Stanton RM-3 Owners manual

Page 1
FAD ER CLEA N I N G
The RM THREE faders may need lubrication from time to time. This will extend the fader life and eliminate any potential damage due to extended heavy usage.
Cleaning Instructions
1. Remove the fader to be cleaned by unscrewing the outer screws (removing the 2 inner screws will detach the fader from the fader plate) and disconnecting the cable coming from the mixer.
2. Spray a small amount of cleaner or lubricant into both ends of the fader and slide the fader back and forth a few times to spread the fluid evenly throughout the fader.
3. Shake and wipe off excess fluid before re-assembling the fader.
FAD ER RE PL AC E M E N T
To replace the cross or channel faders, follow step 1 of the cleaning instructions. Replacement parts are available from Stanton or your local Stanton dealer.
LF-RM3 Channel input fader
CF-RM3 Crossfader PS-18US US Power Supply (110v) PS-18EU European Power Supply (220v) PS-18UK UK only Power Supply (240v)
RM THREE
Professional performance mixer
© 1999, Stanton Magnetics, LLC
OWNER’S M A N U A L
Page 2
T RO U B LE S H O O TI N G
Thank you for making Stanton your first choice in professional DJ mixers.
This new, innovative family of mixers has been developed with input from the profes­sional DJ community, bringing to the marketplace a previously unavailable, afford­able combination of user-friendly, functional design, rugged construction, and pro­fessional quality features.
Stanton and your authorized Stanton dealer are dedicated to your complete satisfac­tion by offering benchmark service and support throughout the long life of your Stanton product.
Again, we appreciate your patronage, and look forward to many years of making music together.
PLEASE READ CAREFULLY BEFORE USE OF THIS PRODUCT
FA I LU R E TO FO LLOW T H E I NST RU C TI O N S P R I N TE D B E LOW M AY VO I D WA R R A N TY
• Follow all security advice printed on your mixer
• When removing the unit's AC plug from the power source, grasp and pull the plug, NEVER the cord itself!
• Avoid placing your mixer near heat sources, such as power amplifiers.
• When in use, place your mixer on a stable surface, away from vibration. Always use care when carrying your mixer. Impact, or heavy vibration may compromise the unit's mechanical integrity. The manufacturer is not responsible for damage resulting from an impact, or misuse.
• When in use, place your mixer away from sources of hum or noise, such as transformers, or electric motors.
• To prevent overheating, always provide your mixer with adequate ventilation air space.
• Avoid stepping on your mixer's AC cord. Repeated compression of the cord may lead to electrical shorting.
• To avoid damage due to AC voltage peaks, always disconnect your mixer from the power source during electrical storms.
• Your mixer contains no user-serviceable parts. The manufacturer is not responsible for any damage or personal injury resulting from unauthorized user-servicing or modifications. In addition, the warranty will be void if any unauthorized service by the user is detected. Always return you mixer to an authorized Stanton dealer for servicing.
Problem
Excessive hum when using phono source.
Low frequency hum while operating source unit.
Pro g ram volume can’t be adjusted with master vo l u m e c o n t ro l .
No powe r.
The amplifier is turned up, but there is no signal.
No signal in headphones.
Cause
Poor ground connection.
Loose cartridge/headshell connection.
Poor AC source ground. Loose input/output connec­tion. Shorted cable.
Amplifier or outboard gear connected to the re c o r d out­put.
I m p roperly connected AC cord or power line source not on.
B l own fuse.
Faulty output connections
Improper level adjustment.
Improper connection.
Improper level or cue mix settings.
Solution
Properly connect turntable ground wire to mixer ground terminal.
Check cartridge connection to headshell. Check head­shell connection to tonearm.
Properly ground the AC source. Check all input and output connections for s e c u re fit. Isolate and re p l a c e the damaged cable.
Connect amplifier or outboard gear to master output.
Properly connect AC cord to AC power source. Turn powe r o n .
Re m ove the fuse cover with a flat-bladed scre wd r i ve r. Replace fuse with a new 500mA fuse.
Properly connect amplifier, or outboard gear to mixer.
Properly set crossfader, channel faders, gain con­trols, and input selector tog­gles.
Check headphone connec­tion to mixer. Tighten if nec­essary.
Adjust headphone level and cue mix to the proper level and channel settings.
