Technics SX-PR250 User Manual

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sx-PRSOV

sx-PR250 sx-PR350

VII. 2 PRACTICALAPPLICATIONS

PRACTICALAPPLICATIONS

Part I Sounds and effects 2

Play Style 2 Sound Select 3

Pedals .Effects 5

Digital Reverb (PR250/PR350) Mixingtwosounds 6 Keyboard Split 7 Transpose

Partll Playing the rhythm 9

Rhythm Select 9 Start the rhythm 10

Balance 10 Tempo 11

Intro 11 Count 11 Fillin 12

-.#

Ending 12 Keyboard Percussion 12 AutoPlayChord 13 OneTouchPlay 16 PaneIMemory 16

5 6

Partlll Recording and playback 17

Sequencer 17

, . Storing a chord progression 17

. Store the following chord progression. . . . . . . . . . . . . . . . 18

. Automatic playback of the stored chord progression. . .. 19

. Storing rhythm changes 19

. An exampleof storing in the Sequencer. . . .. . . . . . . . . . 20

Storing a performance 21

. Example of storing a piano performance. . . . . . . . . . . . . . 22

, ~\~"\~~~'Q."\-~'i-~'Q.,,\ '2.~

. Playing back the performance 25

. Erasingthe recordedperformance. . .. .. . . . . . .. . . . .. . 25

Partrv Creating rhythm patterns 26

Composer 26

. Setting up 26

. Recordingpart-by-part 28

. Play back the stored pattern 30 . Editing a preset rhythm pattern 30

PartY Externalmemory 31

Digital Disk Recorder (SY-FD20) 31 Errordisplay 35

Part VI Setting the functions 36

Function-setting modes 36

Part VII MIDI 41

WhatisMIDI? 41 MIDI stickers 41

The following kinds of data can be transmitted/received. . . . . 42

CHANNEL 42

MIDI Implementation Chart 48

PartI

In addition to standard piano sounds, this instrument is provided with the sounds of various other musical instruments. This chapter includes explanations for how to select the various musical instrument sounds,

how to add effects to enhance the sound, and how to mix multiple sounds.

Soundsandellects

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PlayStyle

In addition to standard piano performance, this instrument can be used to play various different performance styles. The type of keyboard is centrally controlled by the PLAY STYLE section.

NormalPlay

. PIANO MODE ~

When this button is on, this instrument can be

played as a standard piano.

PLAY STYLE

SPuTPOINT"(_SPUT PI~~

-NORMAl. PUY-

OO~

. If sounds other than piano-type sounds have

been chosen, the PLAY STYLE indicators all go out.

.- =="

- -"""'ffi~

Piano sound

. ~ -

. KEYBOARDSPLIT

The keyboard divides into two playing areas, each with a different sound. (Refer to page 7.)

PLAY STYLE

SPuT POINT KE~SPUT PIANOMOO(

-NORMACPUY-

O~O

AutoPlayChord

These buttons are used when you perform with the automatic accompaniment. (Refer to page

13.)

- AuTO PLAYCHOAO-

BASIC5Pt.IT ADvANCEDSPt.IT PtANI5T

0 0 0

000

Sound A

[

~ ~

Play chord

Play melody I

[

Sound B

PartI

Soundsandenects

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SoundSelect

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Selecting a sound is easy. Just press the button

for the desired sound to turn it on.

. The indicator for the selected sound lights.

PR50V

UPRIGHT

PIANO

PR250

-oJ.

GRAND

PIANO

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SOUND SELECT

HARPSI-

EGRANOCHORDMALLET GUITAR FLUTE SAX

0 0 0 0 0 0

(E P~ANOJ

000000

BRASSTRUMPETORGANSTRINGSACOUSTICELECTRIC

0 0 0 0 0 0

000000

SOUND SELECT

HARPSI- ELECTR

EGRANOCHOROMALLET GUITARGUITAR SYNTH

0 0 0 0 0 0

LEFT SELECT SOUNDISUST

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SOUND

VARIATION

00 -" I

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0000 ,;;;;5 ~.~,

~BASS~

0 0

GRAND

PIANO

PR350

GRAND

PIANO

32 notes polyphonic: The tones from a maxi- mum of 16 simultaneously pressed keys will

sound, and then using the sustain pedal or

sostenuto pedal (PR250/PR350) up to 32 notes

can sound at one time.

UPRIGHT

PIANO

0 0

UPRIGHT

PIANO

(E PtNoJ

(E P~ANOJ

000000

SYNTH

BRASS BRASSTRUMPET SAX REED FLUTE

0 0 0 0 0 0

000000

ORGAN STRINGS SPECIAL ACOUSTICELECTRICCHOPPER

0 0 0 0 0 0

000000

SOUND SELECT

HARPSI- ELECTR

EGRANDCHORDMALLET GUITAR GUITAR SYNTH

0 0 0 0 0 0

000000

SYNTH

BRASS BRASSTRUMPET SAX REED FLUTE

0 0 0 0 0 0

' BASS---'

000000

ORGAN STRINGS VOCAL ACOUSTICELECTRICCHOPPER

0 0 0 0 0 0

000000

'- BASS---'

PartI

PianoMode

Soundsandeneets

When playing as a standard piano, press the PIANOMODEbutton to turn it on.

PLAY STYLE

-NORMAL PLAY-

~~' '0" ~

You can then select one of the piano-type sounds:

GRAND PIANO, UPRIGHT PIANO, E PIANO 1,

2. Press the button for the desired sound to turn it on.

0 0

tE P:ANO]

(E PIANO)

SoundVariation

Each sound (except the four piano sounds) has

a variation or different voice. By pressing the SOUND VARIATION button to turn it on, the

sound changes to the variation of the selected

sound.

SO\JNO

. When the piano is first turned on (initialized

mode), the PIANO MODE is on and the default sound is GRAND PIANO.

. When this button is pressed, the entire key-

board will return instantaneously to the PIANO

MODE, regardless of the mode which is cur- rently selected, the KEYBOARD SPLIT status (refer to page 7) or the AUTO PLAY CHORD status (refer to page 13). The sound will be set to the piano-type sound which was selected

last.

. Selecting a sound other than a piano-type

sound will turn off the PIANO MODE automat- ically.

. For details concerning the sound variations,

please refer to the separate booklet.

. The SOUND VARIATION on/off status is

memorized independently for each sound.

V~N

Delaultsettings

When the piano is turned on, the default panel settings are as follows.

PLAY STYLE: PIANO MODE SOUND SELECT: GRAND PIANO TRANSPOSE: C SUSTAIN PEDAL: On DIGITAL CELESTE: Off SYNCHRO START: Off

MIN RANGE: On KEYBOARD

PERCUSSION: Off

. Other panel settings are those which were in

effect when the piano was last turned off.

. If the piano is turned on while the sustain pedal

is depressed, the settings for PLAY STYLE, SOUND SELECT, etc. will also return to the

settings which were in effect when the piano was last turned off.

Pari.

Pedals

Soundsand enecls

. Sustainpedal

When a key is released while this pedal is depressed, the sound is sustained so that it lingers and slowly fades out.

. For the piano sounds, the sustain effect is on

for the 17 rightmost keys at all times, just like an acoustic piano.

. PR350: This pedal is a four-stage pedal, and

the length of the sustain is controlled by the degree to which the pedal is depressed.

. If the SUSTAIN PEDAL button is off, the sus-

tain effect does not work.

. Sostenutopedal(PR250/PR350)

When this pedal is pressed, the notes for the keys already held--down will be sustained. If the pedal is pressed first and the keys are then pressed, the sustain effect is not applied to those notes.

. For continuous-type sounds, such as ORGAN,

the notes sound as long as the pedal is pressed.

. Soft pedal

When this pedal is depressed, the overall sound

is softer and the volume is slightly lower.

Sostenuto pedal (PR250/PR350)

Soft pedal

. Other functions can be programmed in the sos-

tenuto pedal (PR250/PR350) and soft pedal. (Refer to page 39.)

Ellects

Various effects can be applied to the sound by pressing the desired button to turn it on.

DIGITAL CELESTE SUSTAIN

1 2 PEDAL

0 0 0

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000

. DIGITALCELESTE 1,2

DIGITAL CELESTE

depth and breadth.

. DIGITAL CELESTE 1 is the minimum amount

of this effect.

. DIGITAL CELESTE 2 is the maximum amount

of this effect.

. Select either of the two types, 1 or 2. . This effect does not work for the left part

sounds of a split keyboard. (Refer to page 7.)

. When this effect is turned on, the number of

notes which can be simultaneously generated is reduced to 16.

. The DIGITAL CELESTE feature is more effec-

tive for some sounds than others.

. The DIGITAL CELESTE effect turns off auto-

matically when a different sound is selected.

. The DIGITAL CELESTE effect turns off auto-

matically when a different sound is selected.

gives the sound greater

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. SUSTAIN PEDAL

If this button is on and the sustain pedal is depressed, when a key is released, the sound is sustained so that it lingers and slowly fades out.

. When this button is off, the sustain does not

work even when the pedal is depressed.

. The sustain on/off status can be set for the

right and left parts independently when the keyboard is split. (Refer to page 7.)

'art I

DigitalReverb(PR250/PR350)

SoundsandeUects

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- -

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DIGITAL REVERB applies a reverberation effect

to the sound. Select from three types:

.ROOM is minimum;

. STAGE is medium;

. HALL is the maximum amount of this effect.

. These effects work for all generated sounds,

including those of the rhythm pattern instru- ments.

DIGITAL REVERB

ROOM STAGE HALL

0 0 0

000

Mixingtwosounds

You can play two completely different sounds at the same time. To accomplish this effect, just press the two buttons for the desired sounds simultaneously.

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Press the button for the desired type of reverb to

turn it on.

. -

. The total depth of the reverb can be adjusted.

(Refer to page 37.)

. The number of notes which can sound simul-

tanously is reduced to 16.

Volumebalance

You can adjust the volume balance between two sounds when they are mixed together by following

this proced"ure:

1. Press and hold the button for the first sound.

2. While holding down the button for the first

sound, press and hold the button for the second sound. The second sound you select is the one

whose volume level can be adjusted.

3. After approximately 3 seconds, the indicator

for the second sound you selected will flash. This is your visual signal that you can adjust

the volume for this sound.

4. Adjust the volume of the second sound by using

the TRANSPOSE/PROGRAM's UP and DOWN buttons. MUSICAL DISPLAY

]

Gup

TRANSPOSEf

0 PROGRAM 0

5. Press any button in the SOUND SELECT sec- tion to exit the volume-balance-setting mode.

. The volume increases each time the UP button

is pressed and decreases each time the DOWN button is pressed.

. There are 10 different levels of volume for the

selected sound (0-9). The selected level is shown on the display.

. You can confirm the volume by playing the

keyboard.

. The volume level which is set in this manner

is recalled only when the sound is selected as the second of two mixed sounds. Specify the second sound by pressing its button slightly after pressing the button for the first sound.

. To return the volumes to the factory-preset

levels, follow the initialization procedure on page 40.

. The SOUND VARIATION indicator remains

unlit when the sounds are mixed even if SOUND VARIATION is selected for the sound.

PartI

KeyboardSplit

Soundsandenects

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The keyboard can be divided into left and right playingareas,to eachof which is assigneda dif-

ferent sound.

Keyboard

-- SoundA-I- SoundB

Left-hand part

1. Select a sound. This will be the sound assigned to the right part of the split keyboard.

. You can also mix two sounds in the right-hand

part.

2. In the PLAY STYLE section, press the KEY-

BOARD SPLIT button to turn it on.

SPUT POINT

-NORMAL PLAY-

KEYB~fI~SPLIT PIANO MOOE

Right-hand part

3. In the SOUND SELECT section, press the LEFT SELECT button to turn it on. Now select

a sound to be assigned to the left part of the keyboard.

<PR50V>

LEFT SELECT

SO~I)/)JIJST

. You can also set the sustain pedal on/off status

for the left part of the keyboard using SUSTAIN PEDAL button.

