Technics KN7000 User Manual

KEYBOARD
SX-KN7000
Operating Instructions
Before connecting, operating or adjusting this product, please read these instructions completely. Please keep this manual for future reference.
QQTG0671ENGLISH
Caution for AC Mains Lead
(For United Kingdom) (For the type as shown in figures A and B)
For your safety, please read the following text care-fully.
This appliance is supplied with a moulded three pin mains plug for your safety and convenience. A 5-ampere fuse is fitted in this plug. Should the fuse need to be replaced please ensure that the replacement fuse has a rating of 5-ampere and that it is approved by ASTA or BSI to BS1362. Check for the ASTA mark or the BSI mark on the body of the fuse.
If the plug contains a removable fuse cover you must ensure that it is refitted when the fuse is re­placed. If you lose the fuse cover the plug must not be used until a replacement cover is obtained. A replacement fuse cover can be purchased from your local dealer.
WARNING: DO NOT CONNECT EITHER WIRE TO THE EARTH TERMINAL WHICH IS MARKED WITH THE LETTER E, BY THE EARTH SYMBOL OR COLOURED GREEN OR GREEN/ YEL­LOW.
THIS PLUG IS NOT WATERPROOF —KEEP DRY.
Before use
Remove the connector cover.
How to replace the fuse
The location of the fuse differ according to the type of AC mains plug (figures A and B). Confirm the AC mains plug fitted and follow the instructions below. Illustrations may differ from actual AC mains plug.
1. Open the fuse cover with a screwdriver.
Figure A
Figure B
Fuse cover
CAUTION!
IF THE FITTED MOULDED PLUNG IS UNSUITABLE FOR THE SOCKET OUTLET IN YOUR HOME THEN THE FUSE SHOULD BE RE-MOVED AND THE PLUG CUT OFF AND DIS-POSED OF SAFELY. THERE IS A DANGER OF SEVERE ELECTRICAL SHOCK IF THE CUT OFF PLUG IS INSERTED INTO ANY 13-AMPRERE SOCKET.
If a new plug is to be fitted please observe the wiring code as stated below. If in any doubt please consult a qualified electrician.
IMPORTANT
The wires in this mains lead are coloured in accor­dance with the following code: Blue: Neutral, Brown: Live. As these colours may not correspond with the col­oured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured Blue must be con­nected to the terminal which is marked with the letter N or coloured Black or Blue. The wire which is coloured Brown must be con­nected to the terminal which is marked with the letter L or coloured Brown or Red.
2. Replace the fuse and close or attach the fuse
cover.
Figure A
Fuse (5 ampere)
For United Kingdom and Republic of Ireland
www.panasonic.co.uk (for UK customers only)
Order accessory and consumable items for your
product with ease and confidence by telephoning our Customer Care Centre Mon–Friday 9:00am–5:30pm. (Excluding public holidays.)
Or go on line through our Internet Accessory
ordering application.
Most major credit and debit cards accepted.
All enquiries transactions and distribution facilities
are provided directly by Panasonic UK Ltd.
It couldnüft be simpler!
Customer Care Centre
For UK customers: 08705 357357 For Republic of Ireland customers: 01 289 8333
Technical Support
For UK customers: 0870 1 505610
This Technical Support Hot Line number is for Panasonic PC software related products only.
For Republic of Ireland, please use the Customer Care Centre number listed above for all enquiries.
For all other product related enquiries, please use the Customer Care Centre numbers listed above.
Figure B
Fuse (5 ampere)
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THE FOLLOWING APPLIES ONLY
IN THE U.S.A. AND CANADA
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE SCREWS. NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lightning flash with arrowhead symbol, within an equilateral tri­angle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the pro­duct’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and main­tenance (servicing) instructions in the literature accompanying the appliance.
(for U.S.A. and Canada)
CAUTION:
TO PREVENT ELECTRIC SHOCK MATCH WIDE BLADE OF PLUG TO WIDE SLOT, FULLY IN­SERT.
WARNING:
TO REDUCE THE RISK OF FIRE, ELECTRIC
SHOCK OR PRODUCT DAMAGE, DO NOT EXPOSE THIS APPARATUS TO RAIN, MOISTURE, DRIP-
PING OR SPLASHING AND THAT NO OBJECTS
FILLED WITH LIQUIDS, SUCH AS VASES, SHALL BE PLACED ON THE APPARATUS.
THE FOLLOWING APPLIES
ONLY IN THE U.S.A.
CAUTION:
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential instal­lation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communica­tions. However, there is no guarantee that interfer­ence will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is en­couraged to try to correct the interference by one or more of the following measures:
Reorient or relocate the receiving antenna.
Increase the separation between the equipment
and receiver.
Connect the equipment into an outlet on a circuit
different from that to which the receiver is con­nected.
Consult the dealer or an experienced radio/TV
technician for help.
FCC Warning: To assure continued FCC emission limit compli­ance, use only the provided power supply cord and the shielded interface cable when connecting this device to the computer. Also, any unauthorized changes or modifications to this equipment would void the users authority to operate this device.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause un­desired operation.
Responsible Party:
Matshshita Electric Corporation of America One Panasonic Way Secaucus, NJ, 07094 USA Telephone No.: 1-800-211-7262
THE FOLLOWING APPLIES ONLY IN THE U.S.A.
Notice:
This product has a fluorescent lamp that contains a small amount of mercury. It also contains lead in some components. Disposal of these materials may be regulated in your commu­nity due to environmental considerations. For disposal or recycling information please contact your local authorities, or the Electronics Industries Alliance: <http://www.eiae.org>
The model number and serial number are found underneath the keyboard. Please note the model and serial numbers in the space provided below and retain this sheet as a permanent record of your purchase to aid identification in the event of theft.
MODEL NUMBER
SERIAL NUMBER
THIS UNIT IS INTENDED FOR USE IN TROPICAL CLIMATES. DENNA ENHET ÄR AVSEDD FÖR ANVÄNDNING PÅ PLATSER MED TROPISKT KLIMAT. TÄMÄ LAITE ON TARKOITETTU KÄYTETTÄVÄKSI TROOPPISESSA ILMASTOSSA. DETTE APPARATET ER BEREGNET TIL BRUK UNDER TROPISKE KLIMAFORHOLD.
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THE FOLLOWING APPLIES ONLY IN THE U.S.A.
IMPORTANT SAFETY INSTRUCTIONS
Read these operating instructions carefully before using the unit. Follow the safety instructions on the unit and the safety precautions listed below. Keep these operating instructions handy for future reference.
Safety
1.Power Source—Connect the unit to a power source
of the type described in these instructions or as marked on the unit.
2.Polarization—The unit is equipped with a polarized
power plug where one blade is wider than the other. This safety feature ensures that the plug fits into your household AC outlet only one way. If the plug doesn’t fit one way, try reversing it. If the plug still doesn’t fit, contact an electrician to replace the obsolete outlet. Do not attempt to defeat the safety purpose of the plug.
3.Power Cord protection—Route the AC power
supply cord so that it will not be walked on or pinched by items placed on or against it. Never take hold of the plug or cord with wet hands. Always grasp the plug body firmly when connecting and disconnecting it.
4.Overloading—When connecting the AC power
supply cord, be careful not to overload the household AC outlet, extension cord, or outlet from any other device as this can result in fire or electric shock.
5.Nonuse periods—Turn the unit off when it is not
in use. Unplug the unit from the household AC outlet if it is not to be used for a long time. Unplug the unit during lightning storms.
6.Attachments and accessories—Use only the
attachments and accessories recommended in these operating instructions.
Installation
Placement
1.Ventilation—Situate the unit so that it receives
proper ventilation. Do not install in a confined space such as a bookcase or cabinet. Allow at least 10 cm (4 inches) clearance from the rear of the unit. To prevent the risk of electric shock or fire due to overheating ensure curtains and other materials do not obstruct the unit’s ventilation.
2.Foreign material—Ensure objects and liquids do
not get into the unit. Avoid exposing the unit to excessive smoke, dust, mechanical vibration, and shock.
3.Magnetism—Situate the unit away from equipment
and devices that generate strong magnetic fields.
4.Stacking—Do not place heavy objects on top of
this unit.
5.Surface—Place the unit on a flat, level surface.
6.Carts and stands—Use the unit only
with carts and stands recommended by the manufacturer. Move carts with care. Sudden stops, excessive force, and uneven surfaces can cause carts to overturn.
7.Wall and ceiling mounting—Do not mount the unit
on walls or ceilings unless specified in the instructions.
Environmnet
1.Water and moisture—Do not use the unit near
water, such as near a bathtub or swimming pool. Avoid damp basements.
2.Heat—Situate the unit away from heat sources,
such as radiators. Do not situate where temperatures fall below 5°C (41°F) or rise above 35° C (95°F).
Maintenance
(See page 6 for details.)
Unplug the unit from the household AC outlet before cleaning. Clean with a damp cloth. Do not use abrasive pads, scouring powders, or solvents.
Service
1.Damage Requiring Service—The unit should be
serviced by qualified service personnel if: (a) The AC power supply cord or the plug has been
damaged; or (b) Objects or liquids have gotten into the unit; or (c) The unit has been exposed to rain; or (d) The unit does not operate normally or exhibits
a marked change in performance; or (e) The unit has been dropped or the cabinet
damaged.
2.Servicing—Do not attempt to service the unit
beyond that described in these operating instructions. Refer all other servicing to authorized servicing personnel.
3.Replacement parts—When parts need replacing
ensure the servicer uses parts specified by the manufacturer or parts that have the same characteristics as the original parts. Unauthorized substitutes may result in fire, electric shock, or other hazards.
4.Safety check—After repairs or service, ask the
servicer to perform safety checks to confirm that the unit is in proper working condition.
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5
Cautions for safest use of this unit
Installation location
1. A well-ventilated place.
Take care not to use this unit in a place where it will not receive sufficient ventilation, and not to permit the ventilation holes to be covered by cur­tains, or any similar materials.
2. Place away from direct sunlight and excessive
heat from heating equipment.
3. A place where humidity, vibration and dust are
minimized.
Power source
1. Be sure the line voltage selector is in accord-
ance with local voltage in your area before con­necting the plug to the socket.
2. DC power cannot be used.
Handling the power cord
1. Never touch the power cord, or its plug, with wet
hands.
2. Dont pull the power cord.
Metal items inside the unit may re­sult in electric shock or damage.
Do not permit metal articles to get inside the unit.
Be especially careful with regard to this point if children are near this unit. They should be warned never to try to put anything inside.
If, nevertheless, some such article does get inside, disconnect the power cord plug from the electrical outlet, and contact the store where the unit was purchased.
If water gets into the unit
Disconnect the power cord plug from the electrical outlet, and contact the store where it was pur­chased.
As a precaution, it is suggested that flower vases and other containers which hold liquids not be placed on the top of this unit.
If operation seems abnormal
Immediately turn off the power, disconnect the power cord plug from the electrical outlet, and con­tact the store where it was purchased.
Discontinue using the unit at once. Failure to do so may result in additional damage or some other un­expected damage or accident.
Because the power source is located inside the
unit, it is normal for the cabinet to become warm.
A word about the power cord
If the power cord is scarred, is partially cut or broken, or has a bad contact, it may cause a fire or serious electrical shock if used. NEVER use a dam­aged power cord for any appliance. Moreover, the power cord should never be forcibly bent.
Don’t touch the inside parts of this unit.
Some places inside this unit have high voltage potential. Never try to remove the top or back panels of this unit, or to touch inside parts by hand or with tools.
Contact someone who is qualified in order to in­spect the inside, or to replace a fuse, if such be­comes necessary. Never attempt to do these things yourself.
Maintenance
The following suggestions will assist you in keep­ing the unit in top condition.
Be sure to switch the instrument off after use,
and do not switch the unit on and off in quick succession, as this places an undue load on the electronic components.
To keep the luster of the surface and buttons,
simply use a clean, damp cloth; polish with a soft, dry cloth. Polish may be used but do not use thinners or petro-chemical-based polishes.
A wax-based polish may be used on the cabinet,
although you will find that rubbing with a soft cloth will suffice.
This product may receive radio interference caused by mobile telephones during use. If such interference is apparent, please increase separa­tion between the product and the mobile telephone.
SERVICE MUST BE CARRIED OUT BY DEALER
OR OTHER QUALIFIED PERSON
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SVENSK: Det kan inträffa att den här produkten under användningen tar emot radiostörningar, orsakade av mobiltelefoner. Öka avståndet mellan produkten och mobiltelefonen om störningarna är uppenbara.
Contents
Cautions for safest use of this unit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Controls and functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
BASIC FUNCTIONS
Getting started . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
See and listen to the demonstration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Add effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Play back commercial song disks (DIRECT PLAY) . . . . . . . . . . . . . . . . . . . . . . 16
Play back SD cards (SD-AUDIO PLAY) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Select the registration for a music style (MUSIC STYLIST) . . . . . . . . . . . . . . 18
Automatic panel settings (ONE TOUCH PLAY) . . . . . . . . . . . . . . . . . . . . . . . . . 20
Store your panel settings (PANEL MEMORY) . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Recall your favorite panel settings at the press of a single button
(CUSTOM PANEL) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Record your performance (SEQUENCER) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Save data on an SD card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Load rhythm data from a Technics pattern disk (COMPOSER LOAD) . . . . . . 28
PRACTICAL APPLICATIONS
About the display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Favorites . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Part I Sounds and effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Overview of sounds and effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Selecting sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Digital Drawbar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Organ Tabs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Accordion Register . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Assigning parts to the keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Effects (PART) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Effects (GLOBAL) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Controller . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Transpose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Techni-chord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Part II Playing the rhythm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Overview of rhythm performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Selecting rhythms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
Playing the rhythm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Auto Play Chord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Fade In/Fade Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Sound Arranger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
One Touch Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Music Stylist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Music Style Arranger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
Panel Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Part III Performance Pads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Playing phrases . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Copying phrases . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Compile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Record a phrase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Part IV Sequencer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Outline of the Sequencer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Slide Show . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Sequencer parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Easy Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Realtime Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
Sequencer Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
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Naming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Panel Write . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Song Select . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Punch Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Step Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Track Assign . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Quantize . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Song Clear . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Track Clear . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Note Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
Drum Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
After Touch Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Copy and paste the recorded data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
Changing the note position etc. of the recorded data . . . . . . . . . . . . . . . . . . . 105
Part V Composer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Outline of the Composer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Simple recording method . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Create a completely new rhythm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Chord Modify Change . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Part Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115
Step Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Measure Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
Pattern Copy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Custom Style Copy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Part VI Disk Drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
Outline of the Disk Drive function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
Outline of the procedure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Loading data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Direct Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127
Song Medley . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
Saving data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130
Custom Style Load/Save . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
Disk management . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
Set the automatic display when a disk is inserted . . . . . . . . . . . . . . . . . . . . . . 136
How to use the Style Convert Disk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137
About the Initial Data Disk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137
Part VII SD Card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138
Outline of the SD Card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138
Loading data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140
SD-Audio Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143
SD-Sound Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144
Playlist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145
SD Song Medley . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
Saving Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147
Create an album of your favorite songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
Custom Style Load/Save . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
SD Card management . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151
Set the priority of displays . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152
Part VIII Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153
Outline of the Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153
Part Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154
Mixer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157
Master Tuning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159
Key Scaling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159
Sound Load Option . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160
Monitor Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160
Separate Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
APC Reverb Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
8
QQTG0671
Part IX Reverb & Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
Outline of the Reverb & Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
Equalizer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
Allocation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
Part X Sound Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164
Outline of the Sound Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164
Easy Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165
Tone Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166
Pitch Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
Filter Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170
Amplitude Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172
LFO (cyclic modulation) Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174
Effect Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175
Controller Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176
Store the new sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176
Part XI Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178
Outline of Control functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178
Overall Touch Sensitivity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179
Foot Controllers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179
Part XII Customize . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181
Outline of Customize functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181
Home Page Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182
Display Time Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183
Wallpaper Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184
Data Protection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184
Custom Panel Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185
MIDI Setting Load Option . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185
Video Out Mode Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186
Part XII MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187
What is MIDI? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187
Outline of MIDI functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189
Part Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190
Control Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191
Realtime Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191
Common Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192
Mode Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193
Input/output Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193
MIDI Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194
Program Change MIDI Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195
Panel Memory Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196
Computer Connection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196
Initialize . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197
About the backup memory and performance data . . . . . . . . . . . . . . . . . . . . . . . . . 198
Separately sold options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198
Terminals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199
Symptoms which appear to be signs of trouble . . . . . . . . . . . . . . . . . . . . . . . . . . . 201
Error messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205
Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207
Supplied accessories
Please check the supplied accessories.
Music stand AC cord STYLE CONVERT DISK
INITIAL DATA DISK CD-ROM SD Card
QQTG0671
9
Controls and functions
MUSIC STYLIST
You can choose to have all the settings of this instrument automatically set. (Refer to page 61.)
AUTO PLAY CHORD
Add an automatic accompaniment to your selected rhythm.(Refer to page 53.)
RHYTHM GROUP
Various rhythm patterns are available for each rhythm group. (Refer to page 50.)
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MAX
MIN
MIN
AUTO SETTING BANK
DEMO
1
4
PITCH BEND MODULATION
2
5
SOLO
POWER
UP
DOWN
MIC
VOLUME
PERFORMANCE PADS
MAX
MIN
LINE IN
VOLUME
MAX MAX
MIN MIN
STOP
3
6
SOLO
AUTO PLAY CHORD MODE BALLROOM ENTERTAINER ORGANIST
SOUND ARRANGER
SET CUSTOM MEMORY
MUSIC STYLIST
ARRANGER
ONE TOUCH
8 & 16
ROCK
BEAT
& POP
MODERN
60s & 70sOFF/ON
DANCE
SPLIT
PLAY
POINT IN OUT
4321 2 1 1234 BEAT2
SEQUENCER
RESET
RHYTHM GROUP
JAZZ &
BALLADOFF/ON
SWING
COUNTRY
SOUL &
R&B
FADEMUSIC STYLE
FILL INVARIATION
1
COUNT INTRO
& WESTERN
MARCH
& WALTZ
TAP
TEMPO
INTRO & ENDING
FADE IN/OUT
Begin your song with a slowly increasing volume, or end it by having the sound slowly fade away. (Refer to page 58.)
PERFORMANCE PADS
Add various phrases to your performance with the pad buttons. (Refer to page 68.)
MOVIE &
SHOW
LATIN
& WORLD
SYNCHRO & BREAK
START/STOP
LOAD
OTHER
PART & FR CONTRAST
HELP
MUTE
10
QQTG0671
PITCH BEND/MODULATION
The PITCH BEND wheel allows a sliding change in the pitch. The MODULATION wheel is used to add vibrato to the sound. (Refer to page 46.)
DISPLAY
Displays performance information, function settings and other messages. (Refer to page 29.)
Adjust the readability with the CONTRAST buttons at the lower left side of the display.
TECHNI-CHORD
Block chords are automatically added to the melody. (Refer to page 48.)
SOUND GROUP
Various sounds are available for each sound group. (Refer to page 34.)
DISPLAY
HOLDPAGE
EXIT
DIGITAL
DRAWBAR
ORGAN
TABS
MALLET &
ORCH PERC
ACCORDION
REGISTER
SOUND GROUP
STRINGS & VOCAL
R1/R2 OCTAVE
BRASSWORLDGUITARPIANO
+
+
SAX &
WOODWIND
ORGAN &
ACCORDION
PART SELECTTRANSPOSETEMPO/PROGRAM
RIGHT2LEFT
CONDUCTOR
SOUND
EXPLORER
EW
EXPANSION
SOLOTECHNI-CHORD
RIGHT1
SEQUENCER
Record and play back your performance. (Refer to page 74.)
PART EFFECT
SOUND
DIGITAL
SUSTAIN
EFFECT
GLOBAL EFFECT
MULTI
CHORUSMEMORYBASS DRUM KITSSYNTHPAD MIC
BANK VIEW
PANEL MEMORY
7
85
14
23
VARIATION
DSP
REVERB
NEXT BANK
6
SET
DISK IN USE
CUSTOM
PANEL
SEQUENCER
PLAY EASY REC
DISK
LOAD
SD
LOAD
FAVORITES
PROGRAM
MENUS
CUSTOMIZE
TRANSPOSE
Raise or lower the key of the entire keyboard. (Refer to page 47.)
CONDUCTOR
Assign a different sound to each part, then assign the desired parts to sections of the keyboard. (Refer to page 39.)
FAVORITES
You can record four different special displays of your favorite sounds and rhythms, functions, etc. (Refer to page 32.)
PANEL MEMORY
Store the panel settings, then recall them instantaneously just by pressing a button or two. (Refer to page 65.)
11
QQTG0671
Getting started
Before you play
Basic functions
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MAX
MIN
MIN
PERFORMANCE PADS
AUTO SETTING BANK
DEMO
2
1
4
5
SOLO
AUTO PLAY CHORD MODE BALLROOM ENTERTAINER ORGANIST
LINE IN
MIC
VOLUME
VOLUME
MAX MAX
SOUND ARRANGER
SET CUSTOM MEMORY
MIN MIN
MUSIC STYLIST
STOP
ONE TOUCH
ARRANGER
3
6
SOLO
PLAY
RHYTHM GROUP
8 & 16
ROCK
JAZZ &
BALLADOFF/ON
BEAT
& POP
SWING
MODERN
COUNTRY
SOUL &
60s & 70sOFF/ON
DANCE
& WESTERN
R&B
FADEMUSIC STYLE
SPLIT POINT IN OUT
FILL INVARIATION
1
4321 2 1 1 2 3 4 BEAT2
COUNT
SEQUENCER
INTRO
RESET
INTRO & ENDING
MOVIE &
SHOW
MARCH
LATIN
& WALTZ
& WORLD
LOAD
SYNCHRO
TAP
& BREAK
TEMPO
OTHER
PART & FR CONTRAST
START/STOP
MUTE
HELP
DRAWBAR
DISPLAY
HOLDPAGE
EXIT
SOUND GROUP
ORGAN &
SAX &
STRINGS
MALLET &
BRASSWORLDGUITARPIANO
ACCORDION
WOODWIND
& VOCAL
ORCH PERC
DIGITAL
ORGAN
ACCORDION
TABS
REGISTER
R1/R2 OCTAVE
PART SELECTTRANSPOSE
+–
RIGHT2LEFT
+–
CONDUCTOR
TEMPO/PROGRAM
PART EFFECT
DIGITAL
SOUND
SUSTAIN
EFFECT
EXPLORER
GLOBAL EFFECT
EW
MULTI
CHORUSMEMORYBASS DRUM KITSSYNTHPAD
EXPANSION
BANK VIEW
PANEL MEMORY
SOLOTECHNI-CHORD
7
85
RIGHT1
14
23
4
SEQUENCER
SOUND
VARIATION
PLAY EASY REC
DSP
REVERB
SET
PROGRAM
MIC
DISK
MENUS
DISK
IN USE
LOAD
SD
NEXT BANK
6
LOAD
CUSTOM
CUSTOMIZE
PANEL
FAVORITES
1 2
3
Plug the power cord into an outlet.
Affix the music stand as shown.
Open the control panel unit.
Press the POWER button to turn it on.
4
Headphones may be plugged into the PHONES terminal. This will automatically switch off the speaker system, and sound is heard only through the headphones.
Be careful not to pinch your fingers.
Precaution for carrying the instrument
When carrying this instrument, close the control panel unit and hold the bottom sides of both extremities of the instrument.
Never carry it holding the control panel, as doing so may result in malfunction.
12
QQTG0671
The pitch of this instrument can be adjusted for when playing with other instruments. (Refer to page 159.)
For information on this instrument’s backup function, refer to page 198.
Under certain conditions, the functions and memories of this instrument may be initialized when the power is turned on.
Playing
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MAX
MIN
MIN
PERFORMANCE PADS
AUTO SETTING BANK
DEMO
2
1
4
5
SOLO
AUTO PLAY CHORD MODE BALLROOM ENTERTAINER ORGANIST
LINE IN
MIC
VOLUME
VOLUME
MAX MAX
SOUND ARRANGER SET CUSTOM MEMORY
MIN MIN
MUSIC STYLIST
STOP
ONE TOUCH
ARRANGER
3
6
SOLO
PLAY
8 & 16
ROCK
JAZZ &
BALLADOFF/ON
BEAT
& POP
SWING
MODERN
COUNTRY
SOUL &
60s & 70sOFF/ON
DANCE
& WESTERN
R&B
FADEMUSIC STYLE
SPLIT
POINT IN OUT
FILL INVARIATION
4321 2 1 1 2 3 4 BEAT2
1
SEQUENCER
COUNT
RESET
INTRO
RHYTHM GROUP
INTRO & ENDING
Basic functions
PART EFFECT
DIGITAL
SOUND
SUSTAIN
EFFECT
EXPLORER
GLOBAL EFFECT
EW
MULTI
CHORUSMEMORYBASS DRUM KITSSYNTHPAD
EXPANSION
BANK VIEW
PANEL MEMORY
SOLOTECHNI-CHORD
7
85
RIGHT1
14
23
TEMPO/PROGRAM
SOUND GROUP
ORGAN &
SAX &
STRINGS
MALLET &
BRASSWORLDGUITARPIANO
ACCORDION
WOODWIND
& VOCAL
ORCH PERC
ORGAN
ACCORDION
TABS
REGISTER
PART SELECTTRANSPOSE
+–
RIGHT2LEFT
R1/R2 OCTAVE
+–
CONDUCTOR
MOVIE &
SHOW
MARCH
LATIN
& WALTZ
& WORLD
LOAD
SYNCHRO
TAP
& BREAK
TEMPO
OTHER
PART & FR
START/STOP
CONTRAST
MUTE
HELP
DIGITAL DRAWBAR
DISPLAY
HOLDPAGE
EXIT
SEQUENCER
SOUND
PLAY EASY REC
VARIATION
DSP
PROGRAM
DISK
REVERB
MIC
MENUS
DISK IN USE
LOAD
SD
NEXT BANK
6
LOAD
CUSTOM
CUSTOMIZE
PANEL
SET
FAVORITES
1
2
5 3 2
In the CONDUCTOR section on the panel, press the RIGHT 1 button to turn it on.
RIGHT2LEFT RIGHT1
CONDUCTOR
In the SOUND GROUP section, press one of the sound buttons.
DIGITAL RAWBAR
ORGAN
TABS
MALLET &
ORCH PERC
ACCORDION
REGISTER
SOUND GROUP
STRINGS & VOCAL
SAX &
BRASSWORLDGUITARPIANO
WOODWIND
ORGAN &
ACCORDION
MEMORYBASS DRUM KITSSYNTHPAD
SOUND
EXPLORER
EW
EXPANSION
3
4
Select a sound from the list of sounds shown on the display.
OTHER
PART & FR CONTRAST
MUTE
HELP
The list of sounds is contained on two or more screen pages. To see a different part of the list, press either PAGE button.
Play the keyboard.
Your Keyboard features Touch Response. You control the volume by playing the keys harder or softer.
1
DISPLAY
HOLDPAGE
EXIT
Refer to page 34 for detailed information about selecting sounds.
Set the MAIN VOLUME to an
5
appropriate level with the sliding control.
Display angle
Push the upper or lower frame of the display and swivel it to set the angle at which it is easiest to read.
QQTG0671
13
See and listen to the demonstration
Basic functions
1
2
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MAX
MIN
MIN
PERFORMANCE PADS
AUTO SETTING BANK
DEMO
2
1
4
5
SOLO
AUTO PLAY CHORD MODE BALLROOM ENTERTAINER ORGANIST
LINE IN
MIC
VOLUME
VOLUME
MAX MAX
SOUND ARRANGER SET CUSTOM MEMORY
MIN MIN
MUSIC STYLIST
STOP
ONE TOUCH
ARRANGER
3
6
SOLO
PLAY
RHYTHM GROUP
8 & 16
ROCK
JAZZ &
BALLADOFF/ON
BEAT
& POP
SWING
MODERN
COUNTRY
SOUL &
60s & 70sOFF/ON
DANCE
& WESTERN
R&B
FADEMUSIC STYLE
SPLIT POINT IN OUT
FILL INVARIATION
1
4321 2 1 1 2 3 4 BEAT2
COUNT
SEQUENCER
INTRO
RESET
INTRO & ENDING
MOVIE &
SHOW
MARCH
LATIN
& WALTZ
& WORLD
LOAD
TAP
SYNCHRO
TEMPO
& BREAK
OTHER
PART & FR
START/STOP
CONTRAST
MUTE
HELP
1 3
Press the DEMO button.
DEMO
Use the buttons to the left and right the display to select the demonstration tune you wish to see and listen to.
SOUND GROUP
ORGAN &
SAX &
STRINGS
MALLET &
BRASSWORLDGUITARPIANO
ACCORDION
WOODWIND
& VOCAL
ORCH PERC
DIGITAL
ORGAN
ACCORDION
DRAWBAR
TABS
REGISTER
R1/R2 OCTAVE
PART SELECTTRANSPOSE
+–
RIGHT2LEFT
+–
CONDUCTOR
TEMPO/PROGRAM
DISPLAY
HOLDPAGE
EXIT
PART EFFECT
SOUND
DIGITAL
SOUND
SUSTAIN
DSP
EFFECT
EXPLORER
GLOBAL EFFECT
EW
CHORUSMEMORYBASS DRUM KITSSYNTHPAD
MULTI
EXPANSION
REVERB
NEXT BANK
BANK VIEW
PANEL MEMORY
SOLOTECHNI-CHORD
7
85
SET
RIGHT1
14
23
VARIATION
MIC
6
2
The demonstration performance and display corresponding to your selection will begin.
