Sony F35 User Manual

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DIGITAL CINEMATOGRAPHY CAMERA

F35

OPERATION MANUAL [English] 1st Edition (Revised 1)

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WARNING

To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.

To avoid electrical shock, do not open the cabinet. Refer servicing to qualified personnel only.

For the customers in the U.S.A.

This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference to radio communications. Operation of this equipment in a residential area is likely to cause harmful interference in which case the user will be required to correct the interference at his own expense.

For the State of California, USA only

Perchlorate Material - special handling may apply, See www.dtsc.ca.gov/hazardouswaste/perchlorate Perchlorate Material : Lithium battery contains perchlorate.

For the customers in Taiwan only

You are cautioned that any changes or modifications not expressly approved in this manual could void your authority to operate this equipment.

All interface cables used to connect peripherals must be shielded in order to comply with the limits for a digital device pursuant to Subpart B of Part 15 of FCC Rules.

For the customers in Europe

This product with the CE marking complies with the EMC Directive issued by the Commission of the European Community. Compliance with this directive implies conformity to the following European standards:

• EN55103-1: Electromagnetic Interference (Emission)

• EN55103-2: Electromagnetic Susceptibility (Immunity) This product is intended for use in the following Electromagnetic Environments: E1 (residential), E2 (commercial and light industrial), E3 (urban outdoors), E4 (controlled EMC environment, ex. TV studio).

The manufacturer of this product is Sony Corporation, 1-7-1 Konan, Minato-ku, Tokyo, Japan. The Authorized Representative for EMC and product safety is Sony Deutschland GmbH, Hedelfinger Strasse 61, 70327 Stuttgart, Germany. For any service or guarantee matters please refer to the addresses given in separate service or guarantee documents.

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AVERTISSEMENT WARNUNG

Afin de réduire les risques d’incendie ou d’électrocution, ne pas exposer cet appareil à la pluie ou à l’humidité.

Afin d’écarter tout risque d’électrocution, garder le coffret fermé. Ne confier l’entretien de l’appareil qu’à un personnel qualifié.

Pour les clients en Europe

Ce produit portant la marque CE est conforme à la Directive sur la compatibilité électromagnétique (EMC) émise par la Commission de la Communauté européenne. La conformité à cette directive implique la conformité aux normes européennes suivantes :

• EN55103-1 : Interférences électromagnétiques (émission)

• EN55103-2 : Sensibilité électromagnétique (immunité) Ce produit est prévu pour être utilisé dans les environnements électromagnétiques suivants : E1 (résidentiel), E2 (commercial et industrie légère), E3 (urbain extérieur) et E4 (environnement EMC contrôlé, ex. studio de télévision).

Le fabricant de ce produit est Sony Corporation, 1-7-1 Konan, Minato-ku, Tokyo, Japon. Le représentant autorisé pour EMC et la sécurité des produits est Sony Deutschland GmbH, Hedelfinger Strasse 61, 70327 Stuttgart, Allemagne. Pour toute question concernant le service ou lagarantie, veuillez consulter les adresses indiquées dans les documents de service ou de garantie séparés.

Um die Gefahr von Bränden oder elektrischen Schlägen zu verringern, darf dieses Gerät nicht Regen oder Feuchtigkeit ausgesetzt werden.

Um einen elektrischen Schlag zu vermeiden, darf das Gehäuse nicht geöffnet werden. Überlassen Sie Wartungsarbeiten stets nur qualifiziertem Fachpersonal.

Für Kunden in Europa

Dieses Produkt besitzt die CE-Kennzeichnung und erfüllt die EMV-Richtlinie der EG-Kommission. Angewandte Normen:

• EN55103-1: Elektromagnetische Verträglichkeit (Störaussendung)

• EN55103-2: Elektromagnetische Verträglichkeit (Störfestigkeit), für die folgenden elektromagnetischen Umgebungen: E1 (Wohnbereich), E2 (kommerzieller und in beschränktem Maße industrieller Bereich), E3 (Stadtbereich im Freien) und E4 (kontrollierter EMV-Bereich, z.B. Fernsehstudio).

Der Hersteller dieses Produkts ist Sony Corporation, 1-7-1 Konan, Minato-ku, Tokyo, Japan. Der autorisierte Repräsentant für EMV und Produktsicherheit ist Sony Deutschland GmbH, Hedelfinger Strasse 61, 70327 Stuttgart, Deutschland. Bei jeglichen Angelegenheiten in Bezug auf Kundendienst oder Garantie wenden Sie sich bitte an die in den separaten Kundendienst- oder Garantiedokumenten aufgeführten Anschriften.

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Chapter 1 Overview

1-1 Features .......................................................................... 7

1-2 Example of System Configuration ............................... 9

1-3 Locations and Functions of Parts .............................. 10

1-3-1 Camera Head .................................................................. 10

1-3-2 Assistant Panel (Supplied) .............................................15

1-3-3 Interface Box (Supplied) ................................................15

Chapter 2 Installation and Preparations

2-1 Mounting the Interface Box ......................................... 17

2-2 Mounting the SRW-1 Recorder ................................... 19

2-3 Attaching a Lens .......................................................... 20

2-4 Attaching a Viewfinder ................................................ 21

2-5 Mounting the Camera to a Tripod ............................... 22

2-6 Attaching/Detaching Handles ..................................... 23

2-6-1 L Handle ........................................................................23

2-6-2 Center Handle (Supplied) ..............................................23

2-7 Preparing the Power Supply ....................................... 24

2-8 Setting the Built-in Clock ............................................ 25

Chapter 3 Basic Adjustments and Settings

3-1 Selection of the Basic Operation Modes ................... 27

3-1-1 Overview of the Basic Operation Modes .......................27

3-1-2 Switching of the Basic Operation Modes ......................27

3-2 Basic Settings with the Subdisplay ........................... 29

3-2-1 Basic Operation of the Subdisplay ................................. 29

3-2-2 Shutter Settings ..............................................................30

3-2-3 Selection of Video Formats ...........................................32

3-2-4 Retrieving the ND Offset ...............................................32

3-2-5 Selection of the Gain, Color Temperature, and White

Balance Memory ............................................................33

3-2-6 Selection of a Lens File .................................................34

3-2-7 Confirmation of the Time Code and Tape Remaining ..34 3-2-8 Confirmation of the Power Voltage and Selection of Fan

Operation Mode .............................................................35

Table of Contents

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3-2-9 ON/OFF of the Character Indication ..............................35

3-2-10 Allocation of Functions to the Assignable Buttons and

Switch ............................................................................35

3-2-11 Brightness Adjustment of the Subdisplay ....................36

3-2-12 Selection of Gamma Tables .........................................36

3-2-13 Selection of Color Spaces ............................................36

3-2-14 Limiting Pages that are Displayed on the Subdisplay ..36

3-3 Black Balance Adjustment ...........................................37

3-4 White Balance Adjustment (in Custom mode) ...........38

3-5 Setting the Camera Outputs ........................................39

3-5-1 Selecting a Video Output Signal for Each Connector ....39

3-5-2 Setting the Monitor Picture ............................................40

3-5-3 Outputting Color Bars ....................................................42

3-6 Viewing and Setting the Viewfinder Displays ............43

3-6-1 Viewing the Basic Status Indications .............................43

3-6-2 Viewing the ABNORMAL <!> Display ........................44

3-6-3 Viewing the FUNCTION (Format/Switch Function)

Display ...........................................................................44

3-6-4 Setting the Marker Indications .......................................45

3-6-5 Adjusting the Viewfinder Details ...................................46

3-6-6 Setting the Zebra Indication ...........................................46

3-6-7 Setting the Cursor Indication .........................................46

3-6-8 Checking the Power Voltage ..........................................47

3-7 Detailed Settings of the Switch Functions .................48

3-8 Setting the Gain ............................................................49

3-9 Detailed Shutter Settings .............................................49

3-10 Resuming the Standard Conditions ..........................51

3-11 Selecting the Gamma .................................................51

3-11-1 Using the Standard Gamma .........................................51

3-11-2 Using the Hyper Gamma ..............................................52

3-11-3 Using the S-LOG ..........................................................52

3-11-4 Using the User Gamma ................................................52

3-12 Setting the Fan Operation Mode ...............................53

3-13 Inverting the Camera Picture .....................................54

3-14 Detailed Setting of the Video Format ........................54

Chapter 4 Menu Configuration and Detailed Settings

4-1 Menu Configuration ......................................................56

4-2 Basic Menu Operations ................................................57

4-2-1 Displaying Setting Pages ................................................58

4-2-2 Setting the Menu Items ..................................................59

4-3 Menu List .......................................................................60

4-3-1 OPERATION Menu .......................................................60

Table of Contents

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4-3-2 PAINT Menu .................................................................67

4-3-3 MAINTENANCE Menu ................................................ 73

4-3-4 NETWORK Menu ......................................................... 78

4-3-5 FILE Menu .....................................................................79

4-3-6 DIAGNOSIS Menu ........................................................ 83

4-4 Editing the USER Menu ............................................... 84

Chapter 5 Storage and Retrieval of User Setting Data

5-1 File Configuration ........................................................ 87

5-2 List of Items Stored in Files ........................................ 89

5-3 File Operations ............................................................. 90

5-3-1 Using a “Memory Stick” ................................................ 90

5-3-2 Storage and Retrieval of the Operator File ....................91

5-3-3 Registration and Retrieval of the Lens Files ..................92

5-3-4 Storage and Retrieval of the Scene Files .......................92

5-3-5 Storage and Retrieval of the Reference File ..................93

5-3-6 Reading of the User Gamma ..........................................94

5-3-7 Storage of the OHB File ................................................94

5-3-8 Resetting to the Initial Settings ...................................... 95

Appendixes

Using the RM-B750 ............................................................. 96

Connection ................................................................................96

Operating the Menu of This Camera ........................................96

Monitoring the Camera Image ..................................................97

Using the MSU-900/950 ...................................................... 97

Connections ..............................................................................97

Parameter Settings ....................................................................98

Using the ARRI Remote Control ...................................... 100

About Metadata ................................................................. 101

Warning/Error Messages .................................................. 108

Precautions ....................................................................... 109

About a “Memory Stick” ................................................... 110

Specifications .................................................................... 112

Camera Head ..........................................................................112

Interface Box (Supplied) ........................................................114

Optional Accessories ..............................................................114

Connector Pin Assignments ............................................ 115

Color Space According to the COLOR SPACE Settings 117

Lip Sync Compensation ................................................... 118

Index ................................................................................... 120

Table of Contents

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Chapter 1 Overview

Overview

1-1 Features

The F35 is a 1CCD digital cinematography camera equipped with Super 35-mm type IT progressive CCD array with a total of 6,600,000 picture elements (effective pixel count of 1920 [H] × 1080 [V] RGB). The camera is incorporated with newly developed imagers and a digital signal-processing LSI that yield images of a high quality for cinematic, commercial, and dramatic production applications. The camera also supports the features of a “production camera” up to details in its shape, button and indicator layout, and materials of the parts.

Superior Picture Quality and High Performance

Super 35-mm type CCD and PL Mount

With the F35’s Super 35-mm-type CCD imagers and PL Mount, most movie lenses designed for conventional 35mm film cameras can be mounted without a converter.

Wide dynamic range and high-quality digital pictures

With its newly developed imagers, 14-bit A/D converter, and unique digital LSI, the camera achieves significant extension of the dynamic range and picture quality of optimal grade, minimizing noises.

RGB 4:4:4 image capturing

The RGB 4:4:4 image-capturing capability, having high affinity with computer graphics, yields significant results, especially in chroma-keying and color-correction processes where highly exacting special-effects sequences and elaborate finishes are required in demanding moviemaking, commercial, and television applications.

Variable-speed recording

When used with a Sony SRW-1 HD Portable Digital Recorder, the number of frames per second (FPS) for shooting/recording is selectable in single-frame increments. This allows users to create slow- or fastmotion effects equivalent to those obtained by

Chapter

“overcranking” or “undercranking” a cinematic film camera. Frame-rate settings for this function are variable from 1 to 50 FPS.

Multiple frame formats

The camera covers the1080 formats of different types to allow it to be used for high-end content creation, including commercial and broadcasting program production as well as movie making.

• Progressive mode: 1080/23.98P, 1080/24P, 1080/25P, 1080/29.97P, 1080/50P

• Progressive mode (variable): 1080/S23.98P, 1080/S24P, 1080/S29.97P, 1080/S50P, 1080/S59.94P (MAX50), 1080/S60P (MAX50)

• Interlace mode: 1080/50i, 1080/59.94i

Imaging characteristics with wide color space

Sony’s unique technology allows the camera to capture images in natural-looking colors closer to those of the actual scene than with conventional cameras.

S-LOG and Hyper gammas

S-LOG and Hyper gammas, field-proven in Sony’s F23 digital cinematography camera and HDW-F900R HD digital camcorder, are included among the standard selections with the F35.

User Gamma

The F35 allows you to customize gamma curves according to your creative needs, using the CvpFileEditor application software.

1) You can download the software from the “eCSite,” the site for downloading business and professional software from Sony Corporation.

Design and Shape

New compact design

For a high level of mobility in consideration of various shooting situations, such as inside a car, the camera is housed in as compact a body as possible. In addition, buttons and indicators are laid out to provide a familiar and intuitive user interface to users of conventional cinema film cameras.

Features

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Dockable system of the SRW-1 HD Portable Digital Recorder

A dockable interface system is employed to conform to versatile shooting conditions and on-site demands. The SRW-1 the camera, as required for shooting conditions.

Chapter 1 Overview

can be docked directly on the top or rear of

The camera and SRW-1 recorder can also be tethered via cables to take advantage of the compactness of the camera for higher mobility.

1) The firmware of the SRW-1 may be required to be updated for use with the camera. For details, consult your local Sony representative.

Compatible with film-camera accessories

The F35 is designed to be compatible with a variety of film-camera accessories, giving users a broad array of choices. These include ARRIFLEX-made bridge plates, matte boxes, follow focus units, lens focus/zoom/iris servo control units, and more. These film-camera accessories can be attached to the F35 without modification, enabling users who principally work with film to fully utilize their assets. Having one 12 V DC output connector and another 24 V

output connector, the F35 can supply power to such compatible accessories attached to it through these connectors.

1) To feed 24 V DC power in synchronization with the power switch of the

camera, an independent power supply of 24V DC is required in addition to the 12 V power.

Assignable switches

Functions frequently used in the field, such as optical filter switching, can be assigned to three push buttons and one switch located on the side panel of the camera, allowing the operator to make rapid changes when working in the field.

Saving/retrieving settings with a “Memory Stick”

Using a “Memory Stick,” you can save menu settings for particular shooting conditions for retrieval when required.

1) Memory Stick and are trademarks of Sony

Corporation.

Monitor output selection

For monitor outputs, the user can select flexibly whether to mix character information and markers, whether to apply alternative monitor gamma other than that applied to the camera signal, or how to mix the playback picture.

Image inversion function

The image inversion function, field-proven in Sony’s F23 digital cinematography camera and HDW-F900R HD digital camcorder, is included among the standard functions with the F35. The delay of video relative to audio may vary according to the ON/OFF setting of this function (see page 118).

Other Features

Assistant panel

The supplied assistant panel has an identical button and indicator layout to that of the on-camera control panel and provides intuitive remote control of basic camera operations, such as control of frame rate (fps), shutter (indication in angles enabled), gain, color temperature (switching between Tungsten and Daylight enabled), timecode/tape remaining check, character indications, and function assignment to the assignable buttons.

Down-conversion output

The down-converter built into the camera as standard equipment enables camera pictures as well as VTR playback pictures to be monitored using a conventional SD monitor.

Twin-viewfinder operation

Two viewfinders can be attached to the F35 for simultaneous monitoring with different settings of character information and marker indications.

Operational Versatility

Two operation modes: Cine and Custom

The F35 offers two operation modes; “Cine Mode” for movie-making applications, where image tone is normally adjusted in post production, and “Custom Mode,” which is suitable for users who wish to fine-tune camera parameters to produce their desired look in on-set grading.

Shutter control

When using the electronic shutter, the setting indication can be switched between the shutter angle (degree) and shutter speed (second).

Features

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1-2 Example of System Configuration

The diagram below shows a system configuration example to use of this camera. In this manual, an optional HDVF-C35W HD Electronic Viewfinder is used to instruct how to operate the unit.

Viewfinders

HDVF-20A HD Electronic Viewfinder

HDVF-C35W HD Electronic Viewfinder

Viewfinder-related equipment

Name / Purpose Magnification Part No.

Fog-proof filter — 1-547-341-11

Lens assembly –2.8 D to +2.0 D A-8262-537-A

Lens assembly –3.6 D to –0.8 D A-8262-538-A

Lens assembly –3.6 D to +0.4 D A-8267-737-A

Lens assembly (3 × magnification)

–2.4 D to +0.5 D A-8314-798-A

F35 Product Configuration

For more information about the fittings, connections, or use of additional equipment and accessories, see “Chapter 2 Installation and Preparations” as well as the operation manuals for the connected equipment.

Products for battery operation

Product Model name

Rechargeable Battery Pack BP-GL95

Battery Adaptor BKP-L551

Product for AC power supply

Product Model name

AC Adaptor AC-DN2B

Center handle

Chapter 1 Overview

L handle

Camera head

Riser plate

Video recorder

SRW-1 HD Portable Digital Recorder

Products for tripod mounting

Name Model name

Bridge Plate BP-5 (ARRIFLEX made)

Shoulder Set S-1 (ARRIFLEX made)

Assistant panel

L O C K

Interface box

Remote control devices

RM-B750 Remote Control Unit

MSU-900/950 Master Setup Unit

Data storage media

“Memory Stick PRO” “Memory Stick PRO Duo”

Example of System Configuration

Page 10

1-3 Locations and Functions of Parts

Chapter 1 Overview

1-3-1 Camera Head

Front panel

a VF1 connector

b CONTROL PANEL connector

c Accessory receptacles

d VF2 connector

a VF1 (viewfinder 1) connector (20-pin)

Connect a viewfinder (optional).

b CONTROL PANEL connector

Connect with the CAMERA connector of the supplied assistant panel (page 15).

c Accessory receptacles

Using these screw holes in combination with the accessory pockets (page 11) on the left side, you can fix a certain accessory to the left side of the camera.

e Viewfinder shoe

f Flange focal length adjustment screw

Lens mount

g Lens fixing lever

h Lens mount cap

i Shutter emergency open screw

f Flange focal length adjustment screw

You can adjust the flange focal length with the screw behind the cover.

For details, see “Adjusting the flange focal length” (page

20).

g Lens fixing lever

Turn the lever clockwise to secure the lens in the lens mount. To remove the lens, turn the lever counterclockwise.

d VF2 (viewfinder 2) connector (20-pin)

Connect a second viewfinder (optional), e.g. for an assistant.

Note

When two viewfinders are connected at the same time (via the VF1 and VF2 connectors), if an HDVF-C950W is connected to either connector, use an HDVF-C35W as the other viewfinder. Because of a limitation of current capacity, two HDVF-C950W viewfinders cannot be used simultaneously.

e Viewfinder shoe

Attach an optional viewfinder. The height of the attaching position can be adjusted.

For details, see “2-4 Attaching a Viewfinder” (page 21).

Locations and Functions of Parts

For details, see “2-3 Attaching a Lens” (page 20).

h Lens mount cap

Cover the lens mount with this cap when a lens is not attached. The cover may be removed by rotating the lens fixing lever counterclockwise.

i Shutter emergency opening screw

You can forcibly open the shutter in an emergency.

For details, see “To forcibly open the shutter” on page

109.

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Left panel

a Level vial

b L handle

c Accessory pockets

d DC IN connector

i DC OUT 12V connector

h (network) connector

g EXT I/O connector

f CAM POWER switch

e Power indicators

k Measure hook/focus

reference mark

j DC OUT 24V connector

Chapter 1 Overview

a Level vial

Used as a reference to check that the camera stands horizontally. It can be fine-adjusted when required. If fine-adjustment is required, remove the cover and adjust it by rotating the three slotted-head screws.

b L handle

The L handle is attached to the top of the camera head at the factory. It has three screw holes (

/8") for accessories on the upper side. The assistant panel (page 15) can be mounted on the outside of the handle by attaching the supplied assistant panel hanger.

c Accessory pockets

Using these accessory pockets in combination with the accessory receptacles (page 10) on the front panel, you can fix a certain accessory to the left side of the camera.

d DC IN connector (LEMO 8-pin)

Power is supplied by using a specified power cord.

e Power indicators

Either of the indicators lights according to the voltage of the power being supplied.

f CAM POWER switch CA: The camera is turned on using the power being

supplied via the interface box (page 15).

OFF: The power is cut off. ON: The camera is turned on using the power being

supplied from the DC IN connector of the camera head.

Note

If you move the switch setting from ON to CA in one stroke, the power may not be cut off. To turn off the power, be sure to set the switch to the OFF position.

g EXT I/O (external control) connector (5-pin)

For control via RS-232C.

h (network) connector (RJ-45 type, 10BASE-T, 100BASE-TX)

For control from the MSU-900/950 Master Setup Unit, etc. via a network cable.

Locations and Functions of Parts

Page 12

The necessary settings are made using the NETWORK menu displayed on the viewfinder or monitor screen.

Buchse haben könnte. Folgen Sie den Anweisungen für diese Buchse.

CAUTION

For safety, do not connect the connector for peripheral device wiring that might have excessive voltage to this

Chapter 1 Overview

port. Follow the instructions for this port.

ATTENTION

Par mesure de sécurité, ne raccordez pas le connecteur pour le câblage de périphériques pouvant avoir une tension excessive à ce port. Suivez les instructions pour ce port.

ACHTUNG

Aus Sicherheitsgründen nicht mit einem PeripheriegerätAnschluss verbinden, der zu starke Spannung für diese

Right panel

i DC OUT 12V (DC 12V power output) connector

DC 12V power can be fed to an accessory.

j DC OUT 24V (DC 24V power output) connector

DC 24 V power can be fed to an accessory.

k Measure hook/focus reference mark

Use as reference for focusing. The same reference mark is also provided at the right of the riser plate (page 13). For actual measurement of the distance from a subject, you can fix the end of a tape measure to the hook.

e Safety release tab

f Accessory clamp lever

g Lock release knob

h Accessory mount lever

a Assignable buttons 1, 2, 3

b LOCK switch c RUN button and indicator d 4/AUTO BLK BAL switch

Riser plate

a Assignable buttons 1, 2, 3

You can assign various functions to these buttons, using the subdisplay on the left panel or on the assistant panel or the menu displayed on the viewfinder or monitor screen. The ND filter selection function is assigned to button 1 and the CC filter selection function to button 2 at the factory. (No function is assigned to button 3.)

For details, see “3-2-10 Allocation of Functions to the Assignable Buttons and Switch” (page 35) and “3-7 Detailed Settings of the Switch Functions” (page 48).

b LOCK switch

To disable operations on the panel.

123

Display/menu operation block

(page 13)

i Memory stick section

j Focus reference mark

k Tripod receptacles (bottom)

You can make a setting to allow the RUN button to be activated even when the LOCK switch is set to ON on the <SUBDISPLAY 2> page on the USER (OPERATION) menu.

c RUN button and indicator

To start/stop recording on the SRW-1 HD Portable Digital Recorder docked on the camera. The indicator is lit while the recorder is in Recording mode. The indicator flashes as a warning in some cases.

For details on warning indication, see “Warning/Error Messages” (page 108).

Locations and Functions of Parts

Page 13

The firmware of the SRW-1 may be required to be updated for use with this camera. For details, consult your local Sony representative.

Display/menu operation block

Used to operate displays on the subdisplay and the viewfinder/monitor screen.

d Assignable 4/AUTO BLK BAL (auto black balance) switch

Push the switch downward to the AUTO BLK BAL side to start the auto black balance adjustment. The function activated by pressing the switch upward to the 4 side can be selected using the subdisplay on the left panel or on the assistant panel or the menu displayed on the viewfinder or monitor screen.

For details, see “3-2-10 Allocation of Functions to the Assignable Buttons and Switch” (page 35) and “3-7 Detailed Settings of the Switch Functions” (page 48).

e Safety release tab f Accessory clamp lever g Lock release knob h Accessory mount lever

For mounting/unmounting an SRW-1 HD Portable Digital Recorder or the supplied interface box to the top of the camera head. The mounting/unmounting mechanism is the same as that on the rear panel (page 14).

For details, see “Chapter 2 Installation and Preparations”.

i Memory Stick section

A slot to accommodate a “Memory Stick” is provided behind the rubber cap. The access lamp is lit in red while writing or reading data to/from a “Memory Stick.” You can use the “Memory Stick PRO” or “Memory Stick PRO Duo” with this camera. The “Memory Stick PRO Duo” media can be used without any adaptor.

Note

When the access lamp is lit in red, do not insert/remove the “Memory Stick” or turn off the camera.

For details, see “5-3-1 Using a “Memory Stick”” (page

90).

j Focus reference mark

Used as a reference for focusing.

k Tripod receptacles (bottom)

Two screw holes (for

/8" camera screws) for tripod

mounting are provided.

For details on menu operations, see “3-2-1 Basic Operation of the Subdisplay” (page 29) and “4-2 Basic Menu Operations” (page 57).

a Subdisplay

b VF MENU/DISPLAY button

c CANCEL/STATUS button

LOCK

VF MENU/DISPLAY CANCEL/STATUS

RUN

AUTO

BLK

BAL

PAG E

SET

e SET button

d PAGE button

f MENU SEL/ENTER

dial

a Subdisplay

For basic settings of this camera. When an SRW-1 HD Portable Digital Recorder has been docked, some statuses of the recorder can also be displayed. When the supplied assistant panel is connected, the same information will be displayed on the assistant panel.

b VF (viewfinder) MENU/DISPLAY button

Press this button to select the display mode of the subdisplay and the viewfinder (monitor) screen.

c CANCEL/STATUS button

In Menu Operation mode, press this button to cancel your entry or to resume the previous status. If you press this button when the menu is not displayed on the viewfinder (monitor) screen, the status information of the camera will be displayed.

For the information displayed, see “3-6 Viewing and Setting the Viewfinder Displays” (page 43).

d PAGE button

Press this button to flip the pages or register the setting on the subdisplay.

Chapter 1 Overview

e SET button

The subdisplay enters Data Change mode if you hold this button pressed for more than 1 second. Use this button also to flip to the previous page on the subdisplay.

Locations and Functions of Parts

Page 14

f MENU SEL (selection) /ENTER dial

Used to select or set the items on the subdisplay or the menu items on the viewfinder (monitor) screen.

Rear panel

Chapter 1 Overview

a Safety release tab b Accessory clamp lever

c Lock release knob d Accessory mount lever

OFFON

REMOTE

f RUN indicator and ON/OFF switch

g GENLOCK IN connector h TEST OUT connector i MONITOR OUT HD SDI connectors 1/2

j REMOTE connector

e Recorder/interface box

receptacles

a Safety release tab b Accessory clamp lever c Lock release knob d Accessory mount lever

For mounting/unmounting an SRW-1 HD Portable Digital Recorder or the interface box to/from the rear of the camera head. The mounting/unmounting mechanism is the same as that on the top (page 13).

