NOTE: Operation of this device is subject to the following two conditions:
(1) this device may not cause interference, and
(2) this device must accept interference, including interference that may cause undesired operation of the device.
ENGLISHENGLISH
QUICK SETUP GUIDE FOR THE SHURE UC WIRELESS SYSTEM
UC4 Receiver Setup
1. Plug the dc power supply into the power connector on the back of the receiver. Connect the other end of the power
supply into an electrical outlet. (This power supply is for indoor use only.)
2. Attach the two antennas to the ANTENNA IN BNC connectors.
3. Connect audio cable(s) from the UC4 audio output(s) into the audio input(s) of the mixer and/or amplifier.
4. If you are using a handheld microphone system or lavalier microphone system, move the receiver MIC/LINE switch
to the MIC position. If you are using an instrument system, move the MIC/LINE switch to the LINE position. Make
sure the receiver settings match the input settings on the mixer.
5. Turn the receiver on.
Note: If you encounter RF interference, change the Group and Channel setting using the supplied screwdriver. R e fer to the supplement for additional frequency information.
6. Set the OUTPUT LEVEL CONTROL to maximum (fully clockwise).
UC1/UC2 Transmitter Setup
1. Open the battery cover and insert a fresh 9V alkaline battery.
2. Make sure the transmitter Group and Channel settings match those of the receiver. If they do not, use a screwdriver
to rotate the Group and Channel switches clockwise to increase the setting or counterclockwise to decrease the
setting.
3. If you are using a UC1 transmitter with a lavalier microphone, make sure the Attenuator switch is set to the 0 dB
position. If you are using a UC1 transmitter with an instrument adapter cable, set the Attenuator switch to the –20
dB position.
4. Close the battery cover.
System Operation
1. Turn the transmitter on and speak into the microphone or play your instrument. The RF and audio LEDs on the
receiver should illuminate, indicating that it is receiving the transmitter signal.
2. Adjust the transmitter gain until the yellow LEDs on the receiver light up as you speak into the microphone or play
your instrument. The red LEDs should light up when you speak or play your instrument loudly.
– 1 –
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UC1
SYSTEM DESCRIPTION
The Shure UC Wireless System is a frequency–agile, diversity wireless system operating in the UHF band. Both
the receiver and the transmitter are microprocessor controlled by Phase Locked Loop (PLL) circuitry for a clear, steady
signal. The receiver is half–rack sized and can be mounted in a standard 19 inch (482 mm) audio equipment rack.
Each Shure UC Wireless System includes the following components:
UC1 Body-Pack Transmitter with your choice of lavalier microphone, headworn microphone, instrument microphone
or cable,
or
UC2 Hand-Held Microphone-Transmitter with your choice of interchangeable microphone heads, including:
• SM58
• BETA 58A
cardioid dynamic microphone
supercardioid premium dynamic microphone
UC2
UC4
UC WIRELESS SYSTEM COMPONENTS
FIGURE 1
• SM87 supercardioid condenser microphone
• BET A 87A supercardioid or BETA 87C cardioid premium condenser microphone
and a
UC4 Diversity Receiver with power supply, antennas, and rack-mounting hardware.
Accessories include a R emote A udio M ute S witch f or body p ack transmitters, an A ntenna D istribution System, a P assive
Antenna Splitter/Combiner, and Front/Remote Antenna Mounting Hardware. All accessories are available separately.
SYSTEM FEATURES
• UHF Band Operation. The Shure UC System operates within the UHF frequency band, which is less con-
gested than the VHF band. Typically, UHF systems encounter less interference than VHF systems.
• Frequency Agility. The UC transmitter and receiver frequencies can be changed to avoid RF interference. This
ensures interference–free operation, even in the most congested RF environments.
• 1/2 Rack Receiver Design. The UC4 receiver interfaces with the HR (half–rack) format to save rack space.
The UC4 receiver is supplied with hardware for single and dual rack mounting.
signals from both receiver sections and combines them into a single output signal. MARCAD provides superior
reception and exceptional freedom from dropouts.
• Built–in Equalizer (On Receiver). Lets you tailor frequency response to match other devices in the system.
• Tone Key Squelch Circuitry. Prevents unwanted noise from entering the system, including the “pop” noise that
occurs when the transmitter is turned on or off.
• Noise Squelch Circuitry. Analyzes signal quality rather than signal strength, virtually eliminating the possibility
of annoying noise bursts.
• Dual RF Meters (On Receiver). Indicate received signal strength at each antenna, making it easier to identify
“dead spots” in the performing area.
• Audio Meter (On Receiver). Lets you monitor received audio level and helps you optimize the transmitter gain
setting.
