Technics SX-F100, SX-G100W Owner's Manual

SX-

WARNING: TO REDUCE THE RISK

OF

FIRE OR ELECTRICAL SHOCK, DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.

BEFORE YOU PLAY, PLEASE READ THE CAUTIONARY COPY APPEARING ON PAGE 2.

CAUTION : TO REDUCE THE RISK OF

A

ELECTRIC SHOCK, DO NOT REMOVE SCREWS. NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

The lightning flash wi within an equilateral triangle, the

user

dangerous

" enclosure that to

constitute

The exclamation point within an equilateral angle e of important operating and (servicing) instructions panying the appliance.

to the presence of uninsulated

voltage" within the product's \

may

a risk of electric shock

is intended

th

arrowhead symbol,

is intended to alert

be of sufficient magnitude

to

alert the user

in

the literature accom-

to

the presenc-

ma

intenance

persons.

tri-

Note: This equipment has been tested and found to comply with the limits for a Class B digital device, FCC Rules. These limits are tion against harmful interference in a residential equipment generates, uses and,

if not may cause harmful interference to radio there is no guarantee that interference installation . radio the equipment off and on, the user is the interference by one or more

installed and used in accordance with the instructions,

If

or

this equipment does cause harmful interference

television reception which can be determined by turning

Reorient or relocate the receiv ing antenna. Increase the separation between the equipment and receiver. Connect the equipment into an from that to which the receiver is connected. Consult the dealer or for help .

designed

and can radiate radio frequency energy

an

pursuant

to

provide

communicat

will not occur in a particular

encouraged

of

the following measures :

outlet

experienced radio/TV technician

to Part 15 of the

reasonable protec-

insta llation. This

ions. However ,

to

try to correct

on

a circu it different

to

The

model unit. The model number and serial keyboard . Please note the below and retain this sheet as a purchase to aid identificat i

MODEL SERIAL NUMBER

number of this product is found on the rear of the

number

model

and serial

NUMBER

numbers

on

in the event of theft.

are found underneath the

in the space provided

permanent

record of your

---

-----------

Technics

OWNER'S

Before

For long and pleasurable use of this instrument, and to gain a

F1

your once.

The Owner's Manual is comprised of the following parts .

BASIC FUNCTIONS

PRACTICAL APPLICATIONS

00 organ, it is strongly recommended that you read through this Owner's Manual

you

play

This part includes an explanation of basic procedures and points you should be aware of for proper operation of your instrument.

This part comprises a detailed explanation of sound, effect, rhythm, SEQUENCER, MIDI.

MANUAL

COMPOSER,

thorough

understanding of

Disk Drive and

REFERENCE GUIDE (separate booklet)

Reference guide for the contents

and RHYTHM GROUP etc.

of

the SOUND GROUP

Important

Salety

Instructions

WARNING

When using electr ic products, basic precautions should always be followed, including the following;

• Read all the instructions before using the product.

Safety

•

Power nected to a described marked on the product.

Polarization-

• with a polarized line plug( one blade wider than

the other}. This is a safety feature. If you are

unable to insert the plug into the outlet, contact an Do

•

Periods

of the product should be unplugged from the

outlet when left unused for a long period of

time.

Source-

electrician to replace your obsolete outlet.

not

defeat the safety purpose of the plug .

of

The

product

power

in

the operating instructions or as

Non-use-

supply only of the type

This product may be equipped

The power-supply cord

should be con-

Listening

This product, either alone or an amplifier and be capable of producing sound levels that could cause permanent for a long period or at a level that is uncomfortable . If you experience any hearing loss you should consu lt an audiologist.

caution

headphones

hearing

of

time at a high volume level

in

combination with

or speakers may

loss.

Do

not operate

or

ringing in the ears,

Service

•

Damage should be serviced by qualified service personnel when: a. The power-supply cord or the plug has

been damaged;

b. Objects have fallen,

spilled onto the product ; or c. The product has been exposed to rain; or d. The product does not appear to operate

normally or exhibits a marked change in

performance; or e.

The product has been dropped, or the

enclosure damaged.

Requiring

or

Service

or

- The product

liquid has been

Installation

•

Water

and

Moisture-Do

near

water-for

tub,washbowl, kitchen sink, in a wet base-

or

ment,

•

Cart/Standonly with a cart or stand that is recommended by the manufacturer .

Ventilation-

• so that its locat ion fere wi

•

Heat-

from heat sources

registers , or other products that produce heat.

•

Foreign

that objects do

spilled into the enclosure through openings.

near a swimming pool , or the like.

th

its

The product should be located away

Material-Care

example, near a bath-

This product should be used

The product should be located

proper

not

use this product

or

position does not inter-

ventilation .

such

as radiators, heat

should be taken so

fall and liquids are not

Servicing

• product beyond maintenance All other qualified service

- Do

not

instructions

servicing

attempt

that

described in the user-

should be referred to

personnel.

to service the

.

Maintenance

• Be sure to switch this unit off after use, and in

do not switch the unit on and off succession , as this places an undue load the electronic

• To maintain the

wipe with a clean, damp cloth, and polish with a soft, dry cloth. Polish may be used, but do · not use thinners polishes.

• A wax-based polish may be used cab inet , although you will find that rubbing with a soft cloth will suffice.

components

luster

of the keys and buttons,

or

petro-chemical-based

.

quick

on

the

SAVE

THESE

INSTRUCTIONS

2

Contents

Before you play

Important Safety Instructions Controls and functions . .

BASIC

Getting started Listen to the demonstration Selecting sounds: upper and lower Selecting sounds: pedal keyboard Effects ... Playing automatic rhythms Automatic Record your performance . . Easy Play Style .

FUNCTIONS

PRACTICAL

About

the

display

Part I Sounds and effects ....

Parts Orchestra Selecting a type of organ Setting the Organ sound: Manual . . . Setting the Organ sound: Preset Selecting Sound part sounds Selecting the bass part sound Add effects to the Sound and Bass part Other Automat ic sound and effect settings Transpose Techni-chord . .

BGS Background Sound .......

Panel Memory

.............

effects . . . . . .

.....

..

...............

...........

...............

.....

...

. .

..................

.......................

............

accompaniment . .... . .

........

..........

.............

...............

......

APPLICATIONS

....

. .

......

.

.........................

l Conductor .....

.......................................

.........

..........

.......

.

............................

..............

........

..........

....

........

...............................

..............................

.

...............................

........

. . . . .

.........

. .

.. ...........

. .

...

................

.

...............

keyboards

.........

. . .

....

.....

..

............

............................

.........................

......................

...

.................

..

........

......

.....................

..

.......

. . . .

sounds

.......

...

.

.....

......

........

...............

.

.......

..........

.......

.

...........

..............

..... . .

.

........

....

.

.........

.

.......

.. ...........

...

.....

........

.

........

.

............

...........

...

.....

..

.......

.

......

..

.......

....

..

10 12 15 16 18

.

21

. 23

25

29 33

33

..

33 34

. . 36

40 41 42

. . 44

47

48

. . 50

51 52

. 53

1

2

6

8

Part II Playing the rhythm ...........

Selecting rhythms Playing the rhythm . . Keyboard Percussion Auto Play Chord Automat ic settings Music

Style Arranger

.......

.............

......

3

.

....

. .

..............................

...........

..

.....

. . .......

............................

.........

.

.....

. .

...............

...

.........

.........................

. .

...

..........

.........................

~

.

.....

.

......

..

.....

........

54 54

. 56

58 59 63 65

Part

Ill

Sequencer Outline of the Sequencer Easy Record Sequencer

parts . . Realtime Record Step Record Track

Assign

Other

recording settings you can adjust

...................

............................

.............................

...

.............

......................................

.............

.

...................

................

Editing the recorded performance Punch record

.......

.

.......

Playback from a specific measure Sequencer

Part

IV

Outline of the Composer

Medley

Composer

............................

............

...................................

Setting up to create a rhythm pattern .

Record your rhythm pattern Step Record

Composer Mode

.........

.....

................................

. . .

................................

.........

.

.......

.

.......

..........

.

.......

.

....................

......................

...........................

..

...

.....

...................

......................

.

.................

...........

.............

...........

..

...........

.....

.

...........

.

...........

.

..........

.

..........

.

.....

........

......

. . .

...

67 67 69 70

..

. 72

74 79 80 82 89

..

91

92 93

93

. 95

99 100 102

Part V Disk

Loading data Formatting a disk Saving data

Drive

............

...........

......................

.....

Single data type load

Part

VI

Adjusting Sound mode Sound setting

Part

VII

Adjusting

the

..................

.................

the Outline of procedure Touch functions Control functions

Part

VIII

Creating

...................

................

sounds

Outline of the Sound Edit

Easy Edit General Edit Tone Edit

Effect Edit

............

........

.......

Store the new sound

.

...........•...................

......

....

sounds

functions

..

......

.

.....................

.................

...

. . ....

.

.........................

..

............................

. . .

....................

........................

.....................................

.... . .

.

.......................

..................

.................................

.......

..

....

...

....................................

............

.........................

....

.. ..

. . .

.................

...............................

.

.................

............

..

.

.............

...

.

..............

.

.............

.

. .

.......

..........

..

.......

. . .... 135

..

.....

....

..

103 105 106

. 107

..

109

111 113

123 123 124 125

128 128

. 130

131

139 140

111

4

Part

IX MIDI ..........

What

is

MIDI? . .

...............

Outl ine of MIDI functions Sett i

ng

the functions

. . . . . .... .

.............

.

.............

..

....

........................

.....................................

..........

........

.

.........

142 142 144 145

Initialize Connections Assembly Disassembly Symptoms Error

Index ...........

Specifications ..........

. .

..........

. .

..........

............

which

messages

...................

appear

. .

...........

.

..............

.

................

.

...............

.

............................

to

be

..

. .

.

...................

. . .

.....................

..

.......

signs

of

trouble

.

............................

.

.........................

.........

.

.............

.

............

..............

. . .

.

...

....

154 155 156 157 158

160

161 163

5

Controls

and

functions

- BASS PEDALS Select the sounds to be played on the pedal keyboard. (Refer to page 42.)

DIGITAL REVERB

to

Add reverberation page 47.)

PIHYTHU

GROUP

the sound. (Refer

UPPER ORGAN

Select the organ sounds to be played the upper keyboard. (Refer

LOWER ORGAN

to

Select the organ sounds to be played the lower keyboard. (Refer to page 36.}

to

on

page 36.)

on

D D

D

r•

·IJI'IIiNI·-··

000c:

00

...

---.GGGC:

-r•D

;g--nJI

RHYTHM GROUP

Various rhythm patterns are available for each rhythm group. (Refer to page 54.}

CIJCD0CD

1---

PROGRAM SECTION

Several buttons are located beneath the cover. These buttons are used when setting the functions for the SEQUENCER, COMPOSER or MIDI, and when customsetting any of the programmable functions.

6

UPPER ORCHESTRAL CONDUCTOR

Select the part to be played on the upper keyboard. (Refer

to

page 33.)

UPPER SOUND GROUP

Select the sounds to

be

played

on

upper keyboard. (Refer to page 41.)

the

0

·0·~r-

GGG

CJ CJ

CJ

Q

LOWER ORCHESTRAL CONDUCTOR

Select the part to keyboard. (Refer

U~ll

eoo.r..,.,

~

OJtCHfSTIW.

0 0 0

""'"''

"""'"

DODD

lOWfJI Orte"ESTIIAl

0

"""""

""""'

DODD

0 0

C!

Q

kOW""''

'

OAO""

~01

OW<>>

be

played on the lower

to

page 33.} lower keyboard. (Refer t o page 41.)

CCINOCKTQCII

~UNOl

\,llllft{ I IOONC

' ' '

0 0 0

C>JIIou-

ODD

COHOVCTOII

0

""""''

0

LQ~l~

IO~NO

G:Ou•

0 0 0

ODD

touc•

IHI..IIolHel

0 0 0

).,

L~

"'fiJ~•NGfR

,J

0 0

<:::>

o~

..

1/..,:::

Sl1'1.1

6f

("''"'l"'"''nu:

I

LOWER SOUND GROU

Select the sounds to

0

r-r--

~El~

•

~

0 0

~8~

~

Ej

_,

...,

Ej

..

,

_,

Technics

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El~EJ~~[3EJ

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Q

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p

played on the

be

f-.-

L?

@

....

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PANEL MEMORY

Store the current p anel settings for instant recall. (Refer to page 53.}

.

..,.

VOLUW[

~[

..,....

D

acw,-o-.

EASY PLAY STYLE

A simple operation provides automatic selection of the sounds , effects and various other panel settings which are suitable for the registration you chose.

7

- - -

------

Getting

started

Before

Plug the

A

Music stand

B

c

Insert the music stand in the two holes as shown in the figure.

Keyboard

Open and close the cover slowly.

you

power

cover

play

cord into an outlet.

Music stand

Music stand can forword.

• To slide the slightly .

Panel light

The panel light can be turned pressing the button on the left underside of the keyboards.

be

slided back or

music

stand, first rise it

on

up

by

• The music stand light and foot light are also turned on .

• About the backup

The panel settings are maintained in the backup memory for to this instrument is turned off.

COMPOSER,

before you turn off the instrument, use the SAVE procedure to store the desired data disk for recall at a later time.

•

The

backup memory

• When you quit the operating mode, a warning display may appear to remind you to save the data . If this occurs, after checking the reminder, press the

• Power-on settings

When the

• If you wish to retain the settings which were in effect when you last turned off this

instrument, set the POWER-ON MODE to BACK UP. (Refer to page 127.)

are maintained for about 80 minutes. If you wish to keep the memory contents,

power

memory

about

one week

Other

stored memories, such as the

does

not function until the power has been

to this instrument is turned on , ORGAN settings are automatically selected.

8

SEQUENCER

on

for about 10 minutes.

OK

button.

after

the power

and

on

a

Playing

2

Press the POWER button to turn on

.

POWER

D

IOFF

.-.ON

Press the to turn it on.

U/L

ORGAN

0

TYPE button

TYPE

D

MAIN

4

VOLUME

MAIN

VOLUME

upper

to an

and

2

it

4

• The selected type of organ sound can be played on the lower keyboards.

Set the appropriate level with the sliding control while playing the keyboards.

• Use the expression pedal to change the volume level as you play.

3

• The display changes to the U/L ORGAN TYPE display.

Select a sound from the list of organ sounds shown

D D D D D

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0 0

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on

the display.

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---

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Expression pedal

9

Listen

to

the

demonstration.

Listen

to

a

particular

demonstration.