L~FT

~uecT

SOUND/SUST

. The indicator for the selected sound lights

momentarily, and then the indicator for the

right-hand part lights.

SplitPoint

Press this button to change the location of the

keyboardsplit point.

SPLIT POINT

. Each time the button is pressed, the split loca-

tion changesin this sequence:from G2 up -+ C3 -+ C4.

Balance

The volumes for the left and right parts of the split keyboard are adjusted with the sliding LEFT and

RIGHT controls in the BALANCE section.

. When a volume is set to 0, the corresponding

BALANCE indicator goes out.

. In some cases, the actua1 volume is not in

accordance with the position of the sliding con- trol (for example, when using the PANEL

\I'E\lO~'l to reca)) stored pane) settIngs lre'er

to page 16]).

BALANCE

PartI

Soundsandenects

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Transpose

The TRANSPOSE buttons are used to change the key of the entire instrument in semi-tone steps

across an entire octave.

Suppose you learn to playa song-in the key of C, for example-and decide you want to sing it, only to find it's either too high or too low for your voice. Your choice is to either learn the song all

over again, in a different key, or to use the TRANSPOSE feature.

Adjust the key with the UP and DOWN buttons.

MUSICAL DISPLAY

-b]

TRANSPOSEI

0 PROGRAM 0

6'6H o~~ 0-:;-6I

30o~~3 . Y. ,~~ .1

@~eeooo~ oaaO :~...

<Example: transposed to D>

Played keys Notes that sound

" ."

- ., i

~('~-~I:J~

C major

D major

Each press of the UP button changes the key as

follows: D~-+ D -+ E~-+ E -+ F -+ F#.Each press

of the DOWN button changes the key as follows:

B -+ B~-+ A -+ A~-+ G.

. Ifthe two buttons are pressed at the same time,

the key returns to C.

. When a TRANSPOSE button is pressed, the

transposed key is shown on the display. A

sharp is indicated by 5 and a flat by b . B

and D are displayed as band d respectively.

. When the TRANSPOSE function is active, the

C key will sound the note shown on the display.

. The UP or DOWN indicator lights when the

corresponding button is pressed.

. The display returns to the TEMPO display after

a few seconds.

. When TRANSPOSE is used, depending on the

selected sound, the sound (tone) produced by some keys in the outer ranges may be raised or lowered by one octave.

PartII

Various professional drums performances have been PCM-recorded and stored in your piano's memory. This chapter includes explanations of intro and fill-in features which enhance the rhythm performance, the KEYBOARD PERCUSSION with which you playa drums performance on the keyboard, and the AUTO PLAY CHORD feature which allows you to play, using just one finger, an automatic accompaniment.

Playingtherhythm

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RhythmSelect

The desired rhythm is specified by using the horizontal row of buttons in the RHYTHM SELECT section.

RHYTHM SELECT

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,-, , "0' . . . . -

.The indicator for the selected rhythm lights.

RhythmVariation

When the RHYTHM VARIATION button is on, the

rhythm pattern changes.

-8

RHYTHM

VARIATION

~ - ~-- -- - ~ . . . . ~ . :~!

To select the alternate rhythm for a given button press that button a second time.

When the upper or lower rhythm for agiven button is selected, pressing any other button will cause the upper or lower rhythm, respectively, to be

selected. For example, to select the SWING 2 rhythm:

OSWING2

,1/

/~A11 r--Press again

o--j

,1/

"~ING2

. 016BEAT1

. The on/off status of the RHYTHM VARIA TION

button is set independently for each rhythm.

Metronome

To use the metronome, press the COMPOSER

button to turn it on, and then press the ME-

TRONOME 1 or 2 button to turn it on.

RHYTHM SELECT

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METRONOME 1 is for a 4/4 time signature, and

METRONOME 2 is for a 3/4 time signature.

. The indicator above the selected METRO-

NOME button will light.

. Press the START/STOP button to start the

metronome.

PaPi D

Start the rhythm

1. Select a rhythm.

2. Press the START/STOP button to turn it on.

,1/

-.8.-

START!

STOP

. The selected rhythm pattern begins to play.

. If the START/STOP button is pressed again,

the rhythm will stop.

PlayingIbl rbytbm

When the SYNCHRO START button is on, the

rhythm is started by pres~ng a key on the key-

board.

1. Select a rhythm.

2. Press the SYNCHRO START button to turn it on.

SYN~HRO

'Slt.J>'T

3. When the keyboard is split: Press a key to the left of the keyboard split point.

When the keyboard is not split: Even when the keyboard is not divided into left and right sec- tions, the indicator at the split position will light while the SPLIT POINT button is depressed.

If desired, you can change the split point by pressing the SPLIT POINT button at this time. To start the rhythm, press a key to the left of

the indicated split point. Splitpoint

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. The selected rhythm starts to play.

Balance

The volume of the rhythm is adjusted with the slid- ing DRUMS control in the BALANCE section.

BALANCE

DRUMS BASS ACCOMP LEFT RIGHT

0 0 0 0 0

MAX

OFF

PartII

Tempo

Playingthe rhythm

The tempo or speed of the rhythm pattern is ad-

justed with the two TEMPO buttons.

. The tempo increases each time the FAST but-

ton is pressed and decreases each time the SLOW button is pressed.

. The tempo is shown on the display as a numeri-

cal value (.I= 40-300).

. Keep the button pressed to change the tempo

speed more rapidly.

. If the two buttons are pressed at the same time,

the tempo returns to 120.

Beat

The BEAT indicators light to indicate the beat.

. On the first beat of the measure, the red BEAT

indicator lights. On the second and succeeding beats of the measure, the green indicators

light.

Intra

MUSICAL DISPLAY

t =:III

tL L(

TRANSPOSEI

0 PROGRA" 0

OOWNC3) Gup

2 3 4 BEAT

0 0 0 0

SLOW ~ WAST

() TEMPO~ ~

You can begin the rhythm with an intro pattern.

1. Press the INTRO & ENDING button to turn it on.

INTRQ,.&IE)IDING

Count

You can begin a rhythm with a one-measure count.

1. Press the COUNT & FILL IN button to turn it on.

COUN~J'7LL IN

2. Press the START/STOP button to start the rhythm. ~.-:..

START!

STOP

. An intro pattern is played, after which the

rhythm pattern begins.

2. Press the START/STOP button to start the rhythm. -:,8,

. A one-measure count is played, after which the

rhythm pattern begins.

,1/

:.L

START!

STOP

PartII Playingtherhythm

Fillin

You can insert a fill-in pattern any time during the

rhythm performance.

1. Select a rhythm and press the START/STOP button.

,1/

-8.-

START!

STOP

Ending

Finish the rhythm performance with an ending pattern.

1. Select a rhythm and press the START/STOP button.

,1/

-.8.-

START!

STOP

2. Pressthe COUNT & FILL IN button to turn it on. COUN~4'J-L IN

. A fill-in pattern is heard immediately for the

remainder of the measure.

. When the button is pressed on the last beat of

the measure, the fill-in pattern continues to the end of the following measure.

2. Press the INTRO & ENDING button to turn it on.

INTRQ..&t:):IDING

. An ending pattern is produced, and then the

rhythm stops.

. If you accidentally press the INTRO & ENDING

button in the middle of the tune, you can press the COUNT & FILL IN button to continue the

rhythm performance.

KeyboardPercussion

; ~ b~~ftlt([-,~~i~~~8f-*::;~mm;;-~g'f::~;i

Press the KEYBOARD PERCUSSION button on to turn your keyboard into a whole band of per-

cussive instruments and other special sounds.

KEYBOARD

PEA~lI~ION

PERC ERASE

. The Touch Response feature also functions for

the KEYBOARD PERCUSSION sounds.

. When the KEYBOARD PERCUSSION is

turned on, the sounds you sel9ct with the SOUND SELECT buttons are not available. To

return to the normal sound, press the KEY- BOARD PERCUSSION button to turn it off.

. The KEYBOARD PERCUSSION volume is ad-

justed with the sliding DRUMS control in the

BALANCE section.

. Ifthe KEYBOARD PERCUSSION is used while

the automatic rhythm is playing, the rhythm pattern changes to a hi-hat and bass drum

sound. To return to the normal rhythm sound,

press the KEYBOARD PERCUSSION button

to turn it off.

. There are three types of drum kit-rock, stan-

dard and electric. Each rhythm uses only one of these three types. The sounds of the KEY-

BOARD PERCUSSION differ depending on the type of drum kit associated with the rhythm which is currently selected.

. For detailed information concerning KEY-

BOARD PERCUSSION percussive instrument

sounds and the type of drum kit associated

with each rhythm, refer to the separate booklet.

PartII

Playingthe rhythm

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AutoPlayChord

Simply by playing a chord on the keyboard, the AUTO PLAY CHORD function automatically plays an accompaniment pattern which matches the selected rhythm.

When an AUTO PLAY CHORD mode is selected, the keyboard automatically divides into left and

right sections. The left keyboard is used to specify

the chords, the right keyboard to play the melody.

Chord

-.J.

. The AUTO PLAY CHORD pattern is added to

the rhythm pattern and is comprised of four

parts: ACCOMP 1, 2 and 3 and the BASS.

Melody

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Choose one of the following three AUTO PLAY CHORD modes.

- AUTO PLAYCHORD-

BASIC SPLIT ADVANCEDSPLIT PIANIST

0 0 0

000

- ~ I

BasicSplit

In the BASIC SPLIT mode, the chord can be

specified either by playing just its root note or by playing the chord itself.

1. Press the BASIC SPLIT button to turn it on.

- AUTO PLAY CHORD-

BASIC!SPLIT ADVANCEDSPLIT PIANIST

0 0

. The keyboard automatically divides into left

and right sections.

2. Select a rhythm from the RHYTHM SELECT section.

3. Press the START/STOP button to start the rhythm playing.

4. Play the chord on the left side of the keyboard.

. You can either press one key on the left side

of the keyboard to specify the root note (one- finger mode), or play all the notes of the chord

(fingered mode).

. If you select a sound for the left section, the

one-finger chord function will not work.

. Touch Response does not work for the left side

of the keyboard during AUTO PLAY CHORD operation.

. With the rhythm on, even when the keys are

released, the accompaniment continues to play

in the specified chord until another chord is specified.

PariII

PlayingIberbytbm

. One-finger

Press a key on the left side of the keyboard to

specify the root note. The major chord cor-

responding to this root note is automatically played in an accompaniment pattern.

Minor, seventh and minor seventh chords are also easily produced.

minor chord

Play the root note plus a

black key to the left of it.

Example: Cm

Play the root note plus a white key to the left of it.

Example: C?

seventh chord

Play the root note plus a black key and a white key to the left of it. (Within five notes of the chord key.)

Example: Cm?

. Example of one-finger accompaniment perfor-

mance

Left hand 11111IIi

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11111111

lliillJJ

11111111

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nwu

minor seventh chord

With~eys

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L- Play the melody with the right hand -.-J

. Fingered

When you playa full chord on the left side of the

keyboard, the chord is automatically played in an accompaniment pattern.

1'1'"

AdvancedSplit

In the ADVANCED SPLIT mode, the chord is

specified by playing it on the left part of the key-

board.

1. Press the ADVANCED SPLIT button to turn it on.

- AUTO PLAY CHORD -

BASIC SPLIT ADVA~'~SPLIT PIANIST

oqo

. The keyboard automatically divides into left

and right sections.

2. Select a rhythm from the RHYTHMSELECT section.

The piano can distinguish the following played chords for each key (C is given asan example): C, C?, CM?, Caug, Cm, Cm?, Cdim, Cm?~5, CmM?, C?sus4.

. If a chord other than these is played, the chord

in this group which is most closely related is used.

3. Press the START/STOP button to start the rhythm playing.

4. Play the chord on the left side of the keyboard.

. The chord is automatically played in an accom-

paniment pattern.

. Play chords by pressing at least three keys. . With the rhythm on, even when the keys are

released, the accompaniment continues to play in the specified chord until another chord is specified.