For details, see “Chapter 2 Installation and Preparations”.

e Recorder/interface box receptacles

Signals and power are sent/received to/from an SRW-1 HD Portable Digital Recorder or the supplied interface box (page 15) mounted on the rear. The same receptacles are provided on the top to send/ receive signals and power to/from the recorder or the interface box mounted on the top.

When using a rechargeable battery

Use the receptacles on the rear panel. By attaching the BKP-L551 to the rear of the interface box, the camera can be operated on a battery. Note, however, that power will be fed only to the camera head and viewfinder. Provide another power source for the recorder.

DC IN connector (see page 11)

k Wrench box

g GENLOCK IN (external sync signal input)

connector (BNC type)

Used for input of an external gen-lock signal (HD 3-level sync).

h TEST OUT connector (BNC type)

An analog test signal is fed from the connector. The type of output signal can be set using a menu on the viewfinder or monitor screen.

i MONITOR OUT HD SDI connectors 1/2 (BNC type)

An HD SDI signal for monitoring is fed from the connectors. The type of output signal can be set using a menu on the viewfinder or monitor screen. The same signal is output from connector 1 and 2.

j REMOTE connector (8-pin)

Connect an external control device, such as the RM-B150/ B750 Remote Control Unit.

k Wrench box

A 3-mm wrench for attaching/detaching the handle and a

2.5-mm wrench for attaching/detaching the viewfinder shoe are accommodated.

f RUN indicator and ON/OFF switch

When the switch is set to ON, the indicator will be lit while the recorder mounted on the camera is in Recording mode.

Locations and Functions of Parts

Page 15

1-3-2 Assistant Panel (Supplied)

1-3-3 Interface Box (Supplied)

The most parts are common to those on the right panel of the camera head. Connecting the panel to the CONTROL PANEL connector (page 10) of the camera head permits the camera and recorder to be operated at hand.

a CAMERA connector

LOCK switch

VF MENU/DISPLAY button

Assignable buttons 1, 2, 3

CANCEL/STATUS button

b AUX connector

LOCK VF MENU/DISPLAY CANCEL/STATUS

MENU SEL/

ENTER

RUN

AUTO

BLK BAL

4/AUTO BLK BAL switch

RUN button and indicator

PAG E

SET

SET button

PAG E bu t t on

MENU SEL/ENTER dial

Subdisplay

Being attached to the top or the rear of the camera head, it transfers signals and power to/from the camera head.

a AUDIO IN CH-1/CH-2 connectors

b Audio input selection switches

LINE MIC

+48V ON

CH-1

LINE MIC

+48V ON

CH-2

c HD-SDI A/B connectors

AUDIO IN

e Camera connector 1

HD-SDI

f Camera connector 2

d DC IN connector (bottom)

a AUDIO IN CH-1/CH-2 connectors (XLR 3-pin,

female)

Connect audio signals. Each connector is equipped with an input selection switch.

Chapter 1 Overview

a CAMERA connector

Using the supplied assistant panel cable, connect to the CONTROL PANEL connector of the camera head.

b AUX (auxiliary) connector

Connect to an external device as required.

The other parts function the same as those on the right side panel of the camera head.

Note

If the assistant panel cable is disconnected/connected while you are operating the subdisplay or a menu on the viewfinder/monitor screen, the cursor/pointer on the subdisplay or on the menu page may inadvertently be moved. If a ? symbol is shown on the display, first register the setting, then disconnect/connect the cable.

b Audio input selection switches

Set to the appropriate position according to the equipment connected to the corresponding AUDIO IN connector. LINE: When a line-level (+4 dBu) signal source is

connected

MIC: When an external microphone is connected (No

power is supplied.)

+48 V ON: To supply power of +48 V to the connected

microphone

c HD-SDI A/B connectors

For Dual Link outputs of an HD-SDI signal.

d DC IN connector (XLR 4-pin)

Connecting the BKP-L551 Battery Adaptor or a specified power cable, supply power to the interface box. The power is also fed to the camera head, viewfinder, and lens.

Note

Power is not fed to an SRW-1 recorder.

Locations and Functions of Parts

Page 16

e Camera connector 1

When the interface box is mounted on the top or rear of the camera head, video/audio and control signals are sent/ received to/from the camera head.

f Camera connector 2

Chapter 1 Overview

When the interface box is mounted on rear of the camera head, power is sent/received to/from the camera head.

Locations and Functions of Parts

Page 17

Installation and Preparations

2-1 Mounting the Interface Box

The supplied interface box can be attached to the top or rear of the camera head. Connection between the camera head and the interface box is achieved by mounting, eliminating additional cable connections.

• The same attaching/detaching system is used both on the

top and the rear.

• The following instructions use the illustrations of

attaching to the rear as examples.

• Although the illustrations show the statuses where the L

handle has been detached, the interface box can be mounted/unmounted with the L handle attached.

Chapter

Release the lock by sliding the lock-release knob in the direction of the arrow (1 in the figure below) then pull up the accessory mount lever (pull it toward the lens when mounting on the top) (2 in the figure below).

Accessory mount lever

Lock-release knob

Chapter 2 Installation and Preparations

To attach

Place the camera head on a stable, flat surface.

Rotate the accessory clamp lever upward (toward the lens when attaching to the top).

Accessory clamp lever

Aligning the matching line on the interface box with that on the camera head, fit the interface box into the camera head then push down on the box (slide it in the opposite direction of the lens when attaching to the top) so that the connectors engage.

Matching line on

Matching line on the camera head

the interface box

Mounting the Interface Box

Page 18

Chapter 2 Installation and Preparations

Rotate the accessory mount lever downward (pull it in the opposite direction of the lens when attaching to the top).

While holding the lock-release knob in the direction of the arrow, fold the accessory mount lever into its home position.

To detach

Rotate the accessory clamp lever upward (toward the lens when attaching to the top) (1 in the figure below).

Release the lock by sliding the lock-release knob in the direction of the arrow (2 in the figure below) then pull up on the accessory mount lever (3 in the figure below) (pull it toward the lens when mounting on the top).

Accessory clamp lever

Rotate the accessory clamp lever downward (toward the opposite direction of the lens when attaching to the top).

Lock-release knob

Accessory mount lever

While holding the safety release tab pressed inward, pull up on the interface box to disengage the connectors, then pull out the box horizontally. (When attaching to the top, hold the safety release tab pressed downward, slide the interface box toward the lens to disengage the connectors, then pull out the box vertically).

Safety release tab

Mounting the Interface Box

Return the accessory mount lever and accessory clamp lever to their home positions.

Page 19

2-2 Mounting the SRW-1 Recorder

Mounting to the rear

SRW-1

In the same manner as the interface box, the SRW-1 HD Portable Digital Recorder can be mounted on the top or rear of the camera head.

For handling of the SRW-1 Recorder, refer to the Operation Manual of the recorder.

Notes

• The firmware of the SRW-1 may be required to be

updated for use with the camera.

For details, consult your Sony representative.

• When mounting the recorder, fix the camera head on a

tripod in advance to keep the camera head stable.

For tripod mounting, see “2-5 Mounting the Camera to a Tripod” (page 22).

• When the camera is to be used with the recorder

mounted, make sure that the camera is securely fixed and stable so that it will not topple over or fall.

Mounting to the top

SRW-1

N O

VF MENU/DISPLAY CANCEL/STA

TUS

OFF

When connecting the SRW-1 recorder using cables

Attach the SRPC-1 HD Video Processor to the recorder to permit cable connections to the interface box mounted on the camera. Use two coaxial cables for connections. The cable length can be extended up to 100 m when 5C-FB cables are used. The camera and recorder must be controlled independently when connected via cables.

Chapter 2 Installation and Preparations

Coaxial cables

SRW-1

HD SDI AHD SDI B

HD SDI IN A

HD SDI IN B

SRPC-1

Mounting the SRW-1 Recorder

Page 20

2-3 Attaching a Lens

2.8

1.6

Attach an appropriate optional lens that conforms to the PL lens mount.

Note

Always use a lens whose projection from the flange (A in the figure) is less than 30 mm. Use of any lens that

Chapter 2 Installation and Preparations

protrudes more tha 30 mm will damage the internal filter.

For information on handling lenses, refer to the lens’ operation manual.

Rotate the lens fixing lever counterclockwise and remove the lens mount cap from the lens mount.

1.6

2.8

5.6

Notch

Selecting a lens file

With this camera, values, such as the compensation values, which are specific to the mounted lens can be registered in a lens file. You can perform necessary adjustments upon replacement of lenses by merely invoking the registered file. Select the file using the subdisplay.

For lens file selection on the subdisplay, see “3-2-6 Selection of a Lens File” (page 34).

For details on the lens files, see “5-1 File Configuration” (page 87).

Lens fixing lever

Align the lens’ alignment pin with the notch in the upper part of the lens mount and insert the lens (sold separately) into the mount.

While supporting the lens, rotate the lens fixing lever clockwise to secure the lens.

Adjusting the flange focal length

Adjustment of the flange focal length (distance between the lens mount attachment plane and the imaging plane) is necessary in the following situations:

• The first time a lens is attached

• When changing lenses

• If the focus is not sharp at both telephoto and wide angle when zooming

The flange focal length for this camera can be adjusted by rotating the adjustment screw on the front panel. Use an Allen wrench (7/64” diagonal):

Cover

Attaching a Lens

Allen wrench

Page 21

Loosen the fixing screw using a screwdriver, then open the cover.

Rotate the adjustment screw using an Allen wrench.

Clockwise rotation lengthens the flange focal length, and counterclockwise rotation shortens it. Remember as a guide that ±3 turns of the screw correspond to variation of the flange focal length of ±0.15 mm.

When the adjustment is finished, close the cover and tighten the fixing screw.

2-4 Attaching a Viewfinder

Caution

When the viewfinder is attached, do not leave the camera with the eyepiece facing the sun. Direct sunlight can enter through the eyepiece, be focused in the viewfinder and cause fire.

For details on the viewfinder, refer to the instruction manual of the viewfinder.

If the viewfinder must be attached lower

Loosen the two screws, using the 2.5-mm wrench stored in the wrench box (page 14) to detach the viewfinder shoe, and attach it to the lower position using the lower screw holes.

Chapter 2 Installation and Preparations

Attaching procedure

Fit the viewfinder to the viewfinder shoe and slide the viewfinder horizontally.

The viewfinder stopper automatically pops down.

Stopper

Set the viewfinder to the most convenient position, tighten the viewfinder positioning ring (1 in the figure below), and connect the viewfinder cable to the VF1 connector of the camera (2 in the figure below).

Attaching a Viewfinder

Page 22

2-5 Mounting the Camera

Chapter 2 Installation and Preparations

When the supplied center handle is attached to the top of the camera head, you can attach the viewfinder to the viewfinder shoe of the center handle. In this case, first remove the viewfinder shoe from the camera head.

For details on the center handle, see “2-6-2 Center Handle (Supplied)” (page 23).

Note

When the L handle is attached to the camera head, the attaching condition may be limited, owing to the viewfinder position and the rotating position of the hood.

When the second viewfinder is required

Connect it to the VF2 connector. Using the menus, you can specify the display condition independently of the viewfinder connected to the VF1 connector.

to a Tripod

Two tripod receptacles (for 3/8” camera screws) are provided on the bottom of the camera head.

Tripod receptacles

Notes

• Select an appropriate hole, considering the balance of the weight of the camera. If an inappropriate hole is selected, the camera may fall over.

• Check that the size of the selected hole matches that of the screw of the tripod. If they do not match, the camera cannot be attached to the tripod securely.

Note

To detach the viewfinder

Loosen the viewfinder positioning ring, pull on the viewfinder stopper, then pull out the viewfinder by sliding it in the direction opposite that when attaching.

Mounting the Camera to a Tripod

Page 23

2-6 Attaching/Detaching Handles

2-6-1 L Handle

The L handle is attached to the top of the camera head at the factory. Three screw holes (for the upper side of the L handle can be used for fixing various accessories.

Mounting the assistant panel

By attaching the supplied assistant panel hanger, you can mount the assistant panel on the outside of the handle.

/8” camera screws for a tripod) on

Assistant panel hanger (supplied)

F F

O N

Hex-head screws

To attach the handle in the original position, reverse the procedure for detaching.

2-6-2 Center Handle (Supplied)

The supplied center handle can be attached to the top or rear of the camera head. Attach it so that the slanting side faces the back (or bottom). The screw holes on the upper side of the handle can be used for fixing various accessories.

Chapter 2 Installation and Preparations

four +B4×8 screws (supplied)

U N

F F

Assistant panel

Detaching the L handle

If the L handle is not necessary or to be replaced with the supplied center handle, remove it by loosening the two screws, using the 3-mm wrench stored in the wrench box (page 14).

Attaching the handle directly to the camera head

The handle can be attached/detached in the same manner as the interface box (see page 17).

Attaching the handle to the interface box mounted on the camera head

First remove the base plate from the handle by loosening the four screws, then attach it to the interface box.

Base plate

Interface box

Attaching/Detaching Handles

Page 24

Attaching a viewfinder

When the supplied center handle is attached to the top of the camera head, you can attach the viewfinder to the viewfinder shoe of the center handle after removing the viewfinder shoe from the camera head. The procedure for attaching the viewfinder is the same as when attaching it to the viewfinder shoe of the camera head (see page 21).

Chapter 2 Installation and Preparations

2-7 Preparing the Power Supply

This camera operates on DC 12 V (10.5 to 17 V).

Supplying power directly to the camera head

Connect a power supply to the DC IN connector of the camera head. Use a commercially available shielded cable by attaching the supplied 8-pin connector for a power cable.

For details on the connection, consult your local Sony representative.

To turn on the camera

Set the CAM POWER switch of the camera head to the ON side, and the camera is turned on. Power is also supplied to the viewfinder and lens mounted on the camera head. Power of 12 V or 24 V can be fed to accessories via the DC OUT connectors.

Supplying power via the interface box

To supply power via the interface box, mount the interface box to the rear of the camera head. If the interface box is mounted on the top, the power is not fed to the camera head. Connect a power supply to the DC IN connector (XLR 4pin) of the interface box.

To turn on the camera

Set the CAM POWER switch of the camera head to the CA side, and the camera is turned on. The power is also supplied to the viewfinder and lens mounted on the camera head.

To use an AC power source

An AC power source can be connected, by using the ACDN2B AC Adaptor.

Attach the AC-DN2B to the interface box.

Connect the DC power cord supplied with the ACDN2B to the DC IN connector of the interface box.

Connect the AC-DN2B to an AC power source.

Preparing the Power Supply

To use a battery pack

The BP-GL95 Lithium-ion Battery Pack can be used. By attaching the BKP-L551 Battery Adaptor to the interface box, connect the BP-GL95 Lithium-ion Battery

Page 25

Pack to the interface box.

Notes

• Remove the battery pack if the camera will be out of use for an extended period.

• Charge the battery, using the specified battery charger, before use.

For charging, refer to the instructions for the battery charger.

Attach the BKP-L551 Battery Adaptor to the interface box.

BKP-L551

Interface box

V 7

-1

V .5 0

2-8 Setting the Built-in Clock

When using the camera for the first time, set the built-in clock to the local time, using the <DATE> page of the MAINTENANCE menu displayed on the viewfinder screen. To set the menu on monitor screen, connect a monitor to either of the MONITOR OUT HD SDI connectors.

Setting procedure

Turn on the camera.

While holding the MENU SEL/ENTER dial pressed, press the VF MENU/DISPLAY button.

The camera enters Menu Operation mode, and “TOP” is displayed at the upper-right corner of the screen.

Rotate the MENU SEL/ENTER dial to set the pointer to “TOP” and push on the MENU SEL/ENTER dial.

The TOP MENU screen is displayed.

Chapter 2 Installation and Preparations

Aligning the groove on the BP-GL95 with the projection on the BKP-L551, slide the BP-GL95 so that the connectors engage.

Connect the DC cable of the BKP-L551 to the DC IN connector of the interface box.

When the battery is connected to the DC IN connector of the interface box, power is fed to the camera head, viewfinder, and lens.

Note

Power is not supplied to the recorder mounted on the camera head. To supply power to the recorder, connect a power supply to the DC IN connector on the camera head.

USER USER MENU CUSTOMIZE ALL

OPERATION

PAINT

MAINTENANCE

NETWORK

FILE

DIAGNOSIS

Rotate the MENU SEL/ENTER dial to position the pointer to MAINTENANCE and push on the MENU SEL/ENTER dial.

The CONTENTS page of the MAINTENANCE menu is displayed. (The following display examples are those in Custom mode. They include some items not displayed in Cine mode.)

CONTENTS M00

01.<BASE SETTING>

02.<AUTO SETUP>

03.<WHITE SHADING>

04.<BLACK SHADING>

05.<OHB MATRIX>

06.<AUDIO>

07.<OUTPUT FORMAT>

08.<DOWN CONVERTER>

09.<POWER SAVE>

10.<BATTERY ALARM SET>

Turn the MENU SEL/ENTER dial to scroll the page and position the pointer to <DATE>.

Setting the Built-in Clock

Page 26

Chapter 2 Installation and Preparations

CONTENTS M00

02.<AUTO SETUP>

03.<WHITE SHADING>

04.<BLACK SHADING>

05.<OHB MATRIX>

06.<AUDIO>

07.<OUTPUT FORMAT>

08.<DOWN CONVERTER>

09.<POWER SAVE>

10.<BATTERY ALARM SET>

11.<DATE>

Push on the MENU SEL/ENTER dial.

The <DATE> page is displayed.

<DATE> M12 TOP

DATE/TIME

2008/3/22 16:53

Turn the MENU SEL/ENTER dial and set the date and time.

Push on the MENU SEL/ENTER dial to shift to the next digit.

When the date/time setting is completed, press the VF MENU/DISPLAY button to exit Menu Operation mode.

For details on menu operations, see “4-2 Basic Menu Operations” (page 57).

Setting the Built-in Clock

Page 27

Basic Adjustments and Settings

3-1 Selection of the Basic Operation Modes

3-1-1 Overview of the Basic Operation Modes

With this camera, Cine mode and Custom mode can be switched. Cine mode is designed for shooting the materials that will undergo post-production editing and that do not need on-set grading, as with shooting with a film camera. Custom mode is designed for shooting with all the setting items of the camera set as you wish. The items that can be set and the selectable values on the menus and from the remote control unit are different in Cine mode and Custom mode.

Chapter

Custom mode

• This mode is designed for shooting with detailed settings on the menus or with operations from the remote control unit.

• The reference file, which stores the values to be used as reference for adjustments, and the scene files, which store the adjustment values specific to a particular scene, are available in this mode.

• User Gamma can be installed.

• Modification and storage of the lens files are possible.

Note

The settings for the file items adjusted in Custom mode are maintained when the camera is switched back to Cine mode. However, the video adjustment values that are temporarily changed and not stored in any file will be cleared upon mode switching.

For details on different items and values that can be set in each mode, see “4-3 Menu List” (page 60).

Chapter 3 Basic Adjustments and Settings

Cine mode (default mode)

• The subdisplay and the USER menu are mainly used.

• The items related to image creation are fixed at the factory-set values, and menu displays are simplified.

• Only auto black balance (ABB) can be activated as auto setup. The white balance level is fixed at the preset value (3200K), and auto white balance (AWB) and WHITE R/ G/B settings are not operative.

• On a remote control unit connected to the REMOTE connector of the camera, the values for the adjustment items whose settings fixed in Cine mode are not displayed. However, data for the ON/OFF setting items and selectable items are displayed although they are fixed in Cine mode.

• Reading/writing of files from/to a “Memory Stick” and data presetting are enabled only for the operator file that is included in the USER menu.

• Only retrieval by specifying a file number is allowed among the lens file operations.

• The reference file items are fixed to the default values set at the factory even if you have changed the values in Custom mode.

3-1-2 Switching of the Basic Operation Modes

At shipment, Cine mode is selected.

To switch to Custom mode

Referring to the procedures described in “2-8 Setting the Built-in Clock” (page 25), call up the <BASE SETTING>

page of the MAINTENANCE menu on the viewfinder screen or the monitor screen and switch the modes.

On the same page, making settings for dynamic range and color space is also possible.

Selection of the Basic Operation Modes

Page 28

<BASE SETTING> page of the MAINTENANCE menu

<BASE SETTING> M01 TOP

SHOOT MODE : D-RANGE : EXTEND COLOR SPACE: S-GAMUT

CUSTOM

SHOOT MODE

Switch between CINE and CUSTOM on this line.

Chapter 3 Basic Adjustments and Settings

D-RANGE

With EXTEND, the dynamic range and sensitivity are improved. The S/N ratio is improved with NORMAL.

COLOR SPACE

Select color reproducibility: S-GAMUT: This mode enables you to record with wider

color space than with the conventional cameras (HDCF950, HDW-F900R, etc.) whose color space is equivalent to that available with film cameras. With postproduction processes, color expression can be substantially extended.

For details on reproducible gamuts, see “Color Space According to the COLOR SPACE Settings” (page 117).

Note

Images shot with the S-GAMUT setting will be seen in somewhat pale colors if they are reproduced on a conventional narrow color-space display, such as a CRT display.

F900: This mode enables you to shoot with color space

equivalent to that available with conventional cameras. This facilitates color matching with conventional cameras. Furthermore, as wider color-space data available with this camera can be used without restriction, distinguishability of images with higher color saturation will be improved over that with conventional cameras.

F900R: This mode enables you to shoot with color space

as close as possible to that of the HDW-F900R, by limiting the color space to that of the HDW-F900R. When using this camera in combination with the HDWF900R, use this mode for easy color matching.

Note

This mode can be selected only when “COLOR F900R” is set to “ENABLE” on the <OTHERS 2> page of the MAINTENANCE menu.

DCDM REF PJ: This mode enables color reproducibility

that is recommended by the Digital Cinema Initiatives (DCI). The camera can output signals for display devices that can reproduce this color space, such as a DLP projector.

If a video production is to be displayed on a device that complies with the DCI standards, shooting in this mode will minimize the necessity for postproduction processes, such as color correction.

For details on menu operations, see “4-2 Basic Menu Operations” (page 57).

Selection of the Basic Operation Modes

Page 29

3-2 Basic Settings with the Subdisplay

However, the LOCK switches disable the buttons and dial on their own sides. To inhibit operations on either side, set the LOCK switch on the side to be inhibited to ON.

Turning the MENU SEL/ENTER dial can change a setting, and pressing on it can register (ENTER) a setting.

Basic settings of the camera can be easily performed, using the subdisplay located on the side of the camera or that of the assistant panel if connected via the CONTROL PANEL connector of the camera.

3-2-1 Basic Operation of the Subdisplay

For operation of the subdisplay, the buttons and dial shown in the figures below are used:

Side panel of the camera head

VF MENU/DISPLAY button (For registering a setting)

LOCK

VF MENU/DISPLAY CANCEL/STATUS

RUN

AUTO

BLK BAL

PAGE button

(For advancing

pages/registering a

setting)

CANCEL/STATUS button (For canceling of a setting)

MENU SEL/ENTER dial

PAG E

Press

SET

(For determining a setting)

SET button (For reversing pages/entering Data Change mode by holding the button pressed for 1 sec)

Tu r n (For changing a setting)

To display the Setting pages

After the camera is turned on, the selected operation mode (CINE or CUSTOM) is displayed on the subdisplay for several seconds, after which the Setting page that was operated last time is displayed.

To advance to the next page

Press the PAGE button.

To go back to the previous page

Press the SET button (press and release the button within 1 second).

To change a setting

Press and hold the SET button for more than 1 second. Data Change mode is entered, the cursor ( | ) starts flashing, and the question mark (? symbol) appears at the rightmost position on the first line.

Cursor (flashing)

S C 3 6 0 . 0 O N ? 2

4 F P S C M P : O F

On a page with two or more setting items, each time the SET button is pressed, the cursor moves to the next item.

Cursor

Question mark

Chapter 3 Basic Adjustments and Settings

Assistant panel

VF MENU/DISPLAY button CANCEL/STATUS button

MENU SEL/ ENTER dial

LOCK VF MENU/DISPLAY CANCEL/STATUS

MENU SEL/

ENTER

Press

RUN

AUTO

BLK BAL

PAGE button

PAG E

SET

SET button

Tu r n.

Operations of the subdisplay are possible with the buttons and dial both sides of the camera and assistant panel.

S C 3 6 0 . 0 O N ? 2

4 F P S C M P : O F

Move the cursor to the item you wish to modify then change the setting by turning the MENU SEL/ENTER dial.

Note

While the subdisplay is in Data Change mode, menu operations on the viewfinder cannot be performed.

To determine a changed setting

Perform one of the following:

• Press the PAGE button.

• Exit Data Change mode by pressing the MENU SEL/ ENTER dial (the cursor and question mark disappear).

• Terminate the subdisplay operation by pressing the VF MENU/DISPLAY button.

Basic Settings with the Subdisplay

Page 30

To cancel a change on a setting

Without registering a change of a setting, press the CANCEL/STATUS button. The question mark disappears, and the original setting is restored.

To terminate subdisplay operation

Press the VF MENU/DISPLAY button.

3-2-2 Shutter Settings

the remote control unit correctly, upgrading of the version is required.

For details, consult your local Sony representative.

Shutter setting page

123

S C 3 6 0 . 0 O N 2

4 F P S C M P : O F

The electronic shutter of this camera can be adjusted, with settings displayed in shutter angles, as with a film camera, in addition to exposure time.

Chapter 3 Basic Adjustments and Settings

Two operation methods are available for the adjustment: stepwise and continuous.

Step mode

Your frequently used shutter values (8 values at maximum) can be registered, enabling stepwise selection of the shutter values. At shipment, the following values are registered:

STEP No. Shutter angle

1 216.0º

2 180.0º

3 172.8º

4 150.0º

5 144.0º

6 90.0º

7 45.0º

8 22.5º

To select a shutter value step by step

In Step mode, one of the registered shutter values (8 values at maximum) can be selected, as follows:

Move the cursor to the left of “S” at 1. (Immediately after the shutter setting page is switched to Setting Change mode, the cursor is always displayed at the left of “S”.)

Display the shutter angle you wish to use at 2 by turning the MENU SEL/ENTER dial.

The eight registered values for shutter angle will be displayed one after another as the MENU SEL/ ENTER dial is turned.

To select an arbitrary shutter value

To use a shutter value that is not registered as a step shutter value, use Continuous mode.

Press the SET button to move the cursor to the left of “C” at

The corresponding shutter speeds vary according to the frame frequency and frame rate of the selected video format. The step shutter values can be changed and reregistered on the <SHUTTER ASSIGN> page of the USER (OPERATION) menu or the <SHUTTER/FPS> page of the USER (PAINT) menu.

Continuous mode (ECS)

The shutter values can be continuously changed in a range from 360.0 to 4.3 degrees. To obtain your desired shutter value quickly, assign a value nearest your desired one in Step mode, switch to Continuous mode, then adjust the shutter value.

Note

In a case where a remote control unit connected to the REMOTE connector of the camera is used, adjustment in Step mode is enabled with SHUTTER and adjustment in Continuous mode is enabled with ECS (there is no need to set to ECS ON). However, to display the shutter values on

Basic Settings with the Subdisplay

Display the shutter angle you wish to use at 2 by turning the MENU SEL/ENTER dial.

