Sony TC-KA3ES User Manual

Page 1
Stereo
Cassette Deck
3-759-737-21(1)
Operating Instructions
TC-KA6ES
TC-KA3ES
1995 by Sony Corporation
Page 2

WARNING

To prevent fire or shock hazard, do not expose the unit to rain or moisture.

To avoid electrical shock, do not open the cabinet.

Refer servicing to qualified personnel only.

FOR THE CUSTOMERS IN THE UNITED STATES

A A
CAVnON TO RCDOCE THE »SX Of ELECTS« SHOCK,
DO NOT REMOVE COVER <OS BACK) MO USER-SERVICEABLE RART5 NSIOE
REFER SERVICING TO OUAUFIED SERVICE PERSONNEL
A
This symbol is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

FOR THE CUSTOMERS IN CANADA CAUTION

TO PREVENT ELECTRIC SHOCK, DO NOT USE THIS POLARIZED AC PLUG WITH AN EXTENSION CORD, RECEPTACLE OR OTHER OUTLET UNLESS THE BLADES CAN BE FULLY INSERTED TO PREVENT BLADE EXPOSURE.

Welcome!

Thank you for purchasing the Sony Stereo Cassette Deck. Before operating the unit, please read this manual thoroughly and retain it for future reference.

About This Manual

The instructions in this manual are for models TC-KA6ES and TC-KA3ES. All illustrations in this manual show the TC-KA3ES. Please note the following distinguishing features of each model:

TC-KA6ES

• Uses an SD head
• Does not have an HX PRO button; the Dolby HX PRO function is continuously on
• Is for sale in Europe only

TC-KA3ES

• Uses an LA head
• Has an HX PRO button for turning the Dolby HX PRO function on and off
• Is for sale in the U.S.A., Canada, and other non-European countries
A
This symbol is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.

Owner's record

The model and serial numbers are located on the rear of the unit. Record the serial number in the space provided below. Refer to these numbers whenever you call upon your Sony dealer regarding this product.
Model No. TC-KA3ES Serial No
____________

Conventions

• Instructions in this manual describe the controls on the deck.
• The following icons are used in this
manual;
Indicates useful information or
W tips that make a task easier.
Indicates a task that requires use of the remote. (Canadian model only)
Page 3
Table of contents

Recording on a Tape 4 Playing a Tape 6

Getting Started

Unpacking 7 Hooking Up the System 7

Advanced Playback Operations

Locating a Track (AMS/Auto Play/Memory Play) 9 Playing Using a Timer 9

Advanced Recording Operations

Adjusting Bias, Recording Level and Recording Equalizer Calibration 10 Monitoring the Recorded Sound 11 Inserting a Blank Space During Recording (Record Muting) 11 Recording Using a Timer 12 Synchro-Recording With a CD Player (Canadian Model Only) 12

Additional Information

Precautions 13 Notes on Cassette Tapes 13
Cleaning 14 Troubleshooting 15 Specifications 16 Glossary 17

Index 18

Page 4
Basic Operations

Recording on a Tape

6 4
See page 7 for hookup information.
'Q' To protect recordings
against accidental erasure
Break out the record-protect tab(s) (see page 13).
Turn on the amplifier and play the program source you want to
1
record.
Set TIMER to OFF and press POWER.
Press = OPEN/CLOSE and insert a cassette.
With the side you want to record facing you
Press # REC.
4
The cassette holder closes and the deck becomes ready to record. "SOURCE" and the tape type (I, II, or IV) appear in the display.
Turn REC LEVEL to adjust the recording level.
The recording level should not exceed the recommended level for the indicated tape type.
After doing the all adjustments, stop playing the program source.
For type I or type II tape
B
Press II PAUSE or ►.
Recording starts.
Page 5
Start playing the program source.
Basic Operations
To
Stop recording Pause
Press
■ II PAUSE. Press the button again to
resume recording.
Take out the cassette = OPEN/CLOSE after stopping
recording
Use these buttons (controls) for additional operations

