SIM2 HT300 LINK User Manual

User and Installation Manual

The home theater projector

HT300 LINK

cod.46.0327.100

BACK LIGHT

Turn on the back light

SOURCE

Displays the Source

Selection menu.

Not active

in this model.

MENU -

Activates the On Screen

Display menus.

Navigates menu pages.

FREEZE

Freezes a moving

picture.

F1

function key

programmable via OSD

F2

function key

programmable via OSD

AUTO

Selects Auto Adjust

(automatic optimisation

of the displayed image).

ZOOM

F1

F2

FOCUS

LIGHT

STAND-BY

Switches off to stand-by.

0-9 Keys

Switch on from stand-by
and allow direct source
selection.

ESCAPE

Deactivates the On Screen Display.

Up/Down/Left/Right Arrow keys

Navigate through and make adjustments
to the On Screen menus.
Arrow Up/Down activate Quick
menus.

MENU +

Activates the On Screen Display menus.
Navigates menu pages.

Not active
in this model.

INFO

Displays the selected source information
and the projector status.

VCR

Improves the video recorder
signals quality.

ASPECT

Selects image Aspect ratio.

1 INTRODUCTION

Congratulations on your choice of the SIM2 Grand Cinema
HT300 LINK system!

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1

The HT300 LINK system combines the signal processing
capabilities of the DigiOptic™ Image Processor with the high
fidelity reproduction of the DLP™ technology Projector by linking
the two units via a fibre optic cable.

The DigiOptic™ Image Processor, which should be ideally
located close to the signal sources, supports and processes a
wide range of video signals, transmitting them to the Projector
by means of a fibre optic link cable.

The large number of inputs available (2 Composite Video inputs,
2 S-Video inputs, up to 4 Component or RGB inputs, 2 graphic
RGB inputs, 1 DVI-D input, 1 Digital Input) ensures the system
supports a wide variety of analogue and digital sources: DVD
players, VCRs, satellite and terrestrial receivers, computers,
game consoles, video cameras, etc.

The signal processing capabilities of the Image Processor
ensure optimum reproduction of a broad range of input signals,
from interlaced video to high definition and graphics.

Conversion of interlaced video signals to progressive signals
by means of prestigious DCDi™ technology produces fluid,
natural, images free of flicker and stairstepping artefacts.

Faithful reproduction of signals at higher resolutions (such as
high definition video and graphics) occurs without loss of
information or reduction of image sharpness thanks to the
processor’s high pixel rate signal acquisition capabilities.

Adaptation of the input signal resolution to the Projector
resolution occurs without alterations of image quality, in
accordance with an ample choice of aspect ratios, including
several definable by the user.

All image adjustments can be performed with the remote control
with the aid of the On Screen Display; alternatively, the unit can
be controlled by from a home automation system through the
serial port.
The Projector produces an image using the very latest Texas
Instruments DLP™ technology (1280x720 pixel DMD™HD2+
panel with 12° technology), a proprietary dust-sealed optical
system, a new six-segment colour wheel.

The two units are connected via a three-core fibre optic cable
for transmission of the digital signal from the DigiOptic™ Image
Processor to the Projector and control signals in both directions.

Transmission occurs without interference or attenuation over
distances of up to 500 m.
Moreover, the flexibility and small size of the cable allow the
maximum freedom when installing the system in your home.

SIM2 carries out comprehensive functional testing
in order to guarantee the maximum product quality.
For this reason, when you start using the product
lamp operating hours may already be at between
30 and 60.

In addition to the regular tests, the Quality Control
department performs additional statistical tests at
the time of shipment.
In this case the packing may show signs of having
been opened, and the accumulated lamp operating
hours may be slightly higher than the hours associ­ated with the standard tests.

DLP and DMD are registered trademarks of Texas
Instruments.
DCDi is a registered trademark of Faroudja, a division of
Genesis Microchip, Inc.
DigiOptic is a registered trademark of SIM 2

2

2 IMPORTANT SAFETY INSTRUCTIONS

ATTENTION:
To reduce the risk of electric shock, disconnect
the power supply cable on the rear panel before
removing the top cover of the projector.
Refer to trained, authorised personnel for
technical assistance.

This symbol indicates the possible electric shock
hazard associated with uninsulated live components
in the interior of the unit.

This symbol indicates the presence of important
instructions regarding use and maintenance of the
product.

The HT300 LINK system consists of two parts connected by a fibre optic cable: the DigiOptic™ Image Processor and the Projector.
In this manual references to the “unit” refer to one of the two units that make up the system.

Prior to switching on the projector please read each chapter of
this manual carefully as this manual provides basic instructions
for using the projector.
The installation of the lamp assembly, preliminary adjustments
and procedures that necessitate the removal of the top cover,
must be carried out by authorised, trained technicians. There
are no user serviceable parts inside. To ensure safe and long
term reliability please use power cables supplied with the
projector. Observe all warnings and cautions.

• Federal Communication Commission (FCC Statement)

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC rules. These limits
are designed to provide reasonable protection against harmful interference when the equipment is used in a commercial environment. This
equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may
cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If
this equipment does cause harmful interference to radio or television reception, which can be determinated by turning the equipment off and on,
the user is encuraged to try to correct the interference by one or more of the following measures:

- Reorient or relocate the receiving antenna

- Increase the separation between the equipment and receiver.

- Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

- Consult the dealer or an experienced radio/TV technician for help.

• For customers in Canada

This Class B digital apparatus complies with Canadian ICES-003.

CLASS 1 LASER PRODUCT

This product complies with fda radiation performance standards, 21 cfr chapter
1 subchapter j.
This product complies with european standard en 60825.
This product is classified as a class 1 laser product and there is no hazardous
radiation with the safety protection.
Danger! Invisible laser radiation when open. avoid direct exposure to beam.
Do not open the covers of the product and never touch the internal parts in order
to avoid exposure to visible or invisible laser radiation.

• For customers in the United Kingdom
ATTENTION: This apparatus must be earthed

The wires in this mains lead are coloured in accordance with the following code:

Green-and-Yellow: Earth
Blue: Neutral

Brown: Live
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug
proceed as follows:
The wire which is coloured green-and-yellow must be connected to the terminal in the plug which is marked by the letter E or by the safety earth

symbol or coloured green or green-and-yellow.
The wire which is coloured blue must be connected to the terminal which is marked with the letter N or coloured black.
The wire which is coloured brown must be connected to the terminal which is marked with the letter L or coloured red.

3

PROJECTOR

12

11

13

1

4

6

3

2

1 Projection lens
2 Lens shift knob
3 Cooling air inlet vents
4 Remote control IR sensor
5 Cooling air outlet vents
6 Adjustable carry-handle
7 Adjustable levelling feet
8 Ceiling/wall bracket fixing holes

DIGIOPTIC™ IMAGE PROCESSOR

5 8

9

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9 Fiber Optic cable connections
10 Main power switch
11 Remote control rear IR sensor
12 Green LED
13 Red LED
14 Rear keyboard pad
15 Fused power socket

DIGIOPTIC

“

IMAGE PROCESSOR

ON

OFF

1

1 ON/OFF switch
2 Power connection
3 Outputs for motorized screens
4 Inputs
5 Fiber Optic cable connections

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• Read this manual carefully and keep it in a safe
place for future consultation.

This manual contains important information on how to install
and use this equipment correctly. Before using the
equipment, read the safety prescriptions and instructions
carefully. Keep the manual for future consultation.

• Do not touch internal parts of the units.

The units contain electrical parts carrying high voltages and
operating at high temperatures. Do not remove the cover
from the units, refer to qualified service personnel for all repair
and maintenance requirements.
The warranty will be automatically invalidated if the cover is
removed from the units.

• Power supply disconnect device.

The device for disconnecting the units from the mains power
supply is constituted by the power cable plug. Ensure that
the power cable plugs and the electrical mains socket outlets
are easily accessible during installation operations. To
disconnect the units from the electric power supply, pull the
plug to remove it from the socket outlet. Do not pull the power
cable.

• Use only the specified type of mains power
supply.

Connect the units to a mains electrical supply with rated
voltage of between 120-240 VAC, 50/60 Hz and equipped
with a protective earth connection. If you are unsure of the
type of mains power supply in your home, consult a qualified
electrician.
Ensure that the power draw of the units is commensurate
with the rating of the electrical socket outlets and any
extension cables that are used.
For the DigiOptic™ Image Processor use exclusively the
power supply unit provided or an alternative power supply
unit expressly approved by SIM2.

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• Replace the safety fuse

4

250 V

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• Beware of power supply cables.

Position the power supply cables so that they do not
constitute an obstruction.
Position the power supply cables where they cannot be
reached by children.
Install the units as close as possible to the wall electrical
socket outlet. Do not tread on the power cables, make sure
that they are not tangled or pulled; do not expose the power
cables to heat sources; make sure that the power cables do
not become knotted or kinked. If the power cables become
damaged, stop using the system and request the assistance
of an authorised technician.