Plrt II Pllylngtherhythm

Pianist

In the PIANIST mode, the entire keyboard can be used to specify chords for the automatic ac- companiment. This mode is used to add an auto-

matic accompaniment to the performance on a standard piano.

1. Press the PIANIST button to turn it on.

- AUTO PLAY CHORD-

BASIC SPLIT ADVANCEDSPLIT PI{~~T

OO~

. In the PIANIST mode, the automatic accom-

paniment is determined by the left hand chord, whereever it is played on the keyboard. You

are not restricted by a preset split point.

2. Select a rhythm from the RHYTHM SELECT section.

PianistAccomp

P\1t."'\S11t.CCOtAPis a new \ea\me \{Om'\ ecn-

nics which allows the piano player to use all the accompaniment patterns, which are rearranged from the original patterns and which are without

piano accompaniment. This means that when you

use the PIANIST ACCOMP, mostly non-piano in- struments are used in ACCOMP 1, 2 and 3 (ex-

cept for the ACCOMP 1 part of the SWING rhythm). The idea is to be able to play the only piano sound by yourself and still be able to have a "band" assisting you which does not include piano sounds. In this way your piano will give you additional possibilities for accompaniment varia- tion and more sound flexibility.

....

3. Press the START/STOP button to start the rhythm playing.

4. Play the chord.

. Chords can be specified anywhere on the key-

board. An accompaniment pattern in the specified chord is automatically produced.

. Play chords by pressing at least three keys. . With the rhythm on, even when the keys are

released, the accompaniment continues to play in the specified chord until another chord is specified.

\t'l p\a'ling bo\n \ne s\andatd tn'ltnm and witn tne

PIANISTACCOMPto hear the difference in the

patterns.

Example:ROCKBALLAD(VARIATIONoff) ,

LATIN 1 (VARIATION on)

. The PIANIST ACCOMP button turns on auto-

matically when the PIANIST button is turned on.

PIANI~I.y;cOMP

. Balance

The volume of each part comprising the AUTO

PLAY CHORD is adjusted with the sliding con-

trols in the BALANCE section.

BALANCE

DRUMS BASS ACCOMP LEFT RIGHT

0 0 0 0 0

MAX

OFF

. Modifying the ACCOMP

The ACCOMP part of the AUTO PLAY CHORD is comprised of three separate accompaniment parts. By turning the ACCOMP PART 1,2 and 3 buttons on and off, you can modify the way the ACCOMP component of the AUTO PLAY CHORD sounds.

. If all three ACCOMP PART buttons are turned

off, the ACCOMP part does not sound.

ACCOMPPART

1 2 3

0 0 0

000

PartII

Playingthe rhythm

"" ...". -=- - ...,..=--==~.- -o~ ;o~~~~o

:.< 000 000

OneTouchPlay

Withthe ONE TOUCH PLAY feature, the sounds

and appropriate effects are automatically set ac- cording to the rhythm selection.

1. Select a rhythm pattern.

2. Pressthe ONETOUCH PLAY button until the

panel settings change.

. The panel settings automatically selected are

those which are suitable for the rhythm you chose.

(; -oCC "'.' 0 co ,,~,.;;. ,-G:> ,~~eeoo=~ 00::0 ;~' ~ '~"'I

. The keyboard automatically splits into left and

right parts.

ONE TOUCH PLAY

PanelMemory

: 360 ;cl f{f{{["To :;sm'!o"~ :m 56o~o~~

- ~ - ~~ - ~ - ~ ' , , ,ct._oo ~-~, Qm mi

~.;';T 660 ~~m::a. !I!!IJ,I00 "- ,'i;:!, ;:;.,

8Ii

3. Play the keyboard.

", ,~

Play chords IPlay melody

. The automatic rhythm begins to play immedi-

ately when a key on the left keyboard is pressed(SYNCHROSTART).

o-=-O:J[) -0""3""3""3":; G::!- ,~ :§@; ~J~~lli

~Q -- m'

~~J!~O:

'~.c -.:."t'6i

The PANEL MEMORY buttons allow you to set

up the sounds, effects and rhythm and store them in memory. Then, simply by pressing just one but-

ton, the stored panel settings are recalled in-

stantly. PR50V

PANELMEMORY

SET

1. Set up the desired panel settings.

2. With the SET button held down, press one of the number buttons of the PANEL MEMORY.

1 2 3

0 0 0

000

SET

,1/

-/l

[\j

PR250/PR350

SET

PANEL MEMORY

1 2 3

0 0 0

000

4 5 6

0 0 0

000

Storablesettings

. Soundsand effects . DIGITAL REVERBsetting (PR250/PR350)

. PLAY STYLE setting

. BALANCE settings . Keyboard split point (Storing the rhythm selection requires setting the

P. MEM EXPAND mode to " 0 n ". [Refer to page 39.])

. To recall the stored settings, just press the

corresponding PANEL MEMORY button. You can then change the sound settings, etc. manually; however, the memory contents of the PANEL MEMORY remain unchanged until you store them again.

. The range of storable panel settings can be

expanded. (Refer to page 39.)

PartIII

Recordingandplayback

- ,."..a- - - ==~ ~ -.. ~==r.

A 000 C"'.-"

- ;'..;' ""'--~::" ~' §g~§,g .::::::::

0 - 000 . ~. I;) ::: CO c~.';;' .~ .:!)~e:;; 00°= "ao:::

n:::~= 600 ="""'3300c': 1i!!!J: 6::0,," 0 C.oooo -:-.

Sequencer

The SEQUENCER stores your entire performance-melody and accompaniment, sounds and panel setting changes, even changes in the rhythm-for completely automatic playback whenever you desire. You can store your performance part-by-part, then have it all play back at the same time. You can store a 'chord

progression to use with the AUTO PLAY CHORD. You can modify any or all of your performance. In other

words, the SEQUENCER is an incredibly useful and versatile tool which infinitely enhances the practicability

of your PR Digital Ensemble Piano.

Storinga chordprogression

To store a chord progression for use with the AUTO PLAY CHORD feature, use the PRO- GRAM SECTION controls located beneath the

sliding cover on the right side of the instrument. Several keys on the keyboard (identified by sym- bols and musical notes) are also used when you store a chord progression.

SOUND CONTROL1 CONTROL2 MIDI

0 OCTAVESHIFT 0 PEOALSETTING 0 TRACKCLEAR 0 CHANNEL

0 REVERBOEPTH

0 ACCQMPVOLUME 0 MINRANGE 0 INITIAL 0 LOCALCONTROL

0 PIANOTUNING 0 MEDLEY 0 QUANTIZE

0 TOUCHSENSITIVITY 0 OISKFORMAT 0 BEAT COMPOSER0 OTHERS

OSEOUENCERORIGHT OLEFT OeASS OACCOMPlI OACCOMP2 OACCOMPJ OORUMS OCONTROL

REC CHORO

0 PMEMEXPANO

. The PROGRAM SECTION controls are also

used when setting functions for the SEQUEN- CER, COMPOSER and MIDI. These functions

are explained later.

0 SONGCLEAR

]

0 OCTAVESHIFT

0 PMEMP-CHANGt

. 0 CD CD IT) CD CIJ CD CD CD

SEOUENCER-

RESET

0 EXECUTE OcJ~~~c OCO~~SEROC~~~~R 0 LOAD 0 SAVE

PROGRAM SECTION

00000

(PR250/PR350)

Reset key

~~- : Press to begin storing from the beginning.

Repeat key

C+' : Press to finish storing the chord progres-

sion and specify automatic repeat playback.

End key

---H : Press after all of the chord progression

has been stored (if automatic repeat playback is

not desired).

} J

d .I 0

Note keys

0 : Pressto store a whole note.

J.: Press to store a dotted half note.

J : Press to store a half note. J.: Press to store a dotted quarter note. J : Press to store a quarter note.

~ :1=>ress'0 s'ore an 9lgn'n no'e.

PariIII

StoreIhefollowingchordprogression.

Chord name

Recordingandplayback

C F

1. Press the STEP CHORD REC button to turn it on.

. The ACCOMP1/CHORD indicator flashes.

2. Store the chords.

Measure 1: Store a C chord. While holding down a C chord on the left part

of the keyboard, press the 0 key one time to

specify a whole note. This stores one measure of a C chord.

.. [-.----

! Iii I i i.i 1.1i.1Ii i I i I ! i

,,1/ STEP

-8.qiOROREC

/10

G C

Measures 3 and 4: In the same way, store one measure of a G chord and one measure of a C chord.

. To store the chord progression again (redo)

from the beginning, press the reset key ~~- .

. You can specify the chords using just one

finger.

3. Press the ---H key to finish storing.

}

STEP RECORD

,~- J = .J

-.0

. A "beep" will sound to indicate that the chord

has been stored.

Measure 2: Store an F chord. While holding down an F chord on the left part of the keyboard, press the 0 key one time to

specify a whole note.

. If you want the chord progression to be

repeated automatically when it is played back, instead of the --H key, press the ~ key.

PartIII

It is possible to store these types of chords:

Recordingandplayback

Minor

flat fifth seventh c- or

Cmi-5

Major major

CM7 or CmM7 Cmaj7

Major C

Minor Cm C7

Seventh

Minor seventh mented

Cm7

Aug-

Caug

Diminished seventh

seventh C'7 or

Cdlm7

. If you try to store a chord not shown above, it

will be converted to the storable chord which sounds the closest.

Automaticplaybackofthestoredchordprogression

1. Confirm that the ACCOMP1/CHORD indicator is lit.

,1/

ORIGHT OLEFT 08ASS/~~~IIOACCO"'P2 DACCa,,"' OORUMS OCOlllAOL

CDCTIcDCDCDffiCIJCD

. If the indicator is not lit, press the AC-

COMP1/CHORD button to turn it on.

2. Press the SEQUENCER RESET button.

,1/

"/'(EXECUTE

SEQUENCER - r-I

RESET L J

3. Press the START/STOP button to begin auto- matic playback.

. An automatic accompaniment which follows

the stored chord progression is played.

Minor

seventh fourth

Seventh suspended

C7sus4

Storingrhythmchanges

In addition to chord progressions, you can also

store changes in the rhythm by using the STEP

CHORD REC function.

. Storing the beginningpanelsettings

If you wish to have the panel settings for the

beginning of the tune stored, select the beginning sounds, rhythm and other panel settings BEFORE starting the recording procedure.

. Storinganintra

To store a drums-only intro, first turn on the STEP

CHORD REC button, then turn on the INTRO &

ENDING button.

. To store an intro played as part of the accom-

paniment pattern, first turn on the STEP CHORD REC button, then, while pressing the

keys for a chord, turn on the INTRO & ENDING button.

. Storingthe count

If you wish to store the count, first turn on the

STEP CHORD REC button, then turn on the COUNT & FILL IN button.

. Storing a rhythm change In the middle of

the tune

1. Store the chord progression up to the point wherethe rhythm changes.

2. Select a different rhythm.

. A "beep" will sound to indicate that the change

has been stored.

3. Continue storing the chord progression.

PartIII

Recordingandplayback

. Storing a fill-In

To store a drums-only fill-in pattern, press the COUNT & FILL IN button, then use the note unit

keys to specify the number of notes in the fill-in.

. To store a fill-in played as part of the accom-

paniment pattern, press the COUNT & FILL IN button, then store a chord.

. Storing an ending

If the INTRO & ENDING button is pressed at the

end of the tune, an ending pattern is stored and

the STEP CHORD REC button turns off.

If the INTRO & ENDING button is pressed while

the keys for a chord are pressed, the ending will

be played as part of the accompaniment pattern.

-..#

. StoringPANEL MEMORY changes in the

middle of the tune

Changesin the PANEL MEMORYselection can be stored in the SEQUENCER.

1. Store the chord progression up to the point where the PANEL MEMORYselection chan-

ges.

2. Press the desired PANEL MEMORY button.

. A "beep" will sound to indicate that the change

has been stored.

