Sony DTC-ZE700 User Manual

Digital Audio Tape Deck

4-231-062-11(1)

Operating Instructions Mode d’emploi Manual de instrucciones Manual de Instruções

F ES

DTC-ZE700

 1996 by Sony Corporation

WARNING

To prevent fire or shock hazard, do not expose the unit to rain or moisture.

To avoid electrical shock, do not open the cabinet. Refer servicing to qualified personnel only.

For the customers in the United States

This symbol is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

This symbol is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.

Owner’s Record

The model and serial numbers are located on the rear of the unit. Record the serial number in the space provided below. Refer to them whenever you call upon your Sony dealer regarding this product.

INFORMATION

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: — Reorient or relocate the receiving

antenna.

— Increase the separation between

the equipment and receiver.

— Connect the equipment into an

outlet on a circuit different from that to which the receiver is connected.

— Consult the dealer or an

experienced radio/TV technician for help.

CAUTION

You are cautioned that any changes or modifications not expressly approved in this manual could void your authority to operate this equipment.

For the customers in Canada

CAUTION

TO PREVENT ELECTRIC SHOCK, DO NOT USE THIS POLARIZED AC PLUG WITH AN EXTENSION CORD, RECEPTACLE OR OTHER OUTLET UNLESS THE BLADES CAN BE FULLY INSERTED TO PREVENT BLADE EXPOSURE.

Welcome!

Thank you for purchasing the Sony Digital Audio Tape Deck. Before operating the unit, please read this manual thoroughly and retain it for future reference.

The DTC-ZE700 has the following features:

• High-density linear converters A pulse A/D converter that produces clear, elegant sound quality and theoretically zero cross distortion, and a pulse D/A converter with a newly developed digital filter and a full feedforward format that reduces quantizing noise in the audible bandwidth, thus expanding the range of spatial expression.

• SBM (Super Bit Mapping) function (see page 21)

• The Serial Copy Management System (see page 22)

• Three sampling frequencies (48 kHz,

44.1 kHz, 32 kHz)

• Recording and playback in long-play mode.

• Analog recording at 44.1 kHz

• Sub codes Start IDs, program numbers and other sub codes written to the tape allow you to locate tracks quickly.

• See-through cassette compartment lid A see-through cassette compartment lid that allows you to view tape operations during playback and recording.

About This Manual

The instructions in this manual are for DTC-ZE700.

Conventions

Instructions in this manual describe the controls on the deck. The following icons are used in this manual:

Indicates useful information or

tips that make a task easier.

Model No. DTC-ZE700 Serial No.

Indicates a task that requires use

of the remote.

Getting Started

Unpacking 4 Hooking Up the System 4

Recording on a DAT 6 Playing a DAT 8

Recording Operations

Things You Should Know Before Recording 9 Adjusting the Recording Level for Analog Recording 10 Locating the End of the Recorded Portion (End Search) 10 Setting the Recording Mode 11 Using the SBM (Super Bit Mapping) Function 11 Inserting a Sound-Muted Section While Recording (Record Muting) 12 Recording Using a Timer (Timer Recording) 12

Playback Operations

About the Display 13 Locating a Track (AMS/Direct Access) 14 Playing Tracks Repeatedly (Repeat Play) 14 Playback Using a Timer (Timer Playing) 15

Writing Sub Codes

About Sub Codes 15 Writing Start IDs During Recording 15 Writing Start IDs During Playback 16 Adjusting the Position of an Existing Start ID 17 Erasing Start IDs 17 Renumbering the Program Numbers Automatically (Renumbering) 18

Additional Information

Precautions 18 Cleaning 19 Display Messages 19 Troubleshooting 20 Specifications 21 SBM (Super Bit Mapping) Function 21 Guide to the Serial Copy Management System 22

Index 24

Getting Started

ANALOG OUT

ANALOG IN

DIGITAL

COAXIAL OUT

DIGITAL

OPTICAL OUT

DIGITAL

OPTICAL IN

COAXIAL

IN IN OUT

OPTICAL

ANALOG IN/OUT

DIGITAL IN/OUT

LRL

OUT

Getting Started

Unpacking

Check that you have received the following supplied items:

• Pin-plug audio connecting cords (2)

• Remote commander (remote) RM-D757 (1)

• Size-AA (R6) batteries (2)

• Operating instructions (1)

• Warranty card (Canadian model only) (1)

Inserting batteries into the remote

Insert two size-AA(R6) batteries, matching the + and – on the batteries with the markings inside the battery compartment.

Hooking Up the System

This section describes how to hook up your deck to an amplifier, CD player, MD deck, or other audio components. Be sure to turn off the power to each component before making the connections.

to a wall outlet

Amplifier etc.

CD player, DAT deck, or MD deck, etc.

z When to replace the batteries

With normal use, batteries should last for about 6 months. When the remote no longer operates the deck, replace both batteries.

Notes

• Do not leave the remote near an extremely hot or humid place.

• Do not drop any foreign matter into the remote casing, particularly when replacing the batteries.

• Do not expose the remote sensor to direct sunlight or illumination as doing so may cause malfunction.

• When not using the remote for an extended period of time, remove the batteries to avoid possible damage from battery leakage and corrosion.

CD player, DAT deck, or MD deck, etc.

ç: Signal flow

What cords will I need?

• Audio connecting cords (supplied) (2)

White

(L)

Red

(R)

• Optical cables (POC-15 etc.) (not supplied) (2)

• Coaxial digital connecting cable (VMC-10G etc.) (not supplied) (1)

White

(L)

Red

(R)

Getting Started

Hookups

p Connecting the deck to an amplifier

Use the supplied audio connecting cords to connect the deck to an amplifier. Be sure to match each color-coded plug to the appropriate jack: red (right) to red and white (left) to white. To prevent hum and noise, be sure the connections are firmly made.

DAT deck Amplifier

ANALOG IN/OUT

OUTIN

LINE IN/OUT

OUT IN

z When recording with a microphone

Connecting the analog output jakcs on the stereo microphone amplifier to the ANALOG IN jacks of the deck.

p Connecting the deck to a digital audio component

A digital audio signal from a digital audio component such as a digital amplifier, DAT deck, CD player, MD deck or BS tuner can be recorded on the DAT deck by connecting the digital output connectors on the component to the digital input connectors (DIGITAL OPTICAL IN or DIGITAL COAXIAL IN) on the deck. A digital audio signal from the deck can be recorded by connecting the digital output connector (DIGITAL OPTICAL OUT) on the deck to the digital input connector on a digital audio component such as a digital amplifier, DAT deck or MD deck. Use optical cables (POC-15A or equivalent) (not supplied) or a coaxial digital connecting cable (VMC-10G or equivalent) (not supplied).

Note

If “PROHIBIT” appears in the display, recording through the digital jack is not possible. In this case, set the INPUT switch to ANALOG and record the program source through the ANALOG IN jacks.

Connecting the AC power cord

Connect the AC power cord to a wall outlet.

Where do I go next?

Now you’re ready to use your deck. For basic operations, go to pages 6 to 8; for advanced operations, go to the sections starting from page 9.

Basic Operations

• Connection with optical cables

DAT deck

DIGITAL IN/OUT

COAXIAL

OPTICAL

OUTIN

Digital audio component

OPTICAL

IN OUT

• Connection with coaxial digital connecting cable

DAT deck

DIGITAL IN/OUT

COAXIAL

OPTICAL

OUTIN

Digital audio component

COAXIAL

OUT

Basic Operations

Recording on a DAT

OPEN/CLOSE

POWER

MODE

RESET

TIMER

OFFREC PLAY

START ID

REHEARSALRENUMBER

AUTO

MARGIN

RESETERASEWRITE

2 68

73 45

••

REC MUTE

SBM

OFF

R)0±≠

REC

REC LEVEL

•

406

•

PHONE LEVEL

PHONES

REC MODE

INPUT

STANDARD

ANALOG

48 kHz

•••

OPTICAL

AMS

pPr

44.1 kHz

COAXIAL

LONG

L R

•

100

See pages 4 and 5 for hookup information.

Turn on the amplifier and play the program source you want

to record.

Press POWER.

Press OPEN/CLOSE § and insert a cassette.

Window side up

OPEN/CLOSE

Insert the cassette beyond the silver bar.