To end the demonstration before it has finished, press the
START/STOP button.
Slide Show
The Slide Show function displays the images which change in concordance with the music progression. Enjoy, with the DEMO songs, a variety of the images which switch automatically according to each image of the music.
You can set images for the Slide Show for your own music. (See page 77.)
SEQUENCER
PLAY EASY REC
PROGRAM
DISK
MENUS
DISK IN USE
LOAD
SD
LOAD
CUSTOM
CUSTOMIZE
PANEL
FAVORITES
OTHER
PART & FR CONTRAST
MUTE
HELP
If you press and hold the DEMO button for a few seconds, or if you press first the DEMO button and then the START/STOP button, all demo tunes are demonstrated in order in a medley performance. The medley performance continues until the START/STOP button or the DEMO button is pressed again.
14
QQTG0671
When you are finished listening to the
DISPLAY
HOLDPAGE
EXIT
3
demonstration tunes, press the DEMO button again.
Some of the buttons do not function during the DEMO mode.
Add effects
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MAX
MIN
MIN
PERFORMANCE PADS
AUTO SETTING BANK
DEMO
2
1
4
5
SOLO
AUTO PLAY CHORD MODE BALLROOM ENTERTAINER ORGANIST
LINE IN
MIC
VOLUME
VOLUME
MAX MAX
SOUND ARRANGER SET CUSTOM MEMORY
MIN MIN
MUSIC STYLIST
STOP
ARRANGER
3
6
SOLO
Add breadth.
Press the CHORUS button to turn it on.
A
8 & 16 BEAT
60s & 70sOFF/ON
ONE TOUCH
SPLIT
PLAY
POINT IN OUT
4321 2 1 1 2 3 4 BEAT2
RHYTHM GROUP
ROCK
JAZZ &
MOVIE &
BALLADOFF/ON
& POP
SWING
MODERN DANCE
SEQUENCER
SHOW
COUNTRY
SOUL &
MARCH
LATIN
& WESTERN
R&B
& WALTZ
& WORLD
LOAD
SYNCHRO
TAP
FADEMUSIC STYLE
FILL INVARIATION
1
RESET
& BREAK
TEMPO
INTRO & ENDING
COUNT INTRO
OTHER
PART & FR
CONTRAST
START/STOP
MUTE
HELP
DRAWBAR
DISPLAY
HOLDPAGE
EXIT
SOUND GROUP
ORGAN &
SAX &
STRINGS
MALLET &
BRASSWORLDGUITARPIANO
ACCORDION
WOODWIND
& VOCAL
ORCH PERC
DIGITAL
ORGAN
ACCORDION
TABS
REGISTER
R1/R2 OCTAVE
PART SELECTTRANSPOSE
+–
RIGHT2LEFT
+–
CONDUCTOR
TEMPO/PROGRAM
PART EFFECT
DIGITAL
SOUND
SUSTAIN
EFFECT
EXPLORER
GLOBAL EFFECT
EW
MULTI
CHORUSMEMORYBASS DRUM KITSSYNTHPAD
EXPANSION
BANK VIEW
PANEL MEMORY
SOLOTECHNI-CHORD
7
85
RIGHT1
14
23
SEQUENCER
SOUND
PLAY EASY REC
VARIATION
DSP
PROGRAM
DISK
REVERB
MIC
MENUS
DISK
IN USE
LOAD
SD
NEXT BANK
6
LOAD
CUSTOM
CUSTOMIZE
PANEL
SET
FAVORITES
Basic functions
A B C
Add reverberation.
Press the REVERB button to turn it on.
C
CHORUS
REVERB
Add effect.
Press the MULTI button to turn it on.
B
MULTI
These effects are applied to all the sounds of the instrument. In addition, you can apply various effects to specific parts. (Refer to page 42.)
You can modify the way in which the various effects are applied. (Refer to page
44.)
15
QQTG0671
Play back commercial song disks
(DIRECT PLAY)
Basic functions
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MAX
MIN
MIN
PERFORMANCE PADS
AUTO SETTING BANK
DEMO
2
1
4
5
SOLO
AUTO PLAY CHORD MODE BALLROOM ENTERTAINER ORGANIST
MIC
LINE IN
VOLUME
VOLUME
MAX MAX
SOUND ARRANGER
SET CUSTOM MEMORY
MIN MIN
MUSIC STYLIST
STOP
ONE TOUCH
ARRANGER
3
6
SOLO
PLAY
8 & 16
ROCK
JAZZ &
BALLADOFF/ON
BEAT
& POP
SWING
MODERN
COUNTRY
SOUL &
60s & 70sOFF/ON
DANCE
& WESTERN
R&B
FADEMUSIC STYLE
SPLIT POINT IN OUT
FILL INVARIATION
4321 2 1 1 2 3 4 BEAT2
1
SEQUENCER
COUNT
RESET
INTRO
RHYTHM GROUP
INTRO & ENDING
MOVIE &
SHOW
MARCH
LATIN
& WALTZ
& WORLD
LOAD
SYNCHRO
TAP
& BREAK
TEMPO
OTHER
PART & FR CONTRAST
START/STOP
MUTE
HELP
DIGITAL
DRAWBAR
DISPLAY
HOLDPAGE
EXIT
TEMPO/PROGRAM
SOUND GROUP
ORGAN &
SAX &
STRINGS
MALLET &
BRASSWORLDGUITARPIANO
ACCORDION
WOODWIND
& VOCAL
ORCH PERC
ORGAN
ACCORDION
TABS
REGISTER
PART SELECTTRANSPOSE
+–
RIGHT2LEFT
R1/R2 OCTAVE
+–
CONDUCTOR
2 3 4
PART EFFECT
SOUND
DIGITAL
SOUND
SUSTAIN
DSP
EFFECT
EXPLORER
GLOBAL EFFECT
EW
REVERB
MULTI
CHORUSMEMORYBASS DRUM KITSSYNTHPAD
EXPANSION
NEXT BANK
BANK VIEW
PANEL MEMORY
SOLOTECHNI-CHORD
7
85
SET
RIGHT1
14
23
SEQUENCER
PLAY EASY REC
VARIATION
PROGRAM
DISK
MIC
MENUS
DISK IN USE
LOAD
SD
6
LOAD
CUSTOM
CUSTOMIZE
PANEL
FAVORITES
1
2
Insert the song disk into the Disk Drive slot.
On the DISK MENU display, select DIRECT PLAY.
OTHER
PART & FR CONTRAST
HELP
MUTE
DISPLAY
HOLDPAGE
EXIT
3
4
Use a the buttons below the display to select a song.
OTHER
PART & FR CONTRAST
HELP
MUTE
DISPLAY
HOLDPAGE
EXIT
For SMF songs, use the PLAY AS button to specify a sound arrangement mode.
Press the START button.
The selected song is played back.
DIRECT PLAY is possible from the
following disks:
Standard MIDI File Standard MIDI File with Lyrics DISK ORCHESTRA COLLECTION (DOC) PianoDisc
* All product and company names are trademarks or
registered trademarks of their respective owners.
* DISK ORCHESTRA COLLECTION is a trademark of
the YAMAHA Corporation.
16
QQTG0671
OTHER
PART & FR CONTRAST
HELP
DISPLAY
MUTE
HOLDPAGE
EXIT
Play back SD cards
(SD-AUDIO PLAY)
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MAX
MIN
MIN
PERFORMANCE PADS
AUTO SETTING BANK
DEMO
2
1
4
5
SOLO
AUTO PLAY CHORD
MODE BALLROOM ENTERTAINER ORGANIST
MIC
LINE IN
VOLUME
VOLUME
MAX MAX
SOUND ARRANGER SET CUSTOM MEMORY
MIN MIN
MUSIC STYLIST
STOP
ONE TOUCH
ARRANGER
3
6
SOLO
PLAY
8 & 16
ROCK
BALLADOFF/ON
BEAT
& POP
MODERN
COUNTRY
SOUL &
60s & 70sOFF/ON
DANCE
& WESTERN
R&B
FADEMUSIC STYLE
SPLIT POINT IN OUT
FILL INVARIATION
1
4321 2 1 1 2 3 4 BEAT2
COUNT
SEQUENCER
INTRO
RESET
RHYTHM GROUP
JAZZ &
MOVIE &
SWING
SHOW
MARCH
LATIN
& WALTZ
& WORLD
LOAD
SYNCHRO
TAP
& BREAK
TEMPO
INTRO & ENDING
OTHER
PART & FR
START/STOP
CONTRAST
MUTE
HELP
Basic functions
SOUND GROUP
ORGAN &
SAX &
STRINGS
MALLET &
BRASSWORLDGUITARPIANO
ACCORDION
WOODWIND
& VOCAL
ORCH PERC
DIGITAL
ORGAN
ACCORDION
DRAWBAR
TABS
REGISTER
R1/R2 OCTAVE
PART SELECTTRANSPOSE
+–
RIGHT2LEFT
+–
CONDUCTOR
???SD VOLUMEMIN MAX
TEMPO/PROGRAM
DISPLAY HOLDPAGE
EXIT
PART EFFECT
DIGITAL
SOUND
SUSTAIN
EFFECT
EXPLORER
GLOBAL EFFECT
EW
CHORUSMEMORYBASS DRUM KITSSYNTHPAD
MULTI
EXPANSION
BANK VIEW
PANEL MEMORY
SOLOTECHNI-CHORD
7
85
RIGHT1
14
23
SEQUENCER
SOUND
VARIATION
PLAY EASY REC
DSP
PROGRAM
MIC
REVERB
DISK
MENUS
DISK
IN USE
LOAD
SD
NEXT BANK
6
LOAD
CUSTOM
CUSTOMIZE
PANEL
SET
FAVORITES
SD
IN USE
1
2
Open the lid of the SD slot.
Open it completely.
Insert an SD card with the stored songs into the SD slot.
Notched sideNotched side
Press the Playback button.
4
Playback of the first song begins.
Function of each button
Volume
Skip to the next, Fast forward (hold the button)
4
1 2 3
Stop
Playback/ Pause
Push the card until it locks.
Close the lid.
3
No operation is possible when the lid is open.
The playback operation is possible even when the control panel unit is closed.
Skip to the previous, Rewind (hold the button)
17
QQTG0671
Select the registration for a music style
(MUSIC STYLIST)
Basic functions
1
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MAX
MIN
MIN
PERFORMANCE PADS
AUTO SETTING BANK
DEMO
2
1
4
5
SOLO
AUTO PLAY CHORD MODE BALLROOM ENTERTAINER ORGANIST
MIC
LINE IN
VOLUME
VOLUME
MAX MAX
SOUND ARRANGER SET CUSTOM MEMORY
MIN MIN
MUSIC STYLIST
STOP
ONE TOUCH
ARRANGER
3
6
SOLO
PLAY
RHYTHM GROUP
8 & 16
ROCK
JAZZ &
BALLADOFF/ON
BEAT
& POP
SWING
MODERN
COUNTRY
SOUL &
60s & 70sOFF/ON
DANCE
& WESTERN
R&B
FADEMUSIC STYLE
SPLIT POINT IN OUT
FILL INVARIATION
1
4321 2 1 1 2 3 4 BEAT2
COUNT
SEQUENCER
INTRO
RESET
INTRO & ENDING
MOVIE &
SHOW
MARCH
LATIN
& WALTZ
& WORLD
LOAD
SYNCHRO
TAP
& BREAK
TEMPO
OTHER
PART & FR
CONTRAST
START/STOP
MUTE
HELP
1
Press the MUSIC STYLIST button to turn it on.
MUSIC STYLIST
2 3
3
SOUND GROUP
ORGAN &
SAX &
STRINGS
MALLET &
BRASSWORLDGUITARPIANO
ACCORDION
WOODWIND
& VOCAL
ORCH PERC
DIGITAL
ORGAN
ACCORDION
DRAWBAR
TABS
REGISTER
R1/R2 OCTAVE
PART SELECTTRANSPOSE
+–
RIGHT2LEFT
+–
CONDUCTOR
TEMPO/PROGRAM
DISPLAY HOLDPAGE
EXIT
PART EFFECT
DIGITAL
SOUND
SUSTAIN
EFFECT
EXPLORER
GLOBAL EFFECT
EW
MULTI
CHORUSMEMORYBASS DRUM KITSSYNTHPAD
EXPANSION
BANK VIEW
PANEL MEMORY
SOLOTECHNI-CHORD
7
85
RIGHT1
14
23
Use the CATEGORY and buttons to select a category.
OTHER
PART & FR CONTRAST
MUTE
HELP
SEQUENCER
SOUND
VARIATION
PLAY EASY REC
DSP
REVERB
SET
PROGRAM
MIC
DISK
MENUS
DISK IN USE
LOAD
SD
NEXT BANK
6
LOAD
CUSTOM
CUSTOMIZE
PANEL
FAVORITES
DISPLAY
HOLDPAGE
EXIT
2
Select MUSICAL CATEGORY.
OTHER
PART & FR CONTRAST
MUTE
HELP
DISPLAY
HOLDPAGE
EXIT
18
QQTG0671
4
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MAX
MIN
MIN
PERFORMANCE PADS
AUTO SETTING BANK
DEMO
2
1
4
5
SOLO
AUTO PLAY CHORD
MODE BALLROOM ENTERTAINER ORGANIST
MIC
LINE IN
VOLUME
VOLUME
MAX MAX
SOUND ARRANGER SET CUSTOM MEMORY
MIN MIN
MUSIC STYLIST
STOP
ONE TOUCH
ARRANGER
3
6
SOLO
PLAY
RHYTHM GROUP
8 & 16
ROCK
JAZZ &
BALLADOFF/ON
BEAT
& POP
SWING
MODERN
COUNTRY
SOUL &
60s & 70sOFF/ON
DANCE
& WESTERN
R&B
FADEMUSIC STYLE
SPLIT POINT IN OUT
FILL INVARIATION
4321 2 1 1 2 3 4 BEAT2
1
SEQUENCER
COUNT
RESET
INTRO
INTRO & ENDING
MOVIE &
SHOW
MARCH
LATIN
& WALTZ
& WORLD
LOAD
SYNCHRO
TAP
& BREAK
TEMPO
OTHER
PART & FR CONTRAST
START/STOP
MUTE
HELP
Use the STYLE and buttons to select a music style.
4
Basic functions
SOUND GROUP
ORGAN &
SAX &
STRINGS
MALLET &
BRASSWORLDGUITARPIANO
ACCORDION
WOODWIND
& VOCAL
ORCH PERC
DIGITAL
ORGAN
ACCORDION
DRAWBAR
TABS
REGISTER
TEMPO/PROGRAM
DISPLAY
HOLDPAGE
EXIT
R1/R2 OCTAVE
PART SELECTTRANSPOSE
+–
RIGHT2LEFT
+–
CONDUCTOR
PART EFFECT
DIGITAL
SOUND
SUSTAIN
EFFECT
EXPLORER
GLOBAL EFFECT
EW
MULTI
CHORUSMEMORYBASS DRUM KITSSYNTHPAD
EXPANSION
BANK VIEW
PANEL MEMORY
SOLOTECHNI-CHORD
7
85
RIGHT1
14
23
SEQUENCER
SOUND
PLAY EASY REC
VARIATION
DSP
PROGRAM
DISK
REVERB
MIC
MENUS
DISK
IN USE
LOAD
SD
NEXT BANK
6
LOAD
CUSTOM
CUSTOMIZE
PANEL
SET
FAVORITES
5
OTHER
PART & FR CONTRAST
MUTE
HELP
You can use the SKIP
and
DISPLAY HOLDPAGE
EXIT
buttons to skip to the previous or following sub category.
When you select a style, the sounds and rhythm which are best suited for the selected style are automatically selected.
Play the keyboard.
When you specify a chord, an intro is played, after which the automatic rhythm starts.
You can also search for a style alphabetically or by music era. (Refer to page 62.)
19
QQTG0671
Automatic panel settings
(ONE TOUCH PLAY)
Basic functions
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MAX
MIN
MIN
PERFORMANCE PADS
AUTO SETTING BANK
DEMO
2
1
4
5
SOLO
AUTO PLAY CHORD MODE BALLROOM ENTERTAINER ORGANIST
LINE IN
MIC
VOLUME
VOLUME
MAX MAX
SOUND ARRANGER
SET CUSTOM MEMORY
MIN MIN
MUSIC STYLIST
STOP
ONE TOUCH
ARRANGER
3
6
SOLO
PLAY
8 & 16
ROCK
JAZZ &
BALLADOFF/ON
BEAT
& POP
SWING
MODERN
COUNTRY
SOUL &
60s & 70sOFF/ON
DANCE
& WESTERN
R&B
FADEMUSIC STYLE
SPLIT
POINT IN OUT
FILL INVARIATION
4321 2 1 1234 BEAT2
1
COUNT
SEQUENCER
INTRO
RESET
RHYTHM GROUP
INTRO & ENDING
MOVIE &
SHOW
MARCH
LATIN
& WALTZ
& WORLD
LOAD
SYNCHRO
TAP
& BREAK
TEMPO
OTHER
PART & FR CONTRAST
START/STOP
MUTE
HELP
DIGITAL DRAWBAR
DISPLAY
HOLDPAGE
EXIT
TEMPO/PROGRAM
SOUND GROUP
ORGAN &
SAX &
STRINGS
MALLET &
BRASSWORLDGUITARPIANO
ACCORDION
WOODWIND
& VOCAL
ORCH PERC
ORGAN
ACCORDION
TABS
REGISTER
PART SELECTTRANSPOSE
+–
RIGHT2LEFT
R1/R2 OCTAVE
+–
CONDUCTOR
PART EFFECT
DIGITAL
SOUND
SUSTAIN
EFFECT
EXPLORER
GLOBAL EFFECT
EW
MULTI
CHORUSMEMORYBASS DRUM KITSSYNTHPAD
EXPANSION
BANK VIEW
PANEL MEMORY
SOLOTECHNI-CHORD
7
85
RIGHT1
14
23
SEQUENCER
SOUND
VARIATION
PLAY EASY REC
DSP
REVERB
SET
PROGRAM
MIC
DISK
MENUS
DISK
IN USE
LOAD
SD
NEXT BANK
6
LOAD
CUSTOM
CUSTOMIZE
PANEL
FAVORITES
1
2
3 4
6
1
In the RHYTHM GROUP section, press the button for a desired rhythm.
8 & 16
ROCK
BEAT
& POP
MODERN
60s & 70s CUSTOM MEMORY
DANCE
RHYTHM GROUP
JAZZ &
BALLAD BALLROOM ENTERTAINER ORGANIST
SWING
COUNTRY
SOUL &
& WESTERN
R&B
MARCH & WALTZ
MOVIE &
SHOW
LATIN
& WORLD
LOAD
Select a rhythm from the list of rhythms on the display.
OTHER
PART & FR CONTRAST
HELP
MUTE
DISPLAY
HOLDPAGE
EXIT
2 5
4
5
Press the AUTO PLAY CHORDs MODE button to turn it on.
AUTO PLAY CHORD
OFF/ON
MODE
Select BASIC on the display.
OTHER
PART & FR CONTRAST
MUTE
HELP
DISPLAY
HOLDPAGE
EXIT
3
20
QQTG0671
Press the AUTO PLAY CHORD’s
OFF/ON button to turn it on.
AUTO PLAY CHORD
OFF/ON
MODE
6
Press and hold the ONE TOUCH PLAY button for a few seconds.
ONE TOUCH
PLAY
The sound, effects and tempo suitable for the selected rhythm are automatically selected. The tempo can be adjusted with the
TEMPO/PROGRAM.
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MAX
MIN
MIN
PERFORMANCE PADS
AUTO SETTING BANK
DEMO
2
1
4
5
SOLO
AUTO PLAY CHORD MODE BALLROOM ENTERTAINERORGANIST
MIC
LINE IN
VOLUME
VOLUME
MAX MAX
SOUND ARRANGER
SET CUSTOM MEMORY
MIN MIN
MUSIC STYLIST
STOP
ONE TOUCH
ARRANGER
3
6
SOLO
PLAY
8 & 16
ROCK
JAZZ &
BALLADOFF/ON
BEAT
& POP
SWING
MODERN
COUNTRY
SOUL &
60s & 70sOFF/ON
DANCE
& WESTERN
R&B
FADEMUSIC STYLE
SPLIT POINT IN OUT
FILL INVARIATION
1
4321 2 1 1234 BEAT2
SEQUENCER
COUNT
RESET
INTRO
RHYTHM GROUP
INTRO & ENDING
MOVIE &
SHOW
MARCH
LATIN
& WALTZ
& WORLD
LOAD
SYNCHRO
TAP
& BREAK
TEMPO
OTHER
PART & FR
CONTRAST
START/STOP
MUTE
HELP
DIGITAL DRAWBAR
DISPLAY
HOLDPAGE
EXIT
ORGAN
TEMPO/PROGRAM
SOUND GROUP
ORGAN &
SAX &
STRINGS
MALLET &
BRASSWORLDGUITARPIANO
ACCORDION
WOODWIND
& VOCAL
ORCH PERC
ACCORDION
TABS
REGISTER
PART SELECTTRANSPOSE
+–
RIGHT2LEFT
R1/R2 OCTAVE
+–
CONDUCTOR
PART EFFECT
SOUND
DIGITAL
SOUND
SUSTAIN
DSP
EFFECT
EXPLORER
GLOBAL EFFECT
EW
REVERB
MULTI
CHORUSMEMORYBASS DRUM KITSSYNTHPAD
EXPANSION
NEXT BANK
BANK VIEW
PANEL MEMORY
SOLOTECHNI-CHORD
7
85
SET
RIGHT1
14
23
SEQUENCER
PLAY EASY REC
VARIATION
PROGRAM
DISK
MIC
MENUS
DISK
IN USE
LOAD
SD
6
LOAD
CUSTOM
CUSTOMIZE
PANEL
FAVORITES
Basic functions
8
7
C F G
C F G
Use your left hand to play the chords and your right hand to play the melody.
Pressing a key on the left area of the keyboard will cause the automatic rhythm pattern to start playing (synchro start).
8
7
7
C
C
At the end of your performance, press the INTRO & ENDING 1 or 2 button.
INTRO & ENDING
1
2
An ending pattern is played, after which the automatic accompaniment stops.
If the START/STOP button is pressed, the accompaniment stops immediately.
C
In this example you played chords by pressing the keys for the root notes (ONE FINGER chords). But you can also specify the chord by playing all the notes in the chord. (Refer to page 54.)
G7
F
You can insert a fill-in pattern while the preset rhythm pattern is playing by pressing either the FILL IN 1 or FILL IN 2 button.
21
QQTG0671
Store your panel settings
(PANEL MEMORY)
Basic functions
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MAX
MIN
MIN
PERFORMANCE PADS
AUTO SETTING BANK
DEMO
2
1
4
5
SOLO
AUTO PLAY CHORD MODE BALLROOM ENTERTAINER ORGANIST
LINE IN
MIC
VOLUME
VOLUME
MAX MAX
SOUND ARRANGER SET CUSTOM MEMORY
MIN MIN
MUSIC STYLIST
STOP
ONE TOUCH
ARRANGER
3
6
SOLO
PLAY
8 & 16
ROCK
JAZZ &
BALLADOFF/ON
BEAT
& POP
SWING
MODERN
COUNTRY
SOUL &
60s & 70sOFF/ON
DANCE
& WESTERN
R&B
FADEMUSIC STYLE
SPLIT
POINT IN OUT
FILL INVARIATION
1
4321 2 1 1234 BEAT2
COUNT
SEQUENCER
INTRO
RESET
RHYTHM GROUP
INTRO & ENDING
MOVIE &
SHOW
MARCH
LATIN
& WALTZ
& WORLD
LOAD
TAP
SYNCHRO
TEMPO
& BREAK
OTHER
PART & FR
CONTRAST
START/STOP
MUTE
HELP
DIGITAL
DRAWBAR
DISPLAY
HOLDPAGE
EXIT
TEMPO/PROGRAM
SOUND GROUP
ORGAN &
SAX &
STRINGS
MALLET &
BRASSWORLDGUITARPIANO
ACCORDION
WOODWIND
& VOCAL
ORCH PERC
ORGAN
ACCORDION
TABS
REGISTER
PART SELECTTRANSPOSE
+–
RIGHT2LEFT
R1/R2 OCTAVE
+–
CONDUCTOR
PART EFFECT
DIGITAL
SOUND
SUSTAIN
EFFECT
EXPLORER
GLOBAL EFFECT
EW
MULTI
CHORUSMEMORYBASS DRUM KITSSYNTHPAD
EXPANSION
BANK VIEW
PANEL MEMORY
SOLOTECHNI-CHORD
7
85
RIGHT1
14
23
2 3
SEQUENCER
SOUND
VARIATION
PLAY EASY REC
DSP
REVERB
SET
PROGRAM
MIC
DISK
MENUS
DISK IN USE
LOAD
SD
NEXT BANK
6
LOAD
CUSTOM
CUSTOMIZE
PANEL
FAVORITES
1
2
Set up the desired panel settings (sounds, volumes, etc.)
Use the NEXT BANK button to select a bank (A, B, C, 1 to 10).
NEXT BANK
The bank numbers are shown on the display.
Bank
3
With the SET button held down, press one of the numbered buttons of the
PANEL MEMORY (1 to 8).
PANEL MEMORY
7
6
85
SET
14
23
The current panel settings are now stored in the specified bank and number. When you select the same bank and number again, the stored panel settings are recalled.
If you do not wish to recall the rhythm, tempo, etc. with the PANEL MEMORY, press and hold the SET button for a few seconds to show the PANEL MEMORY MODE display, and select NORMAL.
22
QQTG0671
Recall your favorite panel settings at the press of a single button
APC/SEQUENCER
1
2
MAIN
VOLUME
VOLUME
MAX
MAX
MIN
MIN
PERFORMANCE PADS
AUTO SETTING BANK
DEMO
2
1
4
5
SOLO
Set up the desired panel settings (sounds, volumes, etc.)
Press the SET button and the CUSTOM PANEL button at the same time.
AUTO PLAY CHORD MODE BALLROOM ENTERTAINER ORGANIST
MIC
LINE IN
VOLUME
VOLUME
MAX MAX
SOUND ARRANGER
SET CUSTOM MEMORY
MIN MIN
MUSIC STYLIST
STOP
ARRANGER
3
6
SOLO
(CUSTOM PANEL)
RHYTHM GROUP
8 & 16
ROCK
JAZZ &
MOVIE &
BALLADOFF/ON
BEAT
& POP
SWING
SHOW
COUNTRY
SOUL &
MARCH
LATIN
& WESTERN
R&B
& WALTZ
& WORLD
LOAD
SYNCHRO
TAP
FADEMUSIC STYLE
FILL INVARIATION
1
COUNT INTRO
RESET
INTRO & ENDING
& BREAK
TEMPO
OTHER
PART & FR CONTRAST
START/STOP
MUTE
HELP
60s & 70sOFF/ON
ONE TOUCH
SPLIT
PLAY
POINT IN OUT
4321 2 1 1 2 3 4 BEAT2
MODERN
DANCE
SEQUENCER
Basic functions
SOUND GROUP
ORGAN &
SAX &
STRINGS
MALLET &
BRASSWORLDGUITARPIANO
ACCORDION
WOODWIND
& VOCAL
ORCH PERC
DIGITAL
ORGAN
ACCORDION
DRAWBAR
TABS
REGISTER
R1/R2 OCTAVE
PART SELECTTRANSPOSE
+–
RIGHT2LEFT
+–
CONDUCTOR
TEMPO/PROGRAM
DISPLAY
HOLD
PAGE
EXIT
PART EFFECT
DIGITAL
SOUND
SUSTAIN
EFFECT
EXPLORER
GLOBAL EFFECT
EW
MULTI
CHORUSMEMORYBASS DRUM KITSSYNTHPAD
EXPANSION
BANK VIEW
PANEL MEMORY
SOLOTECHNI-CHORD
7
85
RIGHT1
14
23
SEQUENCER
SOUND
VARIATION
PLAY EASY REC
DSP
REVERB
SET
PROGRAM
MIC
DISK
MENUS
DISK IN USE
LOAD
SD
NEXT BANK
6
LOAD
CUSTOM
CUSTOMIZE
PANEL
FAVORITES
2
BANK VIEW
PANEL MEMORY
7
85
NEXT BANK
6
CUSTOM
PANEL
SET
14
23
“COMPLETED! is shown on the display and the settings are stored. You can recall the stored settings at any time by turning on the CUSTOM PANEL button.
The PANEL MEMORY data is overwritten when disk load or automatic settings are performed, so if there is one particular combination of settings that you want to be able to always easily access, you can record it in the CUSTOM PANEL button and recall it merely by pressing the button.