The shutter value changes continuously as the MENU SEL/ENTER dial is turned.

To change the units

You can change the displayed units for the shutter values from shutter angle (deg) to speed (sec).

Move the cursor to the left of at 2.

Turn the MENU SEL/ENTER dial.

The display at value.

2 changes to the corresponding speed

S C 1 / 2 4 . 0 0 O N ? 2

4 F P S C M P : O F

Page 31

The speed value for the shutter angle varies depending on the selected video format and frame rate.

To select the frame rate (number of frames per second)

When a video format of “Select FPS” is selected, the frame rate (number of frames per second) can be selected.

Move the cursor to 4.

Display the frame rate (number of frames per second) you wish to use by turning the MENU SEL/ENTER dial.

If a format other than those of “Select FPS” is selected, the frame rate cannot be changed.

<SHUTTER ASSIGN> page

<SHUTTER ASSIGN> 10 TOP

STEP [deg] [sec] 1: 2: 180.0 (1/48.00) 3: 172.8 (1/50.05) 4: 150.0 (1/57.63) 5: 144.0 (1/60.07) 6: 90.0 (1/95.92) 7: 45.0 (1/192.2) 8: 22.5 (1/383.0) ADD:

216.0 (1/39.97)

---.- DEL PRESET

STEP 1-8

In the [deg] column on each line, the registered shutter angle is indicated. In the [sec] column, the shutter speed value converted according to the currently selected frame rate is displayed.

Chapter 3 Basic Adjustments and Settings

To use Compensation mode

This camera enables you to compensate for changes in the video level when the FPS value is changed. Two compensation modes are provided: one that depends on shutter angles and another that depends on electric gain.

Move the cursor to 5.

Select the compensation mode you wish to use by turning the MENU SEL/ENTER dial.

AC: Angle Compensation mode

When you change the frame rate, the shutter angle is automatically corrected, retaining the video level.

GC: Gain Compensation mode

When you change the frame rate, the electric gain is automatically corrected, retaining the video level. The current shutter angle setting is maintained.

For details on switching of the compensation modes with the menu, see “3-9 Detailed Shutter Settings” (page 49).

When shutter is not used

Select OFF at 3. The shutter value indication at

2 becomes “----”.

To change the registered values for the step shutter

Call up the <SHUTTER ASSIGN> page of the USER (OPERATION) menu on the viewfinder.

For details on how to operate the menu, see “4-2 Basic Menu Operations” (page 57).

ADD

For newly registering a step shutter value. Display a shutter angle you wish to register then push on the MENU SEL/ENTER dial. The selectable angle values are from 360.0 to 4.3 degrees. The Step shutter values are automatically sorted in descending order. If eight values have been already registered, the message “STEPS FULL” is displayed, and a new value will not be added. In such a case, delete an unneeded value beforehand, using DEL.

DEL

For deleting registered step shutter values. When the pointer is positioned at DEL, an asterisk (*) is displayed at the left of STEP 1. Move the asterisk to the left of the value you wish to delete then push on the MENU SEL/ENTER dial. That value is deleted, and the items after the deleted one will be automatically renumbered.

Example: When deleting 90.0

3: 172.8 (1/50.05) 4: 150.0 (1/57.63) 5: 144.0 (1/60.07) *6: 90.0 (1/95.92) 7: 45.0 (1/192.2) 8: 22.5 (1/383.0) ADD: ---.-

DEL PRESET

3: 172.8 (1/50.05) 4: 150.0 (1/57.63) 5: 144.0 (1/60.07) 6: 45.0 (1/192.2) 7: 22.5 (1/383.0) 8: ---.- (-/---.-) ADD: ---.-

DEL PRESET

As the numbers for which no value is registered are skipped during a selection operation, deleting step shutter values with lower frequency of use will improve the operation speed. At maximum, numbers 2 to 8 can be left unregistered.

Basic Settings with the Subdisplay

Page 32

PRESET

For resetting all step shutter values to default.

Move the cursor to the left of “M” and turn the MENU SEL/ENTER dial.

Addition and deletion of step shutter values can be performed on the <SHUTTER/FPS> page of the USER (PAINT) menu.

For information on the <SHUTTER/FPS> page, see “3-9 Detailed Shutter Settings” (page 49).

3-2-3 Selection of Video Formats

On the subdisplay, the video format can be selected from among the eight registered formats.

Chapter 3 Basic Adjustments and Settings

At shipment, the following four formats are registered, and numbers 5 to 8 are not used:

No. Registered format Indication on the

1 (default) 23.98P 4:4:4 _23.98P 444

2 S23.98P 4:4:4 S23.98P 444

3 S59.94P 4:2:2 S59.94P 422

4 23.98P 4:2:2 _23.98P 422

Video-format selection page

_23.98P 444

subdisplay

The selectable formats are displayed in sequence as you turn the dial.

When the format you wish to register is displayed, press the MENU SEL/ENTER dial.

The registration is updated, and the camera starts to operate with the selected format.

To change the registered formats using the menu

The registered formats can also be changed on the <SUBDISPLAY 1> page of the USER (OPERATION) menu.

For details on how to operate the menu, see “4-2 Basic Menu Operations” (page 57).

<SUBDISPLAY 1> page

<SUBDISPLAY 1> 11

FORMAT MEMORY

_23.98P 444

1: 2: S29.97P 444 3: S59.94P 422 4: _23.98P 422 5: NO ASSIGN 6: NO ASSIGN 7: NO ASSIGN 8: NO ASSIGN

On the first line, the currently selected format is displayed.

Data-set mode enables you to select the desired format from among the registered formats.

_23.98P 444 ? 1:_23.98P 444 M

Turn the MENU SEL/ENTER dial until the desired format is displayed on the second line. The unused numbers are skipped.

You can select unregistered video formats from among available ones, using the <OUTPUT FORMAT> page of the MAINTENANCE menu.

For details on how to select a video format, see “3-14 Detailed Setting of the Video Format” (page 54).

Changing the registered formats

The registered formats (eight at maximum) can be changed with the following procedure:

Display the number of the registered format you wish to change on the second line.

Position the pointer on the line you wish to change and push on the MENU SEL/ENTER dial. The <FORMAT MEMORY> subpage for format selection will be displayed.

<FORMAT MEMORY> page

<FORMAT MEMORY> ESC

00:NO ASSIGN 01:_23.98P 444 02:S23.98P 444 03:_29.97P 444 04:S29.97P 444 05:S59.94P 444 06:_23.98P 422 07:S23.98P 422 08:_29.97P 422 09:S29.97P 422

Position the pointer to the format you wish to select and push on the MENU SEL/ENTER dial. The registered format will be changed. If NO ASSIGN is selected, selection with that number becomes invalid.

3-2-4 Retrieving the ND Offset

If an ND filter is attached to the matte box, etc., the white balance may be in variance. In such a case, you can retrieve

Basic Settings with the Subdisplay

Page 33

an appropriate ND offset value from a previous adjustment you made. Use the ND filter selection page on the subdisplay. The offset values ND: 2 to 5 are stored with respect to the white balance stored for ND: 1 as the reference.

In Custom mode: Selecting the gain, color temperature, and white balance memory

Gain setting page

For the ND offset adjustment, see “5-3-7 Storage of the OHB File” (page 94).

ND filter selection page

ND:1

3-2-5 Selection of the Gain, Color Temperature, and White Balance Memory

The setting items and values in Cine mode and Custom mode are different.

In Cine mode: Selecting the gain and color temperature

Gain setting page

0dB(450) 800% TUNGSTEN

1 on the first line, the gain value is selected from

At among the following: –6 dB, –3 dB, 0 dB, 3 dB, 6 dB, 9 dB, and 12 dB. The corresponding ISO sensitivity is displayed in parentheses. For select either dynamic range or latitude for the indication (see “Indications of the ISO sensitivity and dynamic range” mentioned later). On the second line, the color temperature is selected from TUNGSTEN or DAYLIGHT. With DAYLIGHT, electrical gain of 5600K is ON.

At shipment, the gain is set to 0 dB, and the color temperature is set to TUNGSTEN. The white balance adjustment value is fixed at the preset value (3200K).

2 on the first line, you can

0dB(450) 800% 5600K-ON W:P

The first line is in common with Cine mode. At

3 on the second line, electrical gain of 5600K can be

switched ON or OFF. At

4 on the second line, the white balance adjustment

value can be selected.

Setting Adjustment value

W:P Preset value (3200K)

W:A The value stored in memory A

W:B The value stored in memory B

At shipment, the gain is set to 0 dB, color temperature is set to 5600K-OFF, and the white balance memory is set to W:P.

For details on white balance adjustment, see “3-4 White Balance Adjustment (in Custom mode)” (page 38).

Indications of the ISO sensitivity and dynamic range

The ISO sensitivity value displayed on the Gain setting page is defined as “the value with which the video input becomes 20% when shooting a gray-scale chart of 18% reflection rate.” Note that the video output value with respect to this input will vary depending on the selected gamma. Either dynamic range or latitude can be selected for the indication. The value displayed with % as a dynamic range shows the limit on the high-luminance side in percentage (100%= input level) in a case where the white of the gray scale provides 100% (700 mV) output with the ITU-R709 gamma (standard gamma). The value displayed with E as a latitude shows the latitude on the high-luminance side by an f-stop value, using a gray-scale chart of 18% reflection rate as the key light. The latitude at the low-luminance side can be reproduced up to approx. –6.5 stop at 0 dB.

Chapter 3 Basic Adjustments and Settings

Note

As the dynamic range indication shows a value for the input video, the dynamic range of the output video is limited by the output settings as follows:

Basic Settings with the Subdisplay

Page 34

• If a gamma other than S-LOG is selected

The upper limit is clipped according to the output video limitation specified by the gamma setting. When you select a curve as Hyper Gamma No. 4, which compresses 460% input to 109%, the output video is fed within the range up to 460% of input video even if 800% is displayed on the subdisplay as the dynamic range as the output video is limited to 109%. Using CvpFileEditor V4.0, you can change the dynamic range of Hyper Gamma and create a user gamma curve having no dynamic range limitation.

• If the white clip function is in use

As the white clip function limits the level of output video, the dynamic range specified for the input video may not be

Chapter 3 Basic Adjustments and Settings

obtained for video output.

• If “Select FPS” is ON and Compensation is in Gain

mode

The value of the dynamic range may decrease by up to half at maximum, depending on the FPS settings.

Memo

Note

All the lens files are named “No Offset,” with all zero settings at shipment. File registration and modification of data in a lens file must be performed in Custom mode.

For details on the lens files, see “Chapter 5 Storage and Retrieval of User Setting Data”.

3-2-7 Confirmation of the Time Code and Tape Remaining

When the SRW-1 HD Portable Digital Recorder is attached to this camera, the time code of the recorder and approximate tape remaining (unit: minutes) can be confirmed on the subdisplay.

Time code/tape remaining display page

TCR 00:00:00:00 20min

Why the ISO sensitivity is defined for 20% input

Defining the level of gray scale of 18% reflection rate for the ISO sensitivity on the linear curve (defining with input signal) permits you to use the values as the absolute reference for proper gamma conversion in postproduction. In addition, defining the output for 20% input with ITUR709 so that it becomes the reference code for Cineon curve allows high compatibility.

3-2-6 Selection of a Lens File

With this camera, the compensation data for the mounted lens can be adjusted in Custom mode and registered in the built-in memory in lens files (max. 32 files). You can invoke the compensation data for the mounted lens by merely selecting the corresponding file.

Lens file selection page

LENS:1 No Offset

On the first line, select the number of the lens file. On the second line, the lens-file name corresponding to the selected file is displayed.

The selected lens file will be retained until a new lens file is selected. As long as the same lens is used, further selection of the lens file is not required.

The time code is displayed on the first line, and the approximate tape remaining is displayed on the second line, in the range of 1 to 99 min.

Time code that is displayed on the first line

Indication Meaning

TCR 00:00:00:00 Time code data of the LTC reader

TCR 00:00.00:00 Time code data of the LTC reader (DF)

UBR 00 00 00 00 User bit data of the LTC reader

UBR.00 00 00 00 User bit data of the VITC reader

TCG 00:00:00:00 Time code data of the time code

generator

TCG 00:00:00.00 Time code data of the time code

generator (DF)

UBG 00 00 00 00 User bit data of the time code

generator

CTL -0:00:00:00 Data of the CTL counter

T*R 00:00:00:00 Time code cannot be read with the

LTC reader.

U*R 00 00 00 00 User bit cannot be read with the LTC

reader.

VITC reader.

U*R.00 00 00 00 User bit cannot be read with the VITC

reader.

The type of the displayed time code data is linked with the SRW-1. Select the type of the displayed time code data on the SRW-1.

Basic Settings with the Subdisplay

Page 35

3-2-8 Confirmation of the Power

Character indication setting page

Voltage and Selection of Fan Operation Mode

The values in voltage of the power sources connected to the camera can be confirmed on the subdisplay. On the same page, the operation mode of the built-in fans can also be selected.

Voltage confirmation/Fan Operation mode select page

11.4V 24.1V FAN:AUTO1

1 and 2 on the first line, the values in voltage of the

12-V and 24-V power systems are displayed, respectively. If power is not supplied, “- -” is displayed. If the voltage falls to the NEAR END level, the indication starts flashing. If the voltage falls further down to the END level, the indication flashes rapidly.

The NEAR END and END levels can be set on the <BATT ALARM SET> page of the MAINTENANCE menu.

On the second line, Fan Operation mode can be changed.

VF1:ON VF2:ON MON:ON VBS:ON

VF1

Viewfinder connected via the VF1 connector (default: ON)

VF2

Viewfinder connected via the VF2 connector (default: ON)

MON

Monitors connected via the MONITOR OUT HD SDI connectors (default: ON)

VBS

Monitors connected via the TEST OUT and REMOTE connectors (default: ON)

3-2-10 Allocation of Functions to the Assignable Buttons and Switch

Various functions can be allocated to assignable buttons 1 to 3 and assignable switch 4 (the upper position of the 4/ AUTO BLK BAL switch) that are located on the side of the camera and on the assistant panel.

Chapter 3 Basic Adjustments and Settings

Setting Operation of the fans

AUTO1 (default) The fans are automatically controlled

according to the internal temperature. Normally use this mode.

AUTO2 In synchronization with recording, the

fans are controlled for the quietest condition. As the rotation speed will increase if the internal temperature rises, use other modes for recording that may continue several tens of minutes.

MIN The quietest fan operation is

maintained. Use this mode for long recording at ordinary temperatures.

MAX The fans rotate at the maximum speed

to lower the internal temperature.

3-2-9 ON/OFF of the Character Indication

Superimposition of character data onto camera images can be activated or deactivated by output destination.

At shipment, no function is allocated to these buttons.

Functions that can be allocated to assignable buttons 1 to 3

Menu indication

ND Selection of the ND filter

REC REVIEW With REC REVIEW set to NORM on the

PB(VF) The video signals being played back on

VF709GAM ON/OFF of the fixed ITU-R709 gamma of

MONI709GAM ON/OFF of the fixed ITU-R709 gamma of

FAN MODE Switching of Fan Operation mode

Function

SRW-1, the last part of the recorded tape is normally rewound for 3 seconds (maximum: 10 seconds) then played back. With REC REVIEW set to ALL on the SRW-1, the tape is rewound to the recording start position then played back.

the SRW-1 are output to the viewfinder.

the viewfinder

the monitor

Basic Settings with the Subdisplay

Page 36

Menu indication

GAIN –9/–18 dB If the picture becomes too bright when

Chapter 3 Basic Adjustments and Settings

OFF None

Function

you set the lens iris to its open end to assist the focus adjustment, the electric gain can be temporarily decreased to resume the proper picture level by using this function. Each push on the assignable button changes the setting in the sequence of OFF, –9 dB, –18 dB, OFF, and so on.

Notes

• The gain-decreased condition is automatically released in approx. 1 minute.

• Do not perform recording in the condtion where the gain is decreased with this function.

Subdisplay brightness adjustment page

BRIGHT:1

The higher the value, the brighter the display.

3-2-12 Selection of Gamma Tables

The gamma curves can be selected on the gamma table selection page of the subdisplay.

Gamma table selection page

GAMMA:STANDARD 5 ITU-R709

Functions that can be allocated to assignable switch 4

Menu indication

AWB Automatic white balance adjustment

BARS Color-bar indication

TEST1 Test signal output

OFF None

Note

Function

Even if AWB is allocated to assignable switch 4, AWB does not function in Cine mode.

Assignable buttons 1/2 setting page

AS1:OFF AS2:OFF

The functions of buttons 1 and 2 can be assigned on the first and second line, respectively.

Assignable button 3/switch 4 setting page

AS3:OFF AS4:OFF

The functions of button 3 and switch 4 can be assigned on the first and second line, respectively.

3-2-11 Brightness Adjustment of the Subdisplay

The brightness of the subdisplay can be adjusted, in eight levels.

Select the gamma table on the first line (STANDARD, HYPER, SPECIAL, or USER) and the gamma curve on the second line.

For details on the available gamma curves, see “3-11 Selecting the Gamma” on page 51.

3-2-13 Selection of Color Spaces

Color reproducibility can be selected on the color space selection page of the subdisplay.

Color space selection page

COLOR SPACE F900

Select the color space mode (S-GAMUT, F900, F900R, or DCDM REF PJ) on the second line.

For information on color space modes, see “3-1-2 Switching of the Basic Operation Modes” (page 27) and “Color Space According to the COLOR SPACE Settings” (page 117).

3-2-14 Limiting Pages that are Displayed on the Subdisplay

You can limit pages that are displayed on the subdisplay, using the <PAGE SELECT> subpage that can be accessed from the <SUBDISPLAY 2> page of the USER (OPERATION) menu.

For details on how to operate the menu, see “4-2 Basic Menu Operations” (page 57).

Basic Settings with the Subdisplay

Page 37

<SUBDISPLAY 2> page

<SUBDISPLAY 2> 12

LOCK SW MODE CAMERA : -RUN PANEL : FULL

PAGE SELECT

Move the pointer to PAGE SELECT then push on the MENU SEL/ENTER dial to jump to the <PAGE SELECT> subpage, where limitation of display pages can be assigned.

<PAGE SELECT> page

<PAGE SELECT> ESC

SHUTTER : FORMAT : ON ND : ON GAIN/WHITE/5600K : ON LENS FILE : ON TIME CODE : ON VOLTAGE/FAN MODE : ON CHARACTER MIX : ON ASSIGNABLE SW1/SW2 : ON ASSIGNABLE SW3/SW4 : ON

To switch ON/OFF, move the pointer to an item whose setting you wish to change and push on the MENU SEL/ ENTER dial. Any page with an OFF setting will not be displayed on the subdisplay.

Menu indication

SHUTTER Shutter setting page

FORMAT Video-format selection page

ND Optical filter selection page

GAIN/WHITE/ 5600K

LENS FILE Lens file selection page

TIME CODE Time code/tape remaining display page

VOLTAGE/FAN MODE

CHARACTER MIX

ASSIGNABLE SW1/SW2

ASSIGNABLE SW3/SW4

BRIGHT Subdisplay brightness adjustment page

GAMMA TABLE

COLOR SPACE

Targ e t p age

Gain setting page

Voltage confirmation/Fan Operation mode select page

Character indication setting page

Assignable buttons 1/2 setting page

Assignable button 3/switch 4 setting page

Gamma table selection page

Color space selection page

3-3 Black Balance Adjustment

In order to maintain high picture quality when using the camera, it is necessary to set the black balance appropriately. After turning on the camera, apply power to the camera for several minutes, then be sure to perform the black balance adjustment before starting any picture adjustment.

Automatic black balance adjustment

Push the assignable switch 4/AUTO BLK BAL switch on the side of the camera or on the assistant panel down to the position AUTO BLK BAL then release it. Automatic black balance adjustment is performed.

LOCK

VF MENU/DISPLAY CANCEL/STATUS

RUN

AUTO

BLK

BAL

AUTO BLK BAL switch

During adjustment, “ABB: EXECUTING” is displayed on the viewfinder screen. When the adjustment process is completed successfully, the message “ABB: OK” is displayed.

Notes

• During black balance adjustment, ND is automatically set to 5 (CAP), and the iris is closed.

• During black balance adjustment, the gain switching circuit will work automatically, and the viewfinder screen will flicker several times. This is not a malfunction.

When automatic black balance adjustment fails

If the automatic black balance adjustment process does not end successfully, the error message “ABB: NG” will be displayed on the viewfinder screen for approximately three seconds. If this error message is displayed, try black balance adjustment again. If the error message continues to be displayed after several attempts, the camera requires internal inspection.

PAG E

SET

Chapter 3 Basic Adjustments and Settings

Black Balance Adjustment

Page 38

3-4 White Balance Adjustment (in Custom mode)

When the camera is used in Custom mode, if the lighting conditions change, readjust the white balance. When adjusting the white balance, select the white balance memory. The adjustment value is fixed to 3200K when the preset memory is selected. The selected memory can be confirmed with the status display on the viewfinder screen (page 43).

Chapter 3 Basic Adjustments and Settings

The memory selection can be made on the subdisplay or from a connected RM-B750 Remote Control Unit.

Automatic white balance adjustment

Select the memory A or B, using the subdisplay or the remote control unit (default: preset memory).

For details on how to select on the subdisplay, see “32-5 Selection of the Gain, Color Temperature, and White Balance Memory” (page 33).

Select the appropriate filter according to the lighting conditions, using the subdisplay or the assignable buttons.

Note

Be careful not to have any spots of high illumination in the rectangle.

Adjust the lens iris opening or set the shutter to ON.

With a manually adjusted lens: Set the opening to an

appropriate value.

With a lens that has automatic iris control: Set the

lens' automatic/manual iris control switch to automatic.

Or, set the video level to an appropriate value, using the shutter setting.

Perform automatic white balance adjustment.

To perform adjustment on the <AUTO SETUP> page of the MAINTENANCE menu

Referring to the procedure mentioned in “2-8 Setting the Built-in Clock” (page 25), select MAINTENANCE menu

on the TOP MENU screen and call up the <AUTO SETUP> page.

<AUTO SETUP> M02 TOP

AUTO BLACK

AUTO WHITE AUTO LEVEL AUTO WHITE SHADING AUTO BLACK SHADING

See “3-2-4 Retrieving the ND Offset” (page 32).

Place a white pattern in the same lighting conditions as the subject and zoom in on it so that a white area is obtained in the screen.

A white object (white cloth, a white wall, etc.) near the subject may be used in place of a white pattern. The minimum white area required for adjustment is as illustrated below:

A rectangle centered in the screen. The length of the sides must be at least 70% of the height and width of the screen.

Within this rectangle, there must be an area of white greater than 10% of the entire screen.

TEST : OFF

Position the pointer to AUTO WHITE then push on the MENU SEL/ENTER dial. Select “EXEC” when a confirmation message is displayed.

For details on the menu operations, see “4-2 Basic Menu Operations” (page 57).

To perform adjustment with the assignable switch

If AWB is allocated to assignable switch 4, push the switch up toward “4” then release it.

For the procedure for assigning a function to the switch, see “3-2-10 Allocation of Functions to the Assignable Buttons and Switch” (page 35) or “3-7 Detailed Settings of the Switch Functions” (page 48).

To perform adjustment from the remote control unit

When the RM-B750 or RM-B150 remote control unit that is connected to the REMOTE connector is used, press the AWB b u tt o n.

White Balance Adjustment (in Custom mode)

Page 39

During adjustment

The message “AWB EXECUTING” is displayed on the viewfinder screen. When the adjustment process is completed successfully, the message “AWB: OK” is displayed.

When automatic white balance adjustment fails

If the automatic white balance adjustment process does not end successfully, the error message “AWB: NG” will be displayed on the viewfinder screen for approximately three seconds. If this error message is displayed, try white balance adjustment again. If the subject has a higher color temperature, use an optical filter or set 5600K to ON, then try white balance adjustment again. If the error message continues to be displayed after several attempts, the camera requires internal inspection.

3-5 Setting the Camera Outputs

3-5-1 Selecting a Video Output Signal for Each Connector

The type of video signals to be output to the MONITOR OUT HD SDI 1/2, TEST OUT, and REMOTE connectors can be selected.

For selection, use the <MONITOR OUTPUT> page of the USER (OPERATION) menu that is displayed on the viewfinder screen.

Chapter 3 Basic Adjustments and Settings

Note

If the automatic white balance adjustment is performed on a system where the Select FPS function (see page 55) is available, set a value that is greater than half the maximum FPS value as the FPS value. If you do not, the error message “AWB: LOW FPS” will be displayed, and automatic white balance adjustment will not be available. Example: With S23.98PsF, as the maximum FPS value is

24 FPS, set it to 13 FPS or greater before the automatic white balance adjustment is to be performed. Although the maximum FPS value is 50 FPS with S59.94PsF, set it to 31 FPS or greater.

<MONITOR OUTPUT> page

<MONITOR OUTPUT> 07

COLOR :

OUTPUT MONI HD-SDI: MONI TEST OUT : VBS RM VIDEO : VBS

COLOR

With COLOR, all R, G, and B channels will be output. Single-channel output of R, G, or B is also possible.

MONI HD-SDI

The signals to be monitored with video monitors connected to the MONITOR OUT HD SDI 1/ 2 connectors can be selected.

Setting Signal

MONI Regardless of the VF1/VF2 settings,

VF1 Video signals that are output to the VF1

VF2 Video signals that are output to the VF2

characters or the marker can be added independently to the video output signals. (Default)

connector (camera images with character data for the setting menus and status display)

connector

TEST OUT

The signals to be output to a video monitor or waveform monitor connected via the TEST OUT connector can be selected.

Setting the Camera Outputs

Page 40

Setting Signal

VBS The VBS signals are output. (Default)

VF2 The HD-Y signals are output.

REF-THRU The reference signal that is input to the

FRAME A pulse is output per frame (in a case of

GENLOCK IN connector is output as-is.

1 FPS, one pulse per second).

Timing of the pulse signal

Example 1: SHUTTER OFF

1 frame

CCD exposure

Chapter 3 Basic Adjustments and Settings

Frame pulse

Example 2: SHUTTER ON, shutter angle 180º

1 frame

CCD exposure

Frame pulse

Exposure

ExposureExposure

Exposure

To apply monitor gamma to the monitor picture

MONI GAMMA ENABLE

If this is set to ON, the monitor gamma (ITU-R709) appropriate for monitoring output from the VF1, VF2, MONITOR OUT HD SDI 1/2, or REMOTE connector. The video output signals from those connectors are selected on the <MONITOR OUTPUT> page. This setting is effective when S-LOG gamma is applied to the video output signals for recording intended for postproduction editing.

1) The VBS output signal always becomes the camera image to which ITUR709 gamma is applied.

Notes

• If the monitor gamma is activated with 23.98PsF/ S23.98PsF, the output for viewfinders and monitors is switched to 59.94i. In the case of 24PsF/S24PsF, the output is switched to 50i. To eliminate this phenomena, change the DOWN CONVERTER setting on the <POWER SAVE> page of the MAINTENANCE menu from ACTIVE to PWR SAVE.

