Stanton DJ For Life User Manual
SUMMER 2004 CATALOG
FINALSCRATCH
®
www.finalscratch.com
PLAY DIGITAL... THE ANALOG WAY.
FinalScratch® is the best and only real bridge for the professional and home
DJ to enter and control the digital world. The turntable becomes a simple
controller that enables DJs to manipulate digital audio files stored on your
hard drive. Just load any audio file onto your computer, then pick and
choose from your own playlist. Your
computer becomes your record box. As
well for the producer, save and load any
production, remix, or new edit you have
created and play it that very moment or
take it to gig the same night without the
need to cut an acetate or make test
pressings. The package includes three
special vinyl records, the ScratchAmp
connect the computer to your existing
turntable/mixer setup, and the
FinalScratch software.
Software
The FinalScratch software allows the user
to save the audio files in various playlists,
called Record Boxes, as well to search
and assign the audio files to either
turntable. The software provides a visual
representation of the music, needle position for each audio file, and remaining
time of each audio file.
Records
The vinyl records included in the
FinalScratch, which contain digital information, are used to mix the digital audio
files. All mixing is done directly from the
turntables, including pitch shifting, cueing,
spinning up and down, and even scratching. The FinalScratch records can
be used in combination with traditional analog records when mixing your
set.
Hardware
The ScratchAmp is a powerful sound card to connect all the components
together to form the system. It provides 2 sets of phono inputs and outputs
and 2 sets of line outputs. The ScratchAmp processes the signal from the
FinalScratch records and sends it to the computer via USB.
TM
to
JOSH WINK
Villo
Balance Promote Group
FINALSCRATCH 1.5
New v1.5 Features:
• Runs natively on Windows XP or Mac OS 10.3 “Panther”
• High-quality Key Correct function maintains pitch when changing tempo
• Record lead-in graphics and Needle Display Position in wave display
• Larger sound stripes; Stripe Preview in browser deck
• Played portion of track now shaded in Stripe view
• Flashing stripe warns when track reaches end zone
• Fully resizable interface with choice of four font sizes
• New low-latency ScratchAmp drivers optimized for XP and Panther
Standard Features:
• Use turntables and vinyl records to control digital audio files
• FS CD Adaptor Kit enables use of any CD player as controller (sold separately)
• Plays MP3, WAV, AIFF and Audio CD files
• Assign the same file to both decks simultaneously
• Waveform Display give accurate representation of the music
• Dynamic Playlist (saves all played tracks in a playlist)
• Integrated BPM detection
• Play Counter and Play Time information for each track
• Pitch readout showing current speed of time code record
• Automatic Gain Adjustment (plays all files at same volume)
• Search Function (search 10,000 tracks within seconds)
• Mix between FS and analog records or CDs
• Play audio CDs from your computer's CD-ROM drive
• Plays two tracks from one CD simultaneously
• Import iTunes™ library and playlists
• Preview Deck (preview a track using the built-in soundcard)
• Supports multiple CD-ROM drives and HDs connected to the computer
1
FINALSCRATCH
FS RECORDS
• FinalScratch “Scratch” Record
The new FS “Scratch” record is designed specifically for Hip Hop and Scratch DJ’s. The
record is designed to allow visual cueing of songs and needle dropping while using
FinalScratch. One side of the record features 15 minutes of continuous time code
with a crossover spacer in the cut of the groove every minute. By using the
crossover grooves the DJ can visually cue minute by minute into each track
with out having to check the final scratch screen to see the time code position.
The second side of the scratch record features two standard 5 minute tracks
of time code and one 5 minute track with crossover groove spacers every 30
seconds for quick needle dropping during scratching and battling. Both sides
of this record are pressed at 33 1/3 RPM.
Weight: 125 grams
• FinalScratch “Standard” Record
The FS “Standard” record is designed for mixing and general use with FS. The record is
thicker than the scratch record for more accurate control while mixing and beat matching.