CUSOMIZE
FAVORITES
23
QQTG0671
Record your performance
(SEQUENCER)
Basic functions
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MAX
MIN
MIN
PERFORMANCE PADS
AUTO SETTING BANK
DEMO
2
1
4
5
SOLO
AUTO PLAY CHORD MODE BALLROOM ENTERTAINER ORGANIST
LINE IN
MIC
VOLUME
VOLUME
MAX MAX
SOUND ARRANGER SET CUSTOM MEMORY
MIN MIN
MUSIC STYLIST
STOP
ONE TOUCH
ARRANGER
3
6
SOLO
PLAY
RHYTHM GROUP
8 & 16
ROCK
JAZZ &
BALLADOFF/ON
BEAT
& POP
SWING
MODERN
COUNTRY
SOUL &
60s & 70sOFF/ON
DANCE
& WESTERN
R&B
FADEMUSIC STYLE
SPLIT POINT IN OUT
FILL INVARIATION
1
4321 2 1 1 2 3 4 BEAT2
COUNT
SEQUENCER
INTRO
RESET
INTRO & ENDING
MOVIE &
SHOW
MARCH
LATIN
& WALTZ
& WORLD
LOAD
SYNCHRO
TAP
& BREAK
TEMPO
OTHER
PART & FR
START/STOP
CONTRAST
MUTE
HELP
DRAWBAR
DISPLAY
HOLDPAGE
EXIT
SOUND GROUP
ORGAN &
SAX &
STRINGS
MALLET &
BRASSWORLDGUITARPIANO
ACCORDION
WOODWIND
& VOCAL
ORCH PERC
DIGITAL
ORGAN
ACCORDION
TABS
REGISTER
R1/R2 OCTAVE
PART SELECTTRANSPOSE
+–
RIGHT2LEFT
+–
CONDUCTOR
TEMPO/PROGRAM
PART EFFECT
SOUND
DIGITAL
SOUND
SUSTAIN
DSP
EFFECT
EXPLORER
GLOBAL EFFECT
EW
CHORUSMEMORYBASS DRUM KITSSYNTHPAD
REVERB
MULTI
EXPANSION
NEXT BANK
BANK VIEW
PANEL MEMORY
SOLOTECHNI-CHORD
7
6
85
SET
RIGHT1
14
23
SEQUENCER
VARIATION
PLAY EASY REC
PROGRAM
MIC
DISK
MENUS
DISK
IN USE
LOAD
SD
LOAD
CUSTOM
CUSTOMIZE
PANEL
FAVORITES
Sound: Piano (RIGHT 1 part)
Right hand
Left hand
2
Sonatina
1
1
24
QQTG0671
In the SEQUENCER section, press the
EASY REC button to turn it on.
SEQUENCER
PLAY EASY REC
2
Press the OK button.
OTHER
PART & FR CONTRAST
MUTE
HELP
The display changes to the REALTIME RECORD display.
DISPLAY
HOLDPAGE
EXIT
PART EFFECT
DIGITAL
SOUND
SUSTAIN
EFFECT
EXPLORER
GLOBAL EFFECT
EW
CHORUSMEMORYBASS DRUM KITSSYNTHPAD
MULTI
EXPANSION
BANK VIEW
PANEL MEMORY
SOLOTECHNI-CHORD
7
85
RIGHT1
14
23
TEMPO/PROGRAM
SOUND GROUP
ORGAN &
SAX &
STRINGS
MALLET &
BRASSWORLDGUITARPIANO
ACCORDION
WOODWIND
& VOCAL
ORCH PERC
ORGAN
ACCORDION
TABS
REGISTER
PART SELECTTRANSPOSE
+–
RIGHT2LEFT
R1/R2 OCTAVE
+–
CONDUCTOR
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MAX
MIN
MIN
PERFORMANCE PADS
AUTO SETTING BANK
DEMO
2
1
4
5
SOLO
AUTO PLAY CHORD MODE BALLROOM ENTERTAINER ORGANIST
MIC
LINE IN
VOLUME
VOLUME
MAX MAX
SOUND ARRANGER SET CUSTOM MEMORY
MIN MIN
MUSIC STYLIST
STOP
ONE TOUCH
ARRANGER
3
6
SOLO
PLAY
RHYTHM GROUP
8 & 16
ROCK
JAZZ &
BALLADOFF/ON
BEAT
& POP
SWING
MODERN
COUNTRY
SOUL &
60s & 70sOFF/ON
DANCE
& WESTERN
R&B
FADEMUSIC STYLE
SPLIT POINT IN OUT
FILL INVARIATION
4321 2 1 1 2 3 4 BEAT2
1
COUNT
SEQUENCER
INTRO
RESET
INTRO & ENDING
MOVIE &
SHOW
MARCH
LATIN
& WALTZ
& WORLD
LOAD
SYNCHRO
TAP
& BREAK
TEMPO
OTHER
PART & FR CONTRAST
START/STOP
MUTE
HELP
DIGITAL
DRAWBAR
DISPLAY HOLDPAGE
EXIT
SEQUENCER
SOUND
VARIATION
PLAY EASY REC
DSP
PROGRAM
MIC
REVERB
DISK
MENUS
DISK IN USE
LOAD
SD
NEXT BANK
6
LOAD
CUSTOM
CUSTOMIZE
PANEL
SET
FAVORITES
Basic functions
3
4
A
B
Play the song on the keyboard.
When you have finished playing, press the EASY REC button again to turn it off.
SEQUENCER
PLAY EASY REC
The PLAY button in the SEQUENCER section turns on.
4
Playing back your recorded performance
Press the SEQUENCER RESET (FILL
A
IN 1) button.
FILL IN
1
SEQUENCER
RESET
Press the START/STOP button.
B
START/STOP
1234 BEAT
Your performance is played back just as you recorded it.
When you are finished playing back your performance, press the PLAY button in the SEQUENCER section to turn it off.
QQTG0671
25
Save data on an SD card
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MAX
Basic functions
MIN
MIN
PERFORMANCE PADS
AUTO SETTING BANK
DEMO
2
1
4
5
SOLO
AUTO PLAY CHORD MODE BALLROOM ENTERTAINER ORGANIST
LINE IN
MIC
VOLUME
VOLUME
MAX MAX
SOUND ARRANGER
SET CUSTOM MEMORY
MIN MIN
MUSIC STYLIST
STOP
ONE TOUCH
ARRANGER
3
6
SOLO
PLAY
RHYTHM GROUP
8 & 16
ROCK
JAZZ &
BALLADOFF/ON
BEAT
& POP
SWING
MODERN
COUNTRY
SOUL &
60s & 70sOFF/ON
DANCE
& WESTERN
R&B
FADEMUSIC STYLE
SPLIT POINT IN OUT
FILL INVARIATION
1
4321 2 1 1 2 3 4 BEAT2
COUNT
SEQUENCER
INTRO
RESET
INTRO & ENDING
MOVIE &
SHOW
MARCH
LATIN
& WALTZ
& WORLD
LOAD
TAP
SYNCHRO
TEMPO
& BREAK
OTHER
PART & FR
CONTRAST
START/STOP
MUTE
HELP
DIGITAL
DRAWBAR
DISPLAY
HOLDPAGE
EXIT
ORGAN
TEMPO/PROGRAM
TABS
MALLET &
ORCH PERC
ACCORDION REGISTER
MIN MAX
SOUND GROUP
R1/R2 OCTAVE
STRINGS
BRASSWORLDGUITARPIANO
& VOCAL
+–
+–
EXPLORER
ACCORDION
WOODWIND
EW
EXPANSION
SOLOTECHNI-CHORD
PART SELECTTRANSPOSE
RIGHT1
RIGHT2LEFT
CONDUCTOR
??? ???SD VOLUME
SUSTAIN
EFFECT
GLOBAL EFFECT
MULTI
CHORUSMEMORYBASS DRUM KITSSYNTHPAD
BANK VIEW
PANEL MEMORY
7
85
14
23
PART EFFECT
DIGITAL
SOUND
ORGAN &
SAX &
3 4 5 6
1
Insert an SD card you wish to save to into the SD slot.
4
Select TECHNICS FORMAT.
SEQUENCER
SOUND
VARIATION
PLAY EASY REC
DSP
REVERB
SET
PROGRAM
MIC
DISK
MENUS
DISK IN USE
LOAD
SD
NEXT BANK
6
LOAD
CUSTOM
CUSTOMIZE
PANEL
FAVORITES
SD
IN USE
1
2
Notched side
OTHER
PART & FR CONTRAST
HELP
MUTE
DISPLAY
HOLDPAGE
EXIT
2
3
Close the cover securely.
Press the SD button.
SD
LOAD
On the SD MENU display, select SAVE.
OTHER
PART & FR CONTRAST
MUTE
HELP
Specify the FOLDER and a SONG
5
number to save to.
OTHER
PART & FR
CONTRAST
MUTE
HELP
DISPLAY
HOLD
PAGE
EXIT
Press the SAVE button.
6
DISPLAY HOLDPAGE
EXIT
OTHER
PART & FR CONTRAST
HELP
MUTE
DISPLAY
HOLDPAGE
EXIT
26
QQTG0671
The performance data of the song
recorded in the SEQUENCER is saved on the SD card.
PART EFFECT
SOUND
DIGITAL
SUSTAIN
EXPLORER
EFFECT
GLOBAL EFFECT
EW
CHORUSMEMORYBASS DRUM KITSSYNTHPAD
MULTI
EXPANSION
BANK VIEW
PANEL MEMORY
SOLOTECHNI-CHORD
7
85
RIGHT1
14
23
ORGAN
TEMPO/PROGRAM
SOUND GROUP
ORGAN &
SAX &
STRINGS
MALLET &
BRASSWORLDGUITARPIANO
ACCORDION
WOODWIND
& VOCAL
ORCH PERC
ACCORDION
TABS
REGISTER
PART SELECTTRANSPOSE
+–
RIGHT2LEFT
R1/R2 OCTAVE
+–
CONDUCTOR
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MAX
MIN
MIN
PERFORMANCE PADS
AUTO SETTING BANK
DEMO
2
1
4
5
SOLO
AUTO PLAY CHORD
MODE BALLROOM ENTERTAINER ORGANIST
MIC
LINE IN
VOLUME
VOLUME
MAX MAX
SOUND ARRANGER
SET CUSTOM MEMORY
MIN MIN
MUSIC STYLIST
STOP
ONE TOUCH
ARRANGER
3
6
SOLO
PLAY
8 & 16
ROCK
JAZZ &
BALLADOFF/ON
BEAT
& POP
SWING
MODERN
COUNTRY
SOUL &
60s & 70sOFF/ON
DANCE
& WESTERN
R&B
FADEMUSIC STYLE
SPLIT POINT IN OUT
FILL INVARIATION
1
4321 2 1 1 2 3 4 BEAT2
COUNT
SEQUENCER
INTRO
RESET
RHYTHM GROUP
INTRO & ENDING
MOVIE &
SHOW
MARCH
LATIN
& WALTZ
& WORLD
LOAD
TAP
SYNCHRO
TEMPO
& BREAK
OTHER
PART & FR CONTRAST
START/STOP
MUTE
HELP
DIGITAL
DRAWBAR
DISPLAY
HOLDPAGE
EXIT
SEQUENCER
SOUND
VARIATION
PLAY EASY REC
DSP
PROGRAM
MIC
REVERB
DISK
MENUS
DISK
IN USE
LOAD
SD
NEXT BANK
6
LOAD
CUSTOM
CUSTOMIZE
PANEL
SET
FAVORITES
Basic functions
5 1
Recall data from an SD card
Press and hold the SD button for a
1
2
few seconds.
SD
LOAD
Select the FOLDER and the SONG you wish to load.
2 3
3
4
5
4
Press the LOAD button.
The data is copied to the internal memory of this instrument.
Press the PLAY button in the
SEQUENCER section to turn it on.
SEQUENCER
PLAY EASY REC
Press the START/STOP button.
START/STOP
1234 BEAT
OTHER
PART & FR
CONTRAST
MUTE
HELP
The following data can be saved/loaded:
CURRENT PANEL (The current panel settings) PANEL MEMORY
PERFORMANCE
BACKUP
SEQUENCER COMPOSER (MEMORY contents) SOUND MEMORY PERFORMANCE PADS (USER memories) EFFECT MEMORY USER MIDI (USER memories of the MIDI PRESETS) FAVORITES HOME PAGE ALL CUSTOM STYLE
DISPLAY
HOLD
PAGE
EXIT
The recalled song is played back.
27
QQTG0671
Load rhythm data from a Technics pattern disk
(COMPOSER LOAD)
Basic functions
1
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MAX
MIN
MIN
PERFORMANCE PADS
AUTO SETTING BANK
DEMO
2
1
4
5
SOLO
AUTO PLAY CHORD
MODE BALLROOM ENTERTAINER ORGANIST
MIC
LINE IN
VOLUME
VOLUME
MAX MAX
SOUND ARRANGER SET CUSTOM MEMORY
MIN MIN
MUSIC STYLIST
STOP
ONE TOUCH
ARRANGER
3
6
SOLO
PLAY
RHYTHM GROUP
8 & 16
ROCK
JAZZ &
BALLADOFF/ON
BEAT
& POP
SWING
MODERN
COUNTRY
SOUL &
60s & 70sOFF/ON
DANCE
& WESTERN
R&B
FADEMUSIC STYLE
SPLIT POINT IN OUT
FILL INVARIATION
1
4321 2 1 1234 BEAT2
COUNT
SEQUENCER
INTRO
RESET
INTRO & ENDING
MOVIE &
SHOW
MARCH
LATIN
& WALTZ
& WORLD
LOAD
SYNCHRO
TAP
& BREAK
TEMPO
OTHER
PART & FR
START/STOP
CONTRAST
MUTE
HELP
2
Insert a commercially sold Technics pattern disk into the Disk Drive slot.
3 4
4
SOUND GROUP
STRINGS
MALLET &
& VOCAL
ORCH PERC
DIGITAL
ORGAN
ACCORDION
DRAWBAR
TABS
REGISTER
TEMPO/PROGRAM
DISPLAY
HOLD
PAGE
EXIT
R1/R2 OCTAVE
SOUND
ORGAN &
SAX &
BRASSWORLDGUITARPIANO
+–
+–
SUSTAIN
EXPLORER
ACCORDION
WOODWIND
EW
CHORUSMEMORYBASS DRUM KITSSYNTHPAD
EXPANSION
BANK VIEW
SOLOTECHNI-CHORD
PART SELECTTRANSPOSE
85
RIGHT2LEFT
RIGHT1
14
CONDUCTOR
Press the LOAD button.
PART EFFECT
DIGITAL EFFECT
GLOBAL EFFECT
MULTI
PANEL MEMORY
7
23
SEQUENCER
SOUND
VARIATION
PLAY EASY REC
DSP
REVERB
SET
PROGRAM
MIC
DISK
MENUS
DISK
IN USE
LOAD
SD
NEXT BANK
6
LOAD
CUSTOM
CUSTOMIZE
PANEL
FAVORITES
In the RHYTHM GROUP section,
2
press and hold the LOAD (MEMORY) button for a few seconds.
8 & 16
BEAT
ROCK & POP
RHYTHM GROUP
JAZZ &
BALLAD BALLROOM ENTERTAINER ORGANIST
SWING
MOVIE &
SHOW
OTHER
PART & FR CONTRAST
HELP
DISPLAY
MUTE
HOLDPAGE
EXIT
3
MODERN
60s & 70s CUSTOM MEMORY
DANCE
SOUL &
R&B
COUNTRY
& WESTERN
MARCH
& WALTZ
LATIN
& WORLD
LOAD
Select the name of the pattern to load.
OTHER
PART & FR CONTRAST
HELP
MUTE
DISPLAY
HOLDPAGE
EXIT
Rhythm data is loaded to the
COMPOSER memory (MEMORY). You can use the rhythms during your performance, just like the preset rhythms.
28
QQTG0671
About the display
A large-size display, easy to operate with excellent readability, is used for displaying various information such as the names of the selected sounds and rhythms etc. and when setting the functions. Let’s take a look.
The display illustrations shown in this User’s Manual are examples for the sake of clarification; the actual displays on your instrument may differ from the illustrations.
Normal display (HOME PAGE)
This is the kind of information you see on the display during a normal performance.
About the display
Selected rhythm
Tempo
Volume of each part
Chord name (when auto play chord is active)
You can specify the contents that you wish to have displayed. (Refer to page 182.)
RIGHT 1 part sound
RIGHT 2 part sound
LEFT part sound
Volume balance
At the bottom half of the normal display, the volume balance of each part is represented in a fader illustration and by a number (0 to 127). You can use the balance buttons below the display to adjust the volumes.
MUTE
DRM: DRUMS ACP: ACCOMP APC: AUTO PLAY CHORD PADS: PERFORMANCE PADS
When setting the volume balance, press the upper button to increase the volume and the lower button to decrease it.
Hold a button down to scroll the volume quickly.
MUTE
To mute a part, press both the corresponding upper and lower buttons at the same time.
The volume display for a muted part is shown as “MUTE.”
Pressing either balance button for a muted part will cancel the mute function.
29
QQTG0671
OTHER PARTS/TR
If you press the OTHER PARTS/TR button, the display changes to show the volumes of PART (PT) 1– 16. You can then adjust the volumes of these parts. These parts are active when playing back a song disk or when this instrument is con­nected to external MIDI equipment and is used as a multi-timbre sound generator.
When there are other parts or tracks to access, the OTHER PARTS/TR indicator is lit.
About the display
PAGE
When there are additional parts to the current display, a page number indication, for example PAGE1/2, appears in the upper right corner of the screen. For example, 1/2 indicates that there are two pages of the display, and the current page is page 1. In this case, you can use the upper and lower PAGE buttons, to the right of the balance buttons, to view different “pages” of the display.
PAGE
Press the upper button to view the next page of the display, and the lower button to view the previous page of the display.
On the last page of the display, pressing the upper button returns to the first page. And conversely, on the first page of the display, pressing the lower button will skip to the last page.
Menu display
The PROGRAM MENUS button controls multiple functions. Press the button to access its menu display.
PROGRAM
MENUS
Example of menu display: PROGRAM MENUS
Select a function from the menu display by pressing the corresponding button to the left or right of the display indicated by the and arrows.
In this manual, the steps describing how to select a function from a menu display are generally abbreviated as follows, for example: “On the PROGRAM MENUS display, select SOUND.”
30
QQTG0671
Setting display
When you select an item from the menu display, the setting display for the item is shown. The buttons to the right, left and/or directly below the display are used to select and adjust the set­tings.
Example of setting display: MASTER TUNING
MUTE
Press the button corresponding to the or but­ton on the display to change the value.
In this manual, this procedure is written as
follows: “Use the and buttons to adjust the pitch.”
EXIT
While the setting display is shown, press this but­ton to go back to the previous display.
DISPLAY
HOLD
EXIT
DISPLAY HOLD
Press this button to turn it on when you wish to maintain the current display. You can keep a dis­play which is normally automatically canceled, for example, or even during a performance, you can monitor information which is not shown on the normal display.
DISPLAY
HOLD
EXIT
About the display
TEMPO/PROGRAM
If the TEMPO/PROGRAM indicator is lit while you are using the display to adjust the setting, it indicates that this dial can be used to quickly change the displayed value or setting.
TEMPO/PROGRAM
The setting which can be adjusted is highlighted on the display.
The indicator for this button may flash if the current display is one which is normally auto­matically canceled.
If the PROGRAM MENUS button, for example, is pressed, the DISPLAY HOLD mode is can­celed.
CONTRAST
Use the CONTRAST buttons to adjust the read­ability of the display.
CONTRAST
When adjusting the CONTRAST, the set value is shown shortly on the display.
If you want to keep the set value, press the WRITE button. The instrument keeps the memorized value even after the power is turned off.
31
QQTG0671
HELP
You can find an explanation of each button’s function on the display.
1. Press the HELP button.
4. Press a button on the panel whose explanation
you wish to read.
An explanation of the button’s function is shown on the display.
HELP
About the display
The following display appears.
5. Press the HELP button again to exit the help
mode.
Attention display messages and error mes­sages are also shown in the selected lan­guage.
The appearance of the display on your instru­ment may be different from the illustrated dis­play in this manual depending on the region in which your instrument was purchased and the selected display language.
2. Use the buttons below the display to select a
language.
3. Press the OK button.
Favorites
You can record four different special displays of your favorite sounds and rhythms, functions, etc.
1. Press the FAVORITES button to turn it on.
FAVORITES
The display looks similar to the following.
2. Press the FAVORITES SETTING button.
The display looks similar to the following.
3. Use the number buttons to select a BANK
number (1 to 4).
4. Select the desired item.
Use the CATEGORY and buttons to specify a category, and then the ITEM and
buttons to select an item.
The MUTE KEYS function silences the sound
of the keyboard keys. This is convenient when you wish to pretend to play the keyboard while playing back a recorded performance.
32
QQTG0671
The PANIC function interrupts the sound, for example, when it fails to cease during a MIDI performance.
5. While pressing the SET button, specify where
you wish to paste (put) the item.
While the SET button is depressed, the display appears as shown below. Use the buttons to the left and right of the display to specify where you wish to paste the item.
6. Repeat steps 4 and 5 to create the display you
want.
There are nine settable items on the display.
7. On the FAVORITES SETTINGS display, press
the OK button.
Your customized display is stored.
9. Use the buttons below the display to assign a
name to your customized display.
Press the ABC button to enter alphabetical characters. While the SHIFT button is pressed, upper case letters are entered.
Press the 123 button to enter numbers, etc. While the SHIFT button is pressed, you can enter symbols.
Press the POSITION button to move the cur­sor.
You can also use the TEMPO/PROGRAM dial to select the characters.
Press the INS button to enter a space at the cursor position.
Press the DEL button to erase the character at the cursor position.
Press the CLR button to erase the entire name.
Press the →← button to center the name.
10.When you have finished assigning a name to
your customized display, press the OK button.
About the display
8. Press the BANK NAMING button.
The display looks similar to the following.
Recall a FAVORITES display
1. Press the FAVORITES button to turn it on.
2. Press the 1, 2, 3 or 4 button to specify the
bank you wish to recall.
3. Use the buttons to the left and right of the
display to specify the ITEM you wish to recall.
The FAVORITES settings can be saved to a disk.
33
QQTG0671
Part I Sounds and effects
Overview of sounds and effects
The following is an overview of the sound parts and the SOUND DSP (the basic effects) of this in­strument.
NX SOUND
NX SOUND is the Technics original sound gen­erator format which evokes realtime perform­ance quality and expressive power, and dramatically expands the number of sounds and effects generated. This format includes GM2 (General MIDI Level 2), and make various con­trols possible when data is created and repro­duced by computer. @BULLET = For information about GM2, refer to page 123.
Equipment with the logo shown below is compa-
Sounds and effects
tible with NX SOUND song data.
When the separately sold WAVE EXPAN- SION BOARD is installed, the number of
sounds that can be selected is even greater. (Installation should be carried out by your dealer.)
Sound DSP
This instrument employs five SOUND DSP’s to create the sounds. Three of them are for the RIGHT 1, RIGHT 2 and LEFT parts; for these parts you can use the SOUND DSP and select lifelike sounds. The remaining two are used in the normal mode of the automatic accompaniment; the optimum effects for the selected rhythm are automatically set.
The DSP for the ACCOMP parts can also be used for the SEQUENCER parts. (Refer to page 163.)
The types and number of sounds that can be selected for parts that can use the SOUND
DSP and parts that cannot use the SOUND DSP differ.
Part
This instrument is organized into the following parts.
RIGHT 1, RIGHT 2, LEFT:
These are the parts the performer plays on the keyboard.
These are independent from the playback parts. For example one can to perform on the keyboard while playing back a song disk with 16-part standard MIDI files (SMF).
PART1 to 16:
SMF song disk playback parts, or parts for MIDI receive.
ACCOMP1 to 5, BASS, DRUMS 1, 2:
Parts for the automatic accompaniment.
PADS:
Parts for the PERFORMANCE PADS
BASS PEDAL:
Special part for the connecting pedal key­board (sold separately)
34
QQTG0671
Part I Sounds and effects
Selecting sounds
PART EFFECT
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MIN
AUTO SETTING BANKDEMO STOP
143
LINE IN
MIC
MAX
VOLUME
VOLUME
MAX MAX
MIN MIN
OFF
RHYTHM GROUP
2
6
5
AUTO PLAY CHORD
MODERN
GOSPEL
MODE MARCH 8 & 16 BALLAD
DANCE
& BLUES
SOUND & ARRANGER
LATIN
BALL ROOMOFF/ON
SET
& WORLD
MUSIC STYLIST
ONE TOUCH
SPLIT
ARRANGER
PLAY
POINT
IN OUT
4321 212
1
SEQUENCER
RESET
RHYTHM GROUP
ROCK
SOUL
COUNTRYOFF/ON
& POP
& FUNK
MOVE
BIG BAND
ENTERTAINER
JAZZ COMBO CUSTOM MEMORY
SHOW
& SWING
LOAD
FADEMUSIC STYLE
SYNCHRO
TAP
& BREAK
TEMPO
OTHER
PART & FR
CONTRAST
START/STOP
INTRO & ENDING
FILL INVARIATION & MSA
COUNT INTRO
MUTE
HELP
SOUND GROUP
STRINGS & VOCAL
DIGITAL
TAB
PAD MIC
DRAWBAR
ORGAN
TEMPO/PROGRAM
DISPLAY HOLDPAGE
R1/R2 OCTAVE RIGHT1
EXIT
SAX &
ORGAN &
MALLET &
WORLDBRASSGUITARPIANO
EXPLORER
WOODWIND
ACCORDION
ORCH PERC
ACCORDION
EXPANSION
REGISTER
SOLO TECHNI-CHORD
PART SELECTTRANSPOSE
+–
RIGHT2LEFT
+–
CONDUCTOR
Select the sounds for the three parts you can play on the keyboard— RIGHT 1, RIGHT 2 and LEFT. After first selecting a part and a SOUND GROUP, choose the desired sound from the display.
Select a sound
DIGITAL
SOUND
SUSTAIN
EFFECT
GLOBAL EFFECT
IW
CHORUSMEMORYDRUM KITSBASSSYNTH
MULTI
BANK VIEW
PANEL MEMORY
7
85
SET
14
23
SEQUENCER
SOUND
PLAY EASY REC
VARIATION
DSP
PROGRAM
DISK
DISK
REVERB
MENUS
IN USE
LOAD
SD CARD
NEXT BANK
6
LOAD
CUSTOM
CUSOMIZE
PANEL
FAVORITES
1. In the PART SELECT section, choose RIGHT
1, RIGHT 2 or LEFT.
PART SELECT
RIGHT2LEFT RIGHT1
The CONDUCTOR buttons are used to specify which part is heard. (Refer to page 39.)
For the RIGHT 1 and RIGHT 2 parts, when a CONDUCTOR button is selected, the corre-
sponding PART SELECT button is also acti­vated.
2. In the SOUND GROUP section, select a sound
group.
DIGITAL
DRAWBAR
ORGAN
TABS
MALLET &
ORCH PERC
ACCORDION
REGISTER
SOUND GROUP
STRINGS & VOCAL
SAX &
BRASSWORLDGUITARPIANO
WOODWIND
The sounds in DRUM KITS are percussion sounds that you play by striking the keyboard keys.
MEMORY is reserved for storing sounds you modify. (Refer to page 177.)
EW EXPANSION is used to select preset sounds of the WAVE EXPANSION BOARD (sold separately) when it has been installed.
ORGAN &
ACCORDION
MEMORYBASS DRUM KITSSYNTHPAD
SOUND
EXPLORER
EW
EXPANSION
3. Select the desired sound from the list on the
display.
When you select a sound, the optimum effects for the sound are automatically applied. You can also choose to cancel this automatic feature. (Refer to page 160.)
You can use the PAGE buttons to view a different part of the list.
The sound you select is memorized for the part you selected in step 1.
The sounds that can be selected for the RIGHT 1, RIGHT 2 and LEFT parts and for PART 1-16 vary.
The illustrated display shows one example, and the actual display may be different.
4. Play the keyboard.
This instrument features INITIAL TOUCH (the volume, for example, changes depending on how hard the keyboard is played) and AFTER TOUCH (effects are added by pressing the keys harder).
Sounds and effects
SOUND EXPLORER
This is a convenient feature for finding the sound you want from the many available sounds.
1. In the PART SELECT section, choose RIGHT
1, RIGHT 2 or LEFT.
2. Press the SOUND EXPLORER button to turn
it on.
Use the buttons to the left and right of the display to select the sound.
(Continued on the next page)
35
QQTG0671
Part I Sounds and effects
3. Use the and buttons to select a GROUP
of sound.
4. Use the buttons on both side of the display to
select the sound.
The numerical value that is displayed for each sound is the MIDI [BANK MSB, LSB]-PRO­GRAM CHANGE number.
GM2 sounds are selected on this display.