• Some of the paint settings (such as black gamma, knee, detail, matrix, etc.) for the main line are not applied to monitor gamma.

is applied to the video signals

RM VIDEO

The video signals to be output to equipment connected via the REMOTE connector can be selected.

Setting Signal

VBS The VBS signals are output. (Default)

VF2 The HD-Y signals are output.

3-5-2 Setting the Monitor Picture

Using the <PB/MONI GAMMA> page of the USER (OPERATION) menu displayed on the viewfinder screen, the gamma setting of the monitor picture and the playbackpicture monitor mode can be selected.

<PB/MONI GAMMA> page

<PB/MONI GAMMA> 08

MONI GAMMA ENABLE: OFF VF MONI VBS PB : PB MIX: OFF OFF OFF

MONITOR GAMMA VF : OFF MONI : OFF VBS : R709 GAMMA MARK SETTING

OFF OFF OFF

To monitor the playback picture

The playback picture of the recorder can be confirmed with a monitor connected to the camera or on the viewfinder

screen.

2) When MONI GAMMA ENABLE is set to OFF, the same gamma as that applied to the main line is applied to all the outputs. However, the PB and PB MIX modes can be independently selected for the VF, MONI, and VBS signals.

The playback-signal output mode can be selected for each VF, MONI, or VBS signal.

Setting Signal

ON The playback picture of the recorder is always

AUTO Normally, the camera image is output. When

OFF The camera image is always output. (Default)

Note

If the recorder is turned off with PB ON, the picture on the viewfinder/monitor screen is distorted. The normal picture is restored by turning the recorder on or setting PB to AUTO or OF F.

output.

the recorder enters playback mode (PLAY, FF, REW, or REC REVIEW,) the playback picture is automatically selected.

Setting the Camera Outputs

Page 41

To compare the playback picture and camera image

The playback picture and camera image can be displayed on the same screen when the playback-signal output mode is set to ON or AUTO for the item PB on the <PB/MONI GAMMA> page and if PB MIX is set to ON.

PB MIX

The playback-signal mix mode can be independently set to ON or OFF for each VF, MONI, or VBS signal. When set to ON, the playback picture and camera image are mixed.

How this is to be displayed can be set on the <PB MIX SETTING> page of the USER (OPERATION) menu.

<PB MIX SETTING> page

<PB MIX SETTING> U08

MIX TYPE :

MIX DIRECTION : PB MODE : Y-MIX LEVEL : 80% WIPE LAYOUT : HOR PB POSITION : RIGHT BOUNDARY : 960

MIX

WIPE

When MIX TYPE is set to WIPE, how pictures are to be wiped can be selected.

Item Setting Content

LAYOUT HOR Horizontally split (Default)

VERT Vertically split

PB POSITION

BOUNDARY With HOR:

RIGHT With HOR, the playback picture

LEFT With HOR, the playback picture

BOTTOM With VERT, the playback picture

TOP With VERT, the playback picture

0-1920 With VERT: 0-1080

is displayed on the right and the camera image on the left. (Default when HOR is selected)

is displayed on the left and the camera image on the right.

is displayed in the lower part and the camera image in the upper part. (Default when VERT is selected)

is displayed in the upper part and the camera image in the lower part.

The boundary position can be changed. (Default: with HOR: 960, with VERT: 540)

Chapter 3 Basic Adjustments and Settings

MIX TYPE

How the picture is to be displayed can be selected.

Setting How to display

MIX The playback picture and camera image are

overlapped. (Default)

WIPE The screen is horizontally or vertically split in

two, and two pictures are displayed simultaneously.

MIX

When MIX TYPE is set to MIX, how to mix the pictures can be selected.

Item Setting Content

DIRECTION CAM The playback picture is gradually

mixed into the camera image. (Default)

PB The camera image is gradually

mixed into the playback picture.

MODE Y-MIX The Y signals are mixed. (Default)

WIRE(W) Only the outline components are

mixed and displayed with white lines.

WIRE(B) Only the outline components are

mixed and displayed with black lines.

LEVEL 0 to 80% The mix level can be adjusted.

(Default: 80%)

To display the gamma mark

GAMMA MARK SETTING

When monitor gamma (ITU-R709) is applied to the SDI output at the MONITOR OUT connectors and the viewfinder images, you can set the camera to display the gamma mark (709 ) to indicate that gamma that is different from that used for recording is applied. (The mark is not recorded with the docked recorder.) Select GAMMA MARK SETTING on the <PB/MONI GAMMA> page to jump to the subpage for setting the gamma mark.

<GAMMA MARK> page

<GAMMA MARK> ESC

MONI GAMMA MARK: MARK LEVEL : 3 H POSITION : 0 V POSITION : 0

Set MONI GAMMA MARK to ON then set the brightness and position of the indication.

Setting the Camera Outputs

Page 42

Item Function

MARK LEVEL For selecting the brightness of the gamma

H POSITION For setting the horizontal position of the

V POSITION For setting the vertical position of the

mark among 1–4 (4 for the maximum brightness)

indication in the range of 0–99 (0 for the leftmost)

indication in the range of 0–99 (0 for the uppermost)

3-5-3 Outputting Color Bars

The color-bar signal can be output by setting the color-bar

Chapter 3 Basic Adjustments and Settings

generator built in the camera to ON. The color-bar generator can be turned ON or OFF on the <OTHERS 1> page of the USER (MAINTENANCE) menu.

<OTHERS 1> page

<OTHERS 1> U20

FAN MODE : AUTO1 CAM BARS : HD-BAR(VF/MONI) BAR 16:9(100%) SD-BAR SMPTE IMAGE INVERT : OFF

Item Selectable color-bar formats

HD-BAR (VF/ MONI)

SD-BAR SMPTE, EIA, FULL (EBU), 95%,

Note

BAR 16:9 (100%), BAR 16:9 (75%), SMPTE 16:9 (BLACK), SMPTE 16:9 (–I/Q), BAR 4:3 (100%), BAR 4:3 (75%), SMPTE 4:3 (BLACK), SMPTE 4:3 (–I/Q), MF-ARIB (75%), MF-ARIB (100%), MF-ARIB (+I), MF-SMPTE (–I, Q), MF-SMPTE (75%, Q), MF-SMPTE (100%, Q), MF-SMPTE (+I, Q), HD-CUSTOM, HD-CUSTOM2

NTSC100% (PAL100%)

The color-bar signal is not output with the video output from the VF1, VF2, MONITOR OUT HD SDI 1/2, and REMOTE connectors if the monitor gamma (R709) is selected for MONITOR GAMMA of the respective output on the <PB/MONI GAMMA> page (except when a VBS signal is output).

When CAM BARS is set to ON, the color-bar generator is turned ON, and the color-bar signal is output. As the HD and SD (VBS) outputs for the viewfinders and monitors, the format of the color-bar signals can be independently selected. The color-bar signal format for the camera output of the main line is fixed at 16:9 (100%), regardless of the settings of the above outputs.

HD-BAR (VF MONI)

The format of the color-bar signals sent to the VF1, VF2, and MONITOR OUT HD-SDI connectors can be selected from among the 17 types.

SD-BAR

The format of the color-bar signals to the TEST OUT and REMOTE connectors can be selected from among the 5 types.

Setting the Camera Outputs

Page 43

3-6 Viewing and Setting

56 7

the Viewfinder Displays

Besides the video image, the viewfinder can display text and messages showing the camera settings and operation status. The same information can be displayed on monitors connected to the MONITOR OUT HD SDI connectors.

The set NEAR END and END values can be checked on the <BATTERY ALARM> page of the USER (OPERATION) menu.

c White balance memory

Displays the currently selected white balance memory.

W:A: Memory A W:B: Memory B W:P: Preset memory

The setting is fixed at W:P in Cine mode. In Custom mode, you can change the setting using the subdisplay or from a remote control unit.

Note

This information is not displayed when the camera is in Menu Operation mode. Exit Menu Operation mode to view the information.

3-6-1 Viewing the Basic Status Indications

The following status indications can be superimposed on the camera picture when you press the VF MENU/ DISPLAY button. The display conditions can be specified on the <VF DISPLAY> page of the USER (OPERATION) menu.

24FPS 12.8V 24.8V CAM?

5600 W:

A TCR 00:00:00:00 dB

1 0

172.5 99M REC

d Color temperature filter mode

Indicates the condition of the electrical filter. In Cine mode, “5600” is displayed when the daylight filter is selected. When the tungsten filter is selected, this column becomes blank. In Custom mode, “5600” is displayed when 5600K is set to ON.

e Optical filters

Displays the types of filters currently selected.

f Gain value

Displays the video gain value (dB) of the video amplifier.

g Shutter

The shutter setting is displayed with the shutter angle or frequency. For a shutter angle, is displayed at the left. The type of the display, angle (deg) or speed (sec), can also be switched on the <VF DISPLAY> page of the USER (OPERATION) menu (default: deg).

h Tape remaining

The remaining time of the tape of the recorder docked on the camera is roughly indicated in minutes.

i Recording mode

“REC” is displayed when the recorder docked on the camera is in REC mode.

Chapter 3 Basic Adjustments and Settings

a Frame rate

The frame rate selected is displayed. (This indication is not available if the Select FPS function is not active.)

b Battery indications

The conditions of output power are indicated. The left column is for DC 12V OUT power and the right column is for DC 24 V OUT power. Each indication begins to flash if the corresponding input voltage decreases to the NEAR END value specified on the <BATT ALARM SET> page of the MAINTENANCE menu. Flashing becomes quicker as the voltage decreases further toward the END value.

j Self-diagnosis information

“CAM?” is displayed if an error is generated, e.g., on an internal board, and an error message appears in the message area. This indication cannot be set to OFF.

For the error messages, see “Warning/Error Messages” (page 108).

k Message area

Displays the status of auto setup, error messages, etc.

l Time code area

Displays the same time codes as those on the subdisplay.

For details, see “3-2-7 Confirmation of the Time Code and Tape Remaining” (page 34).

Viewing and Setting the Viewfinder Displays

Page 44

Setting the basic status indications

The conditions for displaying the basic status indications can be set on the <VF DISPLAY> page of the USER (OPERATION) menu.

<VF DISPLAY> page

<VF DISPLAY> U01

FPS : ND : ON SHUTT : ON 5600K : ON UNIT : deg WHITE : OFF BATT12: OFF BATT24: OFF REC : OFF TAPE : OFF TC : OFF

Chapter 3 Basic Adjustments and Settings

MESSAG: ALL

ON GAIN : ON

The display conditions can be set using the < ' ! ' IND> page of the USER (OPERATION) menu.

ABNORMAL<!>

!ND :1 !WHITE :A !5600K :OFF !SHUTT :360.0deg !FAN : MAX !G-COMP :ON

Setting the ABNORMAL<!> indications

Set the conditions for the abnormal indications on the < ' ! ' IND> page of the USER (OPERATION) menu.

Item Setting

FPS Set to ON to obtain the frame rate indication

ND Set to ON to obtain the optical filter

indications 5.

5600K Set to ON to obtain the 5600 indication 4.

WHITE Set to ON to obtain the white balance

memory indication 3.

GAIN Set to ON to obtain the gain value indication

SHUTT Set to ON to obtain the shutter indication 7.

UNIT Select the unit for the shutter indication.

deg: Shutter angle (Default) sec: Shutter speed

BATT12 Set to ON to obtain the battery indications 2.

BATT24

REC Set to ON to obtain the recording mode

indication 9.

TAPE Set to ON to obtain the tape remaining

indication 8.

TC Set to ON to obtain the time code indication

qs.

MESSAG Select the type of messages to be displayed

in the message area qa. ALL: To display all messages AT: To display Auto Setup information and

higher

WRN: To display warning messages and

higher

OFF: To display warning messages of the

highest level only

<' ! ' IND> page

<'!'IND> U02

[IND] [NORMAL] ND : WHITE : ON P-5600K : ON OFF SHUTT : ON OFF FAN : ON AUTO1 G-COMP: ON

ON 1----

Indication of each item on the ABNORMAL< ! > display is turned on or off in the [IND] column. Set the normal condition for each item in the [NORMAL] column. If an item for which [IND] is set to ON becomes a condition other than that specified in the [NORMAL] column, the condition is indicated on the < ' ! ' IND> page.

Item Setting

ND ND filter selection:

1, 2, 3, 4, 5 (combination allowed)

WHITE White balance memory selection:

5600K Custom mode: 5600K ON/OFF

SHUTT Shutter mode ON/OFF

FAN Fan rotation mode selection:

G-COMP Gain compensation mode (normal: OFF)

P, A, B (combination allowed)

Cine mode: ON for Daylight, OFF for Tungsten

AUTO1, AU TO2, MIN or MAX

3-6-2 Viewing the ABNORMAL <!> Display

Pressing the CANCEL/STATUS button calls the following ABNORMAL< ! > display, permitting you to check the items for which the setting is not in the normal condition.

Viewing and Setting the Viewfinder Displays

3-6-3 Viewing the FUNCTION (Format/Switch Function) Display

If you press the CANCEL/STATUS button with the ABNORMAL< ! > display on the screen, the display changes to the following FUNCTION display:

Page 45

FUNCTION

FORMAT: 23.98PsF 4:4:4 (24)FPS AS1:OFF AS2:OFF

AS3:OFF AS4:OFF

<CHAR/MARK MIX> page

<CHAR/MARK MIX> U09

VF1 VF2 MON1 VBS CHAR : ON ON ON ON MARKER : CURSOR : OFF OFF OFF ZEBRA : OFF OFF OFF OFF

VF GATE MARKER: OFF

ON ON ON ON

a Format indication

The current video format is displayed.

For details on the formats, see “3-14 Detailed Setting of the Video Format” (page 54).

b Assignable switch indication

The functions assigned to the assignable buttons and switch are indicated.

For functions that can be assigned, see “3-2-10 Allocation of Functions to the Assignable Buttons and Switch” (page

35).

3-6-4 Setting the Marker Indications

The various markers, such as the center marker and safety zone marker, can be displayed on the viewfinder and monitor screens.

Example: Center marker (entire cross)

Example: Safety zone marker (90%)

The MARKER indications are activated for all the outputs at the factory.

Item Setting

VF1 Turn all the markers on or off on the

viewfinder connected to the VF1 connector.

VF2 Turn all the markers on or off on the

MONITOR Turn all the markers on or off on the monitors

VBS Turn all the markers on or off on the monitors

viewfinder connected to the VF2 connector.

connected via the MONITOR OUT connectors.

connected via the TEST OUT and REMOTE connectors.

Specifying the markers to be displayed

For the outputs for the total marker indication is activated on the <CHAR/MARK MIX> page, select and adjust the marker(s) to be displayed on the next <MARKER SETTING> page.

<MARKER SETTING> page

<MARKER SETTING> U03

CENTER : SAFETY : OFF 90.0% EFFECTIVE : OFF ASPECT : OFF 4:3 VARIABLE : - SAFETY : OFF 90.0% MASK : OFF 12 CURSOR : BOX POSI H/V : 0 0 SIZE W/H : 960 540

OFF 1

Chapter 3 Basic Adjustments and Settings

The <CHAR/MARK MIX> page and <MARKER SETTING> page of the USER (OPERATION) menu allow you to switch the display of the markers on or off and to set the display conditions of the markers.

Activating/deactivating all the marker indications for each output

The <CHAR/MARK MIX> page permits you to activate and deactivate the marker indications for each output.

All the markers have been set to OFF at the factory.

Item Setting

CENTER Set to ON to display the center marker and

select the type of the center marker. 1: Entire cross 2: Entire cross with a hole 3: Center 4: Center with a hole

SAFETY Set to ON to display the safety zone marker

and specify the range (80%, 90%, 92.5%, or 95%).

EFFECTIVE Set to ON to display the effective pixel area.

Viewing and Setting the Viewfinder Displays

Page 46

Item Setting

ASPECT Set to ON to display the aspect marker and

specify the aspect:

2.40:1, 2.35:1, 1.85:1, 1.66:1, 16:9, 15:9, 14:9, 13:9, 4:3, VAR H, VAR V

VARIABLE If you select VAR H or VAR V for ASPECT,

set the H or V value. VAR H: 12 to 1920 VAR V: 12 to 1080

SAFETY Set to ON to display the safety zone for the

MASK Set to ON to make the areas outside the

Chapter 3 Basic Adjustments and Settings

selected aspect marker, and specify the range.

selected aspect marker dimmer, and select the mask level (0 to 15).

3-6-5 Adjusting the Viewfinder Details

You can adjust the image on the viewfinder screen to obtain a clearer view, using the <VF DETAIL> page of the USER (OPERATION) menu. This adjustment does not affect the image being recorded.

<VF DETAIL> page

<VF DETAIL> U04

VF 1 : VF 2 : OFF

LEVEL : 25% CRISP : 0

Item Function

VF1 Turn the VF detail adjustment function on or

off for the viewfinder connected to the VF1 connector.

VF2 Turn the VF detail adjustment function on or

LEVEL Set the level (0 to 100%) of the VF detail

CRISP Set the noise crispening level (–99 to 99).

off for the viewfinder connected to the VF2 connector.

adjustment function.

OFF

Zebra (default settings)

1 (70%) 2 (100%)

Setting the zebra indication is performed on the <ZEBRA> page of the USER (OPERATION) menu.

<ZEBRA> page

<ZEBRA> U05

VF1 : VF2 : OFF MONITOR : OFF VBS : OFF

ZEBRA TYPE : 1 ZEBRA1 LEVEL: 70% WIDTH: 10% ZEBRA2 : 100%

Item Function

VF1

VF2

MONITOR

VBS

ZEBRA TYPE Select the zebra(s) to be displayed:

ZEBRA1 LEVEL Adjust the level (0 to 109%) of the zebra

WIDTH Adjust the width (0 to 30%) of the zebra 1

ZEBRA2 Adjust the level (50 to 109%) of the zebra

1) These items can also be set on the <CHAR/MARK MIX> page.

Turn the zebra indication on the viewfinder connected to the VF1 connector on/off.

Turn the zebra indication on the viewfinder connected to the VF2 connector on/off.

Turn the zebra indication on the monitors connected to the MONITOR OUT connectors on/off.

Turn the zebra indication on a device connected via the REMOTE connector on/off.

1, 2, or 1&2

1 indication (factory setting: 70%).

indication (factory setting: 10%).

2 indication (factory setting: 100%).

OFF

3-6-6 Setting the Zebra Indication

You can display a zebra pattern(s) on the viewfinder and monitor screen.

Viewing and Setting the Viewfinder Displays

3-6-7 Setting the Cursor Indication

You can display a cursor on the viewfinder and monitor screen.

Page 47

Example: Box cursor

Activating/deactivating the cursor indication

The <CHAR/MARK MIX> page of the USER (OPERATION) menu permits you to activate/deactivate the cursor indication for each output.

Menu item Function

CURSOR Select the type (BOX/CROSS) of the cursor

to be displayed.

POSI H/V Adjust the H (horizontal) position (–958 to

956) and the V (vertical) position (–538 to

536) of the center.

SIZE W/H Adjust the width (from the center to right or

left side) (16 to 1920) and the height (from the center to top or bottom) (16 to 1080) of the cursor.

3-6-8 Checking the Power Voltage

<CHAR/MARK MIX> page

<CHAR/MARK MIX> U09

VF1 VF2 MON1 VBS CHAR : ON ON ON ON MARKER : ON ON ON ON CURSOR : ZEBRA : OFF OFF OFF OFF

VF GATE MARKER: OFF

OFF OFF OFF

The CURSOR indication is deactivated for all the outputs at the factory.

Menu item Function

VF1 Turn the cursor indication on the viewfinder

VF2 Turn the cursor indication on the viewfinder

MONITOR Turn the cursor indication on the monitors

connected to the VF1 connector on/off.

connected to the VF2 connector on/off.

connected to the MONITOR OUT connectors on/off.

Setting the type and size of the cursor

For the outputs for which you activate the cursor indication on the <CHAR/MARK MIX> page, select and adjust the cursor to be displayed on the next <MARKER SETTING> page.

<MARKER SETTING> page

The settings of the NEAR END and END values to warn of low voltage of a power supply can be checked on the <BATTERY ALARM> page of the USER (OPERATION) menu.

<BATTERY ALARM> page

<BATTERY ALARM> U15

DC IN (24V) 24.2V TYPE: NEAR END : (22.2) END : (21.6)

DC IN (12V) 12.8V TYPE: NEAR END : (11.1) END : (10.8)

Menu item Indication

DC IN (24V) Voltage of the 24-V power

TYPE Select the type of the 24-V power source.

NEAR END NEAR END value specified for the 24-V

END END value specified for the 24-V power

DC IN (12V) Voltage of the 12-V power

TYPE Select the type of the 12-V power source.

NEAR END NEAR END value specified for the 12-V

END END value specified for the 12-V power

AC ADP

power source of the selected type

source of the selected type

power source of the selected type

source of the selected type

Chapter 3 Basic Adjustments and Settings

<MARKER SETTING> U03

CENTER : OFF 1 SAFETY : OFF 90.0% EFFECTIVE : OFF ASPECT : OFF 4:3 VARIABLE : - SAFETY : OFF 90.0% MASK : OFF 12 CURSOR : POSI H/V : 0 0 SIZE W/H : 960 540

BOX

This page is intended for display only. You can only switch the type. If you want to change the values, use the <BATT ALARM SET> page of the MAINTENANCE menu.

Viewing and Setting the Viewfinder Displays

Page 48

Setting subpage for assignable switch 4

3-7 Detailed Settings of the Switch Functions

By using the <SWITCH ASSIGN> page of the USER (OPERATION) menu displayed on the viewfinder/monitor screen, the operation mode of the MENU SEL/ENTER dial in addition to function assignment to the assignable buttons/switch that can also be made on the subdisplay.

<SWITCH ASSIGN> page

Chapter 3 Basic Adjustments and Settings

Assigning functions to the assignable buttons/switch

When you position the pointer to any of the ASSIGN SW1 to ASSIGN SW4 lines and push on the MENU SEL/ ENTER dial, the subpage to set the corresponding button/ switch is displayed. You can assign the same functions as those when you operate the subdisplay.

<SWITCH ASSIGN> U13

ASSIGN SW1 : ASSIGN SW2 : OFF ASSIGN SW3 : OFF ASSIGN SW4 : OFF

RE_ROTATION: STD

OFF

ASSIGN SW4 ESC

OFF AWB BARS TEST1

Position the pointer to the function to be assigned and push on the MENU SEL/ENTER dial.

Setting the operation mode of the MENU SEL/ENTER dial

You can reverse the operation corresponding to the directions of rotation of the MENU SEL/ENTER dial on the camera head and that on the assistant panel.

Setting Operation

STD (default) Clockwise rotation moves the pointer/

RVS Clockwise rotation moves the pointer/

cursor down or increases values on a menu/subdisplay page.

cursor up or decreases values on a menu/ subdisplay page.

For the assignable functions, see “3-2-10 Allocation of Functions to the Assignable Buttons and Switch” (page

35).

Setting subpage for assignable button 1

ASSIGN SW1 ESC

OFF ND REC REVIEW PB(VF) VF709GAM MONI709GAM FAN MODE GAIN -9/-18dB

The setting subpages for button 2 and 3 have the same layout as that for button 1.

Detailed Settings of the Switch Functions

Page 49

3-8 Setting the Gain

If the gain of the video amplifier of this camera is to be switched using the gain switch of the RM-B150 Remote Control Unit, the gain values for the corresponding switch positions must be specified in advance. Use the <GAIN ASSIGN> page of the USER (OPERATION) menu.

<GAIN ASSIGN> page

<GAIN ASSIGN> U14

GAIN [L]: [M]: 6 dB [H]: 12 dB

Menu item Setting

GAIN [L] Gain value corresponding to the L position

GAIN [M] Gain value corresponding to the M position

GAIN [H] Gain value corresponding to the H position

of the gain switch

Any of –6, –3, 0, 3, 6, 9, or 12 dB can be set for each of the L, M, and H positions, in any sequence.

0 dB

3-9 Detailed Shutter Settings

The Electronic Shutter function of this camera enables shooting with various shutter angles and shutter speeds (sec). While the basic settings of the shutter can be made on the subdisplay, the <SHUTTER/FPS> page of the USER (PAINT) menu permits you to set the shutter while observing the shutter angle, the shutter speed (sec), and the frame rates at a glance.

<SHUTTER/FPS> page

<SHUTTER/FPS> U19

SHUTTER : [deg] [sec]

180.0 (1/47.96) STEP CONTINUOUS STEP ASSIGN ADD DELETE

FRAME RATE: (24)FPS COMP MODE : OFF

SHUTTER

To activate the electronic shutter, set this to ON. The currently selected shutter angle is displayed in the [deg] column. In the [sec] column, the speed (sec) converted according to the selected frame rate is displayed.

STEP (Step mode)

To select a value registered as a step shutter, move the cursor on this line. Turn the MENU SEL/ENTER dial to display a registered shutter value in the [deg] and [sec] columns one after another in order.

Chapter 3 Basic Adjustments and Settings

CONTINUOUS (Continuous mode)

To fine-adjust the selected step shutter value or use a value that has not been registered as a step shutter, move the cursor on this line. The values in the [deg] and [sec] columns will change continuously when the MENU SEL/ENTER dial is turned.

STEP ASSIGN

Addition and deletion of step shutter values can be performed in the same way as with the SHUTTER ASSIGN page (see page 31) of the USER (OPERATION) menu.

• ADD

For registering a shutter value displayed in the [deg] column in Continuous mode as a new step shutter value. If eight step shutter values have been already registered,

Setting the Gain / Detailed Shutter Settings

Page 50

“STEPS FULL” will be displayed, and the value will not be added. In such a case, delete an unneeded step shutter value beforehand, using DELETE.

• DELETE

For deleting the step shutter value displayed in the [deg] column in Step mode.

For additional information of the step shutter, see “3-2-2 Shutter Settings” on page 30.

FRAME RATE

Select the frame rate (number of frames per second) if a format of “Select FPS” is selected. The selecting range depends on the formats, as follows:

Chapter 3 Basic Adjustments and Settings

Selected format Selectable frame rates

S23.98PsF/S24PsF 1 to 24 FPS (frames per second)

S25PsF 1 to 25 FPS

S29.97PsF/S30PsF 1 to 30 FPS

S50P/S59.94P/S60P 1 to 50 FPS

If a format other than formats of “Select FPS” has been selected, the value is indicated in parentheses and cannot be changed.

function (see page 55) is limited. With COMP MODE set to OFF or ANGLE, frame frequencies of 8 FPS or less are not available to minimize picture degradation. Usage under FPS will increase noise on the picture. To lift this limitation, change the FPS LIMITER setting on the <OTHERS 2> page of the MAINTENANCE menu from LIMIT to FREE. If the setting is changed from FREE to LIMIT, COMP MODE will be forcibly set to OFF.

COMP MODE

• ANGLE: Angle Compensation mode

When you change the frame rate, the shutter angle is automatically corrected, retaining the video level.

Notes

• In Angle Compensation mode, the frame rate cannot be changed to a lower value if the shutter angle comes to near 0º, and it cannot be changed to a higher value if the shutter angle comes to near 360º.