The mix record also features both 33 1/3 RPM and 45 RPM time code signals to
accommodate any DJ’s mixing style. The 33 1/3 RPM side has 15 minutes of time code
signal and the 45 RPM side has 12 minutes of time code.
Weight: 180 grams
www.finalscratch.com
DJ MEI LWUN
& GINA RENE
SOULSTICE
MUSIC
System Requirements:
PC Minimum: Windows XP, Pentium/Athlon 600mHz**, 256MB RAM
PC Recommended: Windows XP, Pentium/Athlon 1.6GHz, 256MB RAM
Mac Minimum: Mac OS 10.2.6, G3 600mHz**, 256MB RAM
Mac Recommended: Mac OS 10.3.2, G4 1.25GHz, 512MB RAM
**Using low-quality timestretching mode. For medium- or high-quality mode a 1
or 1.6GHz processor is recommended.
iTunes™ is a trademark of Apple Computer, Inc. © 2003 Stanton Magnetics, Inc.
All rights reserved. FinalScratch and the FinalScratch logo are the trademarks of
N2IT Holding B.V. Registered in the USA and other countries. Licensed
Exclusively to Stanton Magnetics, Inc.
2
FS CD ADAPTER KIT
• Prefer CD to vinyl?
Well for the CD jockeys of the world, her e is the FS CD
Adapter Kit. Now you can use FinalScratch with your
existing CD system. The FS CD allows you to control
your digital files using CD players instead of your
turntables. FS CD Adapter
Kit includes 2 FS discs
and a CD amp.
HEADPHONES
DJ PRO 3000
The new DJ PRO 3000 is the newest addition to the Stanton line of high quality
headphones. With the same great features of previous Stanton headphones and a few
new additions, this headphone is definitely in a class of its own. With swivel and folding
capabilities, the DJ PRO 3000 also includes high pass and low pass filter, detachable
cord, and cool blue LED’ s. With this array of features, a sexy new look, and an af fordable
price, the DJ PRO 3000 is the headphone to have for the new millennium.
• Spring loaded rotating ear-cup allows for flexible positioning and single sided or
shoulder rest wearing styles • Detachable coiled cord (3m) for safe storage and easy
replacement• 90º (elbow) 1/4" connector • Wide frequency response for outstanding
sound reproduction • Closed ear-cup design for sound isolation • 50mm Neodymium
drivers for clear low end reproduction and superior power handling • Convenient folding
design for ease of storage and transportation • Mini-jack adapter included. • Passive
High Pass and Low Pass Filters • Blue LED’s blink to the beat of the music • Includes
free carry pouch.
Headphone type: Dynamic, closed; Driver size: 50mm; Magnet type: Neodymium; Plug type: Gold;
Frequency response Normal 16-22 kHz, Low Pass 16-5 kHz, High Pass 200-22 kHz; Impedance: 30
Ohm; Sensitivity: 106 dB/mW; Power handling: 3000mW; Cord length 9.8ft.Weight:15.1 oz
DJ PRO 2000 S
• Detachable 10 foot (3m) coiled cord for
safe storage and easy replacement • 90
degrees (elbow) 1/4" connector . • Integrated
mono or stereo monitoring • Wide
frequency response 20 Hz-30 KHz
• Closed ear-cup design for sound
isolation • 50mm drivers for clear low end
reproduction and superior power handling
• Convenient folding design for ease of
storage and transportation • 3.5mm
mini-jack adapter included • Includes free
carrying pouch and shoulder pad.
3
HEADPHONES
DJ PRO 500 MC MKII
Single sided headphone w/ mic • Closed
earcup design • Heavy-duty driver • Dual
12 foot (3.6m) cord with a 1/4” (6.25mm)
mono plug (mic) and 1/4” (6.25mm) stereo
plug (headphone) • Low impedance
200ohm mic
• Includes free carrying pouch.
DJ PRO 60
DJ PRO 1000 MKII S
Lightweight and comfortable • 50mm
heavy-duty drivers • Closed earcup
design • Frequency response 20-20kH
• Detachable 10 foot cord (3m) with 1/4”
(6.25mm) adapter
• Includes free carrying pouch.