Set INPUT to the corresponding input connector.

To record through Set INPUT to

ANALOG IN ANALOG DIGITAL OPTICAL IN OPTICAL DIGITAL COAXIAL IN COAXIAL

OPEN/CLOSE

Close the cassette holder by pressing OPEN/CLOSE §.

Basic Operations

Locate the position where you want to start recording.

To record from the beginning of the tape

Press 0 to rewind the tape to its beginning.

To record from the end of the recorded portion

1 Press 0 to rewind the tape to its beginning. 2 Press ).

The deck locates the end of the recorded portion on the tape and stops automatically.

Press r REC.

The deck becomes ready to record.

When recording the analog input signal, adjust the recording

level with REC LEVEL. The recommended recording level is 3. For details, refer to

“Adjusting the Recording Level for Analog Recording” on page 10.

Basic Operations

z If “UNLOCK” appears in the

display

The program source is not connected to the deck properly or is not turned on. Make sure that the program source is properly connected or turned on.

Press P or ·.

Recording starts.

Start playing the program source.

When the tape reaches the end, the deck rewinds it automatically to its beginning and stops (Auto Rewind).

Stop recording Pause recording P. Press the button again to resume

Take out the cassette

To prevent accidental erasure

Slide the record-protect tab to the left as shown in the illustration below.

Press

recording. OPEN/CLOSE § after stopping recording

Recording is impossible (the hole is open).

Recording is possible (the hole is closed).

Basic Operations

Playing a DAT

MODE

RESET

POWER

TIMER

OFFREC PLAY

START ID

REHEARSALRENUMBER

AUTO

MARGIN

RESETERASEWRITE

2 4

SBM

•• 28

OFF

REC MUTE

R)0±≠

PHONES

REC

REC LEVEL

•

REC MODE

INPUT

ANALOG OPTICAL COAXIAL

•••

48 kHz

44.1 kHz LONG

STANDARD

•••

OPEN/CLOSE

AMS

pPr

406

•

L R

•

PHONE LEVEL

•

100

See pages 4 and 5 for hookup information.

z To use headphones

Connect them to the PHONES jack. Use PHONE LEVEL to adjust the volume.

Turn on the amplifier and set the source selector to the position

for DAT.

Press POWER.

Press OPEN/CLOSE § and insert a cassette.

OPEN/CLOSE

Press ·.

The deck starts playing. Adjust the volume on the amplifier.

Window side up

Insert the cassette beyond the silver bar.

OPEN/CLOSE

Close the cassette holder by pressing OPEN/CLOSE §.

To Press

pStop playing Go to the next track ± Go to the preceding track Fast-forward or rewind Fast-forward or rewind while monitoring

the sound Take out the cassette OPEN/CLOSE § after stopping playing

≠

) or 0 when the deck is stopped

) or 0 during playback. Release the

button to resume normal playback.

Recording Operations

For basic recording operations, see pages 6 and 7.

Things You Should Know Before Recording

The difference between a blank section and a sound-muted section

The deck distinguishes between two kinds of silent sections, which are respectively called a “blank section” or “sound-muted section”.

Blank section

This is a section on which no signal has ever been recorded.

a) a) a)a)

b) b) b) b)

Blank section

Sound-muted section

This is a section on which a signal has been recorded but at a level that is not audible.

b) b) b) b)

Sound-muted section

a): Recording b): Track

Absolute time codes

Absolute time codes indicate the elapsed time from the beginning of the tape. These codes are automatically recorded. Note that once recorded, absolute time codes cannot be re-written.

For accurate recording of absolute time codes

• If the tape is blank, make sure to start recording from the beginning of the tape.

• Use Record Muting (see page 12) to insert spaces between tracks. Do not advance the tape with the · or ) button.

• To start recording from the middle of a tape, use End Search (see page 10) to locate the end of the recorded portion. This will prevent the creation of blank sections.

If “EMPHASIS” appears in the display

The deck is recording a digital signal with emphasis (in the higher frequencies). The recording will also contain the same emphasis.

Basic Operations

If the deck is left in recording pause for more than 10 minutes

Recording pause will be released automatically, the deck will stop and “SOURCE” will appear in the display. To resume recording, press r REC. The deck will change to recording pause.

When using a new tape

Before you record on a new tape, we recommend that you fast forward the whole tape and then rewind to the beginning to make the tape reel smoothly.

Important

Make sure no blank sections are created while you are recording. The existence of blank sections within recorded material will make search operations using the ≠/± buttons impossible or destroy the continuity of the absolute time codes.

z If you press the r REC button while in a blank

section

The deck automatically rewinds the tape to the beginning of the blank section and changes to recording pause (except during Timer Recording).

Recording Operations

Adjusting the Recording Level for Analog Recording

Before you start recording an analog source through ANALOG IN, set INPUT to ANALOG and adjust the recording level.

L R

REC LEVEL

REC MODE

SBM

INPUT

MODE

RESET

TIMER

OFFREC PLAY

POWER

MARGIN

START ID

RESETERASEWRITE

REHEARSALRENUMBER

AUTO

OPEN/CLOSE

ANALOG

48 kHz

•••

OPTICAL

44.1 kHz

COAXIAL

LONG

AMS

pPr

1 Do steps 1 to 6 of “Recording on a DAT” on pages

6 and 7.

2 Play the portion of the program source with the

strongest signal level.

3 While monitoring the sound, turn REC LEVEL to

adjust the recording level so that the peak level meters are at maximum level without entering the OVER (red) range.

MARGIN

indication

Maximum level

The segments of the peak level meters corresponding to the maximum signal strength remain lit longer than normal. The MARGIN indication shows the margin between maximum signal strength and 0 dB, changing each time a stronger signal.

If the level exceeds 0 dB

The segments under “OVER” light up, and “0.0 dB” flashes in the display. If these segments light steadily, sound distortion may occur. To avoid this, keep the recording level between –12 dB and 0 dB.

1.0

Remains unlit

•

STANDARD

406

•

317

•••

••

OFF

REC MUTE

R)0±≠

REC

•

PHONE LEVEL

PHONES

100

REC LEVEL· PMARGIN RESET

Locating the End of the Recorded Portion (End Search)

End Search detects a blank section longer than 9 seconds, then automatically rewinds the tape to the end of the recorded portion, then stops. Use End Search to start recording from the end of the recorded portion without creating a blank section on the tape.

L R

REC LEVEL

REC MODE

SBM

INPUT

MODE

RESET

TIMER

OFFREC PLAY

POWER

MARGIN

START ID

RESETERASEWRITE

REHEARSALRENUMBER

AUTO

OPEN/CLOSE

ANALOG

48 kHz

•••

OPTICAL

44.1 kHz

COAXIAL

LONG

AMS

pPr

0 / )

1 With the deck stopped, press 0 to rewind the

tape to the beginning .

2 Press ).

The deck locates the end of the recorded portion, then stops. The deck stops at the beginning of any blank section that is 9 seconds or longer, or fast-forwards to the end of the tape if the tape is blank.

z If you press the r REC button while in a blank

section

The deck automatically rewinds the tape to the beginning of the blank section and changes to recording pause. “BLANK” and “WAIT” appear in the display while the deck is searching for the beginning of the blank section.

Notes

• End Search does not operate if you press the ) button while in a blank section.

• If the tape is blank, the deck merely fast-forwards to the end of the tape.

•

STANDARD

406

•

317

•••

••

OFF

REC MUTE

R)0±≠

REC

•

PHONE LEVEL

PHONES

100

To reset the margin indication

Press MARGIN RESET. The margin indication changes to “- - dB”.

4 Stop playing the program source. 5 To start recording, press P or ·, then start

playing the program source.

Setting the Recording Mode

You can select either of two recording modes— standard or long—in the following cases:

• When recording an analog input signal with the INPUT switch set to ANALOG

• When recording a digital input signal with a sampling frequency of 32 kHz with the INPUT switch set to OPTICAL or COAXIAL

REC MODE

SBM

INPUT

STANDARD

MODE

RESET

TIMER

OFFREC PLAY

POWER

MARGIN

START ID

RESETERASEWRITE

REHEARSALRENUMBER

AUTO

OPEN/CLOSE

AMS

pPr

ANALOG

48 kHz

•••

OPTICAL

44.1 kHz

••

COAXIAL

LONG

OFF

REC MUTE

R)0±≠

REC

L R

REC LEVEL

•

406

•

317

•

PHONES

PHONE LEVEL

100

Recording Operations

z The counter in long-play mode

The displayed tape running time, absolute time and remaining time on the tape are for standard-play mode. Double the time to obtain the corresponding times for long-play mode.