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:

~~~

~

1·4

Press the

DEMO

;

~

button.

1

D

DEMO

)

• The display changes to the DEMONSTRATION

Select ORGAN, SOUND

2

RHYTHM from the display .

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D D D D

D

0 0

...

• A list of demonstration songs i.s shown on the display.

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sound

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IH

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or

rhythm

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display.

or

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3

Press the button for the sound rhythm demonstration performance you wish to hear. <Example :

D

0

0 1 mi~ I

D

0 0

···-···GGGGGGGG

• The corresponding to

will begin.

• Repeat this procedure to listen

other

• To change from a SOUND

demonstration ORGAN example, press the EXIT button to return to the

DEMONSTRATION

then proceed from step

• To end the demonstration before it has finished, again press the button for the selected sound or

rhythm.

SOUND>

OF..HOHSfROitOH

""""""

Plrffi

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·-·-·-·

-··-·

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demonstration

sounds

and ·rhythms.

to a RHYTHM or

demonstration, for

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usmss

sv111H

___ , __ , __ , ._..

performance

your

display and

or

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...

selection

2.

to

10

4

When you are finished listening to the demonstration tunes, press the DEMO

~

button again.

Listen

to

the

style

demonstration

performance.

1

2

1·3

Press the DEMO .h button .

• The display changes to the

I I I

-I

-·-

display

tON

DEMONSTRATION

Use the buttons to the left of the display to select the style demonstration performance you

hear

wish to

D D

D

0 0

OOG000GG0G

...

-~--ElGGGGGGG

• The demonstration performance corresponding to your selection will begin.

• Repeat this procedure to listen to

· other styles.

.

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2

3

When you are finished listen ing to the

demonstration

DEMO

~

button again.

tunes, press the

• If you press and hold the for a few seconds, or if you press first

DEMO

the

START/STOP button, all the demon-

stration songs are played in order in a medley performance . The medley performance continues until the

START/STOP button or the DEMO

button is

,:

~

button and then the

pressed

again.

DEMO

~

button

,:

~

• During the

• Some

11

medley wish to skip from the current song to the next song, press the button for the highlighted

while the

are being played.

song.

of

the

demonstration

performance , if you

buttons

do not function

performances

Selecting

sounds:

upper

and

Orchestral

Parts

The following parts are

upper

the keyboard.

ORGAN

SOUND 1

SOUND 2 SOUND 3

• After selecting a part, the

CONDUCTOR is used to assign

parts to the keyboards.

keyboard and

lower

Conductor

ava

lower

Select sound

Select a different sound

ORCHESTRAL

an

organ

for this part.

for

each part.

sound

for each

ilable for

keyboards

A

Use the UPPER

CONDUCTOR

upper

the

LOWER

TOR

keyboard .

ORCHESTRAL

to select the part

UPPER ORCHESTRAL CONDUCTOR

ORGAN S

0 0 0 0

ORCHESTRAL

to

select the part for

keyboard,

OUND

1 SOUND 2 SOUND 3

DODD

and the

CONDUC-

for

the lower

12

• Select the before keyboards. (See

• You can also turning on the

ORCHESTRAL

TOR at the

sounds

assigning

two

below

combine

or

same

for each part

parts to the

.} sounds by

more

buttons

CONDUC-

time .

in

ORGAN

part

1

Press the to turn it on.

U/L

ORGAN

U/L

ORGAN TYPE

TYPE button

0

D

• The display changes to the U/L ORGAN TYPE display .

2

Select a type

the display.

[~

0

D

• The selected organ type is assigned to the keyboards.

• Press the EXIT button to go back to the prev

of

organ sound from

~

t·~·1UJ

·

Q.rriiiDIICllleS-

1h••tr•

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io

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'ihnd..-d

-

--

lrod.

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·

...

us

Roclt

rri·~:~,;.J}·

upper

and lower

display .

CJ CJ CJ CJ CJ

13

SOUND

The sound for the and the sound for the

parts

upper

keyboard is selected with the buttons

lower

keyboard with the buttons in the

in

the

LOWER

UPPER

SOUND

GROUP

GROUP,

.

1

2

Press the

UPPER SOUND

1, 2 or

SOUND

GROUP

0 0 0

3 button in the

GROUP

to turn it on.

2 3

or

DOD

Press a sound button in the

SOUND

group.

~'"'\CII.l~

L_j

GROUP GROUP

rrn

c U

or

LOWER

to

select

LOWER

UPPER

a sound

3

Select a list on the display.

~

0

0 0

• To view a different part of the list,

• Select

• Press

sound

~"""'''

•I@IQ¥1SoloPhno

~1~1

firr

{

{Pt

r ·- ·- · _,_

00000000

.

..

--.GGGGGGGG

press the

same

in the

the

to the

Pl•..,(loct.

...

rr

....

,j..,.

1

acr.Ji

.....

~

Oct

.,...,

MORE

sounds

way.

EXIT button to

I

"'"'

1er

t

~

__ ,

CJ CJ CJ CJ CJ

__

.

0

...

button.

go

back

Phno

-(

Horl<v

tri

...

t•

ri

.....

. I

lUI

"""''

- ..

_,

SOUNDS

for the other parts

display.

• The sounds.

display

changes

to a list

of

14

Selecting

sounds:

pedal

BASS

1

part

Press a sound button in the

PEDALS

group .

BASS

keyboard

BASS

section to select a sound

PEDALS

2

Select a sound

fiiiW • I

D

i Dourdon

,(,lt.!-f$-!,IJ•II

.

s.ntmN'·II

C>

D

from the display .

omKJ~.

orr.rw

l~•l

r•n*

..

(}§II

1

:.:

I'

. 1·

}

~

·

CJ

CJ CJ

I!J::Oclovt

CJ CJ

• The display sounds .

• To play the sound you selected, play the ke

pedal

• You can combine two bass sounds.

(Refer

yboard.

to

page 43.}

changes

to a list of

4-·

-- --··-·

0 0

00000000

...

-·~-8GGGGGGG

• Press the to the

EXIT

button to

display

.

go

0

.

..

back

15

Effects

ADBC

Add

a feeling

spaciousness

Press the DIGITAL

A

Add

B

to turn it

•

The

sustain.

Press the SUSTAIN button to turn it on.

on

sound is

of

.

to

the

0

broader

0

[susTAIN]

sound.

EFFECT

and

button

deeper

Make

c

.

Change

the

sound

Use the buttons to adjust the brightness of the sound.

• There are three levels of

BRILLIANCE

brightness.

the

quality

brighter.

1\

BRILLIAN

CE

of

and v

the

sound.

D

Press the DSP turn it on.

EFFECT

button to

• Play and release a tones fade out gradually after the

key is released.

key

. The

0

• Various effects are added to the sounds .

16

Add

tremolo.

(ORGAN

part}

Add

reverberation.

E

Add

Press the it

on.

o A rapid oscillation in volume is

applied to the

a feeling

TREMOLO

spaciousness

(ORGAN

F

part}

Press the EFFECT button to turn

on

.

button to turn

TREMOLO

0

ORGAN sounds.

of

to

the

sound.

EFFE

CT

0

Press the

G

it

to turn it on.

• The reverberat ion effect is applied to

DIGITAL

0

DIGITAL

REVERB

all sounds.

REVERB

button

0

o The ORGAN sound is broader

and deeper .

17

Playing

automatic

rhythms

1

2

In the RHYTHM select a rhythm group.

RHYTHW

GROUP

• The

Select a rhythm from the display.

display

rhythms.

D D D D D

) •

j~ot<tw~Jiywood

{A..Oro-~

•

[v~;1J-

·IJtfflj\l.h.i,i,M

~Oro·~~~ySt;

GROUP

changes to a list of

170

SK)II

l.l'l

n

Show.~

Soft

Shoe

PI

~iol!IC.oar.-1

Veudvlllf'

i

djjCowbov

e~l

section,

I

CJ

I

CJ

I

CJ

l

CJ

i;

dJ

CJ

3

2

3

Start the rhythm by

START/STOP

1 2 3

0 0 0 0

pre

button.

·ssing the

~

BEAT

c )

START/STOP

• Stop the rhythm by pressing the

START/STOP

button again.

0 0

• Press the EXIT button to go back

• Rhythms effective

d-

··-

,..,.

•. ~ .... , ,...,, --·

GGGGGGGG

...

~-~,GJGGGGGGG

to the

marked

for

display.

with a * are especially

sounds.

-·

-~·-·

0

....

18

D

CB

A

Adjust

Adjust the tempo with the

A

TEMPO/PROGRAM dial.

• The tempo

Insert

To start your performance with an

B

introduction, press the

ENDING button before starting the

rhythm.

the

tempo.

display as

an

intra

TEMPO/PROGRAM o

is

"J

shown

=

."

in

pattern.

INTRO &

0

the

Insert a count.

c

To begin one-measure count,

COUNT INTRO (FILL IN

before starting the rhythm.

• A after which the normal rhythm pattern begins.

your

performance

COUNl

CJ

FILL

one-measure

0

Select a variation

During the rhythm performance, press

the

D

it

on.

VARIATION

with a

press

the

2}

button

INTRO

IN 2

count is played,

pattern.

button to turn

( )

INTAO& ENDING

• An intro is played, after which the regular rhythm starts.

19

CJ

•

The

rhythm pattern changes to a

flashier pattern.

0

VARIATION

E F

Insert

While

E

playing, press either the or FILL

• A fill-in

Insert

While the rhythm is

F

the

a fill-in

the preset rhythm pattern is

SEQUENCER RESET COUNT INTRQ

(._____...)

FILL

to play .

an

ending

INTRO & ENDING button.

pattern.

IN

2 button.

0 0

(..____)

IN

1

pattern

immediately starts

pattern.

playing

0

FILL

IN

, press

IN

1

2

( )

INTRO&

ENDING

• You will and then the rhythm stops.

hear

an ending pattern,

20

Automatic

accompaniment

Use

Use the AUTO

the

c

~B

j

c

~

j

AUTO

PLAY

j

J

j

J

PLAY

3 2·4

CHORD

with the following tune.

F

I

E

F

J

I

CHORD

j

J

j

J

I

G7

r

G7

r

rA

r

-f-=J

~r-r=r

J

r

I

r

c

r

I

!2

II

1

2

In

the

RHYTHM

select a rhythm group.

RHYTHM

GAO

UP

Select a rhythm from the list shown on the display .

o

C)

D

C)

• Press the to the previous display.

/~

{o~~.;.;;<JC

•I•

{iJ

~NtttJ~,!.!Ii,i.I:M

~O;o

GROUP

1

"}0

sa.\11111'[

Holl;;;;;,-;;d-J

Oro on

Shoo.

'¥

Soli

...

;·;.•~•,;·II--

&c~Y~

Sf~idllCo~

EXIT

s-

c.i.;...; I

U~ill•

ooli;dl

button to go back

section,

CJ

)

CJ

I

CJ CJ

3

4

Press the button to turn it .on.

AUTO

PLAY

CHORD

0

CHORD

D

Select

•

ONE

FINGER

·I

.,..

ro>D:J

•MUJW

''

"~t~IS

I

After

a few seconds, the display

returns to the previous display.

on the display.

Afll)l\•

OD'I)

I

~

·MJ

CJ

·

CJ CJ

CJ

21

5·7

5

6

Press the

turn it on.

START/STOP

I

0 0

(

START/STOP

With

your

left

hand

lower

the right hand, upper

When

• keyboard, the accompaniment Where

•

in the

the

keyboard as shown below

keyboard, and with

play

keyboard .

you play the

C, G7 and

music

lower

keyboard and pedal

.

button to

3

0 0

4

OEAT

2

)

, play chords on

your

the

melody

automatic

begins

Fare

score, you can play

lower

to play.

indicated

in

the figure

on

the

7

At the end of your performance,

press the

START/STOP

button.

C chord

• In this example, you played chords by pressing the keys for the "root notes"

FINGER

(ONE specify the chord by playing all the in

the chord. (Refer to page 60.)

chords). But you can also

F chord

notes

G7 chord

+

22

Record

your

performance

Use the

SEQUENCER

March: IVIcdium

c

to record your performance.

She

Wore A Yellow

Ribbon

c

Press the EASY RECORD button to

1

turn it on .

• The display changes.

0

EASY

RECORD

Am

Om

G7

23

5 6

2

4

2

3

Press the

D D D D D

0000000

.

..

Play the song on the keyboards.

OK

Ensv

1"'{1~,,,.,

·~

....................

firoCIWI,..

toltt'"",...,.

......

~

I

d-

- ·- · _ , __ , - ·-

--~·000

button .

RECORD

...

~,,

",...,~

.....

•'I""~~

.

....

Ifill"'

orh•""'

··~......,

.

~~~Q

··-1·-··

00

00000

1!!1•

l

0

CJ

-·

Q

~

0

4

5

6

When

you

have finished playing,

press

the EASY RECORD button

again to turn it off.

Press the

(FILL

SEQUENCER

IN

1) button .

SEQUENCER RESET

0

C)

FILL

Press the

START/STOP

1 2 3 4 BEAT

0 0 0 0

RESET

IN I

button.

• You can also record several parts indivi

dually back performance.

and then have them played

together

for an

(Refer

ensemble

to

page

73.)

24

•

( )

START

/ STOP

Your

performance is played back

just

as

you recorded it.

Easy

Play

Style

Automatic

Press the ONE button to turn it on.

2

o The

Use the category (performance style).

D D D D

D

0 0

... -...

display

A and v buttons to select a

I

~l~:nM•~J

.-·-·-

00000000

setup

TOUCH

0

of

ORGAN

the

c=)

ONE TOUCH

ORGAN

changes.

(!!(

TCLQ!

m;;.

DJW"'snrtTJIII

.................

111

1

""'

::

~~-;o

..

-··-·

TM'llf•

~uw.

-·-

.,,.

r.....:

OlllQJQrt

...

1~.'~1·

..

~~

GJ·

0•

··

CJ

8

CJ

··

-·

0

...

ORGAN

2·3·4 1

Press the

3

button.

o The

Use the type of registration

D D D D D

0 0

•

The settings

type you selected

o Press

button to turn it off the

parts

REGISTRATION

display

r·-

00000000

.

..

·~--.00000000

sounds

keyboard, and various other panel

A and v

l

I

..

IWI

)

....

u ••..........

--·--·

which are suitable for the .

ONE

buttons

(01

pt:

([lot

"1!1'

tiiiHCUT

•C

JPoU

~:

~:~·=

&4• ..... ~ .,_

0.

•

IO'lO•luiAII

1

C.

1-'l

CPIIDII

U

II"Pflllrlll""

,,...

,.,

chose

I t • I · U

••

h•lltl'l

11>11

,_,

.._..,

· ,

---·-~·--·--

and effects for each

are automatically

TOUCH

display.

to select a

to 16).

I

GJ·

•

••

,

..

1

(!]

E3·

ORGAN

to

go back to

LIST

0

CJ

8

CJ CJ

'"'

25

Automatic

setup

of

the

ORGAN

style

1

2

Press the to turn it on.

ORGAN

STYLIST

0

(~:-:-:-:-'"")

ORGAN

STYLIST

•

The

display

Use the of the

display

(performance

D D D D D

• When a contents

MEMORY are replaced. In this

case, when you attempt to a category, a appears. Press the YES execute

• A list of styles is shown on display

changes.

buttons

•

to

select a category

style).

ORGOH

Sho

... t 6me

Ja-,,

Ornan

category

of the

confirmat

the function.

(1

to 16).

the left and right

SlVL!Gl

Cfurr·ch

1

Hat

tz

1

is selected, the

current

PANEL

ion

button

CJ

0

CJ

Cl

select

display

to

the

3

1 2

Use

the

PANEL

to

select

•

The shown seconds.

•

The for accompaniment suitable are

Press

• turn it off

• changes

EXPAND

53 .)

a style

name

on the

sounds

each

keyboard,

for the

automatically

ORGAN

display

PANEL

automatically

MEMORY

(1

to 16).

of the

to

mode.

selected

display

and

volume

rhythm,

and

tempo, etc

style

you chose

selected.

STYLIST

go

back

to the

.

MEMORY mode

(Refer to page

buttons

style is

for a few

balances

.

button to

to the

26

Automatic

setup

for

the

style

and

rhythm

MUSIC

Press the ONE

1

2

3

button momentarily to turn it on.

• The display changes.

In select a rhythm group.

Use the

music style.

2·A

STYLE

SELECT

TOUCH

PLAY

0

C)

ONE TOUCH PL

MU

SIC SlVLE SELECT

the RHYTHM GROUP section,

1\

and v buttons to select a

M!C

\1!4

D D D D D

,.,.,

~~r!F

01 1

f(Wt'

.,.~~

Wo~I'IIPO..I'

c.

......

ron,,..,....

....

..

.

"'

ft;Qfc:.r.<l~

ltlfllliU"'CJJJ~

···~ltf'''"""'

,,,.,..._,_

....

.,....

.,.,

...

\U._

..

~

AY

UI

[!]

•

[!]·

C) C)

CJ

C)

Cl

3

ONE

B

l·B

• The

• When

• Press

Select a rhythm pattern. (Refer to page 18.)

Press the ONE button unt il its indi

• The

sounds for each keyboard, rhythm , accompaniment suitable

are

automatically

lower keyboard, the accompaniment Play the

keyboard .

to turn it off to go back to the

sounds

keyboard, the tempo , and various other panel settings which are suitable for the rhythm you chose

automatically

are

and volume balances

and tempo, etc.

for

the style you chose

selected.

you

play a chord on the

begins to play.

melody

ONE

display

on the

TOUCH

.

PLAY

TOUCH

cator

and

effects for each

selected .

automat

upper

PLAY button

PLAY

goes out.

ic

c~-··-·-··-··-

QQGGGGGGGG

.

..

---.GGGGG

·

-·-··-1·-··-

G

GG

Q

'"

27

Arranger

feature

2

MUSIC

Select a rhythm pattern.

1

2

page 18.)

Press the

ARRANGER

style

beginning of your performance .

STYLE

(1, 2

1: Simple pattern

2: Normal pattern 3: Flashy pattern

ARRANGER

MUSIC STYLE

button to

or

3)

you

1

2

0 0

(

MUSIC

STYLE

ARRANGER

select

want

3

0

)

(Refer

the

at the

to

• The

• When

• While you are playing, press the

• Each time the

sounds keyboard, the tempo, for the rhythm you automatically

lower keyboard, the automatic accompaniment Play the keyboard.

FILL IN 1

The specified plays, and then the changes

pressed, the FILL plays , and then the changes And each time the button is pattern changes

and

effects for each

etc

. suitable

chose

selected.

you

play a chord on the

begins to play.

melody

.

in the 3 - • 2

pressed,

plays

in the 1 - • 2 - • 3 order .

on the

or

FILL

IN

FILL IN pattern

FILL

IN

FILL

the FILL

, and then the style

upper

2 button.

music

IN

1 button

1 pattern

music

-•

1 order.

IN

are

style

2

IN

2

is

28

About

the

display

The display

Normai

This illustration shows the kind of information you see on the display during a normal performance.

ORGAN

ORGAN ty

Selected

Tempo

shows

d~s~!ay

gr

rh

various information and is used for most of this

oup-----

pe

ythm

U/L

ORGAH

GROUP:

ELECH~.

TYPE:

Standard

RHYTHH

Organ

I

;=146

SOUHD

TABS

Fox

lA

LO~ER

BALAHCE

If you press one below the display, the balance display. The

is

part to 127).

shown as a bar graph and a

of

the

display

volume

1\

or

v buttons directly

changes to the

balance of each

number

(0

I

I I

I:HQRQ

min7

UPPER

[SOU~D

Grand

LOWER

Pi

[60UHD

E.Piano

BASS

PEDAL

Organ

onG~

UPPER

BAU~HCE

instrument

ll

ano i

11

1

t

SOUHD

t

-

's

operations

UPPER sound

LOWER sound

BASS

sound Chord

.

SOUND

PEDALS

name

part

Use the adjust the volume of each part.

A and v

buttons

below

the display

U/L

ORGAM

GROUP:

ELECTR.

TYPE:

to

SOUND

TABS

Standard

RH'r'THH

Organ

I

m:•

:1:1:111;1•

96

11

LOWER

o

0"Ep~-EsJISJf2J-~f~"~·o

LOWER

LOWER SOUND LOWER LOWER

• A few seconds after you change the settings, the display returns to the normal performance display.

OR:~~''

SOUND SOUND

Y""'-o

1 UPPER 2 3

Fox

:H!J

100

n n n

BALANCE

UPPER r SOUI'm

I

LOWER

I

BASS

II

100

IE

I J

Grand Piano

CSOUHD

I l

E.Piano 1

PEDAL

SOUHD

Organ

120 120

-

UPPER

Rnl

.---

nllrl"

120

r-

I

I I

0

~PPER

UPPER UPPER

SOUND SOUND

SOUND ORGAN

3 2

1

29

About

• OTHER PARTS If display parts.

the

display

you press the button for

changes

DRUMS ACCOMP

BASS----------'

to the balance

(total)

OTHER

PARTS, the

display

GROUP:

U/L

for other

OROAH

ELECTR.

TYPE:

Standard

RHVTHM

Organ

I

~••11:

1::1:•~

100

110

,.--

SCUHD

TABS

Fox

• a1-;

118

UPPER

[ S

Grand Piano

1

LOWER r SOUND

E.Piano 1

I

BASS

PEDAL

Organ

120 120 115 120

r--

-

120

r-

II

OUWD

SOUND

,.--

1 l

I

1 l

I

r-

nr-

ACHP

B

~CP

RUt

o

6~~-CSJ-CSJ~1}f_[.o

l'[lP

DI$1'\"HOlO

AS!

I

~CP2

'--------ACCOMP

'---

-

CPJ

----

BG~

SF

K~1~BOARD

BACKGROUND ACCOMP

-

ACCOMP

3

2

1

PERCUSSION

SOUND

• This button is also used to access the PART

8 to 15 volume display. These parts are used

in conjunction with functions.

Menu

The MENU and other buttons beneath the PROGRAM tiple functions . Pressing one of the access the corresponding

•

display

SECTION cover are used to control mul-

Example

of

menu

SEQUENCER

menu

display:

MEM &

and MIDI

buttons

display.

CTRL

will

MEMORY

C> C>

r£

C)

INITIAL

~I

SWITCH

~I

POWER-ON

~I

SETTING

ASSIGN

NODE

• A few seconds the display returns to the normal performance display.

0 0 0

TOUCH

SOU

c:::::J

tiD

c=J

& CONTROL

PANEL

II

MEM.MODE

11.5.A.

OUTPUT

NODE

SETT

lNG

after

EDIT

SOU

c=J

I~

I•

you

MENU

ND

MEM

C=>

CJ CJ CJ CJ

CJ

change

0 0 0

& C

the setting,

TAL MIDI

c::::J

SEQUENCER

0 c:::::J

COMPOSER

c:=J

Select a function from the menu ing the corresponding button to the of the display indicated

by

the

display

.,.

and • arrows.

lef1

by

press-

or right

• In this manual, the steps describing how select a function from a menu display are generally abbreviated as follows, for example:

30

"On the MEM &

SWITCH ASSIGN

CTRL

menu display , select

."

to

About

the

display

Setting

When setting various functions, the available operations are shown on the display. The buttons to the right, left and/or are used to select and adjust the settings.

• Example

display

of

setting

directly

display:

C>

below

the display

SWITCH ASSIGN

~IKNEE

LEVER

CDr:B

~~FOOT

C>

~~FULL

C>

G)

In

the illustration above, four functions are shown on the setting display: FOOT SWITCH RIGHT, FOOT SWITCH LEFT and FULL BASS PEDAL. First select one of the functions by pressing the corresponding

<1111

button indicated by the rently selected function is highlighted .} In

this manual, the procedure to indicate that

• you should press a button to select an item

is

from the display follows: "Select FOOT SWITCH RIGHT

generally written simply as

arrow. {The cur-

S~ITCH

BASS

KNEE

LEFT

PEDAL

LEVER,

."

:SUSTAIN

:START/STOP :BASS

TO

@T

he operated by tons indicated by the tons are used, the setting for the

• In this manual, this follows : "Use the

the function."

UIR

1\

Gl~

I

OJ~

and v

buttons

pressing

when

selected

1\

CJ CJ

<==)]

cv

c=Jb

CJ

on the display are

the

corresponding

~

arrows

appropriate,

procedure

and v

. These but-

function.

is written as

buttons

but-

to change

to select

EXIT

button

While the setting display is shown, ton

to

go back to the previous display.

0

EX11

press

this but-

DISPLAY

Press this button to turn it on when you wish to maintain the during a performance, tion which is not

• If any of the MENU

DISPLAY

31

HOLD

button

current

shown

DISPLAY

HOLD

display.

0

mode is canceled.

For example, even

you

can

monitor

on the normal display.

HOLD

buttons

is pressed, the

informa-

About

the

display

TEMPO/PROGRAM

If the green while you are using the it indicates that the dial the displayed value or setting.

HELP

You can find strument functions right on the display.

1.

Press the

display) .

• The following

~!

~I

{

~I

41

• Press the MORE tions.

~I

11

TEMPO/PROGRAM

display

an

HELP

is

the following

ORGAN

ONE

TOUCH

ONE

TOUCH ORGAN MUSIC

HELP

is

the

following

MUSIC

STYLE

PANEL

MEMORY

TECHNI-CHORD SEQUENCER SOUND

EDIT

dial

indicator

display

TEMPO/PROGRAM

explanation

button (at the lower left of the

0

display

available

features

TYPE

PLAY

ORGAN STYLIST STYLE

SELECT

button

available

features.

ARRANGER

to

adjust

may

be used to change

0

of most of the in-

HELP

appears

.

for

.

I

to

display

for·

'l

[R§R'EI)~

other func-

I

(

I

is lit

a setting,

HOR[]~

CONTRAST

Adjust the contrast of the display.

CONTRAST

2.

Select a function.

• Information appear "pages" of information, which you can view by following the

• If you press the the process of setting a function: the display may change

o For a detailed

please refer to the relevant pages manual.

ORGAN ONE ONE TOUCH ORGAN MUSIC MUSIC PANEL TECHNI-CHORD SEQUENCER SOUND COMPOSER FLOPPY DISK MIDI

3.

When you press

on the

TOUCH

STYLE STYLE

MEMORY

......

have

the

HELP

about

TYPE

STYLIST

EDIT

the selected function will

display. There

instructions

HELP

button while you are

directly

to the

explanation

.................

PLAY

ORGAN

....

SELECT ARRANGER

..............

. .............

................

.....

.................

FUNCTIONS

...

.....

finished reading the message,

button again.

may

on the display.

HELP

mode.

of each function,

..........

. ....

.....

........