• When you activate Angle Compensation mode, the shutter setting is automatically set to ON.

• GAIN: Gain Compensation mode

When you change the frame rate, the electric gain is automatically corrected, retaining the video level. The current shutter angle setting is maintained.

Notes

• Care must be taken when shooting a high-contrast subject, as the dynamic range (latitude) may be degraded

/2 at maximum, depending on the selected video

format or FPS.

• With the default settings, the range of the frame frequencies that can be selected with the Select FPS

Detailed Shutter Settings

Page 51

3-10 Resuming the

3-11 Selecting the

Standard Conditions

The <OPERATOR FILE> page of the USER (OPERATION) menu permits you to return the operation items (those contained on pages U02 to U14 of the factorypreset USER menu) you changed to the factory-set statuses.

<OPERATOR FILE> page

<OPERATOR FILE> U16

READ (MS CAM) WRITE (CAM MS )

PRESET

FILE ID: CAM CODE DATE

Position the pointer to PRESET and push on the MENU SEL/ENTER dial. The operation items return to the statuses stored in the operator file.

For details on the operator file, see “Chapter 5 Storage and Retrieval of User Setting Data”.

Gamma

You can use User gamma you create in addition to the built-in Standard gamma and Hyper gamma. Use the <GAMMA> page of the USER (PAINT) menu for gamma operations.

<GAMMA> page

<GAMMA> U18

TABLE : : 1 S-LOG A

TEST : OFF

Gamma selection is also possible on the gamma-table selection page of the subdisplay.

3-11-1 Using the Standard Gamma

Standard Gamma is for video and intended to be used mainly for creating broadcast contents. It is used in combination with the Knee function that adjusts the dynamic range of high-luminance areas. When STANDARD is selected on the first line of TABLE of the <GAMMA> page, you can select from among the following standard gamma curves:

USER

Chapter 3 Basic Adjustments and Settings

Gamma table No. Gamma curve

1 equivalent to SD ENG camcorder

2 equivalent to 4.5-times gain

3 equivalent to 3.5-times gain

4 equivalent to SMPTE-240M

5 equivalent to ITU-R709

6 equivalent to 5.0-times gain

It is recommended to use the No. 5 (ITU-R709) curve in normal use. As ITU-R709 provides 4.5-times gain around the black, select the No. 6 (×5) curve when you need higher contrast around the black.

Resuming the Standard Conditions

Page 52

3-11-2 Using the Hyper Gamma

Hyper Gamma enables the wide dynamic range of the CCD sensors to be reproduced in smooth contrast without using the knee function. You can easily adjust whether to widely reproduce high contrast or to brightly reproduce the luminance of the intermediate tones by selecting an appropriate curve. Settings assuming usage of postproduction devices having a white limit of 100% are also provided.

Select HYPER on the first line of TABLE on the <GAMMA> page, and select the hyper gamma table most suitable to the shooting conditions and purpose.

Chapter 3 Basic Adjustments and Settings

Effective for shooting for brighter tonal reproduction around the skin of the subject

Hyper Gamma 3 (HG3) Compressing 325% to 109%

Hyper Gamma 1 (HG1) Compressing 325% to 100%

109

100

ITU-R709 HG3 HG4

Effective for shooting a high-contrast subject

Hyper Gamma 4 (HG4) Compressing 460% to 109%

Hyper Gamma 2 (HG2) Compressing 460% to 100%

Call the <WHITE CLIP> page of the PAINT menu and adjust the white clip level to fit the selected hyper gamma.

3-11-3 Using the S-LOG

When SPECIAL is selected on the first line of TABLE on the <GAMMA> page, the second line indicates S-LOG (Sony Log). Sony Log (S-LOG in subsequent texts) is a gamma which assumes use in the DI workflow (capturing filmed negative images and creating a digital master through digital processing for screening) in cinema production. S-LOG enables you to monitor the latitude close to negative film and perform the timing (color correction) with a Sony digital cinema camera, achieving “Digital Negative” that is the optimum negative film work flow for digital processing. With this “Digital Negative” you can have the conventional shooting style, using ISO sensitivity, luminometer and the wide latitude of negative film, enabling smooth transition from film production to digital cinema production.

Detailed information of S-LOG is described in the “SONYLOG Whitepaper.” For the “SONY-LOG Whitepaper,” consult your local Sony representative.

Video Output [%]

100

109

100

Video Output [%]

100

200 300

Video Input [%]

HG1

200 300

Video Input [%]

400 500 600

HG2

400 500 600

S-LOG

800

3-11-4 Using the User Gamma

You can also create a desired gamma table, using a personal computer on which software CvpFileEditor™ has been installed and load the table into the camera via a “Memory Stick.” When a user gamma table is selected, control of gamma (LEVEL or ON/OFF) may become disabled, depending on data of the table. This is because the gamma and knee are compulsorily fixed when creating the gamma curve. User gamma curves are initialized with S-LOG at the factory. (The characteristic data of S-LOG can be output in files, using the CvpFileEditor.)

1) CvpFileEditor is a trademark of Sony Corporation.

To select the user gamma

To use the gamma table you have created, load it into the camera.

Load the gamma table data via a “Memory Stick” using the <USER GAMMA> page of the FILE menu in Custom mode.

Selecting the Gamma

These curves are equivalent to those built into the HDW-F900R HD Camcorder.

Page 53

<USER GAMMA> page

<USER GAMMA> F04 TOP

READ (MS tCAM)

FILE ID CAM CODE DATE

For details on file operations, see “Chapter 5 Storage and Retrieval of User Setting Data”.

Select the user gamma.

Select USER on the first line of TABLE on the <GAMMA> page of the USER (PAINT) menu and display the desired user gamma.

A user gamma for which the black level has been set to “0” using CvpFileEditor V4.0, the master black (BLACK [M]) setting is fixed to “0” (factory setting), and “- -” is displayed.

CvpFileEditor

The F35 supports CvpFileEditor Version 3.0 or later. If the version of your CvpFileEditor is an earlier version, you can download the software from the “eCSite,” the site for downloading business and professional software from Sony Corporation.

If you have not registered at “eCSite,” access the following URL and register. https://www.ecspert.sony.biz/ecsite/center/ registUserInfo?action=regulationsDirect

For detailed information on how to install the software, refer to the manual for CvpFileEditor, available from the above site.

3-12 Setting the Fan Operation Mode

The operation mode of the built-in fans can be changed according to the ambient temperature or the operation mode of the recorder. Using the <OTHERS 1> page on the USER (MAINTENANCE) menu, you can select the same modes as those selectable on the subdisplay (page 35).

<OTHERS 1> page

<OTHERS 1> U20

FAN MODE : CAM BARS : OFF HD-BAR(VF/MONI) BAR 16:9(100%) SD-BAR SMPTE IMAGE INVERT : OFF

Select the FAN MODE setting.

Setting Operation of the fans

AUTO1 (default) The fans are automatically controlled

according to the internal temperature. Normally use this mode.

AUTO2 In synchronization with recording, the

MIN The quietest fan operation is

MAX The fans rotate at the maximum speed

fans are controlled for the quietest condition. As the rotation speed will increase if the internal temperature rises, use other modes for recording that may continue several tens of minutes.

maintained. Use this mode for long recording at ordinary temperatures.

to lower the internal temperature.

AUTO1

Chapter 3 Basic Adjustments and Settings

Setting the Fan Operation Mode

Page 54

3-13 Inverting the

3-14 Detailed Setting of

Camera Picture

The image-inversion function allows you to cancel the image inversion phenomena that occurs when a cine-lens converter is used. Use the <OTHERS 1> page on the USER (MAINTENANCE) menu to access to this function.

<OTHERS 1> page

Chapter 3 Basic Adjustments and Settings

Set IMAGE INVERT to ON to activate the imageinversion function. The upside of the picture comes down, swapping the right and left.

<OTHERS 1> U20

FAN MODE : AUTO1 CAM BARS : OFF HD-BAR(VF/MONI) BAR 16:9(100%) SD-BAR SMPTE IMAGE INVERT :

OFF

the Video Format

You can select various video formats according to that of the video recorder used in combination.

Available formats

Frame rate Signal

format

23.98PsF 4:2:2 YCbCr S29.97PsF 4:2:2 YCbCr

4:4:4 RGB 4:4:4 RGB

S23.98PsF 4:2:2 YCbCr 50P 4:2:2 YCbCr

4:4:4 RGB S50P 4:2:2 YCbCr

24PsF 4:2:2 YCbCr

4:4:4 RGB S59.94P 4:2:2 YCbCr

S24PsF 4:2:2 YCbCr

4:4:4 RGB 59.94I

25PsF 4:2:2 YCbCr 4:4:4 RGB

4:4:4 RGB 50I 4:2:2 YCbCr

S25PsF 4:2:2 YCbCr 4:4:4 RGB

4:4:4 RGB S60P 4:2:2 YCbCr

S30PsF 4:2:2 YCbCr

4:4:4 RGB

29.97PsF 4:2:2 YCbCr

4:4:4 RGB

1) Selectable only when the HKSR-102 Picture Cache Board and the HKSR103 RGB 60P Processor Board are mounted in the SRW-1. Outputs from the HD-SDI A/B connectors of the interface box are turned off.

Frame rate Signal

format

4:4:4 RGB

4:2:2 YCbCr

4:4:4 RGB

Inverting the Camera Picture / Detailed Setting of the Video Format

You can confirm the format being selected on the FUNCTION display (page 44).

Any eight of above formats of highest need can be registered to be selected on the subdisplay.

For format selection on the subdisplay, see “3-2-3 Selection of Video Formats” (page 32).

Using the <OUTPUT FORMAT> page of the MAINTENANCE menu enables selection of the mainly used format in interface with the SRW-1 HD Portable Digital Recorder. Frame frequency of 23.98PsF and signal format of 4:4:4 RGB have been selected at the factory.

Changing the format

Referring to the procedure mentioned in “2-8 Setting the Built-in Clock” (page 25), select MAINTENANCE menu

Page 55

on the TOP MENU screen and call up the <OUTPUT FORMAT> page.

For details on menu operations, see “4-2 Basic Menu Operations” (page 57).

<OUTPUT FORMAT> page of MAINTENANCE menu

<OUTPUT FORMAT> M07 TOP

CURRENT 23.98PsF 4:4:4

NEXT SCAN : FRAME : 23.98 SIGNAL : 4:4:4 RGB SELECT FPS: OFF

SET RORMAT

PROGRESSIVE

CURRENT

The current format is displayed.

Specify the desired format, using the lines under NEXT.

SCAN

Select the scan mode: PROGRESSIVE or INTERLACE.

Chapter 3 Basic Adjustments and Settings

FRAME

Select the frame rate. When you select INTERLACE for the scan mode, select 29.97 to specify 59.94I or select 25 to specify 50I.

SIGNAL

Select the signal format.

SELECT FPS

Set to ON to use the Select FPS function.

For details on the Select FPS function, refer to the Operation Manual of the SRW-1 HD Portable Digital Recorder.

When the settings are completed, position the pointer at SET FORMAT and push on the MENU SEL/ENTER dial. The format is changed, and the new format is displayed on the CURRENT line.

Notes

• If you select the format in invalid combination (e.g., 60P and 4:4:4), SET FORMAT is displayed in parentheses, and the format cannot be changed.

• If the recorder refuses the format change by the above procedure, the message “UNSUPPORTED FORMAT” is displayed for three seconds.

Detailed Setting of the Video Format

Page 56

Menu Configuration and Detailed Settings

4-1 Menu Configuration

In addition to the subdisplay pages, the menus displayed on the viewfinder enable various detailed settings of the camera.

Chapter 4 Menu Configuration and Detailed Settings

The available menus are:

USER menu

This menu can include menu pages selected from among the OPERATION, PAINT, MAINTENANCE, NETWORK, FILE, and DIAGNOSIS menus, for your convenience. Changing, adding, and deleting pages can be performed with the USER MENU CUSTOMIZE menu. The following pages are included on the factory-set USER menu:

Menu page title USER

<VF DISPLAY> U01 OPERATION 01

<'!' IND> U02 OPERATION 02

<MARKER SETTING> U03 OPERATION 04

<VF DETAIL> U04 OPERATION 05

<ZEBRA> U05 OPERATION 06

<MONITOR OUTPUT> U06 OPERATION 07

<PB MONI GAMMA> U07 OPERATION 08

<PB MIX SETTING> U08 OPERATION 09

<CHAR/MARK MIX> U09 OPERATION 03

<SHUTTER ASSIGN> U10 OPERATION 10

<SUBDISPLAY 1> U11 OPERATION 11

<SUBDISPLAY 2> U12 OPERATION 12

<SWITCH ASSIGN> U13 OPERATION 13

<GAIN ASSIGN> U14 OPERATION 14

<BATTERY ALARM> U15 OPERATION 15

<OPERATOR FILE> U16 OPERATION 16

<LENS FILE> U17 OPERATION 17

<GAMMA> U18 PAINT P03 [P02]

Source menu/Page No.

No.

Chapter

Menu page title USER

No.

<SHUTTER/FPS> U19 PAINT P13 [P03]

<OTHERS 1> U20

1) in Cine mode

For the items on each page, see the corresponding source menu page in the table in “4-3 Menu List” (page 60).

Source menu/Page No.

MAINTENANCE

M14 [M10]

USER MENU CUSTOMIZE menu

This menu allows you to edit the USER menu.

For details, see “4-4 Editing the USER Menu” (page 84).

ALL menu

This menu permits you to control all items of the OPERATION, PAINT, MAINTENANCE, NETWORK, FILE, and DIAGNOSIS menus as a single menu.

OPERATION menu

This menu contains items for camera operators to operate the camera. It mainly permits viewfinder and switch settings.

For the pages and included items of the OPERATION menu, see “4-3-1 OPERATION Menu” (page 60).

PAI NT menu

This menu contains items for making detailed image adjustments while using a waveform monitor to monitor the waveforms output from the camera.

For the pages and included items of the PAINT menu, see “4-3-2 PAINT Menu” (page 67).

MAINTENANCE menu

This menu contains items for performing camera maintenance operations, such as changing the system or setting infrequently used “paint” items.

For the pages and included items of the MAINTENANCE menu, see “4-3-3 MAINTENANCE Menu” (page 73).

Menu Configuration

Page 57

NETWORK menu

This menu is for enabling the camera to be operated from a distance via a network cable, e.g., using the MSU-900/ 950 Master Setup Unit.

For the pages and included items of the NETWORK menu, see “4-3-4 NETWORK Menu” (page 78).

For the settings to use the MSU-900/950, see “Using the MSU-900/950” (page 97).

FILE menu

This menu is for performing file operations, such as storing/retrieving various menu setting data.

For the pages and included items of the FILE menu, see “4-3-5 FILE Menu” (page 79).

For details on files and file operations, see “Chapter 5 Storage and Retrieval of User Setting Data”.

4-2 Basic Menu Operations

For menu operations, use the VF MENU/DISPLAY button, MENU SEL/ENTER dial, and CANCEL/STATUS button on the side panel of the camera head or those on the assistant panel connected to the CONTROL PANEL connector. Turn the MENU SEL/ENTER dials for MENU SEL, or push on it for ENTER.

Operations are possible both on the side panel of the camera head and on the assistant panel. However, the LOCK switches are active only on the corresponding panels. If you wish to inhibit operations from either panel, set the LOCK switch of that panel to ON.

Chapter 4 Menu Configuration and Detailed Settings

DIAGNOSIS menu

This menu enables you to confirm the self-diagnostic information.

For the pages and included items of the DIAGNOSIS menu, see “4-3-6 DIAGNOSIS Menu” (page 83).

Side panel of the camera head

VF MENU/

DISPLAY button

LOCK

VF MENU/DISPLAY CANCEL/STATUS

RUN

AUTO

BLK

BAL

Assistant panel

DISPLAY button

VF MENU/

LOCK VF MENU/DISPLAY CANCEL/STATUS

PAG E

CANCEL/STATUS button

MENU SEL/ENTER dial

SET

CANCEL/STATUS button

Press

MENU SEL/ENTER dial

MENU SEL/

ENTER

Tu r n

Press

RUN

AUTO

BLK BAL

PAG E

SET

Tu r n

Note

When the subdisplay is in Data Change mode (? symbol shown at the right corner), menu operations on the viewfinder or monitor screen are disabled.

Basic Menu Operations

Page 58

For settings on the subdisplay, see“3-2 Basic Settings with the Subdisplay” (page 29).

4-2-1 Displaying Setting Pages

Press the VF MENU/DISPLAYbutton. The last operated menu page is displayed. (If this is your first menu operation, the CONTENTS page of the USER menu is displayed.)

The pointer on the menu screen is B in Cine mode and c in Custom mode.

To disable the “TOP” indication

Turn the power once off then on again, or push on the MENU SEL/ENTER dial while holding the CANCEL/ STATUS button pressed. This disables the TOP selection. Each time you turn the power off, the TOP selection is disabled, setting the camera to a state where only the USER menu (page 56) can be accessed. You can arrange the USER menu so that it includes pages and items you use most frequently.

See “4-4 Editing the USER Menu” (page 84).

Selecting a page from a CONTENTS page

Selecting menu pages from the TOP MENU screen

If you press the VF MENU/DISPLAY button while holding the MENU SEL/ENTER dial pressed, “TOP” is displayed at the upper right corner of the screen.

Chapter 4 Menu Configuration and Detailed Settings

Example

<VF DETAIL> 05cTOP

VF 1 : OFF VF 2 : OFF

LEVEL : 25%

Press the CANCEL/STATUS button, or move the pointer to “TOP” and push on the MENU SEL/ENTER dial. This displays the TOP MENU screen, which lists the available menus, and you can select the menus on this screen.

TOP MENU screen

USER USER MENU CUSTOMIZE ALL

OPERATION

PAINT

MAINTENANCE

NETWORK

FILE

DIAGNOSIS

CONTENTS page (e.g.: USER menu)

Pointer

If the screen can be scrolled, arrows will indicate the direction of scrolling.

CONTENTS U00

01.<VF DISPLAY>

02.<'!' IND>

03.<MARKER SETTING>

04.<VF DETAIL>

05.<ZEBRA>

06.<MONITOR OUTPUT>

07.<PB/MONI GAMMA>

08.<PB MIX SETTING>

09.<CHAR/MARK MIX>

10.<SHUTTER ASSIGN>

Turn the MENU SEL/ENTER dial to align the pointer with the desired page indication then push on the MENU SEL/ ENTER dial.

The selected page is displayed.

Page number

<VF DETAIL> c04

VF 1 : OFF VF 2 : OFF

LEVEL : 25% CRISP : 0

Turn the MENU SEL/ENTER dial to align the pointer with the desired menu indication.

Push on the MENU SEL/ENTER dial.

The CONTENTS page or the last operated page of the selected menu is displayed.

To return to the TOP MENU screen

Press the CANCEL/STATUS button, or move the pointer to “TOP” and press the MENU SEL/ENTER dial. The TOP MENU screen is restored.

Basic Menu Operations

Changing the displayed page

Check that the pointer is located at the left of the page number then push on the MENU SEL/ENTER dial.

The pointer changes to a flashing question mark (? symbol).

Page 59

flash

<VF DETAIL> ?04

VF 1 : OFF VF 2 : OFF

LEVEL : 25% CRISP : 0

Turn the MENU SEL/ENTER dial to flip through the pages.

When the desired page is displayed, push on the MENU SEL/ENTER dial.

The “?” symbol will change back to the pointer (c or B), and the new setting will be registered.

To change other setting items on the same menu page, repeat steps 1 through 4.

Specifying a character string

When you push on the MENU SEL/ENTER dial with the pointer pointing to an item for which a character string, such as a file ID, is to be specified, a cursor and the list of selectable characters are displayed. The displayed cursor can be moved by rotating the MENU SEL/ENTER dial.

Move the cursor to the position where you wish enter a character then push on the MENU SEL/ENTER dial.

The “?” symbol will change back to the pointer (c or B), and operations with the displayed page will be enabled.

4-2-2 Setting the Menu Items

If a “?” symbol is flashing at the left of the page number, push on the MENU SEL/ENTER dial to change it to the pointer (c or B). Making settings on the displayed page is then enabled.

Changing the setting

Turn the MENU SEL/ENTER dial to align the pointer with the desired item.

Push on the MENU SEL/ENTER dial.

The pointer will change to a flashing “?” symbol.

Turn the MENU SEL/ENTER dial to change the setting value.

When the knob is rotated quickly, the values will change quickly; when rotated slowly, the values will change slowly.

To reset a changed value

If you press the CANCEL/STATUS button before pushing on the MENU SEL/ENTER dial, the setting will be returned to its previous value.

Another cursor appears on the character list.

Position the cursor to the character to be entered and push on the MENU SEL/ENTER dial.

Repeat steps 1 and 2.

By selecting INS on the line below the character list, you can enter a space at the cursor position.

Selecting DEL deletes the character at the cursor position.

You can return to step 1 without changing the character by selecting RET.

If you enter the permitted maximum number of characters (up to the stop mark at the right end of the line), the cursor moves to ESC on the line below the character list.

To register the new string you have set, select END and push on the MENU SEL/ENTER dial.

To restore the previous string, select ESC and push on the MENU SEL/ENTER dial.

Ending menu operations

Press the VF MENU/DISPLAY button.

Chapter 4 Menu Configuration and Detailed Settings

To interrupt settings

Press the VF MENU/DISPLAY button to turn off the menu screen display. The setting operation can be restarted by setting the VF MENU/DISPLAY button again.

Push on the MENU SEL/ENTER dial.

Basic Menu Operations

Page 60

4-3 Menu List

This section shows the menus to be displayed on the viewfinder in tables.

• For the pages that have been registered in the USER menu at the factory, the USER menu page numbers are indicated in parentheses in the No. column of the tables.

4-3-1 OPERATION Menu

The OPERATION menu items can be set in both Cine and Custom modes.

Execute by ENTER. : Execute by pushing on the MENU SEL/ENTER dial.

OPERATION menu

Chapter 4 Menu Configuration and Detailed Settings

Page title & purpose

Setting the basic status indications

(page 43)

No. Item Default Settings Remarks

FPS ON ON, OFF

(U01)

ND ON ON, OFF

5600K OFF ON, OFF

WHITE OFF ON, OFF

GAIN ON ON, OFF

SHUTT ON ON, OFF

UNIT deg deg, sec

BATT12 ON ON, OFF

BATT24 OFF ON, OFF

REC ON ON, OFF

TAPE OFF ON, OFF

TC OFF ON, OFF

MESSAG ALL ALL, AT, WRN, OFF ALL: To display all messages

• A CONTENTS page (numbered 00) is also provided for each menu.

AT: To display Auto Setup

information and higher

WRN: To display warning

messages and higher

OFF: To display warning

messages of the highest level only

Menu List

Page 61

OPERATION menu Page title &

purpose

<‘!’ IND>

Setting the ABNORMAL < ! > display

Turning the character/marker ON/OFF

No. Item Default Settings Remarks

ND [IND] ON ON, OFF [IND]: Set whether to be

(U02)

WHITE [IND] ON ON, OFF

5600K [IND] ON ON, OFF

SHUTT [IND] ON ON, OFF

FAN [IND] ON ON, OFF

G-COMP [IND] ON ON, OFF

CHAR VF1 ON ON, OFF Character superimposing ON/

(U09)

MARKER VF1 ON ON, OFF Markers ON/OFF

CURSOR VF1 OFF ON, OFF Cursor ON/OFF

ZEBRA VF1 OFF ON, OFF Zebra ON/OFF

VF GATE MARKER

[NORMAL] 1 – – – – 1, 2, 3, 4, 5

(combination allowed)

[NORMAL] P – – P, A, B (combination

allowed)

[NORMAL] OFF ON, OFF

[NORMAL] AUTO1 AUTO 1, AUTO2, MIN,

MAX

The normal condition is fixed to OFF.

VF2 ON ON, OFF

MONI ON ON, OFF

VBS OFF ON, OFF

VF2 ON ON, OFF

MONI ON ON, OFF

VBS ON ON, OFF

VF2 OFF ON, OFF

MONI OFF ON, OFF

VF2 OFF ON, OFF

MONI OFF ON, OFF

VBS OFF ON, OFF

OFF ON, OFF For SKIN GATE and MULTI

included in the ‘!’ indications on the ABNORMAL < ! > display

[NORMAL]: Specify the

conditions under which the ‘!’ indication is not to be displayed even if [IND] is ON. (By specifying the standard or normal conditions here, nonstandard or abnormal conditions can be found with the ‘!’ indication.)

e.g.: With the default setting of

ND, the ‘!’ indication is displayed when an ND filter other than 1 is selected.

OFF

MATRIX GATE on the viewfinder

Chapter 4 Menu Configuration and Detailed Settings

Menu List

Page 62

OPERATION menu Page title &

purpose

Specifying markers

Chapter 4 Menu Configuration and Detailed Settings

Adjusting the detail on the viewfinders

<ZEBRA>

Setting the zebra

Setting the monitor output

No. Item Default Settings Remarks

CENTER OFF ON, OFF

(U03)

SAFETY OFF ON, OFF

EFFECTIVE OFF ON, OFF

ASPECT OFF ON, OFF

VARIABLE 1440 12 to 1920

SAFETY OFF ON, OFF For the safety marker in

MASK OFF ON, OFF

CURSOR BOX BOX, CROSS

POSI H/V 0/0 –958 to 956/–538 to 536

SIZE W/H 960/540 16 to 1920/16 to 1080

VF1 ON ON, OFF

(U04)

VF2 ON ON, OFF

LEVEL 25% 0 to 100%

CRISP 0 –99 to +99

VF1 OFF ON, OFF

(U05)

VF2 OFF ON, OFF

MONITOR OFF ON, OFF

VBS OFF ON, OFF

ZEBRA TYPE 1 1, 2, 1&2

ZEBRA1 LEVEL 70% 0 to 109%

WIDTH 10% 0 to 30%

ZEBRA2 100% 50 to 109%

COLOR COLOR COLOR, R, G, B

(U06)

OUTPUT

MONI HD-SDI MONI MONI, VF1, VF2

TEST OUT VBS VBS, VF2, REF-THRU,

RM VIDEO VBS VBS, VF2

1 1, 2, 3, 4 1: Entire cross

90.0% 80.0%, 90.0%, 92.5%,

95.0%

4:3 2.40:1, 2.35:1, 1.85:1,

1.66:1, 16:9, 15:9, 14:9, 13:9, 4:3, VAR H, VAR V

1016 12 to 1080

90.0% 80.0%, 90.0%, 92.5%,

95.0%

12 0 to 15 Set the level to darken the

FRAME

2: Entire cross with a hole 3: Center 4: Center with a hole

1.66:1 : VISTA1 equivalent

1.85:1 : VISTA2 equivalent

Aspect mode

areas outside the aspect marker.

