Sony OXF-R3 User Manual
DIGIT AL AUDIO MIXING CONSOLE
OXF-R3
OPERA TION MANUAL
1st Edition (Revised 3)
Software Version 3.0 and Later
[English]
CAUTION
Installation has to be done by a SONY authorized
technician.
WARNING
To prevent fire or shock hazard, do not expose the unit to
rain or moisture.
To avoid electrical shock, do not open the cabinet. Refer
servicing to qualified personnel only.
VORSICHT
Um Feuergefahr und die Gefahr eines elektrischen Schlages
zu vermeiden, darf das Gerät weder Regen noch
Feuchtigkeit ausgesetzt werden.
Um einen elektrischen Schlag zu vermeiden, darf das
Gehäuse nicht geöffnet werden. Überlassen Sie
Wartungsarbeiten stets nur einem Fachmann.
For customers in the U.S.A
WARNING
This equipment has been tested and found to comply with
the limits for a Class A digital device, pursuant to Part 15 of
the FCC Rules. These limits are designed to provide
reasonable protection against harmful interference when the
equipment is operated in a commercial environment. This
equipment generates, uses, and can radiate radio frequency
energy and, if not installed and used in accordance with the
instruction manual, may cause harmful interference to radio
communications. Operation of this equipment in a
residential area is likely to cause harmful interference in
which case the user will be required to correct the
interference at his own expense.
You are cautioned that any changes or modifications not
expressly approved in this manual could void your authority
to operate this equipment.
For customers in Europe
This product with CE marking complies with both the EMC
Directive (89/336/EEC) and the Low Voltage Directive
(73/23/EEC) issued by the Commission of the European
Community.
Compliance with these directives implies conformity to the
following European standards:
• EN60950 : Product Safety
• EN55103-1: Electromagnetic Interference (Emission)
• EN55103-2: Electromagnetic Susceptibility (Imunity)
This product is intended for use in the following
Electromagnetic Environment(s)
E4 (controlled EMC environment, ex. TV studio)
Pour les clients européens
Ce produit portant la marque CE est conforme à la fois à la
Directive sur la compatibilité électromagnétique (EMC)
(89/336/CEE) et à la Directive sur les basses tensions
(73/23/CEE) émises par la Commission de la Communauté
européenne.
La conformité à cas directives implique la conformtié aux
normes eropéennes suivantes:
• EN60950 : Sécurité des produits
• EN55103-1 : Interférence électromagnétiques (émission)
• EN55103-2 : Sensibilité électromagnétique (immunité)
Ce produit est prévu pour étre utilisé dans les environments
électromagnétiques suivants:
E4 (environment EMC contrôlé ex. studio de télévision).
Für Kunden in Europa
Dieses Product besitzt die CE-Kennzeichnung und erfüllt
sowahl die EMV-Directive (89/336/EEC) als auch die
Directive Niederspannung (73/23/CEE) der EGKommission.
The shielded interface cable recommended in this manual
must be used with this equipment in order to comply with
the limits for a digital device pursuant to Subpart B of Part
15 of FCC rules.
!
This symbol is intended to alert the user to the
presence of important operating and maintenance (servicing)
instructions in the literature accompanying the appliance.