.....

...

. . ......

....

.......

be several

in

page 34

..

page 63 page 48 page 49 page 64

page 65 page 53 page

. page

page 128

. page 93 page 103 page 142

in

this

51 67

• Press the RETURN previous

display

.

button

to go back to the

32

Parti

Sounds

and

effects

The sounds for the sound is selected for each part, and then the parts are assigned

CONDUCTOR.

upper

keyboard ,

lower

keyboard and pedal keyboard

Parts

You can assign four sound parts to the

SOUND 2 or UPPER SOUND 1, LOWER

The sound for each part is

Upper keyboard

Lower keyboard

Pedal keyboard BASS BASS

SOUND

SOUND 2 or

3) and four sound parts to the lower

selected

ORGAN SOUND

SOUND

SOUND ORGAN LOWER SOUND

SOUND SOUND

upper

keyboard (UPPER

LOWER

SOUND 3) . The BASS part is

with the buttons as shown

Part

UPPER

1 2 3

1 2 LOWER 3

UPPER

PEDALS

are

to

the

keyboards

ORGAN, UPPER

keyboard

used

in

the

diagram

Sound

ORGAN

SOUND

ORGAN

SOUND

GROUP

grouped

by

(LOWER

for the pedal keyboard .

below

buttons

into "parts

the

ORCHESTRAL

SOUND

ORGAN, LOWER

.

1,

."

A

UPPER

After a sound is selected part to the upper keyboard and a part to the l

The UPPER

ns

are used

to board, and the LOWER CONDUCTOR buttons to select the part for the lower keyboard.

UPPER

ORGAN SOUNO 1 SOUNO 2 SOUNO 3

0 0 0 0

DODD

LOWER ORCHESTRAL CONDUCTOR

ORGAN SOUNO 1 SOUND 2 SOUNO 3

0 0 0 0

DODD

r o When an

selecti

on

currently selected sound for each part.

for

each part, the

ORCHESTRAL

to

select the part for the

ORCHESTRAL

is changed, the display shows the

CONDUCTOR

ORCHESTRAL

CONDUCTOR

ORCHESTRAL

but-

upper

key-

ower

CONDUCTOR

keyboard.

o By selecting

you can easily another during selecting

TOR button.

o You can

more buttons in the

TOR at the

The simultaneously for each part is as follows:

ORGAN

All other

another

combine

number

part: 64 notes

buttons

sounds

same time

of

parts

for

change

your

ORCHESTRAL

sounds by

ORCHESTRAL

notes

which can be produced

: 64 notes

are

used to assign a

each

part beforehand,

from one sound to

performance

turning on two or

.

