The Digital 328 mixing console offers full dynamic automation. What this means is that any
encoder/fader movement, button press, in-fact any control surface setting can be recorded in
realtime via MIDI to Cakewalk, for playback at a later time.
The 328 allows not only every control surface audio parameter to be automated, but also full
automation of both Dynamic Processors and both FX Processors.
This means that a fully automated mix track can be integrated into a recording session,
containing any fades, mutes, snapshot recalls etc. that occur at certain points through your song.
As the automation data is recorded using MIDI messages, any automation event may be isolated
and edited/moved/deleted from within the sequencer track, or even new automation events can
be created from within the sequencer itself.
How Does The 328 Achieve Dynamic Automation?
How Does The 328 Achieve Dynamic Automation?
How Does The 328 Achieve Dynamic Automation?How Does The 328 Achieve Dynamic Automation?
The 328 achieves automation via standard MIDI messages, the same MIDI messages which are
usually associated with MIDI keyboards, drum machines etc. The only difference when it comes
to automating the 328, is in the way that the console responds to these MIDI messages: a MIDI
synthesizer’s response to a certain MIDI message may be to increase the resonance of a filter,
the 328’s response to that same message may be to move channel fader 9 to +5dB!
Continuous Controller And NRPN Messages
Continuous Controller And NRPN Messages
Continuous Controller And NRPN MessagesContinuous Controller And NRPN Messages
Many other automated devices utilize MIDI Continuous Controllers (Control Changes) to
accomplish their automation. A MIDI Continuous Controller message, of which there are 128,
consists of two parts (bytes): an Event ID byte describes to a receiving device which parameter
to change, and an Event value data byte tells the instrument by how much to change that
parameter.
IntroductionIntroduction
Introduction
Introduction
2
The message format of a Continuous Controller message is as follows:
Event ID = Event value
(0-127) (0-127)
Parameter to be
set
This gives 128 different controllers, each with a resolution of 128 values.
Spirit Digital 328 v2
Value to Which
Parameter Is Set
However, in the designing of the 328, it was decided that limiting the amount of automatable
functions to 128 would be somewhat restrictive, when in-fact there are almost 1,500 functions on
the 328 which could (and do!) fall under automatable operation.
To access the ‘extra’ Event ID’s needed to automate every parameter on the 328, the 128
Continuous Controllers of all 16 MIDI channels are used (see the MIDI Specifications in the
Appendix Version 2 Software Manual). Consequently you should ensure that the 328 is
connected to a dedicated MIDI In and a dedicated MIDI Out port on the computer.
Snapshot Automation
Snapshot Automation
Snapshot AutomationSnapshot Automation
The 328 also offers Snapshot automation: any Snapshot (or User Setup) can be recalled within
an automation track. This is done with standard MIDI Program Changes.
You may already have used Program Change commands with a MIDI synthesizer as a means to
select voices – there are 128 Program Change commands (0-127), each one corresponding to a
different voice on the synthesizer: Sending Program Change 52 to the synthesizer would recall
voice 52. Snapshot automation operates in the same fashion.
The following table indicates the Program Change message value required to recall each
individual Snapshot and User Setup.
Program
Program
ProgramProgram
Change
Change
ChangeChange
00Snapshot 001
01Snapshot 002
-----98Snapshot 099
99Snapshot 100
100User Setup 01
101User Setup 02
-----124User Setup 25
125User Setup 26
Recalled
Recalled
RecalledRecalled
So, to recall Snapshot #1, Program Change 0 should be sent to the 328. To recall Snapshot #69,
Program Change 68 should be sent to the 328, and so on.
Note that within Cakewalk it is possible to view MIDI Program Changes within the range 1-128,
to avoid confusion.
However, there is one other thing to bear in mind - every individual Snapshot has a ‘MIDI Recall’
selection that can be enabled/disabled. If ‘MIDI Recall’ is turned ‘OFF’ for a particular Snapshot,
then it cannot be recalled via a Program Change command. Therefore, any Snapshot you wish to
recall from within an automation track must have ‘MIDI Recall’ turned ‘ON’, else the Snapshot will
not recall. When the Global ‘MIDI Recall’ of Snapshots is switched to ‘ON’, any Snapshot
subsequently created will automatically have ‘MIDI Recall’ switched to ‘ON’. To do this, enter the
‘Snapshot Setup’ menu and toggle ‘MIDI Recall’ to ‘ON’.
Cakewalk Version 9 Setup Guide
3
Configuring Cakewalk
Configuring Cakewalk
Configuring CakewalkConfiguring Cakewalk
2
MIDI Connections
MIDI Connections
MIDI ConnectionsMIDI Connections
It is essential that a 2-way MIDI communication configuration is used between the 328 and
Cakewalk.
Using standard MIDI cables, connect the 328 MIDI Out to the PC MIDI In, and connect the 328
MIDI In to the PC MIDI Out.
PC Midi Out 328 Midi In
PC Midi In
328 Midi Out
This 2-way communication configuration now allows full automation recording and playback.
Cakewalk Setup
Cakewalk Setup
Cakewalk SetupCakewalk Setup
Start Cakewalk, and enter ‘MIDI Devices…’ on the ‘Tools’ pull-down menu.
Now, in the ‘Output Ports’ selection select the MIDI Out port you are using the 328 with. Click on
‘Move Selected Devices to Top’ so that it moves to the top of the list.
Ensure that both the MIDI In and MIDI Out ports are enabled (highlighted) for the MIDI interface
you are using the 328 with, as well as for any other devices on any other MIDI Ports.
Here, the MIDI Port being used with the 328 is ‘Roland MPU401’, and hence both the Input (MIDI
In) and Output (MIDI Out) are selected. The other ports are selected as they are used by other
MIDI devices.
Ensure that
the MIDI In
port being
used with
the 328 is
selected
Ensure that
the MIDI
Out port
being used
with the
328 is top
of the list,
and
selected
4
Spirit Digital 328 v2
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