3. Continue storing the chord progression.

. Other rhythm settings whichare stored in

the SEQUENCER

.ACCOMPPART button on/off status

. BALANCEsettingsfor the DRUMS,BASSand

ACCOMPparts . TEMPOsetting . TRANSPOSEsetting

AnexampleofstoringintbeSequencer

Whattostore

Chord

FILLIN, INTRO,ENDING

RHYTHM

Howtostore

I SWING 2 1- [

[ Coo

[ G7o0

[ Om o.J

]-1 F 00 1-[

]-116 BEAT1 1-[

]-1 G7°.J 1-[

C I F I C

INTRO

SWING 2

STEP CHORD REC ] -[

Coo

Em 00

Coo

]-1 COUNT&FILLIN1-

1-[

]-1 Co INTRO& ENDING I

FILL IN

INTRO & ENDING

A700

Em I A7 I OmG7 I C

16 BEAT 1

ENDING

PartIII

Storingaperformance

Your performance is made up of different parts, as explained below. You can store one part at a

time or several parts at one time.

01E00<"'" ORIGHT OlEFT OBASS OAtCO"P" O'CCO"" OAtCO"" OORUMS OCo-fRO\.

REC COIORD

0 IT) CD CD CD CD CD CD CD

Parts which are stored Data which is stored

Recordingandplayback

RIGHT, LEFT, BASS, AC- COMP1,ACCOMP2,A COMP 3, DRUMS

CONTROL

-.# PLAY STYLE setting, BALANCE settings, changes in the PANEL

Performance data (including Touch Response), selected sounds, DIGI- TAL CELESTE (RIGHT part only), SUSTAIN PEDAL on/off, pedal data, rhythm start/stop, COUNT & FILL IN on/off, INTRO & ENDING on/off, pitch bend data (only during MIDI receive)

MEMORY selection, TEMPO setting, changes in the RHYTHM SELECT selection, rhythm start/stop, COUNT & FILL IN on/off, INTRO

& ENDING on/off.

. The maximum number of notes which can

sound simultaneously for each part is as fol- lows:

RIGHT 16

LEFT

BASS 1 ACCOMP 1 4 ACCOMP 2 4 ACCOMP 3

DRUMS 6

Data for one tune can be stored in each part of

the SEQUENCER.

Before storing a new song in a part in which another tune or chord progression is currently stored, first follow the SONG CLEAR or TRACK CLEAR procedure (refer to page 25) to erase the previously stored data. If you wish to keep the stored contents, you can save them on a

memory disk with the Digital Disk Recorder

(refer to page 33). (The Digital Disk Recorder

is sold separately for the PR50V/PR250.)

The maximum number of notes which can simul- taneously sound for all parts combined is 32.

PartIII

Exampleofstoringa pianoperformance

Store the following piano performance in the SEQUENCER.

Recordingandplayback

Settings:

Right hand

Left hand

Mode PIANO MODE Sound ""oooo GRAND PIANO

'\ t-

1. Press the SEQUENCER REC button to turn it on.

,1/

-8WJUENCER ORIGHT OLEFT 08ASS OACCOMPIIOACCOMP2

/ I" REG CHORD

- -

....

...

3. Play the music on the keyboard.

CJQJCDCDCDCD

. The indicators for the parts which can be

recorded flash.

2. Press the RIGHT button.

,1/ ,,1/

-8"'OUENCER-Oft'.GHT OLEFT 08ASS OACCOMPIIOACCOMP2 / I' REG / I" CHORD

°oCDCDo:JCTI

. The RIGHT indicator flashes slowly. This is a

visual indication that the RIGHT part is now in the recording mode. The indicators for the other parts go out.

. Actual recording begins when you press a key

on the keyboard or press the START/STOP button to start the rhythm.

. The START/STOP indicator remains lit while

the SEQUENCER is in the recording mode.

START!

STOP

4. At the end of your performance, press the SE- QUENCER REC button to turn it off.

OSEOUENCEr>-"""-:fflGHTOLEFT 08ASS OACCOMPIIOACCOMP2

[JQJCDCDCDCD

. For playback of your recorded performance,

refer to page 25.

REG /1' CHORD

PartIII

Storingpart-by-part

Store the following music by recording one part at a time. Settings: RIGHT GRAND PIANO LEFT HARPSICHORD

RHYTHM 8 BEAT ACCOMP1 ORGAN

BASS ACOUSTIC TEMPO J=120

Recordingandplayback

RIGHT

LEFT

#---- r#

ACCOMP1

r i

Om G7 - C

........

. Select the rhythm before beginning recording.

If beginning the performance with an INTRO or a COUNT, turn on the button before begin- ning recording.

,..,

Am G 07 G

-.....

fBASS

'1 1

1-4

G . A- Ctt

1. Press the SEQUENCER REC button to turn it on.

,1/

-.&EElUE'KERORIGHT OLEfT OBA55 OACCOMPII OACCOMP2

/ I' REC CHORD

(JCOCDCDCDo=J

. The indicators for the parts which can be

recordedflash.

2. Press the BASS button.

,1/ ,1/

-.SEQUENCERORIGHT OLEfT -081'.55 OACCOMPIIOACCDMP2 /I'REC /1' CHORD

OCDCDoCDCD

. The BASS indicator flashes slowly. This is a

visual indication that the BASS part is now in the recording mode. The indicators for the other parts go out.

. The sound and the SUSTAIN PEDAL button

on/off status for the BASS part can be stored

at this time.

. Any sound from the SOUND SELECT section

can be selected for the BASS part.

PartIII

Recordingandplayback

3. Press the START/STOP button to turn it on. The 8 BEAT rhythm begins to play. Play the

BASS part in time with the rhythm.

START!

STOP

ll!IWffi!!

. If you make an error in playing, you can erase

the part and redo it from the beginning. (Refer to page 25.)

. You can record at a slow tempo and play back

at a fast tempo. The pitch does not change.

4. When you have finished playing the BASS part, press the SEQUENCER REC button to turn it

off.

7. When you have finished playing the RIGHT part, press the SEQUENCERREC button to

turn it off.

8. Record the other parts of the performance by repeating steps 5-7.

9. When all the parts have been recorded, press the SEQUENCER REC button to turn it off.

OSEOUENCEfl-

,,1/ ,1/ ,1/ ,1/

8ftt6HT -8t:ffT -

REG I' /1' I" / I 'CHORD

8e.oss-8J;et:OMP-1/0ACCOMP2

CJCTICDCDCDCD

. If you perform the storage procedures for a

part which has already been stored, the pre- viously stored data is erased and the new data

is stored.

. You can save your recorded performances

using the Digital Disk Recorder to make your own performance album. (Refer to page 33.)

5. Press the SEQUENCER REC button to turn it on, and then press the buttonJor the next part

to record, for example RIGHT.

,1/ ,1/ ,1/

- 8,ffiJUENCER-0 RIGHT 0 LEFT - 8..e>'ss OACCOMP11OACCOMP 2

"8"~ CD'cD CD CD

. The indicator flashes slowly to show that the

RIGHT part is now in the recording mode.

. The sounds and effects for the RIGHT part can

be stored at this time.

. The RIGHT and LEFT parts of a split keyboard

can be stored at the same time. Press the RIGHT and LEFT buttons so that both their

indicators are flashing slowly.

6. Press the START/STOP button. The BASS part you recordedfirst beginsto play. Playthe

right-handpart in time with this.

,1/

-8-

START!

STOP

PartIII

PJayinlbacktile performance

1. Confirm that the indicators for the parts you recorded are lit.

ORIGHT OLEFT OSASS OAeCO"P" OAeCOMP2 OAeCOMP, OORU,",. OCOHTAQL

CIJCDCDCDCDCOCDCD

. If the indicators are not lit, press the cor-

respondingbuttons to turn them on.

2. Press the SEQUENCER RESET button.

SEQUENCER-II

3. Press the START/STOP button.

. Your recorded performance is played back.

CliO""

,1/

-:-8,cXECUTE

RESET L--J

,1/

-8- /-1.'

....

START!

STOP

Recordingandplayback

. SEQUENCERRESET

Whenthe START/STOPbuttonisoff, bypressing the SEQUENCER RESET button for 1-2

seconds,thepanelsettingschangeto thesettings at the beginningof the recordedperformance.

0 EXECUTE

SEQUENCER _/I

RESET L--J

. Storage capacity

Expressed in terms of notes, the total storage capacity of the SEQUENCERis as follows.

PR50V

PR250/PR350

When the remaining storage capacity becomes 20% or less, it is shown as a percentage (%) on the display.

approx. 2800 notes approx. 7400 notes

. When" F U L " is shown on the display and

the error sig:1al sounds, no more data can be stored in the SEQUENCER.

. The SEQUENCER contents remain in the

memory for about one week after the POWER button is turned off.

Erasingtherecordedperformance

. TRACK CLEAR

You can erase a specified part (track) from the SEQUENCER performance. This is useful, for ex- ample, when you make a mistake in recording a part and wish to redo only that part.

1. Press the CONTROL 2 button the number of times necessary to make the TRACK CLEAR

indicator light.

2. Press the button for the part you wish to erase.

0 RIGHT OLEFT OBASS OAeCO"." OAeCO".' OAeCO".' OORU,",S OCONTROl

CIJCDCDCDCDCOCDCD

. The indicator for the selected part will flash.

CONTROL 2

'¥.=ACK CLEAR

"/ O'SONGCLEAR

0 INITIAL

0 QUANTIZE]COMPOSER

0 BEAT

CHORD

3. Press the EXECUTE button.

,1/

SEQUENCER /I

The recorded contents of the specified part are erased.

-/'~XECUTE

RESET - L-J

. SONGCLEAR

You can erase all of the recorded parts from the SEQUENCER performance at one time.

1. Press the CONTROL 2 button the number of times necessary to make the SONG CLEAR

indicator light.

2. Press the EXECUTE button.

CONTROL 2

,<D)RACK CLEAR

-8-50NG CLEAR

/6'iNITIAL

0 QUANTIZE

0 BEAT COMPOSER'--- '

SEQUENCER-II

RESET L-J

]

,1/

-/'~XECUTE

. The recorded contents of all the SEQUENCER

parts are erased.

Part IV

Creatingrhythmpatterns

Composer

The COMPOSER allows you to create your own original two-measure rhythm patterns including drums,

bass and accomp parts. Just like with the preset rhythms, your original rhythm is recalled at the louch of.

a button. I

Settingup

1. Press the COMPOSER REC button to turn it

on.

0 STEP'" ItOMPOSER

COMPOSER

3. When creating a new rhythm pattern, all parts of a previously stored rhythm pattern in the

selected number button should now be erased by pressing the COMPOSER CLEAR button.

COMPOSEJt..

0 STEP

1tOMPOSER

0"]'['8 0

2. In the RHYTHM SELECT section, press one

of the number buttons 11-8) to specify which memory you are going to store your new rhythm pattern in.

RHYTHM SELECT

OMARCHo::wmtY owAm OSWING'OSWlt<GZOD'XIE O~AUZ OlAn., OlATI.Z o::S;' 0 0

08 8EATO~'; OS'iI"lf O:~lAOO~i'.'" OI;8!'12O~~~ O~~t~GODISCDO~&~~ :::O::T';;;..

OOOOOOOOOO~~O

",""""" \ , , , . . . , .14c"","",,0

. The indicator above the selected button will

light.

. " ALL" appears on the display.

Co cY'0

4. Specify a time signature for your rhythm pat- tern.

a. Press the CONTROL 2 button the number of

times necessary to make the BEAT indicator light.

b. Use the TRANSPOSE/PROGRAM buttons to

select the time signature.

. The specified time is shown on the display.