Fig.2

Fig.3

Fig.1

5

• Disconnect the apparatus from the mains power
supply in the event of electrical storms and when
not in use.

To avoid damage that could be caused by lightning striking
in the vicinity of your home, disconnect the units in the event
of electrical storms or when the system will remain unused
for prolonged periods.

• Avoid contact with liquids and exposure to
humidity.

Do not use the units near water (sinks, tanks, etc.); do not
place objects containing liquids on top of or near the units
and do not expose them to rain, humidity, dripping water or
spray; do not use water or liquid detergents to clean the
units.

• Prevent the units from overheating.

Do not obstruct ventilation openings. Do not place the units
near heat sources such as heaters, radiators or other devices
that generate heat (including amplifiers). Do not position the
units in confined, poorly ventilated places (bookcase, shelves,
etc.).

3 UNPACKING

• Do not expose the eyes to the intense light
emitted by the lamp.

Never look directly at the lamp through the ventilation
opening when the unit is switched on.
Risk of eyesight impairment. Ensure also that children do
not look directly at the lamp.

• Position the unit on a stable surface.

To avoid serious injury to persons and damage to property,
make sure the units are placed on a level, flat and stable
surface from which they cannot fall, tip over or slide. Pay
special attention if the units are placed on a trolley so that
they can be moved around. Ensure that the units are not
subjected to impact.

• Do not insert objects through the units’ openings.

Make sure that no objects are inserted inside the units. If
this should occur, disconnect the unit from the power supply
immediately and call an authorised technician.

To unpack the projector safely and easily
please follow steps 1 to 6, as per drawing

(Fig. 4).

It is recommended that the carton and
packaging is retained for future use and in
the unlikely event that your projector needs
to be returned for repair.

Fig.4

6

PACKAGE CONTENTS

Projector

Three-core
fibre optic cable

DigiOptic“
Image Processor

Power cables
Europe, UK, US (x2)

4 INSTALLATION

DIGIOPT

IC “ IMAG

E PR

OCESSO

Instruction
Manual

R

ON

OFF

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DigiOptic“ Image
Processor power supply unit

Remote Control

1.5 V AAA­type batteries

Fig.5

Support

The carton should contain the following:

- the projector

- the DigiOptic™ Image Processor

- the remote control

- four 1.5V AAA batteries (for remote control)

- DigiOptic™ Image Processor power supply unit

- three power cables for the projector (EU, UK, USA)

- three power cables for the DigiOptic™ Image Processor
(EU, UK, USA)

- triple fiber optic cable for linking DigiOptic™ Image
Processor and the projector

- two brackets for mounting the DigiOptic™ Image
Processor to the rack.

- the user and installation manual.

If any accessories are missing, contact your Dealer as
soon as possible.

POSITIONING THE TWO UNITS

The HT300 LINK system consists of two separate units (the
DigiOptic™ Image Processor and the Projector), each of which
is equipped with a power cable; the two units are interconnected
by a 20 m fibre optic cable.

The ideal location for the DigiOptic™ Image Processor is on a
cabinet shelf or on a rack (dimensions compatible with a stan­dard 19" rack). Make sure that the support surface is stable
and that the unit has sufficient space around it for ventilation
purposes (at least 3 cm).
The unit is connected to the mains via an external power supply
unit with an output of +7 Vdc; the unit’s main power switch is
on the power supply unit.

POWER

Connect the power supply unit output cable to the
located on the rear panel

(Fig. 2)

.

socket

Use exclusively the power supply unit provided with the system
or an alternative power supply unit expressly approved by SIM2.

To mount the DigiOptic Image Processor on an equipment rack
use the screws and RH / LH supports supplied with the
appliance. Unscrew the screws that secure the cover to the
DigiOptic unit base, position the RH and LH supports and fix
into place with the supplied screws. To secure the unit to the

(Fig.6)

rack use the supplied screws

D

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Fig.6

Position the projector on a stable, suitable platform or utilise
the optional bracket for a fixed ceiling or wall installation.

7

CAUTION: In the case of ceiling or wall mounting using a
suspension bracket, follow the instructions carefully and comply
with the safety standards you will find in the box together with
the bracket. If you use a bracket different to the one supplied
by SIM2 Multimedia, you must make sure that the projector is
at least 65 mm (2-9/16 inch) from the ceiling and that the bracket
is not obstructing the air vents on the lid and on the bottom of
the projector.

Position the projector the desired distance from the screen:
the size of the projected image is determined by the distance
from the lens of the projector to the screen and the zoom setting.
See “Appendix C”: Projection distances” for more information.

CONNECTING THE TWO UNITS

The system can be fully controlled using the supplied IR
(infrared) remote control handset. There is a single remote
control for both the DigiOptic™ Image Processor and the
Projector; the remote control can be directed towards either
unit since they are both equipped with an IR sensor.

The connection between the two units is made with a single
cable containing three fibre optic cables each terminating in
an LC connector. The standard cable length of 20m will be
sufficient for most installation requirements.
During installation of the fibre optic cable:

• The individual optical cables are delicate: always handle
the main cable without touching the individual optical cables

(Fig. 7)

.

Never pull the individual optical cables or connectors; if
necessary, you may pull the main three-core cable.

• Only remove the cap protecting the connector ferrule
immediately before inserting the connector; if the ferrule is
allowed to come into contact with foreign material it may be
damaged, making the connector unusable.

• Take particular care when inserting fibre optic connectors
in their respective sockets on the rear panel of the
DigiOptic™ Image Processor and the rear panel of the
Projector.

• Make sure that the single optical cables are not switched:
the numbers on the cables must match the numbers on the
connectors

(Fig.8-9)

.

• Check that the connectors are correctly inserted.

• Make sure that the cable does not constitute an obstacle for

persons moving around the room.

• Take care not to create knots in the cable; the minimum radius
of bends in the cable is 2 cm.

• Prevent the cable from pulling and mechanical stress: this
could cause the connectors to be pulled out and damaged.

12

3

3

Separation point

8

Protective cap

Cable

Connector

Fibre

Ferrule

Fig.7

Protective
cap

Protective
cap

1

2

3

-

3

DUCT

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3

Fig.8

Fig.9

To activate an electric motorised screen a 12 Volt output is
provided at the rear of the DigiOptic™ Image Processor. This
can be connected to a screen interface unit, which can be
supplied by screen manufacturers

(Fig. 10)

.

Fig. 10

The output is activated (Voltage: 12 Vdc) when the Projector is
switched on and is de-activated (no Voltage output) when the
projector is in stand-by mode.
Some manufacturers offer screen-masking systems to help fra­me the projected image and improve picture contrast. These
systems can be connected to output, at the rear of the
DigiOptic™ Image Processor

(Fig. 11)

.

PFor rear projection the screen must be translucent.
For front projection, we recommend the use of screens with
low gain specifications (i.e. 1.3 to 2). The use of high gain
screens should be avoided due to their limited viewing angle,
which is undesirable for a large audience.
Preferably, use a screen with black, non-reflecting borders,
which will perfectly frame the projected image.

Avoid light shining directly on the screen during projection as
this will reduce contrast and black level detail on the projected
image. For the true cinema experience best results are
achieved with little or no ambient light.

Furniture and other objects with reflecting surfaces, as well as
light coloured walls should be avoided, as they are likely to
interfere with the screen’s characteristics.

CONNECTING THE VIDEO SOURCES

Connect the cables from the video sources, the serial cable
from the external control unit and the optical fibre cables for
connection to the Projector, to the rear panel of the DigiOptic™
Image Processor.

To obtain the best performance from the HT300 LINK system,
connect the various signal sources using good quality cables

designed for video applications (rated impedance 75

).

Ensure that:

• the cables are routed in such a way that they do not present
an obstruction to people moving around the room;

• the connectors are inserted carefully to avoid damaging the
pins;

• the cables are not twisted or crushed;

• when disconnecting the cables the connectors are not

violently pulled out of the sockets on the various units.

Video sources (television receivers, VCRs, DVD players, etc.)
often feature several outputs. To obtain the best performance
from your system, carefully choose which output to use.
Generally, the type of signal offering the best picture quality is
DVI-D, followed by RGB, Components, S-Video and Composite
Video, in that order.
However, the HT300 LINK system is equipped with an excellent

Fig. 11

Video Decoder and Deinterlacer and therefore even inferior
quality signals will produce high quality results.

9

Table 1

shows the types of signals usually available for the
most common types of video sources and the corresponding
input connectors to use on the DigiOptic™ Image Processor).

