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4K Digital Cinema Projectors
SRX-R220/SRX-R210
Media Block
LMT-100
Screen Management System
LSM-100
Page 2
The Combination of “4K” Visuals With a 2000:1 Contr
Enclosure Provides a Desirable Solution for the Digital
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Cinema Age.
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Sony is proud to introduce an ultra-high-resolution projector system designed specifically for
digital cinema applications.
This projector system consists of the SRX-R220/SRX-R210 Digital Cinema Projector, the LMT-100
Media Block, and the LSM-100 Screen Management System, which are used with peripheral
equipment such as RAID (Redundant Arrays of Inexpensive Disks) storage, an SMS Server, and an
Uninterruptible Power Supply system.
The core component of this system, the SRX-R220 and SRX-R210 projectors, are equipped with
three Silicon X-tal Reflective Display (SXRD™) imaging devices, delivering an amazing resolution
of 4096 x 2160 pixels (H x V) - more than four times the resolution of full HDTV (1920 x 1080,
16:9 widescreen format). The SXRD devices also provide a SMPTE-standard brightness level:
14 ft-L* on a 20-meter (65.6-foot) wide screen for the SRX-R220 and a 17- or 14-meter (55.8- or
45.9-foot) wide screen for the SRX-R210**, along with a high contrast ratio of 2000:1.
One of the major characteristics of these projectors is their enclosure design, which can
accommodate additional necessary components into their body, such as RAID storage and a
power management system. This self-contained design realizes a high security level that meets
the SPB-2 anti-tamper regulation stipulated by the Digital Cinema Initiatives, LLC (DCI). It also
provides significant space-saving benefits when installing the projectors.
Various optional lenses are available for the SRX-R220/SRX-R210 projector, which enables it to
be used in a wide variety of theatres with many different throw distances.
The other important components of this projector system are the LMT-100 Media Block and
LSM-100 Screen Management System which, in combination with the SRX projectors, establishes
a highly secure digital cinema projection
system. The LMT-100 Media Block is a
digital cinema server that can play back
DCI DCP (Digital Cinema Packages)
files. The LSM-100 Screen Management
System provides a variety of screen management
operations such as show scheduling,
communication with other theatre control
systems like lighting and curtains, and control of
the SRX projectors and Media Block. Moreover,
this software also has various functions to help
prevent illegal copying, such as the monitoring
of cavity security sensors on the enclosure,
security key management, and diagnostic log
management of security events.
With extremely high resolution, high-quality
color tonal reproduction resembling film, and
outstanding security, the Sony digital cinema
projector system based on the SRX-R220/
SRX-R210 4K projector is an ideal solution for
digital cinema applications.
* Measured at the screen center of a full pixel size (4096 x
2160) projection with 100 IRE white and a screen gain
of 1.8. A ft-L (foot-lambert) is a unit of measurement for
luminance. One foot-lambert equals 3.4262591 candelas
per square meter.
** Tentative
Display Not Included
Page 4
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System Advantage/Features
4K Resolution
Historically, the movie theatre experience has always
exceeded that achieved by home entertainment systems.
The advent of HDTV (1920 horizontal pixels) and technical
improvements in home theatre equipment have stimulated
the movie industry to think further ahead into the future.
Meanwhile, the Hollywood movie studios have jointly
agreed on standardizing 4K (4096 horizontal pixels) and 2K
(2048 horizontal pixels) as the next-generation digital movie
distribution and projection standards. Creating movies in 4K
protects the future value of the content, and also provides a
significant benefit to the theatre audience.
In recent years, stadium-type seating is becoming
increasingly popular among modern cinema complexes.
By sitting closer to the screen, the audience can enjoy an
immersive visual experience. However, those sitting in the
front rows may witness pixel artifacts when the resolution
provided by the projection system is not sufficient to fill the
screen size. The SRX-R220 and SRX-R210 provide true 4K
output, which reproduces the full detail of 4K content thanks
to the 4K SXRD panels, 4K internal signal processing, and
4K-compatible optical system. Besides, since the
SRX-R220/SRX-R210 provide four times the resolution of 2K
projectors, the visual quality of 2K and HD content is also
improved over those provided by native 2K and HDresolution projectors.