ALPHABET
Press the CATEGORY button to show the sound names in alphabetical order.
Press the ALPHABET button to return to the CATEGORY display.
Digital Drawbar
You can play organ sounds while controlling the drawbars on the display.
1. In the PART SELECT section, select a part.
2. Press the DIGITAL DRAWBAR button to turn
it on.
DIGITAL
DRAWBAR
Sounds and effects
TREMOLO
Tremolo is a rapid oscillation in volume, like the effect of a rotating speaker. The tremolo speed can be changed while you are playing.
The SOUND DSP (ROTARY SPEAKER/ ROCK ROTARY) is used for the tremolo effect. This effect does not work if the SOUND DSP button is turned off.
The display looks similar to the following.
3. Use the balance buttons below the display to
adjust the volume of each drawbar.
The volume of each drawbar is illustrated on the display and changes when you press the corresponding balance buttons to adjust the volume.
The DIGITAL DRAWBAR can not be selected for the ACCOMP and BASS parts of the COM-
POSER or PERFORMANCE PADS.
Change the sound type
Use the <Jazz Drawbars> / <Rock Drawbars> button to select the type of sound.
PERCUSSIVE TONE
PERCUSSIVE TONE adds a tone with a fast ini­tial attack to the drawbar sounds. You can select two pitch levels of attack tones.
Use the TREMOLO button to switch between the SLOW and FAST rotating speeds.
The tremolo setting is effective for each part in common.
The types of SOUND DSP used with the TREMOLO effect are as follows:
Jazz Drawbars: ROTARY SPEAKER Rock Drawbars: ROCK ROTARY
TREMOLO does not work for parts which can­not use the SOUND DSP.
Other settings
DRAWBAR ATTACK TIME:
Use the ATTACK and buttons to adjust the time it takes for the drawbar sound to sound after a key is played.
DRAWBAR RELEASE TIME:
Use the RELEASE and buttons to ad­just the time it takes for the drawbar sound to die out after the keys are released.
PERCUSSIVE TONE DECAY:
Use the DECAY and buttons to adjust the time it takes for the percussive tone to die out.
PERCUSSIVE TONE LEVEL:
Use the LEVEL and buttons to adjust the volume of the percussive tone.
Use the PERCUSSIVE TONE 2 2/3’ and 4’ but­tons to turn the respective tone on or off.
The buttons are red when they are on.
36
QQTG0671
The above settings are effective for the RIGHT 1, RIGHT 2 and LEFT parts in common.
Part I Sounds and effects
About foot marks
The foot indication (for example 8’) refers to the pitch of a rank of pipes in a pipe organ. If 8’ is used as the standard (the pitch as played on the keyboard), a 16’ rank pitch will be one octave below the 8’ rank pitch, and a 4’ rank pitch one octave above.
When the C3 key is pressed, the sounds of the different pitch ranks are as follows.
2
222222
defgab
c
333 333c4
c3defgab
444 444c5
de fgab
555 555c6
de fgab
1
3
2
2 / '
1
3
3
5
2'4'5 / '16' 8'
1 / '
1 / '
3
Organ Tabs
You can play organ sounds for which the tab can be turned on or off on the display.
1. In the CONDUCTOR or PART SELECT sec-
tion, select the part.
2. Press the ORGAN TABS button to turn it on.
DIGITAL
DRAWBAR
The display looks similar to the following.
ORGAN
TABS
Change the sound type and make each type setting
You can select from three sound types.
Use the TYPE and buttons to select the sound type (USA Tabs/European Tabs/Theatre Pipes).
<USA Tabs/European Tabs>
1'
Sounds and effects
3. Use the balance buttons below the display to
turn on or off each tab.
Note that the ORGAN TABS can not be selected for the ACCOMP and BASS parts of the COMPOSER or PERFORMANCE PADS.
PERCUSSIVE TONE
PERCUSSIVE TONE adds a tone with a fast ini­tial attack to the ORGAN TABS sounds. You can select two pitch levels of attack tones.
Use the PERCUSSIVE TONE 2 2/3’ and 4’ but­tons to turn the respective tone on or off.
The buttons are red when they are on.
37
QQTG0671
Part I Sounds and effects
Tremolo is a rapid oscillation in volume, like the effect of a rotating speaker. The tremolo speed can be changed while you are playing.
The SOUND DSP (ROTARY SPEAKER/
Use the TREMOLO button to switch between the SLOW and FAST rotating speeds.
The tremolo setting is effective for each part
TREMOLO does not work for parts which can-
Effective for the tabs except for the FLUTE/TIBIA tab.
Use the VIBRATO and buttons to set on or off the vibrato effect.
Sounds and effects
<Theatre Pipe>
TREMOLO
ROCK ROTARY) is used for the tremolo effect. This effect does not work if the SOUND DSP button is turned off.
in common.
not use the SOUND DSP.
VIBRATO
TREMULANT
A distinctive vibrating effect, peculiar to pipe or­gans, of air flowing through the pipes.
Use the buttons to the right of the display to turn on or off.
TIBIA TREMULANT:
Effective for the TIBIA tab.
VOX TREMULANT:
Effective for the VOX HUMANA tab.
MAIN TREMULANT:
Effective for the TRUMPET, ENGLISH HORN and STRING CELESTE tabs.
The above settings are effective for the RIGHT 1, RIGHT 2 and LEFT parts in common.
Accordion Register
You can play accordion sounds on a special display.
1. In the PART SELECT section, select a part.
PART SELECT
RIGHT2LEFT RIGHT1
2. Press the ACCORDION REGISTER button to
turn it on.
ACCORDION
REGISTER
The display looks similar to the following
3. Use the TYPE and buttons to select a
type of accordion (GERMAN, FRENCH, ITAL­IAN).
4. Select the register (sound) from the lower dis-
play or from BASS1 and BASS2.
The buttons are red when they are on.
Only one register can be selected.
38
QQTG0671
Part I Sounds and effects
Assigning parts to
SOUND GROUP
STRINGS & VOCAL
DIGITAL
TAB
PAD MIC
DRAWBAR
ORGAN
TEMPO/PROGRAM
DISPLAY HOLDPAGE
R1/R2 OCTAVE RIGHT1
EXIT
SAX &
ORGAN &
MALLET &
WORLDBRASSGUITARPIANO
WOODWIND
ACCORDION
ORCH PERC
ACCORDION
REGISTER
SOLO TECHNI-CHORD
PART SELECTTRANSPOSE
+–
RIGHT2LEFT
+–
CONDUCTOR
the keyboard
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MIN
AUTO SETTING BANKDEMO STOP
143
LINE IN
MIC
MAX
VOLUME
VOLUME
MAX MAX
MIN MIN
OFF
RHYTHM GROUP
2
6
5
AUTO PLAY CHORD
MODERN
GOSPEL
COUNTRYOFF/ON
MODE MARCH 8 & 16 BALLAD
DANCE
& BLUES
SOUND & ARRANGER
LATIN
BALL ROOMOFF/ON
SET
ENTERTAINER
& WORLD
MUSIC STYLIST
FADEMUSIC STYLE
ONE TOUCH
SPLIT
ARRANGER
PLAY
POINT IN OUT
FILL INVARIATION & MSA
1
4321 212
SEQUENCER
RESET
RHYTHM GROUP
ROCK
SOUL
& POP
& FUNK
MOVE
BIG BAND
JAZZ COMBO CUSTOM MEMORY
SHOW
& SWING
LOAD
TAP
SYNCHRO
TEMPO
& BREAK
OTHER PART & FR
CONTRAST
INTRO & ENDING
START/STOP
MUTE
HELP
COUNT INTRO
The CONDUCTOR buttons are used to assign the parts (RIGHT 1, RIGHT 2, LEFT) to the keyboard in many different ways. For example, you can split the keyboard into right and left sections (SPLIT), and assign a different sound to each section.
CONDUCTOR
CONDUCTOR settings How sounds are assigned to the keyboard
All keys produce the RIGHT 1 sound.
RIGHT2LEFT RIGHT1
RIGHT 1
CONDUCTOR
PART EFFECT
DIGITAL
SOUND
SUSTAIN
EFFECT
EXPLORER
GLOBAL EFFECT
IW
MULTI
CHORUSMEMORYDRUM KITSBASSSYNTH
EXPANSION
BANK VIEW
PANEL MEMORY
7
85
14
23
SEQUENCER
SOUND
VARIATION
PLAY EASY REC
DSP
PROGRAM
DISK
REVERB
DISK
MENUS
IN USE
LOAD
SD CARD
NEXT BANK
6
LOAD
CUSTOM
PANEL
SET
FAVORITES
CUSOMIZE
RIGHT2LEFT RIGHT1
CONDUCTOR
RIGHT2LEFT RIGHT1
CONDUCTOR
RIGHT2LEFT RIGHT1
CONDUCTOR
RIGHT2LEFT RIGHT1
CONDUCTOR
All keys produce the RIGHT 2 sound.
RIGHT 2
All keys produce both the RIGHT 1 sound and the RIGHT 2 sound.
RIGHT 1 + RIGHT 2
The left keys produce the LEFT sound and the right keys produce the RIGHT 1 sound and the RIGHT 2 sound.
LEFT
RIGHT 1 + RIGHT 2
The left keys produce the LEFT sound and the right keys produce the RIGHT 1 sound.
LEFT
RIGHT 1
Sounds and effects
The left keys produce the LEFT sound and the right keys produce the
RIGHT2LEFT RIGHT1
CONDUCTOR
RIGHT 2 sound.
The volume for each part can be adjusted independently. (Refer to page 29.)
The following conditions are in effect when the AUTO PLAY CHORD is used.
— BASIC, FINGERED mode: You cannot assign sounds to all the keys. — PIANIST mode: The keyboard cannot be split.
RIGHT 2LEFT
39
QQTG0671
Part I Sounds and effects
SPLIT POINT
When the keyboard is divided into left and right sections, the split point is indicated by the lit in­dicator. You can change the location of the split point.
SPLIT
POINT
G2
C3
G3
Each time the SPLIT POINT button is pressed, the indication moves to the next split point in the following order. G2 C3 G3 cus­tomized split point (all indicators off) (see below).
Customized split point
Use the following procedure if you wish to store a split point at a location other than G2, C3 or
Sounds and effects
G3.
1. Press and hold the SPLIT POINT button for a
few seconds.
SPLIT
POINT
The following display appears.
2. Press a key on the keyboard to specify the
desired split point.
A split point is set at the location of the pressed key, and is indicated on the keyboard illustra­tion on the display.
The key at the split point is the lowest note of the right keyboard section.
After a few seconds, the display exits the set­ting mode.
Whenever the keyboard is split, you can select your customized split point by pressing the SPLIT POINT button until none of the split point indicators is lit. In this case, the cus­tomized split point is indicated on the display.
40
QQTG0671
Part I Sounds and effects
RIGHT 1/RIGHT 2 OCTAVE
During your performance you can quickly change the octave of the RIGHT 1 and RIGHT 2 parts. Use this convenient function to expand the oc­tave range of the keyboard, especially during a split-keyboard performance.
Use the R1/R2 OCTAVE buttons (+ and – ) to change the octave.
R1/R2 OCTAVE
_
+
Press the + button to raise the pitch and the button to lower the pitch (– 2 to +2).
The display looks similar to the following.
SOLO
Each part can be set to monophonic sound.
You can also use the and buttons on the
R 1/R 2 OCTAVE display to change the oc­tave.
The display returns to the previous display after a few seconds.
A lit + or – indicator shows that the octave has been changed.
To cancel the octave change, press both but­tons at the same time.
The note pitches (NOTE NUMBER) recorded in the SEQUENCER and during MIDI trans­mission are also affected by this octave set­ting. However, it does not affect SEQUENCER playback or received MIDI data.
Sounds and effects
1. Select a part.
2. Press the SOLO button to turn it on.
SOLO
The sound of that part will be monophonic.
This effect does not work for the sounds in the
DRUM KITS sound group.
When two CONDUCTOR parts, one with the SOLO turned on and one with the SOLO
turned off, are mixed, then only the highest pitch of the played chord plays in the sound for which the SOLO is turned on.
In the initialized condition, the SOLO is auto- matically turned on or off depending on the sound you select.
41
QQTG0671
Part I Sounds and effects
Effects (PART)
+–
+–
WORLDBRASSGUITARPIANO
ORGAN &
WOODWIND
ACCORDION
ACCORDION REGISTER
SOLO TECHNI-CHORD
PART SELECTTRANSPOSE
RIGHT2LEFT
CONDUCTOR
SOUND
SAX &
SUSTAIN
EXPLORER
IW
CHORUSMEMORYDRUM KITSBASSSYNTH
EXPANSION
85
14
BANK VIEW
PART EFFECT
SOUND
DIGITAL EFFECT
GLOBAL EFFECT
REVERB
MULTI
PANEL MEMORY
7
SET
23
SEQUENCER
PLAY EASY REC
VARIATION
DSP
PROGRAM
DISK
DISK
MENUS
IN USE
LOAD
SD CARD
NEXT BANK
6
LOAD
CUSTOM
CUSOMIZE
PANEL
FAVORITES
AUTO PLAY CHORD
MODERN
GOSPEL
COUNTRYOFF/ON
MODE MARCH 8 & 16 BALLAD
DANCE
& BLUES
SOUND & ARRANGER
LATIN
ENTERTAINER
BALL ROOMOFF/ON
SET
& WORLD
MUSIC STYLIST
FADEMUSIC STYLE
ONE TOUCH
SPLIT
ARRANGER
PLAY
POINT
IN OUT
FILL INVARIATION & MSA
4321 212
1
SEQUENCER
RESET
RHYTHM GROUP
ROCK
SOUL
& POP
& FUNK
MOVE
BIG BAND
JAZZ COMBO CUSTOM MEMORY
SHOW
& SWING
LOAD
SYNCHRO
TAP
& BREAK
TEMPO
OTHER PART & FR
CONTRAST
START/STOP
INTRO & ENDING
MUTE
HELP
COUNT INTRO
DIGITAL
TAB
DRAWBAR
ORGAN
TEMPO/PROGRAM
DISPLAY HOLDPAGE
EXIT
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MIN
AUTO SETTING BANKDEMO STOP
2
143
LINE IN
MIC
MAX
VOLUME
VOLUME
MAX MAX
MIN MIN
OFF
RHYTHM GROUP
6
5
You can achieve even fuller and stirring sounds by adding various effects for each part.
SUSTAIN
SUSTAIN is the gradual fading out of musical tones after the key is released.
1. In the CONDUCTOR or PART SELECT sec-
tion, turn on the part to which this effect will be applied.
2. Press the SUSTAIN button to turn it on.
SUSTAIN
SOUND GROUP
MALLET &
STRINGS
ORCH PERC
& VOCAL
PAD MIC
R1/R2 OCTAVE RIGHT1
Sounds and effects
The SUSTAIN can be set to on or off for each part.
This effect does not work for the sounds in the DRUM KITS sound group.
This effect may not work for some sounds.
In the initialized state, the sustain can be
turned on and off with the optional Foot Switch (1) (sold separately).
DIGITAL EFFECT
DIGITAL EFFECT gives the sound richness and enhances your performance.
1. In the CONDUCTOR or PART SELECT sec-
tion, turn on the part to which this effect will be applied.
2. Press the DIGITAL EFFECT button to turn it
on.
DIGITAL EFFECT
The on or off status of the DIGITAL EFFECT is preset for each sound.
This effect does not work for the sounds in the DRUM KITS sound groups.
This effect may not work for some sounds.
42
QQTG0671
Part I Sounds and effects
SOUND DSP
The SOUND DSP works like a studio effects pro­cessor, providing effects such as CHORUS, PHASER, DELAY and DISTORTION.
There are five SOUND DSP groups, consisting of three for RIGHT 1, RIGHT 2 and LEFT, and two for the automatic accompaniment or SEQUENCER.
5. Use the DEPTH and buttons to set the
depth of the effect.
The depth does not change for some types.
This display can also be accessed from the
REVERB & EFFECT MENU display. (Refer to page 162.)
1. In the CONDUCTOR or PART SELECT sec-
tion, turn on the part to which this effect will be applied.
2. Press the SOUND DSP button to turn it on.
SOUND
VARIATION
DSP
You can turn on the VARIATION button to change the nuance of the effect.
For the RIGHT 1, RIGHT 2 and LEFT parts, when the DIGITAL DRAWBAR is on, this but­ton is used to specify the tremolo effect type (ROTARY SPEAKER/ROCK ROTARY).
Type and parameter settings
1. Press and hold the SOUND DSP button for a
few seconds.
The display changes to the following.
EFFECT EDIT
The effects can be edited and then stored in a memory.
MEMORY LIST is used to store all SOUND DSP groups.
1. Select an effect type to use as a base.
2. Press the EDIT button.
The display changes to the following.
Sounds and effects
3. Use the PARAMETER and buttons to
select the parameter.
Parameters with a (V) mark are effective when the VARIATION button is turned on.
4. Use the VALUE and buttons to adjust the
setting.
2. Use the PART and buttons to select the
SOUND DSP you wish to set.
Only parts that can use the SOUND DSP can be selected.
3. Use the and buttons to select an effect
group.
The EFFECT MEMORY is for edited effects (see below).
4. Use the buttons to the left and right of the
display to select the type.
If the types comprise more than one display “page,” use the PAGE buttons to switch pages.
5. Press the NAMING button and assign a name
to the effect, if necessary.
Refer to page 66 for details about the NAMING procedure.
6. Use the EFFECT MEMORY and buttons
to specify the location in which to store the edited effect.
7. Press the WRITE button.
The parameters vary depending on the effect type selected as the base.
43
QQTG0671
Part I Sounds and effects
Effects (GLOBAL)
PART EFFECT
DIGITAL
SOUND
SUSTAIN
EFFECT
EXPLORER
GLOBAL EFFECT
IW
MULTI
CHORUSMEMORYDRUM KITSBASSSYNTH
BANK VIEW
PANEL MEMORY
7
85
SET
14
23
SEQUENCER
SOUND
VARIATION
PLAY EASY REC
DSP
PROGRAM
DISK
REVERB
DISK
MENUS
IN USE
LOAD
SD CARD
NEXT BANK
6
LOAD
CUSTOM PANEL
FAVORITES
You can apply effects to the whole instrument.
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MAX
MIN
OFF
AUTO SETTING BANKDEMO STOP
2
143
5
MIC
LINE IN
VOLUME
VOLUME
MAX MAX
MIN MIN
RHYTHM GROUP
6
AUTO PLAY CHORD
MODERN
GOSPEL
COUNTRYOFF/ON
MODE MARCH 8 & 16 BALLAD
DANCE
& BLUES
SOUND & ARRANGER
LATIN
BALL ROOMOFF/ON
SET
ENTERTAINER
& WORLD
MUSIC STYLIST
FADEMUSIC STYLE
ONE TOUCH
SPLIT
ARRANGER
PLAY
POINT IN OUT
FILL INVARIATION & MSA
1
4321 212
SEQUENCER
RESET
RHYTHM GROUP
ROCK
SOUL
& POP
& FUNK
MOVE
BIG BAND
JAZZ COMBO CUSTOM MEMORY
SHOW
& SWING
LOAD
SYNCHRO
TAP
& BREAK
TEMPO
OTHER PART & FR
CONTRAST
START/STOP
INTRO & ENDING
MUTE
HELP
COUNT INTRO
STRINGS & VOCAL
DIGITAL
TAB
PAD MIC
DRAWBAR
ORGAN
TEMPO/PROGRAM
DISPLAY
HOLDPAGE
EXIT
SOUND GROUP
ORGAN &
MALLET &
WORLDBRASSGUITARPIANO
ACCORDION
ORCH PERC
ACCORDION REGISTER
PART SELECTTRANSPOSE
+–
R1/R2 OCTAVE RIGHT1
+–
CONDUCTOR
WOODWIND
SOLO TECHNI-CHORD
RIGHT2LEFT
SAX &
EXPANSION
CUSOMIZE
REVERB
REVERB applies a reverberation effect to the
CHORUS
Add breadth to the sound.
sound.
Press the CHORUS button to turn it on.
Press the REVERB button to turn it on.
REVERB
Sounds and effects
1. Press and hold the REVERB button for a few
seconds.
The display changes to the following.
Type and parameter settings
Type and parameter settings
1. Press and hold the CHORUS button for a few
seconds.
The display looks similar to the following.
CHORUS
2. Use the and buttons to select an effect
group.
The EFFECT MEMORY is an edited effect group.
3. Use the buttons to the left and right of the
display to select a type.
4. Use the TOTAL DEPTH and buttons to
set the depth of the effect.
This display can also be accessed from the REVERB & EFFECT MENU display. (Refer to page 162.)
DETAIL EDIT
Your edited effect can be stored in a memory for later recall.
The procedure is the same as for SOUND DSP. (Refer to page 43.)
2. Use the and buttons to select the name
of the effect group.
EFFECT MEMORY is an edited effect group.
3. Use the buttons to the left and right of the
display to select a type.
DETAIL EDIT
Your edited effect can be stored in a memory for later recall.
The procedure is the same as for SOUND DSP. (Refer to page 43.)
44
QQTG0671
Part I Sounds and effects
MULTI
Various effects can be applied.
Press the MULTI button to turn it on.
MULTI
Type and parameter settings
1. Press and hold the MULTI button for a few
seconds.
The display looks similar to the following.
2. Use the and buttons to select the name
of the effect group.
EFFECT MEMORY is an edited effect group.
3. Use the buttons to the left and right of the
display to select a type.
MIC
You can add reverb and other effects to sound from a connected microphone.
1. Connect a microphone to this instrument.
(Refer to page 200.)
2. Press the MIC button to turn it on.
Reverb is added to your voice.
Use the MIC VOLUME to adjust the micro-
phone volume.
MIC
MIC
(Left end of the control panel)
Effect settings
Adjust the settings of the reverb and effects that are applied to the mic.
In addition to the special reverb for the mic input, the MULTI effect can be applied to the mic input.
1. Press and hold the MIC button for several
seconds.
The display looks similar to the following.
VOLUME
MAX
MIN
Sounds and effects
EDIT
Your edited effect can be stored in a memory for later recall.
The procedure is the same as for SOUND DSP. (Refer to page 43.)
If a type from the VOCAL group was selected, the REVERB works for the MIC REVERB.
2. Set the MIC REVERB.
Use the PARAMETER ▲ and buttons to
select an attribute, and use the VALUE and
buttons to adjust the corresponding setting.
For some MULTI EFFECT settings the effect
does not change.
You can specify whether or not to apply the reverb with the MIC REVERB ON/OFF button.
3. Press the MULTI EFFECT button to set the
effect on or off.
You can change the effect type on the PAGE 2/2 display (HARMONY EFFECT 1, 2). In this case, use the HARMONY PART and but­tons to specify the part to which the harmony is to be applied. If you wish to mute that part, press the MUTE button to turn it on.
45
QQTG0671
Part I Sounds and effects
MULTI EFFECT SET
You can select other types that can be set with MULTI. Select the types by pressing this button.
If a type other than a VOCAL group type is selected, the normal REVERB, not the MIC REVERB, may be applied. In this case, the effect does not change even if the MIC RE­VERB setting is adjusted.
Controller
Use the controllers (left next to the keyboard) to change the nuance of the sound while you are playing.
PITCH BEND
The pitch of the instrument can be continuously changed with the PITCH BEND wheel at the left end of the keyboard. Using this control, you can
Sounds and effects
produce the effect of bending the strings on a guitar.
While pressing a key on the keyboard, move the wheel up and down to control the pitch.
PITCH BEND
UP
DOWN
MODULATION
The MODULATION wheel is used to apply a vi­brato effect, for example, to the sound. While pressing a key on the keyboard, move the wheel up to add the effect.
MODULATION
MAX
MIN
When this effect is not needed, set the MOD­ULATION wheel to the MIN position.
This effect differs depending on the selected
When you release your hand from the wheel,
it returns automatically to the center position and the pitch bend effect is turned off.
The pitch bend effect does not function for the AUTO PLAY CHORD accompaniment pattern
sound.
The vibrato effect does not function for the AUTO PLAY CHORD accompaniment pattern or during a normal performance for the sounds of the LEFT part.
or during a normal performance for the sounds of the LEFT part.
The amount of pitch bend can be set. (Refer to page 154.)
46
QQTG0671
Part I Sounds and effects
Transpose
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MIN
AUTO SETTING BANKDEMO STOP
143
MIC
LINE IN
MAX
VOLUME
VOLUME
MAX MAX
MIN MIN
OFF
RHYTHM GROUP
2
6
5
AUTO PLAY CHORD
MODERN
GOSPEL
MODE MARCH 8 & 16 BALLAD
DANCE
& BLUES
SOUND & ARRANGER
LATIN
BALL ROOMOFF/ON
SET
& WORLD
MUSIC STYLIST
ONE TOUCH
SPLIT
ARRANGER
PLAY
POINT
IN OUT
4321 212
SEQUENCER
RESET
RHYTHM GROUP
ROCK
SOUL
COUNTRYOFF/ON
& POP
& FUNK
MOVE
BIG BAND
ENTERTAINER
JAZZ COMBO CUSTOM MEMORY
SHOW
& SWING
LOAD
FADEMUSIC STYLE
SYNCHRO
TAP
& BREAK
TEMPO
OTHER
PART & FR
CONTRAST
START/STOP
INTRO & ENDING
FILL INVARIATION & MSA
1
COUNT INTRO
MUTE
HELP
STRINGS & VOCAL
DIGITAL
TAB
PAD MIC
DRAWBAR
ORGAN
TEMPO/PROGRAM
DISPLAY
HOLDPAGE
EXIT
SOUND GROUP
ORGAN &
MALLET &
WORLDBRASSGUITARPIANO
ACCORDION
ORCH PERC
ACCORDION REGISTER
+–
R1/R2 OCTAVE RIGHT1
+
SAX &
EXPLORER
WOODWIND
EXPANSION
SOLO TECHNI-CHORD
PART SELECTTRANSPOSE
RIGHT2LEFT
CONDUCTOR
PART EFFECT
DIGITAL
SOUND
SUSTAIN
EFFECT
GLOBAL EFFECT
IW
MULTI
CHORUSMEMORYDRUM KITSBASSSYNTH
BANK VIEW
PANEL MEMORY
7
85
SET
14
23
SEQUENCER
SOUND
VARIATION
PLAY EASY REC
DSP
PROGRAM
DISK
REVERB
DISK
MENUS
IN USE
LOAD
SD CARD
NEXT BANK
6
LOAD
CUSTOM
CUSOMIZE
PANEL
FAVORITES
The TRANSPOSE buttons are used to change the key of the entire instrument in semi-tone steps across an entire octave. Suppose you learn to play a song— in the key of C, for example— and decide you want to sing it, only to find that it’s either too high or too low for your voice. Your choice is to either learn the song all over again in a different key, or to use the TRANSPOSE feature.
TRANSPOSE
_
+
Adjust the key with the + and – buttons.
The key is changed in half-tone increments up to plus or minus one octave.
If the two buttons are pressed at the same time, the key returns to C.
When the TRANSPOSE function is active, the transposed key is shown on the display, and the + or – indicator is lit.
Sounds and effects
<
Example: transposed to D
Played keys
C major
Actual key
>
Notes that sound
D major
47
QQTG0671
Part I Sounds and effects
Techni-chord
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MIN
AUTO SETTING BANKDEMO STOP
143
LINE IN
MIC
MAX
VOLUME
VOLUME
MAX MAX
MIN MIN
OFF
RHYTHM GROUP
2
6
5
AUTO PLAY CHORD
MODERN
GOSPEL
MODE MARCH 8 & 16 BALLAD
COUNTRYOFF/ON
DANCE
& BLUES
SOUND & ARRANGER
LATIN
ENTERTAINER
SET
BALL ROOMOFF/ON
& WORLD
MUSIC STYLIST
FADEMUSIC STYLE
ONE TOUCH
SPLIT
ARRANGER
PLAY
POINT IN OUT
FILL INVARIATION & MSA
4321 212
1
SEQUENCER
RESET
RHYTHM GROUP
ROCK
SOUL
& POP
& FUNK
MOVE
BIG BAND
JAZZ COMBO CUSTOM MEMORY
SHOW
& SWING
LOAD
SYNCHRO
TAP
& BREAK
TEMPO
OTHER PART & FR
CONTRAST
START/STOP
INTRO & ENDING
MUTE
HELP
COUNT INTRO
STRINGS & VOCAL
DIGITAL
TAB
PAD MIC
DRAWBAR
ORGAN
TEMPO/PROGRAM
DISPLAY
HOLDPAGE
EXIT
SOUND GROUP
MALLET & ORCH PERC
R1/R2 OCTAVE RIGHT1
+–
+–
WORLDBRASSGUITARPIANO
ORGAN &
WOODWIND
ACCORDION
ACCORDION REGISTER
SOLO TECHNI-CHORD
PART SELECTTRANSPOSE
RIGHT2LEFT
CONDUCTOR
SOUND
SAX &
SUSTAIN
EXPLORER
IW
CHORUSMEMORYDRUM KITSBASSSYNTH
EXPANSION
85
14
DIGITAL EFFECT
MULTI
BANK VIEW
7
23
PART EFFECT
SEQUENCER
SOUND
PLAY EASY REC
VARIATION
DSP
GLOBAL EFFECT
PROGRAM
DISK
DISK
REVERB
MENUS
IN USE
LOAD
SD CARD
NEXT BANK
PANEL MEMORY
6
LOAD
CUSTOM
CUSOMIZE
PANEL
SET
FAVORITES
TECHNI-CHORD turns your single note melodies into full chords and offers you a choice of different
types from a simple duet which adds one harmony note to your melody note, to big band reeds which adds four harmony notes to your melody note. If TECHNI-CHORD is part of a ONE TOUCH PLAY or MUSIC STYLIST registration, a suitable TECHNI-CHORD type will be selected automatically.