Table 1

DigiOptical

Image Processor

Connector

Y (green) Y

Cr (red) P

Cb (blue)

Video signal

source connector

R

P

B

Y

R-Y

B-Y U

Y

V

VIDEO

These inputs should be connected to a Composite Video signal
(CVBS) by means of a cable with an RCA connector.
The connector on the source is usually yellow and is frequently
labelled VIDEO.
Although other types of signals are preferable (since they allow
better picture quality), this is still the most common type of
output, and nearly all television receivers, video-recorders, DVD
players, video cameras, etc., are equipped with CVBS outputs.

S-VIDEO

These inputs should be connected to an S-Video signal by
means of a cable with a 4-pin mini-DIN type connector.
The corresponding output on the source can be identified by
the wording S-VIDEO or Y/C.
Almost as widespread as Composite Video, S-VIDEO is
preferable because it offers a clearer and sharper picture.

Connect the R, G, B outputs of the source to the respective R,
G, B inputs of the DigiOptic™ Image Processor (paying attention
not to invert the positions) and any synchronisation signals to
the HV input or the H and V inputs. When connecting the three
sets of RCA connectors use the colours as a guide: connector
R is red, G is green, B is blue, H/HV is white and V is black.
By using a suitable SCART to RCA (or BNC) connector adapter
cable, an RGB video signal from a source equipped with an
SCART connector can be connected to this input.
Component signals are connected to inputs Y, Cr and Cb, taking
care to observe the correspondence with the outputs on the
source.
Since the latter can be labelled in various ways, refer to

Table 1

to establish the correspondence between the various signals.
The connector colours can also be of help, as shown in the
table.
Input 5 is dedicated for RGB and YCrCb signals up to 32 KHz
only. In fact, in order to guarantee a high image quality, even
with not so accurate sources, the input signal is elaborated by
specific circuit boards in the DigiOptic™ Image Processor.
The video signal suitable for inputs 6-7-8 can have a scan
frequency of 15KHz (standard video resolution) or 32KHz or
more (progressive scan video, high definition video).
Some sources provide the facility to choose between a
progressive signal or an interlaced signal. Although in general
a progressive signal is higher quality than an interlaced signal,
it is often preferable to perform the deinterlacing operation on
the HT300 LINK system rather than on the source because the
HT300 LINK system is equipped with Faroudja’s sophisticated
directional correlation deinterlacing technology (DCDi™).
Progressive signals usually provide better quality than interlaced
signals, but if the source features both progressive and
deinterlaced signal outputs it is good practice to compare the
quality of the pictures reproduced by the HT300 LINK system
in the two cases: deinterlacing performed by the HT300 LINK
system (thanks to Faroudja DCDi™ technology) is often more
effective than that performed at the source (typically a DVD
player).

COMPONENT / RGBS

These inputs are composed of three sets of 5 RCA connectors
(5,6,7) and a set of 5 BNC connectors (8).
Each set of connectors is suitable for RGB and Component
signals.
RGB signals can have the following synchronisations:
composite sync on the green signal (RGsB), H+V Composite
Sync, or separate H/V Sync.

10

RGB GRAPHICS

This input should be connected to an RGB-type video or graphic
signal using a cable with a DB15HD type connector.
The signal source device (typically a personal computer or
game console) must be able to provide separate H/V
synchronisation or composite H+V synchronisation or
composite synchronisation on the green signal (RGsB).

The video or graphic signals that can be connected to this
input can have horizontal scan frequencies (H-sync) of between
15 and 110 kHz and a vertical frequency (V-sync) of between
40 and 100 Hz. Image resolution can vary between 640x480
and 1600x1200 pixels (VGA, SVGA, XGA, SXGA, UXGA).

DVI-D

This input allows you to advantage from the quality of the digital
images .

If your source is equipped with a DVI-D output, YCrCb or RGB
connect it to this input to exploit the quality of the HT300 LINK
system.

CONTROL (RS232)

The system can be controlled via a personal computer or home
automation systems by means of the serial port: simply connect

this input via a serial cable from an RS232 serial port. On
request, SIM2 will send you a document containing the serial
port settings and the list of main commands.

DIGITAL INPUT

12

The Digital Input allows to extend the signal quality to audio
signal as well.

Through this input it is possible to connect to source capable
of delivering excellent digital images supported by multi­channel digital audio and by control data.

The internal data elaboration by the DigiOptic™ Image
Processor divides the video data from audio data.

The audio data is available through a TOSLINK connector for
fiber optic output.

11

3 4

1 2

VIDEO

USCIT A +12V

POWER

DC IN

PO W

Source

R

E

5 6 7 8

S-VIDEO

2

1

UT

O

12V

CONTROL (RS 232)

OPTICAL FIBER LINK

12

DIGITAL INPUT

11

DVI-D

AUDIO OUTPUT

9

10

GRAPHICS RGB

10

11

-D

I

/OUT

DV

O

I

PRODUC T

D

U

A

SER

A

SS 1 L

A

L

C

8

H/HV

/Cb

COMPONENT / RGBS

R/C r

V

6

H/HV

Cb

B/

/Y

G

r

C

R/

4

3

O

E

ID

V

S-

O

IDE

V

G/Y B/

/C r V

R

Cb H

V

O

/H

C

Motorized
screen

R

5

GB S

/ R

T

NEN

O

P

M

Cr V

/

B

V

G/Y

B/C b H

/Y

G

Television receiver from
Aerial, Satellite or
Cable (Analogue or Digital)
DVD player
Video camera
Video camera
Game console

Television receiver from
Aerial, Satellite or
Cable (Analogue or Digital)
DVD player
Video recorder
Video camera
Game console

7

V

H

/

9

B

G

R

S

IC

PH

A

GR

Television receiver from
Aerial, Satellite or
Cable (Analogue or Digital)
HDTV receiver
DVD player
Video camera
Game console

12

2)

3

2

NTROL (RS

3-

O

C

2

1

K

N

I

L

BER

I

PTICAL F

O

HDTV receiver
Game console
Computer

Computer

Television receiver from
Aerial, Satellite or
Cable (Analogue or Digital)
HDTV receiver
DVD player
Video camera
Game console

Computer
Home
automation
system

3

2

1

Projector

Fig.12

12

5 SWITCHING ON AND OFF

O

I

IM

AGE

P

ROCE

SS

OR

O

FF

ON

The HT300 LINK system consists of the Projector and the
DigiOptic™ Image Processor (which is also the system control
centre). The DigiOptic™ Image Processor sends commands
to the Projector and receives operating status information from
the Projector and function commands from the user. The system
can be controlled from either the remote control (via the infrared
sensors on the DigiOptic™ Image Processor and on the
Projector) or the keypad located on the rear of the Projector.
The two units have separate power supplies however: after
connecting the unit to the electrical mains supply:

1) Set the two power switches to “I”; the DigiOptic™ Image
Processor power switch is located on the external power supply
unit

(Fig. 13c)

(Fig. 13a)

, while the Projector switch is on the rear panel

.

2) Turn on the DigiOptic™ Image Processor by pressing the
button on the front panel

Fig.13c

Fig.13c

(Fig. 13b)

I

O

.

1

2

3

-

T
UC
D

O

R
P
R
E

S
A
L

1
S
S

A
L
C

D

IGI

O

P
T

I
C

™

Fig.13a

Fig.13a

IM

A
G

E P

R

O

C

E
S

S
O

R

O
N

OF

F

Significant status signals are given in

Table 3

.

Table 3

Status

Off

Initialisation

Stand-by

On

Cooling

Optical link not active

Caution

Error

: Off

: On

DigiOptic Image

Processor

Green LED Blue LED Green LED Blue LED

: Flashing

Projector

-

-

--

: Insignificant

-

If the “No optical link” or “Error” signals are active the system
cannot be operated; if the “Warning” signal is active the system
will operate but it may be unable to read certain input signals
correctly.

SWITCHING ON/OFF

Switching on the system

(Fig.14)

:

• from the remote control (keys 0-9)

• from the Projector keypad (keys  and ).

Fig.13b

After a few seconds (system initialisation interval), the
DigiOptic™ Image Processor and the Projector assume stand­by mode.
System status information is provided by two LEDs (green and

0

RC

LI

I 2005

G

H

T

blue) on the front panel of the DigiOptic™ Image Processor, a
blue and green LEDS on the rear of the Projector.

Fig.14

13

Typically, the picture will appear after 15-20 seconds. Pressing
a key from 1-9 on the remote control selects the corresponding
input; pressing 0 selects the input active at the time the system
was last switched off.
If the system is switched on very soon after it was last switched
off, the lamp may fail to come on because it is too hot. In this
case just wait a few minutes to allow the lamp to cool.

Switching the system off

• from the remote control (

• from the Projector keypad (

(Fig.15)

key)

:

key).
If you wish to power off the system completely, wait at least one
minute in stand-by before setting the mains power switches on
the units to the “O” position or disconnecting the power supply
cables. This is to allow the fans in the Projector unit sufficient
time to cool the lamp.

