READ ME FIRST!
A quic
k g
uid
e t
o o
peratin
BATTERY
1.
Open the battery compartment on the VP3 Receiver and, while observing proper
battery
2. Open the battery compartment on the body-pack or hand-held transmitter and,
while
NOTE: If a 12 Vdc power source is to be used, plug a dc adapter cable (not
supplied)
not
MOUNTING
1. A. To mount the VP3 Receiver to a video/film camera using hook-and-loop
(VELCRO type) fastener strips, attach one strip to the VP3 Receiver and the
matching
on
1. B. To mount the VP3 Receiver on a video/film camera with a “shoe” attachment,
remove the belt clip from the receiver and replace it with the supplied “shoe”
adapter,
on
NOTE: The VP3 Receiver can be
In
CABLE
1.
Connect the VP3 Receiver audio output to the camera or
using the supplied WA460 audio cable. Make certain the wireless receiver
signal
hangs freely between the receiver and the audio input.
NOTE: If the microphone input requires an XLR-type connector, use the Shure
WA450 cable (available as an accessory). Some camera inputs may require a
stereo-to-mono
2. To monitor received audio, plug the headphones cable (not supplied) into the VP3
Receiver
On a body-pack transmitter
3.
on
INST
ALLATION
polarity (“+/–”), insert a fresh 9-volt alkaline battery
observing proper battery polarity (“+/–”), insert a fresh 9-volt alkaline
into the DC power input on the side of the receiver
necessary to install a battery in the VP3 Receiver
THE VP3 RECEIVER T
strip to the camera. Then mate the strip on the VP3 Receiver to the strip
the on the video/film camera.
using the
the camera.
either case, the antenna
same screw
CONNECTIONS
is compatible with your camcorder’s input circuitry
adapter (not supplied); refer to the
P
HONES connector.
the transmitter
.
g y
our Shur
e V
P Wireles
s M
.
O THE CAMERA
. Then slide the VP3 Receiver into the shoe mount
mounted on a camera horizontally or vertically
must
be positioned vertically
mixer microphone input,
. Make certain the cable
Cable Connections
, connect the microphone cable to the 4-pin connector
OPERATION
1. Slid
e the VP3 R
the r
on
Set transmitter POWER and
2.
light
V
3.
and is steadily illuminated. This indicates that the transmitter signal is being
received.
Have someone talk, sing, or play a musical instrument into the microphone. The red
4.
AUDIO
AUDIO
eceiver wil
on the transmitter will illuminate, indicating a good battery
erify that the POWER/RF light on the VP3 Receiver changes from green to orange
PEAK indicator on
PEAK indicator on the VP3 Receiver is always
Audio Gain Adjustments
headphones
is
heard
eceive
r P
OWE
R s
witc
l i
lluminat
e g
MIC switches to the ON position. The green POWER
the VP3 Receiver should flicker occasionally
are used, adjust the headphones LEVEL control until the audio signal
clearly.
section in the user’s manual. If optional monitor
h into the O
ree
n, indicating a good battery
2 3
N p
osition
on or is
icrophon
.
. If dc power is used, it is
. The P
.
OWER/R
.
.
never
on, refer to the
e S
ystem
section).
. If the red
battery
audio
F l
ight
INTRODUCTION
This booklet contains instructions for installing and operating Shure Portable
Wireless
Body-Pack and Hand-Held Transmitters. Please read it thoroughly to obtain top
performance from your system.
VP3
.
.
Battery
1.
2. Insert a fresh 9-volt alkaline battery into the receiver. Make sure the battery
Mounting the VP3 Receiver
1. A. If hook-and-loop (VELCRO type) fastener strips are used, attach the
1.
2. Make sure the receiver antenna is in the line-of-sight of the transmitter
Cable Connections
1. Connect the receiver audio output to the camera microphone input or to the
2. If headphones are used, plug the headphones cable into the receiver PHONES
Microphone Systems using the Shure VP3 Receiver and a variety of Shure
RECEIVER SETUP AND CONNECTIONS
Installation
Press down on the OPEN side of the battery compartment cover and slide it in the
direction
polarity (“+/–”) is correct.