Example:
Left hand (chord)
CF GC
Right hand (melody)
1. Split the keyboard into left and right sections.
2. Press the TECHNI-CHORD button to turn it
on.
Sounds and effects
TECHNI-CHORD
Type setting
1. Press and hold the TECHNI-CHORD button
for a few seconds.
The display looks similar to the following.
3. Play the keyboard.
The melody you play with your right hand is automatically played in chords which are based on the chords you play with your left hand.
This effect does not work for a part for which SOLO has been turned on.
This feature is very effective when used with the AUTO PLAY CHORD.
ORCHESTRATOR
You can specify which part is used for the har­mony tones. Your TECHNI-CHORD performance is enhanced by selecting harmony sounds differ­ent from the sounds you play and the sounds pro­duced by the automatic accompaniment.
Use the and buttons to select the part for the harmony notes.
If CONDUCTOR is selected, the harmony notes are produced in the sounds of the part which is currently selected in the CONDUC- TOR (RIGHT 1, RIGHT 2). In other words, the harmony notes are produced in the same sound as the melody notes. If both RIGHT 1 and RIGHT 2 are on, the harmony notes are produced in the sound of the RIGHT 1 part.
2. Use the , ▲, ▼, buttons to select the
harmony style.
When the OCTAVE, HARD ROCK or FAN­FARE style is selected, the TECHNI-CHORD functions even when the keyboard is not split.
In the case of EASY RECORD (see page 79), when set to CONDUCTOR or a part other than PART 4, the TECHNI-CHORD sound is not recorded; so when you use EASY RECORD, please set to one or the other.
48
QQTG0671
Part II Playing the rhythm
Overview of rhythm performance
An explanation follows of the terms related to this instrument’s rhythm performance.
Rhythm and accompaniment pattern
Each rhythm is comprised of not only a DRUMS pattern, but also of accompaniment patterns called BASS and ACCOMP. The combination of all of these is the rhythm.
The accompaniment pattern sounds when you perform using the AUTO PLAY CHORD (APC). (Refer to page 53.)
Rhythm and Style
One rhythm of this instrument is comprised of four VARIATION patterns, and for each one the optimum sounds and effects are set. All of these together comprise one STYLE.
STYLE
RHYTHM
VARIATION 1
VARIATION 2
VARIATION 3
VARIATION 4
In the MUSIC STYLIST (page 61) and MUSIC STYLE ARRANGER (page 64) etc. this
STYLE is summoned.
PANEL setting
PANEL setting
PANEL setting
PANEL setting
Custom Style
You can create your own styles, load styles from a disk/SD card, and store them in a special area of the memory called CUSTOM. The stored style is called the CUSTOM STYLE.
Create a CUSTOM STYLE
Here is the procedure to create a new style.
1. Store the sound and effect settings in bank
A, B or C of the PANEL MEMORY (1 – 4). (Refer to page 65.)
You may also store the automatic settings, such as MUSIC STYLIST settings.
2. Create a rhythm in MEMORY A, B or C of
the COMPOSER. (Refer to page 108.)
The banks (A, B, C) are linked, so use them together. For example, if you are using bank A of the PANEL MEMORY, then create the rhythm in MEMORY A of the COMPOSER as well.
You may also use the COPY function to copy a favorite preset rhythm.
Make the VARIATION number correspond to the PANEL MEMORY number (1 to 4) when you create your rhythm.
3. Use CUSTOM STYLE COPY to copy the
style to the CUSTOM area.
Playing the rhythm
CUSTOM STYLE LOAD
Perform the CUSTOM STYLE LOAD/SAVE pro­cedure. (Refer to pages 134, 151.)
QQTG0671
49
Part II Playing the rhythm
Selecting rhythms
PART EFFECT
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MIN
AUTO SETTING BANKDEMO STOP
2
143
5
LINE IN
MIC
MAX
VOLUME
VOLUME
MAX MAX
MIN MIN
OFF
RHYTHM GROUP
6
AUTO PLAY CHORD
MODERN
GOSPEL
MODE MARCH 8 & 16 BALLAD
COUNTRYOFF/ON
DANCE
& BLUES
SOUND & ARRANGER
LATIN
ENTERTAINER
BALL ROOMOFF/ON
SET
& WORLD
MUSIC STYLIST
FADEMUSIC STYLE
ONE TOUCH
SPLIT
ARRANGER
PLAY
POINT IN OUT
FILL INVARIATION & MSA
1
4321 212
SEQUENCER
RESET
RHYTHM GROUP
ROCK
SOUL
& POP
& FUNK
MOVE
BIG BAND
JAZZ COMBO CUSTOM MEMORY
SHOW
& SWING
LOAD
TAP
SYNCHRO
TEMPO
& BREAK
OTHER PART & FR
CONTRAST
INTRO & ENDING
START/STOP
MUTE
HELP
COUNT INTRO
STRINGS & VOCAL
DIGITAL
TAB
PAD MIC
DRAWBAR
ORGAN
TEMPO/PROGRAM
DISPLAY HOLDPAGE
R1/R2 OCTAVE RIGHT1
EXIT
SOUND GROUP
SAX &
ORGAN &
MALLET &
WORLDBRASSGUITARPIANO
EXPLORER
WOODWIND
ACCORDION
ORCH PERC
ACCORDION
EXPANSION
REGISTER
SOLO TECHNI-CHORD
PART SELECTTRANSPOSE
+–
RIGHT2LEFT
+–
CONDUCTOR
Many exciting rhythms are stored in the memory of this instrument. First select one of the rhythm groups and then choose the desired rhythm.
Select a rhythm
DIGITAL
SOUND
SUSTAIN
EFFECT
GLOBAL EFFECT
IW
REVERB
MULTI
CHORUSMEMORYDRUM KITSBASSSYNTH
BANK VIEW
PANEL MEMORY
7
85
SET
14
23
SEQUENCER
SOUND
PLAY EASY REC
VARIATION
DSP
PROGRAM
DISK
DISK
MENUS
IN USE
LOAD
SD CARD
NEXT BANK
6
LOAD
CUSTOM
CUSOMIZE
PANEL
FAVORITES
Playing the rhythm
1. In the RHYTHM GROUP section, select a
rhythm group.
R&B
RHYTHM GROUP
JAZZ & SWING
COUNTRY
& WESTERN
MARCH
& WALTZ
MOVIE &
SHOW
LATIN
& WORLD
LOAD
8 & 16
ROCK
BEAT
60s & 70s CUSTOM MEMORY
BALLAD BALLROOM ENTERTAINER ORGANIST
& POP
MODERN
SOUL &
DANCE
MEMORY is the group in which you store the rhythms you create with the COMPOSER. (Refer to page 115.)
For more information about the CUSTOM but- ton, refer to page 121.
2. Select the desired rhythm from the list on the
display.
VARIATION
There are four variations available for each rhythm. Use the VARIATION buttons to select the desired variation.
MUSIC STYLE
ARRANGER
VARIATION
4321
Confirm that the MUSIC STYLE ARRANGER button is off. (If it is on, press it once to turn it off.)
The nuance of the pattern differs with each variation number.
You can change to a different variation while the rhythm is playing.
If there is more than one page to the display, use the PAGE buttons to move from one screen page to another.
50
QQTG0671
Part II Playing the rhythm
Start the rhythm
There are two ways to start the rhythm.
Normal start
1. Select a rhythm.
2. Press the START/STOP button to turn it on.
START/STOP
1234 BEAT
The selected rhythm pattern immediately begins to play.
You can stop the rhythm by pressing the START/STOP button again to turn it off.
The BEAT indicators above the START/STOP button light to indicate the beat.
Synchronized start
With the synchronized start feature, the rhythm pattern starts when you play a key on the key­board.
1. Select a rhythm.
2. Press the SYNCHRO & BREAK button to turn
it on.
Adjust the tempo
The tempo of the rhythm pattern is adjusted with the TEMPO/PROGRAM dial.
TEMPO/PROGRAM
The tempo is shown on the display as a
numerical value ( = 40 to 300).
When the TEMPO/PROGRAM indicator is lit, the TEMPO/PROGRAM cannot be used to ad- just the tempo.
To adjust the tempo during playback, refer to page 83.
TAP TEMPO
You can set the tempo of the rhythm by tapping this button few times with your finger at the tempo you wish to play.
TAP
TEMPO
Playing the rhythm
SYNCHRO
& BREAK
3. Play a key to the left of the keyboard split
point.
The rhythm pattern begins to play.
You can use the synchronized start feature
even when the keyboard is not divided into left and right sections. To start the rhythm, press a key to the left of the specified split point.
The tempo at which the button is tapped is detected, and the tempo automatically changes correspondingly.
51
QQTG0671
Part II Playing the rhythm
Playing the rhythm
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MIN
AUTO SETTING BANKDEMO STOP
2
143
5
LINE IN
MIC
MAX
VOLUME
VOLUME
MAX MAX
MIN MIN
OFF
RHYTHM GROUP
6
AUTO PLAY CHORD
MODERN
GOSPEL
MODE MARCH 8 & 16 BALLAD
DANCE
& BLUES
SOUND & ARRANGER
LATIN
BALL ROOMOFF/ON
SET
& WORLD
MUSIC STYLIST
ONE TOUCH
SPLIT
ARRANGER
PLAY
POINT IN OUT
4321 212
1
SEQUENCER
RESET
RHYTHM GROUP
ROCK
SOUL
COUNTRYOFF/ON
& POP
& FUNK
MOVE
BIG BAND
ENTERTAINER
JAZZ COMBO CUSTOM MEMORY
SHOW
& SWING
LOAD
FADEMUSIC STYLE
SYNCHRO
TAP
& BREAK
TEMPO
OTHER
PART & FR
CONTRAST
START/STOP
INTRO & ENDING
FILL INVARIATION & MSA
COUNT INTRO
MUTE
HELP
STRINGS & VOCAL
DIGITAL
TAB
PAD MIC
DRAWBAR
ORGAN
TEMPO/PROGRAM
DISPLAY
HOLDPAGE
EXIT
SOUND GROUP
ORGAN &
MALLET &
WORLDBRASSGUITARPIANO
ACCORDION
ORCH PERC
ACCORDION REGISTER
PART SELECTTRANSPOSE
+–
R1/R2 OCTAVE RIGHT1
+–
CONDUCTOR
SAX &
EXPLORER
WOODWIND
EXPANSION
SOLO TECHNI-CHORD
RIGHT2LEFT
PART EFFECT
DIGITAL
SOUND
SUSTAIN
EFFECT
GLOBAL EFFECT
IW
CHORUSMEMORYDRUM KITSBASSSYNTH
MULTI
BANK VIEW
PANEL MEMORY
7
85
SET
14
23
SEQUENCER
SOUND
VARIATION
PLAY EASY REC
DSP
PROGRAM
DISK
REVERB
DISK
MENUS
IN USE
LOAD
SD CARD
NEXT BANK
6
LOAD
CUSTOM PANEL
FAVORITES
Intro, fill-in and ending patterns fitting each different rhythm pattern are permanently recorded in your Keyboard, thus allowing a versatile rhythm performance.
INTRO
Mode setting
You can select the mode for the count sound.
Begin the rhythm performance with an intro pat­tern.
1. Press the MODE button in the AUTO PLAY
CHORD section to turn it on.
1. Press the INTRO & ENDING 1 or INTRO &
ENDING 2 button to turn it on.
INTRO & ENDING
1
2
The display looks similar to the following.
AUTO PLAY CHORD
OFF/ON
MODE
2. Press the START/STOP button to start the
rhythm.
CUSOMIZE
Playing the rhythm
START/STOP
1234 BEAT
An intro pattern is played, after which the nor­mal rhythm pattern begins.
COUNT INTRO
You can begin the rhythm performance with a spoken one-measure count.
1. Press the COUNT INTRO (FILL IN 2) button
to turn it on.
FILL IN
2
COUNT INTRO
2. Press the START/STOP button to start the
rhythm.
A spoken one-measure count is played, after which the normal rhythm pattern begins.
2. Use the COUNT INTRO button to select a
mode.
VOICE: A spoken count (initialized setting). CLICK: A clicking sound for the count.
FILL IN
You can insert a fill-in pattern any time during the rhythm performance. Choose from two differ­ent fill-in patterns.
1. Select a rhythm and press the START/STOP
button.
2. Press the FILL IN 1 or FILL IN 2 button.
FILL IN
1
2
SEQUENCER
A fill-in pattern is heard immediately for the remainder of the measure.
When a FILL IN button is pressed on the last beat of the measure, the fill-in pattern con­tinues to the end of the following measure.
RESET
COUNT INTRO
52
QQTG0671
Part II Playing the rhythm
ENDING
Finish the rhythm performance with an ending pattern.
1. Select a rhythm and press the START/STOP
button.
2. Press the INTRO & ENDING 1 or INTRO &
ENDING 2 button to turn it on.
INTRO & ENDING
1
2
An ending pattern is produced, and then the rhythm performance stops.
If you accidentally press the INTRO & END- ING button in the middle of the tune, you can
press the FILL IN 1 or FILL IN 2 button. The ending pattern stops, and a fill-in pattern is produced, after which the normal rhythm per­formance continues.
Auto Play Chord
+–
+–
WORLDBRASSGUITARPIANO
ORGAN &
WOODWIND
ACCORDION
ACCORDION
REGISTER
SOLO TECHNI-CHORD
PART SELECTTRANSPOSE
RIGHT2LEFT
CONDUCTOR
SOUND
SAX &
SUSTAIN
EXPLORER
IW
CHORUSMEMORYDRUM KITSBASSSYNTH
EXPANSION
85
14
BANK VIEW
PART EFFECT
SOUND
DIGITAL
DSP
EFFECT
GLOBAL EFFECT
REVERB
MULTI
PANEL MEMORY
7
SET
23
SEQUENCER
PLAY EASY REC
VARIATION
PROGRAM
DISK
DISK
MENUS
IN USE
LOAD
SD CARD
NEXT BANK
6
LOAD
CUSTOM
CUSOMIZE
PANEL
FAVORITES
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MIN
AUTO SETTING BANKDEMO STOP
143
LINE IN
MIC
MAX
VOLUME
VOLUME
MAX MAX
MIN MIN
OFF
RHYTHM GROUP
2
6
5
AUTO PLAY CHORD
MODERN
GOSPEL
MODE MARCH 8 & 16 BALLAD
COUNTRYOFF/ON
DANCE
& BLUES
SOUND & ARRANGER
LATIN
ENTERTAINER
BALL ROOMOFF/ON
SET
& WORLD
MUSIC STYLIST
FADEMUSIC STYLE
ONE TOUCH
SPLIT
ARRANGER
PLAY
POINT IN OUT
FILL INVARIATION & MSA
4321 212
1
SEQUENCER
RESET
RHYTHM GROUP
ROCK
SOUL
& POP
& FUNK
MOVE
BIG BAND
JAZZ COMBO CUSTOM MEMORY
SHOW
& SWING
LOAD
SYNCHRO
TAP
& BREAK
TEMPO
OTHER PART & FR
CONTRAST
START/STOP
INTRO & ENDING
MUTE
HELP
COUNT INTRO
STRINGS & VOCAL
DIGITAL
TAB
PAD MIC
DRAWBAR
ORGAN
TEMPO/PROGRAM
DISPLAY
HOLDPAGE
EXIT
SOUND GROUP
MALLET & ORCH PERC
R1/R2 OCTAVE RIGHT1
Simply by playing a chord on the keyboard, the AUTO PLAY CHORD function automatically plays an accompaniment pattern which matches perfectly the selected rhythm. With a real accompaniment as a background, you can concentrate on playing the melody.
How the AUTO PLAY CHORD works
When an AUTO PLAY CHORD mode is selected, an automatic accompaniment which matches the rhythm you have chosen is played in the chord
Chord
Melody
which you specify with your left hand. The melody is played with your right hand.
The accompaniment pattern of the AUTO PLAY CHORD is composed of 8 parts: DRUMS 1, 2, BASS, ACCOMP 1– 5.
The volume of each part can be adjusted with the buttons below the display. (Refer to page
29.)
Playing the rhythm
53
QQTG0671
Part II Playing the rhythm
Playing chords
Choose from three ways of playing chords.
BASIC mode
In the BASIC mode, a major chord can be played just by pressing the key for its root note.
Example: C chord
Minor, seventh and minor seventh chords are also easily produced.
minor chord seventh chord minor seventh chord
Playing the rhythm
Play the root note plus a black key to the left of it.
Example: Cm Example: C7 Example: Cm7
When three or more keys of a chord are pressed, it is recognized as a <fingered> chord.
FINGERED mode
In the FINGERED mode, you specify the chord by playing all the notes in the chord.
Play at least three notes to specify the chord.
If the CHORD FINDER procedure is used, you
can see the types of chords that can be specified and the keys you press to play them. (Refer to page 57.)
Play the root note plus a white key to the left of it.
In the PIANIST mode, the entire keyboard can be used to specify chords (FINGERED mode) for the automatic accompaniment; a RIGHT part is assigned to all the keys, and the keyboard does not split.
If the CHORD FINDER procedure is used, you
When specifying chords, if you press a key a
Play the root note plus a black key and a white key to the left of it.
PIANIST mode
can see the types of chords that can be specified and the keys you press to play them. (Refer to page 57.)
perfect 5th or more below the lowest note of the chord, the BASS part becomes a pattern based on that note.
54
QQTG0671
<APC HOLD>
If this function is assigned to the Foot Switch (sold separately), then during a performance in the PIANIST mode, for example, pressing the Foot Switch will play the currently specified chord in that timing, allowing you to focus your perform­ance on a solo melody.
The accompaniment continues in the same chord as long as the Foot Switch is depressed, and it does not change even if other chords are played.
To change the Foot Switch assignment, refer to page 179.
Part II Playing the rhythm
How to use the AUTO PLAY CHORD
1. Select the desired rhythm and sound(s), and
set the tempo.
2. Press the AUTO PLAY CHORD’s OFF/ON
button to turn it on.
AUTO PLAY CHORD
OFF/ON
MODE
3. Press the AUTO PLAY CHORD’s MODE but-
ton to turn it on.
The display looks similar to the following.
4. Select an AUTO PLAY CHORD mode (BASIC,
FINGERED or PIANIST).
After a few seconds, the display returns to the previous display.
If the BASIC or FINGERED mode was selected, the keyboard automatically splits into right and left sections.
5. Press the START/STOP button to begin the
rhythm.
You can start the rhythm by playing a key on the keyboard. (Refer to page 51.)
6. Specify a chord.
If the ONE FINGER or FINGERED mode was selected, specify the chord on the keyboard section to the left of the split point.
An accompaniment pattern in the specified chord is automatically played. Play the melody with your right hand.
When you use FILL IN, INTRO and ENDING, the automatic accompaniment is also used in these patterns.
In the ONE FINGER mode, the sound as­signed to the left section of the keyboard (LEFT part) does not sound in the initialized condition.
You can set the mode which determines how the LEFT part sounds during an AUTO PLAY CHORD performance. (Refer to the next page.)
In the initialized condition, when the rhythm is off, if an AUTO PLAY CHORD mode is on and a chord is specified, the specified root note (R. BASS part) and chord notes (CHORD part) are produced. The volumes of these notes can be adjusted. (Refer to page 29.)
Playing the rhythm
MEMORY
When the MEMORY button is ON, even when the keys are released, the chord is memorized and the accompaniment continues to play until you specify another chord.
ON BASS
If the ON BASS button is ON while the FIN­GERED or PIANIST mode is selected, the BASS part is produced in the key of the lowest note of the played chord, thus making it possible to play chords such as C on G.
For example, with the ON BASS button on, if you play a C chord by pressing the keys G, C and E, the BASS part is produced in the key of G.
Example of how to play a ONE FINGER accompaniment
CF G C
Play the melody with your right hand.
Left hand
7. To stop the automatic accompaniment, press
If you wish the automatic accompaniment to
the START/STOP button.
begin and end the performance, set the OFF/ON button to off.
55
QQTG0671
Part II Playing the rhythm
Playing the rhythm
Left Hold
This setting determines how the LEFT part sounds when the LEFT button in the CONDUC- TOR is on during a performance with the BASIC or FINGERED mode.
1. Press the MODE button to turn it on.
The display changes to the following.
2. Use the LEFT HOLD: ON/OFF button to set
the mode to on or off.
OFF:
The LEFT part sounds from the pressed chord keys.
When BASIC is selected, the LEFT part turns off. The LEFT part sounds if you turn it on, but <one-finger> chords cannot be specified.
ON:
Specifying <one-finger> chords in the BASIC mode produces the full chords; otherwise the LEFT part notes are those of the pressed chord keys.
When BASIC is selected the LEFT part turns off, but it will sound if you turn it on.
Touch response does not function for the LEFT part.
When the mode is set to ON, during a rhythm performance, the LEFT part continues to play even when the keys are released.
APC VOLUME
To adjust the volume balance between the auto­matic accompaniment and the parts you play manually on the keyboard, the volume of all the automatic accompaniment parts (DRUMS, AC-
COMP, and BASS) can be lowered as one.
APC/SEQUENCER
VOLUME
MAX
MIN
Use the APC/SEQUENCER VOLUME slide con­trol to adjust the volume.
Use this control to lower the automatic accom­paniment volume when it is too loud relative to your manual performance.
At the MAX position, the volumes of the auto- matic accompaniment parts correspond to their current settings; at the OFF position, the volume is 0. The volume should normally be set to MAX.
The set values are shown in the APC column of the normal display. (Refer to page 29.)
The volume can be adjusted for each part. (Refer to page 29.)
When the position of the slide control coin­cides with the actual volume, the indicator is lit. When the volume is changed by of the PANEL MEMORY or SEQUENCER playback, the actual volume differs from that indicated by the position of the slide control. In this case, the indicator is not lit.
The volume of the PERFORMANCE PADS part does not change.
During SEQUENCER playback or disk DIRECT PLAY, operation of this slide control affects the total volume of all the playback parts.
56
QQTG0671
Part II Playing the rhythm
CHORD FINDER
The CHORD FINDER can help, for example, when you do not know which keys to press to specify a given chord. When you input the chord name, the CHORD FINDER shows you which keys to press and even lets you hear the notes that make up.
1. Press the AUTO PLAY CHORD’s MODE but-
ton to turn it on.
AUTO PLAY CHORD
OFF/ON
MODE
The display changes to the following.
2. Select CHORD FINDER.
The display changes to the following.
3. Use the APC MODE button to select the auto-
matic accompaniment mode you will use to specify chords (FINGERED, PIANIST).
In the list column are shown the chords which can be specified in each mode.
4. Use the ROOT buttons to select the root note
of the chord. Use the TYPE buttons to select the type of chord.
A typical way to finger the specified chord (TYPICAL) is illustrated on a keyboard dia­gram.
Each time the INVERSION button is pressed, different INVERSION fingerings are illustrated in order. (If there is no INVERSION fingering for the specified chord, this button is not shown on the display.)
When the button with a picture of an ear is pressed, the notes of the chord sound. (The octave of the illustrated keys and that of the played tones may differ.)
5. To exit the CHORD FINDER procedure, press
the EXIT button.
DISPLAY
HOLD
Playing the rhythm
EXIT
57
QQTG0671
Part II Playing the rhythm
BREAK function
With the break function, the rhythm starts when the left keyboard is played and stops when the fingers are removed from the keys.
1. Select an AUTO PLAY CHORD mode.
At this time, the MEMORY button should be OFF.
2. Press the SYNCHRO & BREAK button to turn
it on.
SYNCHRO
& BREAK
3. Specify a chord.
The automatic accompaniment begins to play (synchronized start).
For the PIANIST mode, play the keys to the left of the currently set split point.
Fade In/Fade Out
4. Release the chord keys.
The automatic accompaniment stops. When the keys are pressed again, the rhythm starts from the first beat.
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MIN
AUTO SETTING BANKDEMO STOP
2
143
5
LINE IN
MIC
MAX
VOLUME
VOLUME
MAX MAX
MIN MIN
OFF
RHYTHM GROUP
6
AUTO PLAY CHORD
MODERN
GOSPEL
MODE MARCH 8 & 16 BALLAD
DANCE
& BLUES
SOUND & ARRANGER
LATIN
BALL ROOMOFF/ON
SET
& WORLD
MUSIC STYLIST
FADEMUSIC STYLE
ONE TOUCH
SPLIT
ARRANGER
PLAY
POINT IN OUT
FILL INVARIATION & MSA
1
4321 212
SEQUENCER
RESET
RHYTHM GROUP
ROCK
SOUL
COUNTRYOFF/ON
& POP
& FUNK
MOVE
BIG BAND
ENTERTAINER
JAZZ COMBO CUSTOM MEMORY
SHOW
& SWING
LOAD
SYNCHRO
TAP
& BREAK
TEMPO
OTHER PART & FR
CONTRAST
START/STOP
INTRO & ENDING
MUTE
HELP
COUNT INTRO
STRINGS & VOCAL
DIGITAL
TAB
PAD MIC
DRAWBAR
ORGAN
TEMPO/PROGRAM
DISPLAY
HOLDPAGE
EXIT
SOUND GROUP
ORGAN &
MALLET &
WORLDBRASSGUITARPIANO
ACCORDION
ORCH PERC
ACCORDION REGISTER
PART SELECTTRANSPOSE
+–
R1/R2 OCTAVE RIGHT1
+–
SAX & WOODWIND
SOLO TECHNI-CHORD
RIGHT2LEFT
CONDUCTOR
PART EFFECT
DIGITAL
SOUND
SUSTAIN
EFFECT
EXPLORER
GLOBAL EFFECT
IW
MULTI
CHORUSMEMORYDRUM KITSBASSSYNTH
EXPANSION
BANK VIEW
PANEL MEMORY
7
85
14
23
SEQUENCER
SOUND
VARIATION
PLAY EASY REC
DSP
DISK
REVERB
DISK
IN USE
LOAD
SD CARD
NEXT BANK
6
LOAD
CUSTOM
PANEL
SET
FAVORITES
PROGRAM MENUS
CUSOMIZE
Playing the rhythm
Add interest to your performance by starting a part with a fade-in or ending it with a fade-out.
FADE IN
At the beginning of the song, the volume of each part rises slowly.
1. Set up the panel settings for your perform-
ance.
2. Turn on the FADE IN button.
FADE
IN OUT
The indicator flashes. In this condition, the volumes for all parts change to 0 and no sound is produced from this instrument until the FADE IN is turned off or until step 3 is ex­ecuted.
3. Play the keyboard or press the START/STOP
button.
The volume slowly builds to its preset level.
For the fade-in effect for a rhythm part or when
playing back a SEQUENCER performance, turn on the FADE IN button before pressing the START/STOP button.
At the end of the fade-in, the FADE IN indicator goes out.
During the fade-in, FADE IN is shown in the upper right part of the normal display.
58
QQTG0671
Part II Playing the rhythm
FADE OUT
At the end of the song, the volume of each part gradually fades to nothing.
1. Start the performance.
2. Turn on the FADE OUT button at the point you
want the fade-out to start.
FADE
IN OUT
The volumes of all the parts slowly fade to 0.
The indicator flashes to show that fade-out is
completed, and then goes out. The volumes for all parts return to their specified settings.
If you wish to interrupt the fade-out, press the FADE OUT button to turn it off.
FADE SET
Adjust the settings for the FADE IN and FADE OUT.
1. Press and hold the FADE IN or FADE OUT
button for a few seconds.
FADE
IN OUT
The display looks similar to the following.
2. Use the and buttons to select the item.
Use the and buttons to change the setting.
FADE IN
Time:
Specify the time elapsed between 0 volume to the set volume (1 measure to 16 mea­sure).
FADE OUT
Time:
Specify the time elapsed between the set volume and 0 volume (1 measure to 16 measure).
Auto Reset:
Specify whether the volume of each part automatically returns to its specified setting (ON, OFF).
Rhythm Auto stop:
Specify whether the rhythm turns off after fade-out is completed (ON, OFF).
SEQ Auto stop:
Specify whether the SEQUENCER play­back automatically stops after fade-out is completed (ON, OFF).
Playing the rhythm
The display returns to the previous display a few seconds after you have changed the set­tings.
You can also access this display from the CONTROL MENU display. (Refer to page
178.)