0

R

C

LI

I 2

GH

00

T

5

In case the Projector unit is shut down (for example due to a
shut down of the projector unit by putting the switch in the “O”
position or by accidentally unplugging the power cord cable)
to re-boost the HT300LINK system it is necessary to shut down
the DigiOptic™ Image Processor and repeat the power-on pro­cedure described in point 1 and 2.

In case the connection with the fiber optics between the two
unit is interrupted (for example by unplagging one or more
cable), to restore the system, it is necessary to turn off the two
units through the main switches and once the connecectin is
restored, repeat steps 1 and 2 of the power-on procedure.

14

Fig.15

6 KEYBOARD PAD

Eight push buttons, at the rear of the projector, will allow complete operation without the use of the remote control.

Menu

Activates the On Screen
Display menus. Navigates
Menu pages.

Switches off to stand-by.

Up/Down/Left/Right arrow keys

Navigate through and make adjustments to the On

Screen menus.

Arrow Up/Down switch on from stand-by and recall

Source Selection menu.

7 REMOTE CONTROL

The remote control transmits commands to the system by
infrared signals.
There are three infrared sensors, one at the front of the Projector,
one at the rear of the Projector and one on the front panel of the
DigiOptic™ Image Processor.
It is possible to control the projector by pointing the remote
control at the screen; the sensor at the front of the projector will
pick up the reflected infrared commands.

(Fig. 16)

.

Auto

Selects Auto Adjust
(automatic optimisation of
the displayed image).

-Focus-Esc

De-activates the On Screen Display and gives access to
the lens Zoom/Focus adjustment functions.

Avoid placing obstructions between the remote control and the
infrared sensor at the front of the projector; this will impair the
remote control performance.
Insert the batteries, taking care to match the polarity, as
indicated in the battery recess of the remote

(Fig. 17)

.
Change the batteries in the remote control if experiencing
difficulty in sending commands to the projector.
If the remote control is not to be used for a long period of time
remove the batteries. Replace all batteries at the same time;
do not replace one new battery with a used battery. If the
batteries have leaked, carefully wipe the case clean and replace
with new batteries.

-

+

+

-

-

VI
D

C
N
Y
S

­C

+

+

-

Fig. 16

Four 1.5V
AAA type
batteries

Fig. 17

15

8 ON SCREEN MENU

All system functions can be activated from the keypad or remote control with the aid of a practical and comprehensive system of
on screen menus.

INPUTS

The input selection menu (Inputs) is called by pressing 0 on
the remote control and, when no other menu is displayed, using
the  and  keys on the keypad. To select an input, scroll the
list with the  and  keys until the desired input is highlighted,
then press .
Display of the input selection menu is terminated
by pressing the ESC key, or when the time allowed for displaying
the on-screen menu has lapsed (set in the Set-up Menu).
Input 5 can accept RGB and YCrCb signals with a scan
frequency up to 32Khz.
Inputs 6, 7 and 8 can receive RGB and YCrCb signals, at 15
kHz, 32 kHz or higher. The association between the input and
the type of signal is made from the pull-down menu that appears
on the right of the < symbol after pressing the  key

Inputs

1 VIDEO 1
2 VIDEO 2
3 S-VIDEO 3
4 S-VIDEO 4

5 COMP/RGB 5
6 COMP/RGB 6

7 COMP/RGB 7
8 COMP/RGB 8
9 GRAPH RGB 9
10 GRAPH RGB 10
11 DVI-D 11
12 DIGITAL INPUT 12

1
2
3
4

5 YCrCb 32kHz
6 RGBS 15kHz

7 YCrCb
8 YCrCb 15kHz
9
10
11 YCrCb
12

(Fig. 18b)

Fig. 18a

Input 11 is capable of receiving YCrCb or RGB signals coming
from DVI-D sources.
The selection should be made from the drop menu following
the indications described above.

After selecting the source signal (by means of the  and 
keys), press MENU+/MENU - to confirm and close the pull­down menu; the value you have just set will be displayed on
the right of the < symbol.
As with the other inputs, you can now select the input just set
by pressing the  key.
During the short time it takes to find the signal, a box appears
showing the signal requested. As soon as the signal is shown
in the box additional information is displayed concerning the

.

video standard (for video signals) or resolution (for graphic
signals), and format.
Fom the

SETUP

menu it is possible to choose to visualize or not
this information, for more details check the “
INFORMATION

” in “

MENU

” section.

SOURCE

16

Inputs

1 VIDEO 1
2 VIDEO 2
3 S-VIDEO 3
4 S-VIDEO 4

5 COMP/RGB 5
6 COMP/RGB 6

7 COMP/RGB 7
8 COMP/RGB 8
9 GRAPH RGB 9
10 GRAPH RGB 10
11 DVI-D 11
12 DIGITAL INPUT 12

1
2
3
4

5 YCrCb 32kHz
6 RGBS 15kHz

RGBS 15kHz

7 YCrCb

RGBS

8 YCrCb 15kHz

YCrCb 15kHz

9

YCrCb

10
11 YCrCb
12

Fig. 18b

MAIN MENU

To access the main menu of the On Screen Display press the
MENU

key on the keypad or the

MENU+ or MENU-

key on the re­mote control.
The main menu is divided into four windows,
IMAGE, SETUP

and

MENU

, in which the various adjustments are

PICTURE,

grouped according to the frequency of use. Use  and 
to select the line corresponding to the adjustment you wish to
make

(Fig. 19)

.

Picture

Brightness

Contrast
Colour
Tint
Sharpness
Filter
Cinema Mode
Video Type
Noise Reduction

60

50
50
50

Auto

3
2

Off
Normal

Auto

VCR1 VCR2

Fig. 19

The various menus only offer the relevant adjustments in
accordance with the type of input signal displayed (e.g. certain
typical adjustments for video signals, not necessary for graphic
signals, do not appear on the menus, and vice versa).
Some adjustments (e.g.

BRIGHTNESS

and

CONTRAST

) are

associated with a numerical value that can be varied within the
set limits using the keys  / . For others (e.g.

VIDEO TYPE

) you

can choose among three options presented on the same
 / ).
Other adjustments (marked by the < symbol) provide submenus,
which appear as a superimposed window in which the selection
is made with the  / keys

Image

Aspect

Colour Temperature
Gamma Correction
Overscan
Position
Y/C Delay

(Fig. 20)

1

1

. .

Image

Aspect

Colour Temperature
Gamma Correction
Overscan
Position
Y/C Delay

1

Normal

Anamorphic
Letterbox
Panoramic
Pixel to pixel
User 1
User 2
User 3

Fig. 20b

These submenus are accessed by pressing the  key, while

MENU+/-

exit and return to the upper level occurs by pressing
Press

ESC

on the remote control or keypad to interrupt the

.

menu display or wait for it to disappear automatically after the
number of seconds set on the

SETUP

page.

PICTURE

This menu features the adjustments related to picture quality.
Adjustments that are not available for a given input do not
appear on the menu.
available for each input. For a complete overview of the on­screen menus, consult the ‘On screen menu layout’ in the
“Additional Information” section.

BRIGHTNESS

Use this control to adjust the image’s black level without
affecting white areas. Increasing the value will give more detail
in darker parts of the picture. For correct adjustment it may
prove useful to display the signal relative to the grey scale within
which the black level and the level immediately above it must
be separately identifiable. Alternatively use a scene composed
of black objects alongside other dark coloured objects.

CONTRAST

Use this control to adjust the image’s black level without
affecting white areas.
To ensure correct adjustment, it may prove useful to display
the signal relative to the grey scale, within which the white level
and the level immediately below it must be separately
identifiable. Alternatively use a scene composed of well-lit white
objects surrounded by light coloured objects with lower level
lighting.

Table 4

summarises the adjustments

Fig. 20a

COLOR

This control (also called Saturation) increases or decreases

17

the picture colour intensity. When set to zero, colour images
will be shown in black and white. Increasing the value, try to
find the point at which the colours look natural: suitable
references include skin tones and grass in landscape shots.

TINT

Controls the purity of the colours. Basically determines the
red-green ratio of the picture.
Reducing the value will boost the red contents of the picture,
increasing the value will boost the green tones. For this
adjustment use skin tones or a test pattern image with colour
bars as a reference.

SHARPNESS

Use this adjustment to increase and decrease the level of
picture detail.
When the sharpness value is reduced the image details
appear less pronounced, while increasing the value raises
image definition, making the outline of objects sharper.
Note that an excessively high value may result in a ‘noisy’ picture
and the edges of objects may be unnaturally defined.

SHARPNESS MODE

This allows you to select the type of processing associated
with sharpness adjustment. In the case of a progressive or
interlaced video signal
signals use

GRAPHIC MODE

VIDEO

mode is advisable; with PC graphic

.

FILTER

This allows you to select the mode in which the input signal
is processed. Selecting the most appropriate value for a given
input signal ensures the best horizontal and vertical definition
and makes the picture sharper.