just by

CONDUC-

33

Part

1

Selecting

a

type

of

organ

Sounds

~

~~

~

llll!Ltllllill

=·················

a I

UITIIIDllll

and

,~

~~~~~D~~

Ol

li!Il

ll!l

l!llim!II!UlTill!

effects

..

~-~

m

mmm

n

All types of organs are another, not only the sounds, if you were playing a types of organs, all in

Organ

Select the desired organ type sentative types provided.

1. Press the U/L

type

ORGAN

on.

U/L

available

completely

one

instrument.

TYPE button

ORGAN TYPE

0 .

D

• The display changes to the

-ELECTRONIC

Standard

Theatre

U.S. Trad.

~

1-------f

European

.

.__

_____

TABS-

......

---DRAWBARS---

Standard Theatre

for

the ORGAN part. When you

but

the entire configuration changes to that of the selected type, just as

different instrument! You

from

the repre-

to

turn it

following

Jazz

Rock

.

~

don't

have

change

just

from one type of organ to

one organ, but many different

Theatre

2.

Select an organ type from the

ELECTRONIC

group

TABS

LJDLJOCJO

ORAWBARS group

'"

I 7

r~~'llm

·

I

~

Classical

Standard Theat

re

U.

S.

Trad

European

Jazz

Standard

Theatre

Rock

display

.

Technics-type Theatre-organ-type of Typical American Typical European electronic organ sound

Orawbar organ sound for jazz

Standard-type

Theatre-type

Orawbar organ sound

34

electronic

drawbar

organ

electron

organ sound

organ

for

sound

ic organ sound

organ sound

performance

sound

rock performance

Part

I

Sounds

and

effects

PIPE ORGAN group

11m

o On the display, the selected type is high-

lighted.

• The sounds for the

LOWER ORGAN part

selected type.

o To play the selected organ sound on each

keyboard, turn on the

ORCHESTRAL

• You cannot select a the upper keyboard and

aJrean

Add effects to the

'

errects

TREMOlO

0 0 0

Theatre Classical

UPPER

CONDUCTOR

ORGAN

EFFECT

ORGAN

change

ORGAN

different

lower

part sounds.

SUSTAIN

part and

to those for the

buttons in the

.

organ type for

keyboard.

Theatre-type pipe organ Pipe organ sound for classical

• You can adjust the lower parts.

• Press the

volume display.

sound

(Refer

EXIT button to return to the normal

e Adjusting the sound

The nuance of the boards can be changed i Two methods are available . With

36) you can control the various

the sound. sounds (page 40)

Or

sound

you can

provided

music

volume

to page 29.)

select

performance

for the

for

upper

and

ndependently.

MANUAL

components

one of the

for each organ type.

upper

lower

key-

(page

PRESET

and

of

ODD

o These buttons do not work when the

button (page 40) for the same keyboard is on.

Ill TREMOLO

Tremolo ing the effect of a rotating speaker. Various tremolos can be set for use with high-range sounds and low-range sounds. For example, you can achieve effects such as those shown below .

ELECTRONIC TAB group : DRAWBARS group :

• Single-rotor-type revolving

is

a rapid oscillation

in

volume, produc-

speaker

/

u

w

• Double-rotor-type revolving speaker effect.

'--------T/

PRESET

effect.

PIPE ORGAN

fect, peculiar to pipe organs, of air flowing

through the

TREMOLO

When the

TREMOLO

rotating speed of the

• The type of can be

• The

TREMOLO

tab sound and

(Refer to page 38.)

group

pipes

•

SLOW/FAST

TREMOLO

SLOW/FAST

0

TREMOLO

SLOW/ FAST

TREMOLO

adjusted

. (Refer to page 118.)

can be set to on

EXTRA

: A

distinctive

(TREMULANT).

effect is active, press the

button to turn it on.

speaker

0

and

TAB

vibrating ef-

is accelerated .

how

it is applied

or

off for each

VOICES

sound.

The

35

Part

I

• EFFECT is

This

ments playing in unison.

• The type of effect can be changed. (Refer to

• EFFECT can be

the beautiful wide effect of

page 38 .)

set

to on type tab sound.

sound

and

or

EXTRA

many

off

for each flute-

TAB

VOICES

instru-

11

SUSTAIN

after

tones

The

•

length of the sustain can be adjusted.

(Refer to

Sounds

is the gradual fading out of musical

the key

page

is

45.)

released.

and

effects

Setting

After selecting the desired organ type, you can change the nuance of the and the

Outline

1. Select the organ type .

2.

3. Use the tab

• Using the tab buttons Organ sounds are ferent sound pitches (feet). By turning the tab buttons on and off, you can combine pitches to modify the selected organ sound.

display

of

In

the UPPER section, on

to change the sound for the respective

keyboard.

the desired

.)

tion

the

to adjust its

MANUAL

ORGAN

press

the

(MANUAL]

buttons

sound. (Refer

obtained

Organ

various

settings

or

LOWER

MANUAL

0

and the

button

display

to the following sec-

by

sound:

components.

ORGAN

to turn it

to select

combining

dif-

Manual

o Using the display

Special tabs

are

provided These effects, used along with the tab buttons, allow

you broad flexibility

sound

• The sound differ

• The the

• The each organ

MANUAL

organ group, the matically

• In the PIPE Theatre), the each type.

(EXTRA

you

want

depending

settings

same

organ

settings

sound

available

for each individual organ type.

components

~

lllllfmmmrm1mrrrmmm

=

·--··

....

s

rrmmnmHiliJID

sound

.

are are

group

sound

by using the tab buttons

TAB

VOICES)

in

creating the exact

which you can adjust

on the type of organ. common group . memorized

is selected for the same

sound

.

ORGAN

for all the sounds in

independently for

, so that

settings can be made for

whenever

you modified is auto-

group (Classical,

....... .

i

lliH!D!

and effects

~

the

Using

In the tion, use the tab buttons to the respective

the

UPPER

tab

buttons

ORGAN

keyboard

or

.

CJLJoooLJCJCJDoo

lQ

Wflll

o•G

AJrol

CJLJLJDuLJCJuo

to

mod9fy

LOWER

change

the

souml

ORGAN secthe sound for

o Press the

on, and the

o When an organ type from the DRAWBARS

group is selected, the tab buttons work drawbar-volume-setting press and decrease increase the volume . While the volume is being adjusted, the shown on the display .

36

lower

part of a tab button to turn it

upper

part to turn it off.

buttons . In this case,

hold

the

upper

part of the button to

the volume, and the lower part to

status

of the drawbars is

(Refer

to

page 38.}

as

Part

I

11

Percussives PERC adds a tone with a fast initial tab sounds. You can get a bining PERC sounds with

(upper

keyboard)

sharp

other

sound by

tab sounds.

attack

to the

com-

o

When

group is CHIFF sound of air organ .

an

organ

selected,

buttons. "

being

(Refer

to

type

the

Chiff"

page

Sounds

from the PIPE

PERC

sent to the

39 .)

buttons

is the

and

eUects

ORGAN work

characteristic

pipes

in

a pipe

as

About The feet indication on organ. If octave below the 8' rank pitch, and a. 4' rank pitch

When the C

IIDSiU1J~

When a a operated , the sett ing

13

EXTRA On the display, select the add .

o The setting switches

feet

marks

each

8'

is

used as the standard (the pitch

1

key

is

pressed

e f g a

c d

'

i

1 ir

i~~

~~Sl!B~a!Y

MANUAL

ELECTRONIC

time the button is pressed.

(Example:

TAB

button

VOICES

Upper

ELECTRONIC

iaD

mo!l!l~Uy

button is is on

and

display

TABS

group

settings

between

keyboard)

~~·rrrr~-------.

TABS

:[ Standard l

tab button (for

, the

sounds

' e'

f' g'

b c' d

h

8'

turned

the

tab

is

shown

--------------------------

sounds

on

5

~h~

SIDRllril!ll

on, or when

buttons are

.

you wish to

and

off

example

as

of

the

-

a'

I

i

1/3'

each

8')

refers to the

played on the

one

octave

different

b'

c' d

pitch ranks

f'

' e'

l

i

4'

keyboard).

above

g'

a'

b'

2

2/3'

pitch

of

a rank of

a 16' rank pitch wi

.

are

as

follows

-

' e'

f'

c' d

pipes

in a pipe

ll

be

one

.

g

mJ

I

1 /3'

i

1'

~1

Ce

I I o 16'

41

Trombone 16'

~1

I<

i

nura

~

I T

REHOLO:

~~

UIBRAJO: OFF

Press the

other settings.

o On

th

e display , the

lighted.

o You can select more than one sound at the

same time.

OFF

OTHER

II

8'

II

SETTING

selected

U i o I

in

Trumpet

C I

ar i net

button

sounds

8'

1~

8'

1~

8'

1~

to

change

are high-

37

Part

I

Sounds

and

etrects

Adding

Add effects

Press the button for each effect to turn it on or off.

TREMOLO:

EFFECT : Add breadth to the sound. VIBRATO : Add vibrato to the sound.

Volume Adjust the volume of the in tons.

Select to adjust the

o When set to 100 , the volume of the

Effect

Use the

the type of effect (CELESTE or CHORUS).

o When this setting is changed, all effects ap-

• You can

effects

to

the

EXTRA

Tremolo

volume, producing the effect of a rotating

speaker.

balance

relation to the tab

BALANCE

TAB

VOICES

the tab sounds .

type

EFFECT

to

plied type.

page 122.)

volume

setting

the

ORGAN

change

adjustment

, and use the

is the same

TYPE

TAB

VOICES

is a rapid oscillation

EXTRA

sounds

(O

other effect types. (Refer to

from the panel but-

1\

to 127).

as

1\

and v buttons to select

part change to the same

sounds.

TAB VOICES

and v buttons

EXTRA

the volume of

in

Percussive only) Adjust the PERC sound.

(1Ja~3;J

~~

Select an attribute of the PERCUSSIVE TONE. Use the for the attribute.

DECAY

Adjust the decay time LEVEL

Adjust the volwme

TREMOLO

Turn the tremolo effect on

EN:

tone.

DIS: The tremolo effect is off.

o If the

the tremolo effect the

tone

ELECTROHJC

LEVEL

adjustment

OTHER

SETT

TABS=[

4

(upper

I

Standard

EXT.

TAB

I

BALANCE=

TREHOLO=EH

"

1\

and v buttons to change the setting

(1

to 8) .

(1

to 8).

or

off.

The

tremolo effect is on for the percussive

TREMOLO

button on the panel is off,

is

not

applied even when

is set

to

EN.

keyboard

J

VOICES

100

I~

a

DRAWBARSgroup---------------------------------------------------------

Drawbar

Adjust with the respective tab buttons.

• The drawbars are shown

(tab

volumes)

(Example:

Press the OTHER other settings.

upper

DRR~BRRS

adjustment

keyboard)

:[

SETTING

on

the display.

Jazz

button to change

38

Part

I

• The numbers below the drawbars to the feet

o Select a setting from 0 to 8. When set

no sound is produced.

11

PIPE ORGAN

EXTRA TAB VOICES On the display, select the sounds you wish to add.

• The setting switches time the button is pressed.

~~,.....-U

~~

~I

Eng

numbers

PIPE

-o_

x_C_e_l_e_s_t_e--,llstr

Tuba 16'

I i

shHornB'

group

ORGAH

of the tab

settings

between

:( Theatre J

i ngCe I

II

Trumpet

11

Saxophone

correspond

buttons

on and off each

ES

.

este

8'

a·

to

0,

1~

I•

I~

Effect

type

setting

Select the type of

Percussive only) Adjust the

Volume Adjust in

relation

tons .

Effect Select the

Chiff For pipe to add CHIFF sound of air being organ .) and the

balance

the

(Refer

type

level

organ

Two

volume

tone

adjustment

PERC

adjustment

volume

to

the tab

to page 38.)

setting

type

of

adjustment

types,

sounds. (Chiff

chill

sounds,

can be

Sounds

EFFECT. (Refer

(upper

sound.

(Refer

of the

EFFECT. (Refer

EXTRA

sounds

the

sent

from the

(upper

adjusted

keyboard

PERC

buttons

is the

to the pipes

1 and 2, are available,

and

ellects

to

page 38.)

keyboard

to page 38.)

TAB VOICES

panel

to

page

only)

are used

characteristic

in

a pipe

for each.

but-

38.)

~

nWIIIW•miil 1

~I

VIBRATO:

Press the OTHER

other settings .

• On the display, the selected sound is highlighted.

• You can select more than one sound at the same time.

Adding Add effects to the

Press the button for each off.

TREMULANT Turn the tremulant on or off.

EFFECT Add breadth

VIBRATO Add vibrato

effects

OFF

EXTRA

to

the sound.

to

the sound.

I

SETTING

EFFEcr = oFF

button to change

TAB

VOICES sounds.

effect

to turn it on or

1

~

PIPE

ORGAH

:(

CHIFF

LEVEL

~

I!Hltla~nmn1

~r

CHIFF

2 = 4 1

1. Select

2.

Use the

8)

3.

Repeat steps 1 and 2 as

ch i

CHIFF 1 or

.

ll

volume

CHIFF

1\

and v to adjust the volume

.

Theatre J

EXT.

TAB

VOICES

I

BALANCE: 100

I"

......

....

EF.F.ECt.lYeE

~

. ' . . . .

l·

·,

:~.~ELE~IE

2.

desired

for the other

....

...

::

I~

.

~

·.;.·.

(1

to

39

Part

I

Sounds

and

eltects

Setting

After selecting the desired organ type,

the

Organ

PRESET

Select one of the each organ type.

1.

Select the organ type.

2.

To

change board, in the keyboard, press the

on

o The

~-fli[Mi-N

press

UPPER

in

the LOWER ORGAN section.

display

!(JW~

g:1

il

4[LJ

GHT

4JTHEATRE

~1

caNT 1 NENTAL

4\WARM & BRI

PRESET

the organ sound for the

the

PRESET

ORGAN section. For the lower

(Pm

looks similar to the following.

ru~n:11m:~:l~1:u

ELECTRONIC

sounds provided for

button to turn it on

PRESET

button to turn it

st.TJ

0

TABS

-T-HE_rl_E

JAZZ l[rROMBONE

soLo

l!u

J\FULL

GHTj

GilT

THEnTRE

I

COPV

FLUTES

TO

MANUAL!~

sound:

choose

upper

TAB

any

key·

_,,.

J~

1~

Preset

of the many

3.

o The selected

4.

o

Cl

When you copy a

MANUAL

desired. Note: When you copy a sound to the MANUAL

1. Select a

2.

o A copy of the selected PRESET sound

preset

Select a

pendently

ever

the

same

organ type, the

matically available. If necessary, repeat steps 2 and 3 to select a

PRESET

The

tab effect buttons (except for the SUSTAIN but· ton)

do you wish copy of the

modify

then

Copy a PRESET sound

memory, any sound which was pre·

viously

Press the stored in the

change

MANUAL

sounds

sound

for each

PRESET

sound for the

buttons

not work for the

to

modify

PRESET

the copy.

memory

copied to the memory is erased.

PRESET

COPY

MANUAL

the characteristics of the sound in the

memory

r-~~~~~0~

~

lliillllilLfJlllllllliiilJJlii!II!W

=·············

a

tlmmmiiJn

provided for each type.

from the list on the display. sound

, you can modify the copy as

is

memorized

organ

sound

(with feet indications) and

sound.

TO

. (Refer to page 36.)

type, so that when·

is selected for the

sound

you chose is auto·

other

PRESET

the sound , first make a

sound (see below), and

PRESET

MANUAL

memory. You can now

~~-II!IHil:1

....

11\Illlltll!mrHm!

keyboard.

sounds. If

sound to the

button.

inde·

is

40

Part I

Sounds

and

effects

Selecting

Select from a

variety

Sound

of

sounds

Sound

1.

In the UPPER SOUND to

GROUP,

select a part.

SOUND

press

1

0

DOD

2.

In

the

UPPER SOUND tons to select a sound group.

GROUP,

SOUND

press

part

for the

GROUP

the 1, 2 or 3 button

2

GROUP

one

3

0

of

SOUND

or

the

sound but-

LOWER

sounds

1,

2 and 3 parts of the

3.

Select display.

(IJ~a:m

~-~;•-.r-•h

~lupr

~!Me

I I

~1

Pi

~1

P i a no 2

Press ferent

upper

the

desired

SOUND

i

sht

ow

Pi

ana 1

the

MORE

part

of the list.

keyboard

I:

·~llso

Pi

anoJI

ano Oct Oct.

SOUNDS

and

sound

[

from the list on the

PIANO

I

oP i ano

Rock Pi

Jl

Hanky Tonk

.I!Jang

J

button

I e

MORE

lower

ana

Pi

SOUNDS

to see a dif-

keyboard

]

16'

J~

ana

J•

~

.

o A list of sounds available

can be found in the GUIDE" provided.

o MEMORY A

storing sounds you

128.)

and

separate

MEMORY

modify.

for

each

"REFERENCE

B are

(Refer

sound

group

reserved

to

page

for

o

The

selected

pendently

other

SOUND

page

the

display.

whenever

same

steps

parts

on

adjust

29.)

so that for the automatically

4.

Repeat the

o To play the

respective ing CONDUCTOR turning CHESTRAL

• You can to

o

Press vious

sound

for

each

sound

the

part,

the

avai

I able.

1 to 3 to

.

sound

keyboard,

two

EXIT

selected

button

. You

or

more

CONDUCTOR

the

volume

button

is

memorized

group

sound

turn on the

can

group

sound

select

for a part on the

in the

combine buttons in the

at the

of each part.

to

go

back to the pre-

inde-

of

each

part,

is selected

you

chose

the sound for

correspond-

ORCHESTRAL

sounds

same

by

OR-

time .

(Refer

is

41

Part

I

Sounds

and

effects

Selecting

A variety of sounds for you

the

to

bass

choose from is also available for the bass part (pedal keyboard).

part

Bass

1.

In

the

BASS

PEDALS

group.

BASS PEDALS

(ORGAN

• A list of sounds available can be found in the separate "REFERENCE GUIDE" provided .

• MEMORY is reserved for storing sounds you modify.

(Refer

to page

section, select a sound

J (

SIA~OAHO}

for

each sound group

128

.)

sound

2.

Select the desired display.

--·.

[lll

llli!!II!Ili!IlTI!ill!Hll!llliD

= ·················

EJIHIH!I!n!r!llffifllHIHIIUlllm!

sound

: C

CLASSICAL

from the list

ORGAN

Octave Trumpet Fagot

J

4'

8'

16'

on

the

• For

non-organ-type OCTAVE standard octave when

• For organ-type SICAL sounds on the a different PRESET sound . The

• pendently ever the sound group is selected , the sound you

• Press the vious

button

is

8', so the pitch is lowered by one

16

ORGAN)

sound. Or

button, you can select the PRESET

selected sound is memorized inde-

for

each

chose

is

EXIT

display

.

sounds,

to select the octave. The

' is

selected

sounds

you can combine multiple

display

sound group, so that when-

automatically

button to go back to the pre-

you can use the

.

(ORGAN

(BASS

, when you press the

and

TABS) to create

available .

CLAS·

42

Part

I

Sounds

and

effects

Mixing

You can combine bass sounds

so that they are produced simultaneously.

Press the ORGAN button, ORGAN button, and

sound button

on

o The ORGAN sound and

• When sounds are combined, you can change

sounds

of

different groups

or

the

CLASSICAL

another

at

the same time to turn them both

. sound cannot the nuance of the

the sounds shown on the display on or off.

be

mixed.

organ-type

BASS

CLASSICAL

sound by turning

PEDALS

ORGAN

•

Volume When mixing an organ-type sound with another bass sound, the sounds can be of the

1.

Simultaneously

sounds.

:

2.

Use the

of the

o When set to 100, the volume

sound is the same

sound.

balance

volume

adjusted

non-organ-type

press the buttons for the two

: [

Gedack~

a~

UBUBLB~

100

Acoustic

1\

and v buttons, to adjust the volume

non-organ-type

balance between the two

by changing the volume

sound.

CLASS I CAL

Bass

bass sound (0 to 127).

as

the volume of the other

ORGAH

Octave Trumpet

Fagot

II

PRESET

of

the organ-type

J

4' B'

16'

I~

11~

Adjust

Adjust the volume of the

to the other parts.

Use the BASS buttons

to adjust the volume of the

the

volume

in

000

DRUMS

ACCOMP

BALANCE

BASS

the

BALANCE

BASS

part in relation

section

part (0 to 127).

• Each time the

increases, and each time the

pressed, the

• While the

balance setting

seconds

play returns to the

volume

after

1\

button is pressed, the volume

volume

you

decreases. is being adjusted, the

display

change

is shown. A few

the setting, the dis-

display.

is

43

Part

I

Sounds

and

etrects

Lower

You can add the played on the you can produce the tually

Select from two

• TO LOWER

In the BASS PEDALS

LOWER

keyboard

bass

lower

keyboard. This

bass

playing

the pedal

methods

button to turn it on.

bass

sound

part sound

keyboard

.

sect

to

the

.

io n, press the TO

(TOl

~

0

• The bass board sound as long as

• To turn off this function, press the button again to turn it off .

sound

is

added

th

to

is

button

the

lowest

means

TO LOWER

without

lower

is

on.

note

that

ac-

key·

• Full bass pedal

Press

the

full bass pedal.

•

The

bass

sound

board

as l

ong

as

• If this

LOWER

turns off released.

• You can etc.) to the full bass

126.)

pedal

button is on,

automatically

assign a different

is

added

this pedal is

is

depressed

the

pedal.

to the lower key-

depressed. when the TO

TO

LOWER button

when the pedal is

function (bass solo,

(Refer

to page

Add

effects

to

the

Sound

sounds

Various

DIGITAL

DIGITAL EFFECT

enhances

1. Turn

• This step is not

2. Press the DIGITAL EFFECT button to turn it

effects

add

character

to

the SOUND

and

EFFECT

gives

the

sound

richness and

your

performance

on

the part

in the

UPPER

ding the DIGITAL EFFECT to the BASS part.

on

.

button

or

LOWER SOUND GROUP).

necessary

.

0

for a sound (1, 2

when you are

or

ad·

and

BASS PEDALS

3. Repeat

• The

• The on

3

•

desired

the

is

EFFECT

selected. The changed.

.

DIGITAL

selected

or

preset

DIGITAL

Bass

sounds.

steps 1 and

sound

off

status

for

each

turns on when certain sounds are

(Refer

part

2 for other parts as

EFFECT

to page 139.)

differs

.

of the DIGITAL EFFECT

sound, so that the DIGITAL

depending

settings can be

on

44

Part

I

DSP

EFFECT

You can change the quality of the sound .

(SOUND

parts)

0

Sounds

and

effects

1. Turn on the part button for a sound (1, 2 or 3

in

the UPPER or

2. Press the DSP

LOWER

EFFECT

SOUND

button to turn it on.

GROUP).

SUSTAIN

SUSTAIN is the tones after the key is released.

1. If add ing this effect to a

the button for the part.

2. Press the

turn it

on

• The display

gradual

[suSTAIN]

corresponding

.

changes

A IHTEfffif

PARJ:[UPPER

fading out of musical

0

SOUND

SUSTAIN

to the following .

SOUND

part , turn on

button to

lJ

3. Repeat desired .

• The on or

for

• The DSP (Refer to

Use the

3.

of the

• A few display returns to the

4. Repeat steps 1 to 3 for

o The on or off

memorized

• The selected sound.

steps 1 and

off

each part.

EFFECT

page

1\

and v

sustain seconds

for each part.

SUSTAIN

status

of the effect is memorized

settings

120

.)

buttons

( 1 to 8).

after

changing

status

effect

2 for other parts as

can

be changed.

to adjust the length

the setting, the

of the

differs

display.

parts

as

SUSTAIN

depending

desired

.

is

on the

~GJ

~

I

~

8 '-·

SUSTAiN

______

LENGTH

:

7-J---Jo~

_,

r:~:p

45

Part

I

BRILLIANCE

Change the brightness of the sound.

BRIWMICE

Sounds

and

effects

1. If adding this effect to a the button for the

2. Use the corresponding BRILLIANCE buttons

• The display changes to the following.

to

change the setting.

PART:CUPPER

• You can also specify the brightness with the buttons to the right

BRIGHT: The NORMAL: Standard MELLOW: The sound is mellow .

• A few seconds after display returns

sound

to

part

.

SOUHD

of

the display.

is brighter .

brightness

changing

the

part, turn on

2J

.

the setting, the

ious display .

1\

and v

3.

Repeat steps 1 and 2 for other parts

desired.

• The

• This effect differs depending on the selected

BRILLIANCE setting is memorized for

each part. sound and on the keyboard section.

as

46

Part

I

Sounds

and

effects

Other

Other effects give you

lever lets you instantly turn the sustain on and re

verb

to

Knee

lever

You can operate the knee lever located under

the keyboards with

SUSTAIN

Knee

Raised position

Lowered position (stand-by)

Pressed to the right (on)

o You can assign a different function to the knee

lever . (Refer to page 126 .)

ellects

complete

all the sounds of your instrument.

your

right knee to turn the

effect on and off

lever

The effect for each part is according to the on/off status

SUSTAIN

each part. The

effect is standing by for those parts whose button status is on.

The effect the parts whose

SUSTAIN

status is on.

control over the way your performance sounds. For example, the knee

quickly

while you play.

Sustain

SUSTAIN

enabled/disabled

SUSTAIN

effect

button for

SUSTAIN

is

applied to

button

of

the

off·during

your

performance

, and you can easily add

Glide

The foot switch is used

1. Press the foot switch (left foot switch) to the

is

released

side

lower

left with the

Foot

switch~

(left)

o The pitch of the

one semitone.

2.

Release the foot

o The pitch returns to normal.

o A fast glide effect is appli

switch

• You can adjust the pitch range of the glide effect, and specify works for the

120.)

• You can assign a switch. (Refer to

o The glide effect does

keyboard sounds and for some other sounds.

as

a glide control.

of

your

foot.

=ill=

instrument

switch

quickly

different

page

is lowered by about

.

ed

when the foot

.

whether

keyboard. (Refer to page

not

the glide effect

function to this foot

126.) function for the pedal

DIGITAl

DIGITAL

to

the sound

the automatic rhythm sounds. Press the

REVERB

DIGITAL

applies a reverberation effect

of

the

who

REVERB

le instrument , including

button

0

to

turn it on.

D

DIGITAL

REVERB

• The display can also be used on

or off for each part separately (effective

to when the

• The type and depth of the reverberation can

be

DIGITAL

adjusted. (Refer to page 117.)

REVERB

to

set this effect

is on) .

47

Part

I

Sounds

and

effects

Automatic

sound

and

effect

settings

The sound and effect settings (registration) A great many automatic registrations are available for you to choose from.

ONE

TOUCH

A wide variety of prepared for automatic panel setup.

1. Press the ONE TOUCH it on.

ORGAN

0

registrations has been

ORGAN

button to turn

for

each keyboard can be executed automatically in seconds.

3.

Press the

• The display

REGISTRATION

looks

ONE

C)

ONE TOUCH

ORGAN

02:

o The display looks

ONE

similar

TOUCH

ORGAN

to

the following.

03:

04: OS: 06:

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~

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similar

TOUCH

ORGRH

DELICATE

VINT~GE

GOOD

IT

OLD HIXTURE

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ORGRH

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BARS

SO~D

llilllffilllllllmn

••

• • • • • • • • • •

l

!lllllll

LIST button.

to the following.

ION

category

COPY

display

cancel

registrations

MEMORY

.

TO

the function .

1 to

Sounds

PANEL

appears

16

buttons

and

effects

MEMORY

. Press the YES

on, or

are

press

copied

.

to the

but·

the

ORGAN

Automatic settings for the available to choose from.

1.

STYLIST

Press the on.

ORGAN

STYLIST

0

( )

ORGAN

STYLIST

o The display looks

ORGAN

~

Gospe

4

Show-time

4

Jazz

similar

STYLIST

I

Organ

ORGAN

styles are also

button to turn it

to the following.

Theater

Church

Wa I tz

~

• When the YES styles is

shown

ORGAN

Press

Panel

1 :

BASIC

GOSPEL

2:

BRIGHT

3:

4:60S-FULL

5:

6:

CHURCH

7:

AHAZIH'

8:

3. Use the style

(1

CHURCH 10:

B-3

CELESTE

HUSIC

ORGAN

GRACE

IS

NOW I SEEI

ORGAN

PANEL

to

16).

button

on the

STYLIST

Hemorv

Gospel

9:

11

12:

13:

OPEN

14: 15:PLAY 16:

MEMORY

is

pressed,

display

to

(1

Select

RAISE BROTHERS

:

PRSS

THE

AHEH

WRLK

WITH

GOSPEL

IT

EVERYBODY

buttons

a list

to 16).

THE

TE~T

+ SIS

PLRTE

ORGRH

THEE

CHURCH

HA~!

II I

SIHG

to select a

of

2. Use the buttons to the left

display

o A confirmation

button

NO

Notes

o When this procedure is

viously stored

MEMORY buttons are replaced by the registrations of the

to

select a style category.

display

to

execute the function,

button to

cancel

contents

selected

appears. Press

the function .

and

right of the

or

executed,

of the

category.

the YES

press the

any pre·

PANEL

o The

o The sounds and

o Press

o The

49

name

the

display

keyboard, rhythm, etc. suitable for the style you matically

to

go

PANEL matically to the press the off, the previous

of the

for a few seconds.

selected.

ORGAN

back

PANEL

to the

MEMORY

ORGAN

mode.

STYLIST

MEMORY

(Refer

selected

volume accompaniment

STYLIST

style is shown

balances

chose

button

display

mode

button to turn it

mode

to page 53.)

for each

and tempo,

are

auto·

to turn

changes

. When you

returns to the

it

.

auto·

on

off

Part

I

Transpose

The

TRANSPOSE

across an entire octave.

buttons are used to change the key (pitch) of the entire instrument in semi-tone steps

Sounds

and

effects

Suppose you learn to play a C,

for

example-and only to find it's either too high voice. Your choice over

again,

TRANSPOSE Adjust the key with the

(UP and DOWN).

in

DOWN

decide

is

to

a different key,

feature.

TRANSPOSE

oc=J

Each press of the UP button follows: Dl Each press of the DOWN button as follows:

•

If

time, the key returns to C.

• When the

indicator for the UP or lit.

• When the

transposed key is shown on the

-• D -•

B - • Bb

the two buttons are pressed at the same

TRANSPOSE

El

-•

song-in you

want

or

too low for your

either

learn the song all

or

to use the

TRANSPOSE

UP

c=>o

changes

-• E -• F -• A

-•

A

function is active, the

DOWN

function is active, the

Fl.

changes

~

-•

G.

button remains

display

the key

to sing it,

the key as

of

buttons

the key

.

U/L

ORGAH

GROUP:

ELECTR.

TYPE:

Standard

RHYTHH

Organ

I

,)=146

LOWER

<Example:

Played keys

major

C

SOU~D

TABS

Fox

BALAHCE

Actual key

transposed

UPPER

[50U~D

Grand Piano

I

LOWER

CSOUMD

E.

I

II

to D>

Piano I I

BASS

PEDAL

Organ

r-(0

UPPER

Notes that sound

D major

IJ

I

ll

SOUMD

I

>

BALANCE

so

Part

I

Techni-chord

Sounds

and

effects

r

TECHNI-CHORD transfers the chord notes you play on the pl

ay

on

the upper keyboard.

1.

Press the on.

2.

Play the example below, playing the chords on

the lower keyboard

upper keyboard.

Lett hand (chord) Right hand (melody)

• The melody you play on the is

automatically played

based on the chords

keyboard.

• TECHNI-CHORDs cannot be played using the lowest two octaves of the

• This feature is very effective when used with the AUTO

• The display can be used to select the desired

harmony style. (Refer to page 119.)

TECHNI-CHORD

0

TECHNI-

CHORD

and

~~c

--1-

-~·

in

you

PLAY

CHORD

. (Refer to page 59.)

button

the melody on the

C F

to

turn it

•-·-•g§§)

..

I

!==+==·

upper

keyboard

chords which are

play on the

upper

keyboard .

lower

-f

.

lower

keyboard

to

each melody note you

G C

I=F---

~J-#df--

1

J====ll

• When the AUTO PLAY CHORD MEMORY function is set to on, continue to add the selected harmony to the notes played on the upper keyboard even after the chord on the lower keyboard is released. This feature AUTO PLAY CHORD on/off setting .

TECHNI-CHORD

is

not affected by the

will

51

Part

I

BGS

Background

Sound

Sounds

O

<C

=

11£:=

~

"l@

~

IHi

mJWH!IDJIJ

rz=

................

a l

!mi!I!IIIDlmmlHl

and

effects

~..-.~~~-~

~

-~

-·

~OO'T"11

~

ffilJ1lJ

IIII1ll

.

rmmm

n!

Various preset Use the

1.

• The

background

Press the

display

~I

BIRD

WAVE

RAIN

BGS

background

sounds

button

0

D

BGS

BACKGROUND SOU

FADE

OUT

changes

to

II

I

sounds such as the chirping of birds and the

to give your

to turn it on.

ND

the following.

CHURCH

APPLAUSE

lBALAI'ICE[I•

music

BELL

I• I•

that special

2.

Press the sound

• The

• The two

• A few the

3.

To turn off the

BGS button

• The OUT).

• Volume

On the BACK the ting volume.

atmosphere

.

selected

background

buttons

seconds

display

background

BALANCE

display

sound

.

button

sound

are

returns to the previous display.

again.

GROUND

button

. Use the

of waves are available .

for

the desired background

is immediately produced.

sounds pressed after

background

sound

can be mixed when

at the same time.

making

to

access

BGS

dies

SOUND

your selection ,

sound, press the

out slowly (FADE

display, press

the volume-set-

buttons to adjust the

52

Part

I

Sounds

and

effects

PANEL MEMORY stores the panel setups of your instrument up

