Sony XDCAM EX Series, PMW-EX1R, PMW-EX3, PMW-350K, PMW-350L1 Brochure & Specs

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The Sony XDCAM EX™ Series
Sony’s XDCAM EX line of handheld, file-based camcorders have become an essential video production tool in educational institutions. The most popular models, the PMW-EX1R and PMW-EX3 camcorders, are available at an attractive price point and offer superb image quality in a handheld, lightweight body in addition to high speed workflow.
The XDCAM EX series features both ½-inch (EX1R, EX3, PMW320) and 2/3-inch (PMW350) 3CMOS sensors, amazing 1920x1080 and 1280x720 HD recording capability plus flash memory recording.
Combining the moderate bit rate of MPEG-2 Long GOP compression to the SxS PRO card, the XDCAM EX series offers cost effective long form recording coupled with nonlinear capabilities such as instantaneous random access and high speed file-based operation.
The Lens
The Sony XDCAM EX series offers attrac­tive features for focus and lens options. While the PMW-EX1R uses a
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14x HD
need arise. Professional camcorders typically have a focus ring with distance readouts, but lack autofocus capability. The XDCAM EX series splits the difference; in the forward position the focus ring becomes a normal autofocus lens, while sliding the ring backwards snaps it back into full manual mode, allowing the user the best of both worlds. “The focus ring closes the biggest gap between consumer and high end production cameras. It measures distance accurately,” says Professor Anthony Artis, the Production Center Manager of NYU’s Department of Film and Television Program.
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Image Quality
Three ½-inch (EX1R, EX3, PMW320) and three 2/3-inch (PMW350) Exmor the camera’s imaging. They allow for higher resolution and a shallower depth of field than the smaller sensors normally found at this price point. Although the XDCAM EX series records all of its images in long GOP MPEG-2 format in full frame 1920x1080, it can also record in the HDV standard of 1440x1080. Rick Siegel, Adjunct Professor, Columbia University Graduate Film Division, says, “This camera’s imagers are significantly larger than other camcorders in this price range. What these half-inch CMOS chips deliver goes beyond just 1920x1080 resolution. Talent looks great. It truly captures the contours and shades of gray.” Anthony Artis agrees, “The picture quality looks great. All of my students love it as soon as they set their eyes on the image. At the end of the day, spec sheets mean nothing to them. Image is everything.”
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1920x1080 pixel CMOS sensors handle
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Shooting
For educational institutions everywhere, 1080/24p is considered the ideal mastering format. 24p creates the rich film look that enhances the overall
look of a project, offering filmmakers increased creative control and flexibility. Shooting in 24p enables the students to develop a film look that is visually consistent with high end productions. Rick Ramsey, Full Sail University’s Director of Film can attest to that. “The XDCAM EX series opens up creative aspects for my students. The cameras are part of Sony’s CineAlta line, and the image quality shows.”
One of the first things students notice while shooting with the XDCAM EX1R and EX3 cameras is their gorgeous 3.5” LCD screen. Easily viewable in full sunlight, the screen offers 1920x480 resolution. In addition, there is a standard
viewfinder in the back that can be powered on and operated simultaneously with its LCD screen.
The Peaking functionality of these cameras has drawn rave reviews from both students and professors alike. “With the Peaking button on my EX, I don’t have to just trust my eyes. What looks sharp on a 3.5” LCD isn’t always sharp. Especially when I’m shooting from 40 yards away. With a press of the peaking button, I can tell everything is in sharp focus and I never have to second-guess myself. It saves me time, and everything looks great when I review it in post production,” says Artis. Over at Brooklyn College, Marcus Robinson, a graduating film school student, raves, “I love the Peaking functionality. It’s always spot on and gets the focus right.”
The XDCAM EX series offers a powerful Slow & Quick Motion function, commonly known as over-cranking and under-cranking by filmmakers. It enables students to create unique looks or slow and fast-motion special effects. “Our students love EX slow motion functionality, as it helps them develop and achieve their own signature look,” says Ramsey. With the Slow & Quick Motion function of the XDCAM EX camcorders, images are recorded natively with no padded frames and at full resolution. Even better, the obtained quality of these images is indistinguishable from those created in the editing process.
To flexibly handle contrast and give a specific look to an image, the XDCAM EX series offers a wide variety of gamma curves. In addition to four types of standard gamma curves, the XDCAM EX series also provides four types of CINE Gamma, identical to those on Sony’s high-end CineAlta camcorders. Students can select the best-suited preset gamma curve, depending on the scenes they’re shooting. “The gamma spectrum on these cameras helps lay a great foundation for digital filmmaking,” says Ramsey.
An important feature on the XDCAM EX line is its ability to record time-lapse photography. With this feature, students are able to demonstrate the natural progression of time in just seconds. This is especially useful for students shooting transitions for their documentaries or film projects.
With any camera line boasting the features that the XDCAM EX series does, there’s bound to be some learning curve, especially when students start playing around with their deep menus. To simplify the process, user profiles can be created and stored on each camera. “Each of our previous cameras used to be set by hand. With these cameras, we can now copy profiles to an SxS
card and pop them into every other camera. This is really helpful in a school environment when students are always playing with camera settings,” says Artis.
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