Die Erfüllung dieser Directiven bedeutet Konformität für die
folgenden Europäischen Normen:
• EN60950 : Produktsicherheit
• EN55103-1 : Electromagnetische Interferenz (Emission)
• EN55103-2 : Electromagnetische Empfindlichkeit
(Immunität)
Dies Produkt ist für den Einsatz unter folgenden
electromagnetischen Bedingungen ausgelegt:
E4 (kontrollierter EMV-Bereich, z.B. Fernsehstudio)
Peak Inrush Current
OXF-CP3048PS
(1) Power ON, current probe method:
50A (100V)
110A (240V)
(2) Hot switching inrush current, measured in
accordance with European standard EN55103-1:
40A (230V)
OXF-IO3000
(1) Mise sous tension (ON), méthode de sondage du
courant:
20A (100)
70A (240V)
(2) Mesuré conformément
EN55103-1:
à la norme européenne
30A (230V)
OXF-SP3000
(1) Power ON, current probe method:
40A (100V)
80A (240V)
(2) Hot switching inrush current, measured in
accordance with European standard EN55103-1:
80A (230V)
OXF-IO3000
(1) Power ON, current probe method:
20A (100V)
70A (240V)
(2) Hot switching inrush current, measured in
accordance with European standard EN55103-1:
30A (230V)
Appel de Courant de Crête
OXF-CP3048PS
(1) Mise sous tension (ON), méthode de sondage du
courant:
50A (100V)
110A (240V)
(2) Mesuré conformément
EN55103-1:
40A (230V)
à la norme européenne
Spitzenstrom
OXF-CP3048PS
(1) Einschaltstrom, Stromsonde:
50A (100V)
110A (240V)
(2) Gemessen in EN55103-1:
40A (230V)
OXF-SP3000
(1) Einschaltstrom, Stromsonde:
40A (100V)
80A (240V)
(2) Gemessen in EN55103-1:
80A (230V)
OXF-IO3000
(1) Einschaltstrom, Stromsonde:
20A (100V)
70A (240V)
(2) Gemessen in EN55103-1:
30A (230V)
OXF-SP3000
(1) Mise sous tension (ON), méthode de sondage du
courant:
40A (100V)
80A (240V)
(2) Mesuré conformément
EN55103-1:
à la norme européenne
80A (230V)
i
OXF-CP3048PS only
WARNING
This unit has no power switch.
When installing the unit, incorporate a readily
accessible disconnect device in the fixed wiring, or
connect the power cord to a socket-outlet which must
be provided near the unit and easily accessible.
If a fault should occur during operation of the unit,
operate the disconnect device to switch the power
supply off, or disconnect the power cord.
WARNUNG
Dieses Gerät hat keinen Netzschalter.
Beim Einbau des Geräts ist daher im Festkabel ein
leicht zugänglicher Unterbrecher einzufügen, oder das
Netzkabel muß mit einer in der Nähe des Geräts
befindlichen, leicht zugänglichen Wandsteckdose
verbunden werden.
Wenn während des Betriebs eine Funktionsstörung
auftritt, ist der Unterbrecher zu betätigen bzw, das
Netzkabel abzuziehen, damit die Stromversorgung
zum Gerät unterbrochen wird.
WARNING: THIS WARNING IS APPLICABLE FOR
USA ONLY.
If used in USA, use the UL LISTED power cord
specified below.
DO NOT USE ANY OTHER POWER CORD.
Plug Cap Parallel blade with ground pin
(NEMA 5-15P Configuration)
Cord Type SJT, three 16 or 18 AWG wires
Length Less than 2.5 m (8 ft 3 in)
Rating Minimum 10 A, 125 V
Using this unit at a voltage other than 120V may
require the use of a different line cord or attachment
plug, or both.
To reduce the risk of fire or electric shock, refer
servicing to qualified service personnel.
ii
Table of Contents
About This Manual....................................................................................5
Chapter 1
Overview
Chapter 2
Powering The OXF-R3
Chapter 3
Getting Started
1-1 Overview......................................................................................... 1-2
1-2 Data Flow........................................................................................ 1-4
1-3 Signal Flow...................................................................................... 1-6
2-1 OXF-R3 Start-Up........................................................................... 2-2
2-1-1 Start-Up Procedure............................................................. 2-2
2-2 OXF-R3 Shutdown......................................................................... 2-4
2-2-1 Shutdown Procedure .......................................................... 2-4
3-1 The Control Surface...................................................................... 3-2
3-2 Fader Paging.......................................................................... 3 - 8
3-3 Assignable Channel Processing................................. 3 - 9
3-4 Input Channel, Equaliser and Filters.............. 3-10
3-5 Free Assign Area and Dynamics............................... 3-11
3-6 Multitrack, Routing for Multitrack,
Super Send Groups and Multi-Format.................... 3-12
3-7Sends......................................................................................... 3-13
3-8 Select To Faders.............................................................. 3-14
3-9 Select To Pans................................................................... 3-17
3-10 Basic Console Operations........................................3-18
3-10-1 To Route a Mic or Line Input to the Main Output Bus ... 3-19