Note

Do not change the INPUT or REC MODE setting while recording. This may cause an error in the “PGM TIME” (playing time of the track) display.

Using the SBM (Super Bit Mapping) Function

REC MODE

Set REC MODE to select the recording mode.

The following table shows the selectable recording modes and corresponding REC MODE position and sampling frequency for various input signals.

Input signal REC MODE

Recording mode

position

Analog STANDARD

(48 kHz) STANDARD

(44.1 kHz) LONG

Digital (32 kHz) STANDARD

(48 kHz) STANDARD

(44.1 kHz) LONG

Digital (44.1 kHz)

STANDARD (48 kHz)

STANDARD (44.1 kHz)

LONG

Digital (48 kHz) STANDARD

(48 kHz) STANDARD

(44.1 kHz) LONG

Standard play (48 kHz)

Standard play (44.1 kHz)

Long play (32 kHz)

Standard play (32 kHz)

Long play (32 kHz)

Standard play (44.1 kHz) (Standard play only)

Standard play (48 kHz) (Standard play only)

You can use the SBM function to record on analog input signal only when the INPUT switch is set to ANALOG and the REC MODE switch to STANDARD (either 48 kHz or 44.1 kHz). For details on the SBM function, see “SBM (Super Bit Mapping) Function” on page 21.

INPUT

STANDARD

MODE

RESET

TIMER

OFFREC PLAY

POWER

MARGIN

START ID

RESETERASEWRITE

REHEARSALRENUMBER

AUTO

OPEN/CLOSE

ANALOG

48 kHz

•••

OPTICAL

44.1 kHz

COAXIAL

LONG

AMS

pPr

•••

••

OFF

REC MUTE

R)0±≠

REC

•

406

•

317

•

PHONE LEVEL

PHONES

100

L R

REC LEVEL

REC MODE

SBM

Set SBM to ON. “SBM” appears in the display during recording using the SBM function.

To turn the SBM function off

Set SBM to OFF.

The recording time in long-play mode (the REC MODE switch set to LONG) is twice as long as standard-play mode.

Recording Operations

pTIMER

PHONES

REC MUTE

REC

AMS

MODE

RESET

RESETERASEWRITE

REHEARSALRENUMBER

AUTO

MARGIN

OFFREC PLAY

TIMER

POWER

START ID

PHONE LEVEL

100

pPr

R)0±≠

OPEN/CLOSE

ANALOG OPTICAL COAXIAL

•••

REC LEVEL

INPUT

48 kHz

44.1 kHz LONG

•••

••

REC MODE

STANDARD

SBM

OFF

L R

406

317

•

Inserting a Sound-Muted Section While Recording (Record Muting)

Use Record Muting to insert a space of about 4 seconds between tracks. This is recommended if you plan to copy the DAT tape to an analog audio cassette tape since the spaces will allow you to use automatic search functions to locate the beginning of each track. When you start recording from the beginning of a blank tape and want to insert a space before the first track, be sure to create a sound-muted section using Record Muting only. Do not advance the tape with the ) or · button since this will create a blank section on the tape (see page 9).

L R

REC LEVEL

REC MODE

SBM

INPUT

STANDARD

MODE

RESET

TIMER

OFFREC PLAY

POWER

MARGIN

START ID

RESETERASEWRITE

REHEARSALRENUMBER

AUTO

OPEN/CLOSE

ANALOG

48 kHz

•••

OPTICAL

44.1 kHz

COAXIAL

LONG

AMS

pPr

REC MUTE R · P

1 Press REC MUTE R where you want to insert a

space while the deck is recording or in recording pause. The deck creates a sound-muted section as “REC” flashes in the display. After the sound-muted section is completed, “REC” lights up and the deck changes to recording pause.

To insert a blank space longer than 4 seconds

Hold down REC MUTE R as long as you want. When you release the button, the sound-muted section ends and the deck changes to recording pause. If you keep the button pressed longer than 4 seconds, “REC” will begin to flash more quickly and the time elapsed after pressing the REC MUTE R button is shown in the display. When you release the REC MUTE R button, P in the display stays on and the deck changes to recording pause.

2 Press P or · to resume recording.

The deck starts recording again.

•••

••

OFF

REC MUTE

R)0±≠

REC

•

406

•

317

•

PHONE LEVEL

PHONES

100

Recording Using a Timer (Timer Recording)

By connecting a timer (not supplied) to the deck, you can start and stop recording operations at specified times. For further information, refer to the instructions that came with the timer.

1 Do steps 1 to 7 of “Recording on a DAT” on pages

6 and 7.

2 • To specify the time for the start of recording,

press p.

• To specify the time for the end of recording, do steps 8 and 9 of “Recording on a DAT” on page

• To specify the time for the start and end of recording, press p.

3 Set TIMER on the deck to REC. 4 Set the timer as required.

• When you have set the time for the start of recording, the deck turns off. When the specified time arrives, the deck turns on and after about 10 seconds starts recording.

• When you have set the time for the end of recording, the deck continues recording, then when the specified time arrives, the deck stops recording and turns off.

• When you have set the time for both the start and end of recording, the deck turns off. When the starting time arrives, the deck turns on and after about 10 seconds, recording starts. When the ending time arrives, the deck stops recording and turns off.

5 After using the timer, set TIMER on the deck to

OFF.

Note

If you do not create a sound-muted section at the beginning of a tape, you may not be able to move or erase a start ID (see page 15) that is recorded within 2 seconds from the beginning of the tape.

• If the TIMER switch is left at the REC position, the deck will automatically start recording when you turn on the deck next time.

• During Timer Recording (i.e., when the TIMER switch is set to the REC position), Auto Rewind (see page 14) will not function even if the tape ends during recording. This is to prevent previously recorded material from being recorded over.

Notes

Playback Operations

For basic playback operations, see page 8.

About the Display

You can use the display to show the following types of time information:

• absolute time

• playing time of the track

• remaining time on the tape

• tape running time

L R

REC LEVEL

REC MODE

SBM

INPUT

MODE

RESET

TIMER

AUTO

OFFREC PLAY

POWER

MARGIN

START ID

RESETERASEWRITE

REHEARSALRENUMBER

OPEN/CLOSE

ANALOG

48 kHz

•••

OPTICAL

44.1 kHz

COAXIAL

LONG

AMS

pPr

MODE RESET

Showing the absolute time, playing time of the track, remaining time on the tape, and tape running time.

Press MODE (or COUNTER MODE on the remote). Each time you press the button, the displayed information changes as follows.

•

STANDARD

406

•

317

•••

••

OFF

REC MUTE

R)0±≠

REC

•

PHONE LEVEL

PHONES

100

Notes

• When playing certain types of premastered tapes, “BB” may appear momentarily in the display at the beginning of the tape.

• The playing time of the track does not appear in the following cases — When you start playing from the middle of the track — During rewinding

• In standard-play mode, the remaining time on the tape appears about 16 seconds after you start playing.

• The displayed remaining time may vary somewhat from the actual remaining time, depending on the tape.

If “EMPHASIS” appears in the display

The deck is playing an audio signal recorded with emphasis (in the higher frequencies). The deck, however, plays the signal while automatically deemphasizing it (with attenuation proportional to the degree of emphasis).

Absolute time

Playing time of the track

Remaining time on the tape



ABS TIME

8 20



PGM TIME

3 15



REMAINING

1 00

In the case of premastered DAT, the remaining time is to the end of the recorded portion.

Tape running time



5 19



Press



Press



Press



Press

√

To reset the tape running time

Press RESET (or COUNTER RESET on the remote).

Playback Operations

Locating a Track (AMS*/Direct Access)

You can locate the tracks in a number of ways, but only after you have recorded start IDs on the tape (see pages 15 to 18). To use Direct Access, program numbers must be recorded on the tape (see pages 15 and 18).