DJ PRO 300
Lightweight and comfortable single-sided
headphone • 40mm heavy-duty drivers
• Frequency response 20-20kHz
• Detachable 10 foot cord (3m) with 1/4”
(6.25mm) adapter
• Includes free carrying pouch.
4
Lightweight and comfortable • Self- adjusting
headband • 40mm drivers • Frequency
range: 3Hz-28KHz • 8.5Ft (2.8m) cord
• 1/4" (6.3mm) stereo plug with 3.5mm
mini jack adapter • 0.4 Lb (17)
• Includes free carr ying pouch.
DJ PRO 50 S
40mm super thin driver • Frequency
response: 20 Hz - 20 KHz • 9' cord
(2.7m) with 1/4" adapter.
RM SERIES MIXERS
RM-100
4 Channel stereo preamp mixer • 9 line and 4 phono inputs • 3 mic inputs
(combo and 1/4" connectors) • Gain and 3 band EQ (+9/-26 dB) per ch.
• Effects send and return assignable to master out, each channel (including all
mics), and headphones for monitoring • Mic channel features 3 band EQ,
independent level controls, ON/OFF switch, and VCA controlled autotalk
function • Sub-mic on channel 4 enables use of 3 band EQ and panning • Fader
start • Fully assignable crossfader (A, B, bypass) • Master section with level and
balance controls and mono/stereo switch • Beat indicators • Balanced XLR
master output • Booth output • Cue section features, stereo/split function, cue
pan and level control • Cue pan fader is assignable to booth output for in-booth
monitoring • Input and output LED meters • 12V light BNC input • User
replaceable faders
Input level / input impedance:Mic 1.5mv / 3k ohm, phono 3mv / 47k ohm, Line 150mv / 27k
ohm Output level / output impedance:Master 1.24v / 100 ohm, Booth 1.24v / 100 ohm, Rec
245mv / 100 ohm Gain: 20dB Tone: -26/+9 dB (Hi, Mid, Low) Frequency Response: 20Hz
- 20K Hz +/-2dB T.H.D: Less 0.2% S/N Ratio: Less 70 dB Crosstalk: Less 60 dB Autotalk:
0 ~ -26dB Beat: 80Hz Aux: FX send: 0dB (0.775mV) FX return: 150mV Light: DC 12V
Power supply: AC15V 500mA, Ac 12V 700mA Dimensions: (LxWxD): 10.5" x 19" x 3.5"
(264 x 482 x 90 mm) (6U)
OPTIONAL
Rotary knobs
(PART# RF-RM19)
RM-80
4 Channel stereo preamp mixer • 9 line and 4 phono inputs • 3 mic inputs
(combo and 1/4" connectors) • Gain and 3 band EQ (+9/-26 dB) per ch. • Mic
channel features 2 band EQ, independent level controls, ON/OFF switch, and
VCA controlled autotalk function • Sub-mic on channel 4 enables use of 3 band
EQ and panning • Fader start • Fully assignable crossfader (A, B, bypass)
• Master section with level and balance controls and mono/stereo switch • Beat
indicators • Balanced XLR master output • Booth output • Cue section
features, stereo/split function, cue pan and level control • Input and output LED
meters • 12V light BNC input • User replaceable faders.