3-10-2 To Set Up a Super Send Group from Channel Inputs...... 3-20
3-10-3 To Send Signals to Tracks on Tape ................................. 3-21
3-10-4 To Monitor Signals to and from Tape.............................. 3-22
3-10-5 To Set Up a Stereo Headphone Mix for Foldback 1 O/P 3-23
3-10-6 To Equalise Signal Feeding the Multitrack ..................... 3-24
3-10-7 To Equalise Monitor Signal Post Multitrack ................... 3-25
3-10-8 To Insert Dynamics Pre Multitrack Send......................... 3-26
3-10-9 To Insert Dynamics Post Multitrack Return .................... 3-27
3-10-10To Bounce Tracks ............................................................ 3-28
3-10-11To Set Up Super Send Groups from Multitrack .............. 3-29
3-10-12To Set Up a De-Esser Using Dynamics Side-Chain EQ.. 3-30
3-10-13To Link Compressor Side-Chains in a Group ................. 3-31
3-10-14To Link Compressor Side-Chains so that One Channel
Controls a Second Channel.............................................. 3-32
Table of Contents 1
Table of Contents
Chapter 4
Signal Paths
4-1 The Basic (Default) Signal Path................................................... 4-2
4-2 Stereo Mix-Down Signal Path with Processing Inserted........... 4-4
4-3 Mix-Down with Post Channel Fader Insert................................ 4-6
4-4 Recording to a Multitrack............................................................ 4-7
4-5 In-Line Channel Multitrack Recording Set-up.......................... 4-8
4-6 In-Line Channel with Insert Post Channel Fader
(Monitor Function)........................................................................ 4-9
4-7 SEND 1 Pre Fader Headphones Feed........................................ 4-10
4-8 SEND 1 Post Fader Headphones Feed...................................... 4-11
4-9 Broadcast Mode........................................................................... 4-12
4-10 Channel Metering........................................................................ 4-15
4-10-1 Channel Meter Default..................................................... 4-15
4-10-2 Channel Meters to Input .................................................. 4-15
4-10-3 Send Monitor ................................................................... 4-16
4-10-4 Return Monitor ................................................................ 4-16
4-10-5 MULTI in Channel Path .................................................. 4-17
4-11 Dynamics Side-Chain Linking................................................... 4-18
4-11-1 Dynamics Side-Chain Link Right .................................... 4-18
4-11-2 Dynamics Side-Chain Busses 1-4 .................................... 4-20
4-12Mixing to the Main Output Bus.............................. 4-22
4-12-1 Main Output Bus Set-up .................................................. 4-24
4-12-2 Channel Signal to the Main Output ................................. 4-26
4-13 Multi-Stem Set-up........................................................ 4-29
4-13-1 Multi-Stem Set-up Procedure .......................................... 4-32
4-13-2 Multi-Stem Monitor Path ................................................. 4-36
4-13-3 Multi-Stem Source Channels ........................................... 4-40
4-13-4 STEM Monitor Switching ............................................... 4-48
4-13-5 STEM Monitor Switching GUI Set-up ............................ 4-50
4-13-6 Fold-Down Matrix GUIs ................................................. 4-52
Chapter 5
Control Screens
Chapter 6
Technical Descriptions
5-1 The Master Control Screens.......................................................... 5-2
5- 2Channel Screens.................................................................... 5 - 5
5-2-1 Routing GUI........................................................................... 5-8
5-2-2 I/O GUI ................................................................................ 5-11
5-2-3 Equaliser & Filters GUI ....................................................... 5-28
5-2-4 Dynamics GUI ..................................................................... 5-29
5-2-5 Preferences GUI ................................................................... 5-30
5-2-6 Master GUI (Includes Main Bus Outputs) ........................... 5-39
6- 1OXF-R3 System Description............................................ 6 - 2
6-1-1 Control Surface Configurations ........................................... 6-3
6-2 Channels Section Panels................................................................ 6-6
6-2-1 Fader Panel........................................................................... 6-6
6-2-2 Select to Faders Panel .......................................................... 6-9
6-2-3 Pans Panel .......................................................................... 6-13
6-2-4 Select to Pans Panel ........................................................... 6-15
