4K Digital Cinema Projectors
SRX-R220/SRX-R210
Media Block
LMT-100
Screen Management System
LSM-100
The Combination of 4K Visuals With a 2000:1
Self-contained Enclosure Provides a Desirable
2
SONY IS PROUD TO INTRODUCE AN ULTRA-HIGH RESOLUTION PROJECTION
SYSTEM DESIGNED SPECIFICALLY FOR DIGITAL CINEMA APPLICATIONS.
The latest range of Sony Digital Cinema Projection systems are
specifically developed to comply with the highest standards of the
Digital Cinema Initiatives, LLC (DCI) specifications for image quality
and security.
The projection systems consist of the SRX-R220/SRX-R210 Digital
Cinema Projector, the LMT-100 Media Block and the LSM-100 Screen
Management System combined with selected third party peripheral equipment including RAID storage, SMS server and Uninterruptible
Power Supply.
The core component of this system, the SRX-R220 and SRX-R210
projectors, are equipped with three Silicon X-tal Reflective Display
(SXRD™) imaging devices. These deliver a contrast ratio of 2000:1 at
an amazing resolution of (4096 x 2160) pixels (H x V) delivering more
than four times the resolution of full HDTV (1920 x 1080)
16:9 widescreen format. The SXRD devices also provide an
SMPTE-standard brightness level of 14 ft-L* on a 20-metre wide
screen for the SRX-R220 and screens up to 17-metres wide for the
SRX-R210.
One of the major characteristics of these projection systems is their
all-in-one Security Enclosure design, which accommodates the
projector head as well as all of the projection system components
including the Media Block, RAID storage and power management
system within the Cavity area below. This self-contained design
realises a high security level that meets the SPB-2 anti-tamper
regulation stipulated by the Digital Cinema Initiatives, LLC (DCI).
A wide range of optional lenses are available for the SRX-R220/
SRX-R210 projector, enabling it to be used in a broad range of theatres with many different throw distances.
The LMT-100 Media Block operates in conjunction with RAID storage
to provide a 4K server capable of replaying DCI compliant Digital
Cinema Package (DCP) files created in both 4K and 2K resolutions.
Movie files created at 2K resolution are automatically up-converted
to (4096 x 2160) pixels by the projector.
Subtitle insertion is performed within the Media Block at 4K resolution
for enhanced quality regardless of whether the original movie file is
4K or 2K.
The Projectionist’s Terminal colour touch-screen on the projector
provides convenient control of Show Play Lists and system functions.
The LSM-100 Screen Management System software, which operates
on a separate PC**, provides a sophisticated level of content
management including show scheduling, content ingest, operator
and set-up functionality and control of standard theatre automation systems. Moreover, this software provides sophisticated security management of the system enclosure, security key management
and logging of any security events.
* Measured at screen centre of a full pixel size (4096 x 2160) projection
with X=3794, Y=3960 and Z=3890 white and screen gain 1.8.
** Not supplied
Contrast Ratio and a Highly Secure,
Solution for the Digital Cinema Age.
SRX-R220
SRX- R210
3
4
CineAlta 4K
™
Experience the difference with true 4K Digital Cinema
In 1999, Sony introduced a totally new concept for movie-makers to produce movies in a high definition
(HD) progressive video format at 24 frames per second using digital video tape media.
This concept, together with the Sony products that enabled it, was named CineAlta
™
– and it has
been embraced by an ever broadening spectrum of producers, directors and cinematographers
all over the world.
The recent acceleration of HD has heightened the need for best technologies at every point in the
professional production workflow. As a result, Sony launched “CineAlta 4K” in 2006 – an extension of
the CineAlta brand that currently comprises the SRX Series SXRD 4K projectors. Sony is also working
to expand the “4K” concept to other Sony professional equipment, with a longer term plan to establish a 4K production workflow. With Sony CineAlta 4K technologies and equipment, true 4K digital
cinema is a reality.
