DIMENSION REVERB
USER’S GUIDE
SA225
WELCOME
Thank you for purchasing the Soundblox 2 Dimension Reverb. The
Dimension Reverb features a broad set of painstakingly crafted professional quality reverb effects including models of popular mechanical
reverbs, acoustical reverbs, and our own original effect creations. Each
reverb effect can be customized and tweaked by a full set of useful
controls and additional interface options.
The Dimension Reverb also features a new compact physical format in
addition to many new and useful features designed for easy on-stage use.
Like all Soundblox effects pedals, the Soundblox 2 Dimension Reverb is
also “Hot Hand Ready”.
The Quick Start guide will help you with the basics. For more in-depth information about the Dimension Reverb, move on to the following sections.
Enjoy!
-The Source Audio team
If possible, dispose of the device at a recycling center. Do not dispose of the
device with the household waste.
For full compliance with EN 61000-4-6 standard, input cable must be less
than 3 meters in length.
2 | Welcome
OVERVIEW
DIVERSE SOUND PALETTE
12 unique, rich-sounding reverb effects based on physical spaces and
mechanical reverbs.
DEEP CONTROL SET
Access to Reverb control parameters typically found only on professional
rack systems.
STATE-OF-THE-ART DSP
Our proprietary 56-bit Digital Signal Processor, the SA601, and crystal
clear 24-bit converters.
COMPACT DESIGN
A compact, rugged, cast-aluminum housing.
UNIVERSAL BYPASS™
Select either analog buffered or relay-based True Bypass.
2 USER PRESETS
Easy to configure user presets selectable via two footswitches.
MULTI-FUNCTION INPUT
A multi-purpose control input for use with Hot Hand®, expression pedal,
or MIDI.
Overview | 3
QUICK START
1. POWER
To power the unit, connect the included DC adapter power supply to
the 9V DC jack on the back panel.
Note: Using a non-Source Audio supply could damage the unit. Please
be very cautious when using 3rd party power supplies.
2. GUITAR/AUDIO CONNECTIONS
Next, plug your guitar (or other instrument) into the jack labeled
GUITAR IN via a standard ¼" cable. Connect your amp (or other audio
device) to the GUITAR OUT jack, again with a standard ¼" cable. Both
input and output are mono signals.
GUITAR IN
GUITAR OUT
4 | Quick Start
MULTI-
FUNCTION
IN
MULTI-
FUNCTION
OUT
9V DC
3. BRIEF KNOB, FOOTSWITCH, AND BUTTON DESCRIPTIONS
YW
12
(see Controls section for more details)
• EFFECT KNOB: selects the reverb type to be used.
• TIME: adjusts the duration of the reverb.
• OPTION: adjusts parameter selected by the OPTION SELECT button.
• TREBLE: controls the high frequency damping on the reverb.
• MIX: balances the wet and dry signals.
• OPTION SELECT: selects which parameter will be controlled by the
OPTION knob.
• CONTROL INPUT: selects the external controller type to be used.
• FOOTSWITCHES: Enables/Disables a preset depending on the selected
footswitch. Press and hold to save an edited preset.
PLATE 1
TIME
OPTION
SELECT
E-DOME
ARENA
STAGE
CLUB
PRE-DELAY
(OUTPUT)
DIFFUSE
(RATE)
BASS
(DEPTH)
OPTION TREBLE
ECHO
DIMENSION REVERB
PLATE 2
SPRING 1
SPRING 2
MODVERB
METAL BOXROOM
MIX
DR
ET
HH
MIDI
EXP
CONTROL
INPUT
Quick Start | 5
THEORY OF OPERATION
For those readers interested in seeing exactly what’s happening inside
the Dimension Reverb, figure 1 is a block diagram of the reverb algorithm.
The various control knobs are positioned next to the processing steps
they control.