IMPORTANT: When replacing the battery, use only a 9-volt alkaline battery or
heavy-duty, rechargeable 8.4 volt nicad battery. Carbon-zinc and zinc-chloride
batteries
hook-and-loop strips to the the VP3 receiver and attach matching strips to the
mounting surface.
NOTE:
the
through
the
B. If you are using a video or movie camera with a “shoe” attachment, remove
belt
the
IMPORTANT: Avoid operating the system near metal surfaces and obstructions,
since they will degrade system performance.
microphone
the
NOTE:
a stereo audio input may short the receiver ’s audio output. This will not harm the
camera or r
Shack
too that if the microphone input requires an XLR-type connector, use the Shure
WA450 cabl
connector.
NOTE:
levels are used. This may become worse as battery power decreases. This
distortion, while audible in the headphones, is not being recorded.
indicated until it flips open, as shown below in Figure 1.
are not recommended.
The VP3 receiver can be mounted horizontally or vertically
VP3 antenna must be positioned vertically
a 180° arc, from the case front
antenna toward the
clip from the VP3 receiver and install the “shoe” adapter in its place. Then slide
shoe adapter on the VP3 into the shoe on the video camera.
cable hangs freely between the receiver and the audio input.
input on a mixer using the supplied WA460 audio cable. Make certain
Due t
o s
eceiver
274–363 or equivalent) between the VP3 output and the camera input. N
e (
availabl
Certain inexpensive headphones may sound distorted when loud audio
The VP3 can produce ear-damaging headphones levels. Turn the
headphones
sides
of the case.
(Figure 2)
tereo–mon
, but will r
VOLUME control up slowly when making adjustments.
e a
s a
o c
equir
n a
ompatibilit
e the use o
ccessory).
WARNING
. Note too that the antenna can pivot
to the case back.
y p
roblems
f a 1/8” stereo-to-mono adapter (Radio
DO NOT
, s
ome camera
. In either case,
attempt to pivot
the
.
s e
quippe
d w
ith
ote
3.
If a 12 Vdc (at 100 mA) power source is to be used (such as Shure’
plug
a dc adapter cable (not supplied) into the DC power input on the side of the
receiver
reflective
These
part of the antenna system as well. The result is extended operating range and
greater
*WA460: TA3F to miniature phone plug [furnished] or W
TRANSMITTER
T2
or EC2 Hand–Held Microphone-T
1. Make sure the transmitter POWER ON/OFF switch is in the OFF position.
2.
While holding the upper part of the
handle
3. Insert a fresh 9 V alkaline battery into the compartment. Observe proper battery
polarity
IMPORTANT: When replacing the battery, use only 9-V alkaline battery or
heavy-duty, rechargeable 8.4-V nicad battery. Carbon-zinc and zinc-chloride
batteries
T
1 o
Press down on the OPEN side of the battery compartment cover and slide it in the
1.
direction
2. Insert a fresh 9-V alkaline battery
Close the compartment cover
IMPORTANT: Use only 9 V alkaline battery or heavy-duty, rechargeable 8.4-V
nicad
3.
Plug the connector end of the lavalier microphone cable into the 4-pin connector
the
4. If you are using a lavalier microphone, press the microphone into the necktie
mounting block and clip it to your tie or lapel, or mount the microphone with a
sew-on
5. Attach the transmitter to your belt with the belt clip.
OPERATING
1. Slid
receiver wil
2.
Set transmitter POWER and
light
V
3.
is
NOTE:
4.
While
the
according
5.
If monitor headphones are being used, turn up the headphones VOLUME control
so that the transmitted audio signal is heard. The headphones level may require
adjustment
6.
While speaking into the microphone, move around the performing area
and
. The 9-volt battery need not be removed during 12 Vdc operation.
NOTE:
The VP3’
s flexible
counterpoise
specially designed cables function in an audio capacity and form an integral
immunity to signal “dropouts.”
1
/
wave antenna works in tandem with Shure’
4
audio output cables* to achieve superior RF performance.
A450: T
A3F to 3-pin XLR [optional].
SETUP AND CONNECTIONS
ransmitter
and slide it downward, as shown below in Figure 3.