Menu List

Page 63

OPERATION menu Page title &

purpose

Setting the gamma of the playback picture/monitor picture

<GAMMA MARK> subpage

Setting for the monitor gamma mark

Setting for mixing the playback picture

No. Item Default Settings Remarks

MONI GAMMA

(U07)

ENABLE

PB VF OFF OFF, ON, AUTO

PB MIX VF OFF OFF, ON,

MONITOR GAMMA

GAMMA MARK SETTING

MONI GAMMA MARK

MARK LEVEL 1 1, 2, 3, 4 To set the luminance of the

H POSITION 0 0 to 99 To set the display position of

V POSITION 0 0 to 99

MIX TYPE MIX MIX, WIPE

(U08)

MIX

DIRECTION CAM CAM, PB

MODE Y- M I X Y-MIX, WIRE(W),

LEVEL 80% 0 to 80%

WIPE

LAYOU T HOR HOR, VERT

PB POSITION HOR: RIGHT

BOUNDARY HOR: 960

OFF ON, OFF

MONI OFF OFF, ON, AUTO

VBS OFF OFF, ON, AUTO, (OFF) (OFF): If either VF or MONI or

both is/are R709 (cannot be changed)

MONI OFF OFF, ON,

VBS OFF OFF, ON, (OFF) (OFF): If either VF or MONI or

VF OFF OFF, R709, (OFF) OFF: The same gamma as the

MONI OFF OFF, R709, (OFF)

VBS OFF OFF, (R709), (OFF)

ON ON, OFF To turn the monitor gamma

WIRE(B)

VERT: BOTTOM

VERT: 540

HOR: RIGHT, LEFT VERT: BOTTOM, TOP

HOR: 0 to 1920 VERT: 0 to 1080

both is/are R709 (cannot be changed)

main line R709: ITU-R709 (OFF): If MONI GAMMA

ENABLE OFF (cannot be

changed) (R709): If MONI GAMMA

ENABLE ON (cannot be

changed)

To jump to the subpage

mark (709 ) on or off

gamma mark

the mark (0 for the leftmost or uppermost)

Chapter 4 Menu Configuration and Detailed Settings

Menu List

Page 64

OPERATION menu Page title &

purpose

Setting the step shutter values

Chapter 4 Menu Configuration and Detailed Settings

Registering the formats to be selected on the assistant panel

Setting the LOCK switch mode and subdisplay

No. Item Default Settings Remarks

STEP [deg] column: Shutter angle

(U10)

(U11)

(U12)

1 216.0 360.0 to 4.3

2 180.0 360.0 to 4.3

3 172.8 360.0 to 4.3

4 150.0 360.0 to 4.3

5 144.0 360.0 to 4.3

6 90.0 360.0 to 4.3

7 45.0 360.0 to 4.3

8 22.5 360.0 to 4.3

ADD Execute by ENTER. To add a step shutter value

DEL Execute by ENTER. To delete a step shutter value

PRESET Execute by ENTER. To resume the factory- set

FORMAT MEMORY

1 23.98P 444 NO ASSIGN,

23.98P 444, S23.98P 444, 29.97P 444, S29.97P 444, S59.94P 444, 23.98P 422, S23.98P 422, 29.97P 422, S29.97P 422, S59.94P 422, 24P 444, S24P 444, 25P 444, S25P 444, S30P 444, S50P 444, S60P 444, 24P 422, S24P 422, 25P 422, S25P 422, S30P 422, 50P 422, S50P 422, S60P 422, 50I 444, 50I 422, 59.94I 444, 59.94I 422

2 S23.97P 444 Same as above

3 S59.94P 422 Same as above

4 23.98P 422 Same as above

5 NO ASSIGN Same as above

6 NO ASSIGN Same as above

7 NO ASSIGN Same as above

8 NO ASSIGN Same as above

LOCK SW MODE

CAMERA FULL FULL, –RUN Set the mode of the LOCK

PA N E L FULL FULL, –RUN Set the mode of the LOCK

PAGE SELECT Execute by ENTER. To jump to the subpage

value settings

[sec] column: The converted

speed values depending on the selected FPS value are displayed.

step shutter settings

Register the formats to be selected on the subdisplay. Select from among the formats displayed on the corresponding <FORMAT MEMORY> subpage.

switch on the camera. –RUN: To enable the RUN

button even when the LOCK switch is set to ON

switch on the assistant panel. –RUN: To enable the RUN

button even when the LOCK switch is set to ON

Menu List

Page 65

OPERATION menu Page title &

purpose

<PAGE SELECT> subpage

Selecting pages to be displayed on the subdisplay

Setting the functions of the assignable buttons and switch

Specifying the gain switch settings

No. Item Default Settings Remarks

SHUTTER ON ON, OFF

FORMAT ON ON, OFF

ND ON ON, OFF

GAIN/WHITE/ 5600K

LENS FILE ON ON, OFF

TIME CODE/TAPE REM

VOLTAGE/FAN MODE

CHARACTER MIX ON ON, OFF

ASSIGNABLE SW1/SW2

ASSIGNABLE SW3/SW4

BRIGHT ON ON, OFF

GAMMA TABLE ON ON, OFF

COLOR SPACE ON ON, OFF

ASSIGN SW1 OFF OFF, ND, REC REVIEW,

(U13)

ASSIGN SW2 OFF

ASSIGN SW3 OFF

ASSIGN SW4 OFF OFF, AWB, BARS,

RE - ROTATION STD STD, RVS Specify operation mode of the

GAIN [L] 0 dB –6, –3, 0, 3, 6, 9, 12 dB Assign the values for the gain

(U14)

ON ON, OFF

PB(VF), VF709GAM, MONI709GAM, FAN MODE, GAIN –9/–18 dB

TEST1

[M] 6 dB –6, –3, 0, 3, 6, 9, 12 dB

[H] 12 dB –6, –3, 0, 3, 6, 9, 12 dB

Select from among the functions displayed on the corresponding subpage.

MENU SEL/ENTER dial. STD: Clockwise rotation

advances the pointer/

cursor or increases values

on the menu screen. RVS: Counterclockwise

rotation advances the

pointer/cursor or increases

values on the menu

screen.

switch of the RM-B150.

Chapter 4 Menu Configuration and Detailed Settings

Menu List

Page 66

OPERATION menu Page title &

purpose

Confirming the operating power voltage

Chapter 4 Menu Configuration and Detailed Settings

Operating the Operator file

Operating the lens files

No. Item Default Settings Remarks

DC IN (24V)

(U15)

(U16)

(U17)

TYPE AC ADP BATT1, BATT2, AC ADP

NEAR END (22.2) display only (Setting is

END (21.6) display only (Setting is

DC IN (12 V)

TYPE AC ADP BATT1, BATT2, AC ADP

NEAR END (11.1) display only (Setting is

END (10.8) display only (Setting is

READ (MStCAM)

WRITE (CAMtMS)

PRESET Execute by ENTER. To set the operator file items

FILE ID alphanumerics (max.14

CAM CODE Camera code display only

DATE display only

FILE 1 1 to 32

No Offset Lens file name display only

CENTER MARKER

H POS 0 –96 to 95

V POS 0 –54 to 53

STORE Execute by ENTER.

WHITE R/B ON ON, OFF To turn the WHITE R/B

Execute by ENTER. To read the operator file from

Execute by ENTER. To write the current settings of

characters)

achieved using the MAINTENANCE menu.)

a “Memory Stick”

the operator file items to a “Memory Stick”

to the preset values in internal memory

Enter a comment for the operator file to be written to a “Memory Stick.”

See “Specifying a character string” (page 59).

To set and store the center marker position: H POS: Increasing the value

moves it to the right.

V POS: Increasing the value

moves it downwards.

Note

This item is not displayed in Cine mode.

compensation by the lens file on or off

Menu List

Page 67

4-3-2 PAINT Menu

: Valid in Custom mode only (Switch settings, such as ON/OFF, are fixed to the default statuses in Cine mode.)

: Valid in both Cine and Custom modes

Execute by ENTER. : Execute by pushing on the MENU SEL/ENTER dial.

Notes

• When the setting is in the fixed status, it is displayed in parentheses. Example: (OFF)

• The markings [P01] to [P03] in the No. column indicate the page numbers in Cine mode. The pages marked with [ - - ] in the No. column are not displayed in Cine mode.

PAINT m e nu Page title &

purpose

Glancing and switching the paint functions on/off

Adjusting the various video balance

No. Item Default Settings Remarks

P01

FLARE (OFF) ON, OFF Fixed to OFF in Cine mode

[P01]

GAMMA (ON) ON, OFF Fixed to ON in Cine mode

BLK GAM (OFF) ON, OFF Fixed to OFF in Cine mode

KNEE (OFF) ON, OFF Fixed to OFF in Cine mode

WHT CLIP (OFF) ON, OFF Fixed to OFF in Cine mode

DETAIL (OFF) ON, OFF Fixed to OFF in Cine mode

LVL DEP (OFF) ON, OFF Fixed to OFF in Cine mode

SKIN DTL (OFF) ON, OFF Fixed to OFF in Cine mode

MATRIX (OFF) ON, OFF Fixed to OFF in Cine mode

5600K OFF ON, OFF

P02

[ - - ] WHITE

BLACK 0 0 0 0 –99 to +99

FLARE 0 0 0 –99 to +99

GAMMA 0 0 0 0 –99 to +99

FLARE OFF ON, OFF Fixed to OFF in Cine mode

TEST OFF OFF, TEST1, TEST2

[R] [G] [B] [M]

000 –99 to +99

Chapter 4 Menu Configuration and Detailed Settings

R, G, B, and M (master) values can be independently set.(M cannot be set for WHITE or FLARE.)

Menu List

Page 68

PAIN T me nu Page title &

purpose

<GAMMA>

Adjusting the gamma

Chapter 4 Menu Configuration and Detailed Settings

Adjusting the contrast near black

Adjusting the color saturation

No. Item Default Settings Remarks

P03

[P02]

LEVEL

(U18)

BLACK 0 –99 to +99 M (master) value only

COARSE 0.45 0.35 to 0.90 (0.05 steps) Fixed to 0.45 when HYPER

TABLE USER STANDARD, HYPER

GAMMA ON ON, OFF Fixed to ON in Cine mode

KNEE (OFF) ON, OFF, (OFF) (OFF): Fixed to OFF with the

TEST OFF OFF, TEST1, TEST2

P04

[ - - ] LEVEL

RANGE HIGH LOW, L.MID, H.MID, HIGH

TEST OFF OFF, TEST1, TEST2

P05

SATURATION 0 –99 to +99

[ - - ]

LOW KEY SAT 0 –99 to +99

RANGE HIGH LOW, L.MID, H.MID, HIGH

TEST OFF OFF, TEST1, TEST2

[R] [G] [B] [M]

0000–99 to +99

GAMMA, SPECIAL, USER

1 STANDARD

[R] [G] [B] [M]

0000–99 to +99

OFF ON, OFF

1: CAMCORDER

× 4.5

× 3.5

3: 4: SMPTE-240M 5: ITU-R709

× 5.0

HYPER GAMMA

1: 325% to 100% 2: 460% to 100% 3: 325% to 109% 4: 460% to 109%

SPECIAL

1: S-LOG A

USER

1: S-LOG A 2: S-LOG A 3: S-LOG A 4: S-LOG A 5: S-LOG A

R, G, B, and M (master) values can be independently set.

GAMMA SPECIAL or USER is selected

For details, see “3-11 Selecting the Gamma” (page

51).

gamma setting other than STANDARD

R, G, B, and M (master) values can be independently set.

Menu List

Page 69

PAINT m e nu Page title &

purpose

<KNEE>

Adjusting the compression for high-luminance areas

Adjusting the level to white-clip the high-luminance areas

Adjusting the emphasis of the contours in video

No. Item Default Settings Remarks

P06

[ - - ] K POINT

K SLOPE 0 0 0 0 –99 to +99

KNEE OFF ON, OFF

KNEE MAX OFF ON, OFF

KNEE SAT 0 –99 to +99 To adjust the color saturation

AUTO KNEE OFF OFF, AUTO

POINT LIMIT 0 –99 to +99 Absolute value is displayed in

SLOPE 0 –99 to +99 Absolute value is displayed in

ABS Highlighted: ABS (Absolute)

P07

[ - - ] W CLIP

ABS Highlighted: ABS (Absolute)

P08

DETAIL OFF ON, OFF Fixed to OFF in Cine mode

[ - - ]

LEVEL 0 –99 to +99 Absolute value is displayed in

LIMITER [M] 0 –99 to +99 To adjust the level to clip the

CRISP 0 –99 to +99 To adjust the level for noise

LVL DE P 0 –99 to +99 To adjust the emphasis

ABS Highlighted: ABS (Absolute)

[R] [G] [B] [M]

0000–99 to +99

OFF ON, OFF

[R] [G] [B] [M]

0000–99 to +99

OFF ON, OFF Fixed to OFF in Cine mode

[WHT] 0 –99 to +99

[BLK] 0 –99 to +99

OFF ON, OFF

R, G, B, and M (master) values can be independently set. K POINT: To adjust the point

to apply the change

K SLOPE: To adjust the slope

of compression Absolute values are displayed in ABS mode except for M (master).

at high-luminance areas

ABS mode.

mode

R, G, B, and M (master) values can be independently set. Absolute values are displayed in ABS mode except for M (master).

mode

ABS mode.

maximum value of the emphasis signal Absolute values are displayed in ABS mode except for M (master).

suppression (Absolute values are displayed in ABS mode)

elements suppressed by gamma (Absolute values are displayed in ABS mode.)

mode

Chapter 4 Menu Configuration and Detailed Settings

Menu List

Page 70

PAIN T me nu Page title &

purpose

Adjusting the emphasis of the contours in video

Chapter 4 Menu Configuration and Detailed Settings

Emphasizing the contours of the specific color components

No. Item Default Settings Remarks

P09

H/V RATIO 0 –99 to +99 To specify the vertical factor of

[ - - ]

FREQ 0 –99 to +99 To adjust the video frequency

MIX RATIO 0 –99 to +99 Absolute value is displayed in

KNEE APT 0 –99 to +99 For contour emphasis in high-

OFF ON, OFF

ABS Highlighted: ABS (Absolute)

P10

SKIN DTL OFF ON, OFF Fixed to OFF in Cine mode

[ - - ]

SKIN GATE OFF OFF, 1, 2, 3 1, 2, 3: Skin gate can be set to

ABS Highlighted: ABS (Absolute)

[1] [2] [3]

CH SW

HUE

PHASE 0 0 0 0 to 359

WIDTH 29 29 29 0 to 90

SAT –89 –89 –89 –99 to +99

LEVEL 0 0 0 –99 to +99

(ON) OFF OFF ON, OFF

EXEC EXEC EXEC

Execute by ENTER.

the contour emphasis (Absolute values are displayed in ABS mode.)

components to be emphasized (Absolute values are displayed in ABS mode.)

ABS mode.

luminance areas compressed by the KNEE function (Absolute values are displayed in ABS mode.)

mode

ON for the specified channel only.

With the ON setting, a zebra pattern is displayed for the color component affected by the DETAIL function.

mode

The skin tone detail function can be independently set for each channel (channel 1 is always ON). HUE: For automatic detection

of the target color

Absolute values are indicated for LEVEL only in ABS mode.

Menu List

Page 71

PAINT m e nu Page title &

purpose

Adjusting the color components without affecting the black and white components

Adjusting the color components independently by dividing into 16 axes

No. Item Default Settings Remarks

P11

R-G 0 –99 to +99

[ - - ]

R-B 0 –99 to +99

G-R 0 –99 to +99

G-B 0 –99 to +99

B-R 0 –99 to +99

B-G 0 –99 to +99

MATRIX OFF ON, OFF

PRESET - - ON, OFF, (OFF), - - Invalid when MATRIX is OFF

- - SMPTE-240M, ITU-709,

USER - - ON, OFF, - - Invalid when MATRIX is OFF

MULTI - - ON, OFF, - - Invalid when MATRIX is OFF

P12

PHASE 0 0, 23, 45, 68, 90, 113, 135,

[ - - ]

HUE 0 –99 to +99

SAT 0 –99 to +99

ALL CLEAR Execute by ENTER.

GATE OFF ON, OFF

MATRIX OFF ON, OFF

PRESET - - ON, OFF, (OFF), - - Invalid when MATRIX is OFF

- - SMPTE-240M, ITU-709,

USER - - ON, OFF, - - Invalid when MATRIX is OFF

MULTI - - ON, OFF, - - Invalid when MATRIX is OFF

SMPTE-WIDE, NTSC, EBU, - -

158, 180, 203, 225, 248, 270, 293, 315, 338

B, B+, MG–, MG, MG+, R, R+, YL–, YL, YL+, G–, G, G+, CY, CY+, B–

SMPTE-WIDE, NTSC, EBU, - -

(- - indication) (OFF): Fixed to OFF when

MATRIX is ON with

COLOR SPACE set to S-

GAMUT or DCDM REF PJ

Invalid when MATRIX is OFF (- - indication)

(- - indication)

Select an axis (angle) at PHASE for which the multimatrix adjustment is to be made, and set HUE and SAT. (HUE and SAT can be adjusted independently for 16 axes.)

(- - indication) (OFF): Fixed to OFF when

MATRIX is ON with

COLOR SPACE set to S-

GAMUT or DCDM REF PJ

Invalid when MATRIX is OFF (- - indication)

(- - indication)

Chapter 4 Menu Configuration and Detailed Settings

Menu List

Page 72

PAIN T me nu Page title &

purpose

Adjusting the shutter while observing the shutter angles and speeds

Chapter 4 Menu Configuration and Detailed Settings

Storing and retrieving scene files (data set by the PAINT menu)

No. Item Default Settings Remarks

P13

SHUTTER OFF ON, OFF Setting to ON displays the

[P03]

(U19)

STEP To change the shutter value in

CONTINUOUS To change the shutter value in

STEP ASSIGN

ADD Execute by ENTER. To add a step shutter value

DELETE Execute by ENTER. To delete a step shutter value

FRAME RATE - - For S23.98PsF/S24PsF:

1 to 24 For S25PsF: 1 to 25 For S29.97PsF/S30PsF:

1 to 30 For S50P/S59.94P/S60P:

1 to 50

COMP MODE OFF OFF, ANGLE, GAIN To select Compensation

P14

1 When storing a file in camera

[ - - ]

01 01 to 32 To specify the scene file

STORE Execute by ENTER.

STANDARD Execute by ENTER. To read the standard paint

READ (MStCAM) Execute by ENTER. To load scene files from a

WRITE (CAMtMS)

FILE ID Max.14 characters Enter a comment for the

CAM CODE Camera code display only (When files made

DATE Date of file creation display only

Execute by ENTER. To write scene files in the

current shutter values in the [deg] and [sec] columns. [deg]: Shutter angle (360.0 to

4.3)

[sec]: Shutter speed obtained

according to the angle in [deg] and the FRAME RATE value

Step mode

Continuous mode

When the video format is fixed, the value is indicated in parentheses.

mode

memory, specify the number before executing STORE. When reading, only specify the number.

number 01 to 32 when 32 SCENE FILE of <OTHERS 2> of the MAINTENANCE menu is ON.

data

“Memory Stick” to internal memory

camera’s memory to a “Memory Stick”

scene files to be written to a “Memory Stick.”

on are detected, “F35” is displayed.)

Menu List

Page 73

4-3-3 MAINTENANCE Menu

: Valid in Custom mode only

: Valid in both Cine and Custom modes

Execute by ENTER. : Execute by pushing on the MENU SEL/ENTER dial.

Note

The markings [M01] to [M11] in the No. column indicate the page numbers in Cine mode. The pages marked with [ - - ] in the No. column are not displayed in Cine mode.

MAINTENANCE menu Page title &

purpose

Setting the basic operation mode

Var i o us auto balance adjustments

No. Item Default Settings Remarks

M01

SHOOT MODE CINE CINE, CUSTOM

[M01]

D-RANGE EXTEND EXTEND, NORMAL EXTEND: To improve the

COLOR SPACE S-GAMUT S-GAMUT, F900, F900R,

DCDM REF PJ

M02

AUTO BLACK Execute by ENTER.

[ - - ]

AUTO WHITE Execute by ENTER.

AUTO LEVEL Execute by ENTER.

AUTO WHITE SHADING

AUTO BLACK SHADING

TEST OFF OFF, TEST1, TEST2

Execute by ENTER. Do not execute if a flat

Execute by ENTER.

dynamic range and

sensitivity Fixed to EXTEND in Cine mode

S-GAMUT: Wide color

space designed for this

camera F900: Color space

equivalent to other HD

cameras F900R: Color space

equivalent to HDW-

F900R (only with

<OTHERS 2> COLOR

F900R ENABLED DCDM REF PJ: COLOR

space of the reference

projector specified by

white subject is not available.

Chapter 4 Menu Configuration and Detailed Settings

Menu List

Page 74

MAINTENANCE menu Page title &

purpose

Adjusting the shading of white level

<BLACK

Chapter 4 Menu Configuration and Detailed Settings

SHADING>

Adjusting the shading of black level

Adjusting the colors at the CCD block (OHB) to match the colors among multiple cameras (can be stored in the OHB file)

<AUDIO>

Selecting the SDI channels to which the microphone inputs are added

No. Item Default Settings Remarks

M03

[ - - ] V SAW

V PARA 0 0 0 –99 to +99

H SAW 0 0 0 –99 to +99

H PARA 0 0 0 –99 to +99

WHITE 0 0 0 –99 to +99

AUTO WHITE SHADING

WHITE SHAD MODE RB RGB, RB RGB: To adjust the shading

M04

[ - - ] V SAW

V PARA 0 0 0 –99 to +99

H SAW 0 0 0 –99 to +99

H PARA 0 0 0 –99 to +99

BLK SET 0 0 0 –99 to +99

BLACK 0 0 0 0 –99 to +99

MASTER GAIN 0 dB −6, −3, 0, 3, 6, 9, 12 dB

AUTO BLACK SHADING

M05

PHASE 0 0, 23, 45, 68, 90, 113,

[ - - ]

HUE 0 –99 to +99

SAT 0 –

ALL CLEAR Execute by ENTER. To clear the HUE and SAT

OHB MATRIX ON ON, OFF Always ON in Cine mode

MATRIX OFF ON, OFF Always OFF in Cine mode

M06

CAMERA MIC CH

[M02]

SELECT

IF BOX/CA

[R] [G] [B]

000 –99 to +99

Execute by ENTER.

[R] [G] [B] [M]

000 –99 to +99

Execute by ENTER.

135, 158, 180, 203, 225, 248, 270, 293, 315, 338

99 to +99

CH5/6 CH1/2, CH5,6

R, G, and B values can be independently set. V SAW, H SAW: To

vertically or horizontally adjust the slope of shading compensation

V PARA, H PARA: To

vertically or horizontally adjust the irregularity of shading compensation

independently for R, G, and B

RB: To adjust R and B

according to G

R, G, and B values can be independently set. M (master) value can also be set for BLACK. V SAW, H SAW: To

vertically or horizontally adjust the slope of shading compensation

V PARA, H PARA: To

vertically or horizontally adjust the irregularity of shading compensation

To select an axis (angle) at PHASE for which the OHB matrix adjustment is to be made, and set HUE and SAT (HUE and SAT can be adjusted independently for 16 axes).

values for all PHASE settings

Menu List

Page 75

MAINTENANCE menu Page title &

purpose

Setting the output video format

Setting the aspect ratio for VBS output

Selecting the output power save mode

Setting the voltage values to trigger alarm indications

Adjusting Genlock with status indications

<DATE>

Setting the built-in clock

No. Item Default Settings Remarks

M07

CURRENT 23.98PsF 4:4:4 The current format is

[M03]

SCAN PROGRESSIVE PROGRESSIVE,

FRAME 23.98 23.98, 24, 25, 29.97, 30,

SIGNAL 4:4:4 RGB 4:4:4 RGB, 4:2:2 YCbCr

SELECT FPS OFF ON, OFF

SET FORMAT Execute by ENTER.

M08

ASPECT LB SQ, LB, EC SQ: Squeeze

[M04]

M09

MONITOR OUT ACTIVE PWR SAVE, ACTIVE

[M05]

DOWN CONVERTER ACTIVE PWR SAVE, ACTIVE

M10

DC IN (24 V)

[M06]

M11

[M07]

M12

[M08]

TYPE AC ADP BATT1, BATT2, AC ADP BATT1/BATT2: Batteries

NEAR END 22.2 V 0.1 to 30.0 V Fixed to the default value

END 21.6 V 0 to 29.9 V Fixed to the default value

DC IN (12 V)

TYPE AC ADP BATT1, BATT2, AC ADP BATT1/BATT2: Batteries

NEAR END 11.1 V 11.0 to 17.0 V Fixed to the default value

END 10.8 V 10.5 to 14.0 V Fixed to the default value

REFERENCE INTERNAL, GENLOCK INdisplay only

STATUS OK, NG, NO SIGNAL display only

H PHASE 0 –511 to 511 To adjust the H phase for

DATE/TIME yyyy/mm/dd

INTERLACE

50, 59.94, 60

hh : mm

displayed.

When INTERLACE is selected for SCAN, select half the value of the field frequency in FRAME.

LB: Letter Box EC: Edge Crop

AC ADP: AC adaptor

for AC ADP

AC ADP: AC adaptor

for AC ADP

genlock

Chapter 4 Menu Configuration and Detailed Settings

Menu List

Page 76

MAINTENANCE menu Page title &

purpose

Recording/ reproducing metadata

Chapter 4 Menu Configuration and Detailed Settings

Setting various subsidiary functions

No. Item Default Settings Remarks

M13

EMBEDDED OFF ON, OFF To turn the function to

[M09]

ANC LINE 9 (9) SDI V ANC LINE number

TYPE USER1 (USER1) Format of items in

REC MS WRITE OFF ON, OFF To turn the function to

PLAY MS WRITE OFF ON, OFF To turn the function to read

M14

FAN MODE AU TO1 AUTO1, AUTO2, MIN, [M10] (U20)

CAM BARS OFF ON, OFF To turn the built-in color

HD-BAR (VF/MONI) BAR 16:9

(100%)

SD-BAR SMPTE SMPTE, EIA, FULL

IMAGE INVERT OFF ON, OFF To turn the image-inversion

IRIS CLOSE OFF ON, OFF

MAX

BAR 16:9 (100%), BAR 16:9 (75%), SMPTE 16:9 (BLACK), SMPTE 16:9 (–I/Q), BAR 4:3 (100%), BAR 4:3 (75%), SMPTE 4:3 (BLACK), SMPTE 4:3 (–I/Q), MF-ARIB (75%), MF-ARIB (100%), MFARIB (+I), MF-SMPTE (–I, Q), MF-SMPTE (75%, Q), MF-SMPTE (100%, Q), MF-SMPTE (+I, Q), HD-CUSTOM, HD-CUSTOM2

(EBU), 95%, NTSC100% (PAL100%)

embed metadata on tapes and SDI signals on or off

(currently fixed to 9)

metadata (currently fixed to USER 1)

simultaneously write metadata to a “Memory Stick” while embedding them to SDI output in recording on or off

embedded metadata and write them to a “Memory Stick” in playback on or off

To select the operation modes of the fans AUTO1: Normal AUTO2: MIN in REC mode,

AUTO1 in other conditions

generator on or off

To select the color bar format for HD outputs

To select the color bar format for SD outputs EBU, PAL100%: With 1.000

formats

function on or off (ON to set the camera picture upsidedown)

Menu List

Page 77

MAINTENANCE menu Page title &

purpose

Setting various subsidiary functions

No. Item Default Settings Remarks

M15

DATE TYPE 5 M/D/Y 1 Y/Mn/D

[M11]

V DTL CREATION

Y NAM, G, R+G, Y To specify from which

2 Mn/D 3 D/M/Y 4 D/M 5 M/D/Y 6 M/D

To select the date display mode Y: Year Mn: Month (numeric) M: Month (character string) D: Day

signal the vertical detail volume is to be created NAM: The highest signal

among R, G, and B G: G signal R+G: Additional value of

the R signal and G

signal Y: Y signal

DTL H/V MODE

H/V H/V, V ONLY H/V: To change the H detail

at the same time when

adjusting the V detail V ONLY: To adjust V detail

while maintaining the H

detail

TEST2 MODE 20% STEP 20% STEP, 10STEP 20% STEP: 20%-steps up

to full scale when

gamma is OFF 10STEP: 10%-steps up to

100% when gamma is

OFF

WHITE SETUP

MODE

A.LVL AWB, A.LVL A.LVL: To return the white

value to “0” when

STANDARD is executed AWB: To return the white

value to the AWB value

when STANDARD is

executed

FPS LIMITER LIMIT LIMIT, FREE LIMIT: To limit the variable

range of the FPS

setting FREE: To release the range

limitation of the FPS

setting

EXT I/O MODE ARRI RMT ARRI RMT, LSI,

TERMINAL

To select EXT I/O mode ARRI RMT: When an ARRI

Remote Control is

connected LSI: When a jig application

is connected (for

adjustments) TERMINAL: When a

terminal is connected

(for adjustments)

COLOR F900R ENABLE ENABLE, DISABLE To enable/disable selection

of F900R COLOR SPACE mode

32 SCENE FILE OFF (5) ON, OFF (5) To turn the function to

expand the number of scene files to be registered to 32 on or off

Chapter 4 Menu Configuration and Detailed Settings

1) Not displayed in Cine mode

Menu List

Page 78

4-3-4 NETWORK Menu

The NETWORK menu items can be set in both Cine and

For details, see “ Parameter Settings” (page 98).

