Shure UT Series User Guide

Shure UT Series User Guide

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THE TWO MINUTE USER’S GUIDE

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The instructions on this page will help you get your UT Series system up and running in minutes. For more detailed instructions, read the section of this manual that applies to your system.

RECEIVER SETUP

1.Connect the supplied ac power adapter to the DC INPUT connector on the back of the receiver. Insert the adapter’s cable into the power cable retainer on the bottom of the unit. Plug the adapter into a wall socket or other electrical outlet. The green POWER light on the receiver will glow.

2.If you are using The Guitarist-UHF , connect the receiver output to a guitar amplifier using any standard guitar cable. If you are using The Vocal Artist-UHF , The Headset-UHF , or The Presenter-UHF , connect the receiver output to an audio mixer using an XLR to XLR audio cable.

3.Raise the antennas and point away from each other at a 45° angle from vertical.

TRANSMITTER SETUP

1.Open the transmitter battery compartment and install a 9 V battery. Observe proper battery polarity (“+/–”).

2.If you are using The Vocal Artist-UHF, no further transmitter setup is required.

3.If you are using a body-pack transmitter (The Presenter-UHF, The Headset-UHF or The Guitarist-UHF), plug the microphone cable or a WA302 instrument cable into the four-pin connector on the transmitter (if using The Headset-UHF, see tag on headset for assembly instructions). If using The Guitarist-UHF, plug the instrument cable into the guitar output and adjust the volume control of the guitar.

OPERATING THE SYSTEM

1.Slide the transmitter POWER/OFF switch to the POWER position. The transmitter’s green POWER light and the receiver’s yellow DIVERSITY A/B lights will glow.

2.Slide the MUTE/ON switch on the body-pack or hand-held transmitter to the ON position.

3.Talk or sing into the microphone, or play your guitar. The receiver’s red AUDIO PEAK light should flicker when loud sounds are transmitted. If the AUDIO PEAK light does not flicker or stays on constantly, the transmitter gain may need adjustment. (Refer to the Transmitter Audio Gain Adjustment section). NOTE: This step is particularly important for The Guitarist system, since guitar outputs can vary widely.

4.Adjust the receiver VOLUME control until the receiver output level matches the level of your guitar or microphone through a cable. (The factory setting is in the full clockwise position.) If using The Guitarist-UHF system, see Receiver Volume Adjustment for The Guitarist-UHF to match the receiver volume level to the level of a wired system.

YOU ARE NOW READY TO PERFORM!

IMPORTANT: Every wireless performance is a unique situation, and can present a variety of problems. Never attempt a performance without first conducting a “walkthrough” test on the wireless system in the performing area. If you encounter a problem, refer to the Troubleshooting table.

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THANK YOU FOR CHOOSING SHURE

Congratulations! You have purchased the finest wireless system in its class. Your Shure wireless system is engineered to provide a low-noise, high-quality sound comparable to other systems costing much more. Built in the tradition of reliability that has made Shure a symbol of American quality for more than half a century, this wireless system should provide you with excellent performance for years.

To get the most out of your UT Series wireless system, please read the applicable section in this guide before you attempt to use the system. If you have any questions that are not answered in this booklet, please contact Shure Customer Service at (847) 866-2553, Monday through Friday, from 8:00 am to 4:30 pm, Central Standard Time. For technical data by fax, dial (800)488-3297 and follow the recorded instructions. Visit our website at www.shure.com for further information on this and other Shure products.

INTRODUCTION

Your new UT Series system is designed to give you the best of both sound reinforcement worlds: the freedom of a wireless system, and the reliability of world-famous Shure sound quality. This manual covers each of the UT Series systems: The Vocal Artist-UHF, The Presenter-UHF, The Headset-UHF, and The Guitarist-UHF.

SYSTEM FEATURES

All Shure UT Series systems offer a variety of of exceptional features, including:

Diversity Receivers with Exclusive Shure MARCAD Circuitry: MARCAD (MAximum Ratio Combining Audio Diversity) circuitry continuously processes the rf signal from each antenna and combines the audio outputs to produce one signal of optimum quality. The result is improved reception and exceptional freedom from dropouts.

Low-Traffic UHF Transmission: UT systems use a UHF (Ultra High Frequency) range between approximately 596 to 862 MHz (available frequencies depend on regulations in the country where the system is used). In urban areas, UHF frequencies are less congested than those in the VHF range, and are less susceptible to interference.

Multiple System Use: Up to eight UT systems can be used in the same performance space. Each system must be set at a different frequency. If systems are set to the same frequency, contact an authorized Shure dealer. NOTE: In multiple use situations, each transmitter must have a dedicated receiver.

Simultaneous Output Use: Unbalanced 1/4” phone plug and balanced XLR output connectors may be used simultaneously to different external devices.