changes at the touch of a single button.

1. Select the sounds, effects and volumes for all the parts.

2. With the SET button held down, press one of

number

PANEL

button

the numbered buttons of the MEMORY.

• The current settings are now stored in the specified number button. To recall the set-

tings, just press the respective in

the

PANEL

t:::1

PANEL MEMORY You can def ine which panel sett ings are stored when the

1.

Press and hold the SET button for a few

seconds.

• The display changes to the following.

PANEL

MEMORY.

mode

MEMORY

PANEL

MEMORY

is used.

MODE

l~l·l~Hr:J~

Stores settings

sound &

onliJ

balance

• After recalling the settings by pressing a PANEL change the panel memory remain

2.

Select the mode

NORMAL: Stores

tings, etc.

EXPAND: Stores all

ing rhythm ,

o After a few seconds, the display exits the set-

ting mode .

to

16, allowing you to make complex

MEMORY

contents

unchanged

TRANSPOSE

number

settings

of the until you store them again.

(NORMAL

sound

and volume balance set-

instrument

button, you can

manually, but the

PANEL

or

status, tempo, etc.

MEMORY

EXPAND) .

settings, includ-

EXPAND

Stores

including

&

the

Tempo

total

setting

Rhl)thrn.Transpose

Suggestions The initial factory setting of the

MEMORY contains various settings which you may choose to use or to alter to your own taste. These can be restored at any time by initializing the

154.) Selecting the you to make full use of the initial factory settings of the

o You can

MEMORY to (Refer to

53

for

PANEL

change

page

using

MEMORY.

EXPAND

MEMORY

another

125 .)

PANEL

(Refer to page

mode will allow

.

from one

by using a foot switch.

MEMORY

PANEL

Part

n

Playing

the

rhythm

The rhythm section

performance of the

Selecting

After first selecting a

enhances

preset

the capabilities of your instrument with features such as automatic

rhythm patterns and

rhythms

RHYTHM

GROUP

, choose the desired rhythm from the display.

Select a rhythm.

1. In the rhythm group.

RHYTHM

o A list of rhythms available for each rhythm

group can

ENCE GUIDE"

•

COMPOSER

reserved for storing rhythms you create sell. (Refer to page 93.)

RHYTHM

GROUP

be

found

GROUP

in

provided

A and

section, select a

the separate "

.

COMPOSER

REFER·

B are

your·

accompaniment

• Rhythms marked with a * are especially ef-

fective for an ance with

• The selected rhythm is memorized inde· pendently for whenever pressed, the rhythm you ically available.

o Press the EXIT button to go back to the pre-

vious display.

patterns.

ORGAN

a

AUTO

PLAY

sounds

each

RHYTHM

CHORD

.

rhythm group, so that

GROUP

chose

perform·

button

is automat-

is

2. Select the desired rhythm from the list on the display.

SHOWT

J=l20

~~roadway

~1

*Organ

•!Vegas Pi

Shawl!

Show

ani

HIE

Ho

l l ywood

II

Soft

st

II

Cabaret

I Vaudv i l l e

Shoe

1~

I•

54

Part

II

Playing

the

rhythm

Start

There are two ways to start the rhythm.

• Immediate rhythm start

1. Select a rhythm.

2.

the

Press the

rhythm

START/STOP

I 2 3 4 BE

0 0 0 0

button to turn it on.

AT

c )

START/ STOP

• The selected rhythm pattern begins to play.

• You can stop the rhythm by pressing the

START/STOP

• During the rhythm performance, the dicators above the to indicate the beat. On the first beat of the measure, the red indicator lights. On the second and succeeding beats of the measure,

the green indicators light in

Adjust

The volume of the rhythm is adjusted with the

DRUMS

the

buttons in the

button again to turn it off.

START/STOP

volume

BALANCE

immediately

button light

order

.

section .

BEAT

in-

o Synchronized start

With the pattern starts keyboard

1. Select a rhythm.

2. Press the

3. Play a key on the

o The rhythm pattern

o You can

synchronized

when

or

pedal

SYNCHRO & BREAK

it on.

on

the pedal keyboard.

stop

START/STOP

button to turn it

you play a key on the lower

keyboard

SYNCH

the rhythm by pressing the

start feature, the rhythm

.

button to turn

0

RO&

BREAK

lower

keyboard or a pedal

begins

to play.

off

.

000

DRUMS

ACCOMP BASS

BALANCE

• While the volume is being adjusted, the balance-setting display is shown.

Adjust

The tempo of the rhythm pattern is adjusted with

the

tempo

TEMPO/PROGRAM

TEMPO/ PROGRAM o

dial.

•

The

tempo is

numerical value

• When the means

it ting

GRAM

adjusting the tempo.

TEMPO/PROGRAM

that one of the various function-set-

modes

is active and the

dial is not currently available for

shown

U =

40

on the display as a

to 300).

indicator is lit,

TEMPO/PRO-

55

Part

II

Playing

the

rhythm

r

Playing

lntro, fill-in and instrument, thus allowing a

the

ending

patterns

INTRO

Begin the rhythm tern.

1. Press the on .

performance

INTRO & ENDING

0

(

__

:--:---)

INTRO& ENDI

COUNTINTR(]

You can begin the rhythm one-measure

count.

rhythm

fitting each

versatile

NG

performance

rhythm

with an intro pat-

button

to turn it

with a

different performance.

rhythm

2. Press the

• An intro

pattern

rhythm.

mal

rhythm

;;_.~l0]'

~

="'

a n

are

permanently

START/STOP

I 2 3 4 BEAT

0 0 0 0

(...___,........--')

START

/ STOP

pattern

is

pattern

played,

begins

.

.,

1

:~

llmlmrmrrmmrrrrn

................

.

mmllmm!llllliillilll!I!Tm!

recorded in

button

after .

to start the

which

your

the nor-

1.

Press the to turn it on.

Each

rhythm

Add

drama

variation

the melody

1.

.

Select button.

COUNT

INTRO

COUNT INT

( )

FI

pattern

to

a rhythm and

also has a variation pattern.

your

performance

pattern

0

LL

IN 2

at

climactic

press

(FILL IN 2) button

RO

by switching to

points

the

START/STOP

in the

2. Press the rhythm.

o A

one-measure

the

normal

2.

Press

the

o The rhythm

o Press the

off

and

go

o This

button

STYLE

ARRANGER

START/STOP

count is played,

rhythm

VARIATION

pattern

button to start the

begins

button

0

to turn it on.

c )

VARIATI ON

chang

es to a flashi

VARIATION

back

to the normal rhythm pattern.

does

button

not

funct

is on . (Refer to page 65.)

er

aga in to turn

ion when the MUSIC

after

.

pattern .

which

it

56

Part

II

FILL

IN

You can insert a fill-in pattern any time during the rhythm performance. ferent fill-in patterns.

1. Select a rhythm and press the button.

Choose

from two dif-

START/STOP

2.

Press the FILL IN 1

SEQUENCER RESET COUNT

0 0

Playing

or

FILL

the

IN

2 button.

INTRO

rhythm

ENDING

Finish the rhythm pattern.

1. Select a rhythm and press the START/STOP

button.

performance

with an ending

CJ

FILL

IN 1

• A fill-in pattern is remainder of the measure.

o When a FILL

beat of the tinues

2. Press the

on.

to

IN

measure,

the end of the following measure.

INTRO & ENDING button to turn it

c )

FILL

IN 2

heard

button

immediately

is

pressed on the last

the fill-in pattern con-

0

for the

c )

INTRO&

ENDING

• An ending

rhythm

• If you

DING

press the ending pattern stops, and a fill-in pattern is produced, formance

pattern

performance

accidentally

button in the

FILL

IN

after

which the normal rhythm per-

continues

is

produced

stops.

press the INTRO & EN-

middle

1

or

FILL

.

, and then the

of the tune, you can

IN

2 button. The

57

Part

II

Playing

the

rhythm

Keyboard

A complete set of percussion keyboard to play the

1. Press the to turn it

• The display looks

KEYBOARD

on

.

KEYBOARD

Percussion

percussion

PERCUSSION

KEYElOARD

PE

RC

USSION

0

similar

PERCUSSION

Brush

Rock

~JL

i

ght

Rock K i t

Kit

2

I!

Brusk

orchestral

instruments

performance

to the following.

and other special sounds is at

button

KIT

Kit Kit

2

K i t

.

J~

j~

~

-

~[IJ

B lUliDi

your

fingertips. Use the lower

2. Select the KIT of

the list on the

3. Play the

• Percussion instrument by the the picture code explanation ENCE

• In the " cussion

lower

GUIDE" Orchestral

instruments

percussion

display

keyboard.

keybo a

, refer to the

rd

above

provided.

kit

,"

is

181'

.

the arrangement of per-

i1Ji·~l=~

-occ'CII:IQ

~

]

tJ.!

I

IJ

Jl.

!J

i

lJ!WIU

)

!l.

mnnm

llll

UJill

l!!ll!ll!lllfill

instruments from

sound

s are produced keys as indicated by each key. For further

separate

different.

!TI

"REFER-

!

~[Soul

~~

Jazz

K i t

Kit

Jl

]

T

rad

I<

i t

J~

58

Part

II

Playing

the

rhythm

Auto

Simply by playing a chord on the an

accompaniment pattern which matches perfectly the selected rhythm. With a real

a background , you can concentrate

How

~'

[ _

Playing

You can choose from one of the following three

AUTO PLAY

the

__

_______

Play

AUTO

___

chords

PLAY

M_e_lo_d_Y

c_ho_r_d

CHORD

Chord

lower

on

CHORD

________

____

modes.

works

~I

__,_JI

keyboard, the

playing the melody.

Upper

Lower

AUTO

PLAY

CHORD

When an an automatic

rhythm you have which you specify on the melody is played on the upper keyboard.

• The

AUTO

accompaniment

PLAY DRUMS, ACCOMP

CHORD

accompaniment

BASS, ACCOMP

3.

function automatically plays

PLAY

chosen

is

. .

IUIIniUIUffiJI!JJJUillmlll!ill

...

~.

. . .

..

.. ..

..

....

EJ

IIIII!!Ullnll\li\I!IIm!JllBIDD!

accompaniment

CHORD

composed of five parts :

mode is selected,

which matches the

is played

lower

pattern of the

in

the chord

keyboard. The

1,

ACCOMP

as

AUTO

2 and

• ONE FINGER mode

Press a key on the lower keyboard root note. The major chord (on the lower keyboard) and the bass note (on the pedal keyboard) corresponding to this root note are automatically

in

played

Example: C chord

an accompaniment pattern.

to

specify the

)!!I!!!IJ!I!!!I!!I!!!I

Minor, seventh and

minor chord

Play the root note on the Play the root lower keyboard and any lower keyboard and any black pedal.

:L

minor

seventh chords are also easily produced as

seventh chord

note

on the Play the root note on the

white pedal. black pedal and white

~

shown

minor

lower

keyboard and any

pedal, at the same time.

below .

seventh chord

I

~

59

Part

II

Playing

the

rhythm

You can also use just the

minor· chord

Play the root note plus a Play the root note plus a Play the root note plus a black key to the left

Example: Cm

I~

• FINGERED mode Indicate the

keys on the mode, the AUTO PLAY more chord types, and thus the scope performance expression is expanded.

Example: C

chord

by actually playing the chord

lower

keyboard. In the FINGERED

chord

lower

keyboard to specify minor, seventh and

seventh chord

of

it. white key to the left of it.

Example: C7 Example:

ll!illf~

CHORD

recognizes

of

your

minor

seventh

minor

seventh chord

black

key and a

to the left

of

it.

Cm7

white

I~

• PIANIST mode Indicate the chord keys on the lower chords recognized

AUTO PLAY

13th chords.

• If a pedal is chord in the only the bass pattern is produced in the key of the pressed pedal , thus making it possible to play

chords

by

actually keyboard. in

the

CHORD

pressed FINGERED

such as

FINGERED

also recognizes 9th and

while

and PIANIST mode ,

Done.

chords.

key

playing the chord In addition to the

mode, the

you are playing a

r

• The AUTO following given as an example): Cm7, Cdim7,

PLAY

played

Cmir.,

CHORD

chords for each key

can distinguish the

C,

C7, CM7, Caug, Cm,

CmM7, Csus4, etc.

(C

is

60

Part

II

How

the

use

the

AUTO

1. Select the desired rhythm and sounds, and set

the tempo.

• Rhythms marked with a * are

fective for an ance with

2. Press the AUTO

it on .

AUTO

ORGAN

PLAY

AU

sounds .

TO

CHORD

PLAY

CHORD

PLAY

0

PLAY

CHORD

especially

CHORD

button

ef-

perform-

to turn

D

• The display looks

FIHGER£0 PIANIST

RUTO

similar

PLRY

to the following.

CHOIW

Playing

3. Use the select an

• After a few seconds, the display returns to the

the keys

and the you specify

4.

Press the rhythm.

• You can

lower keyboard or pedal keyboard (synchronized start).

5.

Specify the

o

An

chord begins to play . Play the

upper keyboard.

• When you use and is also used in these patterns .

o When the rhythm is off, if the

CHORD

the specified root note and produced .

buttons

AUTO

display

MEMORY

are

accompaniment

START/STOP

also

accompaniment

ENDING,

button is on and a chord is specified,

to the left of the display to

PLAY

.

released, the chord is memorized

another

start the rhythm by playing the

(Refer

chord

VARIATION, FILL

the

CHORD

is

set

continues

chord

button to begin the

to

page

on the l

automatic

ower

pattern

the

rhythm

mode.

to ON, even when

to play until

.

55.) keyboard.

in

the specified

melody

accompaniment

AUTO

chord

on the

IN,

INTRO

PLAY

notes are

Adjust

The volume for each part is adjusted with the

re

in the

the

spective

BALANCE

volume

DRUMS,

section.

ACCOMP

or

BASS

buttons

000 000

DR

UMS

ACCOMP BASS

BALANCE

• While the volume is being adjusted, the ba

lance setting

• The volumes for the

be

can

30 .)

adjusted independently. (Refer to page

display

ACCOMP

is shown.

1, 2 and 3 parts

6.

To stop the the

START/STOP

automatic

button .

accompaniment

, press

61

Part

II

Playing

the

rhythm

ACCOMP

The ment is can change the or all of the three

parts

ACCOMP

composed

ACCOMP 1 ACCOMP 2 ACCOMP 3

part

0 0 0

ODD

•

If

all the

ACCOMP

DYNAMIC

each

accompaniment

CHORD .

1. Press the

it on.

ACCOMP

part sound is not

ACCOMP

DYNAMIC

of

the

automatic

of

three

different

accompaniment

parts

on

or

off.

parts

are

is a

function

pattern

DYNAMIC

ACCOMP

of the

ACCOMP

0

D

accompani-

parts

by turning any

turned

produced.

which

off, the

changes

AUTO

button to turn

. You

PLAY

2. Play the

PLAY

• Depend ing on played for example, each

instrument

CHORD

or

how

with one of the AUTO

modes how complicated

on.

hard the

ACCOMP

keyboard

the

melody

part changes.

keys are

phrase ,

BREAK

Wi the lower keyboard is fingers are removed from

1. Turn on the AUTO PLAY

• At this time, the

2. Press the

3. Specify a chord on the

• The automatic

function

th

the break function, the

select a OFF

it on.

(synchronized

mode

.

MEMORY

.

SYNCHRO & BREAK

accompaniment

start)

played

the

0

SYNCHRO&

BREAK

.

rhythm and stops when

CHORD

0

lower

starts when

keys

.

button and

should

button to turn

keyboard

begins to play

the

be set to

.

4. Release the

• The

automatic the keys are accompaniment

lower

keyboard

accompaniment

pressed

starts from the first beat.

keys.

stops. When

again , the automatic

62

Part

II

Playing

the

rhythm

Automatic

With the automatic settings , the panel settings change depend ing on the select. This lets you get a great sound straight away, even if you are playing this time.

ONE

TOUCH

Set

up sounds and balances suitable for your selected rhythm style.

1. Select a rhythm pattern.

•

Do

not select a rhythm from the COMPOSER

A or COMPOSER 8 group.

2. Press the ONE TOUCH

indicator goes out.

PLAY

your instrument with a combination of

C)

ONE TOUCH PLAY

• The display looks similar to the following .

ONE

settings

PLAY

0

MUSIC

STYLE

SELECT

TOUCH

PLAY

button until its

pltll:;,;~=:>=;;;;"m;,.;::l€J;;;;:'"•.~;Jf~

~

!liiiiiii:2 ..................

EJ

rhythm

3. Play the keyboards.

• When a chord is specified on the lower keyboard, the

to

play. Play the

board.

Suggestions

• Press the you play duction .

•

Use a starting point for your own registration.

• Alter the sounds, own taste and store in

the

(Refer to page 53

automatic

melody

for

using

INTRO & ENDING

for a professional-sounding

the

ONE

TOUCH

balance

PANEL

MEMORY

.)

rrmrnumm]lllllllll!lll

.

l

nm

IT!IllHIJI!Ol!IIHm!lliillHiliiJ!

or

music style you

instrument

accompaniment

on the upper key-

ONE TOUCH

PLAY

and tempo to your

your

for the first

begins

PLAY

button before

intro-

registration as

new registration

for

future use .

(

ORGANIST'

• The AUTO

&

BREAK

effects and tempo are automatically set.

PLAY

button turn on , and the sounds,

S

CHORD

DANCE

and the

)

SYNCHRO

63

Pari

II

Playing

the

rhythm

MUSIC

With this feature, the panel settings are automatically set to match the

1. Press the ONE

• The display looks

STYLE

SELECT) button momentarily.

SELECT

selected

TOUCH

similar

MUSIC

STYLE

PLAY

to the following.

SELECT

music

(MUSIC

style.

STYLE

TRAD

-·IIJiil:t:l::t:t•;;t•·:i

02:

REED

03:

04:

ORGAN

OS:CHANSON

06:

GRAHD

07:

08:

09:SOFT

10:

BALLROOH II:ORGAHIST'S 12:SPARKLIHO

2. In the RHYTHM rhythm group.

FOXV

BRASSV

GROUP

AND

VIBES

BRASS

CHANSON

D'AMOUR CHAHSOH PlAHOS

FOX

DANCE

ORGnH DANCE

. I

ORCH DANCE

section, select a

3.

Use the A and v style.

• The

4. Play the keyboards .

• When a chord is specified on the lower key-

• To return to the normal

AUTO

&

BREAK effects, rhythm and suited for the selected music style are automatically selected.

board, the to play. Play the board.

press it off,

Suggestions SELECT

• Press the you duction.

• Use the tion as a starting point tion.

• Alter the sounds, ba own in

the

(Refer to

PLAY

button turn on, and the sounds,

automatic

the

ONE

or

press the EXIT button.

INTRO & ENDING

play

for a

MUSIC

taste

and

PANEL

page

buttons

CHORD

melody

TOUCH

for

using

professional-sounding

STYLE

store your new registration

MEMORY

53.)

to select a music

and the SYNCHRO

tempo

accompaniment

lance

which are best

on the upper key -

performance

PLAY

button to turn

MUSIC

button before

SELECT

for

your

own registra-

and tempo to your

for future use.

STYLE

registra-

begins

display,

intro-

64

Part

II

Playing

the

rhythm

Music

The

MUSIC

ance. Select between three contrasting registrations at the touch of a

ARRANGER

sounding arrangement.

~ow

!o

1.

Select a rhythm pattern.

2.

Press the to

select the style (1, 2

beginning of your performance.

Sty!e

STYLE

will alter the

RBSe

ihe

MUSIC

1 2 3

0 0 0

CJ

MUSIC

STYLE

ARRANGER

Arranger

ARRANGER

accompaniment

MUSIC

STYLE

STVI.E

ARRANGER

or

3)

1: Simple pattern 2:

Normal pattern

3: Flashy pattern

helps you make professional registration

in

character with the registration change, creating a polished·

ARRANGER

• Each time the button is pressed, the

as follows : 1

o The panel settings

selected rhythm

PLAY

CHORD

button turn on. board is pressed, the ment starts to play immediately.

o The

MUSIC

rhythm

VARIATION

the

VARIATION

MUSIC

STYLE

you

want

button

at the

-•

STYLE

button

~

mJllliHli!IllmilJDlilllffiillll

=·················

a

l!TII!llillillll

changes

button

MUSIC

2

-• 3 -•

and and the When

during your perform·

. The

MUSIC

STYLE

style

indication changes

off.

change

music

ARRANGER

setting. Therefore, the

does

ARRANGER

according to the

style. The

SYNCHRO & BREAK

a key on the lower key·

automatic

not function when

illlli'JlllllffilliD

ARRANGER

accompani·

includes the

is on.

!

STYLE

AUTO

While you are playing your instrument with the

MUSIC IN 1

o Each time the

STYLE

or

FILL IN 2 button.

FILL IN 1 pattern plays, and then the music

style changes in the 3 each time the

FILL IN 2 pattern plays, and then the music

style changes

ARRANGER

SEQUENCER RESET COUNT INTRO

0 0

CJCJ

FILL IN I

FILL

IN 1 button

FILL

IN 2 button is pressed, the

in

the 1 - • 2

on, press the

LL

IN 2

FI

is

-•

2

-•

1 order . And

__,

3 order.

pressed, the

FILL

65

Part

II

Playing

the

rhythm

• MUSIC STYLE You can define which panel settings

when the MUSIC a

FILL

IN

button is pressed.

1. Press and hold the

RANGER button for a few

• The display

MUSIC

ARRANGER

STYLE

changes

STVLE

mode

ARRANGER

MUSIC

to the following.

ARRANGER

STYLE

seconds

MODE

SOUND RHVTHI1

PANEL

MEMORY

change

is on and

AR-

.

2. Select the mode. SOUND

Only the sound RHYTHM

Only the rhythm changes. SOUND & RHYTHM

Both the sound and rhythm chang

• PANEL The

•

• You can

PANEL

After ting

&

CTRL

MEMORY

a few

mode

changes

MEMORY

seconds

.

also

access

button . (Refer to

.

number

, the display exits the set·

this

display with

page

e.

changes .

the MEM

123.)

66

Part

Ill

Sequencer

··~.-.[P

Outline

A sequencer records your performance in a similar way to a tape recorder. This allows you to record (especially if you are using arrangement with several different parts playing together, like an orchestral score. This SEQUENCER

16

has tracks. For some uses you may only need to use one or two tracks. The edit your recorded performance. Unlike a tape recorder, you can playback, or correct wrong notes

S~QUENCE!llleatures

til You can

When you record tempo and play it back at a faster tempo, the pitch stays the same.

c

Your performance is reproduced by a sound module as recorded tape, the sound never deteriorates no matter how many times you play back your per· formance.

tracks. This means that you can record 16 different parts.

the

pitch

Consistent

ol

the

in

a variety of ways. You may want to record your entire performance

change

it

the

tempo

your

performance at a slow

sound

reads digital data. So, unlike a

Sequencer

AUTO

PLAY

or

without

CHORD to provide the accompaniment), or to build up a complex

timing errors.

changing

However, you

change

Memory

Expressed notes which about 28,000. for recording is shown on the centage

• When no more data can be CER .

o It

performances on the

107 .)

capacity

in

terms of notes , the total

can be stored

The

(MEMORY=%)

"Memory

is

a good practice to save your recorded

SEQUENCER

I!H:"1IIIIliiD :.:l@

-~'C:I'CJOICI'

~

rrmm!mrmilli!

=·················

~

[illii!ill!H

instrument's

don't

SEQUENCER

the

sound

remaining

.

full!"

appears

stored

disks

before

memories.

...

J]'~I-~

~

-lffiffl!:":

·

V"QC;n:)·~

I

llllflllfiTIID

I!

fill]

I

IIWI!illm

SEQUENCER

in

have to use all

enables

or the tempo during

number

in

all the tracks

memory

display

on the display ,

in the

SEQUEN·

clearing any of

(Refer

!

one go

16

you to

available

as

a per·

to

page

of

is

RJ

Edit

your

recorded Comprehensive editing functions allow you to modi

fy

your recorded performance. Data can

easily

be

erased, corrected

an

espe cially convenient tool for creating your

original tunes.

1.11

Instant A recorded tape has to be rewound, but digital action means you can return to the beginning of your performance, or find any measure, instantly.

11

Save

All the data of your recorded performances can be allows you your own instrument.

• Features and operation of the built-in Disk

Drive are explained in Part V: Disk Drive (page

103) .

search

your

performances

stored on disks. The built-in Disk Drive also

to

play commercially sold disks on

performance

or

copied, providing

on

disks

67

Part

m

Sequencer

SEQUENCER

The

buttons

and editing are briefly

• EASY RECORD Begin recording quickly up procedures.

EASY RECORD (page 69)

This feature allows you to

plex recording procedures so you can record and play back your

• You can also record an accompaniment from the AUTO PLAY

• SEQUENCER REC Record your

the keyboard.

buttons

related to

performance

SEQUENCER

explained

without

0

EASY

RECORD

CHORD

SEQUENCER

below .

complicated set-

bypass

just

the more com-

quickly

.

REG

and easily .

as you play it on

recording

oc=J

• SEQUENCER Edit the

These features

specific tracks

the kind

contents

of

playback

SEQUENCER

PUNCH

~I

~

l

~~

~I

RECORD

TRACK

ASSIGN

EXPRESSION--]

SETT

lNG

AFTER

TOUCH

SETT

lNG

of

your

recorded performance .

allow

you

to edit the contents of

or

measures, and also to define

you want.

SEQUENCER

0

c:::J

EDIT

II

PLRV

ll

!

P1EDLEV

I

I~

I

~

REALTIME

Record your performance in up to

create your

• STEP REC Store the

STEP

For repeating patterns or those especially complicated phrases, this recording the notes one-by-one.

o Th is mode can be used to store both the chord

progress ion for the and the rhythm changes.

RECORD

own

sounds

RECORD

(page 72)

orchestra or band.

note-by-note

S

TEP REC

0

c:::J

(page 74)

mode

automatic

on the display .

is convenient for

accompaniment

16

tracks and

PUNCH

Correct a

formance.

TRACK

Assign parts to up to 16 different tracks.

EXPRESSION

Specify how pedal

during recording

AFTER

Specify

recorded.

RECORD

selected

ASSIGN

SETTING

TOUCH

whether

(page 89)

portion

(page 79)

or

playback

SETTING

or

of your recorded per-

(page 80)

operation

.

(page 81)

not aftertouch data

data is handled

is

68

Part

Ill

Sequencer

EDIT (page 82) The following editing features are available .

o SONG CLEAR: Erase the recorded contents

of all tracks.

• TRACK CLEAR : Erase the contents of a specific track.

o TRACK MERGE: Merge the recorded contents

of two tracks and store in a third track .

• QUANTIZE: Correct the timing of the recorded

performance.

• MEASURE ERASE: Erase the contents of specific measures.

COPY

• MEASURE specific measures .

Suppose you are playing your instrument, and you wish to record and play hear how it sounds. You can bypass the set-up procedures of the full-scale qu

ickly and easily.

: Copy the contents of

•

MEASURE ures.

o

MEASURE specified point.

• VELOCITY (how hard the keys are played).

PLAY

(page 91)

Adjust the MEDLEY

Specify a disk.

settings

(page 92)

medley

DELETE

INSERT: Insert measures at a CHANGE

related to

playback

sequencer

: Delete specific meas-

: Modify

of songs recorded on

~~!Qt=l=~

-

~.,o

~I

~

.

a

I!IT!IIIllllllm

back

your

velocity

playback

.......

...

.....

l

!llllml!ll!llll~!

performance

and begin recording

data

operation .

(lo

-co

o o

~

I

.

to

~ea:orruKJJ~Ui!D

1. Set the desired sounds, effects, rhythms, etc.

2. Press the EASY RECORD button to turn it on.

• The display changes to the following.

llDr'IOCI!HIIM!f'lat

0

EASY

RECORD

D

Easv Record record your complete perfornance

Including

existing

Press

Auto

song

@Ell

sets

the

Plav Chord.Anv

will

be

to

proceed.

Sequencer

cleared.

to

[QR]J~

Note that when you mode, the following

fected.

o Tracks available for

follows.

1: UPPER part

performance.)

2: LOWER part

performance.)

3: BASS part

formance.)

5:

CONTROL changes in the

3. Press the OK button.

o Note that when you

contents of all (SONG CLEAR).

o The

4. Begin

o Recording

display

RECORD

rhythm or play a

display

your

begins

select

settings

(Record

part (Record rhythm changes,

panel

SEQUENCER

changes

.

performance

as soon as you start the

keyboard

the

EASY

RECORD

are

automatically

recording

the pedal keyboard per·

press

are selected as

the upper keyboard

the

lower

keyboard

button status, etc.)

the

OK

button , the

tracks are erased

to the

.

REAL

TIME

ef-

5. When you have EASY

69

RECORD

finished

button to turn it off.

rec ording, press the

Part

Ill

Playback

1.

Press the button.

SEQUENCER

RESET

0

f1ESE

T

(FILL IN

1)

2. Press the

START/STOP

1 2 3 4 SEAT

0 0 0 0

Sequencer

button.

CJ

FILL

IN I

Sequencer

The

SEQUENCER

parts

has

16

recording tracks. The track

in the following table.

(Recorded keyboard)

UPPER

[US1 to US3] (Upper keyboard)

LOWER

[LS1 to LS3)

lower

( UPPER ORGAN [UOR]

(Upper keyboard) part LOWER ORGAN [LOR)

(lower

UPPER [UPR)

(Upper keyboard)

LOWER [LWR) (lower

Part 8 to (Upper keyboard) pa

BASS [BAS ] (Pedal, lower keyboard [full bass pedal))

KEYBOARD PERCUSSION

(Lower

CHORD

(Lower

Part

SOUND 1 to

SOUND

keyboard)

15

[PB to P15). Recording the respective • Selected sounds, volume

keyboard)

[CHD]

keyboard)

3

Recording the respective • Keyboard note data keyboard (realtime/step)

1

to 3

Recording the ORGAN

(real time/step)

Recording all parts of the respective performance (rea ltime/step)

Recording the keyboard • Selected sound (drum kit), vo lume

[KBP) performance using the

KEYBOARD PERCUSSION

(realtime/step) Recording the chord • Chord progression

progression for the

AUTO PLAY CHORD

(step)

o

Your

recorded performance is played back

automatically.

assignment

Used for Recorded contents

performance

keyboard

rt

(realtime/step)

Se

lected sounds , volumes

•

• DIGITAL

• Aftertouch, knee

• Keyboard note data

• Tab settings,

• Tab tremolo, effect,

• EXTRA TAB

• Same as recorded

SOUND 1 to

•

ORCHESTRAL

• Glide on/off

• DIGITAL

• Aftertouch

IN

• FILL

and recorded contents are

EFFECT

1, FILL

, DSP

lever

volume

SUSTAIN

settings tremolo

3,

, effect on/off

contents

and

UPPER/LOWER

CONDUCTOR

, DSP EFFECT, SUSTAIN on/off

IN

2, INTRO & ENDING on

c )

START/STOP

EFFECT

on/off

, SUSTAIN on /off

on/off

of

UP

PER/LOWER

ORGAN, above

status

as

outlined

70

.

---

· - - -

-----

Part

Ill

Sequencer

--

Part

(Recorded

RHYTHM [RHY) Recording settings • Rhythm settings

CONTROL [CTL]

keyboard)

related to the rhythm (step)

Reco rding panel button • Tab, settings and changes (realtime/step)

Used

for

COMPOSER)

•

START/STOP, FILL lNG on

•

Tempo

tings, volumes

• Tab tremolo, effect DIGITAL

•

• DSP EFFECT on/off, type

•

DIGITAL

• AUTO

•

DYNAMIC

• MUSIC

•

VARIATION

•

PANEL

•

TRANSPOSE BACKGROUND

•

• Tempo setting

• CONDUCTOR,

• Knee lever,

• EXTRA TAB

•

ACCOMP

•

KEYBOARD

•

TECHNI-CHORD

• Full bass pedal on/off

setting

SOUND

1, 2 and 3

EFFECT,

REVERB

PLAY

CHORD

ACCOMP

STYLE

on/off,

MEMORY settings

status

expression

settings

PART

PERCUSSION

Recorded

and

selection

IN 1,

sound

SUSTAIN

on/off

status

on/off

ARRANGER

FILL

IN 1, 2,

SOUND

PART

on/off

setting

SELECT

pedal

contents

changes

FILL

IN

2,

INTRO & END-

settings, rhythm set·

on/off

and

depth

setting

status

INTRO & ENDING

status

operation

on/off

(including

• You can use the TRACK ASSIGN function to assign parts to tracks as you wish. (Refer to page 79.) on

• During recording, the MEASURE count

the display corresponds to the

rhythm. However, if rhythm data is stored in the RHYTHM part and

time

signature of the selected

that

part is played back, the

MEASURE count on the display corresponds to the stored rhythm data.

Iii

Factory-preset

0 0 0 0 0 0 0 0

00000000

9

10

track

SEQUENCER

11

assignment

12

13

1•1

15 16

~J

1:

UPPER SOUND1

2:

UPPER 3: UPPER 4: LOWER 5:

0

LOWER 6: CHORD

SOUND2 SOUN03

SOUN01 SOUN02

7: BASS 8: CONTROL

9: PART9 10: PART10 11

: PART11 12: PART12 13: UPPER ORGAN 14: LOWER ORGAN 15: RHYTHM 16: KEYBOARD

PERCUSSION

71

Part

Ill

Sequencer

r

Realtime

With

REAL

TIME

keyboard. And with multi -track recording, you can use up to 16

Record

RECORD. your

performance is recorded with the timing

Recording

1. Set the sounds, effects,

parts you are going to record.

2.

Press the on.

• The display looks

SEQUENCER

SEQUENCER REC

0

REALTIME

!'lEASURE

TIME

4(BALANCEij

J::120

REC

REC REC REC

MEMORY

c:::J

similar

SIG.

volumes,

REC

to

etc. for the

button to turn

the

following .

!RECORD

:

= 4/4

=

99

7.

3. Use the the (For

it

pages 70 and 79.)

• Press track For

• tracks 9 to 16 use the

tracks.

o You can select two or more tracks to record

at

one

o At this time,

in

step 1 are stored.

o You can also

tons to

0 0 0 0 0 0 0 0

'2

OOOODDOO

9 10

