Technics SX-PR604, SX-PR804 User Manual

DIGITAL ENSEMBLE
SX-PR604/M SX-PR804/M
Operating Instructions
Before connecting, operating or adjusting this product, please read these instructions completely. Please keep this manual for future reference.
This manual was print with soy based ink.
QQTG0665ENGLISH
Caution for AC Mains Lead
(For United Kingdom) (For the type as shown in figures A and B)
For your safety, please read the following text care-fully.
This appliance is supplied with a moulded three pin mains plug for your safety and convenience. A 5-ampere fuse is fitted in this plug. Should the fuse need to be replaced please ensure that the replacement fuse has a rating of 5-ampere and that it is approved by ASTA or BSI to BS1362. Check for the ASTA mark or the BSI mark on the body of the fuse.
If the plug contains a removable fuse cover you must ensure that it is refitted when the fuse is re­placed. If you lose the fuse cover the plug must not be used until a replacement cover is obtained. A replacement fuse cover can be purchased from your local dealer.
WARNING: DO NOT CONNECT EITHER WIRE TO THE EARTH TERMINAL WHICH IS MARKED WITH THE LETTER E, BY THE EARTH SYMBOL OR COLOURED GREEN OR GREEN/ YEL­LOW.
THIS PLUG IS NOT WATERPROOF —KEEP DRY.
Before use
Remove the connector cover.
How to replace the fuse
The location of the fuse differ according to the type of AC mains plug (figures A and B). Confirm the AC mains plug fitted and follow the instructions below. Illustrations may differ from actual AC mains plug.
1. Open the fuse cover with a screwdriver.
Figure A
Figure B
Fuse cover
CAUTION!
IF THE FITTED MOULDED PLUNG IS UNSUITABLE FOR THE SOCKET OUTLET IN YOUR HOME THEN THE FUSE SHOULD BE RE-MOVED AND THE PLUG CUT OFF AND DIS-POSED OF SAFELY. THERE IS A DANGER OF SEVERE ELECTRICAL SHOCK IF THE CUT OFF PLUG IS INSERTED INTO ANY 13-AMPRERE SOCKET.
If a new plug is to be fitted please observe the wiring code as stated below. If in any doubt please consult a qualified electrician.
IMPORTANT
The wires in this mains lead are coloured in accor­dance with the following code: Blue: Neutral, Brown: Live. As these colours may not correspond with the col­oured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured Blue must be con­nected to the terminal which is marked with the letter N or coloured Black or Blue. The wire which is coloured Brown must be con­nected to the terminal which is marked with the letter L or coloured Brown or Red.
2. Replace the fuse and close or attach the fuse
cover.
Figure A
Fuse (5 ampere)
For United Kingdom and Republic of Ireland
www.panasonic.co.uk (for UK customers only)
Order accessory and consumable items for your
product with ease and confidence by telephoning our Customer Care Centre Mon–Friday 9:00am–5:30pm. (Excluding public holidays.)
Or go on line through our Internet Accessory
ordering application.
Most major credit and debit cards accepted.
All enquiries transactions and distribution facilities
are provided directly by Panasonic UK Ltd.
It couldnüft be simpler!
Customer Care Centre For UK customers: 08705 357357 For Republic of
Ireland customers: 01 289 8333 Technical Support For UK customers: 0870 1 505610
This Technical Support Hot Line number is for Panasonic PC software related products only.
For Republic of Ireland, please use the Customer Care Centre number listed above for all enquiries.
For all other product related enquiries, please use the Customer Care Centre numbers listed above.
Figure B
Fuse (5 ampere)
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WARNING:
TO REDUCE THE RISK OF FIRE, ELECTRIC SHOCK OR PRODUCT DAMAGE, DO NOT EXPOSE
THIS APPARATUS TO RAIN, MOISTURE, DRIP­PING OR SPLASHING AND THAT NO OBJECTS
FILLED WITH LIQUIDS, SUCH AS VASES, SHALL BE PLACED ON THE APPARATUS.
THE FOLLOWING APPLIES ONLY
IN THE U.S.A. AND CANADA
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE SCREWS. NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lightning flash with arrowhead symbol, within an equilateral tri­angle, is intended to alert the user to the presence of uninsulated dangerous voltage within the pro­ducts enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and main­tenance (servicing) instructions in the literature accompanying the appliance.
(for U.S.A. and Canada)
CAUTION:
TO PREVENT ELECTRIC SHOCK MATCH WIDE BLADE OF PLUG TO WIDE SLOT, FULLY IN­SERT.
THE FOLLOWING APPLIES
ONLY IN THE U.S.A.
CAUTION:
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential instal­lation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communica­tions. However, there is no guarantee that interfer­ence will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is en­couraged to try to correct the interference by one or more of the following measures:
Reorient or relocate the receiving antenna.
Increase the separation between the equipment
and receiver.
Connect the equipment into an outlet on a circuit
different from that to which the receiver is con­nected.
Consult the dealer or an experienced radio/TV
technician for help.
FCC Warning: To assure continued FCC emission limit compli­ance, use only the provided power supply cord and the shielded interface cable when connecting this device to the computer. Also, any unauthorized changes or modifications to this equipment would void the users authority to operate this device.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause un­desired operation.
Responsible Party:
Matshshita Electric Corporation of America One Panasonic Way Secaucus, NJ, 07094 USA Telephone No.: 1-800-211-7262
THE FOLLOWING APPLIES ONLY IN THE U.S.A.
Notice:
This product has a fluorescent lamp that contains a small amount of mercury. It also contains lead in some components. Disposal of these materials may be regulated in your commu­nity due to environmental considerations. For disposal or recycling information please contact your local authorities, or the Electronics Industries Alliance: <http://www.eiae.org>
The model number and serial number are found underneath the keyboard. Please note the model and serial numbers in the space provided below and retain this sheet as a permanent record of your purchase to aid identification in the event of theft.
MODEL NUMBER
SERIAL NUMBER
(Except for U.S.A. and Canada)
THIS UNIT IS INTENDED FOR USE IN TROPICAL CLIMATES. DENNA ENHET ÄR AVSEDD FÖR ANVÄNDNING PÅ PLATSER MED TROPISKT KLIMAT. TÄMÄ LAITE ON TARKOITETTU KÄYTETTÄVÄKSI TROOPPISESSA ILMASTOSSA. DETTE APPARATET ER BEREGNET TIL BRUK UNDER TROPISKE KLIMAFORHOLD.
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THE FOLLOWING APPLIES ONLY IN THE U.S.A.
IMPORTANT SAFETY INSTRUCTIONS
Read these operating instructions carefully before using the unit. Follow the safety instructions on the unit and the safety precautions listed below. Keep these operating instructions handy for future reference.
Safety
1.Power Source—Connect the unit to a power source
of the type described in these instructions or as marked on the unit.
2.Polarization—The unit is equipped with a polarized
power plug where one blade is wider than the other. This safety feature ensures that the plug fits into your household AC outlet only one way. If the plug doesnt fit one way, try reversing it. If the plug still doesnt fit, contact an electrician to replace the obsolete outlet. Do not attempt to defeat the safety purpose of the plug.
3.Power Cord protection—Route the AC power
supply cord so that it will not be walked on or pinched by items placed on or against it. Never take hold of the plug or cord with wet hands. Always grasp the plug body firmly when connecting and disconnecting it.
4.Overloading—When connecting the AC power
supply cord, be careful not to overload the household AC outlet, extension cord, or outlet from any other device as this can result in fire or electric shock.
5.Nonuse periods—Turn the unit off when it is not
in use. Unplug the unit from the household AC outlet if it is not to be used for a long time. Unplug the unit during lightning storms.
6.Attachments and accessories—Use only the
attachments and accessories recommended in these operating instructions.
Installation
Placement
1.VentilationSituate the unit so that it receives
proper ventilation. Do not install in a confined space such as a bookcase or cabinet. Allow at least 10 cm (4 inches) clearance from the rear of the unit. To prevent the risk of electric shock or fire due to overheating ensure curtains and other materials do not obstruct the units ventilation.
2.Foreign material—Ensure objects and liquids do
not get into the unit. Avoid exposing the unit to excessive smoke, dust, mechanical vibration, and shock.
3.Magnetism—Situate the unit away from equipment
and devices that generate strong magnetic fields.
4.Stacking—Do not place heavy objects on top of
this unit.
5.SurfacePlace the unit on a flat, level surface.
6.Carts and standsUse the unit only
with carts and stands recommended by the manufacturer. Move carts with care. Sudden stops, excessive force, and uneven surfaces can cause carts to overturn.
7.Wall and ceiling mounting—Do not mount the unit
on walls or ceilings unless specified in the instructions.
Environmnet
1.Water and moistureDo not use the unit near
water, such as near a bathtub or swimming pool. Avoid damp basements.
2.Heat—Situate the unit away from heat sources,
such as radiators. Do not situate where temperatures fall below 5°C (41°F) or rise above 35°C (95°F).
Maintenance
(See page 7 for details.)
Unplug the unit from the household AC outlet before cleaning. Clean with a damp cloth. Do not use abrasive pads, scouring powders, or solvents.
Service
1.Damage Requiring Service—The unit should be
serviced by qualified service personnel if: (a) The AC power supply cord or the plug has been
damaged; or (b) Objects or liquids have gotten into the unit; or (c) The unit has been exposed to rain; or (d) The unit does not operate normally or exhibits
a marked change in performance; or (e) The unit has been dropped or the cabinet
damaged.
2.Servicing—Do not attempt to service the unit
beyond that described in these operating instructions. Refer all other servicing to authorized servicing personnel.
3.Replacement parts—When parts need replacing
ensure the servicer uses parts specified by the manufacturer or parts that have the same characteristics as the original parts. Unauthorized substitutes may result in fire, electric shock, or other hazards.
4.Safety checkAfter repairs or service, ask the
servicer to perform safety checks to confirm that the unit is in proper working condition.
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Cautions for safest use of this unit

Installation location
1. A well-ventilated place.
Take care not to use this unit in a place where it will not receive sufficient ventilation, and not to permit the ventilation holes to be covered by cur­tains, or any similar materials.
2. Place away from direct sunlight and excessive
heat from heating equipment.
3. A place where humidity, vibration and dust are
minimized.
Power source
1. Be sure the line voltage selector is in accord-
ance with local voltage in your area before con­necting the plug to the socket.
2. DC power cannot be used.
Handling the power cord
1. Never touch the power cord, or its plug, with wet
hands.
2. Dont pull the power cord.
Metal items inside the unit may re­sult in electric shock or damage.
Do not permit metal articles to get inside the unit.
Be especially careful with regard to this point if children are near this unit. They should be warned never to try to put anything inside.
If, nevertheless, some such article does get inside, disconnect the power cord plug from the electrical outlet, and contact the store where the unit was purchased.
If water gets into the unit
Disconnect the power cord plug from the electrical outlet, and contact the store where it was pur­chased.
As a precaution, it is suggested that flower vases and other containers which hold liquids not be placed on the top of this unit.
If operation seems abnormal
Immediately turn off the power, disconnect the power cord plug from the electrical outlet, and con­tact the store where it was purchased.
Discontinue using the unit at once. Failure to do so may result in additional damage or some other un­expected damage or accident.
Because the power source is located inside the
unit, it is normal for the cabinet to become warm.
A word about the power cord
If the power cord is scarred, is partially cut or broken, or has a bad contact, it may cause a fire or serious electrical shock if used. NEVER use a dam­aged power cord for any appliance. Moreover, the power cord should never be forcibly bent.
Don’t touch the inside parts of this unit.
Some places inside this unit have high voltage potential. Never try to remove the top or back panels of this unit, or to touch inside parts by hand or with tools.
Contact someone who is qualified in order to in­spect the inside, or to replace a fuse, if such be­comes necessary. Never attempt to do these things yourself.
Maintenance
The following suggestions will assist you in keep­ing the unit in top condition.
Be sure to switch the instrument off after use,
and do not switch the unit on and off in quick succession, as this places an undue load on the electronic components.
To keep the luster of the surface and buttons,
simply use a clean, damp cloth; polish with a soft, dry cloth. Polish may be used but do not use thinners or petro-chemical-based polishes.
A wax-based polish may be used on the cabinet,
although you will find that rubbing with a soft cloth will suffice.
This product may receive radio interference caused by mobile telephones during use. If such interference is apparent, please increase separa­tion between the product and the mobile telephone.
SERVICE MUST BE CARRIED OUT BY DEALER
OR OTHER QUALIFIED PERSON
SVENSK: Det kan inträffa att den här produkten under användningen tar emot radiostörningar, orsakade av mobiltelefoner. Öka avståndet mellan produkten och mobiltelefonen om störningarna är uppenbara.
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Contents
Cautions for safest use of this unit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Controls and functions (PR604) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Controls and functions (PR804) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
BASIC FUNCTIONS
Getting started . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Playing the piano . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Progressive Pianist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
See and listen to the demonstration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Select a sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Select the registration for a music style (PIANO STYLIST) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Automatic panel settings (ONE TOUCH PLAY) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Record your performance (SEQUENCER) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Store your panel settings (PANEL MEMORY) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Save data on a floppy disk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Load rhythm data from a Technics pattern disk (COMPOSER LOAD) . . . . . . . . . . . . . . . . . . . . . . . 27
Play back commercial song disks (DIRECT PLAY) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
Theatre Sonic (PR804) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Remote Controller (PR804) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
PRACTICAL APPLICATIONS
About the display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Favorites . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Part I Sounds and effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Selecting sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Overview of sounds and effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Assigning parts to the keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Pedals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Touch Sensitivity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Mic Reverb & Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Transpose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Techni-chord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
Part II Playing the rhythm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Selecting rhythms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Overview of rhythm performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Playing the rhythm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Auto Play Chord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Fade In/Fade Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Sound Arranger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
One Touch Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Piano Stylist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Music Style Arranger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Panel Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Part III Piano Performance Pads (PR804) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Playing phrases . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Copying phrases . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Compile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Record a phrase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Part IV Sequencer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Outline of the Sequencer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Slide Show . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Sequencer parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
Easy Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Realtime Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Sequencer Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Naming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Panel Write . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Song Select . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Punch Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Step Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Track Assign . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Quantize . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Song Clear . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Track Clear . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Note Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Drum Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Copy and paste the recorded data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
Changing the note position etc. of the recorded data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Part V Composer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Outline of the Composer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Simple recording method . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
8
QQTG0665
Create a completely new rhythm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Chord Modify Change . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Part Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Step Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Measure Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
Pattern Copy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Part VI Disk Drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Outline of the Disk Drive function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Outline of the procedure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Loading data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Direct Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
Song Medley . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
Saving data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
Disk management . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Set the automatic display when a disk is inserted . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Part VII Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
Outline of the Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
Part Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
Mixer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Master Tuning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Key Scaling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Sound Load Option . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
APC Reverb Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Part VIII Reverb & Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Outline of the Reverb & Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Tone Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Part IX Sound Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Outline of the Sound Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Easy Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Tone Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Pitch Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Filter Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Amplitude Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
LFO (cyclic modulation) Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
Effect Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Controller Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Store the new sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Part X Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Outline of Control functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Pedal Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Part XI Customize . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
Outline of Customize functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
Display Time Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
Data Protection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
MIDI Setting Load Option . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Video Out Mode Setting (PR804) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Theatre Sonic Speaker Mode (PR804) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .125
Part XII MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
What is MIDI? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Outline of MIDI functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127
Part Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
Control Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
Realtime Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
Common Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130
Mode Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
Input/output Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
MIDI Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132
Program Change MIDI Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Panel Memory Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Computer Connection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
Initialize . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
Assembly (PR604) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137
Assembly (PR804) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138
Symptoms which appear to be signs of trouble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
Error messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142
Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144
Supplied accessories
Please check the supplied accessories.
Music stand AC cord
CD-ROM Remote Controller, Batteries (PR804)
QQTG0665
9

Controls and functions (PR604)

AUTO PLAY CHORD
Add an automatic accompaniment to your selected rhythm. (Refer to page 47.)
PIANO STYLIST
You can choose to have all the settings of this instrument automatically set. (Refer to page 53.)
DEMO
MAIN
VOLUME
APC/SEQUENCER
VOLUME
MAX
MIN
MAX
OFF
AUTO PLAY CHORD
SPLIT
MODE
POINT
CHORD FINDER
OFF/ON
RHYTHM GROUP
Various rhythm patterns are available for each rhythm group. (Refer to page 44.)
8&16
ROCK & POP BALLAD JAZZ & SWING
BEAT
GOSPEL
SOUL &
& BLUES
DISCO
MUSIC STYLE
ARRANGER
PROGRESSIVE PIANIST
Your piano offers a fun method of learning to play piano. (Refer to page 16.)
ONE TOUCH
PLAY
INTRO & ENDING
2
PROGRESSIVE
PIANIST
SIMPLE PIANOFADE
START / STOP
1234
RHYTHM GROUP
MOVIE &
METRONOME
SHOW
COUNTRY &
WESTERN
LATIN &
MARCH &
MEMORY
WORLD
WALTZ
VARIATION
1234
LOAD
SOUND
ARRANGER PIANO STYLIST
SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
FADE IN/OUT
Begin your song with a slowly increasing volume, or end it by having the sound slowly fade away. (Refer to page 51.)
BEAT
TEMPO / PROGRAM
FAVORITES
SYNCHRO
START
LCD CONTRAST MUTE
TAP TEMPO
OTHER PARTS/TR
HELP
FAVORITES
Fashion a customized display in which all your favorite sounds, rhythms and styles are assembled. (Refer to page 33.)
Tuning
Unlike an acoustic piano, your PR Series Digital Ensemble never needs tuning. The pitch of this instrument can be adjusted for when playing along with other instruments. (Refer to page 107.)
About the backup memory
The settings and memories are maintained for approximately 80 minutes after the power to this instrument is turned off. If you wish to keep the memory contents, before you turn off the instrument, use the SAVE procedure to store the desired data on a disk for recall at a later time.
The backup memory does not function until the power has been on for about 10 minutes.
When you quit the operating mode, a REMINDER display may appear to remind you to save the
data.
10
QQTG0665
DISPLAY
Displays performance information, function settings and other messages. (Refer to page 31.)
Use the LCD CONTRAST buttons to adjust the display so that it is easy to read.
EFFECT
Add various effects to the sounds. (Refer to page 39.)
TRANSPOSE
Raise or lower the keyof the entire keyboard. (Refer to page 42.)
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
PAGE
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP
Various sounds are available for each sound group. (Refer to page 34.)
STRINGS
VOCAL BASS
GRAND UPRIGHT ELECTRIC MODERN
CONDUCTOR
Assign a different sound to each part, then assign the desired parts to sections of the keyboard. (Refer to page 36.)
SOUND GROUP EFFECT
SAX &
ORGAN &
BRASS SYNTH
WOODWIND
ACCORDION
GUITAR
MALLET &
& HARPSI
ORCH PERC
DRUM KITS MEMORY
PIANO
MIXTURES
DIGITAL
DRAWBAR
SOUND
EXPLORER
TECHNI-CHORD
Block chords are automatically added to the melody. (Refer to page 43.)
SEQUENCER
Record and play back your performance. (Refer to page 61.)
SEQUENCER
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
TECHNI-CHORD
DIGITAL EFFECT BRILLIANCE
12345678
PROGRAM
MENUS
CHORD STEP REC
SET NEXT BANK BANK VIEW
DISK
DISK
IN USE
LOAD
PANEL MEMORY
Store the panel settings, then recall them instantaneously just by pressing a button or two. (Refer to page 55.)
11
QQTG0665

Controls and functions (PR804)

AUTO PLAY CHORD
Add an automatic accompaniment to your selected rhythm. (Refer to page 47.)
SX-PR804
DEMO
PIANO PERFORMANCE PADS
Add various phrases to your performance with the pad buttons. (Refer to page 57.)
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MAX
MIN
OFF
RHYTHM GROUP
Various rhythm patterns are available for each rhythm group. (Refer to page 44.)
123
456
SOLO SOLO
8&16
ROCK & POP BALLAD JAZZ & SWING
BEAT
GOSPEL
SOUL &
& BLUES
DISCO
MUSIC STYLE
ARRANGER
RHYTHM GROUPPIANO PERFORMANCE PADS
MOVIE &
METRONOME
SHOW
COUNTRY &
WESTERN
LATIN &
MARCH &
MEMORY
WORLD
WALTZ
VARIATION
1234
LOAD
SEQUENCER
PIANO STYLIST
You can choose to have all the settings of this instrument automatically set. (Refer to page 53.)
PROGRESSIVE PIANIST
Your piano offers a fun method of learning to play piano. (Refer to page 16.)
ONE TOUCH
PLAY
INTRO & ENDING
2
PROGRESSIVE
PIANIST
SIMPLE PIANOFADE
START / STOP
1234
BEAT
SYNCHRO
START
SOUND
ARRANGER PIANO STYLIST
SET OFF/ON
IN OUT
FILL IN
12 1
COUNT
RESET
INTRO
TEMPO / PROGRAM
FAVORITES
TAP TEMPO
LCD CONTRAST MUTE
OTHER PARTS/TR
HELP
FADE IN/OUT
Begin your song with a slowly increasing volume, or end it by having the sound slowly fade away. (Refer to page 51.)
FAVORITES
Fashion a customized display in which all your favorite sounds, rhythms and styles are assembled. (Refer to page 33.)
Tuning
Unlike an acoustic piano, your PR Series Digital Ensemble never needs tuning. The pitch of this instrument can be adjusted for when playing along with other instruments. (Refer to page 107.)
About the backup memory
The settings and memories are maintained for approximately 80 minutes after the power to this instrument is turned off. If you wish to keep the memory contents, before you turn off the instrument, use the SAVE procedure to store the desired data on a disk for recall at a later time.
The backup memory does not function until the power has been on for about 10 minutes.
When you quit the operating mode, a REMINDER display may appear to remind you to save the
data.
12
QQTG0665
DISPLAY
Displays performance information, function settings and other messages. (Refer to page 31.)
Use the LCD CONTRAST buttons to adjust the display so that it is easy to read.
TRANSPOSE
Raise or lower the key of the entire keyboard. (Refer to page 42.)
SOUND GROUP
Various sounds are available for each sound group. (Refer to page 34.)
EFFECT
Add various effects to the sounds. (Refer to page 39.)
SEQUENCER
Record and play back your performance. (Refer to page 61.)
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
PAGE
EXIT
CONDUCTOR PANEL MEMORY
CONDUCTOR
Assign a different sound to each part, then assign the desired parts to sections of the keyboard. (Refer to page 36.)
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
PIANO
SOUND
EXPLORER
DIGITAL
DRAWBAR
TECHNI-CHORD
Block chords are automatically added to the melody. (Refer to page 43.)
SEQUENCER
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
TECHNI-CHORD
DIGITAL EFFECT BRILLIANCE
12345678
PROGRAM
DISK
MENUS
CHORD STEP REC
SET NEXT BANK BANK VIEW
LOAD
IN USE
DISK
PANEL MEMORY
Store the panel settings, then recall them instantaneously just by pressing a button or two. (Refer to page 55.)
13
QQTG0665

Getting started

SX-PR804
PIANO PERFORMANCE PADS
AUTO PLAY CHORD
SPLIT
DEMO
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MAX

Basic functions

MIN
123
456
OFF
SOLO SOLO
MUSIC STYLE ARRANGER
8&16 BEAT
SOUL & DISCO
RHYTHM GROUP
ROCK & POP BALLAD JAZZ & SWING
GOSPEL
COUNTRY &
MARCH &
& BLUES
WESTERN
WALTZ
1234
MOVIE & SHOW
LATIN & WORLD
VARIATION
METRONOME
MEMORY
LOAD
SOUND
ARRANGER PIANO STYLIST SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
ONE TOUCH
PLAY
INTRO & ENDING
PROGRESSIVE
TEMPO / PROGRAM
PIANIST
START / STOP 1234
FAVORITES
SYNCHRO START
BEAT
TAP TEMPO
LCD CONTRAST PAGEMUTE
OTHER PARTS/TR
HELP
SIMPLE PIANOFADE
2
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND EXPLORER
DIGITAL DRAWBAR
TECHNI-CHORD
12345678
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
DIGITAL EFFECT BRILLIANCE
SEQUENCER
CHORD STEP REC
SET NEXT BANK BANK VIEW
PROGRAM
DISK
DISK
MENUS
IN USE
LOAD
4
(PR804)
1
2
Plug the power cord into an outlet.
Press the POWER button to turn it on.
POWER
OFF ON
(Right end of the keyboard)
The power indicator in the left front of the body is lit.
4
Set the MAIN VOLUME to an appropriate level with the sliding control.
MAIN
VOLUME
MAX
MIN
Touch any note on the keyboard.
3
Your piano features Touch Response. You control the volume by playing the keys harder or softer.
Keyboard cover
Open and close the cover slowly.
Music Stand PR604: Insert the music stand and fix it. PR804: Set the music desk at desired
position and insert it.
14
QQTG0665

Playing the piano

Your piano is equipped with various fine functions which make it an extremely versatile instrument. But it should be remembered that it is first of all a fine piano. Select one of the piano sounds and enjoy its excellent quality. When you activate the SIMPLE PIANO feature, the entire keyboard is instantly transformed into a piano, regardless of the current instrument settings.
Basic functions
1
2
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MIN
PIANO PERFORMANCE PADS
OFF/ON AUTO SETTING BANK STOP
MAX
123
456
SOLO SOLO
OFF
8&16
ROCK & POP BALLAD JAZZ & SWING
BEAT
SOUL & DISCO
MUSIC STYLE ARRANGER
RHYTHM GROUP
GOSPEL
COUNTRY &
& BLUES
WESTERN
1234
MOVIE & SHOW
LATIN &
MARCH &
WORLD
WALTZ
VARIATION
METRONOME
MEMORY
LOAD
SOUND
ARRANGER PIANO STYLIST SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
ONE TOUCH
INTRO & ENDING
PROGRESSIVE
TEMPO / PROGRAM
PIANIST
START / STOP 1234
FAVORITES
SYNCHRO START
BEAT
TAP TEMPO
LCD CONTRAST PAGEMUTE
OTHER PARTS/TR
HELP
SIMPLE PIANOFADE
PLAY
2
1 2
Press the SIMPLE PIANO button to turn it on.
SIMPLE PIANO
The indicator lights.
The display changes to the SIMPLE PIANO
display.
Select the desired type of piano sound.
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND
EXPLORER
TECHNI-CHORD
DIGITAL
DRAWBAR
SEQUENCER
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
DIGITAL EFFECT BRILLIANCE
12345678
PROGRAM MENUS
CHORD STEP REC
SET NEXT BANK BANK VIEW
DISK
DISK IN USE
LOAD
The sounds and effects are automatically set.
COMPLETED! is shown on the display, and
then the normal display reappears.
Play anywhere on the keyboard.
3
This procedure will cancel the current settings for sounds and effects, etc. Therefore, if you wish to later recall the current settings, be sure to store them in the PANEL MEMORY (page 55) or save them to a disk (page 99) before beginning this procedure.
15
QQTG0665

Progressive Pianist

Your piano offers a fun method of learning to play piano. Start one of the 100 etudes incorporated in this piano, read the music in the display, listen to the gentle accompaniment for your own and, have a good practice!
Basic functions
1
2
3
4 5
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MAX
MIN
OFF
PIANO PERFORMANCE PADS
123
456
SOLO SOLO
8&16
ROCK & POP BALLAD JAZZ & SWING
BEAT
SOUL & DISCO
MUSIC STYLE ARRANGER
RHYTHM GROUP
GOSPEL
COUNTRY &
& BLUES
WESTERN
1234
MOVIE & SHOW
LATIN &
MARCH &
WORLD
WALTZ
VARIATION
METRONOME
MEMORY
LOAD
SOUND
ARRANGER PIANO STYLIST SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
ONE TOUCH
PLAY
INTRO & ENDING
PROGRESSIVE
TEMPO / PROGRAM
PIANIST
START / STOP 1234
FAVORITES
SYNCHRO
START
BEAT
TAP TEMPO
LCD CONTRAST PAGEMUTE
OTHER PARTS/TR
HELP
SIMPLE PIANOFADE
2
Press the PROGRESSIVE PIANIST button.
PROGRESSIVE
PIANIST
Select the goal of the practice.
Use the SONG and buttons to select a preferred song.
Press the LISTEN button.
Press the START/STOP button on the control panel and listen to the model interpretation while watching the music on the display.
Press the START/STOP button to stop the model performance. Press it again to continue the interpretation from the point at which it was interrupted.
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND EXPLORER
DIGITAL DRAWBAR
TECHNI-CHORD
12345678
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
DIGITAL EFFECT BRILLIANCE
SEQUENCER
PROGRAM
CHORD STEP REC
SET NEXT BANK BANK VIEW
DISK
DISK
MENUS
IN USE
LOAD
2-81 9
When you have finished listening,
6
press the appropriate button to access the next step.
In the Practice Makes Perfect/Musical Discovery mode, press the PLAY (STEP2) button, and for the Grand Performer/Pianist Mode Session mode, follow the step number to continue your practice.
Press the RESET button.
7
Press the START/STOP button to start
8
9
the exercise. Play the keyboard and follow the music exactly.
To redo your exercise from the beginning, press the START/STOP button to stop the music and press the RESET button. You can also use the MEAS button to start from a desired position.
If the tempo of the accompaniment is too fast, press the SLOW 1 button in the ONE TOUCH TEMPO section. If it is still too fast, press the SLOW 2 button. (You can also use the TEMPO/PROGRAM dial to adjust the tempo.)
The music pages shown on the display turn automatically. If you wish to turn them manually, set TURN PAGE to MANUAL and you can press the PAGE button to change the display (upper; previous page, lower; next page). In this case, you can also turn the page by depressing the left pedal.
To play a different song while the performance is stopped, press the EXIT button, and then repeat the above procedure from step 2.
To exit this feature, press the PROGRESSIVE PIANIST button again.
16
QQTG0665