IN
Volume Trim
OUTPUT
Diffusion
Pre-Delay
DIFFUSE
PRE-DELAY
delay
delay
Delay Times
LFO
LFO
RATE
DEPTH
EFFECT
6 | Theory of Operation
Diffusion
Diffusion
Diffusion
Filtersdelay
Filters
Filters
HF & LF
Damping
TREBLE BASS
figure 1
Unitary
Mixer
Wet
Sum
wet
MIX
dry
Mixer
Gain
TIME
OUT
Feedback
Injection
Looking at the diagram of the algorithm, the input audio signal comes
in initially and goes through a volume control and a diffusion block (controlled by DIFFUSE) before entering the pre-delay line. The length of that
delay is set with the PRE-DELAY control. The output of that delay is sent
into the main reverb loop through the injection mixer. The audio circulates
through the main reverb loop consisting of a number of delay lines with
their lengths set by the EFFECT knob. The precise lengths of these delay
lines are varied by an LFO (Low Frequency Oscillator) controlled by the
RATE and DEPTH.
These delay outputs go into additional diffusers (also controlled by
DIFFUSE), then to a block that creates the final wet signal, then to the
injection mixer, and then to the feedback block. The reverb TIME knob
sets the amount of feedback through the loop anywhere from 0.0 (minimum time) to 0.993 (maximum time). The higher the feedback, the longer
the sound will continue to circulate through the entire reverb loop. Lower
feedback will make the output signal die away more quickly.
The Unitary Mixer takes all these signals and combines them to produce
the same number of output signals. However, this mixer has special
properties, such that the signal energy leaving the mixer is exactly equal
to the energy going in. This is an important feature that keeps the signal
from ringing excessively at any given frequency. Next there is a bank of
filters that control the high and low frequency damping. The amount of
damping is set by the TREBLE and BASS controls. At this point the signal
flow wraps around back into the delay lines. Meanwhile, the extracted wet
signal is combined with the dry signal (controlled by the MIX knob) and
this becomes the final output.
Theory of Operation | 7
CONNECTIONS
GUITAR IN: Connect your guitar, bass, or other instrument here using a
standard MONO ¼" cable.
GUITAR OUT: Connect this to your amp, pedal, or other audio device.
MULTI-FUNCTION IN (optional): The multi-function input is a flexible
control input for use with external controllers. It can accept digital or
analog signals which allows the Dimension Reverb to interface with the
following accessories:
• SA110/SA115 Hot Hand Wireless Adapter
• SA111 Hot Hand Wired Sensor
• SA161 Source Audio Dual Expression Pedal
• Source Audio Soundblox 2 MIDI Adapter
MULTI-FUNCTION OUT (optional): Use a Source Audio daisy-chain
cable to connect this jack to the sensor/multi-function input of another
Soundblox pedal.
9V DC: Connect the included 9 Volt DC power supply here.
GUITAR IN
GUITAR OUT
8 | Connections
MULTI-
FUNCTION
IN
MULTI-
FUNCTION
OUT
9V DC
CONTROLS: KNOBS
PLATE 1
EFFECT (not labeled)
The effect knob selects which reverb type will be used. There are 12 positions around the knob. For information on the individual settings see the
Effect Types section.
- Continued
ARENA
STAGE
CLUB
E-DOME
PLATE 2
SPRING 1
SPRING 2
MODVERB
METAL BOXROOM
ECHO
Controls: Knobs | 9
TIME
TIME
This is the primary reverb control. The TIME parameter sets how long the
reverb sound will “ring out”. This can also be thought of as a feedback
control to set how long the input will circulate through the reverb effect
before dying away. The minimum time corresponds to zero feedback
within the reverb. This will produce a single echo spread out by the difference in times of the various delay lines inside the reverb. The shortest
times are not realistic in a traditional reverb sense and the longest times
are extreme, but each can produce some very interesting effects.
OPTION
OPTION
The OPTION knob offers six secondary parameters that can be assigned
to a single physical knob. Press the OPTION SELECT button to scroll
through the parameters. The knob will adjust the parameter that is currently selected by the OPTION SELECT button:
10 | Contols: Knobs
PRE-DELAY
Press button to
select option
OPTION
SELECT
• PRE-DELAY (green LED): Sets the initial time before the reverb
(OUTPUT)
DIFFUSE
(RATE)
BASS
(DEPTH)
begins. Pre-delay times vary between 0 and .5 seconds. In
ECHO mode delay times vary between 0 and 2.5 seconds. Predelay is excellent for creating slapback effects. It will also create
the illusion of playing in a larger space (the longer it takes to
hear the first echo, the further away the walls would be). Long
pre-delay times may seem excessive, but can work well in a
band or mix context.