RESET MPX FILTER

I
_______
m
L
naca
EEI

tape counter DOLBY NR

HX PRO REC LEVEL

® <$! ® «> O ®

To adjust the recording balance

Turn REC LEVEL so that the L (left channel) and R (right channel) peak level meters in the display are at the levels you want. For normal settings, keep the red mark on each control aligned with each other.
'Q' You can check how much
blank remains on the tape
1 Locate the end of the
recorded portion on the tape.
2 Press RESET to reset the tape
counter to "0.00."
3 Press ►► to fast-forward the
tape to its end. The tape counter shows the approximate amount of remaining time.
Dolby noise reduction and HX Pro headroom extension manufactured under license from
Dolby Laboratories Licensing Corporation. HX Pro originated by Bang & Olufsen.
"DOLBY, " the double-D symbol □□ and "HX PRO" are trademarks of Dolby Laboratories Licensing Corporation.
To increase the left (L) channel level only, turn the outer control clockwise.
To increase the right (R) channel level only, turn the inner control clockwise.

To record with the Dolby NR* system

Set DOLBY NR to the position you want (B, C, or S) before you start recording.

To record with Dolby HX PRO

Press HX PRO. "HX PRO" appears in the display. The HX PRO button and indicator are provided on TC-KA3ES only. (For details on HX PRO, see "Glossary" on page 17.)

If you cannot get satisfying results when recording FM broadcasts with Dolby NR system

Set MPX FILTER to ON. The filter turns on to make the Dolby NR system work more effectively. "FILTER" appears in the display. (For details on the MPX filter, see "Glossary" on page 17.)
Page 6
Basic Operations

Playing a Tape

2 3

See page 7 for hookup information.

Q* To play a tape recorded
with the Dolby NR system
Set DOLBY NR to the same position that the tape was recorded in—B, C, or S.

You can connect the headphones to PHONES

To adjust the volume, turn PHONES LEVEL.
Turn on the amplifier and select the tape deck position.
1
Set TIMER to OFF and press POWER.
Press ►.
The cassette holder closes and the deck starts playing. "TAPE" and the tape type (1,11, or IV) appear in the display. Adjust the volume on the amplifier.
To
Stop playing
Pause
Fast-forward or rewind Take out the cassette
Press
II PAUSE. Press the button again to
resume play. ►► or when the deck is stopped = OPEN/CLOSE after stopping playing
Page 7
Getting Started

Unpacking

Check that you have received the following supplied items:
• Remote commander (remote) RM-J701 (])*
• Size AA (R6) batteries (2)*
• Audio connecting cord (2)
‘ Canadian model only

Inserting batteries into the remote (Canadian model only)

Insert two size AA (R6) batteries, matching the + and ­on the batteries with the markings inside the battery compartment. When using the remote, point it at the remote control sensor H on the tape deck.

Hooking Up the System

This section describes how to hook up the tape deck to an amplifier. Be sure to turn off the power of each component before making the connections.
TC-KA6ES/KA3ES
to LINE IN
to an AC outlet (or a switched outlet on the amplifier when using a timer)
to TAPE IN
Amplifier
@@ @@©@©©
©@®©
loolooi loolool (
'Q' When to replace batteries
With normal use, the batteries should last for about 6 months. When the remote no longer operates the tape deck, replace all the batteries.
Notes
• Do not leave the remote near an extremely hot or humid place.
• Do not drop any foreign object into the remote casing, particularly when replacing the batteries.
• Do not expose the remote sensor to direct sunlight or lighting equipment. Doing so may cause a malfunction.
• If you don't use the remote for an extended period of time, remove the batteries to avoid possible damage from battery leakage and corrosion.
to a wall outlet

Hookups

When connecting an audio cord, be sure to match the color-coded cord to the appropriate jacks on the components: Red (right) to Red and White (left) to White. Be sure to make connections firmly to avoid hum and noise. Connect the tape deck to the amplifier as shown below.
Tape deck
Amplifier
Page 8
Getting Started
To connect your tape deck to another tape deck
Connect both tape decks as shown below.
Tape deck
LINE LINE
IN OUT
Another tape deck
IN OUT
@tr

Setting the voltage selector (only on models supplied with a voltage selector)

Check that the voltage selector on the rear panel of the tape deck is set to the local power line voltage. If not, set the selector to the correct position using a screwdriver before connecting the AC power cord to an AC outlet.