See and listen to the demonstration

1
2
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MIN
MAX
123
456
OFF
PIANO PERFORMANCE PADS
SOLO SOLO
8&16
ROCK & POP BALLAD JAZZ & SWING
BEAT
GOSPEL
SOUL &
& BLUES
DISCO
MUSIC STYLE ARRANGER
RHYTHM GROUP
MOVIE &
SHOW
COUNTRY &
LATIN &
MARCH &
WESTERN
WORLD
WALTZ
VARIATION
1234
METRONOME
MEMORY
LOAD
SOUND
ARRANGER PIANO STYLIST SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
ONE TOUCH
INTRO & ENDING
PROGRESSIVE
TEMPO / PROGRAM
PIANIST
START / STOP 1234
FAVORITES
SYNCHRO START
BEAT
TAP TEMPO
LCD CONTRAST PAGEMUTE
HELP
OTHER PARTS/TR
SIMPLE PIANOFADE
PLAY
2
Press the DEMO button.
DEMO
Use the buttons to the left and right the display to select the demonstration tune you wish to see and listen to.
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND
EXPLORER
TECHNI-CHORD
DIGITAL
DRAWBAR
SEQUENCER
CHORUS REVERB PLAY EASY REC
PROGRAM
MENUS
CHORD STEP REC
SET NEXT BANK BANK VIEW
MULTI EFFECT
SOLO
DIGITAL EFFECT BRILLIANCE
12345678
DISK
DISK IN USE
LOAD
Basic functions
21 3
When you are finished listening to the
3
demonstration tunes, press the DEMO button again.
(PR804)
The demonstration performance and display corresponding to your selection will begin.
To end the demonstration before it has finished, press the START/STOP button.
Slide Show
The Slide Show function displays the images which change in concordance with the music progression. Enjoy, with the DEMO songs, a variety of the images which switch automatically according to each image of the music.
You can set images for the Slide Show for your own music. (See page 63.)
If you press and hold the DEMO button for a few seconds, or if you press first the DEMO button and then the START/STOP button, all the internal demo tunes are demonstrated in order in a medley performance. The medley performance continues until the START/STOP button or the DEMO button is pressed again.
Some of the buttons do not function during the DEMO mode.
17
QQTG0665

Select a sound

SX-PR804
PIANO PERFORMANCE PADS
AUTO PLAY CHORD
SPLIT
DEMO
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MAX
Basic functions
MIN
123
456
OFF
SOLO SOLO
MUSIC STYLE ARRANGER
8&16 BEAT
SOUL & DISCO
RHYTHM GROUP
ROCK & POP BALLAD JAZZ & SWING
GOSPEL
COUNTRY &
MARCH &
& BLUES
WESTERN
WALTZ
1234
MOVIE & SHOW
LATIN & WORLD
VARIATION
METRONOME
MEMORY
LOAD
SOUND
ARRANGER PIANO STYLIST SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
ONE TOUCH
PLAY
INTRO & ENDING
PROGRESSIVE
TEMPO / PROGRAM
PIANIST
START / STOP
1234
FAVORITES
SYNCHRO
START
BEAT
TAP TEMPO
LCD CONTRAST PAGEMUTE
OTHER PARTS/TR
HELP
SIMPLE PIANOFADE
2
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND EXPLORER
TECHNI-CHORD
DIGITAL DRAWBAR
12345678
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
DIGITAL EFFECT BRILLIANCE
SEQUENCER
CHORD STEP REC
SET NEXT BANK BANK VIEW
PROGRAM
DISK
DISK
MENUS
IN USE
LOAD
1 2 A2
1
In the CONDUCTOR section on the panel, press the RIGHT 1 button to turn it on.
Add reverberation.
Press the REVERB button to turn it on.
A
2
LEFT RIGHT 2 RIGHT 1
CONDUCTOR
In the SOUND GROUP or PIANO section, press one of the sound buttons.
REVERB
3
SOUND GROUP
SAX &
WOODWIND
MALLET &
ORCH PERC
ORGAN &
ACCORDION
DRUM KITS MIXTURES MEMORY
BRASS SYNTH SOLOISTSTRINGS
GUITAR
VOCAL BASS
& HARPSI
PIANO
GRAND UPRIGHT ELECTRIC MODERN
SOUND
EXPLORER
DIGITAL
DRAWBAR
(PR804)
Select a sound from the list of sounds shown on the display.
For most of the buttons, the list of sounds is contained on two or more screen “pages.” To see a different part of the list, press either PAGE button.
4
18
QQTG0665
Play the keyboard.
Select the registration for a music style
1
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MIN
MAX
123
456
OFF
PIANO PERFORMANCE PADS
SOLO SOLO
MUSIC STYLE
8&16 BEAT
SOUL &
DISCO
ARRANGER
ROCK & POP BALLAD JAZZ & SWING
GOSPEL & BLUES
Press the PIANO STYLIST button to turn it on.
PIANO STYLIST
Press the PIANO STYLES button.
RHYTHM GROUP
MOVIE & SHOW
COUNTRY &
LATIN &
MARCH &
WESTERN
WORLD
WALTZ
VARIATION
1234
METRONOME
MEMORY
LOAD
SOUND
ARRANGER PIANO STYLIST SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
ONE TOUCH
PLAY
INTRO & ENDING
2
(PIANO STYLIST)
PROGRESSIVE
TEMPO / PROGRAM
PIANIST
START / STOP
1234
FAVORITES
SYNCHRO START
BEAT
TAP TEMPO
LCD CONTRAST PAGEMUTE
HELP
OTHER PARTS/TR
DISPLAY HOLD
EXIT
SIMPLE PIANOFADE
2
2-61 7
5
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND
EXPLORER
TECHNI-CHORD
DIGITAL DRAWBAR
12345678
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
DIGITAL EFFECT BRILLIANCE
SEQUENCER
PROGRAM
CHORD STEP REC
SET NEXT BANK BANK VIEW
DISK
DISK
MENUS
IN USE
LOAD
Use the GENRE/ERA/ALPHABET button to select a group. Use the STYLE button to select a style.
In the above example, GENRE was selected.
If the list covers more than one screen page,
the MORE button is shown on the display. Use the MORE button to switch between screen pages.
The AUTO PLAY CHORD and SYNCHRO START turn on, and the sounds, effects,
rhythm, tempo, volume balance, etc. which are best suited for the selected music style are automatically selected.
Basic functions
3
4
Use the ARRANGE MODE button to select the desired type of arrangement.
Select the type you wish to play (PIANO SOLO/PIANO & COMBO /PIANO & ENSEMBLE).
Use the SELECT MODE button to specify how you wish to select a style.
GENRE: Select a style by musical genre. ERA: Select a style by era. ALPHABET: Select a style from an alphabetical
list.
6
7
Play the keyboard.
When you specify a chord on the left area of the keyboard, the automatic accompaniment immediately begins to play.
You can use the TEMPO/PROGRAM dial to adjust the tempo.
When you are finished selecting the style, turn the PIANO STYLIST button off.
19
QQTG0665
Automatic panel settings
(ONE TOUCH PLAY)
Basic functions
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MIN
MAX
123
456
OFF
PIANO PERFORMANCE PADS
SOLO SOLO
MUSIC STYLE
8&16
BEAT
SOUL & DISCO
ARRANGER
RHYTHM GROUP
ROCK & POP BALLAD JAZZ & SWING
GOSPEL
COUNTRY &
& BLUES
WESTERN
1234
MOVIE & SHOW
LATIN &
MARCH &
WORLD
WALTZ
VARIATION
METRONOME
MEMORY
LOAD
SOUND
ARRANGER PIANO STYLIST SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
ONE TOUCH
INTRO & ENDING
PROGRESSIVE
TEMPO / PROGRAM
PIANIST
START / STOP 1234
FAVORITES
SYNCHRO
START
BEAT
TAP TEMPO
LCD CONTRAST PAGEMUTE
OTHER PARTS/TR
HELP
SIMPLE PIANOFADE
PLAY
2
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND EXPLORER
TECHNI-CHORD
DIGITAL
DRAWBAR
12345678
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
DIGITAL EFFECT BRILLIANCE
SEQUENCER
CHORD STEP REC
SET NEXT BANK BANK VIEW
PROGRAM
DISK
DISK
MENUS
IN USE
LOAD
1 325
1
2
In the RHYTHM GROUP section, press the button for a desired rhythm.
8&16
BEAT
SOUL & DISCO
RHYTHM GROUP
MARCH &
WALTZ
MOVIE &
ROCK & POP BALLAD JAZZ & SWING
GOSPEL &
COUNTRY &
BLUES
WESTERN
SHOW
LATIN & WORLD
METRONOME
MEMORY
LOAD
Select a rhythm from the list of rhythms on the display.
5
At the end of your performance, press the INTRO & ENDING 1 or 2 button.
INTRO & ENDING
12
An ending pattern is played, after which the automatic accompaniment stops.
If the START/STOP button is pressed, the accompaniment stops immediately.
3
4
20
QQTG0665
Press and hold the ONE TOUCH PLAY button for a few seconds.
ONE TOUCH
PLAY
The sound, effects and tempo suitable for the selected rhythm are automatically selected. The tempo can be adjusted with the TEMPO/PROGRAM dial.
Use your left hand to play the chords and your right hand to play the melody.
Pressing a key on the left area of the keyboard will cause the automatic rhythm pattern to start playing (synchro start).
Basic functions
C F G
C F G
C
7
7
C
C
FG7
In this example you played chords by pressing the keys for the root notes” (ONE FINGER chords). But you can also specify the chord by playing all the notes in the chord. (Refer to page 47.)
You can insert a fill-in pattern while the preset rhythm pattern is playing by pressing either the FILL IN 1 or FILL IN 2 button.
21
QQTG0665
Record your performance
(SEQUENCER)
Basic functions
Right hand
Left hand
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MAX
MIN
OFF
PIANO PERFORMANCE PADS
123
456
SOLO SOLO
MUSIC STYLE
8&16 BEAT
SOUL & DISCO
ARRANGER
RHYTHM GROUP
ROCK & POP BALLAD JAZZ & SWING
GOSPEL
COUNTRY &
& BLUES
WESTERN
1234
PROGRESSIVE
ONE TOUCH
PLAY
INTRO & ENDING
TEMPO / PROGRAM
PIANIST
START / STOP
1234
FAVORITES
SYNCHRO
START
BEAT
TAP TEMPO
LCD CONTRAST PAGEMUTE
OTHER PARTS/TR
HELP
SIMPLE PIANOFADE
2
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND EXPLORER
TECHNI-CHORD
DIGITAL
DRAWBAR
12345678
SOUND
ARRANGER PIANO STYLIST
MOVIE &
SET OFF/ON
METRONOME
SHOW
LATIN &
MARCH &
MEMORY
WORLD
WALTZ
IN OUT
LOAD
VARIATION
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
DIGITAL EFFECT BRILLIANCE
SEQUENCER
CHORD STEP REC
SET NEXT BANK BANK VIEW
PROGRAM
DISK
DISK
MENUS
IN USE
LOAD
12
Sonatina
1
22
QQTG0665
In the SEQUENCER section, press the
EASY REC button to turn it on.
SEQUENCER
PLAY EASY REC
CHORD STEP REC
2
Press the OK button.
OTHER PARTS/TR
HELP
LCD CONTRAST PAGEMUTE
The display changes to the REALTIME RECORD display.
DISPLAY HOLD
EXIT
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MIN
MAX
123
456
OFF
PIANO PERFORMANCE PADS
SOLO SOLO
8&16
ROCK & POP BALLAD JAZZ & SWING
BEAT
SOUL & DISCO
MUSIC STYLE ARRANGER
RHYTHM GROUP
GOSPEL
COUNTRY &
& BLUES
WESTERN
1234
PROGRESSIVE
ONE TOUCH
PLAY
INTRO & ENDING
TEMPO / PROGRAM
PIANIST
START / STOP
1234
FAVORITES
SYNCHRO START
BEAT
TAP TEMPO
LCD CONTRAST PAGEMUTE
OTHER PARTS/TR
HELP
SIMPLE PIANOFADE
2
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND
EXPLORER
TECHNI-CHORD
DIGITAL
DRAWBAR
12345678
SOUND
ARRANGER PIANO STYLIST
MOVIE &
SET OFF/ON
METRONOME
SHOW
LATIN &
MARCH &
MEMORY
WORLD
WALTZ
IN OUT
LOAD
VARIATION
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
DIGITAL EFFECT BRILLIANCE
SEQUENCER
CHORD STEP REC
SET NEXT BANK BANK VIEW
PROGRAM
DISK
DISK
MENUS
IN USE
LOAD
Basic functions
4BA
3
4
Play the song on the keyboard.
When you have finished playing, press the EASY REC button again to turn it off.
SEQUENCER
PLAY EASY REC
CHORD STEP REC
The PLAY button in the SEQUENCER section turns on.
Playing back your recorded performance
Press the SEQUENCER RESET (FILL
A
IN 1) button.
FILL IN
12
SEQUENCER
RESET
COUNT INTRO
Press the START/STOP button.
B
START / STOP
12 34
BEAT
Your performance is played back just as you recorded it.
When you are finished playing back your performance, press the PLAY button in the SEQUENCER section to turn it off.
23
QQTG0665
Store your panel settings
(PANEL MEMORY)
Basic functions
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MAX
MIN
OFF
PIANO PERFORMANCE PADS
123
456
SOLO SOLO
8&16
ROCK & POP BALLAD JAZZ & SWING
BEAT
GOSPEL
SOUL &
& BLUES
DISCO
MUSIC STYLE ARRANGER
RHYTHM GROUP
MOVIE &
SHOW
COUNTRY &
LATIN &
MARCH &
WESTERN
WORLD
WALTZ
VARIATION
1234
METRONOME
MEMORY
LOAD
SOUND
ARRANGER PIANO STYLIST SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
ONE TOUCH
PLAY
INTRO & ENDING
PROGRESSIVE
TEMPO / PROGRAM
PIANIST
START / STOP 1234
FAVORITES
SYNCHRO START
BEAT
TAP TEMPO
LCD CONTRAST PAGEMUTE
OTHER PARTS/TR
HELP
SIMPLE PIANOFADE
2
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND
EXPLORER
TECHNI-CHORD
DIGITAL
DRAWBAR
12345678
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
DIGITAL EFFECT BRILLIANCE
SEQUENCER
PROGRAM
CHORD STEP REC
SET NEXT BANK BANK VIEW
DISK
DISK
MENUS
IN USE
LOAD
2 3
1
2
Set up the desired panel settings (sounds, volumes, etc.)
Use the NEXT BANK button to select a bank (A, B, C).
SET NEXT BANK BANK VIEW
The bank names are shown on the display.
Bank name
3
With the SET button held down, press one of the numbered buttons of the PANEL MEMORY (1 to 8).
SET
12345678
PANEL MEMORY
The current panel settings are now stored in the specified bank and number. When you select the same bank and number again, the stored panel settings are recalled.
24
QQTG0665

Save data on a floppy disk

1
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MIN
MAX
123
456
OFF
PIANO PERFORMANCE PADS
SOLO SOLO
8&16
ROCK & POP BALLAD JAZZ & SWING
BEAT
SOUL & DISCO
MUSIC STYLE ARRANGER
RHYTHM GROUP
GOSPEL
COUNTRY &
& BLUES
WESTERN
1234
MOVIE & SHOW
LATIN &
MARCH &
WORLD
WALTZ
VARIATION
METRONOME
MEMORY
LOAD
SOUND
ARRANGER PIANO STYLIST SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
ONE TOUCH
INTRO & ENDING
PROGRESSIVE
TEMPO / PROGRAM
PIANIST
START / STOP 1234
FAVORITES
SYNCHRO START
BEAT
TAP TEMPO
LCD CONTRAST PAGEMUTE
OTHER PARTS/TR
HELP
SIMPLE PIANOFADE
PLAY
2
Insert a disk you wish to save to into the Disk Drive slot. Push it all the way in until you hear a click.
2-5
3
4
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND
EXPLORER
TECHNI-CHORD
DIGITAL
DRAWBAR
12345678
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
DIGITAL EFFECT BRILLIANCE
SEQUENCER
Select TECHNICS FORMAT.
OTHER PARTS/TR
HELP
LCD CONTRAST PAGEMUTE
Specify a file number to save to.
PROGRAM MENUS
CHORD STEP REC
SET NEXT BANK BANK VIEW
DISK
DISK IN USE
LOAD
DISPLAY HOLD
EXIT
Basic functions
2
On the DISK MENU display, select SAVE.
OTHER PARTS/TR
HELP
LCD CONTRAST PAGEMUTE
If you attempt to use the SAVE procedure when an unformatted disk is inserted into the Disk Drive slot, the FORMAT display appears. Follow the instructions on the display to format the disk. (Formatting the disk will clear any data which is currently stored on the disk.)
DISPLAY HOLD
OTHER PARTS/TR
HELP
LCD CONTRAST PAGEMUTE
DISPLAY HOLD
EXIT
Press the SAVE button.
EXIT
5
OTHER PARTS/TR
HELP
LCD CONTRAST PAGEMUTE
DISPLAY HOLD
The performance data of the song recorded in the SEQUENCER is saved on the floppy disk.
EXIT
25
QQTG0665
SX-PR804
PIANO PERFORMANCE PADS
AUTO PLAY CHORD
SPLIT
DEMO
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MAX
123
456
SOLO SOLO
MIN
Basic functions
OFF
MUSIC STYLE
8&16
BEAT
SOUL & DISCO
ARRANGER
RHYTHM GROUP
ROCK & POP BALLAD JAZZ & SWING
GOSPEL
COUNTRY & WESTERN
& BLUES
1234
MOVIE & SHOW
LATIN &
MARCH &
WORLD
WALTZ
VARIATION
METRONOME
MEMORY
LOAD
SOUND
ARRANGER PIANO STYLIST SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
ONE TOUCH
INTRO & ENDING
PROGRESSIVE
TEMPO / PROGRAM
PIANIST
START / STOP 1234
FAVORITES
SYNCHRO
START
BEAT
TAP TEMPO
LCD CONTRAST PAGEMUTE
OTHER PARTS/TR
HELP
SIMPLE PIANOFADE
PLAY
2
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND EXPLORER
TECHNI-CHORD
DIGITAL
DRAWBAR
12345678
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
DIGITAL EFFECT BRILLIANCE
SEQUENCER
CHORD STEP REC
SET NEXT BANK BANK VIEW
PROGRAM
DISK
DISK
MENUS
IN USE
LOAD
5 142 3
Recall data from a floppy disk
Press and hold the DISK button for a
1
few seconds.
DISK
LOAD
DISK
IN USE
Select the file you wish to load.
2
OTHER PARTS/TR
HELP
LCD CONTRAST PAGEMUTE
DISPLAY HOLD
Press the LOAD button.
3
The data is copied to the internal memory of this instrument.
Press the PLAY button in the
4
SEQUENCER section to turn it on.
SEQUENCER
PLAY EASY REC
CHORD STEP REC
Press the START/STOP button.
5
START / STOP
12 34
BEAT
EXIT
The recalled song is played back.
The following data can be saved/loaded:
CURRENT PANEL (The current panel settings) PANEL MEMORY SEQUENCER
PERFORMANCE
COMPOSER (MEMORY contents) SOUND MEMORY EFFECT MEMORY PADS (USER memories of the PIANO PERFORMANCE PADS) (PR804)
BACKUP
For detailed information, refer to page 94.
MIDI (USER memory of the MIDI PRESETS) FAVORITES
26
QQTG0665
Load rhythm data from a Technics pattern disk
1
2
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MAX
MIN
OFF
PIANO PERFORMANCE PADS
123
456
SOLO SOLO
MUSIC STYLE
8&16 BEAT
SOUL &
DISCO
ARRANGER
RHYTHM GROUP
ROCK & POP BALLAD JAZZ & SWING
GOSPEL
COUNTRY &
& BLUES
WESTERN
1234
MOVIE &
SHOW
LATIN &
MARCH &
WORLD
WALTZ
VARIATION
23 4
Insert a commercially sold Technics pattern disk into the Disk Drive slot.
In the RHYTHM GROUP section, press and hold the LOAD (MEMORY) button for a few seconds.
8&16
BEAT
SOUL &
DISCO
RHYTHM GROUP
ROCK & POP BALLAD JAZZ & SWING
GOSPEL &
COUNTRY &
WESTERN
MARCH &
WALTZ
BLUES
METRONOME
MEMORY
LOAD
SOUND
ARRANGER PIANO STYLIST SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
PROGRESSIVE
PIANIST
ONE TOUCH
SIMPLE PIANOFADE
PLAY
START / STOP
INTRO & ENDING
1234
2
MOVIE &
SHOW
LATIN & WORLD
BEAT
(COMPOSER LOAD)
TEMPO / PROGRAM
FAVORITES
SYNCHRO
START
LCD CONTRAST PAGEMUTE
TAP TEMPO
OTHER PARTS/TR
HELP
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
Press the LOAD button.
4
OTHER PARTS/TR
HELP
LCD CONTRAST PAGEMUTE
METRONOME
MEMORY
LOAD
Rhythm data is loaded to the COMPOSER memory (MEMORY). You can use the rhythms during your performance, just like the preset rhythms.
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND
EXPLORER
DIGITAL DRAWBAR
SEQUENCER
CHORUS REVERB PLAY EASY REC
PROGRAM
CHORD STEP REC
SET NEXT BANK BANK VIEW
MULTI EFFECT
SOLO
TECHNI-CHORD
DIGITAL EFFECT BRILLIANCE
12345678
Basic functions
DISK
DISK
MENUS
IN USE
LOAD
DISPLAY HOLD
EXIT
3
Select the name of the pattern to load.
OTHER PARTS/TR
HELP
LCD CONTRAST PAGEMUTE
DISPLAY HOLD
EXIT
27
QQTG0665
Play back commercial song disks
(DIRECT PLAY)
Basic functions
1
2
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MIN
MAX
123
456
OFF
PIANO PERFORMANCE PADS
SOLO SOLO
MUSIC STYLE
8&16
BEAT
SOUL & DISCO
ARRANGER
RHYTHM GROUP
ROCK & POP BALLAD JAZZ & SWING
GOSPEL
COUNTRY &
& BLUES
WESTERN
1234
MOVIE & SHOW
LATIN &
MARCH &
WORLD
WALTZ
VARIATION
METRONOME
MEMORY
LOAD
SOUND
ARRANGER PIANO STYLIST SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
ONE TOUCH
INTRO & ENDING
PROGRESSIVE
TEMPO / PROGRAM
PIANIST
START / STOP 1234
FAVORITES
SYNCHRO
START
BEAT
TAP TEMPO
LCD CONTRAST PAGEMUTE
OTHER PARTS/TR
HELP
SIMPLE PIANOFADE
PLAY
2
Insert the song disk into the Disk Drive slot.
On the DISK MENU display, select DIRECT PLAY.
OTHER PARTS/TR
HELP
LCD CONTRAST PAGEMUTE
DISPLAY HOLD
EXIT
2-4
4
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND EXPLORER
TECHNI-CHORD
DIGITAL
DRAWBAR
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
DIGITAL EFFECT BRILLIANCE
12345678
Press the START button.
The selected song is played back.
SEQUENCER
CHORD STEP REC
SET NEXT BANK BANK VIEW
PROGRAM
DISK
DISK
MENUS
IN USE
LOAD
Use the buttons below teh display to
3
DIRECT PLAY is possible from the following disks:
select a song.
OTHER PARTS/TR
HELP
LCD CONTRAST PAGEMUTE
For SMF songs, use the PLAY AS button to specify a sound arrangement mode.
Standard MIDI File Standard MIDI File with Lyrics DISK ORCHESTRA
COLLECTION™ (DOC) PianoDisc
* All product and company names are trademarks or
registered trademarks of their respective owners.
* DISK ORCHESTRA COLLECTION is a trademark of
the YAMAHA Corporation.
DISPLAY HOLD
EXIT
28
QQTG0665

Theatre Sonic (PR804)

The THEATRE SONIC feature creates a special sound field to give stereoscopic effects to the instru­ment sound. This effect can be enhanced by adding external rear speakers.
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MAX
MIN
OFF
PIANO PERFORMANCE PADS
123
456
SOLO SOLO
MUSIC STYLE ARRANGER
8&16 BEAT
SOUL & DISCO
ROCK & POP BALLAD JAZZ & SWING
GOSPEL & BLUES
Sound-field schema
RHYTHM GROUP
MOVIE &
COUNTRY &
MARCH &
WESTERN
WALTZ
VARIATION
1234
SHOW
LATIN & WORLD
METRONOME
MEMORY
LOAD
SOUND
ARRANGER PIANO STYLIST SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
ONE TOUCH
PLAY
INTRO & ENDING
PROGRESSIVE
TEMPO / PROGRAM
PIANIST
START / STOP
1234
FAVORITES
SYNCHRO START
BEAT
TAP TEMPO
LCD CONTRAST PAGEMUTE
OTHER PARTS/TR
HELP
SIMPLE PIANOFADE
2
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND
EXPLORER
TECHNI-CHORD
DIGITAL
DRAWBAR
12345678
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
DIGITAL EFFECT BRILLIANCE
SEQUENCER
PROGRAM
CHORD STEP REC
SET NEXT BANK BANK VIEW
DISK
DISK
MENUS
IN USE
LOAD
A
Basic functions
A
Orchestra or band sound
L
Piano
L
R
R
Player
THEATRE SONIC OFF
Press the THEATRE SONIC button to turn it on.
THEATRE SONIC
Speakers of the instrument
L
L
Piano
Player
Orchestra or band sound
Rear speakers
THEATRE SONIC ON
R
R
RL
The effect is applied.
Even if rear speakers are not connected, a
virtual 4-channel effect is applied.
For connection of external rear speakers, refer to page
136.
Change the mode according to the presence of the rear speakers (refer to page 125).
The effect can be set to on or off for each part (refer to page 108).
29
QQTG0665

Remote Controller (PR804)

You can use the included wireless remote control to adjust the MAIN VOLUME, activate DIRECT PLAY (page 98), and activate SEQUENCER playback (page 67).
To operate DIRECT PLAY with the remote controller, the normal playback display must be present with the disk inserted, and for the SEQUENCER playback, the instrument must be in the stand-by mode for playing back.
Basic functions
Battery installation
Before insertion, make sure the battery polarity is as indicated.
Do not use old batteries together with new ones.
Remove the batteries from the battery compartment
and store separately when the instrument is not to be used for a long time.
+
Button functions
+
Correct use of the remote
(LR03, AAA, AM-4)
controller
VOLUME
Adjust the total volume level.
You can adjust the volume level within the value set by the MAIN VOLUME control of the instrument.
The volume level adjusted with the remote controller is reset when the instrument power is turned off.
S
O
N
G
S
T
O
S
Remote controller
/S
D
P
E
K
I
R Q
I P
V
E U
O
F A
G
D
EGITAL
O
Tech
C
PL
E
T
L
N
F
A
U
0
P
Y
F
C
5
7
/PAUSE
M
LA
A
EN
E
R
E
SEMB
Y
nics
LE
30
Within 7m
7m以内
Disk Drive
30
<DIRECT PLAY/SEQUENCER> PLAY/PAUSE
Play back or stop the performance temporarily.
FF
Fast forward (for DIRECT PLAY only)
SONG SKIP
Skip the current song (for DIRECT PLAY only)
STOP
Stop the performance.
SENSOR
No object should be present between the remote control and the SENSOR.
Avoid exposing the SENSOR to sources of strong radiation such as direct sunlight or fluorescent lamps.
Keep the surfaces of the SENSOR and the emitter of the controller clean.
CAUTION:
Do not disassemble or modify.
Do not place any heavy object on top of the remote
controller.
Do not expose to direct sunlight for long periods of time.
Do not spill any liquid.
30
QQTG0665

About the display

A large-size display, easy to operate with excellent readability, is used for displaying various information such as the names of the selected sounds and rhythms etc. and when setting the functions. Lets take a look.
The display illustrations shown in this User’s Manual are examples for the sake of clarification; the actual displays on your
instrument may differ from the illustrations.
Normal display (HOME PAGE)
This is the kind of information you see on the display during a normal performance.
RIGHT 1 part sound
Tempo
Volume of each part
Selected rhythm
Volume balance
At the bottom half of the normal display, the volume balance of each part is represented in a fader illustration and by a number (0 to 127). You can use the balance buttons below the display to adjust the volumes.
<Performance parts>
RT: RIGHT APC: AUTO PLAY CHORD PADS: PIANO PERFORMANCE PADS (PR804) METR: METRONOME
RIGHT 2 part sound
LEFT part sound
(PR804)
About the display
When setting the volume balance, press the upper button to increase the volume and the lower button to decrease it.
Hold a button down to scroll the volume quickly.
MUTE
To mute a part, press both the corresponding upper and lower buttons at the same time.
The volume display for a muted part is shown as MUTE”.
Pressing either balance button for a muted part will cancel
the mute function.
OTHER PARTS/TR button
If you press the OTHER PARTS/TR button, the display changes to show the volumes of PART (PT) 1–16. You can then adjust the volumes of these parts. These parts are active when playing back a song disk or when this instrument is connected to external MIDI equipment and is used as a multi­timbre sound generator.
When there are other parts or tracks to access, the OTHER
PARTS/TR indicator is lit.
31
QQTG0665
PAGE
When there are additional parts to the current display, a page number indication, for example PAGE1/2, appears in the upper right corner of the screen. For example, 1/2 indicates that there are two pages of the display, and the current page is page 1. In this case, you can use the upper and lower PAGE buttons, to the right of the balance buttons, to view different pages of the display.
Press the button corresponding to the or button on
the display to change the value.
In this manual, this procedure is written as follows: “Use
the and buttons to adjust the pitch.
TEMPO/PROGRAM
If the TEMPO/PROGRAM indicator is lit while you are using the display to adjust the setting, it indicates that this dial can be used to quickly change the displayed value or setting.
PAGE
Press the upper button to view the next page of the display, and the lower button to view the previous page of the display.
On the last page of the display, pressing the upper button returns to the first page. And conversely, on the first page of the display, pressing the lower button will skip to the last page.
About the display
Menu display
The PROGRAM MENUS button controls multiple functions. Press the button to access its menu display.
PROGRAM
MENUS
The setting which can be adjusted is highlighted on the display.
EXIT
While the setting display is shown, press this button to go back to the previous display.
TEMPO / PROGRAM
DISPLAY HOLD
EXIT
Example of menu display: PROGRAM MENUS
Select a function from the menu display by pressing the corre­sponding button to the left or right of the display indicated by the and arrows.
DISPLAY HOLD
Press this button to turn it on when you wish to maintain the current display. You can keep a display which is normally automatically canceled, for example, or even during a per­formance, you can monitor information which is not shown on the normal display.
(PR804)
In this manual, the steps describing how to select a function from a menu display are generally abbreviated as follows, for example: On the PROGRAM MENUS display, select SOUND.
Setting display
When you select an item from the menu display, the setting display for the item is shown. The buttons to the right, left and/or directly below the display are used to select and adjust the settings.
Example of setting display: MASTER TUNING
MUTE
DISPLAY HOLD
The indicator for this button may flash if the current display is one which is normally automatically canceled.
If the PROGRAM MENUS button, for example, is pressed, the DISPLAY HOLD mode is canceled.
CONTRAST
Use the LCD CONTRAST buttons to adjust the readability of the display.
LCD CONTRAST
(Left of the display)
32
QQTG0665
HELP
You can find an explanation of each button’s function on the display.
1. Press the HELP button.
2. Use the buttons below the display to select a
language.
HELP
3. Press the OK button.
4. Press a button on the panel whose explanation
The following display appears.
you wish to read.
An explanation of the buttons function is shown on the display.
5. Press the HELP button again to exit the help
mode.
Attention display messages and error messages are also shown in the selected language.
The appearance of the display on your instrument may be different from the illustrated display in this manual depend­ing on the region in which your instrument was purchased and the selected display language.