• Logic In/Out Terminal (On Receiver). Provides logic interface with external devices.
• Preconfigured Group/Channel and Frequency Setup. Ensures frequency compatibility and simplifies instal-
lation of multiple UC systems. A “Group” is a preconfigured set of frequencies or channels that do not interfere
with one another.
• Optional Remote Mute feature on body–pack. Lets you externally mute body pack transmitter during perfor-
mance.
– 2 –
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234
5
234
1
6
7
UC1 BODY PACK TRANSMITTER FEATURES AND CONTROLS
8
9
10
11
12
FIGURE 2
UC1 TRANSMITTER FEATURES AND CONTROLS
1. Antenna. A flexible 1/4 wave whip antenna is permanently attached to the top of the UC1 Body–Pack transmitter .
2. Power/Battery Fuel Gauge. When the Power switch is in the ON position, one of the three LEDs will glow, indicating that the transmitter is on. The LED color indicates the amount of battery life remaining. Refer to the “Checking
the Transmitter Battery” paragraph.
3. ON/OFF Switch. Turns transmitter power on and off.
4. Input Connector ( LEMO c onnector o ptional). T his TA4F mini-connector provides connection w ith a v ariety o f l avalier ,
instrument and headset microphones and cables. LEMO connectors are available as an option.
5. Remote Mute Switch Input Connector. When used with the optional Shure UA101 Remote Mute Switch, this
3.5 mm connector lets you remotely mute the body pack during a performance.
6. Group Setting Control (Red Switch). Rotating this switch clockwise advances the Group setting. Rotating it counterclockwise decreases the Group setting. Use the supplied screwdriver (Xcelite R3322 or equivalent) to make adjustments.
7. Channel Setting Control (Green Switch). Rotating this switch clockwise advances the Channel setting. Rotating
it counterclockwise decreases the Channel setting. Use the supplied screwdriver (Xcelite R3322 or equivalent) to
make adjustments.
8. Input Attenuation Control. This two position switch lets you select either 0 dB or –20 dB attenuation, depending
on the input source and application. Use the 0 dB position for normal applications including voice, and low output
instruments. Use the 20 dB pad position for high output instruments such as electric guitars with active electronics.
9. Audio Gain Control. Changes the audio level to accommodate various sound sources (e.g. singing, speaking,
or musical instrument). Use the supplied screwdriver (Xcelite R3322 or equivalent) to make adjustments. Refer to
the “Adjusting the Transmitter Gain Level” paragraph.
10.Battery Compartment. Holds one 9V battery.
11.Battery Compartment Cover. Hinged cover on front surface opens to expose the battery and Group/Channel,
Gain, and Attenuation controls.
12.Battery Cover Release Tabs. Squeeze these two tabs together to release the battery cover.
13.Belt Clip (not shown). Allows the transmitter to be worn on a belt, waistband, or guitar strap. The belt clip can be
rotated 180°.
– 3 –
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1
2
3
4
7
UC2 HAND–HELD TRANSMITTER FEATURES AND CONTROLS
5
FIGURE 3
6
8
UC2 TRANSMITTER FEATURES AND CONTROLS
1. Grille. Protects the microphone cartridge and helps reduce breath sounds and wind noise. The grilles for the various microphone heads differ in appearance.
2. Power Indicator/Battery Fuel Gauge. When the UC2 is turned on, one of three LEDs will glow, indicating that
power is on and the amount of battery life remaining. Refer to the “Checking Transmitter Battery” paragraph for
more information on battery life.
3. Power Switch. Turns the transmitter on and off.
4. Audio Gain Control. Changes the audio level to accommodate various sound sources (e.g. singing or speaking).
Use the supplied screwdriver (Xcelite R3322 or equivalent) to make adjustments. Refer to the “Adjusting the Transmitter Gain Level” paragraph.
5. Group Setting Control (Red Switch). Rotating this switch clockwise advances the Group setting. Rotating it counterclockwise decreases the Group setting. Use the supplied screwdriver (Xcelite R3322 or equivalent) to change
the setting.
6. Channel Setting Control (Green Switch). Rotating this switch clockwise advanc es the Channel setting. Rotating
it counterclockwise decreases the Channel setting. Use the supplied scr ewdriver (Xcelite R3322 or equivalent) to
make adjustments.
7. 9 V Battery. Provides power to the transmitter and microphone.
8. Battery Cover. Unscrews to expose battery and Group, Channel, Gain, and Attenuation controls.
– 4 –
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1
A B
2
12
345678
131415161717
UC4 RECEIVER CONTROLS AND INDICA TORS
FIGURE 4
9
1011
UC4 RECEIVER CONTROLS AND CONNECTORS
1. A/B Diversity Signal Indicators. Indicate presence of received RF signal and diversity status.
2. Squelch Control. Sets the point at which the receiver “mutes” when the transmitter signal becomes noisy, weak,
or fails. This control is factory-set at the 12 o’clock position.