59
QQTG0671
Part II Playing the rhythm
Sound Arranger
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MIN
AUTO SETTING BANKDEMO STOP
143
MIC
LINE IN
MAX
VOLUME
VOLUME
MAX MAX
MIN MIN
OFF
RHYTHM GROUP
2
6
5
AUTO PLAY CHORD
MODERN
GOSPEL
COUNTRYOFF/ON
MODE MARCH 8 & 16 BALLAD
DANCE
& BLUES
SOUND & ARRANGER
LATIN
ENTERTAINER
BALL ROOMOFF/ON
SET
& WORLD
MUSIC STYLIST
FADEMUSIC STYLE
ONE TOUCH
SPLIT
ARRANGER
PLAY
POINT
IN OUT
FILL INVARIATION & MSA
4321 212
1
SEQUENCER
RESET
RHYTHM GROUP
ROCK
SOUL
& POP
& FUNK
MOVE
BIG BAND
JAZZ COMBO CUSTOM MEMORY
SHOW
& SWING
LOAD
TAP
SYNCHRO
TEMPO
& BREAK
OTHER PART & FR
CONTRAST
INTRO & ENDING
START/STOP
MUTE
HELP
COUNT INTRO
SOUND GROUP
MALLET &
STRINGS
ORCH PERC
& VOCAL
DIGITAL
TAB
PAD MIC
DRAWBAR
ORGAN
TEMPO/PROGRAM
DISPLAY HOLDPAGE
R1/R2 OCTAVE RIGHT1
EXIT
+–
+–
WORLDBRASSGUITARPIANO
ORGAN &
WOODWIND
ACCORDION
ACCORDION REGISTER
SOLO TECHNI-CHORD
PART SELECTTRANSPOSE
RIGHT2LEFT
CONDUCTOR
SOUND
SAX &
SUSTAIN
EXPLORER
IW
CHORUSMEMORYDRUM KITSBASSSYNTH
EXPANSION
85
14
DIGITAL EFFECT
MULTI
BANK VIEW
7
23
PART EFFECT
SEQUENCER
SOUND
PLAY EASY REC
VARIATION
DSP
GLOBAL EFFECT
PROGRAM
DISK
DISK
REVERB
MENUS
IN USE
LOAD
SD CARD
NEXT BANK
PANEL MEMORY
6
LOAD
CUSTOM PANEL
SET
FAVORITES
The SOUND ARRANGER feature lets you select other sounds for the AUTO PLAY CHORD parts of each rhythm.
1. Select the rhythm whose sound you wish to
Playing back the sounds
change.
Do not select the MEMORY or CUSTOM but- ton.
1. In the SOUND ARRANGER, press the
OFF/ON button to turn it on.
2. In the SOUND ARRANGER, press the SET
button to turn it on.
SOUND ARRANGER
SET
OFF/ON
SOUND ARRANGER
OFF/ON
SET
2. Start the rhythm (automatic accompaniment).
When the OFF/ON button is off, the factory-
The display looks similar to the following.
preset sounds are produced.
CUSOMIZE
Playing the rhythm
This setting can be set separately for each rhythm.
If you wish to modify the settings you specified, while the OFF/ON button is on, press the SET button to turn it on.
3. Use the and buttons to select the part
whose sound you wish to change.
4. Select the desired sound.
The DIGITAL EFFECT on/off status can also be specified (except for DRUMS part).
For the DRUMS part, select sounds from the DRUM KITS group.
The sound and on/off status of the DIGITAL EFFECT are shown on the display.
5. Repeat steps 3 and 4 for the other parts as
desired.
6. When you have finished selecting the sounds,
press the SET button to turn it off.
60
QQTG0671
SET
Part II Playing the rhythm
One Touch Play
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MIN
AUTO SETTING BANKDEMO STOP
143
LINE IN
MIC
MAX
VOLUME
VOLUME
MAX MAX
MIN MIN
OFF
RHYTHM GROUP
2
6
5
AUTO PLAY CHORD
MODERN
GOSPEL
COUNTRYOFF/ON
MODE MARCH 8 & 16 BALLAD
DANCE
& BLUES
SOUND & ARRANGER
LATIN
BALL ROOMOFF/ON
SET
ENTERTAINER
& WORLD
MUSIC STYLIST
FADEMUSIC STYLE
ONE TOUCH
SPLIT
ARRANGER
PLAY
POINT IN OUT
FILL INVARIATION & MSA
1
4321 212
SEQUENCER
RESET
RHYTHM GROUP
ROCK
SOUL
& POP
& FUNK
MOVE
BIG BAND
JAZZ COMBO CUSTOM MEMORY
SHOW
& SWING
LOAD
TAP
SYNCHRO
TEMPO
& BREAK
OTHER PART & FR
CONTRAST
INTRO & ENDING
START/STOP
MUTE
HELP
COUNT INTRO
SOUND GROUP
STRINGS & VOCAL
DIGITAL
TAB
PAD MIC
DRAWBAR
ORGAN
TEMPO/PROGRAM
DISPLAY HOLDPAGE
R1/R2 OCTAVE RIGHT1
EXIT
SAX &
ORGAN &
MALLET &
WORLDBRASSGUITARPIANO
WOODWIND
ACCORDION
ORCH PERC
ACCORDION
EXPANSION
REGISTER
SOLO TECHNI-CHORD
PART SELECTTRANSPOSE
+–
RIGHT2LEFT
+–
CONDUCTOR
PART EFFECT
DIGITAL
SOUND
SUSTAIN
EFFECT
EXPLORER
GLOBAL EFFECT
IW
REVERB
MULTI
CHORUSMEMORYDRUM KITSBASSSYNTH
BANK VIEW
PANEL MEMORY
7
85
SET
14
23
SEQUENCER
SOUND
VARIATION
PLAY EASY REC
DSP
PROGRAM
DISK
DISK
MENUS
IN USE
LOAD
SD CARD
NEXT BANK
6
LOAD
CUSTOM PANEL
FAVORITES
ONE TOUCH PLAY automatically sets a suggested combination of sounds and an appropriate tempo
for your chosen rhythm style.
3. Play the keyboard.
1. Select a rhythm pattern.
Do not select the MEMORY button.
When you specify a chord, the automatic
rhythm begins to play immediately.
2. Press and hold the ONE TOUCH PLAY button
for a few seconds.
ONE TOUCH
PLAY
During setting, the style name is shown on the display.
The AUTO PLAY CHORD and the SYNCHRO & BREAK are automatically turned on, and
the sounds and effects, volume balances, tempo etc. that are ideal for your selected rhythm are automatically set.
CUSOMIZE
Music Stylist
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MIN
AUTO SETTING BANKDEMO STOP
143
MIC
LINE IN
MAX
VOLUME
VOLUME
MAX MAX
MIN MIN
OFF
RHYTHM GROUP
2
6
5
AUTO PLAY CHORD
MODERN
GOSPEL
MODE MARCH 8 & 16 BALLAD
COUNTRYOFF/ON
DANCE
& BLUES
SOUND & ARRANGER
LATIN
ENTERTAINER
BALL ROOMOFF/ON
SET
& WORLD
MUSIC STYLIST
FADEMUSIC STYLE
ONE TOUCH
SPLIT
ARRANGER
PLAY
POINT IN OUT
FILL INVARIATION & MSA
1
4321 212
SEQUENCER
RESET
RHYTHM GROUP
ROCK
SOUL
& POP
& FUNK
MOVE
BIG BAND
JAZZ COMBO CUSTOM MEMORY
SHOW
& SWING
LOAD
TAP
SYNCHRO
TEMPO
& BREAK
OTHER
PART & FR
CONTRAST
INTRO & ENDING
START/STOP
MUTE
HELP
COUNT INTRO
SOUND GROUP
STRINGS
ORCH PERC
& VOCAL
DIGITAL
TAB
PAD MIC
DRAWBAR
ORGAN
TEMPO/PROGRAM
DISPLAY HOLDPAGE
R1/R2 OCTAVE RIGHT1
EXIT
PART EFFECT
SEQUENCER
SOUND
DIGITAL
SOUND
SAX &
ORGAN &
MALLET &
WORLDBRASSGUITARPIANO
WOODWIND
ACCORDION
ACCORDION REGISTER
SOLO TECHNI-CHORD
PART SELECTTRANSPOSE
+–
RIGHT2LEFT
+–
CONDUCTOR
SUSTAIN
EFFECT
EXPLORER
GLOBAL EFFECT
IW
MULTI
CHORUSMEMORYDRUM KITSBASSSYNTH
EXPANSION
BANK VIEW
PANEL MEMORY
7
85
14
23
PLAY EASY REC
VARIATION
DSP
PROGRAM
DISK
DISK
REVERB
MENUS
IN USE
LOAD
SD CARD
NEXT BANK
6
LOAD
CUSTOM
CUSOMIZE
PANEL
SET
FAVORITES
MUSIC STYLIST sets up your instrument with a suitable registration for a specific style of music or tune.
Setup by music style
Select a style from the MUSICAL CATEGORY.
1. Press the MUSIC STYLIST button to turn it
on.
MUSIC STYLIST
The display looks similar to the following.
2. Select MUSICAL CATEGORY.
The display looks similar to the following.
3. Use the CATEGORY and buttons to
select a category.
Playing the rhythm
4. Use the STYLE and buttons to select a
music style.
During the search, you can use the SKIP and buttons to skip to the previous or fol­lowing subcategory.
61
QQTG0671
Part II Playing the rhythm
The AUTO PLAY CHORD and the SYNCHRO & BREAK turn on, and the sounds, effects,
volume balances, rhythm and tempo etc. which are best suited for the selected music style are automatically selected.
5. Play the keyboard.
When you specify a chord, the automatic rhythm begins to play immediately.
Setup by era
You can select a style from a specific music era.
Playing the rhythm
1. Press the MUSIC STYLIST button to turn it
on.
2. Select MUSICAL ERA.
The display looks similar to the following.
3. Use the STYLE and buttons to select a
style.
You can use the SKIP and buttons to skip to the previous or following era.
You can use the MORE button to view the next page of styles.
Setup by alphabetical order
You can use alphabetical or numerical search to select a style name.
The AUTO PLAY CHORD and the SYNCHRO & BREAK turn on, and the sounds, effects,
volume balances, rhythm and tempo etc. which are best suited for the selected style are automatically selected.
4. Play the keyboard.
When you specify a chord, the automatic rhythm begins to play immediately.
1. Press the MUSIC STYLIST button to turn it
on.
2. Select ALPHABETICAL LIST.
The display looks similar to the following.
3. Use the STYLE and buttons to select a
style.
62
QQTG0671
You can use the SKIP and buttons to skip to the previous or following alphabetical or numerical heading.
You can use the MORE button to view the next page of styles.
The AUTO PLAY CHORD and the SYNCHRO & BREAK turn on, and the sounds, effects,
volume balances, rhythm and tempo etc. which are best suited for the selected style are automatically selected.
4. Play the keyboard.
When you specify a chord, the automatic rhythm begins to play immediately.
Part II Playing the rhythm
Setup by organ style
You can select a style from those suitable to play using the organ sounds.
1. Press the MUSIC STYLIST button to turn it
on.
2. Select ORGAN STYLIST.
The display looks similar to the following.
Custom style selection
You can select a style stored in CUSTOM, or a style loaded to CUSTOM from a disk/an SD card.
Details about the CUSTOM STYLE can be found on page 108.
1. Press the MUSIC STYLIST button to turn it
on.
2. Select CUSTOM STYLIST.
The display looks similar to the following.
3. Use the STYLE and buttons to select a
style.
You can use the SKIP and buttons to skip
to the previous or following alphabetical or numerical heading.
You can use the MORE button to view the next page of styles.
The AUTO PLAY CHORD and the SYNCHRO & BREAK turn on, and the sounds, effects,
volume balances, rhythm and tempo etc. which are best suited for the selected style are automatically selected.
4. Play the keyboard.
When you specify a chord, the automatic rhythm begins to play immediately.
On the MUSICAL CATEGORY, MUSICAL ERA, ALPHABETICAL LIST (ALPHABET) or ORGAN STYLIST display, you can move freely to each display using the buttons to the right of the display.
After deciding on a style with the MUSIC STYLIST, if you record the settings in the PANEL MEMORY, the same style name is
copied to the PANEL MEMORY (up to 16 characters). When you recall the PANEL MEMORY settings, this style name is shown at the top of the normal display.
After selecting a style, turn the MUSIC STYLIST button off if you wish to have the
normal display active during a performance.
Playing the rhythm
3. Use the STYLE and buttons to select a
style.
You can use the SKIP and buttons to skip
to the previous or following CUSTOM.
The AUTO PLAY CHORD and SYNCHRO & BREAK turn on, and the settings for the
selected style are recalled.
4. Play the keyboard.
When you specify a chord, the automatic rhythm begins to play immediately.
63
QQTG0671
Part II Playing the rhythm
Playing the rhythm
PART EFFECT
DIGITAL
SOUND
SUSTAIN
EFFECT
EXPLORER
GLOBAL EFFECT
IW
MULTI
CHORUSMEMORYDRUM KITSBASSSYNTH
BANK VIEW
PANEL MEMORY
7
85
SET
14
23
SEQUENCER
SOUND
VARIATION
PLAY EASY REC
DSP
PROGRAM
DISK
REVERB
DISK
MENUS
IN USE
LOAD
SD CARD
NEXT BANK
6
LOAD
CUSTOM
CUSOMIZE
PANEL
FAVORITES
Music Style Arranger
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MAX
MIN
OFF
AUTO SETTING BANKDEMO STOP
2
143
5
LINE IN
MIC
VOLUME
VOLUME
MAX MAX
MIN MIN
RHYTHM GROUP
6
AUTO PLAY CHORD
MODERN
GOSPEL
MODE MARCH 8 & 16 BALLAD
DANCE
& BLUES
SOUND & ARRANGER
LATIN
BALL ROOMOFF/ON
SET
& WORLD
MUSIC STYLIST
ONE TOUCH
SPLIT
ARRANGER
PLAY
POINT IN OUT
1
4321 212
SEQUENCER
RESET
RHYTHM GROUP
ROCK
SOUL
COUNTRYOFF/ON
& POP
& FUNK
MOVE
BIG BAND
ENTERTAINER
JAZZ COMBO CUSTOM MEMORY
SHOW
& SWING
LOAD
SYNCHRO
TAP
FADEMUSIC STYLE
& BREAK
TEMPO
OTHER
PART & FR
CONTRAST
START/STOP
INTRO & ENDING
FILL INVARIATION & MSA
COUNT INTRO
MUTE
HELP
STRINGS & VOCAL
DIGITAL
TAB
PAD MIC
DRAWBAR
ORGAN
TEMPO/PROGRAM
DISPLAY
HOLDPAGE
EXIT
SOUND GROUP
ORGAN &
MALLET &
WORLDBRASSGUITARPIANO
WOODWIND
ACCORDION
ORCH PERC
ACCORDION
REGISTER
SOLO TECHNI-CHORD
PART SELECTTRANSPOSE
+–
RIGHT2LEFT
R1/R2 OCTAVE RIGHT1
+–
CONDUCTOR
SAX &
EXPANSION
The MUSIC STYLE ARRANGER helps you to make professional registration changes during your performance. Select between four contrasting registrations at the push of a button, or let your instrument change the registration automatically for you when you use FILL IN 1 or 2. The MUSIC STYLE ARRANGER will also alter the accompaniment in character with the registration change creating a polished sounding arrangement.
How to use the MUSIC STYLE AR­RANGER
1. Select a rhythm pattern.
How to change the music style during your performance
While you are playing the keyboard with the MUSIC STYLE ARRANGER on, press the FILL
2. Press the MUSIC STYLE ARRANGER button
IN 1 or FILL IN 2 button.
to turn it on.
FILL IN
1
RESET
COUNT INTRO
2
MUSIC STYLE
ARRANGER
3. Use the VARIATION buttons to select a style
(1 to 4).
SEQUENCER
Each time the FILL IN 1 button is pressed, the FILL IN 1 pattern plays, and then the music style changes in the 4 3 2 1 order.
MUSIC STYLE
ARRANGER
VARIATION
4321
And each time the FILL IN 2 button is pressed, the FILL IN 2 pattern plays, and then the style changes in the 1 2 3 4 order.
MUSIC STYLE ARRANGER mode
You can define which panel settings change by
The nuance of the pattern differs with each number.
The panel settings (including the tempo) change according to the selected rhythm and music style. The AUTO PLAY CHORD, the MEMORY button and the SYNCHRO &
pressing a FILL IN button when the MUSIC STYLE ARRANGER is used.
1. Press and hold the MUSIC STYLE AR-
RANGER button for a few seconds.
The display changes to the following.
BREAK button are automatically turned on. When a key on the left section of the keyboard is pressed, the automatic rhythm begins to play immediately.
During your performance, the style can be changed, but the tempo does not change.
64
QQTG0671
2. Select the mode.
RHYTHM:
Only the rhythm changes.
SOUND & RHYTHM:
The sound, effects, rhythms, etc. change.
Part II Playing the rhythm
PANEL MEMORY:
The PANEL MEMORY number (BANK A: 1 to
4) changes. You can store your desired panel
You can also access this setting display from the CONTROL MENU display. (Refer to page
178.)
settings in the PANEL MEMORY beforehand and switch from one to another quickly.
After a few seconds, the display exits the set­ting mode.
Panel Memory
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MIN
AUTO SETTING BANKDEMO STOP
2
143
LINE IN
MIC
MAX
VOLUME
VOLUME
MAX MAX
MIN MIN
OFF
RHYTHM GROUP
6
5
AUTO PLAY CHORD
MODERN
GOSPEL
MODE MARCH 8 & 16 BALLAD
DANCE
& BLUES
SOUND & ARRANGER
LATIN
BALL ROOMOFF/ON
SET
& WORLD
MUSIC STYLIST
ONE TOUCH
SPLIT
ARRANGER
PLAY
POINT IN OUT
1
4321 212
SEQUENCER
RESET
RHYTHM GROUP
ROCK
SOUL
COUNTRYOFF/ON
& POP
& FUNK
MOVE
BIG BAND
ENTERTAINER
JAZZ COMBO CUSTOM MEMORY
SHOW
& SWING
LOAD
SYNCHRO
TAP
FADEMUSIC STYLE
& BREAK
TEMPO
OTHER PART & FR
CONTRAST
START/STOP
INTRO & ENDING
FILL INVARIATION & MSA
COUNT INTRO
MUTE
HELP
STRINGS & VOCAL
DIGITAL
TAB
PAD MIC
DRAWBAR
ORGAN
TEMPO/PROGRAM
DISPLAY
HOLDPAGE
EXIT
SOUND GROUP
ORGAN &
MALLET &
WORLDBRASSGUITARPIANO
ACCORDION
ORCH PERC
ACCORDION REGISTER
+–
R1/R2 OCTAVE RIGHT1
+–
SAX &
EXPLORER
WOODWIND
EXPANSION
SOLO TECHNI-CHORD
PART SELECTTRANSPOSE
RIGHT2LEFT
CONDUCTOR
PART EFFECT
DIGITAL
SOUND
SUSTAIN
EFFECT
GLOBAL EFFECT
IW
MULTI
CHORUSMEMORYDRUM KITSBASSSYNTH
BANK VIEW
PANEL MEMORY
7
85
SET
14
23
SEQUENCER
SOUND
VARIATION
PLAY EASY REC
DSP
DISK
REVERB
DISK
IN USE
LOAD
SD CARD
NEXT BANK
6
LOAD
CUSTOM
PANEL
FAVORITES
PANEL MEMORY stores all the current panel settings so you can recall them at the push of a button.
How to store the panel settings
By storing all the panel settings you use for a song in the same bank, for example, you can switch from one panel setup to the next in a flash.
1. Set up the desired panel settings (sounds,
volumes, etc.)
BANK VIEW
After selecting a bank, you can use the PAGE buttons to go to the PAGE 3/3 page and confirm the memory names of that bank’s 8 memories.
PROGRAM MENUS
CUSOMIZE
2. Press the BANK VIEW button to turn it on.
BANK VIEW
The BANK SELECT display appears.
3. Select the desired bank (A/B/C/1– 10).
The bank selection display is comprised of two pages: 1/3 and 2/3. Use the PAGE buttons to switch pages.
4. With the SET button held down, press one of
the numbered buttons of the PANEL
MEMORY (1 to 8).
PANEL MEMORY
7
85
6
SET
You can use the BANK
and buttons to
view other banks.
You can also access this display by pressing and holding any of the PANEL MEMORY num­ber buttons (1 to 8) for a few seconds.
Playing the rhythm
14
23
The panel settings are now stored in the specified bank and number.
65
QQTG0671
Part II Playing the rhythm
Assign a name to the bank/memory
You can assign names to the banks and memo­ries.
1. Select a bank or memory.
2. Use the PAGE buttons to go to the PAGE 3/3
page on the display.
3. Press the BANK NAMING button to assign a
name to the bank, or the MEMORY NAMING button for the memory.
The display looks similar to the following.
Recall the panel setup
1. Press the BANK VIEW button to turn it on.
Select a bank.
2. Press the desired PANEL MEMORY number
button (1 to 8).
The panel setup changes to the one stored in the specified memory.
You can then change the sound settings, etc. manually; however, the contents of the memory remain unchanged until you store them again.
The “Control Preset” bank of the PERFORM- ANCE PADS or the Foot Switch (sold sepa-
rately) can also be used to change from one PANEL MEMORY setup to another. (Refer to pages 68, 179.)
The currently selected bank, memory number and memory name are shown in the top line on the normal display.
Playing the rhythm
4. Use the buttons below the display to assign a
name.
Press the ABC button to enter alphabetical characters. While the SHIFT button is pressed, upper case letters are entered.
Press the 123 button to enter numbers, etc. While the SHIFT button is pressed, you can enter symbols.
Press the POSITION button to move the cur­sor.
You can also use the TEMPO/PROGRAM dial to select the characters.
Press the INS button to enter a space at the cursor position.
Press the DEL button to erase the character at the cursor position.
Press the CLR button to erase the entire name.
Press the →← button to center the name.
NEXT BANK
You can press the NEXT BANK button to switch to the next bank. This allows you to change banks without exiting the normal display.
NEXT BANK
Each time the NEXT BANK button is pressed, the bank indication changes in order (A → B
C 1 2 ...).
The panel settings change when a PANEL
MEMORY number button (1 to 8) is pressed.
5. When you have finished assigning the name,
press the OK button.
66
QQTG0671
Part II Playing the rhythm
PANEL MEMORY mode
You can define which panel settings are recalled when the PANEL MEMORY is used.
1. Press and hold the SET button for a few sec-
onds.
The display changes to the following.
2. Select the mode.
NORMAL:
The sounds and volume balance, and CON- DUCTOR status are stored.
EXPAND:
All the instrument’s settings are stored, includ­ing the rhythm (except for SOUND AR- RANGER on/off status), TRANSPOSE, tempo, etc.
After a few seconds, the display exits the set­ting mode.
CUSTOM PANEL
In addition to the regular PANEL MEMORY, this feature lets you store a favorite panel setup to recall any time by the press of a button. Even if the PANEL MEMORY data is changed when an automatic setting function is activated or the disk data load procedure is performed, for example, simply by pressing this button, your favorite panel setings are instantly restored.
1. Set up the instrument with your favorite set-
tings.
2. Press the SET button and the CUSTOM
PANEL button at the same time.
BANK VIEW
PANEL MEMORY
7
85
14
23
“COMPLETED!” is shown on the display.
NEXT BANK
6
CUSTOM
SET
PANEL
FAVORITES
CUSOMIZE
EXPAND MODE FILTER
You can specify which data is stored in the EX­PAND mode.
1. Use the PAGE buttons to access the PAGE
2/2 EXPAND MODE FILTER display.
The display looks similar to the following.
2. Use the and buttons to select the item.
3. Use the ON and OFF buttons to store the on
or off status for the selected item.
The stored settings are recalled whenever you press the CUSTOM PANEL button to turn it on.
The stored contents are retained even when the power to the instrument is turned off.
You can select the range of settings that are included in the CUSTOM PANEL function. (Refer to page 185.)
Playing the rhythm
67
QQTG0671
Part III Performance Pads
PART EFFECT
Playing phrases
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MIN
AUTO SETTING BANKDEMO STOP
2
143
5
MIC
LINE IN
MAX
VOLUME
VOLUME
MAX MAX
MIN MIN
OFF
RHYTHM GROUP
6
AUTO PLAY CHORD
MODERN
GOSPEL
COUNTRYOFF/ON
MODE MARCH 8 & 16 BALLAD
DANCE
& BLUES
SOUND & ARRANGER
LATIN
ENTERTAINER
BALL ROOMOFF/ON
SET
& WORLD
MUSIC STYLIST
FADEMUSIC STYLE
ONE TOUCH
SPLIT
ARRANGER
PLAY
POINT IN OUT
FILL INVARIATION & MSA
1
4321 212
SEQUENCER
RESET
RHYTHM GROUP
ROCK
SOUL
& POP
& FUNK
MOVE
BIG BAND
JAZZ COMBO CUSTOM MEMORY
SHOW
& SWING
LOAD
TAP
SYNCHRO
TEMPO
& BREAK
OTHER PART & FR
CONTRAST
INTRO & ENDING
START/STOP
MUTE
HELP
COUNT INTRO
STRINGS & VOCAL
DIGITAL
TAB
PAD MIC
DRAWBAR
ORGAN
TEMPO/PROGRAM
DISPLAY HOLDPAGE
EXIT
SOUND GROUP
ORGAN &
MALLET &
WORLDBRASSGUITARPIANO
ACCORDION
ORCH PERC
ACCORDION REGISTER
PART SELECTTRANSPOSE
+–
R1/R2 OCTAVE RIGHT1
+–
CONDUCTOR
SAX & WOODWIND
SOLO TECHNI-CHORD
RIGHT2LEFT
EXPLORER
EXPANSION
During your performance, you can insert a short recorded phrase or effect sounds by pressing a pad button. A different group of phrases is recorded in each bank.
DIGITAL
SOUND
SUSTAIN
EFFECT
GLOBAL EFFECT
IW
MULTI
CHORUSMEMORYDRUM KITSBASSSYNTH
BANK VIEW
PANEL MEMORY
7
85
SET
14
23
SEQUENCER
SOUND
PLAY EASY REC
VARIATION
DSP
PROGRAM
DISK
DISK
REVERB
MENUS
IN USE
LOAD
SD CARD
NEXT BANK
6
LOAD
CUSTOM
CUSOMIZE
PANEL
FAVORITES
1. Press the BANK button.
BANK
2. Select the desired bank from the display.
The list of banks consists of three screen pages. Use the PAGE buttons to change the page.
3. Press a pad button (1 to 6).
SOLO
2
5
SOLO
3
6
1
4
A different phrase is assigned to each pad button.
Information about the phrase, such as its name and the measure number, is shown in the normal display.
The volume can be set with the buttons below the normal display (PADS).
The selected phrase is played in the current tempo.
To stop the phrase before it has ended, press the STOP button.
Some phrases continue to play until the STOP
“User Bank” A, B and C are for storing your
original phrases.
“Compile Bank” 1 and 2 are for assigning phrases as you desire.
Various functions are assigned to each pad button in “Control Preset”.
button is pressed (the [Loop] indication ap­pears).
During a rhythm performance, some phrases may play in time with the measure count.
When the automatic accompaniment is on, several phrases are played in the specified chord.
When using the “ Control Preset” bank, set the AUTO SETTING button to OFF. When using the PANEL MEMORY, turn off the PERFORM.
Performance Pads
PADS BANK of the EXPAND MODE FILTER.
SOLO
Pad buttons 5 and 6 (SOLO) are phrases with chord progressions. Just by pressing one of these pad buttons, the phrase changes following a chord progression that is typical for the music genre of that bank. (Refer to the example below.)
Use with the automatic accompaniment during your performance.
Pad button 5 accesses a major chord progres- sion, and pad button 6 a minor chord progres­sion.
68
QQTG0671
AUTO SETTING
When this button is set to on, the bank automat­ically changes according to the automatic setting functions in the ONE TOUCH PLAY, the MUSIC STYLE ARRANGER and the MUSIC STYLIST. When it is set to off, the bank does not automat­ically change according to these functions.
AUTO SETTING
Part III Performance Pads
Copying phrases
You can copy the desired data, as phrases, from the SEQUENCER to each pad memory of a “User Bank”.
Chord data also can be copied to pad buttons 5 and 6 (SOLO).
PHRASE COPY
Copy a phrase from one pad to another.
1. Press the PROGRAM MENUS button to turn
it on.
PROGRAM
MENUS
5. Select the pad you wish to copy to.
Use the buttons on the TO side to set the desired settings. USER BANK: Bank name (USER A, B, C) PAD: Pad number (1 to 6)
Only a SOLO phrase can be copied to the SOLO pads (5 and 6).
6. Press the OK button.
The display looks similar to the following.
2. Select PERFORMANCE PADS.
The display looks similar to the following.
3. Select PHRASE COPY.
The display looks similar to the following.
7. Press the PROGRAM MENUS button to turn
it off.
If you wish to modify a portion of the copied phrase, press the EDIT button to change to the recording display.
