Sony TC-KA1ESA User Manual

Page 1

SON^

3-656>131-21(1)
Stereo
Cassette Deck
Operating Instructions
TC-KA1ESA TC-KE500S
1996 by Sony Corporation
Page 2
I
To prevent fire or shock hazard, do not expose the unit to rain or moisture.
To avoid electrical ¡(hock do not open the cabinet. Refer ser^'tcing to qualified personnel onlv.

FOR THE CUSTOMERS IN THE UNITED STATES

A
This symbol is inter>ded to alert the user to the presence of unirtsulated "dangerous voltage" within the proifuct's enclosure that may be of sufficient magnitude to constitute a risk
of electric shock to fvrsons.
A
ThU Symbol is intende<.( lo alert thè user lo thè preM*nce of ini^xui.int o|.vrating^ and maintenanre (scrvit-ing) insliuctioris in thè literature arcompanving thè appli.iru'e.
Owner's record
The model and serial numbers are loc.itrtt on the rear of the unit. Record the Si'rial number in the space provided below. Refer to lhe.se numbers whenever yoti call ufx>n ymirStiny dealer regarding this product-
XUxIvI \o. avK.vi.rv-.viic-Kti*ùos '♦ri.rf \,._______________

INFORMATION

This equipment has been tested and
found to comply with the limits for a
Class B digital device, pursuaitl tu Part
15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful
interference in a residential installation. This equipment generates, uses, and can
radiate radio frequency ersergy and. if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encourageai to try to correct the interferertce by orw or more of the following measures: — Reorient or relocate the receiving
antenna.
— Irtcrease the separation between the
equipment and receiver.
— Connect the equipment into an outlet
on a circuit different from that to which the receiver is connected.
— Consult the dealer or an experienced
radio/TV technician for help.
CAUTION
You are cautioned that any changes or modificniions not expressly approved ir this manual could void your authority to operate this equipment.

Welcome!

Thank you for purchasing the Sonv Stereo Cassette Deck. Before operating the unit, please read this manual thoroughly and retain it for future reference.
t he TC-KAIESA and TC-KE?liOS are provtdeil with an FET input PB amplifier which enables higher quality sourni output. (For details on the FET input PB amplifier, see "Glossary" on page 15.)

About This Manual

The instructions in this manual are for models TC-KAlESA and TC KE300S All illustrations in this manual show the
TC-KE500S. Please note the following distinguishing features of each model:

TOKA1ESA

• Is for sale in the U.S.A. and Canada.

TC-KE500S

• Is for sale in the U.S.A.. the U.K., all European countries. Australia, and other amntries.
Conventions
• Instructions in this manual desi-ribe the controls on the deck.
• llie following icon is iistsl in this manual:
Indicalc.s visefui information or ti(>s that make a task easier.
Page 3

Table OF CONTENTS

Getting Started

Unpacking 4 Hooking Up the System 4

Playing a Tape s Recording on a Tape e

Advanced Playback Operations

Locating a Track (Multi-AMS/Auto Play/Memory Play) 8

Advanced Recording Operations

Adjusting Bias and Recording Level Calibration 9 Monitoring the Recorded Sound 10 Inserting a Blank Space During Recording (Record Muting) 10

Additional Information

Precautions 11 Notes on Cassette Tapes 11 Cleaning 12 Troubleshooting 13 Specifications 14 Glossary 15
Index Back cover
Page 4
Unpacking
Check that vou have receiveii the tollowin^ .supplied item:
• Audio connecting; cords (2)
To connect your tape deck to another tape deck
Cimnecl both tape decks as shown belou'.
Tape deck Another tape deck
LINE
IN-©OUT
LINE
IN
,-t^
OUT

Hooking Up the System

This section describes ho\c to hook up the tape deck to an ampliiier. Be sure to turn oft the power of each component before making the connectiorts.

TC-KA1ESA/KE5<iOS

Hookups

When connecting an audio connecting C(>rit be sure to match the color*ci*ded cord to the appn*pfiate jacks »>n the components: Red (right) to Red and White (left) to While. Be sure to make contu'ctions firmiv to avoid hum and noise. Connect the tape deck to the amplifier a.s shown below.
Tape deck Amplifier
tSignal flow

Setting the voltage selector (only on models supplied with a voltage selector)

Check that the voltage selector on the rear panel of the tape deck is .set to the local power line voltage. If not, set the selector to the correct position using a screwdriver before connecting the AC poiver cord to an AC outlet.