CINEMA MODE

In

AUTO

the deinterlacer recognises if the video signal source
is a movie film (obtained from a Telecine device with 3:2 or 2:2
pull-down) and applies a deinterlace algorithm optimised for this
type of signal.
If the video signal source is not identified as a film, or if you
select NO the deinterlacer applies a Motion compensated
algorithm optimised for video camera signals.

NOISE REDUCTION

This adjustments allows to choose the filter value for noise
reduction purposes.
As soon as this option is selected on the menu, the image is
divided in two parts.
In the left side the image is not altered by the filter, in the right
part the filter is activated.
This allows you to compare the effect of the filter.
It is possible to deactivated the filter (

AUTO

automatic adjustments (

) or to manually select (
the value suitable for the image with the
In case of using the

VALUE

adjustement, it is enoght to select to

NOT ACTIVE

VALUE

), to use the

adjustment.

MANUAL

cursor below and set the value with the  /  keys of the remote
control.
Associated to the
specific function

NOISE REDUCTION

(FLESH TONE CORRECTION)

there is the possibility to use the

to make skin tone more
natural. Often the use of noise reduction filter slightly degrades
the image in those areas where skin tones are visible. With the
use of this function it is possible to maintain an excellent image
quality throughout the entire projected image.

Table 4

Inputs

Adjustments

Brightness

Contrast

Colour - -

Tint

Sharpness

Sharpness Mode

Filter

Cinema Mode

Video Type

Noise reduction

Flesh tone correction

Present only if the Video Standard is NTSC

Video

RGBS 15kHz

S-Video

--

YCrCb 15kHz

RGBS

-

-

-

-

-

-

YCrCb

-

-

-

-

-

DVI-D

RGB Grafico

-

-

-

-

-

-

-

-

-

-

-

-

-

)

DIGITAL INPUT

VIDEO TYPE

Activates a filter to improve stability of pictures from video
recorders. To toggle between

NORMAL, VCR1

mode and

VCR2

mode press on the remote control.

18

IMAGE

This menu features adjustments relating to picture position,
aspect ratio, etc.

ASPECT

This adjustment allows you to change the dimensions and
aspect ratio (relationship between width and height) of the
displayed image. There are five preset aspects available and
three personalised aspects (with user-settable parameters). You
can select a different aspect for each source: the selected
aspect ratio will be automatically called the next time the rela­tive source is called.
You can also select the required aspect ratio by repeatedly
pressing the key, or by pressing and a numerical key
(1...8).
The following aspects are available.

NORMAL

: projects the image occupying the full height of the
screen while maintaining the aspect ratio of the input signal.
When the input signal aspect ratio is 4:3 black vertical bands
are displayed on the right and left of the picture.

ANAMORPHIC

: allows a 16:9 picture to be displayed correctly.

SCREEN CONTROL
If an appropriate screen-masking interface is connected to the
12V output socket it is possible to re-frame the screen to a
variety of aspect ratios and screen sizes (please refer to the
screen manufacturer’s manual).

COLOR TEMPERATURE

Changes the colour balance of the image.
Colours can be adjusted towards the red end of the spectrum
(low colour temperature values - expressed in degrees Kelvin)
or the blue end (high values).
Colour temperature can be selected with three preset values:
HIGH

(corresponding to approx. 9000 degrees Kelvin),
(approx. 8000 degrees Kelvin),
Kelvin) and one
separate adjustments for
In the personale color adjustment for all three colors it is possible
to set an Offset value and Gain.
The Offset adjustments have an impact of the low IRE values,
while the Gain adjustments impact of the higher IRE values.
Generally, the
images,
These adjustments are reserved for expert users since there is
a risk of obtaining results that impair projected image quality.

MEDIUM

PERSONAL

HIGH

value is more suitable for displaying graphic

and

LOW

for video images.

LOW

(approx. 6500 degrees

setting controlled by the user with

RED, GREEN

and

BLUE

.

MEDIUM

LETTERBOX
signal having black bands above and below the picture) so
that it fills the 16:9 screen and maintains the correct aspect
ratio.

PANORAMIC
cropping the upper and lower parts.
Panoramic is ideal for displaying a 4:3 image on the 16:9 screen
of the Display.

PIXEL TO PIXEL
adapting it to the screen.
The image is projected in the centre of the screen and if its
horizontal and/or vertical dimensions are smaller than the
display, it is bounded by vertical and/or horizontal black bands.

USER 1, 2, 3:
User formulas are available, with the facility for continuous
horizontal and vertical adjustment of picture size.

: serves to display 4:3 letterbox image (with source

: this aspect stretches the 4:3 image, slightly

: this aspect displays the image as it is input without

When none of the preset formulas are suitable, the

GAMMA CORRECTION

Determines the system’s response to the grey scale,
emphasising or attenuating the different grades of brightness
(blacks, dark, medium, light grey, whites) in the projected
image.
The

GRAPHICS
while the
images.

OVERSCAN

Remove noise around image. Some sources can produce a
picture with noise along edges, thanks to the overscan function
it is possible to drop such imperfections outside the projected
area. The overscan value can be included between 0 (no
overscan) and 32 (maximum value). The image maintains in
any case the aspect.

POSITION

Use this adjustment to position the image vertically and
horizontally. Determines the aspect ratio of the projected image.
These parameters do not normally require adjustment because
the system checks the input signal and automatically sets the

setting is more suitable for computer images,

FILM

and

VIDEO

settings are more suitable for video

19

most suitable values.
However, if the image is not perfectly centralised it may prove
useful to request the system to repeat the input signal analysis
and image positioning, calling the automatic control procedu­re from the AUTO button on the remote control or keypad. When
this procedure is called it is helpful to have a white or light
coloured background on the screen in the current picture.

FREQUENCY/PHASE

These adjustments, available for progressive signals and for
signals from PC, ensure correspondence between the number
of pixels making up the signal and the number of pixels making
up the projected image.
These parameters do not normally require adjustment because
the system checks the input signal and automatically sets the
most suitable values.
However, if the image appears disturbed (loss of position within
the equidistant vertical bands or instability and lack of
sharpness on the narrow vertical lines) it may help to prompt
the system to repeat the input signal analysis and determination
of the best parameters by calling the automatic adjustment
procedure with the

AUTO

key on the remote control or on the
keypad.
If the automatic procedure fails to have the required effect, enter
the frequency and phase values manually and approach the
screen sufficiently to observe the effects of the adjustments.

Y / C DELAY

In the case of Video and S-Video signals, it may be necessary
to correct horizontal colour misalignment within the projected
image. For a given video standard (e.g. PAL or NTSC) the stored
value does not normally require further fine-tuning, unless the
source or connection cable has changed.

Table 5

Inputs

Adjustments

Position

Video

S-Video

RGBS 15kHz

YCrCb 15kHz

RGBS

YCrCb

RGB Grafico

DVI-D

DIGITAL INPUT

-

Aspect

Frequency

Phase

-

-

-

-

-

-

Colour Temperature

Gamma Correction

Overscan

-

-

Y/C Delay

-

-

SETUP

The setup menu contains less frequently used adjustments that
may be required during installation (e.g. On Screen Display
language selection or the display of Test Patterns).

ORIENTATION

Select the option that best describes the installation i.e. desktop
front, ceiling front, desktop rear and ceiling rear.

20

1

2

3

-

T

C
U
D
O

R

P
R
E
S
A

L

1
S
S
A
L
C

Fig. 21

HORIZONTAL/VERTICAL KEYSTONE

To obtain maximum quality of the projected image, we
recommend the installation of the projector on a level platform
parallel and central to the screen.

Adjust the feet underneath to obtain a level position, lining up
the base of the projected image to the base of the projection
screen

(Fig. 22)

.

1

2

3

-

T

C
U
D

O

PR
R
E

AS
L

1
S
S

LA
C

Fig. 22

If the projected images needs to be centred horizontally, the
manual lens shift adjustment allows the projected image to be
moved vertically, up or down, in relation to the centre of the
screen; the maximum adjustment being equal to half the height
of the image in either direction

(Fig. 23)

.

LENS

The Zoom adjustment impacts on the motorized zoom lens
allowing to increase or decrease the dimension of the projected
image. The Focus adjustment impacts on the motorized lens
focus, allowing to obtain the highest definition on the projected
image, an accurate focus setting should allow the viewer to
distinguish each pixel that create the image one from another.

M

O

O

Z

Z

O

O

M

FOCUS

FOCUS

FOCUS

M

O

O

Z

ZOOM

FOCUS

Z

O

O

M

1

2

3

-

T

C
U
D
O

R
P

R
E
S
A

L
1
S
S

A
L
C

Fig. 24

In the initial phase of installation the configurable keys (F1, F2)
serve as optical zoom and optical focus

(Fig.24).