Custom modes.

Execute by ENTER. Execute by pushing on the MENU SEL/ENTER dial.

NETWORK menu Page title No. Item Default Settings Remarks

<IP ADDR SET> N01 HOST IP ADDRESS 0.0.0.0 0.0.0.0 to 255.255.255.255

SUBNET MASK 255.255.255.0 0.0.0.0 to 255.255.255.255

DEFAULT GATEWAY 0.0.0.0 0.0.0.0 to 255.255.255.255

SET Execute by ENTER. Power must be turned off

<ETHER I/F CONF> N02 AUTO NEGOTIATION ON

Chapter 4 Menu Configuration and Detailed Settings

<700PTP SETTING>

CONNECT CONFIGURATION

CONNECT SPEED 100M 10M, 100M

DUPLEX MODE FULL HALF, FULL

SET Execute by ENTER. Power must be turned off

N03 NS MODE LEGACY LEGACY, BRIDGE, MCS

MCS MODE (CLIENT) fixed

CAMERA NO. 0 0 to 24 Select a number other than

MASTER IP ADDRESS 0.0.0.0 0.0.0.0 to 255.255.255.255

SET Execute by ENTER.

N04 ALL RESET Execute by ENTER. To initialize all the

then on again to activate the execution.

0 when connected.

NETWORK menu settings

Menu List

Page 79

4-3-5 FILE Menu

For details on the files, see“Chapter 5 Storage and Retrieval of User Setting Data”.

: Valid in Custom mode only

: Valid in both Cine and Custom modes

Execute by ENTER. : Execute by pushing on the MENU SEL/ENTER dial.

Note

The markings [F01] to [F04] in the No. column indicate the page numbers in Cine mode. The pages marked with [ - - ] in the No. column are not displayed in Cine mode.

FILE menu Page title No. Item Default Settings Remarks

<OPERATOR FILE> F01

READ (MStCAM) Execute by ENTER. To read the operator file from

[F01]

WRITE (CAMtMS) Execute by ENTER. To write the current settings

PRESET Execute by ENTER. To set the operator file items

FILE ID max.14 characters Enter a comment for the

CAM CODE F35 Camera code display only

DATE display only

a “Memory Stick”

of the operator file items to a “Memory Stick”

to the preset values in internal memory

operator file to be written to a “Memory Stick.”

See “Specifying a character string” (page 59).

Chapter 4 Menu Configuration and Detailed Settings

Menu List

Page 80

FILE menu Page title No. Item Default Settings Remarks

<SCENE FILE> F02

Chapter 4 Menu Configuration and Detailed Settings

<REFERENCE> F03

<USER GAMMA> F04

1 To store and load scene files

[ - - ]

01 01 to 32 To specify the scene file

STORE Execute by ENTER.

STANDARD Execute by ENTER. To read the standard paint

READ (MStCAM) Execute by ENTER. To load scene files from a

WRITE (CAMtMS) Execute by ENTER. To write scene files in the

FILE ID Max.14 characters Enter a comment for the

CAM CODE F35 Camera code display only

DATE display only

STORE FILE Execute by ENTER. To store the current settings

[ - - ]

STANDARD Execute by ENTER. To read the standard values

READ (MStCAM) Execute by ENTER. To load a reference file from

WRITE (CAMtMS) Execute by ENTER. To write the current settings

FILE ID Max.14 characters Enter a comment for the

CAM CODE F35 Camera code display only

DATE display only

READ (MStCAM) Execute by ENTER. To load user gamma tables

[F02]

FILE ID Max.14 characters display only

CAM CODE F35 Camera code display only

DATE display only

(paint data): When storing a file in the camera’s memory, specify the number before executing STORE. When reading, only specify the number.

number 01 to 32 when 32 SCENE FILE of <OTHERS 2> of the MAINTENANCE menu is ON.

data stored in the reference file

“Memory Stick” to the camera’s memory

camera’s memory to a “Memory Stick”

scene files to be written to a “Memory Stick.”

See “Specifying a character string” (page 59).

of the reference file items in the reference file in the camera’s memory

in the reference file in the camera’s memory

a “Memory Stick”

of the reference file items as a reference file to a “Memory Stick”

reference file to be written to a “Memory Stick.”

See “Specifying a character string” (page 59).

from a “Memory Stick”

Menu List

Page 81

FILE menu Page title No. Item Default Settings Remarks

<LENS FILE> F05

[F03]

STORE FILE

No. 1 1 to 32

Execute by ENTER.

NAME No Offset

CENTER

STORE

0 –96 to 95

0 –54 to 53

Execute by ENTER.

To set and store the center marker position: H: Increasing the value

moves it to the right.

V: Increasing the value

moves it downwards.

WHITE R/B ON ON, OFF To turn the WHITE R/B

compensation by the lens file ON/OFF

LENS MS READ/

Execute by ENTER. To jump to the subpage

WRITE

<LENS FILE> subpage

READ (MStCAM) Execute by ENTER. To load a lens file from a

“Memory Stick” (max. 32 files)

WRITE (CAMtMS) Execute by ENTER. To write the current settings

of the lens file items as a lens file to a “Memory Stick”

FILE ID Max.14 characters Enter a comment for the lens

file to be written to a “Memory Stick.”

See “Specifying a character string” (page 59).

CAM CODE F35 Camera code display only

DATE display only

<OHB FILE> F06

STORE FILE Execute by ENTER. To store the offset values of

[ - - ]

the items specific to the CCD (No repeated store operation is necessary even if the CCD is reattached.)

Chapter 4 Menu Configuration and Detailed Settings

Menu List

Page 82

FILE menu Page title No. Item Default Settings Remarks

<FILE PRESET> F07

OPERATOR FILE Execute by ENTER. To resume the factory-set

[F04]

USER GAMMA FILE Execute by ENTER. To resume the factory-set

LENS FILE (ALL)

No.

CLEAR

REFERENCE FILE

10 SEC CLEAR

Chapter 4 Menu Configuration and Detailed Settings

OHB FILE

OFF ON, OFF ON: To return a specific item

Execute by ENTER. To resume the factory-set

1 to 32 To resume the factory-set

Execute by ENTER.

Execute by ENTER. To resume the factory-set

Execute by ENTER. To jump to the <OHB FILE>

USER MENU Execute by ENTER. To resume the factory-set

M. S. FORMAT Execute by ENTER. To initialize a “Memory Stick”

Execute by ENTER. To return all the WHITE

FILE PRESET (–OHB)

[ - - ] OHB WHITE SHADE

(ALL)

subpage)

WHITE SHADING

Execute by ENTER. To return only the 3D WHITE

BLACK SHADING Execute by ENTER. To return only the BLACK

BLACK SET Execute by ENTER. To return only the BLACK

ND OFFSET Execute by ENTER. To return only the ND

MATRIX Execute by ENTER. To return only the MATRIX

status

status for all lens files

status for a selected lens file

status

in the reference file to the factory-set value.

For details, see “5-3-8 Resetting to the Initial Settings” (page 95).

subpage

status

To return all files except the OHB file to their factory-set statuses

SHADING data in the OHB file to their factory-set statuses.

SHADING setting to its factory-set status

SET setting to its factory-set status

OFFSET setting to its factory-set status

setting to its factory-set status

1) Not displayed in Cine mode

Menu List

Page 83

4-3-6 DIAGNOSIS Menu

This menu is only for viewing and no setting is made using this menu.

Page title No. Item Indication Remarks

<BOARD STATUS> D01 OHB OK, NG display only (If NG is displayed, consult

AD OK, NG

DPR OK, NG

VDA OK, NG

TR OK, NG

AT OK , N G

<DOCK STATUS> D02 TOP NONE, IF BOX, VTR, OTHERS display only

REAR NONE, IF BOX, VTR, OTHERS display only

<PLD VERSION> D03 TG Vx.xxx display only

AD Vx.xxx display only

PRE Vx.xxx display only

POST Vx.xxx display only

TX Vx.xxx display only

RX Vx.xxx display only

VDA Vx.xxx display only

AT Vx.xxx display only

<ROM VERSION> D04 MAIN x.xx display only

NET x.xx display only

your local Sony representative.)

Chapter 4 Menu Configuration and Detailed Settings

Menu List

Page 84

4-4 Editing the USER Menu

You can select desired pages and items from the OPERATION, PAINT, MAINTENANCE, NETWORK, FILE, and DIAGNOSIS menus and register them to the USER menu. If you specify pages or items frequently used for the USER menu, you can easily call and use them.

The USER MENU CUSTOMIZE menu allows you to configure a USER menu that consists only of pages and items that you need, by your adding, deleting or replacing pages.

Creating a new page

The USER MENU CUSTOMIZE menu allows you to add

Chapter 4 Menu Configuration and Detailed Settings

a new page to the USER menu. While the EDIT page contains factory-preset items, the USER 1 EDIT to USER 19 EDIT pages are all blank in their initial state. You can register up to 10 items, including blank lines, on each of these pages. To create a new page, proceed as follows.

If a different page is displayed, turn the MENU SEL/ ENTER dial until the desired page appears, then push on the MENU SEL/ENTER dial to select the page.

Example: When you select the USER 2 EDIT page

USER 2 EDIT E03 TOP

Move the pointer to the item to be added (this operation is unnecessary if no item exists on the page, as shown in the figure for step 3) then push on the MENU SEL/ENTER dial.

The EDIT FUNCTION screen appears.

EDIT FUNCTION ESC

INSERT MOVE DELETE BLANK

While holding the CANCEL/STATUS button pressed, press the VF MENU/DISPLAY button.

The TOP MENU screen appears.

Turn the MENU SEL/ENTER dial to move the pointer to “USER MENU CUSTOMIZE,” then push on the MENU SEL/ENTER dial.

If this is the first time the USER MENU CUSTOMIZE menu has been displayed, the CONTENTS page of the menu appears.

CONTENTS E00 TOP

01.EDIT PAGE

02.USER 1 EDIT

03.USER 2 EDIT

04.USER 3 EDIT

05.USER 4 EDIT

06.USER 5 EDIT

07.USER 6 EDIT

08.USER 7 EDIT

09.USER 8 EDIT

10.USER 9 EDIT

If the USER MENU CUSTOMIZE menu has been used before, the page last accessed appears.

If the CONTENTS page is displayed, turn the MENU SEL/ENTER dial to move the pointer to any of USER 1 EDIT to USER 19 EDIT then push on the MENU SEL/ENTER dial to display the page.

Move the pointer to “INSERT” and push on the MENU SEL/ENTER dial.

The page with the last item added appears.

<SW STATUS> P22 ESC

Add the items.

FLARE : GAMMA : ON BLK GAM : OFF KNEE : ON WHT CLIP: ON DETAIL : ON LVL DEP : ON SKIN DTL: OFF MATRIX : OFF 5600K : OFF

1 Turn the MENU SEL/ENTER dial until the page

that has the desired items appears, then push on the MENU SEL/ENTER dial.

2 Turn the MENU SEL/ENTER dial to move the

pointer to the desired item, then push on the MENU SEL/ENTER dial.

The USER 2 EDIT page appears again, displaying the newly added item.

Editing the USER Menu

Page 85

Add the remaining items by repeating steps 4 to 6.

You can add up to 10 items on one page.

To delete items from a page

Proceed as follows:

Move the pointer to the item to be deleted, and push on the MENU SEL/ENTER dial.

The EDIT FUNCTION screen appears.

Select “DELETE,” and push on the MENU SEL/ ENTER dial.

Turn the MENU SEL/ENTER dial to move the pointer to the item above which you wish to insert a blank line.

The EDIT FUNCTION screen appears.

Select “BLANK” then push on the MENU SEL/ ENTER dial.

The previously displayed page appears again, and a blank line is inserted above the specified item.

Note

You cannot insert a blank line on a page where 10 items have already been registered.

The previously displayed page appears again, and the message “DELETE OK? Yes cNo” appears at the upper right.

To delete, turn the MENU SEL/ENTER dial to move the pointer to “YES,” and push on the MENU SEL/ ENTER dial.

To change the order of items on a page

Proceed as follows:

Turn the MENU SEL/ENTER dial to move the pointer to the item to be moved, then push on the MENU SEL/ ENTER dial.

The EDIT FUNCTION screen appears.

Select MOVE, then push on the MENU SEL/ENTER dial.

The previously displayed page appears again.

Turn the MENU SEL/ENTER dial to move the pointer to the position where you wish to move the item, then push on the MENU SEL/ENTER dial.

Adding/deleting/replacing pages

You can add a new page to the USER menu, delete a page from the USER menu or replace pages, using the EDIT PAGE of the USER MENU CUSTOMIZE menu.

To add a page

Proceed as follows:

Select “USER MENU CUSTOMIZE” on the TOP MENU screen.

If this is the first time the USER MENU CUSTOMIZE menu has been displayed, the CONTENTS page of the menu appears. If the menu has been used before, the last accessed page appears.

If the CONTENTS page is displayed, turn the MENU SEL/ENTER dial to move the pointer to “EDIT PAGE”, then push on the MENU SEL/ENTER dial to display the EDIT PAGE screen. If a different page is displayed, turn the MENU SEL/ ENTER dial until the EDIT PAGE screen appears, then push on the MENU SEL/ENTER dial to select the page.

Chapter 4 Menu Configuration and Detailed Settings

ITEM MOVE ESC

VF OUT : COLOR

VF DETAIL : OFF

MARKER : ON CURSOR : OFF ZEBRA SW : OFF : 1

AS1 : OFF

The item selected in step 1 moves to the position that you selected in step 3. In the above example, “AS1” is moved to the top and the other items are moved down one line.

To insert a blank line

Proceed as follows:

EDIT PAGE E01 ESC

01.<VF DISPLAY>

02.<'!' IND>

03.<MARKER SETTING>

04.<VF DETAIL>

05.<ZEBRA>

06.<MONITOR OUTPUT>

07.<PB MONI GAMMA>

08.<PB MIX SETTING>

09.<CHAR/MARK MIX>

10.<SHUTTER ASSIGN>

Turn the MENU SEL/ENTER dial to move the pointer to where you wish to add the page, then push on the MENU SEL/ENTER dial.

The EDIT FUNCTION screen appears.

Editing the USER Menu

Page 86

EDIT FUNCTION ESC

INSERT MOVE DELETE

Select INSERT then push on the MENU SEL/ENTER dial.

The selection screen appears.

CONTENTS ESC

01.USER 1

02.USER 2

03.USER 3

04.USER 4

05.USER 5

Chapter 4 Menu Configuration and Detailed Settings

06.USER 6

07.USER 7

08.USER 8

09.USER 9

10.USER 10

Turn the MENU SEL/ENTER dial to move the pointer to the desired page, then push on the MENU SEL/ ENTER dial.

This adds the number and name of the selected page above the item selected in step 3.

To cancel addition of a page

Before pushing the MENU SEL/ENTER dial in step 5, turn the MENU SEL/ENTER dial to move the pointer to “ESC” at the top right of the screen, then push on the MENU SEL/ENTER dial. The EDIT PAGE screen appears again.

To delete a page

Proceed as follows:

On the EDIT PAGE screen of the USER MENU CUSTOMIZE menu, move the pointer to the page to be deleted, and push on the MENU SEL/ENTER dial.

The EDIT FUNCTION screen appears.

Select “DELETE” then push on the MENU SEL/ ENTER dial.

ITEM DELETE ESC DELETE OK? c YES NO

01.<VF DISPLAY>

02.<'!' IND>

03.<MARKER SETTING>

04.<VF DETAIL>

05.<ZEBRA>

06.<MONITOR OUTPUT>

07.<PB MONI GAMMA>

08.<PB MIX SETTING>

09.<CHAR/MARK MIX>

10.<SHUTTER ASSIGN>

To delete, turn the MENU SEL/ENTER dial to move the pointer to “YES,” then push on the MENU SEL/ ENTER dial.

To move a page

Proceed as follows:

Display the EDIT PAGE screen of the USER MENU CUSTOMIZE menu. Turn the MENU SEL/ENTER dial to move the pointer to the page that you wish to move.

The EDIT FUNCTION screen appears.

Select “MOVE” then push on the MENU SEL/ENTER dial.

The EDIT PAGE screen appears again.

Turn MENU SEL/ENTER dial to move the pointer to the position to which you wish to move the page selected in step 1.

ITEM MOVE ESC

01.<VF DISPLAY>

02.<'!' IND>

03.<MARKER SETTING>

04.<VF DETAIL>

05.<ZEBRA>

06.<MONITOR OUTPUT>

07.<PB MONI GAMMA>

08.<PB MIX SETTING>

09.<CHAR/MARK MIX>

10.<SHUTTER ASSIGN>

Push on the MENU SEL/ENTER dial.

The page selected in step 1 is moved to the position selected in step 3. In the above example, <PB MIX SETTING> moves to the “03” position, and the <MARKER SETTING> and following pages move down one line.

The previously displayed page appears again, and the message “DELETE OK?” appears at the upper right.

Editing the USER Menu

Returning the USER menu to the factoryset status

Use the <FILE PRESET> page of the FILE menu.

For details, see “5-3-8 Resetting to the Initial Settings” (page 95).

Page 87

Storage and Retrieval of User Setting Data

5-1 File Configuration

This system permits various settings and adjustment data to be stored as data files in built-in memory or a “Memory Stick” in order to facilitate later operations or adjustments. A stored data file can be retrieved, as required, to reproduce the stored setting statuses.

Note

In Cine mode, some file operations will be limited.

The following six kinds of files are designed for the system:

Operator file

This file stores operational settings not related to picture quality. At shipment, the operator file with the default settings has been stored in built-in memory. After the default settings are changed, those changed setting data can be stored as the operator file in a “Memory Stick” for later use. For file operation, use the <OPERATOR FILE> page of the USER (OPERATION) menu or that of the FILE menu.

Items stored

The setting items in the OPERATION menu (page 60) and the customized USER menu (page 84) can be stored.

Lens files

Names of different lenses and standard values for these lenses can be registered in lens files in built-in memory of the camera. When you remount the lens after using another lens, the appropriate compensation for the lens can be achieved easily by reading the file corresponding to the lens.

Creation and modification of lens files are made in Custom mode. Adjust necessary items, using the PAINT and MAINTENANCE menus or using the MSU-900/950 Master Setup Unit, then store the adjustment data, using

Chapter

the <LENS FILE> page of the FILE menu or using the MSU-900/950. You can back up the lens files in a “Memory Stick.”

Note

In Cine mode, only retrieval of lens files is possible. Modification of file data or file creation is not possible.

Items stored

The items that are stored in lens files are marked with “ in the “L” column of the table in “5-2 List of Items Stored in Files”.

Scene files

Scene files store data adjusted on the PAINT menu for specific scenes. For example, if you store data prepared in rehearsal for a particular scene in a scene file, the data can be retrieved to reproduce the same camera settings for the actual take. For file operation, use the <SCENE FILE> page of the PAINT or FILE menu. You can also use the MSU-900/950 Master Setup Unit for the file operation. Scene files are stored in built-in memory. You can also back up the scene files in a “Memory Stick.”

Note

In Cine mode, scene file operation is disabled.

To use 32 scene files

Set 32 SCENE FILE to ON on the <OTHERS 2> page of the MAINTENANCE menu.

Note

If you return 32 SCENE FILE” to OFF, all scene files No. 6 to 32 are initialized when you next set it to ON. (Scene files No. 1 to 5 are maintained.)

Items stored

The items that are stored in scene files are marked with “

a” in the “S” column of the table in “5-2 List of Items

Stored in Files”.

a”

Chapter 5 Storage and Retrieval of User Setting Data

File Configuration

Page 88

Reference file

This file stores the standard settings of the camera that can be used as a reference when adjusting the camera. If STANDARD is executed on the <SCENE FILE> page of the PAINT menu or the <REFERENCE> page of the FILE menu, or with the MSU-900/950 Master Setup Unit, manually adjusted values of the camera will be reset to the reference values that have been stored in the reference file. At shipment, the reference file with the initial settings is stored in built-in memory. The initial settings can be modified, as required, then stored as the new reference file. For file operation, use the <REFERENCE> page of the FILE menu. You can also use the MSU-900/950 Master Setup Unit for file operation. You can back up the reference file in a “Memory Stick.”

Notes

• In Cine mode, the reference file data are fixed as those at shipment and cannot be modified.

• As relative adjustment values with regard to the reference file data are stored in a scene file, if data of the reference file are modified, the scene files also need

Chapter 5 Storage and Retrieval of User Setting Data

modification.

Items stored

The items that are stored in the reference file are marked with “

a” in the “R” column of the table in “5-2 List of

Items Stored in Files”.

Note

In Cine mode, the OHB file can be retrieved automatically, but the data in the OHB file cannot be modified.

Items stored

The items that are stored in the OHB file are marked with “a” in the “O” column of the table in “5-2 List of Items Stored in Files”.

User-Gamma file

The gamma-curve data (User Gamma) created using CvpFileEditor application software can be loaded to the camera via a “Memory Stick.” This enables reproduction of images closer to those that individual users wish to reproduce. For file operation, use the <USER GAMMA> page of the FILE menu. The User-Gamma file is stored in built-in memory. Backup of the User-Gamma file in a “Memory Stick” is not possible.

Note

In Cine mode, operation of the User-Gamma file via a “Memory Stick” is not possible.

OHB file

The OHB file stores the offset values of items specific to the CCD unit. For file operation, use the <OHB FILE> page of the FILE menu. You can also use the MSU-900/950 Master Setup Unit for this operation.

File Configuration

Page 89

5-2 List of Items Stored in Files

The items that are stored in scene files, the reference file, the lens files, and the OHB file are listed in the table below.

For details on setting values, see the corresponding items in the table in “4-3 Menu List” (page 60).

S: Scene file R: Reference file L: Lens file O: OHB file

Menu page (No. in Custom mode)

<VIDEO LEVEL> (P02)

<GAMMA> (P03)

<BLACK GAMMA> (P04)

<SATURATION> (P05)

<KNEE> (P06)

<WHITE CLIP> (P07)

Item S R L O

WHITE [R] [G] [B] aa

WHITE [R] [B] aaa

BLACK [R] [G] [B] [M]

FLARE [R] [G] [B] aaa

FLARE ON/OFF aa

LEVEL [R] [G] [B] [M]

BLACK [M]

COARSE aa

TABLE aa

GAMMA ON/OFF aa

LEVEL [R] [G] [B] [M]

RANGE aa

RANGE ON/OFF aa

BLACK GAMMA ON/OFF

SATURATION aa

SATURATION ON/ OFF

LOW KEY SAT aa

RANGE aa

K POINT [R] [G] [B] [M]

K SLOPE [R] [G] [B] [M]

KNEE ON/OFF aa

KNEE SAT aa

KNEE SAT ON/OFF aa

AUTO KNEE aa

POINT LIMIT aa

SLOPE aa

W CLIP [R] [G] [B] [M]

W CLIP ON/OFF aa

Menu page (No. in Custom mode)

<DETAIL 1> (P08)

<DETAIL 2> (P09)

<SKIN DETAIL> (P10)

<USER MATRIX> (P11)

<MULTI MATRIX> (P12)

<SHUTTER/ FPS> (P13)

<WHITE SHADING> (M03)

<BLACK SHADING> (M04)

Item S R L O

DETAIL ON/OFF aa

LEVEL aa

LIMITER M aa

LIMITER WHT aa

LIMITER BLK aa

CRISP aa

LVL DE P aa

LVL DEP ON/OFF aa

H/V RATIO aa

FREQ aa

MIX RATIO aa

KNEE APT aa

KNEE APT ON/OFF aa

SKIN DTL ON/OFF aa

PHASE aa

WIDTH aa

SAT aa

LEVEL aa

R-G aa

R-B aa

G-R aa

G-B aa

B-R aa

B-G aa

MATRIX ON/OFF aa

USER MATRIX ON/ OFF

MULTI MATRIX ON/ OFF

HUE aa

SAT

SHUTTER aa

VAR

V SAW [R] [G] [B] aa

V PARA [R] [G] [B] aa

H SAW [R] [G] [B] aa

H PARA [R] [G] [B] aa

V SAW [R] [G] [B] a

V PARA [R] [G] [B] a

H SAW [R] [G] [B] a

H PARA [R] [G] [B] a

BLK SET [R] [G] [B]

MASTER GAIN aa

Chapter 5 Storage and Retrieval of User Setting Data

List of Items Stored in Files

Page 90

Menu page (No. in Custom mode)

<OHB MATRIX> (M05)

ND filter selection a

ND offset a

Item S R L O

HUE a

SAT a

OHB MATRIX a

5-3 File Operations

5-3-1 Using a “Memory Stick”

You can use “Memory Stick PRO” media with this camera. “Memory Stick PRO Duo” can also be used without using a Memory Stick Duo adaptor. The camera operations have been checked using “Memory Stick PRO” media up to 8GB.

Operations checked with:

MSH-128 MSX-512S MSX-M2GS MSX-M4GS MSX-M8GS

For details on “Memory Stick” media, see“About a “Memory Stick”” (page 110).