~~~~IF.Ia~~~

o .

To

lu~l

~filM)

[ill]

till]

B]J

lillllr~~~

select

while

o The

flashes

dicator

pressed

exactly

tracks

details

numbers

tracks

pressing

indicator for

to record your performance.

buttons

for the parts you are going

the

time.

select

tracks

slowly. (For

flashes

.)

below the display to specify

about

track assignment, refer

buttons

1 to 8,

to display "REC" above the

you are going to record.

use

the

panel settings you selected

use

the

the tracks.

SEQUENCER

3 4 s s 1 a

11

12 13

9 to 16, make your selection

the

9-16

the selected track button

when the

as you played it on the

to

record.

the

1\

buttons, and for

v buttons to select the

SEQUENCER

111

track but-

15

16

Q J

button.

tracks 9 to 16, the in-

9-16

button is

to

0

4. Use the

tempo

o The

numerical

o If you wish to record the tempo setting and

tempo

part,

5. Turn the

the ON or

o The

ON

o The

72

TEMPO/PROGRAM

.

tempo

or

metronome

and

metronome

is

shown

value

(J

changes,

use

metronome

OFF

record them in the

the RHYTHM STEP RECORD .

OFF

button.

select ion alternates between

each

sound is not recorded.

dial to adjust the

on the display as a

=).

on or off as desired with

time the button is pressed.

--

---

- -

CONTROL

---

Part

Ill

6.

Play the keyboard.

• Recording begins.

o You can also press the START/STOP button

to start the rhythm and begin recording. If

the metronome is on, when you press the

• START/STOP button, a two-measure count plays, after which recording automatically

does

begins. In this case, the rhythm

• On the display, the following information shown.

MEASURE:;;: Current measure

TIME SIG.:;;: Time signature

MEMORY:;;: Remaining memory

not start.

is

number

(%)

P~ayback

1.

Turn

on

the track buttons for the parts you

wish to play back.

o Tracks whose indicators are not lit wi

played back.

ll

not be

Sequencer

• If you wish to adjust the volume of each track or part during recording, press the button to recall the

You can then

• If you make a

correct a specific without to

7.

When you have finished recording, press the

SEQUENCER

3.

Press the The

•

automatically

page

recorded

having

89 .)

START/STOP

.

PART

adjust

mistake

portion

to redo the whole part. (Refer

REC button to turn it off.

performance

BALANCE display.

the volumes.

in recording, you can

of your performance

button.

BALANCE

is played back

2. Press the button.

SEQUENCER

SEQUENCER RESET

0

RESET

(FILL IN

1)

c )

FILL

IN

1

o The SEQUENCER returns to the beginning

the song and the recalled.

Mum-track

When recording several tracks, you can record one track while listening to the track or tracks already recorded.

1. Follow the procedure to record the first track.

o When you turn the

off, confirm that the indicator for the track you recorded tracks you wish to have played back.

2. Follow the procedure to record the next track .

o When the START/STOP button is turned on ,

the track recorded You can record the next track

• On the display "REC" indicates tracks which

are being recorded, and "PLAY" indicates tracks which are being played back.

is

beginning

panel settings are

l!'ecord~ng

SEQUENCER

lit. Turn on the buttons for the

in

step 1 is played back.

REC button

in

time with this.

of

3. Repeat step 2 to record all the desired parts.

73

Part

Ill

Sequencer

Step

STEP Instead of playing the keyboards to input each single note . This are difficult to play or when the

Recording

Record the keyboard perfo r changes .

1.

Press the STEP REC button to turn it on.

• The display looks

Record

RECORD

STEP

is simply a

procedure

RECORD

STEP REC

0

c==J

similar

method

to the following.

of making a tune by storing the

direct

is

an

especially

exact

mance

:

PART

and panel

SELECT

Press the Sequencer Track buttons

In

the

Program up/down the

part

RECORD.

buttons under the

Press

that

svctlon

vou

want

@E)

to proceed.

or

to

the LCD

STEP

for

ly as

in

the REALTIME

effective method for storing

timing of a part

@gJ]~

RECORD

is

critical.

3. Press the

•

The

display

input

,-J ----,

154

1D•

• •

155

I

1·

. •

l5B

1 t · - · t · • •

1155

HERS

sounds

OK

.---J .............,

1·

• •

1t

•.•

•t

*•

1*

C2

NOTE

note-by-note on the display .

mod

e,

you can take your time

complicated

button. changes .

STEP

RECORO:~ELDDY

TRACK:

.---J .............,

• • • 1 • •

•It

• • • t • •

••

t•.

·

t!·

. • • . .

• • • t • • •

1*

• • • t · • •

V90 J •

VEL

LE~GTH

to the STEP RECORD

I

J>

passages that

.---J -------,

•1t

• • • t • • • I

'I*'

•••••

1*

• • • t • • • 1

STOC PHRS

ffif±Jffif±JffiffiQJ[J

lBALJI~

- I

I

lRESTJi~

CURSOR

--

-- ----- ·

[Q@~fili]~lili)~~fYIU

lu~2l

~gl

~

B1J

ICHI

rnl

~I

f2ID

2. Use the buttons the tracks for the parts you are going to record.

• For tracks 1 to 8, track s 9 to 16, use the track.

• You can also use the tons to tracks 9 to 16, pressing the 9-16 button.

• On the highlighted. track .

select

display

--

below

the track. In this case, to select

, the selected track

Confirm

-

-----

the di

use

the

v b

uttons

SEQUENCER

make

your

that th is

-- -

splay

to specify

1\

buttons, and for

to select the

track but-

selection while

number

is

the correct

--

-- - -- - -- ----

• If you

4. Use the M EAS

• This step

is

selected part has been to the

CHORD

to page 76.)

selected part has been to the (Refer to

measure. from

RHYTHM

page 78.)

is

measure

----

the track to which the CHORD

assigned

STEP

the track to which the RHYTHM assigned,

1\

not

necessary

1 of a blank track.

, the display changes

RECORD

STEP

and v buttons to select the

.

-----------

display. {Refer

the display changes

RECORD display.

if you are recording

74

Part

Ill

Sequencer

r

5. Use the the cursor (reverse video box) to the note position (dot) you are going to store.

• Each dot represents note

• When storing triplets, it may not be possible to steps. However, if you select triplet-type notes for the note the timing is

6. Use the left LENGTH specify the note value . Select from

.\ h

triplet-type note.)

o For note values other than these, use the right

LENGTH value with the left buttons.

Example : To record a dotted quarter-note

7. Use the PHRS actual length of the desi

TENU (tenuto): NORM (normal):

ST CUTT (cutting) :

CURSOR

(a thirty-second note) .

match the

length

~

\

h. J,

1\

and v buttons to

to

be

added

< and >

timing

exactly

(LENGTH)

automatically

J.

,,

..

x 2

to that which you specified

J +

1\

and v buttons to specify the

red

legato or staccato effect.

Sound 100% 80%

AC

(staccato):

50% 25%

buttons

one-eighth

with the 1/32-note

in step 6 below,

corrected.

1\

and v buttons to

to

4. (A 3 denotes a

specify

~~

produced

sound for the

is produced for

of the note length.

to

move

of a quarter-

.~3

.

} ,

.~3

the note

(J.)

.

8.

Specify playing the

•

The stored

• When recording tiple

•

Any changes operation, posit ion.

REST

To

store a rest, LENGTH, nothing is

ERS If you error, and erase, press

BAL To

specify pressing the to set the

9.

Repeat

notes.

o To

EXIT button

step

10. When you

STEP

the

pitch

keyboard

dot on the

changes

notes

at one

panel

in

etc.-are

press

stored

make a mistake,

after

this

the

volume

BAL

volume

steps

input

data

4. have

REC

button

and

velocity

.

display

to a * mark.

chords

position

setting

the

are read as rests .

displaying

button

button, use

5 through 8 to continue storing

and

changes-for

sound

recorded

after

specifying

REST

button. Points at which

move

the

.

at the

(O

to 127).

on

another

repeat

finished recording,

to turn it off.

of the note

where the note is

, you can store mul-

.

example

selection, button

at

the

cursor

the note

the

cursor

data

cursor

position, after

the VALUE buttons

track, press the

the

procedure

to the

you wish to

press

by

from

the

rn

Correcting

1.

In

the STEP

you wish

2. Use the MEAS buttons to you wish to modify. Use the to

move the cursor to the

to edit .

o The data stored at that point is

display .

o When multiple data is stored at one point,

different data is displayed in a CURSOR button is pressed. When a chord is recorded, a different note

displayed each time a pressed .

3. Correct the data.

There are three types of data: Performance

NOTE data (note pitch) and VEL data (how hard the key was played), etc. are displayed. re

levant buttons to correct the data as desired.

the

RECORD

to

correct.

data

mode,

go

CURSOR

point

CURSOR

specify

to the

measure

(*)

you wish

shown

order

each time

in

the chord is

button is

the track

buttons

on

the

Use

the

Sound The

name sound as interposed

Control The

name the data as

o Press the ERS

is

displayed

75

data

of

desired

data

of

the

on

the

desired.

.

sound

(the

current

function

button

is displayed. sound

display) .

is displayed. Change

to

erase the data which

setting

Change

display

the

is

Part

Ill

Sequencer

Store a chord

Store the chord CHORD in the track for the when the playback, even if you do not specify the chords with your left hand, the ically.

• The chord length STEP RECORD keys of the

AUTO

I

J

,.,.W

Note

value

Whole

"

Dotted half-note

J.

Half-note

J

I

Dotted

. .

I

Quarter-note

.

Jl

Eighth-note

progression

PLAY

CHORD

chords

is

specified

I!

Y r I J

keys

note

quarter-note

for the

CHORD

AUTO

part. Then,

is used during

change

with the

lower

automat-

CHORD

keyboard.

I I I

L=t

J

LT

J r J I

PLAY

. I

Reset

Correction

DELETE

Repeat

End

key

~~-

P.ress to begin storing from the begin-

. nmg.

keys

~

Move

back

one chord .

..,..

Move

forward

Press to

key

c;-:::J

Press to end the chord-storing procedure

specify

and to of the stored progression.

key

--H

Press after the whole chord progression has been stored .

erase

one chord.

data.

automatic

repeat playback

• Example

of

storing a chord

progression

c c F Am

0

1. Press the STEP REC button

2. Use the buttons QUENCER track which the CHORD part is preset

• On the display, the track for the (CHD} is highlighted. correct track.

3. Press the OK button.

• The display changes to the RECORD input display

is 4}.

below

buttons

Confirm

the

to

select

assigned

similar

to

turn it on.

display

that this

CHORD

to

the following.

or the track to (the factory

CHORD

is

STEP

SE-

part

the

,--J ---,

l

Et-lD

HEAS

f±)

,---

STEP

~ECORO:CHORO

TR~CK:

J

---,

,---

4

J ----,

--

,---

J

-,

·

--

-

--

-

------

76

Part

m

4.

Use the MEAS

1\

and v buttons to select the

measure you wish to record.

o This step

is

not necessary if you are recording

from measure 1 of a blank track.

5.

Store the chords on the

lower

keyboard.

Sequencer

<Measure 4> (1) While playing a C chord, press the

time.

(2) While

playing

one time.

an Am chord, press the J key

J key one

<Measure 1, measure 2> While playing a C chord with the"

key one time with

your

left hand, press

right hand.