Connecting the AC power cord

Connect the AC pi>wer cord to an AC outlet.
Where do I go next?
Nine yniiVf roi.lv h* list’ vi»iir ta/N- doV.
For /•itstV opi'nitions. A' jhiv’c'S 5 to 7: for luhninTii,
ofh'nitiooy, fo tJii’ .SiVlintis sirtrfiH\’/ri>Mi S.
Page 5
Basic Operations

Playing a Tape

2
SOKY
I I-:-
Г" _ jl
c
D Ф Ф :
ji'liP' Ф Isjr''
i
3 о cfb
C
• St* pagt 4 for hookup
information.

To play a tap« rtcerded with the Oolby NR* system

Turn DOLBY \R hi iW IX>(by system thi\t the tape « as rccorUeU in—B, C. or S. Пеа«* note ll\a( the B. C. and S scttin|;s on bt>th sides are idvnlica) during playback since the MP\ tiller o^vralcs only during recording.
You can connect the
headphones to PHONES.
IV>lbe lU'iM* revluciion m.iiml.wtuied liiiJOi licen^-e lr«*m Ik-Jbv i .»K'r.Uones
I iceibing
■'IHB.IIY" and the douhle P svmbol IS are trademarks of IHdby Utbt>raU>rii*s Licensing <’or}4»ralion,
Turn on the ampUfier and select the tape deck position.
1
2 Press TOWER, and then press & EJECT.
insert a cassette and close the cassette holder.
"TAPE" and the tape type (I, ll, or IV) appear in the display.
Do not prtss POWER or ^ EJECT while the tape deck is
operating. If you do so, the tape may be damaged.
To Press Stop playing
I\ni4‘
FaiU-torwnrd or rewind Increase the tape fast-forward or rewind ►► or again dtiring fast-forwarding
speed Take out the cassette
■ II I'AUSE. Pri’s.s iho button again to •
ri*sume v'lay. ►► or whc‘n the deck is stopped
or rewinding
F|ECT after stopping {.Maying
Page 6
Basic Operations

Th* Dolby HX PRO* system automatically works during racording

You can check how much blank remains on the tape
1 Locate the end of the
recordetl {portion on the ta^v.
2 Press RESET to reset the
la^v counter to "0.t)0."
3 Press ►► to iasl-ione.ird
IIm' tape to its end. The tape otimter shmcs the approximate amomil of rimuinin^ titm.
g Start playing the program
To
source.
Press
Stop recording ■ Pause
II PAUSE Press the button again to
resume recording.
Take out the cassette & EJECT after stopping recording
o
>9 (
cz
OOtIV NN NALANCE
1 C=i3
ED ES
à
B

tape counter

t—i
To adjust the recording balance
Turn balance so that the L (left channel) and R (right chanrtel) peak level meters in the display are at the levels you want.
To record with the Dolby NR system
Turn DOLBY NR clockwise to the position you want (B, C. or S) before you start recording.
If you cannot get satisfying results when recording FM broadcasts with Dolby NR system
Turn DOLBY NR counterclockwise to the position you want (B, C, or S with MPX FILTER) before you start recording. The filler turns on to make the Dolbv NR system wori; more effectively. "FILl HR" appears in the display. (For details on the MPX filter, see "Clossary” on page 15.)
HX Pro headroom extension originak-d by Rand 4c Olutsen and ni.>nufacliir«\l under |ia*ns< from I»olby I atv'r.iiori»'« I icen-iing forpoiMiinn.
TKR in.- diedooNe-Ds
llland llXPUO' an­trademarks nt Dolin' l.abor.ilories Licensing Corporation.
ImrdelaiUoi MV ”ClkV!s.it»
IXM.IIYMX PKCT
“ on page IS.
tnl-*ol
Page 7

Locating a Track (Multi-AMS/ Auto Play/Memory Play)

You can locate the following/previous tracks (Multi* AMS: Automatic Music Sensor) or the beginning of a tape quickly. You can even locate a specific point anywhere on a tape.
MSn MIMORY

What happens during Multi-AMS operation

when Multi-AMS is operating, "PLAY” appears. And eaih time the deck detects a blank space, the indicated number decreases by one. After locating the beginning of the specified (rack, the counter indication appears again and the deck starts playing the track.

