The cabinet's sides taper in to the rear and meet a one-piece, milled-MDF
fitting that further strengthens the entire cabinet. The custom-made, all-metal
speaker wire connectors accept bare-wire ends, spades or banana plugs.
Which reminds me, the Liuto is an 8-ohm speaker, which means it's easier to
drive than previous 4-ohm Sonus faber designs.
The Liuto line also includes a center speaker, the Smart ($1,698 each). OK,
technically, it's an LCR speaker that can be wall- or stand-mounted in either
vertical or horizontal orientations. Get (five) Smarts and a sub and you'll have a
rather shrewd and shapely home theater system.
The Liuto Monitor ($2,998/pair) is a small bookshelf speaker. Sonus faber
offers stylish floor stands for the Monitors. It came as something of a surprise,
but Sonus faber doesn't offer a matching Liuto subwoofer. No worries, Sonus
faber's U.S. importer Sumiko Audio recomm ends using a REL R-205 sub
($1,195) with Liuto’s destined for home theater duty.
You can order a set of Liuto’s in any color you want, as long as the color is
black.
The Liuto is very much an audiophile speaker, but it really came to life with rock
and roll. Don't get the wrong idea, it's no slouch with classical and jazz, but this
Italian speaker was a seriously gutsy performer. Spin a James Brown CD and
you won't be able to sit still.
I was knocked out by the way the Liutos brought a less-than-stellar-sounding
CD, namely Creedence Clearwater Revival's Live in Europe to life. Remastered
in 1987, it's a rather lifeless and dull-sounding affair, but the band totally rocks
out. Fogerty screams his guts out and the band's performances are a little
sloppy, but the feel is awesome. Cranked up to a healthy volume, Live in
Europe is rock and roll heaven over the Liuto. Don't let the sophisticated design
fool you, this speaker kicks butt!
But can the Liuto boogie? To find out I popped on "Clas sical Thump" from the
S.M.V. Thunder CD. S.M.V. is a bassist super group with Stanley Clarke, Marcus
Miller and Victor Wooten. This track features the most amazing syncopated
plucking and thwacking by two of the players. The Liuto's feel-it-in-your-gut
thump and transient speed were to die for.
Combining clarity and impact is a rare talent, so the Liuto really shines with
jazz. With the Dave Brubeck Quartet at Carnegie Hall CD the band's intricate
and pulsating poly-rhythms had me going from the start. This live recording
from 1963 captures the band at its peak, and if you ask me, they were more
entertaining live than they were in the studio. The Liuto brings out the live vs.
studio differences more than most speakers in its price class.
To finish up I couldn't resist the obvious: a wonderful new CD, Eduardo Egüez:
Baroque Lute from MA Recordings. The precision of Egüez' lute fingerings and
his every breath were vividly presented. This is a solo instrument recording, but