CONTROL 2

0 TRACKCLEAR 0 SONGCLEAR

0 INITIAL

QUANTIZE

~~~AT JCOMPOSER

I,""

MUSICAL DISPLAY

1'-/- '-/ I

'OAN5I'O'"

0 """" 0

-0D

4/4time

I LI - L: I

3/4time

13 - '-I I

PartIV

qUANTIZEfunction

When you record with the QUANTIZE function on,

any unevenness inthe timing of your performance is automatically smoothed out.

Creatingrhythmpatterns

Written score - - - - - - - - - - - - -

Timing of actual performance - - - - - - - - - - - - - I

Recorded with

QUANTIZE function - - - - - - - - f

a. Press the CONTROL 2 button the number of

times necessary to make the QUANTIZE in- dicator light.

~ CONTROL 2

0 TRACKCLEAR 0 SONGCLEAR

INITIAL

-=-~~ANTIZE

/<!>'BEAT JCOMPOSER'--"

b. Use the TRANSPOSE/PROGRAM buttons to

specify the QUANTIZE level.

. The specified level is shown on the display.

MUSICAL DISPLAY

I /5 I

"".

IO'O5(

0""'"

,RA. 0

,...3-,

m Specify this level for

LI _t

I J , - 'I

triplet-type patterns.

, ,

; :

i "

~ '

, i"

Note: Note units smaller than the selected QUAN- TIZE level will not be recorded correctly. In this case, record your performance with the QUAN-

TIZE function off.

Storage capacity

Expressed in terms of notes, the total storage

capacity of the COMPOSER is approximately

1300 notes.

. When the storage capacity becomes 50 notes

or less, the remaining number of notes that can be stored is shown on the display.

. When" F U L " is shown on the display and

the error signal sounds, no more data can be stored in the COMPOSER.

,,-

Ilt

)\ Specifythis level for other patterns.

The QUANTIZEfunctiondoes

Lt,-,-

1" ,- '-I

not work.

. The default setting is )\.

. The QUANTIZE function can be turned on/off

and the level changed as desired during the recording procedure, depending on the par-

ticular phrase you are playing.

Part IV

Recordingpart-by-part

After the procedures in "Setting up" have been

completed, the separate parts which make up to two-measure COMPOSER rhythm-DRUMS, BASS and ACCOMP 1, 2, 3-can be recorded

one part at a time.

I.DRUMSpart

1. Press the DRUMS button to turn it on.

OBASS OACCOMPlI OACCOMP2 OACCOMP3/.~UMS

(I) CD CD CD L?~

. The DRUMS indicator flashes.

. The metronome begins to sound. The tempo

can be adjusted as desired.

2. Play the desired percussive keys on the key- board in time with the metronome for two

measures.

L.-..',-"" .'.."",...,.-.,.,...

CHORD I"

. The two-measure pattern is repeated. You can

play the keyboard to add notes to the pattern.

. Up to 6 drum sounds can play simultaneously.

. The drum kit associated with the rhythm in

effect when the COMPOSER REC button was turned on is available. (For detailed information concerning the drum kits, refer to the separate

booklet.)

,1/

[)

Creating rhythm patterns

. The current measure number (1 or 2) is shown

on the display. (Note that if one of the CON- TROL 2 indicators is lit, the current measure

is not displayed. Press the CONTROL 2 button

until all the indicators are off, and the measure number will be shown on the display,)

. While pressing the PERC ERASE button, if you

press a percussive key, the specified instru-

ment will be erased as long as the key is pressed. This is a convenient way to erase performance errors.

KEYBOARD

PERCUSSION

PERC ERASE

. If you make an error in playing, you may press

the COMPOSER CLEAR button to erase the entire DRUMS part.

STEP

CDMPOSEJ!:-~w.oPCSER

"0 [f~

Here is what you play:

mBass drum 2

9 Snare drum 1 ...e'

~ Hi-hat closed 1

Measu re 1

~ r , ~r

.eLL!III!1

, ~

Measure 2

r ,~r,~

J , J

Llilll!l

PartIV

II.BASSpart

1. Pressthe BASS button to turn it on. ,i/

-.8I\SS OACCOMP1/0ACCOMP2 OACCOMPJ OORUMS

/ I" CHORD

O<IJGJCDCD

. The BASS indicator flashes.

Creatingrhythmpatterns

. Record the performance in C major for correct

chord progressions during playback.

. The BASS pattern can be played on the entire

keyboard.

. Since the BASS part is monophonic, only one

note can be played at a time.

2. Select the desired BASS sound from the SOUND SELECT section.

3. Play two measures of the BASS pattern on the keyboard.

III.ACCOMPpart

1. Press one of the ACCOMP buttons to turn it on.

OBASS OACCOMP 1/ OACCOMP2 OACCOMPJ OORUMS

GJICD IT) (DICD

. The indicator flashes.

2. Select the desired ACCOMP sound from the SOUND SELECT section.

CHORD

. ,

Here is what you play:

BASS part

. If you make an error in playing, you may press

the COMPOSER CLEAR button to erase the entire BASS part.

. Record the performance in C major for correct

chord progressions during playback.

. Up to 4 notes can sound simultaneously on

each ACCOMP part..

Here is what you play:

ACCOMP part ~ ! I -= -=

: i : ~ ~ r I

3. Play two measures of the ACCOMP pattern on the keyboard.

. You can store the other two ACCOMP parts in

the same manner.

. If you make an error in playing, you may press

the COMPOSER CLEAR button to erase the entire ACCOMP part which is currently being

recorded.

PartIV

IV.Finishstoringtherhythm

When all the parts to the pattern have been stored as desired, press the COMPOSER REC button once again to turn it off and complete the storage operation.

OC~~~ECoC°'k~SER oc~m5JR

o~o

Playbackthestoredpattern

1. In the RHYTHM SELECT section, press the COMPOSERbutton to turn it on. Then press

the buttonfor the rhythmpatternyouwouldlike

to have played back.

RHYTHM SELECT

OMARQlOCQJl1ll<OWAlrzOSWII<GIOSWII<G200lXlEo~.ih OLAnN' OLAnN20~' 00 08 BEATo~... OSI<JfILfO~UD O~BEA!IOUAT2 ol;',g o~~NG OO<SCIJo~~ :::;':.7':;'

y-QIY Q Q Q Q y.Q QI~!£C:

Creatingrhythmpatterns

2. Press the START/STOP button. . The DRUMS part of the recorded rhythm

begins to play.

. The BASS and ACCOMP parts are played

back with the AUTO PLAY CHORD.

START!

STOP

-AUTO PLAY CHORD- BASIC SPLIT ADVANCEDSPLIT PIANIST

0 0 0

000

. The indicator above the selected button will

light.

Editingapresetrhythmpattern

The editing feature of the COMPOSER allows you

to modify any of the factory-preset rhythms or even your original rhythms, and then store the

new pattern in a COMPOSER number button.

1. Select a preset rhythm or a COMPOSER num- ber button.

2. Press the COMPOSER REC button to turn it on.

3. Press a number button in the RHYTHM SELECT section to specify the memory in which you wish to store the pattern.

. The ACCOMP PART 1-3 buttons should be

on.

4. Turn on the button for the part you wish to modify.

5. Edit the pattern which is played back.

6. Repeat steps 4 and 5 for the other parts, if desired.

7. After editing, turn off the COMPOSER REC button.

PartV

Externalmemory

DigitalDiskRecorder(SY-FD20)

Data for up to 20 performances-including all panel settings, button memories, COMPOSER and SE-

QUENCER contents-can be stored on one SY-D20 digital memory disk (floppy disk) using the Digital Disk Recorder (included on the PR350; for the PR50V and PR250, the SY-FD20 is an option). The storable internal memory is fixed at a limited capacity, but this external memory device expands the storable memory infinitely. By recording performance data, one simple procedure lets you load the recorded settings into the piano's memory at any time.

Save

Internal memory

Sequencer data:

one song

SY-FD20 Digital Disk

Recorder (sold separately on the PR50V and PR250)

(store the data from

the SEQUENCER to the disk)

Load (recall the stored

data from the disk)

InstallinginyourDigitalEnsemble(PR50V/PR250)

1. Make sure that the power to the Digital En- semble is turned off.

2. Remove the cover from the connector unit by first removing the screw.

r.: I I L--1

3. Use the gap at the top of the cover as a finger- hold to apply downward pressure.

External memory

Sequencer data: Max. 20 performances

[I]

SY-D20

Memory Disk

4. Pull the cover out horizontally and remove it from the instrument.

5. Insert the Digital Disk Recorder and push it in firmly and completely.

6. Secure the Digital Disk Recorder to the instru- ment with the screw you removed in step 2.

Note: To affix the Digital Disk Recorder, the same screw which was used to affix the cover

must be used. Use of a different screw may result in malfunction of or damage to the Digital

Disk Recorder.

- '\ 1\ ...

PartV

Mainparts01theDigitalDiskRecorder

Disk slot

Externalmemory

Access indicator

Eject button: Press to remove the memory disk from the Digital

Disk Recorder.

Access indicator:

Lights when data is being loaded from or saved

to a disk. .

Eject button

. To prevent data loss, do not remove the

memory disk from the Digital Disk Recorder or

turn off the power when the access indicator

is lit.

Diskformat

New memory disks can be used only after they have been formatted. Follow the procedure below to format a new disk or erase the contents of a recorded disk.

. This procedure clears the entire contents of

the disk.

. Reformat a disk if it cannot be saved to or

loaded from properly because of exposure to a magnetic field.

. If using commercially available floppy disks

other than the SY-D20 memory disk, be sure to use 3.5 inch 2DD (double-sided, double-den- sity, double-track) floppy disks.

Note: The memory disk is provided with a write

protect window. To format the disk, the window

must be closed, as illustrated.

Storage is not

possible

Ulj} ~

[lf

Q ~

Open

2. Use the CONTROL 1 button to select DISK FORMAT.

CONTROL1

0 PEDALSETTING 0 PMEMEXPAND

0 MINRANGE Q MEDLEY

-'r~K FORMAT

/1"

Storage is possible

Closed

3. Press the EXECUTE button.

,1/

-8-;;XECUTE

SEQUENCER - r-I

/1'

RESET ~

1. Insert the disk into the Digital Disk Recorder slot as shown in the illustration. Push it all the

way in until you hear a click.

" - - - " appears on the display while the

disk is being formatted. when formatting is completed," End" is shown on the display, and after a few seconds the TEMPO display

returns.

. Formatting takes approximately one minute.

PartV

Savinga performance

Externalmemory

1. Store the performance in the SEQUENCER. This is the data which is going to be saved in the memory disk.

2. Insert a memory disk into the slot of the Digital

Disk Recorder.

3. Press the SAVE button.

"':~.4;AVE

/'D

4. Assign a song number to the tune you are

storing by using the TRANSPOSE/PROGRAM buttons (1-20).

MUSICAL DISPLAY

,- "

I.LI

T.'NSPOSE,

0 '.00 0

OOWNW

. If you specify a song number which is already

used, the song number flashes on the display.

In this case, if you wish to keep the previously stored song, specify a different (unused) num- ber for the new song.