POWER ON

If active (

AUTO

) allows to power up the system directly from the
power feeder, once the initializing phase is completed.
If not active

(STAND-BY

) once the initializing phase is completed
the system remains in a stand-by mode waiting to receive the
power on command from the remote control or the key pad.

1

2

3

-

T

C
U
D
O
R

P
R

E
S
A
L
1
S

S
A
L
C

In the event you are unable to centre the image within the screen
area, tilt the projector until the image is correctly positioned.
Any keystone error can be removed by the Keystone adjustment
in the Set up menu.
The keystone adjustement helps to compensate possible
horizontal tilts of the projector.

TEST PATTERNS

Displays a series of five test patterns, useful for the installation
of the projector.
Press  and  keys to browse pattern.

Fig. 23

FACTORY DEFAULTS

Reconfigures the projector to original factory settings except
Position, Orientation, Y/C Delay, Zoom and Focus.

21

MENU

No

Confirm?

Yes

This will make it easier to remember the source connected to a
specific input. You can use up to 12 alphanumeric letters to
name the source (for more details check the “Insert text” section)

Insert text

You will be able to insert text easily and rapidly by accessing
the text insertion menu

(fig. 26)

LANGUAGE

Lists the languages available for the On Screen Display menus.

SOURCE LIST

In order for the HT300 LINK system to be more flexible, the
following described functions allow to modify the input selection
menu making it more user friendly.
The main window shows all the inputs available on the
DigiOptic™ Image Processor.
If one or more inputs are not utilized, it is often helpful to blank
them from the input list (accessed with the 0 key).

Fig.25

Once the input has been chosen, in the drop menu that appears
by pressing the  key, it is possible to activate the source

25)

.

(Fig.

The exclusion or activation of the source will automatically
renumber the remaining active inputs.

Source list

1 VIDEO
2 VIDEO
3 S-VIDEO

4 S-VIDEO

5 COMPONENT / RGBS

6 COMPONENT / RGBS COMPONENT / RGBS

7 COMPONENT / RGBS
8 COMPONENT / RGBS
9 GRAPHICS RGB

10
11

12

1

2

3

4

GRAPHICS RGB

11

DVI-D
DIGITAL INPUT

VIDEO 1
VIDEO 2
S-VIDEO 3

ACTIVE

S-VIDEO 4

NAME

5

COMP RGB 5

6

COMP RGB 6COMP RGB 6

7

COMP RGB 7
COMP RGB 8

8

9

10

12

GRAPH RGB 9
GRAPH RGB 10
DVI-D 11
DIGITAL INPUT 12

Yes No

The inputs with an active video signal (visible in the input
selection menu) are marked with a check symbol.
It can be also helpful to identify the input with a name chosen
by the user (for example with the name of the connected source)
rather than with the signal type.
Once chosen to have the input visible, in the drop menu, by
selecting the Name option it is possible to rename the source
in use.

Edit source name

_ _ _ _ _ _ _ _ _ _ _

Cancel

Confirm

()?@

1

GHI

4

PQRS

-

7

+

ABC

2

JKL

5

TUV

8

0

DEF

3

MNO

6

WXYZ

9

Fig.26

The text insertion mode remains the same if text is being inserted
for the first time or if a previously inserted name is being edited.
The letter insertion can be done in any available position
(represented by horizontal lines).
Use the  and  keys to move between letters either left or
right respectively.
Press the numeric key matching the letter (fig. 26), the first
click of the key selects the first letter, the second click the
second letter and so on.
The available letters are shown in the text insertion menu.
Once one letter has been inserted, to insert the following one it
is necessary to move with the cursor in the next right position
with the  key of the remote control, repeat this procedure to
insert other letters.
Use the  key to switch from small case to capital letters and
vic versa.
Any mistake can be deleted with the  key once it has been
positioned on the wrong letter.
Once the text insertion process is finished, it can be confirmed
and saved by clicking the
If you want to delete the modifications use the

MENU+

key.

MENU-

key of the

remote control.

F1/F2 KEYS

This allows to assign different functions to the remote control
keys, named F1 and F2.
The window is made of 6 options, once for each line and by

22

two columns showing the F1-F2 keys. The choice between F1
and F2 is made by the  and  keys of the remote control; the
function given to F1 and F2 is chosen with the  and  keys.
The function delivered by the key is memorized by the
intersection on the line and column.
In the following window are described the 6 options

Color temperature

The following click of the key (F1 or F2) allows to choose between
the different color temperatures available. High, Mid, Low, User.

Gamma correction

The following click of the key (F1 or F2) allows to choose
between the different gamma curves available.

Menu

Language
Source list
F1/F2 keys
Source info
OSD Backgroung
OSD Position
OSD Timeout

English

Zoom
Focus
Magnification
Blank
Colour temperature
Gamma correction

F1 F2

Fig.2

Zoom

Allows to access the optic zoom, where the  and  keys
allow to increase or decrease the size of the projected image.

Focus
Once selected, the  and  keys allow to focus the image.

Magnification

Allows you to select the area to be viewed and then magnify
the projected image. The degree of enlargement is selected in
Zoom mode (identified by a magnifying glass in the centre of
the image) using the  and  keys. The area of the picture to
be enlarged is selected in Pan mode (symbol in the centre of
the picture) using the  and ,  arrow keys. You can
toggle between Zoom and Pan mode by pressing the F1/F2

key on the remote control.

Blank

Blanks the active video signal producing a completely black
screen. Once pressed the key an indication of a few seconds
on the OSD will confirm its activation. A click of any other key
of the remote control allows to restore the previous settings.

SOURCE INFORMATION

When active
related to the signal. If not active

(YES)

each source change will show the information

(NO)

there will be no information

on the selected source.

OSD BACKGROUND

Determines the type of background for the On Screen Display.

OSD TIMEOUT

Use this adjustment to set the display time after which the On
Screen Display will disappear.

7

OSD POSITION

Allows the On Screen Display to be positioned in a particular
area of the projected image. The OSD can be positioned using
the arrow keys for fine adjustments or keys 1...9 on the remote
control to select one of 9 preset positions.

INFO

Displays the current status of the projector and information
concerning the projected video/graphic signal.
This function is displayed on pressing

on the remote control
(or, in the absence of the On Screen Display, the  key on the
remote control).

QUICK MENUS

The quick menus provide access to the main adjustments that
affect image quality, without calling the main On Screen menus.
BRIGHTNESS, CONTRAST, COLOUR, TINT, SHARPNESS
adjustments appear at the bottom of the screen one after the
other when the  and keys are pressed .

and

FILTER

23

MESSAGES

The following messages may appear during operation of the
system:

No signal

The system does not recognise any signal applied to the
selected input. In this case:

• Make sure the selected input is connected to a video or
graphic signal and that that source is functioning correctly.

• Check the condition of the cables used to connect the
system to the various sources.

9 CLEANING AND MAINTENANCE

• Make sure the video or graphic signals supplied by the
source are compatible with the system’s technical
specifications and, in particular, with those of the selected
input.

Out of Range

This message appears when either the resolution or the vertical/
horizontal frequency of the input signal exceeds system
specifications (e.g. a QXGA graphic signal) or when an input
is supplied with an incompatible signal (after setting the
components input to YCrCb 15kHz a progressive signal is
connected).

The Projector and DigiOptic™ Image Processor do not require
internal cleaning. There are no user serviceable parts inside
the projector. Please refer all service requirements to qualified
personnel.

Cleaning the projector’s cover:

Use a soft slightly damp cloth. Do not use abrasive cleaners,
solvents or other harsh chemicals, as this will damage the finish
of the cover. Avoid direct cleaning of the rear panel’s screen­printing.

24

Cleaning the lens:

The lens may be cleaned with a very soft, non-abrasive small
brush, in order to remove dust particles. Alternatively, use a
soft dry cleaning cloth (of the type used for camera lens
cleaning) to remove fingerprints and grease marks.

10 TROUBLESHOOTING GUIDE

No power (Green and red LED are OFF)

- Check the power switch at the rear: it must be in position I.

- Check if the power cable has been connected correctly to a
working socket.

- Check the power socket fuse, at the rear of the projector.

- Replace the fuse on the mains socket with an identical type
(T 3.15A H)

- Should the problem persist, seek authorised technical
assistance.

The lamp is not coming on

- Allow a few minutes pause between switching off and turning
on again (from stand-by). This will allow the lamp to cool down
sufficiently.

- If the lamp doesn’t come on – even though the projector has
had sufficient time to cool down – seek technical assistance
from your nearest Dealer.

No image

- Check that the selected input is actually connected to a active
video or graphic signal.

- Check that the above source actually works.

- Verify compatibility of video/graphic signals with the technical
specifications of the projector.

- Check the integrity of cables used to connect various sources.

- Check the cooling air inlets or air outlets on the units are not

obstructed and the room temperature is below 35°C (95°F).

(Fig. 2)

.

- Should the problem be present with a signal coming from a
video-recorder, ensure that the videotape is an Original “first
generation” copy and in good condition.