Favorites

SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MIN
MAX
123
456
OFF
PIANO PERFORMANCE PADS
SOLO SOLO
MUSIC STYLE
8&16 BEAT
SOUL & DISCO
ARRANGER
RHYTHM GROUP
ROCK & POP BALLAD JAZZ & SWING
GOSPEL
COUNTRY &
& BLUES
WESTERN
1234
MOVIE &
SHOW
LATIN &
MARCH &
WORLD
WALTZ
VARIATION
You can record a special display of your favorite sounds and rhythms, styles.
METRONOME
MEMORY
LOAD
SOUND
ARRANGER PIANO STYLIST SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
ONE TOUCH
PLAY
INTRO & ENDING
PROGRESSIVE
TEMPO / PROGRAM
PIANIST
START / STOP
1234
FAVORITES
SYNCHRO START
BEAT
TAP TEMPO
LCD CONTRAST PAGEMUTE
HELP
OTHER PARTS/TR
SIMPLE PIANOFADE
2
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND
EXPLORER
TECHNI-CHORD
DIGITAL DRAWBAR
SEQUENCER
CHORUS REVERB PLAY EASY REC
SET NEXT BANK BANK VIEW
CHORD STEP REC
PROGRAM
MENUS
MULTI EFFECT
SOLO
DIGITAL EFFECT BRILLIANCE
12345678
(PR804)
About the display
DISK
DISK IN USE
LOAD
1. Select the sounds, rhythm and styles you wish
to record.
Use the PIANO STYLIST feature to select the style. (Refer to page 53.)
2. Press the FAVORITES button.
FAVORITES
The display looks similar to the following.
3. Press the FAVORITES SETTING button.
The display looks similar to the following.
4. Use the CATEGORY and buttons to
select the desired item (CURRENT SOUND/ RHYTHM/STYLE).
The selected sound/rhythm/style are shown in the ITEM column.
5. While pressing the SET button, specify where
you wish to paste (put) the item.
While the SET button is depressed, the display appears as shown below. Use the buttons to the left and right of the display to specify where you wish to paste the item.
6. Repeat steps 3 to 5 to create the display you
want.
There are nine settable items on the display.
To record a sound or rhythm other than that selected in
step 1, while the FAVORITES display is shown use the panel buttons to select the desired sound or rhythm. (The corresponding selection window is superimposed on the display.)
To record a style other than that selected in step 1, after the other recording procedures are completed and the OK button is pressed, repeat the procedure from step 1.
7. Press the OK button.
Your customized display is stored.
Recall a FAVORITES display
1. Press the FAVORITES button.
2. Use the buttons to the left and right of the
display to specify the ITEM you wish to recall.
QQTG0665
33

Part I Sounds and effects

Overview of sounds and effects
The following is an overview of the sound parts of this instrument.
NX SOUND
NX SOUND is the Technics original sound generator format
Part
This instrument is mainly organized into the following parts. which evokes realtime performance quality and expressive power, and dramatically expands the number of sounds and effects generated. This format includes GM2 (General MIDI Level 2), and make various controls possible when data is created and reproduced by computer.
For information about GM2, refer to page 95.
Equipment with the logo shown below is compatible with
NX SOUND song data.
RIGHT 1, RIGHT 2, LEFT:
These are the parts the performer plays on the keyboard.
These are independent from the playback parts. For example one can to perform on the keyboard while playing back a song disk with 16-part standard MIDI files (SMF).
PART1 to 16:
SMF song disk playback parts, or parts for MIDI receive.
ACCOMP1 to 5, BASS, DRUMS 1, 2:
Parts for the automatic accompaniment.
PADS:
Parts for the PIANO PERFORMANCE PADS (PR804)
METRONOME:
The part for the MET RONOME sounds.
Selecting sounds
Sounds and effects
Select the sounds for the three parts you can play on the keyboardRIGHT 1, RIGHT 2 and LEFT. After first selecting a part and a SOUND GROUP, choose the desired sound from the display.
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MAX
MIN
OFF
PIANO PERFORMANCE PADS
123
456
SOLO SOLO
MUSIC STYLE ARRANGER
8&16 BEAT
SOUL & DISCO
RHYTHM GROUP
ROCK & POP BALLAD JAZZ & SWING
GOSPEL
COUNTRY &
MARCH &
& BLUES
WESTERN
1234
PROGRESSIVE
ONE TOUCH
PLAY
INTRO & ENDING
TEMPO / PROGRAM
PIANIST
START / STOP
1234
FAVORITES
SYNCHRO START
BEAT
TAP TEMPO
LCD CONTRAST PAGEMUTE
OTHER PARTS/TR
HELP
SIMPLE PIANOFADE
2
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND
EXPLORER
TECHNI-CHORD
DIGITAL
DRAWBAR
12345678
SOUND
ARRANGER PIANO STYLIST
MOVIE &
SET OFF/ON
METRONOME
SHOW
LATIN &
MEMORY
WORLD
WALTZ
IN OUT
LOAD
VARIATION
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
DIGITAL EFFECT BRILLIANCE
SEQUENCER
CHORD STEP REC
SET NEXT BANK BANK VIEW
PROGRAM
DISK
DISK
MENUS
IN USE
LOAD
(PR804)
Select a sound
1. In the PART SELECT section, choose RIGHT
1, RIGHT 2 or LEFT.
PART SELECT
LEFT RIGHT 2 RIGHT 1
The CONDUCTOR buttons are used to specify which part is heard. (Refer to page 36.)
For the RIGHT 1 and RIGHT 2 parts, when a CONDUC- TOR button is selected, the corresponding PART SEL ECT
button is also activated.
2. Select a sound group.
SOUND GROUP
SAX &
WOODWIND
MALLET &
ORCH PERC
ORGAN &
ACCORDION
DRUM KITS MIXTURES MEMORY
BRASS SYNTH SOLOISTSTRINGS
GUITAR
VOCAL BASS
& HARPSI
PIANO
GRAND UPRIGHT ELECTRIC MODERN
The sounds in DRUM KITS are percussion sounds that you play by striking the keyboard keys.
MEMORY is reserved for storing sounds you modify. (Refer to page 119.)
SOUND
EXPLORER
DIGITAL
DRAWBAR
(PR804)
3. Select the desired sound from the list on the
display.
You can use the PAGE buttons to view a different part of the list (except for a portion of the PIANO group).
The sound you select is memorized for the part you selected in step 1.
The sound display may differ depending on the effect settings.
4. Play the keyboard.
34
QQTG0665
Part I Sounds and effects
SOUND EXPLORER
This is a convenient feature for finding the sound you want from the many available sounds.
1. In the PART SELECT section, select a part.
2. Press the SOUND EXPLORER button to turn
it on.
SOUND
EXPLORER
Use the buttons to the left and right of the display to select the sound.
DIGITAL DRAWBAR
You can play organ sounds while controlling the drawbars on the display.
1. In the PART SELECT section, select a part.
2. Press the DIGITAL DRAWBAR button to turn
it on.
The display looks similar to the following.
3. Use the and buttons to select a GROUP
of sound.
4. Use the buttons on both side of the display to
select the sound.
The list of sounds is contained on several screen “pages. Use the PAGE buttons to see a different part of the sound list.
The numerical value that is displayed for each sound is the MIDI [BANK MSB, LSB]-PROGRAM CHANGE num­ber.
GM2 sounds are selected from the GM2 EXTEND or GM2 DRUM KITS group.
ALPHABET
Press the CATEGORY button to show the sound names in alphabetical order.
Press the ALPHABET button to return to the CATEGORY display.
TREMOLO
Tremolo is a rapid oscillation in volume, like the effect of a rotating speaker. The tremolo speed can be changed while you are playing.
Use the TREMOLO button to switch between
the SLOW and FAST rotating speeds.
The tremolo setting is effective for each part in common.
You can also use the DIGITAL EFFECT button to switch
between SLOW and FAST.
The tremolo does not work when the MULTI EFFECT button is on.
Sounds and effects
3. Use the balance buttons below the display to
adjust the volume of each drawbar.
The volume of each drawbar is illustrated on the display and changes when you press the corresponding balance buttons to adjust the volume.
The DIGITAL DRAWBAR can not be selected for the COMPOSER, SOUND ARRANGER or PIANO PER­FORMANCE PADS (PR804).
Change the sound type
Use the <Jazz Drawbars> / <Rock Drawbars>
button to select the type of sound.
PERCUSSIVE TONE
PERCUSSIVE TONE adds a tone with a fast initial attack to the drawbar sounds. You can select two pitch levels of attack tones.
Use the PERCUSSIVE TONE 2 2/3 and 4 but-
tons to turn the respective tone on or off.
Other settings
DRAWBAR ATTACK TIME:
Select ATTACK TIME, and use the and buttons to adjust the time it takes for the drawbar sound to sound after a key is played.
DRAWBAR RELEASE TIME:
Select RELEASE TIME, and use the and buttons to adjust the time it takes for the drawbar sound to die out after the keys are released.
PERCUSSIVE TONE DECAY:
Select DECAY, and use the and buttons to adjust the time it takes for the percussive tone to die out.
PERCUSSIVE TONE LEVEL:
Select LEVEL, and use the and buttons to adjust the volume of the percussive tone.
The above settings are effective for all the parts in com­mon.
35
QQTG0665
Part I Sounds and effects
About foot marks
The foot indication on each balance button (for example 8) refers to the pitch of a rank of pipes in a pipe organ. If 8 is used as the standard (the pitch as played on the keyboard), a 16 rank pitch will be one octave below the 8 rank pitch, and a 4 rank pitch one octave above.
When the middle C key is pressed, the sounds of the different pitch ranks are as follows.
1
3
2
2 / '
1
3
3
5
2'4'5 / '16' 8' 1'
1 / '
3
1 / '
Assigning parts to the keyboard
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MAX
MIN
OFF
PIANO PERFORMANCE PADS
123
456
SOLO SOLO
MUSIC STYLE ARRANGER
8&16 BEAT
SOUL & DISCO
RHYTHM GROUP
ROCK & POP BALLAD JAZZ & SWING
GOSPEL
COUNTRY &
& BLUES
WESTERN
1234
MOVIE &
SHOW
LATIN &
MARCH &
WORLD
WALTZ
VARIATION
The CONDUCTOR buttons are used to assign the parts (RIGHT 1, RIGHT 2, LEFT) to the keyboard in many different ways.
CONDUCTOR
Sounds and effects
CONDUCTOR settings How sounds are assigned to the keyboard
LEFT RIGHT 2 RIGHT 1
CONDUCTOR
LEFT RIGHT 2 RIGHT 1
CONDUCTOR
PROGRESSIVE
ONE TOUCH
INTRO & ENDING
TEMPO / PROGRAM
PIANIST
START / STOP 1234
FAVORITES
SYNCHRO START
BEAT
TAP TEMPO
LCD CONTRAST PAGEMUTE
OTHER PARTS/TR
HELP
SIMPLE PIANOFADE
PLAY
2
METRONOME
MEMORY
LOAD
SOUND
ARRANGER PIANO STYLIST SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
All keys produce the RIGHT 1 sound.
All keys produce the RIGHT 2 sound.
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
RIGHT 1
RIGHT 2
DRUM KITS MIXTURES MEMORY
SOUND
EXPLORER
TECHNI-CHORD
DIGITAL
DRAWBAR
SEQUENCER
CHORUS REVERB PLAY EASY REC
SET NEXT BANK BANK VIEW
CHORD STEP REC
PROGRAM MENUS
MULTI EFFECT
SOLO
DIGITAL EFFECT BRILLIANCE
12345678
DISK
DISK
IN USE
LOAD
All keys produce both the RIGHT 1 sound and the RIGHT 2 sound.
LEFT RIGHT 2 RIGHT 1
RIGHT 1 + RIGHT 2
CONDUCTOR
The left keys produce the LEFT sound and the right keys produce the RIGHT 1 sound
LEFT RIGHT 2 RIGHT 1
CONDUCTOR
and the RIGHT 2 sound.
LEFT
The left keys produce the LEFT sound and the right keys produce the RIGHT 1 sound.
LEFT RIGHT 2 RIGHT 1
CONDUCTOR
The left keys produce the LEFT sound and the right keys produce the RIGHT 2 sound.
LEFT RIGHT 2 RIGHT 1
LEFT
CONDUCTOR
The volume for each part can be adjusted independently. (Refer to page 31.)
The following conditions are in effect when the AUTO PLAY CHORD is used.
BASIC, ADVANCED mode: You cannot assign sounds to all the keys. PIANIST mode: The keyboard cannot be split.
36
QQTG0665
RIGHT 1 + RIGHT 2
RIGHT 1LEFT
RIGHT 2
Part I Sounds and effects
SPLIT
You can split the keyboard into right and left sections (SPLIT), and assign a different sound to each section.
1. Press the LEFT button in the CONDUCTOR
to turn it on.
If the LEFT part does not turn on, then turn off the AUTO PLAY CHORD, or select any mode except PIANIST.
Customized split point
Use the following procedure if you wish to store a split point at a location other than G2, C3 or C4.
2. Use the SPLIT POINT button to define the
point that divides the left and right keyboard sections.
G2
C3
SPLIT
POINT
Each time the SPLIT POINT button is pressed, the indica- tion moves to the next split point in the following order. G2 C3 C4 customized split point (all indicators off) (see below).
C4
1. Press and hold the SPLIT POINT button for a
few seconds.
SPLIT POINT
The following display appears.
RIGHT 1/RIGHT 2 OCTAVE
During your performance you can quickly change the octave of the RIGHT 1 and RIGHT 2 parts. Use this convenient func­tion to expand the octave range of the keyboard, especially during a split-keyboard performance.
Use the R1/R2 OCTAVE buttons (+ and –) to
change the octave.
R1/R2 OCTAVE
+
2. Press a key on the keyboard to specify the
desired split point.
A split point is set at the location of the pressed key, and is indicated on the keyboard illustration on the display.
The key at the split point is the lowest note of the right keyboard section.
After a few seconds, the display exits the setting mode.
Whenever the keyboard is split, you can select your cus-
tomized split point by pressing the SPLIT POINT button until none of the split point indicators is lit. In this case, the customized split point is indicated on the display.
Sounds and effects
The note pitches (NOTE NUMBER) recorded in the
SEQUENCER and during MIDI transmission are also af­fected by this octave setting. However, it does not affect SEQUENCER playback or received MIDI data.
Press the + button to raise the pitch and the – button to lower the pitch (–2 to +2).
The display looks similar to the following.
You can also use the ∧ and ∨ buttons on the R 1/R 2
OCTAVE display to change the octave.
The display returns to the previous display after a few seconds.
A lit + or – indicator shows that the octave has been changed.
To cancel the octave change, press both buttons at the same time.
37
QQTG0665
Part I Sounds and effects
Pedals
Sustain pedal
Sostenuto pedal
Soft pedal
Sustain pedal
When a key is released while this pedal is depressed, the sound is sustained so that it lingers and slowly fades out.
This effect does not work for the sounds in the DRUM KITS group.
This effect does not work for some sounds.
The length of the sustain can be set for each part. (Refer
to page 104.)
PR804: This pedal is an eight-stage pedal, and the length of the sustain is controlled by the degree to which the pedal is depressed.
Sostenuto pedal
If this pedal is pressed while the keys are pressed, the sustain effect is applied to those notes only. If the pedal is pressed first and the keys are then pressed, the sustain effect does not work for those notes.
For continuous-type sounds, such as ORGAN, the notes sound as long as the pedal is pressed.
You can select a different function to control with this pedal. (Refer to page 121.)
Soft pedal
When this pedal is depressed, the sound is softer and the volume is slightly lower.
You can select a different function to control with this pedal. (Refer to page 121.)
String resonance
Sounds and effects
String resonance is the sound heard in an acoustic piano when the struck strings produce a sympathetic resonance of the other unstruck strings. For the GRAND PIANO and UPRIGHT PIANO sounds, string resonance is produced as long as the sustain pedal is depressed. The amount of string resonance can be adjusted.
1. Press and hold the GRAND button for about
3 seconds.
GRAND
STRING RESONANCE DEPTH is shown on the display.
2. Use the and buttons to adjust the amount
of resonance (0 to 99).
The higher the number, the greater the amount of reso­nance.
When set to 0, there is no string resonance.
38
QQTG0665
Part I Sounds and effects
Touch Sensitivity
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MAX
MIN
OFF
PIANO PERFORMANCE PADS
123
456
SOLO SOLO
MUSIC STYLE
8&16 BEAT
SOUL &
DISCO
ARRANGER
RHYTHM GROUP
ROCK & POP BALLAD JAZZ & SWING
GOSPEL
COUNTRY &
WESTERN
& BLUES
1234
MOVIE &
SHOW
LATIN &
MARCH &
WORLD
WALTZ
VARIATION
METRONOME
MEMORY
LOAD
SOUND
ARRANGER PIANO STYLIST SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
ONE TOUCH
PLAY
INTRO & ENDING
PROGRESSIVE
TEMPO / PROGRAM
PIANIST
START / STOP
1234
FAVORITES
SYNCHRO START
BEAT
TAP TEMPO
LCD CONTRAST PAGEMUTE
OTHER PARTS/TR
HELP
SIMPLE PIANOFADE
2
Adjust keyboard touch response.
1. Press the PROGRAM MENUS button to turn
it on.
PROGRAM
MENUS
The display looks similar to the following.
2. Select TOUCH SENSITIVITY.
The display looks similar to the following.
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND EXPLORER
DIGITAL
DRAWBAR
TECHNI-CHORD
12345678
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
DIGITAL EFFECT BRILLIANCE
SEQUENCER
PROGRAM
CHORD STEP REC
SET NEXT BANK BANK VIEW
DISK
DISK
MENUS
IN USE
LOAD
3. Use the buttons to the left of the display to
select the function you wish to set. Use the and buttons to adjust the setting.
TOUCH SENSITIVITY: This is the keyboard touch response
setting.
Select from HEAVY 3, HEAVY 2, HEAVY 1, NORMAL and LIGHT.
MINIMUM RANGE: Specify whether or not the keyboard keys
function when the keys are pressed very softly (ON/OFF).
When set to ON, the keys do not function when they are pressed very softy, as in an acoustic piano. When set to OFF, the keys function even when they are pressed very softly.
4. When you have finished adjusting the settings,
press the PROGRAM MENUS button again.
Effects
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MIN
PIANO PERFORMANCE PADS
MAX
123
456
OFF
SOLO SOLO
MUSIC STYLE ARRANGER
8&16
BEAT
SOUL & DISCO
RHYTHM GROUP
ROCK & POP BALLAD JAZZ & SWING
GOSPEL
COUNTRY &
MARCH &
& BLUES
WESTERN
1234
MOVIE &
SHOW
LATIN & WORLD
WALTZ
VARIATION
You can achieve even fuller and stirring sounds by adding various effects for each part.
To enable the best effects for each sound, the DIGITAL EFFECT may switch on or off automatically depending on the MULTI EFFECT setting.
MULTI EFFECT
The MULTI EFFECT works like a studio effects processor, providing effects such as CHORUS, PHASER, DELAY and DISTORTION. This effect can be set for each part.
1. In the CONDUCTOR or PART SELECT sec-
tion, turn on the part to which this effect will be applied.
METRONOME
MEMORY
LOAD
SOUND
ARRANGER PIANO STYLIST
SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
ONE TOUCH
PLAY
INTRO & ENDING
PROGRESSIVE
TEMPO / PROGRAM
PIANIST
START / STOP 1234
FAVORITES
SYNCHRO START
BEAT
TAP TEMPO
LCD CONTRAST PAGEMUTE
OTHER PARTS/TR
HELP
SIMPLE PIANOFADE
2
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND EXPLORER
TECHNI-CHORD
DIGITAL
DRAWBAR
12345678
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
DIGITAL EFFECT BRILLIANCE
SEQUENCER
CHORD STEP REC
SET NEXT BANK BANK VIEW
PROGRAM
DISK
DISK
MENUS
IN USE
LOAD
Type and parameter settings
1. Press and hold the MULTI EFFECT button for
a few seconds.
The display changes to the following.
Sounds and effects
2. Press the MULTI EFFECT button to turn it on.
MULTI EFFECT
39
QQTG0665
Part I Sounds and effects
2. Use the and buttons to select an effect
group.
The EFFECT MEMORY is for edited effects (see below).
3. Use the buttons to the right of the display to
select the type.
If the types comprise more than one display “page, use
the PAGE buttons to switch pages.
If you press the VARI button to turn it ON, the effect
variation is selected.
This display can also be accessed from the REVERB &
EFFECT MENU display. (Refer to page 109.)
EFFECT EDIT
The effects can be edited and then stored in a memory.
1. Select an effect type to use as a base.
2. Press the EFFECT EDIT button.
The display changes to the following.
CHORUS
Add breadth to the sound. This effect can be set for each part.
1. Select the sound to which the effect will be
applied.
2. Press the CHORUS button to turn it on.
CHORUS
The on or off status of the CHORUS is preset for each sound.
Type and parameter settings
1. Press and hold the CHORUS button for a few
seconds.
The display looks similar to the following.
3. Use the PARAMETER and buttons to
select the parameter.
Sounds and effects
The parameters vary depending on the effect type selected as the base.
(V) indicates a parameter for the VARIATION.
2. Use the and buttons to select an effect
group.
The EFFECT MEMORY is for edited effects (see below).
3. Use the buttons to the right of the display to
select the type.
4. Use the VALUE and buttons to adjust the
setting.
5. Press the EFFECT NAMING button and assign
a name to the effect, if necessary.
Refer to page 55 for details about the NAMING procedure.
6. Use the EFFECT MEMORY LIST and
If the types comprise more than one display “page, use the PAGE buttons to switch pages.
This display can also be accessed from the REVERB & EFFECT display. (Refer to page 109.)
EFFECT EDIT
Your edited effect can be stored in a memory for later recall.
The procedure is the same as for MULTI EFFECT.
buttons to specify the location in which to store the edited effect.
7. Press the WRITE button.
DIGITAL EFFECT
DIGITAL EFFECT gives the sound richness and enhances your performance. This effect can be set for each part.
1. Select the sound to which the effect will be
applied.
2. Press the DIGITAL EFFECT button to turn it
on.
DIGITAL EFFECT
The on or off status of the DIGITAL EFFECT is preset for each sound.
This effect may not work for some sounds.
If a DRAWBAR sound is not selected for a performance
part, and if the MULTI EFFECT is off for all parts, the nuance of this effect in the RIGHT 1 part and other parts will differ.
40
QQTG0665
Part I Sounds and effects
REVERB
REVERB applies a reverberation effect to the sound. This effect is applied to all the parts in common.
Press the REVERB button to turn it on.
REVERB
This effect does not work for the METRONOME.
Type and parameter settings
1. Press and hold the REVERB button for a few
seconds.
The display changes to the following.
2. Use the and buttons to select an effect
group.
The EFFECT MEMORY is for edited effects (see below).
3. Use the buttons to the right of the display to
select the type.
If the types comprise more than one display “page, use the PAGE buttons to switch pages.
4. Use the TOTAL DEPTH and buttons to
set the depth of the effect.
SOLO
Each part can be set to monophonic sound.
1. Select a part.
2. Press the SOLO button to turn it on.
SOLO
The sound of that part will be monophonic.
This feature does not work for the DRUM KITS sounds.
When two CONDUCTOR parts, one with the SOLO turned
on and one with the SOLO turned off, are mixed, then only the highest pitch of the played chord plays in the sound for which the SOLO is turned on.
In the initialized condition, the SOLO is automatically turned on or off depending on the sound you select.
BRILLIANCE
The brightness of the sound can be set for each performance part.
1. Press the BRILLIANCE button.
BRILLIANCE
The display looks similar to the following.
Sounds and effects
This display can also be accessed from the REVERB & EFFECT display. (Refer to page 109.)
EFFECT EDIT
Your edited effect can be stored in a memory for later recall.
The procedure is the same as for MULTI EFFECT.
2. Use the PART and buttons to select a
part.
3. Use the buttons to the left of the display to
select the level of brightness.
For some sounds, the brightness does not change.
The display returns to the previous display a few seconds
after you have changed the setting.
Mic Reverb & Effect
These settings apply when a microphone is connected to the MIC input terminal and, for example, you wish to add a reverb effect the to microphone input.
1. Press the PROGRAM MENUS button to turn
it on.
PROGRAM
MENUS
The display looks similar to the following.
2. Select REVERB & EFFECT.
3. Select MIC REVERB & EFFECT.
The display looks similar to the following.
(continued on the next page)
QQTG0665
41
Part I Sounds and effects
4. Use the buttons to the left of the display to
select an item you wish to set (MIC REVERB SETTING/MIC EFFECT SETTING).
5. Use the PARAMETER and buttons to
select the function, and use the VALUE and
buttons to change the setting.
MIC REVERB (separate reverb for mic input)
TYPE:
Type of reverb (ROOM/KARAOKE/STAGE/CAVE)
REVERB TIME:
The time it takes for the reverb sound to die out
VOLUME:
Reverb volume MIC EFFECT (separate effect for microphone input)
TYPE: Effect type setting
CHORUS:
The effect of several people singing.
FLANGER:
A unique tone applied to the voice gives it a rap music flavor.
PHASER:
A different tone from FLANGER.
DELAY 1:
Alpine echo.
DELAY 2:
An echo with broadened left and right voices.
EXCITER:
The voice is modulated for dramatic effect.
TALKING CAT:
A loud or soft voice produces the sound of a cat meowing.
RING MODULATOR:
Space alien voice.
PITCH SHIFTER 1:
The effect of a two-voice chorus.
PITCH SHIFTER 2:
The voice repeats while changing pitch.
VOICE CHANGER 1:
Shrill female voice.
VOICE CHANGER 2:
Supernatural male voice.
The parameters differ depending on the TYPE.
6. Use the MIC REV and MIC EFF buttons to the
right of the display to set the corresponding effect to ON or OFF.
For connecting a microphone, refer to page 136.
Use the MIC VOLUME dial to adjust the microphone
volume.
Sounds and effects
Transpose
SX-PR804
PIANO PERFORMANCE PADS
AUTO PLAY CHORD
DEMO
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MAX
MIN
OFF
123
456
SOLO SOLO
BEAT
SOUL &
MUSIC STYLE ARRANGER
8&16
DISCO
RHYTHM GROUP
ROCK & POP BALLAD JAZZ & SWING
GOSPEL
COUNTRY &
& BLUES
WESTERN
1234
PROGRESSIVE
ONE TOUCH
PLAY
INTRO & ENDING
TEMPO / PROGRAM
PIANIST
START / STOP
1234
FAVORITES
SYNCHRO
START
BEAT
TAP TEMPO
LCD CONTRAST PAGEMUTE
OTHER PARTS/TR
HELP
SIMPLE PIANOFADE
2
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND
EXPLORER
TECHNI-CHORD
DIGITAL
DRAWBAR
12345678
SOUND
ARRANGER PIANO STYLIST
MOVIE &
SET OFF/ON
METRONOME
SHOW
LATIN &
MARCH &
MEMORY
WORLD
WALTZ
IN OUT
LOAD
VARIATION
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
DIGITAL EFFECT BRILLIANCE
SEQUENCER
PROGRAM MENUS
CHORD STEP REC
SET NEXT BANK BANK VIEW
DISK
DISK IN USE
LOAD
The TRANSPOSE buttons are used to change the key of the entire instrument in semi-tone steps across an entire octave. Suppose you learn to play a songin the key of C, for exampleand decide you want to sing it, only to find that its either too high or too low for your voice. Your choice is to either learn the song all over again in a different key, or to use the TRANSPOSE feature.
TRANSPOSE
+
Adjust the key with the + and buttons.
The key is changed in half-tone increments up to plus or
<<Example: transposed to D>>
Played keys
minus one octave.
If the two buttons are pressed at the same time, the key returns to C.
When the TRANSPOSE function is active, the transposed key is shown on the display, and the + or – indicator is
C major
lit.
Notes that sound
42
QQTG0665
D major
Actual key
Part I Sounds and effects
Techni-chord
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MAX
MIN
OFF
PIANO PERFORMANCE PADS
123
456
SOLO SOLO
MUSIC STYLE
8&16 BEAT
SOUL & DISCO
ARRANGER
RHYTHM GROUP
ROCK & POP BALLAD JAZZ & SWING
GOSPEL
COUNTRY &
& BLUES
WESTERN
1234
MOVIE & SHOW
LATIN &
MARCH &
WORLD
WALTZ
VARIATION
METRONOME
MEMORY
LOAD
SOUND ARRANGER PIANO STYLIST
SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
ONE TOUCH
PLAY
INTRO & ENDING
PROGRESSIVE
TEMPO / PROGRAM
PIANIST
FAVORITES
SIMPLE PIANOFADE
SYNCHRO
START / STOP
START
1234
BEAT
2
TAP TEMPO
LCD CONTRAST PAGEMUTE
HELP
OTHER PARTS/TR
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND EXPLORER
TECHNI-CHORD
DIGITAL
DRAWBAR
12345678
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
DIGITAL EFFECT BRILLIANCE
SEQUENCER
CHORD STEP REC
SET NEXT BANK BANK VIEW
PROGRAM
DISK
DISK
MENUS
IN USE
LOAD
TECHNI-CHORD turns your single note melodies into full chords and offers you a choice of different types from a simple duet which adds one harmony note to your melody note, to big band reeds which adds four harmony notes to your melody note. If TECHNI-CHORD is part of a ONE TOUCH PLAY or PIANO STYLIST registration, a suitable TECHNI-CHORD type will be selected automatically.
Example:
Left hand (chord)
CF GC
Right hand (melody)
1. Split the keyboard into left and right sections.
ORCHESTRATOR
You can specify which part is used for the harmony tones.
2. Press the TECHNI-CHORD button to turn it
on.
TECHNI-CHORD
Your TECHNI-CHORD performance is enhanced by selecting harmony sounds different from the sounds you play and the sounds produced by the automatic accompaniment.
Use the and buttons to select the part for
the harmony notes.
If CONDUCTOR is selected, the harmony notes are pro-
3. Play the keyboard.
The melody you play with your right hand is automatically played in chords which are based on the chords you play with your left hand.
This feature does not work for a part for which SOLO is set to on.
This feature is very effective when used with the AUTO PLAY CHORD.
duced in the sounds of the part which is currently selected in the CONDUCTOR (RIGHT 1, RIGHT 2). In other words, the harmony notes are produced in the same sound as the melody notes. If both RIGHT 1 and RIGHT 2 are on, the harmony notes are produced in the sound of the RIGHT 1 part.
In the case of EASY RECORD (see page 65), when set to CONDUCTOR or a part other than PART 4, the
TECHNI-CHORD sound is not recorded; so when you use EASY RECORD, please set to one or the other.
Sounds and effects
Type setting
1. Press and hold the TECHNI-CHORD button
for a few seconds.
The display looks similar to the following.
2. Use the , ▲, ▼, buttons to select the
harmony style.
When the OCTAVE, HARD ROCK or FANFARE style is selected, the TECHNI-CHORD functions even when the keyboard is not split.
43
QQTG0665