• You can or a FILL IN desired pattern at the can be stored

o Store a rest by

without

lm!.mnrnnurmlffim~

o Chords can

press

the

INTRO

button

on the panel

cursor

only

at the beginning.)

pressing

specifying a chord.

also

be

specified

& ENDING button

to

store the

position. (An intro

a note valve key

with the one-

finger method.

o A "beep" tone indicates that the chord has

been successfully stored.

o The chord name is shown on the display.

<Measure (1)

3>

While playing

an

F chord, press the J key one

time.

6. At the end of the chord progression, press the End key (

o The instrument exits the recording mode.

o During playback,

chord progression

matic repeat

press

sion, of the End key (

o If you press the

instead play back

produced

will be

1

-;

) .

playback

stops

playback

the

Repeat

-;

1 ) .

INTAO

of

the End key ( -;, ), when you

your

performance,

of the recorded

at this point. For auto-

of the

key (

chord

4=1

progres-

) instead

& ENDING button

an ending pattern

and then the performance will

stop.

(2)

While playing a G7 chord, press the J key one time.

o When

you part, the ment

change

play

chords

in

back

the track for the CHORD

of the automatic accompan i-

accordance

with the stored

chord progression.

C!l

Correct the recorded chord progression

1. Select CHORD STEP

RECORD

on the dis-

play.

2. Use the MEAS measure you wish to

tl>

Correction keys to

1\

and v buttons to go to the

modify

move

. Use the

the

<J

cursor

and

to the

point you wish to edit.

o The measure number, beat

number

, specified

chord name, specified note length, and func-

etc

.)

tion {INTRO, FILL IN,

are shown on the

display.

o To move to the end of the chord progression,

while pressing the Reset key ( the

<1

key.

1-~-

),

press

o The lengths of rests are ind icated as follows.

Example:

I

...........

7

..•.........

I x 1

I x 1 0

+;

....... 1 0-beat

.....

1-beat 1

rest (quarter rest)

/2-beat

1-1/2-beat

(dotted

quarter

rest

rest (eighth rest)

rest

rest)

3. Correct the chord data.

77

Part

m

Sequencer

Chord When the chord name position, you can press the the data and then store a new

• If you do not erase the displayed data before

• Rests can also be erased. Each time the

Store a rhythm

Data for the rhythm progression can be stored by measures with the step

o The rhythm progression is recorded

1. Press the STEP REC button to turn it on.

2. Use the buttons

• On the display, the track for the RHYTHM part

3. Press the OK button .

• The display changes to the RHYTHM STEP

data

is

displayed

DELETE

new

entering the inserted at this point, and the displayed data is

merely shifted

chord. DELETE

units of 1 x 1. The

key is pressed, the rest is erased in

chord data, the new data is

by

the note value of the new

7 rest is

chord

erased

at the cursor

key

to

erase

.

last.

progressiof1J

recording

track for the RHYTHM part.

below QUENCER track buttons to wh

ich the RHYTHM part is assigned (the fac-

tory preset (RHY) is highlighted.

correct track.

RECORD input display similar to the following .

r--

is

STEP

J

--,.---J -,-

6).

RECORD:RHYTHI1

TRACK:

the

select

Confirm

6

J

----,,-

method .

display

the track to

that

this is the

J---,

or

in

the

SE-

Control

The name of the stored function (INTRO, FILL,

etc key to erase the data which is displayed.

Ei

To erase all data from the current track, press the button on the confirmation display.

o If you wish to cancel the clear procedure,

4. Use the

o This step is not

5.

o Data which can be stored

• Be sure to store the

o If you are storing a

data

.)

is

displayed

TRACK

press the NO button.

measure you wish to record.

from measure 1 of a blank track.

Use the panel buttons to store the rhythm data .

START/STOP

Changes COUNT

Tempo

measure store this data

CLEAR

TION,

changes

. You can press the DELETE

CLR button, and then press the YES

MEAS

1\

and v buttons to select the

necessary

in

the rhythm selection INTRO, ENDING

in

INTRO, FILL

which the rhythm starts.

COUNT

before

if you are recording

START/STOP

INTRO or INTRO ,

the

START/STOP

IN,

data

VARIA-

in

the

data .

- -

---

E~D

I

HEAS

t±J

--

and

1

2

[ffi]]~

TRACK

lEU~~

l

I>

!REPJIEHoJ

·

--

------

- - -

----

- -

6. Repeat steps 4 rhythm progression.

7. At the end of the rhythm progression, press the REP button or the END

REP: During

progression is repeated.

END: During playback , playback of the recorded

rhythm progression stops at this point.

o The instrument exits the recording mode.

--

78

--

·-

playback

- -

5 to continue storing the

button.

, the recorded rhythm

----

- - - -

--

Part

Ill

11

Correct the recorded

1.

Follow the procedure to STEP RECORD display.

2. Use the MEAS measure you wish to

3.

Correct the rhythm data.

• Press the ERS button to cursor position.

o

If

you select a rhythm with a signature, the time measures will

• If data has already tracks, you cannot select a rhythm with a different time signature.

also

1\

and v

signature

change.

rhythm

select

buttons

modify.

been

progression

the

to go to the

erase

data

different

of all

subsequent

recorded

RHYTHM

in

at the

time

other

•

TRACK

To

erase

TRACK

the button on the

• If you wish to press the NO

CLEAR

all

data

CLR

confirmation

from

button,

cancel

button.

Sequencer

the

current

and

then press the

disp

the clear procedure,

track , press

lay.

YES

Track

Each SEQUENCER part is ASSIGN function to used for the rhythm

1. Press the

• The display looks similar to the following.

Assign

already

assign

SEQUENCER

SEOVENCER

0

c::::J

data

parts

and chord

button

assigned to a track number.

to

tracks

as you wish. This function is

progression

to turn it on.

SEQUENCER

PUNCH

~I

~!

~I

RECORD

TRACK

ASSIGN

EXPRESSION

SEIT

lNG

AFTER

TOUCH

SETTING

I I

II

I I

I

EDIT

PLAY

I'IEOLEV

data.

I

~

I

~

I~

2. On the TRACK

o The

3. Use the

• You can

display

E1

It:•

RACK

TR 2 LOWER TR

0

TR 4 CHORD TR TR S RHYTHH

TR

TR 8 U.SI'lO I OH

w:

track.

for

tracks

to 16 with the

However,

also

SEQUENCER

ASSIGN.

looks

you

used

similar

TRACK

TRACK ASSlGH

10101:

-

BASS

3

COHTROL

5

7

KB.PERC

TRACK

switch

1 to 8

1-8

1\

and

between

and

and 9-16

can

use the

to

designate

menu

display

to the following.

TRACK

the tracks

, select

ASSIGN

LOCAL COHTROl

lj._

OH OH

--

OH OH OH

"101-0UT CHAHI'IEL

Ill.

IIi~

CH

--

3

CH

--

CH

15

CH

IS

CH

16

CH

1

CHAHI'\EL

ffi

v buttons to select the

the setting

the

display

buttons

for

display

tracks

.

9

79

------

Part

Ill

Sequencer

4. Use the ASSIGN the part for the specified track.

• Select one of the following parts: UPPER, LOWER, BASS, CHORD, CONTROL, RHYTHM, KB.PERC,

LSOUND 1 to

GAN,

15

. (For an explanation of each

part , refer to page 70.)

• When a part other than the RHYTHM, CONTROL

or CHORD part is assigned, the track

assign procedure is

o The RHYTHM,

cannot

• You can use the LOCAL turn the LOCAL CHANNEL BASIC CHANNEL . (For a of these MIDI functions, and 146.)

These settings allow you to specify whether or not expression pedal and

with your performance .

be

assigned

CONTROL

1\

and v

1\

and v buttons to select

USOUND

3,

LORGAN

completed to

more

buttons

detailed

1 to

3,

, PART8 to

SEQUENCER

at this point .

and

CHORD

than one track.

1\

and v buttons to

on or off, and the

to assign the

explanation

refer

to pages 145

UOR-

parts

5. When assigning the RHYTHM , CONTROL or CHORD

• The confirmation that currently stored data in the tracks concerned will be erased. Press the YES button to confirm that you wish to execute the specified track button to stop the

part, press the OK button .

display

assignment. Or

aftertouch

appears to warn you

track

assignment.

data

press the NO

is

recorded

EXPRESSION

You can specify whether

operation data is recorded with your perfor-

e.

manc recorded expression pedal operation data is read when your performance is played back.

1. Press the

2. Select EXPRESSION " The display looks

And you can also specify

Sg\gct Expression pedal

recorded or

~mrm-amu1

~~

PLAY

SETTING

or

not expression pedal

SEQUENCER

similar

EXPRESSION

whgther

ptaved

FROM

SEDUENCER=EHABLE

button

SETTING.

SETTING

or

not

movements

bv

to the following .

the

whether

to

turn it on.

the

are

Sequencer.

E~~~

)

~~

--

- - -----

80

--

Part

Ill

Sequencer

3.

Select RECORD TO

1\

EN/DIS pression pedal

ENABLE: The expression

is recorded (factory -preset

DISABLE: The data is not

AFTER

Specify for each whether or not the with the performance.

1. Press the

2. Select AFTER

• The display looks

Select

and v

TOUCH

SETTING

SEQUENCER

TOUCH

~FTER

~hether

Is recorded

SEQUENCER.

buttons

performance

keyboard

aftertouch

similar

TOUCH

or not Aft9r

bv

4-:!JJ

Use the

to

specify

is recorded.

pedal

setting)

recorded

(upper

data

button to turn it on.

SETTING

to

the

if the ex-

operation data

.

and lower)

is recorded

.

follow ing .

SETTING

Touch

the Sequencer.

4. Select the recorded played back.

ENABLE:

played

DISABLE:

3. Select BOARD. specify if the

ENABLE: Aftertouch

performance

DISABLE:

preset

4. Repeat desired.

•

For refer to

PLAY

EN/DIS

expression

The back

The

UPPER

Use the

The

setting)

step 3 for

an

explanation page

FROM

1\

and v buttons

recorded

(factory-preset data

KEYBOARD

aftertouch

.

data

.

125

SEQUENCER

to

pedal

expression

is

not

EN/DIS

data

is not recorded (factory-

the

of the

.

performance

setting).

played

or

1\

and v buttons

data

is recorded.

is recorded with

other

aftertouch

and use

specify

pedal data is

back .

LOWER

keyboard, if

effect ,

if

the

KEY-

to

the

is

41

LO~ER

KEVBOARO:OJSABLE

I

81

Part

Ill

Sequencer

Editing

The edit feature

Select

1.

2.

• The display

the

Press the

Select

EDIT.

the

allows

edit

SEQUENCER

looks

SEQUENCER

SONG

~I

CLEAR

TRACK

CLEAR MEASURE MEASURE

UELOC

ERASE

COPY

IT y CHANGE

recorded

you

to

erase

or

function

similar

I I I I

I

I I I

button

EDIT

TRACK OURNTI2E

MEASURE MEASURE

to turn it on .

to the following.

MERGE

DELETE

INSERT

I

change

~

performance

portions

of

your

3.

Select

The

• selection.

4.

Perform deta

•

During the CER

•

During for use

performance

the

function

display

il

EXIT

EDIT

the

the dial

changes

the

editing

below).

the

editing

button

the

TEMPO/PROGRAM

display

editing

for

the

to

after

to

edit.

in

procedures

procedure

go

.

procedure

editing

it has been recorded.

accordance

back

to the

, if the

dial is lit, you can

function.

with your

(explained in

, you can press

SEQUEN·

indicator

SONG

Erase the

• Press the

CLEAR

recorded

or

press the NO

ATTENTIONT

Using anv

existing

Sequencer.

Are

•

When PLETED i mode

the

nstrument

.

YES

SONG

Vou

data

!"

appears returns

contents

button

SONG

CLEAR

recording

has

on the

to

of all

to

execute

to

cancel

CLEAR

Hill

erase

Sure?

been

the

normal

tracks

the function,

the function.

in

the

erased,

display,

performance

.

IYEsll~

[EEJJ~

"COM·

and the

--

------

--

---

--

- ·

--

---

--

---

--

- -

--

---

--

- --

82

Part

Ill

Sequencer

TRACK

Erase the contents of a specific track.

CLEAR

Press

the Sequencer Track

in

the

PrograB

up/down

the

Press

buttons

Tracks

@Ell

that

to

TRACK

section

under

vou

Camp

l&tll

CLEAR

or

the

want

to

TRACK

buttons the LCD

1or

clear.

CLEAR

@Ell~

.

2. Press the OK button .

• The following confirmation display appears .

TRAD:

CLEAR

ATTENTION!

Using

TRACK

CLEAR

will

erase

anv

existing

selected

Are

nct~rdings

TrackS.

You

Sure?

in

HM~~tda~~lQ!U

~,

rwm

le~sl

~

~ ~

~UlmUilfilllfill)Ol1]~f21]

~mmmmBtJu:mti])~~

1. Use the buttons below the QUENCER track buttons to tracks you wish to clear. .

•

on

the display, the selected tracks are high-

lighted.

display

select

or the SE-

the track or

• Press the YES button to or press the NO button to cancel the

• When the data PLETED!"

appears

has

execute

been erased , COM -

on the

display

the

IYESli~

~~

IKfPI

~

the function,

fu~ct1on

.

(

---

TRACK

Merge the recorded contents of (source tracks) and store the in

• When

MERGE

two

tracks

merged

a third track (destination track). . .

the

TRACK ecuted, the data is erased from the two source tracks.

MERGE

TRACK

MERGE

funct1on

TRACK

contents

IS

10

ex-

[±)

1. Select the two source tracks (left half of the display). .

on

• Use the buttons to select one of the source tracks, and use the

1\

TRACK number. Repeat for the

• This function does not work for the RHYTHM and CHORD tracks.

and v buttons to specify the track

the left side of the display

other

source track .

CONTROL

,

83

Part

Ill

Sequencer

• If the part

("upper"

MERGE display) is different from the part assigned to the parts are

new track

upper track.

2. Select the dest ination track (right half of the display) .

• Press the button on the right to select the destination track, and use the TRACK number

assigned

meaning

merged

is

assigned the

A and v buttons to

.

to the

its position on the

lower

source track, when the

in the destination track , the

upper

same

side

specify

source track

TRACK

part as the

of the display

the track

QUANTIZE

The QUANTIZE function of your performance

is

If the rhythm will automatically be quantize level.

Rhythm as written in the score . . .

Timing of actual ! :

performance

Quantized per- : : .

formance

slightly

..

. . . . . . . ·

(}level) ...

can

correct

after

it

has

out

of

sync

corrected

··

·~

t----:---

.

~-·--#----..---

oumn

: __

I2E

the timing

been recorded.

or inexact, it

to the specified

~_J_

' .

. '

. .

.,_._

__ .

__

3.

Press the OK button .

• The

1. Select

• This function

• If ALL is selected, all

2. Select

3. Select

4.

• Select from h .•

confirmation

YES button to

NO

the

specify the track RHYTHM and

buttons to specify the start point (measure number).

buttons to specify the number).

Select

buttons to specify the a triplet-type note .)

button to cancel the function .

TRACK. Use

FIRST

LAST

QUANTIZE

display

execute

number.

does

not

CHORD

MEASURE

VALUE

~

.•

~

3, ~~.

appears . Press the

the function, or press

the

1\

and v buttons to

work

for the CONTROL,

tracks.

the

tracks are quantized.

. Use the

. Use the A and v

end

. Use the A and v .

quantize

h . .

~

.

1\

point (measure

leve

l.

J. (A 3 denotes

and v

-----

TRACK

LAST

MEASURE

OUAHTIZE

-

--

VALUE

--·--

:

139

: J

--

12

--

·- -----

5. Press the

• The

84

OK

button.

confirmation YES button to the NO button to

execute

---

display

cancel

appears . Press the

the function, or press

the function.

-- -- --

--

-

Part

Ill

Sequencer

MEASURE

Erase the recorded contents of specific measures. You can also specify which type of

da

ta

is

1. Select TRACK. Use the specify the track

o You cannot select the track for the RHYTHM

part or CHORD part in mand has been stored.

•

If

ALL is selected , data is erased from the specified measures of all the tracks at one time.

ERASE

to

be

TRACK

FIRST

MEASURE

LAST

MEASURE

erased.

MEASURE

number

ERASE

:

12

:112

:139

1\

.

which

and v buttons to

a repeat com-

1\

and v

2. Select FIRST MEASURE. Use the buttons number

3. Select LAST buttons number

4. Select ERASE DATA. Use the to

ALL: All data is erased. NOTE: Only note data. CONTROL : Only control

other panel settings as well as selection changes) is erased .

5. Press the OK button.

• The confirmation display appears. Press the YES button to execute the function, or press

he

t

to

specify the start point (measure

).

MEASURE

to

specify the end point (measure

).

specify the type of

NO

button to cancel the function.

. Use the

data

1\

and v buttons

to be erased.

(volume , effect and

85

Part

Ill

Sequencer

MEASURE

Copy measures from one track (source track) another

• On the destination track, the new data replaces the current

COPY

track (destination track).

measure

MEASURE

COPY

~T

O~T;;;R~~C~~~~~

STRRT

contents.

"ERSURE

:45

to

~

I~

_,.

HEASURE

ffi

1.

Select FROM v buttons to

• You cannot

or

part mand has been stored. If

ALL

copied

is

to

•

TRACK.

specify

select

CHORD

selected, the specified measures are

all

tracks

Use

the

TRACK

the

source track.

the track

part in which a repeat com-

at the same time.

for

the RHYTHM

A and

2.

Select FIRST

A and v

(measure number) on the source track.

3.

Select LAST

A and v

(measure number) on the source track.

4.

Select TO to specify the

• Measures in a track for the CONTROL, RHYTHM to the same track.

5.

Select START buttons to specify the start point (measure number) on the destination track.

6. Press the OK button.

• The

confirmation YES button to the NO button

MEASURE

buttons

TRACK. Use

or

to specify the start point

MEASURE.

to specify the end point

destination

CHORD

MEASURE.

display

execute

to

cancel the function.

. Use the

Use the

the A and v buttons

track.

part can be copied

appears. Press the

the function, or press

MEASURE

Use the A and v

only

86

- - - -

--

-

--

-

--

-·

---

Part

Ill

Sequencer

MEASURE

Delete specified measures from a track.

• The length of the performance accordingly decreases by the number of deleted measures.

MEASURE

Insert specified·measures at a specified point.

• The length of the performance accordingly increases by the number of inserted measures .

DELETE

TRACK FIRST

MEASURE

INSERT

P1EASU~E

DELETE

:

12

:J12

MEASURE

INSERT

1. Select select the track from which measures are to be deleted .

• You cannot select a in

• If ALL is selected, the specified measures are deleted from all the tracks

2. Select FIRST buttons to

3. Select buttons to

4.

Press the

• The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function .

1. Select FROM v buttons to

• You cannot in

• If ALL is selected, the measures are inserted in all tracks at the same time .

TRACK

which the repeat function has been stored .

LAST

which the repeat function has been stored .

. Use the

CHORD

MEASURE

specify

OK

select a CHORD

the first measure to delete.

MEASURE

the last measure to delete.

button.

TRACK

select

. Use the TRACK

the source track.

1\

and v buttons to

or RHYTHM track

at

one time.

. Use the

or RHYTHM track

1\

and v

1\

and

r

LAST

MEASURE

:

116

TRACK

ffi

2.

Select FIRST

1\

and v buttons to specify the first measure

on

the source track from whi

3. Select LAST

1\

and v buttons to specify the last measure

on

the source track from which to copy.

4. Select TO buttons to specify the destination track.

• Measures from the CHORD , RHYTHM or CONTROL same track .

5. Select

1\

the destinat ion track .

6. Press the OK button.

• The confirmation display appears. Press the YES button to execute the function, or press

the NO button to cancel the function.

START

and v buttons to specify the insert point on

MEASURE

TRACK

track can only be inserted in the

MEASURE . Use the MEASURE

. Use the MEASURE

ch

. Use the MEASURE

. Use the

TRACK

to copy .

1\

and v

87

Part

Ill

Sequencer

VElOCITY

Modify the recorded of specific tracks (except for the CONTROL,

RHYTHM and

1. Select specify the track number.

o If ALL is selected, all the tracks are modified.

2.

Select buttons to specify the start point (measure number) of the velocity change.

CHANGE

CHORD

VELOCITY

FIRST

MEASURE

LAST

MEASURE

UELOCITY

TRACK. Use

FIRST

velocity

tracks).

CHRNGE

:112

:139

:+40

the

MEASURE

in

specific

1\

and

. Use the A and v

measures

v buttons to

5.

Press the

o

The YES button to the NO button to cancel the function.