^: Beginning of track

-M[;] ►►[;) w[ai

Tg locate the beginning of (he next
or succeeding tracks (Multi-AMS*)
the beginning of the current track (Multi-AMS*)
the beginning of the preceding tracks (Multi-AMS*)
the beginning of a tape (Auto Play)
a particular point on a
tape (idemory Play)
You can use the Multi-AMS io locate up to the .KHh (rack after or before the current track.
Press ►O' as Rtany limes as you
want while piaying­For example, to locate 2 tracks ahead, press twi^.
^ once while playing
^ as many times as you want while playing. For example, to locate 2 tracks behind, press three times.
MEMORY repeatedly until "ME.MORY" disappears in the display. Then press'^4 while holding down t>.
MEMORY repeatedly until
”MEMORY” appears in the display.*Find the point you want, and press RESET (o reset the tape counter and to memoriae the point. To l«ate the memorized pi>int, press while holding down (Press only to stop at ”0.00.'')
Previous track
Notes
• The Multi-AMS function may not work correctly if: — the blank space between tracks is less than 4 seconds
long.
— the signal strength of the left and right channels are
very different.
— there is a passage of low frequencies or very low
volume within a track.
• Since the counter is not a digital clock, it will differ from the actual elapsed playback or recording time.
Current track
Next track
Page 8

Adjusting Bias and Recording Level Calibration

Since theTe*aTe many different t>'pes of c«\ssettes on the market, the tape deck automatically sets the
appropriate equalization characteristics arvd bias current for each tape type (ATS; Automatic Tape Selection). However^you can get better recording results b>' adjusting^ bias current and recording le\ el calibration.
CAUMUTION BUS REC LEVEL
IIMUSE «REC
1 Insert the cassette you w'ant to recordon. •
2 Press CALIBRATION.
The display for adjusting the bias current and recording level calibration appears.
n
3 Pn>s5«RF.C.
Press II PAUSE or C> to record the test tones. (You can't hear the test tones.) After two or three secvwds, the meters showing the level of the test tones appear in the displav. Tl>en adjust, in sequence, the bias atrret\t and recording level calibtation.
Adjust BIAS so that b*>th meters indicate equal signal levels. If the upper meter shows a higher level than the lower meter, turn BIAS clockwis*.*.
If the li»wer nu’lor shim s a higher le\ rl tlun the
upy>er nwter, turo BI/\ScounUrdockwi>e.
6 Adjust REC LEVEL so that both meters reach the
recommended level. Turn REC LEVEL ckKkwise to increase both meters. Turn REC LEVEL countercltKkwise to decrease tKith meters.
Rtcommendad level
Repeat steps 5 and 6 if necessary.
7 Press ■. then press CALIBRATION to stop
recording the test tones. The display returns to normal.
8 Rewind the tape and .start the actual recording.
V can also adjust the bias current and recording
level calibration according to your own taste
For dclaiU, see page IS.
Notes
• Because the meters use a wider amplitude during tape calibration, they are more sen.sitive to slight changes in signal level.
• When you use metal (tyj,M- IV) tapes, the I'ret^uencs’ respitnse to adjustments of the bias current is small. Xheretore, adjusting the bias current with the range of this tap*' deck (a range of abiUtl ±20".) may n«)t Iv effective.
Equal signal level
Page 9
Advanced Recording Operations

Monitoring the Recorded Sound

• You cnn compare the quality oi the recorded sound with the sound of the program source while recording.
ll ' l:l CD IrìrtcrrTl
While recording, press MONITOR repeatedly until "TAPE" appears in the disf^ay. You can monitor the sound being recorded.
To listen to the sound of the progiam source
Press MONITOR repeatedly until "SOURCE'* appears in the display.
,--------------1
o <D ^
A e c
)
Inserting a Blank Space During
Recording (Record Muting)
You can insert a blank space of 4 seconds between each track. The blank spaces between tracks let you locate the track easily with the Mu)ti*AMS function (see page
8). Also, use this function to eliminate only unwanted portions on the tape.
I— -I
n;|
|i—^
lieAUSf ONtCMUn
1 Start recording.
2 Press O REC MUTE once when you want to
insert a blank space. "REC" in the display starts flashing and the tape moves on without recording any signals. After 4 seconds, "II" lights up and the tape deck is now ready to resume recording.
3 Press II PAUSE or to resume recording.
To insert a blank space longer than 4 seconds
Hold down O RF.C MUTE as long as you want. After 4 sei.’orkis, "REC“ flashes faster. When you release the O REC MUTE, "II" lights up and tlw tape deck is ready to resume recording. Press II PAUSE or C> to resume recording.
*=» • it» /f*\
èm 9 \J
Bl Ò c±)
' To Insert a blank space of less than 4 seconds
After pressing O REC MUTE, press II PAUSE at any time. Tlie deck changes to recording pniise. I'o resutvie recording, press # REC instead of II PAUSE.
10
Page 10
Precautions