6-2-5 Input and Equaliser Panel .................................................. 6-17
6-2-6 Free Assign Area & Dynamics Panel ................................ 6-20
6-2-7 Multitrack Panel................................................................. 6-25
2 Table of Contents
Chapter 6
Technical Descriptions
6-2-8 Routing Panel..................................................................... 6-28
6-2-9 LCD Channel Screen Panel ............................................... 6-31
6-2-10 Sends 1-24 Panel ................................................................ 6-32
6- 3Central Section Panels................................................. 6-38
6-3-1 Master Fader Panel ............................................................ 6-38
6-3-2 Monitor Panel..................................................................... 6-39
6-3-3 Control Keyboard Panel..................................................... 6-62
6-3-4 Super Send Groups, Send Outputs and
Multi-Format Panel ............................................................ 6-76
6-3-5 Central Section Faders ....................................................... 6-86
6-3-6 Control LCD Screen Panel................................................. 6-87
6-3-7 QWERTY Keyboard.......................................................... 6-88
6-3-8 Trackerballs........................................................................ 6-89
6- 4Meter Bridge......................................................................... 6-90
6-4-1 Mono Channel Meters........................................................ 6-90
6-4-2 Stereo Centre Section Meters............................................. 6-92
6-4-3 Other Meter Bridge Indicators ........................................... 6-95
6- 5Signal Processing Rack................................................. 6-96
6-5-1 SP Rack Modules ............................................................... 6-96
6- 6I/O Racks................................................................................6-97
6-6-1 I/O Rack Modules .............................................................. 6-97
Chapter 7
Session Management™
(Continued)
7- 1The Basics................................................................................ 7 - 2
7- 2Files Hierarchy and Automatable Controls........ 7 - 3
7-2-1 Files Hierarchy..................................................................... 7-3
7-2-2 Automatable Controls .......................................................... 7-6
7- 3File Data Storage............................................................... 7 - 7
7- 4Programme Material............................................................. 7 - 8
7- 5Mixing Overview.................................................................... 7 - 9
7-5-1 Getting Started ..................................................................... 7-9
7-5-2 Name the Artist/Project and Title ...................................... 7-10
7-5-3 To Set Cue Points............................................................... 7-11
7-5-4 To Automate Cuts .............................................................. 7-13
7-5-5 To Save a Mix .................................................................... 7-19
7-5-6 To Automate Fader Moves ................................................ 7-20
7-5-7 Dropping Out of Write on Subsequent Mix Passes ........... 7-21
7-5-8 To Record Absolute Moves for a Number of Faders........ 7-22
7-5-9 To Trim Fader Moves ........................................................ 7-22
7-5-10 To Trim Moves for a Number of Faders ............................ 7-22
7-5-11 To Automate a Pan Move (or any other Knob) ................. 7-23
7-5-12 To Assemble a Mix ............................................................ 7-24
Table of Contents 3
Table of Contents
Chapter 7
Session Management™
7-6 The Session Management™ Screen Pages ................................. 7-27
7-6-1 The Start-up Logo Screen .................................................. 7-27
7-6-2 The System Screen............................................................. 7-28
7-6-3 The Machines Screen ......................................................... 7-30
7-6-4 Artists/Projects & Titles Screen......................................... 7-32
7-6-5 Mixes & Cues Screen......................................................... 7-35
7-6-6 Merge/Assemble Screen .................................................... 7-40
7-6-7 Track Lists Screen.............................................................. 7-46
7-6-8 Snapshots, Copy & Link Screen ........................................ 7-49
7-6-9 Copy Channel Fader Balance to M/T Faders and M/T to
Channels............................................................................. 7-60
7-6-10 Copy Monitor and M/T Send Fader Balance to Cues ........ 7-60