Part II Playing the rhythm

Overview of rhythm performance
An explanation follows of the terms related to this instruments rhythm performance.
Rhythm and accompaniment pattern
Each rhythm is comprised of not only a DRUMS pattern, but also of accompaniment patterns called BASS and AC- COMP. The combination of all of these is the rhythm.
The accompaniment pattern sounds when you perform using the AUTO PLAY CHORD (APC). (Refer to page
47.)
STYLE
RHYTHM
VARIATION 1
VARIATION 2
VARIATION 3
PANEL setting
PANEL setting
PANEL setting
Playing the rhythm
Rhythm and Style
VARIATION 4
PANEL setting
One rhythm of this instrument is comprised of four VARIA­TION patterns, and for each one the optimum sounds and effects are set.
Selecting rhythms
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MAX
MIN
OFF
PIANO PERFORMANCE PADS
123
456
SOLO SOLO
MUSIC STYLE
8&16
BEAT
SOUL &
DISCO
ARRANGER
RHYTHM GROUP
ROCK & POP BALLAD JAZZ & SWING
GOSPEL
COUNTRY &
& BLUES
WESTERN
1234
MOVIE &
SHOW
LATIN &
MARCH &
WORLD
WALTZ
VARIATION
Many exciting rhythms are stored in the memory of this instrument. First select one of the rhythm groups and then choose the desired rhythm.
Select a rhythm
1. In the RHYTHM GROUP section, select a
rhythm group.
8&16 BEAT
RHYTHM GROUP
ROCK & POP BALLAD JAZZ & SWING
MOVIE &
SHOW
METRONOME
SET OFF/ON
MEMORY
LOAD
SEQUENCER
PROGRESSIVE
SOUND
PIANIST
ARRANGER PIANO STYLIST
ONE TOUCH
SIMPLE PIANOFADE
PLAY
IN OUT
START / STOP
INTRO & ENDING
FILL IN
1234
12 1
2
COUNT
RESET
INTRO
METRONOME
TEMPO / PROGRAM
FAVORITES
SYNCHRO START
BEAT
TAP TEMPO
LCD CONTRAST PAGEMUTE
OTHER PARTS/TR
HELP
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND
EXPLORER
DIGITAL
DRAWBAR
TECHNI-CHORD
12345678
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
DIGITAL EFFECT BRILLIANCE
SEQUENCER
CHORD STEP REC
SET NEXT BANK BANK VIEW
PROGRAM
DISK
DISK
MENUS
IN USE
LOAD
A list of rhythms available for each rhythm group can be found in the separate REFERENCE GUIDE provided.
If there is more than one page to the display, use the PAGE buttons to move from one screen page to another.
Because the “Classic Ballad rhythm of the BALLAD group does not have a drum part, no sound is produced if you play this rhythm without the AUTO PLAY CHORD.
GOSPEL &
SOUL &
DISCO
BLUES
COUNTRY &
WESTERN
MARCH &
WALTZ
LATIN & WORLD
MEMORY
LOAD
For information about the METRONOME, see the follow- ing section.
MEMORY is the group in which you store the rhythms you create with the COMPOSER. (Refer to page 85.)
2. Select the desired rhythm from the list on the
display.
44
QQTG0665
VARIATION
There are four variations available for each rhythm. Use the
VARIATION buttons to select the desired variation.
MUSIC STYLE
ARRANGER
Confirm that the MUSIC STYLE ARRANGER button is off. (If it is on, press it once to turn it off.)
The nuance of the pattern differs with each variation number.
You can change to a different variation while the rhythm is playing.
VARIATION
1234
Part II Playing the rhythm
METRONOME
1. In the RHYTHM GROUP section, select
METRONOME.
The following display appears.
2. Select the time signature for the metronome.
Select “Metronome Off” if you do not wish the first beat of the measure to be accented.
Press the START/STOP button to start the metronome.
Start the rhythm
There are two ways to start the rhythm.
Normal start
1. Select a rhythm.
2. Press the START/STOP button to turn it on.
START / STOP
12 34
BEAT
The selected rhythm pattern immediately begins to play.
You can stop the rhythm by pressing the START/STOP
button again to turn it off.
The BEAT indicators above the START/STOP button light to indicate the beat. On the first beat of the measure, the red indicator lights. On the second and succeeding beats of the measure, the green indicators light in order.
Synchronized start
With the synchronized start feature, the rhythm pattern starts when you play a key on the keyboard.
1. Select a rhythm.
2. Press the SYNCHRO START button to turn it
on.
SYNCHRO
START
Adjust the tempo
The tempo of the rhythm pattern is adjusted with the
TEMPO/PROGRAM dial.
TEMPO / PROGRAM
The tempo is shown on the display as a numerical value
( = 40 to 300).
When the TEMPO/PROGRAM indicator is lit, the TEMPO/PROGRAM dial cannot be used to adjust the
tempo.
To adjust the tempo during playback, refer to page 68.
TAP TEMPO
You can set the tempo of the rhythm by tapping this button few times with your finger at the tempo you wish to play.
TAP TEMPO
The tempo at which the button is tapped is detected, and the tempo automatically changes correspondingly.
Playing the rhythm
3. Play a key to the left of the keyboard split
point.
Split point
The rhythm pattern begins to play.
You can use the synchronized start feature even when
the keyboard is not divided into left and right sections. To start the rhythm, press a key to the left of the specified split point.
45
QQTG0665
Part II Playing the rhythm
Playing the rhythm
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MAX
MIN
OFF
PIANO PERFORMANCE PADS
123
456
SOLO SOLO
MUSIC STYLE
8&16 BEAT
SOUL & DISCO
ARRANGER
RHYTHM GROUP
ROCK & POP BALLAD JAZZ & SWING
GOSPEL
COUNTRY &
& BLUES
WESTERN
1234
MOVIE &
SHOW
LATIN &
MARCH &
WORLD
WALTZ
VARIATION
METRONOME
MEMORY
LOAD
SOUND
ARRANGER PIANO STYLIST SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
ONE TOUCH
PLAY
INTRO & ENDING
PROGRESSIVE
TEMPO / PROGRAM
PIANIST
FAVORITES
SIMPLE PIANOFADE
SYNCHRO
START / STOP
START
1234
BEAT
2
TAP TEMPO
LCD CONTRAST PAGEMUTE
HELP
OTHER PARTS/TR
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND EXPLORER
TECHNI-CHORD
DIGITAL
DRAWBAR
12345678
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
DIGITAL EFFECT BRILLIANCE
SEQUENCER
CHORD STEP REC
SET NEXT BANK BANK VIEW
PROGRAM
DISK
DISK
MENUS
IN USE
LOAD
Intro, fill-in and ending patterns fitting each different rhythm pattern are permanently recorded in your instrument, thus allowing a versatile rhythm performance.
These patterns are not available for the METRONOME.
INTRO
Begin the rhythm performance with an intro pattern.
1. Press the INTRO & ENDING 1 or INTRO &
ENDING 2 button to turn it on.
INTRO & ENDING
12
2. Press the START/STOP button to start the
rhythm.
START / STOP
12 34
BEAT
An intro pattern is played, after which the normal rhythm pattern begins.
Playing the rhythm
COUNT INTRO
You can begin the rhythm performance with a spoken one­measure count.
1. Press the COUNT INTRO (FILL IN 2) button
to turn it on.
FILL IN
2
COUNT INTRO
2. Press the START/STOP button to start the
rhythm.
A spoken one-measure count is played, after which the normal rhythm pattern begins.
Mode setting
You can select the mode for the count sound.
1. Press the MODE button in the AUTO PLAY
CHORD section to turn it on.
AUTO PLAY CHORD
MODE
OFF/ON
CHORD FINDER
The display looks similar to the following.
2. Use the COUNT INTRO button to select a
mode.
VOICE: A spoken count (initialized setting). CLICK: A clicking sound for the count.
46
QQTG0665
Part II Playing the rhythm
FILL IN
You can insert a fill-in pattern any time during the rhythm performance. Choose from two different fill-in patterns.
1. Select a rhythm and press the START/STOP
button.
2. Press the FILL IN 1 or FILL IN 2 button.
FILL IN
12
SEQUENCER
COUNT
RESET
INTRO
A fill-in pattern is heard immediately for the remainder of the measure.
When a FILL IN button is pressed on the last beat of the measure, the fill-in pattern continues to the end of the following measure.
Auto Play Chord
ENDING
Finish the rhythm performance with an ending pattern.
1. Select a rhythm and press the START/STOP
button.
2. Press the INTRO & ENDING 1 or INTRO &
ENDING 2 button to turn it on.
INTRO & ENDING
12
An ending pattern is produced, and then the rhythm per­formance stops.
If you accidentally press the INTRO & ENDING button in the middle of the tune, you can press the FILL IN 1 or FILL IN 2 button. The ending pattern stops, and a fill-in pattern is produced, after which the normal rhythm per­formance continues.
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MAX
MIN
OFF
PIANO PERFORMANCE PADS
123
456
SOLO SOLO
MUSIC STYLE ARRANGER
8&16 BEAT
SOUL & DISCO
RHYTHM GROUP
ROCK & POP BALLAD JAZZ & SWING
GOSPEL
COUNTRY &
& BLUES
WESTERN
1234
MOVIE & SHOW
LATIN &
MARCH &
WORLD
WALTZ
VARIATION
METRONOME
MEMORY
LOAD
SOUND
ARRANGER PIANO STYLIST SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
ONE TOUCH
PLAY
INTRO & ENDING
PROGRESSIVE
TEMPO / PROGRAM
PIANIST
START / STOP
1234
FAVORITES
SYNCHRO START
BEAT
TAP TEMPO
LCD CONTRAST PAGEMUTE
OTHER PARTS/TR
HELP
SIMPLE PIANOFADE
2
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND EXPLORER
TECHNI-CHORD
DIGITAL
DRAWBAR
12345678
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
DIGITAL EFFECT BRILLIANCE
SEQUENCER
CHORD STEP REC
SET NEXT BANK BANK VIEW
PROGRAM
DISK
DISK
MENUS
IN USE
LOAD
Simply by playing a chord on the keyboard, the AUTO PLAY CHORD function automatically plays an accompaniment pattern which matches perfectly the selected rhythm. With a real accompaniment as a background, you can concentrate on playing the melody.
How the AUTO PLAY CHORD works
When an AUTO PLAY CHORD mode is selected, an auto­matic accompaniment which matches the rhythm you have chosen is played in the chord which you specify with your left hand. The melody is played with your right hand.
The accompaniment pattern of the AUTO PLAY CHORD
Chord Melody
is composed of 8 parts: DRUMS 1, 2, BASS, ACCOMP
1–5.
The volume of each part can be adjusted with the buttons below the display. (Refer to page 31.)
How to play chords
There are four different ways to specify chords on the key­board.
Playing the rhythm
BASIC mode
For beginning players, a left-hand chord can be specified with just one finger. You can either press one key on the left key­board section to specify the root note (one-finger), or play all the notes of the chord (fingered).
The LEFT button in the CONDUCTOR turns off. You can turn it on and the LEFT part will be heard, but when the LEFT HOLD function is OFF, only the <Fingered> method can be used to specify chords. (Refer to page 49.)
When the rhythm is on, even if the keys are released, the accompaniment continues to play in the specified chord until you specify another chord.
47
QQTG0665
Part II Playing the rhythm
<One-finger>
Press a key in the left keyboard section to specify the root note. The major chord corresponding to this root note is auto­matically played in an accompaniment pattern.
When three or more keys of a chord are pressed, it is recognized as a <fingered> chord.
Minor, seventh and minor seventh chords are also easily produced.
minor chord seventh chord minor seventh chord
Play the root note plus a black key to the left of it.
Example: Cm Example: C7 Example: Cm7
Play the root note plus a white key to the left of it.
Example: C chord
Play the root note plus a black key and a white key to the left of it.
<Fingered>
Specify the chord by playing all the notes in the chord. When you play chords this way, the AUTO PLAY CHORD recog- nizes more chord types, and thus the scope of your perform­ance expression is expanded.
Playing the rhythm
Play chords by pressing at least three keys.
If the CHORD FINDER procedure is used, you can see the
types of chords that can be specified and the keys you press to play them. (Refer to page 50.)
ADVANCED 1 mode
In this mode, the chord is specified by playing it (fingered) on the left part of the keyboard. Chords which the AUTO PLAY CHORD does not recognize are ignored.
The keyboard automatically divides into left and right play­ing sections.
The sound selected for the left section of the keyboard is produced, but you can mute this part. (Refer to page 31.)
Play chords by pressing at least three keys.
If the CHORD FINDER procedure is used, you can see the
types of chords that can be specified and the keys you press to play them. (Refer to page 50.)
When the rhythm is on, even if the keys are released, the accompaniment continues to play in the specified chord until you specify another chord.
ADVANCED 2 mode
Chords are specified in the same manner as for <Fingered> chords in the BASIC mode. However, if the AUTO PLAY CHORD does not recognize the chord, the automatic accom­paniment is based on the pitches of some of the pressed keys.
PIANIST mode
In the PIANIST mode, the entire keyboard can be used to specify chords for the automatic accompaniment. This mode is used to add an automatic accompaniment to the perform­ance on a standard piano.
The keyboard does not split.
Chords can be specified (fingered) anywhere on the key-
board.
Chords are specified in the same manner as for the AD­VANCED 1 mode, and the types of chords are also the same.
<APC HOLD>
During a performance in the PIANIST mode, for example, if you press the pedal to which the APC HOLD function is as­signed, the currently specified chord is maintained, allowing you to focus your performance on a solo melody.
The accompaniment continues in the same chord as long as the pedal is depressed, and it does not change even if other chords are played.
To change the pedal assignment, refer to page 121.
48
QQTG0665
Part II Playing the rhythm
How to use the AUTO PLAY CHORD
1. Select the desired rhythm and sound(s), and
set the tempo.
Do not select METRONOME.
2. Press the AUTO PLAY CHORD’s OFF/ON
button to turn it on.
AUTO PLAY CHORD
MODE
OFF/ON
CHORD FINDER
3. Press the AUTO PLAY CHORD’s MODE but-
ton to turn it on.
The display looks similar to the following.
4. Select an AUTO PLAY CHORD mode.
After a few seconds, the display returns to the previous display.
If the BASIC or an ADVANCED mode was selected, the keyboard automatically splits into right and left sections.
ON BASS
If the ON BASS button is ON, the BASS part is produced in the key of the lowest note of the played chord, thus making it possible to play chords such as C on G (excluding <one­finger> chords).
For example, with the ON BASS button on, if you play a C chord by pressing the keys G, C and E, the BASS part is produced in the key of G.
5. Press the START/STOP button to begin the
rhythm.
You can start the rhythm by playing a key on the keyboard. (Refer to page 45.)
6. Specify a chord.
If the BASIC or ADVANCED mode was selected, specify the chord on the keyboard section to the left of the split point.
Split point
An accompaniment pattern in the specified chord is auto­matically played. Play the melody with your right hand.
Example of how to play a BASIC <One-Finger> accom­paniment
Play the melody with your right hand.
CF GC
Left hand
When you use FILL IN, INTRO and ENDING, the auto- matic accompaniment is also used in these patterns.
You can set the mode which determines how the LEFT part sounds during an AUTO PLAY CHORD performance. (Refer to the following section on LEFT HOLD”.)
In the initialized condition, when the rhythm is off, if an AUTO PLAY CHORD mode is on and a chord is specified, the specified root note (R. BASS part) and chord notes (CHORD part) are produced. The volumes of these notes can be adjusted. (Refer to page 31.)
7. To stop the automatic accompaniment, press
the START/STOP button.
If you wish the automatic accompaniment to begin and end the performance, set the OFF/ON button to off.
Playing the rhythm
LEFT HOLD
This setting determines how the LEFT part sounds when the LEFT button in the CONDUCTOR is on during a performance
with the BASIC or ADVANCED 1, 2 mode.
1. Press the AUTO PLAY CHORD’s MODE but-
ton to turn it on.
The display changes to the following.
2. Use the LEFT HOLD: ON/OFF button to set
the mode to on or off.
OFF:
The LEFT part sounds from the pressed chord keys.
When BASIC is selected, the LEFT part turns off. The LEFT part sounds if you turn it on, but <one-finger> chords
cannot be specified.
ON:
Specifying <one-finger> chords in the BASIC mode pro­duces the full chords; otherwise the LEFT part notes are those of the pressed chord keys.
When BASIC is selected the LEFT part turns off, but it will sound if you turn it on.
Touch response does not function for the LEFT part.
When the mode is set to ON, during a rhythm perform-
ance, the LEFT part continues to play even when the keys are released.
49
QQTG0665
Part II Playing the rhythm
APC VOLUME
To adjust the volume balance between the automatic accom­paniment and the parts you play manually on the keyboard, the volume of all the automatic accompaniment parts can be lowered as one.
Use the APC/SEQUENCER VOLUME slide
control to adjust the volume.
APC/SEQUENCER
VOLUME
MAX
OFF
Use this control to lower the automatic accompaniment volume when it is too loud relative to your manual per­formance.
At the MAX position, the volumes of the automatic ac- companiment parts correspond to their current settings; at the OFF position, the volume is 0. The volume should normally be set to MAX.
The set values are shown in the APC column of the volume balance display. (Refer to page 31.)
The volume can be adjusted for each part. (Refer to page
31.)
When the position of the slide control coincides with the actual volume, the indicator is lit. When the volume is changed by of the PANEL MEMORY or SEQUENCER playback, the actual volume differs from that indicated by the position of the slide control. In this case, the indicator is not lit.
The volume of the PIANO PERFORMANCE PADS part does not change. (PR804)
During SEQUENCER playback or disk DIRECT PLAY, operation of this slide control affects the total volume of all the playback parts.
CHORD FINDER
The CHORD FINDER can help, for example, when you do not know which keys to press to specify a given chord. When you input the chord name, the CHORD FINDER shows you which keys to press and even lets you hear the notes that make up.
1. Press the AUTO PLAY CHORD’s MODE but-
ton to turn it on.
The display changes to the following.
2. Select CHORD FINDER.
The display changes to the following.
3. Use the APC MODE button to select the auto-
matic accompaniment mode you will use to specify chords (BASIC, ADVANCED1).
When storing chords with the SEQUENCER, this button is not shown (MODE is fixed at BASIC).
In the list column are shown the chords which can be specified in each mode.
Playing the rhythm
4. Use the ROOT buttons to select the root note
of the chord. Use the TYPE buttons to select the type of chord.
A typical way to finger the specified chord (TYPICAL) is illustrated on a keyboard diagram.
Each time the INV. button is pressed, different INVER­SION fingerings are illustrated in order. (If there is no INVERSION fingering for the specified chord, this button is not shown on the display.)
When the button with a picture of an ear is pressed, the notes of the illustrated chord sound.
5. To exit the CHORD FINDER procedure, press
the EXIT button.
EXIT
You can also access this display by pressing and holding the CHORD FINDER (MODE) button for a few seconds.
AUTO PLAY CHORD
MODE
CHORD FINDER
50
QQTG0665
Part II Playing the rhythm
Fade In/Fade Out
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MAX
MIN
OFF
PIANO PERFORMANCE PADS
123
456
SOLO SOLO
MUSIC STYLE
8&16 BEAT
SOUL & DISCO
ARRANGER
RHYTHM GROUP
ROCK & POP BALLAD JAZZ & SWING
GOSPEL
COUNTRY &
& BLUES
WESTERN
1234
MOVIE & SHOW
LATIN &
MARCH &
WORLD
WALTZ
VARIATION
METRONOME
MEMORY
LOAD
SOUND ARRANGER PIANO STYLIST
SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
ONE TOUCH
PLAY
INTRO & ENDING
PROGRESSIVE
TEMPO / PROGRAM
PIANIST
FAVORITES
SIMPLE PIANOFADE
SYNCHRO
START / STOP
START
1234
BEAT
2
TAP TEMPO
LCD CONTRAST PAGEMUTE
HELP
OTHER PARTS/TR
DISPLAY HOLD
TRANSPOSE R1/R2 OCTAVE
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
EXIT
BRASS SYNTH SOLOIST
STRINGS
+ – +
PART SELECT
CONDUCTOR PANEL MEMORY
WOODWIND
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
GRAND UPRIGHT ELECTRIC MODERN
Add interest to your performance by starting a part with a fade-in or ending it with a fade-out.
FADE IN
At the beginning of the song, the volume of each part rises slowly.
1. Set up the panel settings for your perform-
FADE OUT
At the end of the song, the volume of each part gradually fades to nothing.
1. Start the performance.
ance.
2. Turn on the FADE OUT button at the point you
2. Turn on the FADE IN button.
FADE
IN OUT
The indicator flashes. In this condition, the volumes for all parts change to 0 and no sound is produced from this instrument until the FADE IN is turned off or until step 3 is executed.
3. Play the keyboard or press the START/STOP
button.
The volume slowly builds to its preset level.
For the fade-in effect for a rhythm part or when playing
back a SEQUENCER performance, turn on the FADE IN button before pressing the START/STOP button.
At the end of the fade-in, the FADE IN indicator goes out.
During the fade-in, the IN indicator is lit, and FADE IN is
shown on the normal display.
want the fade-out to start.
The volumes of all the parts slowly fade to 0.
The indicator flashes to show that fade-out is completed,
and then goes out. The volumes for all parts return to their specified settings.
If you wish to interrupt the fade-out, press the FADE OUT button to turn it off.
The volume balance buttons do not work while the FADE IN or FADE OUT indication is shown on the display.
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
SOUND
ACCORDION
EXPLORER
DRUM KITS MIXTURES MEMORY
PIANO
DIGITAL
DRAWBAR
FADE
IN OUT
SEQUENCER
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
TECHNI-CHORD
DIGITAL EFFECT BRILLIANCE
12345678
PROGRAM MENUS
CHORD STEP REC
SET NEXT BANK BANK VIEW
DISK
DISK
IN USE
LOAD
FADE SETTING
Adjust the settings for the FADE IN and FADE OUT.
1. Press and hold the FADE IN or FADE OUT
button for a few seconds.
FADE
IN OUT
The display looks similar to the following.
2. Use the and buttons to select the item.
Use the and buttons to change the setting.
Playing the rhythm
FADE IN
TIME:
Specify the time elapsed between 0 volume to the set volume (1 measure to 16 measure).
FADE OUT
TIME:
Specify the time elapsed between the set volume and 0 volume (1 measure to 16 measure).
AUTO RESET:
Specify whether the volume of each part automatically returns to its specified setting (ON, OFF).
RHYTHM AUTO STOP:
Specify whether the rhythm turns off after fade-out is completed (ON, OFF).
SEQ AUTO STOP:
Specify whether the SEQUENCER playback automat­ically stops after fade-out is completed (ON, OFF).
The display returns to the previous display a few seconds after you have changed the settings.
You can also access this display from the CONTROL MENU display. (Refer to page 120.)
51
QQTG0665
Part II Playing the rhythm
Sound Arranger
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MAX
MIN
OFF
PIANO PERFORMANCE PADS
123
456
SOLO SOLO
8&16
ROCK & POP BALLAD JAZZ & SWING
BEAT
SOUL & DISCO
MUSIC STYLE ARRANGER
RHYTHM GROUP
GOSPEL
COUNTRY &
& BLUES
WESTERN
1234
MOVIE &
SHOW
LATIN &
MARCH &
WORLD
WALTZ
VARIATION
METRONOME
MEMORY
LOAD
SOUND
ARRANGER PIANO STYLIST
SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
ONE TOUCH
PLAY
INTRO & ENDING
PROGRESSIVE
TEMPO / PROGRAM
PIANIST
FAVORITES
SIMPLE PIANOFADE
SYNCHRO
START / STOP
START
1234
BEAT
2
TAP TEMPO
LCD CONTRAST PAGEMUTE
OTHER PARTS/TR
HELP
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND
EXPLORER
DIGITAL
DRAWBAR
TECHNI-CHORD
12345678
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
DIGITAL EFFECT BRILLIANCE
SEQUENCER
CHORD STEP REC
SET NEXT BANK BANK VIEW
PROGRAM
DISK
MENUS
LOAD
The SOUND ARRANGER feature lets you select other sounds for the AUTO PLAY CHORD parts of each rhythm.
1. Select the rhythm whose sound you wish to
change.
5. Repeat steps 3 and 4 for the other parts as
desired.
Do not select the METRONOME or the MEMORY button.
6. When you have finished selecting the sounds,
2. In the SOUND ARRANGER section, press the
SET button to turn it on.
SOUND
ARRANGER
SET OFF/ON
press the SET button.
Playing back the sounds
1. In the SOUND ARRANGER section, press the
OFF/ON button to turn it on.
SOUND
The display looks similar to the following.
ARRANGER
SET OFF/ON
DISK IN USE
Playing the rhythm
2. Start the rhythm (automatic accompaniment).
When the OFF/ON button is off, the factory-preset sounds are produced.
3. Use the and buttons to select the part
whose sound you wish to change.
This setting can be set separately for each rhythm.
If you wish to modify the settings you specified, while the
OFF/ON button is on, press the SET button to turn it on.
4. Select the desired sound.
The DIGITAL EFFECT on/off status can also be specified (except for DRUMS part).
For the DRUMS part, select sounds from the DRUM KITS group.
Sounds from the DIGITAL DRAWBAR groups cannot be selected for the ACCOMP and BASS parts.
The sound and on/off status of the DIGITAL EFFECT are shown on the display.
One Touch Play
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MAX
MIN
OFF
PIANO PERFORMANCE PADS
123
456
SOLO SOLO
8&16
ROCK & POP BALLAD JAZZ & SWING
BEAT
GOSPEL
SOUL &
& BLUES
DISCO
MUSIC STYLE ARRANGER
RHYTHM GROUP
MOVIE & SHOW
COUNTRY &
LATIN &
MARCH &
WESTERN
WORLD
WALTZ
VARIATION
1234
ONE TOUCH PLAY automatically sets a suggested combination of sounds and an appropriate tempo for your chosen rhythm style.
1. Select a rhythm pattern.
Do not select the METRONOME or the MEMORY button.
2. Press and hold the ONE TOUCH PLAY button
for a few seconds.
ONE TOUCH
PLAY
METRONOME
MEMORY
LOAD
SOUND
ARRANGER PIANO STYLIST SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
ONE TOUCH
PLAY
INTRO & ENDING
PROGRESSIVE
TEMPO / PROGRAM
PIANIST
START / STOP
1234
FAVORITES
SYNCHRO START
BEAT
TAP TEMPO
LCD CONTRAST PAGEMUTE
OTHER PARTS/TR
HELP
SIMPLE PIANOFADE
2
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND
EXPLORER
TECHNI-CHORD
DIGITAL
DRAWBAR
12345678
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
DIGITAL EFFECT BRILLIANCE
SEQUENCER
PROGRAM
CHORD STEP REC
SET NEXT BANK BANK VIEW
DISK
DISK
MENUS
IN USE
LOAD
The AUTO PLAY CHORD and the SYNCHRO START are automatically turned on, and the sounds and effects, volume balances, tempo etc. that are ideal for your selected rhythm are automatically set.
3. Play the keyboard.
When you specify a chord, the automatic rhythm begins to play immediately.
During setting, the style name is shown on the display.
52
QQTG0665
Part II Playing the rhythm
Piano Stylist
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MAX
MIN
OFF
PIANO PERFORMANCE PADS
123
456
SOLO SOLO
8&16
ROCK & POP BALLAD JAZZ & SWING
BEAT
SOUL & DISCO
MUSIC STYLE ARRANGER
RHYTHM GROUP
GOSPEL
COUNTRY & WESTERN
& BLUES
1234
MOVIE &
SHOW
LATIN &
MARCH &
WORLD
WALTZ
VARIATION
METRONOME
MEMORY
LOAD
SOUND
ARRANGER PIANO STYLIST SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
ONE TOUCH
PLAY
INTRO & ENDING
PROGRESSIVE
TEMPO / PROGRAM
PIANIST
START / STOP
1234
FAVORITES
SYNCHRO
START
BEAT
TAP TEMPO
LCD CONTRAST PAGEMUTE
OTHER PARTS/TR
HELP
SIMPLE PIANOFADE
2
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND EXPLORER
TECHNI-CHORD
DIGITAL
DRAWBAR
12345678
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
DIGITAL EFFECT BRILLIANCE
SEQUENCER
CHORD STEP REC
SET NEXT BANK BANK VIEW
PROGRAM
DISK
DISK
MENUS
IN USE
LOAD
This feature automatically launches the appropriate instrument settings when you select the style of the arrangement you wish to play in. By using this feature, you can easily achieve a performance like that of a first-rate pianist.
PIANO STYLES
Select a suitable style for your performance based principally on the piano sound.
1. Press the PIANO STYLIST button to turn it
on.
PIANO STYLIST
The display looks similar to the following.
6. Play the keyboard.
When you specify a chord on the left area of the keyboard, the automatic accompaniment begins to play.
You can use the TEMPO/PROGRAM dial to adjust the tempo.
7. When you are finished selecting the style, turn
the PIANO STYLIST button off.
ENSEMBLE STYLES
Select a style suitable for an ensemble performance that uses the many sounds and rhythms incorporated in this instrument.
1. On the PIANO STYLIST display, press the
ENSEMBLE STYLES button.
2. Press the PIANO STYLES button.
The display looks similar to the following.
The display looks similar to the following.
3. Use the ARRANGE MODE button to select the
desired type of arrangement.
Select the type you wish to play (PIANO SOLO/PIANO & COMBO/PIANO & ENSEMBLE).
4. Use the SELECT MODE button to specify how
you wish to select a style.
GENRE: Select a style by musical genre. ERA: Select a style by era. ALPHABET: Select a style from an alphabetical list.
5. Use the GENRE/ERA/ALPHABET button
below the display to select a group. Use the STYLE button to select a style.
In the above example, GENRE was selected.
If the list covers more than one screen page, the MORE
button is shown on the display. Use the MORE button to switch between screen pages.
The AUTO PLAY CHORD and SYNCHRO START turn on, and the sounds, effects, rhythm, tempo, volume balance, etc. which are best suited for the selected music style are automatically selected.
2. Use the GROUP button the select a style
group.
These are the same as the groups for the RHYTHM GROUP button.
3. Use the RHYTHM button to select a rhythm,
and the STYLE button to select a style.
The AUTO PLAY CHORD and SYNCHRO START turn on, and the sounds, effects, rhythm, tempo, volume balance etc. which are best suited for the selected music style are automatically selected.
4. Play the keyboard.
When you specify a chord on the left area of the keyboard, the automatic accompaniment immediately begins to play.
You can use the TEMPO/PROGRAM dial to adjust the tempo.
5. When you are finished selecting the style, turn
the PIANO STYLIST button off.
Playing the rhythm
53
QQTG0665
Part II Playing the rhythm
Music Style Arranger
Playing the rhythm
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MAX
MIN
OFF
PIANO PERFORMANCE PADS
123
456
SOLO SOLO
8&16
ROCK & POP BALLAD JAZZ & SWING
BEAT
SOUL & DISCO
MUSIC STYLE ARRANGER
RHYTHM GROUP
GOSPEL
COUNTRY &
& BLUES
WESTERN
MOVIE & SHOW
LATIN &
MARCH &
WORLD
WALTZ
VARIATION
1234
METRONOME
MEMORY
LOAD
SOUND
ARRANGER PIANO STYLIST SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
ONE TOUCH
PLAY
INTRO & ENDING
PROGRESSIVE
TEMPO / PROGRAM
PIANIST
START / STOP 1234
FAVORITES
SYNCHRO
START
BEAT
TAP TEMPO
LCD CONTRAST PAGEMUTE
OTHER PARTS/TR
HELP
SIMPLE PIANOFADE
2
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND EXPLORER
TECHNI-CHORD
DIGITAL
DRAWBAR
12345678
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
DIGITAL EFFECT BRILLIANCE
SEQUENCER
PROGRAM
CHORD STEP REC
SET NEXT BANK BANK VIEW
DISK
DISK
MENUS
IN USE
LOAD
The MUSIC STYLE ARRANGER helps you to make professional registration changes during your performance. Select between four contrasting registrations at the push of a button, or let your instrument change the registration automatically for you when you use FILL IN 1 or 2. The MUSIC STYLE ARRANGER will also alter the accompaniment in character with the registration change creating a polished sounding arrangement.
How to use the MUSIC STYLE AR­RANGER
1. Select a rhythm pattern.
Do not select the METRONOME or the MEMORY button.
MUSIC STYLE ARRANGER mode
You can define which panel settings change by pressing a FILL IN button when the MUSIC STYLE ARRANGER is used.
1. Press and hold the MUSIC STYLE AR-
RANGER button for a few seconds.
The display changes to the following.
2. Press the MUSIC STYLE ARRANGER button
to turn it on.
MUSIC STYLE
ARRANGER
3. Use the VARIATION buttons to select a style
(1 to 4).
2. Select the mode.
MUSIC STYLE
ARRANGER
The nuance of the pattern differs with each number.
The panel settings (including the tempo) change accord-
ing to the selected rhythm and music style. The AUTO PLAY CHORD and the SYNCHRO START button are
automatically turned on. When a key on the left section of the keyboard is pressed, the automatic rhythm begins to play immediately.
During your performance, the style can be changed, but the tempo does not change.
VARIATION
1234
RHYTHM: Only the rhythm changes. SOUND & RHYTHM: The sound, effects, rhythms, etc.
change.
PANEL MEMORY: The PANEL MEMORY number (BANK A:
1 to 4) changes. You can store your desired panel settings in the PANEL MEMORY beforehand and switch from one to another quickly.
After a few seconds, the display exits the setting mode.
You can also access this setting display from the CON-
TROL MENU display. (Refer to page 120.)
How to change the music style during your performance
While you are playing the keyboard with the
MUSIC STYLE ARRANGER on, press the FILL IN 1 or FILL IN 2 button.
FILL IN
12
SEQUENCER
COUNT
RESET
INTRO
Each time the FILL IN 1 button is pressed, the FILL IN 1 pattern plays, and then the music style changes in the 4 3 2 1 order. And each time the FILL IN 2 button
is pressed, the FILL IN 2 pattern plays, and then the style changes in the 1 2 3 4 order.
54
QQTG0665
Part II Playing the rhythm
Panel Memory
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MAX
MIN
OFF
PIANO PERFORMANCE PADS
123
456
SOLO SOLO
MUSIC STYLE ARRANGER
8&16 BEAT
SOUL & DISCO
RHYTHM GROUP
ROCK & POP BALLAD JAZZ & SWING
GOSPEL
COUNTRY &
MARCH &
& BLUES
WESTERN
WALTZ
1234
MOVIE & SHOW
LATIN & WORLD
VARIATION
METRONOME
MEMORY
LOAD
SOUND
ARRANGER PIANO STYLIST
SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
ONE TOUCH
PLAY
INTRO & ENDING
PROGRESSIVE
TEMPO / PROGRAM
PIANIST
START / STOP 1234
FAVORITES
SYNCHRO
START
BEAT
TAP TEMPO
LCD CONTRAST PAGEMUTE
OTHER PARTS/TR
HELP
SIMPLE PIANOFADE
2
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND
EXPLORER
DIGITAL
DRAWBAR
MULTI EFFECT
SOLO
TECHNI-CHORD
12345678
PANEL MEMORY stores all the current panel settings so you can recall them at the push of a button.
How to store the panel settings
Store up to 24 panel settings (3 banks x 8 memories). By
Assign a name to the bank/memory
You can assign names to the banks and memories. storing all the panel settings you use for a song in the same bank, for example, you can switch from one panel setup to the next in a flash.
1. Set up the desired panel settings (sounds,
volumes, etc.)
2. Press the BANK VIEW button to turn it on.
SET NEXT BANK BANK VIEW
1. Select a bank or memory.
2. Use the PAGE buttons to go to the PAGE2/2
BANK VIEW page on the display.
3. Press the BANK NAMING button to assign a
name to the bank, or the MEMORY NAMING button for the memory.
The display looks similar to the following.
The BANK SELECT display appears.
SEQUENCER
CHORUS REVERB PLAY EASY REC
DIGITAL EFFECT BRILLIANCE
PROGRAM
MENUS
CHORD STEP REC
SET NEXT BANK BANK VIEW
DISK
DISK
IN USE
LOAD
3. Use the buttons to the left of the display to
select the desired bank (A, B, C).
4. With the SET button held down, press one of
the numbered buttons of the PANEL MEMORY (1 to 8).
SET
12345678
PANEL MEMORY
The panel settings are now stored in the specified bank and number.
BANK VIEW
After selecting a bank, you can use the PAGE buttons to go to the PAGE2 BANK VIEW page and confirm the memory names of that banks 8 memories.
4. Assign a name.
Press the ABC button to enter alphabetical characters. While the SHIFT button is pressed, upper case letters are entered.
Press the 123 button to enter numbers, etc. While the SHIFT button is pressed, you can enter symbols.
Press the POSITION button to move the cursor.
You can also use the TEMPO/ PROGRAM dial to select
the characters.
Press the INS button to enter a space at the cursor position.
Press the DEL button to erase the character at the cursor position.
Press the CLR button to erase the entire name.
Press the →← button to center the name.
5. When you have finished assigning the name,
press the OK button.
Playing the rhythm
You can use the BANK and buttons to view other
banks.
You can also access this display by pressing and holding any of the PANEL MEMORY number buttons (1 to 8) for a few seconds.
55
QQTG0665
Part II Playing the rhythm
Recall the panel setup
1. Press the BANK VIEW button to turn it on.
Select a bank.
2. Press the desired PANEL MEMORY number
button (1 to 8).
The panel setup changes to the one stored in the specified memory.
You can then change the sound settings, etc. manually; however, the contents of the memory remain unchanged until you store them again.
The Control Preset bank of the PIANO PERFORMANCE PADS (PR804), the soft pedal, or the sostenuto pedal
can also be used to change from one PANEL MEMORY setup to another.
The currently selected bank, memory number and memory name are shown in the top line on the normal display.
NEXT BANK
You can press the NEXT BANK button to switch to the next bank. This allows you to change banks without exiting the normal display.
SET NEXT BANK BANK VIEW
PANEL MEMORY mode
You can define which panel settings are recalled when the PANEL MEMORY is used.
1. Press and hold the SET button for a few sec-
onds.
The display changes to the following.
2. Select the mode.
NORMAL:
The sounds and volume balance, and CONDUCTOR sta­tus are stored.
EXPAND:
All the instruments settings are stored, including the rhythm (except for SOUND ARRANGER on/off status), TRANSPOSE, tempo, etc.
After a few seconds, the display exits the setting mode.
Playing the rhythm
Each time the NEXT BANK button is pressed, the bank changes in order from A to B to C. Following bank C, the bank changes to A.
The panel settings change when a PANEL MEMORY number button (1 to 8) is pressed.
EXPAND MODE FILTER
You can specify which data is stored in the EXPAND mode.
1. Use the PAGE buttons to access the PAGE
2/2 EXPAND MODE FILTER display.
The display looks similar to the following.
2. Use the ▲and ▼ buttons to select the item.
3. Use the ON and OFF buttons to store the on
or off status for the selected item.
56
QQTG0665