In 1999, Sony introduced a totally new concept for
moviemakers to provide a new higher level of picture
quality, efficiency, and flexibility in production
processes – digital cinema production.
Sony’s new approach was to produce movies in a
high-definition (HD) progressive video format at
24 frames per second using digital video tape media.
This concept, together with the Sony products that
enabled it, was named CineAlta™ – and it has been
embraced by an ever-broadening spectrum of
producers, directors, and cinematographers all over
the world. A large number of movies have already
been produced digitally using CineAlta equipment,
and this will continue into the future.
The recent acceleration of HD has heightened the
need for the best technologies at every point in the
professional production workflow. As a result, Sony
launched “CineAlta 4K” in 2006 – an extension of
the CineAlta brand that currently comprises the
SRX Series SXRD 4K projectors. Sony is also working
to expand the “4K” concept to other Sony
professional equipment, with a longer-term plan to
establish a 4K production workflow.
With Sony CineAlta 4K technologies and equipment,
true 4K digital cinema is a reality.
CineAlta 4K™
Experience the Difference
With True 4K Digital Cinema
Cineplex
(Stadium Seating)
Screen
Traditional theatre
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High 2000:1 Contrast Ratio
The SRX-R220 and the SRX-R210 offer a high contrast ratio
of more than 2000:1* through the use of Sony’s unique
SXRD device. The SXRD imaging device itself achieves a
contrast ratio of over 4000:1.
This stunning picture quality makes the SRX-R220 and
SRX-R210 ideal for applications in which dynamic range is
essential.
The high contrast ratio has been achieved through two key
technologies - the ‘Vertically Aligned Liquid Crystal’ system
and an extremely thin liquid crystal cell gap.
* The contrast ratio is measured from a screen offering a gain of 1.0.
Xenon Lamp Provides Highly Bright
and Pure Light Source
The SRX-R220 provides a high brightness of 14 ft-L* on a
20-meter (65.6-foot) wide screen, and the SRX-R210 provides
the same brightness on a 17- or 14-meter** wide screen
using a Xenon lamp.
A Xenon lamp, standard in all film projectors, provides pure,
superb color tonal reproduction essential to meeting the
stringent requirements of digital cinema. The SRX-R220
utilizes a 4.2 kW Xenon lamp, and the SRX-R210 uses a
3.0 kW** or 2.0 kW** Xenon lamp. These lamps satisfy the
wide color range required for digital cinema by dispersion at
a very flat and wide light spectrum.
* Measured at the screen center of a full pixel size (4096 x 2160) projection with 100 IRE
white and a screen gain of 1.8. A ft-L (foot-lambert) is a unit of measurement for
luminance. One foot-lambert equals 3.4262591 candelas per square meter.
** Tentative
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Variety of High-quality Lenses
Five optional zoom lenses are available for the SRX-R220
and SRX-R210. All lenses utilize very large image circles
that contribute to minimizing the optical vignetting that
typically occurs on projector lenses, and to obtaining the
highest possible values of MTF (Modulation Transfer
Function). With these features, the optical systems of the
SRX-R220 and SRX-R210 have the capacity to reproduce
resolutions higher than 4K, which is necessary to project 4K
contents exactly at 4K-resolution. In addition, these lenses
are designed to minimize chromatic aberrations using Sony’s
accumulated technical knowledge.
Variety of Interfaces
The SRX-R220 and SRX-R210 support a wide variety of
signal formats including the 12-bit X’Y’Z’ signal that is
stipulated in the DCI specification. 10-bit 4:4:4 RGB and
10-bit 4:2:2 YPbPr signal formats are also supported for
playback of other alternative contents.
• Two channels of SRLV which are used for connection to
the Image Media Block (for 4K projection: 4K DCP).
• A dual-link HD/DC-SDI input that accepts any of the
following signals: SMPTE 372M dual-link HD-SDI (4:4:4),
SMPTE 292M HD-SDI (4:2:2), dual-link DC-SDI (RGB 4:4:4),
DC-SDI (YPbPr 4:2:2), or 12-bit (X’Y’Z’ 4:4:4) signals (for
2K projection: 2K ODS (Other Digital Stuff), etc).