4K Resolution
Historically, the movie theatre experience has always exceeded
that achieved by home entertainment systems. However, the
growth of HDTV at (1920 x 1080) pixels and technical
improvements in home theatre equipment have stimulated the
movie industry to think further ahead into the future. The
Hollywood movie studios have jointly agreed on 4K (4096 x 2160)
pixels and 2K (2048 x 1080) pixels as the standards for digital
movie distribution and projection.
With new HD home entertainment systems already delivering
outstanding picture quality and detail equivalent to 2K cinema,
Sony has become the first cinema supplier to introduce systems
conforming to the higher 4K standard and deliver resolutions
four times greater to provide the optimum experience for
theatrical exhibition.
Digital movies in 4K are already being created by scanning
the original 35mm film at 4K resolution and Hollywood studios
have already released a number of blockbusters in 4K as well
as adopting 4K for film restoration projects. Creating movies
in 4K protects the future value of the content and also provides
a significant benefit to the theatre audience.
Comparison of Image Resolution
4K CINEMA
4096 x 2160 pixels
(8.85 Mega pixels)
2K CINEMA
2048 x 1080 pixels
(2.2 Mega pixels)
HIGH DEFINITION
1920 x 1080 pixels
(2.1 Mega pixels)
Screen Multiplex
(Stadium Seating)
Traditional Theater
In recent years, stadium type seating is becoming increasingly
popular among modern cinema complexes. By sitting closer
to the screen, the audience can enjoy an immersive visual
experience. However, those sitting in the front rows may witness
pixel artefacts when using lower resolution projection systems
but the ultra-high resolution CineAlta 4K projection systems
deliver images free from pixel artifacts.
5
Versatile Interfaces
The SRX-R220 and SRX-R210 support a wide variety of signal
formats including the 12-bit X’Y’Z’ signal that is stipulated in the
DCI specification. 10-bit 4:4:4 RGB and 10-bit 4:2:2 YPbPr signal
formats are also supported for playback of other alternative
contents.
• Two SRLV connectors are used for connection to the LMT-100
Image Media Block (for DCP playback).
• A dual-link HD/DC-SDI input that accepts any of the following
signals: SMPTE 372M dual-link HD-SDI (4:4:4), SMPTE 292M
HD-SDI (4:2:2), dual-link DC-SDI (RGB 4:4:4), DC-SDI (YPbPr 4:2:2),
or 12-bit (X’Y’Z’ 4:4:4) signals (for 2K projection or HD projection).
• A DVI interface that accepts DVI-P signals for up to 2048 x 1080
at 60 Hz.
High 2000:1 Contrast Ratio
The SRX-R220 and the SRX-R210 offer a high contrast ratio of
more than 2000:1* through the use of Sony’s unique SXRD
device. The SXRD imaging device itself achieves a contrast ratio
of over 4000:1.
This stunning picture quality makes the SRX-R220 and SRX-R210
ideal for cinema exhibition.
The high contrast ratio has been achieved through two key
technologies - the ‘Vertically Aligned Liquid Crystal’ system and
an extremely thin liquid crystal cell gap.
* The contrast ratio is measured from a screen offering a gain of 1.0.
Xenon Lamp Provides Highly Bright
and Pure Light Source
The SRX-R220 provides a high brightness of 14 ft-L* on a 20-metre
wide screen and the SRX-R210 provides the same brightness on
screens up to 17 metres wide using a single Xenon lamp.
A Xenon lamp, standard technology in all film projectors, provides
pure, superb colour tonal reproduction essential to meeting the
stringent requirements of digital cinema. The SRX-R220 utilises a
4.2 kW Xenon lamp and the SRX-R210 uses a 3.0 kW or 2.0 kW
Xenon lamp. These lamps satisfy the wide colour range required
for digital cinema by dispersion at a very flat and wide light
spectrum.