L R

REC LEVEL

REC MODE

SBM

MODE

RESET

TIMER

OFFREC PLAY

POWER

MARGIN

START ID

RESETERASEWRITE

REHEARSALRENUMBER

AUTO

≠ / ± ·

To locate

The beginning of the next or succeeding tracks (AMS)

Press

± as many times as you want while playing. For example, to locate the second track ahead, press twice.

The beginning of the

≠ once while playing

current track(AMS) The beginning of

preceding tracks (AMS)

≠ as many times as you want while playing. For example, to locate the second track behind, press three times.

By specifying the program number of a

track (Direct Access) Z

1 Enter the program number of

the track with the number buttons.

2 Press ( (or · on the deck).

* AMS = Automatic Music Sensor.

INPUT

OPEN/CLOSE

ANALOG

48 kHz

•••

OPTICAL

44.1 kHz

COAXIAL

LONG

AMS

pPr

•

STANDARD

406

•

317

•••

••

OFF

REC MUTE

R)0±≠

REC

•

PHONE LEVEL

PHONES

100

Playing T racks Repeatedly (Repeat Play) Z

You can play a specific track or all the tracks on the tape repeatedly.

OPEN/ CLOSE

COUNTER

REPEAT

Playing all tracks repeatedly

Press REPEAT repeatedly while playing a track until “REPEAT” appears in the display. The deck will then play back all tracks until it detects the end of the last track, which may be: — a blank section of 9 seconds or more — the end of the tape When the deck detects either of the above, it rewinds the tape to beginning and plays back all tracks again. The deck repeats this cycle up to 5 times, then automatically stops.

To stop playing all tracks repeatedly

Press REPEAT repeatedly until “REPEAT” disappears.

Note

Repeat Play of all tracks is canceled when you take out the cassette.

RESETMODE

132

z If you enter the wrong program number during

Direct Access

If you haven’t pressed the ( (or · on the deck) button, press CLEAR on the remote, then enter the correct number. If you have already pressed the ( (or

· on the deck) button, pressing the CLEAR button will not erase the wrong program number. Stop the deck and reenter the program number.

z If the deck detects a blank section of 9 seconds or

more, or the end of the tape

The deck rewinds the tape automatically to its beginning and stops (Auto Rewind).

Playing a track repeatedly

Press REPEAT repeatedly while playing the track that you want until “REPEAT 1” appears in the display. The deck will then play back the track until its end, which may be: —the next start ID —a blank section of 9 seconds or more —the end of the tape When the deck detects any of the above, it rewinds the tape and starts playing from the start ID of the same track again. The deck repeats this cycle up to 5 times, then automatically stops.

z You can make the deck start playing automatically

from the beginning of the tape after rewinding

Press · while holding down 0.

To stop playing a track repeatedly

Press REPEAT repeatedly until “REPEAT 1” disappears.

Note

Repeat Play of a single track is canceled when you take out the cassette.

Playback Operations

Writing Sub Codes

Playback Operations

Playback Using a Timer (Timer Playing)

By connecting a timer (not supplied) to the deck, you can start and stop playback operations at specified times. For further information, refer to the instructions that came with the timer.

L R

REC LEVEL

REC MODE

SBM

INPUT

MODE

RESET

TIMER

OFFREC PLAY

POWER

MARGIN

START ID

RESETERASEWRITE

REHEARSALRENUMBER

AUTO

OPEN/CLOSE

ANALOG

48 kHz

•••

OPTICAL

44.1 kHz

COAXIAL

LONG

AMS

pPr

TIMER

1 • To specify the time for the start of playing, do

steps 1 to 3 of “Playing a DAT” on page 8.

• To specify the time for the end of playing, do steps 1 to 4 of “Playing a DAT” on page 8.

• To specify the time for the start and end of playing, do steps 1 to 3 of “Playing a DAT” on page 8.

2 Set TIMER on the deck to PLAY. 3 Set the timer as required.

• When you have set the time for the start of playback, the deck turns off. When the specified time arrives, the deck turns on and after about 10 seconds starts playing.

• When you have set the time for the end of playback, the deck continues playing, then when the specified time arrives, the deck stops playing and turns off.

• When you have set the time for both the start and end of playback, the deck turns on. When the starting time arrives, the deck turns on and after about 10 seconds, playback starts. When the ending time arrives, the deck stops playing and turns off.

•

STANDARD

406

•

317

•••

••

OFF

REC MUTE

R)0±≠

REC

•

PHONE LEVEL

PHONES

100

About Sub Codes

In the DAT format, sub codes (i.e., control codes such as start IDs and program numbers) can be written on the tape along with the audio signal. These sub codes allow you to use AMS (see page 14) or Direct Access (see page 14). Since sub codes are written on the tape separately from the audio signal, they have no effect on the audio signal.

TrackTrack Track

Start ID

Start IDs

Start IDs indicate the start of a track, and therefore allow you to locate the position of a track precisely. The start IDs are 9 seconds in length (18 seconds in long-play mode) to enable easy detection during fastforwarding or rewinding.

Program numbers

Program numbers serve as track numbers. Occupying the same position as start IDs, a program numbers allow you to locate specific tracks.

Notes

• The p and P buttons do not work during the writing of sub codes.

• Writing and erasing of start IDs and renumbering of program numbers are impossible if the record-protect hole on the DAT cassette is open (see page 7).

Writing Start IDs During Recording

4 After using the timer, set TIMER on the deck to

OFF.

You can write start IDs either manually or automatically anytime during recording.

INPUT

OPEN/CLOSE

ANALOG OPTICAL

COAXIAL

AMS

pPr

·START ID

TIMER

OFFREC PLAY

POWER

START ID AUTO

AUTO

START ID

REHEARSALRENUMBER

WRITE

MODE

RESET

MARGIN

RESETERASEWRITE

L R

REC LEVEL

REC MODE

SBM

•

STANDARD

406

•

48 kHz

317

•••

44.1 kHz

••

•

LONG

OFF

•

REC MUTE

•

R)0±≠

PHONE LEVEL

PHONES

REC

100

(Continued)

•

Writing Sub Codes

Manual Writing of Start IDs During Recording

Press START ID WRITE. “ID WRITE” appears in the display for a few seconds and the start ID is written on the tape at the selected position. “START ID” flashes in the display during this time.

Start ID



ID WRI TE

START ID

Note

The interval between start IDs must be more than 18 seconds (36 seconds in long-play mode). If the interval is less than 18 seconds (or 36 seconds), the deck may fail to detect the second start ID during playback.

Writing the Start IDs Automatically During Recording

Do the following procedure to automatically write program numbers along with start IDs at the same position.

• When recording an analog signal with the INPUT switch at ANALOG

A start ID and program number are written whenever the input signal rises above a given level after remaining at a muted or low level for 3 seconds or more.

• When recording a digital signal with the INPUT switch at OPTICAL or COAXIAL

A start ID and program number are written whenever a new track is detected while recording a digital signal through the COAXIAL IN or OPTICAL IN jack from a digital source such as CD player or another DAT deck. Start IDs and program numbers are not written, however, for tracks that are less than 18 seconds in length.

If the last program number on the tape appears in the display, you don’t have to specify the next program number. If you are recording from the beginning of a blank tape, program number “1” appears in the display. If you forget program numbering at this time, you can add them later (see “Renumbering the Program Numbers Automatically (Renumbering)” on page 18).

4 To start recording, press P or ·, then start

playing the program source. Start IDs are written on the tape automatically during recording. “ID WRITE” appears for a few seconds whenever a sub codes (a start ID and program number) are being written.

z During digital recording from a CD player

Start recording on your deck first, then press the ( PLAY button on the CD player while it is stopped. If you place your deck into recording pause and the CD into play pause before you start recording, the start ID and program number of the first track on the CD may not be correctly written to the tape.

Note

During automatic start ID writing the positioning of some start IDs may be inaccurately or inappropriately positioned away from the beginning of the track. If this happens, you can reposition or erase the start IDs later (see “Accurate Positioning of Start IDs (Rehearsal)” and “Erasing Start IDs” on page 17).

Writing Start IDs During Playback

1 Do steps 1 to 7 of “Recording on a DAT” on pages

You can write start IDs during playback.

6 and 7. The deck changes to recording pause.