• A DVI interface that accepts DVI signals for up to 2048 x
1080 at 60 Hz (for 2K projection: 2K ODS , etc).
LKRL-Z116CLKRL-Z114C
LKRL-Z119 LKRL-Z122
LKRL-Z117
Resolution Remarks
1 1024 x 768 at 60 Hz (XGA) VESA
2 1280 x 960 at 60 Hz (SXGA1) VESA
3 1280 x 1024 at 60 Hz (SXGA2) VESA
4 1400 x 1050 at 60 Hz (SXGA+) VESA
5 1600 x 1200 at 60 Hz (UXGA) VESA
6 2048 x 1080 at 60 Hz (DC)
7 1920 x 1080 at 24 Hz (HD)
8 2048 x 1080 at 24 Hz (DC)
9 1920 x 1200 at 59.95 Hz Reduced Blanking (WUXGA) VESA
10 1920 x 1080 at 60 Hz (HD) EIA/CEA-861B
11 2048 x 1080 at 48 Hz (DC)
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Operational Features
Keystone Masking
To compensate for keystone distortion, which typically
occurs when the projector is not installed directly in front of
the screen, the SRX-R220 and SRX-R210 have an imagemasking function. To determine a position of the masking,
this allows users to set a further two points as well as four
corner point, which is effective when projecting onto a
curved screen.
Zoom/Focus Memory Function
The SRX-R220 and SRX-R210 are equipped with zoom and
focus memory functions that make it easy to switch the
projection between two types of aspect ratios.
When used with the optional zoom lens LKRL-Z114C,
LKRL-Z116C, LKRL-Z117, LKRL-Z119, or LKRL-Z122 , the
zoom and focus positions for 1.85:1 VistaVision™ and
2.39:1 CinemaScope™ can be stored and instantly recalled
via the SRX Controller software. This allows for full-screen
display regardless of the aspect ratio. An electronic vertical
alignment feature is included in the same memory to
compensate for vertical changes in the image should the
projector be mounted at a downwards angle.
Color Space Conversion (CSC)
function
The SRX-R220 and SRX-R210 feature a Color Space
Conversion (CSC) function, which helps users easily adjust
the projector’s color space to that which is defined in the
DCDM (Minimum D-Cinema Color Gamut) or ITU-R BT.709.
The target color gamut parameters required to meet the
DCDM or ITU-R BT. 709 standards can be automatically
calculated from settings on the supplied SRX Controller
software, and then applied to the projector. The internal test
generator simplifies adjustment and lets the operator align the
projector in minutes.
12-bit LCD Driver
The SRX-R220 and the SRX-R210 utilize a 12-bit imager
driver for reproducing extremely natural images.
Gamma Curve Selection
The SRX-R220 and the SRX-R210 provide three preset
gamma curve values. Users can select an optimum value
from 1.8, 2.2, and 2.6 according to the desired color tone.
Squeeze Mode Function
The SRX-R220 and SRX-R210 allows squeezed images (16:9
or 1.896:1) to be changed to 2.39:1 un-squeezed images.
This can be done electrically without an anamorphic lens,
and be activated by the SRX Controller software.
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Select four corner positions to mask the area outside the perimeter.
Masked area
For curved screens, select two positions at the apex of the curve,
one at the top and one at the bottom of the screen.
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Easy Maintenance
Special consideration was given to maintenance issues in the
development of the SRX-R220 and SRX-R210 projectors.
No cumbersome adjustments are required after replacement.
The supplied setup software is a convenient tool for
maintenance. This allows operators to easily verify a lamp’s
operating time. Automatic email alerts from the projector
provides operators with maintenance reminders as well as
error messages.
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Easy Setup on a PC Using Supplied
Software
The SRX-R220 and SRX-R210 come equipped with the SRX
Controller software. This runs on a PC* connected to the
projector via the RS-232C interface, and features intuitive
GUIs that enable easy setup and adjustment.
A comprehensive range of setup parameters including input
configurations, colorimetry controls, installation adjustments,
and maintenance settings can be controlled via this software.