Tip: Use pre-delay to add clarity. If the reverb begins too soon
after a note is played, it tends to clutter the perception of the
sound. Delaying the reverb makes it much easier to hear the dry
signal without sacrificing any of the reverb signal. Also, try using
pre-delay with a very short reverb time for an interesting and
non-traditional effect. This combination creates a single, heavily
processed echo.
Tip: If the pre-delay knob is moved while audio is running
through the effect, a Doppler shift will be heard. Assigning an
expression pedal or Hot Hand to the Pre-Delay knob (See the
Control Assign section) is a great way to create some extremely
far-out effects.
- Continued
Controls: Knobs | 11
• OUTPUT (red LED): Sets the overall output volume of the effect
which is useful for matching the level of the effect vs. the bypass
volume. It can also be used to prevent clipping if longer reverb
times are used with continuous loud inputs.
• DIFFUSE (green LED): Adjusts the amount of “spreading” in the
feedback loop. The higher this parameter is set, the more the
sound will be diffused as it circulates in the reverb loop. Sharp
transients (like guitar pick noise) will be smeared out over time.
At least a small amount of diffusion is recommended to create
natural sounding reverbs. Larger amounts can smooth over
what might otherwise be an undesirable set of individual early
echoes. However, maximum diffusion may produce some ringing at certain frequencies.
• RATE (red LED): Adjusts the rate of the LFO (Low Frequency
Oscillator) that is applied to the reverb. The modulation is an
optional setting that adds some nice animation to the reverb
sound. In the physical world, reverb modulation would be the
sound created in a room with moving walls. Obviously, real
rooms don’t have moving walls, but they do have moving air currents, and also a complexity of reverberation paths way beyond
what we can simulate. With a slow rate and low depth setting
the LFO provides an added level of realism to our reverb.
• BASS (green LED): Like the TREBLE control, the BASS param-
eter works like a bass tone control by damping the amount of
bass frequencies that go through the feedback loop. Set to full
counter-clockwise, this is most bass damping which will tend
to cut the overall bass tone. Full clockwise will allow the bass
frequencies to ring out resulting in more overall bass.
12 | Controls: Knobs
• DEPTH (red LED): The second control related to the LFO. The
YW
MIX
DEPTH control adjusts the total amount of modulation applied
to the reverb. As the depth is turned up, there is a sense that the
wet signal is running through a chorus effect. With more depth,
pitch shifts on individual echoes may be heard and things get
rather unnatural (but what’s wrong with that?).
Factory Defaults: given the number of different functions available on
the OPTION KNOB, it can be useful to “zero” all of the controls to a
default value. We pre-loaded the Dimension Reverb with unique default
settings for each reverb type which are a good starting point for each
reverb sound. You can recall these values at any time by pressing and
holding the OPTION SELECT button until the six red and green LEDs
begin to blink.
DR
ET
MIX
Adjusts the balance of the wet reverb sound and the clean input signal.
Full counter-clockwise is a completely dry tone and full clockwise is the
effected tone with no dry signal added.
- Continued
Controls: Knobs | 13
TREBLE
TREBLE
This knob controls the high frequency damping (or roll-off) in the feedback loop. As the knob is turned down (full counter-clockwise) and more
damping is applied, higher frequencies will tend to die out more quickly
for a duller sound. Turn the knob fully clockwise for the least amount of
damping which will result in more overall treble in the sound.
Discovering Preset Knob Positions
Since the Dimension Reverb preset values can differ from the physical
knob positions, it may be useful to determine the positions of the preset
knob values. To do this, start with the pedal in bypass and set all of the
knobs to the full counter-clockwise position. Next, enable the preset and
slowly turn each knob up one at a time until the preset indicator LED begins to blink rapidly. When this happens, the current position of the knob
matches the saved value.