Onsaftty

• Do not dismemble the c<ibinet — this may resuit in an electrical shock. Refer servicing to quaUfied personnel only.
• should any solid obfecl or liquid iall into the cabinet, unplug the tape deck and have it checked by qualified personacLhefore operating it any further.

Notes on Cassette Tapes

To protect the recording

Break off the rea>rd-protect tab for side A or B.

On power sources

• Before operating the tape deck, check that the operating voltage of the tape deck is identical with your local power supply. The operating voltage is indicated on the nameplate at the rear of the tape deck.
» The unit is not disconnected from the AC power source
(rnains) as long as it is connected to the wail outlet, even if the unit itself has been turned off.
• If you are not going to use the tape deck for a long time, be sure to disconnect the tape deck from the wall outlet. To disconnect the AC power cord (mains lead), grasp the plug itself; never pull the cord.
• AC power cord must be changed only at the qualified service shop.

On operation

• Because of a safety mechanism, the function buttons u'ill not cerate if the cassette holder is not completely closed, if there is no cassette in the cassette holder, or if a cassette has been irKorrecily inserted into the cassette hedder.
• Be sure to slop the tape before turning olf the tape deck. Otherwise, the tape may be damaged.

On plactment

• place the tape deck in a location with adequate ventilation to prevent heat build-up in the tape deck. «
• Do not place the tape deck; — on a soft surface such as a rug that might bU>ck the
ventilation holes on the bottom.
— in a location near heat sources.
in a place subject to direct sunlight.
— in an inclined position.
in a place subject to excessive dust or mechanical shock.

On deaning th« tape deck

Oean the cabinet, panel and controls with a Si>ft cloth slightly moistened with a mild detergent solution. Do not
use any type of abrasive pad. scouring (x>wder or stilvent
sui*h as alcohol or ben/ino.
If you have any questions or problems conceriting vt*ur t.ipe deck, please con.sult ytntr m*aix*sl St*nv dealer.
Tab for side B

To record on a tape having a broken tab

Cover the record-protect lab hole For side A or B with adhesive (ape.
When you are using a type II or type IV ta^ie, K* careful not to cover the detector slots that the deck uses to determine the type.
Typo II TypalV

Tab for side A

I oc—ae \ j e»c=ie \

Datector slots Detector slots

On tapes longer than 90 minutes

We do not recommend the use of longer than W minutes except for a long continuous recording or phiyb.uk. They are very thin and temi to bo stretched easily.

On handling cassettes

• To prevent the Iwads and tap»* path from getting dirty, avoid touching the tape surface of a c.issette.
• Place cassettes away from equipment with magnets, suih as speakers and amplifiers; it may cause tape distortion or erase the recordings.
• Oo not expose cassettes to direct sunlight, exlawely cold temperature or nuiislure.

for the customers in the U.S.A.

For detailed safety precautions, see the leaflet “IMPORTANT SAFEGUARDS.“
.11
Page 11
Additional Information

Cleaning

(nsMt of tht casMttt holdor
Capsu
nr-
r
1
Recording hoad_. ,
Erasin
nayint
ghoad Mm

Cleaning the heads gnd tape path

Dean the beads and tape path of the tape deck after every 10 hours of operation to guard against:
• a decrease in sound level
• excessive wow or flutter
• sound dropout
• incompleteerasure To ensure better recording, we rea>mmend th<nt you clean the heads and tape path before e\’cry recording.
1 Press & E|ECT to open the cassette holder. 2 With the tape dock turned t'ff, wipi’ the heads, the
pinch roller, and the capstan with a cotton swab slightly moistened with alcohol or a commercially available cleaning fluid for tape decks. Do not insert a cassette until the cicanevi areas are completely dry.