* System requirements for the setup software: Microsoft®Windows®XP Professional
Ease of Setup and Maintenance
Installation Setting
Colorimetry Setting
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Easy Maintenance of Luminance
Level
During long periods of usage, users commonly have to adjust
the luminance level of their projector, as Xenon lamps
typically get darker over time. The SRX-R220/SRX-R210 has
a convenient function to help users know when to make
such adjustments. The supplied SRX Controller software
allows users to set a standard luminance level, and displays
an alert message on the LCD screen of the projector when
the value changes from the standard level. With this feature,
proper and timely maintenance of the luminance level can
be performed.
Automatic Lamp Power Calibration
Function
When switching the aspect ratio of projection from
CinemaScope to VistaVision and vice versa, the luminance
levels happen to change. To maintain a constant luminance
level even after making these changes, the SRX-R220 and
SRX-R210 projectors can automatically calibrate the
luminance level by controlling the lamp output power.
Users can set their desired luminance level using the SRX
Controller software for this operation.
Key Lock System
The SRX-R220 and SRX-R210 are designed to be highly
secure. They do not have screw holes, and require physical
keys to open their enclosure. This body structure meets the
SPB-2 anti-tamper regulation stipulated by the DCI. Even if
the enclosure is opened with the physical keys, an antitamper sensor will trigger the Media Block LMT-100 to
immediately start recording logs for further safety. In this
case, these projectors also delete Key Delivery Messages
(KDM) automatically, so that DCP files cannot be played
back.
Ease of Setup and Maintenance
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SXRD Technologies
In addition to their extreme resolution and high contrast, the
SXRD devices used in the SRX series projectors have the
following remarkable technological features:
Vertically Aligned Liquid Crystal
System
In every type of projector system, displaying absolute black
is a major issue in order to achieve a high contrast ratio.
In other words, the contrast ratio of a projector depends on
how effectively the light from the source can be blocked so it
does not leak through the imager.
All Liquid Crystal Display (LCD) devices control the amount
of light to be projected by applying an electric field to the
liquid crystal gap. In typical LCD devices, black is produced
when an electric field is applied across the liquid crystal cell
gap. However, molecules near the surface of the glass
substrate may not be accurately controlled due to the
influence of the alignment film. This is not an issue for
bright images. However, when displaying dark images, light
may tend to leak from the LCD device, since the molecules
near the surface are less accurately controlled. This results
in a creamy black instead of a deep black.
The SXRD device does not exhibit these characteristics. This
is because the Vertically Aligned Liquid Crystal system
displays black when
the electric field is
not applied and
because all
molecules are in the
correct alignment,
the polarized light
alignment is also
optimized. The
direct result is a far
deeper black level,
leading to a high
contrast ratio.
Thin Liquid Crystal Cell Gap
Another important enabling factor of high contrast is the
SXRD device’s ultra-thin cell gap of less than 2 micrometers.
In conventional Vertically Aligned Liquid Crystal systems, a
thin cell gap could not be achieved. Sony has overcome this
difficulty through the use of Sony’s innovative planarization
technology in the silicon backplane structure and an
advanced Silicon wafer-based assembly process.
The SXRD device also adopts a structure that does not use
“spacers”. These are columns found in conventional
reflective liquid crystal devices to maintain a constant gap
between the liquid cell floor and the top of the device.
Spacers tend to both scatter and reflect light, which can
impair high-contrast pictures. In the spacer-less SXRD
device, these artifacts are no longer seen.
Short Response Time
The thin cell gap structure in SXRD devices also contributes
to an ultra-fast response time of 5 milliseconds. The SXRD
device reacts promptly to an instantaneous change of picture
content, enabling it to display a smooth motion.
Consequently, the SRX-R220 and SRX-R210 virtually
eliminate motion blur; a particularly significant benefit for
visual content that includes fast-moving objects.
Reliable Imaging Device
The SRX-R220 and the SRX-R210 use a high-power, bright
lamp. As a result, special attention has been paid to the
reliability of the SXRD device. The inorganic materials
utilized for the alignment layer of the SXRD device are
resistant to deterioration or deformities that could occur due
to the intense heat and light generated by the powerful lamp
system.