Stackable and Rack-Mountable Receivers: If multiple systems are in use, receivers may either be stacked or rack-mounted, with two receivers fitting in the optional rack mount tray. In these situations, antennas should not touch or be crossed. (See Stacking and Rack-mounting Receivers.)

Range: UT Series transmitters will work at a distance of up to 100 meters (about 300 ft.) from the receiver.

Noise Squelch: The noise squelch circuit analyzes signal quality instead of signal strength, which allows the circuit to discriminate between noise and desired signal. This reduces the likelihood of noise burst due to environmental rf (radio frequency) noise.

Semi-Rigid Receiver Antennas: Three-inch rubberized antennas offer performance equal to telescoping antennas with added durability.

Low Battery Warning Light: A red light on the body-pack and hand-held transmitters warns the user that there is less than one hour of battery life left.

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SYSTEM TYPES

The Vocal Artist-UHF is a hand-held system designed for singers who desire the high quality of Shure microphones and the freedom of wireless performance. Includes a Shure BETA58 or SM58 dynamic microphone with a built-in transmitter.

The Presenter-UHF is a body-pack system designed for public speakers who prefer an inconspicuous, hands-free lavalier microphone. Features an omnidirectional Shure WL93, supercardioid WL184, or cardioid WL185 micro-miniature lavalier microphone.

The Headset-UHF is a body-pack system designed for users in physically active applications, who desire the freedom of hands-free microphone operation along with the performance of Shure wireless equipment. Features a WH20TQG headset microphone.

The Guitarist-UHF is a body-pack system designed for use with electric guitars, basses, and other electric instruments. May be used with brass or woodwind instruments, with optional WM98 instrument microphone and mount. The Guitarist provides the freedom of going wireless and the reliability of high quality Shure sound.

SYSTEM COMPONENTS

Component

The Vocal Artist-UHF

The Presenter-UHF

The Headset-UHF

The Guitarist-UHF

Transmitter

UT2 Hand-Held Micro-

 

UT1 Body-Pack Transmitter

 

 

phone Transmitter

 

 

 

Microphone*

BETA58 SM58 or

WL93, WL184 or

WH20TQG Headset

 

Hand-Held Microphone

WL185 Lavalier

Microphone

 

 

 

Microphone

 

 

Receiver

 

UT4 Diversity Receiver with MARCAD Circuitry

 

Power Supply

 

PS20 (120 Vac, 60 Hz) or PS20E (230 Vac, 50 Hz)

 

Supplied

Microphone Stand

Vinyl Transmitter Bag,

Vinyl Transmitter Bag,

Vinyl Transmitter Bag,

Accessories

Adapter, Vinyl Trans-

Receiver Feet,

Receiver Feet,

Receiver Feet,

 

mitter Bag,

Receiver VELCRO

Receiver VELCRO

Receiver VELCRO

 

Receiver Feet,

Mounting Strips

Mounting Strips

Mounting Strips

 

Receiver VELCRO

 

 

 

 

Mounting Strips

 

 

 

*Additional microphones may be available at later date

 

 

STACKING AND RACK-MOUNTING RECEIVERS

 

 

SHURE

 

 

 

 

SHURE

SHURE

SHURE

 

STACKED RECEIVERS

RACK-MOUNTED RECEIVERS

FIGURE 1

The UT4 receiver may be used in numerous applications, and is designed to be easily stacked or rack-mounted for multiple system use (see Figure 1).

To stack receivers: The raised corners are designed to create stability when receiv-

ers are stacked, if placed on a flat surface with feet attached. It is important to position the antennas at a 45° angle from vertical so that the antennas do not touch.

To rack-mount receivers: The UT4 receiver is a half-rack unit, and two receivers should fit into a standard rack space. Place the outer antennas at a 45° angle from vertical; place the inner antennas in a vertical position. ANTENNAS SHOULD NOT CROSS OR TOUCH. (See Optional Accessories for rack mount accessories.)

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7

8

9

 

6

5

 

.

. . .

.

 

.

..

1

.

 

.

 

 

2 3

4

 

 

SHURE BOTHERS INC.

UNBALANCED

 

EVANSTON IL 60202 USA

HIGH Z

SQUELCH

UT4 DIVERSTIY

LINE MIC

 

DC INPUT

BALANCED

 

12–18 VDC

LOW Z

MIN MAX

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FIGURE 2

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UT4 DIVERSITY RECEIVER FEATURES (FIGURE 2)

1.Power On Indicator: This green light glows when the receiver is plugged into an electrical outlet. It indicates that the receiver is on.

2.Diversity Signal Indicators: The yellow DIVERSITY A/B lights glow when RF (radio frequency) signals are received from the UT1 or UT2 transmitter. When only one light is glowing, the signal is being received on only one antenna. When both lights are glowing, the UT4 is receiving signals on both antennas.