Connecting the AC power cord

Connect the AC power cord to an AC outlet. The tape deck's Memory Backup function (page 17) keeps the various settings in memory even after you turn off the power as long as AC power cord is plugged in.
Where do I go next?
Now you're ready to use your tape deck. For basic operations, go to pages 4 to 6; for advanced operations, go to the sections immediately after this one.
8
Page 9
Advanced Playback Operations

Locating a Track (AMS/Auto Play/ Memory Play)

You can locate the following/previous tracks (AMS: Automatic Music Sensor) or the beginning of a tape quickly. You can even locate a specific point anywhere on a tape.
IKKI OOH

Notes

• The AMS function may not work correctly if: — the blank space between tracks is less than 4 seconds long. — the signal strength of the left and right channels are very
different.
— there is a passage of low frequencies or very low volume
within a track.
• Since the counter is not a digital clock, it will differ from the actual elapsed playback or recording time.

Playing Using a Timer

You can start playing a tape at any time you want by connecting a timer (not supphed). Please also refer to the instructions of the timer if you need help.
RESET MEMORY
To locate
the beginning of the next or succeeding tracks (AMS*)
the beginning of the current track (AMS*)
the beginning of the preceding tracks (AMS*)
the beginning of a tape (auto play)
a particular point on a tape (memory play)
Press
>C>11 as many times as you want while playing. For example, to locate 2 tracks
ahead, press twice. KW once while playing
KM as many times as you want while playing. For example, to locate 2 tracks behind, press three times.
MEMORY repeatedly until "MEMORY" disappears in the display. Then press while holding down ►.
MEMORY repeatedly until "MEMORY" appears in the display. Find the point you want, and press RESET to reset the tape counter and to
memorize the point. To locate the memorized point, press while holding down ►. (Press ◄◄ only to stop at "0.00.")
TIMER
1 Insert a cassette. 2 Set TIMER on the tape deck to PLAY. 3 Set the timer to the time you want.
The tape deck turns off. When the set time comes, the tape deck turns on and start playing.
4 After you have used the timer, set TIMER on the
tape deck to OFF.
You can use the AMS to locate up to the 30 th track after or before the current track.
'O' You can change the indication on the display (Canadian
model only) [J]
Press DISPLAY on the remote repeatedly to change the display as follows:
■ tape counter only —» no display —* full display
Page 10
Advanced Recording Operations

Adjusting Bias, Recording Level and Recording Equalizer Calibration

Since there are many different types of cassettes on the market, the tape deck automatically sets the appropriate equalization characteristics and bias current for each tape type (ATS: Automatic Tape Selection). However, you can get better recording results by adjusting the bias current, recording level and recording equalizer.
Adjust REC LEVEL CALIBRATION so that only | appears. Make sure either or ► does not appear. If ► appears, turn REC LEVEL CALIBRATION clockwise. If appears, turn REC LEVEL CALIBRATION counterclockwise.
Only I appears
Adjust REC EQUALIZER CALIBRATION so that both meters reach the recommended level. Turn REC EQUALIZER CALIBRATION clockwise to increase both meters. Turn REC EQUALIZER CALIBRATION counterclockwise to decrease both meters.
1
Insert the cassette you want to record on.
2
Press CALIBRATION. The display for adjusting the bias, recording level and recording equalizer appears.
3 Press # REC, 4 Press 11 PAUSE or ► to record the test tones. (You
can't hear the test tones.) After two or three seconds, the meters showing the level of the test tones appear in the display. Then adjust, in sequence, the bias, recording level and recording equalizer.
5 Adjust BIAS CALIBRATION so that both meters
indicate equal signal levels. If the upper meter shows a higher level than the lower meter, turn the BIAS CALIBRATION clockwise. If the lower meter shows a higher level than the upper meter, turn the BIAS CALIBRATION counterclockwise.
Repieat steps 5 to 7 if necessary.
8 Press ■ to stop recording the test tones.
The display returns to normal.
9 Rewind the tape and start the actual recording.
'Q' You can also adjust the bias, recording level and the
recording equalizer according to your own taste
For details, see on page 17.