SXRD Cross-Section view
SXRD Cross-Section view
Glass Substrate
Vertically Aligned Liquid Crystal
Silicon Backplane
High-Density Pixel Pitch 8.5 µm
• 4 x Full-HDTV (4096 H x 2160 V pixels)
Thin Cell Gap (2.0 µm) Space-less
Light
• Short response time < 5 msec
• High Device Contrast ratio 4000 : 1
Inorganic
Alignment Layer
• High reliability
Aluminium Pad
Narrow Inter-Pixel
Spacing (0.35 µm)
• High fill factor 92 %
• High reflectivity
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Auditorium
Auditorium
Auditorium
Firewall
Enclosure LAN
Theatre LAN
Theatre
Management
System
SMS Controller
Projector
SRX-R220/R210
Sound Processor
Automation
System
Light
Curtain
Media Block
Distributors’
Secured
Contents
SRLV
Fiber
Cable
GPI
USB2.0
RAID
SMS/CSS Server
HDD, etc
HDD, etc
AES/EBU Digital Audio
DCP
DCP
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Decryption and Unwrapping of
DCP Files
The LMT-100 can decrypt DCP files that have been
encrypted using the AES (Advanced Encryption Standard PSP
197). It can also unwrap individual picture, audio, and
subtitle data files for processing that are encoded within the
MXF file.
Picture and Subtitle
The LMT-100 can decode the JPEG 2000 picture data in real
time for playback, regardless of whether the file was encoded
at 2K or 4K resolution. Subtitles in Timed-Text/XML or
PNG/XML format can be overlaid onto picture data before it
is sent to the projector.
Audio
The LMT-100 transcodes audio DCP files into AES/EBU
digital audio signals, and then outputs them to external audio
processors. Up to 16 channels can be output from D-sub
25-pin or BNC connectors. The timing of the audio output
can be adjusted for complete synchronization with the
picture, and any channel can be routed to any output to
simplify installation.
Event Log Creation
The LMT-100 can generate event logs* to record certain
information - such as the number of times a movie has been
played - which is a DCI requirement for secure content
control.
* Requires the optional SMS software.
The LMT-100 Media Block is a digital cinema server that can
handle DCI DCP files, which is a key component in
establishing highly secure theatre systems.
The LMT-100 server handles DCP (Digital Cinema Packages)
files that consist of picture, audio, and subtitle data files, and
that are wrapped into an MXF (Material eXchange Format)
file. It can play back the DCP file by using advanced
processing to decrypt and decode the picture data, and then
send it to the projector over a secure multi-pin connection
system.
The LMT-100 server is controlled with the optional SMS
(Screen Management System) software.
Digital Cinema Server - LMT-100 Media Block
System Configuration Example
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Screen Management System - LSM-100
The LSM-100 Screen Management System is a software
application that controls a host of components including:
SMS (Screen Management System) servers, SMS controllers,
projectionist terminals, CSS (Cavity Security system) servers,
power equipment, and status lights. For these controls, a
variety of functions are provided. It also provides seamless
integration with other systems in the theatre such as the
Theatre Management System and the auditorium automation
system. The LSM-100 satisfies the requirements of DCI
Specifications version 1.0 for screen management and
security.