Performance Pads
4. Select the pad you wish to copy from.
Use the buttons on the FROM side to set the desired settings. BANK: Bank name PAD: Pad number (1 to 6)
69
QQTG0671
Part III Performance Pads
SEQ TO PAD COPY
1. Record a phrase in the SEQUENCER, or load
data from a disk.
After this procedure, please do not change the song number.
For details about SEQUENCER operation, refer to page 74.
For information about loading data, refer to pages 125, 140.
2. Press the PROGRAM MENUS button to turn
it on.
3. Select PERFORMANCE PADS.
4. Select SEQ TO PAD COPY.
The display looks similar to the following.
6. Select the pad button you wish to copy to.
On the PERFORMANCE PAD side, use the buttons to make the corresponding settings.
USER BANK:
The name of the bank (A/B/C).
PAD:
Pad button number (1 to 6).
PART:
The part to copy to.
TRACK:
The track number to copy from.
7. Press the OK button.
A confirmation display appears. Press the YES button if you wish to copy the phrase, or press the NO button to cancel the procedure.
8. When you have completed the procedure,
press the PROGRAM MENUS button to turn it off.
5. Select the measures of SEQUENCER data
you wish to copy from.
On the SEQUENCER side, use the buttons to make the corresponding settings.
FIRST MEASURE:
The first measure of the phrase you wish to copy.
LAST MEASURE:
The last measure of the phrase you wish to copy.
Performance Pads
TRANSPOSE:
The setting to transpose the chords when they are copied.
The maximum that can be copied is 16 meas­ures.
When copying to pad button 5 or 6, the chord track is automatically displayed, and the chord data is also copied. However, when chord data from step record input does not exist, the measures are blank.
If you wish to convert the chords during play­back, set TRANSPOSE to the key of C and then copy the phrase.
70
QQTG0671
Part III Performance Pads
Compile
You can assign desired phrases from different banks in “Compile Bank” 1 and 2.
1. Press the PROGRAM MENUS button to turn
it on.
PROGRAM
MENUS
The display looks similar to the following.
2. Select PERFORMANCE PADS.
The display looks similar to the following.
6. Use the BANK and PHRASE and buttons
to select the desired bank and phrase you wish to assign.
The “Control” bank cannot be selected.
7. Repeat steps 5 and 6 to assign phrases to the
other pad buttons.
8. When you have finished assigning the
phrases, turn off the PROGRAM MENUS but­ton.
3. Select COMPILE SET.
The display looks similar to the following.
You can press the NAMING button and assign
a name to the bank.
4. Press the BANK button to select a bank (Com-
pile Bank: 1/2).
5. Use the PADS and buttons to select the
pad to which to assign the phrase.
Performance Pads
71
QQTG0671
Part III Performance Pads
Record a phrase
“User Bank” A, B and C are reserved for storing your original phrases.
You can also copy phrases which are recorded in the SEQUENCER.
1. Press the PROGRAM MENUS button to turn
it on.
The display looks similar to the following.
2. Select PERFORMANCE PADS.
The display looks similar to the following.
3. Use the buttons to the left of the display to
select a RECORDING BANK.
The display changes to the RECORD PAD display.
You can press the BANK NAMING button and assign a name to the bank.
If the BANK CLR button is pressed, all the data in the bank is cleared (a confirmation display appears).
6. Press the OK button.
For details about KEY SETTING, refer to page
111.
For details about CHORD MODIFY CHANGE, refer to page 113.
7. Select the part to record to.
Press the button for PART 1 or PART 2.
Two parts can be recorded (PAD 1– 4).
The display looks similar to the following.
8. Proceed to record.
The recording procedure is the same as for the COMPOSER. (Refer to page 112.)
There is no DSP SET.
In the PLAY SETTING, if LOOP is set to OFF,
LOOP recording is not possible.
Performance Pads
4. Use the buttons below the display to select
the pad number to record.
The display changes to the PAD RECORDING display.
You can press the PAD NAMING button and assign a name to the bank.
To clear all the current data in the selected pad, press the CLEAR THE PAD button, and then press the YES button on the confirmation display.
5. Use the MEASURE and buttons specify
the number of measures in the phrase. Use the TIME SIGNATURE and buttons to specify the time signature of the phrase.
72
QQTG0671
Part III Performance Pads
PLAY SETTING
Select a playback mode.
1. On the PAD RECORDING display, press the
PLAY SETTING button.
The display looks similar to the following.
2. Use the START and buttons to select a
playback mode.
SYNCHRO:
During a rhythm performance, the phrase playback begins in time with the beat.
INSTANT:
The phrase starts to play immediately when the pad button is pressed, regard­less of the rhythm.
CHORD STEP RECORD
A chord progression can be stored in PAD 5 and PAD 6.
1. On the REALTIME RECORDING display,
press the CHORD STEP RECORD button.
The display looks similar to the following.
2. Use the CURSOR buttons to move the cursor
to the position you wish to input.
The cursor moves in 1/8-note increments.
3. Input the chord by playing it on the keyboard.
The chord name is shown.
4. Press the OK button.
3. Use the LOOP and buttons to enable or
disable loop playback. ON:
Once the pad button is pressed, the phrase is played back repeatedly until the STOP button is pressed.
OFF:
The phrase is played back only once.
5. Repeat steps 2 to 4 to store the rest of the
chord progression.
To delete a chord which has been input, move the cursor to the specific chord and press the ERS button.
Performance Pads
73
QQTG0671
Part IV Sequencer
Outline of the Sequencer
APC/SEQUENCER
MAIN
VOLUME
VOLUME
MAX
MIN
AUTO SETTING BANKDEMO STOP
143
LINE IN
MIC
MAX
VOLUME
VOLUME
MAX MAX
MIN MIN
OFF
RHYTHM GROUP
2
6
5
AUTO PLAY CHORD
MODERN
GOSPEL
COUNTRYOFF/ON
MODE MARCH 8 & 16 BALLAD
DANCE
& BLUES
SOUND & ARRANGER
LATIN
ENTERTAINER
BALL ROOMOFF/ON
SET
& WORLD
MUSIC STYLIST
FADEMUSIC STYLE
ONE TOUCH
SPLIT
ARRANGER
PLAY
POINT
IN OUT
FILL INVARIATION & MSA
4321 212
1
SEQUENCER
RESET
RHYTHM GROUP
ROCK
SOUL
& POP
& FUNK
MOVE
BIG BAND
JAZZ COMBO CUSTOM MEMORY
SHOW
& SWING
LOAD
SYNCHRO
TAP
& BREAK
TEMPO
OTHER PART & FR
CONTRAST
START/STOP
INTRO & ENDING
MUTE
HELP
COUNT INTRO
SOUND GROUP
STRINGS & VOCAL
DIGITAL
TAB
PAD MIC
DRAWBAR
ORGAN
TEMPO/PROGRAM
DISPLAY HOLDPAGE
R1/R2 OCTAVE RIGHT1
EXIT
MALLET & ORCH PERC
PART EFFECT
SEQUENCER
SOUND
DIGITAL
SOUND
SAX &
ORGAN &
WORLDBRASSGUITARPIANO
WOODWIND
ACCORDION
ACCORDION REGISTER
SOLO TECHNI-CHORD
PART SELECTTRANSPOSE
+–
RIGHT2LEFT
+–
CONDUCTOR
SUSTAIN
EFFECT
EXPLORER
GLOBAL EFFECT
IW
MULTI
CHORUSMEMORYDRUM KITSBASSSYNTH
EXPANSION
BANK VIEW
PANEL MEMORY
7
85
14
23
PLAY EASY REC
VARIATION
DSP
PROGRAM
DISK
DISK
REVERB
MENUS
IN USE
LOAD
SD CARD
NEXT BANK
6
LOAD
CUSTOM
CUSOMIZE
PANEL
SET
FAVORITES
A sequencer records your performance in a similar way to a tape recorder. This instrument’s SEQUENCER allows you to record up to 10 performances in a variety of ways. You may want to record your entire performance in one go (especially if you are using AUTO PLAY CHORD to provide the accompaniment), or to build up a complex arrangement with several different parts playing together, like an orchestral score. This instrument’s SEQUENCER has 16 tracks. This means that you can record 16 different parts. However, you don’t have to use all 16 tracks. For some uses you may only need to use one or two tracks. This instrument’s SEQUENCER enables you to edit your recorded performance. Unlike a tape recorder you can change the sound or the tempo during playback, or correct wrong notes or timing errors.
SEQUENCER features
You can change the tempo without chang­ing the pitch
When you record your performance at a slow tempo and play it back at a faster tempo, the pitch stays the same.
Popular features
Simplified recording method
EASY RECORD is a feature that allows you to bypass the more complex recording procedures so you can record and play back your perform­ance quickly and easily.
You can also record an accompaniment from
Consistent sound
the AUTO PLAY CHORD.
Your performance is reproduced by a sound mod­ule as it reads digital data. So, unlike a recorded tape, the sound never deteriorates no matter how many times you play back your performance.
Create a one-man ensemble
Use the REALTIME RECORD function to record your performance in up to 16 tracks and create your own orchestra or band.
Edit your recorded performance
Comprehensive editing functions allow you to modify your recorded performance. Data can easily be erased, corrected or copied, providing an especially convenient tool for creating your original tunes.
Store individual data to create your song
For repeating patterns or those especially com­plicated phrases, the STEP RECORD feature is convenient for recording the notes one-by-one.
This method can be used to store both the chord progression for the automatic accom-
Instant search
paniment and the rhythm changes.
A recorded tape has to be rewound, but digital action means you can return to the beginning of your performance, or find any measure, instantly.
Memory capacity
Up to 10 songs can be stored in the SEQUENCER. Expressed in terms of notes, the total number of notes which can be stored in all
Sequencer
the SEQUENCER songs and tracks is about 40,000. The remaining memory available for re­cording is shown on the display as a percentage (MEMORY= %).
When “Memory full!” appears on the display, no more data can be stored in the SEQUENCER.
74
QQTG0671
Part IV Sequencer
SEQUENCER menu
The configuration of the SEQUENCER setting display is as follows.
1. Press the PROGRAM MENUS button to turn
it on.
PROGRAM
MENUS
The display looks similar to the following.
2. Select SEQUENCER.
The display looks similar to the following.
<RECORD & EDIT>
<COPY & PASTE>
<RANGE EDIT>
The SONG SELECT and buttons are used
to select a song.
You can press the NAMING button and assign a name to the song. (Refer to page 85.)
You can press the PANEL WRITE button to store the current settings of the instrument at the beginning of the song. (Refer to page 86.)
3. Select RECORD & EDIT, COPY & PASTE or
RANGE SET, and follow the corresponding procedure.
SD AUDIO SYNCHRO
The sound data on the SD card in the SD slot can be synchronized with SEQUENCER playback.
1. On the SEQ MENU display, press the SD
AUDIO SYNCHRO button.
2. Use the and buttons to select the song
number you wish to synchronize from the PLAYLIST.
3. Play back the SEQUENCER song. (Refer to
page 83.)
Sequencer
75
QQTG0671
Part IV Sequencer
Summary of the SEQUENCER menu items
RECORD & EDIT
These functions are recording and editing operations used for creating a new perform­ance.
REALTIME RECORD (page 80)
Record each part of your performance just as you play it on the keyboard.
PUNCH RECORD (page 86)
Correct a selected portion of your re­corded performance.
STEP RECORD (page 88)
Store the sounds note-by-note on the dis­play.
You can also store the chord or rhythm pro­gression for the AUTO PLAY CHORD.
TRACK ASSIGN (page 95)
Assign parts to tracks.
QUANTIZE (page 96)
Correct the timing of your performance.
SONG SELECT (page 86)
Select a song.
SONG CLEAR (page 97)
Erase all the recorded data of a song.
TRACK CLEAR (page 97)
Erase the contents of a specific track.
NOTE EDIT (page 98)
Store and correct performance (NOTE) data on a piano roll display.
DRUM EDIT (page 99)
Store and correct DRUMS part data on a special display.
AFTER TOUCH SETTING (page 100)
Specify whether or not keyboard after touch is recorded as data.
SONG COPY (page 101)
Copy data of specific songs.
TRACK MERGE (page 102)
Merge the recorded contents of two tracks and store in a third track.
TRACK CLEAR (page 97)
Erase the contents of a specific track.
SONG CLEAR (page 97)
Erase all the recorded data of a song.
MEASURE COPY (page 102)
Copy the contents of specific measures.
MEASURE ERASE (page 103)
Erase the contents of specific measures.
MEASURE DELETE (page 103)
Delete specific measures from the perform­ance.
MEASURE INSERT (page 104)
Insert additional measures in the perform­ance.
APC TO SMF CONVERT (page 104)
Save automatic accompaniment patterns and pad performance data in a Standard MIDI File (SMF).
RANGE EDIT
Change the note position etc. in the recorded data.
QUANTIZE (page 96)
Correct the timing of your performance.
NOTE CHANGE (page 105)
Change the pitch of specific notes.
VELOCITY CHANGE (page 106)
Modify the recorded velocity (how hard the keyboard was played) of performance data.
Sequencer
COPY & PASTE
Copy recording data and paste it to the desired location.
TRACK COPY (page 101)
Copy data of specific tracks.
About the measure count
The measure count on the display corresponds to the time signature of the selected rhythm. However, if rhythm data is stored in the RHYTHM part and that part is played back, the measure count on the display corresponds to the stored rhythm data. (Refer to page 94.)
If you wish to use a time signature not available in the preset rhythms, use the COMPOSER to create a new time signature. (Refer to page 110.)
TRANSPOSE (page 106)
Change the key of the performance data.
ADVANCE/DELAY (page 107)
Speed up or delay the sound production of performance data.
76
QQTG0671
Part IV Sequencer
Slide Show
This instrument can show various images which change automatically corresponding to the music progression just like the DEMO performance. Using the Slide Show function, you can create a multi-media show of images synchronizing with the sound.
Schematic
PICTURE 1
PIC #1
Intro Theme A Theme B
PIC #2
PICTURE 2
PICTURE 3
PIC #3
Set the images
To set the images, proceed as follows.
1. Record a song in the SEQUENCER. (See
pages 79 to 94.)
2. Specify the points (PIC) at which the image
must be changed on the STEP RECORD (CONTROL) display. (See page 90.)
3. Replay the song.
The selected image is displayed in whole screen at the specified point (PIC). The image continues to be shown until the next PIC point comes.
Images will be displayed on either the normal display or the SEQUENCER PLAY display.
You can output the displayed images to a external monitor such as a TV set. (See page
199.)
PICTURE 5
PIC #5
Ending
PIC #4
PICTURE 4
PICTURE 6
PIC #6
Load your original images
Besides a variety of preset images of the instru­ment, you can use your original images captured by a digital camera or a digital video camera for example.
1. Save the image data to a disk or an SD card.
The instrument can read .BMP and .JPG for­mats (not compatible with all data with those extensions).
2. Insert the disk or SD card with data into the
DISK DRIVE or the SD-card slot. (See pages 125, 138.)
3. Load the data using the STEP RECORD dis-
play.
MEMO
This instrument is compatible with images sized 640 x 240 pixels. Even though an image sized up to 640 x 480 pixels can be read, the data will be cut out to 640 x 240 pixels when loading.
Depending on the size, it may not be possible to load the image.
Sequencer
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Part IV Sequencer
Sequencer parts
The following summary explains what is stored in each SEQUENCER part.
Part name
[name on display]
RIGHT1 [RT1] RIGHT2 [RT2] LEFT [LFT] PART1 [P 1] – PART9 [P 9] PART11 [P 11] – PART16 [P16]
DRUMS [DRM]
(PART 10)
CONTROL [CTL] Recording changes in
AUTO PLAY CHORD
[APC]
CHORD [CHD] Recording chord
Recording the perform­ance of each part (REALTIME/STEP)
Recording the drums performance with the DRUM KITS group sounds (REALTIME/STEP)
the panel button status (REALTIME/STEP)
Recording chords for the
AUTO PLAY CHORD
(REALTIME)
progression for the
AUTO PLAY CHORD
(STEP)
Used for Recorded contents
Sound and volume settings
PART EXPRESSION
Contents of sound and effect settings that can be
set on the MIXER display (Refer to page 157.)
PITCH BEND wheel operation
MODULATION wheel operation
Sound and volume settings
PART EXPRESSION
Contents of sound and effect settings that can be
set on the MIXER display (Refer to page 157.)
Rhythm setting and selection changes
REVERB on/off
AUTO PLAY CHORD status, volume balance
MUSIC STYLE ARRANGER status
FILL IN 1, 2, INTRO & ENDING 1, 2 on
PANEL MEMORY selection changes
TRANSPOSE status
TECHNI-CHORD status
START/STOP on/off
TEMPO setting
CONDUCTOR status
PERFORMANCE PADS setting
FADE IN/OUT operation
APC/SEQUENCER VOLUME settings.
TOTAL EXPRESSION
Image data for the SLIDE SHOW (PIC) (STEP)
Chord progression
AUTO PLAY CHORD status, volume balance
START/STOP on/off
FILL IN 1, 2, INTRO & ENDING 1, 2 on
Chord progression
FILL IN 1, 2, INTRO & ENDING 1, 2 on
Sequencer
RHYTHM [RHY] Settings related to
rhythm (STEP)
Rhythm settings and selection changes
FILL IN 1, 2, INTRO & ENDING 1, 2 on
START/STOP on/off
TEMPO setting
You can use the TRACK ASSIGN function to assign parts to tracks as you wish. (Refer to page 95.)
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QQTG0671
Part IV Sequencer
Easy Record
Suppose you are playing the Keyboard and you wish to record and play back your performance to hear how it sounds. You can bypass the set-up procedures of the full-scale sequencer and begin recording quickly and easily.
Note that by executing EASY REC, the original data in the selected song number is erased.
Recording procedure
4. Press the OK button.
1. Press the EASY REC button to turn it on.
SEQUENCER
PLAY EASY REC
The display changes to the REALTIME RE­CORD display.
5. Play the keyboard.
Recording begins as soon as you start the rhythm or play the keyboard.
The display changes to the following.
2. Use the SONG SELECT and buttons to
select the song number in which to record (1 to 10).
If you press the NAMING button, you can as­sign a name to your song. (Refer to page 85.)
3. Set the desired sounds, effects, rhythms, etc.
Playback
1. Press the SEQUENCER RESET (FILL IN 1)
button.
6. When you have finished recording, press the
EASY REC button to turn it off.
The PLAY button turns on.
FILL IN
1
SEQUENCER
RESET
2. Press the START/STOP button.
Your recorded performance is played back automatically.
When you are finished playing back your per­formance, press the SEQUENCER PLAY but­ton to turn it off.
Sequencer
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QQTG0671
Part IV Sequencer
Realtime Record
With REALTIME RECORD, your performance is recorded with the timing exactly as you played it on the keyboard. Use this mode to record your performance in up to 16 tracks and create your own orchestra or band.
Recording procedure
1. Press the PROGRAM MENUS button to turn
it on.
The display changes to the following.
2. Select SEQUENCER.
The display looks similar to the following.
When you press the PANEL WRITE button,
the PANEL WRITE display appears. To store the currently active settings, such as the sounds, at the beginning of the song, press the OK button.
3. Use the SONG SELECT and buttons to
select a song number in which to record. (The song number is shown on the display.)
4. Select RECORD & EDIT.
The display looks similar to the following.
Sequencer
5. Select REALTIME RECORD.
The display looks similar to the following.
6. Use the buttons below the display to turn on
the “REC” indication above the track numbers you are going to record.
While you are recording, you can play back tracks which are already recorded. Press the corresponding balance buttons to display “PLAY” above the track number you wish to have played back.
For the RIGHT 1, RIGHT 2 and LEFT parts, you can select two or more tracks to record at one time; however, to record a performance part, the corresponding button in the CON- DUCTOR must also be on. For parts that are not in the CONDUCTOR, multiple parts cannot be recorded at one time.
To record AUTO PLAY CHORD (APC) parts, turn on the AUTO PLAY CHORD’s OFF/ON button. In this case, press the START/STOP button when beginning recording.
The track for the RHYTHM (RHY) part can be selected for recording only when STEP RE­CORD is active.
7. Set the sounds, effects, volumes, etc. for the
parts you are going to record.
If you press the MIXER button, you can use the MIXER display to visually adjust the set­tings for each track.
The LOCAL ON/OFF setting on the MIXER display is used to specify whether the part assigned to that track sounds when it is played on the keyboard during recording. For the LOCAL ON/OFF during playback, use the TRACK ASSIGN display to adjust the settings. (Refer to page 95.)
If you are recording GM2 song data, select from the GM2 group in the SOUND EX- PLORER.
The panel settings which are active at the beginning of recording are stored.
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Part IV Sequencer
8. Use the TEMPO/PROGRAM to adjust the re-
cording tempo.
The tempo is shown on the display as =.
If you wish to record the tempo setting and
tempo changes, store them in the control (CTL) part, or use the step record to store them in the rhythm (RHY) part.
9. Turn the metronome on or off as desired with
the ON/OFF button at the upper right of the display.
The metronome selection alternates between ON and OFF each time the button is pressed.
When set to ON, the metronome volume set­ting display is momentarily shown.
The metronome sound is not recorded.
10.Play the keyboard.
Recording begins.
You can also press the START/STOP button
to start the rhythm and begin recording.
If the metronome is on, when you press the START/STOP button, a two-measure count plays, after which recording automatically begins. In this case, the rhythm does not start. Recording does not start until the two-measure count is completed.
The recording status is continuously updated on the display:
MEASURE= indicates the current measure. TIME SIG.= indicates the current time sig-
nature.
MEMORY= indicates the remaining memory
(%) available for recording.
If you wish to redo the recording, press the REC STOP button and then record again. To change the sounds and effects, etc. please set them again.
If you make a mistake in recording, you can correct a specific portion of your performance without having to redo the whole part. (Refer to page 87.)
Multi-track recording
Use the following procedure to record one track while listening to the track or tracks already re­corded.
1. Follow the procedure to record the first track,
and press the REC STOP button at the end of the recording.
The indication for the track just recorded changes from “REC” to “PLAY”.
2. Turn on the “REC” indication for the track you
wish to record next, and select the sounds and effects, etc.
3. Press the START/STOP button and begin re-
cording.
Tracks for which “PLAY” is shown are played back, and you can record in time with this.
If you turn on the “REC” for the CONTROL track and begin recording, the rhythm start will not be recorded.
4. Press the REC STOP button at the end of the
recording.
5. Repeat steps 2 to 4 for other tracks, as
desired.
6. When multi-track recording is finished, turn off
the PROGRAM MENUS button.
If you wish to store part settings that you mod­ified after recording as beginning song data, press the MIXER button and follow the PANEL WRITE procedure. (Refer to page 86.)
11.When you have finished recording, press the
REC STOP button on the display, or turn off the PROGRAM MENUS button.
When the PROGRAM MENUS button is turned off, the ending command (END) is recorded. Note that, as long as the ending command is not recorded, blank recording continues even if you stop playing.
The SEQUENCER PLAY button turns on.
Sequencer
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Part IV Sequencer
CYCLE RECORD
This mode allows you to have specified recording measures continuously repeated. Thus you can record measures by adding notes during any cycle.
1. On the REALTIME RECORD display, specify
“REC” for a track number you are going to record, and “PLAY” for track numbers you wish to have played back.
2. Press the CYCLE: OFF button.
The display looks similar to the following.
3. Use the START MEASURE and buttons
to specify the beginning measure number.
4. Use the END MEASURE and buttons to
specify the ending measure number.
The measure in which the END command has been stored can also be specified.
START
1234
END
7. When you have finished recording, press the
REC STOP button on the display, or turn off the PROGRAM MENUS button.
CYCLE END MEASURE: 4
5. Press the START/STOP button.
If the metronome is on, cycle recording of the specified measures begins after a two­measure count.
6. Play the keyboard.
The specified measures are repeated, during which time you can record by adding notes little by little at the correct timing (over-dub­bing).
If you wish to erase all the performance data from the specified measures, press the
Sequencer
CLEAR button.
If the CYCLE: ON button is pressed, it changes to OFF. This button does not function during recording.
To return to the REALTIME RECORD display, press the EXIT button.
Cycle record can also be started from the REALTIME RECORD display whenever the CYCLE: ON indication is shown.
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Part IV Sequencer
Sequencer Play
Play back your recorded performance.
1. Press the SEQUENCER PLAY button to turn
it on.
SEQUENCER
PLAY EASY REC
The display looks similar to the following.
2. Use the SONG and button to select the
song number you wish to play back.
3. Use the balance buttons below the display to
show “PLAY” above the track numbers you wish to have played back.
Highlighted track numbers indicate tracks that are already recorded. Only highlighted track numbers can be selected for playback.
You can select two or more tracks to play back at one time.
4. Press the SEQUENCER RESET (FILL IN 1)
button.
The SEQUENCER returns to the beginning of the song and the beginning panel settings are recalled.
5. To begin playback from a measure other than
measure 1, use the MEAS and buttons to specify the beginning measure.
“MEASURE=” indicates the current measure number.
6. Press the START/STOP button.
The recorded performance is played back from the specified measure.
When playback is begun from a measure in which an INTRO, COUNT INTRO, FILL IN or ENDING is recorded, the corresponding func­tion does not work.
You can press the MIXER button and modify the settings for each part.
For information about LYRICS, refer to page
128.
7. To stop playback, press the START/STOP but-
ton.
If the START/STOP button is pressed again, playback will continue from the point it was interrupted.
8. When you are finished playing back your per-
formance, press the SEQUENCER PLAY but­ton to turn it off.
If a rhythm progression has been recorded in the RHYTHM (RHY) part, the MEASURE dis­play used in the STEP RECORD and EDIT dis­plays conforms to the time signature data stored in the RHYTHM part.
Adjusting the playback tempo
Even with a song having recorded tempo data, you can use TEMPO/PROGRAM or TAP TEMPO to adjust the tempo to your liking.
When the tempo is changed, all the tempo data of that song is automatically changed by the same ratio. Accordingly, even in song data in which tempo change data is stored, a single adjustment of the tempo produces a natural-sounding playback.
To return to the original tempo, while the song is stopped press the SEQUENCER RESET button. Note that the tempo change is also canceled when you switch to another song or load a new song.
The adjusted tempo is canceled when you begin the recording procedure and the original tempo data will be recorded.
QQTG0671
Sequencer
83
Part IV Sequencer
CYCLE PLAY
You can have specified measures played back repeatedly.
1. On the SEQUENCER PLAY display, specify
“PLAY” for track numbers you wish to have played back.
2. Press the CYCLE button.
The display looks similar to the following.
3. Use the START MEASURE and buttons
to specify the beginning measure number.
4. Use the END MEASURE and buttons to
specify the ending measure number.
The measure in which the END command has been stored can also be specified.
START
1234
CYCLE END MEASURE: 4
END
5. Press the START/STOP button.
Cycle playback of the specified measures begins.
Normally the rhythm pattern is not played back.
6. To stop cycle playback, press the START/
STOP button again.
During playback stop, if the SEQUENCER RESET (FILL IN 1) button is pressed, the SEQUENCER returns to the measure number specified in step 3. If the SEQUENCER RESET button is pressed again, the SEQUENCER returns to measure 1.
If you press the CYCLE: ON button to turn it OFF, cycle playback is not possible.
To return to the SEQUENCER PLAY display, press the EXIT button.
Cycle playback can also be specified on the SEQUENCER PLAY display whenever the CYCLE: ON indication is shown.
MEDLEY
Multiple recorded songs can be played back in a medley.
1. On the SEQUENCER PLAY display, press the
MEDLEY button.
The display looks similar to the following.
Sequencer
2. Specify the order of songs in the medley.
If ALL is pressed, all the files are selected, and the songs are played back in order in a medley. If ALL is pressed again, the files are deselected.
You can use the buttons below the display to select a song to add to the song list, then press the ADD button to add it to the list. Repeat these steps to create your own list of songs to have played back. A M01, M02 etc. next to the file name indicates its order in the list.
You can delete a marked file from the medley song list by selecting it and pressing the ADD button.
Use the LOOP button to specify ON or OFF for repeat playback of the medley.
3. Press the START button.
During medley playback, you can use the SKIP button to skip to the next song.
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Part IV Sequencer
SEQUENCER VOLUME
When playing the keyboard along with a recorded performance, you can adjust the total volume of all the playback parts as one. Use the APC/SEQUENCER VOLUME slide con­trol to adjust the volume.
APC/SEQUENCER
VOLUME
MAX
MIN
Use this control to lower the volume of the recorded playback parts when it is too loud relative to the volume of your manual perform­ance.
The volume of all sounds other than your manual performance— including PERFORM- ANCE PADS, MIDI input, etc.— is lowered.
At the MAX position, the volume of the play- back parts correspond to their current settings; at the OFF position, the volume is 0.
The volume can be adjusted for each part. (Refer to page 29.)
Except during SEQUENCER playback or DIRECT PLAY of a disk, this slide control adjusts the total volume of all the automatic accompaniment parts.