Notes

• Because the meters use a wider amplitude during tape calibration, they are more sensitive to slight changes in signal level.
• When you use metal (type IV) tapes, the frequency response to adjustments of the bias current is small. Therefore, adjusting the bias current with the range of this tape deck (a range of about ±20%) may not be effective.
10
Equal signal level
Page 11
Advanced Recording Operations

Monitoring the Recorded Sound

You can compare the quality of the recorded sound with the sound of the program source while recording.
MONITOR
While recording, press MONITOR repeatedly until "TAPE" appears in the display. You can monitor the sound being recorded.

To listen to the sound of the program source

Press MONITOR repeatedly until "SOURCE" appears in the display.

Inserting a Blank Space During Recording (Record Muting)

You can insert a blank space of 4 seconds between each track. The blank spaces between tracks let you locate the track easily with the AMS function (see page 9). Also, use this function to eliminate only unwanted portions on the tape.
#REC
1
Start recording.
2
Press O REC MUTE once when you want to insert a blank space. The REC indicator starts flashing and the tape moves on without recording any signals. After 4 seconds, the II PAUSE indicator lights up and the tape deck is now ready to resume recording.
3 Press II PAUSE or ►- to resume recording.

'Q' To insert a blank space longer than 4 seconds

Hold down O REC MUTE as long as you want. After 4 seconds, the REC indicator flashes faster. When you release the O REC MUTE, the II PAUSE indicator lights up and the tape deck is ready to resume recording. Press II PAUSE or ► to restime recording.

To insert a blank space of less than 4 seconds

After pressing O REC MUTE, press II PAUSE at any time. The deck changes to recording pause. To resume recording, press • REC instead of
II PAUSE,
11
Page 12
Advanced Recording Operations

Recording Using a Timer

You can start recording on a tape at any time you want by connecting a timer (not supplied). Please also refer to the instructions of the timer if you need help.
1
Insert a cassette.
2
On the amplifier, select the program source you want to record.
3 On the tape deck, set TIMER to REC.
4 Set the timer to the time you want.
The tape deck turns off. When the set tíme comes, the tape deck turns on and start recording.
5 After you have used the timer, set TIMER on the
tape deck to OFF.

Note

If the TIMER switch is set to REC, the tape deck will automatically start recording when you turn on the tap>e deck.

Synchro-Recording With a CD Player (Canadian Model Only) m

By pressing CD SYNCHRO START on the remote (supplied with the Canadian model only), you can perform synchro-recording on your tape deck with a Sony CD player. This function is possible only with Sony CD players with remote control capability.
a a ±] a Q a
□ Q r~l
a a a
(STOP/START/STANDBY)
CD SYNCHRO-
1 Insert a CD into the CD player. 2 Insert a cassette into the tape deck.
3 Press CD SYNCHRO STANDBY on the remote. The
CD player changes to play pause and the tape deck to recording pause.
4 Press CD SYNCHRO START on the remote. The
tape deck starts recording, and then the CD player starts playing.

To stop Synchro-Recording

Press CD SYNCHRO STOP.
CCSVNCHHO
Q CD Q
CASsetTt oecK
12

To pause Synchro-Recording

Press II for the tape deck and CD player at the same time. Press both buttons again to resume Synchro-Recording.