Supported Functions
Screen Management Functions:
• Content ingest/registration and content management
• KDM registration and key management
• Show Play List (SPL) management
• Show schedule management
• Playback control
• Execution of SPLs
• Device configuration
• Device monitoring
• Auditorium setup
• Status monitoring: collect status information from
projector, Media Block, RAID, and Cavity Security
System; report status at pre-configured intervals
• Log retrieval: including log filtering and secondary log
distribution
• Automation system interface
• Interface (XML/HTTPS) to external TMS system
Security Functions:
• Monitoring of cavity security sensors
• Notifying Media Block LMT-100 and CSS of cavity sensor
events
• Responding to security queries made by Media Block
LMT-100
• Keeping diagnostic logs of security events
Power Management Functions:
• Status monitoring: monitor status of RAID during power-up
sequence
• IP traffic monitoring: listen for IP messages from UPS
signaling abnormal power and UPS battery conditions
• IO monitoring: monitor power state change requests via
projectionist terminals
• Controls the enclosure power lamp to show current power
status
• Sequence power provided to component devices during
power-up and power-down transitions, both userrequested and unplanned utility outages
• Control UPS during unplanned utility outages
• Initiate standby/shutdown sequences for SRX projector,
Media Terminal, SMS Server, UPS
• Initiate startup/power-on sequences for UPS, RAID, Media
Terminal, SMS Server
• Provides GUIs with status indication
Enclosure Status Light Management Functions:
• Monitors and aggregates status of all system components
using SMS API
• Sends aggregated status information to the status light of
the enclosure
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Dimensions
Unit: mm (inches)
SRX-R220/SRX-R210
LMT-100
96.5 (3 7/8)
1,632 (64 3/8)
1,443 (56 7/8)
92 (3 5/8)
ø199 (7 7/8)
1,155 (45 1/2)
370 (14 5/8)
740 (29 1/4)
455 (18)
30 (1 3/16)
430 (17)
1,230 (48 1/2) 166 (6 5/8)
221 (8 3/4)
235 (9 3/8)
160 (6 3/8)
424 (16 3/4)
349 (13 3/4)
332 (13 1/8)
64.5 (2 5/8)
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Optional Accessories
LKRL-Z114C Zoom Lens
x1.35 to x1.98 zoom lens
LKRL-Z122 Zoom Lens
x2.23 to x4.03 zoom lens
* Tentative
LKRL-Z116C Zoom Lens
x1.50 to x2.29 zoom lens
LKRX-2042A
4.2 kW Xenon lamp bulb for
replacement (for SRX-R220)
LKRL-Z117 Zoom Lens
x1.72 to x2.39 zoom lens
LKRX-2030A
3.0 kW* Xenon lamp bulb for
replacement (for SRX-R210)
LKRL-Z119 Zoom Lens
x1.81 to x2.94 zoom lens
LKRX-2020A
2.0 kW* Xenon lamp bulb for
replacement (for SRX-R210)
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Specifications (SRX-R220/SRX-R210)
SXRD Device Main Specifications
Display device SXRD (Silicon X-tal Reflective Display)
Size 1.55-inch across Diagonal
Resolution 4096 (H) X 2160 (V) Pixels
Reflectivity 77%
Contrast More than 4000:1
Pixel pitch 8.5 μm
Width (between pixels) 0.35 μm
Response speed 5 msec (tr + tf)
Liquid crystal mode Vertical Aligned Mode
Alignment layer Inorganic Thin Film
Backplane process 0.35 μm MOS Process
Liquid crystal cell gap Less than 2 μm
Optical
Projection system 3-SXRD panel, prism color integrated system
Imaging device SXRD, 1.55-inch (diagonal),
4096 (H) x 2160 (V) pixels on each chip
Lamp SRX-R220: 4.2 kW Xenon lamp x 1
SRX-R210: 3.0 kW** Xenon lamp x 1 or
2.0 kW** Xenon lamp x 1
Screen coverage SRX-R220: 4.5-meter to 20-meter screen width on
(Approx.) Scope size (4.2 kW lamp)
SRX-R210: 4.5-meter to 17-meter screen width on
Scope size (3.0 kW lamp)**
4.5-meter to 14-meter screen width on
Scope size (2.0 kW lamp)**
Light output SRX-R220: 14ft-L on 20-meter wide screen