Part III Piano Performance Pads (PR804)

Playing phrases
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MIN
PIANO PERFORMANCE PADS
MAX
123
456
OFF
SOLO SOLO
8&16
ROCK & POP BALLAD JAZZ & SWING
BEAT
SOUL & DISCO
MUSIC STYLE ARRANGER
RHYTHM GROUP
GOSPEL
COUNTRY &
WESTERN
& BLUES
1234
MOVIE & SHOW
LATIN &
MARCH &
WORLD
WALTZ
VARIATION
METRONOME
MEMORY
LOAD
SOUND
ARRANGER PIANO STYLIST SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
ONE TOUCH
INTRO & ENDING
PROGRESSIVE
TEMPO / PROGRAM
PIANIST
START / STOP
1234
FAVORITES
SYNCHRO
START
BEAT
TAP TEMPO
LCD CONTRAST PAGEMUTE
HELP
OTHER PARTS/TR
SIMPLE PIANOFADE
PLAY
2
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND
EXPLORER
TECHNI-CHORD
DIGITAL
DRAWBAR
12345678
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
DIGITAL EFFECT BRILLIANCE
SEQUENCER
CHORD STEP REC
SET NEXT BANK BANK VIEW
PROGRAM
DISK
DISK
MENUS
IN USE
LOAD
During your performance, you can insert a short recorded phrase or effect sounds by pressing a pad button. A different group of phrases is recorded in each bank.
1. Press the BANK button.
AUTO SETTING BANK STOP
2. Select the desired bank from the display.
The list of banks consists of three screen pages. Use the PAGE buttons to move from one screen page to another.
3. Press a pad button (1 to 6).
123
456
A different phrase is assigned to each pad button.
Information about the phrase, such as its name and the
measure number, is shown in the normal display.
SOLO SOLO
The volume can be adjusted on the normal display.
The selected phrase is played in the current tempo.
To stop the phrase before it has ended, press the STOP
button.
Some phrases continue to play until the STOP button is pressed (the LOOP indication appears).
During a rhythm performance, some phrases may play in time with the measure count.
When the automatic accompaniment is on, the phrase is
User Bank 1, 2 and 3 are for storing your original
played in the specified chord.
phrases.
“Compile Bank 1 and 2 are for assigning phrases as you desire.
Various functions are assigned to each pad button in Control Preset.
1: ROTARY SLOW/FAST 2: PANEL MEMORY BANK INCREMENT 3: GLIDE 4: PANEL MEMORY DECREMENT 5: PANEL MEMORY BANK DECREMENT 6: PANEL MEMORY INCREMENT
For more information about these functions, please see to page 121.
SOLO
Pad buttons 5 and 6 (SOLO) are phrases with chord pro­gressions. Just by pressing one of these pad buttons, the phrase changes following a chord progression that is typical for the music genre of that bank.
Use with the automatic accompaniment during your per­formance.
Pad button 5 accesses a major chord type progression, and pad button 6 a minor chord type progression.
A table showing the chord progression for each bank can be found in the separate REFERENCE GUIDE provided.
When using the Control Preset bank, set the AUTO SETTING button to OFF. When using the PANEL MEMORY, turn off the PAD BANK of the EXPAND MODE
FILTER.
The display returns to the previous display after a few seconds.
AUTO SETTTING
When this button is set to on, the bank automatically changes according to the automatic setting functions in the PIANO
STYLIST, the ONE TOUCH PLAY and the MUSIC STYLE ARRANGER. When it is set to off, the bank does not auto-
matically change according to these functions.
Pads
Piano Performance
AUTO SETTING
57
QQTG0665
Part III Piano Performance Pads (PR804)
Copying phrases
You can copy the desired data, as phrases, from the SEQUENCER to each pad memory of a User Bank”.
Chord data is also copied to pad buttons 5 and 6 (SOLO).
PHRASE COPY
Copy a phrase from one pad to another.
SEQ TO PAD COPY
1. Record a phrase in the SEQUENCER, or load
1. Press the PROGRAM MENUS button to turn
it on.
PROGRAM
MENUS
The display looks similar to the following.
data from a disk.
After this procedure, please do not change the song number.
For details about SEQUENCER operation, refer to page
61.
For information about loading data, refer to page 96.
2. Press the PROGRAM MENUS button to turn
it on.
3. Select PIANO PERFORM PADS.
4. Select SEQ TO PAD COPY.
The display looks similar to the following.
2. Select PIANO PERFORMANCE PADS.
The display looks similar to the following.
5. Select the measures of SEQUENCER data
you wish to copy from.
On the SEQUENCER side, use the and buttons to make the corresponding settings.
3. Select PHRASE COPY.
The display looks similar to the following.
4. Select the pad you wish to copy from.
Use the buttons on the FROM side to set the desired settings. BANK: Bank name
Pads
PAD: Pad number (1 to 6)
5. Select the pad you wish to copy to.
Piano Performance
Use the buttons on the TO side to set the desired settings. USER BANK: Bank name (USER A, B, C) PAD: Pad number (1 to 6)
Only a SOLO phrase can be copied to the SOLO pads (5 and 6).
6. Press the OK button.
FIRST MEAS: The first measure of the phrase you
wish to copy.
LAST MEAS: The last measure of the phrase you wish
to copy.
TRANSPOSE: The setting to transpose the chords
when they are copied.
The maximum that can be copied is 16 measures.
When copying to pad button 5 or 6, the chord track is
automatically displayed, and the chord data is also copied. However, when chord data from step record input does not exist, the measures are blank. In this case, PART 2 cannot be used.
If you wish to convert the chords during playback, set TRANSPOSE to the key of C and then copy the phrase.
6. Select the pad button you wish to copy to.
On the PERFORMANCE PAD side, use the and buttons to make the corresponding settings.
USER BANK: The name of the bank (A/B/C). PAD: Pad button number (1 to 6). PART: The part to copy to.
7. Use the TRACK and buttons to select the
SEQUENCER track number to copy from.
If there is CHORD data, it is automatically selected.
7. Press the PROGRAM MENUS button to turn
it off.
If you wish to modify a portion of the copied phrase, press the EDIT button to change to the recording display.
58
QQTG0665
8. Press the OK button.
A confirmation display appears. Press the YES button if you wish to copy the phrase, or press the NO button to cancel the procedure.
9. When you have completed the procedure,
press the PROGRAM MENUS button to turn it off.
Part III Piano Performance Pads (PR804)
Compile
You can assign desired phrases from different banks in Compile Bank 1 and 2.
1. Press the PROGRAM MENUS button to turn
it on.
PROGRAM
MENUS
The display looks similar to the following.
2. Select PIANO PERFORMANCE PADS.
The display looks similar to the following.
3. Select COMPILE SET.
The display looks similar to the following.
You can press the NAMING button and assign a name to
the bank.
4. Press the BANK button to select a bank (Com-
pile Bank: 1/2).
5. Use the PADS and buttons to select the
pad to which to assign the phrase.
6. Use the BANK and PHRASE and buttons
to select the desired bank and phrase you wish to assign.
The “Control bank cannot be selected.
7. Repeat steps 5 and 6 to assign phrases to the
other pad buttons.
Record a phrase
User Bank A, B and C are reserved for storing your original phrases.
1. Press the PROGRAM MENUS button to turn
it on.
The display looks similar to the following.
2. Select PIANO PERFORMANCE PADS.
The display looks similar to the following.
8. When you have finished assigning the
phrases, turn off the PROGRAM MENUS but­ton.
3. Use the buttons to the left of the display to
select a RECORDING BANK.
The display changes to the RECORD PAD display.
You can press the BANK NAMING button and assign a
name to the bank.
If the BANK CLR button is pressed, all the data in the bank is cleared (a confirmation display appears).
4. Use the buttons below the display to select
the pad number to record.
The display changes to the PAD RECORDING display.
You can press the PAD NAMING button and assign a
name to the bank.
To clear all the current data in the selected pad, press the CLEAR THE PAD button, and then press the YES button on the confirmation display.
5. Use the MEAS and buttons specify the
number of measures in the phrase. Use the TIME SIGNATURE and buttons to specify the time signature of the phrase.
This step is possible only if the CLEAR THE PAD proce­dure was executed.
Pads
Piano Performance
(continued on the next page)
QQTG0665
59
Part III Piano Performance Pads (PR804)
6. Press the OK button.
For details about KEY SETTING, refer to page 87.
For details about CHORD MODIFY CHANGE, refer to
page 88.
7. Select the part to record to.
Press the button for PART 1 or PART 2.
Recording begins as soon as the pad is selected.
Two parts can be recorded (PAD 14).
The display looks similar to the following.
Refer to page 89 for detailed information about PART
SETTING.
8. Proceed to record.
The recording procedure is the same as for the COM- POSER. (Refer to page 85.)
When played back by the AUTO PLAY CHORD, the recorded phrase will be played in the specified chord.
In the PLAY SETTING, if LOOP is set to OFF, LOOP recording is not possible.
PLAY SETTING
Select a playback mode.
1. On the PAD RECORDING display, press the
PLAY SETTING button.
The display looks similar to the following.
2. Use the START and buttons to select a
playback mode.
SYNCHRO:
During a rhythm performance, the phrase playback
Pads
Piano Performance
begins in time with the beat.
INSTANT:
The phrase starts to play immediately when the pad button is pressed, regardless of the rhythm.
3. Use the LOOP and buttons to enable or
disable loop playback.
ON:
Once the pad button is pressed, the phrase is played back repeatedly until the STOP button is pressed.
OFF:
The phrase is played back only once.
CHORD STEP RECORD
A chord progression can be stored in PAD 5 and PAD 6.
1. On the REALTIME RECORDING display,
press the CHORD STEP REC button.
The display looks similar to the following.
2. Use the CURSOR buttons to move the cursor
to the position you wish to input.
The cursor moves in 1/8-note increments.
3. Input the chord by playing it on the keyboard.
The chord name is shown.
Use the keys to the left of the specified keyboard split
point (except for PIANIST mode).
4. Press the OK button.
5. Repeat steps 2 to 4 to store the rest of the
chord progression.
To delete a chord which has been input, move the cursor to the specific chord and press the ERS button.
60
QQTG0665