- Adjust the VCR’s tracking control for optimum picture perfor­mance. Ensure the VCR mode is active in the Picture menu.

Incomplete image along borders (vertical and horizontal)

- Compare compatibility of video/graphic signals and techni­cal specifications of your projector.

A

- Press

- Adjust the horizontal and vertical position of projected image

- Adjust the width and height of image, selecting

- Adjust the Overscan value in the

Image too dark, too pale or unnaturally coloured

- Verify compatibility of video/graphic signals with technical

- Go to

- If necessary, reset the

Graphic image with poor quality vertical detail

on your remote control or

automatic

by selecting

IMAGE ADJUSTMENTS

specifications of your projector.

accordingly:

CORRECTION
SETTINGS

adjustments.

POSITION

PICTURE

menu, select and regulate any of the following,

CONTRAST, BRIGHTNESS, COLOR,

(found on the

menu).

on the

menu.

AUTO

on keypad to execute

IMAGE ADJUSTMENTS

IMAGE/OVERSCAN

and

COLOR TEMPERATURE

IMAGE ADJUSTMENTS / ADVANCED

TINT

menu.

ASPECT

menu.

.

and

in the

GAMMA

Image is disturbed, unstable or noisy

- Verify compatibility of video/graphic signals with the technical
specifications of the projector.

- Check the integrity of cables connecting projector to various
sources.

- If the signal source is a terrestrial broadcast (via a VCR) check
that the receiving channel has been correctly tuned in and
that the aerial system is in good working order.

- Verify compatibility of video/graphic signals with technical
specifications of your projector.

- Press A on your remote control or AUTO on keypad to
execute automatic adjustments.

- Adjust

FREQUENCY
IMAGE ADJUSTMENTS
projected image.

and

menu, to optimise vertical detail of the

PHASE

parameters, found in the

25

Video Image showing colour misalignment on vertical
details

- Verify compatibility of video/graphic signals with technical
specifications of your projector.

- Adjust Y/C DELAY settings in the IMAGE ADJUSTMENTS /
ADVANCED SETTINGS to reduce colour misalignment. For
best results use an external colour bar test pattern source.

11 OPTIONAL ACCESSORIES

Remote control does not work

- Check the batteries and for correct polarity.

- Ensure that the area between the infrared sensor (front of
projector) and the remote control is free of obstruction.

- Ensure that infrared sensors (front and rear of projector) are
not exposed to intense light levels.

You can purchase the following optional accessories at your
Dealer:

- Wall/Ceiling Bracket Kit.

Use only original, or SIM2 Multimedia approved,
accessories.

CAUTION: for ceiling/wall installation, by means of
suspension bracket, carefully follow the
instructions and safety instructions recommended
by the Manufacturer in the bracket’s literature.

26

12 ADDITIONAL INFORMATION

A TECHNICAL SPECIFICATION

PROJECTOR

OPTICAL

Projection system: optical engine based on 1 DMD™

HD2+ chip, sealed housing, dusty
proof

DMD™ panel: resolution 1280x720 pixel

Brightness uniformity: 10% above or below the average

Contrast ratio: > 2800:1 (full On / full Off)

Projection lens: zoom, 12 elements AR multilayer

coating, motorized focus and zoom,
manual elevation

Aperture f#: 2.7 (zoom max) - 3.3 (zoom min)

Picture size: 50-250 inches (diagonal measure)

Aspect ratio: 4/3 and 16/9

Throw ratio: 1.8:1 - 2.5:1

(throw distance: picture width)

Focus range: 2.2 - 13.0 m (7’ 3” - 42’ 8”)

Throw Distance: 60”: 2.4m - 3.3m (7’ 11” - 10’ 10”)

80”: 3.2m - 4.4m (10’ 6” - 14’ 5”)
100”: 4.0m - 5.5m (13’ 2” - 18’ 1”)

Keystone adjustement: up to 26° (optical: ± 8° digital: ±18°)

Lamp: 120 W UHP

Lamp life time: 8000 hours (average value measured

in the laboratory under optimal con­ditions; it can be sensibly reduced by
the unit misusing)

GENERAL

Supply: from 120 to 240 Vac, -10% +6%

tolerance

Frequency: from 48 to 62 Hz

Consumption: 180 W max

Fuse: T 3.15A H, 5 x 20 mm

Dimensions of projector: 352 mm x 174 mm x 318 mm

(LxHxD)
13”-7/8 x 6”-7/8 x 12”-1/2 (LxHxD)

Weight of projector: 5.0 kg (11 lbs)

Packaging and 510 mm x 440 mm x 450 mm

(LxHxD)

ENVIROMENTAL

Operation temperature: 0 to 35°C (32° to 95°F)

Transportation temp.: -10 to 55°C (14° to 131°F)

Storage temperature: -10 to 55°C (14° to 131°F)

Humidity: 10% to 90% relative humidity non-

condensing

Safety: EN 60950, UL 60950

Transportability: desktop equipment

Electromagnetic EN 55022 Class B
compatibility: EN 55024

EN 61000-3-2
EN 61000-3-3

Transportation: IEC 68-2-31, IEC 68-2-32

ELECTRICAL

Input/Output: 3-channel fibre optic link
Control: Panel (keypad), remote control

27

DIGIOPTIC™ IMAGE PROCESSOR

ELECTRICAL

Input signals:

• 2 COMPOSITE VIDEO (CVBS)
RCA type connectors, gold-plated

1.0 Vpp / 75 Ω, negative synchronisation

• 2 S-VIDEO (Y/C)
4-pin mini-DIN connectors

Y: 1.0 Vpp / 75 Ω, negative synchronisation
C: 0.286 Vpp / 75 Ω, [NTSC nominal burst level]

0.3 Vpp / 75 Ω [PAL, SECAM nominal burst level]

• 4 COMPONENTS (Y/Cr/Cb/H/V) - RGBHV
3 sets of 5 RCA connectors, gold-plated
1 set of 5 BNC type connectors, gold-plated

- Components signal

Y: 1.0 Vpp / 75 Ω, negative or 3-level synchronisation

[HDTV]

Cr,Cb: 0.7 Vpp / 75 Ω

- RGB signal

R,B: 0.7 Vpp / 75 Ω
G: 0.7 Vpp / 75 Ω, separate H/V Sync or H+V Sync

1.0 Vpp / 75 Ω, negative or 3-level synchronisation
[HDTV]

H,V: positive or negative TTL, 0.3-5 Vpp / 1 kΩ

• 2 RGBHV (analogue RGB)
female DB15HD connectors

R,B: 0.7 Vpp / 75 Ω
G: 0.7 Vpp / 75 Ω, separate H/V Sync or H+V Sync

1.0 Vpp / 75 Ω, negative or 3-level synchronisation
[HDTV]

H,V: positive or negative TTL, 0.3-5 Vpp / 1 kΩ

• 1 DVI (digital RGB)
DVI-D female connector

Input/Output: 3-channel fibre optic link
Control: Remote control, via RS232 from PC or

home automation devices
Horizontal frequency: from 15 to 110 kHz (up to UXGA, 85 Hz)
Vertical frequency: 48 -100 Hz
Video standards: automatically selected (PAL B, G, H, I, M,

N, 60, SECAM, NTSC 3.58 and 4.43)
High definition video: ATSC HDTV (480p, 720p, 1080i, 1080p)
Graphic standards: VGA, SVGA, XGA, SXGA, UXGA
Deinterlacer: Faroudja chipset, DCDi™, 3:2 pull down

sequence conversion

Colour temperature: from 5000 to 9300 °K (three presets and

one user settable)

Control: infrared remote control, RS232 serial (DB9

connector, female)

Outputs: 2 12-V jack connector outputs (1 active

with system powered on, 1 active with 16:9
aspect ratio selected)

GENERAL

Power supply cable: (EU, UK and US); length 2 m
Power supply: 100 to 240 VAC, tolerance ± 10%,

frequency from 48 to 62 Hz
Peak current: 30 A max
Consumption: 30W max
Dimensions: 483 x 55 x 200 mm (WxHxD); compatible

with 19" rack
Weight (approx.): 2.5 kg
Operating Temperature: 10 to 35 °C
Transportation temperature: -15 to 55 °C
Storage temperature: -15 to 55 °C
Humidity: 20% to 95% non-condensing
Safety: EN 60950, UL 60950
Transportability: desktop equipment
Electromagnetic
compatibility: EN 55022 Class B

EN 55024

EN 61000-3-2

EN 61000-3-3
Transport: IEC 68-2-31, IEC 68-2-32

LINK CABLE

Composition: three 50/125 µm multimode optical fibre

cables
Connectors: LC type
Length: 20.0±0.2m
Diameter: 5 mm max
Tensile strength: 1200N*
Type Approval: UL OFNP

*traction applied on outer cable, not on fibre cores or connectors.