You can use the remote of your tape deck to operate the CD player

To start CD play, press II twice; to pause CD play, press
II once; to locate a CD track, press or ►►!.
Page 13
Additional Information

Precautions Notes on Cassette Tapes

On safety

• Do not disassemble the cabinet — this may result in an electrical shock. Refer servicing to qualified personnel only.
• Should any solid object or liquid fall into the cabinet, unplug the tape deck and have it checked by qualified personnel before operating it any further.

On power sources

• Before operating the tape deck, check that the operating voltage of the tape deck is identical with your local power supply. The operating voltage is indicated on the nameplate at the rear of the tape deck.
• The tape deck is not disconnected from the AC power source (mains) as long as it is connected to the wall outlet, even if the tape deck itself has been turned off.
• If you are not going to use the tape deck for a long time, be sure to disconnect the tape deck from the wall outlet. To disconnect the AC power cord (mains lead), grasp the plug itself; never pull the cord.
• Should the AC power cord (mains lead) need to be changed, have it done at a qualified service shop only.

On placement

• Place the tape deck in a location with adequate ventilation to prevent heat build-up in the tape deck.
• Do not place the tape deck: — on a soft surface such as a rug that might block the
ventilation holes on the bottom. — in a location near heat sources. — in a place subject to direct sunlight. — in an inclined position. — in a place subject to excessive dust or mechanical shock.

To protect the recording

Break off the respective tab for side A or B.

To record on a tape having a broken tab

Cover the respective tab hole for side A or B with adhesive tape.
When you are using a type II or type IV tape, be careful not to cover the slots that the deck uses to determine the tape type.
Type II
Detector slots Detector slots

Type IV

On cleaning the tape deck

Clean the cabinet, panel and controls with a soft cloth slightly moistened with a mild detergent solution. Do not use any type of abrasive pad, scouring powder or solvent such as alcohol or benzine.
If you have any questions or problems concerning your tape deck, please consult your nearest Sony dealer.

For the customers in the U.S.A.

For detailed safety precautions, see the leaflet "IMPORTANT SAFEGUARDS."
On tapes longer than 90 minutes
We do not recommend the use of tapes longer than 90 minutes except for a long continuous recording or playback. They are very thin and tend to be stretched easily.

On handling cassettes

• To prevent the heads and tape path from getting dirty, avoid touching the tape surface of a cassette.
• Place cassettes away from equipment with magnets, such as speakers and amplifiers; it may cause tape distortion or erase the recordings.
• Do not expose cassettes to direct sunlight, extremely cold temperature or moisture.
13
Page 14
Additional Information

Cleaning

Inside of the cassette holder

Demagnetizing the heads

After 20 to 30 hours of use, or when you notice a hissing sound or loss of high frequencies, demagnetize the heads with a commercially available demagnetizer for tape decks. Please refer to the instructions of the demagnetizer.
POWER 60PEN/CL0SE

Cleaning the heads and tape path

Clean the heads and tape path of the tape deck after every 10 hours of operation to guard against;
• a decrease in sound level
• excessive wow or flutter
• sound dropout
• incomplete erasure To ensure better recording, we recommend that you clean the heads and tape path before every recording.
1 Set the volume control on the amplifier to
minimum.
2 With the tape deck fumed off, hold down = OPEN/
CLOSE and press POWER. The holder opens, the
heads rise, and the pinch rollers begin to rotate.
3 Wipe the heads, the pinch rollers, and the capstans
with a cotton swab slightly moistened with alcohol or a commercially available cleaning fluid for tape decks.
14
4 When completed, press = OPEN/CLOSE again.
Do not insert a cassette until the cleaned areas are
completely dry.
Page 15

Troubleshooting

If you've experienced any of the following difficulties while using the tape deck, use this troubleshooting guide to help you remedy the problem. Should any problem persist, consult your nearest Sony dealer.

The cassette holder does not close.

^ Reinsert the AC power cord, then close the
cassette holder.
Additional Information

There is hum or noise.