2 Press START ID AUTO repeatedly until “AUTO”

MODE

RESET

TIMER

OFFREC PLAY

POWER

MARGIN

START ID

RESETERASEWRITE

REHEARSALRENUMBER

AUTO

REC MODE

INPUT

STANDARD

OPEN/CLOSE

ANALOG

48 kHz

•••

OPTICAL

44.1 kHz

COAXIAL

LONG

AMS

pPr

appears in the display.

3 If you are recording from the end of the recorded

portion, use the number buttons on the remote to specify the program number after the last one recorded.

Example: When program number 5 is the last

program number recorded on the tape.

REC

AUTO

· ∏



PGM NO.

START ID REHEARSAL

WRITE

Press START ID WRITE. “ID WRITE” appears in the display for a few seconds and the start ID is written on the tape at the selected position. “START ID” flashes in the display during this time.

The next program number

0 / )START ID

SBM

••

OFF

REC MUTE

R)0±≠

REC

L R

REC LEVEL

•

406

•

317

•

PHONE LEVEL

PHONES

100

Accurate Positioning of Start IDs (Rehearsal)

1 During playback, press START ID REHEARSAL

when you arrive at the proper position. “REHRSL” appears, “START ID” flashes in the display and Rehearsal repeats a 3-second portion starting from the selected position. Note that the repeated portion will play back 8 times, with the remaining number of times appearing to the right of the “REHRSL”. After 8 times, the deck automatically stops.

Writing Sub Codes

Adjusting the Position of an Existing Start ID

You can adjust the position of previously recorded start IDs.

REC LEVEL

REC MODE

SBM

INPUT

MODE

RESET

TIMER

OFFREC PLAY

POWER

MARGIN

START ID

RESETERASEWRITE

REHEARSALRENUMBER

AUTO

OPEN/CLOSE

ANALOG

•••

OPTICAL

COAXIAL

AMS

pPr

•

STANDARD

406

•

48 kHz

317

•••

44.1 kHz

••

•

LONG

OFF

•

REC MUTE

•

R)0±≠

PHONES

REC

L R

•

PHONE LEVEL

100

2 Press 0 or ) to move the beginning of the

repeated portion. Each time you press the 0 or ) button, the beginning of the repeated portion shifts backwards or forwards in 0.3-second increments, up to a maximum extent of about 2 seconds (4 seconds in long-play mode) in either direction.

Position where the START ID REHEARSAL button is pressed in step 1.

↓

0.3 sec

Movement with each press of 0

The time in the display shows the shift in position from the time the START ID REHEARSAL button was pressed.

3 seconds

Movement with each press of )

0.3 sec

Repeated portion

START ID REHEARSAL

1 During playback, press START ID REHEARSAL

when the existing start ID you want to reposition is displayed. The deck rewinds to the beginning of start ID and Rehearsal repeats a 3-second portion is displayed.

2 Do steps 1 to 3 of “Accurate Positioning of Start

IDs (Rehearsal)” on this page. You can move the start ID to a maximum extent of about 2 seconds (4 seconds in long-play mode) in either direction from its original position.

Note

Start IDs written within 10 seconds from the end of the tape may be difficult or impossible to move.

Erasing Start IDs

You can erase any start ID.

After pressing ) twice

06.

START ID

After pressing 0 twice

06.

3 Press START ID WRITE.

“ID WRITE” appears in the display for a few seconds and the start ID is written on the tape at the selected position. “START ID” flashes in the display during this time.

INPUT

MODE

START ID

TIMER

OFFREC PLAY

POWER

RESET

MARGIN

START ID

RESETERASEWRITE

REHEARSALRENUMBER

AUTO

OPEN/CLOSE

ANALOG

48 kHz

•••

OPTICAL

44.1 kHz

COAXIAL

LONG

AMS

pPr

•

STANDARD

406

•

317

•••

••

OFF

REC MUTE

R)0±≠

REC

•

PHONES

PHONE LEVEL

100

L R

REC LEVEL

REC MODE

SBM

START ID ERASE

Press START ID ERASE when the start ID you want to erase is displayed. “(ERASE)” appears in the display as the deck rewinds to the beginning of the start ID, then “ID ERASE” appears as the deck erases the start ID.

• It takes 9 seconds to erase a start ID.

• Program numbers are erased together with start IDs.

Writing Sub Codes

Additional Information

Renumbering the Program Numbers Automatically (Renumbering)

Renumbering searches for each start ID from the beginning of the tape and assigns a new program number to each one starting with 1. Use Renumbering in the following cases:

• When you’ve added a start ID while playing the tape.

• When a program number is missing due to an erased start ID.

• When you began recording from the middle of the tape and wrote a program number that already exists, or when one of the the start IDs has no program number.

L R

REC LEVEL

REC MODE

SBM

INPUT

MODE

RESET

TIMER

OFFREC PLAY

POWER

MARGIN

START ID

RESETERASEWRITE

REHEARSALRENUMBER

AUTO

OPEN/CLOSE

ANALOG

48 kHz

•••

OPTICAL

44.1 kHz

COAXIAL

LONG

AMS

pPr

START ID RENUMBER

Press START ID RENUMBER while the deck is playing or stopped. “RENUMBER” flashes in the display and the tape is automatically rewound to its beginning. The deck then starts searching for start IDs from the beginning of the tape and assigns a new consecutive program number to each track. When the deck detects a start ID, the deck plays the track from the start ID for 2 seconds, then writes a new program number on the tape. During this time, “RENUMBER” lights up and “START ID” flashes. After Renumbering is finished, the deck rewinds the tape automatically to its beginning, then stops.

Note

Renumbering may not function correctly when:

• A blank section exists on the tape.

• The interval between two start IDs is less than 18 seconds (36 seconds in long-play mode).

• A start ID exists within 10 seconds from the end of the tape.

•

STANDARD

406

•

317

•••

••

OFF

REC MUTE

R)0±≠

REC

•

PHONES

PHONE LEVEL

100

Precautions

On safety

• Do not disassemble the cabinet as this may result in an electric shock. Refer servicing to qualified personnel only.

• Should any solid object or liquid fall into the cabinet, unplug the AC power cord before operating the unit any further.

On power sources

• Before operating the unit, check that its operating voltage is identical with your local power supply. The operating voltage is indicated on the nameplate at the rear of the unit.

• The unit is not disconnected from the AC power source (mains) as long as it is connected to the wall outlet, even if the unit itself has been turned off.

• If you are not going to use the unit for a long time, be sure to disconnect the AC power cord (mains lead) from the wall outlet. To disconnect the cord, grasp the plug itself; never pull the cord.

• AC power cord must be changed only at the qualified service shop.

On operation

If the unit is brought directly from a cold place to a warm place, or is placed in a very damp room, moisture may condense inside the unit, “CAUTION” may appear in the display, and the unit may not operate. If this happens, remove the cassette and leave the unit turned on for about an hour until the moisture evaporates.

On placement

• Place the unit in a location with adequate ventilation to prevent heat build-up.

• Do not place the unit: — on a soft surface such as a rug that might block the

ventilation holes on the bottom. — near heat sources. — in direct sunlight. — in an inclined position. — in a place subject to excessive dust or mechanical

shock.

On the tapes

• After using a tape, put it into its case and keep it where it will not be subject to sunlight, high temperature, moisture or dust.

• The DAT cassette shell is designed to keep out dust. Do not open the case to expose the tape.

• The hole at the back of the cassette is the detector slot. Do not cover this slot.

Additional Information

Regarding tapes of over 120 minutes

Do not use thin-tape cassettes (with a playing time of over 120 minutes) to record important material since such cassettes are subject to the following problems:

— Improper threading of the tape after repeated AMS,

rewinding, fast-forwarding, or cueing operations. — Incorrect writing and erasing of start IDs. — Sound distortion.

If you have any questions or problems concerning your unit, please consult your nearest Sony dealer.

Cleaning

Cleaning the cabinet, panel and controls

Use a soft cloth slightly moistened with a mild detergent solution. Do not use any type of abrasive pad, scouring powder or solvent such as alcohol or benzine.

Cleaning the head and tape path

• Prolonged operation will cause contamination of the head. To obtain the best possible recording and playback sound, we recommend that you use the Sony DT-10CL cleaning cassette (not supplied) to clean the head after every ten hours or so of operation.

• Clean the head with the cleaning cassette when the deck has not been used for a long period of time. Contamination of the head may cause sound dropout during playback.