* Measured at the screen center of a full pixel size (4096 x 2160) projection with
100 IRE white and a screen gain of 1.8.
Variety of High-quality Lenses
A comprehensive range of optional zoom lenses is available
for the SRX-R220 and SRX-R210. All lenses utilise very large image
circles that contribute to minimising the optical vignetting
that typically occurs on projector lenses and to obtaining the
highest possible values of MTF (Modulation Transfer Function).
With these features, the optical systems of the SRX-R220 and
SRX-R210 have the capacity to reproduce resolutions higher
than 4K, which is necessary to project 4K contents exactly at
4K-resolution. In addition, these lenses are designed to minimise
chromatic aberrations using Sony’s advanced optical technology.
Xenon Lamp
High-quality lenses
LKRL-Z116CLKRL-Z114C
LKRL-Z119 LKRL-Z122
LKRL-Z117
Resolution Remarks
1 1024 x 768 at 60 Hz (XGA) VESA
2 1280 x 960 at 60 Hz (SXGA1) VESA
3 1280 x 1024 at 60 Hz (SXGA2) VESA
4 1400 x 1050 at 60 Hz (SXGA+) VESA
5 1600 x 1200 at 60 Hz (UXGA) VESA
6 2048 x 1080 at 60 Hz (DC)
7 1920 x 1080 at 24 Hz (HD)
8 2048 x 1080 at 24 Hz (DC)
9 1920 x 1200 at 59.95 Hz VESA
Reduced Blanking (WUXGA)
10 1920 x 1080 at 60 Hz (HD) EIA/CEA-861B
11 2048 x 1080 at 48 Hz (DC)
6
Shown: ApolloWall-Pro from HoloVis (www.holovis.com)
Colour Space Conversion
(CSC) function
The SRX-R220 and SRX-R210 feature a Colour Space Conversion
(CSC) function, which helps users easily adjust the projector’s
colour space to that which is defined in the DCDM (Minimum
D-Cinema Colour Gamut) or ITU-R BT.709.
The target colour gamut parameters required to meet the
DCDM or ITU-R BT. 709 standards can be automatically calculated from settings on the supplied SRX Controller software and
then applied to the projector. The internal test generator simplifies adjustment and lets the operator align the projector in minutes.
12-bit LCD Driver
The SRX-R220 and the SRX-R210 utilise a 12-bit imager driver for
reproducing extremely natural images.
Gamma Curve Selection
The SRX-R220 and the SRX-R210 provide three preset gamma
curve values. Users can select an optimum value from 1.8,
2.2 and 2.6 according to the desired colour tone. A 2.6 gamma
setting is automatically selected for feature exhibition.
Squeeze Mode Function
The SRX-R220 and SRX-R210 allows squeezed images (16:9
or 1.896:1) to be changed to 2.39:1 un-squeezed images.
This can be done electrically without an anamorphic lens and
be activated by the SRX Controller software.
Keystone Masking
The SRX-R220 and SRX-R210 provide an image-masking function
to compensate for image distortion that typically occurs when
it has not been possible to install the projector perpendicular to
the screen. These projectors provide keystone masking for both
flat and curved screens.
Zoom/Focus Memory Function
The SRX-R220 and SRX-R210 are equipped with zoom and focus
memory functions that make it easy to switch the projection
between two types of aspect ratios.
When used with the optional motorised zoom lens LKRL-Z114C,
LKRL-Z116C, LKRL-Z117, LKRL-Z119, or LKRL-Z122 , the zoom and
focus positions for 1.85:1 motorised and 2.39:1 CinemaScope
™
can be stored and instantly recalled via the SRX Controller software. This allows for full-screen display regardless of the aspect
ratio. An electronic vertical alignment feature is included in the
same memory to compensate for vertical changes in the image
should the projector be mounted at a downwards angle.
Operational Features
Select 4 corner positions to mask the area outside the perimeter
For curved screens, select 2 positions at the apex of the curve,
one at the top and one at the bottom of the screen.