7-6-11 Quick Copy EQ A to B and B to A.................................... 7-60
7-6-12 Machine Remotes Screen................................................... 7-61
7- 7Dynamic Automation Moves ............................................ 7-64
7-7-1 Motorised Fader Controls .................................................. 7-64
7-7-2 Automating Faders............................................................. 7-65
7-7-3 To Automate Cuts .............................................................. 7-70
7-7-4 To Automate Other Switches............................................. 7-76
7-7-5 To Automate a Pan Move (or any other knob) .................. 7-77
7-7-6 Dropping Out of Write on Subsequent Mix Passes
for Knobs........................................................................... 7-78
7-7-7 To Trim Pan Moves (or any other knob) ........................... 7-78
7-7-8 Automation Off and Selective Automation Isolate............ 7-79
7-7-9 Film Mode.......................................................................... 7-80
7-7-10 Global Ready Enable ......................................................... 7-81
7- 8Offline Automation...........................................................7-84
7 - 9MIDI............................................................................................ 7-89
7-9-1 MIDI Control Pages ........................................................... 7-89
7-9-2 Setting MIDI parameters.................................................... 7-90
7-9-3 MIDI Bars & Beats ............................................................ 7-93
7-10 Backups................................................................................ 7-95
7-11 Preferences.....................................................................7-101
Appendixes
4 Table of Contents
Software Installation/Upgrades........................................................... A-2
Multi-Format LS Calibration.............................................................. A-3
Specifications......................................................................................... A-6
OXF-R3 Diagnostics........................................................................... A-17
Index........................................................................................................I-1
About This Manual
Purpose and intended readers
This is the operation manual for the OXF-R3 digital
audio mixing console. It explains how to use the
OXF-R3 to record, mix and output digital audio
signals.
This manual is aimed at professionals such as
operators and engineers working in high-end recording
studios, production companies and broadcasting
stations. It is assumed that the reader has prior
experience of using professional audio equipment.
Use this manual as a reference, by referring to the
chapters as summarised below. If however you have
limited experience of using this kind of equipment, we
recommend that you read through the entire manual.
The block diagrams contained in this manual are
intended to help you understand the signal flow and
operation of the OXF-R3.
Model numbers covered by this manual
This manual refers in general terms to the OXF-R3.
The illustrations show the 24-C-24 version, which is
the current model.
Chapter 6 Technical Descriptions
Provides the descriptions of all the modules of the
OXF-R3, including the names, locations and functions
of the controls. This chapter also includes descriptions
of the associated SP Rack and I/O Rack system.
Chapter 7 Session Management™ System
Describes the sophisticated and flexible Session
Management™ system available to OXF-R3 users,
including automation of functions - a key feature of the
Session Management™ system. Both static and
dynamic automation is possible using the OXF-R3.
Appendixes
Provide the information for the following:
•Software installation/upgrades
•Multi-format LS calibration
•Specifications
•Diagnostic facilities (There are no user operable
diagnostic facilities provided in this version of the
OXF-R3).
Organisation
This manual is divided into the following seven
chapters and four appendixes:
Chapter 1 Overview
Introduces the features of the OXF-R3 and how it may
be used to configure a complete system.
Chapter 2 Powering the OXF-R3
Includes the system power-up procedure and the
boot-up sequence for the host computer.
Chapter 3 Getting Started
Gives an overview of the OXF-R3 control surface
describing the principles of operation. The panels are
described in enough detail to allow the experienced
operator to start using the OXF-R3.
Chapter 4 Signal Paths
Explains the general principles of building signal paths
and gives examples of types of signal paths that may
be built from the basic default signal path existing at
‘fire-up’.
Chapter 5 Control Screens
Lists all the control screens available in the OXF-R3.
The screens related to the channels and mixer
functions are described in detail.