OK

button.

confirmation

execute

VELOCITY

display

CHANGE

appears. Press the

the function,

or

press

3. Select

buttons to of the

4.

Select VELOCITY. Use the

to specify the

+127).

• The value you select will deleted from the

LAST

specify

velocity

MEASURE

change.

change

current

. Use the

the end (measure number)

in

velocity

;,

1\

and v buttons

velocity

be

(-127

added to or

.

and v

to

FIRST

4[

LAST

41

~I

I

MEASURE

VELOCITY

Are

MEASURE

You

:

112

:

139

: •40

Sure?

!Y@II~

lE§J]~

--

-

--

88

-

---

-

---

--

- -- - -

Part

Ill

Sequencer

Punch

If you make a playing error during REAL TIME RECORD or would like to other reason, you can correct a selected portion of the performance part. "Punch in" means to enter the recording mode, and "punch out"

Recording the performance

1. Press the

2. Select PUNCH RECORD

o The display looks similar

PLAY PLAY

~~~~813~~~

[Q]ii~[YWrnJ~rnl~f2ID

record

Playback

SEQUENCER

PUNCH

~E

11EASURE

TIME

11EHORY = 99

J=120

=

SIG. = 4/4

button to turn it on.

on

the display.

to

the following.

(PU~CH

7.

!Nil~

I~

OFF)i~

change without means

Playing

error

~

Punch in Punch out

Replay this

Recording

4. Select the track want to correct.

o Use the buttons below the

"REC" to record .

o If you use the

select the tracks, press the track buttons to make the

5. Press the playback

6. During at

the

o Recording

pressed . Beg in

o The PUNCH IN button switches to the PUNCH

OUT

button.

portion

mode

above

point

the track numbers you are going

indicators

START/STOP

of the

playback,

you

begins

SEQUENCER

the recording for some

having to redo the whole

to exit it.

X

!

which

contains

flash.

specified

press the PUNCH

want

to begin recording.

as

soon as the button

playing

at this point.

the portion you

display

track buttons to

button to begin

track.

to

display

IN

button

is

3. Select the tracks you wish to play back during punch recording.

o Use the buttons below the display to display

"PLAY" above the track to play back.

o

If

you use the select the tracks, press the track buttons to turn the indicators on.

SEQUENCER

numbers

you are going

track buttons to

7. Press the want to stop recording.

o Recording stops

8. When you formance, turn it off.

o You can also begin

ing the in/punch-out points with a foot switch . to page 125.)

89

PUNCH

have

press

keyboard

OUT

button at the point you

immediately

finished correcting the per-

the

SEQUENCER

punch-in

. You can specify the punch·

.

button to

recording by play-

(Refer

Part

Ill

• AUTO PUNCH RECORD You can set the punch-in and punch-out points

beforehand , so that recording automatically begins and ends at the specified points .

Sequencer

1.

On the SEQUENCER menu PUNCH RECORD, and then select the track which conta ins the portion you

2.

Press the AUTO PUNCH button.

• The display looks similar to the following.

AUTO

PUHCH

CURRENT

PUNCH MEASURE

Press the

3. Select PUNCH

1\

and v buttons to specify the

punch-in measure.

4. Select PUNCH

MEAS of the punch-out measure.

• The

• The specified PUNCH

number must be higher than the IN

MEASURE.

recorded.

MEASURE

OUT

MEASURE

COUNT

:JB

IH

START/STOP

IN

MEASURE.

OUT

MEASURE

1\

and v buttons to specify the

of

the PUNCH OUT

number

OUT

display

want

to correct.

RECORD

button to begin

Use the MEAS

number

. Use the

MEASURE

of the PUNCH

MEASURE is not

, select

of

number

the

6. Press the

• Playback beg ins from the measure specified in

step

7. Correct the performance .

• The mode changes automatically to the recording mode at the specified punch-in measure. Begin play ing at this point. The mode automatically changes back to the playback mode at the specified punch-out measure.

• Note that, even when you have set the punch· in

and punch-out measures, you can begin recording before the by playing the keyboard switch to which the has been assigned.

8. When you have finished correcting the performance, press the ton to turn it off.

START/STOP

5.

button.

punch

-in measure starts

or

pressing a foot

PUNCH IN/OUT

SEQUENCER

function

REC but-

5. Select

1\

lead-in measures you wish to have played back before the punch-in measure.

• Playback will begin from the measure indi· cated by play .

• Set the metronome to on or off with the ON or OFF button .

MEASURE

and v

COUNT

buttons

CURRENT

to specify the

IN. Use the MEAS

number

MEASURE on the dis-

of

90

--

-

---

--

---

~--

Part

Ill

Sequencer

Playback

You

can specify the

1. Press the

2. Select PLAY on the display.

• The display looks

~EJ

HEASURE

~G

~~BALjj

PLAY

SEQUENCER

J =

PLAY

lrom

measure

similar

SEQUENCER

MEASURE

T

!ME

MEMORY

120

SIG.

PLAY

:

=

a

specific

from which you wish playback to begin.

button to turn it on.

to the following.

4/4

99

jRESETIJ~

[]E[J]~

%

measure

5.

Press the

• The recorded the specified

• When which an ENDING is recorded, the corresponding function does

6.

To stop playback, ton again.

• If the playback will interrupted .

START/STOP

performance

measure

playback

INTRO, COUNT

START/STOP

not

is

work .

press

continue

.

begun

the

button is pressed again,

from the point it was

MM~~ldilfi§il~~

~~mHJ[H)!ill][H]faiD[21)

3. Select the tracks you wish to have played back.

button .

is played back from

from a measure

INTRO,

START/STOP

FILL

IN or

in

but-

4.

Use the MEASURE the beginning measure of playback.

• "MEASURE=" indicates the current measure number.

• You can quick-search while listening holding down the FWD button. (This button does not work during normal playback.)

• You can press the RESET button to return to the beginning of the first measure and recall the panel status which was in eHect at the beginning of recording . (This button work during playback.)

• If you wish to adjust the volume of each track, press the SAL button to recall the PART BALANCE display. You can then adjust the volumes.

1\

and v buttons to specify

for

the desired measure

to

the recorded performance by

does

not

91

Part

Ill

Sequencer

You can

1. Insert the

2. Press the

3. Select

• The

have

disk

SEQUENCER

MEDLEY

display

NOW

PLAYING

the

songs

into the Disk Drive.

looks

SEQUENCER

Medley

on a disk

button

on the

similar

SONG

display

to the following.

MEDLEY

OS

played

to turn it on.

.

:RBCDEF

~~

back

continuously

in

order

6. Press the

•

The

songs

repeatedly

• If you

stop, and

7.

To

8. Press the

•

• The

press

medley

recorded

Only nics file performance

performances V: Disk Drive

play,

stop

medley

data

procedure

.

START

played

playback

song

SEQUENCER

which

format

button

.

from the specified range are

back

in

order .

the

START/STOP

the

song

currently

continues

on

the

disk.

play,

press

button

has

been

can

be

played

for

saving

on a disk is explained

(page

103

).

button during

from the next

the

STOP

to

saved

in

your

SEQUENCER

playing will

turn

in

the Techa medley

button.

it

off .

in

Part

4. Select FIRST

and v buttons to wish to

5. Select

and v buttons to

have

LAST

SONG. Use

specify

played.

SONG.

Use

specify

the

SONG

the first song you

the SONG NO.

the

last song .

NO.

1\

.r--

t

--

----

- -- - --

--

-----

92

- -- -

--

- -

-------

- -- - -

The COMPOSER ment patterns. Your original pattern is then stored in a rhythms in the

!J

Example

enables

RHYTHM

of a rhythm

you to create your own

GROUP

pattern

section.

accompaniment

memory

patterns

and

can

or

to edit preset

be

used

accompani-

just

like the preset

ACCOMP1

ACCOMP2

""""

v

II

..;.

v

_/1

ACCOMPJ

BASS

DRUMS

Com!»OJ'!ents

You can store up to 12 in banks A and B).

o Each pattern is

DRUMS,

o When you set

EXPAND MODE, you FILL

IN

102.)

• The recorded contents can for recall at a later time.

0)

f:!l:

"'

oa

~

BASS,

and ENDING patterns.

and

the

v v

I

uuhynRim

different

comprised

ACCOMP

COMPOSER

can

v

11

"

J_

_J_

~

B»inUUarU1

rhythms

of five parts:

1, 2 and 3.

mode

also

create

(Refer

be

saved

(Refer

to

page

'-._..../

h

v

J

~

I

(6 each

to the INTRO, to page

on a disk

107.)

'-'

~

.0.

T}

..___...

"

v v

J

J J J J J J J J

;

There

rhythm.

1!1

Edit a preset Use the to a it as a new

e Create a Clear

new 'rhythm from

o You can

methods. store keyboard. want to the a

I

are

two

COPY

MEMORY, change

rhythm completely

the

memories

use

your

use

notes

one

music

score .

v

.

~

ways

to

rhythm

function to

parts

.

new

and

scratch.

either

or

Realtime

rhythm

But

the

recording

exactly

for diff icult phrases, you

STEP

RECORD

by one,

~--

-U

h

v

I

create

copy a preset

of

rhythm

compose a completely

both

as

just

as you

v

.J

J

;

and record a

rhythm

it, and then store

of

two recording allows play

mode

you to

it on the

to

might

may

store

write

Memory Expressed memories is about 8600. The rema ining display as a

o When "Memory full!"

o

capacity

in

terms of notes, the total

percentage

It

is a good practice to save

COMPOSER

memories

(MEMORY=%)

appears

number

on the display, no more data can

your

completed

.

memory

.

of

notes which can be stored in available for

rhythm patterns on disks

93

recording

be

stored

is

shown

in the

before

all

the

COMPOSER

on the

COMPOSER.

clearing

RECORD

any

of

the

Part

IV

Composer

COMPOSER

When you press the

it on, the display changes to the following.

menu

COMPOSER

COMPOSeR

button to turn

0

c:=::J

COMPOSER

~I

~1

~

•

Summary

RECORD RECORD

LOAD COMPOSER

MEMORY-A MEMORY-8

SINGLE

PATTERN

of

the COMPOSER

PATTERN MODE

COPY

SELECT

menu

items

I~

RECORD Create rhythm patterns in the COMPOSER A bank .

RECORD Create rhythm patterns bank.

MODE Specify whether or not you are making your own INTRO,

PATTERN COPY (page 95) Copy a rhythm pattern into a memory.

LOAD

Recall the saved

• The items on this menu are also DRIVE menu, and the procedures are the same. (Refer to page 1 09.)

MEMORY-A

MEMORY·B

SELECT

FILL

IN and ENDING patterns.

SINGLE

desired

on

a disk.

(page 95)

in

(page 1 02)

COMPOSER

the COMPOSER B

PATTERN

data from data

on

the DISK

- · - -· -

--

-------

-------~--

94

Part

IV

Composer

Setting

First decide whether you are going to "Edit a preset rhythm pattern" or " Below are the instructions for preparing to edit a preset rhythm pattern. If you are going to create a completely new rhythm pattern, follow the instructions on page 96.

Edit

a preset

1. On the COMPOSER menu display , select PATTERN COPY .

• The display loo ks similar to the following.

FROM

GROUP:

RHYTHl1:

organ

PATTERH:

up

rhythm

COMPOSER

TRAD

~ORHAL

PATTERN

Fox

to

......_

.._....

create a

pattern

COPY

TO

HEHORV:

A

PATTERH:

HEHDRV

(Qg]]~

1

rhythm

5.

Press the

6. On the bank to which (the memory

• Select MEMORY-B

• The display looks

~I

COMPOSER

RECORD

r1EI10RV t1Er10RV MEMORY

pattern

Create

EXIT

.

a completely new rhythm ."

button.

menu

you

copied

bank

you

selected

MEMORY-A

similar

RECORD

MEMORY

1

2

II

3

II

r1EI10RV

II

l'fErlORV l'fEMORV

display , select the

the rhythm pattern

in step 3).

or

RECORD

to the following.

-A

4

I~

5

I~

6

I~

2. Select a rhythm copy (FROM).

• Use the GRP rhythm group.

• Use the RHY rhythm name.

• Use the PTN rhythm pattern (NORMAL, INTRO, FILL FILL IN 2, ENDING, VAAl or FILL

• You can also select the rhythm group and rhythm name with the panel buttons.

3. Select a memory

to

copy

• Use the MEM memory bank

• Use the PTN pattern (MEMORY 1 to 2, INTRO or ENDING).

4. Press

• When copying has been successfully completed, "COPY COMPLETED display .

(TO).

th

e OK button.

group

, name and pattern

1\

and v

1\

and v

1\

and v buttons to specify the

IN

1\

(A

1\

and v buttons

buttons

VARIATION

2 VARI).

bank

and pattern name to

and v button to specify the or 8).

12

to specify the to specify the

, FILL

to

specify the

, FILL

IN

!"

appears on the

1, FILL

IN

to

1,

FILL

~I

7. Select the pattern the pattern (the pattern name you selected in

1

step 3). ·

• The

display

IN

INTRO

looks

PATTERH RECORD

START

RECORDING

1

II

name

similar

RECORD

CLEAR

MEMORY-A

THE

NAMING

SETT

FILL

EHTIRE

IN

2

I p

ENDING

to which you copied

to the following .

PATTERN

I~

lNG

]

~

95

Part

IV

8.

If

you wish to name

select

• FILL be named.

• If you do original rhythm from which you copied.

• The

PATTERN

IN, INTRO

not

pattern, the

display

RECORD

Please

of your

name looks similar to the following.

MEHORY-A:PATTERN

your

new rhythm pattern,

NAMING

and ENDING patterns cannot

input a

becomes

enter

new

.

name

for

the same as the

NAMING

the

name

pattern

!lrnNCE6

·······A· ·a

:

....

~ro>HJ

LJ

··

c't!l

·e· · ·

F'

·

ii

. ii · · i · ·j· ·

P 0 R S T U V W X V Z a b c d e j

f g h l J k I m n o p q r s t u i

vwxyz012345S7891

"IISX&'()+-•/=

: .. :

.. ? ..

v. ~ ..

":'

.. : ...

!

... ~ ... ':. <

~<·A>\)

LJ

L2J

...

i<.

>

...

'L

£ ... l

..

ti

your

rhythm

.. H · ·o

..

0 i

..

. ~ ... l ... . i

[cLRJ

[Fva!

. ::

Composer

9.

Type a new to 13

o Use the

light the Use the ABC ·

the

character.

whole

• To erase the name, press the CLR button.

• Use the A/a button to switch between upper case and

10. Press the

o The

11

i

• The

display

. In the

play, select the rhythm part you want to record first.

DRM: AC1: AC2: AC3:

BAS :

pattern sound start, and recording begins . (Refer to page

name

for your rhythm pattern (up

characters)

POSITION

character

name

lower

EXIT

START

DRUMS

ACCOMP

ACCOMP ACCOMP BASS

99 .)

.

< and > buttons to high-

posit ion

")

{ }

<and>

Repeat these steps to type the

.

case characters. button .

returns to the previous display.

RECORDING

1 2 3

you

copied

in

buttons to select

area on the dis-

and the metronome

the name box.

G~ea!Uall

Here are the

completely new rhythm from scratch.

1. On the bank

o Select

o The display looks

a!

COmi!B~IBU!a~lf

COMPOSER

in

which to record the rhythm.

RECORD

MEMORY-B.

f1EHORV

41

PiEfiORY

~I

MEMORY

~I

FILL

~I

41

INTRO

preparatory

menu disp lay, select a

MEMORY-A

similar

RECORD

IN

flEMORY-R

1

II

2

II

3

II I! II

lltliaW

IJilfruyU!rnm

steps to compose a

or RECORD

to the follow ing.

rlEI'lORV AEfiORV

rJ810RV

FILL

IN

ENDlNG

4

5

6 2

I~

2. Specify the pattern you are going to create.

o The

display

START

looks

similar

RECORD

CLEAR

PATTERN RECORD

tiEMORY-A

THE

HAHIHG

SETTING

RECORDIHG

to the following.

EHTIRE

PATTERH

I~

1~

----·-

- -

----

-

--

- - - ·- - -

96

--

-

---

- ·- -

---------

-

--------

Part

IV

Composer

3. Press the CLEAR THE ENTIRE button.

• The following confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function.

RECORD

r1£110RY-A

PATTERN

ATTENTION!

11EKORY I PATTERN

Are

4.

Select PATTERN

• FILL IN, INTRO be

named.

o The display looks similar to the following.

You

and

CLEAR

Sure?

NAMING

ENDING

.

patterns

cannot

6.

Press the

•

The

display

7.

Adjust the

to the

tings.")

8. When all press

"

The

9.

In play, select the

first.

DRM: AC1: AC2: AC3: BAS

• The begins.

following

the

display

the

START

:

metronome

(Refer

EXIT

button

returns

various

the

settings

EXIT

button.

returns

RECORDING

rhythm

DRUMS

ACCOMP ACCOMP ACCOMP

BASS

sound

to page 99.)

.

to the

section

have been completed,

to

the

part you want to record

1

2

3

settings

on

"Recording

starts, and recording

display

. (Refer

set-

display.

.

RECORD

~···jg··rdi··c:··o···ii.··F··ii··H··i···:;··K"··c"··ii··o····1

i

PDRSTUVWXYZabcde

fghtjkl11nopqrstu

i i

vwxvzOl2:l.-SS7B91

:

"IISX&'

l

.... : ...

L1JTd.J

5. Type a name for your rhythm pattern (up to 13

characters).

o Use the

light the Use the ABC • · · ] { } the character. Repeat these steps to type the whole name.

• To erase the name,

o Use the A/a button to switch between

case and lower case characters.

HE~ORY-A:PATTERN

Please

of

: .

..

?

...

POSITION

character

vour

jm

~

..

-~

.. ·'·

enter

new

pattern

Clear I

<

)+-•/:,,

.. : ...

!

..

::

..

:: ...

rn

0

< and > buttons to high-

position in the

< and > buttons to select

press

NRKING

the

name

~

...

~

...

~

...

?

...

~

..

§]

name

the CLR button.

D:

.?..

...

a

i i i

!

box.

upper

97

Part

IV

Composer

Recording

Press the

HEASURE

TIHE

I<EV

CHORD

BASS ACCOHP

GROUP PATTERN

settings

RECORD

RECOIW

HERSURE & TIHE

SIGMATURE

RECORD

TVPE

TYPE FILLIH

SETTING

MEMDR~-A:

SETTI~O

SELEC:T

:

SETTING

SIGMRTURE

:

4

:~/~

~E~8abE1_

:C

:HAJOR

:~ORHRL

:7TH

( 4/·C>

TRAD

Organ

Fox

button .

~~

~~~~~~~~

•

MEASURE

Use the number of to 8).

SIGNATURE

TIME Use

the

gnature

si

•

These pattern

TIRE

• RECORD KEY

Use the KEY

note of the

CHORD Use the of chord you wish to record (MINOR or MAJOR).

TYPE

BASS Use the type of

(NORMAL

ACCOMP

Use the ACMP "

of phrase

(NORMAL

& TIME

MEAS

TIME

settings

PATTERN

CHD

BASS

phrase

" and v

measures

1\

and v

(1

/4 to 8/4).

was

cleared

SETTING

1\

and v buttons

chords

" and v

1\

progression

or

7TH)

TYPE

progression or 7TH).

SIGNATURE

buttons

in

your

repeating pattern (1

buttons

can be

and

and v buttons

adjusted

by

function.

you

wish

buttons

v buttons to

.

for

the

to record.

for the

the

to

specify

only

CLEAR

to

specify

to

specify

to

specify

ACCOMP

specify

the time

when the THE EN-

the root

the type

specify

BASS

to type

the

part

parts

•

FILL

IN

SELECT

You

can

select fill-in, from a preset rhythm pattern. terns are INTRO & ENDING playback

GROUP Use the G RP rhythm

PATTERN Use the PTN rhythm

• This

POSER (Refer

• If you SELECT IN been PLETED! "

• You ture TURE

produced

of your

group

name

.

setting

mode

to

page

changed

area

SELECT

successfully

cannot

different

you

1\

.

1\

is

button

appears

select

specified

intra

and

when a FILL

button

new

rhythm pattern.

and v

effective

is set to

1 02 .)

on

from that of the TIME SIGNA-

buttons

only when the COM-

the

settings

the

display

. When the settings have

stored, "COPY COM-

on the display.

a rhythm with a time signa-

.

ending

These

IN button or the

is pressed during

NORMAL

in

, press the FILL

patterns

preset pat-

to specify the

MODE.

the FILL IN

·-

-·-

- - - - - ·- -

98

- - ·

---

--

-

----

- - - -

---·