Part IV Sequencer

Outline of the Sequencer
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MAX
MIN
OFF
PIANO PERFORMANCE PADS
123
456
SOLO SOLO
MUSIC STYLE
8&16 BEAT
SOUL & DISCO
ARRANGER
RHYTHM GROUP
ROCK & POP BALLAD JAZZ & SWING
GOSPEL
COUNTRY &
& BLUES
WESTERN
1234
MOVIE &
SHOW
LATIN &
MARCH &
WORLD
WALTZ
VARIATION
METRONOME
MEMORY
LOAD
SOUND
ARRANGER PIANO STYLIST SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
ONE TOUCH
PLAY
INTRO & ENDING
PROGRESSIVE
TEMPO / PROGRAM
PIANIST
FAVORITES
SIMPLE PIANOFADE
SYNCHRO
START / STOP
START
1234
BEAT
2
TAP TEMPO
LCD CONTRAST PAGEMUTE
HELP
OTHER PARTS/TR
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND
EXPLORER
DIGITAL DRAWBAR
TECHNI-CHORD
12345678
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
DIGITAL EFFECT BRILLIANCE
SEQUENCER
PROGRAM
CHORD STEP REC
SET NEXT BANK BANK VIEW
DISK
DISK
MENUS
IN USE
LOAD
A sequencer records your performance in a similar way to a tape recorder. This instrument’s SEQUENCER allows you to record up to 10 performances in a variety of ways. You may want to record your entire performance in one go (especially if you are using AUTO PLAY CHORD to provide the accompaniment), or to build up a complex arrangement with several different parts playing together, like an orchestral score. This instrument’s SEQUENCER has 16 tracks. This means that you can record 16 different parts. However, you dont have to use all 16 tracks. For some uses you may only need to use one or two tracks. This instrument’s SEQUENCER enables you to edit your recorded performance. Unlike a tape recorder you can change the sound or the tempo during playback, or correct wrong notes or timing errors.
SEQUENCER features
You can change the tempo without chang­ing the pitch
When you record your performance at a slow tempo and play it back at a faster tempo, the pitch stays the same.
Consistent sound
Your performance is reproduced by a sound module as it reads digital data. So, unlike a recorded tape, the sound never deteriorates no matter how many times you play back
Memory capacity
Up to 10 songs can be stored in the SEQUENCER. Expressed in terms of notes, the total number of notes which can be stored in all the SEQUENCER songs and tracks is about 40,000. The remaining memory available for recording is shown on the display as a percentage (MEMORY= %).
When “Memory full! appears on the display, no more data can be stored in the SEQUENCER.
The recorded contents can be saved on a disk for recall at a later time. (Refer to page 99.)
your performance.
SEQUENCER menu
Edit your recorded performance
Comprehensive editing functions allow you to modify your recorded performance. Data can easily be erased, corrected or copied, providing an especially convenient tool for creating your original tunes.
Instant search
A recorded tape has to be rewound, but digital action means you can return to the beginning of your performance, or find any measure, instantly.
The configuration of the SEQUENCER setting display is as follows.
1. Press the PROGRAM MENUS button to turn
it on.
PROGRAM
MENUS
The display looks similar to the following.
Save your performances on disks
All the data of your recorded performances can be stored on disks. The built-in Disk Drive also allows you to play com­mercially sold disks on your own Keyboard.
Features and operation of the built-in Disk Drive are ex­plained in Part VI: Disk Drive (page 94).
Popular features
Simplified recording method
EASY RECORD is a feature that allows you to bypass the more complex recording procedures so you can record and play back your performance quickly and easily.
You can also record an accompaniment from the AUTO PLAY CHORD.
Create a one-man ensemble
Use the REALTIME RECORD function to record your per­formance in up to 16 tracks and create your own orchestra or band.
Store individual data to create your song
For repeating patterns or those especially complicated phrases, the STEP RECORD feature is convenient for re­cording the notes one-by-one.
This method can be used to store both the chord progres­sion for the automatic accompaniment and the rhythm changes.
2. Select SEQUENCER.
The display looks similar to the following.
The SONG and buttons are used to select a song.
You can press the NAMING button and assign a name to
the song. (Refer to page 69.)
You can press the PANEL WRITE button to store the current settings of the instrument at the beginning of the song. (Refer to page 69.)
(continued on the next page)
QQTG0665
Sequencer
61
Part IV Sequencer
3. Select RECORD & EDIT, COPY & PASTE or
RANGE EDIT, and follow the corresponding procedure.
<RECORD & EDIT>
<COPY & PASTE>
Summary of the SEQUENCER menu items
RECORD & EDIT
These functions are recording and editing operations used for creating a new performance.
REALTIME RECORD (page 65)
Record each part of your performance just as you play it on the keyboard.
PUNCH RECORD (page 70)
Correct a selected portion of your recorded perform­ance.
STEP RECORD (page 71)
Store the sounds note-by-note on the display.
You can also store the chord or rhythm progression for the AUTO PLAY CHORD.
TRACK ASSIGN (page 76)
Assign parts to tracks.
QUANTIZE (page 77)
Correct the timing of your performance.
SONG SELECT (page 70)
Select a song.
SONG CLEAR (page 70)
Erase all the recorded data of a song.
TRACK CLEAR (page 78)
Erase the contents of a specific track.
NOTE EDIT (page 78)
Store and correct performance (NOTE) data on a piano roll display.
DRUM EDIT (page 79)
Store and correct DRUMS part data on a special display.
COPY & PASTE
Copy recording data and paste it to the desired location. TRACK COPY (page 80)
Copy data of specific tracks.
SONG COPY (page 80)
Copy data of specific songs.
<RANGE EDIT>
TRACK MERGE (page 80)
Merge the recorded contents of two tracks and store in a third track.
TRACK CLEAR (page 78)
Erase the contents of a specific track.
SONG CLEAR (page 70)
Erase all the recorded data of a song.
MEASURE COPY (page 81)
Copy the contents of specific measures.
MEASURE ERASE (page 81)
Erase the contents of specific measures.
MEASURE DELETE (page 81)
Delete specific measures from the performance.
MEASURE INSERT (page 82)
Insert additional measures in the performance.
APC TO SMF CONVERT (page 82)
With this function, the automatic accompaniment per­formance data that is recorded collectively in the APC/CHORD/RHYTHM/CONTROL part is distributed among separate tracks.
RANGE EDIT
Change the note position etc. in the recorded data. QUANTIZE (page 77)
Correct the timing of your performance.
VELOCITY CHANGE (page 83)
Modify the recorded velocity (how hard the keyboard was played) of performance data.
NOTE CHANGE (page 83)
Change the pitch of specific notes.
TRANSPOSE (page 83)
Change the key of the performance data.
ADVANCE/DELAY (page 84)
Speed up or delay the sound production of perform­ance data.
Sequencer
62
QQTG0665
Part IV Sequencer
About the measure count
The measure count on the display corresponds to the time signature of the selected rhythm. However, if rhythm data is stored in the RHYTHM part and that part is played back, the measure count on the display corresponds to the stored rhythm data. (Refer to page 75.)
If you wish to use a time signature not available in the preset rhythms, use the COMPOSER to create a new time signature. (Refer to page 86.)
Slide Show
This instrument can show various images which change automatically corresponding to the music progression just like the DEMO performance. Using the Slide Show function, you can create a multi-media show of images synchronizing with the sound.
Schematic
PICTURE 1
PIC #1
PICTURE 3
PIC #3
Intro Theme A Theme B
PIC #2
PICTURE 2
Set the images
To set the images, proceed as follows.
1. Record a song in the SEQUENCER. (See
pages 65 to 67.)
2. Specify the points (PIC) at which the image
must be changed on the STEP RECORD (CONTROL) display. (See page 73.)
3. Replay the song.
The selected image is displayed in whole screen at the specified point (PIC). The image continues to be shown until the next PIC point comes.
Images will be displayed on either the normal display or the SEQUENCER PLAY display.
PR804: You can output the displayed images to a external monitor such as a TV set. (See page 136.)
PICTURE 5
PIC #5
Ending
PIC #4
PICTURE 4
PICTURE 6
PIC #6
Load your original images
Besides a variety of preset images of the instrument, you can use your original images on your PC, etc.
1. Save the image data to a disk.
The instrument can read .BMP and .JPG formats (not compatible with all data with those extensions).
2. Insert the disk into the DISK DRIVE. (See page
96.)
3. Load the data using the STEP RECORD dis-
play.
MEMO
This instrument is compatible with images sized 640
x 240 pixels. Even though an image sized up to 640 x 480 pixels can be read, the data will be cut out to 640 x 240 pixels when loading.
Depending on the size, it may not be possible to load
the image.
After the PICTURE LOAD display appears, no sound
is produced on the instrument.
PR604: The display consists of a monochrome, 4-
gradation screen. It is recommend that you remake the images beforehand to adapt for the screen capacity using a graphic application, etc, in your computer.
63
QQTG0665
Sequencer
Part IV Sequencer
Sequencer parts
The following summary explains what is stored in each SEQUENCER part.
Part name
[name on display]
RIGHT1 [RT1] RIGHT2 [RT2] LEFT [LFT] PART1 [P 1] – PART9 [P 9] PART11 [P 11] – PART16 [P16]
Recording the performance of each part (REALTIME/STEP)
Used for Recorded contents
Sound and volume settings
PART EXPRESSION
Contents of sound and effect settings that can be set on the
MIXER display (Refer to page 105.)
PITCH BEND, MODULATION data
Pedal operation
DRUMS [DRM] (PART 10)
CONTROL [CTL] Recording changes in the
AUTO PLAY CHORD
[APC]
CHORD [CHD] Recording chord progression
RHYTHM [RHY] Settings related to rhythm
Recording the drums performance with the DRUM KITS group sounds (REALTIME/STEP)
panel button status (REALTIME/STEP)
Recording chords for the
AUTO PLAY CHORD
(REALTIME)
for the AUTO PLAY CHORD (STEP)
(STEP)
Sound and volume settings
PART EXPRESSION
Contents of sound and effect settings that can be set on the
MIXER display (Refer to page 105.)
Rhythm setting and selection changes
REVERB on/off
AUTO PLAY CHORD status, volume balance
MUSIC STYLE ARRANGER status
FILL IN 1, 2, INTRO & ENDING 1, 2 on
PANEL MEMORY selection changes
TRANSPOSE status
TECHNI-CHORD status
START/STOP on/off
TEMPO setting
CONDUCTOR status
PIANO PERFORMANCE PADS setting (PR804)
FADE IN/OUT operation
APC/SEQUENCER VOLUME settings.
TOTAL EXPRESSION
Images for SLIDE SHOW (PIC) (STEP)
Chord progression
AUTO PLAY CHORD status, volume balance
START/STOP on/off
FILL IN 1, 2, INTRO & ENDING 1, 2 on
Chord progression
FILL IN 1, 2, INTRO & ENDING 1, 2 on
Rhythm settings and selection changes
FILL IN 1, 2, INTRO & ENDING 1, 2 on
START/STOP on/off
TEMPO setting
Sequencer
You can use the TRACK ASSIGN function to assign parts to tracks as you wish. (Refer to page 76.)
Those items above which are not operations available with this instrument can be recorded only from MIDI input.
64
QQTG0665
Part IV Sequencer
Easy Record
Suppose you are playing your instrument and you wish to record and play back your performance to hear how it sounds. You can bypass the set-up procedures of the full-scale sequencer and begin recording quickly and easily.
Note that by executing EASY REC, the original data in the selected song number is erased.
Recording procedure
1. Press the EASY REC button to turn it on.
SEQUENCER
PLAY EASY REC
CHORD STEP REC
The display changes to the following.
2. Use the SONG and buttons to select the
song number in which to record (1 to 10).
If you press the NAMING button, you can assign a name to your song. (Refer to page 69.)
3. Set the desired sounds, effects, rhythms, etc.
4. Press the OK button.
The display changes to the REALTIME RECORD display.
5. Play the keyboard.
Recording begins as soon as you start the rhythm or play the keyboard.
For a performance using rhythm, be sure to press the START/STOP button or the ENDING button to end your performance.
6. When you have finished recording, press the
EASY REC button to turn it off.
The PLAY button turns on.
Playback
1. Press the SEQUENCER RESET (FILL IN 1)
button.
FILL IN
1
SEQUENCER
RESET
2. Press the START/STOP button.
Your recorded performance is played back automatically.
When you are finished playing back your performance,
press the SEQUENCER PLAY button to turn it off.
Realtime Record
With REALTIME RECORD, your performance is recorded with the timing exactly as you played it on the keyboard. Use this mode to record your performance in up to 16 tracks and create your own orchestra or band.
Recording procedure
1. Press the PROGRAM MENUS button to turn
it on.
The display changes to the following.
2. Select SEQUENCER.
The display looks similar to the following.
When you press the PANEL WRITE button, the PANEL
WRITE display appears. To store the currently active settings, such as the sounds, at the beginning of the song, press the OK button.
3. Use the SONG and buttons to select a
song number in which to record. (The song number is shown on the display.)
4. Select RECORD & EDIT.
The display looks similar to the following.
5. Select REALTIME RECORD.
Sequencer
65
QQTG0665
Part IV Sequencer
The display looks similar to the following.
6. Use the buttons below the display to turn on
the REC indication above the track numbers you are going to record.
While you are recording, you can play back tracks which are already recorded. Press the corresponding balance buttons to display “PLAY” above the track number you wish to have played back.
You can record multiple parts at the same time if the corresponding RIGHT 1, RIGHT 2 and LEFT part buttons in the CONDUCTOR are ON. Parts other than these can only be recording one at a time.
To record AUTO PLAY CHORD (APC) parts, turn on the AUTO PLAY CHORDs OFF/ON button. In this case, press the START/STOP button when beginning recording.
If CHD is selected, it changes to APC.
The track for the RHYTHM (RHY) part can be selected
for recording only when STEP RECORD is active.
7. Set the sounds, effects, volumes, etc. for the
parts you are going to record.
If you press the MIXER button, you can use the MIXER display to visually adjust the settings for each track.
The LOCAL CONTROL ON/OFF setting on the MIXER display is used to specify whether the part assigned to that track sounds when it is played on the keyboard during recording. For the LOCAL CONTROL ON/OFF during playback, use the TRACK ASSIGN display to adjust the settings. (Refer to page 76.)
If you are recording GM2 song data, select from the GM2 group in the SOUND EXPLORER.
The panel settings which are active at the beginning of recording are stored.
If you wish to redo the recording, press the REC STOP button and then record again. To change the sounds and effects, etc. please set them again.
If you make a mistake in recording, you can correct a specific portion of your performance without having to redo the whole part. (Refer to page 70.)
11.When you have finished recording, press the
REC STOP button on the display, or turn off the PROGRAM MENUS button.
When the PROGRAM MENUS button is turned off or the REC STOP button is pressed, the ending command (END) is recorded. Note that, as long as the ending command is not recorded, blank recording continues even if you stop playing.
The SEQUENCER PLAY button turns on.
Multi-track recording
Use the following procedure to record one track while listen­ing to the track or tracks already recorded.
1. Follow the procedure to record the first track,
and press the REC STOP button at the end of the recording.
The indication for the track just recorded changes from REC to PLAY.
2. Turn on the “REC” indication for the track you
wish to record next, and select the sounds and effects, etc.
3. Press the START/STOP button and begin re-
cording.
Tracks for which “PLAY is shown are played back, and you can record in time with this.
4. Press the REC STOP button at the end of the
recording.
8. Use the TEMPO/PROGRAM to adjust the re-
cording tempo.
The tempo is shown on the display as =.
If you wish to record the tempo setting and tempo
changes, store them in the control (CTL) part, or use the step record to store them in the rhythm (RHY) part.
9. Turn the metronome on or off as desired with
the ON/OFF button at the upper right of the display.
The metronome selection alternates between ON and OFF each time the button is pressed.
When set to ON, the metronome volume setting display is momentarily shown.
The metronome sound is not recorded.
10.Play the keyboard.
Recording begins.
You can also press the START/STOP button to start the
rhythm and begin recording.
If the metronome is on, when you press the START/STOP button, a two-measure count plays, after which recording automatically begins. In this case, the rhythm does not
Sequencer
start. Recording does not start until the two-measure count is completed.
The recording status is continuously updated on the dis­play:
MEASURE= indicates the current measure. TIME SIG.= indicates the current time signature. MEMORY= indicates the remaining memory (%) avail-
able for recording.
5. Repeat steps 2 to 4 for other tracks, as
desired.
6. When multi-track recording is finished, turn off
the PROGRAM MENUS button.
If you wish to store part settings that you modified after recording as beginning song data, press the MIXER button and follow the PANEL WRITE procedure. (Refer to page
69.)
To record rhythm START/STOP data in a multi-track re- cording, input the data in the CONTROL or RHYTHM part of the STEP RECORD. (Refer to page 71.)
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CYCLE RECORD
This mode allows you to have specified recording measures continuously repeated. Thus you can record measures by adding notes during any cycle.
1. On the REALTIME RECORD display, specify
REC for a track number you are going to record, and “PLAY” for track numbers you wish to have played back.
2. Press the CYCLE: OFF button.
The display looks similar to the following.
3. Use the START MEASURE and buttons
to specify the beginning measure number.
4. Use the END MEASURE and buttons to
specify the ending measure number.
The measure in which the END command has been stored can also be specified.
START
1234
END
5. Press the START/STOP button.
If the metronome is on, cycle recording of the specified measures begins after a two-measure count.
Recording does not start even when the keyboard is played.
6. Play the keyboard.
The specified measures are repeated, during which time you can record by adding notes little by little at the correct timing (over-dubbing).
If you wish to erase all the performance data from the specified measures, press the CLEAR button.
If the CYCLE: ON button is pressed, it changes to OFF. This button does not function during recording.
To return to the REALTIME RECORD display, press the EXIT button.
Cycle record can also be started from the REALTIME RECORD display whenever the CYCLE: ON indication is shown.
7. When you have finished recording, press the
REC STOP button on the display, or turn off the PROGRAM MENUS button.
CYCLE END MEASURE: 4
Sequencer Play
Play back your recorded performance.
1. Press the SEQUENCER PLAY button to turn
it on.
SEQUENCER
PLAY EASY REC
CHORD STEP REC
The display looks similar to the following.
2. Use the SONG button to select the song num-
ber you wish to play back.
3. Use the balance buttons below the display to
show PLAY above the track numbers you wish to have played back.
Highlighted track numbers indicate tracks that are already recorded. Only highlighted track numbers can be selected for playback.
You can select two or more tracks to play back at one time.
4. Press the SEQUENCER RESET (FILL IN 1)
button.
The SEQUENCER returns to the beginning of the song and the beginning panel settings are recalled.
5. To begin playback from a measure other than
measure 1, press the MEAS button, and then use the MEAS and buttons to specify the beginning measure.
“MEASURE= indicates the current measure number.
6. Press the START/STOP button.
The recorded performance is played back from the specified measure.
When playback is begun from a measure in which an INTRO, COUNT INTRO, FILL IN or ENDING is recorded, the corresponding function does not work.
You can press the MIXER button and modify the settings for each part.
7. To stop playback, press the START/STOP but-
ton.
If the START/STOP button is pressed again, playback will continue from the point it was interrupted.
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Part IV Sequencer
8. When you are finished playing back your per-
formance, press the SEQUENCER PLAY but­ton to turn it off.
If a rhythm progression has been recorded in the RHYTHM (RHY) part, the MEASURE display used in the STEP RECORD and EDIT displays conforms to the time signature data stored in the RHYTHM part.
Adjusting the playback tempo
Even with a song having recorded tempo data, you can use TEMPO/PROGRAM or TAP TEMPO to adjust the tempo to your liking.
When the tempo is changed, all the tempo data of that song is automatically changed by the same ratio. Accordingly, even in song data in which tempo change data is stored, a single adjustment of the tempo produces a natural-sounding playback.
To return to the original tempo, while the song is stopped press the SEQUENCER RESET button (the tempo data is necessary at the beginning of the CONTROL track). Note that the tempo change is also canceled when you switch to another song or load a new song.
The adjusted tempo is canceled when you begin the recording procedure and the original tempo data will be recorded.
CYCLE PLAY
You can have specified measures played back repeatedly.
1. On the SEQUENCER PLAY display, specify
PLAY for track numbers you wish to have played back.
MEDLEY
Multiple recorded songs can be played back in a medley.
1. On the SEQUENCER PLAY display, press the
MEDLEY button.
The display looks similar to the following.
2. Press the CYCLE button.
The display looks similar to the following.
2. Specify the order of songs in the medley.
If ALL is pressed, all the files are selected, and the songs are played back in order in a medley. If ALL is pressed
3. Use the START MEASURE and buttons
to specify the beginning measure number.
4. Use the END MEASURE and buttons to
specify the ending measure number.
The measure in which the END command has been stored can also be specified.
START
1234
END
again, the files are deselected.
You can use the buttons below the display to select a song to add to the song list, then press the ADD button to add it to the list. Repeat these steps to create your own list of songs to have played back. A M01, M02 etc. next to the file name indicates its order in the list.
You can delete a marked file from the medley song list by selecting it and pressing the ADD button.
Use the LOOP button to specify ON or OFF for repeat playback of the medley.
3. Press the START button.
During medley playback, you can use the SKIP button to skip to the next song.
CYCLE END MEASURE: 4
5. Press the START/STOP button.
Cycle playback of the specified measures begins.
Normally the rhythm pattern is not played back.
6. To stop cycle playback, press the START/
STOP button again.
During playback stop, if the SEQUENCER RESET (FILL IN 1) button is pressed, the SEQUENCER returns to the measure number specified in step 3. If the SEQUENCER RESET button is pressed again, the SEQUENCER returns
to measure 1.
If you press the CYCLE: ON button to turn it OFF, cycle playback is not possible.
Sequencer
To return to the SEQUENCER PLAY display, press the
EXIT button.
Cycle playback can also be specified on the SEQUENCER PLAY display whenever the CYCLE: ON indication is shown.
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SEQUENCER VOLUME
When playing the keyboard along with a recorded perform­ance, you can adjust the total volume of all the playback parts as one.
Use the APC/SEQUENCER VOLUME slide
control to adjust the volume.
APC/SEQUENCER
VOLUME
MAX
OFF
Use this control to lower the volume of the recorded playback parts when it is too loud relative to the volume of your manual performance.
The volume of all sounds other than your manual per­formanceincluding PIANO PERFORMANCE PADS (PR804), MIDI input, etc.is lowered.
Naming
Here is the way to assign a name to your recorded song.
1. On the SEQ MENU display use the SONG
and buttons to select a song.
2. Press the NAMING button.
The display looks similar to the following.
At the MAX position, the volume of the playback parts
correspond to their current settings; at the OFF position, the volume is 0.
The volume can be adjusted for each part. (Refer to page
31.)
Except during SEQUENCER playback or DIRECT PLAY of a disk, this slide control adjusts the total volume of all the automatic accompaniment parts.
During SEQUENCER recording, the volume is automat- ically at its maximum regardless of the position of the slide control. During playback, however, lowering the slide control from the MAX position will lower the volume from its recorded level. For this reason, the slide control should normally be left in the MAX position.
3. Assign a name to the song.
Press the ABC button to enter alphabetical characters. While the SHIFT button is pressed, upper case letters are entered.
Press the 123 button to enter numbers, etc. While the SHIFT button is pressed, you can enter symbols.
Press the POSITION button to move the cursor.
You can also use the TEMPO/ PROGRAM dial to select
the characters.
Press the INS button to enter a space at the cursor position.
Press the DEL button to erase the character at the cursor position.
Press the CLR button to erase the entire name.
Press the →← button to center the name.
4. Press the OK button.
Panel Write
You can change the panel status which is in effect at the beginning of the song. These are the settings which are recalled when the SEQUENCER RESET button is pressed.
1. On the SEQ MENU display, use the SONG
and buttons to select the song number. Then select PANEL WRITE.
The display looks similar to the following.
2. Use the panel buttons to change to the desired
panel settings.
3. Press the OK button.
COMPLETED! is shown on the display.
PANEL WRITE is automatically activated at the when you
start to record.
For rhythm data, the data in the RHYTHM part has priority.
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Song Select
You can select a desired song from the list of recorded songs.
1. On the SEQ MENU display, select RECORD
& EDIT.
2. On the RECORD & EDIT display, select SONG
SELECT.
The display looks similar to the following.
3. Use the SONG SELECT and buttons to
select a song.
The total amount of memory used for the current song is shown as a percentage (%) to the right of the song name.
If the NAMING button is pressed, the NAMING display appears.
To optimize memory, songs you do not wish to preserve should be deleted. (Refer to page 77.)
Punch Record
If you make a playing error during REALTIME RECORD or would like to change the recording for some other reason, you can use the punch recording feature to correct a selected portion of the performance without having to redo the whole part.
Playing error
Recording the performance
Playback
1. On the SEQ MENU display, use the SONG
SELECT and buttons to select the song number. Then select RECORD & EDIT.
2. On the RECORD & EDIT display, select
PUNCH RECORD.
The display looks similar to the following.
3. Select the track which contains the portion you
want to correct.
You cannot select a track in which no data is stored.
On the display REC indicates tracks which are being
recorded, and “PLAY” indicates tracks which are being played back.
Punch in
Punch out
Replay this portion
Recording mode
6. During playback, press the PUNCH IN button
at the point you want to begin recording.
Recording begins as soon as the PUNCH IN button is pressed. Begin playing at this point.
The REC indication changes to the PUNCH indication.
The PUNCH IN button switches to the REC STOP button.
7. Press the REC STOP button at the point you
want to stop recording.
Punch recording stops immediately.
You can also begin punch-in recording by playing the
keyboard.
You can specify the punch-in/punch-out points with the pedal. (Refer to page 121.)
Sequencer
4. Use the MEAS and buttons to specify the
beginning measure of playback.
“MEASURE= indicates the current measure number.
5. Press the START/STOP button to begin play-
back of the specified track.
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Part IV Sequencer
AUTO PUNCH RECORD
You can also set the punch-in and punch-out points before­hand, so that recording automatically begins and ends at the specified points.
1. On the PUNCH RECORD display, press the
AUTO: OFF button.
If REC is not shown for any track, the button does not turn ON.
The display looks similar to the following.
2. Use the FIRST MEASURE and buttons
to specify the number of the punch-in measure.
3. Use the LAST MEASURE and buttons to
specify the number of the punch-out measure.
The number of the LAST measure must be higher than the number of the FIRST measure.
The specified measure is recorded.
4. Use the COUNT IN MEASURE and but-
tons to specify the number of lead-in measures you wish to have played back before the punch-in measure.
Set the metronome to on or off with the ON or OFF button.
5. Press the EXIT button.
The display changes to the PUNCH RECORD display.
6. Press the START/STOP button.
Playback begins from the measure indicated by CUR­RENT MEASURE on the display.
Pertinent information, such as the FIRST MEASURE, is shown in the upper section of the display.
7. Correct the performance.
The mode changes automatically to the recording mode at the specified FIRST measure. Begin playing at this point. The mode automatically changes back to the play­back mode at the specified LAST measure.
To discontinue punch recording in the middle, press the CANCEL button. In this case, the recorded contents up to that point are erased.
Step Record
STEP RECORD is simply a method of making a tune by storing the sounds note-by-note on the display. Instead of playing the keyboard directly as in the REALTIME RECORD mode, you can take your time to input each single note. This is an especially effective method for storing complicated passages that are difficult to play or when the exact timing of a part is critical.
Recording procedure
Record the keyboard performance and panel changes.
1. On the SEQ MENU display, use the SONG
and buttons to select the song number. Then select RECORD & EDIT.
2. On the RECORD & EDIT display, select STEP
RECORD.
The display changes to the PART SELECT display.
3. Use the balance buttons below the display to
specify the track for the part you are going to record (only one track can be selected at a time).
The display changes to the STEP RECORD input display similar to the following.
If you selected the track to which the CHORD part has been assigned, the display changes to the STEP RE­CORD: CHORD display. (Refer to page 74.)
If you selected the track to which the RHYTHM part has been assigned, the display changes to the STEP RE­CORD: RHYTHM display. (Refer to page 75.)
If you selected the track to which the CONTROL part has been assigned, the display changes to the STEP RE­CORD: CONTROL display.
4. Use the MEAS and buttons to select the
measure.
This step is not necessary if you are recording from measure 1 of a blank track.
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Part IV Sequencer
5. Use the CURSOR and buttons to move
the cursor to the note position (dot) you are going to store.
Each dot represents one-eighth of a quarter-note (a thirty­second note).
When storing triplets, it may not be possible to match the timing exactly with the 1/32-note steps. However, if you select triplet-type notes for the note length (LENGTH) in step 6 below, the timing is automatically corrected.
6. Use the left REC NOTE LENGTH and
buttons to specify the note value. Select from
3,
,
3,
,
3,
, 
, , ,  × 2 to 4. (A 3
3,
denotes a triplet-type note.)
For note values other than these, use the center REC NOTE LENGTH buttons to specify the note value to be added to that which you specified with the left buttons.
Example: To record a dotted quarter-note ( . )
+
7. Use the right REC NOTE LENGTH and
buttons to specify the actual length of the pro­duced sound for the desired legato or staccato effect.
TENU (tenuto): Sound is produced for 95% of the note
length. NORM (normal): 80% STAC (staccato): 50% CUTT (cutting): 25%
Storing control data
Various control data can be stored at the cursor position.
1. On the STEP RECORD: MELODY display,
press the CTL button.
2. Use the CTL and buttons to select the
control data you wish to insert.
Select from PAN, KEY SHIFT (COARSE TUNE), TUNING (FINE TUNE), BEND SENS.
3. Use the VALUE and buttons to adjust the
numerical value of the setting.
4. Press YES button.
Correcting the data
1. In the STEP RECORD mode, specify the track
you wish to correct.
2. Use the MEAS buttons to go to the measure
you wish to modify. Use the CURSOR buttons to move the cursor to the point ( * ) you wish to edit.
The data stored at that point is shown on the display.
When multiple data is stored at one point, different data
is displayed in order each time a CURSOR button is pressed. When a chord is recorded, a different note in the chord is displayed each time a CURSOR button is pressed.
8. Specify the pitch and velocity of the note by
playing the keyboard.
The dot on the display where the note is stored changes to a * mark.
When recording chords, you can store multiple notes at one position.
Any panel setting changes—for example changes in the sound selection, button operation, etc.are recorded at the cursor position.
When the TEMPO/ PROGRAM dial is operated, the input value is indicated on the display. Confirm that this is the correct value and press the YES button to record the value or the NO button to cancel it.
BAL:
To specify the volume at the cursor position, after pressing the BAL button, use the VALUE buttons to set the volume (0 to 127).
ERS:
If you make a mistake, move the cursor to the error, and after displaying the data you wish to erase, press the ERS button.
REST:
To store a rest, after specifying the note LENGTH, press the REST button.
Positions at which nothing is stored are read as rests.
3. Correct the data.
There are three types of data:
Performance data
NOTE data (note pitch) and VEL data (how hard the key was played) and LEN data (1 = 1/96 of a quarter note [ ]) are displayed. Use the relevant buttons to correct the data as desired.
Sound data
The name of the sound is displayed. Change the sound as desired (the sound setting display is interposed on the current display).
Control data
The name of the function is displayed. Change the data as desired.
Press the ERS button to erase the data which is displayed.
You can also correct data which was stored in the REAL-
TIME RECORD mode.
Performance (NOTE) data can be recorded or edited on a piano roll display. (Refer to page 78.)
9. Repeat steps 5 through 8 to continue storing
notes.
Sequencer
To input data on another track, press the button for the desired track and repeat the procedure from step 2.
10.When you have finished recording, press the
PROGRAM MENUS button to turn it off.
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Part IV Sequencer
Assigning the images
Assign images to the selected point (PIC) of a song.
1. Use the SONG SELECT and of the
SEQUENCER MENU display to select a song number to which the images will be assigned, and select RECORD & EDIT.
2. Select STEP RECORD on the RECORD &
EDIT display.
3. Use the balance buttons below the display to
select CONTROL TRACK (CTL).
The display looks similar to the following.
4. Use the MEAS and buttons to specify the
measure to assign.
The moment where the images are displayed may be retarded slightly from the specified point. If this is too excessive, adjust the point so that it occurs slightly sooner.
When two assigned points are too close, the result may not be favorable. It is recommended that the interval between two points should not be less than two beats for a =120 tempo music for example.
The preset images are not compatible with other models.
PICTURE LIST
On the step 3 display, if you press the PICTURE button, a list of USER image data will be displayed.
5. Use the CURSOR buttons to move the cursor
(reversed box) to the point you are going to assign an image.
Each point represents one-eighth of a quarter note ( a thirty-second note).
6. Press the PIC button.
The display looks similar to the following.
7. Use the PRESET/USER button to select one.
PRESET:
preset images
USER:
your original images loaded beforehand
8. Use the VALUE button to select the image
number.
9. Press the YES button.
The image of the specified number is assigned to that point (PIC).
10.Repeat the steps 4 to 9 to continue assigning.
11.When you have finished assigning, press the
PROGRAM MENUS button to turn it off.
When you play back the song, the images appear on the display and change automatically corresponding to the music progression (Slide Show).
Press the RENAME button to rename the image data name.
Press the DEL button to delete selected image data.
Loading your original images
1. Save the image data to a disk using your PC.
etc.
2. Insert the disk with saved data into the DISK
DRIVE. (See page 96.)
3. On the CONTROL display of the STEP RE-
CORD, press the PICTURE button.
4. On the PICTURE LIST display, press the PIC-
TURE LOAD button.
The display looks similar to the following.
5. Select the image data file to be loaded.
When you select a image sized over 640 x 240 pixels, press the TRIMMING button to select the type of data cutting out.
6. Use the USER PICTURE and buttons to
specify the image number to which the image data will be loaded.
7. Press the LOAD button.
The image is loaded and “COMPLETED! is shown on the display.
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Part IV Sequencer
Store a chord progression
Store the chord progression for the AUTO PLAY CHORD in the track for the CHORD part. Then, when the AUTO PLAY CHORD is used during playback, even if you do not specify the chords with your left hand, the chords change automatically.
The chord length is specified with the CHORD STEP RECORD keys on the keyboard.
DELETE
Note value keys



Whole note . Dotted half-note Half-note . Dotted quarter-note Quarter-note  Eighth-note
Example of storing a chord progression
Measure 1 2 3 4
CCAmFD7G7