Masked
area
7
Easy Setup on a PC
Using Supplied Software
The SRX-R220 and SRX-R210 are supplied with the SRX Controller
software. This runs on a PC* connected to the projector via the
RS-232C interface and features intuitive GUIs that enable easy
setup and adjustment.
A comprehensive range of setup parameters including input
configurations, colourimetry controls, installation adjustments
and maintenance settings can be controlled via this software.
* System requirements for the setup software: Microsoft®Windows®XP Professional.
PC not supplied.
Installation Setting Colourimetry Setting
Ease of Setup and Maintenance
8
Easy Maintenance of Luminance
Level
During long periods of usage, users commonly have to adjust
the luminance level of their projector, as Xenon lamps typically
age over time. The SRX-R220/SRX-R210 has a convenient
function to help users know when to make such adjustments.
The supplied SRX Controller software allows users to set a
standard luminance level and displays an alert message
on the LCD screen of the projector when the value changes
from the standard level. With this feature, proper and timely
maintenance of the luminance level can be performed.
Automatic Lamp Power
Calibration Function
When switching the aspect ratio of projection from Cinemascope
to VistaVision and vice versa, the luminance levels will change.
To maintain a constant luminance level during these changes,
the SRX-R220 and SRX-R210 projectors can automatically
calibrate the luminance level by controlling the lamp output
power. Users can set their desired luminance level using the SRX
Controller software for this operation.
Key Lock System
The SRX-R220 and SRX-R210 are designed to be highly secure in
response to DCI requirements. They do not have screw holes
and require physical keys to open their enclosures. The security
enclosure meets the SPB-2 anti-tamper regulation stipulated by
the DCI. Even if the enclosure is opened with the physical keys,
an anti-tamper sensor will trigger the LMT-100 Media Block
to immediately start recording logs for further safety. In this
case, the projector also deletes Key
Delivery Messages (KDM)
automatically, so that DCP files cannot
be played back.
Technological Features
9
In conventional Vertically Aligned Liquid Crystal systems,
a thin cell gap could not be achieved. Sony has overcome
this difficulty through the use of Sony’s innovative planarisation
technology in the silicon backplane structure and an
advanced Silicon wafer-based assembly process.
The SXRD device also adopts a structure that does not use
“spacers”. These are columns found in conventional reflective
liquid crystal devices to maintain a constant gap between the
liquid cell floor and the top of the device. Spacers tend to
both scatter and reflect light, which can impair high-contrast
pictures. In the spacer-less SXRD device, these artifacts are
eleminated.
Short Response Time
The thin cell gap structure in SXRD devices also contributes
to an ultra-fast response time of 5 milliseconds. The SXRD
device reacts promptly to an instantaneous change of
picture content, enabling it to display a smooth motion.
Consequently, the SRX-R220 and SRX-R210 virtually eliminate
motion blur; a particularly significant benefit for visual content
that includes fast-moving objects.
Reliable Imaging Device
The SRX-R220 and the SRX-R210 use a high-power, bright lamp.
As a result, special attention has been paid to the reliability of
the SXRD device. The inorganic materials utilised for the alignment layer of the SXRD device are resistant to deterioration or
deformities that could occur due to the intense heat and light
generated by the powerful lamp system.
Vertically Aligned Liquid
Crystal System
In every type of projector system, displaying absolute black is
a major requirements in order to achieve a high contrast ratio.
In other words, the contrast ratio of a projector depends on
how effectively the light from the source can be blocked so it
does not leak through the imager.
All Liquid Crystal Display (LCD) devices control the amount of
light being projected by applying an electric field to the liquid
crystal layer. In typical LCD devices, black is produced when
an electric field is applied across the liquid crystal cell layer.
However, molecules near the surface of the glass substrate
may not be accurately controlled due to the influence of the
alignment film. This is not an issue for bright images. However,
when displaying dark images, light may tend to leak from the
LCD device, resulting in a creamy black instead of a deep
black.