14 | Controls: Knobs
CONTROLS: FOOTSWITCHES
There are two footswitches on the Dimension Reverb. The left footswitch
corresponds to preset 1 and the right footswitch corresponds to preset
2. Pressing either of the footswitches will engage the respective preset.
Pressing the same footswitch again will put the effect back into bypass
mode. Pressing the other footswitch will engage the other preset without
going into bypass. There are indicator LEDs for each footswitch that show
which preset is currently enabled or both LEDs will be off when the effect
is in bypass mode.
When a preset is enabled and edited, the indicator LED for that preset will
begin to blink occasionally to show that the preset has been edited. Once
a preset has been edited, it can be saved by pressing and holding the
footswitch. The LED will blink quickly to indicate that the preset has been
saved. Once changes are saved, the LED will be lit solidly again.
Note: Changes made to a preset will be lost if you go into bypass or
switch to another preset without saving.
An edited preset can be saved to either of the two preset locations. For
example if preset 1 has been selected and edited, it can be saved to preset location 2 by pressing and holding the right footswitch.
Controls: Footswitches | 15
EFFECT TYPES
PLATE 1
Here are some brief descriptions of the EFFECT knob settings on the
Soundblox 2 Dimension Reverb:
PLATE 2
SPRING 1
SPRING 2
MODVERB
METAL BOXROOM
ROOM SOUNDS
E-DOME
ARENA
STAGE
CLUB
ECHO
The first five EFFECT choices are intended to represent real acoustical
spaces progressing in size from small to enormous. The room sounds are
labeled: Room, Club, Stage, Arena, and E-Dome.
16 | Effect Types
PLATE AND SPRING REVERBS
Our Plate and Spring effects are simulations of two popular mechanically
constructible reverb units. The critical component in a real plate reverb
is large plate of sheet metal. Plate reverbs tend to have a high diffusion
rate, so for an accurate representation the DIFFUSE knob should be on
the high side.
The Spring Reverbs simulate the effect of broadcasting a signal into an
actual coiled metal spring. Spring reverbs are commonly found built into
many guitar amplifiers.
MODVERB
All of the reverbs have LFO modulation applied to the delay line lengths,
but ModVerb has delay lines nearly as long as the E-Dome delays and an
additional modulation in which the internal wiring of the reverb smoothly
changes at the LFO rate.
METAL BOX
This reverb type also has extra modulation. It replicates a very small
space, perhaps the size of a metal cargo-shipping container. It will give
a sort of chorused sound with very short reverb times and a lot of
modulation.
ECHO
This a basic delay algorithm, using all the same controls that the reverbs
use. The TIME knob sets the feedback amount, while the PRE-DELAY
sets the echo time. Add some diffusion to create more interesting delay
effects.
Effect Types | 17
EXTERNAL CONTROL
One of the new Core Features of the Soundblox 2 line of effects pedals is
the addition of the Multi-Function Input. The Multi-Function input is an
intelligent control input that can accept both digital and analog control
signals. The Multi-Function input replaces the Sensor Input on previous
Soundblox pedals. The MULTI-FUNCTION input can connect to wired or
wireless Hot Hand accessories, a Source Audio Expression Pedal, or a
future Source Audio MIDI interface that will enable full MIDI I/O access to
the pedal.
GUITAR IN
GUITAR OUT
FUNCTION
18 | External Control
MULTI-
IN
MULTI-
FUNCTION
OUT
9V DC
HH
MIDI
EXP
CONTROL
INPUT
Button
Selecting an external control input:
Press the CONTROL INPUT button to cycle between the external control
options. There are four possible settings:
• OFF (no LEDs on): External control is disabled in this mode
• EXP: Expression Pedal for use with the SA161 Source Audio Dual
Expression Pedal. By default, the expression pedal will control
the TIME parameter. The expression pedal can also be assigned
to control any other knob parameter or the REVERB SEND
parameter (see below).
• MIDI: MIDI control mode. Select to enable MIDI I/O through the
Soundblox 2 MIDI Interface
• HH: Hot Hand mode. Select to enable Hot Hand control. By
default, Hot Hand will be assigned to control the TIME parameter. Alternatively, Hot hand can also be also be assigned to
control any other knob parameter or the REVERB SEND.
