PERMANENT HEARING DAMAGE. USE AS LOW A VOLUME AS POSSIBLE.
In order to use this system safely, avoid prolonged listening at excessive sound pressure levels. Please use the following guidelines established by the Occupational Safety Health Administration (OSHA) on maximum time exposure
to sound pressure levels before hearing damage occurs.
90 dB SPL at 8 hours
95 dB SPL at 4 hours
100 dB SPL at 2 hours
105 dB SPL at 1 hour
110 dB SPL at
115 dB SPL at 15 minutes
120 dB SPL — avoid or hearing damage may occur
It is difficult to measure the exact Sound Pressure Levels (SPL) present at the eardrum in live applications. In addition to
the volume setting on the PSM, the SPL in the ear is affected by ambient sound from floor wedges or other devices. The
isolation provided by the fit of quality earphones is also an important factor in determining the SPL in the ear.
1
/2 hour
Here are some general tips to follow in the use of this product to protect your ears from damage:
1. Turn up the volume control only far enough to hear properly.
2. Ringing in the ears may indicate that the gain levels are too high. Try lowering the gain levels.
3. Have your ears checked by an audiologist on a regular basis. If you experience wax buildup in your ears, stop
using the system until an audiologist has examined your ears.
4. Wipe the earphones with an antiseptic before and after use to avoid infections. Stop using the earphones if
they are causing great discomfort or infection.
This symbol indicates important operating and
maintenance instructions in the literature accompanying this unit.
LICENSING INFORMATION
THIS RADIO EQUIPMENT IS INTENDED FOR USE IN PROFESSIONAL ENTERTAINMENT AND SIMILAR APPLICATIONS.
Changes or modifications not expressly approved by Shure Incorporated could void your authority to operate the equipment. Licensing of Shure wireless
microphone equipment is the user’s responsibility, and licensability depends on the user’s classification and application, and on the selected frequency. Shure
strongly urges the user to contact the appropriate telecommunications authority concerning proper licensing, and before choosing and ordering frequencies.
NOTE: THIS EQUIPMENT MAY BE CAPABLE OF OPERATING ON SOME FREQUENCIES NOT AUTHORIZED IN YOUR REGION. PLEASE CONTACT YOUR NATIONAL AUTHORITY TO OBTAIN INFORMATION ON AUTHORIZED FREQUENCIES FOR WIRELESS MICROPHONE PRODUCTS IN YOUR REGION
Licensing: Note that a ministerial license to operate this equipment may be required in certain areas. Consult your national authority for possible
The following set-up illustration is for the complete PSM200 Wireless System, which includes the P2T TransMixer,
the P2R Receiver, and the E2 Earphones. If you have purchased the P2R as a stand-alone wired personal monitor,
see page 4.
ENGLISH
1.Plug in the power supply and connect it to the DC
input on the rear panel of the P2T TransMixer.
PSM200 TransMixer
2
MIC/LINE1
MIC/LINE2
1 INPUTS
CHANNEL
SELECT
Mixing Console
3.Connect audio sources to the MIC/LINE INPUTS on the front
panel of the TransMixer.
4.Turn the Receiver volume knob clockwise past the click (ON).
Keep the volume at a low setting.
5.Set the TransMixer and Receiver to the same frequency channel. See the Selecting a Frequency Channel section on page 6.
2.Insert a 9 Volt battery into the P2R Receiver,
observing proper polarity.
6.Check the RF LED on the top of the Receiver to
confirm that it is receiving signal from the TransMixer.
7.Plug the Earphones into the earphone jack on the
Receiver. Insert the Earphones into your ears.
8.Increase Receiver volume until the knob is turned to
approximately 11 o’clock.
PSM200 TransMixer
2
MIC/LINE1
MIC/LINE2
1
INPUTS
CHANNEL
SELECT
Mixing Console
9.On the front panel of the TransMixer, adjust the signal level of each audio input with the INPUT knobs.
10. Check the INPUT LEDs on the TransMixer to verify that signal is present, but not clipping. See the Audio Inputsand Outputs section on page 6 for details.
11. Slowly adjust the Receiver volume to a comfortable level.
3
P2R Receiver Quick Set-Up Guide:
When Used as a Wired Stand-Alone Personal Monitor
ENGLISH
Mixing Console
1.Insert a 9 Volt battery into the P2R Receiver,
observing proper polarity.
3.Turn the P2R volume knob on (past the click).
Keep the volume at a low setting.
5.Set the GAIN switch to LO initially and set
your source volume to a moderate level.
2.Connect an audio source to the
on the side of the P2R.
4.Set the CHANNEL to “A” with the SELECT Button.
See the Wired Mode section on page 8 for details.
6.Attach the P2R onto your belt, waistband, or another
location and slide the cable into the cable management
groove on the back side of the unit.
1
/4-inch MIX IN jack
Mixing Console
7.Plug Earphones into the earphone jack on the P2R.
Insert the Earphones into your ears.
8.Slowly adjust the volume to a comfortable level. Set
the GAIN switch to HIGH if the signal level is too low.
4
ENGLISH
INTRODUCTION
Thank you for buying the PSM200. Like all Shure PSM personal monitoring products, the PSM200 provides the many advantages of
in-ear monitoring including:
Improved Sound Quality —high fidelity without the risk of feedback,
Increased Mobility —your mix moves with you,
Personal Control —create a personal mix, and control your own levels.
For information on this and other Shure products, visit www.shure.com on the World Wide Web.
The PSM200 Personal Monitor System
The PSM200 is a frequency-agile, in-ear monitor system for
use in a wide variety of applications. Its many features help
overcome the difficulties associated with stage monitoring.
The P2R Receiver is the world’s first bodypack receiver to
function as a wired receiver, a wireless receiver, or both at
the same time. This and other unique features, along with
excellent sound quality, make the P2R an exceptional value.
The P2T TransMixer is another breakthrough design for
in-ear monitoring. It allows the user to connect two line-level
or mic–level inputs directly into the transmitter. The two signals can then be mixed independently. You can connect mi-
crophones or instruments directly to the inputs, use line outputs from a mixing console, or connect it to Shure’s AuxPander. In short, no matter what the output device, you
can probably plug it into the TransMixer.
The complete PSM200 System includes the E2 Earphones,
which feature a dynamic driver that produces crisp, full-spectrum sound. They include a variety of sleeve options to provide
the best fit and isolation for your ears. The E2, like all Shure
earphones, work well with CD players, MP3 players, and anything else with a