I
nput level / input impedance: Mic 1.5mv / 3k ohm, phono 3mv / 47k ohm, Line 150mv /
27k ohm Output level / output impedance:Master 1.24v / 100 ohm, Booth 1.24v / 100 ohm,
Rec 245mv / 100 ohm Gain: 20dB Tone: -26/+9 dB (Hi, Mid, Low) Frequency Response:
20Hz - 20K Hz +/-2dB T.H.D: Less 0.2% S/N Ratio: Less 70 dB Crosstalk: Less 60 dB
Autotalk: 0 ~ -26dB Beat: 80Hz Light: DC 12V Power supply: AC15V 500mA, Ac 12V
700mA Dimensions: (LxWxD): 8.75" x 19" x 3.5" (220 x 482 x 90 mm) (5U)
OPTIONAL
Rotary knobs
(PART# RF-RM80)
5
RM SERIES MIXERS
RM-22
Although the RM-22 is priced to compete with affordable mobile DJ mixers, we did not
compromise on the audio quality making it a worthy member of Stanton’ s Superior Sound
Technology series. Key Features: • Balanced Master Output • Fully Assignable
Crossfader • Gain control with clip LED on each channel • Dual 7 band EQ with ON/ OFF
switch • Mics 1 and 2 feature 2 band EQ plus ON/ OFF and Talkover function • Fader
start • Cue section features PFL, cue pan, stereo/ split, and 2 headphone outputs •
Master output with mono/ stereo switch • Zone and Booth outputs • Output LEDs
switchable between Master and Zone • 3 phono, 9 line, and 3 mic inputs
Frequency Response: 20 Hz to 20 kHz +1 dB THD+N (Line) > 0.005 % at 1 kHz Signal to Noise
Ratio (ref: max level):> 109 dB (main signal path) Noise -98 dBV (Line input to any output) Crosstalk
(Line to Line, Phono to Line, Line to Phono) > -90 dB Fader Kill > -90 dB Microphone EQ Hi, Low +12
dB Graphic EQ (7 band stereo) 40 Hz, 80 Hz, 160 Hz, 500 Hz, 1.6 kHz, 3.2 kHz, 6.4 kHz + 10 dB
Line Inputs 7 (RCA) , 1 (1/4” Balanced) -10 dBV / >10 kOhm Phono Inputs: 2 (RCA), -50 dBV / 47
kOhm Phono / CD: 1 (RCA), -50 dBV (Phono) -10 dBV (Line) / 47 kOhm Mic Inputs: 2 (1/4”), 1 (XLR)
-50 dBV / 2.4 kOhm Master Outputs: 2 (1/4”) Balanced/ (RCA) unbalanced, +4 dBu balanced / -10
dBV unbalanced Zone Output: 2 (RCA) unbalanced / -10 dBV Booth Output: 2 (RCA) unbalanced /
-10 dBV Record Output:2 (RCA) unbalanced / -10 dBV Headphone Output:1 (1/4 inch), 1 (1/8
inch)greater than 32 Ohm load Dimensions (LxWxD): 18.9 in. x 8.66 in. x 4.72 in. (48 cm. x 22 cm. x
12 cm.) Weight:4.5 kg (9.9 lbs)
Introducing Stanton’s SUPERIOR SOUND TECHNOLOGY™
Engineered from the Ground Up to Bring Breakthrough Audio Performance and Unprecedented Quality.
6
Stanton is proud to announce a new line of DJ mixers that is nothing short of revolutionary: innovative mixers with
cutting-edge audio performance at prices working DJs can afford.
These mixers include the SA-5, SMX-401, SMX-301, and RM-22 . These were all designed by Stanton's new
product development team; seasoned audio professionals who have designed world class professional recording
studio and broadcast mixers and product managers who are working DJs and work closely with some of the world’s
most respected DJs. They have taken their knowledge and experience to create DJ mixers over several product
categories and price points with superior audio quality and unprecedented value. Come hear the difference!
Superior Quality/ Excellent Value- Designed from the ground up with audio specifications rivaling mixers costing
more than two to four times as much.
Ultra Low Noise Circuitry - Dynamic range better than 110 dB on all mixers.
Cleaner more transparent sound - Lower distortion than other mixers in its class or mixers costing twice the
price. (THD+N < 0.015% on the SMX-401, SMX-301, and SA-5; < 0.005% on the RM-22).
No Bleed - Fader Kill rivaling the best DJ mixers in the market. No bleed through between phono and line signals.
(better than -90 dB of signal rejection, -95 dB on the SA-5)
Superior Construction - Glass Epoxy PC boards, surface mount technology, and other hi-tech construction
methods usually found on mixers costing many times the price.