During SEQUENCER recording, the volume is automatically at its maximum regardless of the position of the slide control. During playback, however, lowering the slide control from the MAX position will lower the volume from its recorded level. For this reason, the slide con­trol should normally be left in the MAX posi­tion.
Naming
Here is the way to assign a name to your recorded song.
1. On the SEQ MENU display use the SONG
SELECT and buttons to select a song.
2. Press the NAMING button.
The display looks similar to the following.
3. Use the buttons below the display to assign a
name.
Press the ABC button to enter alphabetical characters. While the SHIFT button is pressed, upper case letters are entered.
Press the 123 button to enter numbers, etc. While the SHIFT button is pressed, you can enter symbols.
Press the POSITION button to move the cur­sor.
You can also use the TEMPO/PROGRAM dial to select the characters.
Press the INS button to enter a space at the
Press the DEL button to erase the character
Press the CLR button to erase the entire
Press the →← button to center the name.
4. Press the OK button.
cursor position.
at the cursor position.
name.
Sequencer
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Part IV Sequencer
Panel Write
You can change the panel status which is in effect at the beginning of the song. These are the settings which are recalled when the SEQUENCER RESET button is pressed.
1. On the SEQ MENU display, use the SONG
and buttons to select the song number. Then select PANEL WRITE.
The display looks similar to the following.
3. Press the OK button.
“COMPLETED!” is shown on the display.
PANEL WRITE is automatically activated at
the when you start to record.
For rhythm data, the data in the RHYTHM part has priority.
2. Use the panel buttons to change to the desired
panel settings.
Song Select
You can select a desired song from the list of recorded songs.
1. On the SEQ MENU display, select RECORD
& EDIT.
2. On the RECORD & EDIT display, select SONG
SELECT.
The display looks similar to the following.
3. Use the SONG SELECT and buttons to
select a song.
The total amount of memory used for the cur­rent song is shown as a percentage (%) to the
Sequencer
right of the song name.
If the NAMING button is pressed, the NAMING display appears.
To optimize memory, songs you do not wish to preserve should be deleted. (Refer to page
97.)
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Part IV Sequencer
Punch Record
If you make a playing error during REALTIME RECORD or would like to change the recording for some other reason, you can use the punch recording feature to correct a selected portion of the performance without having to redo the whole part.
Playing error
Recording the performance
Playback
1. On the SEQ MENU display, use the SONG
SELECT and buttons to select the song number. Then select RECORD & EDIT.
2. On the RECORD & EDIT display, select
PUNCH RECORD.
The display looks similar to the following.
3. Select the track which contains the portion you
want to correct.
You cannot select a track in which no data is stored.
On the display “REC” indicates tracks which are being recorded, and “PLAY” indicates tracks which are being played back.
Punch in
7. Press the REC STOP button at the point you
Punch recording stops immediately.
You can also begin punch-in recording by play-
You can specify the punch-in/punch-out points
You can also set the punch-in and punch-out points beforehand, so that recording automat­ically begins and ends at the specified points.
1. On the PUNCH RECORD display, press the
The display looks similar to the following.
Punch out
Replay this portion
Recording mode
want to stop recording.
ing the keyboard.
with the optional Foot Switch (sold sepa­rately). (Refer to page 179.)
AUTO PUNCH RECORD
AUTO: OFF button.
4. Use the MEAS and buttons to specify the
beginning measure of playback.
“MEASURE=” indicates the current measure number.
5. Press the START/STOP button to begin play-
back of the specified track.
6. During playback, press the PUNCH IN button
at the point you want to begin recording.
Recording begins as soon as the PUNCH IN button is pressed. Begin playing at this point.
The REC indication changes to the PUNCH indication.
The PUNCH IN button switches to the REC STOP button.
2. Use the FIRST MEASURE and buttons
to specify the number of the punch-in measure.
3. Use the LAST MEASURE and buttons to
specify the number of the punch-out measure.
The number of the LAST measure must be higher than the number of the FIRST measure.
The specified measure is recorded.
QQTG0671
Sequencer
87
Part IV Sequencer
4. Use the COUNT IN MEASURE and but-
tons to specify the number of lead-in measures you wish to have played back before the punch-in measure.
Set the metronome to on or off with the ON or OFF button.
5. Press the EXIT button.
The display changes to the PUNCH RECORD display.
7. Correct the performance.
The mode changes automatically to the re­cording mode at the specified FIRST measure. Begin playing at this point. The mode auto­matically changes back to the playback mode at the specified LAST measure.
To discontinue punch recording in the middle, press the CANCEL button. In this case, the recorded contents up to that point are erased.
6. Press the START/STOP button.
Playback begins from the measure indicated by CURRENT MEASURE on the display.
Pertinent information, such as the FIRST MEASURE, is shown in the upper section of the display.
Step Record
STEP RECORD is simply a method of making a tune by storing the sounds note-by-note on the display. Instead of playing the keyboard directly as in the REALTIME RECORD mode, you can take your time to input each single note. This is an especially effective method for storing complicated passages that are difficult to play or when the exact timing of a part is critical.
Recording procedure
Record the keyboard performance and panel changes.
1. On the SEQ MENU display, use the SONG
SELECT and buttons to select the song number. Then select RECORD & EDIT.
2. On the RECORD & EDIT display, select STEP
RECORD.
The display changes to the PART SELECT display.
Sequencer
3. Use the balance buttons below the display to
specify the track for the part you are going to record (only one track can be selected at a time).
The display changes to the STEP RECORD input display similar to the following.
If you selected the track to which the CHORD part has been assigned, the display changes to the STEP RECORD: CHORD display. (Refer to page 92.)
If you selected the track to which the RHYTHM part has been assigned, the display changes to the STEP RECORD: RHYTHM display. (Refer to page 94.)
If you selected the track to which the CON­TROL part has been assigned, the display changes to the STEP RECORD: CONTROL display.
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Part IV Sequencer
4. Use the MEAS and buttons to select the
measure.
This step is not necessary if you are recording from measure 1 of a blank track.
5. Use the CURSOR < and > buttons to move
the cursor to the note position (dot) you are going to store.
Each dot represents one-eighth of a quarter­note (a thirty-second note).
When storing triplets, it may not be possible to match the timing exactly with the 1/32-note steps. However, if you select triplet-type notes for the note length (LENGTH) in step 6 below, the timing is automatically corrected.
6. Use the left LENGTH and buttons to
specify the note value. Select from
, 
, 
3,
triplet-type note.)
For note values other than these, use the right LENGTH buttons to specify the note value to be added to that which you specified with the left buttons.
, , , × 2 to 4. (A 3 denotes a
3,
3,
,
REST:
To store a rest, after specifying the note LENGTH, press the REST button.
Positions at which nothing is stored are read as rests.
ERS:
If you make a mistake, move the cursor to the error, and after displaying the data you wish to erase, press the ERS button.
BAL:
To specify the volume at the cursor position, after pressing the BAL button, use the VALUE buttons to set the volume (0 to 127).
9. Repeat steps 5 through 8 to continue storing
3,
notes.
To input data on another track, press the but­ton for the desired track and repeat the pro­cedure from step 2.
10.When you have finished recording, press the
PROGRAM MENUS button to turn it off.
Example: To record a dotted quarter-note ( . )
+
7. Use the PHRS and buttons to specify the
actual length of the produced sound for the desired legato or staccato effect.
TENU (tenuto): Sound is produced for 95%
of the note length. NORM (normal): 80% STAC (staccato): 50% CUTT (cutting): 25%
8. Specify the pitch and velocity of the note by
playing the keyboard.
The dot on the display where the note is stored changes to a * mark.
When recording chords, you can store multiple notes at one position.
Any panel setting changes— for example changes in the sound selection, button opera­tion, wheel operation, etc.— are recorded at the cursor position.
When a wheel or dial is operated, the input value is indicated on the display. Confirm that this is the correct value and press the YES button to record the value or the NO button to cancel it.
Storing control data
Various control data can be stored at the cursor position.
1. On the STEP RECORD: MELODY display,
press the CTL button.
2. Use the CTL and buttons to select the
control data you wish to insert.
Select from PAN, KEY SHIFT (COARSE TUNE), TUNING (FINE TUNE), BEND SENS.
3. Use the VALUE and buttons to adjust the
numerical value of the setting.
4. Press YES button.
Sequencer
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Part IV Sequencer
Correcting the data
1. In the STEP RECORD mode, specify the track
you wish to correct.
2. Use the MEAS buttons to go to the measure
you wish to modify. Use the CURSOR buttons to move the cursor to the point ( to edit.
The data stored at that point is shown on the display.
When multiple data is stored at one point, different data is displayed in order each time a CURSOR button is pressed. When a chord is recorded, a different note in the chord is displayed each time a CURSOR button is pressed.
) you wish
*
3. Correct the data.
There are three types of data:
Performance data
NOTE data (note pitch) and VEL data (how hard the key was played) and LEN data (1 = 1/96 of
a quarter note [ ]) are displayed. Use the rele-
vant buttons to correct the data as desired.
Sound data
The name of the sound is displayed. Change the sound as desired (the sound setting display is interposed on the current display).
Control data
The name of the function is displayed. Change the data as desired.
Press the ERS button to erase the data which is displayed.
You can also correct data which was stored in the REALTIME RECORD mode.
Performance (NOTE) data can be recorded or edited on a piano roll display, and there is also a specialized display for recording and editing the DRUMS part data. (Refer to page 99.)
Assigning the images
Assign images to the selected point (PIC) of a song.
1. Use the SONG SELECT and of the
SEQUENCER MENU display to select a song number to which the images will be assigned, and select RECORD & EDIT.
2. Select STEP RECORD on the RECORD &
EDIT display.
3. Use the balance buttons below the display to
select CONTROL TRACK (CTL).
The display looks similar to the following.
Sequencer
4. Use the MEAS and buttons to specify the
measure to assign.
5. Use the CURSOR buttons to move the cursor
(reversed box) to the point you are going to assign an image.
Each point represents one-eighth of a quarter note (a thirty-second note).
6. Press the PIC button.
The display looks similar to the following.
7. Use the PRESET/USER button to select one.
PRESET:
preset images
USER:
your original images loaded beforehand (Refer to page 91.)
8. Use the VALUE button to select the image
number.
9. Press the YES button.
The image of the specified number is assigned to that point (PIC).
10.Repeat the steps 4 to 9 to continue assigning.
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Part IV Sequencer
11.When you have finished assigning, press the
PROGRAM MENUS button to turn it off.
When you play back the song, the images appear on the display and change automat­ically corresponding to the music progression (Slide Show).
The moment where the images are dis­played may be retarded slightly from the specified point. If this is too excessive, ad­just the point so that it occurs slightly sooner.
When two assigned points are too close, the result may not be favorable. It is rec­ommended that the interval between two points should not be less than two beats for
a =120 tempo music for example.
The preset images are not compatible with other models.
PICTURE LIST
On the step 3 display, if you press the PICTURE button, a list of USER image data will be dis­played.
Loading your original images
1. Save the image data to a disk or an SD card
using your PC. etc.
2. Insert the disk or SD card with saved data into
the DISK DRIVE or the SD-card slot. (See pages 125 and 138.)
3. On the CONTROL display of the STEP RE-
CORD, press the PICTURE button.
4. On the PICTURE LIST display, press the PIC-
TURE LOAD button.
The display looks similar to the following.
The PICTURE LOAD display for DISK loading
is shown antecedently. If you wish to load from SD cards first, press the SD button.
Press the RENAME button to rename the image data name.
Press the DEL button to delete selected image data.
5. Select the image data file to be loaded.
When you select a image sized over 640 x 240 pixels, press the TRIMMING button to select the type of data cutting out.
When you preform loading from the SD card, press the DIRECTORY button first to select the folder.
6. Use the USER PICTURE and buttons to
specify the image number to which the image data will be loaded.
7. Press the LOAD button.
The image is loaded and “COMPLETED!” is shown on the display.
MEMO
This instrument is compatible with images sized 640 x 240 pixels. Even though an image sized up to 640 x 480 pixels can be read, the data will be cut out to 640 x 240 pixels when loading.
Depending on the size, it may not be possible to load the image.
After the PICTURE LOAD display appears, no sound is produced on the instrument.
Sequencer
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Part IV Sequencer
Store a chord progression
Store the chord progression for the AUTO PLAY CHORD in the track for the CHORD part. Then, when the AUTO PLAY CHORD is used during playback, even if you do not specify the chords with your left hand, the chords change automatically.
The chord length is specified with the CHORD STEP RECORD keys on the keyboard.
Correction keys
DELETE



Move forward one step.
Repeat key
Move back one step.
Press to end the chord-storing proce­dure and to specify automatic repeat playback of the stored progression.
Note value keys
Whole note . Dotted half-note  Half-note . Dotted quarter-note  Quarter-note  Eighth-note
Reset key
Press to begin storing from the begin-
ning.
Example of storing a chord progression
Measure 1 2 3 4
CCAmFD7G7


1. On the SEQ MENU display, use the SONG
SELECT and buttons to select the song number. Then select RECORD & EDIT.
End key
Press after the whole chord progression has been stored.
DELETE key
DELETE Press to erase data.
To erase all the data from the current track, while pressing the DELETE key, press the End key ( ).
4. Store the chords.
<Measure 1, measure 2> While playing a C chord with your left hand, press the  key one time with your right hand.
Sequencer
2. On the RECORD & EDIT display, select STEP
RECORD.
The display changes to the PART SELECT display.
3. Using the balance buttons below the display,
select the track to which the CHORD (CHD/ APC) part has been assigned.
The display changes to the STEP RECORD: CHORD input display similar to the following.
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A “beep” tone indicates that the chord has been successfully stored.
The dot on the display where the chord is stored changes to a * mark and the cursor automatically moves forward, in accordance with the specified note value, to the next un­recorded position. The chord name is shown on the display.
Part IV Sequencer
<Measure 3>
(1) While playing an Am chord, press the key
one time.
(2) While playing an F chord, press the key one
time.
<Measure 4>
(1) While playing a D7 chord, press the key
one time.
(2) While playing a G7 chord, press the key
one time.
You can press the INTRO & ENDING button or a FILL IN button on the panel to store the desired pattern at the cursor position. (An INTRO or COUNT INTRO can be stored only at the beginning.)
Store a rest by pressing a note value key without specifying a chord.
5. At the end of the chord progression, press the
End key ( ).
The Keyboard exits the recording mode.
During playback, playback of the recorded
chord progression stops at this point. For auto­matic repeat playback of the chord progres­sion, press the Repeat key ( ) instead of the End key ( ).
When you play back the track for the CHORD part, the chords of the automatic accompani­ment change in accordance with the stored chord progression.
To specify chords by the ONE FINGER mode, select the ONE FINGER mode before entering the STEP RECORD mode.
If the ON BASS button is on, chords such as “C on G” can also be specified (except in the ONE FINGER mode).
The CHORD FINDER feature, which shows you how to finger a specified chord, is avail­able. (Refer to page 57.)
Correct the recorded chord progression
1. Follow the procedure to select the STEP RE-
CORD: CHORD display.
2. Use the MEAS buttons to go to the measure
you wish to modify. Use the and Cor­rection keys to move the cursor to the point (
) you wish to edit.
*
The lengths of rests are indicated by the re­spective rest value × its multiplier.
Example:
..................1-beat rest (quarter rest)
 ................1/2-beat rest (eighth rest)
× 1 +  ....1-1/2-beat rest
(dotted quarter rest)
× 10 .........10-beat rest
To go to the end of the chord progression, while pressing the Reset key ( ), press the
key.
3. Correct the chord data.
Chord data
When the chord name is displayed at the cursor position, you can press the DELETE key to erase the data and then store a new chord.
If you do not erase the displayed data before entering new chord data, the new data is in­serted at this point, and the displayed data is merely shifted by the note value of the new chord.
Rests can also be erased. Each time the DE­LETE key is pressed, the rest is erased in
units of  × 1. The  rest is erased last.
If you wish to cancel the REPEAT, enter an
END command.
Control data
The name of the stored function (INTRO, FILL, etc.) is displayed. You can press the DELETE key to erase the data which is displayed.
TRACK CLEAR
To erase all data from the current track, press the CLR button, and then press the YES button on the confirmation display.
If you wish to cancel the clear procedure, press the NO button.
Sequencer
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Part IV Sequencer
Store a rhythm progression
Changes in the rhythm selection and tempo, as well as the intro, fill-ins and the ending, can be stored by measures with the step recording method.
1. On the SEQ MENU display, use the SONG
SELECT and buttons to select the song number. Then select RECORD & EDIT.
2. On the RECORD & EDIT display, select STEP
RECORD.
The display changes to the PART SELECT display.
3. Using the balance buttons below the display,
select the track to which the RHYTHM (RHY) part has been assigned.
The display changes to the STEP RECORD: RHYTHM input display similar to the following.
4. Use the MEAS and buttons to go to the
measure you wish to record.
Correct the recorded rhythm progression
1. Follow the procedure to select the STEP RE-
CORD: RHYTHM display.
2. Use the MEAS buttons to go to the measure
you wish to modify. (The * is highlighted.)
3. Correct the rhythm data.
Press the ERS button to erase data at the cursor position.
If you wish to cancel the REPEAT, enter an END command.
If you select a rhythm with a different time signature, the time signature of all subsequent measures will also change.
If data has already been recorded in other tracks, you cannot select a rhythm with a different time signature.
TRACK CLEAR
To erase all data from the current track, press the CLR button, and then press the YES button on the confirmation display.
If you wish to cancel the clear procedure, press the NO button.
5. Store the rhythm data.
Data which can be stored:
START/STOP
Changes in the rhythm selection
COUNT INTRO, INTRO, FILL IN, ENDING
Tempo changes
Be sure to store the START/STOP data in the measure in which the rhythm starts or stops.
If you are storing a COUNT INTRO or INTRO, store this data before the START/STOP data.
If the tempo is changed, the display changes to the confirmation display. After specifying the desired tempo, Press the YES button to store the specified tempo, or press the NO
Sequencer
button to cancel the new tempo value.
6. Repeat steps 4 and 5 to continue storing the
rhythm progression.
7. At the end of the rhythm progression, press
the END button.
If the REP button is pressed instead of the END button, during playback the recorded rhythm progression is repeated.
The Keyboard exits the recording mode.
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Part IV Sequencer
Track Assign
Each SEQUENCER part is already assigned to a track number. However, you can use the TRACK ASSIGN function to assign parts to tracks as you wish.
1. On the SEQ MENU display, use the SONG
SELECT and buttons to select the song number. Then select RECORD & EDIT.
2. On the RECORD & EDIT display, select
TRACK ASSIGN.
The display looks similar to the following.
3. Use the TR and buttons to select the
track.
4. Use the TRACK ASSIGN and buttons to
select the part for the specified track.
When a part other than the CONTROL, APC, CHORD or RHYTHM part is assigned, the track assign procedure is completed at this point.
Either the CHORD part or APC part can be assigned to a track, but not both.
The CONTROL, APC, CHORD and RHYTHM parts cannot be assigned to more than one track.
You can use the ON and OFF buttons for LOCAL CONT. to specify whether or not the sound of the part assigned to this track is generated. Because no sound is generated for this instrument’s parts assigned to tracks set to OFF through this procedure, use this setting to generate sound from an external sound source through the MIDI connectors.
You can use the MIDI OUT ON and OFF but­tons to specify whether or not the data of the part assigned to this track is sent as MIDI data. When set to OFF, the data is not sent, even if MIDI equipment is connected.
TRACK ASSIGN PRESETS
A preset track assignment can be selected.
1. On the TRACK ASSIGN display, press the
PRESET button.
The display looks similar to the following.
2. Use the SONG and buttons to select the
song number for which the preset track as­signment will be effective.
If ALL is selected, the track assignment is effective for all the songs.
3. Select the track assign mode.
INITIAL:
Factory-preset settings.
TECHNICS MULTI RECORDING:
The optimum track assignment for multiplex recording.
GM MULTI RECORDING:
The optimum track assignment for creating GENERAL MIDI data.
4. Press the OK button.
“COMPLETED!” is shown on the display and the selected track assign mode is enabled.
You can confirm the track assignment settings on the TRACK ASSIGN display.
Sequencer
5. When assigning the CONTROL, APC, CHORD
or RHYTHM part, press the OK button.
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Part IV Sequencer
Quantize
The QUANTIZE function can correct the timing of your performance after it has been recorded. If the rhythm is slightly out of sync or inexact, it will automatically be corrected to the specified quantize level.
1. On the SEQ MENU display, select RECORD
& EDIT.
2. On the RECORD & EDIT display, select
QUANTIZE.
The display looks similar to the following.
Rhythm as written in the score
Timing of actual performance
Quantized performance
7. Use the STRENGTH and buttons to select
the amount of quantize (%).
100% is a convenient setting. When set to 100%, the performance data is quantized ex­actly to the level specified for the VALUE (“just”). For example, at 50%, the data is quan­tized to a point that is half that of the just level. By this setting, you can attain an effect that is very slightly off-beat from the rhythm.
8. Use the WINDOW and buttons to specify
the range (%) affected by the quantize setting.
With the increment set to 100 for the VALUE, at a + setting, data close to the just point is corrected, and at a – setting, data far from the just point is corrected. For example, if set to – 30% the quantize function affects data far from the just point, and if set to +30% the quantize function affects data close to the just point. +100% is usually a convenient setting.
The +100% setting and the – 100% setting are the same.
Example: When VALUE is set to
3. Use the TRACK and buttons to specify
the track number.
You cannot select the track for the CONTROL, RHYTHM or CHORD part.
If ALL is selected, all the tracks are quantized.
4. Use the FIRST MEASURE and buttons
to specify the start point (measure number).
5. Use the LAST MEASURE and buttons to
specify the end point (measure number).
Sequencer
6. Use the VALUE and buttons to specify
the quantize level.
Select from , ,
triplet-type note.)
3,
, 
, 
3,
3. (A 3 denotes a
+100%
–100%
9. Press the OK button.
The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function.
100%
+50% +30% –50% –30%
50%
100%
50%just
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Part IV Sequencer
Song Clear
Erase the recorded contents of all tracks.
4. Press the OK button.
1. On tne SEQ MENU display, select RECORD
& EDIT.
2. On the RECORD & EDIT display, selct SONG
CLEAR.
The display looks similar to the following.
The confirmation display appears. Press the
YES button to execute the function, or press the NO button to cancel the function.
If the YES button is pressed, “COMPLETED!” appears on the display, the specified songs are erased.
3. Use the SONG No./ALL and buttons to
specify the number of the song to erase.
The data size (KB) and the total amount of SEQUENCER memory or current song memory used is shown as a percentage (%) to the right of the song name.
If ALL is selected, all the songs recorded in the SEQUENCER will be erased.
Track Clear
Erase the contents of a specific track.
1. On the SEQ MENU display, select RECORD
& EDIT.
2. On the RECORD & EDIT display, select
TRACK CLEAR.
The display looks similar to the following.
4. Press the OK button.
The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function.
If the YES button is pressed, the specified tracks are erased.
3. Use the balance buttons to select the track or
tracks you wish to clear.
A “CLR” mark is shown for the selected tracks.
Sequencer
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Part IV Sequencer
Note Edit
You can edit performance (NOTE) data on a piano roll display. This differs from the normal STEP RECORD edit procedure, and is a convenient way to check the data for each note.
Data other than NOTE data cannot be corrected or recorded. To correct or record other types of data, use the STEP RECORD display. (Refer to page 88.)
1. On the SEQ MENU display, select RECORD
& EDIT.
2. On the RECORD & EDIT display, select NOTE
EDIT.
3. On the PART SELECT display, select a track.
The CHORD, RHYTHM and CONTROL tracks cannot be selected.
The display looks similar to the following.
Use the GRAPH and buttons to view a
higher or lower section of the keyboard (in one-octave steps).
If the ERS button is pressed, the selected NOTE data is erased.
7. Repeat steps 4 to 6 to continue editing.
Inserting note data
You can also store note data on this display.
1. Specify the point where the new note data will
be stored.
2. Use the LEN and buttons to specify the
note length.
Examples of note lengths ( = 96)
4. Use the MEAS and buttons to select the
measure you wish to edit.
5. Use the CURSOR and buttons to
move the cursor ( ) to the point you wish to edit.
Recorded performance (NOTE) data is shown as horizontal bars. Data selected for editing is highlighted.
91: tenuto (95%) 76: normal (80%) 48: staccato (50%) 24: cutting (25%)
3. Play a key on the keyboard to specify the note
pitch (NOTE NUMBER) and velocity (how hard the key is played).
4. Repeat steps 1 to 3 to input more note data.
You can use the INC and buttons to change the increment of cursor movement. The resolution can be set at /96. However, if NOTE data is present between increments, the cursor will stop.
Use the POS and buttons to change the value. Example: 10.2.48 indicates a point in measure
10, beat 2, point 48 (one point is 1/96 of a
Sequencer
quarter note [ ]).
is shown at the point where the END com­mand is stored.
6. Select the data to edit (it changes to a
highlighted horizontal bar). Edit the data.
Use the POS ▲ and buttons to move the cursor, the NOTE and buttons to change the note number, the VEL and buttons to change the velocity (how hard the keys are played), and the LEN and buttons to change the note length (1 = 1/96 of a quarter
note [ ]).
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Part IV Sequencer
CYCLE PLAY
You can aurally check the data you are editing by accessing the CYCLE PLAY display from the NOTE EDIT display.
If you wish other tracks to be played back, they should be selected beforehand on the SEQUENCER PLAY display. (Refer to page
83.)
1. On the NOTE EDIT display, press the PLAY
button.
The display looks similar to the following.
2. Use the START MEASURE and buttons
to select the beginning playback measure.
3. Use the END MEASURE and buttons to
select the last playback measure.
4. Press the START/STOP button.
Cycle playback of the specified measures begins.
If the SOLO button is turned on, playback changes to that of the recording track only. If it is turned off, all the tracks specified on the SEQUENCER PLAY display are played back.
5. To stop cycle playback, press the START/
STOP button again.
During playback stop, if the SEQUENCER RESET (FILL IN 1) button is pressed, the SEQUENCER returns to the measure number specified in step 2. If the SEQUENCER RESET button is pressed again, the SEQUENCER returns to measure 1.
Drum Edit
The DRUMS part can be edited on a specialized display. This differs from the normal STEP RECORD edit procedure, and is a convenient way to check the data for each note.
1. On the SEQ MENU display, select RECORD
& EDIT.
2. On the RECORD & EDIT display, select DRUM
EDIT.
3. On the PART SELECT display, select the track
for the DRUMS part.
The CHORD, RHYTHM and CONTROL tracks cannot be selected.
The display looks similar to the following.
4. Use the SOUND and buttons to select
the percussion instrument you wish to edit.
The number to the left of the instrument name is its MIDI NOTE NUMBER in the Technics arrangement.
If sounds other than percussion instrument sounds are assigned, they are not displayed.
5. Use the MEAS and buttons to select the
measure you wish to edit.
6. Use the CURSOR and buttons to
move the cursor () to the point you wish to edit.
Recorded performance data is shown as ver­tical bars. Data selected for editing is highlighted.
You can use the INC and buttons to change the increment of cursor movement. The resolution can be set at /96. However, if NOTE data is present between increments, the cursor will stop.
Use the POS and buttons to change the value.
Sequencer
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Part IV Sequencer
Example: 10.2.48 indicates a point in measure
10, beat 2, point 48 (one point is 1/96 of a
quarter note [ ]).
is shown at the point where the END com­mand is stored.
7. Select the data to edit (it changes to a long
bar). Edit the data.
Use the POS ▲ and buttons to move the cursor, the SND the percussion instrument sound, and the VEL
and buttons to change
and buttons to change the velocity (how
hard the keys are played).
If the ERS button is pressed, the selected NOTE data is erased.
8. Repeat steps 2 to 5 to continue editing.
Inserting DRUMS data
You can also store DRUMS data on this display.
1. Specify the point where the new note data will
be stored.
2. Use the VEL and buttons to specify the
velocity (how hard the key is played).
3. Press the ENTER button to store the data.
Instead of the ENTER button, you can store data (including velocity data) by playing the keyboard. In this case, the instrument is that specified on the display, regardless of which key is played.
4. Repeat steps 1 to 3 to input more DRUMS
data.
CYCLE PLAY
You can aurally check the data you are editing by accessing the CYCLE PLAY display from the DRUM EDIT display.
The procedure is the same as for NOTE EDIT.
If you wish other tracks to be played back,
they should be selected beforehand on the SEQUENCER PLAY display. (Refer to page
83.)
After Touch Setting
Specify whether or not AFTER TOUCH data is recorded. The AFTER TOUCH applies a special effect to the sound depending on how hard the keys are being pressed.
1. On the SEQ MENU display, use the SONG
SELECT and buttons to select a song number. Then select RECORD & EDIT.
2. On the RECORD & EDIT display (PAGE 2/2),
select AFTER TOUCH SETTING.
The display looks similar to the following.
Sequencer
3. Use the ON and OFF buttons to specify if the
aftertouch data is recorded.
ON:
Aftertouch data is recorded with the per­formance.
OFF:
The data is not recorded (factory-preset setting).
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