Telonics PRE-200 User Manual

Telonics Pro Audio
Telonics PRE-200
Preamplifier
Users Manual
©2010 Telonics, Inc. All Rights Reserved
PB-008684 Rev A 2010.08.13
The Telonics PRE-200
Congratulations on purchasing one of the world’s finest professional instrument preamplifiers! The PRE-200 preamplifier is a state of the art audiophile quality unit designed and built with the latest and best sounding technology.
The PRE-200 preamplifier gives you dramatically better control of your sound. The result is transparent smooth clean sound with added sustain, tight bottom end and silky highs. It’s just what you’ve been looking for!
Telonics PRE-200 Preamp Features:
Superb string separation at all volume levels. No muddiness!
All pure analog. No digitization of your sound thru A/D or D/A converters.
Has Insert To/From feature, Pre EQ. (Rear panel mounted).
Adjustable input impedance control to fine tune your sound.
Warm tube-like sound with crystal clear highs.
Ultra low noise – studio quality.
High headroom.
High output level available on demand.
Studio style effects send and returns. Can be used in stereo or mono.
Built in digital reverb with front panel level control.
Input and Output Overload LED indicators.
Special “Blend” EQ control for personalizing your tone.
Special Power On/Off circuit to minimize “pops” and speaker damage.
Built in high output headphone amp with separate volume control.
Noiseless Mute circuit with LED indicator.
Balanced XLR output for stage and studio use. Includes ground lift switch.
Buffered output for tuner.
Input jacks located both front and rear. Use only one or the other (the front panel jack
auto-disconnects the rear).
Auxiliary stereo inputs for home practice or solo gigs with front panel level control. For
CD players or a second effects return. Jacks located both front and rear.
Only requires 1U rack space.
Durable construction throughout. Made for years of trouble free use.
Proudly made in the U.S.A. by musicians and engineers.
PB-008684 Rev A
PRE-200 PREAMP CONTROL FUNCTIONS, JACKS, & INDICATORS:
FRONT PANEL
Preamp In There are two input connectors. Insertion of a plug into the front panel input
connector auto-disconnects rea r input conne ctor. This reduces or eliminates possible noise sources.
Input Impedance Adjust
Aux In There are two stereo input connectors. Insertion of a plug into the front panel
Reverb Level The Reverb Level controls how much of the wet signal from the internal digital
Aux In Level Sets the level for the stereo auxiliary input. This level control acts as an
Preamp Gain Sets the gain for the first audio stage. Start at 3 or 4. This gain control sets the
Set for best tone. If a pedal is used before the preamp, set fully clockwise. If this function is not desired, set to taste (5 to 8 for normal tone). Adjustment range is 20 k ohms to 500 k ohms. See FAQ’s
input connector auto-disconnects rear input connector.
reverb is added to the output. Adjust to desired level. Note: Reverb input is the combination of Post EQ EFX signal (Return Level rear panel) and the normal dry mix (Preamp Gain on front panel).
attenuator. Fully clockwise (CW) is no attenuation and counterclockwise is full attenuation. The Aux In is summed into the final stage and is not affected by the [Preamp Gain] and [Master level]. If fully CW does not give enough volume you
will need to turn up the level at the source.
level for the [PRE-EQ/EFX To] connector on the back panel.
PB-008684 Rev A
PRE-200 PREAMP CONTROL FUNCTIONS, JACKS, & INDICATORS:
FRONT PANEL (CONTINUED)
Treble Level Adjusts the high frequency level. Clockwise (CW) boosts the level of highs,
counterclockwise (CCW) cuts the level of highs. The level is adjustable from -16 dB cut to +16 dB boost. Start at 5 (flat) and adjust to taste.
Mid Frequency Sets the frequency at which the Mid Level control has an effect. Several
frequency intervals between 250 Hz and 1000 Hz are marked.
Mid Level Sets a boost or cut in the mid range frequencies selected by the Mid Frequency
control. Level is adjustable from -20 dB cut to +5 dB boost.
Bass Level Controls low frequency response. Start at 0 (flat) and adjust to taste.
CW is boost, CCW is cut. Level is adjustable from -16 dB cut to +16 dB boost.
Blend Only set this control after you have set the others. This is to be used as a sonic
“shading” control and, like any seasoning, a little goes a long way. Start at 12 o’clock. CW yields a “Mooney” bright aggressive sound; CCW gives you a mellow, darker tone.
PB-008684 Rev A
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