Demagnetizing the heads

After 20 to 30 hours of use. or when you notice a hissing sound or loss of high frequencies. demagneti7e the hccvls with commerciallv available demagnetizer for ta^x' dc*cks. Please refer fo the instructions i»f the *iet«agneti/er.
1 head * roller-^
1
12
Page 12

Troubleshooting

expt»rii’nci*d dn\’ i»i the following while u$ing>#he lope deck, use this troubleshi>oting guide to help vv»u remedy the problem. Should arry problem persist, consult your nearest Sony dealer.

The functjpn buttons do not work.

^ The tope deck has just Iven turned on and does
not operate tor about 3 seconiis. Wait until “II” stop's Hashing. Check that the cassette is inserted correctly and the cassette holder is closed completely.

The tape stops before the tape has been fully rewound.

^ The tape is slack. Take up the tape stack.
If "ME.VIORY" is shown in the display, press MEMORY repeatedly until the indication disappears. The cassette shell is bent. Use anotlier cassette.

The tape deck does not play or record.

^ Tlw tape has reeled to the et>d.
The tape is slack. Take up the lafS* sla4*k.” The record-pn'tect tab ha* Invn removed fri»m the cassette. Cov er the slot with tape (page 11). Clean the heads and tape path and demagnetize the heads (puge 12). Che^'k that the tape deck j* properly connected (page 4».
^ Make sure the ainp'lifier is correctly set.

There is excessive wow, flutter, or a sound dropout.

^ The cap>stans and pin« h rollers arc dirty Clean
thennss*e page 12|.
Additional Information

The MuKhAMS fuiKtion does not work properly.

^ One of the tracks contains a long pause, a
passage of lo«v frequencies or ver\' low volume, or a gradual increase or decreace in %'olumc.
^ The space before a track is less than 4 seconds
long. Insert a blank space of 4 seconds using O RECMUTE button. The signal strength of the left and right channels are very different. There is noise in the space before a track. You pressed ►► button immediately before the next track, or ^ button immediately after the beginning of the current track.
There is a decrease in sound level or a sound dropouti
The tape does not erase completely.fNoise increases.
^ The iveads and tapv path are dirty. Clean them
(.4*0 page 12)
■Ф The Iwads are magiwtized. IVmagnetize llwm (see page 12).

There is hum or noise.

^ The lapx* deck is placed near a TV or VCR.
Place th*‘ tape divk awav fr«>m the ТЛ' or VCR.
^ 1 he lapx* di4'k is р1а«чч1 «>n or under the
.implitier I'l.we ;!\e t.ipx- d«« к .ov.iv Irom the .implith-r

There is an unbalanced tone.

Cbi4-k ih.U the IXH.BY \R control is >ct to the
;x»silion where the tape was record«4l.
^ The tapx* deck is placed near .> TV or \'CR.
Пасе the tape deck awav fri'in the T\' «’r VCR.
13
Page 13

Glossary

ATS
Autumatic Selection. The tape deck aulomAticallv iVts the appropriate equ.'tlization characteristics and bias current according to the tape type inserted in the deck.

Bias calibration

Adivtstmcntlor optimum recording. You can get belter Tecordirtg results with minimum distortion and tlM
frequency response by adjusting the bias current to the
appreciate level. Lowering the bias current can boost high-
frequency response, but also cause higher distortion. On the other hand, raising the bias current con minimize distortion, but also reduce high-frequency response. To balance both the bias current and high-frequency response, it is necessary to adjust the bias current appropriately. Howet'er, to suit your taste, you can also adjust the bias current as vou want.

Dolby HX PRO system

DistM’tirm and noise reduction system. The Dolby MX PRO system reduces distortion and noise in high-frequency respoase while recording. A tape recorded with this system brings the some high-quality M>und even when you play the tape on the other tape decks.