^ The tape deck is placed near a TV or VCR. Place
the tape deck away from the TV or VCR. The tape deck is placed on or under the amplifier. Place the tape deck away from the amplifier.

There is an unbalanced tone.

Check that the EX3LBY NR control is set to the
position where the tape was recorded. The tape deck is placed near a TV or VCR. Place the tape deck away from the TV or VCR.

The function buttons do not work.

^ The tape deck has just been turned on and does
not operate for about 3 seconds. Wait until the II indicator stops flashing.
^ Check that the cassette is inserted correctly and
the cassette holder is closed completely.

Playback or recording begins when the power is turned on.

“► Set TIMER on the tape deck to OFF.

The tape stops before the tape has been fully rewound.

The tape is slack. Take up the tape slack. If "MEMORY" is shown in the display, press MEMORY repeatedly until the indication disappears. The cassette shell is bent. Use another cassette.

The tape deck does not play or record.

The tape has reeled to the end. ^ The tape is slack. Take up the tape slack. ^ The record-protect tab has been removed from
the cassette. Cover the slot with tape (page 13).
Clean the heads and tape path and demagnetize
the heads (page 14).
^ Check that the tape deck is properly connected
(page 7).
^ Make sure the amplifier is correctly set.

The AMS function does not work properly.

One of the tracks contains a long pause, a passage of low frequencies or very low volume, or a gradual increase or decreace in volume.
^ The space before a track is less than 4 seconds
long. Insert a blank space of 4 seconds using O REC MUTE button. The signal strength of the left and right channels
are very different. ^ There is noise in the space before a track. ^ You pressed ►► button immediately before the
next track, or button immediately after the
beginning of the current track,

There is excessive wow, flutter, or a sound dropout.

“► The capstans and pinch rollers are dirty. Clean
them (see page 14).

There is a decrease in sound level or a sound dropout./The tape does not erase completely./Noise increases.

^ The heads and tape path are dirty. Clean them
(see page 14). The heads are magnetized. Demagnetize them (see page 14).
15
Page 16
Additional Information

Specifications

System

Recording system
4-track 2-channel stereo
Wow and flutter TC-KA6ES TC-KA3ES
±0.05 % W. Peak (lEC) ±0.04% W. Peak (lEC)
0.025 % W. RMS (NAB) ±0.07 % W. Peak (DIN)
0.022% W. RMS (NAB) ±0.065% W. Peak (DIN)
Fast winding time (approx.)
90 sec. (with Sony C-60 cassette)
Bias
AC bias
Heads Head (x1)
Erasing Recording Playing
Motors
TC-KA6ES
S&F SD SD
TC-KA3ES
S&F LA
LA
Capstan motor x 1 (direct drive linear torque BSL motor) Reel motor x 1 (DC motor)
Assist (mechanism drive) motor x 1 (IXl motor)
Signal-to-noise ratio (at peak level, weighted, and with Dolby NR off)
Type I tape, Sony Type 1 (NORMAL): 57 dB Type II tape, Sony Type II (HIGH): 59 dB Type IV tape, Sony Type IV (METAL): 61 dB
S/N ratio improvement
Dolby NR on
Approximate values
B 5 dB at 1 kHz, 10 dB at 5 kHz
C 15 dB at 500 Hz, 20 dB at 1 kHz
s 10 dB at 100 Hz, 24 dB at 1 kHz
Harmonic distortion
Tape type
Type I tape
TC-KA6ES
TC-KA3ES
0.47«, (160 nWb/m 315 Hz, 3rd H.D.)
Sony Type 1 (NORMAL) Type IV tape
Sony Type IV (METAL)
Frequency response (Dolby NR off)
Tape type
Type I tape Sony Type I (NORMAL)
Type II tape Sony Type II (HIGH)
Type IV tape Sony Type IV (METAL)
1.5% (250 nWb/m
315 Hz, 3rd H.D.)
TC-KA6ES
20 - 17,000 Hz (±3 dB, lEC)
20-19,000 Hz (±3dB, lEC)
20-21,000 Hz (±3 dB, lEC)
20-16,000 Hz (±3 dB, -4dB recording)
1.3% (250 nWb/m 315 Hz, 3rd H.D.)
TC-KA3ES
15 -17,000 Hz
(±3 dB, lEC) 15 - 20,000 Hz
(±3 dB, lEC) 15 - 22,000 Hz
(±3 dB, lEC)
15-16,000 Hz (±3 dB, ^dB recording)