Visit the
Engineering Corner
at
www
.stantondj.com
To learn more about SST
CD PLAYERS
S-750
• 3 filter effects (2 manual filters and 1 auto filter) controllable
via fader and jog wheel • Key Correction • 4 Seamless Cue
points • Fader Learn™: Fader control of pitch and filters
• Buffer Memory • 20 second Anti-shock per side • Seamless Loop
• Seamless Cue (SQ) – Access your current cue point on-the-fly
seamlessly • T urntable brake and motor off ef fects • Reverse play • BPM
counter • Selectable Pitch Control (+/-8%, 12% or 16%) • Skip 10 tracks
forward and back • Digital Outputs • Relay Playback (Flip Flop) • Fader
Start (cables included) • Instant Start • Up to +/- 16% Pitch Bend
• Multi-purpose Jog Wheel • Auto Cue eliminates dead space • Pitch
Display • 8x Over Sampling • 6 Different Speed Scans • 8cm CD Singles
Compatible • Real-time Cue • Instant Cue point recall • 60 Seconds
transport protection (open tray closed after 60 sec.) • Reads CD-R
• Repeat one, Repeat All, Single, continue, sleep modes
* Memorize current pitch value while controlling filters. When
the fader control is changed from pitch to filter, the physical
position of the fader will change. When returning to pitch
control, the new position of the fader will become the current
pitch value. Extend range of pitch fader to up to 48% without
reducing pitch increments.
Output Level: 2.0V +/- 1dB Frequency Response: 20Hz -- 20KHz +/- 1dB
Quantization: 16 Bit De-emphasis Response: + 0.5dB Channel Separation: 86 dB
T.H.D: 0.02% S/N Ratio: 88 dB Dynamic Range: 88dB Power Consumption: 25W
Power Supply: 115V/ 230V, 50/ 60Hz Dimensions: Player unit: 19"(W) x 3.5" (H) x
10" (D) / 482mm (W) x 88.8mm (H) x 264mm (D) Control unit: 19"(W) x 5.25" (H)
x 1.6" (D) / 482mm (W) x 132mm (H) x 74mm (D) Installation: 19-inch rack
mountable Player (2U) & Control unit (3U) Weight: Player unit: 11 lbs. / 5 kg.,
Control unit: 4.5 lbs. / 2 kg
N
O
I
T
+
K
E
Y
C
-
E
R
R
C
O
S-650MK II
Key Correction • 20 sec Anti-shock per side • Seamless Loop • Digital
Outputs • Relay Playback (Flip Flop) • Fader Start (cables included)
• Instant Start • Up to +/- 16% Pitch Bend • Multipurpose Jog Wheel
• Auto Cue eliminates dead space • Pitch Display • 8x Over sampling
• 30 Programmable Play Tracks on each side • 6 Different Speed Scans
• 8cm CD Singles Compatible • Real-time Cue • Instant Cue point recall
• 60 seconds transport protection (open tray closes after 60 sec.)
• Reads CD-R • Repeat one, Repeat all, Single, continue, sleep modes.
Output Level: 2.0V +/- 1dB Frequency Response: 20Hz -- 20KHz +/- 1dB
Quantization: 16 Bit De-emphasis Response: + 0.5dB Channel Separation:86 dB
T.H.D: 0.02% S/N Ratio: 88 dB Dynamic Range:88dB Power Consumption: 25W
Power Supply: 115V/ 230V, 50/ 60Hz Dimensions:Player unit: 19"(W) x 3.5" (H) x
10" (D) / 482mm (W) x 88.8mm (H) x 264mm (D) Control unit: 19"(W) x 3.5" (H)
x 1.6" (D) / 482mm (W) x 132mm (H) x 74mm (D) Installation: 19-inch rack
mountable Player (2U) & Control unit (2U) Weight: Player unit: 11 lbs. / 5 kg.,
Control unit: 4.5 lbs. / 2 kg
N
O
I
T
+
K
E
Y
C
-
E
R
R
C
O
7
Loading...