5. Press the EXECUTE button.

-~--EXECUTE

SEQUENCER - r---I

/1'

RESET L J

[

. .. S . " appearson the display while the data

is being saved. When the indication goes out, data saving is completed and you can now

remove the memory disk from the Digital Disk

Recorder.

Loadingthestoredperformance

1. Insert the memory disk into the slot of the Digital Disk Recorder.

2. Press the LOAD button.

,1/

-84.0AD

/10

3. Use the TRANSPOSE/PROGRAM buttons to specify the number of the tune you wish to

load.

MUSICAL DISPLAY

, "

L.LI

T..NSPOSE/

0 '.00 0

0(1

. If no song is stored inthe number you specified,

the song number flashes on the display. In this case, specify a number in which a song has

been stored.

4. Press the EXECUTE button.

~.~XECUTE

SEQUENCER - r-I

RESET L J

/1'

[ L.

. .. L ." appearsonthe display whilethe data is

being loaded. When the indication goes out, data loading is completed and you can now

remove the memory disk from the Digital Disk Recorder.

. The LOAD procedure causes any data which

is currently stored in the SEQUENCER

memory to be erased.

5. Press the START/STOP button. The loaded performance begins to play automatically.

PartV

Medleyplay

You can specify continuous automatic playback

of songs recorded on a memory disk, starting with

tune No.1.

1. Insert the memory disk into the Digital Disk

Recorder. ~

2. Use the CONTROL 1 button to select MED- LEY. CONTROL 1

3. Use the TRANSPOSE/PROGRAM buttons to

specify the number o~the last tune you wish

to have played (1-20).

0 PEDALSETTING OPMEM EXPAND

,,(j))11N RANGE

-.-MEDLEY n

/6 tJlSKFORMAT ~ \

MUSICAL DISPLAY

OOWN0

'- Lf

TR'NSPa..,

0 PROOR""0

]

Externalmemory

4. Press the EXECUTE button.

,1/

-}~~XECUTE

SEQUENCER - r-I

RESET L-..J

. The tunes will be played back in order from the

first tune on the disk through the number of the tune you specified in step 3.

. The EXECUTE indicator flashes during medley

play.

. If you press the START/STOP button during

medley play, the tune currently playing will stop and playback will continue from the next

recorded tune on the disk.

5. To stop medley play, press the EXECUTE but- ton.

. To return the piano to the normal performance

mode, keep the CONTROL 1 button depressed momentarily.

Precautionstotakewhenhandlingamemorydisk

. Do not open the shutter and touch the record-

ing surface of the memory disk.

. Fingerprints on the recording surface will

gather dust and damage the memory disk.

. Do not place heavy objects on the memory disk

or bend, throw or drop it.

. The memory disk may become deformed or

damaged.

. Do not bring the memory disk near radios, TVs,

or other devices that generate a magnetic field.

. This could cause the contents to be erased or

generate errors.

. Neveruse or store the memorydisk in places

where it may be subjected to direct sunlight,

dust, hightemperatures,or high humidity.

. Do not disassemble the memory disk.

. Do not use thinner, alcohol or freon to clean

the memorydisk.

. After use, be sure to store the memorydisk in

its case.

Warning:

To prevent data loss, do not remove the memory disk from the Digital Disk Recorder or turn off the power when the access indicator

islit.

[SE

. Do not use a disk that is wet or has eraser

crumbs or metalpowderon it.

PartV

Externalmemory

Errordisplay

If an error message appears on the display, follow the appropriate steps to solve the problem.

Display

,-"

,- J- Lt

, -

i-"

CJ-L

,- -

L' _I"

- LI

L J I

,- J-

C J- _I

,-,-

, ,- J t

Remedy

The memory disk has not been formatted by the Digital Disk Recorder.

. Insert a correctlyformatteddisk.

Loadingfailure.

. Perform the loading procedure again.

No memorydisk in the Digital Disk Recorder.

. Inserta memorydisk.

You haveattemptedto load a song numberwhich has not been saved. . Load a song numberwhich has beensaved.

No Digital Disk Recorder. . Install the SY-FD20(PR50V/PR250).

Saving failure.

. Performthe savingprocedureagain.

The memorydisk is write-protected. . Close the write-protectwindowof the disk.

,- I

,-,- t

,-"

, ,-, t

,-"

,-,- I

I _I

Warning:

. Some pre-recorded disks (for example, those recorded by the manufacturer) are copy-protected. Data

from these disks cannot be copied.

. When the power is turned off after a copy-protected song has been loaded, the SEQUENCER contents

will be erased.

. If a copy-protected song has been loaded and you want to then record a new song in the SEQUENCER

and save it on a disk, be sure to first turn the power off once or perform the initialization procedure.

No remainingmemorystoragecapacity.

. Insert a new disk, perform the saving procedure after formatting it.

Formatting failure.

. Performthe formattingprocedure again.

You have attempted to save a song which is copy-protected.

. A copy-protectedsong cannot be saved. The SEQUENCERdoes not function becausethe EXT SEQ MODEis on.

. Setthe EXTSEQMODEtooff.(Referto page47.)

PartVI

Settingthefunctions

Function-settingmodes

Various functions on your Digital Ensemble can be custom-set to match your personal tastes and style of play, giving you maximum versatility and control of your instrument.

Summaryofadjustablesettingsandprogrammablefunctions

PR50V

SOUND CONTROL I CONTROL2

0 OCTAVESHIFTR 0 OCTAVESHIFTL

0 ~COMPVOLUME 0 MINRANGE 0 INITIAL 0 PIA.NDTUNING 0 MEDLEY 0 aUAtI1lZE

0 TOUCHSENSITIVITY 0 DISKFORMAT 0 BEAT] COWPOS,"

0 PEDALSETTING 0 PMEMEXPAND

....

0 TRACKCLEAR

0 SONGCLEAR

. SOUND

. OCTAVE SHIFT: Modify the range of the

generated sound.

. REVERB DEPTH (PR250/PR350): Regulate

the depth of the reverberation.

. ACCOMP VOLUME: Adjust the volume of the

ACCOMP part. . PIANO TUNING: Modify the pitch of the piano. . TOUCH SENSITIVITY: Adjust the degree of

the keyboard's Touch Response.

. CONTROL1

. PEDALSETTING:Changethe functionsofthe

pedals.

. P. MEM EXPAND: Expand the range of set-

tings which can be stored in the PANEL

MEMORY.

. MIN RANGE: Selectwhether or not sound is

generated when the keys are pressed very softly.

. MEDLEY: (Refer to the explanation on page

34.)

. DISK FORMAT: (Refer to the explanation on

page 32.)

PR250/PR350

SOUND CONTROL' CONTROL2

0 OCTAVESHIFT 0 REVERBDEPTH 0 ACCOMPVOlUt.lE 0 MINRANGE 0 INITIAL

0 PIAI:QTUNING 0 MEDLEY 0 QUANTIZE

0 TOUCHSEUSITIVITY 0 DISKFORMAT 0 BEAT ] COMPOSt"

0 PEDALSETTUjG 0 PMEtAEXPAND

0 TRACKCLEAR 0 SONGCLEAR

. CONTROL 2

. TRACK CLEAR: (Refer to the explanation on

page 25.)

. SONG CLEAR: (Refer to the explanation on

page 25.)

. INITIAL: Return all storable memories and set-

table functions to the initialized settings.

. QUANTIZE: (Refer to the explanation on page

27.)

. BEAT: (Refer to the explanation on page 26.)

The function you wish to set or adjust is selected by pressing the appropriate mode button

(SOUND, CONTROL 1 or CONTROL 2) the num-

ber of times necessary to make the desired in-

dicator light.

SOUND

\Q)YCTAVESHIFT

- .!lEVERBDEPTH

/'0 'ACCOMPVOLUME

0 PIANOTUNING 0 TOUCHSENSITIVITY

. To cancel the mode and to return to the normal

status, press the mode button and hold it until all the indicators are off.

PartVI

OCTAVESHIFT

The pitch of the keyboard can be shifted up or down by one or two octaves.

Settingtbefunctions

<PR50V>

1. Use the SOUND button to select OCTAVE SHIFT R or OCTAVE SHIFT L.

,1/ SOUND

-.~TAVE SHIFTR

/ ObCTAVESHIFT L

0 ACCOMPVOlUME

0 PIANOTUNING 0 TOUCHSENSITIVITY

. OCTAVESHIFT R is usedfor the right part of

a split keyboardandOCTAVESHIFT Lfor the left.

2. Use the TRANSPOSE/PROGRAM buttons to

select the degree of octave shift.

....

MUSICAL DISPLAY

0 PROC

fr(i

- -;

TRAN'

""SE' IRA..0

]

1. Use the SOUND button to select OCTAVE SHIFT.

2. Octave shift can be set independently for the

left and right parts of the keyboard. Press either the RIGHT or LEFT button in the SEQUENCER

section to specify the right or left part of the keyboard.

ORIGHT OLEFT OBASS oAg~g~6'/ OAcca.,., OAcca.,.

" I/ SOUND

-~TAVE SHIFT

/6 1\EVERBDEPTH

0 ACCOMPVOLUME

0 PIANOTUNING ~

0 TOUCHSENSITIVITY~ l

CD CD IT) CD CD IT

. The indicatorof the selected part flashes.

. Select RIGHT for the entire unsplit keyboard

or for the right part of a split keyboard. Select LEFT for the left part of a split keyboard.

3. Use the TRANSPOSE/PROGRAM buttons to

select the degree of octave shift.

Setting OCTAVE SHIFT value

. The settings which can be selected are -2,

-1, 1 and 2. For example, if 2 is set for the left keyboard, when the left keyboard is played, the generated sound will be2 octaves above the normal pitch.

. The available setting range for the right part

of the keyboardis 0--2, and for the left part, 0-2.

. REVERBDEPTH(PR250/PR350)

You can specify the depth of the reverberation effect for all DIGITAL REVERB types (ROOM, STAGE and HALL).

'\ .\j~~ \~~ SOU'"'O ~~\\~~ \~ ~~\~t.\ R\:."\:.R~

DEPTH.

SOUND

,(j»JCTAVESHIF.T

-.~VERB DEPTH

/ c!> ACCOMPVOlUME

0 PIANOTUNING ~ 0 TOUCHSENSITIVITY\ ~

MUSICAL'DISPLAY

- '

fRANSPOSE'

0 PROGRAM 0

f)D

2. Use the TRANSPOSE/PROGRAM buttons to adjust the reverberation depth.

MUSICAL DISPLAY

fRANSPOSE'

0 pROGRA" 0

)

. Select from eight levels (1-8). The higher the

value, the greater the depth.

PartVI

Settingtherunetlons

ACCOMPVOLUME

You can adjust the volume of each part (ACCOMP 1, 2, 3) of the AUTO PLAY CHORD inde- pendently, thereby controlling the balance among

the three parts.

1. Use the SOUND button to select ACCOMP VOLUME.

2. Select the part whose volume you will adjust by pressing the relevant button in the SE-

QUENCER section (ACCOMP1, ACCOMP2 or ACCOMP3).

SOUND

0 OCTAVESHIFT

,O}EVERBDEPTH

-8-ACCOMPVOLUME

/o'PIANO TUNING ~

0 TOUCHSENSITIVITY\ (

-.;

PIANOTUNING

With this function you can select the type of tuning for your instrument.

OBASS

OORUMS

. The indicator of the selected part flashes.

3. Use the TRANSPOSE/PROGRAM buttons to set the volume.

Select from ten levels (0-9). At level 0, no sound is produced for that part.

. Repeat steps 2 and 3 to set the volume levels

for the other ACCOMP parts.

2. Use the TRANSPOSE/PROGRAM buttons to select" 0 n " or " 0 F F ".

MUSICAl OISPLA'

[

o'~

~. ~.

,N..0

]

'\)-~ (

MUSICAlOISPlAY

1. Use the SOUND button to select PIANO TUNING.

SOUND

0 OCTAVESHIFT 0 REVERBDEPTH

'o}CCOMPVOLUME

- 8.f'IANO TUNING ~

/ <!>'rOUCHSENSITIVITY\ (

TOUCHSENSITIVITY

Specify the degree of Touch Response.