- Continued
External Control | 19
YW
12
PLATE 2
SPRING 1
SPRING 2
MODVERB
METAL BOXROOM
DIMENSION REVERB
MIX
DR
HH
MIDI
EXP
CONTROL
INPUT
B
ET
A
OPTION
SELECT
TIME
E-DOME
ARENA
STAGE
CLUB
PRE-DELAY
(OUTPUT)
DIFFUSE
(RATE)
BASS
(DEPTH)
OPTION TREBLE
PLATE 1
ECHO
CONTROL ASSIGN
By default, the expression pedal and Hot Hand inputs are assigned to
control the TIME parameter. This can easily be changed to control any
other knob parameter or an additional REVERB SEND parameter. To assign control to a knob parameter:
1. Select the desired external control option: EXP for expression pedal,
HH for Hot Hand.
2. Press and hold the CONTROL INPUT (A) button until the LED begins
to blink slowly.
3. Set the low position of the desired knob, for example MIX (B), to the
lowest setting you would like to use.
4. Press the CONTROL INPUT button again and the LED will now blink
rapidly.
5. Set the desired high position you would like to use.
6. Press the CONTROL INPUT button to complete the assignment. The
LED will blink 3 times to indicate the process is complete.
20 | External Control
Note: Different control assignments can be used for each preset. Don’t
forget to save your settings!
REVERB SEND PARAMETER
There is an additional parameter that does not have a knob associated
with it but can be used with the expression pedal input or with Hot Hand.
HH
MIDI
EXP
CONTROL
INPUT
Press and hold
To select REVERB SEND as the assigned parameter for external control,
set the CONTROL INPUT to OFF (no LEDs lit). Press and hold the CONTROL INPUT button until all three LEDs blink rapidly. The REVERB SEND
is now selected as the parameter to be externally controlled. Next, select
either HH or EXP mode to control the REVERB SEND.
The REVERB SEND controls how much of the guitar input will be sent
in to the reverb effect and how much will be sent to the output. In some
ways, this is similar to the MIX control. However, there is an important
difference in that this control comes before the reverb. By using the REVERB SEND you can selectively send some input signal to the reverb and
bypass the reverb for other input. This allows you to create sounds that
will ring out and sustain with the REVERB SEND on. When the REVERB
SEND is turned down, the sound of the reverb will continue to circulate
while a dry sound can be played over it. The following example will help
explain:
- Continued
External Control | 21
YW
12
PLATE 2
SPRING 1
SPRING 2
MODVERB
METAL BOXROOM
DIMENSION REVERB
MIX
DR
HH
MIDI
EXP
CONTROL
INPUT
ET
PLATE 1
A
TIME
B
OPTION
SELECT
E-DOME
ARENA
STAGE
CLUB
PRE-DELAY
(OUTPUT)
DIFFUSE
(RATE)
BASS
(DEPTH)
OPTION TREBLE
ECHO
1. Select the expression pedal input and assign it to REVERB SEND as
described above.
2. Select a desired reverb type (ex. ARENA) (A) and turn up the TIME (B)
knob to create a long tailing and sustained effect.
3. Put the expression pedal in toe down position and play into the effect.
The sound will now begin to reverberate.
4. Next, move the expression pedal into the heel down position to turn
down the REVERB SEND.
5. Now play again and the input will stay dry and not go into the reverb
effect.
22 | External Control
This control allows for some fun ambient effects where a background
sound can be created and maintained while a separate part can be played
along without turning the entire output into mush.
Using the REVERB SEND for bypass trailing
A common problem when bypassing reverb and delay effects is that the
trailing sound is lost. When the REVERB SEND is assigned to the Expression Pedal, it can also be used as a “soft” bypass. With the expression
pedal in the toe down position, the reverb will be fully engaged. By moving
to the expression pedal to the heel down position, this will effectively
bypass the effect but allow the reverb to trail off.
MIDI CONTROL
The Dimension Reverb can be controlled via generic MIDI messages. In
order to use the MIDI functionality of the unit, it requires a Source Audio
Soundblox 2 MIDI Adapter. Please check www.sourceaudio.net for availability. The adapter connects to the Multi-Function input and provides
standard MIDI IN and OUT 5-pin DIN connectors.