Reset key
Press to begin storing from the beginning.
Correction keys
Move back one step.
Move forward one step.
Repeat key
Press to end the chord-storing procedure and to specify automatic repeat playback of the stored progression.
End key
Press after the whole chord progression has been stored.
DELETE key
DELETE Press to erase data.
To erase all the data from the current track, while pressing the DELETE key, press the End key ( ).
<Measure 1, measure 2> While playing a C chord with your left hand,
press the  key one time with your right hand.
1. On the SEQ MENU display, use the SONG
and buttons to select the song number. Then select RECORD & EDIT.
2. On the RECORD & EDIT display, select STEP
RECORD.
The display changes to the PART SELECT display.
3. Using the balance buttons below the display,
select the track to which the CHORD (CHD/ APC) part has been assigned.
The display changes to the STEP RECORD: CHORD input display similar to the following.
This display can also be accessed by pressing and holding the CHORD STEP REC (EASY REC) button for a few seconds.
4. Store the chords.
A “beep tone indicates that the chord has been success- fully stored.
The dot on the display where the chord is stored changes to a * mark and the cursor automatically moves forward, in accordance with the specified note value, to the next unrecorded position. The chord name is shown on the display.
<Measure 3>
(1) While playing an Am chord, press the key
one time.
(2) While playing an F chord, press the key one
time.
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Part IV Sequencer
<Measure 4>
(1) While playing a D7 chord, press the key
one time.
(2) While playing a G7 chord, press the key
one time.
You can press the INTRO & ENDING button or a FILL IN button on the panel to store the desired pattern at the
cursor position. (An INTRO or COUNT INTRO can be stored only at the beginning.)
Store a rest by pressing a note value key without speci­fying a chord.
5. At the end of the chord progression, press the
End key ( ).
This instrument exits the recording mode.
During playback, playback of the recorded chord progres-
sion stops at this point. For automatic repeat playback of the chord progression, press the Repeat key ( ) in­stead of the End key ( ).
When you play back the track for the CHORD part, the chords of the automatic accompaniment change in ac­cordance with the stored chord progression.
Chords can also be specified with <one finger>.
If the ON BASS button is on, chords such as C on G
can also be specified (except in the ONE FINGER mode).
The CHORD FINDER feature, which shows you how to finger a specified chord, is available. (Refer to page 50.)
Correct the recorded chord progression
1. Follow the procedure to select the STEP RE-
CORD: CHORD display.
Control data
The name of the stored function (INTRO, FILL, etc.) is dis­played. You can press the DELETE key to erase the data which is displayed.
TRACK CLEAR
To erase all data from the current track, press the CLR button, and then press the YES button on the confirmation display.
If you wish to cancel the clear procedure, press the NO button.
Store a rhythm progression
Changes in the rhythm selection and tempo, as well as the intro, fill-ins and the ending, can be stored by measures with the step recording method.
1. On the SEQ MENU display, use the SONG
and buttons to select the song number. Then select RECORD & EDIT.
2. On the RECORD & EDIT display, select STEP
RECORD.
The display changes to the PART SELECT display.
3. Using the balance buttons below the display,
select the track to which the RHYTHM (RHY) part has been assigned.
The display changes to the STEP RECORD: RHYTHM input display similar to the following.
2. Use the MEAS buttons to go to the measure
you wish to modify. Use the and Cor­rection keys to move the cursor to the point (*) you wish to edit.
The lengths of rests are indicated by the respective rest value × its multiplier.
Example:
....................... 1-beat rest (quarter rest)
 ....................... 1/2-beat rest (eighth rest)
× 1 +  ......... 1-1/2-beat rest
× 10 .............. 10-beat rest
To go to the end of the chord progression, while pressing the Reset key ( ), press the key.
(dotted quarter rest)
3. Correct the chord data.
Chord data
When the chord name is displayed at the cursor position, you can press the DELETE key to erase the data and then store a new chord.
If you do not erase the displayed data before entering new chord data, the new data is inserted at this point, and the displayed data is merely shifted by the note value of the new chord.
Rests can also be erased. Each time the DELETE key is pressed, the rest is erased in units of  × 1. The  rest is erased last.
If you wish to cancel the REPEAT, enter an END command.
4. Use the MEAS and buttons to go to the
measure you wish to record.
5. Store the rhythm data.
Data which can be stored:
START/STOP
Changes in the rhythm selection
COUNT INTRO, INTRO, FILL IN, ENDING
Tempo changes
Be sure to store the START/STOP data in the measure in which the rhythm starts or stops.
If you are storing a COUNT INTRO or INTRO, store this data before the START/STOP data.
If the tempo is changed, the display changes to the con­firmation display. After specifying the desired tempo, Press the YES button to store the specified tempo, or press the NO button to cancel the new tempo value.
6. Repeat steps 4 and 5 to continue storing the
rhythm progression.
7. At the end of the rhythm progression, press
the END button.
If the REP button is pressed instead of the END button, during playback the recorded rhythm progression is re­peated.
This instrument exits the recording mode.
Sequencer
75
QQTG0665
Part IV Sequencer
Correct the recorded rhythm progression
1. Follow the procedure to select the STEP RE-
CORD: RHYTHM display.
TRACK CLEAR
To erase all data from the current track, press the CLR button, and then press the YES button on the confirmation display.
If you wish to cancel the clear procedure, press the NO button.
2. Use the MEAS buttons to go to the measure
you wish to modify. (The * is highlighted.)
3. Correct the rhythm data.
Press the ERS button to erase data at the cursor position.
If you wish to cancel the REPEAT, enter an END com-
mand.
If you select a rhythm with a different time signature, the time signature of all subsequent measures will also change.
If data has already been recorded in other tracks, you cannot select a rhythm with a different time signature.
Track Assign
Each SEQUENCER part is already assigned to a track number. However, you can use the TRACK ASSIGN function to assign parts to tracks as you wish.
1. On the SEQ MENU display, use the SONG
and buttons to select the song number. Then select RECORD & EDIT.
2. On the RECORD & EDIT display, select
TRACK ASSIGN.
The display looks similar to the following.
TRACK ASSIGN PRESET
A preset track assignment can be selected.
1. On the TRACK ASSIGN display, press the
PRESET button.
The display looks similar to the following.
2. Use the SONG and buttons to select the
3. Use the TR and buttons to select the
track.
song number for which the preset track as­signment will be effective.
If ALL SONGS is selected, the track assignment is effec­tive for all the songs.
4. Use the TRACK ASSIGN and buttons to
select the part for the specified track.
When a part other than the CONTROL, APC, CHORD or RHYTHM part is assigned, the track assign procedure is completed at this point.
Either the CHORD part or APC part can be assigned to a track, but not both.
The CONTROL, APC, CHORD and RHYTHM parts cannot be assigned to more than one track.
You can use the ON and OFF buttons for LOCAL CONT. to specify whether or not the sound of the part assigned to this track is generated. Because no sound is generated for this instruments parts assigned to tracks set to OFF through this procedure, use this setting to generate sound from an external sound source through the MIDI connec­tors.
You can use the MIDI OUT ON and OFF buttons to specify whether or not the data of the part assigned to this track is sent as MIDI data. When set to OFF, the data is not sent, even if MIDI equipment is connected.
Sequencer
5. When assigning the CONTROL, APC, CHORD
or RHYTHM part, press the OK button.
3. Select the track assign mode.
INITIAL:
Factory-preset settings.
TECHNICS MULTI RECORDING:
The optimum track assignment for multiplex recording.
GM MULTI RECORDING:
The optimum track assignment for creating GENERAL MIDI data.
4. Press the OK button.
“COMPLETED! is shown on the display and the selected track assign mode is enabled.
You can confirm the track assignment settings on the TRACK ASSIGN display.
76
QQTG0665
Part IV Sequencer
Quantize
The QUANTIZE function can correct the timing of your performance after it has been recorded. If the rhythm is slightly out of sync or inexact, it will automatically be corrected to the specified quantize level.
1. On the SEQ MENU display, select RECORD
& EDIT.
2. On the RECORD & EDIT display, select
QUANTIZE.
The display looks similar to the following.
Rhythm as written in the score
Timing of actual performance
Quantized performance
3. Use the TRACK and buttons to specify
the track number.
You cannot select the track for the CONTROL, RHYTHM or CHORD part.
If ALL is selected, all the tracks are quantized.
4. Use the FIRST MEASURE and buttons
to specify the start point (measure number).
5. Use the LAST MEASURE and buttons to
specify the end point (measure number).
6. Use the VALUE and buttons to specify
the quantize level.
Select from , ,
(A 3 denotes a triplet-type note.)
, 
, 
3,
3,
3.
7. Use the STRENGTH and buttons to select
the amount of quantize (%).
100% is a convenient setting. When set to 100%, the performance data is quantized exactly to the level specified for the VALUE (“just”). For example, at 50%, the data is quantized to a point that is half that of the just level. By this setting, you can attain an effect that is very slightly off-beat from the rhythm.
8. Use the WINDOW and buttons to specify
the range (%) affected by the quantize setting.
With the increment set to 100 for the VALUE, at a + setting, data close to the just point is corrected, and at a – setting, data far from the just point is corrected. For example, if set to –30% the quantize function affects data far from the just point, and if set to +30% the quantize function affects data close to the just point. +100% is usually a convenient setting.
The +100% setting and the –100% setting are the same. Example: When VALUE is set to
100%
50%just
+100%
+50% +30% –50% –30%
–100%
100%
50%
9. Press the OK button.
The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function.
Song Clear
Erase the recorded contents of all tracks.
1. On tne SEQ MENU display, select RECORD
& EDIT.
2. On the RECORD & EDIT display, selct SONG
CLEAR.
The display looks similar to the following.
3. Use the SONG No./ALL and buttons to
specify the number of the song to erase.
The data size (KB) and the total amount of SEQUENCER memory or current song memory used is shown as a percentage (%) to the right of the song name.
If ALL SONGS is selected, all the songs recorded in the SEQUENCER will be erased.
4. Press the OK button.
The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function.
If the YES button is pressed, “COMPLETED! appears on the display, the specified songs are erased.
QQTG0665
Sequencer
77
Part IV Sequencer
Track Clear
Erase the contents of a specific track.
1. On the SEQ MENU display, select RECORD
& EDIT.
2. On the RECORD & EDIT display, select
TRACK CLEAR.
The display looks similar to the following.
4. Press the OK button.
The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function.
If the YES button is pressed, the specified tracks are erased.
3. Use the balance buttons to select the track or
tracks you wish to clear.
A “CLR mark is shown for the selected tracks.
Note Edit
You can edit performance (NOTE) data on a piano roll display. This differs from the normal STEP RECORD edit procedure, and is a convenient way to check the data for each note.
Data other than NOTE data cannot be corrected or recorded. To correct or record other types of data, use the STEP RECORD display. (Refer to page 71.)
1. On the SEQ MENU display, select RECORD
& EDIT.
2. On the RECORD & EDIT display, select NOTE
EDIT.
3. On the PART SELECT display, select a track.
The CHORD, RHYTHM and CONTROL tracks cannot be
selected.
The display looks similar to the following.
6. Select the data to edit (it changes to a
highlighted horizontal bar). Edit the data.
Use the POS ▲ and buttons to move the cursor, the
NOTE and buttons to change the note number, the VEL and buttons to change the velocity (how hard the keys are played), and the LEN and buttons to change the note length (1 = 1/96 of a quarter note [ ]).
Use the GRAPH ▲ and buttons to view a higher or lower section of the keyboard (in one-octave steps).
If the ERS button is pressed, the selected NOTE data is erased.
7. Repeat steps 4 to 6 to continue editing.
Inserting note data
You can also store note data on this display.
1. Specify the point where the new note data will
4. Use the MEAS and buttons to select the
measure you wish to edit.
5. Use the CURSOR and buttons to move
the cursor ( ) to the point you wish to edit.
Recorded performance (NOTE) data is shown as horizon­tal bars. Data selected for editing is highlighted.
You can use the INC and buttons to change the increment of cursor movement. The resolution can be set at /96. However, if NOTE data is present between in­crements, the cursor will stop.
Sequencer
Use the POS ▲ and buttons to change the value. Example: 10.2.48 indicates a point in measure 10, beat
2, point 48 (one point is 1/96 of a quarter note [ ]).
is shown at the point where the END command is stored.
be stored.
2. Use the LEN and buttons to specify the
note length.
Examples of note lengths ( = 96)
91: tenuto (95%) 76: normal (80%) 48: staccato (50%) 24: cutting (25%)
3. Play a key on the keyboard to specify the note
pitch (NOTE NUMBER) and velocity (how hard the key is played).
4. Repeat steps 1 to 3 to input more note data.
78
QQTG0665
Part IV Sequencer
CYCLE PLAY
You can aurally check the data you are editing by accessing the CYCLE PLAY display from the NOTE EDIT display.
If you wish other tracks to be played back, they should be selected beforehand on the SEQUENCER PLAY dis­play. (Refer to page 67.)
1. On the NOTE EDIT display, press the PLAY
button.
The display looks similar to the following.
3. Use the END MEASURE and buttons to
select the last playback measure.
4. Press the START/STOP button.
Cycle playback of the specified measures begins.
If the SOLO button is turned on, playback changes to that
of the recording track only. If it is turned off, all the tracks specified on the SEQUENCER PLAY display are played back.
5. To stop cycle playback, press the START/
STOP button again.
During playback stop, if the SEQUENCER RESET (FILL IN 1) button is pressed, the SEQUENCER returns to the measure number specified in step 2. If the SEQUENCER RESET button is pressed again, the SEQUENCER returns
to measure 1.
2. Use the START MEASURE and buttons
to select the beginning playback measure.
Drum Edit
The DRUMS part can be edited on a specialized display. This differs from the normal STEP RECORD edit procedure, and is a convenient way to check the data for each note.
1. On the SEQ MENU display, select RECORD
& EDIT.
2. On the RECORD & EDIT display, select DRUM
EDIT.
3. On the PART SELECT display, select the track
for the DRUMS part.
The CHORD, RHYTHM and CONTROL tracks cannot be selected.
The display looks similar to the following.
4. Use the SOUND and buttons to select
the percussion instrument you wish to edit.
The number to the left of the instrument name is its MIDI NOTE NUMBER in the Technics arrangement.
If sounds other than percussion instrument sounds are assigned, they are not displayed.
5. Use the MEAS and buttons to select the
measure you wish to edit.
Use the POS and buttons to change the value.
Example: 10.2.48 indicates a point in measure 10, beat
2, point 48 (one point is 1/96 of a quarter note [ ]).
is shown at the point where the END command is stored.
7. Select the data to edit (it changes to a long
bar). Edit the data.
Use the POS ▲ and buttons to move the cursor, the SND and buttons to change the percussion instru­ment sound, and the VEL and buttons to change the velocity (how hard the keys are played).
If the ERS button is pressed, the selected NOTE data is erased.
8. Repeat steps 2 to 5 to continue editing.
Inserting DRUMS data
You can also store DRUMS data on this display.
1. Specify the point where the new note data will
be stored.
2. Use the VEL and buttons to specify the
velocity (how hard the key is played).
3. Press the ENTER button to store the data.
Instead of the ENTER button, you can store data (includ­ing velocity data) by playing the keyboard. In this case, the instrument is that specified on the display, regardless of which key is played.
6. Use the CURSOR and buttons to
move the cursor () to the point you wish to edit.
Recorded performance data is shown as vertical bars. Data selected for editing is highlighted.
You can use the INC and buttons to change the increment of cursor movement. The resolution can be set at /96. However, if NOTE data is present between in­crements, the cursor will stop.
4. Repeat steps 1 to 3 to input more DRUMS
data.
CYCLE PLAY
You can aurally check the data you are editing by accessing the CYCLE PLAY display from the DRUM EDIT display.
The procedure is the same as for NOTE EDIT.
If you wish other tracks to be played back, they should
be selected beforehand on the SEQUENCER PLAY dis­play. (Refer to page 67.)
QQTG0665
Sequencer
79
Part IV Sequencer
Copy and paste the recorded data
You can copy and paste specific portions of the recorded data.
Select the function
1. On the SEQ MENU display, use the SONG
and buttons to select the number of the song. Then select COPY & PASTE.
The display looks similar to the following.
SONG COPY
Copy all the recording data of a song to a specific song memory.
1. On the FROM side, use the and buttons
to select the song number you wish to copy from.
2. On the COPY & PASTE display, select a func-
tion.
3. Perform the editing procedures. (See below.)
During the editing procedure, if the indicator for the
TEMPO/PROGRAM is lit, you can use the TEMPO/PRO­GRAM for the editing function.
TRACK COPY
Copy the recorded data from specific tracks of a song.
1. Specify the track you wish to copy from.
On the FROM side, use the SONG and buttons and TRACK and buttons to specify a track.
If ALL is selected, all the tracks of the specified song number will be copied.
2. On the TO side, use the and buttons to
select the song number to copy to.
3. Press the OK button.
The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function.
2. Specify the track you wish to copy to (TO side).
3. Press the OK button.
The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function.
The track assignment settings are also copied. Note that in some cases, the CONTROL, RHYTHM and CHORD part data in the destination tracks may be lost.
TRACK MERGE
Merge the recorded contents of two tracks (source tracks) and store the merged contents in a third track (destination track).
When the TRACK MERGE function is executed, the data is erased from the two source tracks.
Sequencer
1. Select the two source tracks (FROM).
On the FROM side, use the TRACK and buttons to
select the two source tracks.
You cannot select the track to which the CONTROL, RHYTHM or CHORD part has been assigned.
If the part assigned to the left source track (“left meaning its position on the TRACK MERGE display) is different from the part assigned to the right source track, when the parts are merged in the destination track, the new track is assigned the same part as the left track.
2. Select the destination track (TO).
Use the TRACK and buttons to the right of the display to specify the track number.
3. Press the OK button.
The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function.
80
QQTG0665
Part IV Sequencer
MEASURE COPY
Copy recorded data of specified measures to a specified point.
On the destination track, the new data replaces the current measure contents.
1. Specify the measures you wish to copy from
the source track (FROM).
On the FROM side, specify the settings with the corre­sponding buttons.
TRACK: Specify the track number you wish to copy the
measures from.
You cannot select the track for the RHYTHM part or CHORD part in which a repeat command has been stored.
If ALL is selected, the specified measures are copied to all tracks at the same time.
FIRST MEAS: Specify the first measure to copy. LAST MEAS: Specify the last measure to copy.
2. Specify where you wish to copy the selected
measures to.
On the TO side, specify the settings with the correspond­ing buttons. TRACK: Specify the track number you wish to copy to.
Measures in a track for the CONTROL, RHYTHM or CHORD part can be copied only to the same track.
START MEAS: Specify the start point to copy the selected
measures to.
REPEAT: Specify the number of times the selected meas-
ures are to be repeated.
3. Press the OK button.
The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function.
Note that if the END command is included in the source data, it is also copied. Any data following the END com­mand is not copied.
MEASURE ERASE
Erase the recorded contents of specific measures. You can also specify which type of data is to be erased.
Note that only the contents of the measures are erased, not the measures themselves; the length of the perform­ance remains the same.
1. Use the TRACK and buttons to specify
the track number.
This function does not work for the RHYTHM part or
CHORD part in which a repeat command has been stored.
If ALL is selected, data is erased from the specified
measures of all the tracks at one time.
2. Use the FIRST MEASURE and buttons
to specify the start point (measure number).
3. Use the LAST MEASURE and buttons to
specify the end point (measure number).
4. Use the ERASE DATA and buttons to
specify the type of data to be erased.
ALL: All data is erased. NOTE: Only note data is erased. CONTROL: Only control data (volume, effect and other
panel settings as well as selection changes) is erased.
5. Press the OK button.
The confirmation display appears. Press the YES button
to execute the function, or press the NO button to cancel the function.
MEASURE DELETE
Delete specified measures from a track.
The length of the performance accordingly decreases by the number of deleted measures.
1. Use the TRACK and buttons to select the
track from which measures are to be deleted.
This function does not work for the CHORD or RHYTHM track in which the repeat function has been stored.
If ALL is selected, the specified measures are deleted from all the tracks at one time.
2. Use the FIRST MEASURE and buttons,
to specify the first measure to delete.
3. Use the LAST MEASURE and buttons to
specify the last measure to delete.
4. Press the OK button.
The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function.
Sequencer
81
QQTG0665
Part IV Sequencer
MEASURE INSERT
Insert specified measures at a specified point.
The length of the performance accordingly increases by the number of inserted measures.
1. Specify the measures you wish to copy from
the source track.
On the FROM side, specify the settings with the corre­sponding buttons.
TRACK: Specify the track number you wish to copy the
measures from.
This function does not work for the CHORD or RHYTHM track in which the repeat function has been stored.
If ALL is selected, the measures are inserted in all tracks at the same time.
FIRST MEAS: Specify the first measure to copy. LAST MEAS: Specify the last measure to copy.
2. Specify where you wish to insert the selected
measures.
On the TO side, specify the settings with the correspond­ing buttons. TRACK: Specify the track number.
Measures from the CHORD, RHYTHM or CONTROL track can only be inserted in the same track.
START MEAS: Specify the start point to insert the selected
measures.
REPEAT: Specify the number of times the selected meas-
ures are to be repeated.
3. Press the OK button.
The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function.
Note that if the END command is included in the source data, it is also inserted. Any data following the END command is not inserted.
APC TO SMF CONVERT
When a sequence is recorded using AUTO PLAY CHORD, the SEQUENCER data just contains a chord sequence on one track. APC TO SMF CONVERT creates a sequencer file in which the APC/CHORD/RHYTHM/CONTROL parts and PIANO PERFORMANCE PADS (PR804) phrases are each recorded on a separate track, allowing you to save the sequence in standard MIDI File format for playback on other instruments.
1. Use the TR and buttons to select the
track you wish to convert.
In the PART column, the part name currently assigned is shown.
In the DATA column, a check mark () indicates a track in which data is stored.
Tracks in which RHYTHM, CONTROL, APC and CHORD parts are stored cannot be selected (– – – is shown).
2. Use the APC/PAD and buttons to select
the parts you wish to convert.
Parts that are set to OFF will not be converted.
3. Press the CONVERT button.
Note that after the conversion, the automatic accompa­niment part data is cleared; if necessary, save this data beforehand.
A confirmation display appears.
4. Press EXECUTE to continue with the conver-
sion, or press the CANCEL button is you wish to discontinue.
After the EXECUTE button is pressed, the conversion begins. Conversion takes the same length of time as playback.
If you wish to discontinue the conversion process midway, press the ABORT button.
Sequencer
Changing the note position etc. of the re­corded data
You can change the note pitch and position etc. of recorded data.
Select the function
1. On the SEQ MENU display, use the SONG
and buttons to select the number of the song. Then select RANGE EDIT.
The display looks similar to the following.
82
QQTG0665
2. On the RANGE EDIT display, select a function.
3. Perform the editing procedures. (See below.)
During the editing procedure, if the indicator for the
TEMPO/PROGRAM is lit, you can use the TEMPO/PRO­GRAM for the editing function.
Part IV Sequencer
VELOCITY CHANGE
Modify the recorded velocity in specific measures of specific tracks.
1. Use the TRACK and buttons to select the
track you wish to edit.
You cannot select the track for the CONTROL, RHYTHM or CHORD part.
If ALL is selected, all tracks will be edited.
2. Use the FIRST MEASURE and buttons
to specify the start point (measure number) of the velocity change.
3. Use the LAST MEASURE and buttons to
specify the end point (measure number) of the velocity change.
4. Use the VELOCITY and buttons to specify
the change in velocity.
The value you select will be added to or deleted from the current velocity.
5. Press the OK button.
The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function.
TRANSPOSE
Change of key of specific measures of specific tracks.
1. Use the TRACK and buttons to select the
track you wish to edit.
You cannot select the track for the CONTROL, RHYTHM or CHORD part.
If ALL is selected, all tracks will be edited.
2. Use the FIRST MEASURE and buttons
to specify the start point (measure number) of the transpose.
3. Use the LAST MEASURE and buttons to
specify the end point (measure number) of the transpose.
4. Use the TRANSPOSE and buttons to
specify the change in pitch.
Increments are in semitones. A value of 12 is one octave. A – value lowers the pitch, and a + value raises it.
5. Press the OK button.
The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function.
NOTE CHANGE
Change of pitch of specified notes.
1. Use the TRACK and buttons to select the
track you wish to edit.
You cannot select the track for the CONTROL, RHYTHM or CHORD part.
If ALL is selected, all tracks will be edited.
2. Use the FIRST MEASURE and buttons
to specify the start point (measure number) of the note change.
3. Use the LAST MEASURE and buttons to
specify the end point (measure number) of the note change.
4. Use the TARGET NOTE and buttons to
specify the pitch of the note you wish to change.
The number next to the note name is its note number.
5. Use the CHANGE TO and buttons to
specify the pitch you wish to change to.
6. Press the OK button.
The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function.
Sequencer
83
QQTG0665
Part IV Sequencer
ADVANCE/DELAY
Speed up or delay the sound production of specified per­formance data.
1. Use the TRACK and buttons to select the
track you wish to edit.
You cannot select the track for the CONTROL, RHYTHM or CHORD part.
If ALL is selected, all tracks will be edited.
2. Use the FIRST MEASURE and buttons
to specify the start point (measure number) of the change.
3. Use the LAST MEASURE and buttons to
specify the end point (measure number) of the change.
4. Use the ADVANCE/DELAY and buttons
to accelerate or delay the timing of the sound production (–96 to +96).
A + value causes the notes to sound later, and a – value causes the notes to sound earlier.
5. Press the OK button.
The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function.
Sequencer
84
QQTG0665

Part V Composer

Outline of the Composer
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MAX
MIN
OFF
PIANO PERFORMANCE PADS
123
456
SOLO SOLO
8&16
ROCK & POP BALLAD JAZZ & SWING
BEAT
GOSPEL
SOUL &
& BLUES
DISCO
MUSIC STYLE ARRANGER
RHYTHM GROUP
MOVIE &
SHOW
COUNTRY &
LATIN &
MARCH &
WESTERN
WORLD
WALTZ
VARIATION
1234
METRONOME
MEMORY
LOAD
SOUND
ARRANGER PIANO STYLIST SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
ONE TOUCH
PLAY
INTRO & ENDING
PROGRESSIVE
TEMPO / PROGRAM
PIANIST
START / STOP
1234
FAVORITES
SYNCHRO
START
BEAT
TAP TEMPO
LCD CONTRAST PAGEMUTE
HELP
OTHER PARTS/TR
SIMPLE PIANOFADE
2
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND
EXPLORER
DIGITAL
DRAWBAR
TECHNI-CHORD
12345678
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
DIGITAL EFFECT BRILLIANCE
SEQUENCER
CHORD STEP REC
SET NEXT BANK BANK VIEW
PROGRAM
DISK
DISK
MENUS
IN USE
LOAD
The COMPOSER enables you to create your own accompaniment patterns. A pattern is comprised of 8 parts: DRUMS 1, 2, BASS and ACCOMP1–5 parts. These parts would form the backing of a song.
Rhythm components which can be stored
Different INTRO 1, 2, VARIATION 1 to 4, ENDING 1, 2 pat­terns can be created for each MEMORY (A, B, C).
Each VARIATION is made of a PATTERN, FILL 1 and FILL
2.
A Maj (major) and Min (minor) pattern is available for each of the INTRO and ENDING 1 and 2.
INTRO VARI 1 VARI 2 VARI 3 VARI 4 ENDING 1 Maj
1 Min 2 Maj 2 Min
PATTERN FILL IN 1 FILL IN 2
PATTERN FILL IN 1 FILL IN 2
PATTERN FILL IN 1 FILL IN 2
PATTERN FILL IN 1 FILL IN 2
1 Maj 1 Min 2 Maj 2 Min
The patterns in the table above can be created for each MEMORY (A, B, C).
Memory capacity
Expressed in terms of notes, the total number of notes which can be stored in all the COMPOSER memories is about 13,000. The remaining memory available for recording is shown on the recording display as a percentage (%).
When “Memory full! appears on the display no more data can be stored in the COMPOSER.
MEMORY
Because the contents of the MEMORY are erased after about 80 minutes after the power is turned off, you should save the data on floppy disks if you wish to keep it. (Refer to page
99.)
Composer
COMPOSER menu
1. Press the PROGRAM MENUS button to turn
it on.
The display looks similar to the following.
2. Select COMPOSER.
The display looks similar to the following.
Summary of the COMPOSER menu items
RECORDING MEMORY-A
Create a memory in the MEMORY A bank.
RECORDING MEMORY-B
Create a memory in the MEMORY B bank.
RECORDING MEMORY-C
Create a memory in the MEMORY C bank.
PATTERN COPY (page 92)
Copy a rhythm/COMPOSER pattern into a memory.
SEQ TO COMPOSER COPY (page 93)
Copy recorded data in the SEQUENCER to the COMPOSER.
LOAD SINGLE COMPOSER
Recall the desired COMPOSER data from data saved on a disk. This procedure is the same as when COMPOSER is selected for SINGLE LOAD. (Refer to page 96.)
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Part V Composer
Three ways to record in the COMPOSER
There are three ways to create and record a rhythm.
Simple recording method
Use EASY COMPOSER to quickly create a unique rhythm just by selecting a pattern for each part.
Composer
Create a completely new rhythm
Compose all the parts of a completely new rhythm from scratch.
You can use either realtime recording or step record for
any part of the recording.
Pattern Copy (page 92) Copy a preset rhythm or SEQUENCER data to a COMPOSER memory, edit it as you like, and then store it as a new rhythm.
Simple recording method
With EASY COMPOSER you can easily create a unique rhythm pattern by selecting a different style for each part of the rhythm.
1. On the COMPOSER MENU display, select
EASY COMPOSER.
The display looks similar to the following.
2. Use the MEM and buttons to select the
memory in which to record your rhythm.
Select from A-vari 1 to 4, B-vari 1 to 4 and C-vari 1 to 4.
3. Use the PART and buttons to select the
part.
In the EASY COMPOSER, the new rhythm pattern is
divided into 9 parts, to each of which a style and variation is assigned.
5. Use the VARI and buttons to select the
variation number.
The number of variations differs depending on the selected style.
A part which is set to OFF does not sound. Note that the BsDrum&Snare part cannot be set to OFF.
6. Repeat steps 3 to 5 to select styles for the
other parts.
7. Press the SET button.
The rhythm pattern is played back.
If you are not satisfied with the rhythm pattern, repeat
steps 3 to 7.
If you wish to correct the sounds or phrases in your rhythm pattern, press the EDIT button. The display changes to the recording display.
For playback, refer to page 89.
4. Use the STYLE and buttons to select a
style.
Create a completely new rhythm
Clear the memories and compose a completely new rhythm from scratch.
You can also use this method when copying a pattern from a preset rhythm or the SEQUENCER.
Prepare to record
1. On the COMPOSER MENU display, select a
memory in which to record (RECORDING MEMORY A, B, or C).
The display looks similar to the following.
2. Use the buttons below the display to select
the pattern you want to create.
If the MEM CLR button is pressed, all the current contents of the MEMORY are erased (a confirmation display ap­pears).
You can press the NAMING button and assign a name to the MEMORY.
To assign a name to each VARIATION, press the VARI button and select a number.
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Part V Composer
3. On the RECORD MEMORY display, press the
OK button.
The display looks similar to the following.
4. Press the CLEAR THE ENTIRE PATTERN
button.
The display looks similar to the following.
5. Press the YES button.
All the data for the selected pattern is erased.
6. Use the MEASURE and buttons to specify
the number of measures in your new rhythm pattern (1 to 16).
7. Use the TIME SIGNATURE and buttons
to specify the meter of the pattern (1/4 to 8/4).
When the settings for the MEASURE and TIME SIGNA­TURE of the INTRO or ENDING patterns are changed, the Maj and Min settings change at the same time.
8. Press the OK button.
Composer
KEY SETTING
Set the key and chord in which you wish the recorded pattern to be played. If the recorded performance is played in a key or chord different from this setting, the automatic accompani­ment will not be able to distinguish the correct chord.
1. On the RECORDING display press the KEY
SETTING button.
The display looks similar to the following.
2. Use the KEY and buttons to set the key.
Use the CHORD and buttons to set the chord type (Maj/Min).
3. When you have finished making the settings,
press the EXIT button.
Recording procedure
1. In the START RECORDING area on the dis-
play, select the rhythm part you want to record first.
BAS: BASS AC1–5: ACCOMP 15 DR1, 2: DRUMS 1, 2
The metronome sound starts and the display looks similar to the following.
2. Adjust the tempo.
The tempo is shown on the display as =.
The tempo can be freely adjusted when you play back
the rhythm pattern, so record at the tempo which is easiest for you to play.
3. Select the sound.
For the DRUMS part, only sounds from the DRUM KITS sound group can be selected.
For the ACCOMP and BASS parts, select sounds from groups other than the DIGITAL DRAWBAR sound groups.
(continued on the next page)
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Part V Composer
4. Record the part.
Composer
The specified number of measures are repeatedly played back, during which time any newly played notes are added to those already recorded. The current measure number is shown on the display as “MEASURE=”.
Record the performance in C major for correct chord progressions during playback. Follow the KEY SETTING procedure if you wish to record the performance in a different scale.
The sustain pedal operation or PITCH BEND and MOD­ULATION effects when MIDI data is received are also recorded (except for the DRUMS part).
Button functions
PART BALANCE:
Adjust the volume of each part on the PART BALANCE display. (These settings are not recorded.)
The METRONOME volume setting can be adjusted on
the PAGE 2/2 display.
PART SETTING:
You can make detailed settings for each part. (Refer to page 89.)
STEP RECORD:
Change to the STEP RECORD mode. (Refer to page 90.)
PART CLR:
Erase all recorded contents of the currently selected part.
NOTE CLR:
Data is erased one note or one percussion instrument (DRUMS part) sound at a time.
Hold and press this button, and press the keyboard key that corresponds to the note or percussion instrument (DRUMS part) sound you wish to erase.
ALL ERAS:
The performance recorded in the selected part is erased for as long as this button is pressed.
QUANTIZE:
Smooth out any unevenness in the timing of your per­formance.
Before recording, select the note value for the desired quantize level. (The quantize level is shown on the display as QTZ=.)
SOLO:
Mute all parts except the part which is currently being re­corded.
A MUTE mark is shown for the other parts on the display.
To turn off the SOLO function, press this button again.
KEY IN CHORD MODIFY (except for INTRO, ENDING, DRUMS):
Use the GROUP and TYPE and buttons to select the type of pattern progression.
This setting is for the sound that is going to be recorded from this time.
5. Use the buttons below the display to switch to
a different recording part, and proceed to re­cord each part in turn.
6. When you have finished recording the rhythm,
turn off the PROGRAM MENUS button.
Chord Modify Change
For data that has already been recorded, you can select the type of pattern progression for the bass and accomp parts.
This function cannot be used for the INTRO and ENDING patterns.
1. On the RECORDING display, press the
CHORD MODIFY CHANGE button.
The display looks similar to the following.
2. Use the PART and buttons to select the
part you wish to set.
3. Use the GROUP and MODIFY TYPE and
buttons to select the corresponding progres­sion type.
If a progression type for which the note name is displayed (in C key) was selected for the chord group, played notes which are not displayed are changed to notes which are displayed.
4. Use the FUNCTION and buttons to enable
or disable the function.
KEEP: No change. CHANGE: The change is enabled.
5. When you have finished making the settings
for each part, press the OK button.
6. Press the EXIT button.
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Part V Composer
Part Setting
You can make detailed settings for each part.
1. On the REALTIME RECORDING display,
press the PART SETTING button.
The settings comprise three pages of the display. Use the PAGE buttons to switch pages.
2. Use the PART and buttons to select a
part.
3. Use the and buttons to set the correspond-
ing item.
<PAGE 1>
PITCH POINT:
The pitch at which the pattern progression sound is lowered by one octave.
When the root note of the specified chord is higher than the set pitch point, the pitch of that part is automatically lowered by one octave, thus avoiding an unnaturally high accompaniment pitch.
This is effective only for the part for which the Melody group was selected in CHORD MODIFY CHANGE.
SOUND:
Use the panel buttons to select the sound.
DIGI EFF:
Set the DIGITAL EFFECT to on or off.
(SOUND) is the initialized setting of the sound.
BALANCE:
Adjust the volume balance.
PAN:
Adjust the stereo balance of each part (LEFT 64 – CEN­TER – RIGHT 63).
At “LEFT 64, the sound is all the way to the left, at “RIGHT 63 all the way to the right. The center point is CENTER.
BEND RANGE:
Adjust the range of pitch change when PITCH BEND data is received (0 to 12).
<PAGE 2>
EQ-Hi:
Sound correction in the high range.
Use the FC and buttons to adjust the standard frequency. Use the GAIN and buttons to set the ratio of change.
EQ-Low:
Sound correction in the low range.
Use the FC and buttons to adjust the standard frequency. Use the GAIN and buttons to set the ratio of change.
REV:
Depth of the REVERB (0 to 127).
CHO:
Depth of the CHORUS (0 to 127).
Composer
Playback
1. In the RHYTHM GROUP section, press the
MEMORY button.
8&16
BEAT
SOUL & DISCO
The display looks similar to the following.
RHYTHM GROUP
ROCK & POP BALLAD JAZZ & SWING
GOSPEL &
COUNTRY &
WESTERN
MARCH &
WALTZ
BLUES
MOVIE &
SHOW
LATIN & WORLD
METRONOME
MEMORY
LOAD
2. Select the desired memory (A/B/C).
3. Use the VARIATION buttons to select a var-
iation.
4. Press the START/STOP button.
The DRUMS part begins to play back.
The BASS and ACCOMP parts are played back when
you use the AUTO PLAY CHORD.
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Part V Composer
Step Record
Use STEP RECORD to store the notes one-by-one on the display. This is a convenient way to store complicated patterns that are difficult to play.
Composer
Recording procedure
1. While you are recording, press the STEP RE-
CORD button.
The display changes to the STEP RECORD display similar to the following.
6. Repeat steps 2 through 5 to continue storing
notes.
To record a different part, use the PART and buttons
to select another part.
PAGE 1/2: The NOTE, VEL(OCITY), LEN(GTH), CHORD MODIFY and CONTROL can be revised later. Move the cursor to select the data you wish to revise, correct the value, and then press the OK button.
You can easily switch between the REALTIME mode and the STEP mode any time during recording. To return to the realtime recording display during the STEP RECORD mode, press the EXIT button.
2. Use the CURSOR buttons to move the cursor
to the note position you are going to store.
Each dot represents one-eighth of a quarter-note (a thirty­second note).
When storing triplets, it may not be possible to match the timing exactly with the 1/32-note steps. However, if you select triplet-type notes for the note length (LENGTH) in step 4 below, the timing is automatically corrected.
3. Use the left LENGTH buttons to specify the
note value you are going to store next. Select
from 3, , 3, ,  3, , 3, , , , × 2 to 4.
(A 3 denotes a triplet-type note.)
For note values other than these, use the right LENGTH buttons to specify the note value to be added to that which you specified with the left buttons.
Example: To record a dotted quarter-note (.)  + 
4. Use the PHRS and buttons to specify the
actual length of the produced sound for the desired legato or staccato effect.
TENU (tenuto): Sound is produced for 95% of the
NORM (normal): 80% STAC (staccato): 50% CUTT (cutting): 25%
note length.
5. Specify the pitch and velocity of the note by
playing the keyboard.
The dot on the display where the note is stored changes to a * mark.
When recording chords, you can store multiple notes at one position.
REST:
To store a rest, after specifying the note LENGTH, press the REST button.
Positions at which nothing is stored are read as rests. ERS:
If you make a mistake, move the cursor to the error, and after displaying the data you wish to erase, press the ERS button.
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Part V Composer
Measure Edit
You can edit the recorded data one measure at a time.
Select the function you wish to edit.
1. During recording, press the MEASURE EDIT
button.
The display looks similar to the following.
2. Select the function.
MEASURE COPY
Copy recorded data of specified measures to a specified point.
On the destination track, the new data replaces the current measure contents.
3. Follow the procedure to edit the function (see
below).
Only the contents of the same pattern can be edited.
MEASURE ERASE
Erase the recorded contents of specific measures.
Note that only the contents of the measures are erased, not the measures themselves; the length of the perform­ance remains the same.
Composer
1. Specify the measures you wish to copy from
the source track (FROM).
On the FROM side, specify the settings with the corre­sponding buttons.
PART:
Select the part to copy from. (If ALL is selected, all parts are copied.)
FIRST MEASURE:
Specify the first measure to copy.
LAST MEASURE:
Specify the last measure to copy.
2. Specify where you wish to copy the selected
measures to.
On the TO side, specify the settings with the correspond­ing buttons.
PART:
Select the part to copy to.
START MEASURE:
Specify the start point to copy the selected measures to.
3. Press the OK button.
The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function.
If the FROM and TO parts are the same and the FROM and TO measures overlap, copy is not possible.
1. Use the PART and buttons to specify the
part.
If ALL is selected, data is erased from the specified measures of all the parts at one time.
2. Use the FIRST MEASURE and buttons
to specify the start point (measure number).
3. Use the LAST MEASURE and buttons to
specify the end point (measure number).
4. Press the OK button.
The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function.
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Part V Composer
MEASURE DELETE
Delete specified measures from all parts at once.
The length of the performance accordingly decreases by the number of deleted measures.
MEASURE INSERT
Insert blank measures at a specified point.
The length of the performance accordingly increases by the number of inserted measures.
Composer
1. Use the FIRST MEASURE and buttons,
to specify the first measure to delete.
1. Use the FIRST MEASURE button to select the
point (measure) where the measures are to be inserted.
2. Use the LAST MEASURE and buttons to
specify the last measure to delete.
One measure is the smallest unit that can be deleted.
2. Use the NUMBER OF MEASURE button to
select the number of blank measures to insert.
No more than 16 measures total can be inserted.
3. Press the OK button.
The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function.
When the INTRO or ENDING measures are deleted, the Maj and Min data are erased at the same time.
3. Press the OK button.
The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function.
The Maj or Min data is inserted in the INTRO and ENDING at the same time.
Pattern Copy
Use this function to copy a pattern from a rhythm or from SEQUENCER data.
PATTERN COPY
Copy a rhythm to the COMPOSER.
You can also copy a pattern from the MEMORY.
1. On the COMPOSER MENU display, select
PATTERN COPY.
The display looks similar to the following.
2. Select the pattern you wish to copy.
In the FROM box, specify the settings with the correspond­ing buttons.
GROUP: Group name RHYTHM: Rhythm name PATTERN: Pattern name
If ALL is selected, all the patterns are copied.
4. Press the OK button.
When copying has been successfully completed, COMPLETED! appears on the display.
If you wish to use the COMPOSER functions to edit the copied data, press the EDIT button, and follow the pro­cedure to record a pattern.
Copying one part at a time.
1. Use the PAGE ∧ and ∨ buttons to select PAGE
2/2.
The display looks similar to the following.
3. Select the memory you wish to copy to.
In the TO box, specify the settings with the corresponding buttons.
MEMORY: Memory name (A, B or C) PATTERN: Pattern name
If ALL is selected, all the patterns are copied.
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QQTG0665
2. Use the MEM and buttons to specify the
pattern to copy to.
3. Use the PART and buttons to specify the
part you wish to copy to.
Part V Composer
4. On the FROM side, use the buttons to specify
the part to copy from.
For the DRUM part you can specify the DRUMS 1 or 2 part; for other parts you can specify a part other than a DRUMS part.
5. On the TO side, use the FUNC and buttons
to specify for each part whether or not to copy the data.
KEEP:
Part data is not copied.
CLEAR:
Part data is erased.
COPY:
Part data is copied.
6. Press the OK button.
SEQ TO COMPOSER COPY
Data from the SEQUENCER can be copied to a COMPOSER memory. For example, you can use a rhythm pattern on a song disk as the automatic accompaniment for your own per­formance.
Composer
1. Play back the song you wish to copy from
SEQUENCER to confirm the tracks, the meas­ures and the time signature you wish to copy.
2. Follow the procedure in Prepare to record to
prepare the COMPOSER memory you will be copying to. (Refer to page 86.)
Be sure that time signature setting in the SEQUENCER data you are copying from and the time signature in the COMPOSER memory you are copying to are the same, or the data will not be copied successfully.
3. On the COMPOSER MENU display, select
SEQ TO COMPOSER COPY.
The display looks similar to the following.
4. Use the FIRST MEASURE and buttons
to specify the number of the first measure to copy.
9. For each COMPOSER part, specify the
SEQUENCER track from which to copy data.
Use the PART ▲ and buttons to specify the part name,
and the TRACK and buttons to specify the track number.
Parts which are set to OFF are blank.
10.Press the OK button.
COMPLETED! is shown on the display.
If you wish to use the COMPOSER function to edit the
copied data, press the EDIT button, and follow the pro­cedure to record a pattern.
In the case of INTRO or ENDING, if a measure contains a Maj or Min command, it is reproduced in the other pattern as well.
5. Use the LAST MEASURE and buttons to
specify the number of the last measure to copy.
6. Use the TRANSPOSE and buttons to
change the key of the copied measures (–24 to +24).
Units are in semitones.
7. Use the MEMORY and buttons to specify
the COMPOSER memory to copy to.
8. Use the PATTERN and buttons to specify
the pattern to copy to.
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Part VI Disk Drive