The SXRD device does not exhibit these characteristics. This is
because it utilises a Vertically Aligned Liquid Crystal system
which displays black when the electric field is not applied and
because all molecules are in the correct alignment, the
polarised light alignment is also optimised. The direct result
is a far deeper black level, leading to a high contrast ratio.
Thin Liquid Crystal Cell Gap
Another important enabling factor of high contrast is the
SXRD device’s ultra-thin cell gap of less than 2 micrometres.
In addition to their ultra high resolution and high contrast performance, the SXRD devices used in the
SRX Series projectors have the following remarkable technological features:
Glass Substrate
Thin Cell Gap (2.0 µm) Space-less
• Short reponse time < 5 msec
• High Device Contrast ratio 4000:1
Narrow Inter-Pixel
Spacing (0.35 µm)
• High fill factor 92 %
• High reflectivity
Inorganic Alignment
Layer
• High reliability
Aluminium Pad
Light
Silicon Backplane
Vertically Aligned
Liquid Crystal
Hight-Density Pixel Pitch 8.5 µm
• 4K x Full HD
(4096 H x 2160 V pixels)
Silicon X-tal Reflective Display
(SXRD) imaging device
The SXRD device used by the
SRX-R110CE and SRX-R105CE
is a 1.55-inch* Liquid Crystal on
Silicon-based imager developed
using leading-edge manufacturing technology. High quality,
accurate visuals are created
using this brilliant imaging device.
* Measured diagonally.
Ultra High resolution 4K
Sony original SXRD display devices deliver the
exceptionally high resolution of 4K (4096 H x 2160 V
pixels which is more than four times as many pixels
as full HDTV (1920 x 1080, 16:9 wide screen format).
The SXRD device helps to achieve this high picture
quality by incorporating nearly 8.85 million pixels
per imager at a narrow pitch of 8.5 microns.
These high-density pixels enable an outstandingly
high resolution which are a quarter of the size of
pixels projected using typical 2K and HD.
Digital Cinema Server – LMT-100 Media Block
10
Audio
The LMT-100 transcodes audio DCP files into AES/EBU digital
audio signals and outputs them to external audio processors.
Up to 16 channels can be output from D-sub 25-pin or BNC
connectors. The timing of the audio output can be adjusted
for complete synchronisation with the picture and any
channel can be routed to any output to simplify installation.
Event Log Creation
The LMT-100 can generate event logs* to record certain
information – such as the number of times a movie has been
played – which is a DCI requirement for secure content control.
* Requires the optional SMS software.
Decryption and Unwrapping
of DCP Files
The LMT-100 can decrypt DCI-compliant DCP files that have
been encrypted using the AES (Advanced Encryption
Standard PSP 197) and unwrap individual picture, audio and
subtitle data files for processing that are encoded within the
MXF file.
Picture and Subtitle
The LMT-100 can decode the JPEG 2000 picture data in real
time for playback, regardless of whether the file was encoded
at 2K or 4K resolution. Subtitles in Timed-Text/XML or PNG/XML
format can be overlaid onto picture data before it is sent to
the projector.
The LMT-100 Media Block is a digital cinema server
that can handle DCI-compliant DCP files, which is
a key component in establishing highly secure
theatre systems. The LMT-100 server handles
DCP (Digital Cinema Package) files that consist of
picture, audio and subtitle data files that are
wrapped into an MXF (Material eXchange Format)
file. It plays back the DCP file using advanced
processing to decrypt and decode the picture
data and then send it to the projector over a
secure multi-pin connection system.
The LMT-100 server is controlled with the Sony LSM-100
SMS (Screen Management System) software.
Theatre
Management
System
Projector
SRX-R220 / SRX-R210
AES/EBU
Digital Audio
Media Block
RAID
SMS/CSS Server
SMS
controller
HDD, etc.