Dolby NR Inoise reduction) system

.Voisv ri\iuctii>n system for eliminating hissing noise. The Dolby N'R system boosts the liuv-levcl .signals in high fre^juency during reconting and restores them during T
playback. Tho'e ate 4 types* in the Dolby \R system; A. R, C and S
A-type is for professional use (not available tm this tape
decki, and B. C and S-tvpes are for consumer ctse. S-lype has
the nuiximum noist.' retluction capiibilitv. folttm(*d bv C an*t
Additional Information

MPX filter

Multiplex niter. A Alter for eliminating the ]9-kHz stereo carrier and the 38-kHz sub-carrier signals that may impair the Dolby NR system. Usually the tuner has an MPX filter. If you cannot gel a satisfying result when recording FM broadcasts with Dolby NR system, your tuner does not have a hlter or the filter is rtot working. In this case, turn the DOLBY NR switch countercoickwise to the position you want (B. C, or S with .MPX FILTER).

Multi-AMS

Multi-Automatic Music Sensor is a function that locates the beginning of up to 30 tracks before or after the current track by detecting a blank spare (of over 4 seconds) between tracks.

Recording level calibration

Adjustment for optimum recording. Even when you have adjusted the recording le\'el correctly, the playing level might turn out to be low depending on the tape used. By .idju.«ling the recording level calibration, you can compensate for the low recording level. When you record on a tape with the Dolby NR system, this function works rhore effectively.
Output level

FET input PB amplifier

Ibe FI- r input PB amplifier is a l ircuit that is }H*silioned
beuetvn the playing he.nl and the op«'rational amplifier.
Unlike conventional amplifier circuits, which requite a low
noise, mi-ilium-quality o|vr.iiionai amplifier becau.se of il.s
dinvt link with the playing head, the noise-free .signal that
the I- FI input PR amplifier provid«*s eruibles the u.st* of a
lujUter quality iqs-TAtivMv^l amplifier, .uvl more natural
Nt>undiiig out pot.

Tape counter

A display element that shows the elapsed recording or playing lime as a digital readout. Since the counter is mu .t digital ckH-k, the displayed value will differ slightly from the actual elapsed recording or playing lime. The counter v.ilue also includi-s the lengtli *U the leader tape.

Test tones

l.^-kHz, t-kHz ami 400-Hz signals produc»\l by the tape deck when you do the bias and recording level calibration.
15
Page 14

index

Adjusting
bias calibration 9 recording balance 7 recording level 6
recording level calibration 9 ATS 9,15 Auto play 8 Automatic Music Sensor. S«v Multi-AMS Automatic Tape Selector. Sir ATS
Balance 7 Bias calibration 9,15
Calibraticm 9, 15 Cassette. Sec Tape Checking the remaining time. S(V Remaining time Oeaning
cabinet 11
heads and tape path 12 * Connecting. See Hookups Counter. Stf Tape counter
D,E
Demagnetising the heads 12 Dolby HX PRO system 7,15 Dolby NR system 5,7,15
FET input PB amplifier 15
Heads
cleaning 12
demagnetizing 12
HiK>king up the system 4 MtK)kups 4

u, K

insert
blank space 10 cassette 5. 6
M
Memory plav 8 Monitoring sound 10 MPX filter. S<v Multiplex filler Multi-AMS 8.15 Multiplex filter 7. 15
N,0
Noise reduction 7,15 Notes on cassette tapes. Sev Tape notes
P.Q
Playing
a tape 5
auto play 8 memory play 8
Precautions 11
Recording
level calibration 9,15
on a tape 6 Record muting 10 Remaining time 7
Searching. Stv Lcnrating Specifications 14
. Tape
counter 7,8,15 notes II path cleaning 12 protect the recording 11
type 5. 6. 11 Test tones 9.15 Troubleshooting 13

u, V. w. X. Y. z

.Unpacking 4
Names of Controls
Buttons
CALIBRATION 9 MEMORY 8 MONITOR 10 RESET 8
AMS 8
(rewind) 5, 8 I>(play) 5,6,8-10 ►► (fast-forward) 5. 8 6 EJECT 5-7
■ (stop) 5, 7 II PAUSE 5 - 7.10 OREC MUTE (record muting)
10
# REC (recording) 6,9
Switches
DOLBY NR (noise reduction) 5, 7
POWER 3,6
Controls
BALANCE 7
BIAS 9 REC (recording) LEVEL 6, 9
Jack
PHONES 5
Others
Cassette holder 5. 6
l.itcaling
bi‘ginning of the tape 8 particular pt>int 8 tracks 8
Sony Corporation PmiMi in Maiayaia
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