Inputs

Line inputs (phono jacks)
Sensitivity: 0.16 V Input impedance: 47 kilohms

Outputs

Line outputs (phono jacks)
Rated output level : 0.5 V at a load impedance of
47 kilohms
Load impedance : Over 10 kilohms
Headphones (stereo phone jack)
Output level: 0 - 3 mW at a load impedance of
32 ohms

General

Power requirements
Where purchased
Power requirements
U.S.A. and Canada 120 VAC, 60 Hz Europe Other countries
220 - 230 V AC, 50/60 Hz 120, 220 or 240 V AC adjustable.
50/60 Hz
Power consumption
30 w
Dimensions (approx.) (w/h/d)
430 X 135 X 360 mm (17x 5 ’/a x 14 ’/r inches)
inch projecting parts and controls
Mass (approx.)
7.6 kg (16 lbs 13 oz)

Supplied accessories

Audio connecting cords (2) Remote commander RM-J701 (1)*
Sony batteries SUM-3(NS) (2)*
’ Canadian model only
Design and specifications are subject to change without notice.
16
Page 17

Glossary

AMS
Automatic Music Sensor. A function that locates the beginning of a track by detecting a blank space of over 4 seconds between tracks.
Additional Information

Memory Backup

Function for storing tape deck operating parameters after the
power is turned off. The memorized parameters are: — linear counter and counter memory parameters — MPX HLTER, Dolby HX PRO and MONITOR settings. To reset parameters to their original factory settings, turn on the tape deck while holding down both RESET and O REC MUTE.
ATS
Automatic Tape Selection. The tape deck automatically sets the appropriate equalization characteristics and bias current according to the tape type inserted in the deck.

Bias calibration

Adjustment for optimum recording. You can get better recording results with minimum distortion and flat frequency
response by adjusting the bias current to the appropriate level.
Lowering the bias current can boost high-frequency response, but also cause higher distortion. On the other hand, raising the bias current can minimize distortion, but also reduce high­frequency response. To balance both the bias current and high­frequency response, it is necessary to adjust the bias current appropriately. However, to suit your taste, you can also adjust the bias current as you want.

Output

level

Dolby HX PRO system

Distortion and noise reduction system. The Dolby HX PRO system reduces distortion and noise in high-frequency response while recording. A tape recorded with this system brings the same high-quality sound even when you play the tape on the other tape decks..

Dolby NR (noise reduction) system

Noise reduction system for eliminating hissing noise. The Dolby NR system boosts the low-level signals in high frequency during recording and restores them during playback. There are 4 types in the Dolby NR system: A, B, C and S. A-type is for professional use (not available on this tape deck), and B, C and S-types are for consumer use. S-type has the maximum noise reduction capability, followed by C and B.
Dolby NR

MPX filter

Multiplex filter. A filter for eliminating the f 9-kHz stereo carrier and the 38-kHz sub-carrier signals that may impair the Dolby NR system. Usually the tuner has an MPX filter. If you cannot get a satisfying result when recording FM broadcasts with Dolby NR system, your tuner does not have a filter or the filter is not working. In this case, set the MPX FILTER switch on the tape deck to ON.