3.Audio Peak Indicator: This red light flickers when the receiver input signal approaches the overload clipping level. It is affected by the transmitter gain control setting, and the level of the guitar or bass (The Guitarist-UHF systems) or the singer or the speaker (The Vocal Artist-UHF, The Presenter-UHF, and The Headset-UHF systems).

4.Volume Control: Rotate this knob to increase or decrease the volume of the receiver output. This control does not affect the AUDIO PEAK indicator.

5.Semi-Rigid Receiver Antennas: The semi-rigid receiver antennas should be pointed away from each other at 45° angle from vertical for best performance, and should not touch when stacked or rack-mounted.

6.1/4” Phone Jack Audio Output Connector (Unbalanced High Z): An unbalanced audio cable with a 1/4” phone plug (such as a standard guitar cable) can be used between this connector and your amplifier input.

7.XLR Audio Output Connector (Balanced Low Z): Plug an XLR audio cable from this connector to the input of your mixer.

8.Mic/Line Slide Switch: Switches output of XLR connector from microphone to line level. Use of line level is suggested when connecting receiver to a mixing or amplifying device without an available mic-level input, such as a power amplifier, signal processing device or VCR.

9.Squelch Control: Adjusts squelch control setting to emphasize either signal quality or system range. This control is factory pre-set, and normally does not need further adjustment. Refer to Receiver Squelch Adjustment section for more information.

10.Power Input Connector: Connect the ac adapter to this jack and then plug into an ac electrical outlet.

11. Power Cable Retainer: Secures the ac adapter cable to receiver.

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9

11

8

10

Á ÉÉÉ

7

 

LOW BATT

 

6

ON

INPUT

ATTEN

 

 

MUTE

0 -20 OFF PWR

 

 

5

 

1

 

2

4 3

FIGURE 3

UT1 BODY-PACK TRANSMITTER FEATURES (FIGURE 3)

1.Power/Off Switch: Turns transmitter power on and off.

2.Input Attenuation Switch: Allows choice between 0 dB and –20 dB attenuation, for greater range of audio gain control.

3.Power/Battery Fuel Gauge: The green light indicates the unit is on. The red light indicates less than one hour of battery life remains.

4.On/Mute Switch: Mutes the transmitter to prevent unwanted sounds from being picked up by the receiver without turning the transmitter off.

5.Input Connector: Miniature connector (TB4M) allows connection to a variety of lavalier and headset microphone cables and the Shure WA302 instrument adapter cable.

6.Belt Clip: Secures the transmitter to a belt, waistband or guitar strap.

7.Audio Gain Control: Provides audio level adjustment to accommodate various input signal strengths (e.g., speaking into a microphone or playing an instrument). The factory setting is at mid-point. A small screwdriver is supplied to make adjustments.

8.Antenna: A flexible wire antenna is permanently attached to the bottom of the UT1 body-pack transmitter. For best operation, the antenna must hang vertically, and should not be coiled or bundled.

9.Battery Compartment: Holds one 9 V battery. Hinged cover opens to provide access to the battery.

10.Lavalier Microphone (WL93 shown): Omnidirectional (WL93), supercardioid (WL184) or cardioid (WL185) condenser lavalier microphone, featuring a mount that clips onto a tie, lapel, or acoustic instrument and an attached Miniature Connector, TA4F (supplied with The Presenter system)

11.Headset Microphone (WH20TQG shown): Headset microphone features a headset frame, headband, and an attached Miniature Connector (TA4F). See tag attached to headset for assembly instructions (supplied with The Headset System).

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ATTACHING THE UT1 BODY-PACK TRANSMITTER TO BELT OR GUITAR STRAP

FIGURE 4

1.Depress the tab marked PRESS and slip your belt, waist band or guitar strap between the transmitter body and the belt clip (Figure 4).

2.The clip holds tighter if the material is drawn to the clip’s top wire, especially when using thinner guitar straps.

UT2 MICROPHONE-TRANSMITTER FEATURES (FIGURE 5)

OFF PWR

LOW BAT

ON

MUTE

5

6

7

1

2

3

4

FIGURE 5

1.Power/Off Switch: Turns the transmitter on and off. It is recessed to prevent it from being accidentally turned off.

2.Power On Indicator: Green light glows when the POWER/OFF switch is in the POWER position, as a reminder to turn the transmitter off when it is not in use.

3.Low Battery Indicator: A red light glows when there is one hour or less of useful operating time, allowing battery to be changed before power is depleted.

4.On/Mute Switch: Allows muting of the microphone audio, avoiding the “thump” noise that can occur when turning the transmitter on and off.

5.Audio Gain Control: Allows the level of vocals to be matched with the transmitter for better performance.

6.9 V Battery (shown installed): Provides power to the microphone-transmitter.

7.Battery Cover: Unscrews for access to the 9 V battery and gain control.

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