Display Messages

The following table explains the various messages that appear in the display.

Message Meaning

BLANK The deck is searching for the beginning of the

CAUTION

CLEANING

(ERASE)

ID ERASE ID WRITE

NO TAPE

PROHIBIT

PROTECT

REHRSL

SOURCE

blank section on the tape.

A safety mechanism is operating because of condensation or other reasons.

Cleaning the head and tape path is recommended. After about 10 hours of deck use, this message appears for about 10 seconds whenever you turn on the deck .

The deck is searching for the beginning of the start ID to be erased.

A start ID is being erased. A start ID or program number is being

written. A cassette is not inserted into the deck. The program source you are about to record

cannot be recorded through the digital input jacks or connectors. For more information, see “Guide to the Serial Copy Management System” (see pages 22 and 23).

The record-protect hole on the cassette is open and recording on the tape cannot be done.

Rehearsal is on.

The deck has been in recording pause for about 10 minutes, or you've pressed the r REC button while no cassette is in the deck or the cassette is record-protected.

Using the cleaning cassette

1 Insert the cleaning cassette as you would a normal DAT

cassette.

2 Press ·. After 10 seconds, press p.

Do not press the r REC or ) button for cleaning.

3 Remove the cleaning cassette without rewinding it. You

should rewind the cleaning cassette only when it has reached the end.

Notes on cleaning

• After 10 hours of operation, “CLEANING” appears in the display for about ten seconds when you turn on the deck. It is recommended that you clean the head and tape path periodically, using this message as a guide.

• Due to the shortness of the cleaning cassette, the counter will not show the actual running time and remaining time of the cassette.

TAPE END

TAPE TOP UNLOCK

WAIT

(WRITE)

The tape has come to the end of the recorded portion.

The tape has reached its beginning. No digital signal is being input to the jack or

connector that you selected with the INPUT switch.

The deck is searching for the beginning of the blank section on the tape.

This appears when the START ID WRITE button is pressed.

Additional Information

Troubleshooting

If you’ve experienced any of the following difficulties while using the deck, use this section as a guide to remedy the problem. Should any problem persist, consult your nearest Sony dealer.

The cassette holder does not close.

/ Check that the cassette is inserted correctly (see pages 6

and 8).

/ Insert the cassette beyond the silver bar (see pages 6 and

8).

Start ID writing is not possible during recording.

/ The start ID cannot be written within 9 seconds (18

seconds in long-play mode) after the end of the previous start ID. Make sure at least 9 seconds (18 seconds in the long-play mode) has passed after the last start ID and before writing a new one.

Direct Access does not work.

/ The specified program number does not exist on the

tape. Press START ID RENUMBER to renumber the program numbers.

/ The program numbers are out of order. Press START ID

RENUMBER to renumber the program numbers.

The function buttons do not work.

/ The deck has just been turned on and will not operate for

about 4 seconds. Wait 4 seconds (10 seconds when “CLEANING” appears) before attempting any operation.

/ The P button is activated. Press P to cancel pause. / The tape has reached its end. Press 0 to rewind the

tape.

No sound.

/ Make the proper connections (see pages 4 and 5). / The connected amplifier is not being operated properly.

Operate the amplifier as required for the respective deck operation. (Refer to the operating instructions of the amplifier.)

The deck does not record.

/ The record-protect hole on the cassette is open. Slide the

record-protect tab to close the hole (see page 7).

/ The INPUT switch is incorrectly set. Set INPUT to the

correct position.

/ The REC LEVEL control is set at 0. Turn REC LEVEL

clockwise to raise the recording level (only during analog recording).

/ The signal input to the digital input jack or connector is

protected against digital copying (only during digital recording). Input the signal through the analog input jack or connector.

The deck begins rewinding the tape during playback.

/ Repeat Play is on. Press REPEAT on the remote

repeatedly to turn off “REPEAT” or “REPEAT 1” in the display and cancel Repeat Play.

The tape operation buttons do not function while writing or erasing a start ID.

/ All buttons do not work during the 9 seconds the start ID

is being written (18 seconds in long-play mode). Wait until the writing the start ID finishes before operation.

Absolute time codes writing is not possible.

/ Recording began within a blank section.

Rewind the tape to its beginning, or locate the end of the recorded portion with End Search before starting recording.

Tape transport is excessively loud during fast-forwarding or rewinding.

/ The noise is caused by the cassette and is not a

mechanical problem.

The tape stops suddenly.

/ The cassette is defective or damaged.

Press OPEN/CLOSE § and replace the cassette with a new one.

The OPEN/CLOSE § button does not work.

/ The OPEN/CLOSE § button does not function during

recording. Press p or P to stop recording first, then press OPEN/CLOSE §.

momentarily before starting to move.

/ This is normal and is not a mechanical problem.

The deck cannot be operated with the remote (supplied).

/ The battery is weak. Change both batteries.

“CAUTION” appears and the deck cannot be operated.

When pressing 0 /) or ≠/±, the tape stops

/ A safety mechanism is operating because of

condensation. Remove the cassette and leave the deck turned on for about an hour. Then turn the deck off, then on again (see page 18).

Sub codes writing is not possible.

/ The record-protect hole on the cassette is open. Slide the

record-protect tab to close the hole (see page 7).

“SBM” does not appear in the display even though SBM is set to ON.

/ ”SBM” appears only during the recording of analog

input signals with a sampling frequency of 48 kHz or

44.1 kHz, not during the recording of a digital input signal, or an analog input signal with a sampling frequency of 32 kHz, or during playback.

Specifications

Additional Information

General section

Power requirements

System

Tape Digital audio tape

Recording head Rotary head

Recording time Standard: 120 minutes (when using DT-120) Long-play: 240 minutes

Tape speed Standard: 8.15 mm/s

Drum rotation Standard: 2,000 rpm

Track pitch 13.6 µm (20.4 µm)

Sampling frequency 48 kHz, 44.1 kHz, 32 kHz

Number of channels 2 channels, stereo

D/A conversion Standard: 16 - bit linear (quantization) Long-play: 12 - bit non-linear

Frequency response* Standard: 2 - 22,000 Hz (±0.5 dB)

Signal-to-noise ratio* 90 dB or more (Standard and long-play

Dynamic range* 90 dB or more (Standard and long-play

Total harmonic Standard: 0.005% or less (1 kHz) distortion* Long-play: 0.008% or less (1 kHz)

Wow and flutter Below measurable limit (±0.001%

* During analog input with the SBM function off.

Long-play: 4.075 mm/s

Long-play: 1,000 rpm

Long-play: 2 - 14,500 Hz (±0.5 dB)

mode)

W.PEAK)

Input connectors

ANALOG

DIGITAL OPTICAL

Phono jacks

Optical connector

Input impedanceJack typeConnector

47 kilohms –4 dBs

——

Rated input level

Where purchased

Canada

Europe

Power consumption 30 W

Dimensions Approx 430 × 106 × 325 mm (w/h/d)

Weight Approx 5.0 kg (11 lb 0.4 oz)

Power requirements

120 V AC, 60 Hz

230 V AC, 50/60 Hz

(17 × 4 1/4 × 12 7/8 inches)

Supplied accessories See page 4.

Design and specifications are subject to change without notice.

SBM

(Super Bit Mapping)

Function

During analog recording, the SBM function lowers noise within the frequency band to which to the human ear is most receptive to noise, thereby, sharply expanding the auditory dynamic range of the recorded signal.

High-precision pulse A/D converter

The deck uses a pulse AD converter and decimation filter to convert an analog signal into a quantized 24-bit digital signal. The deck, like CD players, uses 16-bit quantization, and thus the 8-bit difference results in more precise quantization, more signal information and less quantizing noise than 16-bit quantization. During conversion of the 24-bit data to a 16-bit recording signal, the SBM function boosts sound quality by reintegrating 4 bits of signal information that would normally be lost into the 16-bit signal.

