To get your system up and running in just a few minutes, follow the simple instructions on this page. For more detailed information, refer to the sections of
this guide that apply to your system.
RECEIVER CONNECTIONS
1. Attach the antennas to the receiver antenna connectors.
2. Connect the AC power adapter to the receiver power connector; then plug it into an
ac electrical outlet.
3. Connect the receiver audio output to the sound system, using either a low- or
high-impedance audio cable.
TRANSMITTER CONNECTIONS
1. Open the transmitter battery compartment and insert a fresh 9-volt alkaline battery.
Observe proper battery polarity ( “+/–”).
2. If you are using a body-pack transmitter, connect the microphone or WA302 instru-
ment cable to the 4-pin connector on the transmitter.
OPERATING THE SYSTEM
1. Press the receiver POWER switch. The green POWER light on the receiver
illuminates.
2. Set the transmitter PWR/OFF switch to PWR and the ON/MUTE switch to ON. One
of the three lights on the transmitter illuminates, indicating both that the transmitter
is on and the amount of battery life remaining. Two sets of five RF level lights on
the receiver will also glow to indicate the strength of the received signal. The more
lights glowing, the stronger the signal.
3. Have someone talk or sing into the microphone, or play the musical instrument
connected to the transmitter. The audio level will be indicated as follows:
•Green lights (3) glowing indicates normal operation.
•Amber light glowing indicates approaching audio overload (should only occur
during loud signals).
•Red light glowing steadily indicates audio overload. If this happens, reduce the
transmitter gain until it flickers only during the loudest signals. Refer to the
Transmitter Audio Gain Adjustment section of this guide.
4. Adjust the receiver LEVEL control until the output level is compatible with the mixer
or amplifier input. In most cases, this control should be set fully clockwise.
YOU ARE NOW READY TO PERFORM!
IMPORTANT: Every wireless microphone installation is a unique situation,
and can present a variety of problems. Never attempt a live performance
without first conducting a “walkthrough” test of the system in the performing
area. If major changes (additional wireless systems or intercoms, relocation
of scenery, etc.) have been made since the last walk-through test, check the
wireless system again-as close to performance time as possible.
Your LX Wireless Microphone System features a MARCAD
ty receiver operating in the VHF band between 169 and 240 MHz. Up to 12 LX wireless
systems can be operated simultaneously in a single installation. Each LX system includes:
•
LX1
Body-Pack Transmitter, with your choice of instrument cable or micro-
phone,
or
•
LX2
Hand-Held Microphone-Transmitter with your choice of interchangeable
and one of the following half-rack size receivers:
•
LX3
Receiver
or
•
LX4
Diversity Receiver
- Both single and dual rack-mounting hardware
- One antenna (LX3 systems) or two antennas (LX4 systems)
- One of the following ac power adapters: PS40, PS40E, or PS40UK.
3
English
SYSTEM FEATURES
Shure LX Wireless Systems offer a number of exceptional features, including:
•
Exclusive Shure MARCAD Circuitry (LX4).
bining Audio Diversity) circuitry constantly monitors signals from both receiver
sections and combines them to create a single output signal. The result is improved reception and exceptional freedom from dropouts.
Half-Rack Receiver Size.
•
(half-rack) format, and are supplied with both single and dual rack-mount hardware. An optional WA503 accessory kit lets you front-mount antennas.
•
Power/Battery Fuel Gauge.
gauge that indicates both “power on” and the amount of battery life remaining
(see page 12).
•
Dual RF Level Meters (LX4).
LX4 receiver has two meters, one for each antenna. The dual meters indicate
received signal strength at each antenna, and make it easier to identify and troubleshoot RF “dead spots.”
Audio Metering.
•
ting and lets you monitor audio level during operation.
•
True Guitar Sound.
quality and reliability will appreciate the low noise and uncolored sound of the
LX Wireless System.
•
Noise Squelch.
This virtually eliminates the possibility of annoying noise bursts coming through
your receiver.
Body-Pack Transmitter Belt Clip.
•
a better grip, and firmly holds thinner, more slippery materials. It can be removed or inverted for special positioning.
•
Grip/Switch Cover Accessory.
cessory, supplied with all LX2 hand-held microphone-transmitters, prevents accidental movement of the power and mute switches and provides a “grip” feel.
•
Compact Power Adapter.
in-line transformers that save space on ac power strips. It also has mounting
tabs so it can be secured to any surface, as well as locking dc power connectors
to prevent accidental disconnection from the receiver.