Recording equalizer calibration

Adjustment for optimum recording. Use the REC EQ control to adjust the equalizer to suit your taste. Turning the control clockwise emphasizes the high and middle frequencies; turning the control counterclockwise reduces the high and middle frequencies.
dB

Output

level

Hz

Recording level calibration

Adjustment for optimum recording. Even when you have adjusted the recording level correctly, the playing level might turn out to be low depending on the tape used. By adjusting the recording level calibration, you can compensate for the low recording level. When you record on a tape with the Dolby NR system, this function works more effectively.
dB
Output level

Tape counter

A display element that shows the elapsed recording or playing time as a digital readout. Since the counter is not a digital clock, the displayed value will differ slightly from the actual elapsed recording or playing time. The counter value also includes the length of the leader tape.

Test tones

15-kHz, 3-kHz and 400-Hz signals produced by the tape deck when you do the bias, recording equalizer and recording level calibration.
17
Page 18
pp

Index

Adjusting
recording balance 5 bias calibration 10 recording equalizer calibration
10
recording level 4 recording level calibration 10 volume 6
AMS 9,17 ATS 10,17 Auto play 9 Automatic Music Sensor. See AMS Automatic Tape Selector. See ATS
B,c
Balance 5 Bias calibration 10,17 Cassette. See Tape Checking the remaining time 5 Cleaning
cabinet 13 heads and tape path 14
Connecting. See Hookups Counter. See tape counter

D, E, F, G

Demagnetizing the heads 14 Dolby HX PRO system 5,17 Dolby NR system 5, 6,17
Glossary 17

H, I, J, K

Heads
cleaning 14 demagnetizing 14
Hooking up the system 7 Hookups 7 Insert
batteries into the remote 7 blank space 11 cassette 4,6
P,Q
Playing
a tapie 6 auto play 9 memory play using a timer, playing
Precautions 13
Recording
equalizer calibration 10,17 level cahbration 10,17 on a tape 4 using a timer. See Timer
recording Record muting 11 Remaining time 5
Searching. See Locating Specifications 16 Synchro-recording 12
Tape
counter 5,9,17 notes 13 path cleaning 14 protect the recording 13
type 4,6,13 Test tones 10,17 Timer
playing 9
recording 12
Troubleshooting 15

U, V, W. X, Y, Z

Unpacking 7
9
See Timer

Names of Controls

Buttons
CALIBRATION 10 CD SYNCHRO STANDBY 12 CD SYNCHRO START 12
CD SYNCHRO STOP 12
HX PRO 5 MEMORY 9 MONITOR n
MPX (multiplex) HLTER 5
RESET 9
IKK / W>il (AMS) 9
/►W CD (CD AMS) 12
t (rewind) 6,9
(play) 4,9,10
■ (fast-forward) 6
^ OPEN/CLOSE 4 - 6
■ (stop) 5,6
II PAUSE 4-6 II CD (CD pause) 12
O REC MUTE (record muting)
11
# REC (recording) 4,10
Switches
DOLBY NR (noise reduction) 5,
6
POWER 4,6,14 TIMER 4, 6,9,12
Controls
BIAS 10,17 PHONES LEVEL 6 REC (recording) EQ (equalizer) 10,17 REC (recording) LEVEL 4 REC (recording) LEVEL (for calibration) 10,17
Jack
PHONES 6
Others
Cassette holder 4,6
18
Locating
beginning of the tape 9 particular point 9 tracks 9

M, N, O

Memory backup 17 Memory play 9 Monitoring sound 11 MPX filter. See Multiplex filter Multiplex filter 5,17 Noise reduction 5,17 Notes on cassette tapes. See Tape notes
Page 19
SONY
INFORMATION
This equipment has been tested and found to comply with
the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
- Reorient or relocate the receiving antenna.
- Increase the separation between the equipment and
receiver.
- Connect the equipment into an outlet on a circuit different
from that to which the receiver is connected.
- Consult the dealer or an experienced radio/TV techiucian
for help.

TC-KA6ES/ TG-KA3ES

CAUTION
You are cautioned that any changes or modifications not ex pressly approved in this manual could void your authority to operate fiiis equipment.
©1995 by Sony Corporation Printed in Japan
0-498-129-01
Loading...