Outline of the Disk Drive function
The Disk Drive enables you to store recorded and stored data from this instruments memories on disks, as well as play commercial recorded disks on this instrument.
Internal memory and Floppy Disk Drive
The storable internal memory of this instrument as well as the backup time are limited. However, the Disk Drive maxi­mizes your control of data management by allowing you to store (SAVE) this instruments data on disks, and then to recall (LOAD) it at any time.
Main parts of the Floppy Disk Drive
Disk slot
Disk Drive
Eject button
SAVE
Eject button
Press to remove the disk from the Disk Drive.
You can use 3.5 inch 2DD (720 KB) or 2HD (1.44 MB)
disks; however, 2HD disks formatted as 2DD cannot be used.
Disk Drive
LOAD
Disk
Using commercial song disks
The following data can be saved/loaded:
PERFORMANCE
CURRENT PANEL (The current panel settings) PANEL MEMORY* SEQUENCER COMPOSER* (MEMORY contents) SOUND MEMORY* EFFECT MEMORY* PADS (USER memories of the PIANO PERFORMANCE
PADS) (PR804)
BACKUP
MIDI (USER memory of the MIDI PRESETS) FAVORITES
When creating or saving song data, it is recommended that you use the performance data in the PERFORMANCE group.
Instead of using MIDI & FAVORITES as frequently loaded and saved data, it is recommended that you save it with other data as this instruments backup data.
A * mark indicates that data can be loaded to and from a specific memory (SINGLE LOAD).
The SEQUENCER contents can be saved in one-song in- crements (SEQUENCER SONG SAVE).
Please use 2HD disks to load/save BACKUP data.
Not only disks recorded on this instrument, but also data from commercial song disks can be read on this instrument.
This instrument accepts the following file formats: TECHNICS File format
Standard MIDI File format
Loading Technics File format disks
Using Technics file format disks allows you load new SOUND EDIT, rhythm & accompaniments, PANEL MEMORY, PADS and Song data into your instrument to expand its potential even further.
About Standard MIDI Files
Standard MIDI File (SMF) is a standardized data format which makes it possible for music data to be exchanged among different sequencers. Data stored in this format on sequencers of different models can be played back on this instrument, and vice versa. Note, however, that Standard MIDI Files ensure the compatibility of data such as NOTE data (keyboard performance data), VELOCITY (how hard the keyboard is played), PROGRAM NUMBER data (voice num­ber data), etc. Because it does not guarantee 100% faithful reproduction of recorded music which is replete with such data, it may be necessary for you to adjust the settings to your satisfaction.
Only files with the .MID extension can be loaded.
Standard MIDI File FORMAT 1 can be loaded, but not
saved.
This instrument’s SEQUENCER data can be saved to a
disk in Standard MIDI File (FORMAT 0) and can be used by other equipment.
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Part VI Disk Drive
Playback of commercial song disks
DIRECT PLAY lets you enjoy playing commercially sold song disks directly from a disk. It’s fast because you dont have to load the disk data into your instruments memory.
DIRECT PLAY is possible from the following disks: Standard MIDI File
Standard MIDI File with Lyrics DISK ORCHESTRA COLLECTION (DOC) PianoDisc
* All product and company names are trademarks or
registered trademarks of their respective owners.
* DISK ORCHESTRA COLLECTION is a trademark of
the YAMAHA Corporation.
SMF with LYRICS
SMF with LYRICS is a format in which character information that is included with the MIDI data, such as karaoke lyrics, can be displayed. This instrument supports this format, making it possible to view the lyrics on the display while a performance is played back.
GENERAL MIDI LEVEL 2 (GM2)
This instrument complies with GENERAL MIDI (GM) LEVEL 2 standards. GM LEVEL 2 is a uniform world standard for MIDI sound generators that improves on existing GM stand­ards, in order to realize an enhanced performance expres­sion. Sound generators of this class can reproduce virtually the identical conditions that were in effect at the time of re­cording. Equipment which conforms to GENERAL MIDI LEVEL 2 standards is indicated by the following logo.
This instrument also conforms to GENERAL MIDI playback.
Disk Drive
Outline of the procedure
SX-PR804
DEMO
AUTO PLAY CHORD
SPLIT
MODE
OFF/ON AUTO SETTING BANK STOP
POINT
CHORD FINDER
MAIN
APC/SEQUENCER
VOLUME
VOLUME
MAX
MAX
MIN
OFF
PIANO PERFORMANCE PADS
123
456
SOLO SOLO
MUSIC STYLE ARRANGER
8&16 BEAT
SOUL & DISCO
RHYTHM GROUP
ROCK & POP BALLAD JAZZ & SWING
GOSPEL
COUNTRY &
& BLUES
WESTERN
1234
MOVIE &
SHOW
LATIN &
MARCH &
WORLD
WALTZ
VARIATION
1. Insert the disk into the Disk Drive slot. Push
it all the way in until you hear a click.
On this instrument, if the normal display is active, it auto-
matically changes to the DISK MENU display when a disk is inserted into the Disk Drive (initialized settings). The PREFERENCES menu is used to specify which display is shown when a disk is inserted.
2. Select a menu on the DISK MENU display.
If the DISK MENU display does not appear, turn on the
DISK button.
3. Follow the procedure for the function (see
below).
When function is being set, if the TEMPO/PROGRAM
indicator is lit, the TEMPO/PROGRAM is available for setting the current function.
4. When you have finished setting the functions,
turn off the DISK button.
DISK
DISK
IN USE
LOAD
METRONOME
MEMORY
LOAD
SOUND
ARRANGER PIANO STYLIST
SET OFF/ON
IN OUT
FILL IN
12 1
SEQUENCER
COUNT
RESET
INTRO
ONE TOUCH
INTRO & ENDING
PROGRESSIVE
TEMPO / PROGRAM
PIANIST
START / STOP 1234
FAVORITES
SYNCHRO
START
BEAT
TAP TEMPO
LCD CONTRAST PAGEMUTE
OTHER PARTS/TR
HELP
SIMPLE PIANOFADE
PLAY
2
TRANSPOSE R1/R2 OCTAVE
+ +
PART SELECT
LEFT RIGHT 2 RIGHT 1
LEFT RIGHT 2 RIGHT 1
DISPLAY HOLD
EXIT
CONDUCTOR PANEL MEMORY
SOUND GROUP EFFECTTHEATRE SONIC
SAX &
ORGAN &
BRASS SYNTH SOLOIST
STRINGS
WOODWIND
ACCORDION
GUITAR
MALLET &
VOCAL BASS
& HARPSI
ORCH PERC
PIANO
GRAND UPRIGHT ELECTRIC MODERN
DRUM KITS MIXTURES MEMORY
SOUND
EXPLORER
TECHNI-CHORD
DIGITAL
DRAWBAR
12345678
MULTI EFFECT
CHORUS REVERB PLAY EASY REC
SOLO
DIGITAL EFFECT BRILLIANCE
SEQUENCER
CHORD STEP REC
SET NEXT BANK BANK VIEW
PROGRAM
DISK
DISK
MENUS
IN USE
LOAD
DISK IN USE
DISK
DISK
IN USE
LOAD
This indicator lights when data is being loaded or saved.
To prevent data loss, do not eject the disk or turn off the power while this indicator is lit.
About the menu
LOAD (page 96)
Load data from a disk into this instruments memory.
SAVE (page 99)
Save data from this instruments memory to a disk.
DIRECT PLAY (page 98)
Direct playback of SMF etc. commercial song disks and medley playback.
SONG MEDLEY (page 99)
Medley playback of songs in the floppy disk (Technics format).
DISK TOOLS (page 102)
Disk management procedures, such as disk format.
PREFERENCES (page 102)
The display screen settings during disk save.
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Part VI Disk Drive
Loading data
Recall (load) the data from the disk to this instruments memories.
Note that the load procedure causes any data which is currently stored in the relevant memories to be erased.
LOAD
Load data that saved to a disk into this instruments memory.
1. Insert the disk with the stored data into the
Disk Drive. Push it all the way in until you hear a click.
LOAD OPTION
Specify the kind of data you wish to load from the disk to your instrument.
1. Use the PAGE buttons to access the PAGE
2/3 LOAD OPTION display.
The display looks similar to the following.
Disk Drive
2. Use the buttons below the display to specify
2. On the DISK MENU display, select LOAD.
The display looks similar to the following.
the types of data you wish to load (YES/NO).
- - - - - indicates that this type of data has not been saved.
This setting is canceled when you quit the LOAD display
or when another file is selected.
3. Press the LOAD button.
The LOAD operation begins.
SINGLE LOAD
If there are only SMF files on the disk, the display auto­matically changes to the SMF LOAD display.
3. Use the buttons below the display to select
the file (Technics file) you wish to load.
If there are SMF files on the disk and you wish to load an SMF file, press the SMF button. (Refer to page 97.)
You can specify which data to load from a disk into a specific
PANEL MEMORY, COMPOSER (MEMORY), SOUND MEMORY, EFFECT MEMORY or SEQUENCER (when
SONG SAVE was executed) memory.
1. Use the PAGE buttons to access the PAGE
3/3 SINGLE LOAD display.
The display looks similar to the following.
4. Press the LOAD button.
The LOAD operation begins.
When the operation has been successfully completed,
COMPLETED! is shown on the display.
If song data was loaded, you can press the START/STOP button to begin playback when the SEQUENCER PLAY display is active.
You can also access the LOAD display by pressing the DISK button for a few seconds.
2. Use the MODE button to select the data you
wish to load.
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3. Use the BANK/SINGLE button to select the
load increment (except for SEQUENCER).
BANK: Load one bank at a time. SINGLE: Load the smallest data increment.
4. Follow the appropriate procedure to load the
specified data.
Specify the data source (left side), and the data destina­tion (this instruments memory location) for TO.
Part VI Disk Drive
SMF LOAD
Load data which was saved in the Standard MIDI File (SMF) format.
1. On the LOAD (PAGE 1/3) display, press the
SMF button.
The display looks similar to the following.
For disks which contain SMF files only, this display ap-
pears automatically when LOAD is selected on the DISK MENU display.
2. Use the buttons below the display to select
the filename you wish to load.
If the number of files is 10 or more, you can use the PREV and NEXT buttons to go back or advance 10 files at a time.
If you press the TECH button, the display changes to the LOAD display for Technics files.
You can use the INFO button to switch the displayed data. DISK: Disk name SONG: Song name
5. Press the LOAD button.
The LOAD operation begins.
When the operation has been successfully completed,
COMPLETED! is shown on the display.
If you press the START/STOP button, playback of the loaded data begins.
During the LOAD operation, data that cannot be processed by this instrument is ignored.
COMPOSER LOAD
Load COMPOSER data only from a disk.
1. In the RHYTHM GROUP section, press and
hold the LOAD (MEMORY) button for a few seconds.
8&16 BEAT
SOUL &
DISCO
The display looks similar to the following.
RHYTHM GROUP
ROCK & POP BALLAD JAZZ & SWING
GOSPEL &
COUNTRY &
WESTERN
MARCH &
WALTZ
BLUES
MOVIE &
SHOW
LATIN & WORLD
METRONOME
MEMORY
LOAD
Disk Drive
3. Use the TO SONG button to select the number
to load to (this instrument’s SEQUENCER song number).
Songs to load are specified one at a time.
The song name to load to is shown below the TO SONG
button.
4. Use the LOAD AS button to specify the load
method.
Select from the following. GM/GM2 GM2:
Activate the GM2 initialized settings, and load GM/GM2 data.
NX NX:
Active the NX SOUND settings, and load NX data.
GM/GM2 NX:
Activate the NX SOUND initialized settings, and load GM/GM2 data.
PREV. TEC NX:
Activate the NX SOUND initialized settings, and load SMF data that was saved in the TECHNICS mode on a previous model. (The volume balance and octave settings may differ from the saved settings.)
If you select the setting which is different from that in which the song was stored, the sounds, octaves, and arrangement of percussion instrument sounds, etc. will be different.
2. Select the name of the file you wish to load.
3. Press the LOAD button.
Data is loaded to this instrument’s COMPOSER memory (MEMORY).
About LOAD AS
<GM2>
The SMF data you load is played back in PARTS 1-16, al­lowing you to play the RIGHT 1, RIGHT 2 and LEFT parts on the keyboard in time with the recording.
Your keyboard performance is not output as MIDI data. If you wish your keyboard performance to be output as MIDI data, select <PR Ext. Sequencer> in MIDI PRE­SETS. (Refer to page 132.)
<NX>
The SMF data you load is played back matching the part settings and MIDI settings that were in effect when the data was saved.
SMF data that was saved on models that are not NX-com­patible is played back in parts RIGHT 1, RIGHT 2, LEFT, and PART 4-16.
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Part VI Disk Drive
Direct Play
You can enjoy immediate playback of Standard MIDI File (SMF), Disk Orchestra Collection (DOC) and “PianoDisc” disksall without loading the song data.
1. Insert the disk with the stored data into the
Disk Drive.
2. On the DISK MENU display, select DIRECT
PLAY.
The display looks similar to the following.
<Example: SMF>
Disk Drive
For SMF files, use the PLAY AS button to specify a sound
arrangement mode. GM2: GM2 LEVEL 2 NX: NX SOUND PREV. TEC: Data from Technics instruments not having
NX SOUND capability.
For SMF files, you can use the INFO button to switch the
displayed data. DISK: Disk name SONG: Song name
For SMF files, use the MIDI OUT button to specify whether
or not MIDI data is output during playback (ON/OFF). (This cannot be changed during playback.)
4. Press the START button.
The selected song is played back.
You can also start playback of the song by pressing the
START/STOP button on the panel.
3. Use the buttons below the display to select
the song you wish to have played.
If the number of files is 10 or more, you can use the PREV and NEXT buttons to go back or advance 10 files at a time.
Adjusting the playback tempo
Even with a song having recorded tempo data, you can use TEMPO/PROGRAM or TAP TEMPO to adjust the tempo to your liking.
When the tempo is changed, all the tempo data of that song is automatically changed by the same ratio. Accord­ingly, even in song data in which tempo change data is stored, a single adjustment of the tempo produces a natural-sounding playback.
The display during playback
<Example: SMF>
you can play a keyboard performance on the channel which was last set to MUTE.
For DOC disks: You can use the PART 1, PART 2 and ORCH (other ac­companiment parts) buttons to set the respective parts to ON or OFF. You can play the parts set to OFF on the keyboard.
For PIANO DISC playback: You can use the PART 1 and ORCH (other accompa­niment parts) buttons to set the respective parts to ON or OFF. You can play the parts set to OFF on the key­board.
MEDLEY PLAY
With DIRECT PLAY, songs saved on a disk can be played back continuously in a medley.
Next song
Fast forward
Play/pause
Stop
Previous song
During playback, the buttons below the display are used for player functions such as fast forward, pause, etc.
During playback, if you press the MIXER button you can change the settings for each part.
If you press the MIC button during playback, the display changes to the MIC REVERB & EFFECT setting display.
For SMF disks: For SMF with LYRICS disks, by pressing the LYRICS button, the lyrics are shown on the display. For a minus one performance, use the MUTE CH buttons to select the channel you wish to mute. Following this,
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1. On the DIRECT PLAY display, set the MED-
LEY settings.
If ALL is pressed, all the files are selected, and the songs are played back in order in a medley. If ALL is pressed again, the files are deselected.
You can use the buttons below the display to select a song to add to the song list, then press the ADD button to add it to the list. Repeat these steps to create your own list of songs to have played back. A M01, M02 etc. next to the file name indicates its order in the list.
If the number of files is 10 or more, you can use the PREV and NEXT buttons to go back or advance 10 files at a time.
You can delete a marked file from the medley song list by selecting it and pressing the ADD button.
Use the LOOP button to specify ON or OFF for repeat playback of the medley.
2. Press the START button.
Medley playback begins.
During medley playback, you can use the SKIP button to
skip to the next song.
Part VI Disk Drive
Song Medley
Songs saved from the SEQUENCER to a disk (disk data) in the TECHNICS FORMAT can be played back in a medley.
1. On the DISK MENU display, select SONG
MEDLEY from the display.
The display looks similar to the following.
2. Select the order of files in the medley.
If ALL is pressed, all the files are selected, and the songs are played back in numerical in a medley.
You can select a file and song, then press the ADD button to add it to the song list. Repeat these steps to create your own list of songs to have played back. A M01, M02 etc. next to the file name indicates its order in the list.
You can delete a marked file from the medley song list by selecting it and pressing the ADD button.
Use the LOOP button to specify ON or OFF for repeat playback of the medley.
You can use the MODE button to select the medley mode. 10 SNGS:
Songs 1 to 10 from each file are played in a medley.
1 SONG:
Only song 1 from each file is played back in a med­ley.
3. Press the START button.
Medley playback begins.
During the performance, the display changes to the play-
back display.
During a medley performance, if you press the MIXER button you can change the settings for each part.
During a medley performance, you can use the SKIP button to skip to the next song.
If the disk contains SMF or other files, but no TECHNICS FORMAT file, the display changes to the DIRECT PLAY display.
Disk Drive
Saving data
The recorded data and panel settings of this instrument can be saved on a disk.
Disks
You can use 3.5 inch 2DD (720KB) or 2HD (1.44MB) disks.
How to distinguish the two disk types:
2HD2DD
No hole
Although 2HD disks can hold more data and are convenient for quick loading and saving, some models may be able to read only 2DD disks. Therefore, you may not be able to use your 2HD disk data with other musical instrument mod­els.
When saving data to the disk, the write-protect tab must be closed.
Storage is not possible
Hole
Storage is possible
FORMAT
Disks which are used for the first time with this instrument have to be formatted through the following procedure. When an unformatted disk is inserted into the Disk Drive slot and you attempt to execute the save or load procedure, the DISK FORMAT display appears. Follow the instructions shown to format the disk.
Note that this procedure clears any data which is currently stored on the disk.
1. Select the type of format (2DD or 2HD).
Be sure to select the type which is the same as your disk
type.
If the type is automatically detected, the display changes
directly to the following display, without showing the type select display.
The display looks similar to the following.
Open Closed
If you wish to select the type again, use the PAGE button
to access the PAGE 2/2 display.
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Part VI Disk Drive
2. Press the YES button to format the disk, or
4. Press the OK button.
press the NO button to cancel the format.
When the YES button is pressed, disk format begins. After about 1–2 minutes, formatting is completed and DISK NAMING display is shown.
The FORMAT display can also be accessed from the DISK TOOLS menu when, for example, you wish to reformat a disk. (Refer to page 102.)
3. Use the buttons below the display to assign a
name.
Use the POSITION buttons to highlight the character position in the name box. Use the ABC...123 buttons to select the alphanumeric character. Repeat these steps to type the whole name.
Press the INS button to enter a space at the cursor position.
Press the DEL button to erase the character at the cursor position.
Press the CLR button to erase the entire name.
Press the →← button to center the name.
Disk Drive
SAVE
1. Insert a formatted disk into the Disk Drive slot.
Push it all the way in until you hear a click.
A disk which is used with this instrument for the first time must first be formatted.
2. On the DISK MENU display, select SAVE.
The display looks similar to the following.
3. Select the type of data save you want.
TECHNICS FORMAT:
Save this instruments data in the Technics File format.
SMF FORMAT 0:
Save the SEQUENCER data in the Standard MIDI File format (FORMAT 0).
TECHNICS FORMAT
1. Use the buttons below the display to specify
the file number you wish to save to.
The types of data that can be saved are shown in a frame on the right side of the display. If you press the SAVE button, all the indicated data is saved. Ordinarily PER­FORMANCE data is selected, but you can use the SAVE OPTION to select specific data to save.
2. If you wish to assign a name to the file, press
the NAME button.
The display looks similar to the following.
3. Use the buttons below the display to assign a
name.
Press the ABC button to enter alphabetical characters. While the SHIFT button is pressed, upper case letters are entered.
Press the 123 button to enter numbers, etc. While the SHIFT button is pressed, you can enter symbols.
Press the POSITION button to move the cursor.
You can also use the TEMPO/ PROGRAM dial to select
the characters.
Press the INS button to enter a space at the cursor position.
Press the DEL button to erase the character at the cursor position.
Press the CLR button to erase the entire name.
Press the →← button to center the name.
4. Press the OK button.
The display returns to the SAVE display.
5. Press the SAVE button.
The SAVE operation begins.
If you attempt to save data to a file number in which data
is currently saved, the display changes to the confirmation display. Press the YES button to continue the SAVE pro­cedure, or press the NO button if you wish to cancel it.
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