DIGITAL COAXIAL

Phono jack 75 ohms

0.5 Vp-p

Output connectors

—

Rated output level

–4 dBs

(wavelength 660 nm)

1.2 mW

impedance

10 kilohms or more

32 ohms

Connector Jack type Load

ANALOG

DIGITAL OPTICAL

PHONES

jacks

Optical connector

Stereo phone-plug jack

Output impedance

470 ohmsPhono

100 ohms

—

Additional Information

Applying the principle of human hearing

The SBM function applies the principle of human hearing in the reintegration of signal information. The auditory range of the human ear is generally considered to be 20 Hz to 20 kHz; hearing sensitivity, however, shows greater sensitivity to the range between 3 kHz and 4 kHz, and lower sensitivity to frequencies above and below this range. This principle applies also to quantizing noise as well. By reducing quantizing noise in this particular range, signals can be recorded to produce more expansive sound than is possible by a uniform reduction of noise over the entire audible range.

Noise-shaping filter

The SBM function uses a noise-shaping filter (see Fig. A) with a frequency response similar to that of the human ear to reduce quantizing noise within the most sensitive frequency range, and to feed back the quantizing error (that is normally lost) back to the input signal, re-integrating the low-end bit information with the high-end bit information.

Fig. A

24-bit information input

Fig. B shows the improvement in the quantizing noise level when the SBM switch is on (theoretical values). Given a noise level of 0 dB when the SBM switch is off, the improvement in noise level for sampling frequencies lower than 3 kHz exceeds 10 dB when the SBM is activated.

20 15

Noise

level

(dB)

-5

-10

20 10050 200 1k500 2k 15k5k 10k

Sampling frequency (Hz)

The SBM function operates only during recording. The improved sound produced by the SBM function, however, can be enjoyed during playback, regardless of the SBM switch position or the DAT deck being used.

Noise-shaping filter

Fig. B

16-bit SBM

output

SBM ON

SBM OFF

Guide to the Serial Copy

Management System

This deck uses the Serial Copy Management System, which allows only first-generation digital copies to be made of premastered software via the deck’s digital input jack. An outline of this system appears below:

1 You can record from digital program sources (CDs,

premastered MDs or DATs) onto a DAT or recordable MD via digital input jack on the DAT or MD deck. You cannot, however, record from this recorded DAT or MD onto another DAT or recordable MD via the digital input jack on the DAT or MD deck.

Playing

DAT deck MD deck

Optical cable or coaxial digital connecting cable

Recording

DAT or MD

Playing

Digital output jack

Optical cable or coaxial digital connecting cable

Digital input jack Line (analog) input jack

Recording

CD player

DAT deck or

MD deck

DAT deck or

MD deck

Line (analog) output jack

DAT deck or

MD deck

Digital output jack

Digital input jack

First-generation DAT or MD recorded via digital-to-digital connection

Audio connecting cord

Additional Information

2 You can record the digital input signal of a digital satellite

broadcast onto a DAT or recordable MD via the digital input jack on the DAT or MD deck which is capable of handling a sampling frequeny of 32 kHz or 48 kHz. You can then record the contents of this recorded DAT or MD (first-generation) onto another DAT or recordable MD via digital input jack on the DAT or MD deck to create a second-generation digital copy. Subsequent recording from the second-generation copy onto another DAT or recordable MD is possible only through the analog input jack on the DAT or MD deck.

Playing

Optical cable or coaxial digital connecting cable

Recording

DAT or MD

Playing

Optical cable or coaxial digital connecting cable

Recording

DAT or MD

Playing

Digital output jack

Optical cable or coaxial digital connecting cable

BS tuner

DAT deck or

MD deck

DAT deck or

MD deck

DAT deck or

MD deck

DAT deck or

MD deck

Line (analog) output jack

Digital output jack

Digital input jack

First-generation DAT or MD recorded via digital-to-digital connection

Digital output jack

Digital input jack

Secondgeneration DAT or MD recorded via digital-todigital connection

Audio connecting cord

3 You can record a DAT or MD recorded via the DAT or MD

deck’s analog input jack onto another DAT or MD via the DAT or MD deck’s digital output jack. You cannot, however, make a second-generation DAT or MD copy via the DAT or MD deck’s digital output jack.

Playing

Tuner

Cassette deck

DAT deck

Audio connecting cord

Recording

Turntable

CD player

Microphone

amplifier

MD deck

Line (analog) output jack

Line (analog) input jack

DAT deck or

MD deck

DAT or MD

recorded via analog-to-digital connection

Playing

Optical cable or Coaxial digital connecting cable

Recording

DAT or MD

DAT deck or

MD deck

DAT deck or

MD deck

Digital output jack

Digital input jack

First-generation DAT or MD recorded via digital-to-digital connection

Playing

Digital output jack Line (analog) output jacks

DAT deck or

MD deck

Digital input jack

Recording

Line (analog) input jack

DAT deck or

MD deck

Optical cable or coaxial digital connecting cable

Digital input jack

Recording

Line (analog) input jacks

DAT deck or

MD deck

Audio connecting cord

Index

Absolute time 13 Absolute time codes 9 Adjusting the recording level 10 AMS (Automatic Music Sensor) 14

Batteries 4 Blank section 9, 10

Cleaning 19 Cleaning the head and tape path 19

Direct Access 14 Display messages 19

E, F, G

Emphasis 9, 13 End Search 10

Hooking up the system 4

I, J, K, L

Inserting batteries into the remote 4

M, N, O

Margin indication 10

P, Q

Playing a DAT 8 Playing time of the track 13 Program numbers 15, 18

SBM function 11, 12 Serial Copy Management System 22 Setting the recording mode 11 Sound-muted section 9, 12 Start ID

Accurate positioning of start IDs 17 Adjusting the position of an existing start ID 17

Erasing start IDs 17 Manual writing of start IDs during recording 16 Writing the start IDs automatically during recording 16

Sub Codes 15

T, U, V, W, X, Y, Z

Tape running time 13 Timer Playing 15 Timer Recording 12

Names of controls

Buttons

CLEAR 14 COUNTER MODE 13 COUNTER RESET 13 MARGIN RESET 10 MODE 13 OPEN/CLOSE § 6 - 8 r REC 7 REC MUTE R 12 REPEAT 14 RESET 13 START ID AUTO 15 START ID ERASE 17 START ID REHEARSAL 16, 17 START ID RENUMBER 18 START ID WRITE 15, 16

p 7, 8, 12

· 7, 8, 10, 12, 14, 15 0/) 7, 8, 10, 16 P 7, 10, 12, 15 ≠/± 8, 14

Switches

INPUT 6 POWER 6, 8 REC MODE 11 SBM 11 TIMER 12, 15

Controls

PHONE LEVEL 8 REC LEVEL 10

Jacks

ANALOG IN 4, 6 ANALOG OUT 4 DIGITAL COAXIAL IN 4, 6 DIGITAL OPTICAL IN 4, 6 DIGITAL OPTICAL OUT 4 PHONES 8

Recording on a DAT 6 Record Muting 12 Record-protect tab 7 Rehearsal 16 Remaining time on the tape 13 Renumbering 18 Repeat Play

Playing a track repeatedly 14 Playing all tracks repeatedly 14

Index

AVERTISSEMENT

Bienvenue!

Au sujet de ce mode

Afin d’éviter tout risque d’incendie ou d’électrocution, ne pas exposer cet appareil à la pluie ou à l’humidité.

Afin d’écarter tout risque d’électrocution, garder le coffret fermé. Ne confier l’entretien de l’appareil qu’à un technicien qualifié.

Pour les utilisateurs au Canada

ATTENTION

POUR PREVENIR LES CHOCS ELECTRIQUES, NE PAS UTILISER CETTE FICHE POLARISEE AVEC UN PROLONGATEUR, UNE PRISE DE COURANT OU UNE AUTRE SORTIE DE COURANT, SAUF SI LES LAMES PEUVENT ETRE INSEREES A FOND SANS EN LAISSER AUCUNE PARTIE A DECOUVERT.

Merci d’avoir acheté cette platine à cassette audionumérique Sony. Avant la mise en service de la platine, veuillez lire attentivement ce mode d’emploi et le conserver pour toute référence.

Le modèle DTC-ZE700 comporte les caractéristiques suivantes:

• Convertisseurs linéaires haute densité Le convertisseur A/N à impulsion produit un son clair et de grande qualité avec une distorsion croisée proche de zéro et le convertisseur N/ A à impulsion, alimenté vers l’avant et équipé d’un filtre numérique nouvellement conçu, réduit le bruit de quantification dans la plage auditoire, ce qui permet d’accroître l’amplitude du son.