DCP
DCP
Auditorium
Firewall
Distributors’
secured
contents
Theatre LAN
Enclosure LAN
HDD, etc.
Security Enclosure
USB 2.0
GPI
Automation
System
Curtain
Sound
Processor
Auditorium
Light
Sample system configuration
Screen Management System – LSM-100
11
Supported Functions
Screen Management Functions:
• Content ingest/registration and content management
• KDM registration and key management
• Show Play List (SPL) management
• Show schedule management
• Playback control
• Execution of SPLs
• Device configuration
• Device monitoring
• Auditorium setup
• Status monitoring: collect status information from projector,
Media Block, RAID and Cavity Security System; report status
at pre-configured intervals
• Log retrieval: including log filtering and secondary log
distribution
• Automation system interface
• Interface (XML/HTTPS) to external TMS system
Security Functions:
• Monitoring of cavity security sensors
• Notifying Media Block LMT-100 and CSS of cavity sensor events
• Responding to security queries made by Media Block LMT-100
• Keeping diagnostic logs of security events
Power Management Functions:
• Status monitoring: monitor status of RAID during power-up
sequence
• IP traffic monitoring: listen for IP messages from UPS signaling
abnormal power and UPS battery conditions
• IO monitoring: monitor power state change requests via
projectionist terminals
• Controls the enclosure power lamp to show current power status
• Sequence power provided to component devices during
power-up and power-down transitions, both user-requested
and unplanned utility outages
• Control UPS during unplanned utility outages
• Initiate standby/shutdown sequences for SRX projector, Media
Terminal, SMS Server, UPS
• Initiate startup/power-on sequences for UPS, RAID, Media
Terminal, SMS Server
• Provides GUIs with status indication
Enclosure Status Light Management Functions:
• Monitors and aggregates status of all system components
using SMS API
• Sends aggregated status information to the status light of the
enclosure
The LSM-100 Screen Management System is a
software application that controls components
including: SMS (Screen Management System)
servers, SMS controllers, projectionist terminals, CSS
(Cavity Security system) servers, power equipment
and status lights. For these controls, a variety of
functions are provided. It also provides seamless
integration with other systems in the theatre such
as the Theatre Management System and the auditorium automation system. The LSM-100 satisfies the
requirements of DCI Specifications version 1.0 for
screen management and security.
Projectionists’ Terminal
The SRX-R220 and SRX-R210 projection systems support
projectionists control via a colour touch-screen mounted on the
rear of the projector. The Projectionist Terminal gives uncluttered
access to the essential operations required to run a show as well
as monitoring the status of elements within the projection system.
12
LKRX-2030A
3.0 kW* Xenon lamp bulb for
replacement (for SRX-R210)
LKRX-2020A
2.0 kW* Xenon lamp bulb for
replacement (for SRX-R210)
LKRL-Z116C
x1.50 to x2.29 zoom lens
LKRL-Z114C
x1.35 to x1.98 zoom lens
LKRL-Z122
x2.23 to x3.92 zoom lens
