Telonics PRE-1000 User Manual

Telonics Pro Audio
Telonics PRE-1000
Preamplifier
Users Manual
©2010 Telonics, Inc. All Rights Reserved
PB-00xxxx Rev 2010.11.17
The Telonics PRE-1000
Congratulations on purchasing one of the world’s finest professional instrument preamplifiers! The PRE-1000 preamplifier is a state of the art audiophile quality unit designed and built with the best sounding technology.
The PRE-1000 preamplifier gives you dramatically better control of your sound. The result is transparent smooth clean sound, tight bottom end and silky highs. It’s just what you’ve been looking for!
Telonics PRE-1000 Preamp Features:
Superb string separation at all volume levels. No muddiness!
All pure analog. No digitization of your sound thru A/D or D/A converters.
Has Pre EQ Insert Send and Return. (Rear panel mounted).
Adjustable input impedance control to fine tune your sound.
Warm tube-like sound with crystal clear highs.
Ultra low noise – studio quality.
High headroom.
High output level available on demand.
Studio style parallel effects with adjustable send and return levels. Can be used in stereo
or mono.
Built in electronic reverb on both channels with common front panel level control.
Overload LED indicator.
New master Wet/Dry fader control.
New switchable “Bro”effect and Hum reduction circuits.
New Pedal Switch on rear panel. Allows switching “Bro” and Reverb.
Special “Blend” EQ control for personalizing your tone.
Special Power On/Off circuit to minimize “pops” and speaker damage.
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T
ELONICS
Built in high output headphone amp with separate volume control.
Super quiet Mute circuit with LED indicator.
Two balanced XLR Direct outputs (Left and Right) for stage and studio use. Includes
ground lift switch.
Analog modeling for Direct outs. (3-position switch, Off, Norm, and Mellow)
Buffered tuner output. Remains active when mute is on.
Input jacks located both front and rear. Use only one or the other (the front panel jack
auto-disconnects the rear).
Auxiliary stereo inputs for home practice or solo gigs with front panel level control. For CD players or a second effect return. Jacks located both front and rear.
Only requires 1U rack space.
PRE-1000 P
REAMP FEATURES: CONTINUED
Durable construction throughout. Made for years of trouble free use.
Proudly made in the U.S.A. by musicians and engineers.
PB-00xxxx Rev
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PRE-1000 P
F
RONT PANEL
REAMP CONTROL FUNCTIONS, JACKS, & INDICATORS
:
Input 1 Impedance
Preamp In 1
Preamp In 2
Pedal To
Pedal From Input Gain 1
Input Gain 2 Input/EQ Overload
Adjust for best tone. If a Telonics (buffered) pedal is used before the preamp, set fully clockwise. If the guitar is plugged directly into the preamp, set to taste (5 to 8 for normal tone). Adjustment range is 20 k ohms to 500 k ohms. See FAQ’s
The primary input 1 has two input connectors (front and rear). Insertion of a plug into the front panel input connector auto-disconnects rear input connector. This reduces or eliminates possible noise sources.
Secondary input (front panel only) for additional guitar with independent tone controls. Output to a volume pedal. This signal is affected by the input gain control, and is prior to the equalization. Return from volume pedal and is prior to the Pre-EQ Insert on the rear panel. Sets the gain for the first audio stage of Input 1. Start at 3 or 4 and adjust as needed. This gain control affects the level for the Pedal To connector (front panel) which then also affects the Pre-EQ Insert Send connector (rear panel). Sets the gain for the first audio stage of Input 2. Red LED indicator only turns on in a rare instance when peaks are hit. Indication of soft clipping may occur, but you’ll probably never hear it. This LED indicates an overload on the input or equalizer circuits for Input 1 and Input 2. Reduce gain or adjust EQ of active input to eliminate.
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PRE-1000 P
F
RONT PANEL (CONTINUED
Input 1 Tone
Bass Level
Input 1 Tone
Mid Level
Input 1 Tone
Mid Frequency
Input 1 Tone
Treble Level
Input 1 Tone
Presence
Input 1 Tone
Blend
Input 2 Tone
Bass Level
Input 2 Tone
Treble Presence
REAMP CONTROL FUNCTIONS, JACKS, & INDICATORS
)
Controls low frequency response. Start at 0 (flat) and adjust to taste. CW is boost, CCW is cut. Level is adjustable from -16 dB cut to +16 dB boost.
Sets a boost or cut in the mid range frequencies selected by the Mid Frequency control. Level is adjustable from -20 dB cut to +5 dB boost.
Sets the frequency at which the Mid Level control has an effect. Several frequency intervals between 250 Hz and 1000 Hz are marked.
Adjusts the high frequency level. Clockwise (CW) boosts the level of highs, counterclockwise (CCW) cuts the level of highs. The level is adjustable from -16 dB cut to +16 dB boost. Start at 0 (flat) and adjust to taste.
Increases the high frequencies up to 9 dB and increases the rate of increase in high frequencies. Start at 5 and set to taste.
Only set this control after you have set the others. This is to be used as a sonic “shading” control and, like any seasoning, a little goes a long way. Start at 12 o’clock. CW yields a “Mooney” bright aggressive sound; CCW gives you a mellow, darker tone.
Controls low frequency response. Start at 0 (flat) and adjust to taste. CW is boost, CCW is cut. Level is adjustable from about -16 dB cut to +16 dB boost. Adjusts the high frequency level. Clockwise (CW) boosts the level of highs, counterclockwise (CCW) cuts the level of highs. The level is adjustable from -18 dB cut to +24 dB boost. Start at 0 (flat) and adjust to taste. As you increase the treble level (0-+24dB), a presence effect will start to be heard at about +18dB.
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