Solid State Logic SiX Quick Start Guide
SiX
SUPERANALOGUE MIC PRE-AMP
Console-grade mic pre-amps with
+48V phantom power and high-
pass filter.
CHANNEL COMPRESSOR
Inspired by the channel dynamics
section found on SSL’s analogue
consoles, with signal dependant
attack, release, and ratio
parameters, auto make-up gain,
and adjustable threshold.
Two-band EQ with the HF and LF
bands found on SSL’s analogue
consoles. Each band is switchable
between shelf and bell EQ curves.
CHANNEL EQ
SUPERANALOGUE LINE INPUT
Console-grade line level inputs
switchable to high impedance
(Hi-Z) for instrument sources.
STEREO CHANNELS
Two line-level stereo channels with
cue sends, input trim, and 100mm
channel fader. Left input only
becomes mono to left and right
Talkback mic input with fixed 45dB input
gain, switchable +48V and LMC (listen
mic compressor) circuit, and adjustable
TALKBACK INPUT
output level control.
EXTERNAL INPUTS
Two stereo external inputs that
can be summed to the main mix
bus, and routed to the foldback
G-SERIES BUS COMP
The legendary SSL bus
compressor, inspired by the
original designs found on the
SL4000G console released in
outputs.
1989.
STEREO CUE SENDS
Two stereo cue sends with
independent level and pan
controls. Useful for creating
monitor mixes, FX sends, and
parallel processing in the studio.
100mm channel fader for
adjusting channel level; the same
fader found on SSL’s large format
Balanced insert point with
independent send and return
connectors for external
CHANNEL FADER
analogue consoles.
CHANNEL INSERT POINT
processing.
FOLDBACK MASTERS
Master section for both foldback
outputs, sourcing from either the
cue sends or external inputs, as
well as talkback.
100mm channel fader for adjusting
mix bus level, with external input
and cue summing, and balanced
Monitor control for two speaker
sets and a dedicated headphone
output, including features found
on SSL’s analogue consoles such
as adjustable DIM, MONO, CUT,
MASTER FADER
stereo insert point.
MONITOR CONTROL
and summing source selection.
POWER
Five pin locking power
input connector.
Eight balanced outputs for mix bus and
channel insert points, as well as duplicate
1 Main mix insert send L 5 Main mix output L
2 Main mix insert send R 6 Main mix output R
3 Channel 1 insert send 7 Mon output L
4 Channel 2 insert send 8 Mon output R
Balanced TRS outputs for foldback outputs 1 and 2.
These can be used for headphone and monitor mixes,
or as cue send outputs to external outboard processors.
OUT/SEND DB25
main mix and monitor outputs.
FOLDBACK OUTPUTS
Six balanced inputs for mix bus and
channel insert points, as well as channel
1 Main mix insert return L 5 Channel 1 alt input
2 Main mix insert return R 6 Channel 2 alt input
3 Channel 1 insert return 7 Not used
4 Channel 2 insert return 8 Not used
IN/RETURN DB25
alternate inputs.
Balanced TRS outputs for main and alternate
monitor sets, with rail-ramp technology to
minimise thumps on power up/ power down.
MONITOR OUTPUTS
MIX BUS OUTPUTS
Balanced outputs for main mix
bus and mix bus B.
Loading...