Using Soundblox 2 pedals with MIDI greatly extends the functionality of
the units. Having MIDI I/O allows for remote automation, external controllers, firmware updates and more. If you have more than one Soundblox 2
pedal, only one MIDI Adapter is necessary. The Multi-Function output will
act as a MIDI thru to pass the MIDI messages on the other pedals via a
Source Audio SA160 Daisy Chain cable.
For information on using your Soundblox 2 with MIDI and for MIDI mappings, please visit our website at www.sourceaudio.net
External Control | 23
USE WITH HOT HAND
All Soundblox pedals are compatible with our Hot Hand accessories. Hot
Hand units consist of a ring mounted accelerometer that is used to detect
motion for controlling effect parameters. On the Dimension Reverb, a Hot
Hand unit can be connected to the Multi-Function input. To enable Hot
Hand, select the HH mode as the external control option. This will take
the input signals for the Hot Hand unit and use them to control whichever
parameter has been assigned.
The Dimension Reverb can also be calibrated to change the midpoint of
the Hot Hand control range. To do this, follow the calibration procedure
below. Note that calibration is only used for Hot Hand mode and calibration is NOT required before use.
To perform a calibration:
1. Select a preset by pressing a footswitch.
2. Enable Hot Hand control by selecting HH mode from the external
controls.
3. Press and hold the CONTROL INPUT button until the HH red LED begins to blink slowly (this is the same as the control assign procedure).
4. Put the Hot Hand sensor into the desired calibration position.
5. Press the footswitch for the currently selected preset.
6. The HH LED will blink when the calibration is complete.
If you have trouble with calibration and need to get back to the default
setting, place the sensor on a flat, level surface with the blue LED facing
down and run the calibration procedure again.
24 | External Control
UNIVERSAL BYPASS
Another added feature in the Soundblox 2 line is Universal Bypass which
allows you to select between buffered and relay-based true bypass. In
other effects pedals, both traditional bypass methods have pros and
cons associated with them. Active analog bypass (or buffered) provides
a consistent input impedance so that if the input is susceptible (like a
guitar pickup) to variations in input impedance there won’t be any noticeable change in tone. Buffered bypass is typically quieter and less prone
to clicks and pops. True bypass has the benefit of providing a dedicated
hardwire bypass signal path; however, it can cause clicks/pops and
typically requires a mechanically complex 3P3T (3-pole, 3-throw) switch.
Relay-based true bypass is a better option but can cause tonal variations since the input impedance can vary when the effect is engaged vs.
bypassed.
Ideally, the first pedal in a signal chain should be a buffered input followed
by true bypass in the rest of the signal chain.
The Soundblox 2 line introduces Universal Bypass™ as the solution to this
problem. Each Soundblox 2 pedal can be configured to either buffered or
relay-based true bypass modes, depending on what is needed in a pedal
signal chain.
By default, the Soundblox 2 Dimension Reverb is set to use the relaybased true bypass. To switch to buffered bypass press and hold the right
footswitch when powering up the pedal. Continue to hold the footswitch
until the footswitch LED blink slowly 3 times. The pedal is now in buffered
bypass. To switch back to true bypass, repeat the same process with the
left footswitch.
™
Universal Bypass | 25
SPECIFICATIONS
Dimensions
• L: 4.5 inches
• W: 4.5 inches
• H: 2.25 inches (including knobs)
Weight
• 1.00 lbs
Power
• 140mA @ 9V DC (max 180mA with Hot
Hand Wireless Adapter)
• Negative tip power jack
Audio Performance
• Maximum input level: 2.0 Vrms (+6 dBV)
• Input impedance: 1 MOhm
• Output impedance: 1 kOhm
• 115dB DNR audio path
• 24-bit audio conversion
• 56-bit digital data path
• Universal Bypass™ (buffered or relaybased true bypass)
TROUBLESHOOTING
Noise:
Power Source Ensure that the proper power supply is being used.
Near noise source Move pedal away from power supplies and other equipment.
Other equipment Remove other effects from signal chain, see if noise persists.
Bad cables Swap out audio cables.
Hot Hand doesn’t work:
Low power Ensure that the proper power supply is being used.
Not calibrated properly Calibrate the Hot Hand — see page 24.
Not connected properly Check Hot Hand connections.