About This Manual 5
About This Manual
Conventions used in this manual
This manual uses the following conventions:
Chapter 3, Section 10
Subsection 5
within Section 10
•
•
Operation
Step number
Cross-reference within
the manual
Important note
6 About This Manual
•
•
Related manuals
In addition to this operation manual, the following
manuals are available for the OXF-R3:
•Installation Manual
•Service Manual
About This Manual 7
About This Manual
Glossary of Terms
ABS Absolute
ADC Analogue to Digital Converter
AES Audio Engineering Society
AFL After Fader Listen
ATR Audio Tape Recorder
AUX Auxiliary
CAL Calibrated or Calibration
CH Channel
CMRR Common Mode Rejection Ratio
CR Control Room
DAC Digital to Analogue Converter
DAT Digital Audio Tape
DIV Divergence
DYN Dynamics
EBU European Broadcasting Union
EDL Edit Decision List
EQ Equaliser or Equalisation
EXT External
FILT Filter
FS Sampling Frequency
GDC Global Delay Compensation
GPI General Purpose Interface
GUI Graphical User Interface
O/B Outside Broadcast
O/L Overload
PAN Panoramic
PCB Printed Circuit Board
PCM Pulse Code Modulation
PFL Pre Fader Listen
PSU Power Supply Unit
RET Return
RSL Remote Studio Link
S-C Side Chain
SDDS Sony Dynamic Digital Sound
SDIF Sony Digital Interface Format
SEL Select
SIG Signal
SM Session Management
SMPTE Society of Motion Picture & Television
Engineers
SMS Session Management System
SP Signal Processing
SPL Sound Pressure Level
SRC Sample Rate Converter
SSG Super Send Group
STER Stereo
SUR Surround
S/W Software
HF High Frequency
HMF Higher Mid Frequency
H/W Hardware
I/O Input/Output
LCD Liquid Crystal Display
LED Light Emitting Diode
LF Low Frequency
LMF Lower Mid Frequency
L/R Left/Right
LS Loudspeaker
MADI Multi-Channel Audio Digital Interface
MF Mid Frequency
MIC Microphone
MIDI Musical Instrument Digital Interface
M.O. Magneto-Optical (disk)
MON Monitor
M/T Multitrack
MTR Meter
T/B Talkback
TC Time Code
TCF Time Code Frame
TFT Thin Film Transistor
T/LIST Track List
TRM Trim
VCA Voltage Controlled Amplifier
VDU Video Display Unit
VGA Video Graphics Array
8 Glossary of Terms
Chapter 1 – Overview
This chapter introduces the OXF-R3 digital audio mixing console and
describes the main features. An example system configuration and a
signal flow diagram are included.
Chapter 1 Contents
1-1 Overview ......................................................................................... 1-2
1-2 Data Flow ........................................................................................ 1-4
1-3 Signal Flow...................................................................................... 1-6
Chapter 1 Overview
Chapter 1 Overview 1-1
1-1 Overview
1-1 Overview
Chapter 1 Overview
The OXF-R3 is a ‘high end’ digital audio mixing console system. It
comprises four main components:
• Control Console with Modular Control Surface
• Host Computer
• Signal Processing (SP) Rack
• Digital and Analogue I/O Racks
The following illustration shows a basic system concept diagram.
21
1 SP Rack
2 Host Computer
3 Multitrack Tape Recorder(s)
1-2 Chapter 1 Overview
5
System Concept diagram
4 Digital and Analogue I/O Racks
5 Control Console
4
3
Control Console
Compared with traditional console designs, the OXF-R3 offers greater
flexibility within more compact dimensions by using an assignable control
surface.
Modular Control Surface
The control surface of the OXF-R3 makes extensive use of assignable
panels to provide a console of manageable size for either one or two
operators, whilst giving greatly increased functionality. The current
system is capable of controlling up to 96 full channels and 12 stereo return
channels. The modular system divides functionally into the master
section, located in the centre, and the channel sections located either side
of the master section.
Signal Processing (SP) Rack
The SP rack is designed to use the minimum number of signal processing
cards depending on the system size. A high level Software Design Tools
System is used to generate automatically the low level software microcode
which runs the SP system. Data links to and from the control console are
via Ethernet connections, whilst a MADI interface is used between the SP
rack and the I/O racks. Additional bandwidth, available within the MADI
signal, is used to pass data for purposes such as remote control of analogue
amplifier gain.
Chapter 1 Overview
Digital and Analogue I/O Racks
The I/O racks are designed to be located close to the equipment with which
they interface. Each I/O rack can contain a mix of up to 56 high quality
analogue inputs and/or outputs on 10 analogue I/O cards. Each analogue
card handles 4 or 8 inputs and 4 or 8 outputs according to its type. A mix
of input and output cards in the same I/O rack may, for example, allow cue
outputs for headphones to be local to appropriate microphone sources.