1. Use the SOUND button to select TOUCH SEN- SITIVITY.

SOUND

0 OCTAVESHIFT 0 REVERBDEPTH

0 ACCOMPVOLUME

oJIANOTUNING

~..f{)UCH SENSITIVITY

/1'

1011 I

".H'

'N..0

1-)-0

Standard piano tuning, in which the

]

[on

I II C C lone octaveis dividedintopitchesof

LI I I 12 equally spaced intervals.

2. Use the TRANSPOSE/PROGRAM buttons to adjust the degree of touch sensitivity.

lower pitches are tuned slightly lower and the higher pitches are

tuned slightly higher.

MUSICAl OISPlAY

0 O~

""',

,N.. 0

Of \

"lJ

rr-0

. Select from ten levels (0-9). The higher the

value, the greater the degree of keyboard touch sensitivity. At level 0, the volume is the same

regardless of how hard or softly the keyboard is played.

PartVI

PEDALSETTING

You can assign a different function to the sos- tenuto pedal (PR250/PR350) and soft pedal. (Note: The function of the sustain pedal cannot be changed.)

1. Use the CONTROL 1 button to select PEDAL SETTING.

I CONTROL 1

~.~AL SETTING

/<1» MEMEXPAND

0 MINRANGE

0 MEDLEY ~

0 DISKFORMAT \ ~

2. Press the pedal whose function you wish to change.

PR50V PR250/P R350

Settingthefunctions

3. Use the TRANSPOSE/PROGRAM buttons to select the desired function for the pedal.

MUSICAL DISPLAY

=,,- C

\ ,-,-, ~

"'NSPOSt!

0 PROO"" 0

15cI51

_II 1-

!I-I-L!

IEllol\

1/= /L I

151=/-1

Sostenuto pedal

Soft pedal INTRO & ENDING

FILL IN

START/STOP on/off

. The function which is currently assigned to the

specified pedal is shown on the display.

P. MEM EXPAND

Set the range of panel settings which are stored

in the PANEL MEMORY buttons.

1. Use the CONTROL 1 button to select P. MEM EXPAND.

2. Use the TRANSPOSE/PROGRAM buttons to select" 0 n "or" 0 F F If.(The default set- ting is " 0 F F ".)

CONTROL I

<PlEGAL SETiING

':-.ILMEM EXPAND

/ d>),IN RANGE

0 MEDLEY h 0 DISKFORMAT \ \

. The function newly assigned to the specified

pedal is shown on the display.

The sounds and volumes for each

LII I

11/1-1-1

[on

part, PLAY STYLE status, split point, DIGITAL CELESTE on/off

status, SUSTAIN PEDAL on/off status, DIGITAL REVERB type and depth (PR250/PR350), and OC-

TAVE SHIFT setting are stored in the PANEL MEMORY locations.

In addition to the above settings, the

]

selected RHYTHM, tempo setting, TRANSPOSE status and the

PIANIST ACCOMP on/off status are stored in the PANEL MEMORY loca-

tions.

PartVI

MINRANGE

At the default setting (Minimum Range on), no sound is generated for piano-type sounds when the keys are played very softly. However, you can change the setting so that sound is produced no

matter how softly the keys are pressed.

1. Use the CONTROL 1 button to select MIN

RANGE.

Settingthefunctions

2. Use the TRANSPOSE/PROGRAM buttons to

select" 0 n " or " 0 F F ".

MUSICAL DISPLAY

I 0'" I

fRANSPOSEI

0 PROGRAM 0

CONTROL 1 0 PEDALSETTING cP P MEM EXPAND

~.~N RANGE

/d>'mEDLEY ~

0 DISKFORMAT \ (

....

INITIAL

Reset the programmable memories and buttons

to their initialized status.

1. Use the CONTROL 2 button to select INITIAl.

CONTROL 2

0 TRACKCLEAR <j>jONG CLEAR

.2'.~TIAL

/<I>'(,UANTIZE

0 BEAT COMPOSER

]

fJD

No sound is produced when a key is

[I 1I(

III C I-I Sound is produced regardless of

LI I I how softly the keys are pressed.

. This setting is effective only for piano sounds

(GRAND PIANO, UPRIGHT PIANO, E PIANO 1, 2).

111- 1-

II II I I

pressed extremely softly.

The COMPOSER memory contents,

SEQUENCER settings and memory contents, sound, PANEL MEMORY

contents and all other settings and functions are reset to their factory-

preset status.

2. Use the TRANSPOSE/PROGRAM buttons to select the initialization mode.

MUSICAL DISPLAY

,=' I I

IlL L

fRANSPOSEI

0 PROGRAM 0

ffD

1'- ,( ] The COMPOSERmemorycontents

L 1- 1- are reset to their factory-preset

status.

3. Press the EXECUTE button.

,1/

-.~XECUTE

SEQUENCER - r-1

. The memories and settings are returned to

their initialized status, according to the selected mode.

/\'

RESET L-.)

PartVII

MIDI

WhatisMIDI?

MIDI (Musical Instrument Digital Interface) is the international standard for digital communication of electronic musical instrument data.

This means that any equipment which has a MIDI terminal-such as electronic musical instruments and personal computers-can easily exchange digital data with other MIDI equipment without resorting to complicated conversions or connections.

AbouttheMIDIterminals

IN:

MIDI

THRU OUT IN

OUT: The terminal that transmits data from this

The terminal by which this instrument receives data from other equipment.

instrument to other equipment.

000

...

THRU: The terminal that transfers data from the

IN terminal directly to other equipment.

. For these connections, use a commercially

available MIDI cable. Contact your Technics dealerfor moreinformation.

Connectionexamples

. To generate sound frc;>ma connected instrument by playing this instrument

MIDI OUT

MIDI cable

I SX-KN400, for example I

. To generate sound from this instrument by operating a connected MIDI sequencer

MIDI IN

PR~

SY-MO8, for example

MIDI IN

MIDI OUT

MIDIstickers

Before using the MIDI functions, affix the included

, MIDI stickers 0 and @ to the panel as shown

in the figure.

RHYTHMSELECT

OMARCHOCOUIJTRY0 WALTZOSWINGI OSWING2ODIXIE O~lL~Z OLATIN1OLATIN2 O~~~;A-

OB BEATOROCKNOSHUFFl"0 ROCK 016 BEATI 016°EAT2OJAZZ OSWINGOOISCD OLATIN

0000000000

COUNT&FILL IN INTRQ &ENDING

0 0

@--( WIOt LOAD

ROLL 'BALLAD "ROCK ROCK ROCK

1""""""'" 2

NOR"AL SINGLE NOR"AL TEC 1 TEC'

~ P.CHANGE ...ooE

0 0

SYNCHRQ

SONG SELECT

NOTE ONLY DRU"S APC TRANSPOSE EXT SEO

START

WID!CLOCK

~ "OOE

START!

STOP

SUAT/STQP )

RHYTHM

VARIATION

"COMPOSER

Part VII

Thefollowingkindsofdatacanbetransmitted/received

. CHANNEL . OCTAVESHIFT . LOCALCONTROL

. P. MEMP-CHANGE

. START/STOP . MIDICLOCK . SONGSELECT . MIDILOAD . INPUTMODE

. P-CHANGE MODE

. NOTE ONLY

. MIDIOUT

. DRUMS

. APC

. TRANSPOSE

. EXT SEa MODE

...

Select the desired MIDI function by pressing the MIDI button the number of times necessary to make the corresponding indicator light.

MIDI

0 CHANNEL 0 OCTAVESHIFT 0 LOCALCONTROL

OPMEMP-CHANGEfk<

0 OTHERS \ I

. For the START/STOP and subsequent func-

tions in the list, first use the MIDI button to select OTHERS, then turn on or off the func-

tions indicated on the MIDI stickers.

. To cancel the function-setting mode and return

to the normal status, press the MIDI button and hold it until all the indicators are off.

MIDI

CHANNEL

Many different kinds of performance data are sent using just one MIDI cable. This is possible be- cause MIDI signals are sent and received through

16 different "basic channels" (numbered 1-16). In order for the exchange of data to take place,

the channels on the transmission side must match the channels on the receiving side.

The default channel settings on this instrument are as follows.

Part Channel RIGHT LEFT BASS ACCOMP1 5 ACCOMP2 9 ACCOMP3 10 DRUMS 15 CONTROL OFF

You can reassign channel numbers to parts on this instrument as follows.

1 2 3

1. Use the MIDI button to select CHANNEL

,,1/ MIDI

- e.£HANNEL

/OOCTAVESHIFT

0 LOCALCONTROL 0 PMEMP-CHANGE

0 OTHERS

2. Press a button to select the part.

ORIGHT OLEFT OBASS OAeca"p" OAeca"p, OAeCaMPJ OORUMS OCa"HIOL

ICD CD CD CD CD CD GJ CD,

. The indicator for the selected part flashes.

3. Use the TRANSPOSE/PROGRAM buttons to specify the channel number you wish to assign

to the selected part.

. Select one from 1-16 or OFF.

The same channel number cannot be assigned

to more than one part. If you attempt to do so,

an error "beep" will sound. . When set to" 0 F F ", MIDI data for that part

will not be transmitted or received.

CHORD

MUSICAL DISPLAY

RANSPOSE'

PROGRAM 0

,,'

[

oow-0 G) UP

r) tl

4. Repeat steps 2 and 3 to reassign channel num- bers to other parts.

PartVII

OCTAVESHIFT

MIDI

Set the octave shift value (-2, -1, 1, 2) for trans-

mitted key note data (MIDI OUT) of each part in-

dependently.

1. Use the MIDI button to select OCTAVE SHIFT.

MIDI

HANNEL

~ CTAVESHIFT

/ COCALCONTROL

0 PMEMP-CHANGE

0 OTHERS

2. Press a button (except for CONTROL) to select the part.

ORIGHT OLEFT OIlASS O~~:;'61/ OAeCO"P2 OAeCO"P' OORUMS

ICD CD CD CD CD CD CD,

. The indicator--for the selected part flashes.

LOCALCONTROL

Specify, for each part, whether the performance played on this instrument's keyboard is output by this instrument's sound generator or not.

3. Use the TRANSPOSE/PROGRAM buttons to specify the amount of octave shift.

MUSICAL DISPLAY

: I

TRANSPOSE'

0 PROGRAM 0

f)0

.Octave shift is set for MIDI OUT data only;

however, the MIDI OUT and MIDI IN octave shifts are linked. For example, if the MIDI OUT

octave shift is set to 1, the MIDI IN octave shift is automatically set to -1.

. The default setting is O.

3. Use the TRANSPOSE/PROGRAM buttons to specify" 0 n " or " 0 F F "

MUSICAL DISPLAY

1. Use the MIDI button to select LOCAL CON-

TROL.

,,9/0CTAVE SHIFT

-8{t1CAL CONTROL /<!>PMEMP-CHANGE

MIDI

0 CHANNEL

0 OTHERS

2. Press a button to select the part.

0 RIGHT OLEFT Os.SS O~~~61/ OAeCO"P2OAeCO"P' OORUMS OCONTooL

ICD CD CD CD CD CD CD OJ!

. . The indicator for the selected part flashes.

[0'-'

LII 1

I /lCC I

011 I

TRANSPOSE'

0 PROGRAM 0

Notes played on this instrument's

]

keyboard are output by this instrument's sound generator.

Notes played on this instrument's keyboard are not output by this

instrument's sound generator but

are sent to the MIDI OUT terminal.

(Note that the part must be assigned

to a MIDI channel for MIDI data to be sent. [Refer to page 42.])

PartVII

P. MEMP-CHANGE

MIDI

If program change number data for the RIGHT, LEFT and/or BASS parts are stored inthe PANEL MEMORY 1-3 (PR50V) or 1-6 '(PR250/PR350)

buttons, then just by pressing a PANEL MEMORY button during a performance, you can send pro- gram change data for multiple parts simul- taneously.

1. Use the MIDI button to select P. MEM P-

CHANGE. MIDI

0 CHANNEL

0 OCTAVESHIFT

"Q LOCALCONTROL

-.'"'MEMP-tHANGE -n:::

/C,\'OTHERS(')

2. Press a button in the PANEL MEMORY sec- tion.

PR50V

.,J.PANEL MEMORY

1 2 3

0 0 0

000

PR250/P R350

PANEL MEMORY

1 2 3

0 O' 0

000

4 5 6

0 0 0

3. Press a button to select the part.

. Select one from RIGHT, LEFT and BASS.

OACCOMPI/OACCOMP2 OACCOMP

CHORD

CD CD IT

. The indicator for the selected part flashes.

4. Use the TRANSPOSE/PROGRAM buttons to specify the program change number.

. Select one from 0-127 or OFF. . Keep the button depressed to change the num-