28

B DIMENSIONS

PROJECTOR

7/8)

352 (13-

7/8)

174 (6-

102 (4)

DIGIOPTIC™ IMAGE PROCESSOR

57

(2,24")

DIGIOPTIC™ IMAGE PROCESSOR

ON

OFF

440 (17,32") 289 (11,38")

74 (2-15/16)

318 (12-1/2)

unit: mm (inches)

unit: mm (inches)

29

C PROJECTION DISTANCES

Follow the table below to determine the optimal projection distance (between the screen and the center of the lens). This will help
you to obtain the desired screen size.

DP

Screen Screen

size width

(diagonal) min. DP max CC max. DP max CC

in.

50"
60"
70"
80"
90"

100"

120’
150"
180"
200"
220"
250"

30

m in. m ft. in.

1,1 44”
1,3 52”
1,6 61”
1,8 70”
2,0 78”
2,2 87”
2,7 105”
3,3 131”
4,0 157”
4,4 174”
4,9 192”
5,5 218”

Min projection distance

2,0 6’ 6”
2,4 7’ 10”
2,8 9’ 1”
3,2 10’ 5”
3,6 11’ 9”
4,0 13’ 1”
4,8 15’ 8”
6,0 19’ 7”
7,2 23’ 6”
8,0 26’ 1”
8,8 28’ 9”
9,9 32’ 7”

m ft. in.

0,3 0’ 11”
0,3 1’ 1”
0,4 1’ 3”
0,4 1’ 6”
0,5 1’ 8”
0,6 1’ 10”
0,7 2’ 3”
0,8 2’ 9”
1,0 3’ 4”
1,1 3’ 8”
1,2 4’ 1”
1,4 4’ 7”

16/9

m ft. in.

2,7 9’ 0”
3,3 10’ 9”
3,8 12’ 7”
4,4 14’ 4”
4,9 16’ 2”
5,5 17’11”
6,6 21’ 7”
8,2 26’11”

9,9 32’ 4”
11,0 35’ 11”
12,0 39’ 6”
13,7 44’ 11”

Max projection distance

m ft. in.

0,4 1’ 3”
0,5 1’ 6”
0,5 1’ 9”
0,6 2’ 0”
0,7 2’ 3”
0,8 2’ 6”
0,9 3’ 1”
1,2 3’ 9”
1,4 4’ 7”
1,5 5’ 1”
1,7 5’ 6”
1,9 6’ 4”

Screen Screen

size width

(diagonal) min. DP max CC max. DP max CC

in.

m in. m ft. in.

Min projection distance

m ft. in.

4/3

m ft. in.

Max projection distance

m ft. in.

50"
60"
70"
80"

90"
100"
120’
150"
180"
200"
220"
250"

1,0 40”
1,2 48”
1,4 56”
1,6 64”
1,8 72”
2,0 80”
2,4 96”
3,1 120”
3,7 144”
4,1 160”
4,5 166”
5,1 200”

2,4 8’ 0”
2,9 9’ 7”
3,4 11’ 2”
3,9 12’ 6”
4,4 14’ 4”
4,9 16’ 0”
5,8 19’ 2”
7,3 23’ 11”
8,8 28’ 9”

9,7 31’ 11”
10,7 35’ 1”
12,2 39’ 11”

0,3 1’ 1”
0,4 1’ 4”
0,5 1’ 7”
0,5 1’ 10”
0,6 2’ 0”
0,7 2’ 3”
0,8 2’ 8”
1,0 3’ 4”
1,2 4’ 1”
1,4 4’ 6”
1,5 4’ 11”
1,7 5’ 8”

3,4 11’ 0”
4,0 13’ 2”
4,7 15’ 7”
5,4 17’ 7”
6,0 19’ 9”
6,7 22’ 0”

8,0 26’ 5”
10,1 33’ 0”
12,1 39’ 7”
13,4 44’ 0”

--

--

0,5 1’ 7”
0,6 1’ 10”
0,7 2’ 2”
0,8 2’ 6”
0,8 2’ 9”
0,9 3’ 1”
1,1 3’ 8”
1,4 4’ 8”
1,7 5’ 7”
1,9 6’ 2”

--

--

31

D ON SCREEN MENU LAYOUT

Picture

Brightness
Contrast
Color
Tint
Sharpness
Filter
Cinema Mode
Video Type

Noise reduction

Image

Aspect
Color Temperature
Gamma Correction
Overscan
Position
Y/C Delay

Video • S-Video

[NTSC]

YCrCb15kHz

RGBS 15kHz

Video • S-Video

Video • S-Video

[PAL, SECAM]

Brightness
Contrast
Color
Sharpness
Filter
Cinema Mode
Video Type
Noise reduction

Not active Auto Manual

Flesh tone correction On Off

YCrCb 15kHz

Aspect

RGBS 15kHz

Color Temperature
Gamma Correction
Overscan
Position

YCrCb

Brightness
Contrast
Color
Tint
Sharpness
Sharpness Mode

Value
Flesh tone correction On Off

YCrCb

RGB

Aspect

RGB Grafico

Color Temperature
Gamma Correction

Overscan

Position
Frequency
Phase

Brightness
Contrast
Sharpness
Sharpness Mode

Aspect
Color Temperature
Gamma Correction
Overscan

RGBS

RGB Grafico

DVI-D

Digital Input

DVI-D

Digital Input

32

Aspect

Normal
Anamorphic
Letterbox
Panoramic
Pixel to Pixel
User 1
User 2
User 3

Horizontal
Vertical
Screen control

Horizontal
Vertical
Screen control

Horizontal

Color Temperature

High
Medium
Low
User

Gamma Correction

Film
Video

Graphics
Red Offset
Green Offset
Blue Offset
Red Gain
Green Gain
Blue Gain

Setup

Orientation
Keystone
Lens
Power ON
Test patterns
Initial settings

Menu

Language
Source list
F1/F2 keys
Source info
OSD background
OSD Position
OSD Timeout

Auto
Stand-by

Yes No

Zoom
Focus

English
Italiano
Français
Deusch
Español
Português

Zoom
Focua
Magnification
Blank
Color temperature
Gamma correction

Horizontal
Horizontal

F1 F2

Floor
Floor-rear
Ceiling
Ceiling-rear

1 VIDEO
2 VIDEO
3 S-VIDEO

4 S-VIDEO

1

2

3

4

5 COMPONENT / RGBS

6 COMPONENT / RGBS COMPONENT / RGBS

7 COMPONENT / RGBS
8 COMPONENT / RGBS
9 GRAPHICS RGB

10

GRAPHICS RGB

11
12

11

DVI-D
DIGITAL INPUT

9

10

12

VIDEO 1
VIDEO 2
S-VIDEO 3

S-VIDEO 4

5

COMP RGB 5

6

COMP RGB 6COMP RGB 6

7

COMP RGB 7
COMP RGB 8

8

GRAPH RGB 9
GRAPH RGB 10
DVI-D 11
DIGITAL INPUT 12

Active Yes No

Name

Edit source name

_ _ _ _ _ _ _ _ _ _ _

Cancel

Confirm

()?@1 ABC2 DEF

GHI4 JKL5MNO

PQRS

7

-

+

TUV

3

6

WXYZ

8

9

0

33

INDEX

1 INTRODUCTION 1

2 IMPORTANT SAFETY INSTRUCTIONS 3

3 UNPACKING 6

Package contents 7

4 INSTALLATION 7

Positioning the two units 7

Connecting the two units 8

Connecting the video sources 9

5 SWITCHING ON/OFF 13

6 KEYPAD 15

7 REMOTE CONTROL 15

8 ON SCREEN MENU 16

9 MAINTENANCE 24

10 TROUBLESHOOTING GUIDE 25

11 OPTIONAL ACCESSORIES 26

11 ADDITIONAL INFORMATION 27

A Technical specification 27

B Dimensions 29

C Projection distances 30

D On screen menu layout 32

34

SIM2 Multimedia

S.p.a.

• Viale Lino Zanussi, 11 • 33170 Pordenone - ITALY

Phone +39.434.383.253-256 • Fax [phone]

www.sim2.com • e-mail: [e-mail]

SIM2 USA Inc. • 10108 USA Today Way • 33025 Miramar FL - USA

Phone [phone] • Fax [phone]

www.sim2usa.com • e-mail: [e-mail]

SIM2 Deutschland GmbH • Gewerbepark, 17 D-35606 Solms

Phone [phone] • Fax [phone]

www.sim.com • e-mail: [e-mail]

SIM2 UK LTD •

Steinway House Worth Farm,

Little Horsted Nr. Uckfield, East Sussex TN22 5TT

Phone

+44.01825.750850 • Fax [phone]

www.sim2.co.uk

• e-mail: [e-mail]

SIM2 Multimedia is certified

•

Due to the constant product development, specifications and design might be subject to change without notice.

35