3. RF Level Indicators. Indicate RF signal strength. The more LEDs that glow, the stronger the received signal. If none
of these LEDs glow, no signal is being received.
4. Audio Level Indicators. Indicate transmitted audio signal strength. Green indicates normal operation. Amber
indicates approaching overload condition. Red indicates excessive audio levels.
5. Low Transmitter Battery Level Warning Indicator. This LED glows when the transmitter battery level is low. Refer
to the “Checking Transmitter Batteries” section.
6. Group Setting Control. Rotate this switch clockwise to advance the Group setting, or rotate it counterclockwise
to decrease the setting. Use the supplied screwdriver to make adjustments.
7. Group/Channel Display. Indicates the current Group and Channel settings.
8. Channel Setting Control. Rotate this switch clockwise to advance the Channel setting, or rotate it counterclockwise to decrease the setting. Use the supplied screwdriver to make adjustments.
9. Low Frequency Cut and High Frequency Shelving Equalization Controls. Adjustable low–frequency roll off
(high pass) reduces undesirable low–frequency signals. The level boost or cut in the mid to high–frequency region
compensates for off–axis lavalier microphones and adjusts the sibilance of vocal microphones.
10.Audio Output Control. Adjusts the receiver output level to match the required input levels of a mixer or amplifier.
Normally, this control is set fully clockwise.
11.Power On/Off Switch. Turns the receiver on and off.
12.Power Connector. Accepts power from the supplied AC adapter , or from any filtered 15–18 Vdc (600 mA minimum)
supply. It also accepts the dc power cord from a Shure UA845 Antenna Distribution System.
13.Low Z (balanced) Output Connector. XLR connector provides balanced low–impedance mic level or line level
output.
14.Mic/Line Slide Switch. Controls output of balanced XLR connector. It can be set for microphone (–14 dBu) or line–
level (+16 dBu).
15.High Z (unbalanced) Output Connector. This 1/4 inch phone jack provides unbalanced high impedance auxiliary
level output.
16.TTL Logic Output Terminal. This “Phoenix Style” connector lets you control external devices based on the status
of the UC System.
17.Antenna Input Connectors. BNC–type connectors provide connection to the supplied antennas or to the coaxial
cable used with a distribution amplifier.
– 5 –
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ENGLISH
RECEIVER CABLE CONNECTIONS
1. Connect the receiver output to the mixer or amplifier input, using a standard audio cable with a female 3–pin XLR
connector or 1/4” phone plug. Refer to Figure 5.
2. Connect the AC power adapter to the POWER jack on the rear panel of the receiver.
3. Plug the AC adapter into an AC power source.
Power Supply ModelPower Type
PS4090–120 VAC, 60 Hz
PS40E230 VAC, 50/60 Hz
PS40UK230 VAC, 50/60 Hz
PS40J100 VAC, 50/60 Hz
AUDIO MIXER
DC POWER
SUPPLY
AC POWER
SOURCE
LOUDSPEAKER
TYPICAL UC4 RECEIVER CABLING CONFIGURATION
AMPLIFIER
FIGURE 5
LOUDSPEAKER
NOTE: If a receiver is rack mounted, RF performance can be improved by remotely locating the antennas. Diversity
performance can be improved by placing one or both antennas at a remote location and separating them by at least
1.5 meters (60 in.). Use UA825 or UA850 Extension Cable kits or other low–loss cable (RG8 or equivalent) with
remote antennas. Do not use the supplied 1/4 wave antennas at remote locations. Use only UA820A 1/2 wave antennas for remote installation.
TRANSMITTER SETUP
Checking the Transmitter Battery
Turn the transmitter ON/OFF switch to the ON position and verify that one of the LEDs glow. The amount of battery
life remaining is indicated by which LED is lit, as shown in the following table:
Transmitter LED ColorReceiver LED ColorRemaining Transmitter Operating Time
Green––2 to 8 hours
Amber––45 minutes to 2 hours
RedRed45 minutes or less
*Estimated operating time assumes the use of a fresh 9V alkaline battery.
NOTE: If extended performance time is required, use an Ultralife 9V lithium battery, which can last more than twice
as long as an alkaline battery. A rechargeable 8.4V nicad battery will cause the indicators to change more quickly
than if a 9 V alkaline battery is used. Carbon-zinc and zinc-chloride batteries will not provide adequate power and are
not recommended. Actual times depend on the type and brand of battery used.
– 6 –
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