, until the desired system balance is established.
** Due to the user an appropriate sense of its/their response level. Therefore, the
SUBS
natural frequency vs. level response, a noise signal sent to it/them would not give the
SUBS
are not selectable when the noise
generating feature is active.
18
6
Set-Up - Speaker Delays
This sub menu allows the user to set a time delay for the center and surround speakers to reflect the audio system configuration, room characteristics, or the listener’s preference. The allowable range for the center speaker is 0 to 5 milliseconds (mS), 15 to 30 mS for all matrixed surround speakers ( for all discrete recommended that the
(5.1
) surround speakers. Since discrete sources are recorded with surround delays, it is
5.1
delay setting be 15 mS less than the
MATX
setting.
MATX
) and 0 to
15
mS
To display the once, then button 3 ( the LCD. Additionally, the sub menu title “
SET-UP: Speaker Delays
SPEAKER DLYS)
once. The current delay settings will be displayed on the top row of
sub menu shown in figure 13, from the
DELAYS
” will be displayed in the upper right corner.
*
* *
Figure 13 - Front Panel Display of the SET-UP: Speaker Delays Sub Menu
In this sub menu, speakers when refers to the surround speakers (including any surround equipped and utilized.
Press buttons
LEVEL UP
the speaker(s).
CEN
refers to the front center speaker,
DOLBY PRO
1, 2
or 3 to select the desired speaker(s). The LED above the button pressed will light. Press
LEVEL DOWN
or
(Pro Logic) or any
button to respectively increase or decrease the delay time of the selected
MATRIX
/non multi channel discrete mode is utilized, and
MAIN
menu press
MATX
(Matrix abbreviated) refers to the surround
SUBS
) when
DOLBY DIGTL
(Digital) or
SET-UP
5.1
DTS
is
Press the to return to the
LEVEL LEFT/RIGHT,
Figure 14 - Rear Delay Settings
SET-UP
MAIN
button once to return to the
menu and store any changes. The
for level down/up respectively, in this sub menu.
SET-UP
The first time a multi channel audio system is set up in a room, calibration of time delay [and speaker levels] is required in order have the sound from the rear surround speakers reach the listener at the correct time. To determine a delay time for the rear speakers, measure the distance from the listening position to the front speakers as well as the distance from the listening position to the rear speakers. With these 2 measurements, refer to figure 14 to determine the delay time and enter this value into the Casablanca as described above.
Center speaker delay is required if the center speaker is closer to the listening position than the front left and right speakers. When this is the case, the center delay time should be 1mS for each foot closer.
menu (shown in figure 9). Press
MASTER VOLUME
can be controlled using the
SET-UP
once more
19
Set-Up - Analog Input Levels
This function allows the user to adjust the relative modes which require an analog to digital conversion. For example a VCR used with Pro Logic
PRO
) or Simple
selected. The relative range is -22 dB to +19 dB.
To access this menu page from the once. The analog levels sub menu is shown in figure 15.
MATRIX
modes. This function does not affect source levels when a digital audio input is
MAIN
menu, press
ANALOG
SET-UP
* * *
LEVEL
input
once, then press the
of each input source for those
ANLG LVLS
Figure 15 - Front Panel Display of the SET-UP: Analog Input Levels Sub Menu
Press buttons 1 - 6 to select an input. The LED above the selected button will light. Press the
LEVEL DOWN
therefore disabled.
button(s) to adjust the relative input level. The
A-D
button is not used in this sub menu and
LEVEL UP
(DOLBY
(button 4)
or
Press the to return to the
LEVEL LEFT/RIGHT,
Note
that the loudest passages from the source material cause the LEDs on the front panel to light. Setting the input level too high will cause all four LEDs to light, thus clipping the input signal and causing distortion.
Analog output levels may vary considerably for different input sources. Program material from a given input source should not vary as greatly. Therefore the to be adjusted very often. If, however, the input passages from an analog source, the user should increase the order to ensure a good signal to noise ratio.
SET-UP
: To obtain the best performance from the analog to digital conversion process, levels should be set so
button once to return to the
MAIN
menu and store any changes. The
for level down/up respectively, in this sub menu.
SET-UP
menu (shown in figure 9). Press
ANALOG
ANALOG LEVEL
MASTER VOLUME
input
-18, -12
LEVEL
and -6 dB
for a given source should not have
LEDs are not lit during the loudest
ANALOG
input
SET-UP
can be controlled using the
ANALOG
LEVEL
for that source in
once more
input
LEVEL
20
Set-Up - Input Names
This function allows the user to assign a name to each input channel. From the once, then press the current names will be displayed on the bottom row of the LCD. Additionally, the sub menu title “
NAMES
” will be displayed in the upper right corner.
IN NAME
button (5) once. The LCD will display the sub menu shown in figure 16. The
* * *
MAIN
menu, press
Figure 16 - Front Panel Display of the SET-UP: Input Names Sub Menu
Press button(s) 1 - 6 to select an input to be named. The LED above that button will light. Press the
UP
LEVEL DOWN
or
Video
Sources
LCD NAME DEFINITION LCD NAME DEFINITION
DVD Digital Video Disc CD Compact Disc
GAME Video Game DAC Digital to Analog Converter
HDTV High Definition Television DAT Digital Audio Tape
LD1 Laser Disc #1 PRE Pre Amplifier
LD2 Laser Disc #2 TAPE Audio Cassette Tape
SAT1 Satellite TV #1 TUNE AM/FM Tuner
SAT2 Satellite TV #2 Blank Name
TV Television Set
VCR1 Video Cassette Recorder #1
VCR2 Video Cassette Recorder #2
Table 5 - Available Video Source Names Table 6 - Available Audio Source Names
button(s) to scroll through the available names, which are listed in tables 5 and 6.
Audio Sources
SET-UP
INPUT
LEVEL
To exit, press the once more to return to the using the
LEVEL LEFT/RIGHT
SET-UP
21
SET-UP
menu (shown in figure 9). Press
button once to return to the
MAIN
menu and store any changes. The
, for level down/up respectively, in this sub menu.
MASTER VOLUME
SET-UP
can be controlled
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