(4.2 kW lamp)*
SRX-R210: 14ft-L on 17-meter wide screen
(3.0 kW lamp)* **
14ft-L on 14-meter wide screen
(2.0 kW lamp)* **
General
Colorimetry Xenon Color Primaries
Encoding Primaries X Y
R 0.6800 0.3200
G 0.2650 0.6900
B 0.1500 0.0600
White reference Xenon white reference
XY
White reference 0.3140 0.3510
Contrast Over 2000:1
Input signal Media Block input x 2: 4096 x 2160 pixels
HD-SDI/Dual-link HD-SDI: 1920 x 1080 pixels
(SMPTE-372M/SMPTE-292M/ITU-R.BT709/BTA-S004)
DC-SDI/Dual-link DC-SDI: 2048 x 1080 pixels
12 bit/X’Y’Z’
(with Dual-link HD/DC-SDI Input Board)
DVI-D: XGA (1024x768) / SXGA1 (1280x960) /
SXGA2 (1280x1024) / SXGA+ (1400x1050) /
UXGA (1600x1200) / WUXGA (1920x1200) /
HD (1920x1080) / DC (2048x1080)
Power consumption SRX-R220: 1.2 kW (Single-phase/100-240VAC for
main circuit) / 5.2kW (3-phase/
200-208VAC or 380-415VAC selectable
for lamp)
SRX-R210: 1.2kW (Single-phase/100-240VAC for
main circuit) / 3.4kW** (3-phase/
200-208VAC or 380-415VAC selectable
for lamp)
Power requirements AC 100 to 240 V, 50/60 Hz, single-phase
(for Main power)
AC 200 to 208 V / AC 380 to 415 V,
3-phase(changeable) , 50/60 Hz (for Lamp power)
Operating temperature +5°C to +35°C (+41°F to +95°F)
Storage temperature -20°C to +60°C (+12°F to +140°F)
Operating humidity 35% to 85% (without condensation)
Storage humidity 10% to 90%
Dimensions 740 x 1535 x 1395mm
(W x H x D) (29 1/4 x 60 1/2 x 55 inches)
Mass 300 kg (661 lb 6 oz), without lens and lamp
Fan noise 65 dB or less
* Measured at the screen center of a full pixel size (4096 x 2160) projection with 100 IRE
white and a screen gain of 1.8. A ft-L (foot-lambert) is a unit of measurement for
luminance. One foot-lambert equals 3.4262591 candelas per square meter.
** Tentative
Page 15
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Specifications (Media Block LMT-100)
General
Power consumption
Power requirements
Operating temperature
Storage temperature
Operating humidity
Storage humidity
Dimensions
(W x H x D)
Mass
Picture
Compression format
(decode)
Bit rate (J2K)
Resolution
Applicable input signal
source
(External signal input)
2.1 to 1.1 A
AC 100 to 240 V, 50/60 Hz
+5°C to +35°C (+41°F to +90°F)
-20°C to +60°C (-4°F to +140°F)
35% to 85% (without condensation)
10% to 90%
424 x 221 x 455 mm
(16 3/4 x 8 3/4 x 18 inches)
17.5 kg (38 lb 9 oz)
JPEG2000
250 Mbps (Average), 500 Mbps (Max)
4096(H) x 2160(V) pixels, 2048(H) x1080(V) pixels
Video: HD-SDI, DC-SDI
Audio
Channel
Digital audio format
Subtitle
Format
Security
Decryption format
Key import
16 channels
24 bits Linear PCM
Timed-Text/XML or PNG/XML
RSA 2048 bit, AES
TLS Session from SMS server
Input/Output
Input A DVI-D
Input B Dual-link HD/DC-SDI
Input C A channel For Media Block INPUT-A (SRLV connection)
B channel For Media Block INPUT-B (SRLV connection)
Remote interface D-sub 15-pin, RS-232C (female) x 1
Ethernet terminal, 10Base-T/100Base-TX x 1
Interlock D-sub 15-pin (female) x 1
Others
Safety regulations [UL60950 listed], [cUL60950], [FCC Class A],
[IC Class A], [VCCI Class A], [EN60950],
[CE Class A], [C-tick], [GB4943], [GB9254],
[K60950], [CISPR22], [CISPR24]
Supplied accessories Attachment base plate kit for Touch Panel
Controller x 1
Operation instructions x 1
Status Light x 1
Touch Panel Controller Attachment kit x 1
Required specifications OS: Microsoft Windows XP Professional Edition
for control PC (English and Japanese) with Service Pack 2
Required Memory: 256 MB or more
HDD Capacity: 8 MB or more
Equipped with: 10Base/100Base-TX Ethernet
Connector
RS-232C Connector
Display with XGA or larger
CPU: Windows XP: Intel
®
Celeron
®
1 GHz or faster
(recommendation)
Page 16
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