The digital and analogue I/O are housed in a single rack type. Digital I/O
has the same capability as the analogue, of up to 56 inputs and 56 outputs
per rack via AES/EBU and SDIF-2 (24) modules. The digital I/O system
also includes modules for Timecode, 9-Pin, GPI and MIDI. MADI
connections may be made directly to the SP rack.
Machine Control
Machine control for the OXF-R3 is accomplished via Sony 9-Pin control
and third party devices such as the “motionworker”, supplied by
Motionworks Ltd.
Note:
Refer to the Appendixes in this manual for further details of OXF-R3 capabilities.
Chapter 1 Overview 1-3
1-1 Overview
1-2 Data Flow
1
Chapter 1 Overview
2
(LC)
L
C
SUB
CR MONITORS 1
CR MONITORS 2
CR MONITORS 3
(RC)
R
CONTROL FOR SP AUDIO PROCESSING & MACHINES
SYSTEM STATUS & DISPLAY DATA
MADI
AUTOMATION
MEDIA
HOST COMPUTER
MODEM
SP RACK
4
SURROUND L SURROUND R
AUDIO AUDIO
I/O RACK
Sample installation illustrating Audio & Control Data flow
FX RACK
1 Control Room
2 TRACK ANALOGUE
GPI
AUDIO
MADI
1-4 Chapter 1 Overview
2 Rack Room
3
GPI
RECORD REHEARSE CUE
LISTEN
STUDIO
L/S
Chapter 1 Overview
GAIN
MADI
FS
MADI
I/O
RACK
AES/EBU
I/O RACK
MOTIONWORKER PROTOCOL
MASTER TC
TRANSPORT 9P
TC
TRANSPORT 9P
PCM-7050
DAT
AES/EBU
AUDIO
TC
PCM-7050
DAT
AES/EBU
AUDIO
AUDIO
TC
SYNCHRONISER
TC
MOTIONWORKER
TC
TRANSPORT 9P
FOLDBACK
GPI
RECORD REMOTES & TALLIES
TRANSPORT 9P
TC
PCM-7050
DAT
AES/EBU
PCM-3348 48 TRACK
PCM-9000
MASTERDISC
FS OUT
3 Studio
4 Machine Room
TIME CODE CONTROL DATA AUDIO DATA
Chapter 1 Overview 1-5
1-1 Overview
1-3 Signal Flow
Chapter 1 Overview
MIC
M/T
LINE
MIC
M/T
LINE
Ø
Ø
Ø
CHs 1-48
Ø
Ø
Ø
CHs 49-96
SELECTOR 1 SELECTORS 2-7 SELECTOR 8
SELECTOR 1 SELECTORS 2-7 SELECTOR 8
BYPASS
FILTERS
5 BAND EQ
DYNAMICS
INSERT
DELAY FX
FADER
MULTITRACK
FUTURE SP
BYPASS
FILTERS
5 BAND EQ
DYNAMICS
INSERT
DELAY FX
FADER
MULTITRACK
FUTURE SP
ST.
LCRS
5.1
7.1
ST
LCRS
5.1
7.1
UP
TO 8
STEMS
AUXILIARY
SENDS 1-24
ST.
LCRS
5.1
7.1
ST
LCRS
5.1
7.1
UP
TO 8
STEMS
AUXILIARY
SENDS 1-24
MAIN
OUTPUT
BUS
SUPER
SEND GPs
1-16
BUSSES
1-48
48 M/T
SENDS &
RETURNS
CUE &
MAIN
OUTPUT
BUS
SUPER
SEND GPs
1-16
BUSSES
1-48
48 M/T
DIRECT
OUTPUTS
CUE &
M/T
M/T
MIC
M/T
LINE
OXF-R3 signal flow
SELECTOR 1 SELECTORS 2-7 SELECTOR 8
Ø
Ø
Ø
RETURN CHs 97-120
BYPASS
2 BAND EQ
INSERT
DELAY FX
FADER
FUTURE SP
ST.
LCRS
5.1
7.1
CUE &
AUXILIARY
SENDS 1-24
MAIN
OUTPUT
BUS
SUPER
SEND GPs
1-16
1-6 Chapter 1 Overview
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