ber more rapidly.

MUSICAL DISPLAY

RANSPOSEI

PfIOGRA.. 0

[

5. If desired, repeat steps 3 and 4 for other parts. . When set to" 0 F F n,program change data

is not sent for that part when that PANEL MEMORY button is pressed.

000

. The indicator for the selected number button

lights.

STARTISTOP

You can specify whether or not RHYTHM and SE-

QUENCER start/stop data are received/trans-

mitted.

1. Use,the MIDI button to select OTHERS.

,QJ'MEMP-CHANGE

-.eTHERS

/1"

2. Use the START/STOP button to specify the on/off status.

COUNT&FILLIN INTRO&ENDING SYNCHRO

0 0

"IDI LOAD SONG SEU!CT

MIDI

0 CHANNEL 0 OCTAVESHIFT

0 LOCALCONTROL

START

IMOOCUX.

START!

STOP

On (indicator is lit): RHYTHM and SEQUENCER start/stop data are received/transmitted.

Off (indicator is not lit): RHYTHM and SEQUEN- CER start/stop data are not received/transmitted.

PartVII

MIDICLOCK

Select whether this instrument's RHYTHM and SEQUENCER performance is controlled by the

internal clock or by the clock of the connected instrument.

MIDI

1. Use the MIDI button to select OTHERS.

2. Use the MIDI CLOCK button to select the in- ternal clock or external clock.

STAR"

STOP

COUNT&FILLIN INTI'IO&ENDING

SYNCHRO

START

,-...,

0 0

WlOllOAO SONGSELECT

:;r

SONGSELECT

Specify whether or not song number data is trans-

mitted/received.

1. Use the MIDI button ~oselect OTHERS.

2.Use the SONG SELECTbutton to specify

w\\et\\ef Ofnot song numbef data can be ex-

changed.

COUNT &FILL IN INTRO &ENDING

0 0

( WIOllOAO

ECT WID' ClOC-

r{ ""XC- STAATISTO-

START!

STOP

STAAT/STOP

SYNCHRO

START

On (indicator is lit): This instrument's RHYTHM and SEQUENCER performance is controlled by

the connected instrument's clock. In this case,

"E::J" is shown on the display.

Off (indicator is not lit): This instrument's RHYTHM and SEQUENCER performance is con-

trolled by the internal clock, not by the connected

instrument's clock.

On (indicator is lit): Song number data can be ex- changed.

O" ~indicatOfis not \it): Song number data cannot

be exchanged.

MIDILOAD

When loading data from a memory disk into this instrument's memory, specify whether or not the

. stored MIDI settings are also recalled.

1. Use the MIDI button to select OTHERS.

2. Use the MIDI LOAD button to specify whether or not the stored MIDI settings are recalled.

COUNT&FILLIN

INTRO&ENDING SYNCHRO

SONGSELECT WIOIClOC-

START

START!

STOP

STAAT/STOPJ

On (indicator is lit): The stored MIDI settings are recalled when loading data from a memory disk.

Off (indicator is not lit): The stored MIDI settings are not recalled.

PartVII MIDI

INPUTMODE

Set to the SINGLE mode when you wish to receive data using only one channel. Set to the NORMAL mode to receive data on multiple channels.

1. Use the MIDI button to select OTHERS.

2. In the RHYTHM SELECT section, use the NORMAL and SINGLE buttons to select the

type of receive mode.

RHYTHM SELECT

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00000000

, , 3 . . 6 7 8

"" 'EC' 7EC' NO7E0"'" OR!JUS APC ""SPOSE EXT SEO

P.c><AHGE"""" """ "'" """"

NORMAL: In this mode,~his instrument is used as a sound generator, and performance data can be received independently for all parts for which

a basic channel is assigned. When the AUTO PLAY CHORD is on, the chord progression is controlled by data for the LEFT part.

The maximum number of notes which can sound simultaneously for each part is as follows:

RIGHT LEFT 32 ACCOMP 1 ACCOMP 2 8 ACCOMP 3

The maximum num- ber of notes for all

parts combined is

32.

8 BASS 8 DRUMS 8

SINGLE: Note on/off data is received only for the basic channel assigned to the RIGHT part. The note on/off data is controlled by this instrument's AUTO PLAY CHORD and PLAY MODE settings.

P-CHANGEMODE

You can match the sound change data when

transmitting/receiving between different Technics

instruments.

1. Use the MIDI button to select OTHERS.

2. Inthe RHYTHM SELECT section, use the three P-CHANGE MODE buttons (NORMAL, TEC 1 and TEC 2) to select the type of data-matching.

RHYTHM SELECT

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00000

A . 6 7 8

QNlY OR APC YR"SPOSE EXTSEO I

~ """'"

NORMAL: The program change numbers cor- respond to the order of the sounds as they are lined up from left to right, with the bottom row being program change numbers 0-9.

TEC 1: Program change numbers are stand- ardized among all Technics models which are set to this mode: the program change number as- signed to a given sound on one model is assigned

to the same sound on all models set to the same mode.

TEC 2: Program change numbers correspond to those on Technics SX-PR Series Digital En-

semble Piano.

PartVII

NOTEONLY

You can transmit/receive only note data (key-

board note on/off).

MIDI

1. Use the MIDI button to select OTHERS.

2. Use the NOTE ONLY button to specify the on/off status.

RHYTHM SELECT

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Q~QQQ QrJQ Q Q Q

NORMAL SONG"

'NPUT MODE'

EXTSEO

MOOE

MIDIOUT

Specify whether or not DRUMS, APC and TRANSPOSE data are transmitted.

1. Use the MIDI button to select OTHERS.

2. In the RHYTHM SELECT section, turn on the MIDI OUT buttQns (DRUMS, APC,

TRANSPOSE) for the data you wish to have transmitted.

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000000 0

,,""""".,, 1 , 3 4 .

I '"":~;~T';:" "",:M;~A::~~:e ,

RHYTHM SELECT

On (indicator is lit): Only note-on/off and all-note- off data are transmitted/received.

Off (indicator not lit): All MIDI messages ap-

plicable to this piano are transmitted/received.

DRUMS: When this button is on, the note on/off data for the selected rhythm pattern is transmitted

as performance data.

APC: When this button is on, the note on/off data for the AUTO PLAY CHORD accompaniment pat- tern is transmitted as performance data.

TRANSPOSE: The TRANSPOSE status is trans-

mitted. That is, the note on/off data values are

offset by the TRANSPOSE function of the piano

before they are transmitted.

EXTSEQMODE

When using an external sequencer, select whether or not the entire keyboard is devoted to transmitting the BASS and ACCOMP parts.

1. Use the MIDI button to select OTHERS.

2. In the RHYTHM SELECT section, use the EXT SEQ MODE button to specify the mode.

RHYTHM SELECT

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000000000

'",I"""'" 1 , 3 4 S 6

I """MAl SONG" """"AI lEe' lEe,

t ~puf-.oo'e ~E ..00.

On (indicator is lit): Both the recording and playback functions of this instrument's SEQUEN- CER are disabled. When transmitting, if a SE- QUENCER part button on this instrument (RIGHT, LEFT, ACCOMP 1, 2, 3 , BASS or DRUMS) is on, the entire keybo'ard is devoted to

that part.

Off (indicator is not lit): This instrument's SE- QUENCER is enabled. The performance data for

the BASS and ACCOMP parts are transmitted

only when the SEQUENCER is used.

Digital Ensemble MIDIImplementationChart

[ SX-PR50V/SX-PR250/SX-PR350 ]

(Transmitted)

Function

Basic Channel

Mode

Note

Number

Velocity

After Touch

Pitch Bender

Control Change

RIGHT LEFT

Default 1-16 1-16 Changed

1-16 Default 3 Messages

Altered

- -

1-16

3 3

x x

31-102 31-102

Truevoice

Note ON 0

Note OFF

Key's Ch's

64 66

67 80 82

- -

0 0

x (9nH:v-O)

x (9nH:v-O) x (9nH:v-O)

X X

0 0 0 0

X 0

0 0

0 0 0 0

x X

0 X X X

0 X X

ACCOMP1 ACCOMP2

1-16 1-16

1-16

1-16 1-16

ACCOMP3 BASS

1-16 1-16

1-16

3 3 3

x x

DRUMS CONTROL

1-16 1-16 memorized 1-16

3 3

x x X

- - - - -

31-102 31-102 31-102

- -

x (9nH:v-O) x (9nH:v-O)

X X

X X X

X X

0 0

0 0 0 0

X X

- -

X X X

X X

x x x x 0 x

X X X X X

31-102 36-69**

- -

0 0

x (9nH:v-O) x (9nH:v-O)

X X

0 0

X X X X

0 X X

X X X

X X X X

X X

1-16

Remarks

OMNIOFFPOLYMODE

Changes depending on ttm positionofthe

transpose control.

volume (MAINVOLUME)

sustain

sostenuto pedal soft pedal auto play chord intro & ending, fill in

octave shift chorus

(DIGITAL CELESTE 1)

celeste

(DIGITAL CELESTE 2)

Prog Change

True #

System exclusive

Pos

System

common

Song

Song Set

Tune

System-

Clock

Real Time Commands

LocalON/OFF

Aux

Messages

Notes

Mode 1:

Mode 3:

All notes OFF

ActiveSense

Reset

OMNI ON, POLY OMNI OFF, POLY

- -

0 0 0

- -

0 0 0

- - - -

*Ox (0-19)

X 0

*Ox

0 0

* 0 x .....................Whether or not the data for each of these items is transmitted can be set.

"When the program change mode is set to TEC (on), note numbers for DRUMS differ.

X X

X X X

0 0

start/stop, continue

Mode 2:

Mode 4:

OMNI ON, MONO

OMNI OFF, MONO

0: Yes

X: No

Digital Ensemble MIDllmpllmlntatlonChart

[ SX-PR50VISX-PR250/SX-PR350 ]

(Recognized)

Function

Basic

Channel

Mode

Note

Number

Velocity

After Touch

Pitch Bender

Control Change

RIGHT

Default 1-16 1-16 1-16 1-16 1-16 1-16 1-16 1-16 memorized

Changed

Default

Messages Altered

1-16 1-16 1-16 1-16 1-16

3 3 3 3 3 3 3 X X X X X X X

- - - - - -

0-127 0-127 0-127 0-127 0-127 0-127

LEFT ACCOMP1 ACCOMP2 ACCOMP3 BASS DRUMS

1-16 1-16 1-16

36-69..

Truevoice 36-119 36-119 36-119 36-119 36-119 24-107 36-69 Note ON 0 0 0 0 0 Note OFF

Key's Ch's X X X

64 0 0 0 0 0 0 X X 66 0 0 67 0 80

82 83 0 93

X X X X X X X

X X X X X X X X

X X

0 0 0 0

l) 0 0 0 0 0 0 0

X X X X X X

0 0 0 0 0 X X

X 0 X

X X X

X X X X X X X

0 X X X X X X X

0 X

X X X X X X

X X X X X

0 0

X X 0 X

X X X

CONTROL

- -

X X

3 OMNIOFFPOLYMODE

Changesdepending

on the sound.

volume (MAINVOLUME) sustain

sostenuto pedal soft pedal

auto play chord

intra & ending, fill in octave shift chorus

(DIGITALCELESTE1)

cel8ste

(01 ITALCELESTE2)

Remarks

Prog

Change

System exclusive

System common Song Sel

System Real Time Commands

Aux

Messages

Notes

Mode 1: Mode 3:

True #

Song Pas

Tune Clock

LocalON/OFF

All notes OFF 0 0 0 0 Active Sense

Reset

OMNI ON, POLY OMNI OFF, POLY

015 015 0-15

(PR50Y) (PR50Y) (PR50Y) (PR50Y)

021 021 0-21 0-21 021 0-21

(PR250/PR350)(PR2501PR350)(PR250/PR350)(PR250/PR350)(PR250IPR350)

X X X X X

0-15 0-15 0-15

'Ox (0-19)

(PR50Y) (PR50Y)

.Ox

(PR250/PR350)

0-29

starVstop, continue

.0 x .....................Whether or not the data for each of these items is transmitted can be set.

..When the program change mode is set to TEC (on), note numbers for DRUMS differ.

Mode 2: Mode 4:

OMNION,MONO OMNIOFF, MONO

0:Yes

x:No

...,

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Technics SX-PR250 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual