Steinberg Cubase 4.0 Mackie Control and Cubase

Mackie Control and Cubase
The information in this document is subject to change without notice and does not represent a commitment on the part of Steinberg Media Technologies GmbH. The software described by this document is subject to a License Agreement and may not be copied to other media except as specifically allowed in the License Agreement. No part of this publica­tion may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Steinberg Media Technologies GmbH.
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Release Date: October 19, 2007
© Steinberg Media Technologies GmbH 2007.
All rights reserved.
Table of Contents
5 Introduction
6 About this chapter 6 The Steinberg layout for Mackie Control 7 About Mackie Control XT
8 Basic mixing
9 About this chapter 9 Selecting which channels to control 10 Using the faders 10 Rec/Rdy 10 Mute and Solo 10 Using the Select buttons 11 A note about automation
12 Control strip assignment
13 About this chapter 13 Basic procedures 15 About the symbols used in this chapter 16 Selected Channel: EQ 16 Selected Channel: FX Send 17 Selected Channel: Inserts 18 Selected Channel: Studio Sends 18 Selected Channel: Instruments 19 Fader Set: Pan 19 Global: Send Effects 20 Global: Master Effects 20 Global: Instruments
22 Transport control
23 About this chapter 23 The transport controls 23 Working with markers 24 Switching the time display
25 Other functions
26 About this chapter 26 Project functions 26 Edit functions 26 Working with windows 27 Function keys 27 Cursor keys 27 Showing level meters in the parameter display
28 Index
4
Table of Contents
1

Introduction

About this chapter

This chapter describes the Steinberg-specific layout for Mackie Control, and also provides information regarding the Mackie Control XT 8 channel extender unit.
Display section
Function keys F1 to F8
Fader Groups section

The Steinberg layout for Mackie Control

An overlay is included with your Mackie Control that shows all Steinberg-specific key assignments for this de­vice. The overlay can be placed over the top right part of Mackie Control, above the transport controls. These key assignments are used to remote control Cubase.
You can also order this overlay from Mackie. Contact your hardware dealer for details.
The following figure shows the Steinberg overlay for Mackie Control.
Action Keys section
!
Please note that we will refer to the key assignments of the Steinberg overlay throughout this manual, i.e. the original key labels replaced by this overlay are not used.
The Shift button
Markers section
6
Introduction
About the Shift button
In the Action Keys section, to the right in the second row of buttons, you will find the Shift button. The Shift button is always used in combination with another button to extend that button’s functionality. Pressing the Shift button alone has no effect.

About Mackie Control XT

Mackie Control XT 8 channel extender units are also sup­ported. All faders and encoder/displays are combined into one continuous surface. The following applies:
When the encoder section is used to display the data for one channel (channel strip mode, or for plug-ins), the parameters are presented over the encoder section of all devices, from left to right.
Fader bank navigation and encoder section assignment is controlled by the Mackie Control unit.
For each Mackie Control and Mackie Control XT unit, a new device needs to be added in the Device Setup.
For each device select the appropriate MIDI ports.
In the Device List, the top-most device represents the right-most channels, and vice versa.
Please make sure that the used MIDI ports are deactivated in the “All MIDI Inputs” device.
7
Introduction
2

Basic mixing

About this chapter

This chapter describes how to work with the faders and the rows of buttons above them (Solo, Mute, Select and Rec), and how to select which channels are affected by the fader settings.

Selecting which channels to control

Mackie Control’s fader section controls eight different channels in Cubase (plus the master level, which has its own fader). You select which channels to control with the aid of the Fader Banks section and the Fader Groups sec­tion of Mackie Control.
The Fader Banks section
Using the controls in the Fader Banks section
In the Fader Banks section, press the left or right Bank button to switch from one set of eight channels to the next. For example, if you are currently controlling Mixer channels 1 to 8, pressing the right Bank button will switch to the next eight channels, i.e. channels 9 to 16. To go back to the previous eight channels, press the left Bank button.
Selects the previous eight channels.
If you press the left or right Channel button in the Fader Banks section, the fader assignment will shift in steps of one channel instead.
Let’s say the faders currently control audio channels 9-16. If you press the left Channel button, the faders will shift one step to the left and con­trol audio channels 8-15.
Pressing the Flip button in the Fader Banks section switches the parameter assignment between the faders and the V-Pots, i.e. what was controlled with a fader is now controlled with the corresponding V-Pot and vice versa.
Press the Edit button in the Fader Banks section to open an editor for the current selection.
Hold down Shift and press Edit to close the currently active window.
Selects the next eight channels.
The Fader Groups section
Using the controls in the Fader Groups section
In Cubase, you can create so called channel view presets in your Mixer window, by selecting the channels to be dis­played and clicking the symbol button at the bottom left of the Mixer window.
The Steinberg key assignments for Mackie Control make use of the channel views feature. In the Fader Groups section, the first channel view defined in Cubase is as­signed to button 1, the second channel view is assigned to button 2 and so on. In this way, you can switch between any of the first eight channel views of Cubase by pressing one of the buttons in the Fader Groups section.
9
Basic mixing
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