26 | Specifications
Unit appears dead/no LEDs lit:
Wrong power supply Use correct power supply as defined on page 4.
Input plug not connected Ensure that input cable is connected to the GUITAR input.
Corroded input cable plug Check input cable plug for corrosion on sleeve, swap out
cable if necessary.
LIMITED WARRANTY
Source Audio, LLC (hereinafter “Source Audio”) warrants that your new Source Audio
Soundblox 2 Dimension Reverb, when purchased at an authorized Source Audio dealer
in the United States of America (“USA”), shall be free from defects in materials and
workmanship under normal use for a period of two (2) years from the date of purchase
by the original purchaser. This Limited Warranty does not extend to the batteries which
are purchased as is. Please contact your dealer for information on warranty and service
outside of the USA.
Under this Limited Warranty, Source Audio’s sole obligation and the purchaser’s sole
remedy shall be repair, replacement, or upgrade, at Source Audio’s sole discretion, of
any product that, if properly used and maintained, proves to be defective upon inspection
by Source Audio. Source Audio reserves the right to update any unit returned for repair
and to change or to improve the design of the product at any time without notice. Source
Audio reserves the right to use reconditioned parts and assemblies as warranty replacements for authorized repairs. Any product repaired, replaced, or upgraded pursuant to
this Limited Warranty will be warranted for the remainder of the original warranty period.
This Limited Warranty is extended to the original retail purchaser. This Limited Warranty
can be transferred to anyone who may subsequently purchase this product provided
that such transfer is made within the applicable warranty period and Source Audio is
provided with all of the following information: (i) all warranty registration information
(as set forth on the registration card) for the new owner, (ii) proof of the transfer, within
thirty (30) days of the transfer, and (iii) a photocopy of the original sales receipt. Warranty
coverage shall be determined by Source Audio in its sole discretion. This is your sole
warranty. Source Audio does not authorize any third party, including any dealer or sales
representative, to assume any liability on behalf of Source Audio or to make any warranty
on behalf of Source Audio.
Warranty | 27
WARRANTY INFORMATION
Source Audio may, at its option, require proof of the original purchase date in the form
of a dated copy of original authorized dealer’s invoice or sales receipt. Service and
repairs of Source Audio products are to be performed only at the Source Audio factory
or a Source Audio authorized service center. Prior to service or repair under this Limited
Warranty, the purchaser must request from Source Audio a return authorization, which
is available at:
Source Audio LLC
120 Cummings Park, Woburn, MA 01801
(781) 932-8080 or at www.sourceaudio.net.
Unauthorized service, repair, or modification will void this Limited Warranty.
DISCLAIMER AND LIMITATION OF WARRANTY
DO NOT OPEN THE EFFECTS PEDAL UNDER ANY CIRCUMSTANCE. THIS WILL VOID THE WARRANTY.
THE FOREGOING LIMITED WARRANTY IS THE ONLY WARRANTY GIVEN BY SOURCE AUDIO AND IS
IN LIEU OF ALL OTHER WARRANTIES. ALL IMPLIED WARRANTIES, INCLUDING WARRANTIES OF
MERCHANTABILITY AND FITNESS FOR ANY PARTICULAR PURPOSE, EXCEEDING THE SPECIFIC PROVISIONS OF THIS LIMITED WARRANTY ARE HEREBY DISCLAIMED AND EXCLUDED FROM THIS LIMITED
WARRANTY. UPON EXPIRATION OF THE APPLICABLE EXPRESS WARRANTY PERIOD, SOURCE AUDIO
SHALL HAVE NO FURTHER WARRANTY OBLIGATION OF ANY KIND, EXPRESS OR IMPLIED. SOURCE
AUDIO SHALL IN NO EVENT BE LIABLE FOR ANY SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES
SUFFERED BY THE PURCHASER OR ANY THIRD PARTY, INCLUDING WITHOUT LIMITATION, DAMAGES
FOR LOSS OF PROFITS OR BUSINESS OR DAMAGES RESULTING FROM USE OR PERFORMANCE OF
THE PRODUCT, WHETHER IN CONTRACT OR IN TORT. SOURCE AUDIO SHALL NOT BE LIABLE FOR ANY
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