A five-light audio meter helps to optimize transmitter gain set-
This circuit analyzes signal
The LX3 and LX4 receivers interface with the HR
The LX1 and LX2 transmitters include a three-light
Instead of a conventional single RF meter, the
Guitar players demanding the highest degree of sound
The belt clip has a wider contact surface for
The unbreakable WA555 grip/switch cover ac-
The supplied ac power adapter incorporates small,
MARCAD (MAximum Ratio Com-
quality
instead of signal
strength
.
4
LX Wireless System
LX1 BODY-PACK TRANSMITTER FEATURES, CONTROLS
AND INDICATORS
LX1 BODY-PACK TRANSMITTER FEATURES, CONTROLS AND INDICATORS
FIGURE 2
Antenna. A flexible wire antenna is permanently attached to the bottom of the LX1
body-pack transmitter. For best operation, the antenna must hang in the vertical
position, and should not be coiled or bundled.
Battery Compartment. Hinged cover on bottom surface exposes the battery.
Refer to the Body-Pack Transmitter Battery Installation section.
Audio Gain Control. Allows audio level adjustment to accommodate various
sound sources (e.g., singing, speaking, or playing an instrument). A small screwdriver is supplied to make adjustments (see the Setting Audio Level section).
Input Jack. This is a Mini- connector (TA4F) that provides connection with a vari-
ety of lavalier and headset microphone cables, and the Shure WA302 instrument
adapter cable.
Power/Battery Fuel Gauge. When the Power switch is turned to the PWR posi-
tion, one or two of the three lights on the transmitter illuminates, indicating power to
the unit. The color of the glowing light(s) indicates the amount of battery life
remaining (see page 12).
Belt Clip. Allows the transmitter to be easily worn on a belt, waistband or guitar
strap.
Mic On/Mute Switch. “Mutes” the transmitter to prevent unwanted sounds from
being picked up by the receiver without turning the transmitter off.
Power Switch. Turns transmitter power on and off.
5
English
LX2 HANDHELD MICROPHONE-TRANSMITTER
FEATURES, CONTROLS AND INDICATORS
LX2 MICROPHONE-TRANSMITTER FEATURES, CONTROLS, AND INDICATORS
FIGURE 3
Grille. Protects the microphone cartridge and helps reduce breath sounds and
wind noise. The grilles for the various microphone heads differ in appearance.
Power Switch. Turns transmitter power on and off.
Power/Battery Fuel Gauge. When the Power switch is turned to the PWR posi-
tion, one or two of the three lights on the transmitter illuminates. The color of the
glowing light(s) indicates the amount of battery life remaining (see page 12).
Mic On/Mute Switch. “Mutes” the transmitter to prevent unwanted sounds from
being picked up by the receiver without turning the transmitter off.
Audio Gain Control. Provides audio level adjustment to accommodate different
sound sources (see page 16).
Battery Cover. Removable cup hides battery and audio gain control.
6
LX Wireless System
LX3 RECEIVER FEATURES, CONTROLS AND INDICATORS
WIRELESS
FRONT
SQUELCH
RF
AUDIO
RECEIVER
LEVEL POWER
REAR
OUTPUT
I ZPOWER
H
12.5 – 18.9 VDC
ANT
LX3 RECEIVER CONTROLS, FEATURES, AND INDICATORS
FIGURE 4
RF Presence Indicators. Glows amber when the antenna is receiving usable RF
(radio frequency) signals.
Audio Level Indicators. Five lights glow to indicate audio signal strength. Green
lights indicate normal operation. An amber light indicates approaching overload
condition. A red light indicates excessive audio levels.
Squelch Control. Sets the point at which the receiver “mutes” when the transmit-
ter signal becomes noisy, weak or fails. This control is factory-set at the 12 o'clock
position to provide optimal operation in most applications.
Audio Output Level Control. Lets you adjust output level to match the input level
requirements of a mixer or amplifier. In most situations, this control should be set
fully clockwise.
Power On Indicator. This green light glows to indicate that the Power switch is on
and power is applied to the receiver.
Power On/Off Button. Turns the receiver on and off.
Output Connector. Quarter-inch phone jack provides unbalanced auxiliary level
(high-impedance) output.
Power Jack: Accepts power from the supplied AC adapter, or from any filtered 15
to 18 Vdc (400 mA minimum) supply. It will also accept the dc power cord from a
Shure WA405 Antenna Power/Distribution System.
Antenna Connector. UHF-type connector provides connection to the supplied
1/4-wave antenna or to coax cable used with a remote antenna. They also provide
connection to the optional Shure WA421 remote antenna cable kit used with
optional WA380 telescoping and WA490 cable-type 1/2-wave antennas.
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