LKRX-2042A
4.2 kW Xenon lamp bulb for
replacement (for SRX-R220)
LKRL-Z117
x1.73 to x2.41 zoom lens
LKRL-Z119
x1.81 to x2.94 zoom lens
*
Tentative
Optional Accessories
Dimensions
Unit = mm (inches)
Ø 199 (7
7
⁄8)
1,230 (48
1
⁄2)
455 (18) 424 (16
3
⁄4)
332 (13
1
⁄8)
349 (13
3
⁄4)
64.5 (2
5
⁄8)
166 (6
5
⁄8)
160 (6
3
⁄8)
30 (1
3
⁄16)
370 (14
5
⁄8)
740 (29
1
⁄4)
430 (17)
96.5 (3
7
⁄8)92 (3
5
⁄8)
1,443 (56
7
⁄8)
1,632 (64
3
⁄8)
235 (9
3
⁄8)
221 (8
3
⁄4)
1,155 (45
1
⁄2)
SRX-R220 / SRX-R210
LMT-100
13
Specifications (SRX-R220 / SRX-R210)
SXRD Device Main Specifications
Display device
SXRD (Silicon X-tal Reflective Display)
Size
1.55-inch across Diagonal
Resolution
4096 (H) X 2160 (V) Pixels
Reflectivity
77%
Contrast
More than 4000:1
Pixel pitch
8.5 µm
Width (between pixels)
0.35 µm
Response speed
5 msec (tr + tf)
Liquid crystal mode
Vertical Aligned Mode
Alignment layer
Inorganic Thin Film
Backplane process
0.35 µm MOS Process
Liquid crystal cell gap
Less than 2 µm
Optical
Projection system
3-SXRD panel, prism colour integrated system
Imaging device
SXRD, 1.55-inch (diagonal),
4096 (H) x 2160 (V) pixels on each chip
Lamp
SRX-R220: 4.2 kW Xenon lamp x 1
SRX-R210: 3.0 kW
*2
Xenon lamp x 1 or
2.0 kW
*2
Xenon lamp x 1
Screen coverage (Approx.)
SRX-R220: 4.5-metre to 20-metre screen
width on Scope size (4.2 kW
lamp)
SRX-R210: 4.5-metre to 17-metre screen
width on Scope size (3.0 kW
lamp)
*2
4.5-metre to 14-metre screen
width on Scope size (2.0 kW
lamp)
*2
Light output
SRX-R220: 14ft-L on 20-metre wide screen
(4.2 kW lamp)
*1
SRX-R210: 14ft-L on 17-metre wide screen
(3.0 kW lamp)
*1 *2
14ft-L on 14-metre wide screen
(2.0 kW lamp)
*1 *2
Specifications (Media Block LMT-100)
General
Power consumption
2.1 to 1.1 A
Power requirements
AC 100 to 240 V, 50/60 Hz
Operating temperature
+5°C to +35°C (+41°F to +90°F)
Storage temperature
-20°C to +60°C (-4°F to +140°F)
Operating humidity
35% to 85% (without condensation)
Storage humidity
10% to 90%
Dimensions (W x H x D)
424 x 221 x 455 mm
(16 3/4 x 8 3/4 x 18 inches)
Mass
17.5 kg (38 lb 9 oz)
General
Colorimetry
Xenon Colour Primaries
R (X) 0.6800 ; (Y) 0.3200
G (X) 0.2650 ; (Y) 0.6900
B (X) 0.1500 ; (Y) 0.0600
White reference
Xenon white reference
(X) 0.3140 ; (Y) 0.3510
Contrast
Over 2000:1
Input signal
Media Block input x 2: 4096 x 2160 pixels
HD-SDI/Dual-link HD-SDI: 1920 x 1080 pixels
(SMPTE-372M/SMPTE-292M/ITU-R.BT709/
BTA-S004)
DC-SDI/Dual-link DC-SDI: 2048 x 1080 pixels
12 bit/X’Y’Z’ (with Dual-link HD/DC-SDI Input
Board)
DVI-D: XGA (1024x768) / SXGA1 (1280x960) /
SXGA2 (1280x1024) / SXGA+ (1400x1050) /
UXGA (1600x1200) / WUXGA (1920x1200) /
HD (1920x1080) / DC (2048x1080)
Power consumption
SRX-R220: 1.2 kW (Single-phase/100-240VAC
for main circuit) / 5.2kW
(3-phase/200-208VAC or
380-415VAC selectable for lamp)
SRX-R210: 1.2kW (Single-phase/100-240VAC
for main circuit) / 3.4kW
*2
(3-phase/200-208VAC or
380-415VAC selectable for lamp)
Power requirements
AC 100 to 240 V, 50/60 Hz, single-phase
(for Main power)
AC 200 to 208 V / AC 380 to 415 V,
3-phase(changeable) , 50/60 Hz (for Lamp
power)
Operating temperature
+5°C to +35°C (+41°F to +95°F)
Storage temperature