• Fonction SBM (Super Bit Mapping) (voir page 21).

• Système de protection contre les copies multiples (voir page 22)

• Trois fréquences d’échantillonnage (48 kHz, 44,1 kHz, 32 kHz)

• Enregistrement et lecture en mode longue durée

• Enregistrement analogique à 44,1 kHz

• Sous-codes Les codes ID de départ, les numéros de programme et autres sous-codes inscrits sur la bande permettent de localiser rapidement les plages.

• Volet du logement de cassette transparent Le volet transparent du logement de cassette permet de voir le transport de la bande pendant la lecture et l’enregistrement.

d’emploi

Les instructions de ce mode d’emploi concernent le modèle DTC-ZE700.

Conventions

Dans ce mode d’emploi, les commandes de la platine sont utilisées dans les instructions. Les symboles suivants sont utilisés.

Donne des informations et des

conseils pour faciliter les opérations.

Indique que vous devez utiliser la

télécommande pour effectuer cette opération.

Table des matièr es

Préparatifs

Déballage 4 Raccordements 4

Enregistrement sur une cassette DAT 6 Lecture d'une cassette DAT 8

Enregistrement

Ce que vous devez savoir avant de commencer à enregistrer 9 Réglage du niveau d'enregistrement pour l'enregistrement analogique 10 Localisation de la fin de l’enregistrement précédent (recherche de fin) 10 Réglage du mode d'enregistrement 11 Utilisation de la fonction SBM (Super Bit Mapping) 11 Création d'un passage en sourdine pendant l'enregistrement (silencieux d'enregistrement) 12 Enregistrement avec une minuterie (enregistrement programmé) 12

Lecture

Utilisation de l'affichage 13 Localisation d'une plage (AMS*/accès direct) 14 Répétition de plages (lecture répétée) 14 Lecture avec une minuterie (lecture programmée) 15

Inscription de sous-codes

Utilisation des sous-codes 15 Inscription de codes ID de départ pendant l'enregistrement 15 Inscription de codes ID de départ pendant la lecture 16 Changement de la position d'un code ID de départ préenregistré 17 Effacement de codes ID de départ 17 Renumérotation automatique des numéros de programme 18

Informations supplémentaires

Précautions 18 Nettoyage 19 Messages sur l'affichage 19 Guide de dépannage 20 Spécifications 21 Fonction SBM (Super Bit Mapping) 21 Guide pour le système de protection contre les copies multiples 22

Index 24

Préparatifs

ANALOG OUT

ANALOG IN

DIGITAL

COAXIAL OUT

DIGITAL

OPTICAL OUT

DIGITAL

OPTICAL IN

COAXIAL

IN IN OUT

OPTICAL

ANALOG IN/OUT

DIGITAL IN/OUT

LRL

OUT

Préparatifs

Déballage

Vérifiez que les accessoires suivants se trouvent dans l’emballage:

• Cordons de raccordement audio à fiche banane (2)

• Télécommande RM-D757 (1)

• Piles de format AA (R6) (2)

• Mode d’emploi (1)

• Carte de garantie (Canadian model only) (1)

Mise en place des piles dans la télécommande

Installez deux piles de format AA (R6) en faisant correspondre les pôles + et – des piles avec le schéma à l’intérieur du logement.

Raccordements

Ce paragraphe explique comment raccorder la platine à un amplificateur, un lecteur CD, un lecteur MD ou autre appareil audio. N’oubliez pas de mettre tous les appareils hors tension avant d’effectuer les raccordements.

à une prise murale

Amplificateur, etc.

Lecteur CD, platine DAT ou platine MD, etc.

z Quand remplacer les piles

Le piles durent environ six mois dans des conditions d’utilisation normales. Quand la télécommande ne peut plus contrôler la platine, remplacez les deux piles par des neuves.

Remarques

• Ne laissez pas la télécommande dans un endroit extrêmement chaud ou humide.

• Faites attention que rien ne pénètre dans la télécommande particulièrement lors du remplacement des piles.

• Ne pas exposer le détecteur infrarouge directement au soleil ou à un éclairage puissant car un mauvais fonctionnement pourrait s’ensuivre.

• Si vous ne comptez pas utiliser la télécommande pendant un certain temps, enlevez les piles pour éviter tout dommage dû à une fuite d’électrolyte et à la corrosion.

Lecteur CD, platine DAT ou platine MD, etc.

ç: Sens du signal

De quels cordons avez-vous besoin?

• Cordons de raccordement audio (fournis) (2)

Blanc

(gauche)

Rouge (droit)

• Câbles optiques (POC-15, etc.) (non fournis) (2)

• Câble de raccordement numérique coaxial (VMC-10G, etc.) (non fourni) (1)

Blanc

(gauche)

Rouge (droit)

Préparatifs

Raccordements

p Raccordement de la platine à un amplificateur

Utilisez les cordons de raccordement audio fournis pour raccorder la platine à un amplificateur. Faites correspondre les cordons aux prises qui ont la même couleur: rouge (droit) à rouge et blanc (gauche) à blanc. Vérifiez que les fiches et les broches sont bien insérées dans les prises pour éviter tout bourdonnement ou bruit.

Platine DAT Amplificateur

ANALOG IN/OUT

OUTIN

LINE IN/OUT

OUT IN

z Pour enregistrer avec un microphone

Raccordez le connecteur de sortie analogique du microphone stéréo aux prises ANALOG IN de la platine.

p Raccordement de la platine à un appareil

audionumérique

Vous pouvez enregistrer le signal d’un appareil audionumérique, tel un amplificateur numérique, une platine DAT, un lecteur CD, un lecteur MD ou un tuner satellite, en raccordant les connecteurs de sortie numérique de l’appareil aux connecteurs d’entrée numérique (DIGITAL OPTICAL IN ou DIGITAL COAXIAL IN) de la platine. Cependant, vous ne pouvez pas enregistrer le signal audionumérique de la platine en raccordant le connecteur de sortie numérique (DIGITAL OPTICAL OUT) de la platine au connecteur d’entrée numérique d’un appareil, tel un amplificateur numérique, une platine DAT ou un lecteur MD. Utilisez des câbles optiques (POC-15A ou équivalent) (non fournis) ou un cordon de raccordement coaxial numérique (VMC-10G ou équivalent) (non fourni).

• Utilisation de câbles optiques

Platine DAT

DIGITAL IN/OUT

OPTICAL

COAXIAL

OUTIN

Appareil audionumérique

OPTICAL

IN OUT

Remarque

Si “PROHIBIT” apparaît sur l’affichage, l’enregistrement est impossible via les prises numériques. Dans ce cas, réglez le sélecteur INPUT sur ANALOG et enregistrez la source de programme via les prises ANALOG IN.

Branchement du cordon d’alimentation secteur

Branchez le cordon d’alimentation secteur sur une prise murale.

Que faire ensuite ?

La platine est prête à fonctionner. Pour les fonctions de base, voir les pages 6 à 8 et pour fonctions élaborées, les paragraphes à partir de la page 9.

Opérations de base

• Utilisation d‘un câble de raccordement numérique coaxial

Platine DAT

DIGITAL IN/OUT

OPTICAL

COAXIAL

OUTIN

Appareil audionumérique

COAXIAL

OUT

+ 67 hidden pages

Sony DTC-ZE700 User Manual

TABLE OF CONTENTS

Getting Started

Unpacking

Hooking Up the System

Recording on a DAT

Playing a DAT

Recording Operations

Things You Should Know Before Recording

Adjusting the Recording Level for Analog Recording

Locating the End of the Recorded Portion (End Search)

Setting the Recording Mode

Using the SBM (Super Bit Mapping) Function

Inserting a Sound-Muted Section While Recording (Record Muting)

Recording Using a Timer (Timer Recording)

Playback Operations

About the Display

Playing T racks Repeatedly (Repeat Play) Z

Writing Sub Codes

Playback Using a Timer (Timer Playing)

About Sub Codes

Writing Start IDs During Recording

Writing Start IDs During Playback

Adjusting the Position of an Existing Start ID

Erasing Start IDs

Additional Information

Renumbering the Program Numbers Automatically (Renumbering)

Precautions

Cleaning

Display Messages

Troubleshooting

Specifications

Index

Table des matièr es

Préparatifs

Déballage

Raccordements