(+ and –). Close the handle.
are not recommended.
r EC
1 B
ody-Pac
indicated until it flips open, as shown in Figure 4.
battery
transmitter
mounting clip.
k T
ransmitter
. Carbon-zinc and zinc-chloride batteries are not recommended.
. See Figure 5.
transmitter
. Make sure the battery polarity (+/–) is correct.
.
, unscrew (turn counterclockwise) the
THE SYSTEM
e the r
eceive
r P
OWE
R s
witc
l i
lluminat
e g
reen.
on the transmitter will illuminate, indicating a good battery
erify that the POWER/RF light on the receiver changes from green to orange and
steadily illuminated. This indicates that the transmitter signal is being received.
A flickering light indicates marginal operation.
someone talks into the microphone, verify that the red AUDIO PEAK light on
receiver flickers
to the procedure in the
after the transmitter audio gain is adjusted.
make sure no problems such as radio signal loss occur
only
on loud peaks. If necessary
h to the O
MIC switches to the ON position. The green POWER
N p
osition
. The P
, adjust the audio gain settings
Audio Gain Adjustment
4 5
s PS20/PS20E),
OWER/R
paragraphs.
.
F l
.
s unique
on
igh
t on t
he
to be used,
7. When the performance or presentation is over
POWER switches to OFF to conserve battery power.
8. Note that during a performance or presentation, the transmitter can be
temporarily
remains
avoided.
Audio
If
the AUDIO PEAK light is constantly illuminated, the audio signal is too high and
may
be distorted.
If
the AUDIO PEAK light
noisy.
To
correct these problems, adjust the transmitter as follows:
T1,
control on the transmitter until the receiver’s AUDIO PEAK light flickers red
occasionally
EC2
and locate the audio GAIN switch next to the battery holder. Select either the
LO
only
Changing VP3 Receiver Squelch Control Settings
The receiver SQUELCH control is factory-preset for operation in typical
environments. If squelch adjustment is necessary (as indicated by continued
illumination
as
follows:
1. Position the system as it will be during use.
2.
Using a screwdriver or fingernail,
receiver full counterclockwise.
3. T
urn the transmitter POWER switch
4.
If the RF or PEAK lights are on or are flickering, slowly turn the SQUELCH control,
located
the
receiver turn of
point.
NOTE: Turning the SQUELCH control toward MIN (counterclockwise) makes the
receiver
the
microphone signal to become noisier before it is muted.
Turning the control toward MAX (clockwise) reduces the system’s range, but
prevents interfering signals and noise from overriding the squelch when the
transmitter
FEA TURES AN
VP3 RECEIVER
1. Antenna:
to
maintain vertical orientation.
2.
Belt Clip: Allows the receiver to be worn on a belt or waistband. The clip can be
removed
is
used.
3.
12 Vdc Power Input Connector: Accepts 12 Vdc power from
12 Vdc (at 100 mA) power supply such as Shure’s PS/20 or PS/20E.
4. Headphones Output Connector: Insert headphones mini-plug (stereo/mono
compatible)
turned of
on, and “popping” or “thumping” noise
Gain Adjustments
T2, EC1
(Figure 7)
gain or HI gain position so that the receiver’s AUDIO PEAK light flickers red
occasionally in response to a typical audio signal from the source.
of the RF (orange) or PEAK (red) lights with the transmitter
f using the MUTE switch. In this way
never
illuminates, the audio signal is too low and may be
(Figures 6,
in response to a typical audio signal from the source.
:
7)
:
Using the supplied screwdriver
Unscrew the handle on the hand-held
rotate the headphones VOLUME control on the
off
on the rear panel of the receiver
See Figure 8.
more sensitive and increases the system’s range. However
signal is not present.
Receives RF signals from the transmitter
when the hook-and-loop (VELCRO type) mounting strip or “shoe”
f. Then continue turning the
D C
ONTROLS
(Figure 9)
into this connector to monitor the audio signal.
, slide the receiver and transmitter
from microphone turn-on and-of
.
, clockwise until the RF or PEAK lights on
control clockwise
, the transmitter RF power
, adjust the audio level
microphone-transmitter
off
slightly
, it also allows
. Pivot the antenna as required
any well–filtered
f is
), proceed
past this
adapter