-20°C to +60°C (+12°F to +140°F)
Operating humidity
35% to 85% (without condensation)
Storage humidity
10% to 90%
Dimensions
740 x 1535 x 1395mm (W x H x D)
(29 1/4 x 60 1/2 x 55 inches)
Mass
300 kg (661 lb 6 oz), without lens and lamp
Fan noise 65 dB or less
Picture
Compression format (decode)
JPEG2000
Bit rate (J2K)
250 Mbps (Average), 500 Mbps (Max)
Resolution
4096(H) x 2160(V) pixels, 2048(H) x1080(V)
pixels
Applicable input signal source (External
signal input)
Video: HD-SDI, DC-SDI
Audio
Channel
16 channels
24 bits Linear PCM
Digital audio format
Timed-Text/XML or PNG/XML
Input/Output
Input A
DVI-D
Input B
Dual-link HD/DC-SDI
Input C
A channel For Media Block INPUT-A (SRLV
connection)
B channel For Media Block INPUT-B (SRLV
connection)
Remote interface
D-sub 15-pin, RS-232C (female) x 1
Ethernet terminal, 10Base-T/100Base-TX x 1
Interlock
D-sub 15-pin (female) x 1
Others
Safety regulations
[UL60950 listed], [cUL60950], [FCC Class A],
[IC Class A], [VCCI Class A], [EN60950],
[CE Class A], [C-tick], [GB4943], [GB9254],
[K60950], [CISPR22], [CISPR24]
Supplied accessories
Attachment base plate kit for Touch Panel
Controller x 1
Operation instructions x 1
Status Light x 1
Touch Panel Controller Attachment kit x 1
Required specifications
OS: Microsoft Windows XP Professional Edition
for control PC (English and Japanese) with
Service Pack 2
Required Memory: 256 MB or more
HDD Capacity: 8 MB or more
Equipped with: 10Base/100Base-TX Ethernet
Connector
RS-232C Connector
Display with XGA or larger
CPU: Windows XP: Intel
®
Celeron
®
1 GHz or faster (recommendation)
Subtitle
Format
Timed-Text/XML or PNG/XML
Security
Decryption format
RSA 2048 bit, AES
Key import
TLS Session from SMS server
*
1
Measured at the screen center of a full
pixel size (4096 x 2160) projection with
100 IRE white and a screen gain of 1.8.
A ft-L (foot-lambert) is a unit of measurement
for luminance. One foot-lambert equals
3.4262591 candelas per square meter.
*
2
Tentative
© 2007 Sony Corporation. All rights reserved.
Reproduction in whole or in part without written permission is prohibited.
Features and specifications are subject to change without notice.
All non-metric weights and measurements are approximate.
Sony, CineAlta, HDCAM-SR, HDCAM, CVPFileEditor, Memory Stick and Memory
Stick PRO are trademarks of Sony Corporation.
All other trademarks are property of their respective owners.
CA F23/GB-06/05/2007
© 2007 Sony Corporation. All rights reserved.
Reproduction in whole or in part without permission is prohibited.
Features and specifications are subject to change without notice.
All non-metric weights and measures are approximate.
Sony is a registered trademark of Sony Corporation.
CineAlta, CineAlta 4K, SXRD and SXRD logo are trademarks of Sony
Corporation.
Microsoft and Windows are registered trademarks of Microsoft Corporation.
VistaVision is a registered trademark of Paramount Pictures Corporation.
CinemaScope is a registered trademark of 20th Century Fox Film Corporation.
Intel and Celeron are registered trademarks of Intel Corporation.
All other trademarks are property of their respective owners.
CA-SRX-R220/R210/GB- / /2007
Loading...