Chapter 5 Storage and Retrieval of User Setting Data

Insert a “Memory Stick” with the label side up into the “Memory Stick” slot until it clicks and the access lamp lights in red. When the “Memory Stick” is properly set, the lamp illumination changes to green.

Access lamp

Label side

PRO

Memory Stick

If it does not fit into the slot properly or if there is some resistance when you insert it, the “Memory Stick” may be turned around or upside-down. Do not force the “Memory Stick” into the slot. Confirm the direction of the notch and arrow on the “Memory Stick” before inserting the “Memory Stick,” and then try inserting it again.

Inserting a “Memory Stick”

Removing the “Memory Stick”

Confirm that the access lamp is not lit in red, then lightly push in the “Memory Stick” to release the lock.

Note

If the access lamp is lit in red, data are being read from or written to the “Memory Stick” At this time, do not shake

File Operations

Page 91

the product or subject it to shock. Do not turn off the power

to the product or remove the “Memory Stick.” This may damage the data.

Protecting saved data

To prevent accidental erasure of important setup data, use the LOCK switch on the “Memory Stick.” Slide the switch right to the write protect position. This ensures that you cannot inadvertently overwrite data on the “Memory Stick.”

LOCK switch

<FILE PRESET> F07 TOP

OPERATOR FILE USER GAMMA FILE LENS FILE REFERENCE FILE 10 SEC CLEAR: OFF OHB FILE USER MENU

M.S. FORMAT

FILE PRESET (-0HB)

During formatting, “MEMORY STICK ACCESS” is displayed. When formatting is completed, “COMPLETE” is displayed.

5-3-2 Storage and Retrieval of the Operator File

Notes on using and storing the “Memory Stick”

• Avoid touching the connector of the “Memory Stick” or contacting it with a metal object.

• When attaching a label to the “Memory Stick,” use only the label supplied for the “Memory Stick.”

• Do not drop, bend, or submit the “Memory Stick” to external shock.

• Do not disassemble or modify the “Memory Stick.”

• Avoid getting liquids on the “Memory Stick.”

• Avoid using or storing the “Memory Stick” in a location subject to: —extremely high temperature such as the hot inside of a

car or the outdoors exposed to a burning sun, or a place near a heater

—direct sunlight

• When storing and carrying the “Memory Stick,” keep it in its original case to ensure protection of important data.

• Do not format the “Memory Stick” using a PC. Formatting of the “Memory Stick” can be performed on the <FILE PRESET> page of the FILE menu.

To format a “Memory Stick”

Use the <FILE PRESET> page of the FILE menu.

Use the <OPERATOR FILE> page of the FILE menu.

<OPERATOR FILE> F01 TOP

READ (MS WRITE (CAM

PRESET

FILE ID: CAM CODE DATE

CAM) MS )

The <OPERATOR FILE> page is also included in the USER (OPERATION) menu (see page 51).

To store the operator file in a “Memory Stick”

Perform necessary settings for the operation items and the customized USER menu for the operator file you wish to store.

Insert a “Memory Stick” into the “Memory Stick” slot of the camera.

Position the pointer to WRITE (CAM t MS) and push on the MENU SEL/ENTER dial.

Chapter 5 Storage and Retrieval of User Setting Data

Insert a “Memory Stick” you wish to format into the “Memory Stick” slot of the camera.

Call up the <FILE PRESET> page of the FILE menu.

Position the pointer to M.S. FORMAT and push on the MENU SEL/ENTER dial.

You can add a comment (maximum: 14 characters) to the operator file to be stored in the “Memory Stick” by specifying it on the FILE ID line.

For details on how to enter a comment, see “Specifying a character string” (page 59).

To retrieve the operator file stored in a “Memory Stick”

The operator file stored in the “Memory Stick” can be read out into built-in memory of the camera.

File Operations

Page 92

Insert the “Memory Stick” into the “Memory Stick” slot of the camera.

Position the pointer to READ (MS t CAM) and push on the MENU SEL/ENTER dial.

The camera will be set according to the data loaded from the operator file.

To return the operator file items to the factory-set values

Position the pointer to PRESET and push on the MENU SEL/ENTER dial. You can also use the <FILE PRESET> page (page 95) of the FILE menu for this purpose.

5-3-3 Registration and Retrieval of the Lens Files

The registered lens files can be retrieved via the subdisplay or the <LENS FILE> page of the OPERATION menu. To register the data you adjusted for the mounted lens as a lens file, or to use a “Memory Stick,” the <LENS FILE>

Chapter 5 Storage and Retrieval of User Setting Data

page of the FILE menu is used.

<LENS FILE> F05 TOP

STORE FILE

No. : 1 NAME: No Offset

CENTER H : 0 V : 0 STORE WHITE R/B: ON LENS MS READ/WRITE

Note

The WHITE R/B item is provided only for confirming the effect of compensation (comparison between when the file is used and not used). The file cannot be stored with WHITE R/B set to OFF.

To store in or retrieve from a “Memory Stick”

Position the pointer to LENS MS READ/WRITE and push on the MENU SEL/ENTER dial. The subpage will be displayed.

<LENS FILE> ESC

READ (MS WRITE (CAM

FILE ID: CAM CODE DATE

To sto re

Position the pointer to WRITE (CAM t MS) then push on the MENU SEL/ENTER dial. You can add a comment (maximum: 14 characters) to the lens file to be stored in the “Memory Stick” by specifying it on the FILE ID line.

For details on how to enter a comment, see “Specifying a character string” (page 59).

To retrieve

Position the pointer to READ (MS t CAM) then push on the MENU SEL/ENTER dial.

CAM) MS )

To store the data as a lens file in built-in memory

Perform necessary settings for the items marked with “a” in the L column of the table in “5-2 List of Items Stored in Files” for the lens file you wish to store.

Select the file number, and set the file name.

For setting of file names, see “Specifying a character string” (page 59).

Position the pointer to STORE FILE and push on the MENU SEL/ENTER dial.

Storage of the position settings for the center marker can be independently performed. You can confirm the effect of the WHITE R/B compensation that has been set in the file, by changing the setting for WHITE R/B to OFF.

File Operations

5-3-4 Storage and Retrieval of the Scene Files

Use the <SCENE FILE> page of the FILE menu. The <SCENE FILE> page is also included in the PAINT menu. The operation method is the same.

<SCENE FILE> F02 TOP

1 2 3 4 5 STORE

- STANDARD READ (MS p CAM) WRITE (CAMp MS )

FILE ID: CAM CODE DATE

Page 93

To store a scene file in built-in memory

Perform necessary settings for the items for the scene file you wish to store.

Position the pointer to READ (MS t CAM) and push on the MENU SEL/ENTER dial.

Position the pointer to STORE and push on the MENU SEL/ENTER dial.

Position the pointer to the number of the file in which you wish to store your settings and push on the MENU SEL/ENTER dial.

During the storage process, “MEMORY STICK ACCESS” is displayed. When storage is completed, “COMPLETE” is displayed.

To retrieve a scene file stored in built-in memory

Position the pointer to the number of the file that you wish to retrieve and push on the MENU SEL/ENTER dial. The statuses specified in the retrieved file will be reproduced. Setting 32 SCENE FILE to ON on the <OTHERS 2> page of the MAINTENANCE menu expands the number of usable scene files to 32.

Note

If you return 32 SCENE FILE to OFF, all scene files No. 6 to 32 are initialized when you next set it to ON. (Scene files No. 1 to 5 are maintained.)

To store the scene files in a “Memory Stick”

Scene files stored in built-in memory of the camera can be read out to a “Memory Stick.”

Insert a “Memory Stick” into the “Memory Stick” slot of the camera.

Position the pointer to WRITE (CAM t MS) and push on the MENU SEL/ENTER dial.

You can add a comment (maximum: 14 characters) to the scene files to be stored in the “Memory Stick” by specifying it on the FILE ID line.

For details on how to enter a comment, see “Specifying a character string” (page 59).

5-3-5 Storage and Retrieval of the Reference File

Use the <REFERENCE> page of the FILE menu.

<REFERENCE> F03 TOP

STORE FILE STANDARD

READ (MS WRITE (CAM

FILE ID: CAM CODE DATE

To retrieve the reference file (standard settings) stored in built-in memory

Position the pointer to STANDARD and push on the MENU SEL/ENTER dial.

To store the reference file in built-in memory

Perform necessary settings for the reference-file items you wish to store. Position the pointer to STORE FILE and push on the MENU SEL/ENTER dial.

To store the reference file in a “Memory Stick”

Insert a “Memory Stick” into the “Memory Stick” slot of the camera.

Position the pointer to WRITE (CAM t MS) and push on the MENU SEL/ENTER dial.

You can add a comment (maximum: 14 characters) to the reference file to be stored in the “Memory Stick” by specifying it on the FILE ID line.

For details on how to enter a comment, see “Specifying a character string” (page 59).

CAM) MS )

Chapter 5 Storage and Retrieval of User Setting Data

To retrieve scene files stored in a “Memory Stick”

Scene files stored in the “Memory Stick” can be read out into built-in memory of the camera.

Insert the “Memory Stick” into the “Memory Stick” slot of the camera.

To retrieve the reference file stored in the “Memory Stick”

The reference file stored in the “Memory Stick” can be read out into built-in memory of the camera.

Insert the “Memory Stick” into the “Memory Stick” slot of the camera.

File Operations

Page 94

Position the pointer to READ (MS t CAM) and push on the MENU SEL/ENTER dial.

The camera will be adjusted according to the data of the reference file.

5-3-6 Reading of the User Gamma

Adjusting the ND offset values

If an ND filter is attached to the matte box, etc., the white balance may be in variance. In such a case, adjust the ND offset so that you can retrieve the white balance compensation value using the ND filter selection page on the subdisplay. The offset values ND: 2 to 5 are stored with respect to the white balance stored for ND: 1 as the reference.

To read out gamma-curve (User Gamma) data that have been created using CvpFileEditor application software from the “Memory Stick,” use the <USER GAMMA> page of the FILE menu.

<USER GAMMA> F04 TOP

READ (MS tCAM)

FILE ID CAM CODE DATE

Insert the “Memory Stick” into the “Memory Stick” slot of the camera. Position the pointer to READ (MS t CAM)

Chapter 5 Storage and Retrieval of User Setting Data

and push on the MENU SEL/ENTER dial.

For details on how to use the User Gamma, see “3-11-4 Using the User Gamma” (page 52).

5-3-7 Storage of the OHB File

Use the <OHB FILE> page of the FILE menu.

Adjustment procedure

Switch the camera to Custom mode, referring to “3-12 Switching of the Basic Operation Modes” (page 27).

Execute STANDARD on the <REFERENCE> page of the FILE menu.

Execute AUTO BLACK on the <AUTO SETUP> page of the MAINTENANCE menu.

Connect a waveform monitor via the MONITOR OUT HD SDI connector 1 or 2 of the camera.

Attach the ND filter having the lowest permeability among the ND filters to be used with this camera, and shoot a gray-scale chart.

Check that the lighting condition permits a video level in the range of 560 to 630 mV to be obtained and write down the current video level.

Note

If a video level in the range of 560 to 630 mV cannot be obtained, do not adjust the ND offsets.

Execute STANDARD on the <REFERENCE> page of the FILE menu.

Using the MAINTENANCE menu, perform necessary settings for the items marked with “a” in the “O” column of the table in “5-2 List of Items Stored in Files” for the file you wish to store.

Call up the <OHB FILE page of the FILE menu, position the pointer to STORE FILE then push on the MENU SEL/ENTER dial.

<OHB FILE> F06 TOP

STORE FILE

Attach the ND filter to be used as the reference for white balance adjustment and select ND: 1.

Adjust the iris of the lens so that the video level you wrote down in step 5 is obtained.

Perform the auto white balance adjustment.

Replace the ND filter, change to ND: 2, and repeat steps 7 and 8.

Replace the ND filter, change to ND: 3 and repeat steps 7 and 8.

Replace the ND filter, change to ND: 4 and repeat steps 7 and 8.

Replace the ND filter, change to ND: 5 and repeat steps 7 and 8.

File Operations

Page 95

Store the ND offset values in the OHB file, by executing STORE FILE on the <OHB FILE> page of the FILE menu.

Note

Be sure to accurately adjust to the video level you noted in step 5. If the level is not obtained through the iris adjustment of the lens, use the shutter function or the master gain adjustment.

To use the ND offset values

An appropriate offset value is automatically retrieved when you change the ND filter setting.

To initialize the ND offset values

Perform ND OFFSET on the <OHB FILE> page (subpage of the <FILE PRESET> page of the FILE menu).

To reset the data of the OHB file

In a case of the OHB file, resetting can be performed by item. Position the pointer to OHB FILE then push on the MENU SEL/ENTER dial. The <OHB FILE PRESET> page will be displayed.

<OHB FILE PRESET> ESC

WHITE SHADING(ALL) 3D WHITE SHADING BLACK SHADING BLACK SET NO OFFSET MATRIX

Position the pointer to the item you wish to reset then push on the MENU SEL/ENTER dial.

5-3-8 Resetting to the Initial Settings

With the <FILE PRESET> page of the FILE menu, data in the modified files or the configuration of the edited USER menu can be reset to the initial settings, by type of files or collectively.

<FILE PRESET> F07 TOP

OPERATOR FILE USER GAMMA FILE LENS FILE(ALL) No.: 1 CLEAR: EXEC REFERENCE FILE 10 SEC CLEAR: OFF OHB FILE USER MENU M.S. FORMAT FILE PRESET (-OHB)

To reset data of files by type of files

To reset data of the operator file, User-Gamma file, and reference file

Position the pointer to the corresponding line then push on the MENU SEL/ENTER dial. The data in the corresponding file in built-in memory will be reset to the initial settings. The configuration of the USER menu can be reset in the same manner.

To reset data of the lens files

• To reset data of all lens files, position the pointer to LENS FILE (ALL) and push on the MENU SEL/ ENTER dial.

• To reset data of a specific lens file, assign the file number in the No. column and push on the MENU SEL/ENTER dial to position the pointer to the CLEAR column. Then push on the MENU SEL/ENTER dial again.

To reset a specific item in the reference file to the initial setting

The items in the reference file can be reset individually.

On the <FILE PRESET> page, set 10 SEC CLEAR to ON.

Shift to the menu page on which the item you wish to reset is located. Position the pointer to the item you wish to reset then hold the MENU SEL/ENTER dial pressed.

Continue to hold the MENU SEL/ENTER dial pressed after the pointer changes to a question mark (?). After about 3 seconds, the current setting of the corresponding item will be reset to the initial setting, and “CLEARED” will be displayed. If the dial is continuously held pressed, after about additional 7 seconds, the setting of the corresponding item that is stored in the reference file will be reset to the initial setting, and “REF CLEARED” will be displayed.

To reset the files and settings collectively

All files except the OHB file can be reset simultaneously. Position the pointer to FILE PRESET (–OHB) on the <FILE PRESET> page then push on the MENU SEL/ ENTER dial. The message “POWER OFF TO SET” will be displayed. Set the POWER switch of the camera to OFF.

Chapter 5 Storage and Retrieval of User Setting Data

File Operations

Page 96

Appendixes

Using the RM-B750

When the RM-B750 Remote Control Unit (optional) is connected, you can control the menu settings of this camera and monitor the camera images on the display of the RM-B750.

Connection

Using the remote control cable supplied with the RMB750, connect the CAMERA connector of the RM-B750 and the REMOTE connector of the camera.

Settings on the RM-B750

MONITOR button

MONITOR

FUNCTION

VF DISP

MAINTENANCE

VF MENU

SCENE

CANCEL

PAI N T

ENTER

MENU SELECT

Maintenance Menu

Config

Auto

Setup

LCD

BRIGHT

Adjusting File

Camera

Config

CONTRAST

Super

Motion

Memory

Stick

Appendixes

CAMERAREMOTE

FUNCTION

MAINTE NANCE

SCENE

PAINT

ALARM

Operating the Menu of This Camera

The menu of this camera can be displayed on the display of the RM-B750 and be set from the RM-B750.

Settings on this camera

• Set RM VIDEO to VBS on the <MONITOR OUTPUT> page of the USER (OPERATION) menu.

• Set VBS of CHAR to ON on the <CHAR/MARK MIX> page of the USER (OPERATION) menu.

• Set NS MODE to LEGACY on the <700PTP SETTING> page of the NETWORK menu.

RM-B750

PANEL

STANDARDMONITOR TEST BARS

ACTIVE

MEMORY

5600K AUTO

SKIN

BLACK

STICK

KNEE

DETAIL

GAMMA

KNEE

SATURATION

ABS

AUTO IRIS

EXT

IRIS

REMOTE CONTROL UNIT

MAINTENANCE menu

VTR

START/STOP

ABB

AWB

WHITE

BLACK

IRIS/MB

MASTER

ACTIVE

BLACK

MAINTENANCE/VF MENU button

Press the MAINTENANCE/VF MENU button to

[RM Config]

display the maintenance menu on the LCD/touch panel.

Press [RM Config] on the touch panel to display the RM configuration menu.

Press [Security] to set the unit to Engineering Mode.

Press [SW Setting] to change to the SW Setting display and set the VF Menu to Control Enable.

Press [Exit] to cancel the menu mode.

If you press the MONITOR button, a menu page of this camera will be displayed on the display of the RM-B750. Pressing the MAINTENANCE/VF MENU button enables the menus of this camera to be set from the RM-B750.

For details on the operations, refer to the Operation Manual of the RM-B750.

Using the RM-B750

Page 97

Monitoring the Camera Image

Settings on this camera

Set RM VIDEO to VBS on the <MONITOR OUTPUT> page of the USER (OPERATION) menu.

Settings on the RM-B750

Press the MONITOR button. The camera image will be displayed on the display of the RM-B750.

VBS signals are fed to an external monitor if connected via the MONITOR connector of the RM-B750.

Using the MSU-900/950

You can adjust this camera from the MSU-900/950 Master Setup Unit via an Ethernet cable. You can use either Bridge mode to control a camera from an exclusive MSU-900/950 or Multi mode to control multiple cameras from one MSU-900/950 or from multiple remote controllers, including the MSU-900/950 via a HUB.

Connections

Bridge mode

For using one camera on an Ethernet network. Using an Ethernet cable, connect the MSU-900/950 to the

(network) connector of this camera.

You may use the remote cable connection simultaneously.

Example

MSU-900/950

REMOTE

VTR

PANEL

STANDARDMONITOR TEST BARS

START/STOP

ACTIVE

MEMORY

5600K AUTO

SKIN

BLACK

KNEE

STICK

SATURATION

KNEE

DETAIL

GAMMA

ABB

AWB

FUNCTION

MAINTE NANCE

SCENE

PAINT

ALARM

ABS

AUTO IRIS

EXT

IRIS

REMOTE CONTROL UNIT

WHITE

BLACK

IRIS/MB

MASTER

ACTIVE

BLACK

RM-B750

Multi (MCS) mode

Connect the Ethernet cable connected to the (network) connector of this camera to the HUB. You may use the remote cable connections simultaneously.

Notes

• Remote cable connections will be invalid if the master unit is not connected to the same network.

• If the master-specified MSU-900/950 is off, all the network/remote communications are disabled.

• Do not connect devices having the same IP address to the network.

• Do not connect cameras having the same ID number to the network. Communications would be disabled on both cameras.

Appendixes

Using the MSU-900/950

Page 98

Example

MSU-900/950

REMOTE

VTR

PANEL

STANDARDMONITOR TEST BARS

START/STOP

ACTIVE

MEMORY

5600K AUTO

SKIN

BLACK

KNEE

STICK

SATURATION

KNEE

DETAIL

GAMMA

ABB

AWB

FUNCTION

MAINTE NANCE

SCENE

PAINT

ALARM

WHITE

ABS

BLACK

AUTO

IRIS/MB

MASTER

IRIS

ACTIVE

BLACK

EXT

IRIS

REMOTE CONTROL UNIT

RM-B750

HUB

REMOTE

VTR

STANDARDMONITOR TEST BARS

PANEL

START/STOP

ACTIVE

MEMORY

5600K AUTO

SKIN

BLACK

KNEE

STICK

SATURATION

KNEE

DETAIL

GAMMA

ABB

AWB

FUNCTION

MAINTE NANCE

SCENE

PAINT

ALARM

ABS

AUTO IRIS

EXT

IRIS

REMOTE CONTROL UNIT

WHITE

BLACK

IRIS/MB

MASTER

ACTIVE

BLACK

RM-B750

REMOTE

MEMORY

FUNCTION

MAINTE NANCE

SCENE

PAINT

ALARM

Appendixes

STICK

PANEL

STANDARDMONITOR TEST BARS

ACTIVE

5600K AUTO

KNEE

VTR

START/STOP

SKIN

BLACK

KNEE

SATURATION

DETAIL

GAMMA

ABB

AWB

WHITE

ABS

BLACK

AUTO

IRIS/MB

MASTER

IRIS

ACTIVE

BLACK

EXT

IRIS

REMOTE CONTROL UNIT

RM-B750

Parameter Settings

Settings on the camera

Set the communication parameters using the NETWORK menu.

page Item Setting in Bridge mode Setting in Multi mode

<IP ADDR SET> HOST IP ADDRESS IP address specific to the camera T

SUBNET MASK Value corresponding to the network

environments in use

DEFAULT GATEWAY Value corresponding to the network

environments in use

<ETHER I/F CONF> AUTO NEGOTIATION

or OFF

CONNECT SPEED No setting required if AUTO

NEGOTIATION is set to ON. For the OFF setting, select 10M or 100M.

DUPLEX MODE Select HALF or FULL. T

<700PTP SETTING> NS MODE BRIDGE MCS

CAMERA NO. No setting required ID number specific to the camera

MASTER IP ADDRESS Set the IP address of the MSU-900/

950 connected.

1) While the connection may be steady with the ON setting, the performances are improved with an OFF setting for the collateral condition.

Set the IP address of the master MSU-900/950.

Using the MSU-900/950

Page 99

Settings on the MSU-900/950

Set the unit to Engineer mode and set the communication parameters, using the Ethernet Configuration menu.

Menu Item Setting in Bridge mode Setting in Multi mode

Connection Mode selection Bridge MCS

Target IP SET IP addresses of the connected

Master IP SET No setting required IP address of the master

Master/Client selection

MSU No. No setting required 1 2

Negotiation Negotiation AUTO or OFF TT

Speed No setting required if Negotiation

Duplex No setting required if Negotiation

IP Address Setting

IP Address IP address specific to the MSU TT

Net Mask Value corresponding to the

Gateway Address

cameras

No setting required Client T

is AUTO. For the OFF setting, select 10M or 100M.

is AUTO. For the OFF setting, select HALF or FULL.

network environments in use

Value corresponding to the network environments in use

For details on operations, refer to the Operation Manual of the MSU-900/950.

Master unit Subordinate unit(s)

No setting required

unit

Appendixes

Notes on Ethernet connection

• For stable operations of the connected devices, use the system in a local network, without connecting to the Internet.

• Do not connect any device to the local network other than the system units for this camera.

Recommended remote control devices for which operation tests have been made

Sony made

• MSU-900/950

•RM-B750

Equipment from other vendors

HUB CentreCOM FS909M-PS

Using the MSU-900/950

Page 100

Using the ARRI Remote Control

You can set the shutter angle, FPS and start/stop recording/ playback from the ARRI-made WRC-2 (Wireless Remote Control 2). FPS can be continuously changed even while operation is in progress (manual Ramp or programmable Ramp). The system format, input voltage to the camera, and tape remaining of the recorder can be observed on the WRC-2.

Connection and preparations

Two types of connection are permitted: direct wiring to the EXT I/O connector of the camera and wireless connection via the UMC-3 (Universal Motor Controller). In either case, a special cable is required. Version updating and modification for 12 V power are also required on the WRC-2 and UMC-3.

For details on ARRI products, contact ARNOLD & RICHTER CINE TECHNIK.

Appendixes

100

Using the ARRI Remote Control

Sony F35 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

Table of Contents

Chapter 1 Overview

1-1 Features

1-2 Example of System Configuration

1-3 Locations and Functions of Parts

1-3-1 Camera Head

1-3-2 Assistant Panel (Supplied)

1-3-3 Interface Box (Supplied)

2-1 Mounting the Interface Box

Chapter 2 Installation and Preparations

2-2 Mounting the SRW-1 Recorder

2-3 Attaching a Lens

2-4 Attaching a Viewfinder

Mounting the Camera to a Tripod

2-6 Attaching/Detaching Handles

2-6-1 L Handle

2-6-2 Center Handle (Supplied)

2-7 Preparing the Power Supply

2-8 Setting the Built-in Clock

3-1 Selection of the Basic Operation Modes

3-1-1 Overview of the Basic Operation Modes

Chapter 3 Basic Adjustments and Settings

3-1-2 Switching of the Basic Operation Modes

3-2 Basic Settings with the Subdisplay

3-2-1 Basic Operation of the Subdisplay

3-2-2 Shutter Settings

3-2-3 Selection of Video Formats

3-2-4 Retrieving the ND Offset

3-2-5 Selection of the Gain, Color Temperature, and White Balance Memory

3-2-7 Confirmation of the Time Code and Tape Remaining

3-2-6 Selection of a Lens File

3-2-10 Allocation of Functions to the Assignable Buttons and Switch

3-2-9 ON/OFF of the Character Indication

3-2-12 Selection of Gamma Tables

3-2-11 Brightness Adjustment of the Subdisplay

3-2-13 Selection of Color Spaces

3-2-14 Limiting Pages that are Displayed on the Subdisplay

3-3 Black Balance Adjustment

3-4 White Balance Adjustment (in Custom mode)

3-5 Setting the Camera Outputs

3-5-1 Selecting a Video Output Signal for Each Connector

3-5-2 Setting the Monitor Picture

3-5-3 Outputting Color Bars

3-6-1 Viewing the Basic Status Indications

Viewing and Setting the Viewfinder Displays

3-6-2 Viewing the ABNORMAL <!> Display

3-6-3 Viewing the FUNCTION (Format/Switch Function) Display

3-6-4 Setting the Marker Indications

3-6-5 Adjusting the Viewfinder Details

3-6-6 Setting the Zebra Indication

3-6-7 Setting the Cursor Indication

3-6-8 Checking the Power Voltage

3-7 Detailed Settings of the Switch Functions

3-8 Setting the Gain

3-9 Detailed Shutter Settings

3-11-1 Using the Standard Gamma

Resuming the Standard Conditions

3-11-2 Using the Hyper Gamma

3-11-3 Using the S-LOG

3-11-4 Using the User Gamma

3-12 Setting the Fan Operation Mode

4-1 Menu Configuration

Chapter 4 Menu Configuration and Detailed Settings

4-2 Basic Menu Operations

4-2-1 Displaying Setting Pages

4-2-2 Setting the Menu Items

4-3 Menu List

4-3-1 OPERATION Menu

4-3-2 PAINT Menu

4-3-3 MAINTENANCE Menu

4-3-4 NETWORK Menu

4-3-5 FILE Menu

4-3-6 DIAGNOSIS Menu

4-4 Editing the USER Menu

5-1 File Configuration

Chapter 5 Storage and Retrieval of User Setting Data