Page 3
D E S C R I P T IO N O F FU N C TI O N S
1. Main microphone input: XLR connector
2. Microphone 2 input: 1/4” connector
3. Mic level controls: Controls the overall microphones output level
4. Mic EQ: Controls for low frequency, midrange, and high frequency equalization of both microphones with (+/-12 dB) Note: Any changes made to
EQ settings will change the overall microphone output level
5. Effect ON/OFF switches: Turns effect send signal ON or OFF for each channel
6. Cue ON/OFF switches: Turns Cue signal ON or OFF for each channel
7. Input selector switches: Selects the audio signal source for each channel
8. Gain control: Controls the input sensitivity of each channel
9. EQ: Individual controls for low frequency, midrange, and high frequency
equalization with (+9/-26 dB) Note: Any changes made to EQ settings will change the overall output level
10. Pan control: Controls left/right output balance of each channel
11. Channel faders: Controls the output level of each channel
12. Crossfader Reverse: Reverses the direction of the crossfader
13. Frequency Kill switches: Individual kill controls for low frequency, midrange,
and high frequency of channels 1 and 3
14. Crossfader: Fades the master output between channels 1 and 3.
15. Headphone output: Connection for 1/4 inch headphone. It is recommended
headphones with an impedance rating of 200 ohms or less be used for maximum volume
16. Headphone level control: Controls the overall headphone output level. It is
recommended headphones with an impedance rating of 200 ohms or less be used for maximum volume
17. Master Cue ON/OFF: Turns headphone output ON or OFF
18. Master level control: Controls the overall signal output level.
19. Master balance control: Controls left/right output balance of the
overall signal
20. Send level: Controls the level of the signal traveling to the external effects
unit used in the effects loop
21. Return level: Controls the overall level of the the external effects used in the
effects loop
22. Power indicator: Blue LED indicates whether mixer is ON or OFF
23. Level meter: Displays the level of the overall output stereo signal
24. Power switch: Turns the mixer "ON" or "OFF"
Page 4
25. Channel Inputs: 2 line and 1 phono inputs are provided for each channel. Line inputs are used to connect to line level sources such as CD players,
MDs, DATs, samplers, etc. Phono inputs are used to connect to turntables.
26. Ground connector: Connects to the turntable ground connector to eliminate electrical hum. Ground connectors are usually supplied with turntables
27. Master output: Connects to an amplifier, EQ, crossover, or other outboard signal processing.
28. Send output: Connects to the input of an outboard signal processor (such as
the NEXT! DJS-24 digital sampler)
29. Return input: Connects to the output of the outboard signal processor to create an effect loop
30. Power supply connector: Input connection for the accompanying power supply.
TE C H N I CA L S P E C I FI C ATI O N S
Line inputs: 6 (RCA), 150 mV / 27K ohm Phono inputs: 3 (RCA), 3 mV / 47K ohm DJ mic input: 2 (XLR, 1/4“), 2.45 mV / 3K ohm Effect Send: 1 (1/4”), 775mv Effect Return: 1 (1/4”), 245mv Master output: 1 (RCA), 775 mV / 1K ohm Record output: 1 (RCA), 245 mV / 10K ohm Headphone output: 1 (1/4”), 32 - 200 ohms recommended Frequency Response: 20 Hz - 20 kHz, +/- 2 dB Tone Control : + 9/-26 dB (Hi, Mid, Low) Mic Tone: Hi/Mid/Lo +/-12 dB Gain Control: 0-20dB S/N Ratio: Less than 70dB T.H.D: less than 0.2% Dimension(LxWxD): 14” x 10 Weight: 8 lbs (3.6 Kg)
1/4
x 4” (356 x 260 x 102 mm)
WA R R A N T Y
This unit has been designed and manufactured using quality components. Therefore, it is warranted to be free from defects in materi­als (limited as specified below), and workmanship for a period of twelve (12) months from the original purchase date. During this period, all service and parts necessary to repair a defect will be free of charge. This limited warranty applies to mechanical parts which are subject to wear and tear as specified:
• Faders, specified durability: 15,000 cycles
• Rotary potentiometers, specified durability: 10,000 cycles
• Switches, specified durability: 10,000 cycles
Consequently, the parts listed above are warranted to be free from defects in materials and workmanship for a period of thirty days (30) days from the original purchase date.
FOR THE WA R R A N TY TO BE VA LID, PLEASE CO M PLE TE THE
O N LINE WA R R A N TY REGIST R ATION FORM FOUND AT
W W W. STA N TO N M AG N E TI CS . CO M
Loading...